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  • Project Gutenberg's The Green Helmet and Other Poems, by William Butler Yeats
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  • Title: The Green Helmet and Other Poems
  • Author: William Butler Yeats
  • Release Date: November 17, 2009 [EBook #30488]
  • Language: English
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  • THE GREEN HELMET AND
  • OTHER POEMS
  • THE GREEN HELMET AND
  • OTHER POEMS
  • BY
  • WILLIAM BUTLER YEATS
  • NEW YORK
  • THE MACMILLAN COMPANY
  • LONDON: MACMILLAN & CO., LTD.
  • 1912
  • _All rights reserved_
  • Copyright, 1911, by
  • WILLIAM BUTLER YEATS
  • Copyright, 1912, by
  • THE MACMILLAN CO.
  • _Set up and electrotyped. Published October, 1912_
  • THE GREEN HELMET AND
  • OTHER POEMS
  • HIS DREAM
  • I swayed upon the gaudy stern
  • The butt end of a steering oar,
  • And everywhere that I could turn
  • Men ran upon the shore.
  • And though I would have hushed the crowd
  • There was no mother's son but said,
  • "What is the figure in a shroud
  • Upon a gaudy bed?"
  • And fishes bubbling to the brim
  • Cried out upon that thing beneath,
  • It had such dignity of limb,
  • By the sweet name of Death.
  • Though I'd my finger on my lip,
  • What could I but take up the song?
  • And fish and crowd and gaudy ship
  • Cried out the whole night long,
  • Crying amid the glittering sea,
  • Naming it with ecstatic breath,
  • Because it had such dignity
  • By the sweet name of Death.
  • A WOMAN HOMER SUNG
  • If any man drew near
  • When I was young,
  • I thought, "He holds her dear,"
  • And shook with hate and fear.
  • But oh, 'twas bitter wrong
  • If he could pass her by
  • With an indifferent eye.
  • Whereon I wrote and wrought,
  • And now, being gray,
  • I dream that I have brought
  • To such a pitch my thought
  • That coming time can say,
  • "He shadowed in a glass
  • What thing her body was."
  • For she had fiery blood
  • When I was young,
  • And trod so sweetly proud
  • As 'twere upon a cloud,
  • A woman Homer sung,
  • That life and letters seem
  • But an heroic dream.
  • THAT THE NIGHT COME
  • She lived in storm and strife.
  • Her soul had such desire
  • For what proud death may bring
  • That it could not endure
  • The common good of life,
  • But lived as 'twere a king
  • That packed his marriage day
  • With banneret and pennon,
  • Trumpet and kettledrum,
  • And the outrageous cannon,
  • To bundle Time away
  • That the night come.
  • THE CONSOLATION
  • I had this thought awhile ago,
  • "My darling cannot understand
  • What I have done, or what would do
  • In this blind bitter land."
  • And I grew weary of the sun
  • Until my thoughts cleared up again,
  • Remembering that the best I have done
  • Was done to make it plain;
  • That every year I have cried, "At length
  • My darling understands it all,
  • Because I have come into my strength,
  • And words obey my call."
  • That had she done so who can say
  • What would have shaken from the sieve?
  • I might have thrown poor words away
  • And been content to live.
  • FRIENDS
  • Now must I these three praise--
  • Three women that have wrought
  • What joy is in my days;
  • One that no passing thought,
  • Nor those unpassing cares,
  • No, not in these fifteen
  • Many times troubled years,
  • Could ever come between
  • Heart and delighted heart;
  • And one because her hand
  • Had strength that could unbind
  • What none can understand,
  • What none can have and thrive,
  • Youth's dreamy load, till she
  • So changed me that I live
  • Labouring in ecstasy.
  • And what of her that took
  • All till my youth was gone
  • With scarce a pitying look?
  • How should I praise that one?
  • When day begins to break
  • I count my good and bad,
  • Being wakeful for her sake,
  • Remembering what she had,
  • What eagle look still shows,
  • While up from my heart's root
  • So great a sweetness flows
  • I shake from head to foot.
  • NO SECOND TROY
  • Why should I blame her that she filled my days
  • With misery, or that she would of late
  • Have taught to ignorant men most violent ways,
  • Or hurled the little streets upon the great,
  • Had they but courage equal to desire?
  • What could have made her peaceful with a mind
  • That nobleness made simple as a fire,
  • With beauty like a tightened bow, a kind
  • That is not natural in an age like this,
  • Being high and solitary and most stern?
  • Why, what could she have done being what she is?
  • Was there another Troy for her to burn?
  • RECONCILIATION
  • Some may have blamed you that you took away
  • The verses that could move them on the day
  • When, the ears being deafened, the sight of the eyes blind
  • With lightning you went from me, and I could find
  • Nothing to make a song about but kings,
  • Helmets, and swords, and half-forgotten things
  • That were like memories of you--but now
  • We'll out, for the world lives as long ago;
  • And while we're in our laughing, weeping fit,
  • Hurl helmets, crowns, and swords into the pit.
