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  • The Project Gutenberg EBook of Something New, by P. G. Wodehouse
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  • Title: Something New
  • Author: P. G. Wodehouse
  • Release Date: June, 2000 [EBook #2042]
  • Last Updated: March 24, 2019
  • Language: English
  • *** START OF THIS PROJECT GUTENBERG EBOOK SOMETHING NEW ***
  • Produced by Jim Tinsley
  • SOMETHING NEW
  • by Pelham Grenville Wodehouse
  • CHAPTER I
  • The sunshine of a fair Spring morning fell graciously on London
  • town. Out in Piccadilly its heartening warmth seemed to infuse
  • into traffic and pedestrians alike a novel jauntiness, so that
  • bus drivers jested and even the lips of chauffeurs uncurled into
  • not unkindly smiles. Policemen whistled at their posts--clerks,
  • on their way to work; beggars approached the task of trying to
  • persuade perfect strangers to bear the burden of their
  • maintenance with that optimistic vim which makes all the
  • difference. It was one of those happy mornings.
  • At nine o'clock precisely the door of Number Seven Arundell
  • Street, Leicester Square, opened and a young man stepped out.
  • Of all the spots in London which may fairly be described as
  • backwaters there is none that answers so completely to the
  • description as Arundell Street, Leicester Square. Passing along
  • the north sidewalk of the square, just where it joins Piccadilly,
  • you hardly notice the bottleneck opening of the tiny cul-de-sac.
  • Day and night the human flood roars past, ignoring it. Arundell
  • Street is less than forty yards in length; and, though there are
  • two hotels in it, they are not fashionable hotels. It is just a
  • backwater.
  • In shape Arundell Street is exactly like one of those flat stone
  • jars in which Italian wine of the cheaper sort is stored. The
  • narrow neck that leads off Leicester Square opens abruptly into a
  • small court. Hotels occupy two sides of this; the third is at
  • present given up to rooming houses for the impecunious. These are
  • always just going to be pulled down in the name of progress to
  • make room for another hotel, but they never do meet with that
  • fate; and as they stand now so will they in all probability stand
  • for generations to come.
  • They provide single rooms of moderate size, the bed modestly
  • hidden during the day behind a battered screen. The rooms contain
  • a table, an easy-chair, a hard chair, a bureau, and a round tin
  • bath, which, like the bed, goes into hiding after its useful work
  • is performed. And you may rent one of these rooms, with breakfast
  • thrown in, for five dollars a week.
  • Ashe Marson had done so. He had rented the second-floor front of
  • Number Seven.
  • Twenty-six years before this story opens there had been born to
  • Joseph Marson, minister, and Sarah his wife, of Hayling,
  • Massachusetts, in the United States of America, a son. This son,
  • christened Ashe after a wealthy uncle who subsequently
  • double-crossed them by leaving his money to charities, in due
  • course proceeded to Harvard to study for the ministry. So far as
  • can be ascertained from contemporary records, he did not study a
  • great deal for the ministry; but he did succeed in running the
  • mile in four minutes and a half and the half mile at a
  • correspondingly rapid speed, and his researches in the art of
  • long jumping won him the respect of all.
  • That he should be awarded, at the conclusion of his Harvard
  • career, one of those scholarships at Oxford University instituted
  • by the late Cecil Rhodes for the encouragement of the liberal
  • arts, was a natural sequence of events.
  • That was how Ashe came to be in England.
  • The rest of Ashe's history follows almost automatically. He won
  • his blue for athletics at Oxford, and gladdened thousands by
  • winning the mile and the half mile two years in succession
  • against Cambridge at Queen's Club. But owing to the pressure of
  • other engagements he unfortunately omitted to do any studying,
  • and when the hour of parting arrived he was peculiarly unfitted
  • for any of the learned professions. Having, however, managed to
  • obtain a sort of degree, enough to enable him to call himself a
  • Bachelor of Arts, and realizing that you can fool some of the
  • people some of the time, he applied for and secured a series of
  • private tutorships.
  • A private tutor is a sort of blend of poor relation and
  • nursemaid, and few of the stately homes of England are without
  • one. He is supposed to instill learning and deportment into the
  • small son of the house; but what he is really there for is to
  • prevent the latter from being a nuisance to his parents when he
  • is home from school on his vacation.
  • Having saved a little money at this dreadful trade, Ashe came to
  • London and tried newspaper work. After two years of moderate
  • success he got in touch with the Mammoth Publishing Company.
  • The Mammoth Publishing Company, which controls several important
  • newspapers, a few weekly journals, and a number of other things,
  • does not disdain the pennies of the office boy and the junior
  • clerk. One of its many profitable ventures is a series of
  • paper-covered tales of crime and adventure. It was here that Ashe
  • found his niche. Those adventures of Gridley Quayle,
  • Investigator, which are so popular with a certain section of the
  • reading public, were his work.
  • Until the advent of Ashe and Mr. Quayle, the British Pluck
  • Library had been written by many hands and had included the
  • adventures of many heroes: but in Gridley Quayle the proprietors
  • held that the ideal had been reached, and Ashe received a
  • commission to conduct the entire British Pluck
  • Library--monthly--himself. On the meager salary paid him for
  • these labors he had been supporting himself ever since.
  • That was how Ashe came to be in Arundell Street, Leicester Square,
  • on this May morning.
  • He was a tall, well-built, fit-looking young man, with a clear
  • eye and a strong chin; and he was dressed, as he closed the front
  • door behind him, in a sweater, flannel trousers, and rubber-soled
  • gymnasium shoes. In one hand he bore a pair of Indian clubs, in
  • the other a skipping rope.
  • Having drawn in and expelled the morning air in a measured and
  • solemn fashion, which the initiated observer would have
  • recognized as that scientific deep breathing so popular nowadays,
  • he laid down his clubs, adjusted his rope and began to skip.
  • When he had taken the second-floor front of Number Seven, three
  • months before, Ashe Marson had realized that he must forego those
  • morning exercises which had become a second nature to him, or
  • else defy London's unwritten law and brave London's mockery. He
  • had not hesitated long. Physical fitness was his gospel. On the
  • subject of exercise he was confessedly a crank. He decided to
  • defy London.
  • The first time he appeared in Arundell Street in his sweater and
  • flannels he had barely whirled his Indian clubs once around his
  • head before he had attracted the following audience:
  • a) Two cabmen--one intoxicated;
  • b) Four waiters from the Hotel Mathis;
  • c) Six waiters from the Hotel Previtali;
  • d) Six chambermaids from the Hotel Mathis;
  • e) Five chambermaids from the Hotel Previtali;
  • f) The proprietor of the Hotel Mathis;
  • g) The proprietor of the Hotel Previtali;
  • h) A street cleaner;
  • i) Eleven nondescript loafers;
  • j) Twenty-seven children;
  • k) A cat.
  • They all laughed--even the cat--and kept on laughing. The
  • intoxicated cabman called Ashe "Sunny Jim." And Ashe kept on
  • swinging his clubs.
  • A month later, such is the magic of perseverance, his audience
  • had narrowed down to the twenty-seven children. They still
  • laughed, but without that ringing conviction which the
  • sympathetic support of their elders had lent them.
  • And now, after three months, the neighborhood, having accepted
  • Ashe and his morning exercises as a natural phenomenon, paid him
  • no further attention.
  • On this particular morning Ashe Marson skipped with even more
  • than his usual vigor. This was because he wished to expel by
  • means of physical fatigue a small devil of discontent, of whose
  • presence within him he had been aware ever since getting out of
  • bed. It is in the Spring that the ache for the larger life comes
  • on us, and this was a particularly mellow Spring morning. It was
  • the sort of morning when the air gives us a feeling of
  • anticipation--a feeling that, on a day like this, things surely
  • cannot go jogging along in the same dull old groove; a
  • premonition that something romantic and exciting is about to
  • happen to us.
  • But the southwest wind of Spring brings also remorse. We catch
  • the vague spirit of unrest in the air and we regret our misspent
  • youth.
  • Ashe was doing this. Even as he skipped, he was conscious of a
  • wish that he had studied harder at college and was now in a
  • position to be doing something better than hack work for a
  • soulless publishing company. Never before had he been so
  • completely certain that he was sick to death of the rut into
  • which he had fallen.
  • Skipping brought no balm. He threw down his rope and took up the
  • Indian clubs. Indian clubs left him still unsatisfied. The
  • thought came to him that it was a long time since he had done his
  • Larsen Exercises. Perhaps they would heal him.
  • The Larsen Exercises, invented by a certain Lieutenant Larsen, of
  • the Swedish Army, have almost every sort of merit. They make a
  • man strong, supple, and slender. But they are not dignified.
  • Indeed, to one seeing them suddenly and without warning for the
  • first time, they are markedly humorous. The only reason why King
  • Henry, of England, whose son sank with the White Ship, never
  • smiled again, was because Lieutenant Larsen had not then invented
  • his admirable exercises.
  • So complacent, so insolently unselfconscious had Ashe become in
  • the course of three months, owing to his success in inducing the
  • populace to look on anything he did with the indulgent eye of
  • understanding, that it simply did not occur to him, when he
  • abruptly twisted his body into the shape of a corkscrew, in
  • accordance with the directions in the lieutenant's book for the
  • consummation of Exercise One, that he was doing anything funny.
  • And the behavior of those present seemed to justify his
  • confidence. The proprietor of the Hotel Mathis regarded him
  • without a smile. The proprietor of the Hotel Previtali might have
  • been in a trance, for all the interest he displayed. The hotel
  • employees continued their tasks impassively. The children were
  • blind and dumb. The cat across the way stropped its backbone
  • against the railings unheeding.
  • But, even as he unscrambled himself and resumed a normal posture,
  • from his immediate rear there rent the quiet morning air a clear
  • and musical laugh. It floated out on the breeze and hit him like
  • a bullet.
  • Three months ago Ashe would have accepted the laugh as
  • inevitable, and would have refused to allow it to embarrass him;
  • but long immunity from ridicule had sapped his resolution. He
  • spun round with a jump, flushed and self-conscious.
  • From the window of the first-floor front of Number Seven a girl
  • was leaning. The Spring sunshine played on her golden hair and
  • lit up her bright blue eyes, fixed on his flanneled and sweatered
  • person with a fascinated amusement. Even as he turned, the laugh
  • smote him afresh.
  • For the space of perhaps two seconds they stared at each other,
  • eye to eye. Then she vanished into the room.
  • Ashe was beaten. Three months ago a million girls could have
  • laughed at his morning exercises without turning him from his
  • purpose. Today this one scoffer, alone and unaided, was
  • sufficient for his undoing. The depression which exercise had
  • begun to dispel surged back on him. He had no heart to continue.
  • Sadly gathering up his belongings, he returned to his room, and
  • found a cold bath tame and uninspiring.
  • The breakfasts--included in the rent--provided by Mrs. Bell, the
  • landlady of Number Seven, were held by some authorities to be
  • specially designed to quell the spirits of their victims, should
  • they tend to soar excessively. By the time Ashe had done his best
  • with the disheveled fried egg, the chicory blasphemously called
  • coffee, and the charred bacon, misery had him firmly in its grip.
  • And when he forced himself to the table, and began to try to
  • concoct the latest of the adventures of Gridley Quayle,
  • Investigator, his spirit groaned within him.
  • This morning, as he sat and chewed his pen, his loathing for
  • Gridley seemed to have reached its climax. It was his habit, in
  • writing these stories, to think of a good title first, and then
  • fit an adventure to it. And overnight, in a moment of
  • inspiration, he had jotted down on an envelope the words: "The
  • Adventure of the Wand of Death."
  • It was with the sullen repulsion of a vegetarian who finds a
  • caterpillar in his salad that he now sat glaring at them.
  • The title had seemed so promising overnight--so full of strenuous
  • possibilities. It was still speciously attractive; but now that
  • the moment had arrived for writing the story its flaws became
  • manifest.
  • What was a wand of death? It sounded good; but, coming down to
  • hard facts, what was it? You cannot write a story about a wand of
  • death without knowing what a wand of death is; and, conversely,
  • if you have thought of such a splendid title you cannot jettison
  • it offhand. Ashe rumpled his hair and gnawed his pen.
  • There came a knock at the door.
  • Ashe spun round in his chair. This was the last straw! If he had
  • told Mrs. Ball once that he was never to be disturbed in the
  • morning on any pretext whatsoever, he had told her twenty times.
  • It was simply too infernal to be endured if his work time was to
  • be cut into like this. Ashe ran over in his mind a few opening
  • remarks.
  • "Come in!" he shouted, and braced himself for battle.
  • A girl walked in--the girl of the first-floor front; the girl
  • with the blue eyes, who had laughed at his Larsen Exercises.
  • Various circumstances contributed to the poorness of the figure
  • Ashe cut in the opening moments of this interview. In the first
  • place, he was expecting to see his landlady, whose height was
  • about four feet six, and the sudden entry of somebody who was
  • about five feet seven threw the universe temporarily out of
  • focus. In the second place, in anticipation of Mrs. Bell's entry,
  • he had twisted his face into a forbidding scowl, and it was no
  • slight matter to change this on the spur of the moment into a
  • pleasant smile. Finally, a man who has been sitting for half an
  • hour in front of a sheet of paper bearing the words: "The
  • Adventure of the Wand of Death," and trying to decide what a wand
  • of death might be, has not his mind under proper control.
  • The net result of these things was that, for perhaps half a
  • minute, Ashe behaved absurdly. He goggled and he yammered. An
  • alienist, had one been present, would have made up his mind about
  • him without further investigation. For an appreciable time he did
  • not think of rising from his seat. When he did, the combined leap
  • and twist he executed practically amounted to a Larsen Exercise.
  • Nor was the girl unembarrassed. If Ashe had been calmer he would
  • have observed on her cheek the flush which told that she, too,
  • was finding the situation trying. But, woman being ever better
  • equipped with poise than man, it was she who spoke first.
  • "I'm afraid I'm disturbing you."
  • "No, no!" said Ashe. "Oh, no; not at all--not at all! No. Oh,
  • no--not at all--no!" And would have continued to play on the
  • theme indefinitely had not the girl spoken again.
  • "I wanted to apologize," she said, "for my abominable rudeness in
  • laughing at you just now. It was idiotic of me and I don't know
  • why I did it. I'm sorry."
  • Science, with a thousand triumphs to her credit, has not yet
  • succeeded in discovering the correct reply for a young man to
  • make who finds himself in the appalling position of being
  • apologized to by a pretty girl. If he says nothing he seems
  • sullen and unforgiving. If he says anything he makes a fool of
  • himself. Ashe, hesitating between these two courses, suddenly
  • caught sight of the sheet of paper over which he had been poring
  • so long.
  • "What is a wand of death?" he asked.
  • "I beg your pardon?"
  • "A wand of death?"
  • "I don't understand."
  • The delirium of the conversation was too much for Ashe. He burst
  • out laughing. A moment later the girl did the same. And
  • simultaneously embarrassment ceased to be.
  • "I suppose you think I'm mad?" said Ashe.
  • "Certainly," said the girl.
  • "Well, I should have been if you hadn't come in."
  • "Why was that?"
  • "I was trying to write a detective story."
  • "I was wondering whether you were a writer."
  • "Do you write?"
  • "Yes. Do you ever read Home Gossip?"
  • "Never!"
  • "You are quite right to speak in that thankful tone. It's a
  • horrid little paper--all brown-paper patterns and advice to the
  • lovelorn and puzzles. I do a short story for it every week, under
  • various names. A duke or an earl goes with each story. I loathe
  • it intensely."
  • "I am sorry for your troubles," said Ashe firmly; "but we are
  • wandering from the point. What is a wand of death?"
  • "A wand of death?"
  • "A wand of death."
  • The girl frowned reflectively.
  • "Why, of course; it's the sacred ebony stick stolen from the
  • Indian temple, which is supposed to bring death to whoever
  • possesses it. The hero gets hold of it, and the priests dog him
  • and send him threatening messages. What else could it be?"
  • Ashe could not restrain his admiration.
  • "This is genius!"
  • "Oh, no!"
  • "Absolute genius. I see it all. The hero calls in Gridley Quayle,
  • and that patronizing ass, by the aid of a series of wicked
  • coincidences, solves the mystery; and there am I, with another
  • month's work done."
  • She looked at him with interest.
  • "Are you the author of Gridley Quayle?"
  • "Don't tell me you read him!"
  • "I do not read him! But he is published by the same firm that
  • publishes Home Gossip, and I can't help seeing his cover
  • sometimes while I am waiting in the waiting room to see the
  • editress."
  • Ashe felt like one who meets a boyhood's chum on a desert island.
  • Here was a real bond between them.
  • "Does the Mammoth publish you, too? Why, we are comrades in
  • misfortune--fellow serfs! We should be friends. Shall we be
  • friends?"
  • "I should be delighted."
  • "Shall we shake hands, sit down, and talk about ourselves a
  • little?"
  • "But I am keeping you from your work."
  • "An errand of mercy."
  • She sat down. It is a simple act, this of sitting down; but, like
  • everything else, it may be an index to character. There was
  • something wholly satisfactory to Ashe in the manner in which this
  • girl did it. She neither seated herself on the extreme edge of
  • the easy-chair, as one braced for instant flight; nor did she
  • wallow in the easy-chair, as one come to stay for the week-end.
  • She carried herself in an unconventional situation with an
  • unstudied self-confidence that he could not sufficiently admire.
  • Etiquette is not rigid in Arundell Street; but, nevertheless, a
  • girl in a first-floor front may be excused for showing surprise
  • and hesitation when invited to a confidential chat with a
  • second-floor front young man whom she has known only five
  • minutes. But there is a freemasonry among those who live in large
  • cities on small earnings.
  • "Shall we introduce ourselves?" said Ashe. "Or did Mrs. Bell tell
  • you my name? By the way, you have not been here long, have you?"
  • "I took my room day before yesterday. But your name, if you are
  • the author of Gridley Quayle, is Felix Clovelly, isn't it?"
  • "Good heavens, no! Surely you don't think anyone's name could
  • really be Felix Clovelly? That is only the cloak under which I
  • hide my shame. My real name is Marson--Ashe Marson. And yours?"
  • "Valentine--Joan Valentine."
  • "Will you tell me the story of your life, or shall I tell mine
  • first?"
  • "I don't know that I have any particular story. I am an
  • American."
  • "Not American!"
  • "Why not?"
  • "Because it is too extraordinary, too much like a Gridley Quayle
  • coincidence. I am an American!"
  • "Well, so are a good many other people."
  • "You miss the point. We are not only fellow serfs--we are fellow
  • exiles. You can't round the thing off by telling me you were born
  • in Hayling, Massachusetts, I suppose?"
  • "I was born in New York."
  • "Surely not! I didn't know anybody was."
  • "Why Hayling, Massachusetts?"
  • "That was where I was born."
  • "I'm afraid I never heard of it."
  • "Strange. I know your home town quite well. But I have not yet
  • made my birthplace famous; in fact, I doubt whether I ever shall.
  • I am beginning to realize that I am one of the failures."
  • "How old are you?"
  • "Twenty-six."
  • "You are only twenty-six and you call yourself a failure? I think
  • that is a shameful thing to say."
  • "What would you call a man of twenty-six whose only means of
  • making a living was the writing of Gridley Quayle stories--an
  • empire builder?"
  • "How do you know it's your only means of making a living? Why
  • don't you try something new?"
  • "Such as?"
  • "How should I know? Anything that comes along. Good gracious, Mr.
  • Marson; here you are in the biggest city in the world, with
  • chances for adventure simply shrieking to you on every side."
  • "I must be deaf. The only thing I have heard shrieking to me on
  • every side has been Mrs. Bell--for the week's rent."
  • "Read the papers. Read the advertisement columns. I'm sure you
  • will find something sooner or later. Don't get into a groove. Be
  • an adventurer. Snatch at the next chance, whatever it is."
  • Ashe nodded.
  • "Continue," he said. "Proceed. You are stimulating me."
  • "But why should you want a girl like me to stimulate you? Surely
  • London is enough to do it without my help? You can always find
  • something new, surely? Listen, Mr. Marson. I was thrown on my own
  • resources about five years ago--never mind how. Since then I have
  • worked in a shop, done typewriting, been on the stage, had a
  • position as governess, been a lady's maid--"
  • "A what! A lady's maid?"
  • "Why not? It was all experience; and I can assure you I would
  • much rather be a lady's maid than a governess."
  • "I think I know what you mean. I was a private tutor once. I
  • suppose a governess is the female equivalent. I have often
  • wondered what General Sherman would have said about private
  • tutoring if he expressed himself so breezily about mere war. Was
  • it fun being a lady's maid?"
  • "It was pretty good fun; and it gave me an opportunity of
  • studying the aristocracy in its native haunts, which has made me
  • the Gossip's established authority on dukes and earls."
  • Ashe drew a deep breath--not a scientific deep breath, but one of
  • admiration.
  • "You are perfectly splendid!"
  • "Splendid?"
  • "I mean, you have such pluck."
  • "Oh, well; I keep on trying. I'm twenty-three and I haven't
  • achieved anything much yet; but I certainly don't feel like
  • sitting back and calling myself a failure."
  • Ashe made a grimace.
  • "All right," he said. "I've got it."
  • "I meant you to," said Joan placidly. "I hope I haven't bored you
  • with my autobiography, Mr. Marson. I'm not setting myself up as a
  • shining example; but I do like action and hate stagnation."
  • "You are absolutely wonderful!" said Ashe. "You are a human
  • correspondence course in efficiency, one of the ones you see
  • advertised in the back pages of the magazines, beginning, 'Young
  • man, are you earning enough?' with a picture showing the dead
  • beat gazing wistfully at the boss' chair. You would galvanize a
  • jellyfish."
  • "If I have really stimulated you-----"
  • "I think that was another slam," said Ashe pensively. "Well, I
  • deserve it. Yes, you have stimulated me. I feel like a new man.
  • It's queer that you should have come to me right on top of
  • everything else. I don't remember when I have felt so restless
  • and discontented as this morning."
  • "It's the Spring."
  • "I suppose it is. I feel like doing something big and
  • adventurous."
  • "Well, do it then. You have a Morning Post on the table. Have you
  • read it yet?"
  • "I glanced at it."
  • "But you haven't read the advertisement pages? Read them. They
  • may contain just the opening you want."
  • "Well, I'll do it; but my experience of advertisement pages is
  • that they are monopolized by philanthropists who want to lend you
  • any sum from ten to a hundred thousand pounds on your note of
  • hand only. However, I will scan them."
  • Joan rose and held out her hand.
  • "Good-by, Mr. Marson. You've got your detective story to write,
  • and I have to think out something with a duke in it by to-night;
  • so I must be going." She smiled. "We have traveled a good way
  • from the point where we started, but I may as well go back to it
  • before I leave you. I'm sorry I laughed at you this morning."
  • Ashe clasped her hand in a fervent grip.
  • "I'm not. Come and laugh at me whenever you feel like it. I like
  • being laughed at. Why, when I started my morning exercises, half
  • of London used to come and roll about the sidewalks in
  • convulsions. I'm not an attraction any longer and it makes me
  • feel lonesome. There are twenty-nine of those Larsen Exercises
  • and you saw only part of the first. You have done so much for me
  • that if I can be of any use to you, in helping you to greet the
  • day with a smile, I shall be only too proud. Exercise Six is a
  • sure-fire mirth-provoker; I'll start with it to-morrow morning. I
  • can also recommend Exercise Eleven--a scream! Don't miss it."
  • "Very well. Well, good-by for the present."
  • "Good-by."
  • She was gone; and Ashe, thrilling with new emotions, stared at
  • the door which had closed behind her. He felt as though he had
  • been wakened from sleep by a powerful electric shock.
  • Close beside the sheet of paper on which he had inscribed the now
  • luminous and suggestive title of his new Gridley Quayle story lay
  • the Morning Post, the advertisement columns of which he had
  • promised her to explore. The least he could do was to begin at
  • once.
  • His spirits sank as he did so. It was the same old game. A Mr.
  • Brian MacNeill, though doing no business with minors, was
  • willing--even anxious--to part with his vast fortune to anyone
  • over the age of twenty-one whose means happened to be a trifle
  • straitened. This good man required no security whatever; nor did
  • his rivals in generosity, the Messrs. Angus Bruce, Duncan
  • Macfarlane, Wallace Mackintosh and Donald MacNab. They, too,
  • showed a curious distaste for dealing with minors; but anyone of
  • maturer years could simply come round to the office and help
  • himself.
  • Ashe threw the paper down wearily. He had known all along that it
  • was no good. Romance was dead and the unexpected no longer
  • happened. He picked up his pen and began to write "The Adventure
  • of the Wand of Death."
  • CHAPTER II
  • In a bedroom on the fourth floor of the Hotel Guelph in
  • Piccadilly, the Honorable Frederick Threepwood sat in bed, with
  • his knees drawn up to his chin, and glared at the day with the
  • glare of mental anguish. He had very little mind, but what he had
  • was suffering.
  • He had just remembered. It is like that in this life. You wake
  • up, feeling as fit as a fiddle; you look at the window and see
  • the sun, and thank Heaven for a fine day; you begin to plan a
  • perfectly corking luncheon party with some of the chappies you
  • met last night at the National Sporting Club; and then--you
  • remember.
  • "Oh, dash it!" said the Honorable Freddie. And after a moment's
  • pause: "And I was feeling so dashed happy!"
  • For the space of some minutes he remained plunged in sad
  • meditation; then, picking up the telephone from the table at his
  • side, he asked for a number.
  • "Hello!"
  • "Hello!" responded a rich voice at the other end of the wire.
  • "Oh, I say! Is that you, Dickie?"
  • "Who is that?"
  • "This is Freddie Threepwood. I say, Dickie, old top, I want to
  • see you about something devilish important. Will you be in at
  • twelve?"
  • "Certainly. What's the trouble?"
  • "I can't explain over the wire; but it's deuced serious."
  • "Very well. By the way, Freddie, congratulations on the
  • engagement."
  • "Thanks, old man. Thanks very much, and so on--but you won't
  • forget to be in at twelve, will you? Good-by."
  • He replaced the receiver quickly and sprang out of bed, for he
  • had heard the door handle turn. When the door opened he was
  • giving a correct representation of a young man wasting no time in
  • beginning his toilet for the day.
  • An elderly, thin-faced, bald-headed, amiably vacant man entered.
  • He regarded the Honorable Freddie with a certain disfavor.
  • "Are you only just getting up, Frederick?"
  • "Hello, gov'nor. Good morning. I shan't be two ticks now."
  • "You should have been out and about two hours ago. The day is
  • glorious."
  • "Shan't be more than a minute, gov'nor, now. Just got to have a
  • tub and then chuck on a few clothes."
  • He disappeared into the bathroom. His father, taking a chair,
  • placed the tips of his fingers together and in this attitude
  • remained motionless, a figure of disapproval and suppressed
  • annoyance.
  • Like many fathers in his rank of life, the Earl of Emsworth had
  • suffered much through that problem which, with the exception of
  • Mr. Lloyd-George, is practically the only fly in the British
  • aristocratic amber--the problem of what to do with the younger
  • sons.
  • It is useless to try to gloss over the fact--in the aristocratic
  • families of Great Britain the younger son is not required.
  • Apart, however, from the fact that he was a younger son, and, as
  • such, a nuisance in any case, the honorable Freddie had always
  • annoyed his father in a variety of ways. The Earl of Emsworth was
  • so constituted that no man or thing really had the power to
  • trouble him deeply; but Freddie had come nearer to doing it than
  • anybody else in the world. There had been a consistency, a
  • perseverance, about his irritating performances that had acted on
  • the placid peer as dripping water on a stone. Isolated acts of
  • annoyance would have been powerless to ruffle his calm; but
  • Freddie had been exploding bombs under his nose since he went to
  • Eton.
  • He had been expelled from Eton for breaking out at night and
  • roaming the streets of Windsor in a false mustache. He had been
  • sent down from Oxford for pouring ink from a second-story window
  • on the junior dean of his college. He had spent two years at an
  • expensive London crammer's and failed to pass into the army. He
  • had also accumulated an almost record series of racing debts,
  • besides as shady a gang of friends--for the most part vaguely
  • connected with the turf--as any young man of his age ever
  • contrived to collect.
  • These things try the most placid of parents; and finally Lord
  • Emsworth had put his foot down. It was the only occasion in his
  • life when he had acted with decision, and he did it with the
  • accumulated energy of years. He stopped his son's allowance,
  • haled him home to Blandings Castle, and kept him there so
  • relentlessly that until the previous night, when they had come up
  • together by an afternoon train, Freddie had not seen London for
  • nearly a year.
  • Possibly it was the reflection that, whatever his secret
  • troubles, he was at any rate once more in his beloved metropolis
  • that caused Freddie at this point to burst into discordant song.
  • He splashed and warbled simultaneously.
  • Lord Emsworth's frown deepened and he began to tap his fingers
  • together irritably. Then his brow cleared and a pleased smile
  • flickered over his face. He, too, had remembered.
  • What Lord Emsworth remembered was this: Late in the previous
  • autumn the next estate to Blandings had been rented by an
  • American, a Mr. Peters--a man with many millions, chronic
  • dyspepsia, and one fair daughter--Aline. The two families had
  • met. Freddie and Aline had been thrown together; and, only a few
  • days before, the engagement had been announced. And for Lord
  • Emsworth the only flaw in this best of all possible worlds had
  • been removed.
  • Yes, he was glad Freddie was engaged to be married to Aline
  • Peters. He liked Aline. He liked Mr. Peters. Such was the relief
  • he experienced that he found himself feeling almost affectionate
  • toward Freddie, who emerged from the bathroom at this moment,
  • clad in a pink bathrobe, to find the paternal wrath evaporated,
  • and all, so to speak, right with the world.
  • Nevertheless, he wasted no time about his dressing. He was always
  • ill at ease in his father's presence and he wished to be
  • elsewhere with all possible speed. He sprang into his trousers
  • with such energy that he nearly tripped himself up. As he
  • disentangled himself he recollected something that had slipped
  • his memory.
  • "By the way, gov'nor, I met an old pal of mine last night and
  • asked him down to Blandings this week. That's all right, isn't
  • it? He's a man named Emerson, an American. He knows Aline quite
  • well, he says--has known her since she was a kid."
  • "I do not remember any friend of yours named Emerson."
  • "Well, as a matter of fact, I met him last night for the first
  • time. But it's all right. He's a good chap, don't you know!
  • --and all that sort of rot."
  • Lord Emsworth was feeling too benevolent to raise the objections
  • he certainly would have raised had his mood been less sunny.
  • "Certainly; let him come if he wishes."
  • "Thanks, gov'nor."
  • Freddie completed his toilet.
  • "Doing anything special this morning, gov'nor? I rather thought
  • of getting a bit of breakfast and then strolling round a bit.
  • Have you had breakfast?"
  • "Two hours ago. I trust that in the course of your strolling you
  • will find time to call at Mr. Peters' and see Aline. I shall be
  • going there directly after lunch. Mr. Peters wishes to show me
  • his collection of--I think scarabs was the word he used."
  • "Oh, I'll look in all right! Don't you worry! Or if I don't I'll
  • call the old boy up on the phone and pass the time of day. Well,
  • I rather think I'll be popping off and getting that bit of
  • breakfast--what?"
  • Several comments on this speech suggested themselves to Lord
  • Emsworth. In the first place, he did not approve of Freddie's
  • allusion to one of America's merchant princes as "the old boy."
  • Second, his son's attitude did not strike him as the ideal
  • attitude of a young man toward his betrothed. There seemed to be
  • a lack of warmth. But, he reflected, possibly this was simply
  • another manifestation of the modern spirit; and in any case it
  • was not worth bothering about; so he offered no criticism.
  • Presently, Freddie having given his shoes a flick with a silk
  • handkerchief and thrust the latter carefully up his sleeve, they
  • passed out and down into the main lobby of the hotel, where they
  • parted--Freddie to his bit of breakfast; his father to potter
  • about the streets and kill time until luncheon. London was always
  • a trial to the Earl of Emsworth. His heart was in the country and
  • the city held no fascinations for him.
  • * * *
  • On one of the floors in one of the buildings in one of the
  • streets that slope precipitously from the Strand to the Thames
  • Embankment, there is a door that would be all the better for a
  • lick of paint, which bears what is perhaps the most modest and
  • unostentatious announcement of its kind in London. The grimy
  • ground-glass displays the words:
  • R. JONES
  • Simply that and nothing more. It is rugged in its simplicity.
  • You wonder, as you look at it--if you have time to look at and
  • wonder about these things--who this Jones may be; and what is the
  • business he conducts with such coy reticence.
  • As a matter of fact, these speculations had passed through
  • suspicious minds at Scotland Yard, which had for some time taken
  • not a little interest in R. Jones. But beyond ascertaining that
  • he bought and sold curios, did a certain amount of bookmaking
  • during the flat-racing season, and had been known to lend money,
  • Scotland Yard did not find out much about Mr. Jones and presently
  • dismissed him from its thoughts.
  • On the theory, given to the world by William Shakespeare, that it
  • is the lean and hungry-looking men who are dangerous, and that
  • the "fat, sleek-headed men, and such as sleep o' nights," are
  • harmless, R. Jones should have been above suspicion. He was
  • infinitely the fattest man in the west-central postal district of
  • London. He was a round ball of a man, who wheezed when he walked
  • upstairs, which was seldom, and shook like jelly if some tactless
  • friend, wishing to attract his attention, tapped him unexpectedly
  • on the shoulder. But this occurred still less frequently than his
  • walking upstairs; for in R. Jones' circle it was recognized that
  • nothing is a greater breach of etiquette and worse form than to
  • tap people unexpectedly on the shoulder. That, it was felt,
  • should be left to those who are paid by the government to do it.
  • R. Jones was about fifty years old, gray-haired, of a mauve
  • complexion, jovial among his friends, and perhaps even more
  • jovial with chance acquaintances. It was estimated by envious
  • intimates that his joviality with chance acquaintances, specially
  • with young men of the upper classes, with large purses and small
  • foreheads--was worth hundreds of pounds a year to him. There was
  • something about his comfortable appearance and his jolly manner
  • that irresistibly attracted a certain type of young man. It was
  • his good fortune that this type of young man should be the type
  • financially most worth attracting.
  • Freddie Threepwood had fallen under his spell during his short
  • but crowded life in London. They had met for the first time at
  • the Derby; and ever since then R. Jones had held in Freddie's
  • estimation that position of guide, philosopher and friend which
  • he held in the estimation of so many young men of Freddie's
  • stamp.
  • That was why, at twelve o'clock punctually on this Spring day, he
  • tapped with his cane on R. Jones' ground glass, and showed such
  • satisfaction and relief when the door was opened by the
  • proprietor in person.
  • "Well, well, well!" said R. Jones rollickingly. "Whom have we
  • here? The dashing bridegroom-to-be, and no other!"
  • R. Jones, like Lord Emsworth, was delighted that Freddie was
  • about to marry a nice girl with plenty of money. The sudden
  • turning off of the tap from which Freddie's allowance had flowed
  • had hit him hard. He had other sources of income, of course; but
  • few so easy and unfailing as Freddie had been in the days of his
  • prosperity.
  • "The prodigal son, by George! Creeping back into the fold after
  • all this weary time! It seems years since I saw you, Freddie.
  • The old gov'nor put his foot down--didn't he?--and stopped the
  • funds. Damned shame! I take it that things have loosened up a bit
  • since the engagement was announced--eh?"
  • Freddie sat down and chewed the knob of his cane unhappily.
  • "Well, as a matter of fact, Dickie, old top," he said, "not so
  • that you could notice it, don't you know! Things are still pretty
  • much the same. I managed to get away from Blandings for a night,
  • because the gov'nor had to come to London; but I've got to go
  • back with him on the three-o'clock train. And, as for money, I
  • can't get a quid out of him. As a matter of fact, I'm in the
  • deuce of a hole; and that's why I've come to you."
  • Even fat, jovial men have their moments of depression. R. Jones'
  • face clouded, and jerky remarks about hardness of times and
  • losses on the Stock Exchange began to proceed from him. As
  • Scotland Yard had discovered, he lent money on occasion; but he
  • did not lend it to youths in Freddie's unfortunate position.
  • "Oh, I don't want to make a touch, you know," Freddie hastened to
  • explain. "It isn't that. As a matter of fact, I managed to raise
  • five hundred of the best this morning. That ought to be enough."
  • "Depends on what you want it for," said R. Jones, magically genial
  • once more.
  • The thought entered his mind, as it had so often, that the world
  • was full of easy marks. He wished he could meet the money-lender
  • who had been rash enough to advance the Honorable Freddie five
  • hundred pounds. Those philanthropists cross our path too seldom.
  • Freddie felt in his pocket, produced a cigarette case, and from
  • it extracted a newspaper clipping.
  • "Did you read about poor old Percy in the papers? The case, you
  • know?"
  • "Percy?"
  • "Lord Stockheath, you know."
  • "Oh, the Stockheath breach-of-promise case? I did more than that.
  • I was in court all three days." R. Jones emitted a cozy chuckle.
  • "Is he a pal of yours? A cousin, eh? I wish you had seen him in
  • the witness box, with Jellicoe-Smith cross-examining him! The
  • funniest thing I ever heard! And his letters to the girl! They
  • read them out in court; and of all--"
  • "Don't, old man! Dickie, old top--please! I know all about it. I
  • read the reports. They made poor old Percy look like an absolute
  • ass."
  • "Well, Nature had done that already; but I'm bound to say they
  • improved on Nature's work. I should think your Cousin Percy must
  • have felt like a plucked chicken."
  • A spasm of pain passed over the Honorable Freddie's vacant face.
  • He wriggled in his chair.
  • "Dickie, old man, I wish you wouldn't talk like that. It makes me
  • feel ill."
  • "Why, is he such a pal of yours as all that?"
  • "It's not that. It's--the fact is, Dickie, old top, I'm in
  • exactly the same bally hole as poor old Percy was, myself!"
  • "What! You have been sued for breach of promise?"
  • "Not absolutely that--yet. Look here; I'll tell you the whole
  • thing. Do you remember a show at the Piccadilly about a year ago
  • called "The Baby Doll"? There was a girl in the chorus."
  • "Several--I remember noticing."
  • "No; I mean one particular girl--a girl called Joan Valentine.
  • The rotten part is that I never met her."
  • "Pull yourself together, Freddie. What exactly is the trouble?"
  • "Well--don't you see?--I used to go to the show every other
  • night, and I fell frightfully in love with this girl--"
  • "Without having met her?"
  • "Yes. You see, I was rather an ass in those days."
  • "No, no!" said R. Jones handsomely.
  • "I must have been or I shouldn't have been such an ass, don't you
  • know! Well, as I was saying, I used to write this girl letters,
  • saying how much I was in love with her; and--and--"
  • "Specifically proposing marriage?"
  • "I can't remember. I expect I did. I was awfully in love."
  • "How was that if you never met her?"
  • "She wouldn't meet me. She wouldn't even come out to luncheon.
  • She didn't even answer my letters--just sent word down by the
  • Johnny at the stage door. And then----"
  • Freddie's voice died away. He thrust the knob of his cane into
  • his mouth in a sort of frenzy.
  • "What then?" inquired R. Jones.
  • A scarlet blush manifested itself on Freddie's young face. His
  • eyes wandered sidewise. After a long pause a single word escaped
  • him, almost inaudible:
  • "Poetry!"
  • R. Jones trembled as though an electric current had been passed
  • through his plump frame. His little eyes sparkled with merriment.
  • "You wrote her poetry!"
  • "Yards of it, old boy--yards of it!" groaned Freddie. Panic
  • filled him with speech. "You see the frightful hole I'm in? This
  • girl is bound to have kept the letters. I don't remember whether
  • I actually proposed to her or not; but anyway she's got enough
  • material to make it worth while to have a dash at an
  • action--especially after poor old Percy has just got soaked for
  • such a pile of money and made breach-of-promise cases the
  • fashion, so to speak.
  • "And now that the announcement of my engagement is out she's
  • certain to get busy. Probably she has been waiting for something
  • of the sort. Don't you see that all the cards are in her hands?
  • We couldn't afford to let the thing come into court. That poetry
  • would dish my marriage for a certainty. I'd have to emigrate or
  • something! Goodness knows what would happen at home! My old
  • gov'nor would murder me! So you see what a frightful hole I'm in,
  • don't you, Dickie, old man?"
  • "And what do you want me to do?"
  • "Why, to get hold of this girl and get back the letters--don't
  • you see? I can't do it myself, cooped up miles away in the
  • country. And besides, I shouldn't know how to handle a thing
  • like that. It needs a chappie with a lot of sense and a
  • persuasive sort of way with him."
  • "Thanks for the compliment, Freddie; but I should imagine that
  • something a little more solid than a persuasive way would be
  • required in a case like this. You said something a while ago
  • about five hundred pounds?"
  • "Here it is, old man--in notes. I brought it on purpose. Will you
  • really take the thing on? Do you think you can work it for five
  • hundred?"
  • "I can have a try."
  • Freddie rose, with an expression approximating to happiness on
  • his face. Some men have the power of inspiring confidence in some
  • of their fellows, though they fill others with distrust. Scotland
  • Yard might look askance at R. Jones, but to Freddie he was all
  • that was helpful and reliable. He shook R. Jones' hand several
  • times in his emotion.
  • "That's absolutely topping of you, old man!" he said. "Then I'll
  • leave the whole thing to you. Write me the moment you have done
  • anything, won't you? Good-by, old top, and thanks ever so much!"
  • The door closed. R. Jones remained where he sat, his fingers
  • straying luxuriously among the crackling paper. A feeling of
  • complete happiness warmed R. Jones' bosom. He was uncertain
  • whether or not his mission would be successful; and to be
  • truthful he was not letting that worry him much. What he was
  • certain of was the fact that the heavens had opened unexpectedly
  • and dropped five hundred pounds into his lap.
  • CHAPTER III
  • The Earl of Emsworth stood in the doorway of the Senior
  • Conservative Club's vast diningroom, and beamed with a vague
  • sweetness on the two hundred or so Senior Conservatives who, with
  • much clattering of knives and forks, were keeping body and soul
  • together by means of the coffee-room luncheon. He might have been
  • posing for a statue of Amiability. His pale blue eyes shone with
  • a friendly light through their protecting glasses; the smile of a
  • man at peace with all men curved his weak mouth; his bald head,
  • reflecting the sunlight, seemed almost to wear a halo.
  • Nobody appeared to notice him. He so seldom came to London these
  • days that he was practically a stranger in the club; and in any
  • case your Senior Conservative, when at lunch, has little leisure
  • for observing anything not immediately on the table in front of
  • him. To attract attention in the dining-room of the Senior
  • Conservative Club between the hours of one and two-thirty, you
  • have to be a mutton chop--not an earl.
  • It is possible that, lacking the initiative to make his way down
  • the long aisle and find a table for himself, he might have stood
  • there indefinitely, but for the restless activity of Adams, the
  • head steward. It was Adams' mission in life to flit to and fro,
  • hauling would-be lunchers to their destinations, as a St. Bernard
  • dog hauls travelers out of Alpine snowdrifts. He sighted Lord
  • Emsworth and secured him with a genteel pounce.
  • "A table, your lordship? This way, your lordship." Adams
  • remembered him, of course. Adams remembered everybody.
  • Lord Emsworth followed him beamingly and presently came to anchor
  • at a table in the farther end of the room. Adams handed him the
  • bill of fare and stood brooding over him like a providence.
  • "Don't often see your lordship in the club," he opened chattily.
  • It was business to know the tastes and dispositions of all the
  • five thousand or so members of the Senior Conservative Club and
  • to suit his demeanor to them. To some he would hand the bill of
  • fare swiftly, silently, almost brusquely, as one who realizes
  • that there are moments in life too serious for talk. Others, he
  • knew, liked conversation; and to those he introduced the subject
  • of food almost as a sub-motive.
  • Lord Emsworth, having examined the bill of fare with a mild
  • curiosity, laid it down and became conversational.
  • "No, Adams; I seldom visit London nowadays. London does not
  • attract me. The country--the fields--the woods--the birds----"
  • Something across the room seemed to attract his attention and his
  • voice trailed off. He inspected this for some time with bland
  • interest, then turned to Adams once more.
  • "What was I saying, Adams?"
  • "The birds, your lordship."
  • "Birds! What birds? What about birds?"
  • "You were speaking of the attractions of life in the country,
  • your lordship. You included the birds in your remarks."
  • "Oh, yes, yes, yes! Oh, yes, yes! Oh, yes--to be sure. Do you
  • ever go to the country, Adams?"
  • "Generally to the seashore, your lordship--when I take my annual
  • vacation."
  • Whatever was the attraction across the room once more exercised
  • its spell. His lordship concentrated himself on it to the
  • exclusion of all other mundane matters. Presently he came out of
  • his trance again.
  • "What were you saying, Adams?"
  • "I said that I generally went to the seashore, your lordship."
  • "Eh? When?"
  • "For my annual vacation, your lordship."
  • "Your what?"
  • "My annual vacation, your lordship."
  • "What about it?"
  • Adams never smiled during business hours--unless professionally,
  • as it were, when a member made a joke; but he was storing up in
  • the recesses of his highly respectable body a large laugh, to be
  • shared with his wife when he reached home that night. Mrs. Adams
  • never wearied of hearing of the eccentricities of the members of
  • the club. It occurred to Adams that he was in luck to-day. He was
  • expecting a little party of friends to supper that night, and he
  • was a man who loved an audience.
  • You would never have thought it, to look at him when engaged in
  • his professional duties, but Adams had built up a substantial
  • reputation as a humorist in his circle by his imitations of
  • certain members of the club; and it was a matter of regret to him
  • that he got so few opportunities nowadays of studying the
  • absent-minded Lord Emsworth. It was rare luck--his lordship
  • coming in to-day, evidently in his best form.
  • "Adams, who is the gentleman over by the window--the gentleman in
  • the brown suit?"
  • "That is Mr. Simmonds, your lordship. He joined us last year."
  • "I never saw a man take such large mouthfuls. Did you ever see a
  • man take such large mouthfuls, Adams?"
  • Adams refrained from expressing an opinion, but inwardly he was
  • thrilling with artistic fervor. Mr. Simmonds eating, was one of
  • his best imitations, though Mrs. Adams was inclined to object to
  • it on the score that it was a bad example for the children. To be
  • privileged to witness Lord Emsworth watching and criticizing Mr.
  • Simmonds was to collect material for a double-barreled character
  • study that would assuredly make the hit of the evening.
  • "That man," went on Lord Emsworth, "is digging his grave with his
  • teeth. Digging his grave with his teeth, Adams! Do you take large
  • mouthfuls, Adams?"
  • "No, your lordship."
  • "Quite right. Very sensible of you, Adams--very sensible of you.
  • Very sen---- What was I saying, Adams?"
  • "About my not taking large mouthfuls, your lordship."
  • "Quite right--quite right! Never take large mouthfuls, Adams.
  • Never gobble. Have you any children, Adams?"
  • "Two, your lordship."
  • "I hope you teach them not to gobble. They pay for it in later
  • life. Americans gobble when young and ruin their digestions. My
  • American friend, Mr. Peters, suffers terribly from indigestion."
  • Adams lowered his voice to a confidential murmur: "If you will
  • pardon the liberty, your lordship--I saw it in the paper--"
  • "About Mr. Peters' indigestion?"
  • "About Miss Peters, your lordship, and the Honorable Frederick.
  • May I be permitted to offer my congratulations?"
  • "Eh, Oh, yes--the engagement. Yes, yes, yes! Yes--to be sure.
  • Yes; very satisfactory in every respect. High time he settled
  • down and got a little sense. I put it to him straight. I cut off
  • his allowance and made him stay at home. That made him
  • think--lazy young devil!"
  • Lord Emsworth had his lucid moments; and in the one that occurred
  • now it came home to him that he was not talking to himself, as he
  • had imagined, but confiding intimate family secrets to the head
  • steward of his club's dining-room. He checked himself abruptly,
  • and with a slight decrease of amiability fixed his gaze on the
  • bill of fare and ordered cold beef. For an instant he felt
  • resentful against Adams for luring him on to soliloquize; but the
  • next moment his whole mind was gripped by the fascinating
  • spectacle of Mr. Simmonds dealing with a wedge of Stilton cheese,
  • and Adams was forgotten.
  • The cold beef had the effect of restoring his lordship to
  • complete amiability, and when Adams in the course of his
  • wanderings again found himself at the table he was once more
  • disposed for light conversation.
  • "So you saw the news of the engagement in the paper, did you,
  • Adams?"
  • "Yes, your lordship, in the Mail. It had quite a long piece about
  • it. And the Honorable Frederick's photograph and the young lady's
  • were in the Mirror. Mrs. Adams clipped them out and put them in
  • an album, knowing that your lordship was a member of ours. If I
  • may say so, your lordship--a beautiful young lady."