  • But, dear, cling close to me; since you were gone,
  • My barren thoughts have chilled me to the bone.
  • KING AND NO KING
  • "Would it were anything but merely voice!"
  • The No King cried who after that was King,
  • Because he had not heard of anything
  • That balanced with a word is more than noise;
  • Yet Old Romance being kind, let him prevail
  • Somewhere or somehow that I have forgot,
  • Though he'd but cannon--Whereas we that had thought
  • To have lit upon as clean and sweet a tale
  • Have been defeated by that pledge you gave
  • In momentary anger long ago;
  • And I that have not your faith, how shall I know
  • That in the blinding light beyond the grave
  • We'll find so good a thing as that we have lost?
  • The hourly kindness, the day's common speech,
  • The habitual content of each with each
  • When neither soul nor body has been crossed.
  • THE COLD HEAVEN
  • Suddenly I saw the cold and rook delighting Heaven
  • That seemed as though ice burned and was but the more ice,
  • And thereupon imagination and heart were driven
  • So wild, that every casual thought of that and this
  • Vanished, and left but memories, that should be out of season
  • With the hot blood of youth, of love crossed long ago;
  • And I took all the blame out of all sense and reason,
  • Until I cried and trembled and rocked to and fro,
  • Riddled with light. Ah! when the ghost begins to quicken,
  • Confusion of the death-bed over, is it sent
  • Out naked on the roads, as the books say, and stricken
  • By the injustice of the skies for punishment?
  • PEACE
  • Ah, that Time could touch a form
  • That could show what Homer's age
  • Bred to be a hero's wage.
  • "Were not all her life but storm,
  • Would not painters paint a form
  • Of such noble lines" I said.
  • "Such a delicate high head,
  • So much sternness and such charm,
  • Till they had changed us to like strength?"
  • Ah, but peace that comes at length,
  • Came when Time had touched her form.
  • AGAINST UNWORTHY PRAISE
  • O heart, be at peace, because
  • Nor knave nor dolt can break
  • What's not for their applause,
  • Being for a woman's sake.
  • Enough if the work has seemed,
  • So did she your strength renew,
  • A dream that a lion had dreamed
  • Till the wilderness cried aloud,
  • A secret between you two,
  • Between the proud and the proud.
  • What, still you would have their praise!
  • But here's a haughtier text,
  • The labyrinth of her days
  • That her own strangeness perplexed;
  • And how what her dreaming gave
  • Earned slander, ingratitude,
  • From self-same dolt and knave;
  • Aye, and worse wrong than these.
  • Yet she, singing upon her road,
  • Half lion, half child, is at peace.
  • THE FASCINATION OF WHAT'S DIFFICULT
  • The fascination of what's difficult
  • Has dried the sap out of my veins, and rent
  • Spontaneous joy and natural content
  • Out of my heart. There's something ails our colt
  • That must, as if it had not holy blood,
  • Nor on an Olympus leaped from cloud to cloud,
  • Shiver under the lash, strain, sweat and jolt
  • As though it dragged road metal. My curse on plays
  • That have to be set up in fifty ways,
  • On the day's war with every knave and dolt,
  • Theatre business, management of men.
  • I swear before the dawn comes round again
  • I'll find the stable and pull out the bolt.
  • A DRINKING SONG
  • Wine comes in at the mouth
  • And love comes in at the eye;
  • That's all we shall know for truth
  • Before we grow old and die.
  • I lift the glass to my mouth,
  • I look at you, and I sigh.
  • THE COMING OF WISDOM WITH TIME
  • Though leaves are many, the root is one;
  • Through all the lying days of my youth
  • I swayed my leaves and flowers in the sun;
  • Now I may wither into the truth.
  • ON HEARING THAT THE STUDENTS OF OUR NEW UNIVERSITY HAVE JOINED THE
  • ANCIENT ORDER OF HIBERNIANS AND THE AGITATION AGAINST IMMORAL LITERATURE
  • Where, where but here have Pride and Truth,
  • That long to give themselves for wage,
  • To shake their wicked sides at youth
  • Restraining reckless middle-age.
  • TO A POET, WHO WOULD HAVE ME PRAISE CERTAIN BAD POETS, IMITATORS OF HIS
  • AND MINE
  • You say, as I have often given tongue
  • In praise of what another's said or sung,
  • 'Twere politic to do the like by these;
  • But where's the wild dog that has praised his fleas?
  • THE ATTACK ON THE "PLAY BOY"
  • Once, when midnight smote the air,
  • Eunuchs ran through Hell and met
  • Round about Hell's gate, to stare
  • At great Juan riding by,
  • And like these to rail and sweat,
  • Maddened by that sinewy thigh.
  • A LYRIC FROM AN UNPUBLISHED PLAY
  • "Put off that mask of burning gold
  • With emerald eyes."
  • "O no, my dear, you make so bold
  • To find if hearts be wild and wise,
  • And yet not cold."
  • "I would but find what's there to find,
  • Love or deceit."
  • "It was the mask engaged your mind,
  • And after set your heart to beat,
  • Not what's behind."
  • "But lest you are my enemy,
  • I must enquire."
  • "O no, my dear, let all that be,
  • What matter, so there is but fire
  • In you, in me?"
  • UPON A HOUSE SHAKEN BY THE LAND AGITATION
  • How should the world be luckier if this house,
  • Where passion and precision have been one
  • Time out of mind, became too ruinous
  • To breed the lidless eye that loves the sun?
  • And the sweet laughing eagle thoughts that grow
  • Where wings have memory of wings, and all
  • That comes of the best knit to the best? Although
  • Mean roof-trees were the sturdier for its fall,
  • How should their luck run high enough to reach
  • The gifts that govern men, and after these
  • To gradual Time's last gift, a written speech
  • Wrought of high laughter, loveliness and ease?
  • AT THE ABBEY THEATRE
  • _Imitated from Ronsard_
  • Dear Craoibhin Aoibhin, look into our case.
  • When we are high and airy hundreds say
  • That if we hold that flight they'll leave the place,
  • While those same hundreds mock another day
  • Because we have made our art of common things,
  • So bitterly, you'd dream they longed to look
  • All their lives through into some drift of wings.
  • You've dandled them and fed them from the book
  • And know them to the bone; impart to us--
  • We'll keep the secret--a new trick to please.
  • Is there a bridle for this Proteus
  • That turns and changes like his draughty seas?
  • Or is there none, most popular of men,
  • But when they mock us that we mock again?
  • THESE ARE THE CLOUDS
  • These are the clouds about the fallen sun,
  • The majesty that shuts his burning eye;
  • The weak lay hand on what the strong has done,
  • Till that be tumbled that was lifted high
  • And discord follow upon unison,
  • And all things at one common level lie.
  • And therefore, friend, if your great race were run
  • And these things came, so much the more thereby
  • Have you made greatness your companion,
  • Although it be for children that you sigh:
  • These are the clouds about the fallen sun,
  • The majesty that shuts his burning eye.
  • AT GALWAY RACES
  • Out yonder, where the race course is,
  • Delight makes all of the one mind,
  • Riders upon the swift horses,
  • The field that closes in behind:
  • We, too, had good attendance once,
  • Hearers and hearteners of the work;
  • Aye, horsemen for companions,
  • Before the merchant and the clerk
  • Breathed on the world with timid breath.
  • Sing on: sometime, and at some new moon,
  • We'll learn that sleeping is not death,
  • Hearing the whole earth change its tune,
  • Its flesh being wild, and it again
  • Crying aloud as the race course is,
  • And we find hearteners among men
  • That ride upon horses.
  • A FRIEND'S ILLNESS
  • Sickness brought me this
  • Thought, in that scale of his:
  • Why should I be dismayed
  • Though flame had burned the whole
  • World, as it were a coal,
  • Now I have seen it weighed
  • Against a soul?
  • ALL THINGS CAN TEMPT ME
  • All things can tempt me from this craft of verse:
  • One time it was a woman's face, or worse--
  • The seeming needs of my fool-driven land;
  • Now nothing but comes readier to the hand
  • Than this accustomed toil. When I was young,
  • I had not given a penny for a song
  • Did not the poet sing it with such airs
  • That one believed he had a sword upstairs;
  • Yet would be now, could I but have my wish,
  • Colder and dumber and deafer than a fish.
  • THE YOUNG MAN'S SONG
  • I whispered, "I am too young,"
  • And then, "I am old enough,"
  • Wherefore I threw a penny
  • To find out if I might love;
  • "Go and love, go and love, young man,
  • If the lady be young and fair,"
  • Ah, penny, brown penny, brown penny,
  • I am looped in the loops of her hair.
  • Oh love is the crooked thing,
  • There is nobody wise enough
  • To find out all that is in it,
  • For he would be thinking of love
  • Till the stars had run away,
  • And the shadows eaten the moon;
  • Ah, penny, brown penny, brown penny,
  • One cannot begin it too soon.
  • THE GREEN HELMET
  • _An Heroic Farce_
  • THE PERSONS OF THE PLAY
  • LAEGAIRE LAEGAIRE'S WIFE
  • CONALL CONALL'S WIFE
  • CUCHULAIN LAEG, _Cuchulain's chariot-driver_
  • EMER RED MAN, _A Spirit_
  • Horse Boys and Scullions, Black Men, etc.