  • "Devilish attractive, Adams--and devilish rich. Mr. Peters is a
  • millionaire, Adams."
  • "So I read in the paper, your lordship."
  • "Damme! They all seem to be millionaires in America. Wish I knew
  • how they managed it. Honestly, I hope. Mr. Peters is an honest
  • man, but his digestion is bad. He used to bolt his food. You
  • don't bolt your food, I hope, Adams?"
  • "No, your lordship; I am most careful."
  • "The late Mr. Gladstone used to chew each mouthful thirty-three
  • times. Deuced good notion if you aren't in a hurry. What cheese
  • would you recommend, Adams?"
  • "The gentlemen are speaking well of the Gorgonzola."
  • "All right, bring me some. You know, Adams, what I admire about
  • Americans is their resource. Mr. Peters tells me that as a boy of
  • eleven he earned twenty dollars a week selling mint to saloon
  • keepers, as they call publicans over there. Why they wanted mint
  • I cannot recollect. Mr. Peters explained the reason to me and it
  • seemed highly plausible at the time; but I have forgotten it.
  • Possibly for mint sauce. It impressed me, Adams. Twenty dollars
  • is four pounds. I never earned four pounds a week when I was a
  • boy of eleven; in fact, I don't think I ever earned four pounds a
  • week. His story impressed me, Adams. Every man ought to have an
  • earning capacity. I was so struck with what he told me that I
  • began to paint."
  • "Landscapes, your lordship?"
  • "Furniture. It is unlikely that I shall ever be compelled to
  • paint furniture for a living, but it is a consolation to me to
  • feel that I could do so if called on. There is a fascination
  • about painting furniture, Adams. I have painted the whole of my
  • bedroom at Blandings and am now engaged on the museum. You would
  • be surprised at the fascination of it. It suddenly came back to
  • me the other day that I had been inwardly longing to mess about
  • with paints and things since I was a boy. They stopped me when I
  • was a boy. I recollect my old father beating me with a walking
  • stick--Tell me, Adams, have I eaten my cheese?"
  • "Not yet, your lordship. I was about to send the waiter for it."
  • "Never mind. Tell him to bring the bill instead. I remember that
  • I have an appointment. I must not be late."
  • "Shall I take the fork, your lordship?"
  • "The fork?"
  • "Your lordship has inadvertently put a fork in your coat pocket."
  • Lord Emsworth felt in the pocket indicated, and with the air of
  • an inexpert conjurer whose trick has succeeded contrary to his
  • expectations produced a silver-plated fork. He regarded it with
  • surprise; then he looked wonderingly at Adams.
  • "Adams, I'm getting absent-minded. Have you ever noticed any
  • traces of absent-mindedness in me before?"
  • "Oh, no, your lordship."
  • "Well, it's deuced peculiar! I have no recollection whatsoever of
  • placing that fork in my pocket . . . Adams, I want a taxicab." He
  • glanced round the room, as though expecting to locate one by the
  • fireplace.
  • "The hall porter will whistle one for you, your lordship."
  • "So he will, by George!--so he will! Good day, Adams."
  • "Good day, your lordship."
  • The Earl of Emsworth ambled benevolently to the door, leaving
  • Adams with the feeling that his day had been well-spent. He gazed
  • almost with reverence after the slow-moving figure.
  • "What a nut!" said Adams to his immortal soul.
  • Wafted through the sunlit streets in his taxicab, the Earl of
  • Emsworth smiled benevolently on London's teeming millions. He was
  • as completely happy as only a fluffy-minded old man with
  • excellent health and a large income can be. Other people worried
  • about all sorts of things--strikes, wars, suffragettes, the
  • diminishing birth rate, the growing materialism of the age, a
  • score of similar subjects.
  • Worrying, indeed, seemed to be the twentieth-century specialty.
  • Lord Emsworth never worried. Nature had equipped him with a mind
  • so admirably constructed for withstanding the disagreeableness of
  • life that if an unpleasant thought entered it, it passed out
  • again a moment later. Except for a few of life's fundamental
  • facts, such as that his check book was in the right-hand top
  • drawer of his desk; that the Honorable Freddie Threepwood was a
  • young idiot who required perpetual restraint; and that when in
  • doubt about anything he had merely to apply to his secretary,
  • Rupert Baxter--except for these basic things, he never remembered
  • anything for more than a few minutes.
  • At Eton, in the sixties, they had called him Fathead.
  • His was a life that lacked, perhaps, the sublimer emotions which
  • raise man to the level of the gods; but undeniably it was an
  • extremely happy one. He never experienced the thrill of ambition
  • fulfilled; but, on the other hand, he never knew the agony of
  • ambition frustrated. His name, when he died, would not live
  • forever in England's annals; he was spared the pain of worrying
  • about this by the fact that he had no desire to live forever in
  • England's annals. He was possibly as nearly contented as a human
  • being could be in this century of alarms and excursions.
  • Indeed, as he bowled along in his cab and reflected that a really
  • charming girl, not in the chorus of any West End theater, a girl
  • with plenty of money and excellent breeding, had--in a moment,
  • doubtless, of mental aberration--become engaged to be married to
  • the Honorable Freddie, he told himself that life at last was
  • absolutely without a crumpled rose leaf.
  • The cab drew up before a house gay with flowered window boxes.
  • Lord Emsworth paid the driver and stood on the sidewalk looking
  • up at this cheerful house, trying to remember why on earth he had
  • told the man to drive there.
  • A few moments' steady thought gave him the answer to the riddle.
  • This was Mr. Peters' town house, and he had come to it by
  • invitation to look at Mr. Peters' collection of scarabs. To be
  • sure! He remembered now--his collection of scarabs. Or was it
  • Arabs?
  • Lord Emsworth smiled. Scarabs, of course. You couldn't collect
  • Arabs. He wondered idly, as he rang the bell, what scarabs might
  • be; but he was interested in a fluffy kind of way in all forms of
  • collecting, and he was very pleased to have the opportunity of
  • examining these objects; whatever they were. He rather thought
  • they were a kind of fish.
  • There are men in this world who cannot rest; who are so
  • constituted that they can only take their leisure in the shape of
  • a change of work. To this fairly numerous class belonged Mr. J.
  • Preston Peters, father of Freddie's Aline. And to this merit--or
  • defect--is to be attributed his almost maniacal devotion to that
  • rather unattractive species of curio, the Egyptian scarab.
  • Five years before, a nervous breakdown had sent Mr. Peters to a
  • New York specialist. The specialist had grown rich on similar
  • cases and his advice was always the same. He insisted on Mr.
  • Peters taking up a hobby.
  • "What sort of a hobby?" inquired Mr. Peters irritably. His
  • digestion had just begun to trouble him at the time, and his
  • temper now was not of the best.
  • "Now my hobby," said the specialist, "is the collecting of
  • scarabs. Why should you not collect scarabs?"
  • "Because," said Mr. Peters, "I shouldn't know one if you brought
  • it to me on a plate. What are scarabs?"
  • "Scarabs," said the specialist, warming to his subject, "the
  • Egyptian hieroglyphs."
  • "And what," inquired Mr. Peters, "are Egyptian hieroglyphs?"
  • The specialist began to wonder whether it would not have been
  • better to advise Mr. Peters to collect postage stamps.
  • "A scarab," he said--"derived from the Latin scarabeus--is
  • literally a beetle."
  • "I will not collect beetles!" said Mr. Peters definitely. "They
  • give me the Willies."
  • "Scarabs are Egyptian symbols in the form of beetles," the
  • specialist hurried on. "The most common form of scarab is in the
  • shape of a ring. Scarabs were used for seals. They were also
  • employed as beads or ornaments. Some scarabaei bear inscriptions
  • having reference to places; as, for instance: 'Memphis is mighty
  • forever.'"
  • Mr. Peters' scorn changed to active interest.
  • "Have you got one like that?"
  • "Like what?"
  • "A scarab boosting Memphis. It's my home town."
  • "I think it possible that some other Memphis was alluded to."
  • "There isn't any other except the one in Tennessee," said Mr.
  • Peters patriotically.
  • The specialist owed the fact that he was a nerve doctor instead
  • of a nerve patient to his habit of never arguing with his
  • visitors.
  • "Perhaps," he said, "you would care to glance at my collection.
  • It is in the next room."
  • That was the beginning of Mr. Peters' devotion to scarabs. At
  • first he did his collecting without any love of it, partly
  • because he had to collect something or suffer, but principally
  • because of a remark the specialist made as he was leaving the
  • room.
  • "How long would it take me to get together that number of the
  • things?" Mr. Peters inquired, when, having looked his fill on the
  • dullest assortment of objects he remembered ever to have seen, he
  • was preparing to take his leave.
  • The specialist was proud of his collection. "How long? To make a
  • collection as large as mine? Years, Mr. Peters. Oh, many, many
  • years."
  • "I'll bet you a hundred dollars I'll do it in six months!"
  • From that moment Mr. Peters brought to the collecting of scarabs
  • the same furious energy which had given him so many dollars and
  • so much indigestion. He went after scarabs like a dog after rats.
  • He scooped in scarabs from the four corners of the earth, until
  • at the end of a year he found himself possessed of what, purely
  • as regarded quantity, was a record collection.
  • This marked the end of the first phase of--so to speak--the
  • scarabaean side of his life. Collecting had become a habit with
  • him, but he was not yet a real enthusiast. It occurred to him
  • that the time had arrived for a certain amount of pruning and
  • elimination. He called in an expert and bade him go through the
  • collection and weed out what he felicitously termed the "dead
  • ones." The expert did his job thoroughly. When he had finished,
  • the collection was reduced to a mere dozen specimens.
  • "The rest," he explained, "are practically valueless. If you are
  • thinking of making a collection that will have any value in the
  • eyes of archeologists I should advise you to throw them away. The
  • remaining twelve are good."
  • "How do you mean--good? Why is one of these things valuable and
  • another so much punk? They all look alike to me."
  • And then the expert talked to Mr. Peters for nearly two hours
  • about the New Kingdom, the Middle Kingdom, Osiris, Ammon, Mut,
  • Bubastis, dynasties, Cheops, the Hyksos kings, cylinders, bezels,
  • Amenophis III, Queen Taia, the Princess Gilukhipa of Mitanni, the
  • lake of Zarukhe, Naucratis, and the Book of the Dead. He did it
  • with a relish. He liked to do it.
  • When he had finished, Mr. Peters thanked him and went to the
  • bathroom, where he bathed his temples with eau de Cologne.
  • That talk changed J. Preston Peters from a supercilious
  • scooper-up of random scarabs to what might be called a genuine
  • scarab fan. It does not matter what a man collects; if Nature has
  • given him the collector's mind he will become a fanatic on the
  • subject of whatever collection he sets out to make. Mr. Peters
  • had collected dollars; he began to collect scarabs with precisely
  • the same enthusiasm. He would have become just as enthusiastic
  • about butterflies or old china if he had turned his thoughts to
  • them; but it chanced that what he had taken up was the collecting
  • of the scarab, and it gripped him more and more as the years went
  • on.
  • Gradually he came to love his scarabs with that love, surpassing
  • the love of women, which only collectors know. He became an
  • expert on those curious relics of a dead civilization. For a time
  • they ran neck and neck in his thoughts with business. When he
  • retired from business he was free to make them the master passion
  • of his life. He treasured each individual scarab in his
  • collection as a miser treasures gold.
  • Collecting, as Mr. Peters did it, resembles the drink habit. It
  • begins as an amusement and ends as an obsession. He was gloating
  • over his treasures when the maid announced Lord Emsworth.
  • A curious species of mutual toleration--it could hardly be
  • dignified by the title of friendship--had sprung up between these
  • two men, so opposite in practically every respect. Each regarded
  • the other with that feeling of perpetual amazement with which we
  • encounter those whose whole viewpoint and mode of life is foreign
  • to our own.
  • The American's force and nervous energy fascinated Lord Emsworth.
  • As for Mr. Peters, nothing like the earl had ever happened to him
  • before in a long and varied life. Each, in fact, was to the other
  • a perpetual freak show, with no charge for admission. And if
  • anything had been needed to cement the alliance it would have
  • been supplied by the fact that they were both collectors.
  • They differed in collecting as they did in everything else. Mr.
  • Peters' collecting, as has been shown, was keen, furious,
  • concentrated; Lord Emsworth's had the amiable dodderingness that
  • marked every branch of his life. In the museum at Blandings
  • Castle you could find every manner of valuable and valueless
  • curio. There was no central motive; the place was simply an
  • amateur junk shop. Side by side with a Gutenberg Bible for which
  • rival collectors would have bidden without a limit, you would
  • come on a bullet from the field of Waterloo, one of a consignment
  • of ten thousand shipped there for the use of tourists by a
  • Birmingham firm. Each was equally attractive to its owner.
  • "My dear Mr. Peters," said Lord Emsworth sunnily, advancing into
  • the room, "I trust I am not unpunctual. I have been lunching at
  • my club."
  • "I'd have asked you to lunch here," said Mr. Peters, "but you
  • know how it is with me . . . I've promised the doctor I'll give
  • those nuts and grasses of his a fair trial, and I can do it
  • pretty well when I'm alone with Aline; but to have to sit by and
  • see somebody else eating real food would be trying me too high."
  • Lord Emsworth murmured sympathetically. The other's digestive
  • tribulations touched a ready chord. An excellent trencherman
  • himself, he understood what Mr. Peters must suffer.
  • "Too bad!" he said.
  • Mr. Peters turned the conversation into other channels.
  • "These are my scarabs," he said.
  • Lord Emsworth adjusted his glasses, and the mild smile
  • disappeared from his face, to be succeeded by a set look. A stage
  • director of a moving-picture firm would have recognized the look.
  • Lord Emsworth was registering interest--interest which he
  • perceived from the first instant would have to be completely
  • simulated; for instinct told him, as Mr. Peters began to talk,
  • that he was about to be bored as he had seldom been bored in his
  • life.
  • Mr. Peters, in his character of showman, threw himself into his
  • work with even more than his customary energy. His flow of speech
  • never faltered. He spoke of the New Kingdom, the Middle Kingdom,
  • Osiris and Ammon; waxed eloquent concerning Mut, Bubastis,
  • Cheops, the Hyksos kings, cylinders, bezels and Amenophis III;
  • and became at times almost lyrical when touching on Queen Taia,
  • the Princess Gilukhipa of Mitanni, the lake of Zarukhe, Naucratis
  • and the Book of the Dead. Time slid by.
  • "Take a look at this, Lord Emsworth."
  • As one who, brooding on love or running over business projects in
  • his mind, walks briskly into a lamppost and comes back to the
  • realities of life with a sense of jarring shock, Lord Emsworth
  • started, blinked and returned to consciousness. Far away his mind
  • had been--seventy miles away--in the pleasant hothouses and shady
  • garden walks of Blandings Castle. He came back to London to find
  • that his host, with a mingled air of pride and reverence, was
  • extending toward him a small, dingy-looking something.
  • He took it and looked at it. That, apparently, was what he was
  • meant to do. So far, all was well.
  • "Ah!" he said--that blessed word; covering everything! He
  • repeated it, pleased at his ready resource.
  • "A Cheops of the Fourth Dynasty," said Mr. Peters fervently.
  • "I beg your pardon?"
  • "A Cheops--of the Fourth Dynasty."
  • Lord Emsworth began to feel like a hunted stag. He could not go
  • on saying "Ah!" indefinitely; yet what else was there to say to
  • this curious little beastly sort of a beetle kind of thing?
  • "Dear me! A Cheops!"
  • "Of the Fourth Dynasty!"
  • "Bless my soul! The Fourth Dynasty!"
  • "What do you think of that--eh?"
  • Strictly speaking, Lord Emsworth thought nothing of it; and he
  • was wondering how to veil this opinion in diplomatic words, when
  • the providence that looks after all good men saved him by causing
  • a knock at the door to occur. In response to Mr. Peters'
  • irritated cry a maid entered.
  • "If you please, sir, Mr. Threepwood wishes to speak with you on
  • the telephone."
  • Mr. Peters turned to his guest. "Excuse me for one moment."
  • "Certainly," said Lord Emsworth gratefully. "Certainly,
  • certainly, certainly! By all means."
  • The door closed behind Mr. Peters. Lord Emsworth was alone. For
  • some moments he stood where he had been left, a figure with small
  • signs of alertness about it. But Mr. Peters did not return
  • immediately. The booming of his voice came faintly from some
  • distant region. Lord Emsworth strolled to the window and looked
  • out.
  • The sun still shone brightly on the quiet street. Across the road
  • were trees. Lord Emsworth was fond of trees; he looked at these
  • approvingly. Then round the corner came a vagrom man, wheeling
  • flowers in a barrow.
  • Flowers! Lord Emsworth's mind shot back to Blandings like a
  • homing pigeon. Flowers! Had he or had he not given Head Gardener
  • Thorne adequate instructions as to what to do with those
  • hydrangeas? Assuming that he had not, was Thorne to be depended
  • on to do the right thing by them by the light of his own
  • intelligence? Lord Emsworth began to brood on Head Gardener
  • Thorne.
  • He was aware of some curious little object in his hand. He
  • accorded it a momentary inspection. It had no message for him.
  • It was probably something; but he could not remember what. He put
  • it in his pocket and returned to his meditations.
  • * * *
  • At about the hour when the Earl of Emsworth was driving to keep
  • his appointment with Mr. Peters, a party of two sat at a corner
  • table at Simpson's Restaurant, in the Strand. One of the two was
  • a small, pretty, good-natured-looking girl of about twenty; the
  • other, a thick-set young man, with a wiry crop of red-brown hair
  • and an expression of mingled devotion and determination. The girl
  • was Aline Peters; the young man's name was George Emerson. He,
  • also, was an American, a rising member in a New York law firm. He
  • had a strong, square face, with a dogged and persevering chin.
  • There are all sorts of restaurants in London, from the restaurant
  • which makes you fancy you are in Paris to the restaurant which
  • makes you wish you were. There are palaces in Piccadilly, quaint
  • lethal chambers in Soho, and strange food factories in Oxford
  • Street and Tottenham Court Road. There are restaurants which
  • specialize in ptomaine and restaurants which specialize in
  • sinister vegetable messes. But there is only one Simpson's.
  • Simpson's, in the Strand, is unique. Here, if he wishes, the
  • Briton may for the small sum of half a dollar stupefy himself
  • with food. The god of fatted plenty has the place under his
  • protection. Its keynote is solid comfort.
  • It is a pleasant, soothing, hearty place--a restful temple of
  • food. No strident orchestra forces the diner to bolt beef in
  • ragtime. No long central aisle distracts his attention with its
  • stream of new arrivals. There he sits, alone with his food, while
  • white-robed priests, wheeling their smoking trucks, move to and
  • fro, ever ready with fresh supplies.
  • All round the room--some at small tables, some at large tables
  • --the worshipers sit, in their eyes that resolute, concentrated
  • look which is the peculiar property of the British luncher,
  • ex-President Roosevelt's man-eating fish, and the American army
  • worm.
  • Conversation does not flourish at Simpson's. Only two of all
  • those present on this occasion showed any disposition toward
  • chattiness. They were Aline Peters and her escort.
  • "The girl you ought to marry," Aline was saying, "is Joan
  • Valentine."
  • "The girl I am going to marry," said George Emerson, "is Aline
  • Peters."
  • For answer, Aline picked up from the floor beside her an
  • illustrated paper and, having opened it at a page toward the end,
  • handed it across the table.
  • George Emerson glanced at it disdainfully. There were two
  • photographs on the page. One was of Aline; the other of a heavy,
  • loutish-looking youth, who wore that expression of pained
  • glassiness which Young England always adopts in the face of a
  • camera.
  • Under one photograph were printed the words: "Miss Aline Peters,
  • who is to marry the Honorable Frederick Threepwood in June";
  • under the other: "The Honorable Frederick Threepwood, who is to
  • marry Miss Aline Peters in June." Above the photographs was the
  • legend: "Forthcoming International Wedding. Son of the Earl of
  • Emsworth to marry American heiress." In one corner of the picture
  • a Cupid, draped in the Stars and Stripes, aimed his bow at the
  • gentleman; in the other another Cupid, clad in a natty Union
  • Jack, was drawing a bead on the lady.
  • The subeditor had done his work well. He had not been ambiguous.
  • What he intended to convey to the reader was that Miss Aline
  • Peters, of America, was going to marry the Honorable Frederick
  • Threepwood, son of the Earl of Emsworth; and that was exactly the
  • impression the average reader got.
  • George Emerson, however, was not an average reader. The
  • subeditor's work did not impress him.
  • "You mustn't believe everything you see in the papers," he said.
  • "What are the stout children in the one-piece bathing suits
  • supposed to be doing?"
  • "Those are Cupids, George, aiming at us with their little bow--
  • a pretty and original idea."
  • "Why Cupids?"
  • "Cupid is the god of love."
  • "What has the god of love got to do with it?"
  • Aline placidly devoured a fried potato. "You're simply trying to
  • make me angry," she said; "and I call it very mean of you. You
  • know perfectly well how fatal it is to get angry at meals. It was
  • eating while he was in a bad temper that ruined father's
  • digestion. George, that nice, fat carver is wheeling his truck
  • this way. Flag him and make him give me some more of that
  • mutton."
  • George looked round him morosely.
  • "This," he said, "is England--this restaurant, I mean. You don't
  • need to go any farther. Just take a good look at this place and
  • you have seen the whole country and can go home again. You may
  • judge a country by its meals. A people with imagination will eat
  • with imagination. Look at the French; look at ourselves. The
  • Englishman loathes imagination. He goes to a place like this and
  • says: 'Don't bother me to think. Here's half a dollar. Give me
  • food--any sort of food--until I tell you to stop.' And that's the
  • principle on which he lives his life. 'Give me anything, and
  • don't bother me!' That's his motto."
  • "If that was meant to apply to Freddie and me, I think you're
  • very rude. Do you mean that any girl would have done for him, so
  • long as it was a girl?"
  • George Emerson showed a trace of confusion. Being honest with
  • himself, he had to admit that he did not exactly know what he did
  • mean--if he meant anything. That, he felt rather bitterly, was
  • the worst of Aline. She would never let a fellow's good things go
  • purely as good things; she probed and questioned and spoiled the
  • whole effect. He was quite sure that when he began to speak he
  • had meant something, but what it was escaped him for the moment.
  • He had been urged to the homily by the fact that at a neighboring
  • table he had caught sight of a stout young Briton, with a red
  • face, who reminded him of the Honorable Frederick Threepwood. He
  • mentioned this to Aline.
  • "Do you see that fellow in the gray suit--I think he has been
  • sleeping in it--at the table on your right? Look at the stodgy
  • face. See the glassy eye. If that man sandbagged your Freddie and
  • tied him up somewhere, and turned up at the church instead of
  • him, can you honestly tell me you would know the difference?
  • Come, now, wouldn't you simply say, 'Why, Freddie, how natural
  • you look!' and go through the ceremony without a suspicion?"
  • "He isn't a bit like Freddie."
  • "My dear girl, there isn't a man in this restaurant under the age
  • of thirty who isn't just like Freddie. All Englishmen look
  • exactly alike, talk exactly alike, and think exactly alike."
  • "And you oughtn't to speak of him as Freddie. You don't know
  • him."
  • "Yes, I do. And, what is more, he expressly asked me to call him
  • Freddie. 'Oh, dash it, old top, don't keep on calling me
  • Threepwood! Freddie to pals!' Those were his very words."
  • "George, you're making this up."
  • "Not at all. We met last night at the National Sporting Club.
  • Porky Jones was going twenty rounds with Eddie Flynn. I offered
  • to give three to one on Eddie. Freddie, who was sitting next to
  • me, took me in fivers. And if you want any further proof of your
  • young man's pin-headedness; mark that! A child could have seen
  • that Eddie had him going. Eddie comes from Pittsburgh--God bless
  • it! My own home town!"
  • "Did your Eddie win?"
  • "You don't listen--I told you he was from Pittsburgh. And
  • afterward Threepwood chummed up with me and told me that to real
  • pals like me he was Freddie. I was a real pal, as I understood
  • it, because I would have to wait for my money. The fact was, he
  • explained, his old governor had cut off his bally allowance."
  • "You're simply trying to poison my mind against him; and I don't
  • think it's very nice of you, George."
  • "What do you mean--poison your mind? I'm not poisoning your mind;
  • I'm simply telling you a few things about him. You know perfectly
  • well that you don't love him, and that you aren't going to marry
  • him--and that you are going to marry me."
  • "How do you know I don't love my Freddie?"
  • "If you can look me straight in the eyes and tell me you do, I
  • will drop the whole thing and put on a little page's dress and
  • carry your train up the aisle. Now, then!"
  • "And all the while you're talking you're letting my carver get
  • away," said Aline.
  • George called to the willing priest, who steered his truck toward
  • them. Aline directed his dissection of the shoulder of mutton by
  • word and gesture.
  • "Enjoy yourself!" said Emerson coldly.
  • "So I do, George; so I do. What excellent meat they have in
  • England!"
  • "It all comes from America," said George patriotically. "And,
  • anyway, can't you be a bit more spiritual? I don't want to sit
  • here discussing food products."
  • "If you were in my position, George, you wouldn't want to talk
  • about anything else. It's doing him a world of good, poor dear;
  • but there are times when I'm sorry Father ever started this
  • food-reform thing. You don't know what it means for a healthy
  • young girl to try and support life on nuts and grasses."
  • "And why should you?" broke out Emerson. "I'll tell you what it
  • is, Aline--you are perfectly absurd about your father. I don't
  • want to say anything against him to you, naturally; but--"
  • "Go ahead, George. Why this diffidence? Say what you like."
  • "Very well, then, I will. I'll give it to you straight. You know
  • quite well that you have let your father bully you since you were
  • in short frocks. I don't say it is your fault or his fault, or
  • anybody's fault; I just state it as a fact. It's temperament, I
  • suppose. You are yielding and he is aggressive; and he has taken
  • advantage of it.
  • "We now come to this idiotic Freddie-marriage business. Your
  • father has forced you into that. It's all very well to say that
  • you are a free agent and that fathers don't coerce their
  • daughters nowadays. The trouble is that your father does. You let
  • him do what he likes with you. He has got you hypnotized; and you
  • won't break away from this Freddie foolishness because you can't
  • find the nerve. I'm going to help you find the nerve. I'm coming
  • down to Blandings Castle when you go there on Friday."
  • "Coming to Blandings!"
  • "Freddie invited me last night. I think it was done by way of
  • interest on the money he owed me; but he did it and I accepted."
  • "But, George, my dear boy, do you never read the etiquette books
  • and the hints in the Sunday papers on how to be the perfect
  • gentleman? Don't you know you can't be a man's guest and take
  • advantage of his hospitality to try to steal his fiancee away
  • from him?"
  • "Watch me."
  • A dreamy look came into Aline's eyes. "I wonder what it feels
  • like, being a countess," she said.
  • "You will never know." George looked at her pityingly. "My poor
  • girl," he said, "have you been lured into this engagement in the
  • belief that pop-eyed Frederick, the Idiot Child, is going to be
  • an earl some day? You have been stung! Freddie is not the heir.
  • His older brother, Lord Bosham, is as fit as a prize-fighter and
  • has three healthy sons. Freddie has about as much chance of
  • getting the title as I have."
  • "George, your education has been sadly neglected. Don't you know
  • that the heir to the title always goes on a yachting cruise, with
  • his whole family, and gets drowned--and the children too? It
  • happens in every English novel you read."
  • "Listen, Aline! Let us get this thing straight: I have been in
  • love with you since I wore knickerbockers. I proposed to you at
  • your first dance--"
  • "Very clumsily."
  • "But sincerely. Last year, when I found that you had gone to
  • England, I came on after you as soon as the firm could spare me.
  • And I found you engaged to this Freddie excrescence."
  • "I like the way you stand up for Freddie. So many men in your
  • position might say horrid things about him."
  • "Oh, I've nothing against Freddie. He is practically an imbecile
  • and I don't like his face; outside of that he's all right. But
  • you will be glad later that you did not marry him. You are much
  • too real a person. What a wife you will make for a hard-working
  • man!"
  • "What does Freddie work hard at?"
  • "I am alluding at the moment not to Freddie but to myself. I
  • shall come home tired out. Maybe things will have gone wrong
  • downtown. I shall be fagged, disheartened. And then you will come
  • with your cool, white hands and, placing them gently on my
  • forehead--"
  • Aline shook her head. "It's no good, George. Really, you had
  • better realize it. I'm very fond of you, but we are not suited!"
  • "Why not?"
  • "You are too overwhelming--too much like a bomb. I think you must
  • be one of the supermen one reads about. You would want your own
  • way and nothing but your own way. Now, Freddie will roll through
  • hoops and sham dead, and we shall be the happiest pair in the
  • world. I am much too placid and mild to make you happy. You want
  • somebody who would stand up to you--somebody like Joan
  • Valentine."
  • "That's the second time you have mentioned this Joan Valentine.
  • Who is she?"
  • "She is a girl who was at school with me. We were the greatest
  • chums--at least, I worshiped her and would have done anything for
  • her; and I think she liked me. Then we lost touch with one
  • another and didn't meet for years. I met her on the street
  • yesterday, and she is just the same. She has been through the
  • most awful times. Her father was quite rich; he died suddenly
  • while he and Joan were in Paris, and she found that he hadn't
  • left a cent. He had been living right up to his income all the
  • time. His life wasn't even insured. She came to London; and, so
  • far as I could make out from the short talk we had, she has done
  • pretty nearly everything since we last met. She worked in a shop
  • and went on the stage, and all sorts of things. Isn't it awful,
  • George!"
  • "Pretty tough," said Emerson. He was but faintly interested in
  • Miss Valentine.
  • "She is so plucky and full of life. She would stand up to you."
  • "Thanks! My idea of marriage is not a perpetual scrap. My notion
  • of a wife is something cozy and sympathetic and soothing. That
  • is why I love you. We shall be the happiest--"
  • Aline laughed.
  • "Dear old George! Now pay the check and get me a taxi. I've
  • endless things to do at home. If Freddie is in town I suppose he
  • will be calling to see me. Who is Freddie, do you ask? Freddie is
  • my fiance, George. My betrothed. My steady. The young man I'm
  • going to marry."
  • Emerson shook his head resignedly. "Curious how you cling to that
  • Freddie idea. Never mind! I'll come down to Blandings on Friday
  • and we shall see what happens. Bear in mind the broad fact that
  • you and I are going to be married, and that nothing on earth is
  • going to stop us."
  • * * *
  • It was Aline Peters who had to bear the brunt of her father's
  • mental agony when he discovered, shortly after Lord Emsworth had
  • left him, that the gem of his collection of scarabs had done the
  • same. It is always the innocent bystander who suffers.
  • "The darned old sneak thief!" said Mr. Peters.
  • "Father!"
  • "Don't sit there saying 'Father!' What's the use of saying
  • 'Father!'? Do you think it is going to help--your saying
  • 'Father!'? I'd rather the old pirate had taken the house and lot
  • than that scarab. He knows what's what! Trust him to walk off
  • with the pick of the whole bunch! I did think I could leave the
  • father of the man who's going to marry my daughter for a second
  • alone with the things. There's no morality among
  • collectors--none! I'd trust a syndicate of Jesse James, Captain
  • Kidd and Dick Turpin sooner than I would a collector. My Cheops
  • of the Fourth Dynasty! I wouldn't have lost it for five thousand
  • dollars!"
  • "But, father, couldn't you write him a letter, asking for it
  • back? He's such a nice old man! I'm sure he didn't mean to steal
  • the scarab."
  • Mr. Peters' overwrought soul blew off steam in the shape of a
  • passionate snort.
  • "Didn't mean to steal it! What do you think he meant to do--take
  • it away and keep it safe for me for fear I should lose it? Didn't
  • mean to steal it! Bet you he's well-known in society as a
  • kleptomaniac. Bet you that when his name is announced his friends
  • pick up their spoons and send in a hurry call to police
  • headquarters for a squad to come and see that he doesn't sneak
  • the front door. Of course he meant to steal it! He has a museum
  • of his own down in the country. My Cheops is going to lend tone
  • to that. I'd give five thousand dollars to get it back. If
  • there's a man in this country with the spirit to break into that
  • castle and steal that scarab and hand it back to me, there's five
  • thousand waiting for him right here; and if he wants to he can
  • knock that old safe blower on the head with a jimmy into the
  • bargain."
  • "But, father, why can't you simply go to him and say it's yours
  • and that you must have it back?"
  • "And have him come back at me by calling off this engagement of
  • yours? Not if I know it! You can't go about the place charging a
  • man with theft and ask him to go on being willing to have his son
  • marry your daughter, can you? The slightest suggestion that I
  • thought he had stolen this scarab and he would do the Proud Old
  • English Aristocrat and end everything. He's in the strongest
  • position a thief has ever been in. You can't get at him."
  • "I didn't think of that."
  • "You don't think at all. That's the trouble with you," said Mr.
  • Peters.
  • Years of indigestion had made Mr. Peters' temper, even when in a
  • normal mood, perfectly impossible; in a crisis like this it ran
  • amuck. He vented it on Aline because he had always vented his
  • irritabilities on Aline; because the fact of her sweet, gentle
  • disposition, combined with the fact of their relationship, made
  • her the ideal person to receive the overflow of his black moods.
  • While his wife had lived he had bullied her. On her death Aline
  • had stepped into the vacant position.
  • Aline did not cry, because she was not a girl who was given to
  • tears; but, for all her placid good temper, she was wounded. She
  • was a girl who liked everything in the world to run smoothly and
  • easily, and these scenes with her father always depressed her.
  • She took advantage of a lull in Mr. Peters' flow of words and
  • slipped from the room.
  • Her cheerfulness had received a shock. She wanted sympathy. She
  • wanted comforting. For a moment she considered George Emerson in
  • the role of comforter; but there were objections to George in
  • this character. Aline was accustomed to tease and chat with
  • George, but at heart she was a little afraid of him; and instinct
  • told her that, as comforter, he would be too volcanic and
  • supermanly for a girl who was engaged to marry another man in
  • June. George, as comforter, would be far too prone to trust to
  • action rather than to the soothing power of the spoken word.
  • George's idea of healing the wound, she felt, would be to push
  • her into a cab and drive to the nearest registrar's.
  • No; she would not go to George. To whom, then? The vision of Joan
  • Valentine came to her--of Joan as she had seen her yesterday,
  • strong, cheerful, self-reliant, bearing herself, in spite of
  • adversity, with a valiant jauntiness. Yes; she would go and see
  • Joan. She put on her hat and stole from the house.
  • Curiously enough, only a quarter of an hour before, R. Jones had
  • set out with exactly the same object in view.
  • * * *
  • At almost exactly the hour when Aline Peters set off to visit her
  • friend, Miss Valentine, three men sat in the cozy smoking-room of
  • Blandings Castle.
  • They were variously occupied. In the big chair nearest the door
  • the Honorable Frederick Threepwood--Freddie to pals--was reading.
  • Next to him sat a young man whose eyes, glittering through
  • rimless spectacles, were concentrated on the upturned faces of
  • several neat rows of playing cards--Rupert Baxter, Lord
  • Emsworth's invaluable secretary, had no vices, but he sometimes
  • relaxed his busy brain with a game of solitaire. Beyond Baxter, a
  • cigar in his mouth and a weak highball at his side, the Earl of
  • Emsworth took his ease.
  • The book the Honorable Freddie was reading was a small
  • paper-covered book. Its cover was decorated with a color scheme
  • in red, black and yellow, depicting a tense moment in the lives
  • of a man with a black beard, a man with a yellow beard, a man
  • without any beard at all, and a young woman who, at first sight,
  • appeared to be all eyes and hair. The man with the black beard,
  • to gain some private end, had tied this young woman with ropes to
  • a complicated system of machinery, mostly wheels and pulleys. The
  • man with the yellow beard was in the act of pushing or pulling a
  • lever. The beardless man, protruding through a trapdoor in the
  • floor, was pointing a large revolver at the parties of the second
  • part.
  • Beneath this picture were the words: "Hands up, you scoundrels!"
  • Above it, in a meandering scroll across the page, was: "Gridley
  • Quayle, Investigator. The Adventure of the Secret Six. By Felix
  • Clovelly."
  • The Honorable Freddie did not so much read as gulp the adventure
  • of the Secret Six. His face was crimson with excitement; his hair
  • was rumpled; his eyes bulged. He was absorbed.
  • This is peculiarly an age in which each of us may, if we do but
  • search diligently, find the literature suited to his mental
  • powers. Grave and earnest men, at Eton and elsewhere, had tried
  • Freddie Threepwood with Greek, with Latin and with English; and
  • the sheeplike stolidity with which he declined to be interested
  • in the masterpieces of all three tongues had left them with the
  • conviction that he would never read anything.
  • And then, years afterward, he had suddenly blossomed out as a
  • student--only, it is true, a student of the Adventures of Gridley
  • Quayle; but still a student. His was a dull life and Gridley
  • Quayle was the only person who brought romance into it. Existence
  • for the Honorable Freddie was simply a sort of desert, punctuated
  • with monthly oases in the shape of new Quayle adventures. It was
  • his ambition to meet the man who wrote them.
  • Lord Emsworth sat and smoked, and sipped and smoked again, at
  • peace with all the world. His mind was as nearly a blank as it is
  • possible for the human mind to be. The hand that had not the task
  • of holding the cigar was at rest in his trousers pocket. The
  • fingers of it fumbled idly with a small, hard object.
  • Gradually it filtered into his lordship's mind that this small,
  • hard object was not familiar. It was something new--something
  • that was neither his keys nor his pencil; nor was it his small
  • change. He yielded to a growing curiosity and drew it out. He
  • examined it. It was a little something, rather like a fossilized
  • beetle. It touched no chord in him. He looked at it with amiable
  • distaste.
  • "Now how in the world did that get there?" he said.
  • The Honorable Freddie paid no attention to the remark. He was now
  • at the very crest of his story, when every line intensified the
  • thrill. Incident was succeeding incident. The Secret Six were
  • here, there and everywhere, like so many malignant June bugs.
  • Annabel, the heroine, was having a perfectly rotten
  • time--kidnapped, and imprisoned every few minutes. Gridley
  • Quayle, hot on the scent, was covering somebody or other with his
  • revolver almost continuously. Freddie Threepwood had no time for
  • chatting with his father. Not so Rupert Baxter. Chatting with
  • Lord Emsworth was one of the things for which he received his
  • salary. He looked up from his cards.
  • "Lord Emsworth?"
  • "I have found a curious object in my pocket, Baxter. I was
  • wondering how it got there."
  • He handed the thing to his secretary. Rupert Baxter's eyes lit up
  • with sudden enthusiasm. He gasped.
  • "Magnificent!" he cried. "Superb!"
  • Lord Emsworth looked at him inquiringly.
  • "It is a scarab, Lord Emsworth; and unless I am mistaken--and I
  • think I may claim to be something of an expert--a Cheops of the
  • Fourth Dynasty. A wonderful addition to your museum!"
  • "Is it? By Gad! You don't say so, Baxter!"
  • "It is, indeed. If it is not a rude question, how much did you
  • give for it, Lord Emsworth? It must have been the gem of
  • somebody's collection. Was there a sale at Christie's this
  • afternoon?"
  • Lord Emsworth shook his head. "I did not get it at Christie's,
  • for I recollect that I had an important engagement which
  • prevented my going to Christie's. To be sure; yes--I had promised
  • to call on Mr. Peters and examine his collection of--Now I wonder
  • what it was that Mr. Peters said he collected!"
  • "Mr. Peters is one of the best-known living collectors of
  • scarabs."
  • "Scarabs! You are quite right, Baxter. Now that I recall the
  • episode, this is a scarab; and Mr. Peters gave it to me."
  • "Gave it to you, Lord Emsworth?"
  • "Yes. The whole scene comes back to me. Mr. Peters, after telling
  • me a great many exceedingly interesting things about scarabs,
  • which I regret to say I cannot remember, gave me this. And you
  • say it is really valuable, Baxter?"
  • "It is, from a collector's point of view, of extraordinary
  • value."
  • "Bless my soul!" Lord Emsworth beamed. "This is extremely
  • interesting, Baxter. One has heard so much of the princely
  • hospitality of Americans. How exceedingly kind of Mr. Peters! I
  • shall certainly treasure it, though I must confess that from a
  • purely spectacular standpoint it leaves me a little cold.
  • However, I must not look a gift horse in the mouth--eh, Baxter?"
  • From afar came the silver booming of a gong. Lord Emsworth rose.
  • "Time to dress for dinner? I had no idea it was so late. Baxter,
  • you will be going past the museum door. Will you be a good fellow
  • and place this among the exhibits? You will know what to do with
  • it better than I. I always think of you as the curator of my
  • little collection, Baxter--ha-ha! Mind how you step when you are
  • in the museum. I was painting a chair there yesterday and I think
  • I left the paint pot on the floor."
  • He cast a less amiable glance at his studious son.
  • "Get up, Frederick, and go and dress for dinner. What is that
  • trash you are reading?"
  • The Honorable Freddie came out of his book much as a sleepwalker
  • wakes--with a sense of having been violently assaulted. He looked
  • up with a kind of stunned plaintiveness.
  • "Eh, gov'nor?"
  • "Make haste! Beach rang the gong five minutes ago. What is that
  • you are reading?"
  • "Oh, nothing, gov'nor--just a book."
  • "I wonder you can waste your time on such trash. Make haste!"
  • He turned to the door, and the benevolent expression once more
  • wandered athwart his face.
  • "Extremely kind of Mr. Peters!" he said. "Really, there is
  • something almost Oriental in the lavish generosity of our
  • American cousins."
  • * * *
  • It had taken R. Jones just six hours to discover Joan Valentine's
  • address. That it had not taken him longer is a proof of his
  • energy and of the excellence of his system of obtaining
  • information; but R. Jones, when he considered it worth his while,
  • could be extremely energetic, and he was a past master at the art
  • of finding out things.
  • He poured himself out of his cab and rang the bell of Number
  • Seven. A disheveled maid answered the ring.
  • "Miss Valentine in?"
  • "Yes, sir."
  • R. Jones produced his card.
  • "On important business, tell her. Half a minute--I'll write it."
  • He wrote the words on the card and devoted the brief period of
  • waiting to a careful scrutiny of his surroundings. He looked out
  • into the court and he looked as far as he could down the dingy
  • passage; and the conclusions he drew from what he saw were
  • complimentary to Miss Valentine.
  • "If this girl is the sort of girl who would hold up Freddie's
  • letters," he mused, "she wouldn't be living in a place like this.
  • If she were on the make she would have more money than she
  • evidently possesses. Therefore, she is not on the make; and I am
  • prepared to bet that she destroyed the letters as fast as she got
  • them."
  • Those were, roughly, the thoughts of R. Jones as he stood in the
  • doorway of Number Seven; and they were important thoughts
  • inasmuch as they determined his attitude toward Joan in the
  • approaching interview. He perceived that this matter must be
  • handled delicately--that he must be very much the gentleman. It
  • would be a strain, but he must do it.
  • The maid returned and directed him to Joan's room with a brief
  • word and a sweeping gesture.
  • "Eh?" said R. Jones. "First floor?"
  • "Front," said the maid.
  • R. Jones trudged laboriously up the short flight of stairs. It
  • was very dark on the stairs and he stumbled. Eventually, however,
  • light came to him through an open door. Looking in, he saw a girl
  • standing at the table. She had an air of expectation; so he
  • deduced that he had reached his journey's end.
  • "Miss Valentine?"
  • "Please come in."
  • R. Jones waddled in.
  • "Not much light on your stairs."
  • "No. Will you take a seat?"
  • "Thanks."
  • One glance at the girl convinced R. Jones that he had been right.
  • Circumstances had made him a rapid judge of character, for in the
  • profession of living by one's wits in a large city the first
  • principle of offense and defense is to sum people up at first
  • sight. This girl was not on the make.
  • Joan Valentine was a tall girl with wheat-gold hair and eyes as
  • brightly blue as a November sky when the sun is shining on a
  • frosty world. There was in them a little of November's cold
  • glitter, too, for Joan had been through much in the last few
  • years; and experience, even though it does not harden, erects a
  • defensive barrier between its children and the world.
  • Her eyes were eyes that looked straight and challenged. They
  • could thaw to the satin blue of the Mediterranean Sea, where it
  • purrs about the little villages of Southern France; but they did
  • not thaw for everybody. She looked what she was--a girl of
  • action; a girl whom life had made both reckless and wary--wary of
  • friendly advances, reckless when there was a venture afoot.
  • Her eyes, as they met R. Jones' now, were cold and challenging.
  • She, too, had learned the trick of swift diagnosis of character,
  • and what she saw of R. Jones in that first glance did not impress
  • her favorably.
  • "You wished to see me on business?"
  • "Yes," said R. Jones. "Yes. . . . Miss Valentine, may I begin by
  • begging you to realize that I have no intention of insulting
  • you?"
  • Joan's eyebrows rose. For an instant she did her visitor the
  • injustice of suspecting that he had been dining too well.
  • "I don't understand."
  • "Let me explain: I have come here," R. Jones went on, getting
  • more gentlemanly every moment, "on a very distasteful errand, to
  • oblige a friend. Will you bear in mind that whatever I say is
  • said entirely on his behalf?"
  • By this time Joan had abandoned the idea that this stout person
  • was a life-insurance tout, and was inclining to the view that he
  • was collecting funds for a charity.
  • "I came here at the request of the Honorable Frederick
  • Threepwood."
  • "I don't quite understand."
  • "You never met him, Miss Valentine; but when you were in the
  • chorus at the Piccadilly Theatre, I believe, he wrote you some
  • very foolish letters. Possibly you have forgotten them?"
  • "I certainly have."
  • "You have probably destroyed them---eh?"
  • "Certainly! I never keep letters. Why do you ask?"
  • "Well, you see, Miss Valentine, the Honorable Frederick
  • Threepwood is about to be married; and he thought that possibly,
  • on the whole, it would be better that the letters--and
  • poetry--which he wrote you were nonexistent."
  • Not all R. Jones' gentlemanliness--and during this speech he
  • diffused it like a powerful scent in waves about him--could hide
  • the unpleasant meaning of the words.
  • "He was afraid I might try to blackmail him?" said Joan, with
  • formidable calm.
  • R. Jones raised and waved a fat hand deprecatingly.
  • "My dear Miss Valentine!"
  • Joan rose and R. Jones followed her example. The interview was
  • plainly at an end.
  • "Please tell Mr. Threepwood to make his mind quite easy. He is in
  • no danger."
  • "Exactly--exactly; precisely! I assured Threepwood that my visit
  • here would be a mere formality. I was quite sure you had no
  • intention whatever of worrying him. I may tell him definitely,
  • then, that you have destroyed the letters?"
  • "Yes. Good-evening."
  • "Good-evening, Miss Valentine."
  • The closing of the door behind him left him in total darkness,
  • but he hardly liked to return and ask Joan to reopen it in order
  • to light him on his way. He was glad to be out of her presence.
  • He was used to being looked at in an unfriendly way by his
  • fellows, but there had been something in Joan's eyes that had
  • curiously discomfited him.
  • R. Jones groped his way down, relieved that all was over and had
  • ended well. He believed what she had told him, and he could
  • conscientiously assure Freddie that the prospect of his sharing
  • the fate of poor old Percy was nonexistent. It is true that he
  • proposed to add in his report that the destruction of the letters
  • had been purchased with difficulty, at a cost of just five
  • hundred pounds; but that was a mere business formality.
  • He had almost reached the last step when there was a ring at the
  • front door. With what he was afterward wont to call an
  • inspiration, he retreated with unusual nimbleness until he had
  • almost reached Joan's door again. Then he leaned over the
  • banister and listened.
  • The disheveled maid opened the door. A girl's voice spoke:
  • "Is Miss Valentine in?"
  • "She's in; but she's engaged."
  • "I wish you would go up and tell her that I want to see her. Say
  • it's Miss Peters--Miss Aline Peters."
  • The banister shook beneath R. Jones' sudden clutch. For a moment
  • he felt almost faint. Then he began to think swiftly. A great
  • light had dawned on him, and the thought outstanding in his mind
  • was that never again would he trust a man or woman on the
  • evidence of his senses. He could have sworn that this Valentine
  • girl was on the level. He had been perfectly satisfied with her
  • statement that she had destroyed the letters. And all the while
  • she had been playing as deep a game as he had come across in the
  • whole course of his professional career! He almost admired her.
  • How she had taken him in!