  • THE GREEN HELMET
  • _An Heroic Farce_
  • SCENE: _A house made of logs. There are two windows at the back and
  • a door which cuts off one of the corners of the room. Through the
  • door one can see low rocks which make the ground outside higher than
  • it is within, and beyond the rocks a misty moon-lit sea. Through the
  • windows one can see nothing but the sea. There is a great chair at
  • the opposite side to the door, and in front of it a table with cups
  • and a flagon of ale. Here and there are stools._
  • _At the Abbey Theatre the house is orange red and the chairs and
  • tables and flagons black, with a slight purple tinge which is not
  • clearly distinguishable from the black. The rocks are black with a
  • few green touches. The sea is green and luminous, and all the
  • characters except the RED MAN and the Black Men are dressed in
  • various shades of green, one or two with touches of purple which
  • look nearly black. The Black Men all wear dark purple and have eared
  • caps, and at the end their eyes should look green from the reflected
  • light of the sea. The RED MAN is altogether in red. He is very tall,
  • and his height increased by horns on the Green Helmet. The effect is
  • intentionally violent and startling._
  • LAEGAIRE
  • What is that? I had thought that I saw, though but in the wink of an
  • eye,
  • A cat-headed man out of Connaught go pacing and spitting by;
  • But that could not be.
  • CONALL
  • You have dreamed it--there's nothing out there.
  • I killed them all before daybreak--I hoked them out of their lair;
  • I cut off a hundred heads with a single stroke of my sword,
  • And then I danced on their graves and carried away their hoard.
  • LAEGAIRE
  • Does anything stir on the sea?
  • CONALL
  • Not even a fish or a gull:
  • I can see for a mile or two, now that the moon's at the full.
  • [_A distant shout._]
  • LAEGAIRE
  • Ah--there--there is someone who calls us.
  • CONALL
  • But from the landward side,
  • And we have nothing to fear that has not come up from the tide;
  • The rocks and the bushes cover whoever made that noise,
  • But the land will do us no harm.
  • LAEGAIRE
  • It was like Cuchulain's voice.
  • CONALL
  • But that's an impossible thing.
  • LAEGAIRE
  • An impossible thing indeed.
  • CONALL
  • For he will never come home, he has all that he could need
  • In that high windy Scotland--good luck in all that he does.
  • Here neighbour wars on neighbour and why there is no man knows,
  • And if a man is lucky all wish his luck away,
  • And take his good name from him between a day and a day.
  • LAEGAIRE
  • I would he'd come for all that, and make his young wife know
  • That though she may be his wife, she has no right to go
  • Before your wife and my wife, as she would have gone last night
  • Had they not caught at her dress, and pulled her as was right;
  • And she makes light of us though our wives do all that they can.
  • She spreads her tail like a peacock and praises none but her man.
  • CONALL
  • A man in a long green cloak that covers him up to the chin
  • Comes down through the rocks and hazels.
  • LAEGAIRE
  • Cry out that he cannot come in.
  • CONALL
  • He must look for his dinner elsewhere, for no one alive shall stop
  • Where a shame must alight on us two before the dawn is up.
  • LAEGAIRE
  • No man on the ridge of the world must ever know that but us two.
  • CONALL
  • [_Outside door_]
  • Go away, go away, go away.
  • YOUNG MAN
  • [_Outside door_]
  • I will go when the night is through
  • And I have eaten and slept and drunk to my heart's delight.
  • CONALL
  • A law has been made that none shall sleep in this house to-night.
  • YOUNG MAN
  • Who made that law?
  • CONALL
  • We made it, and who has so good a right?
  • Who else has to keep the house from the Shape-Changers till day?
  • YOUNG MAN
  • Then I will unmake the law, so get you out of the way.
  • [_He pushes past CONALL and goes into house_]
  • CONALL
  • I thought that no living man could have pushed me from the door,
  • Nor could any living man do it but for the dip in the floor;
  • And had I been rightly ready there's no man living could do it,
  • Dip or no dip.
  • LAEGAIRE
  • Go out--if you have your wits, go out,
  • A stone's throw further on you will find a big house where
  • Our wives will give you supper, and you'll sleep sounder there,
  • For it's a luckier house.
  • YOUNG MAN
  • I'll eat and sleep where I will.
  • LAEGAIRE
  • Go out or I will make you.
  • YOUNG MAN
  • [_Forcing up LAEGAIRE'S arm, passing him and putting his shield on
  • the wall over the chair_]
  • Not till I have drunk my fill.
  • But may some dog defend me for a cat of wonder's up.
  • Laegaire and Conall are here, the flagon full to the top,
  • And the cups--
  • LAEGAIRE
  • It is Cuchulain.
  • CUCHULAIN
  • The cups are dry as a bone.
  • [_He sits on chair and drinks_]
  • CONALL
  • Go into Scotland again, or where you will, but begone
  • From this unlucky country that was made when the devil spat.
  • CUCHULAIN
  • If I lived here a hundred years, could a worse thing come than that
  • Laegaire and Conall should know me and bid me begone to my face?
  • CONALL
  • We bid you begone from a house that has fallen on shame and disgrace.