  • It was obvious now what her game was. Previous to his visit she
  • had arranged a meeting with Freddie's fiancee, with the view of
  • opening negotiations for the sale of the letters. She had held
  • him, Jones, at arm's length because she was going to sell the
  • letters to whoever would pay the best price. But for the accident
  • of his happening to be here when Miss Peters arrived, Freddie and
  • his fiancee would have been bidding against each other and
  • raising each other's price. He had worked the same game himself a
  • dozen times, and he resented the entry of female competition into
  • what he regarded as essentially a male field of enterprise.
  • As the maid stumped up the stairs he continued his retreat. He
  • heard Joan's door open, and the stream of light showed him the
  • disheveled maid standing in the doorway.
  • "Ow, I thought there was a gentleman with you, miss."
  • "He left a moment ago. Why?"
  • "There's a lady wants to see you. Miss Peters, her name is."
  • "Will you ask her to come up?"
  • The disheveled maid was no polished mistress of ceremonies. She
  • leaned down into the void and hailed Aline.
  • "She says will you come up?"
  • Aline's feet became audible on the staircase. There were
  • greetings.
  • "Whatever brings you here, Aline?"
  • "Am I interrupting you, Joan, dear?"
  • "No. Do come in! I was only surprised to see you so late. I
  • didn't know you paid calls at this hour. Is anything wrong? Come
  • in."
  • The door closed, the maid retired to the depths, and R. Jones
  • stole cautiously down again. He was feeling absolutely
  • bewildered. Apparently his deductions, his second thoughts, had
  • been all wrong, and Joan was, after all, the honest person he had
  • imagined at first sight. Those two girls had talked to each other
  • as though they were old friends; as though they had known each
  • other all their lives. That was the thing which perplexed R.
  • Jones.
  • With the tread of a red Indian, he approached the door and put
  • his ear to it. He found he could hear quite comfortably.
  • Aline, meantime, inside the room, had begun to draw comfort from
  • Joan's very appearance, she looked so capable.
  • Joan's eyes had changed the expression they had contained during
  • the recent interview. They were soft now, with a softness that
  • was half compassionate, half contemptuous. It is the compensation
  • which life gives to those whom it has handled roughly in order
  • that they shall be able to regard with a certain contempt the
  • small troubles of the sheltered. Joan remembered Aline of old,
  • and knew her for a perennial victim of small troubles. Even in
  • their schooldays she had always needed to be looked after and
  • comforted. Her sweet temper had seemed to invite the minor slings
  • and arrows of fortune. Aline was a girl who inspired
  • protectiveness in a certain type of her fellow human beings. It
  • was this quality in her that kept George Emerson awake at nights;
  • and it appealed to Joan now.
  • Joan, for whom life was a constant struggle to keep the wolf
  • within a reasonable distance from the door, and who counted that
  • day happy on which she saw her way clear to paying her weekly
  • rent and possibly having a trifle over for some coveted hat or
  • pair of shoes, could not help feeling, as she looked at Aline,
  • that her own troubles were as nothing, and that the immediate
  • need of the moment was to pet and comfort her friend. Her
  • knowledge of Aline told her the probable tragedy was that she had
  • lost a brooch or had been spoken to crossly by somebody; but it
  • also told her that such tragedies bulked very large on Aline's
  • horizon.
  • Trouble, after all, like beauty, is in the eye of the beholder;
  • and Aline was far less able to endure with fortitude the loss of
  • a brooch than she herself to bear the loss of a position the
  • emoluments of which meant the difference between having just
  • enough to eat and starving.
  • "You're worried about something," she said. "Sit down and tell me
  • all about it."
  • Aline sat down and looked about her at the shabby room. By that
  • curious process of the human mind which makes the spectacle of
  • another's misfortune a palliative for one's own, she was feeling
  • oddly comforted already. Her thoughts were not definite and she
  • could not analyze them; but what they amounted to was that,
  • though it was an unpleasant thing to be bullied by a dyspeptic
  • father, the world manifestly held worse tribulations, which her
  • father's other outstanding quality, besides dyspepsia--wealth, to
  • wit--enabled her to avoid.
  • It was at this point that the dim beginnings of philosophy began
  • to invade her mind. The thing resolved itself almost into an
  • equation. If father had not had indigestion he would not have
  • bullied her. But, if father had not made a fortune he would not
  • have had indigestion. Therefore, if father had not made a fortune
  • he would not have bullied her. Practically, in fact, if father
  • did not bully her he would not be rich. And if he were not rich--
  • She took in the faded carpet, the stained wall paper and the
  • soiled curtains with a comprehensive glance. It certainly cut
  • both ways. She began to be a little ashamed of her misery.
  • "It's nothing at all; really," she said. "I think I've been
  • making rather a fuss about very little."
  • Joan was relieved. The struggling life breeds moods of
  • depression, and such a mood had come to her just before Aline's
  • arrival. Life, at that moment, had seemed to stretch before her
  • like a dusty, weary road, without hope. She was sick of fighting.
  • She wanted money and ease, and a surcease from this perpetual
  • race with the weekly bills. The mood had been the outcome partly
  • of R. Jones' gentlemanly-veiled insinuations, but still more,
  • though she did not realize it, of her yesterday's meeting with
  • Aline.
  • Mr. Peters might be unguarded in his speech when conversing with
  • his daughter--he might play the tyrant toward her in many ways;
  • but he did not stint her in the matter of dress allowance, and,
  • on the occasion when she met Joan, Aline had been wearing so
  • Parisian a hat and a tailor-made suit of such obviously expensive
  • simplicity that green-eyed envy had almost spoiled Joan's
  • pleasure at meeting this friend of her opulent days.
  • She had suppressed the envy, and it had revenged itself by
  • assaulting her afresh in the form of the worst fit of the blues
  • she had had in two years.
  • She had been loyally ready to sink her depression in order to
  • alleviate Aline's, but it was a distinct relief to find that the
  • feat would not be necessary.
  • "Never mind," she said. "Tell me what the very little thing was."
  • "It was only father," said Aline simply.
  • Joan cast her mind back to the days of school and placed father
  • as a rather irritable person, vaguely reputed to be something of
  • an ogre in his home circle.
  • "Was he angry with you about something?" she asked.
  • "Not exactly angry with me; but--well, I was there."
  • Joan's depression lifted slightly. She had forgotten, in the
  • stunning anguish of the sudden spectacle of that hat and that
  • tailor-made suit, that Paris hats and hundred-and-twenty-dollar
  • suits not infrequently had what the vulgar term a string attached
  • to them. After all, she was independent. She might have to murder
  • her beauty with hats and frocks that had never been nearer Paris
  • than the Tottenham Court Road; but at least no one bullied her
  • because she happened to be at hand when tempers were short.
  • "What a shame!" she said. "Tell me all about it."
  • With a prefatory remark that it was all so ridiculous, really,
  • Aline embarked on the narrative of the afternoon's events.
  • Joan heard her out, checking a strong disposition to giggle. Her
  • viewpoint was that of the average person, and the average person
  • cannot see the importance of the scarab in the scheme of things.
  • The opinion she formed of Mr. Peters was of his being an
  • eccentric old gentleman, making a great to-do about nothing at
  • all. Losses had to have a concrete value before they could
  • impress Joan. It was beyond her to grasp that Mr. Peters would
  • sooner have lost a diamond necklace, if he had happened to
  • possess one, than his Cheops of the Fourth Dynasty.
  • It was not until Aline, having concluded her tale, added one more
  • strand to it that she found herself treating the matter
  • seriously.
  • "Father says he would give five thousand dollars to anyone who
  • would get it back for him."
  • "What!"
  • The whole story took on a different complexion for Joan. Money
  • talks. Mr. Peters' words might have been merely the rhetorical
  • outburst of a heated moment; but, even discounting them, there
  • seemed to remain a certain exciting substratum. A man who shouts
  • that he will give five thousand dollars for a thing may very well
  • mean he will give five hundred, and Joan's finances were
  • perpetually in a condition which makes five hundred dollars a sum
  • to be gasped at.
  • "He wasn't serious, surely!"
  • "I think he was," said Aline.
  • "But five thousand dollars!"
  • "It isn't really very much to father, you know. He gave away a
  • hundred thousand a year ago to a university."
  • "But for a grubby little scarab!"
  • "You don't understand how father loves his scarabs. Since he
  • retired from business, he has been simply wrapped up in them. You
  • know collectors are like that. You read in the papers about men
  • giving all sorts of money for funny things."
  • Outside the door R. Jones, his ear close to the panel, drank in
  • all these things greedily. He would have been willing to remain
  • in that attitude indefinitely in return for this kind of special
  • information; but just as Aline said these words a door opened on
  • the floor above, and somebody came out, whistling, and began to
  • descend the stairs.
  • R. Jones stood not on the order of his going. He was down in the
  • hall and fumbling with the handle of the front door with an
  • agility of which few casual observers of his dimensions would
  • have deemed him capable. The next moment he was out in the
  • street, walking calmly toward Leicester Square, pondering over
  • what he had heard.
  • Much of R. Jones' substantial annual income was derived from
  • pondering over what he had heard.
  • In the room Joan was looking at Aline with the distended eyes of
  • one who sees visions or has inspirations. She got up. There are
  • occasions when one must speak standing.
  • "Then you mean to say that your father would really give five
  • thousand dollars to anyone who got this thing back for him?"
  • "I am sure he would. But who could do it?"
  • "I could," said Joan. "And what is more, I'm going to!"
  • Aline stared at her helplessly. In their schooldays, Joan had
  • always swept her off her feet. Then, she had always had the
  • feeling that with Joan nothing was impossible. Heroine worship,
  • like hero worship, dies hard. She looked at Joan now with the
  • stricken sensation of one who has inadvertently set powerful
  • machinery in motion.
  • "But, Joan!" It was all she could say.
  • "My dear child, it's perfectly simple. This earl of yours has
  • taken the thing off to his castle, like a brigand. You say you
  • are going down there on Friday for a visit. All you have to do is
  • to take me along with you, and sit back and watch me get busy."
  • "But, Joan!"
  • "Where's the difficulty?"
  • "I don't see how I could take you down very well."
  • "Why not?"
  • "Oh, I don't know."
  • "But what is your objection?"
  • "Well--don't you see?--if you went down there as a friend of mine
  • and were caught stealing the scarab, there would be just the
  • trouble father wants to avoid--about my engagement, you see, and
  • so on."
  • It was an aspect of the matter that had escaped Joan. She frowned
  • thoughtfully.
  • "I see. Yes, there is that; but there must be a way."
  • "You mustn't, Joan--really! don't think any more about it."
  • "Not think any more about it! My child, do you even faintly
  • realize what five thousand dollars--or a quarter of five thousand
  • dollars--means to me? I would do anything for it--anything! And
  • there's the fun of it. I don't suppose you can realize that,
  • either. I want a change. I've been grubbing away here on nothing
  • a week for years, and it's time I had a vacation. There must be a
  • way by which you could get me down--Why, of course! Why didn't I
  • think of it before! You shall take me on Friday as your lady's
  • maid!"
  • "But, Joan, I couldn't!"
  • "Why not?"
  • "I--I couldn't."
  • "Why not?"
  • "Oh, well!"
  • Joan advanced on her where she sat and grasped her firmly by the
  • shoulders. Her face was inflexible.
  • "Aline, my pet, it's no good arguing. You might just as well
  • argue with a wolf on the trail of a fat Russian peasant. I need
  • that money. I need it in my business. I need it worse than
  • anybody has ever needed anything. And I'm going to have it! From
  • now on, until further notice, I am your lady's maid. You can give
  • your present one a holiday."
  • Aline met her eyes waveringly. The spirit of the old schooldays,
  • when nothing was impossible where Joan was concerned, had her in
  • its grip. Moreover, the excitement of the scheme began to attract
  • her.
  • "But, Joan," she said, "you know it's simply ridiculous. You
  • could never pass as a lady's maid. The other servants would find
  • you out. I expect there are all sorts of things a lady's maid has
  • got to do and not do."
  • "My dear Aline, I know them all. You can't stump me on
  • below-stairs etiquette. I've been a lady's maid!"
  • "Joan!"
  • "It's quite true--three years ago, when I was more than usually
  • impecunious. The wolf was glued to the door like a postage stamp;
  • so I answered an advertisement and became a lady's maid."
  • "You seem to have done everything."
  • "I have--pretty nearly. It's all right for you idle rich,
  • Aline--you can sit still and contemplate life; but we poor
  • working girls have got to hustle."
  • Aline laughed.
  • "You know, you always could make me do anything you wanted in the
  • old days, Joan. I suppose I have got to look on this as quite
  • settled now?"
  • "Absolutely settled! Oh, Aline, there's one thing you must
  • remember: Don't call me Joan when I'm down at the castle. You
  • must call me Valentine."
  • She paused. The recollection of the Honorable Freddie had come to
  • her. No; Valentine would not do!
  • "No; not Valentine," she went on--"it's too jaunty. I used it
  • once years ago, but it never sounded just right. I want something
  • more respectable, more suited to my position. Can't you suggest
  • something?"
  • Aline pondered.
  • "Simpson?"
  • "Simpson! It's exactly right. You must practice it. Simpson! Say
  • it kindly and yet distantly, as though I were a worm, but a worm
  • for whom you felt a mild liking. Roll it round your tongue."
  • "Simpson."
  • "Splendid! Now once again--a little more haughtily."
  • "Simpson--Simpson--Simpson."
  • Joan regarded her with affectionate approval.
  • "It's wonderful!" she said. "You might have been doing it all
  • your life."
  • "What are you laughing at?" asked Aline.
  • "Nothing," said Joan. "I was just thinking of something. There's
  • a young man who lives on the floor above this, and I was
  • lecturing him yesterday on enterprise. I told him to go and find
  • something exciting to do. I wonder what he would say if he knew
  • how thoroughly I am going to practice what I preach!"
  • CHAPTER IV
  • In the morning following Aline's visit to Joan Valentine, Ashe
  • sat in his room, the Morning Post on the table before him. The
  • heady influence of Joan had not yet ceased to work within him;
  • and he proposed, in pursuance of his promise to her, to go
  • carefully through the columns of advertisements, however
  • pessimistic he might feel concerning the utility of that action.
  • His first glance assured him that the vast fortunes of the
  • philanthropists, whose acquaintance he had already made in print,
  • were not yet exhausted. Brian MacNeill still dangled his gold
  • before the public; so did Angus Bruce; so did Duncan Macfarlane
  • and Wallace Mackintosh and Donald MacNab. They still had the
  • money and they still wanted to give it away.
  • Ashe was reading listlessly down the column when, from the mass
  • of advertisements, one of an unusual sort detached itself.
  • WANTED: Young Man of good appearance, who is poor and
  • reckless, to undertake a delicate and dangerous enterprise.
  • Good pay for the right man. Apply between the hours of ten
  • and twelve at offices of Mainprice, Mainprice & Boole,
  • 3, Denvers Street, Strand.
  • And as he read it, half past ten struck on the little clock on
  • his mantelpiece. It was probably this fact that decided Ashe. If
  • he had been compelled to postpone his visit to the offices of
  • Messrs. Mainprice, Mainprice & Boole until the afternoon, it is
  • possible that barriers of laziness might have reared themselves
  • in the path of adventure; for Ashe, an adventurer at heart, was
  • also uncommonly lazy. As it was, however, he could make an
  • immediate start.
  • Pausing but to put on his shoes, and having satisfied himself by
  • a glance in the mirror that his appearance was reasonably good,
  • he seized his hat, shot out of the narrow mouth of Arundell Street
  • like a shell, and scrambled into a taxicab, with the feeling
  • that--short of murder--they could not make it too delicate and
  • dangerous for him.
  • He was conscious of strange thrills. This, he told himself, was
  • the only possible mode of life with spring in the air. He had
  • always been partial to those historical novels in which the
  • characters are perpetually vaulting on chargers and riding across
  • country on perilous errands. This leaping into taxicabs to answer
  • stimulating advertisements in the Morning Post was very much the
  • same sort of thing. It was with fine fervor animating him that he
  • entered the gloomy offices of Mainprice, Mainprice & Boole. His
  • brain was afire and he felt ready for anything.
  • "I have come in ans--" he began, to the diminutive office boy,
  • who seemed to be the nearest thing visible to a Mainprice or a
  • Boole.
  • "Siddown. Gottatakeyerturn," said the office boy; and for the
  • first time Ashe perceived that the ante-room in which he stood
  • was crowded to overflowing.
  • This, in the circumstances, was something of a damper. He had
  • pictured himself, during his ride in the cab, striding into the
  • office and saying. "The delicate and dangerous enterprise. Lead
  • me to it!" He had not realized until now that he was not the only
  • man in London who read the advertisement columns of the Morning
  • Post, and for an instant his heart sank at the sight of all this
  • competition. A second and more comprehensive glance at his rivals
  • gave him confidence.
  • The Wanted column of the morning paper is a sort of dredger,
  • which churns up strange creatures from the mud of London's
  • underworld. Only in response to the dredger's operations do they
  • come to the surface in such numbers as to be noticeable, for as a
  • rule they are of a solitary habit and shun company; but when they
  • do come they bring with them something of the horror of the
  • depths.
  • It is the saddest spectacle in the world--that of the crowd
  • collected by a Wanted advertisement. They are so palpably not
  • wanted by anyone for any purpose whatsoever; yet every time they
  • gather together with a sort of hopeful hopelessness. What they
  • were originally--the units of these collections--Heaven knows.
  • Fate has battered out of them every trace of individuality. Each
  • now is exactly like his neighbor--no worse; no better.
  • Ashe, as he sat and watched them, was filled with conflicting
  • emotions. One-half of him, thrilled with the glamour of
  • adventure, was chafing at the delay, and resentful of these poor
  • creatures as of so many obstacles to the beginning of all the
  • brisk and exciting things that lay behind the mysterious brevity
  • of the advertisement; the other, pitifully alive to the tragedy
  • of the occasion, was grateful for the delay.
  • On the whole, he was glad to feel that if one of these derelicts
  • did not secure the "good pay for the right man," it would not be
  • his fault. He had been the last to arrive, and he would be the
  • last to pass through that door, which was the gateway of
  • adventure--the door with Mr. Boole inscribed on its ground glass,
  • behind which sat the author of the mysterious request for
  • assistance, interviewing applicants. It would be through their
  • own shortcomings--not because of his superior attractions--if
  • they failed to please that unseen arbiter.
  • That they were so failing was plain. Scarcely had one scarred
  • victim of London's unkindness passed through before the bell
  • would ring; the office boy, who, in the intervals of frowning
  • sternly on the throng, as much as to say that he would stand no
  • nonsense, would cry, "Next!" and another dull-eyed wreck would
  • drift through, to be followed a moment later by yet another. The
  • one fact at present ascertainable concerning the unknown searcher
  • for reckless young men of good appearance was that he appeared to
  • be possessed of considerable decision of character, a man who did
  • not take long to make up his mind. He was rejecting applicants
  • now at the rate of two a minute.
  • Expeditious though he was, he kept Ashe waiting for a
  • considerable time. It was not until the hands of the fat clock
  • over the door pointed to twenty minutes past eleven that the
  • office boy's "Next!" found him the only survivor. He gave his
  • clothes a hasty smack with the palm of his hand and his hair a
  • fleeting dab to accentuate his good appearance, and turned the
  • handle of the door of fate.
  • The room assigned by the firm to their Mr. Boole for his personal
  • use was a small and dingy compartment, redolent of that
  • atmosphere of desolation which lawyers alone know how to achieve.
  • It gave the impression of not having been swept since the
  • foundation of the firm, in the year 1786. There was one small
  • window, covered with grime. It was one of those windows you see
  • only in lawyers' offices. Possibly some reckless Mainprice or
  • harebrained Boole had opened it in a fit of mad excitement
  • induced by the news of the Battle of Waterloo, in 1815, and had
  • been instantly expelled from the firm. Since then, no one had
  • dared to tamper with it.
  • Gazing through this window--or, rather, gazing at it, for X-rays
  • could hardly have succeeded in actually penetrating the alluvial
  • deposits on the glass--was a little man. As Ashe entered, he
  • turned and looked at him as though he hurt him rather badly in
  • some tender spot.
  • Ashe was obliged to own to himself that he felt a little nervous.
  • It is not every day that a young man of good appearance, who has
  • led a quiet life, meets face to face one who is prepared to pay
  • him well for doing something delicate and dangerous. To Ashe the
  • sensation was entirely novel. The most delicate and dangerous act
  • he had performed to date had been the daily mastication of Mrs.
  • Bell's breakfast--included in the rent. Yes, he had to admit
  • it--he was nervous: and the fact that he was nervous made him hot
  • and uncomfortable.
  • To judge him by his appearance, the man at the window was also
  • hot and uncomfortable. He was a little, truculent-looking man,
  • and his face at present was red with a flush that sat unnaturally
  • on a normally lead-colored face. His eyes looked out from under
  • thick gray eyebrows with an almost tortured expression. This was
  • partly owing to the strain of interviewing Ashe's preposterous
  • predecessors, but principally to the fact that the little man had
  • suddenly been seized with acute indigestion, a malady to which he
  • was peculiarly subject.
  • He removed from his mouth the black cigar he was smoking,
  • inserted a digestive tabloid, and replaced the cigar. Then he
  • concentrated his attention on Ashe. As he did so the hostile
  • expression of his face became modified. He looked surprised
  • and--grudgingly--pleased.
  • "Well, what do you want?" he said.
  • "I came in answer to--"
  • "In answer to my advertisement? I had given up hope of seeing
  • anything part human. I thought you must be one of the clerks.
  • You're certainly more like what I advertised for. Of all the
  • seedy bunches of dead beats I ever struck, the aggregation I've
  • just been interviewing was the seediest! When I spend good money
  • in advertising for a young man of good appearance, I want a young
  • man of good appearance--not a tramp of fifty-five."
  • Ashe was sorry for his predecessors, but he was bound to admit
  • that they certainly had corresponded somewhat faithfully to the
  • description just given. The comparative cordiality of his own
  • reception removed the slight nervousness that had been troubling
  • him. He began to feel confident--almost jaunty.
  • "I'm through," said the little man wearily. "I've had enough of
  • interviewing applicants. You're the last one I'll see. Are there
  • any more hobos outside?"
  • "Not when I came in."
  • "Then we'll get down to business. I'll tell you what I want done,
  • and if you are willing you can do it; if you are not willing you
  • can leave it--and go to the devil! Sit down."
  • Ashe sat down. He resented the little man's tone, but this was
  • not the moment for saying so. His companion scrutinized him
  • narrowly.
  • "So far as appearance goes," he said, "you are what I want." Ashe
  • felt inclined to bow. "Whoever takes on this job has got to act
  • as my valet, and you look like a valet." Ashe felt less inclined
  • to bow.
  • "You're tall and thin and ordinary-looking. Yes; so far as
  • appearance goes, you fill the bill."
  • It seemed to Ashe that it was time to correct an impression the
  • little man appeared to have formed.
  • "I am afraid," he said, "if all you want is a valet, you will
  • have to look elsewhere. I got the idea from your advertisement
  • that something rather more exciting was in the air. I can
  • recommend you to several good employment agencies if you wish."
  • He rose. "Good-morning!" he said.
  • He would have liked to fling the massive pewter inkwell at this
  • little creature who had so keenly disappointed him.
  • "Sit down!" snapped the other.
  • Ashe resumed his seat. The hope of adventure dies hard on a
  • Spring morning when one is twenty-six, and he had the feeling
  • that there was more to come.
  • "Don't be a damned fool!" said the little man. "Of course I'm not
  • asking you to be a valet and nothing else."
  • "You would want me to do some cooking and plain sewing on the
  • side, perhaps?"
  • Their eyes met in a hostile glare. The flush on the little man's
  • face deepened.
  • "Are you trying to get fresh with me?" he demanded dangerously.
  • "Yes," said Ashe.
  • The answer seemed to disconcert his adversary. He was silent for
  • a moment.
  • "Well," he said at last, "maybe it's all for the best. If you
  • weren't full of gall probably you wouldn't have come here at all;
  • and whoever takes on this job of mine has got to have gall if he
  • has nothing else. I think we shall suit each other."
  • "What is the job?"
  • The little man's face showed doubt and perplexity.
  • "It's awkward. If I'm to make the thing clear to you I've got to
  • trust you. And I don't know a thing about you. I wish I had
  • thought of that before I inserted the advertisement."
  • Ashe appreciated the difficulty.
  • "Couldn't you make an A--B case out of it?"
  • "Maybe I could if I knew what an A--B case was."
  • "Call the people mixed up in it A and B."
  • "And forget, halfway through, who was which! No; I guess I'll
  • have to trust you."
  • "I'll play square."
  • The little man fastened his eyes on Ashe's in a piercing stare.
  • Ashe met them smilingly. His spirits, always fairly cheerful, had
  • risen high by now. There was something about the little man, in
  • spite of his brusqueness and ill temper, which made him feel
  • flippant.
  • "Pure white!" said Ashe.
  • "Eh?"
  • "My soul! And this"--he thumped the left section of his
  • waistcoat--"solid gold. You may fire when ready, Gridley.
  • Proceed, professor."
  • "I don't know where to begin."
  • "Without presuming to dictate, why not at the beginning?"
  • "It's all so darned complicated that I don't rightly know which
  • is the beginning. Well, see here . . . I collect scarabs. I'm
  • crazy about scarabs. Ever since I quit business, you might say
  • that I have practically lived for scarabs."
  • "Though it sounds like an unkind thing to say of anyone," said
  • Ashe. "Incidentally, what are scarabs?" He held up his hand.
  • "Wait! It all comes back to me. Expensive classical education,
  • now bearing belated fruit. Scarabaeus--Latin; noun, nominative--a
  • beetle. Scarabaee--vocative--O you beetle! Scarabaeum--
  • accusative--the beetle. Scarabaei--of the beetle. Scarabaeo--to
  • or for the beetle. I remember now. Egypt--Rameses--pyramids--
  • sacred scarabs! Right!"
  • "Well, I guess I've gotten together the best collection of
  • scarabs outside the British Museum, and some of them are worth
  • what you like to me. I don't reckon money when it comes to a
  • question of my scarabs. Do you understand?"
  • "Sure, Mike!"
  • Displeasure clouded the little man's face.
  • "My name is not Mike."
  • "I used the word figuratively, as it were."
  • "Well, don't do it again. My name is J. Preston Peters, and Mr.
  • Peters will do as well as anything else when you want to attract
  • my attention."
  • "Mine is Marson. You were saying, Mr. Peters--?"
  • "Well, it's this way," said the little man.
  • Shakespeare and Pope have both emphasized the tediousness of a
  • twice-told tale; the Episode Of the Stolen Scarab need not be
  • repeated at this point, though it must be admitted that Mr.
  • Peters' version of it differed considerably from the calm,
  • dispassionate description the author, in his capacity of official
  • historian, has given earlier in the story.
  • In Mr. Peters' version the Earl of Emsworth appeared as a smooth
  • and purposeful robber, a sort of elderly Raffles, worming his way
  • into the homes of the innocent, and only sparing that portion of
  • their property which was too heavy for him to carry away. Mr.
  • Peters, indeed, specifically described the Earl of Emsworth as an
  • oily old second-story man.
  • It took Ashe some little time to get a thorough grasp of the
  • tangled situation; but he did it at last.
  • Only one point perplexed him.
  • "You want to hire somebody to go to this castle and get this
  • scarab back for you. I follow that. But why must he go as your
  • valet?"
  • "That's simple enough. You don't think I'm asking him to buy a
  • black mask and break in, do you? I'm making it as easy for him as
  • possible. I can't take a secretary down to the castle, for
  • everybody knows that, now I've retired, I haven't got a
  • secretary; and if I engaged a new one and he was caught trying to
  • steal my scarab from the earl's collection, it would look
  • suspicious. But a valet is different. Anyone can get fooled by a
  • crook valet with bogus references."
  • "I see. There's just one other point: Suppose your accomplice
  • does get caught--what then?"
  • "That," said Mr. Peters, "is the catch; and it's just because of
  • that I am offering good pay to my man. We'll suppose, for the
  • sake of argument, that you accept the contract and get caught.
  • Well, if that happens you've got to look after yourself. I
  • couldn't say a word. If I did it would all come out, and so far
  • as the breaking off of my daughter's engagement to young
  • Threepwood is concerned, it would be just as bad as though I had
  • tried to get the thing back myself.
  • "You've got to bear that in mind. You've got to remember it if
  • you forget everything else. I don't appear in this business in
  • any way whatsoever. If you get caught you take what's coming to
  • you without a word. You can't turn round and say: 'I am innocent.
  • Mr. Peters will explain all'--because Mr. Peters certainly won't.
  • Mr. Peters won't utter a syllable of protest if they want to hang
  • you.
  • "No; if you go into this, young man, you go into it with your
  • eyes open. You go into it with a full understanding of the
  • risks--because you think the reward, if you are successful, makes
  • the taking of those risks worth while. You and I know that what
  • you are doing isn't really stealing; it's simply a tactful way of
  • getting back my own property. But the judge and jury will have
  • different views."
  • "I am beginning to understand," said Ashe thoughtfully, "why you
  • called the job delicate and dangerous."
  • Certainly it had been no overstatement. As a writer of detective
  • stories for the British office boy, he had imagined in his time
  • many undertakings that might be so described, but few to which
  • the description was more admirably suited.
  • "It is," said Mr. Peters; "and that is why I'm offering good pay.
  • Whoever carries this job through gets one thousand pounds."
  • Ashe started.
  • "One thousand pounds--five thousand dollars!"
  • "Five thousand."
  • "When do I begin?"
  • "You'll do it?"
  • "For five thousand dollars I certainly will."
  • "With your eyes open?"
  • "Wide open!"
  • A look of positive geniality illuminated Mr. Peters' pinched
  • features. He even went so far as to pat Ashe on the shoulder.
  • "Good boy!" he said. "Meet me at Paddington Station at four
  • o'clock on Friday. And if there's anything more you want to know
  • come round to this address."
  • There remained the telling of Joan Valentine; for it was
  • obviously impossible not to tell her. When you have
  • revolutionized your life at the bidding of another you cannot
  • well conceal the fact, as though nothing had happened. Ashe had
  • not the slightest desire to conceal the fact. On the contrary, he
  • was glad to have such a capital excuse for renewing the
  • acquaintance.
  • He could not tell her, of course, the secret details of the
  • thing. Naturally those must remain hidden. No, he would just go
  • airily in and say:
  • "You know what you told me about doing something new? Well, I've
  • just got a job as a valet."
  • So he went airily in and said it.
  • "To whom?" said Joan.
  • "To a man named Peters--an American."
  • Women are trained from infancy up to conceal their feelings. Joan
  • did not start or otherwise express emotion.
  • "Not Mr. J. Preston Peters?"
  • "Yes. Do you know him? What a remarkable thing."
  • "His daughter," said Joan, "has just engaged me as a lady's
  • maid."
  • "What!"
  • "It will not be quite the same thing as three years ago," Joan
  • explained. "It is just a cheap way of getting a holiday. I used
  • to know Miss Peters very well, you see. It will be more like
  • traveling as her guest."
  • "But--but--" Ashe had not yet overcome his amazement.
  • "Yes?"
  • "But what an extraordinary coincidence!"
  • "Yes. By the way, how did you get the situation? And what put it
  • into your head to be a valet at all? It seems such a curious
  • thing for you to think of doing."
  • Ashe was embarrassed.
  • "I--I--well, you see, the experience will be useful to me, of
  • course, in my writing."
  • "Oh! Are you thinking of taking up my line of work? Dukes?"
  • "No, no--not exactly that."
  • "It seems so odd. How did you happen to get in touch with Mr.
  • Peters?"
  • "Oh, I answered an advertisement."
  • "I see."
  • Ashe was becoming conscious of an undercurrent of something not
  • altogether agreeable in the conversation. It lacked the gay ease
  • of their first interview. He was not apprehensive lest she might
  • have guessed his secret. There was, he felt, no possible means by
  • which she could have done that. Yet the fact remained that those
  • keen blue eyes of hers were looking at him in a peculiar and
  • penetrating manner. He felt damped.
  • "It will be nice, being together," he said feebly.
  • "Very!" said Joan.
  • There was a pause.
  • "I thought I would come and tell you."
  • "Quite so."
  • There was another pause.
  • "It seems so funny that you should be going out as a lady's
  • maid."
  • "Yes?"
  • "But, of course, you have done it before."
  • "Yes."
  • "The really extraordinary thing is that we should be going to the
  • same people."
  • "Yes."
  • "It--it's remarkable, isn't it?"
  • "Yes."
  • Ashe reflected. No; he did not appear to have any further remarks
  • to make.
  • "Good-by for the present," he said.
  • "Good-by."
  • Ashe drifted out. He was conscious of a wish that he understood
  • girls. Girls, in his opinion, were odd.
  • When he had gone Joan Valentine hurried to the door and, having
  • opened it an inch, stood listening. When the sound of his door
  • closing came to her she ran down the stairs and out into Arundell
  • Street. She went to the Hotel Mathis.
  • "I wonder," she said to the sad-eyed waiter, "if you have a copy
  • of the Morning Post?"
  • The waiter, a child of romantic Italy, was only too anxious to
  • oblige youth and beauty. He disappeared and presently returned
  • with a crumpled copy. Joan thanked him with a bright smile.
  • Back in her room, she turned to the advertisement pages. She knew
  • that life was full of what the unthinking call coincidences; but
  • the miracle of Ashe having selected by chance the father of Aline
  • Peters as an employer was too much of a coincidence for her.
  • Suspicion furrowed her brow.
  • It did not take her long to discover the advertisement that had
  • sent Ashe hurrying in a taxicab to the offices of Messrs.
  • Mainprice, Mainprice & Boole. She had been looking for something
  • of the kind.
  • She read it through twice and smiled. Everything was very clear
  • to her. She looked at the ceiling above her and shook her head.
  • "You are quite a nice young man, Mr. Marson," she said softly;
  • "but you mustn't try to jump my claim. I dare say you need that
  • money too; but I'm afraid you must go without. I am going to have
  • it--and nobody else!"
  • CHAPTER V
  • The four-fifteen express slid softly out of Paddington Station
  • and Ashe Marson settled himself in the corner seat of his
  • second-class compartment. Opposite him Joan Valentine had begun
  • to read a magazine. Along the corridor, in a first-class smoking
  • compartment, Mr. Peters was lighting a big black cigar. Still
  • farther along the corridor, in a first-class non-smoking
  • compartment, Aline Peters looked through the window and thought
  • of many things.
  • In English trains the tipping classes travel first; valets,
  • lady's maids, footmen, nurses, and head stillroom maids, second;
  • and housemaids, grooms, and minor and inferior stillroom maids,
  • third. But for these social distinctions, the whole fabric of
  • society would collapse and anarchy stalk naked through the
  • land--as in the United States.
  • Ashe was feeling remarkably light-hearted. He wished he had not
  • bought Joan that magazine and thus deprived himself temporarily
  • of the pleasure of her conversation; but that was the only flaw
  • in his happiness. With the starting of the train, which might be
  • considered the formal and official beginning of the delicate and
  • dangerous enterprise on which he had embarked, he had definitely
  • come to the conclusion that the life adventurous was the life for
  • him. He had frequently suspected this to be the case, but it had
  • required the actual experiment to bring certainty.
  • Almost more than physical courage, the ideal adventurer needs a
  • certain lively inquisitiveness, the quality of not being content
  • to mind his own affairs; and in Ashe this quality was highly
  • developed. From boyhood up he had always been interested in
  • things that were none of his business. And it is just that
  • attribute which the modern young man, as a rule, so sadly lacks.
  • The modern young man may do adventurous things if they are thrust
  • on him; but left to himself he will edge away uncomfortably and
  • look in the other direction when the goddess of adventure smiles
  • at him. Training and tradition alike pluck at his sleeve and urge
  • him not to risk making himself ridiculous. And from sheer horror
  • of laying himself open to the charge of not minding his own
  • business he falls into a stolid disregard of all that is out of
  • the ordinary and exciting. He tells himself that the shriek from
  • the lonely house he passed just now was only the high note of
  • some amateur songstress, and that the maiden in distress whom he
  • saw pursued by the ruffian with a knife was merely earning the
  • salary paid her by some motion-picture firm. And he proceeds on
  • his way, looking neither to left nor right.
  • Ashe had none of this degenerate coyness toward adventure. Though
  • born within easy distance of Boston and deposited by
  • circumstances in London, he possessed, nevertheless, to a
  • remarkable degree, that quality so essentially the property of
  • the New Yorker--the quality known, for want of a more polished
  • word, as rubber. It is true that it had needed the eloquence of
  • Joan Valentine to stir him from his groove; but that was because
  • he was also lazy. He loved new sights and new experiences. Yes;
  • he was happy. The rattle of the train shaped itself into a lively
  • march. He told himself that he had found the right occupation for
  • a young man in the Spring.
  • Joan, meantime, intrenched behind her magazine, was also busy
  • with her thoughts. She was not reading the magazine; she held it
  • before her as a protection, knowing that if she laid it down Ashe
  • would begin to talk. And just at present she had no desire for
  • conversation. She, like Ashe, was contemplating the immediate
  • future, but, unlike him, was not doing so with much pleasure. She
  • was regretting heartily that she had not resisted the temptation
  • to uplift this young man and wishing that she had left him to
  • wallow in the slothful peace in which she had found him.
  • It is curious how frequently in this world our attempts to
  • stimulate and uplift swoop back on us and smite us like
  • boomerangs. Ashe's presence was the direct outcome of her lecture
  • on enterprise, and it added a complication to an already
  • complicated venture.
  • She did her best to be fair to Ashe. It was not his fault that he
  • was about to try to deprive her of five thousand dollars, which
  • she looked on as her personal property; but illogically she found
  • herself feeling a little hostile.
  • She glanced furtively at him over the magazine, choosing by ill
  • chance a moment when he had just directed his gaze at her. Their
  • eyes met and there was nothing for it but to talk; so she tucked
  • away her hostility in a corner of her mind, where she could find
  • it again when she wanted it, and prepared for the time being to
  • be friendly. After all, except for the fact that he was her
  • rival, this was a pleasant and amusing young man, and one for
  • whom, until he made the announcement that had changed her whole
  • attitude toward him, she had entertained a distinct feeling of
  • friendship--nothing warmer.
  • There was something about him that made her feel that she would
  • have liked to stroke his hair in a motherly way and straighten
  • his tie, and have cozy chats with him in darkened rooms by the
  • light of open fires, and make him tell her his inmost thoughts,
  • and stimulate him to do something really worth while with his
  • life; but this, she held, was merely the instinct of a generous
  • nature to be kind and helpful even to a comparative stranger.
  • "Well, Mr. Marson," she said, "Here we are!"
  • "Exactly what I was thinking," said Ashe.
  • He was conscious of a marked increase in the exhilaration the
  • starting of the expedition had brought to him. At the back of his
  • mind he realized there had been all along a kind of wistful
  • resentment at the change in this girl's manner toward him.
  • During the brief conversation when he had told her of his having
  • secured his present situation, and later, only a few minutes
  • back, on the platform of Paddington Station, he had sensed a
  • coldness, a certain hostility--so different from her pleasant
  • friendliness at their first meeting.
  • She had returned now to her earlier manner and he was surprised
  • at the difference it made. He felt somehow younger, more alive.
  • The lilt of the train's rattle changed to a gay ragtime. This was
  • curious, because Joan was nothing more than a friend. He was not
  • in love with her. One does not fall in love with a girl whom one
  • has met only three times. One is attracted--yes; but one does not
  • fall in love.
  • A moment's reflection enabled him to diagnose his sensations
  • correctly. This odd impulse to leap across the compartment and
  • kiss Joan was not love. It was merely the natural desire of a
  • good-hearted young man to be decently chummy with his species.
  • "Well, what do you think of it all, Mr. Marson?" said Joan. "Are
  • you sorry or glad that you let me persuade you to do this
  • perfectly mad thing? I feel responsible for you, you know. If it
  • had not been for me you would have been comfortably in Arundell
  • Street, writing your Wand of Death."
  • "I'm glad."
  • "You don't feel any misgivings now that you are actually
  • committed to domestic service?"
  • "Not one."
  • Joan, against her will, smiled approval on this uncompromising
  • attitude. This young man might be her rival, but his demeanor on
  • the eve of perilous times appealed to her. That was the spirit
  • she liked and admired--that reckless acceptance of whatever might
  • come. It was the spirit in which she herself had gone into the
  • affair and she was pleased to find that it animated Ashe
  • also--though, to be sure, it had its drawbacks. It made his
  • rivalry the more dangerous. This reflection injected a touch of
  • the old hostility into her manner.
  • "I wonder whether you will continue to feel so brave."
  • "What do you mean?"
  • Joan perceived that she was in danger of going too far. She had
  • no wish to unmask Ashe at the expense of revealing her own
  • secret. She must resist the temptation to hint that she had
  • discovered his.
  • "I meant," she said quickly, "that from what I have seen of him
  • Mr. Peters seems likely to be a rather trying man to work for."
  • Ashe's face cleared. For a moment he had almost suspected that
  • she had guessed his errand.
  • "Yes. I imagine he will be. He is what you might call
  • quick-tempered. He has dyspepsia, you know."
  • "I know."
  • "What he wants is plenty of fresh air and no cigars, and a
  • regular course of those Larsen Exercises that amused you so
  • much."
  • Joan laughed.
  • "Are you going to try and persuade Mr. Peters to twist himself
  • about like that? Do let me see it if you do."
  • "I wish I could."
  • "Do suggest it to him."
  • "Don't you think he would resent it from a valet?"
  • "I keep forgetting that you are a valet. You look so unlike one."
  • "Old Peters didn't think so. He rather complimented me on my
  • appearance. He said I was ordinary-looking."
  • "I shouldn't have called you that. You look so very strong and
  • fit."
  • "Surely there are muscular valets?"
  • "Well, yes; I suppose there are."
  • Ashe looked at her. He was thinking that never in his life had he
  • seen a girl so amazingly pretty. What it was that she had done to
  • herself was beyond him; but something, some trick of dress, had
  • given her a touch of the demure that made her irresistible. She
  • was dressed in sober black, the ideal background for her
  • fairness.
  • "While on the subject," he said, "I suppose you know you don't
  • look in the least like a lady's maid? You look like a disguised
  • princess."
  • She laughed.
  • "That's very nice of you, Mr. Marson, but you're quite wrong.
  • Anyone could tell I was a lady's maid, a mile away. You aren't
  • criticizing the dress, surely?"
  • "The dress is all right. It's the general effect. I don't think
  • your expression is right. It's--it's--there's too much attack in
  • it. You aren't meek enough."
  • Joan's eyes opened wide.
  • "Meek! Have you ever seen an English lady's maid, Mr. Marson?"
  • "Why, no; now that I come to think of it, I don't believe I
  • have."
  • "Well, let me tell you that meekness is her last quality. Why
  • should she be meek? Doesn't she go in after the groom of the
  • chambers?"
  • "Go in? Go in where?"
  • "In to dinner." She smiled at the sight of his bewildered face.
  • "I'm afraid you don't know much about the etiquette of the new
  • world you have entered so rashly. Didn't you know that the rules
  • of precedence among the servants of a big house in England are
  • more rigid and complicated than in English society?"
  • "You're joking!"
  • "I'm not joking. You try going in to dinner out of your proper
  • place when we get to Blandings and see what happens. A public
  • rebuke from the butler is the least you could expect."
  • A bead of perspiration appeared on Ashe's forehead.
  • "Heavens!" he whispered. "If a butler publicly rebuked me I think
  • I should commit suicide. I couldn't survive it."
  • He stared, with fallen jaw, into the abyss of horror into which
  • he had leaped so light-heartedly. The servant problem, on this
  • large scale, had been nonexistent for him until now. In the days
  • of his youth, at Mayling, Massachusetts, his needs had been
  • ministered to by a muscular Swede. Later, at Oxford, there had
  • been his "scout" and his bed maker, harmless persons both,
  • provided you locked up your whisky. And in London, his last
  • phase, a succession of servitors of the type of the disheveled
  • maid at Number Seven had tended him.
  • That, dotted about the land of his adoption, there were houses in
  • which larger staffs of domestics were maintained, he had been
  • vaguely aware. Indeed, in "Gridley Quayle, Investigator; the
  • Adventure of the Missing Marquis"--number four of the series--he
  • had drawn a picture of the home life of a duke, in which a butler
  • and two powdered footmen had played their parts; but he had had
  • no idea that rigid and complicated rules of etiquette swayed the
  • private lives of these individuals. If he had given the matter a
  • thought he had supposed that when the dinner hour arrived the
  • butler and the two footmen would troop into the kitchen and
  • squash in at the table wherever they found room.
  • "Tell me," he said. "Tell me all you know. I feel as though I had
  • escaped a frightful disaster."
  • "You probably have. I don't suppose there is anything so terrible
  • as a snub from a butler."
  • "If there is I can't think of it. When I was at Oxford I used to
  • go and stay with a friend of mine who had a butler that looked
  • like a Roman emperor in swallowtails. He terrified me. I used to
  • grovel to the man. Please give me all the pointers you can."
  • "Well, as Mr. Peters' valet, I suppose you will be rather a big
  • man."
  • "I shan't feel it."
  • "However large the house party is, Mr. Peters is sure to be the
  • principal guest; so your standing will be correspondingly
  • magnificent. You come after the butler, the housekeeper, the
  • groom of the chambers, Lord Emsworth's valet, Lady Ann
  • Warblington's lady's maid--"
  • "Who is she?"
  • "Lady Ann? Lord Emsworth's sister. She has lived with him since
  • his wife died. What was I saying? Oh, yes! After them come the
  • honorable Frederick Threepwood's valet and myself--and then you."
  • "I'm not so high up then, after all?"
  • "Yes, you are. There's a whole crowd who come after you. It all
  • depends on how many other guests there are besides Mr. Peters."
  • "I suppose I charge in at the head of a drove of housemaids and
  • scullery maids?"
  • "My dear Mr. Marson, if a housemaid or a scullery maid tried to
  • get into the steward's room and have her meals with us, she would
  • be--"
  • "Rebuked by the butler?"
  • "Lynched, I should think. Kitchen maids and scullery maids eat in
  • the kitchen. Chauffeurs, footmen, under-butler, pantry boys, hall
  • boy, odd man and steward's-room footman take their meals in the
  • servants' hall, waited on by the hall boy. The stillroom maids
  • have breakfast and tea in the stillroom, and dinner and supper in
  • the hall. The housemaids and nursery maids have breakfast and tea
  • in the housemaid's sitting-room, and dinner and supper in the
  • hall. The head housemaid ranks next to the head stillroom maid.
  • The laundry maids have a place of their own near the laundry, and
  • the head laundry maid ranks above the head housemaid. The chef
  • has his meals in a room of his own near the kitchen. Is there
  • anything else I can tell you, Mr. Marson?"
  • Ashe was staring at her with vacant eyes. He shook his head
  • dumbly.
  • "We stop at Swindon in half an hour," said Joan softly. "Don't
  • you think you would be wise to get out there and go straight back
  • to London, Mr. Marson? Think of all you would avoid!"
  • Ashe found speech.
  • "It's a nightmare!"
  • "You would be far happier in Arundell Street. Why don't you get
  • out at Swindon and go back?"
  • Ashe shook his head.
  • "I can't. There's--there's a reason."
  • Joan picked up her magazine again. Hostility had come out from
  • the corner into which she had tucked it away and was once more
  • filling her mind. She knew it was illogical, but she could not
  • help it. For a moment, during her revelations of servants'
  • etiquette, she had allowed herself to hope that she had
  • frightened her rival out of the field, and the disappointment
  • made her feel irritable. She buried herself in a short story, and
  • countered Ashe's attempts at renewing the conversation with cold
  • monosyllables, until he ceased his efforts and fell into a moody
  • silence.
  • He was feeling hurt and angry. Her sudden coldness, following on
  • the friendliness with which she had talked so long, puzzled and
  • infuriated him. He felt as though he had been snubbed, and for no
  • reason.
  • He resented the defensive magazine, though he had bought it for
  • her himself. He resented her attitude of having ceased to
  • recognize his existence. A sadness, a filmy melancholy, crept
  • over him. He brooded on the unutterable silliness of humanity,
  • especially the female portion of it, in erecting artificial
  • barriers to friendship. It was so unreasonable.
  • At their first meeting, when she might have been excused for
  • showing defensiveness, she had treated him with unaffected ease.
  • When that meeting had ended there was a tacit understanding
  • between them that all the preliminary awkwardnesses of the first
  • stages of acquaintanceship were to be considered as having been
  • passed; and that when they met again, if they ever did, it would
  • be as friends. And here she was, luring him on with apparent
  • friendliness, and then withdrawing into herself as though he had
  • presumed.
  • A rebellious spirit took possession of him. He didn't care! Let
  • her be cold and distant. He would show her that she had no
  • monopoly of those qualities. He would not speak to her until she
  • spoke to him; and when she spoke to him he would freeze her with
  • his courteous but bleakly aloof indifference.