  • CUCHULAIN
  • I am losing patience, Conall--I find you stuffed with pride,
  • The flagon full to the brim, the front door standing wide;
  • You'd put me off with words, but the whole thing's plain enough,
  • You are waiting for some message to bring you to war or love
  • In that old secret country beyond the wool-white waves,
  • Or it may be down beneath them in foam-bewildered caves
  • Where nine forsaken sea queens fling shuttles to and fro;
  • But beyond them, or beneath them, whether you will or no,
  • I am going too.
  • LAEGAIRE
  • Better tell it all out to the end;
  • He was born to luck in the cradle, his good luck may amend
  • The bad luck we were born to.
  • CONALL
  • I'll lay the whole thing bare.
  • You saw the luck that he had when he pushed in past me there.
  • Does anything stir on the sea?
  • LAEGAIRE
  • Not even a fish or a gull.
  • CONALL
  • You were gone but a little while. We were there and the ale-cup full.
  • We were half drunk and merry, and midnight on the stroke
  • When a wide, high man came in with a red foxy cloak,
  • With half-shut foxy eyes and a great laughing mouth,
  • And he said when we bid him drink, that he had so great a drouth
  • He could drink the sea.
  • CUCHULAIN
  • I thought he had come from one of you
  • Out of some Connaught rath, and would lap up milk and mew;
  • But if he so loved water I have the tale awry.
  • CONALL
  • You would not be so merry if he were standing by,
  • For when we had sung or danced as he were our next of kin
  • He promised to show us a game, the best that ever had been;
  • And when we had asked what game, he answered, "Why, whip off my head!
  • Then one of you two stoop down, and I'll whip off his," he said.
  • "A head for a head," he said, "that is the game that I play."
  • CUCHULAIN
  • How could he whip off a head when his own had been whipped away?
  • CONALL
  • We told him it over and over, and that ale had fuddled his wit,
  • But he stood and laughed at us there, as though his sides would split,
  • Till I could stand it no longer, and whipped off his head at a blow,
  • Being mad that he did not answer, and more at his laughing so,
  • And there on the ground where it fell it went on laughing at me.
  • LAEGAIRE
  • Till he took it up in his hands--
  • CONALL
  • And splashed himself into the sea.
  • CUCHULAIN
  • I have imagined as good when I've been as deep in the cup.
  • LAEGAIRE
  • You never did.
  • CUCHULAIN
  • And believed it.
  • CONALL
  • Cuchulain, when will you stop
  • Boasting of your great deeds, and weighing yourself with us two,
  • And crying out to the world whatever we say or do,
  • That you've said or done a better?--Nor is it a drunkard's tale,
  • Though we said to ourselves at first that it all came out of the ale,
  • And thinking that if we told it we should be a laughing-stock,
  • Swore we should keep it secret.
  • LAEGAIRE
  • But twelve months upon the clock.
  • CONALL
  • A twelvemonth from the first time.
  • LAEGAIRE
  • And the jug full up to the brim:
  • For we had been put from our drinking by the very thought of him.
  • CONALL
  • We stood as we're standing now.
  • LAEGAIRE
  • The horns were as empty.
  • CONALL
  • When
  • He ran up out of the sea with his head on his shoulders again.
  • CUCHULAIN
  • Why, this is a tale worth telling.
  • CONALL
  • And he called for his debt and his right,
  • And said that the land was disgraced because of us two from that night
  • If we did not pay him his debt.
  • LAEGAIRE
  • What is there to be said
  • When a man with a right to get it has come to ask for your head?
  • CONALL
  • If you had been sitting there you had been silent like us.
  • LAEGAIRE
  • He said that in twelve months more he would come again to this house
  • And ask his debt again. Twelve months are up to-day.
  • CONALL
  • He would have followed after if we had run away.
  • LAEGAIRE
  • Will he tell every mother's son that we have broken our word?
  • CUCHULAIN
  • Whether he does or does not we'll drive him out with the sword,
  • And take his life in the bargain if he but dare to scoff.
  • CONALL
  • How can you fight with a head that laughs when you've whipped it off?
  • LAEGAIRE
  • Or a man that can pick it up and carry it out in his hand?
  • CONALL
  • He is coming now, there's a splash and a rumble along the strand
  • As when he came last.
  • CUCHULAIN
  • Come, and put all your backs to the door.
  • [_A tall, red-headed, red-cloaked man stands upon the threshold
  • against the misty green of the sea; the ground, higher without than
  • within the house, makes him seem taller even than he is. He leans
  • upon a great two-handed sword_]
  • LAEGAIRE
  • It is too late to shut it, for there he stands once more
  • And laughs like the sea.
  • CUCHULAIN
  • Old herring--You whip off heads! Why, then
  • Whip off your own, for it seems you can clap it on again.
  • Or else go down in the sea, go down in the sea, I say,
  • Find that old juggler Manannan and whip his head away;
  • Or the Red Man of the Boyne, for they are of your own sort,
  • Or if the waves have vexed you and you would find a sport
  • Of a more Irish fashion, go fight without a rest
  • A caterwauling phantom among the winds of the west.