  • The train rattled on. Joan read her magazine. Silence reigned in
  • the second-class compartment. Swindon was reached and passed.
  • Darkness fell on the land. The journey began to seem interminable
  • to Ashe; but presently there came a creaking of brakes and the
  • train jerked itself to another stop. A voice on the platform made
  • itself heard, calling:
  • "Market Blandings! Market Blandings Station!"
  • * * *
  • The village of Market Blandings is one of those sleepy English
  • hamlets that modern progress has failed to touch; except by the
  • addition of a railroad station and a room over the grocer's shop
  • where moving pictures are on view on Tuesdays and Fridays. The
  • church is Norman and the intelligence of the majority of the
  • natives Paleozoic. To alight at Market Blandings Station in the
  • dusk of a rather chilly Spring day, when the southwest wind has
  • shifted to due east and the thrifty inhabitants have not yet lit
  • their windows, is to be smitten with the feeling that one is at
  • the edge of the world with no friends near.
  • Ashe, as he stood beside Mr. Peters' baggage and raked the
  • unsympathetic darkness with a dreary eye, gave himself up to
  • melancholy. Above him an oil lamp shed a meager light. Along the
  • platform a small but sturdy porter was juggling with a milk can.
  • The east wind explored Ashe's system with chilly fingers.
  • Somewhere out in the darkness into which Mr. Peters and Aline had
  • already vanished in a large automobile, lay the castle, with its
  • butler and its fearful code of etiquette. Soon the cart that was
  • to convey him and the trunks thither would be arriving. He
  • shivered.
  • Out of the gloom and into the feeble rays of the oil lamp came
  • Joan Valentine. She had been away, tucking Aline into the car.
  • She looked warm and cheerful. She was smiling in the old friendly
  • way.
  • If girls realized their responsibilities they would be so careful
  • when they smiled that they would probably abandon the practice
  • altogether. There are moments in a man's life when a girl's smile
  • can have as important results as an explosion of dynamite.
  • In the course of their brief acquaintance Joan had smiled at Ashe
  • many times, but the conditions governing those occasions had not
  • been such as to permit him to be seriously affected. He had been
  • pleased on such occasions; he had admired her smile in a detached
  • and critical spirit; but he had not been overwhelmed by it. The
  • frame of mind necessary for that result had been lacking.
  • Now, however, after five minutes of solitude on the depressing
  • platform of Market Blandings Station, he was what the
  • spiritualists call a sensitive subject. He had reached that depth
  • of gloom and bodily discomfort when a sudden smile has all the
  • effect of strong liquor and good news administered
  • simultaneously, warming the blood and comforting the soul, and
  • generally turning the world from a bleak desert into a land
  • flowing with milk and honey.
  • It is not too much to say that he reeled before Joan's smile. It
  • was so entirely unexpected. He clutched Mr. Peters' steamer trunk
  • in his emotion. All his resolutions to be cold and distant were
  • swept away. He had the feeling that in a friendless universe here
  • was somebody who was fond of him and glad to see him.
  • A smile of such importance demands analysis, and in this case
  • repays it; for many things lay behind this smile of Joan
  • Valentine's on the platform of Market Blandings Station.
  • In the first place, she had had another of her swift changes of
  • mood, and had once again tucked away hostility into its corner.
  • She had thought it over and had come to the conclusion that as
  • she had no logical grievance against Ashe for anything he had
  • done to be distant to him was the behavior of a cat. Consequently
  • she resolved, when they should meet again, to resume her attitude
  • of good-fellowship. That in itself would have been enough to make
  • her smile.
  • There was another reason, however, which had nothing to do with
  • Ashe. While she had been tucking Aline into the automobile she
  • met the eye of the driver of that vehicle and had perceived a
  • curious look in it--a look of amazement and sheer terror. A
  • moment, later, when Aline called the driver Freddie, she had
  • understood. No wonder the Honorable Freddie had looked as though
  • he had seen a ghost.
  • It would be a relief to the poor fellow when, as he undoubtedly
  • would do in the course of the drive, he inquired of Aline the
  • name of her maid and was told that it was Simpson. He would
  • mutter something about "Reminds me of a girl I used to know," and
  • would brood on the remarkable way in which Nature produces
  • doubles. But he had a bad moment, and it was partly at the
  • recollection of his face that Joan smiled.
  • A third reason was because the sight of the Honorable Freddie had
  • reminded her that R. Jones had said he had written her poetry.
  • That thought, too, had contributed toward the smile which so
  • dazzled Ashe.
  • Ashe, not being miraculously intuitive, accepted the easier
  • explanation that she smiled because she was glad to be in his
  • company; and this thought, coming on top of his mood of despair
  • and general dissatisfaction with everything mundane, acted on him
  • like some powerful chemical.
  • In every man's life there is generally one moment to which in
  • later years he can look back and say: "In this moment I fell in
  • love!" Such a moment came to Ashe now.
  • Betwixt the stirrup and the ground,
  • Mercy I asked; mercy I found.
  • So sings the poet and so it was with Ashe.
  • In the almost incredibly brief time it took the small but sturdy
  • porter to roll a milk can across the platform and hump it, with a
  • clang, against other milk cans similarly treated a moment before,
  • Ashe fell in love.
  • The word is so loosely used, to cover a thousand varying shades
  • of emotion--from the volcanic passion of an Antony for a
  • Cleopatra to the tepid preference of a grocer's assistant for the
  • Irish maid at the second house on Main Street, as opposed to the
  • Norwegian maid at the first house past the post office--the mere
  • statement that Ashe fell in love is not a sufficient description
  • of his feelings as he stood grasping Mr. Peters' steamer trunk.
  • Analysis is required.
  • From his fourteenth year onward Ashe had been in love many times.
  • His sensations in the case of Joan were neither the terrific
  • upheaval that had caused him, in his fifteenth year, to collect
  • twenty-eight photographs of the heroine of the road company of a
  • musical comedy which had visited the Hayling Opera House, nor the
  • milder flame that had caused him, when at college, to give up
  • smoking for a week and try to read the complete works of Ella
  • Wheeler Wilcox.
  • His love was something that lay between these two poles.
  • He did not wish the station platform of Market Blandings to
  • become suddenly congested with red Indians so that he might save
  • Joan's life; and he did not wish to give up anything at all. But
  • he was conscious--to the very depths of his being--that a future
  • in which Joan did not figure would be so insupportable as not to
  • bear considering; and in the immediate present he very strongly
  • favored the idea of clasping Joan in his arms and kissing her
  • until further notice.
  • Mingled with these feelings was an excited gratitude to her for
  • coming to him like this, with that electric smile on her face; a
  • stunned realization that she was a thousand times prettier than
  • he had ever imagined; and a humility that threatened to make him
  • loose his clutch on the steamer trunk and roll about at her feet,
  • yapping like a dog.
  • Gratitude, so far as he could dissect his tangled emotion was the
  • predominating ingredient of his mood. Only once in his life had
  • he felt so passionately grateful to any human being. On that
  • occasion, too, the object of his gratitude had been feminine.
  • Years before, when a boy in his father's home in distant Hayling,
  • Massachusetts, those in authority had commanded that he--in his
  • eleventh year and as shy as one can be only at that interesting
  • age--should rise in the presence of a roomful of strangers, adult
  • guests, and recite "The Wreck of the Hesperus."
  • He had risen. He had blushed. He had stammered. He had contrived
  • to whisper: "It was the Schooner Hesperus." And then, in a corner
  • of the room, a little girl, for no properly explained reason, had
  • burst out crying. She had yelled, she had bellowed, and would not
  • be comforted; and in the ensuing confusion Ashe had escaped to
  • the woodpile at the bottom of the garden, saved by a miracle.
  • All his life he had remembered the gratitude he had felt for that
  • little timely girl, and never until now had he experienced any
  • other similar spasm. But as he looked at Joan he found himself
  • renewing that emotion of fifteen years ago.
  • She was about to speak. In a sort of trance he watched her lips
  • part. He waited almost reverently for the first words she should
  • speak to him in her new role of the only authentic goddess.
  • "Isn't it a shame?" she said. "I've just put a penny in the
  • chocolate slot machine--and it's empty! I've a good mind to write
  • to the company."
  • Ashe felt as though he were listening to the strains of some
  • grand sweet anthem.
  • The small but sturdy porter, weary of his work among the milk
  • cans, or perhaps--let us not do him an injustice even in
  • thought--having finished it, approached them.
  • "The cart from the castle's here."
  • In the gloom beyond him there gleamed a light which had not been
  • there before. The meditative snort of a horse supported his
  • statement. He began to deal as authoritatively with Mr. Peters'
  • steamer trunk as he had dealt with the milk cans.
  • "At last!" said Joan. "I hope it's a covered cart. I'm frozen.
  • Let's go and see."
  • Ashe followed her with the gait of an automaton.
  • * * *
  • Cold is the ogre that drives all beautiful things into hiding.
  • Below the surface of a frost-bound garden there lurk hidden
  • bulbs, which are only biding their time to burst forth in a riot
  • of laughing color; but shivering Nature dare not put forth her
  • flowers until the ogre has gone. Not otherwise does cold suppress
  • love. A man in an open cart on an English Spring night may
  • continue to be in love; but love is not the emotion uppermost in
  • his bosom. It shrinks within him and waits for better times.
  • The cart was not a covered cart. It was open to the four winds of
  • heaven, of which the one at present active proceeded from the
  • bleak east. To this fact may be attributed Ashe's swift recovery
  • from the exalted mood into which Joan's smile had thrown him, his
  • almost instant emergence from the trance. Deep down in him he was
  • aware that his attitude toward Joan had not changed, but his
  • conscious self was too fully occupied with the almost hopeless
  • task of keeping his blood circulating, to permit of thoughts of
  • love. Before the cart had traveled twenty yards he was a mere
  • chunk of frozen misery.
  • After an eternity of winding roads, darkened cottages, and black
  • fields and hedges, the cart turned in at a massive iron gate,
  • which stood open giving entrance to a smooth gravel drive. Here
  • the way ran for nearly a mile through an open park of great trees
  • and was then swallowed in the darkness of dense shrubberies.
  • Presently to the left appeared lights, at first in ones and twos,
  • shining out and vanishing again; then, as the shrubberies ended
  • and the smooth lawns and terraces began, blazing down on the
  • travelers from a score of windows, with the heartening effect of
  • fires on a winter night.
  • Against the pale gray sky Blandings Castle stood out like a
  • mountain. It was a noble pile, of Early Tudor building. Its
  • history is recorded in England's history books and Viollet-le-Duc
  • has written of its architecture. It dominated the surrounding
  • country.
  • The feature of it which impressed Ashe most at this moment,
  • however, was the fact that it looked warm; and for the first time
  • since the drive began he found himself in a mood that
  • approximated cheerfulness. It was a little early to begin feeling
  • cheerful, he discovered, for the journey was by no means over.
  • Arrived within sight of the castle, the cart began a detour,
  • which, ten minutes later, brought it under an arch and over
  • cobblestones to the rear of the building, where it eventually
  • pulled up in front of a great door.
  • Ashe descended painfully and beat his feet against the cobbles.
  • He helped Joan to climb down. Joan was apparently in a gentle
  • glow. Women seem impervious to cold.
  • The door opened. Warm, kitcheny scents came through it. Strong
  • men hurried out to take down the trunks, while fair women, in the
  • shape of two nervous scullery maids, approached Joan and Ashe,
  • and bobbed curtsies. This under more normal conditions would have
  • been enough to unman Ashe; but in his frozen state a mere
  • curtsying scullery maid expended herself harmlessly on him. He
  • even acknowledged the greeting with a kindly nod.
  • The scullery maids, it seemed, were acting in much the same
  • capacity as the attaches of royalty. One was there to conduct
  • Joan to the presence of Mrs. Twemlow, the housekeeper; the other
  • to lead Ashe to where Beach, the butler, waited to do honor to
  • the valet of the castle's most important guest.
  • After a short walk down a stone-flagged passage Joan and her
  • escort turned to the right. Ashe's objective appeared to be
  • located to the left. He parted from Joan with regret. Her moral
  • support would have been welcome.
  • Presently his scullery maid stopped at a door and tapped thereon.
  • A fruity voice, like old tawny port made audible, said: "Come
  • in!" Ashe's guide opened the door.
  • "The gentleman, Mr. Beach," said she, and scuttled away to the
  • less rarefied atmosphere of the kitchen.
  • Ashe's first impression of Beach, the butler, was one of tension.
  • Other people, confronted for the first time with Beach, had felt
  • the same. He had that strained air of being on the very point of
  • bursting that one sees in bullfrogs and toy balloons. Nervous and
  • imaginative men, meeting Beach, braced themselves involuntarily,
  • stiffening their muscles for the explosion. Those who had the
  • pleasure of more intimate acquaintance with him soon passed this
  • stage, just as people whose homes are on the slopes of Mount
  • Vesuvius become immune to fear of eruptions.
  • As far back as they could remember Beach had always looked as
  • though an apoplectic fit were a matter of minutes; but he never
  • had apoplexy and in time they came to ignore the possibility of
  • it. Ashe, however, approaching him with a fresh eye, had the
  • feeling that this strain could not possibly continue and that
  • within a very short space of time the worst must happen. The
  • prospect of this did much to rouse him from the coma into which
  • he had been frozen by the rigors of the journey.
  • Butlers as a class seem to grow less and less like anything human
  • in proportion to the magnificence of their surroundings. There is
  • a type of butler employed in the comparatively modest homes of
  • small country gentlemen who is practically a man and a brother;
  • who hobnobs with the local tradesmen, sings a good comic song at
  • the village inn, and in times of crisis will even turn to and
  • work the pump when the water supply suddenly fails.
  • The greater the house the more does the butler diverge from this
  • type. Blandings Castle was one of the more important of England's
  • show places, and Beach accordingly had acquired a dignified
  • inertia that almost qualified him for inclusion in the vegetable
  • kingdom. He moved--when he moved at all--slowly. He distilled
  • speech with the air of one measuring out drops of some precious
  • drug. His heavy-lidded eyes had the fixed expression of a
  • statue's.
  • With an almost imperceptible wave of a fat white hand, he
  • conveyed to Ashe that he desired him to sit down. With a stately
  • movement of his other hand, he picked up a kettle, which simmered
  • on the hob. With an inclination of his head, he called Ashe's
  • attention to a decanter on the table.
  • In another moment Ashe was sipping a whisky toddy, with the
  • feeling that he had been privileged to assist at some mystic
  • rite. Mr. Beach, posting himself before the fire and placing his
  • hands behind his back, permitted speech to drip from him.
  • "I have not the advantage of your name, Mr.----"
  • Ashe introduced himself. Beach acknowledged the information with
  • a half bow.
  • "You must have had a cold ride, Mr. Marson. The wind is in the
  • east."
  • Ashe said yes; the ride had been cold.
  • "When the wind is in the east," continued Mr. Beach, letting each
  • syllable escape with apparent reluctance, "I suffer from my
  • feet."
  • "I beg your pardon?"
  • "I suffer from my feet," repeated the butler, measuring out the
  • drops. "You are a young man, Mr. Marson. Probably you do not know
  • what it is to suffer from your feet." He surveyed Ashe, his
  • whisky toddy and the wall beyond him, with heavy-lidded
  • inscrutability. "Corns!" he said.
  • Ashe said he was sorry.
  • "I suffer extremely from my feet--not only corns. I have but
  • recently recovered from an ingrowing toenail. I suffered greatly
  • from my ingrowing toenail. I suffer from swollen joints."
  • Ashe regarded this martyr with increasing disfavor. It is the
  • flaw in the character of many excessively healthy young men that,
  • though kind-hearted enough in most respects, they listen with a
  • regrettable feeling of impatience to the confessions of those
  • less happily situated as regards the ills of the flesh. Rightly
  • or wrongly, they hold that these statements should be reserved
  • for the ear of the medical profession, and other and more general
  • topics selected for conversation with laymen.
  • "I'm sorry," he said hastily. "You must have had a bad time. Is
  • there a large house party here just now?"
  • "We are expecting," said Mr. Beach, "a number of guests. We shall
  • in all probability sit down thirty or more to dinner."
  • "A responsibility for you," said Ashe ingratiatingly, well
  • pleased to be quit of the feet topic.
  • Mr. Beach nodded.
  • "You are right, Mr. Marson. Few persons realize the
  • responsibilities of a man in my position. Sometimes, I can assure
  • you, it preys on my mind, and I suffer from nervous headaches."
  • Ashe began to feel like a man trying to put out a fire which, as
  • fast as he checks it at one point, breaks out at another.
  • "Sometimes when I come off duty everything gets blurred. The
  • outlines of objects grow indistinct and misty. I have to sit down
  • in a chair. The pain is excruciating."
  • "But it helps you to forget the pain in your feet."
  • "No, no. I suffer from my feet simultaneously."
  • Ashe gave up the struggle.
  • "Tell me all about your feet," he said.
  • And Mr. Beach told him all about his feet.
  • The pleasantest functions must come to an end, and the moment
  • arrived when the final word on the subject of swollen joints was
  • spoken. Ashe, who had resigned himself to a permanent
  • contemplation of the subject, could hardly believe he heard
  • correctly when, at the end of some ten minutes, his companion
  • changed the conversation.
  • "You have been with Mr. Peters some time, Mr. Marson?"
  • "Eh? Oh! Oh, no only since last Wednesday."
  • "Indeed! Might I inquire whom you assisted before that?"
  • For a moment Ashe did what he would not have believed himself
  • capable of doing--regretted that the topic of feet was no longer
  • under discussion. The question placed him in an awkward position.
  • If he lied and credited himself with a lengthy experience as a
  • valet, he risked exposing himself. If he told the truth and
  • confessed that this was his maiden effort in the capacity of
  • gentleman's gentleman, what would the butler think? There were
  • objections to each course, but to tell the truth was the easier
  • of the two; so he told it.
  • "Your first situation?" said Mr. Beach. "Indeed!"
  • "I was--er--doing something else before I met Mr. Peters," said
  • Ashe.
  • Mr. Beach was too well-bred to be inquisitive, but his eyebrows
  • were not.
  • "Ah!" he said. "?" cried his eyebrows. "?--?--?"
  • Ashe ignored the eyebrows.
  • "Something different," he said.
  • There was an awkward silence. Ashe appreciated its awkwardness.
  • He was conscious of a grievance against Mr. Peters. Why could not
  • Mr. Peters have brought him down here as his secretary? To be
  • sure, he had advanced some objection to that course in their
  • conversation at the offices of Mainprice, Mainprice & Boole; but
  • merely a silly, far-fetched objection. He wished he had had the
  • sense to fight the point while there was time; but at the moment
  • when they were arranging plans he had been rather tickled by the
  • thought of becoming a valet. The notion had a pleasing
  • musical-comedy touch about it. Why had he not foreseen the
  • complications that must ensue? He could tell by the look on his
  • face that this confounded butler was waiting for him to give a
  • full explanation. What would he think if he withheld it? He would
  • probably suppose that Ashe had been in prison.
  • Well, there was nothing to be done about it. If Beach was
  • suspicious, he must remain suspicious. Fortunately the suspicions
  • of a butler do not matter much.
  • Mr. Beach's eyebrows were still mutely urging him to reveal all,
  • but Ashe directed his gaze at that portion of the room which Mr.
  • Beach did not fill. He would be hanged if he was going to let
  • himself be hypnotized by a pair of eyebrows into incriminating
  • himself! He glared stolidly at the pattern of the wallpaper,
  • which represented a number of birds of an unknown species seated
  • on a corresponding number of exotic shrubs.
  • The silence was growing oppressive. Somebody had to break it
  • soon. And as Mr. Beach was still confining himself to the
  • language of the eyebrow and apparently intended to fight it out
  • on that line if it took all Summer, Ashe himself broke it.
  • It seemed to him as he reconstructed the scene in bed that night
  • that Providence must have suggested the subject to Mr. Peters'
  • indigestion; for the mere mention of his employer's sufferings
  • acted like magic on the butler.
  • "I might have had better luck while I was looking for a place,"
  • said Ashe. "I dare say you know how bad-tempered Mr. Peters is.
  • He is dyspeptic."
  • "So," responded Mr. Beach, "I have been informed." He brooded for
  • a space. "I, too," he proceeded, "suffer from my stomach. I have
  • a weak stomach. The lining of my stomach is not what I could wish
  • the lining of my stomach to be."
  • "Tell me," said Ashe gratefully, leaning forward in an attitude
  • of attention, "all about the lining of your stomach."
  • It was a quarter of an hour later when Mr. Beach was checked in
  • his discourse by the chiming of the little clock on the
  • mantelpiece. He turned round and gazed at it with surprise not
  • unmixed with displeasure.
  • "So late?" he said. "I shall have to be going about my duties.
  • And you, also, Mr. Marson, if I may make the suggestion. No doubt
  • Mr. Peters will be wishing to have your assistance in preparing
  • for dinner. If you go along the passage outside you will come to
  • the door that separates our portion of the house from the other.
  • I must beg you to excuse me. I have to go to the cellar."
  • Following his directions Ashe came after a walk of a few yards to
  • a green-baize door, which, swinging at his push, gave him a view
  • of what he correctly took to be the main hall of the castle--a
  • wide, comfortable space, ringed with settees and warmed by a log
  • fire burning in a mammoth fireplace. On the right a broad
  • staircase led to the upper regions.
  • It was at this point that Ashe realized the incompleteness of Mr.
  • Beach's directions. Doubtless, the broad staircase would take him
  • to the floor on which were the bedrooms; but how was he to
  • ascertain, without the tedious process of knocking and inquiring
  • at each door, which was the one assigned to Mr. Peters? It was
  • too late to go back and ask the butler for further guidance;
  • already he was on his way to the cellar in quest of the evening's
  • wine.
  • As he stood irresolute a door across the hall opened and a man of
  • his own age came out. Through the doorway, which the young man
  • held open for an instant while he answered a question from
  • somebody within, Ashe had a glimpse of glass-topped cases.
  • Could this be the museum--his goal? The next moment the door,
  • opening a few inches more, revealed the outlying portions of an
  • Egyptian mummy and brought certainty. It flashed across Ashe's
  • mind that the sooner he explored the museum and located Mr.
  • Peters' scarab, the better. He decided to ask Beach to take him
  • there as soon as he had leisure.
  • Meantime the young man had closed the museum door and was
  • crossing the hall. He was a wiry-haired, severe-looking young
  • man, with a sharp nose and eyes that gleamed through rimless
  • spectacles--none other, in fact than Lord Emsworth's private
  • secretary, the Efficient Baxter. Ashe hailed him:
  • "I say, old man, would you mind telling me how I get to Mr.
  • Peters' room? I've lost my bearings."
  • He did not reflect that this was hardly the way in which valets
  • in the best society addressed their superiors. That is the worst
  • of adopting what might be called a character part. One can manage
  • the business well enough; it is the dialogue that provides the
  • pitfalls.
  • Mr. Baxter would have accorded a hearty agreement to the
  • statement that this was not the way in which a valet should have
  • spoken to him; but at the moment he was not aware that Ashe was a
  • valet. From his easy mode of address he assumed that he was one
  • of the numerous guests who had been arriving at the castle all
  • day. As he had asked for Mr. Peters, he fancied that Ashe must be
  • the Honorable Freddie's American friend, George Emerson, whom he
  • had not yet met. Consequently he replied with much cordiality
  • that Mr. Peters' room was the second at the left on the second
  • floor.
  • He said Ashe could not miss it. Ashe said he was much obliged.
  • "Awfully good of you," said Ashe.
  • "Not at all," said Mr. Baxter.
  • "You lose your way in a place like this," said Ashe.
  • "You certainly do," said Mr. Baxter.
  • Ashe went on his upward path and in a few moments was knocking at
  • the door indicated. And sure enough it was Mr. Peters' voice that
  • invited him to enter.
  • Mr. Peters, partially arrayed in the correct garb for gentlemen
  • about to dine, was standing in front of the mirror, wrestling
  • with his evening tie. As Ashe entered he removed his fingers and
  • anxiously examined his handiwork. It proved unsatisfactory. With
  • a yelp and an oath, he tore the offending linen from his neck.
  • "Damn the thing!"
  • It was plain to Ashe that his employer was in no sunny mood.
  • There are few things less calculated to engender sunniness in a
  • naturally bad-tempered man than a dress tie that will not let
  • itself be pulled and twisted into the right shape. Even when
  • things went well, Mr. Peters hated dressing for dinner. Words
  • cannot describe his feelings when they went wrong.
  • There is something to be said in excuse for this impatience: It
  • is a hollow mockery to be obliged to deck one's person as for a
  • feast when that feast is to consist of a little asparagus and a
  • few nuts.
  • Mr. Peters' eye met Ashe's in the mirror.
  • "Oh, it's you, is it? Come in, then. Don't stand staring. Close
  • that door quick! Hustle! Don't scrape your feet on the floor.
  • Try to look intelligent. Don't gape. Where have you been all this
  • while? Why didn't you come before? Can you tie a tie? All right,
  • then--do it!"
  • Somewhat calmed by the snow-white butterfly-shaped creation that
  • grew under Ashe's fingers, he permitted himself to be helped into
  • his coat. He picked up the remnant of a black cigar from the
  • dressing-table and relit it.
  • "I've been thinking about you," he said.
  • "Yes?" said Ashe.
  • "Have you located the scarab yet?"
  • "No."
  • "What the devil have you been doing with yourself then? You've
  • had time to collar it a dozen times."
  • "I have been talking to the butler."
  • "What the devil do you waste time talking to butlers for? I
  • suppose you haven't even located the museum yet?"
  • "Yes; I've done that."
  • "Oh, you have, have you? Well, that's something. And how do you
  • propose setting about the job?"
  • "The best plan would be to go there very late at night."
  • "Well, you didn't propose to stroll in in the afternoon, did you?
  • How are you going to find the scarab when you do get in?"
  • Ashe had not thought of that. The deeper he went into this
  • business the more things did there seem to be in it of which he
  • had not thought.
  • "I don't know," he confessed.
  • "You don't know! Tell me, young man, are you considered pretty
  • bright, as Englishmen go?"
  • "I am not English. I was born near Boston."
  • "Oh, you were, were you? You blanked bone-headed, bean-eating
  • boob!" cried Mr. Peters, frothing over quite unexpectedly and
  • waving his arms in a sudden burst of fury. "Then if you are an
  • American why don't you show a little more enterprise? Why don't
  • you put something over? Why do you loaf about the place as though
  • you were supposed to be an ornament? I want results--and I want
  • them quick!
  • "I'll tell you how you can recognize my scarab when you get into
  • the museum. That shameless old green-goods man who sneaked it
  • from me has had the gall, the nerve, to put it all by itself,
  • with a notice as big as a circus poster alongside of it saying
  • that it is a Cheops of the Fourth Dynasty, presented"--Mr. Peters
  • choked--"presented by J. Preston Peters, Esquire! That's how
  • you're going to recognize it."
  • Ashe did not laugh, but he nearly dislocated a rib in his effort
  • to abstain from doing so. It seemed to him that this act on Lord
  • Emsworth's part effectually disposed of the theory that Britons
  • have no sense of humor. To rob a man of his choicest possession
  • and then thank him publicly for letting you have it appealed to
  • Ashe as excellent comedy.
  • "The thing isn't even in a glass case," continued Mr. Peters.
  • "It's lying on an open tray on top of a cabinet of Roman coins.
  • Anybody who was left alone for two minutes in the place could
  • take it! It's criminal carelessness to leave a valuable scarab
  • about like that. If Lord Jesse James was going to steal my Cheops
  • he might at least have had the decency to treat it as though it
  • was worth something."
  • "But it makes it easier for me to get it," said Ashe consolingly.
  • "It's got to be made easy if you are to get it!" snapped Mr.
  • Peters. "Here's another thing: You say you are going to try for
  • it late at night. Well, what are you going to do if anyone
  • catches you prowling round at that time? Have you considered
  • that?"
  • "No."
  • "You would have to say something, wouldn't you? You wouldn't chat
  • about the weather, would you? You wouldn't discuss the latest
  • play? You would have to think up some mighty good reason for
  • being out of bed at that time, wouldn't you?"
  • "I suppose so."
  • "Oh, you do admit that, do you? Well, what you would say is this:
  • You would explain that I had rung for you to come and read me to
  • sleep. Do you understand?"
  • "You think that would be a satisfactory explanation of my being
  • in the museum?"
  • "Idiot! I don't mean that you're to say it if you're caught
  • actually in the museum. If you're caught in the museum the best
  • thing you can do is to say nothing, and hope that the judge will
  • let you off light because it's your first offense. You're to say
  • it if you're found wandering about on your way there."
  • "It sounds thin to me."
  • "Does it? Well, let me tell you that it isn't so thin as you
  • suppose, for it's what you will actually have to do most nights.
  • Two nights out of three I have to be read to sleep. My
  • indigestion gives me insomnia." As though to push this fact home,
  • Mr. Peters suddenly bent double. "Oof!" he said. "Wow!" He
  • removed the cigar from his mouth and inserted a digestive
  • tabloid. "The lining of my stomach is all wrong," he added.
  • It is curious how trivial are the immediate causes that produce
  • revolutions. If Mr. Peters had worded his complaint differently
  • Ashe would in all probability have borne it without active
  • protest. He had been growing more and more annoyed with this
  • little person who buzzed and barked and bit at him, yet the idea
  • of definite revolt had not occurred to him. But his sufferings at
  • the hands of Beach, the butler, had reduced him to a state where
  • he could endure no further mention of stomachic linings. There
  • comes a time when our capacity for listening to detailed data
  • about the linings of other people's stomachs is exhausted.
  • He looked at Mr. Peters sternly. He had ceased to be intimidated
  • by the fiery little man and regarded him simply as a
  • hypochondriac, who needed to be told a few useful facts.
  • "How do you expect not to have indigestion? You take no exercise
  • and you smoke all day long."
  • The novel sensation of being criticized--and by a beardless youth
  • at that--held Mr. Peters silent. He started convulsively, but he
  • did not speak. Ashe, on his pet subject, became eloquent. In his
  • opinion dyspeptics cumbered the earth. To his mind they had the
  • choice between health and sickness, and they deliberately chose
  • the latter.
  • "Your sort of man makes me angry. I know your type inside out.
  • You overwork and shirk exercise, and let your temper run away
  • with you, and smoke strong cigars on an empty stomach; and when
  • you get indigestion as a natural result you look on yourself as a
  • martyr, nourish a perpetual grouch, and make the lives of
  • everybody you meet miserable. If you would put yourself into my
  • hands for a month I would have you eating bricks and thriving on
  • them. Up in the morning, Larsen Exercises, cold bath, a brisk
  • rubdown, sharp walk--"
  • "Who the devil asked your opinion, you impertinent young hound?"
  • inquired Mr. Peters.
  • "Don't interrupt--confound you!" shouted Ashe. "Now you have made
  • me forget what I was going to say."
  • There was a tense silence. Then Mr. Peters began to speak:
  • "You--infernal--impudent--"
  • "Don't talk to me like that!"
  • "I'll talk to you just--"
  • Ashe took a step toward the door. "Very well, then," he said.
  • "I'll quit! I'm through! You can get somebody else to do this job
  • of yours for you."
  • The sudden sagging of Mr. Peters' jaw, the look of consternation
  • that flashed on his face, told Ashe he had found the right
  • weapon--that the game was in his hands. He continued with a
  • feeling of confidence:
  • "If I had known what being your valet involved I wouldn't have
  • undertaken the thing for a hundred thousand dollars. Just because
  • you had some idiotic prejudice against letting me come down here
  • as your secretary, which would have been the simple and obvious
  • thing, I find myself in a position where at any moment I may be
  • publicly rebuked by the butler and have the head stillroom maid
  • looking at me as though I were something the cat had brought in."
  • His voice trembled with self-pity.
  • "Do you realize a fraction of the awful things you have let me in
  • for? How on earth am I to remember whether I go in before the
  • chef or after the third footman? I shan't have a peaceful minute
  • while I'm in this place. I've got to sit and listen by the hour
  • to a bore of a butler who seems to be a sort of walking hospital.
  • I've got to steer my way through a complicated system of
  • etiquette.
  • "And on top of all that you have the nerve, the insolence, to
  • imagine that you can use me as a punching bag to work your bad
  • temper off! You have the immortal rind to suppose that I will
  • stand for being nagged and bullied by you whenever your suicidal
  • way of living brings on an attack of indigestion! You have the
  • supreme gall to fancy that you can talk as you please to me!
  • "Very well! I've had enough of it. I resign! If you want this
  • scarab of yours recovered let somebody else do it. I've retired
  • from business."
  • He took another step toward the door. A shaking hand clutched at
  • his sleeve.
  • "My boy--my dear boy--be reasonable!"
  • Ashe was intoxicated with his own oratory. The sensation of
  • bullyragging a genuine millionaire was new and exhilarating. He
  • expanded his chest and spread his feet like a colossus.
  • "That's all very well," he said, coldly disentangling himself
  • from the hand. "You can't get out of it like that. We have got to
  • come to an understanding. The point is that if I am to be
  • subjected to your--your senile malevolence every time you have a
  • twinge of indigestion, no amount of money could pay me to stop
  • on."
  • "My dear boy, it shall not occur again. I was hasty."
  • Mr. Peters, with agitated fingers, relit the stump of his cigar.
  • "Throw away that cigar!"
  • "My boy!"
  • "Throw it away! You say you were hasty. Of course you were hasty;
  • and as long as you abuse your digestion you will go on being
  • hasty. I want something better than apologies. If I am to stop
  • here we must get to the root of things. You must put yourself in
  • my hands as though I were your doctor. No more cigars. Every
  • morning regular exercises."
  • "No, no!"
  • "Very well!"
  • "No; stop! Stop! What sort of exercises?"
  • "I'll show you to-morrow morning. Brisk walks."
  • "I hate walking."
  • "Cold baths."
  • "No, no!"
  • "Very well!"
  • "No; stop! A cold bath would kill me at my age."
  • "It would put new life into you. Do you consent to the cold
  • baths? No? Very well!"
  • "Yes, yes, yes!"
  • "You promise?"
  • "Yes, yes!"
  • "All right, then."
  • The distant sound of the dinner gong floated in.
  • "We settled that just in time," said Ashe.
  • Mr. Peters regarded him fixedly.
  • "Young man," he said slowly, "if, after all this, you fail to
  • recover my Cheops for me I'll--I'll--By George, I'll skin you!"
  • "Don't talk like that," said Ashe. "That's another thing you have
  • got to remember. If my treatment is to be successful you must not
  • let yourself think in that way. You must exercise self-control
  • mentally. You must think beautiful thoughts."
  • "The idea of skinning you is a beautiful thought!" said Mr.
  • Peters wistfully.
  • * * *
  • In order that their gayety might not be diminished--and the food
  • turned to ashes in their mouths by the absence from the festive
  • board of Mr. Beach, it was the custom for the upper servants at
  • Blandings to postpone the start of their evening meal until
  • dinner was nearly over above-stairs. This enabled the butler to
  • take his place at the head of the table without fear of
  • interruption, except for the few moments when coffee was being
  • served.
  • Every night shortly before half-past eight--at which hour Mr.
  • Beach felt that he might safely withdraw from the dining-room and
  • leave Lord Emsworth and his guests to the care of Merridew, the
  • under-butler, and James and Alfred, the footmen, returning only
  • for a few minutes to lend tone and distinction to the
  • distribution of cigars and liqueurs--those whose rank entitled
  • them to do so made their way to the housekeeper's room, to pass
  • in desultory conversation the interval before Mr. Beach should
  • arrive, and a kitchen maid, with the appearance of one who has
  • been straining at the leash and has at last managed to get free,
  • opened the door, with the announcement: "Mr. Beach, if you please,
  • dinner is served." On which Mr. Beach, extending a crooked elbow
  • toward the housekeeper, would say, "Mrs. Twemlow!" and lead the
  • way, high and disposedly, down the passage, followed in order of
  • rank by the rest of the company, in couples, to the steward's
  • room.
  • For Blandings was not one of those houses--or shall we say
  • hovels?--where the upper servants are expected not only to feed
  • but to congregate before feeding in the steward's room. Under the
  • auspices of Mr. Beach and of Mrs. Twemlow, who saw eye to eye
  • with him in these matters, things were done properly at the
  • castle, with the correct solemnity. To Mr. Beach and Mrs. Twemlow
  • the suggestion that they and their peers should gather together
  • in the same room in which they were to dine would have been as
  • repellent as an announcement from Lady Ann Warblington, the
  • chatelaine, that the house party would eat in the drawing-room.
  • When Ashe, returning from his interview with Mr. Peters, was
  • intercepted by a respectful small boy and conducted to the
  • housekeeper's room, he was conscious of a sensation of shrinking
  • inferiority akin to his emotions on his first day at school. The
  • room was full and apparently on very cordial terms with itself.
  • Everybody seemed to know everybody and conversation was
  • proceeding in a manner reminiscent of an Old Home Week.
  • As a matter of fact, the house party at Blandings being in the
  • main a gathering together of the Emsworth clan by way of honor
  • and as a means of introduction to Mr. Peters and his daughter,
  • the bride-of-the-house-to-be, most of the occupants of the
  • housekeeper's room were old acquaintances and were renewing
  • interrupted friendships at the top of their voices.
  • A lull followed Ashe's arrival and all eyes, to his great
  • discomfort, were turned in his direction. His embarrassment was
  • relieved by Mrs. Twemlow, who advanced to do the honors. Of Mrs.
  • Twemlow little need be attempted in the way of pen portraiture
  • beyond the statement that she went as harmoniously with Mr.
  • Beach as one of a pair of vases or one of a brace of pheasants
  • goes with its fellow. She had the same appearance of imminent
  • apoplexy, the same air of belonging to some dignified and haughty
  • branch of the vegetable kingdom.
  • "Mr. Marson, welcome to Blandings Castle!"
  • Ashe had been waiting for somebody to say this, and had been a
  • little surprised that Mr. Beach had not done so. He was also
  • surprised at the housekeeper's ready recognition of his identity,
  • until he saw Joan in the throng and deduced that she must have
  • been the source of information.
  • He envied Joan. In some amazing way she contrived to look not out
  • of place in this gathering. He himself, he felt, had impostor
  • stamped in large characters all over him.
  • Mrs. Twemlow began to make the introductions--a long and tedious
  • process, which she performed relentlessly, without haste and
  • without scamping her work. With each member of the aristocracy of
  • his new profession Ashe shook hands, and on each member he
  • smiled, until his facial and dorsal muscles were like to crack
  • under the strain. It was amazing that so many high-class
  • domestics could be collected into one moderate-sized room.
  • "Miss Simpson you know," said Mrs. Twemlow, and Ashe was about to
  • deny the charge when he perceived that Joan was the individual
  • referred to. "Mr. Judson, Mr. Marson. Mr. Judson is the Honorable
  • Frederick's gentleman."
  • "You have not the pleasure of our Freddie's acquaintance as yet,
  • I take it, Mr. Marson?" observed Mr. Judson genially, a
  • smooth-faced, lazy-looking young man. "Freddie repays
  • inspection."
  • "Mr. Marson, permit me to introduce you to Mr. Ferris, Lord
  • Stockheath's gentleman."
  • Mr. Ferris, a dark, cynical man, with a high forehead, shook Ashe
  • by the hand.
  • "Happy to meet you, Mr. Marson."
  • "Miss Willoughby, this is Mr. Marson, who will take you in to
  • dinner. Miss Willoughby is Lady Mildred Mant's lady. As of course
  • you are aware, Lady Mildred, our eldest daughter, married Colonel
  • Horace Mant, of the Scots Guards."
  • Ashe was not aware, and he was rather surprised that Mrs. Twemlow
  • should have a daughter whose name was Lady Mildred; but reason,
  • coming to his rescue, suggested that by our she meant the
  • offspring of the Earl of Emsworth and his late countess. Miss
  • Willoughby was a light-hearted damsel, with a smiling face and
  • chestnut hair, done low over her forehead.
  • Since etiquette forbade that he should take Joan in to dinner,
  • Ashe was glad that at least an apparently pleasant substitute had
  • been provided. He had just been introduced to an appallingly
  • statuesque lady of the name of Chester, Lady Ann Warblington's
  • own maid, and his somewhat hazy recollections of Joan's lecture
  • on below-stairs precedence had left him with the impression that
  • this was his destined partner. He had frankly quailed at the
  • prospect of being linked to so much aristocratic hauteur.
  • When the final introduction had been made conversation broke out
  • again. It dealt almost exclusively, so far as Ashe could follow
  • it, with the idiosyncrasies of the employers of those present. He
  • took it that this happened down the entire social scale below
  • stairs. Probably the lower servants in the servants' hall
  • discussed the upper servants in the room, and the still lower
  • servants in the housemaids' sitting-room discussed their
  • superiors of the servants' hall, and the stillroom gossiped about
  • the housemaids' sitting-room.
  • He wondered which was the bottom circle of all, and came to the
  • conclusion that it was probably represented by the small
  • respectful boy who had acted as his guide a short while before.
  • This boy, having nobody to discuss anybody with, presumably sat
  • in solitary meditation, brooding on the odd-job man.
  • He thought of mentioning this theory to Miss Willoughby, but
  • decided that it was too abstruse for her, and contented himself
  • with speaking of some of the plays he had seen before leaving
  • London. Miss Willoughby was an enthusiast on the drama; and,
  • Colonel Mant's military duties keeping him much in town, she had
  • had wide opportunities of indulging her tastes. Miss Willoughby
  • did not like the country. She thought it dull.
  • "Don't you think the country dull, Mr. Marson?"
  • "I shan't find it dull here," said Ashe; and he was surprised to
  • discover, through the medium of a pleased giggle, that he was
  • considered to have perpetrated a compliment.
  • Mr. Beach appeared in due season, a little distrait, as becomes a
  • man who has just been engaged on important and responsible
  • duties.
  • "Alfred spilled the hock!" Ashe heard him announce to Mrs.
  • Twemlow in a bitter undertone. "Within half an inch of his
  • lordship's arm he spilled it."
  • Mrs. Twemlow murmured condolences. Mr. Beach's set expression was
  • of one who is wondering how long the strain of existence can be
  • supported.
  • "Mr. Beach, if you please, dinner is served."
  • The butler crushed down sad thoughts and crooked his elbow.
  • "Mrs. Twemlow!"
  • Ashe, miscalculating degrees of rank in spite of all his caution,
  • was within a step of leaving the room out of his proper turn; but
  • the startled pressure of Miss Willoughby's hand on his arm warned
  • him in time. He stopped, to allow the statuesque Miss Chester to
  • sail out under escort of a wizened little man with a horseshoe
  • pin in his tie, whose name, in company with nearly all the others
  • that had been spoken to him since he came into the room, had
  • escaped Ashe's memory.
  • "You were nearly making a bloomer!" said Miss Willoughby
  • brightly. "You must be absent-minded, Mr. Marson--like his
  • lordship."
  • "Is Lord Emsworth absent-minded?"
  • Miss Willoughby laughed.
  • "Why, he forgets his own name sometimes! If it wasn't for Mr.
  • Baxter, goodness knows what would happen to him."
  • "I don't think I know Mr. Baxter."
  • "You will if you stay here long. You can't get away from him if
  • you're in the same house. Don't tell anyone I said so; but he's
  • the real master here. His lordship's secretary he calls himself;
  • but he's really everything rolled into one--like the man in the
  • play."
  • Ashe, searching in his dramatic memories for such a person in a
  • play, inquired whether Miss Willoughby meant Pooh-Bah, in "The
  • Mikado," of which there had been a revival in London recently.
  • Miss Willoughby did mean Pooh-Bah.
  • "But Nosy Parker is what I call him," she said. "He minds
  • everybody's business as well as his own."
  • The last of the procession trickled into the steward's room.
  • Mr. Beach said grace somewhat patronizingly. The meal began.
  • "You've seen Miss Peters, of course, Mr. Marson?" said Miss
  • Willoughby, resuming conversation with the soup.
  • "Just for a few minutes at Paddington."
  • "Oh! You haven't been with Mr. Peters long, then?"
  • Ashe began to wonder whether everybody he met was going to ask
  • him this dangerous question.
  • "Only a day or so."
  • "Where were you before that?"
  • Ashe was conscious of a prickly sensation. A little more of this
  • and he might as well reveal his true mission at the castle and
  • have done with it.
  • "Oh, I was--that is to say----"
  • "How are you feeling after the journey, Mr. Marson?" said a voice
  • from the other side of the table; and Ashe, looking up
  • gratefully, found Joan's eyes looking into his with a curiously
  • amused expression.
  • He was too grateful for the interruption to try to account for
  • this. He replied that he was feeling very well, which was not the
  • case. Miss Willoughby's interest was diverted to a discussion of
  • the defects of the various railroad systems of Great Britain.
  • At the head of the table Mr. Beach had started an intimate
  • conversation with Mr. Ferris, the valet of Lord Stockheath, the
  • Honorable Freddie's "poor old Percy"--a cousin, Ashe had
  • gathered, of Aline Peters' husband-to-be. The butler spoke in
  • more measured tones even than usual, for he was speaking of
  • tragedy.
  • "We were all extremely sorry, Mr. Ferris, to read of your
  • misfortune."
  • Ashe wondered what had been happening to Mr. Ferris.
  • "Yes, Mr. Beach," replied the valet, "it's a fact we made a
  • pretty poor show." He took a sip from his glass. "There is no
  • concealing the fact--I have never tried to conceal it--that poor
  • Percy is not bright."
  • Miss Chester entered the conversation.
  • "I couldn't see where the girl--what's her name? was so very
  • pretty. All the papers had pieces where it said she was
  • attractive, and what not; but she didn't look anything special to
  • me from her photograph in the Mirror. What his lordship could see
  • in her I can't understand."
  • "The photo didn't quite do her justice, Miss Chester. I was
  • present in court, and I must admit she was svelte--decidedly
  • svelte. And you must recollect that Percy, from childhood up, has
  • always been a highly susceptible young nut. I speak as one who
  • knows him."
  • Mr. Beach turned to Joan.
  • "We are speaking of the Stockheath breach-of-promise case, Miss
  • Simpson, of which you doubtless read in the newspapers. Lord
  • Stockheath is a nephew of ours. I fancy his lordship was greatly
  • shocked at the occurrence."
  • "He was," chimed in Mr. Judson from down the table. "I happened
  • to overhear him speaking of it to young Freddie. It was in the
  • library on the morning when the judge made his final summing up
  • and slipped it into Lord Stockheath so proper. 'If ever anything
  • of this sort happens to you, you young scalawag,' he says to
  • Freddie--"
  • Mr. Beach coughed. "Mr. Judson!"
  • "Oh, it's all right, Mr. Beach; we're all in the family here, in
  • a manner of speaking. It wasn't as though I was telling it to a
  • lot of outsiders. I'm sure none of these ladies or gentlemen
  • will let it go beyond this room?"
  • The company murmured virtuous acquiescence.
  • "He says to Freddie: 'You young scalawag, if ever anything of
  • this sort happens to you, you can pack up and go off to Canada,
  • for I'll have nothing more to do with you!'--or words to that
  • effect. And Freddie says: 'Oh, dash it all, gov'nor, you
  • know--what?'"
  • However short Mr. Judson's imitation of his master's voice may
  • have fallen of histrionic perfection, it pleased the company. The
  • room shook with mirth.
  • "Mr. Judson is clever, isn't he, Mr. Marson?" whispered Miss
  • Willoughby, gazing with adoring eyes at the speaker.
  • Mr. Beach thought it expedient to deflect the conversation. By
  • the unwritten law of the room every individual had the right to
  • speak as freely as he wished about his own personal employer; but
  • Judson, in his opinion, sometimes went a trifle too far.
  • "Tell me, Mr. Ferris," he said, "does his lordship seem to bear
  • it well?"
  • "Oh, Percy is bearing it well enough."
  • Ashe noted as a curious fact that, though the actual valet of any
  • person under discussion spoke of him almost affectionately by his
  • Christian name, the rest of the company used the greatest
  • ceremony and gave him his title with all respect. Lord Stockheath
  • was Percy to Mr. Ferris, and the Honorable Frederick Threepwood
  • was Freddie to Mr. Judson; but to Ferris, Mr. Judson's Freddie
  • was the Honorable Frederick, and to Judson Mr. Ferris' Percy was
  • Lord Stockheath. It was rather a pleasant form of etiquette, and
  • struck Ashe as somehow vaguely feudal.
  • "Percy," went on Mr. Ferris, "is bearing it like a little
  • Briton--the damages not having come out of his pocket! It's his
  • old father--who had to pay them--that's taking it to heart. You
  • might say he's doing himself proud. He says it's brought on his
  • gout again, and that's why he's gone to Droitwich instead of
  • coming here. I dare say Percy isn't sorry."