  • But what are you waiting for? into the water, I say!
  • If there's no sword can harm you, I've an older trick to play,
  • An old five-fingered trick to tumble you out of the place;
  • I am Sualtim's son Cuchulain--what, do you laugh in my face?
  • RED MAN
  • So you too think me in earnest in wagering poll for poll!
  • A drinking joke and a gibe and a juggler's feat, that is all,
  • To make the time go quickly--for I am the drinker's friend,
  • The kindest of all Shape-Changers from here to the world's end,
  • The best of all tipsy companions. And now I bring you a gift:
  • I will lay it there on the ground for the best of you all to lift,
  • [_He lays his Helmet on the ground_]
  • And wear upon his own head, and choose for yourselves the best.
  • O! Laegaire and Conall are brave, but they were afraid of my jest.
  • Well, maybe I jest too grimly when the ale is in the cup.
  • There, I'm forgiven now--
  • [_Then in a more solemn voice as he goes out_]
  • Let the bravest take it up.
  • [_CONALL takes up Helmet and gazes at it with delight_]
  • LAEGAIRE
  • [_Singing, with a swaggering stride_]
  • Laegaire is best;
  • Between water and hill,
  • He fought in the west
  • With cat heads, until
  • At the break of day
  • All fell by his sword,
  • And he carried away
  • Their hidden hoard.
  • [_He seizes the Helmet_]
  • CONALL
  • Give it me, for what did you find in the bag
  • But the straw and the broken delf and the bits of dirty rag
  • You'd taken for good money?
  • CUCHULAIN
  • No, no, but give it me.
  • [_He takes Helmet_]
  • CONALL
  • The Helmet's mine or Laegaire's--you're the youngest of us three.
  • CUCHULAIN
  • [_Filling Helmet with ale_]
  • I did not take it to keep it--the Red Man gave it for one,
  • But I shall give it to all--to all of us three or to none;
  • That is as you look upon it--we will pass it to and fro,
  • And time and time about, drink out of it and so
  • Stroke into peace this cat that has come to take our lives.
  • Now it is purring again, and now I drink to your wives,
  • And I drink to Emer, my wife.
  • [_A great noise without and shouting_]
  • Why, what in God's name is that noise?
  • CONALL
  • What else but the charioteers and the kitchen and stable boys
  • Shouting against each other, and the worst of all is your own,
  • That chariot-driver, Laeg, and they'll keep it up till the dawn,
  • And there's not a man in the house that will close his eyes to-night,
  • Or be able to keep them from it, or know what set them to fight.
  • [_A noise of horns without_]
  • There, do you hear them now? such hatred has each for each
  • They have taken the hunting horns to drown one other's speech
  • For fear the truth may prevail.--Here's your good health and long life,
  • And, though she be quarrelsome, good health to Emer, your wife.
  • [_The charioteers, Stable Boys and Kitchen Boys come running in.
  • They carry great horns, ladles and the like_]
  • LAEG
  • I am Laeg, Cuchulain's driver, and my master's cock of the yard.
  • ANOTHER
  • Conall would scatter his feathers.
  • [_Confused murmurs_]
  • LAEGAIRE
  • [_To_ CUCHULAIN]
  • No use, they won't hear a word.
  • CONALL
  • They'll keep it up till the dawn.
  • ANOTHER
  • It is Laegaire that is the best,
  • For he fought with cats in Connaught while Conall took his rest
  • And drained his ale pot.
  • ANOTHER
  • Laegaire--what does a man of his sort
  • Care for the like of us! He did it for his own sport.
  • ANOTHER
  • It was all mere luck at the best.
  • ANOTHER
  • But Conall, I say--
  • ANOTHER
  • Let me speak.
  • LAEG
  • You'd be dumb if the cock of the yard would but open his beak.
  • ANOTHER
  • Before your cock was born, my master was in the fight.
  • LAEG
  • Go home and praise your grand-dad. They took to the horns for spite,
  • For I said that no cock of your sort had been born since the fight began.
  • ANOTHER
  • Conall has got it, the best man has got it, and I am his man.
  • CUCHULAIN
  • Who was it started this quarrel?
  • A STABLE BOY
  • It was Laeg.
  • ANOTHER
  • It was Laeg done it all.
  • LAEG
  • A high, wide, foxy man came where we sat in the hall,
  • Getting our supper ready, with a great voice like the wind,
  • And cried that there was a helmet, or something of the kind,
  • That was for the foremost man upon the ridge of the earth.
  • So I cried your name through the hall,
  • [_The others cry out and blow horns, partly drowning the rest of his
  • speech_]
  • but they denied its worth,
  • Preferring Laegaire or Conall, and they cried to drown my voice;
  • But I have so strong a throat that I drowned all their noise
  • Till they took to the hunting horns and blew them into my face,
  • And as neither side would give in--we would settle it in this place.
  • Let the Helmet be taken from Conall.
  • A STABLE BOY
  • No, Conall is the best man here.
  • ANOTHER
  • Give it to Laegaire that made the murderous cats pay dear.
  • CUCHULAIN
  • It has been given to none: that our rivalry might cease,
  • We have turned that murderous cat into a cup of peace.
  • I drank the first; and then Conall; give it to Laegaire now,
  • [_CONALL gives Helmet to LAEGAIRE_]
  • That it may purr in his hand and all of our servants know
  • That since the ale went in, its claws went out of sight.
  • A SERVANT
  • That's well--I will stop my shouting.
  • ANOTHER
  • Cuchulain is in the right;
  • I am tired of this big horn that has made me hoarse as a rook.
  • LAEG
  • Cuchulain, you drank the first.
  • ANOTHER
  • By drinking the first he took
  • The whole of the honours himself.
  • LAEG
  • Cuchulain, you drank the first.
  • ANOTHER
  • If Laegaire drink from it now he claims to be last and worst.
  • ANOTHER
  • Cuchulain and Conall have drunk.
  • ANOTHER
  • He is lost if he taste a drop.
  • LAEGAIRE
  • [_Laying Helmet on table_]
  • Did you claim to be better than us by drinking first from the cup?
  • CUCHULAIN
  • [_His words are partly drowned by the murmurs of the crowd though he
  • speaks very loud_]
  • That juggler from the sea, that old red herring it is
  • Who has set us all by the ears--he brought the Helmet for this,
  • And because we would not quarrel he ran elsewhere to shout
  • That Conall and Laegaire wronged me, till all had fallen out.
  • [_The murmur grows less so that his words are heard_]
  • Who knows where he is now or who he is spurring to fight?
  • So get you gone, and whatever may cry aloud in the night,
  • Or show itself in the air, be silent until morn.
  • A SERVANT
  • Cuchulain is in the right--I am tired of this big horn.
  • CUCHULAIN
  • Go!
  • [_The Servants turn toward the door but stop on hearing the voices
  • of Women outside_]
  • LAEGAIRE'S WIFE
  • [_Without_]
  • Mine is the better to look at.
  • CONALL'S WIFE
  • [_Without_]
  • But mine is better born.
  • EMER
  • [_Without_]
  • My man is the pithier man.
  • CUCHULAIN
  • Old hurricane, well done!
  • You've set our wives to the game that they may egg us on;
  • We are to kill each other that you may sport with us.
  • Ah, now, they've begun to wrestle as to who'll be first at the house.
  • [_The Women come to the door struggling_]
  • EMER
  • No, I have the right of place for I married the better man.
  • CONALL'S WIFE
  • [_Pulling Emer back_]
  • My nails in your neck and shoulder.
  • LAEGAIRE'S WIFE
  • And go before me if you can.
  • My husband fought in the West.
  • CONALL'S WIFE
  • [_Kneeling in the door so as to keep the others out who pull at
  • her_]
  • But what did he fight with there
  • But sidelong and spitting and helpless shadows of the dim air?
  • And what did he carry away but straw and broken delf?
  • LAEGAIRE'S WIFE
  • Your own man made up that tale trembling alone by himself,
  • Drowning his terror.
  • EMER
  • [_Forcing herself in front_]
  • I am Emer, it is I go first through the door.
  • No one shall walk before me, or praise any man before
  • My man has been praised.
  • CUCHULAIN
  • [_Spreading his arms across the door so as to close it_]
  • Come, put an end to their quarrelling:
  • One is as fair as the other, and each one the wife of a king.
  • Break down the painted boards between the sill and the floor
  • That they come in together, each one at her own door.
  • [_LAEGAIRE and CONALL begin to break out the bottoms of the windows,
  • then their wives go to the windows, each to the window where her
  • husband is. EMER stands at the door and sings while the boards are
  • being broken out_]
  • EMER
  • Nothing that he has done,
  • His mind that is fire,
  • His body that is sun,
  • Have set my head higher
  • Than all the world's wives.
  • Himself on the wind
  • Is the gift that he gives,
  • Therefore womenkind,
  • When their eyes have met mine,
  • Grow cold and grow hot,
  • Troubled as with wine
  • By a secret thought,
  • Preyed upon, fed upon
  • By jealousy and desire.
  • I am moon to that sun,
  • I am steel to that fire,
  • [_The windows are now broken down to floor. CUCHULAIN takes his
  • spear from the door, and the three Women come in at the same
  • moment_]
  • EMER
  • Cuchulain, put off this sloth and awake:
  • I will sing till I've stiffened your lip against every knave that would
  • take
  • A share of your honour.
  • LAEGAIRE'S WIFE
  • You lie, for your man would take from my man.
  • CONALL'S WIFE
  • [_To LAEGAIRE'S WIFE_]
  • You say that, you double-face, and your own husband began.