  • "It has been," said Mr. Beach, summing up, "a most unfortunate
  • occurrence. The modern tendency of the lower classes to get above
  • themselves is becoming more marked every day. The young female in
  • this case was, I understand, a barmaid. It is deplorable that our
  • young men should allow themselves to get into such
  • entanglements."
  • "The wonder to me," said the irrepressible Mr. Judson, "is that
  • more of these young chaps don't get put through it. His lordship
  • wasn't so wide of the mark when he spoke like that to Freddie in
  • the library that time. I give you my word, it's a mercy young
  • Freddie hasn't been up against it! When we were in London,
  • Freddie and I," he went on, cutting through Mr. Beach's
  • disapproving cough, "before what you might call the crash, when
  • his lordship cut off supplies and had him come back and live
  • here, Freddie was asking for it--believe me! Fell in love with a
  • girl in the chorus of one of the theaters. Used to send me to the
  • stage door with notes and flowers every night for weeks, as
  • regular as clockwork.
  • "What was her name? It's on the tip of my tongue. Funny how you
  • forget these things! Freddie was pretty far gone. I recollect
  • once, happening to be looking round his room in his absence,
  • coming on a poem he had written to her. It was hot stuff--very
  • hot! If that girl has kept those letters it's my belief we shall
  • see Freddie following in Lord Stockheath's footsteps."
  • There was a hush of delighted horror round the table.
  • "Goo'," said Miss Chester's escort with unction. "You don't say
  • so, Mr. Judson! It wouldn't half make them look silly if the
  • Honorable Frederick was sued for breach just now, with the
  • wedding coming on!"
  • "There is no danger of that."
  • It was Joan's voice, and she had spoken with such decision that
  • she had the ear of the table immediately. All eyes looked in her
  • direction. Ashe was struck with her expression. Her eyes were
  • shining as though she were angry; and there was a flush on her
  • face. A phrase he had used in the train came back to him. She
  • looked like a princess in disguise.
  • "What makes you say that, Miss Simpson?" inquired Judson,
  • annoyed. He had been at pains to make the company's flesh creep,
  • and it appeared to be Joan's aim to undo his work.
  • It seemed to Ashe that Joan made an effort of some sort as though
  • she were pulling herself together and remembering where she was.
  • "Well," she said, almost lamely, "I don't think it at all likely
  • that he proposed marriage to this girl."
  • "You never can tell," said Judson. "My impression is that Freddie
  • did. It's my belief that there's something on his mind these
  • days. Before he went to London with his lordship the other day he
  • was behaving very strange. And since he came back it's my belief
  • that he has been brooding. And I happen to know he followed the
  • affair of Lord Stockheath pretty closely, for he clipped the
  • clippings out of the paper. I found them myself one day when I
  • happened to be going through his things."
  • Beach cleared his throat--his mode of indicating that he was
  • about to monopolize the conversation.
  • "And in any case, Miss Simpson," he said solemnly, "with things
  • come to the pass they have come to, and the juries--drawn from
  • the lower classes--in the nasty mood they're in, it don't seem
  • hardly necessary in these affairs for there to have been any
  • definite promise of marriage. What with all this socialism
  • rampant, they seem so happy at the idea of being able to do one
  • of us an injury that they give heavy damages without it. A few
  • ardent expressions, and that's enough for them. You recollect the
  • Havant case, and when young Lord Mount Anville was sued? What it
  • comes to is that anarchy is getting the upper hand, and the lower
  • classes are getting above themselves. It's all these here cheap
  • newspapers that does it. They tempt the lower classes to get
  • above themselves.
  • "Only this morning I had to speak severe to that young fellow,
  • James, the footman. He was a good young fellow once and did his
  • work well, and had a proper respect for people; but now he's gone
  • all to pieces. And why? Because six months ago he had the
  • rheumatism, and had the audacity to send his picture and a
  • testimonial, saying that it had cured him of awful agonies, to
  • Walkinshaw's Supreme Ointment, and they printed it in half a
  • dozen papers; and it has been the ruin of James. He has got above
  • himself and don't care for nobody."
  • "Well, all I can say is," resumed Judson, "that I hope to
  • goodness nothing won't happen to Freddie of that kind; for it's
  • not every girl that would have him."
  • There was a murmur of assent to this truth.
  • "Now your Miss Peters," said Judson tolerantly--"she seems a nice
  • little thing."
  • "She would be pleased to hear you say so," said Joan.
  • "Joan Valentine!" cried Judson, bringing his hands down on the
  • tablecloth with a bang. "I've just remembered it. That was the
  • name of the girl Freddie used to write the letters and poems to;
  • and that's who it is I've been trying all along to think you
  • reminded me of, Miss Simpson. You're the living image of
  • Freddie's Miss Joan Valentine."
  • Ashe was not normally a young man of particularly ready wit; but
  • on this occasion it may have been that the shock of this
  • revelation, added to the fact that something must be done
  • speedily if Joan's discomposure was not to become obvious to all
  • present, quickened his intelligence. Joan, usually so sure of
  • herself, so ready of resource, had gone temporarily to pieces.
  • She was quite white, and her eyes met Ashe's with almost a hunted
  • expression.
  • If the attention of the company was to be diverted, something
  • drastic must be done. A mere verbal attempt to change the
  • conversation would be useless. Inspiration descended on Ashe.
  • In the days of his childhood in Hayling, Massachusetts, he had
  • played truant from Sunday school again and again in order to
  • frequent the society of one Eddie Waffles, the official bad boy
  • of the locality. It was not so much Eddie's charm of conversation
  • which had attracted him--though that had been great--as the fact
  • that Eddie, among his other accomplishments, could give a
  • lifelike imitation of two cats fighting in a back yard; and Ashe
  • felt that he could never be happy until he had acquired this gift
  • from the master.
  • In course of time he had done so. It might be that his absences
  • from Sunday school in the cause of art had left him in later
  • years a trifle shaky on the subject of the Kings of Judah, but
  • his hard-won accomplishment had made him in request at every
  • smoking concert at Oxford; and it saved the situation now.
  • "Have you ever heard two cats fighting in a back yard?" he
  • inquired casually of his neighbor, Miss Willoughby.
  • The next moment the performance was in full swing. Young Master
  • Waffles, who had devoted considerable study to his subject, had
  • conceived the combat of his imaginary cats in a broad, almost
  • Homeric, vein. The unpleasantness opened with a low gurgling
  • sound, answered by another a shade louder and possibly more
  • querulous. A momentary silence was followed by a long-drawn note,
  • like rising wind, cut off abruptly and succeeded by a grumbling
  • mutter. The response to this was a couple of sharp howls. Both
  • parties to the contest then indulged in a discontented whining,
  • growing louder and louder until the air was full of electric
  • menace. And then, after another sharp silence, came war, noisy
  • and overwhelming.
  • Standing at Master Waffles' side, you could follow almost every
  • movement of that intricate fray, and mark how now one and now the
  • other of the battlers gained a short-lived advantage. It was a
  • great fight. Shrewd blows were taken and given, and in the eye of
  • the imagination you could see the air thick with flying fur.
  • Louder and louder grew the din; and then, at its height, it
  • ceased in one crescendo of tumult, and all was still, save for a
  • faint, angry moaning.
  • Such was the cat fight of Master Eddie Waffles; and Ashe, though
  • falling short of the master, as a pupil must, rendered it
  • faithfully and with energy.
  • To say that the attention of the company was diverted from Mr.
  • Judson and his remarks by the extraordinary noises which
  • proceeded from Ashe's lips would be to offer a mere shadowy
  • suggestion of the sensation caused by his efforts. At first,
  • stunned surprise, then consternation, greeted him. Beach, the
  • butler, was staring as one watching a miracle, nearer apparently
  • to apoplexy than ever. On the faces of the others every shade of
  • emotion was to be seen.
  • That this should be happening in the steward's room at Blandings
  • Castle was scarcely less amazing than if it had taken place in a
  • cathedral. The upper servants, rigid in their seats, looked at
  • each other, like Cortes' soldiers--"with a wild surmise."
  • The last faint moan of feline defiance died away and silence fell
  • on the room. Ashe turned to Miss Willoughby.
  • "Just like that!" he said. "I was telling Miss Willoughby," he
  • added apologetically to Mrs. Twemlow, "about the cats in London.
  • They were a great trial."
  • For perhaps three seconds his social reputation swayed to and fro
  • in the balance, while the company pondered on what he had done.
  • It was new; but it was humorous--or was it vulgar? There is
  • nothing the English upper servant so abhors as vulgarity. That
  • was what the steward's room was trying to make up its mind about.
  • Then Miss Willoughby threw her shapely head back and the squeal
  • of her laughter smote the ceiling. And at that the company made
  • its decision. Everybody laughed. Everybody urged Ashe to give an
  • encore. Everybody was his friend and admirer---everybody but
  • Beach, the butler. Beach, the butler, was shocked to his very
  • core. His heavy-lidded eyes rested on Ashe with disapproval. It
  • seemed to Beach, the butler, that this young man Marson had got
  • above himself.
  • * * *
  • Ashe found Joan at his side. Dinner was over and the diners were
  • making for the housekeeper's room.
  • "Thank you, Mr. Marson. That was very good of you and very
  • clever." Her eyes twinkled. "But what a terrible chance you took!
  • You have made yourself a popular success, but you might just as
  • easily have become a social outcast. As it is, I am afraid Mr.
  • Beach did not approve."
  • "I'm afraid he didn't. In a minute or so I'm going to fawn on him
  • and make all well."
  • Joan lowered her voice.
  • "It was quite true, what that odious little man said. Freddie
  • Threepwood did write me letters. Of course I destroyed them long
  • ago."
  • "But weren't you running the risk in coming here that he might
  • recognize you? Wouldn't that make it rather unpleasant for you?"
  • "I never met him, you see. He only wrote to me. When he came to
  • the station to meet us this evening he looked startled to see me;
  • so I suppose he remembers my appearance. But Aline will have told
  • him that my name is Simpson."
  • "That fellow Judson said he was brooding. I think you ought to
  • put him out of his misery."
  • "Mr. Judson must have been letting his imagination run away with
  • him. He is out of his misery. He sent a horrid fat man named
  • Jones to see me in London about the letters, and I told him I had
  • destroyed them. He must have let him know that by this time."
  • "I see."
  • They went into the housekeeper's room. Mr. Beach was standing
  • before the fire. Ashe went up to him. It was not an easy matter
  • to mollify Mr. Beach. Ashe tried the most tempting topics. He
  • mentioned swollen feet--he dangled the lining of Mr. Beach's
  • stomach temptingly before his eyes; but the butler was not to be
  • softened. Only when Ashe turned the conversation to the subject
  • of the museum did a flicker of animation stir him.
  • Mr. Beach was fond and proud of the Blandings Castle museum. It
  • had been the means of getting him into print for the first and
  • only time in his life. A year before, a representative of the
  • Intelligencer and Echo, from the neighboring town of Blatchford,
  • had come to visit the castle on behalf of his paper; and he had
  • begun one section of his article with the words: "Under the
  • auspices of Mr. Beach, my genial cicerone, I then visited his
  • lordship's museum--" Mr. Beach treasured the clipping in a
  • special writing-desk.
  • He responded almost amiably to Ashe's questions. Yes; he had seen
  • the scarab--he pronounced it scayrub--which Mr. Peters had
  • presented to his lordship. He understood that his lordship
  • thought very highly of Mr. Peters' scayrub. He had overheard Mr.
  • Baxter telling his lordship that it was extremely valuable.
  • "Mr. Beach," said Ashe, "I wonder whether you would take me to
  • see Lord Emsworth's museum?"
  • Mr. Beach regarded him heavily.
  • "I shall be pleased to take you to see his lordship's museum," he
  • replied.
  • * * *
  • One can attribute only to the nervous mental condition following
  • the interview he had had with Ashe in his bedroom the rash act
  • Mr. Peters attempted shortly after dinner.
  • Mr. Peters, shortly after dinner, was in a dangerous and reckless
  • mood. He had had a wretched time all through the meal. The
  • Blandings chef had extended himself in honor of the house party,
  • and had produced a succession of dishes, which in happier days
  • Mr. Peters would have devoured eagerly. To be compelled by
  • considerations of health to pass these by was enough to damp the
  • liveliest optimist. Mr. Peters had suffered terribly. Occasions
  • of feasting and revelry like the present were for him so many
  • battlefields, on which greed fought with prudence.
  • All through dinner he brooded on Ashe's defiance and the horrors
  • which were to result from that defiance. One of Mr. Peters' most
  • painful memories was of a two weeks' visit he had once paid to
  • Mr. Muldoon in his celebrated establishment at White Plains. He
  • had been persuaded to go there by a brother millionaire whom,
  • until then, he had always regarded as a friend. The memory of Mr.
  • Muldoon's cold shower baths and brisk system of physical exercise
  • still lingered.
  • The thought that under Ashe's rule he was to go through privately
  • very much what he had gone through in the company of a gang of
  • other unfortunates at Muldoon's froze him with horror. He knew
  • those health cranks who believed that all mortal ailments could
  • be cured by cold showers and brisk walks. They were all alike and
  • they nearly killed you. His worst nightmare was the one where he
  • dreamed he was back at Muldoon's, leading his horse up that
  • endless hill outside the village.
  • He would not stand it! He would be hanged if he'd stand it! He
  • would defy Ashe. But if he defied Ashe, Ashe would go away; and
  • then whom could he find to recover his lost scarab?
  • Mr. Peters began to appreciate the true meaning of the phrase
  • about the horns of a dilemma. The horns of this dilemma occupied
  • his attention until the end of the dinner. He shifted uneasily
  • from one to the other and back again. He rose from the table in a
  • thoroughly overwrought condition of mind. And then, somehow, in
  • the course of the evening, he found himself alone in the hall,
  • not a dozen feet from the unlocked museum door.
  • It was not immediately that he appreciated the significance of
  • this fact. He had come to the hall because its solitude suited
  • his mood. It was only after he had finished a cigar--Ashe could
  • not stop his smoking after dinner--that it suddenly flashed on
  • him that he had ready at hand a solution of all his troubles. A
  • brief minute's resolute action and the scarab would be his again,
  • and the menace of Ashe a thing of the past. He glanced about him.
  • Yes; he was alone.
  • Not once since the removal of the scarab had begun to exercise
  • his mind had Mr. Peters contemplated for an instant the
  • possibility of recovering it himself. The prospect of the
  • unpleasantness that would ensue had been enough to make him
  • regard such an action as out of the question. The risk was too
  • great to be considered for a moment; but here he was, in a
  • position where the risk was negligible!
  • Like Ashe, he had always visualized the recovery of his scarab as
  • a thing of the small hours, a daring act to be performed when
  • sleep held the castle in its grip. That an opportunity would be
  • presented to him of walking in quite calmly and walking out again
  • with the Cheops in his pocket, had never occurred to him as a
  • possibility.
  • Yet now this chance was presenting itself in all its simplicity,
  • and all he had to do was to grasp it. The door of the museum was
  • not even closed. He could see from where he stood that it was
  • ajar.
  • He moved cautiously in its direction--not in a straight line as
  • one going to a museum, but circuitously as one strolling without
  • an aim. From time to time he glanced over his shoulder. He
  • reached the door, hesitated, and passed it. He turned, reached
  • the door again--and again passed it. He stood for a moment
  • darting his eyes about the hall; then, in a burst of resolution,
  • he dashed for the door and shot in like a rabbit.
  • At the same moment the Efficient Baxter, who, from the shelter of
  • a pillar on the gallery that ran around two-thirds of the hall,
  • had been eyeing the peculiar movements of the distinguished guest
  • with considerable interest for some minutes, began to descend the
  • stairs.
  • Rupert Baxter, the Earl of Emsworth's indefatigable private
  • secretary, was one of those men whose chief characteristic is a
  • vague suspicion of their fellow human beings. He did not suspect
  • them of this or that definite crime; he simply suspected them. He
  • prowled through life as we are told the hosts of Midian prowled.
  • His powers in this respect were well-known at Blandings Castle.
  • The Earl of Emsworth said: "Baxter is invaluable--positively
  • invaluable." The Honorable Freddie said: "A chappie can't take a
  • step in this bally house without stumbling over that damn feller,
  • Baxter!" The manservant and the maidservant within the gates,
  • like Miss Willoughby, employing that crisp gift for
  • characterization which is the property of the English lower
  • orders, described him as a Nosy Parker.
  • Peering over the railing of the balcony and observing the curious
  • movements of Mr. Peters, who, as a matter of fact, while making
  • up his mind to approach the door, had been backing and filling
  • about the hall in a quaint serpentine manner like a man trying to
  • invent a new variety of the tango, the Efficient Baxter had found
  • himself in some way--why, he did not know--of what, he could not
  • say--but in some nebulous way, suspicious.
  • He had not definitely accused Mr. Peters in his mind of any
  • specific tort or malfeasance. He had merely felt that something
  • fishy was toward. He had a sixth sense in such matters.
  • But when Mr. Peters, making up his mind, leaped into the museum,
  • Baxter's suspicions lost their vagueness and became crystallized.
  • Certainty descended on him like a bolt from the skies. On oath,
  • before a notary, the Efficient Baxter would have declared that J.
  • Preston Peters was about to try to purloin the scarab.
  • Lest we should seem to be attributing too miraculous powers of
  • intuition to Lord Emsworth's secretary, it should be explained
  • that the mystery which hung about that curio had exercised his
  • mind not a little since his employer had given it to him to place
  • in the museum. He knew Lord Emsworth's power of forgetting and he
  • did not believe his account of the transaction. Scarab maniacs
  • like Mr. Peters did not give away specimens from their
  • collections as presents. But he had not divined the truth of what
  • had happened in London.
  • The conclusion at which he had arrived was that Lord Emsworth had
  • bought the scarab and had forgotten all about it. To support this
  • theory was the fact that the latter had taken his check book to
  • London with him. Baxter's long acquaintance with the earl had
  • left him with the conviction that there was no saying what he
  • might not do if left loose in London with a check book.
  • As to Mr. Peters' motive for entering the museum, that, too,
  • seemed completely clear to the secretary. He was a curio
  • enthusiast himself and he had served collectors in a secretarial
  • capacity; and he knew, both from experience and observation, that
  • strange madness which may at any moment afflict the collector,
  • blotting out morality and the nice distinction between meum and
  • tuum, as with a sponge. He knew that collectors who would not
  • steal a loaf if they were starving might--and did--fall before
  • the temptation of a coveted curio.
  • He descended the stairs three at a time, and entered the museum
  • at the very instant when Mr. Peters' twitching fingers were about
  • to close on his treasure. He handled the delicate situation with
  • eminent tact. Mr. Peters, at the sound of his step, had executed a
  • backward leap, which was as good as a confession of guilt, and
  • his face was rigid with dismay; but the Efficient Baxter
  • pretended not to notice these phenomena. His manner, when he
  • spoke, was easy and unembarrassed.
  • "Ah! Taking a look at our little collection, Mr. Peters? You will
  • see that we have given the place of honor to your Cheops. It is
  • certainly a fine specimen--a wonderfully fine specimen."
  • Mr. Peters was recovering slowly. Baxter talked on, to give him
  • time. He spoke of Mut and Bubastis, of Ammon and the Book of the
  • Dead. He directed the other's attention to the Roman coins.
  • He was touching on some aspects of the Princess Gilukhipa of
  • Mitanni, in whom his hearer could scarcely fail to be interested,
  • when the door opened and Beach, the butler, came in, accompanied
  • by Ashe. In the bustle of the interruption Mr. Peters escaped,
  • glad to be elsewhere, and questioning for the first time in his
  • life the dictum that if you want a thing well done you must do it
  • yourself.
  • "I was not aware, sir," said Beach, the butler, "that you were in
  • occupation of the museum. I would not have intruded; but this
  • young man expressed a desire to examine the exhibits, and I took
  • the liberty of conducting him."
  • "Come in, Beach--come in," said Baxter.
  • The light fell on Ashe's face, and he recognized him as the
  • cheerful young man who had inquired the way to Mr. Peters' room
  • before dinner and who, he had by this time discovered, was not
  • the Honorable Freddie's friend, George Emerson--or, indeed, any
  • other of the guests of the house. He felt suspicious.
  • "Oh, Beach!"
  • "Sir?"
  • "Just a moment."
  • He drew the butler into the hall, out of earshot.
  • "Beach, who is that man?"
  • "Mr. Peters' valet, sir."
  • "Mr. Peters' valet!"
  • "Yes, sir."
  • "Has he been in service long?" asked Baxter, remembering that a
  • mere menial had addressed him as "old man."
  • Beach lowered his voice. He and the Efficient Baxter were old
  • allies, and it seemed right to Beach to confide in him.
  • "He has only just joined Mr. Peters, sir; and he has never been
  • in service before. He told me so himself, and I was unable to
  • elicit from him any information as to his antecedents. His manner
  • struck me, sir, as peculiar. It crossed my mind to wonder whether
  • Mr. Peters happened to be aware of this. I should dislike to do
  • any young man an injury; but it might be anyone coming to a
  • gentleman without a character, like this young man. Mr. Peters
  • might have been deceived, sir."
  • The Efficient Baxter's manner became distraught. His mind was
  • working rapidly.
  • "Should he be informed, sir?"
  • "Eh! Who?"
  • "Mr. Peters, sir--in case he should have been deceived?"
  • "No, no; Mr. Peters knows his own business."
  • "Far from me be it to appear officious, sir; but--"
  • "Mr. Peters probably knows all about him. Tell me, Beach, who was
  • it suggested this visit to the museum? Did you?"
  • "It was at the young man's express desire that I conducted him,
  • sir."
  • The Efficient Baxter returned to the museum without a word.
  • Ashe, standing in the middle of the room, was impressing the
  • topography of the place on his memory. He was unaware of the
  • piercing stare of suspicion that was being directed at him from
  • behind.
  • He did not see Baxter. He was not even thinking of Baxter; but
  • Baxter was on the alert. Baxter was on the warpath. Baxter knew!
  • CHAPTER VI
  • Among the compensations of advancing age is a wholesome
  • pessimism, which, though it takes the fine edge off of whatever
  • triumphs may come to us, has the admirable effect of preventing
  • Fate from working off on us any of those gold bricks, coins with
  • strings attached, and unhatched chickens, at which ardent youth
  • snatches with such enthusiasm, to its subsequent disappointment.
  • As we emerge from the twenties we grow into a habit of mind that
  • looks askance at Fate bearing gifts. We miss, perhaps, the
  • occasional prize, but we also avoid leaping light-heartedly into
  • traps.
  • Ashe Marson had yet to reach the age of tranquil mistrust; and
  • when Fate seemed to be treating him kindly he was still young
  • enough to accept such kindnesses on their face value and rejoice
  • at them.
  • As he sat on his bed at the end of his first night in Castle
  • Blandings, he was conscious to a remarkable degree that Fortune
  • was treating him well. He had survived--not merely without
  • discredit, but with positive triumph--the initiatory plunge into
  • the etiquette maelstrom of life below stairs. So far from doing
  • the wrong thing and drawing down on himself the just scorn of the
  • steward's room, he had been the life and soul of the party. Even
  • if to-morrow, in an absent-minded fit, he should anticipate the
  • groom of the chambers in the march to the table, he would be
  • forgiven; for the humorist has his privileges.
  • So much for that. But that was only a part of Fortune's
  • kindnesses. To have discovered on the first day of their
  • association the correct method of handling and reducing to
  • subjection his irascible employer was an even greater boon. A
  • prolonged association with Mr. Peters on the lines in which their
  • acquaintance had begun would have been extremely trying. Now, by
  • virtue of a fortunate stand at the outset, he had spiked the
  • millionaire's guns.
  • Thirdly, and most important of all, he had not only made himself
  • familiar with the locality and surroundings of the scarab, but he
  • had seen, beyond the possibility of doubt, that the removal of it
  • and the earning of the five thousand dollars would be the
  • simplest possible task. Already he was spending the money in his
  • mind. And to such lengths had optimism led him that, as he sat on
  • his bed reviewing the events of the day, his only doubt was
  • whether to get the scarab at once or to let it remain where it
  • was until he had the opportunity of doing Mr. Peters' interior
  • good on the lines he had mapped out in their conversation; for,
  • of course, directly he had restored the scarab to its rightful
  • owner and pocketed the reward, his position as healer and trainer
  • to the millionaire would cease automatically.
  • He was sorry for that, because it troubled him to think that a
  • sick man would not be made well; but, on the whole, looking at it
  • from every aspect, it would be best to get the scarab as soon as
  • possible and leave Mr. Peters' digestion to look after itself.
  • Being twenty-six and an optimist, he had no suspicion that Fate
  • might be playing with him; that Fate might have unpleasant
  • surprises in store; that Fate even now was preparing to smite him
  • in his hour of joy with that powerful weapon, the Efficient
  • Baxter.
  • He looked at his watch. It was five minutes to one. He had no
  • idea whether they kept early hours at Blandings Castle or not,
  • but he deemed it prudent to give the household another hour in
  • which to settle down. After which he would just trot down and
  • collect the scarab.
  • The novel he had brought down with him from London fortunately
  • proved interesting. Two o'clock came before he was ready for it.
  • He slipped the book into his pocket and opened the door.
  • All was still--still and uncommonly dark. Along the corridor on
  • which his room was situated the snores of sleeping domestics
  • exploded, growled and twittered in the air. Every menial on the
  • list seemed to be snoring, some in one key, some in another, some
  • defiantly, some plaintively; but the main fact was that they were
  • all snoring somehow, thus intimating that, so far as this side of
  • the house was concerned, the coast might be considered clear and
  • interruption of his plans a negligible risk.
  • Researches made at an earlier hour had familiarized him with the
  • geography of the place. He found his way to the green-baize door
  • without difficulty and, stepping through, was in the hall, where
  • the remains of the log fire still glowed a fitful red. This,
  • however, was the only illumination, and it was fortunate that he
  • did not require light to guide him to the museum.
  • He knew the direction and had measured the distance. It was
  • precisely seventeen steps from where he stood. Cautiously, and
  • with avoidance of noise, he began to make the seventeen steps.
  • He was beginning the eleventh when he bumped into somebody--
  • somebody soft--somebody whose hand, as it touched his, felt small
  • and feminine.
  • The fragment of a log fell on the ashes and the fire gave a dying
  • spurt. Darkness succeeded the sudden glow. The fire was out.
  • That little flame had been its last effort before expiring, but
  • it had been enough to enable him to recognize Joan Valentine.
  • "Good Lord!" he gasped.
  • His astonishment was short-lived. Next moment the only thing that
  • surprised him was the fact that he was not more surprised. There
  • was something about this girl that made the most bizarre
  • happenings seem right and natural. Ever since he had met her his
  • life had changed from an orderly succession of uninteresting days
  • to a strange carnival of the unexpected, and use was accustoming
  • him to it. Life had taken on the quality of a dream, in which
  • anything might happen and in which everything that did happen was
  • to be accepted with the calmness natural in dreams.
  • It was strange that she should be here in the pitch-dark hall in
  • the middle of the night; but--after all--no stranger than that he
  • should be. In this dream world in which he now moved it had to be
  • taken for granted that people did all sorts of odd things from
  • all sorts of odd motives.
  • "Hello!" he said.
  • "Don't be alarmed."
  • "No, no!"
  • "I think we are both here for the same reason."
  • "You don't mean to say--"
  • "Yes; I have come here to earn the five thousand dollars, too,
  • Mr. Marson. We are rivals."
  • In his present frame of mind it seemed so simple and intelligible
  • to Ashe that he wondered whether he was really hearing it the
  • first time. He had an odd feeling that he had known this all
  • along.
  • "You are here to get the scarab?"
  • "Exactly."
  • Ashe was dimly conscious of some objection to this, but at first
  • it eluded him. Then he pinned it down.
  • "But you aren't a young man of good appearance," he said.
  • "I don't know what you mean. But Aline Peters is an old friend of
  • mine. She told me her father would give a large reward to whoever
  • recovered the scarab; so I--"
  • "Look out!" whispered Ashe. "Run! There's somebody coming!"
  • There was a soft footfall on the stairs, a click, and above
  • Ashe's head a light flashed out. He looked round. He was alone,
  • and the green-baize door was swaying gently to and fro.
  • "Who's that? Who's there?" said a voice.
  • The Efficient Baxter was coming down the broad staircase.
  • A general suspicion of mankind and a definite and particular
  • suspicion of one individual made a bad opiate. For over an hour
  • sleep had avoided the Efficient Baxter with an unconquerable
  • coyness. He had tried all the known ways of wooing slumber, but
  • they had failed him, from the counting of sheep downward. The
  • events of the night had whipped his mind to a restless activity.
  • Try as he might to lose consciousness, the recollection of the
  • plot he had discovered surged up and kept him wakeful.
  • It is the penalty of the suspicious type of mind that it suffers
  • from its own activity. From the moment he detected Mr. Peters in
  • the act of rifling the museum and marked down Ashe as an
  • accomplice, Baxter's repose was doomed. Nor poppy nor mandragora,
  • nor all the drowsy sirups of the world, could ever medicine him
  • to that sweet sleep which he owed yesterday.
  • But it was the recollection that on previous occasions of
  • wakefulness hot whisky and water had done the trick, which had
  • now brought him from his bed and downstairs. His objective was
  • the decanter on the table of the smoking-room, which was one of
  • the rooms opening on the gallery that looked down on the hall.
  • Hot water he could achieve in his bedroom by means of his stove.
  • So out of bed he had climbed and downstairs he had come; and here
  • he was, to all appearances, just in time to foil the very plot on
  • which he had been brooding. Mr. Peters might be in bed, but there
  • in the hall below him stood the accomplice, not ten paces from
  • the museum's door. He arrived on the spot at racing speed and
  • confronted Ashe.
  • "What are you doing here?"
  • And then, from the Baxter viewpoint, things began to go wrong. By
  • all the rules of the game, Ashe, caught, as it were, red-handed,
  • should have wilted, stammered and confessed all; but Ashe was
  • fortified by that philosophic calm which comes to us in dreams,
  • and, moreover, he had his story ready.
  • "Mr. Peters rang for me, sir."
  • He had never expected to feel grateful to the little firebrand
  • who employed him, but he had to admit that the millionaire, in
  • their late conversation, had shown forethought. The thought
  • struck him that but for Mr. Peters' advice he might by now be in
  • an extremely awkward position; for his was not a swiftly
  • inventive mind.
  • "Rang for you? At half-past two in the morning!"
  • "To read to him, sir."
  • "To read to him at this hour?"
  • "Mr. Peters suffers from insomnia, sir. He has a weak digestion
  • and pain sometimes prevents him from sleeping. The lining of his
  • stomach is not at all what it should be."
  • "I don't believe a word of it."
  • With that meekness which makes the good man wronged so impressive
  • a spectacle, Ashe produced and exhibited his novel.
  • "Here is the book I am about to read to him. I think, sir, if you
  • will excuse me, I had better be going to his room. Good night,
  • sir."
  • He proceeded to mount the stairs. He was sorry for Mr. Peters, so
  • shortly about to be roused from a refreshing slumber; but these
  • were life's tragedies and must be borne bravely.
  • The Efficient Baxter dogged him the whole way, sprinting silently
  • in his wake and dodging into the shadows whenever the light of an
  • occasional electric bulb made it inadvisable to keep to the open.
  • Then abruptly he gave up the pursuit. For the first time his
  • comparative impotence in this silent conflict on which he had
  • embarked was made manifest to him, and he perceived that on mere
  • suspicion, however strong, he could do nothing. To accuse Mr.
  • Peters of theft or to accuse him of being accessory to a theft
  • was out of the question.
  • Yet his whole being revolted at the thought of allowing the
  • sanctity of the museum to be violated. Officially its contents
  • belonged to Lord Emsworth, but ever since his connection with the
  • castle he had been put in charge of them, and he had come to look
  • on them as his own property. If he was only a collector by proxy
  • he had, nevertheless, the collector's devotion to his curios,
  • beside which the lioness' attachment to her cubs is tepid; and he
  • was prepared to do anything to retain in his possession a scarab
  • toward which he already entertained the feelings of a life
  • proprietor.
  • No--not quite anything! He stopped short at the idea of causing
  • unpleasantness between the father of the Honorable Freddie and
  • the father of the Honorable Freddie's fiancee. His secretarial
  • position at the castle was a valuable one and he was loath to
  • jeopardize it.
  • There was only one way in which this delicate affair could be
  • brought to a satisfactory conclusion. It was obvious from what he
  • had seen that night that Mr. Peters' connection with the attempt
  • on the scarab was to be merely sympathetic, and that the actual
  • theft was to be accomplished by Ashe. His only course, therefore,
  • was to catch Ashe actually in the museum. Then Mr. Peters need
  • not appear in the matter at all. Mr. Peters' position in those
  • circumstances would be simply that of a man who had happened to
  • employ, through no fault of his own, a valet who happened to be a
  • thief.
  • He had made a mistake, he perceived, in locking the door of the
  • museum. In future he must leave it open, as a trap is open;
  • and he must stay up nights and keep watch. With these
  • reflections, the Efficient Baxter returned to his room.
  • Meantime Ashe had entered Mr. Peters' bedroom and switched on the
  • light. Mr. Peters, who had just succeeded in dropping off to
  • sleep, sat up with a start.
  • "I've come to read to you," said Ashe.
  • Mr. Peters emitted a stifled howl, in which wrath and self-pity
  • were nicely blended.
  • "You fool, don't you know I have just managed to get to sleep?"
  • "And now you're awake again," said Ashe soothingly. "Such is
  • life! A little rest, a little folding of the hands in sleep, and
  • then bing!--off we go again. I hope you will like this novel. I
  • dipped into it and it seems good."
  • "What do you mean by coming in here at this time of night? Are
  • you crazy?"
  • "It was your suggestion; and, by the way, I must thank you for
  • it. I apologize for calling it thin. It worked like a charm. I
  • don't think he believed it--in fact, I know he didn't; but it
  • held him. I couldn't have thought up anything half so good in an
  • emergency."
  • Mr. Peters' wrath changed to excitement.
  • "Did you get it? Have you been after my--my Cheops?"
  • "I have been after your Cheops, but I didn't get it. Bad men were
  • abroad. That fellow with the spectacles, who was in the museum
  • when I met you there this evening, swooped down from nowhere, and
  • I had to tell him that you had rung for me to read to you.
  • Fortunately I had this novel on me. I think he followed me
  • upstairs to see whether I really did come to your room."
  • Mr. Peters groaned miserably.
  • "Baxter," he said; "He's a man named Baxter--Lord Emsworth's
  • private secretary; and he suspects us. He's the man we--I mean
  • you--have got to look out for."
  • "Well, never mind. Let's be happy while we can. Make yourself
  • comfortable and I'll start reading. After all, what could be
  • pleasanter than a little literature in the small hours? Shall I
  • begin?"
  • * * *
  • Ashe Marson found Joan Valentine in the stable yard after
  • breakfast the next morning, playing with a retriever puppy. "Will
  • you spare me a moment of your valuable time?"
  • "Certainly, Mr. Marson."
  • "Shall we walk out into the open somewhere--where we can't be
  • overheard?"
  • "Perhaps it would be better."
  • They moved off.
  • "Request your canine friend to withdraw," said Ashe. "He prevents
  • me from marshaling my thoughts."
  • "I'm afraid he won't withdraw."
  • "Never mind. I'll do my best in spite of him. Tell me, was I
  • dreaming or did I really meet you in the hall this morning at
  • about twenty minutes after two?"
  • "You did."
  • "And did you really tell me that you had come to the castle to
  • steal--"
  • "Recover."
  • "--Recover Mr. Peters' scarab?"
  • "I did."
  • "Then it's true?"
  • "It is."
  • Ashe scraped the ground with a meditative toe.
  • "This," he said, "seems to me to complicate matters somewhat."
  • "It complicates them abominably!"
  • "I suppose you were surprised when you found that I was on the
  • same game as yourself."
  • "Not in the least."
  • "You weren't!"
  • "I knew it directly I saw the advertisement in the Morning Post.
  • And I hunted up the Morning Post directly you had told me that
  • you had become Mr. Peters' valet."
  • "You have known all along!"
  • "I have."
  • Ashe regarded her admiringly.
  • "You're wonderful!"
  • "Because I saw through you?"
  • "Partly that; but chiefly because you had the pluck to undertake
  • a thing like this."
  • "You undertook it."
  • "But I'm a man."
  • "And I'm a woman. And my theory, Mr. Marson, is that a woman can
  • do nearly everything better than a man. What a splendid test case
  • this would make to settle the Votes-for-Women question once and
  • for all! Here we are--you and I--a man and a woman, each trying
  • for the same thing and each starting with equal chances. Suppose
  • I beat you? How about the inferiority of women then?"
  • "I never said women were inferior."
  • "You did with your eyes."
  • "Besides, you're an exceptional woman."
  • "You can't get out of it with a compliment. I'm an ordinary woman
  • and I'm going to beat a real man."
  • Ashe frowned.
  • "I don't like to think of ourselves as working against each
  • other."
  • "Why not?"
  • "Because I like you."
  • "I like you, Mr. Marson; but we must not let sentiment interfere
  • with business. You want Mr. Peters' five thousand dollars. So do
  • I."
  • "I hate the thought of being the instrument to prevent you from
  • getting the money."
  • "You won't be. I shall be the instrument to prevent you from
  • getting it. I don't like that thought, either; but one has got to
  • face it."
  • "It makes me feel mean."
  • "That's simply your old-fashioned masculine attitude toward the
  • female, Mr. Marson. You look on woman as a weak creature, to be
  • shielded and petted. We aren't anything of the sort. We're
  • terrors! We're as hard as nails. We're awful creatures. You
  • mustn't let my sex interfere with your trying to get this reward.
  • Think of me as though I were another man. We're up against each
  • other in a fair fight, and I don't want any special privileges.
  • If you don't do your best from now onward I shall never forgive
  • you. Do you understand?"
  • "I suppose so."
  • "And we shall need to do our best. That little man with the
  • glasses is on his guard. I was listening to you last night from
  • behind the door. By the way, you shouldn't have told me to run
  • away and then have stayed yourself to be caught. That is an
  • example of the sort of thing I mean. It was chivalry--not
  • business."
  • "I had a story ready to account for my being there. You had not."
  • "And what a capital story it was! I shall borrow it for my own
  • use. If I am caught I shall say I had to read Aline to sleep
  • because she suffers from insomnia. And I shouldn't wonder if she
  • did--poor girl! She doesn't get enough to eat. She is being
  • starved--poor child! I heard one of the footmen say that she
  • refused everything at dinner last night. And, though she vows it
  • isn't, my belief is that it's all because she is afraid to make a
  • stand against her old father. It's a shame!"
  • "She is a weak creature, to be shielded and petted," said Ashe
  • solemnly.
  • Joan laughed.
  • "Well, yes; you caught me there. I admit that poor Aline is not a
  • shining example of the formidable modern woman; but--" She
  • stopped. "Oh, bother! I've just thought of what I ought to have
  • said--the good repartee that would have crushed you. I suppose
  • it's too late now?"
  • "Not at all. I'm like that myself--only it is generally the next
  • day when I hit the right answer. Shall we go back? . . . She is a
  • weak creature, to be shielded and petted."
  • "Thank you so much," said Joan gratefully. "And why is she a weak
  • creature? Because she has allowed herself to be shielded and
  • petted; because she has permitted man to give her special
  • privileges, and generally--No; it isn't so good as I thought it
  • was going to be."
  • "It should be crisper," said Ashe critically. "It lacks the
  • punch."
  • "But it brings me back to my point, which is that I am not going
  • to imitate her and forfeit my independence of action in return
  • for chivalry. Try to look at it from my point of view, Mr.
  • Marson. I know you need the money just as much as I do. Well,
  • don't you think I should feel a little mean if I thought you were
  • not trying your hardest to get it, simply because you didn't
  • think it would be fair to try your hardest against a woman? That
  • would cripple me. I should not feel as though I had the right to
  • do anything. It's too important a matter for you to treat me like
  • a child and let me win to avoid disappointing me. I want the
  • money; but I don't want it handed to me."
  • "Believe me," said Ashe earnestly, "it will not be handed to you.
  • I have studied the Baxter question more deeply than you have, and
  • I can assure you that Baxter is a menace. What has put him so
  • firmly on the right scent I don't know; but he seems to have
  • divined the exact state of affairs in its entirety--so far as I
  • am concerned, that is to say. Of course he has no idea you are
  • mixed up in the business; but I am afraid his suspicion of me
  • will hit you as well. What I mean is that, for some time to come,
  • I fancy that man proposes to camp out on the rug in front of the
  • museum door. It would be madness for either of us to attempt to
  • go there at present."
  • "It is being made very hard for us, isn't it? And I thought it
  • was going to be so simple."
  • "I think we should give him at least a week to simmer down."
  • "Fully that."
  • "Let us look on the bright side. We are in no hurry. Blandings
  • Castle is quite as comfortable as Number Seven Arundell Street,
  • and the commissariat department is a revelation to me. I had no
  • idea English servants did themselves so well. And, as for the
  • social side, I love it; I revel in it. For the first time in my
  • life I feel as though I am somebody. Did you observe my manner
  • toward the kitchen maid who waited on us at dinner last night? A
  • touch of the old noblesse about it, I fancy. Dignified but not
  • unkind, I think. And I can keep it up. So far as I am concerned,
  • let this life continue indefinitely."
  • "But what about Mr. Peters? Don't you think there is danger he
  • may change his mind about that five thousand dollars if we keep
  • him waiting too long?"
  • "Not a chance of it. Being almost within touch of the scarab has
  • had the worst effect on him. It has intensified the craving. By
  • the way, have you seen the scarab?"
  • "Yes; I got Mrs. Twemlow to take me to the museum while you were
  • talking to the butler. It was dreadful to feel that it was lying
  • there in the open waiting for somebody to take it, and not be
  • able to do anything."
  • "I felt exactly the same. It isn't much to look at, is it? If it
  • hadn't been for the label I wouldn't have believed it was the
  • thing for which Peters was offering five thousand dollars'
  • reward. But that's his affair. A thing is worth what somebody
  • will give for it. Ours not to reason why; ours but to elude
  • Baxter and gather it in."
  • "Ours, indeed! You speak as though we were partners instead of
  • rivals."
  • Ashe uttered an exclamation. "You've hit it! Why not? Why any
  • cutthroat competition? Why shouldn't we form a company? It would
  • solve everything."
  • Joan looked thoughtful.
  • "You mean divide the reward?"
  • "Exactly--into two equal parts."
  • "And the labor?"
  • "The labor?"
  • "How shall we divide that?"
  • Ashe hesitated.
  • "My idea," he said, "was that I should do what I might call the
  • rough work; and--"
  • "You mean you should do the actual taking of the scarab?"
  • "Exactly. I would look after that end of it."
  • "And what would my duties be?"
  • "Well, you--you would, as it were--how shall I put it? You would,
  • so to speak, lend moral support."
  • "By lying snugly in bed, fast asleep?"
  • Ashe avoided her eye.
  • "Well, yes--er--something on those lines."
  • "While you ran all the risks?"
  • "No, no. The risks are practically nonexistent."
  • "I thought you said just now that it would be madness for either
  • of us to attempt to go to the museum at present." Joan laughed.
  • "It won't do, Mr. Marson. You remind me of an old cat I once had.
  • Whenever he killed a mouse he would bring it into the
  • drawing-room and lay it affectionately at my feet. I would reject
  • the corpse with horror and turn him out, but back he would come
  • with his loathsome gift. I simply couldn't make him understand
  • that he was not doing me a kindness. He thought highly of his
  • mouse and it was beyond him to realize that I did not want it.
  • "You are just the same with your chivalry. It's very kind of you
  • to keep offering me your dead mouse; but honestly I have no use
  • for it. I won't take favors just because I happen to be a female.
  • If we are going to form this partnership I insist on doing my
  • fair share of the work and running my fair share of the
  • risks--the practically nonexistent risks."
  • "You're very--resolute."
  • "Say pig-headed; I shan't mind. Certainly I am! A girl has got to
  • be, even nowadays, if she wants to play fair. Listen, Mr.
  • Marson; I will not have the dead mouse. I do not like dead mice.
  • If you attempt to work off your dead mouse on me this partnership
  • ceases before it has begun. If we are to work together we are
  • going to make alternate attempts to get the scarab. No other
  • arrangement will satisfy me."
  • "Then I claim the right to make the first one."
  • "You don't do anything of the sort. We toss up for first chance,
  • like little ladies and gentlemen. Have you a coin? I will spin,
  • and you call."
  • Ashe made a last stand.
  • "This is perfectly--"
  • "Mr. Marson!"
  • Ashe gave in. He produced a coin and handed it to her gloomily.
  • "Under protest," he said.
  • "Head or tail?" said Joan, unmoved.
  • Ashe watched the coin gyrating in the sunshine.
  • "Tail!" he cried.
  • The coin stopped rolling.
  • "Tail it is," said Joan. "What a nuisance! Well, never mind--
  • I'll get my chance if you fail."
  • "I shan't fail," said Ashe fervently. "If I have to pull the
  • museum down I won't fail. Thank heaven, there's no chance now of
  • your doing anything foolish!"
  • "Don't be too sure. Well, good luck, Mr. Marson!"
  • "Thank you, partner."
  • They shook hands.
  • As they parted at the door, Joan made one further remark:
  • "There's just one thing, Mr. Marson."
  • "Yes?"
  • "If I could have accepted the mouse from anyone I should
  • certainly have accepted it from you."
  • CHAPTER VII
  • It is worthy of record, in the light of after events, that at the
  • beginning of their visit it was the general opinion of the guests
  • gathered together at Blandings Castle that the place was dull.
  • The house party had that air of torpor which one sees in the
  • saloon passengers of an Atlantic liner--that appearance of
  • resignation to an enforced idleness and a monotony to be broken
  • only by meals. Lord Emsworth's guests gave the impression,
  • collectively, of being just about to yawn and look at their
  • watches.
  • This was partly the fault of the time of year, for most house
  • parties are dull if they happen to fall between the hunting and
  • the shooting seasons, but must be attributed chiefly to Lord
  • Emsworth's extremely sketchy notions of the duties of a host.
  • A host has no right to interne a regiment of his relations in his
  • house unless he also invites lively and agreeable outsiders to
  • meet them. If he does commit this solecism the least he can do is
  • to work himself to the bone in the effort to invent amusements
  • and diversions for his victims. Lord Emsworth had failed badly in
  • both these matters. With the exception of Mr. Peters, his
  • daughter Aline and George Emerson, there was nobody in the house
  • who did not belong to the clan; and, as for his exerting himself
  • to entertain, the company was lucky if it caught a glimpse of its
  • host at meals.
  • Lord Emsworth belonged to the people-who-like-to-be-left-alone-
  • to-amuse-themselves-when-they-come-to-a-place school of hosts. He
  • pottered about the garden in an old coat--now uprooting a weed,
  • now wrangling with the autocrat from Scotland, who was
  • theoretically in his service as head gardener---dreamily
  • satisfied, when he thought of them at all, that his guests were
  • as perfectly happy as he was.
  • Apart from his son Freddie, whom he had long since dismissed as a
  • youth of abnormal tastes, from whom nothing reasonable was to be
  • expected, he could not imagine anyone not being content merely to
  • be at Blandings when the buds were bursting on the trees.
  • A resolute hostess might have saved the situation; but Lady Ann
  • Warblington's abilities in that direction stopped short at
  • leaving everything to Mrs. Twemlow and writing letters in her
  • bedroom. When Lady Ann Warblington was not writing letters in her
  • bedroom--which was seldom, for she had an apparently
  • inexhaustible correspondence--she was nursing sick headaches in
  • it. She was one of those hostesses whom a guest never sees except
  • when he goes into the library and espies the tail of her skirt
  • vanishing through the other door.
  • As for the ordinary recreations of the country house, the guests
  • could frequent the billiard room, where they were sure to find
  • Lord Stockheath playing a hundred up with his cousin, Algernon
  • Wooster--a spectacle of the liveliest interest--or they could, if
  • fond of golf, console themselves for the absence of links in the
  • neighborhood with the exhilarating pastime of clock golf; or they
  • could stroll about the terraces with such of their relations as
  • they happened to be on speaking terms with at the moment, and
  • abuse their host and the rest of their relations.
  • This was the favorite amusement; and after breakfast, on a
  • morning ten days after Joan and Ashe had formed their compact,
  • the terraces were full of perambulating couples. Here, Colonel
  • Horace Mant, walking with the Bishop of Godalming, was soothing
  • that dignitary by clothing in soldierly words thoughts that the
  • latter had not been able to crush down, but which his holy office
  • scarcely permitted him to utter.
  • There, Lady Mildred Mant, linked to Mrs. Jack Hale, of the
  • collateral branch of the family, was saying things about her
  • father in his capacity of host and entertainer, that were making
  • her companion feel like another woman. Farther on, stopping
  • occasionally to gesticulate, could be seen other Emsworth
  • relations and connections. It was a typical scene of quiet,
  • peaceful English family life.
  • Leaning on the broad stone balustrade of the upper terrace, Aline
  • Peters and George Emerson surveyed the malcontents. Aline gave a
  • little sigh, almost inaudible; but George's hearing was good.
  • "I was wondering when you are going to admit it," he said,
  • shifting his position so that he faced her.
  • "Admit what?"
  • "That you can't stand the prospect; that the idea of being stuck
  • for life with this crowd, like a fly on fly paper, is too much
  • for you; that you are ready to break off your engagement to
  • Freddie and come away and marry me and live happily ever after."
  • "George!"
  • "Well, wasn't that what it meant? Be honest!"
  • "What what meant?"
  • "That sigh."
  • "I didn't sigh. I was just breathing."
  • "Then you can breathe in this atmosphere! You surprise me!" He
  • raked the terraces with hostile eyes. "Look at them! Look at
  • them--crawling round like doped beetles. My dear girl, it's no
  • use your pretending that this sort of thing wouldn't kill you.
  • You're pining away already. You're thinner and paler since you
  • came here. Gee! How we shall look back at this and thank our
  • stars that we're out of it when we're back in old New York, with
  • the elevated rattling and the street cars squealing over the
  • points, and something doing every step you take. I shall call you
  • on the 'phone from the office and have you meet me down town
  • somewhere, and we'll have a bite to eat and go to some show, and
  • a bit of supper afterward and a dance or two; and then go home to
  • our cozy---"
  • "George, you mustn't--really!"
  • "Why mustn't I?"
  • "It's wrong. You can't talk like that when we are both enjoying
  • the hospitality--"
  • A wild laugh, almost a howl, disturbed the talk of the most
  • adjacent of the perambulating relations. Colonel Horace Mant,
  • checked in mid-sentence, looked up resentfully at the cause of
  • the interruption.
  • "I wish somebody would tell me whether it's that American fellow,
  • Emerson, or young Freddie who's supposed to be engaged to Miss
  • Peters. Hanged if you ever see her and Freddie together, but she
  • and Emerson are never to be found apart. If my respected
  • father-in-law had any sense I should have thought he would have
  • had sense enough to stop that."
  • "You forget, my dear Horace," said the bishop charitably; "Miss
  • Peters and Mr. Emerson have known each other since they were
  • children."
  • "They were never nearly such children as Emsworth is now,"
  • snorted the colonel. "If that girl isn't in love with Emerson
  • I'll be--I'll eat my hat."
  • "No, no," said the bishop. "No, no! Surely not, Horace. What were
  • you saying when you broke off?"
  • "I was saying that if a man wanted his relations never to speak
  • to each other again for the rest of their lives the best thing he
  • could do would be to herd them all together in a dashed barrack
  • of a house a hundred miles from anywhere, and then go off and
  • spend all his time prodding dashed flower beds with a spud--dash
  • it!"
  • "Just so; just so. So you were. Go on, Horace; I find a curious
  • comfort in your words."
  • On the terrace above them Aline was looking at George with
  • startled eyes.
  • "George!"
  • "I'm sorry; but you shouldn't spring these jokes on me so
  • suddenly. You said enjoying! Yes--reveling in it, aren't we!"
  • "It's a lovely old place," said Aline defensively.
  • "And when you've said that you've said everything. You can't live
  • on scenery and architecture for the rest of your life. There's
  • the human element to be thought of. And you're beginning--"
  • "There goes father," interrupted Aline. "How fast he is walking!
  • George, have you noticed a sort of difference in father these
  • last few days?"
  • "I haven't. My specialty is keeping an eye on the rest of the
  • Peters family."
  • "He seems better somehow. He seems to have almost stopped
  • smoking--and I'm very glad, for those cigars were awfully bad for
  • him. The doctor expressly told him he must stop them, but he
  • wouldn't pay any attention to him. And he seems to take so much
  • more exercise. My bedroom is next to his, you know, and every
  • morning I can hear things going on through the wall--father
  • dancing about and puffing a good deal. And one morning I met his
  • valet going in with a pair of Indian clubs. I believe father is
  • really taking himself in hand at last."
  • George Emerson exploded.
  • "And about time, too! How much longer are you to go on starving
  • yourself to death just to give him the resolution to stick to his
  • dieting? It maddens me to see you at dinner. And it's killing
  • you. You're getting pale and thin. You can't go on like this."
  • A wistful look came over Aline's face.
  • "I do get a little hungry sometimes--late at night generally."
  • "You want somebody to take care of you and look after you. I'm
  • the man. You may think you can fool me; but I can tell. You're
  • weakening on this Freddie proposition. You're beginning to see
  • that it won't do. One of these days you're going to come to me
  • and say: 'George, you were right. I take the count. Me for the
  • quiet sneak to the station, without anybody knowing, and the
  • break for London, and the wedding at the registrar's.' Oh, I
  • know! I couldn't have loved you all this time and not know.
  • You're weakening."
  • The trouble with these supermen is that they lack reticence. They
  • do not know how to omit. They expand their chests and whoop. And
  • a girl, even the mildest and sweetest of girls--even a girl like
  • Aline Peters--cannot help resenting the note of triumph. But
  • supermen despise tact. As far as one can gather, that is the
  • chief difference between them and the ordinary man.
  • A little frown appeared on Aline's forehead and she set her mouth
  • mutinously.
  • "I'm not weakening at all," she said, and her voice was--for
  • her--quite acid. "You--you take too much for granted."
  • George was contemplating the landscape with a conqueror's eye.
  • "You are beginning to see that it is impossible--this Freddie
  • foolishness."
  • "It is not foolishness," said Aline pettishly, tears of annoyance
  • in her eyes. "And I wish you wouldn't call him Freddie."
  • "He asked me to. He asked me to!"
  • Aline stamped her foot.
  • "Well, never mind. Please don't do it."
  • "Very well, little girl," said George softly. "I wouldn't do
  • anything to hurt you."
  • The fact that it never even occurred to George Emerson he was
  • being offensively patronizing shows the stern stuff of which
  • these supermen are made.
  • * * *
  • The Efficient Baxter bicycled broodingly to Market Blandings for
  • tobacco. He brooded for several reasons. He had just seen Aline
  • Peters and George Emerson in confidential talk on the upper
  • terrace, and that was one thing which exercised his mind, for he
  • suspected George Emerson. He suspected him nebulously as a snake
  • in the grass; as an influence working against the orderly
  • progress of events concerning the marriage that had been arranged
  • and would shortly take place between Miss Peters and the
  • Honorable Frederick Threepwood.
  • It would be too much to say that he had any idea that George was
  • putting in such hard and consistent work in his serpentine role;
  • indeed if he could have overheard the conversation just recorded
  • it is probable that Rupert Baxter would have had heart failure;
  • but he had observed the intimacy between the two as he observed
  • most things in his immediate neighborhood, and he disapproved of
  • it. It was all very well to say that George Emerson had known
  • Aline Peters since she was a child. If that was so, then in the
  • opinion of the Efficient Baxter he had known her quite long
  • enough and ought to start making the acquaintance of somebody
  • else.
  • He blamed the Honorable Freddie. If the Honorable Freddie had
  • been a more ardent lover he would have spent his time with Aline,
  • and George Emerson would have taken his proper place as one of
  • the crowd at the back of the stage. But Freddie's view of the
  • matter seemed to be that he had done all that could be expected
  • of a chappie in getting engaged to the girl, and that now he
  • might consider himself at liberty to drop her for a while.
  • So Baxter, as he bicycled to Market Blandings for tobacco,
  • brooded on Freddie, Aline Peters and George Emerson. He also
  • brooded on Mr. Peters and Ashe Marson. Finally he brooded in a
  • general way, because he had had very little sleep the past week.
  • The spectacle of a young man doing his duty and enduring
  • considerable discomforts while doing it is painful; but there is
  • such uplift in it, it affords so excellent a moral picture, that
  • I cannot omit a short description of the manner in which Rupert
  • Baxter had spent the nights which had elapsed since his meeting
  • with Ashe in the small hours in the hall.
  • In the gallery which ran above the hall there was a large chair,
  • situated a few paces from the great staircase. On this, in an
  • overcoat--for the nights were chilly--and rubber-soled shoes, the
  • Efficient Baxter had sat, without missing a single night, from
  • one in the morning until daybreak, waiting, waiting, waiting. It
  • had been an ordeal to try the stoutest determination. Nature had
  • never intended Baxter for a night bird. He loved his bed. He knew
  • that doctors held that insufficient sleep made a man pale and
  • sallow, and he had always aimed at the peach-bloom complexion
  • which comes from a sensible eight hours between the sheets.
  • One of the King Georges of England--I forget which--once said
  • that a certain number of hours' sleep each night--I cannot recall
  • at the moment how many--made a man something, which for the time
  • being has slipped my memory. Baxter agreed with him. It went
  • against all his instincts to sit up in this fashion; but it was
  • his duty and he did it.
  • It troubled him that, as night after night went by and Ashe, the
  • suspect, did not walk into the trap so carefully laid for him, he
  • found an increasing difficulty in keeping awake. The first two or
  • three of his series of vigils he had passed in an unimpeachable
  • wakefulness, his chin resting on the rail of the gallery and his
  • ears alert for the slightest sound; but he had not been able to
  • maintain this standard of excellence.
  • On several occasions he had caught himself in the act of dropping
  • off, and the last night he had actually wakened with a start to
  • find it quite light. As his last recollection before that was of
  • an inky darkness impenetrable to the eye, dismay gripped him with
  • a sudden clutch and he ran swiftly down to the museum. His
  • relief on finding that the scarab was still there had been
  • tempered by thoughts of what might have been.
  • Baxter, then, as he bicycled to Market Blandings for tobacco, had
  • good reason to brood. Having bought his tobacco and observed the
  • life and thought of the town for half an hour--it was market day
  • and the normal stagnation of the place was temporarily relieved
  • and brightened by pigs that eluded their keepers, and a bull calf
  • which caught a stout farmer at the psychological moment when he
  • was tying his shoe lace and lifted him six feet--he made his way
  • to the Emsworth Arms, the most respectable of the eleven inns the
  • citizens of Market Blandings contrived in some miraculous way to
  • support.
  • In English country towns, if the public houses do not actually
  • outnumber the inhabitants, they all do an excellent trade. It is
  • only when they are two to one that hard times hit them and set
  • the innkeepers to blaming the government.
  • It was not the busy bar, full to overflowing with honest British
  • yeomen--many of them in a similar condition--that Baxter sought.
  • His goal was the genteel dining-room on the first floor, where a
  • bald and shuffling waiter, own cousin to a tortoise, served
  • luncheon to those desiring it. Lack of sleep had reduced Baxter
  • to a condition where the presence and chatter of the house party
  • were insupportable. It was his purpose to lunch at the Emsworth
  • Arms and take a nap in an armchair afterward.
  • He had relied on having the room to himself, for Market Blandings
  • did not lunch to a great extent; but to his annoyance and
  • disappointment the room was already occupied by a man in brown
  • tweeds.
  • Occupied is the correct word, for at first sight this man seemed
  • to fill the room. Never since almost forgotten days when he used
  • to frequent circuses and side shows, had Baxter seen a fellow
  • human being so extraordinarily obese. He was a man about fifty
  • years old, gray-haired, of a mauve complexion, and his general
  • appearance suggested joviality.
  • To Baxter's chagrin, this person engaged him in conversation
  • directly he took his seat at the table. There was only one table
  • in the room, as is customary in English inns, and it had the
  • disadvantage that it collected those seated at it into one party.
  • It was impossible for Baxter to withdraw into himself and ignore
  • this person's advances.
  • It is doubtful whether he could have done it, however, had they
  • been separated by yards of floor, for the fat man was not only
  • naturally talkative but, as appeared from his opening remarks,
  • speech had been dammed up within him for some time by lack of a
  • suitable victim.
  • "Morning!" he began; "nice day. Good for the farmers. I'll move
  • up to your end of the table if I may, sir. Waiter, bring my beef
  • to this gentleman's end of the table."
  • He creaked into a chair at Baxter's side and resumed:
  • "Infernally quiet place, this, sir. I haven't found a soul to
  • speak to since I arrived yesterday afternoon except deaf-and-dumb
  • rustics. Are you making a long stay here?"
  • "I live outside the town."
  • "I pity you. Wouldn't care to do it myself. Had to come here on
  • business and shan't be sorry when it's finished. I give you my
  • word I couldn't sleep a wink last night because of the quiet. I
  • was just dropping off when a beast of a bird outside the window
  • gave a chirrup, and it brought me up with a jerk as though
  • somebody had fired a gun. There's a damned cat somewhere near my
  • room that mews. I lie in bed waiting for the next mew, all worked
  • up.
  • "Heaven save me from the country! It may be all right for you, if
  • you've got a comfortable home and a pal or two to chat with after
  • dinner; but you've no conception what it's like in this infernal
  • town--I suppose it calls itself a town. What a hole! There's a
  • church down the street. I'm told it's Norman or something.
  • Anyway, it's old. I'm not much of a man for churches as a rule,
  • but I went and took a look at it.
  • "Then somebody told me there was a fine view from the end of High
  • Street; so I went and took a look at that. And now, so far as I
  • can make out, I've done the sights and exhausted every
  • possibility of entertainment the town has to provide--unless
  • there's another church. I'm so reduced that I'll go and see the
  • Methodist Chapel, if there is one."
  • Fresh air, want of sleep and the closeness of the dining-room
  • combined to make Baxter drowsy. He ate his lunch in a torpor,
  • hardly replying to his companion's remarks, who, for his part,
  • did not seem to wish or to expect replies. It was enough for him
  • to be talking.
  • "What do people do with themselves in a place like this? When
  • they want amusement, I mean. I suppose it's different if you've
  • been brought up to it. Like being born color-blind or something.
  • You don't notice. It's the visitor who suffers. They've no
  • enterprise in this sort of place. There's a bit of land just
  • outside here that would make a sweet steeplechase course; natural
  • barriers; everything. It hasn't occurred to 'em to do anything
  • with it. It makes you despair of your species--that sort of
  • thing. Now if I--"
  • Baxter dozed. With his fork still impaling a piece of cold beef,
  • he dropped into that half-awake, half-asleep state which is
  • Nature's daytime substitute for the true slumber of the night.
  • The fat man, either not noticing or not caring, talked on. His
  • voice was a steady drone, lulling Baxter to rest.
  • Suddenly there was a break. Baxter sat up, blinking. He had a
  • curious impression that his companion had said "Hello, Freddie!"
  • and that the door had just opened and closed.
  • "Eh?" he said.
  • "Yes?" said the fat man.
  • "What did you say?"
  • "I was speaking of--"
  • "I thought you said, 'Hello, Freddie!'"
  • His companion eyed him indulgently.
  • "I thought you were dropping off when I looked at you. You've
  • been dreaming. What should I say, 'Hello, Freddie!' for?"
  • The conundrum was unanswerable. Baxter did not attempt to answer
  • it. But there remained at the back of his mind a quaint idea that
  • he had caught sight, as he woke, of the Honorable Frederick
  • Threepwood, his face warningly contorted, vanishing through the
  • doorway. Yet what could the Honorable Freddie be doing at the
  • Emsworth Arms?
  • A solution of the difficulty occurred to him: he had dreamed he
  • had seen Freddie and that had suggested the words which, reason
  • pointed out, his companion could hardly have spoken. Even if the
  • Honorable Freddie should enter the room, this fat man, who was
  • apparently a drummer of some kind, would certainly not know who
  • he was, nor would he address him so familiarly.
  • Yes, that must be the explanation. After all, the quaintest
  • things happened in dreams. Last night, when he had fallen asleep
  • in his chair, he had dreamed that he was sitting in a glass case
  • in the museum, making faces at Lord Emsworth, Mr. Peters, and
  • Beach, the butler, who were trying to steal him, under the
  • impression that he was a scarab of the reign of Cheops of the
  • Fourth Dynasty--a thing he would never have done when awake. Yes;
  • he must certainly have been dreaming.
  • In the bedroom into which he had dashed to hide himself, on
  • discovering that the dining-room was in possession of the
  • Efficient Baxter, the Honorable Freddie sat on a rickety chair,
  • scowling. He elaborated a favorite dictum of his:
  • "You can't take a step anywhere without stumbling over that damn
  • feller, Baxter!"
  • He wondered whether Baxter had seen him. He wondered whether
  • Baxter had recognized him. He wondered whether Baxter had heard
  • R. Jones say, "Hello, Freddie!"
  • He wondered, if such should be the case, whether R. Jones'
  • presence of mind and native resource had been equal to explaining
  • away the remark.
  • CHAPTER VIII
  • "'Put the butter or drippings in a kettle on the range, and when
  • hot add the onions and fry them; add the veal and cook until
  • brown. Add the water, cover closely, and cook very slowly until
  • the meat is tender; then add the seasoning and place the potatoes
  • on top of the meat. Cover and cook until the potatoes are tender,
  • but not falling to pieces.'"
  • "Sure," said Mr. Peters--"not falling to pieces. That's right.
  • Go on."
  • "'Then add the cream and cook five minutes longer'" read Ashe.
  • "Is that all?"
  • "That's all of that one."
  • Mr. Peters settled himself more comfortably in bed.
  • "Read me the piece where it tells about curried lobster."
  • Ashe cleared his throat.
  • "'Curried Lobster,'" he read. "'Materials: Two one-pound
  • lobsters, two teaspoonfuls lemon juice, half a spoonful curry
  • powder, two tablespoonfuls butter, a tablespoonful flour, one
  • cupful scalded milk, one cupful cracker crumbs, half teaspoonful
  • salt, quarter teaspoonful pepper.'"
  • "Go on."
  • "'Way of Preparing: Cream the butter and flour and add the
  • scalded milk; then add the lemon juice, curry powder, salt and
  • pepper. Remove the lobster meat from the shells and cut into
  • half-inch cubes.'"
  • "Half-inch cubes," sighed Mr. Peters wistfully. "Yes?"
  • "'Add the latter to the sauce.'"
  • "You didn't say anything about the latter. Oh, I see; it means
  • the half-inch cubes. Yes?"
  • "'Refill the lobster shells, cover with buttered crumbs, and bake
  • until the crumbs are brown. This will serve six persons.'"
  • "And make them feel an hour afterward as though they had
  • swallowed a live wild cat," said Mr. Peters ruefully.
  • "Not necessarily," said Ashe. "I could eat two portions of that
  • at this very minute and go off to bed and sleep like a little
  • child."
  • Mr. Peters raised himself on his elbow and stared at him. They
  • were in the millionaire's bedroom, the time being one in the
  • morning, and Mr. Peters had expressed a wish that Ashe should
  • read him to sleep. He had voted against Ashe's novel and produced
  • from the recesses of his suitcase a much-thumbed cookbook. He
  • explained that since his digestive misfortunes had come on him he
  • had derived a certain solace from its perusal.
  • It may be that to some men sorrow's crown of sorrow is
  • remembering happier things; but Mr. Peters had not found that to
  • be the case. In his hour of affliction it soothed him to read of
  • Hungarian Goulash and escaloped brains, and to remember that he,
  • too, the nut-and-grass eater of today, had once dwelt in Arcadia.
  • The passage of the days, which had so sapped the stamina of the
  • efficient Baxter, had had the opposite effect on Mr. Peters. His
  • was one of those natures that cannot deal in half measures.
  • Whatever he did, he did with the same driving energy. After the
  • first passionate burst of resistance he had settled down into a
  • model pupil in Ashe's one-man school of physical culture. It had
  • been the same, now that he came to look back on it, at Muldoon's.
  • Now that he remembered, he had come away from White Plains
  • hoping, indeed, never to see the place again, but undeniably a
  • different man physically. It was not the habit of Professor
  • Muldoon to let his patients loaf; but Mr. Peters, after the
  • initial plunge, had needed no driving. He had worked hard at his
  • cure then, because it was the job in hand. He worked hard now,
  • under the guidance of Ashe, because, once he had begun, the thing
  • interested and gripped him.
  • Ashe, who had expected continued reluctance, had been astonished
  • and delighted at the way in which the millionaire had behaved.
  • Nature had really intended Ashe for a trainer; he identified
  • himself so thoroughly with his man and rejoiced at the least
  • signs of improvement.
  • In Mr. Peters' case there had been distinct improvement already.
  • Miracles do not happen nowadays, and it was too much to expect
  • one who had maltreated his body so consistently for so many years
  • to become whole in a day; but to an optimist like Ashe signs were
  • not wanting that in due season Mr. Peters would rise on
  • stepping-stones of his dead self to higher things, and though
  • never soaring into the class that devours lobster a la Newburg
  • and smiles after it, might yet prove himself a devil of a fellow
  • among the mutton chops.
  • "You're a wonder!" said Mr. Peters. "You're fresh, and you have
  • no respect for your elders and betters; but you deliver the
  • goods. That's the point. Why, I'm beginning to feel great! Say,
  • do you know I felt a new muscle in the small of my back this
  • morning? They are coming out on me like a rash."
  • "That's the Larsen Exercises. They develop the whole body."
  • "Well, you're a pretty good advertisement for them if they need
  • one. What were you before you came to me--a prize-fighter?"
  • "That's the question everybody I have met since I arrived here
  • has asked me. I believe it made the butler think I was some sort
  • of crook when I couldn't answer it. I used to write stories--
  • detective stories."
  • "What you ought to be doing is running a place over here in
  • England like Muldoon has back home. But you will be able to write
  • one more story out of this business here, if you want to. When
  • are you going to have another try for my scarab?"
  • "To-night."
  • "To-night? How about Baxter?"
  • "I shall have to risk Baxter."
  • Mr. Peters hesitated. He had fallen out of the habit of being
  • magnanimous during the past few years, for dyspepsia brooks no
  • divided allegiance and magnanimity has to take a back seat when
  • it has its grip on you.
  • "See here," he said awkwardly; "I've been thinking this over
  • lately--and what's the use? It's a queer thing; and if anybody
  • had told me a week ago that I should be saying it I wouldn't have
  • believed him; but I am beginning to like you. I don't want to get
  • you into trouble. Let the old scarab go. What's a scarab anyway?
  • Forget about it and stick on here as my private Muldoon. If it's
  • the five thousand that's worrying you, forget that too. I'll give
  • it to you as your fee."
  • Ashe was astounded. That it could really be his peppery employer
  • who spoke was almost unbelievable. Ashe's was a friendly nature
  • and he could never be long associated with anyone without trying
  • to establish pleasant relations; but he had resigned himself in
  • the present case to perpetual warfare.
  • He was touched; and if he had ever contemplated abandoning his
  • venture, this, he felt, would have spurred him on to see it
  • through. This sudden revelation of the human in Mr. Peters was
  • like a trumpet call.
  • "I wouldn't think of it," he said. "It's great of you to suggest
  • such a thing; but I know just how you feel about the thing, and
  • I'm going to get it for you if I have to wring Baxter's neck.
  • Probably Baxter will have given up waiting as a bad job by now if
  • he has been watching all this while. We've given him ten nights
  • to cool off. I expect he is in bed, dreaming pleasant dreams.
  • It's nearly two o'clock. I'll wait another ten minutes and then
  • go down." He picked up the cookbook. "Lie back and make yourself
  • comfortable, and I'll read you to sleep first."
  • "You're a good boy," said Mr. Peters drowsily.
  • "Are you ready? 'Pork Tenderloin Larded. Half pound fat pork--'"
  • A faint smile curved Mr. Peters' lips. His eyes were closed and
  • he breathed softly. Ashe went on in a low voice: "'four large
  • pork tenderloins, one cupful cracker crumbs, one cupful boiling
  • water, two tablespoonfuls butter, one teaspoonful salt, half
  • teaspoonful pepper, one teaspoonful poultry seasoning.'"
  • A little sigh came from the bed.
  • "'Way of Preparing: Wipe the tenderloins with a damp cloth. With
  • a sharp knife make a deep pocket lengthwise in each tenderloin.
  • Cut your pork into long thin strips and, with a needle, lard each
  • tenderloin. Melt the butter in the water, add the seasoning and
  • the cracker crumbs, combining all thoroughly. Now fill each
  • pocket in the tenderloin with this stuffing. Place the
  • tenderloins--'"
  • A snore sounded from the pillows, punctuating the recital like a
  • mark of exclamation. Ashe laid down the book and peered into the
  • darkness beyond the rays of the bed lamp. His employer slept.
  • Ashe switched off the light and crept to the door. Out in the
  • passage he stopped and listened. All was still. He stole
  • downstairs.
  • * * *
  • George Emerson sat in his bedroom in the bachelors' wing of the
  • castle smoking a cigarette. A light of resolution was in his
  • eyes. He glanced at the table beside his bed and at what was on
  • that table, and the light of resolution flamed into a glare of
  • fanatic determination. So might a medieval knight have looked on
  • the eve of setting forth to rescue a maiden from a dragon.
  • His cigarette burned down. He looked at his watch, put it back,
  • and lit another cigarette. His aspect was the aspect of one
  • waiting for the appointed hour. Smoking his second cigarette, he
  • resumed his meditations. They had to do with Aline Peters.
  • George Emerson was troubled about Aline Peters. Watching over
  • her, as he did, with a lover's eye, he had perceived that about
  • her which distressed him. On the terrace that morning she had
  • been abrupt to him--what in a girl of less angelic disposition
  • one might have called snappy. Yes, to be just, she had snapped at
  • him. That meant something. It meant that Aline was not well. It
  • meant what her pallor and tired eyes meant--that the life she was
  • leading was doing her no good.
  • Eleven nights had George dined at Blandings Castle, and on each
  • of the eleven nights he had been distressed to see the manner in
  • which Aline, declining the baked meats, had restricted herself to
  • the miserable vegetable messes which were all that doctor's
  • orders permitted to her suffering father. George's pity had its
  • limits. His heart did not bleed for Mr. Peters. Mr. Peters' diet
  • was his own affair. But that Aline should starve herself in this
  • fashion, purely by way of moral support for her parent, was
  • another matter.
  • George was perhaps a shade material. Himself a robust young man
  • and taking what might be called an outsize in meals, he attached
  • perhaps too much importance to food as an adjunct to the perfect
  • life. In his survey of Aline he took a line through his own
  • requirements; and believing that eleven such dinners as he had
  • seen Aline partake of would have killed him he decided that his
  • loved one was on the point of starvation.
  • No human being, he held, could exist on such Barmecide feasts.
  • That Mr. Peters continued to do so did not occur to him as a flaw
  • in his reasoning. He looked on Mr. Peters as a sort of machine.
  • Successful business men often give that impression to the young.
  • If George had been told that Mr. Peters went along on gasoline,
  • like an automobile, he would not have been much surprised. But
  • that Aline--his Aline--should have to deny herself the exercise
  • of that mastication of rich meats which, together with the gift
  • of speech, raises man above the beasts of the field---- That was
  • what tortured George.
  • He had devoted the day to thinking out a solution of the problem.
  • Such was the overflowing goodness of Aline's heart that not even
  • he could persuade her to withdraw her moral support from her
  • father and devote herself to keeping up her strength as she
  • should do. It was necessary to think of some other plan.
  • And then a speech of hers had come back to him. She had
  • said--poor child:
  • "I do get a little hungry sometimes--late at night generally."
  • The problem was solved. Food should be brought to her late at
  • night.
  • On the table by his bed was a stout sheet of packing paper. On
  • this lay, like one of those pictures in still life that one sees
  • on suburban parlor walls, a tongue, some bread, a knife, a fork,
  • salt, a corkscrew and a small bottle of white wine.
  • It is a pleasure, when one has been able hitherto to portray
  • George's devotion only through the medium of his speeches, to
  • produce these comestibles as Exhibit A, to show that he loved
  • Aline with no common love; for it had not been an easy task to
  • get them there. In a house of smaller dimensions he would have
  • raided the larder without shame, but at Blandings Castle there
  • was no saying where the larder might be. All he knew was that it
  • lay somewhere beyond that green-baize door opening on the hall,
  • past which he was wont to go on his way to bed. To prowl through
  • the maze of the servants' quarters in search of it was
  • impossible. The only thing to be done was to go to Market
  • Blandings and buy the things.
  • Fortune had helped him at the start by arranging that the
  • Honorable Freddie, also, should be going to Market Blandings in
  • the little runabout, which seated two. He had acquiesced in
  • George's suggestion that he, George, should occupy the other
  • seat, but with a certain lack of enthusiasm it seemed to George.
  • He had not volunteered any reason as to why he was going to
  • Market Blandings in the little runabout, and on arrival there had
  • betrayed an unmistakable desire to get rid of George at the
  • earliest opportunity.
  • As this had suited George to perfection, he being desirous of
  • getting rid of the Honorable Freddie at the earliest opportunity,
  • he had not been inquisitive, and they had parted on the outskirts
  • of the town without mutual confidences.
  • George had then proceeded to the grocer's, and after that to
  • another of the Market Blandings inns, not the Emsworth Arms,
  • where he had bought the white wine. He did not believe in the
  • local white wine, for he was a young man with a palate and
  • mistrusted country cellars, but he assumed that, whatever its
  • quality, it would cheer Aline in the small hours.
  • He had then tramped the whole five miles back to the castle with
  • his purchases. It was here that his real troubles began and the
  • quality of his love was tested. The walk, to a heavily laden man,
  • was bad enough; but it was as nothing compared with the ordeal of
  • smuggling the cargo up to his bedroom. Superhuman though he was,
  • George was alive to the delicacy of the situation. One cannot
  • convey food and drink to one's room in a strange house without,
  • if detected, seeming to cast a slur on the table of the host. It
  • was as one who carries dispatches through an enemy's lines that
  • George took cover, emerged from cover, dodged, ducked and ran;
  • and the moment when he sank down on his bed, the door locked
  • behind him, was one of the happiest of his life.
  • The recollection of that ordeal made the one he proposed to
  • embark on now seem slight in comparison. All he had to do was to
  • go to Aline's room on the other side of the house, knock softly
  • on the door until signs of wakefulness made themselves heard from
  • within, and then dart away into the shadows whence he had come,
  • and so back to bed. He gave Aline credit for the intelligence
  • that would enable her, on finding a tongue, some bread, a knife,
  • a fork, salt, a corkscrew and a bottle of white wine on the mat,
  • to know what to do with them--and perhaps to guess whose was the
  • loving hand that had laid them there.
  • The second clause, however, was not important, for he proposed to
  • tell her whose was the hand next morning. Other people might hide
  • their light under a bushel--not George Emerson.
  • It only remained now to allow time to pass until the hour should
  • be sufficiently advanced to insure safety for the expedition. He
  • looked at his watch again. It was nearly two. By this time the
  • house must be asleep.
  • He gathered up the tongue, the bread, the knife, the fork, the
  • salt, the corkscrew and the bottle of white wine, and left the
  • room. All was still. He stole downstairs.
  • * * *
  • On his chair in the gallery that ran round the hall, swathed in
  • an overcoat and wearing rubber-soled shoes, the Efficient Baxter
  • sat and gazed into the darkness. He had lost the first fine
  • careless rapture, as it were, which had helped him to endure
  • these vigils, and a great weariness was on him. He found
  • difficulty in keeping his eyes open, and when they were open the
  • darkness seemed to press on them painfully. Take him for all in
  • all, the Efficient Baxter had had about enough of it.
  • Time stood still. Baxter's thoughts began to wander. He knew that
  • this was fatal and exerted himself to drag them back. He tried to
  • concentrate his mind on some one definite thing. He selected the
  • scarab as a suitable object, but it played him false. He had
  • hardly concentrated on the scarab before his mind was straying
  • off to ancient Egypt, to Mr. Peters' dyspepsia, and on a dozen
  • other branch lines of thought.
  • He blamed the fat man at the inn for this. If the fat man had not
  • thrust his presence and conversation on him he would have been
  • able to enjoy a sound sleep in the afternoon, and would have come
  • fresh to his nocturnal task. He began to muse on the fat man.
  • And by a curious coincidence whom should he meet a few moments
  • later but this same man!
  • It happened in a somewhat singular manner, though it all seemed
  • perfectly logical and consecutive to Baxter. He was climbing up
  • the outer wall of Westminster Abbey in his pyjamas and a tall
  • hat, when the fat man, suddenly thrusting his head out of a
  • window which Baxter had not noticed until that moment, said,
  • "Hello, Freddie!"
  • Baxter was about to explain that his name was not Freddie when he
  • found himself walking down Piccadilly with Ashe Marson. Ashe said
  • to him: "Nobody loves me. Everybody steals my grapefruit!" And
  • the pathos of it cut the Efficient Baxter like a knife. He was on
  • the point of replying; when Ashe vanished and Baxter discovered
  • that he was not in Piccadilly, as he had supposed, but in an
  • aeroplane with Mr. Peters, hovering over the castle.
  • Mr. Peters had a bomb in his hand, which he was fondling with
  • loving care. He explained to Baxter that he had stolen it from
  • the Earl of Emsworth's museum. "I did it with a slice of cold
  • beef and a pickle," he explained; and Baxter found himself
  • realizing that that was the only way. "Now watch me drop it,"
  • said Mr. Peters, closing one eye and taking aim at the castle.
  • "I have to do this by the doctor's orders."
  • He loosed the bomb and immediately Baxter was lying in bed
  • watching it drop. He was frightened, but the idea of moving did
  • not occur to him. The bomb fell very slowly, dipping and
  • fluttering like a feather. It came closer and closer. Then it
  • struck with a roar and a sheet of flame.
  • Baxter woke to a sound of tumult and crashing. For a moment he
  • hovered between dreaming and waking, and then sleep passed from
  • him, and he was aware that something noisy and exciting was in
  • progress in the hall below.
  • * * *
  • Coming down to first causes, the only reason why collisions of
  • any kind occur is because two bodies defy Nature's law that a
  • given spot on a given plane shall at a given moment of time be
  • occupied by only one body.
  • There was a certain spot near the foot of the great staircase
  • which Ashe, coming downstairs from Mr. Peters' room, and George
  • Emerson, coming up to Aline's room, had to pass on their
  • respective routes. George reached it at one minute and three
  • seconds after two a.m., moving silently but swiftly; and Ashe,
  • also maintaining a good rate of speed, arrived there at one
  • minute and four seconds after the hour, when he ceased to walk
  • and began to fly, accompanied by George Emerson, now going down.
  • His arms were round George's neck and George was clinging to his
  • waist.
  • In due season they reached the foot of the stairs and a small
  • table, covered with occasional china and photographs in frames,
  • which lay adjacent to the foot of the stairs. That--especially
  • the occasional china--was what Baxter had heard.
  • George Emerson thought it was a burglar. Ashe did not know what
  • it was, but he knew he wanted to shake it off; so he insinuated a
  • hand beneath George's chin and pushed upward. George, by this
  • time parted forever from the tongue, the bread, the knife, the
  • fork, the salt, the corkscrew and the bottle of white wine, and
  • having both hands free for the work of the moment, held Ashe with
  • the left and punched him in the ribs with the right.
  • Ashe, removing his left arm from George's neck, brought it up as
  • a reinforcement to his right, and used both as a means of
  • throttling George. This led George, now permanently underneath,
  • to grasp Ashe's ears firmly and twist them, relieving the
  • pressure on his throat and causing Ashe to utter the first vocal
  • sound of the evening, other than the explosive Ugh! that both had
  • emitted at the instant of impact.
  • Ashe dislodged George's hands from his ears and hit George in the
  • ribs with his elbow. George kicked Ashe on the left ankle. Ashe
  • rediscovered George's throat and began to squeeze it afresh; and
  • a pleasant time was being had by all when the Efficient Baxter,
  • whizzing down the stairs, tripped over Ashe's legs, shot forward
  • and cannoned into another table, also covered with occasional
  • china and photographs in frames.
  • The hall at Blandings Castle was more an extra drawing-room than
  • a hall; and, when not nursing a sick headache in her bedroom,
  • Lady Ann Warblington would dispense afternoon tea there to her
  • guests. Consequently it was dotted pretty freely with small
  • tables. There were, indeed, no fewer than five more in various
  • spots, waiting to be bumped into and smashed.
  • The bumping into and smashing of small tables, however, is a task
  • that calls for plenty of time, a leisured pursuit; and neither
  • George nor Ashe, a third party having been added to their little
  • affair, felt a desire to stay on and do the thing properly. Ashe
  • was strongly opposed to being discovered and called on to account
  • for his presence there at that hour; and George, conscious of the
  • tongue and its adjuncts now strewn about the hall, had a similar
  • prejudice against the tedious explanations that detection must
  • involve.
  • As though by mutual consent each relaxed his grip. They stood
  • panting for an instant; then, Ashe in the direction where he
  • supposed the green-baize door of the servants' quarters to be,
  • George to the staircase that led to his bedroom, they went away
  • from that place.
  • They had hardly done so when Baxter, having disassociated himself
  • from the contents of the table he had upset, began to grope his
  • way toward the electric-light switch, the same being situated
  • near the foot of the main staircase. He went on all fours, as a
  • safer method of locomotion, though slower, than the one he had
  • attempted before.
  • Noises began to make themselves heard on the floors above. Roused
  • by the merry crackle of occasional china, the house party was
  • bestirring itself to investigate. Voices sounded, muffled and
  • inquiring.
  • Meantime Baxter crawled steadily on his hands and knees toward
  • the light switch. He was in much the same condition as one White
  • Hope of the ring is after he has put his chin in the way of the
  • fist of a rival member of the Truck Drivers' Union. He knew that
  • he was still alive. More he could not say. The mists of sleep,
  • which still shrouded his brain, and the shake-up he had had from
  • his encounter with the table, a corner of which he had rammed
  • with the top of his head, combined to produce a dreamlike state.
  • And so the Efficient Baxter crawled on; and as he crawled his
  • hand, advancing cautiously, fell on something--something that was
  • not alive; something clammy and ice-cold, the touch of which
  • filled him with a nameless horror.
  • To say that Baxter's heart stood still would be physiologically
  • inexact. The heart does not stand still. Whatever the emotions of
  • its owner, it goes on beating. It would be more accurate to say
  • that Baxter felt like a man taking his first ride in an express
  • elevator, who has outstripped his vital organs by several floors
  • and sees no immediate prospect of their ever catching up with him
  • again. There was a great cold void where the more intimate parts
  • of his body should have been. His throat was dry and contracted.
  • The flesh of his back crawled, for he knew what it was he had
  • touched.
  • Painful and absorbing as had been his encounter with the table,
  • Baxter had never lost sight of the fact that close beside him a
  • furious battle between unseen forces was in progress. He had
  • heard the bumping and the thumping and the tense breathing even
  • as he picked occasional china from his person. Such a combat, he
  • had felt, could hardly fail to result in personal injury to
  • either the party of the first part or the party of the second
  • part, or both. He knew now that worse than mere injury had
  • happened, and that he knelt in the presence of death.
  • There was no doubt that the man was dead. Insensibility alone
  • could never have produced this icy chill. He raised his head in
  • the darkness, and cried aloud to those approaching. He meant to
  • cry: "Help! Murder!" But fear prevented clear articulation. What
  • he shouted was: "Heh! Mer!" On which, from the neighborhood of
  • the staircase, somebody began to fire a revolver.
  • The Earl of Emsworth had been sleeping a sound and peaceful sleep
  • when the imbroglio began downstairs. He sat up and listened. Yes;
  • undoubtedly burglars! He switched on his light and jumped out of
  • bed. He took a pistol from a drawer, and thus armed went to look
  • into the matter. The dreamy peer was no poltroon.
  • It was quite dark when he arrived on the scene of conflict, in
  • the van of a mixed bevy of pyjamaed and dressing-gowned
  • relations. He was in the van because, meeting these relations in
  • the passage above, he had said to them: "Let me go first. I have
  • a pistol." And they had let him go first. They were, indeed,
  • awfully nice about it, not thrusting themselves forward or
  • jostling or anything, but behaving in a modest and self-effacing
  • manner that was pretty to watch.
  • When Lord Emsworth said, "Let me go first," young Algernon
  • Wooster, who was on the very point of leaping to the fore, said,
  • "Yes, by Jove! Sound scheme, by Gad!"--and withdrew into the
  • background; and the Bishop of Godalming said: "By all means,
  • Clarence undoubtedly; most certainly precede us."
  • When his sense of touch told him he had reached the foot of the
  • stairs, Lord Emsworth paused. The hall was very dark and the
  • burglars seemed temporarily to have suspended activities. And
  • then one of them, a man with a ruffianly, grating voice, spoke.
  • What it was he said Lord Emsworth could not understand. It
  • sounded like "Heh! Mer!"--probably some secret signal to his
  • confederates. Lord Emsworth raised his revolver and emptied it in
  • the direction of the sound.
  • Extremely fortunately for him, the Efficient Baxter had not
  • changed his all-fours attitude. This undoubtedly saved Lord
  • Emsworth the worry of engaging a new secretary. The shots sang
  • above Baxter's head one after the other, six in all, and found
  • other billets than his person. They disposed themselves as
  • follows: The first shot broke a window and whistled out into the
  • night; the second shot hit the dinner gong and made a perfectly
  • extraordinary noise, like the Last Trump; the third, fourth and
  • fifth shots embedded themselves in the wall; the sixth and final
  • shot hit a life-size picture of his lordship's grandmother in the
  • face and improved it out of all knowledge.
  • One thinks no worse of Lord Emsworth's grandmother because she
  • looked like Eddie Foy, and had allowed herself to be painted,
  • after the heavy classic manner of some of the portraits of a
  • hundred years ago, in the character of Venus--suitably draped, of
  • course, rising from the sea; but it was beyond the possibility of
  • denial that her grandson's bullet permanently removed one of
  • Blandings Castle's most prominent eyesores.
  • Having emptied his revolver, Lord Emsworth said, "Who is there?
  • Speak!" in rather an aggrieved tone, as though he felt he had
  • done his part in breaking the ice, and it was now for the
  • intruder to exert himself and bear his share of the social
  • amenities.
  • The Efficient Baxter did not reply. Nothing in the world could
  • have induced him to speak at that moment, or to make any sound
  • whatsoever that might betray his position to a dangerous maniac
  • who might at any instant reload his pistol and resume the
  • fusillade. Explanations, in his opinion, could be deferred until
  • somebody had the presence of mind to switch on the lights. He
  • flattened himself on the carpet and hoped for better things. His
  • cheek touched the corpse beside him; but though he winced and
  • shuddered he made no outcry. After those six shots he was through
  • with outcries.
  • A voice from above, the bishop's voice, said: "I think you have
  • killed him, Clarence."
  • Another voice, that of Colonel Horace Mant, said: "Switch on
  • those dashed lights! Why doesn't somebody? Dash it!"
  • The whole strength of the company began to demand light.
  • When the lights came, it was from the other side of the hall.
  • Six revolver shots, fired at quarter past two in the morning,
  • will rouse even sleeping domestics. The servants' quarters were
  • buzzing like a hive. Shrill feminine screams were puncturing the
  • air. Mr. Beach, the butler, in a suit of pink silk pajamas, of
  • which no one would have suspected him, was leading a party of men
  • servants down the stairs--not so much because he wanted to lead
  • them as because they pushed him.
  • The passage beyond the green-baize door became congested, and
  • there were cries for Mr. Beach to open it and look through and
  • see what was the matter; but Mr. Beach was smarter than that and
  • wriggled back so that he no longer headed the procession. This
  • done, he shouted:
  • "Open that door there! Open that door! Look and see what the
  • matter is."
  • Ashe opened the door. Since his escape from the hall he had been
  • lurking in the neighborhood of the green-baize door and had been
  • engulfed by the swirling throng. Finding himself with elbowroom
  • for the first time, he pushed through, swung the door open and
  • switched on the lights.
  • They shone on a collection of semi-dressed figures, crowding the
  • staircase; on a hall littered with china and glass; on a dented
  • dinner gong; on an edited and improved portrait of the late
  • Countess of Emsworth; and on the Efficient Baxter, in an overcoat
  • and rubber-soled shoes, lying beside a cold tongue. At no great
  • distance lay a number of other objects--a knife, a fork, some
  • bread, salt, a corkscrew and a bottle of white wine.
  • Using the word in the sense of saying something coherent, the
  • Earl of Emsworth was the first to speak. He peered down at his
  • recumbent secretary and said:
  • "Baxter! My dear fellow--what the devil?"
  • The feeling of the company was one of profound disappointment.
  • They were disgusted at the anticlimax. For an instant, when the
  • Efficient one did not move, a hope began to stir; but as soon as
  • it was seen that he was not even injured, gloom reigned. One of
  • two things would have satisfied them--either a burglar or a
  • corpse. A burglar would have been welcome, dead or alive; but, if
  • Baxter proposed to fill the part adequately it was imperative
  • that he be dead. He had disappointed them deeply by turning out
  • to be the object of their quest. That he should not have been
  • even grazed was too much.
  • There was a cold silence as he slowly raised himself from the
  • floor. As his eyes fell on the tongue, he started and remained
  • gazing fixedly at it. Surprise paralyzed him.
  • Lord Emsworth was also looking at the tongue and he leaped to a
  • not unreasonable conclusion. He spoke coldly and haughtily; for
  • he was not only annoyed, like the others, at the anticlimax, but
  • offended. He knew that he was not one of your energetic hosts who
  • exert themselves unceasingly to supply their guests with
  • entertainment; but there was one thing on which, as a host, he
  • did pride himself--in the material matters of life he did his
  • guests well; he kept an admirable table.
  • "My dear Baxter," he said in the tones he usually reserved for
  • the correction of his son Freddie, "if your hunger is so great
  • that you are unable to wait for breakfast and have to raid my
  • larder in the middle of the night, I wish to goodness you would
  • contrive to make less noise about it. I do not grudge you the
  • food--help yourself when you please--but do remember that people
  • who have not such keen appetites as yourself like to sleep during
  • the night. A far better plan, my dear fellow, would be to have
  • sandwiches or buns--or whatever you consider most sustaining--
  • sent up to your bedroom."
  • Not even the bullets had disordered Baxter's faculties so much as
  • this monstrous accusation. Explanations pushed and jostled one
  • another in his fermenting brain, but he could not utter them. On
  • every side he met gravely reproachful eyes. George Emerson was
  • looking at him in pained disgust. Ashe Marson's face was the face
  • of one who could never have believed this had he not seen it with
  • his own eyes. The scrutiny of the knife-and-shoe boy was
  • unendurable.
  • He stammered. Words began to proceed from him, tripping and
  • stumbling over each other. Lord Emsworth's frigid disapproval did
  • not relax.
  • "Pray do not apologize, Baxter. The desire for food is human. It
  • is your boisterous mode of securing and conveying it that I
  • deprecate. Let us all go to bed."
  • "But, Lord Emsworth-----"
  • "To bed!" repeated his lordship firmly.
  • The company began to stream moodily upstairs. The lights were
  • switched off. The Efficient Baxter dragged himself away. From the
  • darkness in the direction of the servants' door a voice spoke.
  • "Greedy pig!" said the voice scornfully.
  • It sounded like the fresh young voice of the knife-and-shoe boy,
  • but Baxter was too broken to investigate. He continued his
  • retreat without pausing.
  • "Stuffin' of 'isself at all hours!" said the voice.
  • There was a murmur of approval from the unseen throng of
  • domestics.
  • CHAPTER IX
  • As we grow older and realize more clearly the limitations of
  • human happiness, we come to see that the only real and abiding
  • pleasure in life is to give pleasure to other people. One must
  • assume that the Efficient Baxter had not reached the age when
  • this comes home to a man, for the fact that he had given genuine
  • pleasure to some dozens of his fellow-men brought him no balm.
  • There was no doubt about the pleasure he had given. Once they had
  • got over their disappointment at finding that he was not a dead
  • burglar, the house party rejoiced whole-heartedly at the break in
  • the monotony of life at Blandings Castle. Relations who had not
  • been on speaking terms for years forgot their quarrels and
  • strolled about the grounds in perfect harmony, abusing Baxter.
  • The general verdict was that he was insane.
  • "Don't tell me that young fellow's all there," said Colonel
  • Horace Mant; "because I know better. Have you noticed his eye?
  • Furtive! Shifty! Nasty gleam in it. Besides--dash it!--did you
  • happen to take a look at the hall last night after he had been
  • there? It was in ruins, my dear sir--absolute dashed ruins. It
  • was positively littered with broken china and tables that had
  • been bowled over. Don't tell me that was just an accidental
  • collision in the dark.
  • "My dear sir, the man must have been thrashing about--absolutely
  • thrashing about, like a dashed salmon on a dashed hook. He must
  • have had a paroxysm of some kind--some kind of a dashed fit. A
  • doctor could give you the name for it. It's a well-known form of
  • insanity. Paranoia--isn't that what they call it? Rush of blood
  • to the head, followed by a general running amuck.