  • CUCHULAIN
  • [_Taking up Helmet from table_]
  • Town land may rail at town land till all have gone to wrack,
  • The very straws may wrangle till they've thrown down the stack;
  • The very door-posts bicker till they've pulled in the door,
  • The very ale-jars jostle till the ale is on the floor,
  • But this shall help no further.
  • [_He throws Helmet into the sea_]
  • LAEGAIRE'S WIFE
  • It was not for your head,
  • And so you would let none wear it, but fling it away instead.
  • CONALL'S WIFE
  • But you shall answer for it, for you've robbed my man by this.
  • CONALL
  • You have robbed us both, Cuchulain.
  • LAEGAIRE
  • The greatest wrong there is
  • On the wide ridge of the world has been done to us two this day.
  • EMER
  • [_Drawing her dagger_]
  • Who is for Cuchulain?
  • CUCHULAIN
  • Silence!
  • EMER
  • Who is for Cuchulain, I say?
  • [_She sings the same words as before, flourishing her dagger about.
  • While she is singing, CONALL'S WIFE and LAEGAIRE'S WIFE draw their
  • daggers and run at her, but CUCHULAIN forces them back. LAEGAIRE and
  • CONALL draw their swords to strike CUCHULAIN_]
  • LAEGAIRE'S WIFE
  • [_Crying out so as to be heard through EMER'S singing_]
  • Deafen her singing with horns!
  • CONALL'S WIFE
  • Cry aloud! blow horns! make a noise!
  • LAEGAIRE'S WIFE
  • Blow horns, clap hands, or shout, so that you smother her voice!
  • [_The Horse Boys and Scullions blow their horns or fight among
  • themselves. There is a deafening noise and a confused fight.
  • Suddenly three black hands come through the windows and put out the
  • torches. It is now pitch dark, but for a faint light outside the
  • house which merely shows that there are moving forms, but not who or
  • what they are, and in the darkness one can hear low terrified
  • voices_]
  • A VOICE
  • Coal-black, and headed like cats, they came up over the strand.
  • ANOTHER VOICE
  • And I saw one stretch to a torch and cover it with his hand.
  • ANOTHER VOICE
  • Another sooty fellow has plucked the moon from the air.
  • [_A light gradually comes into the house from the sea, on which the
  • moon begins to show once more. There is no light within the house,
  • and the great beams of the walls are dark and full of shadows, and
  • the persons of the play dark too against the light. The RED MAN is
  • seen standing in the midst of the house. The black cat-headed Men
  • crouch and stand about the door. One carries the Helmet, one the
  • great sword_]
  • RED MAN
  • I demand the debt that's owing. Let some man kneel down there
  • That I may cut his head off, or all shall go to wrack.
  • CUCHULAIN
  • He played and paid with his head and it's right that we pay him back,
  • And give him more than he gave, for he comes in here as a guest:
  • So I will give him my head.
  • [_EMER begins to keen_]
  • Little wife, little wife, be at rest.
  • Alive I have been far off in all lands under sun,
  • And been no faithful man; but when my story is done
  • My fame shall spring up and laugh, and set you high above all.
  • EMER
  • [_Putting her arms about him_]
  • It is you, not your fame, that I love.
  • CUCHULAIN
  • [_Tries to put her from him_]
  • You are young, you are wise, you can call
  • Some kinder and comelier man that will sit at home in the house.
  • EMER
  • Live and be faithless still.
  • CUCHULAIN
  • [_Throwing her from him_]
  • Would you stay the great barnacle-goose
  • When its eyes are turned to the sea and its beak to the salt of the air?
  • EMER
  • [_Lifting her dagger to stab herself_]
  • I, too, on the grey wing's path.
  • CUCHULAIN
  • [_Seizing dagger_]
  • Do you dare, do you dare, do you dare?
  • Bear children and sweep the house.
  • [_Forcing his way through the Servants who gather round_]
  • Wail, but keep from the road.
  • [_He kneels before RED MAN. There is a pause_]
  • Quick to your work, old Radish, you will fade when the cocks have crowed.
  • [_A black cat-headed Man holds out the Helmet. The RED MAN takes it_]
  • RED MAN
  • I have not come for your hurt, I'm the Rector of this land,
  • And with my spitting cat-heads, my frenzied moon-bred band,
  • Age after age I sift it, and choose for its championship
  • The man who hits my fancy.
  • [_He places the Helmet on CUCHULAIN'S head_]
  • And I choose the laughing lip
  • That shall not turn from laughing whatever rise or fall,
  • The heart that grows no bitterer although betrayed by all;
  • The hand that loves to scatter; the life like a gambler's throw;
  • And these things I make prosper, till a day come that I know,
  • When heart and mind shall darken that the weak may end the strong,
  • And the long remembering harpers have matter for their song.
  • [Illustration]
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  • William Butler Yeats
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