  • "I've heard fellows who have been in India talk of it. Natives
  • get it. Don't know what they're doing, and charge through the
  • streets taking cracks at people with dashed whacking great
  • knives. Same with this young man, probably in a modified form at
  • present. He ought to be in a home. One of these nights, if this
  • grows on him, he will be massacring Emsworth in his bed."
  • "My dear Horace!" The Bishop of Godalming's voice was properly
  • horror-stricken; but there was a certain unctuous relish in it.
  • "Take my word for it! Though, mind you, I don't say they aren't
  • well suited. Everyone knows that Emsworth has been, to all
  • practical intents and purposes, a dashed lunatic for years. What
  • was it that young fellow Emerson, Freddie's American friend, was
  • saying, the other day about some acquaintance of his who is not
  • quite right in the head? Nobody in the house--is that it?
  • Something to that effect, at any rate. I felt at the time it was
  • a perfect description of Emsworth."
  • "My dear Horace! Your father-in-law! The head of the family!"
  • "A dashed lunatic, my dear sir--head of the family or no head of
  • the family. A man as absent-minded as he is has no right to call
  • himself sane. Nobody in the house--I recollect it now--nobody in
  • the house except gas, and that has not been turned on. That's
  • Emsworth!"
  • The Efficient Baxter, who had just left his presence, was feeling
  • much the same about his noble employer. After a sleepless night
  • he had begun at an early hour to try and corner Lord Emsworth in
  • order to explain to him the true inwardness of last night's
  • happenings. Eventually he had tracked him to the museum, where he
  • found him happily engaged in painting a cabinet of birds' eggs.
  • He was seated on a small stool, a large pot of red paint on the
  • floor beside him, dabbing at the cabinet with a dripping brush.
  • He was absorbed and made no attempt whatever to follow his
  • secretary's remarks.
  • For ten minutes Baxter gave a vivid picture of his vigil and the
  • manner in which it had been interrupted.
  • "Just so; just so, my dear fellow," said the earl when he had
  • finished. "I quite understand. All I say is, if you do require
  • additional food in the night let one of the servants bring it to
  • your room before bedtime; then there will be no danger of these
  • disturbances. There is no possible objection to your eating a
  • hundred meals a day, my good Baxter, provided you do not rouse
  • the whole house over them. Some of us like to sleep during the
  • night."
  • "But, Lord Emsworth! I have just explained--It was not--I was
  • not--"
  • "Never mind, my dear fellow; never mind. Why make such an
  • important thing of it? Many people like a light snack before
  • actually retiring. Doctors, I believe, sometimes recommend it.
  • Tell me, Baxter, how do you think the museum looks now? A little
  • brighter? Better for the dash of color? I think so. Museums are
  • generally such gloomy places."
  • "Lord Emsworth, may I explain once again?"
  • The earl looked annoyed.
  • "My dear Baxter, I have told you that there is nothing to
  • explain. You are getting a little tedious. What a deep, rich red
  • this is, and how clean new paint smells! Do you know, Baxter, I
  • have been longing to mess about with paint ever since I was a
  • boy! I recollect my old father beating me with a walking stick.
  • . . . That would be before your time, of course. By the way, if
  • you see Freddie, will you tell him I want to speak to him? He
  • probably is in the smoking-room. Send him to me here."
  • It was an overwrought Baxter who delivered the message to the
  • Honorable Freddie, who, as predicted, was in the smoking-room,
  • lounging in a deep armchair.
  • There are times when life presses hard on a man, and it pressed
  • hard on Baxter now. Fate had played him a sorry trick. It had put
  • him in a position where he had to choose between two courses,
  • each as disagreeable as the other. He must either face a possible
  • second fiasco like that of last night, or else he must abandon
  • his post and cease to mount guard over his threatened treasure.
  • His imagination quailed at the thought of a repetition of last
  • night's horrors. He had been badly shaken by his collision with
  • the table and even more so by the events that had followed it.
  • Those revolver shots still rang in his ears.
  • It was probably the memory of those shots that turned the scale.
  • It was unlikely he would again become entangled with a man
  • bearing a tongue and the other things--he had given up in despair
  • the attempt to unravel the mystery of the tongue; it completely
  • baffled him--but it was by no means unlikely that if he spent
  • another night in the gallery looking on the hall he might not
  • again become a target for Lord Emsworth's irresponsible firearm.
  • Nothing, in fact, was more likely; for in the disturbed state of
  • the public mind the slightest sound after nightfall would be
  • sufficient cause for a fusillade.
  • He had actually overheard young Algernon Wooster telling Lord
  • Stockheath he had a jolly good mind to sit on the stairs that
  • night with a shotgun, because it was his opinion that there was a
  • jolly sight more in this business than there seemed to be; and
  • what he thought of the bally affair was that there was a gang of
  • some kind at work, and that that feller--what's-his-name?--that
  • feller Baxter was some sort of an accomplice.
  • With these things in his mind Baxter decided to remain that night
  • in the security of his bedroom. He had lost his nerve. He formed
  • this decision with the utmost reluctance, for the thought of
  • leaving the road to the museum clear for marauders was bitter in
  • the extreme. If he could have overheard a conversation between
  • Joan Valentine and Ashe Marson it is probable he would have
  • risked Lord Emsworth's revolver and the shotgun of the Honorable
  • Algernon Wooster.
  • Ashe, when he met Joan and recounted the events of the night, at
  • which Joan, who was a sound sleeper, had not been present, was
  • inclined to blame himself as a failure. True, fate had been
  • against him, but the fact remained that he had achieved nothing.
  • Joan, however, was not of this opinion.
  • "You have done wonders," she said. "You have cleared the way for
  • me. That is my idea of real teamwork. I'm so glad now that we
  • formed our partnership. It would have been too bad if I had got
  • all the advantage of your work and had jumped in and deprived you
  • of the reward. As it is, I shall go down and finish the thing off
  • to-night with a clear conscience."
  • "You can't mean that you dream of going down to the museum
  • to-night!"
  • "Of course I do."
  • "But it's madness!"
  • "On the contrary, to-night is the one night when there ought to
  • be no risk at all."
  • "After what happened last night?"
  • "Because of what happened last night. Do you imagine Mr. Baxter
  • will dare to stir from his bed after that? If ever there was a
  • chance of getting this thing finished, it will be to-night."
  • "You're quite right. I never looked at it in that way. Baxter
  • wouldn't risk a second disaster. I'll certainly make a success of
  • it this time."
  • Joan raised her eyebrows.
  • "I don't quite understand you, Mr. Marson. Do you propose to try
  • to get the scarab to-night?"
  • "Yes. It will be as easy as--"
  • "Are you forgetting that, by the terms of our agreement, it is my
  • turn?"
  • "You surely don't intend to hold me to that?"
  • "Certainly I do."
  • "But, good heavens, consider my position! Do you seriously expect
  • me to lie in bed while you do all the work, and then to take a
  • half share in the reward?"
  • "I do."
  • "It's ridiculous!"
  • "It's no more ridiculous than that I should do the same. Mr.
  • Marson, there's no use in our going over all this again. We
  • settled it long ago."
  • Joan refused to discuss the matter further, leaving Ashe in a
  • condition of anxious misery comparable only to that which, as
  • night began to draw near, gnawed the vitals of the Efficient
  • Baxter.
  • * * *
  • Breakfast at Blandings Castle was an informal meal. There was
  • food and drink in the long dining-hall for such as were energetic
  • enough to come down and get it; but the majority of the house
  • party breakfasted in their rooms, Lord Emsworth, whom nothing in
  • the world would have induced to begin the day in the company of a
  • crowd of his relations, most of whom he disliked, setting them
  • the example.
  • When, therefore, Baxter, yielding to Nature after having remained
  • awake until the early morning, fell asleep at nine o'clock,
  • nobody came to rouse him. He did not ring his bell, so he was not
  • disturbed; and he slept on until half past eleven, by which time,
  • it being Sunday morning and the house party including one bishop
  • and several of the minor clergy, most of the occupants of the
  • place had gone off to church.
  • Baxter shaved and dressed hastily, for he was in state of nervous
  • apprehension. He blamed himself for having lain in bed so long.
  • When every minute he was away might mean the loss of the scarab,
  • he had passed several hours in dreamy sloth. He had wakened with
  • a presentiment. Something told him the scarab had been stolen in
  • the night, and he wished now that he had risked all and kept
  • guard.
  • The house was very quiet as he made his way rapidly to the hall.
  • As he passed a window he perceived Lord Emsworth, in an
  • un-Sabbatarian suit of tweeds and bearing a garden fork--which
  • must have pained the bishop--bending earnestly over a flower bed;
  • but he was the only occupant of the grounds, and indoors there
  • was a feeling of emptiness. The hall had that Sunday-morning air
  • of wanting to be left to itself, and disapproving of the entry of
  • anything human until lunch time, which can be felt only by a
  • guest in a large house who remains at home when his fellows have
  • gone to church.
  • The portraits on the walls, especially the one of the Countess of
  • Emsworth in the character of Venus rising from the sea, stared at
  • Baxter as he entered, with cold reproof. The very chairs seemed
  • distant and unfriendly; but Baxter was in no mood to appreciate
  • their attitude. His conscience slept. His mind was occupied, to
  • the exclusion of all other things, by the scarab and its probable
  • fate. How disastrously remiss it had been of him not to keep
  • guard last night! Long before he opened the museum door he was
  • feeling the absolute certainty that the worst had happened.
  • It had. The card which announced that here was an Egyptian scarab
  • of the reign of Cheops of the Fourth Dynasty, presented by J.
  • Preston Peters, Esquire, still lay on the cabinet in its wonted
  • place; but now its neat lettering was false and misleading. The
  • scarab was gone.
  • * * *
  • For all that he had expected this, for all his premonition of
  • disaster, it was an appreciable time before the Efficient Baxter
  • rallied from the blow. He stood transfixed, goggling at the empty
  • place.
  • Then his mind resumed its functions. All, he perceived, was not
  • yet lost. Baxter the watchdog must retire, to be succeeded by
  • Baxter the sleuthhound. He had been unable to prevent the theft
  • of the scarab, but he might still detect the thief.
  • For the Doctor Watsons of this world, as opposed to the Sherlock
  • Holmeses, success in the province of detective work must always
  • be, to a very large extent, the result of luck. Sherlock Holmes
  • can extract a clew from a wisp of straw or a flake of cigar ash;
  • but Doctor Watson has to have it taken out for him and dusted,
  • and exhibited clearly, with a label attached.
  • The average man is a Doctor Watson. We are wont to scoff in a
  • patronizing manner at that humble follower of the great
  • investigator; but as a matter of fact we should have been just as
  • dull ourselves. We should not even have risen to the modest
  • height of a Scotland Yard bungler.
  • Baxter was a Doctor Watson. What he wanted was a clew; but it is
  • so hard for the novice to tell what is a clew and what is not.
  • And then he happened to look down--and there on the floor was a
  • clew that nobody could have overlooked.
  • Baxter saw it, but did not immediately recognize it for what it
  • was. What he saw, at first, was not a clew, but just a mess. He
  • had a tidy soul and abhorred messes, and this was a particularly
  • messy mess. A considerable portion of the floor was a sea of red
  • paint. The can from which it had flowed was lying on its
  • side--near the wall. He had noticed that the smell of paint had
  • seemed particularly pungent, but had attributed this to a new
  • freshet of energy on the part of Lord Emsworth. He had not
  • perceived that paint had been spilled.
  • "Pah!" said Baxter.
  • Then suddenly, beneath the disguise of the mess, he saw the clew.
  • A footmark! No less. A crimson footmark on the polished wood! It
  • was as clear and distinct as though it had been left there for
  • the purpose of assisting him. It was a feminine footmark, the
  • print of a slim and pointed shoe.
  • This perplexed Baxter. He had looked on the siege of the scarab
  • as an exclusively male affair. But he was not perplexed long.
  • What could be simpler than that Mr. Peters should have enlisted
  • female aid? The female of the species is more deadly than the
  • male. Probably she makes a better purloiner of scarabs. At any
  • rate, there the footprint was, unmistakably feminine.
  • Inspiration came to him. Aline Peters had a maid! What more
  • likely than that secretly she should be a hireling of Mr. Peters,
  • on whom he had now come to look as a man of the blackest and most
  • sinister character? Mr. Peters was a collector; and when a
  • collector makes up his mind to secure a treasure, he employs,
  • Baxter knew, every possible means to that end.
  • Baxter was now in a state of great excitement. He was hot on the
  • scent and his brain was working like a buzz saw in an ice box.
  • According to his reasoning, if Aline Peters' maid had done this
  • thing there should be red paint in the hall marking her retreat,
  • and possibly a faint stain on the stairs leading to the servants'
  • bedrooms.
  • He hastened from the museum and subjected the hall to a keen
  • scrutiny. Yes; there was red paint on the carpet. He passed
  • through the green-baize door and examined the stairs. On the
  • bottom step there was a faint but conclusive stain of crimson!
  • He was wondering how best to follow up this clew when he
  • perceived Ashe coming down the stairs. Ashe, like Baxter, and as
  • the result of a night disturbed by anxious thoughts, had also
  • overslept himself.
  • There are moments when the giddy excitement of being right on the
  • trail causes the amateur--or Watsonian--detective to be
  • incautious. If Baxter had been wise he would have achieved his
  • object--the getting a glimpse of Joan's shoes--by a devious and
  • snaky route. As it was, zeal getting the better of prudence, he
  • rushed straight on. His early suspicion of Ashe had been
  • temporarily obscured. Whatever Ashe's claims to be a suspect, it
  • had not been his footprint Baxter had seen in the museum.
  • "Here, you!" said the Efficient Baxter excitedly.
  • "Sir?"
  • "The shoes!"
  • "I beg your pardon?"
  • "I wish to see the servants' shoes. Where are they?"
  • "I expect they have them on, sir."
  • "Yesterday's shoes, man--yesterday's shoes. Where are they?"
  • "Where are the shoes of yesteryear?" murmured Ashe. "I should say
  • at a venture, sir, that they would be in a large basket somewhere
  • near the kitchen. Our genial knife-and-shoe boy collects them, I
  • believe, at early dawn."
  • "Would they have been cleaned yet?"
  • "If I know the lad, sir--no."
  • "Go and bring that basket to me. Bring it to me in this room."
  • * * *
  • The room to which he referred was none other than the private
  • sanctum of Mr. Beach, the butler, the door of which, standing
  • open, showed it to be empty. It was not Baxter's plan, excited as
  • he was, to risk being discovered sifting shoes in the middle of a
  • passage in the servants' quarters.
  • Ashe's brain was working rapidly as he made for the shoe
  • cupboard, that little den of darkness and smells, where Billy,
  • the knife-and-shoe boy, better known in the circle in which he
  • moved as Young Bonehead, pursued his menial tasks. What exactly
  • was at the back of the Efficient Baxter's mind prompting these
  • maneuvers he did not know; but that there was something he was
  • certain.
  • He had not yet seen Joan this morning, and he did not know
  • whether or not she had carried out her resolve of attempting to
  • steal the scarab on the previous night; but this activity and
  • mystery on the part of their enemy must have some sinister
  • significance. He gathered up the shoe basket thoughtfully. He
  • staggered back with it and dumped it down on the floor of Mr.
  • Beach's room. The Efficient Baxter stooped eagerly over it.
  • Ashe, leaning against the wall, straightened the creases in his
  • clothes and flicked disgustedly at an inky spot which the journey
  • had transferred from the basket to his coat.
  • "We have here, sir," he said, "a fair selection of our various
  • foot coverings."
  • "You did not drop any on your way?"
  • "Not one, sir."
  • The Efficient Baxter uttered a grunt of satisfaction and bent
  • once more to his task. Shoes flew about the room. Baxter knelt on
  • the floor beside the basket, and dug like a terrier at a rat
  • hole. At last he made a find and with an exclamation of triumph
  • rose to his feet. In his hand he held a shoe.
  • "Put those back," he said.
  • Ashe began to pick up the scattered footgear.
  • "That's the lot, sir," he said, rising.
  • "Now come with me. Leave the basket there. You can carry it back
  • when you return."
  • "Shall I put back that shoe, sir?"
  • "Certainly not. I shall take this one with me."
  • "Shall I carry it for you, sir?"
  • Baxter reflected.
  • "Yes. I think that would be best."
  • Trouble had shaken his nerve. He was not certain that there might
  • not be others besides Lord Emsworth in the garden; and it
  • occurred to him that, especially after his reputation for
  • eccentric conduct had been so firmly established by his
  • misfortunes that night in the hall, it might cause comment should
  • he appear before them carrying a shoe.
  • Ashe took the shoe and, doing so, understood what before had
  • puzzled him. Across the toe was a broad splash of red paint.
  • Though he had nothing else to go on, he saw all. The shoe he held
  • was a female shoe. His own researches in the museum had made him
  • aware of the presence there of red paint. It was not difficult to
  • build up on these data a pretty accurate estimate of the position
  • of affairs.
  • "Come with me," said Baxter.
  • He left the room. Ashe followed him.
  • In the garden Lord Emsworth, garden fork in hand, was dealing
  • summarily with a green young weed that had incautiously shown its
  • head in the middle of a flower bed. He listened to Baxter's
  • statement with more interest than he usually showed in anybody's
  • statements. He resented the loss of the scarab, not so much on
  • account of its intrinsic worth as because it had been the gift of
  • his friend Mr. Peters.
  • "Indeed!" he said, when Baxter had finished. "Really? Dear me!
  • It certainly seems--It is extremely suggestive. You are certain
  • there was red paint on this shoe?"
  • "I have it with me. I brought it on purpose to show you." He
  • looked at Ashe, who stood in close attendance. "The shoe!"
  • Lord Emsworth polished his glasses and bent over the exhibit.
  • "Ah!" he said. "Now let me look at--This, you say, is the--Just
  • so; just so! Just--My dear Baxter, it may be that I have not
  • examined this shoe with sufficient care, but--Can you point out
  • to me exactly where this paint is that you speak of?"
  • The Efficient Baxter stood staring at the shoe with wild, fixed
  • stare. Of any suspicion of paint, red or otherwise, it was
  • absolutely and entirely innocent!
  • The shoe became the center of attraction, the center of all eyes.
  • The Efficient Baxter fixed it with the piercing glare of one who
  • feels that his brain is tottering. Lord Emsworth looked at it
  • with a mildly puzzled expression. Ashe Marson examined it with a
  • sort of affectionate interest, as though he were waiting for it
  • to do a trick of some kind. Baxter was the first to break the
  • silence.
  • "There was paint on this shoe," he said vehemently. "I tell you
  • there was a splash of red paint across the toe. This man here
  • will bear me out in this. You saw paint on this shoe?"
  • "Paint, sir?"
  • "What! Do you mean to tell me you did not see it?"
  • "No, sir; there was no paint on this shoe."
  • "This is ridiculous. I saw it with my own eyes. It was a broad
  • splash right across the toe."
  • Lord Emsworth interposed.
  • "You must have made a mistake, my dear Baxter. There is certainly
  • no trace of paint on this shoe. These momentary optical delusions
  • are, I fancy, not uncommon. Any doctor will tell you--"
  • "I had an aunt, your lordship," said Ashe chattily, "who was
  • remarkably subject--"
  • "It is absurd! I cannot have been mistaken," said Baxter. "I am
  • positively certain the toe of this shoe was red when I found it."
  • "It is quite black now, my dear Baxter."
  • "A sort of chameleon shoe," murmured Ashe.
  • The goaded secretary turned on him.
  • "What did you say?"
  • "Nothing, sir."
  • Baxter's old suspicion of this smooth young man came surging back
  • to him.
  • "I strongly suspect you of having had something to do with this."
  • "Really, Baxter," said the earl, "that is surely the least
  • probable of solutions. This young man could hardly have cleaned
  • the shoe on his way from the house. A few days ago, when painting
  • in the museum, I inadvertently splashed some paint on my own
  • shoe. I can assure you it does not brush off. It needs a very
  • systematic cleaning before all traces are removed."
  • "Exactly, your lordship," said Ashe. "My theory, if I may--"
  • "Yes?"
  • "My theory, your lordship, is that Mr. Baxter was deceived by the
  • light-and-shade effects on the toe of the shoe. The morning sun,
  • streaming in through the window, must have shone on the shoe in
  • such a manner as to give it a momentary and fictitious aspect of
  • redness. If Mr. Baxter recollects, he did not look long at the
  • shoe. The picture on the retina of the eye consequently had not
  • time to fade. I myself remember thinking at the moment that the
  • shoe appeared to have a certain reddish tint. The mistake--"
  • "Bah!" said Baxter shortly.
  • Lord Emsworth, now thoroughly bored with the whole affair and
  • desiring nothing more than to be left alone with his weeds and
  • his garden fork, put in his word. Baxter, he felt, was curiously
  • irritating these days. He always seemed to be bobbing up. The
  • Earl of Emsworth was conscious of a strong desire to be free from
  • his secretary's company. He was efficient, yes--invaluable
  • indeed--he did not know what he should do without Baxter; but
  • there was no denying that his company tended after a while to
  • become a trifle tedious. He took a fresh grip on his garden fork
  • and shifted it about in the air as a hint that the interview had
  • lasted long enough.
  • "It seems to me, my dear fellow," he said, "the only explanation
  • that will square with the facts. A shoe that is really smeared
  • with red paint does not become black of itself in the course of a
  • few minutes."
  • "You are very right, your lordship," said Ashe approvingly. "May
  • I go now, your lordship?"
  • "Certainly--certainly; by all means."
  • "Shall I take the shoe with me, your lordship?"
  • "If you do not want it, Baxter."
  • The secretary passed the fraudulent piece of evidence to Ashe
  • without a word; and the latter, having included both gentlemen in
  • a kindly smile, left the garden.
  • On returning to the butler's room, Ashe's first act was to remove
  • a shoe from the top of the pile in the basket. He was about to
  • leave the room with it, when the sound of footsteps in the
  • passage outside halted him.
  • "I do not in the least understand why you wish me to come here,
  • my dear Baxter," said a voice, "and you are completely spoiling
  • my morning, but--"
  • For a moment Ashe was at a loss. It was a crisis that called for
  • swift action, and it was a little hard to know exactly what to
  • do. It had been his intention to carry the paint-splashed shoe
  • back to his own room, there to clean it at his leisure; but it
  • appeared that his strategic line of retreat was blocked. Plainly,
  • the possibility--nay, the certainty--that Ashe had substituted
  • another shoe for the one with the incriminating splash of paint
  • on it had occurred to the Efficient Baxter almost directly the
  • former had left the garden.
  • The window was open. Ashe looked out. There were bushes below.
  • It was a makeshift policy, and one which did not commend itself
  • to him as the ideal method, but it seemed the only thing to be
  • done, for already the footsteps had reached the door. He threw
  • the shoe out of window, and it sank beneath the friendly surface
  • of the long grass round a wisteria bush.
  • Ashe turned, relieved, and the next moment the door opened and
  • Baxter walked in, accompanied--with obvious reluctance---by his
  • bored employer.
  • Baxter was brisk and peremptory.
  • "I wish to look at those shoes again," he said coldly.
  • "Certainly, sir," said Ashe.
  • "I can manage without your assistance," said Baxter.
  • "Very good, sir."
  • Leaning against the wall, Ashe watched him with silent interest,
  • as he burrowed among the contents of the basket, like a terrier
  • digging for rats. The Earl of Emsworth took no notice of the
  • proceedings. He yawned plaintively, and pottered about the room.
  • He was one of Nature's potterers.
  • The scrutiny of the man whom he had now placed definitely as a
  • malefactor irritated Baxter. Ashe was looking at him in an
  • insufferably tolerant manner, as if he were an indulgent father
  • brooding over his infant son while engaged in some childish
  • frolic. He lodged a protest.
  • "Don't stand there staring at me!"
  • "I was interested in what you were doing, sir."
  • "Never mind! Don't stare at me in that idiotic way."
  • "May I read a book, sir?"
  • "Yes, read if you like."
  • "Thank you, sir."
  • Ashe took a volume from the butler's slenderly stocked shelf. The
  • shoe-expert resumed his investigations in the basket. He went
  • through it twice, but each time without success. After the second
  • search he stood up and looked wildly about the room. He was as
  • certain as he could be of anything that the missing piece of
  • evidence was somewhere within those four walls. There was very
  • little cover in the room, even for so small a fugitive as a shoe.
  • He raised the tablecloth and peered beneath the table.
  • "Are you looking for Mr. Beach, sir?" said Ashe. "I think he has
  • gone to church."
  • Baxter, pink with his exertions, fastened a baleful glance upon
  • him.
  • "You had better be careful," he said.
  • At this point the Earl of Emsworth, having done all the pottering
  • possible in the restricted area, yawned like an alligator.
  • "Now, my dear Baxter--" he began querulously.
  • Baxter was not listening. He was on the trail. He had caught
  • sight of a small closet in the wall, next to the mantelpiece, and
  • it had stimulated him.
  • "What is in this closet?"
  • "That closet, sir?"
  • "Yes, this closet." He rapped the door irritably.
  • "I could not say, sir. Mr. Beach, to whom the closet belongs,
  • possibly keeps a few odd trifles there. A ball of string,
  • perhaps. Maybe an old pipe or something of that kind. Probably
  • nothing of value or interest."
  • "Open it."
  • "It appears to be locked, sir--"
  • "Unlock it."
  • "But where is the key?"
  • Baxter thought for a moment.
  • "Lord Emsworth," he said, "I have my reasons for thinking that
  • this man is deliberately keeping the contents of this closet from
  • me. I am convinced that the shoe is in there. Have I your leave
  • to break open the door?"
  • The earl looked a little dazed, as if he were unequal to the
  • intellectual pressure of the conversation.
  • "Now, my dear Baxter," said the earl impatiently, "please tell me
  • once again why you have brought me in here. I cannot make head or
  • tail of what you have been saying. Apparently you accuse this
  • young man of keeping his shoes in a closet. Why should you
  • suspect him of keeping his shoes in a closet? And if he wishes to
  • do so, why on earth should not he keep his shoes in a closet?
  • This is a free country."
  • "Exactly, your lordship," said Ashe approvingly. "You have
  • touched the spot."
  • "It all has to do with the theft of your scarab, Lord Emsworth.
  • Somebody got into the museum and stole the scarab."
  • "Ah, yes; ah, yes--so they did. I remember now. You told me.
  • Bad business that, my dear Baxter. Mr. Peters gave me that
  • scarab. He will be most deucedly annoyed if it's lost. Yes,
  • indeed."
  • "Whoever stole it upset the can of red paint and stepped in it."
  • "Devilish careless of them. It must have made the dickens of a
  • mess. Why don't people look where they are walking?"
  • "I suspect this man of shielding the criminal by hiding her shoe
  • in this closet."
  • "Oh, it's not his own shoes that this young man keeps in
  • closets?"
  • "It is a woman's shoe, Lord Emsworth."
  • "The deuce it is! Then it was a woman who stole the scarab? Is
  • that the way you figure it out? Bless my soul, Baxter, one
  • wonders what women are coming to nowadays. It's all this
  • movement, I suppose. The Vote, and all that--eh? I recollect
  • having a chat with the Marquis of Petersfield some time ago. He
  • is in the Cabinet, and he tells me it is perfectly infernal the
  • way these women carry on. He said sometimes it got to such a
  • pitch, with them waving banners and presenting petitions, and
  • throwing flour and things at a fellow, that if he saw his own
  • mother coming toward him, with a hand behind her back, he would
  • run like a rabbit. Told me so himself."
  • "So," said the Efficient Baxter, cutting in on the flow of
  • speech, "what I wish to do is to break open this closet."
  • "Eh? Why?"
  • "To get the shoe."
  • "The shoe? . . . Ah, yes, I recollect now. You were telling me."
  • "If your lordship has no objection."
  • "Objection, my dear fellow? None in the world. Why should I have
  • any objection? Let me see! What is it you wish to do?"
  • "This," said Baxter shortly.
  • He seized the poker from the fireplace and delivered two rapid
  • blows on the closet door. The wood was splintered. A third blow
  • smashed the flimsy lock. The closet, with any skeletons it might
  • contain, was open for all to view.
  • It contained a corkscrew, a box of matches, a paper-covered copy
  • of a book entitled "Mary, the Beautiful Mill-Hand," a bottle of
  • embrocation, a spool of cotton, two pencil-stubs, and other
  • useful and entertaining objects. It contained, in fact, almost
  • everything except a paint-splashed shoe, and Baxter gazed at the
  • collection in dumb disappointment.
  • "Are you satisfied now, my dear Baxter," said the earl, "or is
  • there any more furniture that you would like to break? You know,
  • this furniture breaking is becoming a positive craze with you, my
  • dear fellow. You ought to fight against it. The night before
  • last, I don't know how many tables broken in the hall; and now
  • this closet. You will ruin me. No purse can stand the constant
  • drain."
  • Baxter did not reply. He was still trying to rally from the blow.
  • A chance remark of Lord Emsworth's set him off on the trail once
  • more. Lord Emsworth, having said his say, had dismissed the
  • affair from his mind and begun to potter again. The course of his
  • pottering had brought him to the fireplace, where a little pile
  • of soot on the fender caught his eye. He bent down to inspect it.
  • "Dear me!" he said. "I must remember to tell Beach to have his
  • chimney swept. It seems to need it badly."
  • No trumpet-call ever acted more instantaneously on old war-horse
  • than this simple remark on the Efficient Baxter. He was still
  • convinced that Ashe had hidden the shoe somewhere in the room,
  • and, now that the closet had proved an alibi, the chimney was the
  • only spot that remained unsearched. He dived forward with a rush,
  • nearly knocking Lord Emsworth off his feet, and thrust an arm up
  • into the unknown. The startled peer, having recovered his
  • balance, met Ashe's respectfully pitying gaze.
  • "We must humor him," said the gaze, more plainly than speech.
  • Baxter continued to grope. The chimney was a roomy chimney, and
  • needed careful examination. He wriggled his hand about
  • clutchingly. From time to time soot fell in gentle showers.
  • "My dear Baxter!"
  • Baxter was baffled. He withdrew his hand from the chimney, and
  • straightened himself. He brushed a bead of perspiration from his
  • face with the back of his hand. Unfortunately, he used the sooty
  • hand, and the result was too much for Lord Emsworth's politeness.
  • He burst into a series of pleased chuckles.
  • "Your face, my dear Baxter! Your face! It is positively covered
  • with soot--positively! You must go and wash it. You are quite
  • black. Really, my dear fellow, you present rather an
  • extraordinary appearance. Run off to your room."
  • Against this crowning blow the Efficient Baxter could not stand
  • up. It was the end.
  • "Soot!" he murmured weakly. "Soot!"
  • "Your face is covered, my dear fellow--quite covered."
  • "It certainly has a faintly sooty aspect, sir," said Ashe.
  • His voice roused the sufferer to one last flicker of spirit.
  • "You will hear more of this," he said. "You will--"
  • At this moment, slightly muffled by the intervening door and
  • passageway, there came from the direction of the hall a sound
  • like the delivery of a ton of coal. A heavy body bumped down the
  • stairs, and a voice which all three recognized as that of the
  • Honorable Freddie uttered an oath that lost itself in a final
  • crash and a musical splintering sound, which Baxter for one had
  • no difficulty in recognizing as the dissolution of occasional
  • china.
  • Even if they had not so able a detective as Baxter with them,
  • Lord Emsworth and Ashe would have been at no loss to guess what
  • had happened. Doctor Watson himself could have deduced it from
  • the evidence. The Honorable Freddie had fallen downstairs.
  • * * *
  • With a little ingenuity this portion of the story of Mr. Peters'
  • scarab could be converted into an excellent tract, driving home
  • the perils, even in this world, of absenting one's self from
  • church on Sunday morning. If the Honorable Freddie had gone to
  • church he would not have been running down the great staircase at
  • the castle at this hour; and if he had not been running down the
  • great staircase at the castle at that hour he would not have
  • encountered Muriel.
  • Muriel was a Persian cat belonging to Lady Ann Warblington. Lady
  • Ann had breakfasted in bed and lain there late, as she rather
  • fancied she had one of her sick headaches coming on. Muriel had
  • left her room in the wake of the breakfast tray, being anxious to
  • be present at the obsequies of a fried sole that had formed Lady
  • Ann's simple morning meal, and had followed the maid who bore it
  • until she had reached the hall.
  • At this point the maid, who disliked Muriel, stopped and made a
  • noise like an exploding pop bottle, at the same time taking a
  • little run in Muriel's direction and kicking at her with a
  • menacing foot. Muriel, wounded and startled, had turned in her
  • tracks and sprinted back up the staircase at the exact moment
  • when the Honorable Freddie, who for some reason was in a great
  • hurry, ran lightly down.
  • There was an instant when Freddie could have saved himself by
  • planting a number-ten shoe on Muriel's spine, but even in that
  • crisis he bethought him that he hardly stood solid enough with
  • the authorities to risk adding to his misdeeds the slaughter of
  • his aunt's favorite cat, and he executed a rapid swerve. The
  • spared cat proceeded on her journey upstairs, while Freddie,
  • touching the staircase at intervals, went on down.
  • Having reached the bottom, he sat amid the occasional china, like
  • Marius among the ruins of Carthage, and endeavored to ascertain
  • the extent of his injuries. He had a dazed suspicion that he was
  • irretrievably fractured in a dozen places. It was in this
  • attitude that the rescue party found him. He gazed up at them
  • with silent pathos.
  • "In the name of goodness, Frederick," said Lord Emsworth
  • peevishly, "what do you imagine you are doing?"
  • Freddie endeavored to rise, but sank back again with a stifled
  • howl.
  • "It was that bally cat of Aunt Ann's," he said. "It came legging
  • it up the stairs. I think I've broken my leg."
  • "You have certainly broken everything else," said his father
  • unsympathetically. "Between you and Baxter, I wonder there's a
  • stick of furniture standing in the house."
  • "Thanks, old chap," said Freddie gratefully as Ashe stepped
  • forward and lent him an arm. "I think my bally ankle must have
  • got twisted. I wish you would give me a hand up to my room."
  • "And, Baxter, my dear fellow," said Lord Emsworth, "you might
  • telephone to Doctor Bird, in Market Blandings, and ask him to be
  • good enough to drive out. I am sorry, Freddie," he added, "that
  • you should have met with this accident; but--but everything is
  • so--so disturbing nowadays that I feel--I feel most disturbed."
  • Ashe and the Honorable Freddie began to move across the
  • hall--Freddie hopping, Ashe advancing with a sort of polka step.
  • As they reached the stairs there was a sound of wheels outside
  • and the vanguard of the house party, returned from church,
  • entered the house.
  • "It's all very well to give it out officially that Freddie has
  • fallen downstairs and sprained his ankle," said Colonel Horace
  • Mant, discussing the affair with the Bishop of Godalming later in
  • the afternoon; "but it's my firm belief that that fellow Baxter
  • did precisely as I said he would--ran amuck and inflicted dashed
  • frightful injuries on young Freddie. When I got into the house
  • there was Freddie being helped up the stairs, while Baxter, with
  • his face covered with soot, was looking after him with a sort of
  • evil grin. What had he smeared his face with soot for, I should
  • like to know, if he were perfectly sane?
  • "The whole thing is dashed fishy and mysterious and the sooner I
  • can get Mildred safely out of the place, the better I shall be
  • pleased. The fellow's as mad as a hatter!"
  • CHAPTER X
  • When Lord Emsworth, sighting Mr. Peters in the group of returned
  • churchgoers, drew him aside and broke the news that the valuable
  • scarab, so kindly presented by him to the castle museum, had been
  • stolen in the night by some person unknown, he thought the
  • millionaire took it exceedingly well. Though the stolen object no
  • longer belonged to him, Mr. Peters no doubt still continued to
  • take an affectionate interest in it and might have been excused
  • had he shown annoyance that his gift had been so carelessly
  • guarded.
  • Mr. Peters was, however, thoroughly magnanimous about the matter.
  • He deprecated the notion that the earl could possibly have
  • prevented this unfortunate occurrence. He quite understood. He
  • was not in the least hurt. Nobody could have foreseen such a
  • calamity. These things happened and one had to accept them. He
  • himself had once suffered in much the same way, the gem of his
  • collection having been removed almost beneath his eyes in the
  • smoothest possible fashion.
  • Altogether, he relieved Lord Emsworth's mind very much; and when
  • he had finished doing so he departed swiftly and rang for Ashe.
  • When Ashe arrived he bubbled over with enthusiasm. He was lyrical
  • in his praise. He went so far as to slap Ashe on the back. It was
  • only when the latter disclaimed all credit for what had occurred
  • that he checked the flow of approbation.
  • "It wasn't you who got it? Who was it, then?"
  • "It was Miss Peters' maid. It's a long story; but we were working
  • in partnership. I tried for the thing and failed, and she
  • succeeded."
  • It was with mixed feelings that Ashe listened while Mr. Peters
  • transferred his adjectives of commendation to Joan. He admired
  • Joan's courage, he was relieved that her venture had ended
  • without disaster, and he knew that she deserved whatever anyone
  • could find to say in praise of her enterprise: but, at first,
  • though he tried to crush it down, he could not help feeling a
  • certain amount of chagrin that a girl should have succeeded where
  • he, though having the advantage of first chance, had failed. The
  • terms of his partnership with Joan had jarred on him from the
  • beginning.
  • A man may be in sympathy with the modern movement for the
  • emancipation of woman and yet feel aggrieved when a mere girl
  • proves herself a more efficient thief than himself. Woman is
  • invading man's sphere more successfully every day; but there are
  • still certain fields in which man may consider that he is
  • rightfully entitled to a monopoly--and the purloining of scarabs
  • in the watches of the night is surely one of them. Joan, in
  • Ashe's opinion, should have played a meeker and less active part.
  • These unworthy emotions did not last long. Whatever his other
  • shortcomings, Ashe possessed a just mind. By the time he had
  • found Joan, after Mr. Peters had said his say, and dispatched him
  • below stairs for that purpose, he had purged himself of petty
  • regrets and was prepared to congratulate her whole-heartedly. He
  • was, however, resolved that nothing should induce him to share in
  • the reward. On that point, he resolved, he would refuse to be
  • shaken.
  • "I have just left Mr. Peters," he began. "All is well. His check
  • book lies before him on the table and he is trying to make his
  • fountain pen work long enough to write a check. But there is just
  • one thing I want to say--"
  • She interrupted him. To his surprise, she was eyeing him coldly
  • and with disapproval.
  • "And there is just one thing I want to say," she said; "and that
  • is, if you imagine I shall consent to accept a penny of the
  • reward--"
  • "Exactly what I was going to say. Of course I couldn't dream of
  • taking any of it."
  • "I don't understand you. You are certainly going to have it all.
  • I told you when we made our agreement that I should only take my
  • share if you let me do my share of the work. Now that you have
  • broken that agreement, nothing could induce me to take it. I know
  • you meant it kindly, Mr. Marson, but I simply can't feel
  • grateful. I told you that ours was a business contract and that I
  • wouldn't have any chivalry; and I thought that after you had
  • given me your promise--"
  • "One moment," said Ashe, bewildered. "I can't follow this. What
  • do you mean?"
  • "What do I mean? Why, that you went down to the museum last night
  • before me and took the scarab, though you had promised to stay
  • away and give me my chance."
  • "But I didn't do anything of the sort."
  • It was Joan's turn to look bewildered.
  • "But you have got the scarab, Mr. Marson?"
  • "Why, you have got it!"
  • "No!"
  • "But--but it has gone!"
  • "I know. I went down to the museum last night, as we had
  • arranged; and when I got there there was no scarab. It had
  • disappeared."
  • They looked at each other in consternation. Ashe was the first to
  • speak.
  • "It was gone when you got to the museum?"
  • "There wasn't a trace of it. I took it for granted that you had
  • been down before me. I was furious!"
  • "But this is ridiculous!" said Ashe. "Who can have taken it?
  • There was nobody beside ourselves who knew Mr. Peters was
  • offering the reward. What exactly happened last night?"
  • "I waited until one o'clock. Then I slipped down, got into the
  • museum, struck a match, and looked for the scarab. It wasn't
  • there. I couldn't believe it at first. I struck some more
  • matches--quite a number--but it was no good. The scarab was gone;
  • so I went back to bed and thought hard thoughts about you. It was
  • silly of me. I ought to have known you would not break your word;
  • but there didn't seem any other solution of the thing's
  • disappearance.
  • "Well, somebody must have taken it; and the question is, what are
  • we to do?" She laughed. "It seems to me that we were a little
  • premature in quarreling about how we are to divide that reward.
  • It looks as though there wasn't going to be any reward."
  • "Meantime," said Ashe gloomily, "I suppose I have got to go back
  • and tell Peters. I expect it will break his heart."
  • CHAPTER XI
  • Blandings Castle dozed in the calm of an English Sunday
  • afternoon. All was peace. Freddie was in bed, with orders from
  • the doctor to stay there until further notice. Baxter had washed
  • his face. Lord Emsworth had returned to his garden fork. The rest
  • of the house party strolled about the grounds or sat in them, for
  • the day was one of those late spring days that are warm with a
  • premature suggestion of midsummer.
  • Aline Peters was sitting at the open window of her bedroom, which
  • commanded an extensive view of the terraces. A pile of letters
  • lay on the table beside her, for she had just finished reading
  • her mail. The postman came late to the castle on Sundays and she
  • had not been able to do this until luncheon was over.
  • Aline was puzzled. She was conscious of a fit of depression for
  • which she could in no way account. She had a feeling that all was
  • not well with the world, which was the more remarkable in that
  • she was usually keenly susceptible to weather conditions and
  • reveled in sunshine like a kitten. Yet here was a day nearly as
  • fine as an American day--and she found no solace in it.
  • She looked down on the terrace; as she looked the figure of
  • George Emerson appeared, walking swiftly. And at the sight of him
  • something seemed to tell her that she had found the key to her
  • gloom.
  • There are many kinds of walk. George Emerson's was the walk of
  • mental unrest. His hands were clasped behind his back, his eyes
  • stared straight in front of him from beneath lowering brows, and
  • between his teeth was an unlighted cigar. No man who is not a
  • professional politician holds an unlighted cigar in his mouth
  • unless he wishes to irritate and baffle a ticket chopper in the
  • subway, or because unpleasant meditations have caused him to
  • forget he has it there. Plainly, then, all was not well with
  • George Emerson.
  • Aline had suspected as much at luncheon; and looking back she
  • realized that it was at luncheon her depression had begun. The
  • discovery startled her a little. She had not been aware, or she
  • had refused to admit to herself, that George's troubles bulked so
  • large on her horizon. She had always told herself that she liked
  • George, that George was a dear old friend, that George amused and
  • stimulated her; but she would have denied she was so wrapped up
  • in George that the sight of him in trouble would be enough to
  • spoil for her the finest day she had seen since she left America.
  • There was something not only startling but shocking in the
  • thought; for she was honest enough with herself to recognize that
  • Freddie, her official loved one, might have paced the grounds of
  • the castle chewing an unlighted cigar by the hour without
  • stirring any emotion in her at all.
  • And she was to marry Freddie next month! This was surely a matter
  • that called for thought. She proceeded, gazing down the while at
  • the perambulating George, to give it thought.
  • Aline's was not a deep nature. She had never pretended to herself
  • that she loved the Honorable Freddie in the sense in which the
  • word is used in books. She liked him and she liked the idea of
  • being connected with the peerage; her father liked the idea and
  • she liked her father. And the combination of these likings had
  • caused her to reply "Yes" when, last Autumn, Freddie, swelling
  • himself out like an embarrassed frog and gulping, had uttered
  • that memorable speech beginning, "I say, you know, it's like
  • this, don't you know!"--and ending, "What I mean is, will you
  • marry me--what?"
  • She had looked forward to being placidly happy as the Honorable
  • Mrs. Frederick Threepwood. And then George Emerson had reappeared
  • in her life, a disturbing element.
  • Until to-day she would have resented the suggestion that she was
  • in love with George. She liked to be with him, partly because he
  • was so easy to talk to, and partly because it was exciting to be
  • continually resisting the will power he made no secret of trying
  • to exercise. But to-day there was a difference. She had suspected
  • it at luncheon and she realized it now. As she looked down at him
  • from behind the curtain, and marked his air of gloom, she could
  • no longer disguise it from herself.
  • She felt maternal--horribly maternal. George was in trouble and
  • she wanted to comfort him.
  • Freddie, too, was in trouble. But did she want to comfort
  • Freddie? No. On the contrary, she was already regretting her
  • promise, so lightly given before luncheon, to go and sit with him
  • that afternoon. A well-marked feeling of annoyance that he should
  • have been so silly as to tumble downstairs and sprain his ankle
  • was her chief sentiment respecting Freddie.
  • George Emerson continued to perambulate and Aline continued to
  • watch him. At last she could endure it no longer. She gathered up
  • her letters, stacked them in a corner of the dressing-table and
  • left the room. George had reached the end of the terrace and
  • turned when she began to descend the stone steps outside the
  • front door. He quickened his pace as he caught sight of her. He
  • halted before her and surveyed her morosely.
  • "I have been looking for you," he said.
  • "And here I am. Cheer up, George! Whatever is the matter? I've
  • been sitting in my room looking at you, and you have been simply
  • prowling. What has gone wrong?"
  • "Everything!"
  • "How do you mean--everything?"
  • "Exactly what I say. I'm done for. Read this."
  • Aline took the yellow slip of paper. "A cable," added George. "I
  • got it this morning--mailed on from my rooms in London. Read it."
  • "I'm trying to. It doesn't seem to make sense."
  • George laughed grimly.
  • "It makes sense all right."
  • "I don't see how you can say that. 'Meredith elephant
  • kangaroo--?'"
  • "Office cipher; I was forgetting. 'Elephant' means 'Seriously ill
  • and unable to attend to duty.' Meredith is one of the partners in
  • my firm in New York."
  • "Oh, I'm so sorry! Do you think he is very sick? Are you very
  • fond of Mr. Meredith?"
  • "Meredith is a good fellow and I like him; but if it was simply a
  • matter of his being ill I'm afraid I could manage to bear up
  • under the news. Unfortunately 'kangaroo' means 'Return, without
  • fail, by the next boat.'"
  • "You must return by the next boat?" Aline looked at him, in her
  • eyes a slow-growing comprehension of the situation. "Oh!" she
  • said at length.
  • "I put it stronger than that," said George.
  • "But--the next boat---- That means on Wednesday."
  • "Wednesday morning, from Southampton. I shall have to leave here
  • to-morrow."
  • Aline's eyes were fixed on the blue hills across the valley, but
  • she did not see them. There was a mist between. She was feeling
  • crushed and ill-treated and lonely. It was as though George was
  • already gone and she left alone in an alien land.
  • "But, George!" she said; she could find no other words for her
  • protest against the inevitable.
  • "It's bad luck," said Emerson quietly; "but I shouldn't wonder if
  • it is not the best thing that really could have happened. It
  • finishes me cleanly, instead of letting me drag on and make both
  • of us miserable. If this cable hadn't come I suppose I should
  • have gone on bothering you up to the day of your wedding. I
  • should have fancied, to the last moment, that there was a chance
  • for me; but this ends me with one punch.
  • "Even I haven't the nerve to imagine that I can work a miracle in
  • the few hours before the train leaves to-morrow. I must just make
  • the best of it. If we ever meet again--and I don't see why we
  • should--you will be married. My particular brand of mental
  • suggestion doesn't work at long range. I shan't hope to influence
  • you by telepathy."
  • He leaned on the balustrade at her side and spoke in a low, level
  • voice.
  • "This thing," he said, "coming as a shock, coming out of the blue
  • sky without warning--Meredith is the last man in the world you
  • would expect to crack up; he looked as fit as a dray horse the
  • last time I saw him--somehow seems to have hammered a certain
  • amount of sense into me. Odd it never struck me before; but I
  • suppose I have been about the most bumptious, conceited fool that
  • ever happened.
  • "Why I should have imagined that there was a sort of irresistible
  • fascination in me, which was bound to make you break off your
  • engagement and upset the whole universe simply to win the
  • wonderful reward of marrying me, is more than I can understand. I
  • suppose it takes a shock to make a fellow see exactly what he
  • really amounts to. I couldn't think any more of you than I do;
  • but, if I could, the way you have put up with my mouthing and
  • swaggering and posing as a sort of superman, would make me do it.
  • You have been wonderful!"
  • Aline could not speak. She felt as though her whole world had
  • been turned upside down in the last quarter of an hour. This was
  • a new George Emerson, a George at whom it was impossible to
  • laugh, but an insidiously attractive George. Her heart beat
  • quickly. Her mind was not clear; but dimly she realized that he
  • had pulled down her chief barrier of defense and that she was
  • more open to attack than she had ever been. Obstinacy, the
  • automatic desire to resist the pressure of a will that attempted
  • to overcome her own, had kept her cool and level-headed in the
  • past. With masterfulness she had been able to cope. Humility was
  • another thing altogether.
  • Soft-heartedness was Aline's weakness. She had never clearly
  • recognized it, but it had been partly pity that had induced her
  • to accept Freddie; he had seemed so downtrodden and sorry for
  • himself during those Autumn days when they had first met.
  • Prudence warned her that strange things might happen if once she
  • allowed herself to pity George Emerson.
  • The silence lengthened. Aline could find nothing to say. In her
  • present mood there was danger in speech.
  • "We have known each other so long," said Emerson, "and I have
  • told you so often that I love you, we have come to make almost a
  • joke of it, as though we were playing some game. It just happens
  • that that is our way--to laugh at things; but I am going to say
  • it once again, even though it has come to be a sort of catch
  • phrase. I love you! I'm reconciled to the fact that I am done
  • for, out of the running, and that you are going to marry somebody
  • else; but I am not going to stop loving you.
  • "It isn't a question of whether I should be happier if I forgot
  • you. I can't do it. It's just an impossibility--and that's all
  • there is to it. Whatever I may be to you, you are part of me, and
  • you always will be part of me. I might just as well try to go on
  • living without breathing as living without loving you."
  • He stopped and straightened himself.
  • "That's all! I don't want to spoil a perfectly good Spring
  • afternoon for you by pulling out the tragic stop. I had to say
  • all that; but it's the last time. It shan't occur again. There
  • will be no tragedy when I step into the train to-morrow. Is there
  • any chance that you might come and see me off?"
  • Aline nodded.
  • "You will? That will be splendid! Now I'll go and pack and break
  • it to my host that I must leave him. I expect, it will be news to
  • him to learn that I am here. I doubt if he knows me by sight."
  • Aline stood where he had left her, leaning on the balustrade. In
  • the fullness of time there came to her the recollection she had
  • promised Freddie that shortly after luncheon she would sit with
  • him.
  • * * *
  • The Honorable Freddie, draped in purple pyjamas and propped up
  • with many pillows, was lying in bed, reading Gridley Quayle,
  • Investigator. Aline's entrance occurred at a peculiarly poignant
  • moment in the story and gave him a feeling of having been brought
  • violently to earth from a flight in the clouds. It is not often
  • an author has the good fortune to grip a reader as the author of
  • Gridley Quayle gripped Freddie.
  • One of the results of his absorbed mood was that he greeted Aline
  • with a stare of an even glassier quality than usual. His eyes
  • were by nature a trifle prominent; and to Aline, in the
  • overstrung condition in which her talk with George Emerson had
  • left her, they seemed to bulge at her like a snail's. A man
  • seldom looks his best in bed, and to Aline, seeing him for the
  • first time at this disadvantage, the Honorable Freddie seemed
  • quite repulsive. It was with a feeling of positive panic that she
  • wondered whether he would want her to kiss him.
  • Freddie made no such demand. He was not one of your demonstrative
  • lovers. He contented himself with rolling over in bed and
  • dropping his lower jaw.
  • "Hello, Aline!"
  • Aline sat down on the edge of the bed.
  • "Well, Freddie?"
  • Her betrothed improved his appearance a little by hitching up his
  • jaw. As though feeling that would be too extreme a measure, he
  • did not close his mouth altogether; but he diminished the abyss.
  • The Honorable Freddie belonged to the class of persons who move
  • through life with their mouths always restfully open.
  • It seemed to Aline that on this particular afternoon a strange
  • dumbness had descended on her. She had been unable to speak to
  • George and now she could not think of anything to say to Freddie.
  • She looked at him and he looked at her; and the clock on the
  • mantel-piece went on ticking.
  • "It was that bally cat of Aunt Ann's," said Freddie at length,
  • essaying light conversation. "It came legging it up the stairs
  • and I took the most frightful toss. I hate cats! Do you hate
  • cats? I knew a fellow in London who couldn't stand cats."
  • Aline began to wonder whether there was not something permanently
  • wrong with her organs of speech. It should have been a simple
  • matter to develop the cat theme, but she found herself unable to
  • do so. Her mind was concentrated, to the exclusion of all else,
  • on the repellent nature of the spectacle provided by her loved
  • one in pyjamas. Freddie resumed the conversation.
  • "I was just reading a corking book. Have you ever read these
  • things? They come out every month, and they're corking. The
  • fellow who writes them must be a corker. It beats me how he
  • thinks of these things. They are about a detective--a chap called
  • Gridley Quayle. Frightfully exciting!"
  • An obvious remedy for dumbness struck Aline.
  • "Shall I read to you, Freddie?"
  • "Right-ho! Good scheme! I've got to the top of this page."
  • Aline took the paper-covered book.
  • "'Seven guns covered him with deadly precision.' Did you get as
  • far as that?"
  • "Yes; just beyond. It's a bit thick, don't you know! This chappie
  • Quayle has been trapped in a lonely house, thinking he was going
  • to see a pal in distress; and instead of the pal there pop out a
  • whole squad of masked blighters with guns. I don't see how he's
  • going to get out of it, myself; but I'll bet he does. He's a
  • corker!"
  • If anybody could have pitied Aline more than she pitied herself,
  • as she waded through the adventures of Mr. Quayle, it would have
  • been Ashe Marson. He had writhed as he wrote the words and she
  • writhed as she read them. The Honorable Freddie also writhed, but
  • with tense excitement.
  • "What's the matter? Don't stop!" he cried as Aline's voice
  • ceased.
  • "I'm getting hoarse, Freddie."
  • Freddie hesitated. The desire to remain on the trail with Gridley
  • struggled with rudimentary politeness.
  • "How would it be--Would you mind if I just took a look at the
  • rest of it myself? We could talk afterward, you know. I shan't be
  • long."
  • "Of course! Do read if you want to. But do you really like this
  • sort of thing, Freddie?"
  • "Me? Rather! Why--don't you?"
  • "I don't know. It seems a little--I don't know."
  • Freddie had become absorbed in his story. Aline did not attempt
  • further analysis of her attitude toward Mr. Quayle; she relapsed
  • into silence.
  • It was a silence pregnant with thought. For the first time in
  • their relations, she was trying to visualize to herself exactly
  • what marriage with this young man would mean. Hitherto, it struck
  • her, she had really seen so little of Freddie that she had
  • scarcely had a chance of examining him. In the crowded world
  • outside he had always seemed a tolerable enough person. To-day,
  • somehow, he was different. Everything was different to-day.
  • This, she took it, was a fair sample of what she might expect
  • after marriage. Marriage meant--to come to essentials--that two
  • people were very often and for lengthy periods alone together,
  • dependent on each other for mutual entertainment. What exactly
  • would it be like, being alone often and for lengthy periods with
  • Freddie? Well, it would, she assumed, be like this.
  • "It's all right," said Freddie without looking up. "He did get
  • out! He had a bomb on him, and he threatened to drop it and blow
  • the place to pieces unless the blighters let him go. So they
  • cheesed it. I knew he had something up his sleeve."
  • Like this! Aline drew a deep breath. It would be like
  • this--forever and ever and ever--until she died. She bent forward
  • and stared at him.
  • "Freddie," she said, "do you love me?" There was no reply.
  • "Freddie, do you love me? Am I a part of you? If you hadn't me
  • would it be like trying to go on living without breathing?"
  • The Honorable Freddie raised a flushed face and gazed at her with
  • an absent eye.
  • "Eh? What?" he said. "Do I--Oh; yes, rather! I say, one of the
  • blighters has just loosed a rattlesnake into Gridley Quayle's
  • bedroom through the transom!"
  • Aline rose from her seat and left the room softly. The Honorable
  • Freddie read on, unheeding.
  • * * *
  • Ashe Marson had not fallen far short of the truth in his estimate
  • of the probable effect on Mr. Peters of the information that his
  • precious scarab had once more been removed by alien hands and was
  • now farther from his grasp than ever. A drawback to success in
  • life is that failure, when it does come, acquires an exaggerated
  • importance. Success had made Mr. Peters, in certain aspects of
  • his character, a spoiled child.
  • At the moment when Ashe broke the news he would have parted with
  • half his fortune to recover the scarab. Its recovery had become a
  • point of honor. He saw it as the prize of a contest between his
  • will and that of whatever malignant powers there might be ranged
  • against him in the effort to show him that there were limits to
  • what he could achieve. He felt as he had felt in the old days
  • when people sneaked up on him in Wall Street and tried to loosen
  • his grip on a railroad or a pet stock. He was suffering from that
  • form of paranoia which makes men multimillionaires. Nobody would
  • be foolish enough to become a multimillionaire if it were not for
  • the desire to prove himself irresistible.
  • Mr. Peters obtained a small relief for his feelings by doubling
  • the existing reward, and Ashe went off in search of Joan, hoping
  • that this new stimulus, acting on their joint brains, might
  • develop inspiration.
  • "Have any fresh ideas been vouchsafed to you?" he asked. "You may
  • look on me as baffled."
  • Joan shook her head.
  • "Don't give up," she urged. "Think again. Try to realize what
  • this means, Mr. Marson. Between us we have lost ten thousand
  • dollars in a single night. I can't afford it. It is like losing a
  • legacy. I absolutely refuse to give in without an effort and go
  • back to writing duke-and-earl stories for Home Gossip."
  • "The prospect of tackling Gridley Quayle again--"
  • "Why, I was forgetting that you were a writer of detective
  • stories. You ought to be able to solve this mystery in a moment.
  • Ask yourself, 'What would Gridley Quayle have done?'"
  • "I can answer that. Gridley Quayle would have waited helplessly
  • for some coincidence to happen to help him out."
  • "Had he no methods?"
  • "He was full of methods; but they never led him anywhere without
  • the coincidence. However, we might try to figure it out. What
  • time did you get to the museum?"
  • "One o'clock."
  • "And you found the scarab gone. What does that suggest to you?"
  • "Nothing. What does it suggest to you?"
  • "Absolutely nothing. Let us try again. Whoever took the scarab
  • must have had special information that Peters was offering the
  • reward."
  • "Then why hasn't he been to Mr. Peters and claimed it?"
  • "True! That would seem to be a flaw in the reasoning. Once again:
  • Whoever took it must have been in urgent and immediate need of
  • money."
  • "And how are we to find out who was in urgent and immediate need
  • of money?"
  • "Exactly! How indeed?"
  • There was a pause.
  • "I should think your Mr. Quayle must have been a great comfort to
  • his clients, wasn't he?" said Joan.
  • "Inductive reasoning, I admit, seems to have fallen down to a
  • certain extent," said Ashe. "We must wait for the coincidence. I
  • have a feeling that it will come." He paused. "I am very
  • fortunate in the way of coincidences."
  • "Are you?"
  • Ashe looked about him and was relieved to find that they appeared
  • to be out of earshot of their species. It was not easy to achieve
  • this position at the castle if you happened to be there as a
  • domestic servant. The space provided for the ladies and gentlemen
  • attached to the guests was limited, and it was rarely that you
  • could enjoy a stroll without bumping into a maid, a valet or a
  • footman; but now they appeared to be alone. The drive leading to
  • the back regions of the castle was empty. As far as the eye could
  • reach there were no signs of servants--upper or lower.
  • Nevertheless, Ashe lowered his voice.
  • "Was it not a strange coincidence," he said, "that you should
  • have come into my life at all?"
  • "Not very," said Joan prosaically. "It was quite likely that we
  • should meet sooner or later, as we lived on different floors of
  • the same house."
  • "It was a coincidence that you should have taken that room."
  • "Why?"
  • Ashe felt damped. Logically, no doubt, she was right; but surely
  • she might have helped him out a little in this difficult
  • situation. Surely her woman's intuition should have told her that
  • a man who has been speaking in a loud and cheerful voice does
  • not lower it to a husky whisper without some reason. The
  • hopelessness of his task began to weigh on him.
  • Ever since that evening at Market Blandings Station, when he
  • realized that he loved her, he had been trying to find an
  • opportunity to tell her so; and every time they had met, the talk
  • had seemed to be drawn irresistibly into practical and
  • unsentimental channels. And now, when he was doing his best to
  • reason it out that they were twin souls who had been brought
  • together by a destiny it would be foolish to struggle against;
  • when he was trying to convey the impression that fate had designed
  • them for each other--she said, "Why?" It was hard.
  • He was about to go deeper into the matter when, from the
  • direction of the castle, he perceived the Honorable Freddie's
  • valet--Mr. Judson--approaching. That it was this repellent young
  • man's object to break in on them and rob him of his one small
  • chance of inducing Joan to appreciate, as he did, the mysterious
  • workings of Providence as they affected herself and him, was
  • obvious. There was no mistaking the valet's desire for
  • conversation. He had the air of one brimming over with speech.
  • His wonted indolence was cast aside; and as he drew nearer he
  • positively ran. He was talking before he reached them.
  • "Miss Simpson, Mr. Marson, it's true--what I said that night.
  • It's a fact!"
  • Ashe regarded the intruder with a malevolent eye. Never fond of
  • Mr. Judson, he looked on him now with positive loathing. It had
  • not been easy for him to work himself up to the point where he
  • could discuss with Joan the mysterious ways of Providence, for
  • there was that about her which made it hard to achieve sentiment.
  • That indefinable something in Joan Valentine which made for
  • nocturnal raids on other people's museums also rendered her a
  • somewhat difficult person to talk to about twin souls and
  • destiny. The qualities that Ashe loved in her--her strength, her
  • capability, her valiant self-sufficingness--were the very
  • qualities which seemed to check him when he tried to tell her
  • that he loved them.
  • Mr. Judson was still babbling.
  • "It's true. There ain't a doubt of it now. It's been and happened
  • just as I said that night."
  • "What did you say? Which night?" inquired Ashe.
  • "That night at dinner--the first night you two came here. Don't
  • you remember me talking about Freddie and the girl he used to
  • write letters to in London--the girl I said was so like you, Miss
  • Simpson? What was her name again? Joan Valentine. That was it.
  • The girl at the theater that Freddie used to send me with letters
  • to pretty nearly every evening. Well, she's been and done it,
  • same as I told you all that night she was jolly likely to go and
  • do. She's sticking young Freddie up for his letters, just as he
  • ought to have known she would do if he hadn't been a young
  • fathead. They're all alike, these girls--every one of them."
  • Mr. Judson paused, subjected the surrounding scenery to a
  • cautious scrutiny and resumed.
  • "I took a suit of Freddie's clothes away to brush just now; and
  • happening"--Mr. Judson paused and gave a little cough--"happening
  • to glance at the contents of his pockets I come across a letter.
  • I took a sort of look at it before setting it aside, and it was
  • from a fellow named Jones; and it said that this girl, Valentine,
  • was sticking onto young Freddie's letters what he'd written her,
  • and would see him blowed if she parted with them under another
  • thousand. And, as I made it out, Freddie had already given her
  • five hundred.
  • "Where he got it is more than I can understand; but that's what
  • the letter said. This fellow Jones said he had passed it to her
  • with his own hands; but she wasn't satisfied, and if she didn't
  • get the other thousand she was going to bring an action for
  • breach. And now Freddie has given me a note to take to this
  • Jones, who is stopping in Market Blandings."
  • Joan had listened to this remarkable speech with a stunned
  • amazement. At this point she made her first comment:
  • "But that can't be true."
  • "Saw the letter with my own eyes, Miss Simpson."
  • "But----"
  • She looked at Ashe helplessly. Their eyes met--hers wide with
  • perplexity, his bright with the light of comprehension.
  • "It shows," said Ashe slowly, "that he was in immediate and
  • urgent need of money."
  • "You bet it does," said Mr. Judson with relish. "It looks to me
  • as though young Freddie had about reached the end of his tether
  • this time. My word! There won't half be a kick-up if she does sue
  • him for breach! I'm off to tell Mr. Beach and the rest. They'll
  • jump out of their skins." His face fell. "Oh, Lord, I was
  • forgetting this note. He told me to take it at once."
  • "I'll take it for you," said Ashe. "I'm not doing anything."
  • Mr. Judson's gratitude was effusive.
  • "You're a good fellow, Marson," he said. "I'll do as much for you
  • another time. I couldn't hardly bear not to tell a bit of news
  • like this right away. I should burst or something."
  • And Mr. Judson, with shining face, hurried off to the
  • housekeeper's room.
  • "I simply can't understand it," said Joan at length. "My head is
  • going round."
  • "Can't understand it? Why, it's perfectly clear. This is the
  • coincidence for which, in my capacity of Gridley Quayle, I was
  • waiting. I can now resume inductive reasoning. Weighing the
  • evidence, what do we find? That young sweep, Freddie, is the man.
  • He has the scarab."
  • "But it's all such a muddle. I'm not holding his letters."
  • "For Jones' purposes you are. Let's get this Jones element in the
  • affair straightened out. What do you know of him?"
  • "He was an enormously fat man who came to see me one night and
  • said he had been sent to get back some letters. I told him I had
  • destroyed them ages ago and he went away."
  • "Well, that part of it is clear, then. He is working a simple but
  • ingenious game on Freddie. It wouldn't succeed with everybody, I
  • suppose; but from what I have seen and heard of him Freddie isn't
  • strong on intellect. He seems to have accepted the story without
  • a murmur. What does he do? He has to raise a thousand pounds
  • immediately, and the raising of the first five hundred has
  • exhausted his credit. He gets the idea of stealing the scarab!"
  • "But why? Why should he have thought of the scarab at all? That
  • is what I can't understand. He couldn't have meant to give it to
  • Mr. Peters and claim the reward. He couldn't have known that Mr.
  • Peters was offering a reward. He couldn't have known that Lord
  • Emsworth had not got the scarab quite properly. He couldn't have
  • known--he couldn't have known anything!"
  • Ashe's enthusiasm was a trifle damped.
  • "There's something in that. But--I have it! Jones must have known
  • about the scarab and told him."
  • "But how could he have known?"
  • "Yes; there's something in that, too. How could Jones have
  • known?"
  • "He couldn't. He had gone by the time Aline came that night."
  • "I don't quite understand. Which night?"
  • "It was the night of the day I first met you. I was wondering for
  • a moment whether he could by any chance have overheard Aline
  • telling me about the scarab and the reward Mr. Peters was
  • offering for it."
  • "Overheard! That word is like a bugle blast to me. Nine out of
  • ten of Gridley Quayle's triumphs were due to his having overheard
  • something. I think we are now on the right track."
  • "I don't. How could he have overheard us? The door was closed and
  • he was in the street by that time."
  • "How do you know he was in the street? Did you see him out?"
  • "No; but he went."
  • "He might have waited on the stairs--you remember how dark they
  • are at Number Seven--and listened."
  • "Why?"
  • Ashe reflected.
  • "Why? Why? What a beast of a word that is--the detective's
  • bugbear. I thought I had it, until you said--Great Scott! I'll
  • tell you why. I see it all. I have him with the goods. His object
  • in coming to see you about the letters was because Freddie wanted
  • them back owing to his approaching marriage with Miss
  • Peters--wasn't it?"
  • "Yes."
  • "You tell him you have destroyed the letters. He goes off. Am I
  • right?"
  • "Yes."
  • "Before he is out of the house Miss Peters is giving her name at
  • the front door. Put yourself in Jones' place. What does he think?
  • He is suspicious. He thinks there is some game on. He skips
  • upstairs again, waits until Miss Peters has gone into your room,
  • then stands outside and listens. How about that?"
  • "I do believe you are right. He might quite easily have done
  • that."
  • "He did do exactly that. I know it as though I had been there; in
  • fact, it is highly probable I was there. You say all this
  • happened on the night we first met? I remember coming downstairs
  • that night--I was going out to a vaudeville show--and hearing
  • voices in your room. I remember it distinctly. In all probability
  • I nearly ran into Jones."
  • "It does all seem to fit in, doesn't it?"
  • "It's a clear case. There isn't a flaw in it. The only question
  • is, can I, on the evidence, go to young Freddie and choke the
  • scarab out of him? On the whole, I think I had better take this
  • note to Jones, as I promised Judson, and see whether I can't work
  • something through him. Yes; that's the best plan. I'll be
  • starting at once."
  • * * *
  • Perhaps the greatest hardship in being an invalid is the fact
  • that people come and see you and keep your spirits up. The
  • Honorable Freddie Threepwood suffered extremely from this. His
  • was not a gregarious nature and it fatigued his limited brain
  • powers to have to find conversation for his numerous visitors.
  • All he wanted was to be left alone to read the adventures of
  • Gridley Quayle, and when tired of doing that to lie on his back
  • and look at the ceiling and think of nothing.
  • It is your dynamic person, your energetic world's worker, who
  • chafes at being laid up with a sprained ankle. The Honorable
  • Freddie enjoyed it. From boyhood up he had loved lying in bed;
  • and now that fate had allowed him to do this without incurring
  • rebuke he objected to having his reveries broken up by officious
  • relations.
  • He spent his rare intervals of solitude in trying to decide in
  • his mind which of his cousins, uncles and aunts was, all things
  • considered, the greatest nuisance. Sometimes he would give the
  • palm to Colonel Horace Mant, who struck the soldierly note--"I
  • recollect in a hill campaign in the winter of the year '93 giving
  • my ankle the deuce of a twist." Anon the more spiritual attitude
  • of the Bishop of Godalming seemed to annoy him more keenly.
  • Sometimes he would head the list with the name of his Cousin
  • Percy--Lord Stockheath--who refused to talk of anything except
  • his late breach-of-promise case and the effect the verdict had
  • had on his old governor. Freddie was in no mood just now to be
  • sympathetic with others on their breach-of-promise cases.
  • As he lay in bed reading on Monday morning, the only flaw in his
  • enjoyment of this unaccustomed solitude was the thought that
  • presently the door was bound to open and some kind inquirer
  • insinuate himself into the room.
  • His apprehensions proved well founded. Scarcely had he got well
  • into the details of an ingenious plot on the part of a secret
  • society to eliminate Gridley Quayle by bribing his cook--a bad
  • lot--to sprinkle chopped-up horsehair in his chicken fricassee,
  • when the door-knob turned and Ashe Marson came in.
  • Freddie was not the only person who had found the influx of
  • visitors into the sick room a source of irritation. The fact that
  • the invalid seemed unable to get a moment to himself had annoyed
  • Ashe considerably. For some little time he had hung about the
  • passage in which Freddie's room was situated, full of enterprise,
  • but unable to make a forward move owing to the throng of
  • sympathizers. What he had to say to the sufferer could not be
  • said in the presence of a third party.
  • Freddie's sensation, on perceiving him, was one of relief. He had
  • been half afraid it was the bishop. He recognized Ashe as the
  • valet chappie who had helped him to bed on the occasion of his
  • accident. It might be that he had come in a respectful way to
  • make inquiries, but he was not likely to stop long. He nodded and
  • went on reading. And then, glancing up, he perceived Ashe
  • standing beside the bed, fixing him with a piercing stare.
  • The Honorable Freddie hated piercing stares. One of the reasons
  • why he objected to being left alone with his future
  • father-in-law, Mr. J. Preston Peters, was that Nature had given
  • the millionaire a penetrating pair of eyes, and the stress of
  • business life in New York had developed in him a habit of boring
  • holes in people with them. A young man had to have a stronger
  • nerve and a clearer conscience than the Honorable Freddie to
  • enjoy a tete-a-tete with Mr. Peters.
  • Though he accepted Aline's father as a necessary evil and
  • recognized that his position entitled him to look at people as
  • sharply as he liked, whatever their feelings, he would be hanged
  • if he was going to extend this privilege to Mr. Peters' valet.
  • This man standing beside him was giving him a look that seemed to
  • his sensitive imagination to have been fired red-hot from a gun;
  • and this annoyed and exasperated Freddie.
  • "What do you want?" he said querulously. "What are you staring at
  • me like that for?"
  • Ashe sat down, leaned his elbows on the bed, and applied the look
  • again from a lower elevation.
  • "Ah!" he said.
  • Whatever may have been Ashe's defects, so far as the handling of
  • the inductive-reasoning side of Gridley Quayle's character was
  • concerned, there was one scene in each of his stories in which he
  • never failed. That was the scene in the last chapter where
  • Quayle, confronting his quarry, unmasked him. Quayle might have
  • floundered in the earlier part of the story, but in his big scene
  • he was exactly right. He was curt, crisp and mercilessly
  • compelling.
  • Ashe, rehearsing this interview in the passage before his entry,
  • had decided that he could hardly do better than model himself on
  • the detective. So he began to be curt, crisp and mercilessly
  • compelling to Freddie; and after the first few sentences he had
  • that youth gasping for air.
  • "I will tell you," he said. "If you can spare me a few moments of
  • your valuable time I will put the facts before you. Yes; press
  • that bell if you wish--and I will put them before witnesses. Lord
  • Emsworth will no doubt be pleased to learn that his son, whom he
  • trusted, is a thief!"
  • Freddie's hand fell limply. The bell remained un-touched. His
  • mouth opened to its fullest extent. In the midst of his panic he
  • had a curious feeling that he had heard or read that last
  • sentence somewhere before. Then he remembered. Those very words
  • occurred in Gridley Quayle, Investigator--The Adventure of the
  • Blue Ruby.
  • "What--what do you mean?" he stammered.
  • "I will tell you what I mean. On Saturday night a valuable scarab
  • was stolen from Lord Emsworth's private museum. The case was put
  • into my hands----"
  • "Great Scott! Are you a detective?"
  • "Ah!" said Ashe.
  • Life, as many a worthy writer has pointed out, is full of
  • ironies. It seemed to Freddie that here was a supreme example of
  • this fact. All these years he had wanted to meet a detective; and
  • now that his wish had been gratified the detective was detecting
  • him!
  • "The case," continued Ashe severely, "was placed in my hands. I
  • investigated it. I discovered that you were in urgent and
  • immediate need of money."
  • "How on earth did you do that?"
  • "Ah!" said Ashe. "I further discovered that you were in
  • communication with an individual named Jones."
  • "Good Lord! How?"
  • Ashe smiled quietly.
  • "Yesterday I had a talk with this man Jones, who is staying in
  • Market Blandings. Why is he staying in Market Blandings? Because
  • he had a reason for keeping in touch with you; because you were
  • about to transfer to his care something you could get possession
  • of, but which only he could dispose of--the scarab."
  • The Honorable Freddie was beyond speech. He made no comment on
  • this statement. Ashe continued:
  • "I interviewed this man Jones. I said to him: 'I am in the
  • Honorable Frederick Threepwood's confidence. I know everything.
  • Have you any instructions for me?' He replied: 'What do you
  • know?' I answered: 'I know that the Honorable Frederick
  • Threepwood has something he wishes to hand to you, but which he
  • has been unable to hand to you owing to having had an accident
  • and being confined to his room.' He then told me to tell you to
  • let him have the scarab by messenger."
  • Freddie pulled himself together with an effort. He was in sore
  • straits, but he saw one last chance. His researches in detective
  • fiction had given him the knowledge that detectives occasionally
  • relaxed their austerity when dealing with a deserving case. Even
  • Gridley Quayle could sometimes be softened by a hard-luck story.
  • Freddie could recall half a dozen times when a detected criminal
  • had been spared by him because he had done it all from the best
  • motives. He determined to throw himself on Ashe's mercy.
  • "I say, you know," he said ingratiatingly, "I think it's bally
  • marvelous the way you've deduced everything, and so on."
  • "Well?"
  • "But I believe you would chuck it if you heard my side of the
  • case."
  • "I know your side of the case. You think you are being
  • blackmailed by a Miss Valentine for some letters you once wrote
  • her. You are not. Miss Valentine has destroyed the letters. She
  • told the man Jones so when he went to see her in London. He kept
  • your five hundred pounds and is trying to get another thousand
  • out of you under false pretenses."
  • "What? You can't be right."
  • "I am always right."
  • "You must be mistaken."
  • "I am never mistaken."
  • "But how do you know?"
  • "I have my sources of information."
  • "She isn't going to sue me for breach of promise?"
  • "She never had any intention of doing so."
  • The Honorable Freddie sank back on the pillows.
  • "Good egg!" he said with fervor. He beamed happily. "This," he
  • observed, "is a bit of all right."
  • For a space relief held him dumb. Then another aspect of the
  • matter struck him, and he sat up again with a jerk.
  • "I say, you don't mean to say that that rotter Jones was such a
  • rotter as to do a rotten thing like that?"
  • "I do."
  • Freddie grew plaintive.
  • "I trusted that man," he said. "I jolly well trusted him
  • absolutely."
  • "I know," said Ashe. "There is one born every minute."
  • "But"--the thing seemed to be filtering slowly into Freddie's
  • intelligence "what I mean to say is, I--I--thought he was such a
  • good chap."
  • "My short acquaintance with Mr. Jones," said Ashe "leads me to
  • think that he probably is--to himself."
  • "I won't have anything more to do with him."
  • "I shouldn't."
  • "Dash it, I'll tell you what I'll do. The very next time I meet
  • the blighter, I'll cut him dead. I will! The rotter! Five hundred
  • quid he's had off me for nothing! And, if it hadn't been for you,
  • he'd have had another thousand! I'm beginning to think that my
  • old governor wasn't so far wrong when he used to curse me for
  • going around with Jones and the rest of that crowd. He knew a
  • bit, by Gad! Well, I'm through with them. If the governor ever
  • lets me go to London again, I won't have anything to do with
  • them. I'll jolly well cut the whole bunch! And to think that, if
  • it hadn't been for you . . ."
  • "Never mind that," said Ashe. "Give me the scarab. Where is it?"
  • "What are you going to do with it?"
  • "Restore it to its rightful owner."
  • "Are you going to give me away to the governor?"
  • "I am not."
  • "It strikes me," said Freddie gratefully, "that you are a dashed
  • good sort. You seem to me to have the making of an absolute
  • topper! It's under the mattress. I had it on me when I fell
  • downstairs and I had to shove it in there."
  • Ashe drew it out. He stood looking at it, absorbed. He could
  • hardly believe his quest was at an end and that a small fortune
  • lay in the palm of his hand. Freddie was eyeing him admiringly.
  • "You know," he said, "I've always wanted to meet a detective.
  • What beats me is how you chappies find out things."
  • "We have our methods."
  • "I believe you. You're a blooming marvel! What first put you on
  • my track?"
  • "That," said Ashe, "would take too long to explain. Of course I
  • had to do some tense inductive reasoning; but I cannot trace
  • every link in the chain for you. It would be tedious."
  • "Not to me."
  • "Some other time."
  • "I say, I wonder whether you've ever read any of these
  • things--these Gridley Quayle stories? I know them by heart."
  • With the scarab safely in his pocket, Ashe could contemplate the
  • brightly-colored volume the other extended toward him without
  • active repulsion. Already he was beginning to feel a sort of
  • sentiment for the depressing Quayle, as something that had once
  • formed part of his life.
  • "Do you read these things?"
  • "I should say not. I write them."
  • There are certain supreme moments that cannot be adequately
  • described. Freddie's appreciation of the fact that such a moment
  • had occurred in his life expressed itself in a startled cry and a
  • convulsive movement of all his limbs. He shot up from the pillows
  • and gaped at Ashe.
  • "You write them? You don't mean, write them!"
  • "Yes."
  • "Great Scott!"
  • He would have gone on, doubtless, to say more; but at this moment
  • voices made themselves heard outside the door. There was a
  • movement of feet. Then the door opened and a small procession
  • entered.
  • It was headed by the Earl of Emsworth. Following him came Mr.
  • Peters. And in the wake of the millionaire were Colonel Horace
  • Mant and the Efficient Baxter. They filed into the room and stood
  • by the bedside. Ashe seized the opportunity to slip out.
  • Freddie glanced at the deputation without interest. His mind was
  • occupied with other matters. He supposed they had come to inquire
  • after his ankle and he was mildly thankful that they had come in
  • a body instead of one by one. The deputation grouped itself about
  • the bed and shuffled its feet. There was an atmosphere of
  • awkwardness.
  • "Er--Frederick!" said Lord Emsworth. "Freddie, my boy!"
  • Mr. Peters fiddled dumbly with the coverlet. Colonel Mant cleared
  • his throat. The Efficient Baxter scowled. "Er--Freddie, my dear
  • boy, I fear we have a painful--er--task to perform."
  • The words struck straight home at the Honorable Freddie's guilty
  • conscience. Had they, too, tracked him down? And was he now to be
  • accused of having stolen that infernal scarab? A wave of relief
  • swept over him as he realized that he had got rid of the thing. A
  • decent chappie like that detective would not give him away. All
  • he had to do was to keep his head and stick to stout denial. That
  • was the game--stout denial.
  • "I don't know what you mean," he said defensively.
  • "Of course you don't--dash it!" said Colonel Mant. "We're coming
  • to that. And I should like to begin by saying that, though in a
  • sense it was my fault, I fail to see how I could have acted---"
  • "Horace!"
  • "Oh, very well! I was only trying to explain."
  • Lord Emsworth adjusted his pince-nez and sought inspiration from
  • the wall paper.
  • "Freddie, my boy," he began, "we have a somewhat unpleasant--a
  • somewhat er--disturbing--We are compelled to break it to you. We
  • are all most pained and astounded; and--"
  • The Efficient Baxter spoke. It was plain he was in a bad temper.
  • "Miss Peters," he snapped, "has eloped with your friend Emerson."
  • Lord Emsworth breathed a sigh of relief.
  • "Exactly, Baxter. Precisely! You have put the thing in a
  • nutshell. Really, my dear fellow, you are invaluable."
  • All eyes searched Freddie's face for signs of uncontrollable
  • emotion. The deputation waited anxiously for his first
  • grief-stricken cry.
  • "Eh? What?" said Freddie.
  • "It is quite true, Freddie, my dear boy. She went to London with
  • him on the ten-fifty."
  • "And if I had not been forcibly restrained," said Baxter acidly,
  • casting a vindictive look at Colonel Mant, "I could have
  • prevented it."
  • Colonel Mant cleared his throat again and put a hand to his
  • mustache.
  • "I'm afraid that is true, Freddie. It was a most unfortunate
  • misunderstanding. I'll tell you how it happened: I chanced to be
  • at the station bookstall when the train came in. Mr. Baxter was
  • also in the station. The train pulled up and this young fellow
  • Emerson got in--said good-by to us, don't you know, and got in.
  • Just as the train was about to start, Miss Peters exclaiming,
  • 'George dear, I'm going with you---, dash it,' or some such
  • speech--proceeded to go--hell for leather--to the door of young
  • Emerson's compartment. On which---"
  • "On which," interrupted Baxter, "I made a spring to try and catch
  • her. Apart from any other consideration, the train was already
  • moving and Miss Peters ran considerable risk of injury. I had
  • hardly moved when I felt a violent jerk at my ankle and fell to
  • the ground. After I had recovered from the shock, which was not
  • immediately, I found--"
  • "The fact is, Freddie, my boy," the colonel went on, "I acted
  • under a misapprehension. Nobody can be sorrier for the mistake
  • than I; but recent events in this house had left me with the
  • impression that Mr. Baxter here was not quite responsible for his
  • actions--overwork or something, I imagined. I have seen it happen
  • so often in India, don't you know, where fellows run amuck and
  • kick up the deuce's own delight. I am bound to admit that I have
  • been watching Mr. Baxter rather closely lately in the expectation
  • that something of this very kind might happen.
  • "Of course I now realize my mistake; and I have apologized--
  • apologized humbly--dash it! But at the moment I was firmly under
  • the impression that our friend here had an attack of some kind
  • and was about to inflict injuries on Miss Peters. If I've seen it
  • happen once in India, I've seen it happen a dozen times.
  • "I recollect, in the hot weather of the year '99---or was it
  • '93?--I think '93---one of my native bearers--However, I sprang
  • forward and caught the crook of my walking stick on Mr. Baxter's
  • ankle and brought him down. And by the time explanations were
  • made it was too late. The train had gone, with Miss Peters in
  • it."
  • "And a telegram has just arrived," said Lord Emsworth, "to say
  • that they are being married this afternoon at a registrar's. The
  • whole occurrence is most disturbing."
  • "Bear it like a man, my boy!" urged Colonel Mant.
  • To all appearances Freddie was bearing it magnificently. Not a
  • single exclamation, either of wrath or pain, had escaped his
  • lips. One would have said the shock had stunned him or that he
  • had not heard, for his face expressed no emotion whatever.
  • The fact was, the story had made very little impression on the
  • Honorable Freddie of any sort. His relief at Ashe's news about
  • Joan Valentine; the stunning joy of having met in the flesh the
  • author of the adventures of Gridley Quayle; the general feeling
  • that all was now right with the world--these things deprived him
  • of the ability to be greatly distressed.
  • And there was a distinct feeling of relief--actual relief--that
  • now it would not be necessary for him to get married. He had
  • liked Aline; but whenever he really thought of it the prospect of
  • getting married rather appalled him. A chappie looked such an ass
  • getting married! It appeared, however, that some verbal comment
  • on the state of affairs was required of him. He searched his mind
  • for something adequate.
  • "You mean to say Aline has bolted with Emerson?"
  • The deputation nodded pained nods. Freddie searched in his mind
  • again. The deputation held its breath.
  • "Well, I'm blowed!" said Freddie. "Fancy that!"
  • * * *
  • Mr. Peters walked heavily into his room. Ashe Marson was waiting
  • for him there. He eyed Ashe dully.
  • "Pack!" he said.
  • "Pack?"
  • "Pack! We're getting out of here by the afternoon train."
  • "Has anything happened?"
  • "My daughter has eloped with Emerson."
  • "What!"
  • "Don't stand there saying, 'What!' Pack."
  • Ashe put his hand in his pocket.
  • "Where shall I put this?" he asked.
  • For a moment Mr. Peters looked without comprehension at what Ashe
  • was holding out; then his whole demeanor altered. His eyes lit
  • up. He uttered a howl of pure rapture:
  • "You got it!"
  • "I got it."
  • "Where was it? Who took it? How did you choke it out of them?
  • How did you find it? Who had it?"
  • "I don't know whether I ought to say. I don't want to start
  • anything. You won't tell anyone?"
  • "Tell anyone! What do you take me for? Do you think I am going
  • about advertising this? If I can sneak out without that fellow
  • Baxter jumping on my back I shall be satisfied. You can take it
  • from me that there won't be any sensational exposures if I can
  • help it. Who had it?"
  • "Young Threepwood."
  • "Threepwood? Why did he want it?"
  • "He needed money and he was going to raise it on--"
  • Mr. Peters exploded.
  • "And I have been kicking because Aline can't marry him and has
  • gone off with a regular fellow like young Emerson! He's a good
  • boy--young Emerson. I knew his folks. He'll make a name for
  • himself one of these days. He's got get-up in him. And I have
  • been waiting to shoot him because he has taken Aline away from
  • that goggle-eyed chump up in bed there!
  • "Why, if she had married Threepwood I should have had
  • grandchildren who would have sneaked my watch while I was dancing
  • them on my knee! There is a taint of some sort in the whole
  • family. Father sneaks my Cheops and sonny sneaks it from father.
  • What a gang! And the best blood in England! If that's England's
  • idea of good blood give me Hoboken! This settles it. I was a
  • chump ever to come to a country like this. Property isn't safe
  • here. I'm going back to America on the next boat.
  • "Where's my check book? I'm going to write you that check right
  • away. You've earned it. Listen, young man; I don't know what your
  • ideas are, but if you aren't chained to this country I'll make it
  • worth your while to stay on with me. They say no one's
  • indispensable, but you come mighty near it. If I had you at my
  • elbow for a few years I'd get right back into shape. I'm feeling
  • better now than I have felt in years--and you've only just
  • started in on me.
  • "How about it? You can call yourself what you like--secretary or
  • trainer, or whatever suits you best. What you will be is the
  • fellow who makes me take exercise and stop smoking cigars, and
  • generally looks after me. How do you feel about it?"
  • It was a proposition that appealed both to Ashe's commercial and
  • to his missionary instincts. His only regret had been that, the
  • scarab recovered, he and Mr. Peters would now, he supposed, part
  • company. He had not liked the idea of sending the millionaire
  • back to the world a half-cured man. Already he had begun to look
  • on him in the light of a piece of creative work to which he had
  • just set his hand.
  • But the thought of Joan gave him pause. If this meant separation
  • from Joan it was not to be considered.
  • "Let me think it over," he said.
  • "Well, think quick!" said Mr. Peters.
  • * * *
  • It has been said by those who have been through fires,
  • earthquakes and shipwrecks that in such times of stress the
  • social barriers are temporarily broken down, and the spectacle
  • may be seen of persons of the highest social standing speaking
  • quite freely to persons who are not in society at all; and of
  • quite nice people addressing others to whom they have never been
  • introduced. The news of Aline Peters' elopement with George
  • Emerson, carried beyond the green-baize door by Slingsby, the
  • chauffeur, produced very much the same state of affairs in the
  • servants' quarters at Blandings Castle.
  • It was not only that Slingsby was permitted to penetrate into the
  • housekeeper's room and tell his story to his social superiors
  • there, though that was an absolutely unprecedented occurrence;
  • what was really extraordinary was that mere menials discussed the
  • affair with the personal ladies and gentlemen of the castle
  • guests, and were allowed to do so uncrushed. James, the
  • footman--that pushing individual--actually shoved his way into
  • the room, and was heard by witnesses to remark to no less a
  • person than Mr. Beach that it was a bit thick.
  • And it is on record that his fellow footman, Alfred, meeting the
  • groom of the chambers in the passage outside, positively prodded
  • him in the lower ribs, winked, and said: "What a day we're
  • having!" One has to go back to the worst excesses of the French
  • Revolution to parallel these outrages. It was held by Mr. Beach
  • and Mrs. Twemlow afterward that the social fabric of the castle
  • never fully recovered from this upheaval. It may be they took an
  • extreme view of the matter, but it cannot be denied that it
  • wrought changes. The rise of Slingsby is a case in point. Until
  • this affair took place the chauffeur's standing had never been
  • satisfactorily settled. Mr. Beach and Mrs. Twemlow led the party
  • which considered that he was merely a species of coachman; but
  • there was a smaller group which, dazzled by Slingsby's
  • personality, openly declared it was not right that he should take
  • his meals in the servants' hall with such admitted plebeians as
  • the odd man and the steward's-room footman.
  • The Aline-George elopement settled the point once and for all.
  • Slingsby had carried George's bag to the train. Slingsby had been
  • standing a few yards from the spot where Aline began her dash for
  • the carriage door. Slingsby was able to exhibit the actual half
  • sovereign with which George had tipped him only five minutes
  • before the great event. To send such a public man back to the
  • servants' hall was impossible. By unspoken consent the chauffeur
  • dined that night in the steward's room, from which he was never
  • dislodged.
  • Mr. Judson alone stood apart from the throng that clustered about
  • the chauffeur. He was suffering the bitterness of the supplanted.
  • A brief while before and he had been the central figure, with his
  • story of the letter he had found in the Honorable Freddie's coat
  • pocket. Now the importance of his story had been engulfed in that
  • of this later and greater sensation, Mr. Judson was learning, for
  • the first time, on what unstable foundations popularity stands.
  • Joan was nowhere to be seen. In none of the spots where she might
  • have been expected to be at such a time was she to be found. Ashe
  • had almost given up the search when, going to the back door and
  • looking out as a last chance, he perceived her walking slowly on
  • the gravel drive.
  • She greeted Ashe with a smile, but something was plainly
  • troubling her. She did not speak for a moment and they walked
  • side by side.
  • "What is it?" said Ashe at length. "What is the matter?"
  • She looked at him gravely.
  • "Gloom," she said. "Despondency, Mr. Marson--A sort of flat
  • feeling. Don't you hate things happening?"
  • "I don't quite understand."
  • "Well, this affair of Aline, for instance. It's so big it makes
  • one feel as though the whole world had altered. I should like
  • nothing to happen ever, and life just to jog peacefully along.
  • That's not the gospel I preached to you in Arundell Street, is it!
  • I thought I was an advanced apostle of action; but I seem to have
  • changed. I'm afraid I shall never be able to make clear what I do
  • mean. I only know I feel as though I have suddenly grown old.
  • These things are such milestones. Already I am beginning to look
  • on the time before Aline behaved so sensationally as terribly
  • remote. To-morrow it will be worse, and the day after that worse
  • still. I can see that you don't in the least understand what I
  • mean."
  • "Yes; I do--or I think I do. What it comes to, in a few words, is
  • that somebody you were fond of has gone out of your life. Is that
  • it?"
  • Joan nodded.
  • "Yes--at least, that is partly it. I didn't really know Aline
  • particularly well, beyond having been at school with her, but
  • you're right. It's not so much what has happened as what it
  • represents that matters. This elopement has marked the end of a
  • phase of my life. I think I have it now. My life has been such a
  • series of jerks. I dash along--then something happens which stops
  • that bit of my life with a jerk; and then I have to start over
  • again--a new bit. I think I'm getting tired of jerks. I want
  • something stodgy and continuous.
  • "I'm like one of the old bus horses that could go on forever if
  • people got off without making them stop. It's the having to get
  • the bus moving again that wears one out. This little section of
  • my life since we came here is over, and it is finished for good.
  • I've got to start the bus going again on a new road and with a
  • new set of passengers. I wonder whether the old horses used to be
  • sorry when they dropped one lot of passengers and took on a lot
  • of strangers?"
  • A sudden dryness invaded Ashe's throat. He tried to speak, but
  • found no words. Joan went on:
  • "Do you ever get moods when life seems absolutely meaningless?
  • It's like a badly-constructed story, with all sorts of characters
  • moving in and out who have nothing to do with the plot. And when
  • somebody comes along that you think really has something to do
  • with the plot, he suddenly drops out. After a while you begin to
  • wonder what the story is about, and you feel that it's about
  • nothing--just a jumble."
  • "There is one thing," said Ashe, "that knits it together."
  • "What is that?"
  • "The love interest."
  • Their eyes met and suddenly there descended on Ashe confidence.
  • He felt cool and alert, sure of himself, as in the old days he
  • had felt when he ran races and, the nerve-racking hours of
  • waiting past, he listened for the starter's gun. Subconsciously
  • he was aware he had always been a little afraid of Joan, and that
  • now he was no longer afraid.
  • "Joan, will you marry me?"
  • Her eyes wandered from his face. He waited.
  • "I wonder!" she said softly. "You think that is the solution?"
  • "Yes."
  • "How can you tell?" she broke out. "We scarcely know each other.
  • I shan't always be in this mood. I may get restless again. I may
  • find it is the jerks that I really like."
  • "You won't!"
  • "You're very confident."
  • "I am absolutely confident."
  • "'She travels fastest who travels alone,'" misquoted Joan.
  • "What is the good," said Ashe, "of traveling fast if you're going
  • round in a circle? I know how you feel. I've felt the same
  • myself. You are an individualist. You think there is something
  • tremendous just round the corner and that you can get it if you
  • try hard enough. There isn't--or if there is it isn't worth
  • getting. Life is nothing but a mutual aid association. I am going
  • to help old Peters--you are going to help me--I am going to help
  • you."
  • "Help me to do what?"
  • "Make life coherent instead of a jumble."
  • "Mr. Marson---"
  • "Don't call me Mr. Marson."
  • "Ashe, you don't know what you are doing. You don't know me.
  • I've been knocking about the world for five years and I'm
  • hard--hard right through. I should make you wretched."
  • "You are not in the least hard--and you know it. Listen to me,
  • Joan. Where's your sense of fairness? You crash into my life,
  • turn it upside down, dig me out of my quiet groove, revolutionize
  • my whole existence; and now you propose to drop me and pay no
  • further attention to me. Is it fair?"
  • "But I don't. We shall always be the best of friends."
  • "We shall--but we will get married first."
  • "You are determined?"
  • "I am!"
  • Joan laughed happily.
  • "How perfectly splendid! I was terrified lest I might have made
  • you change your mind. I had to say all I did to preserve my
  • self-respect after proposing to you. Yes; I did. How strange it
  • is that men never seem to understand a woman, however plainly she
  • talks! You don't think I was really worrying because I had lost
  • Aline, do you? I thought I was going to lose you, and it made me
  • miserable. You couldn't expect me to say it in so many words; but
  • I thought--I was hoping--you guessed. I practically said it.
  • Ashe! What are you doing?"
  • Ashe paused for a moment to reply.
  • "I am kissing you," he said.
  • "But you mustn't! There's a scullery maid or somebody looking
  • through the kitchen window. She will see us."
  • Ashe drew her to him.
  • "Scullery maids have few pleasures," he said. "Theirs is a dull
  • life. Let her see us."
  • CHAPTER XII
  • The Earl of Emsworth sat by the sick bed and regarded the
  • Honorable Freddie almost tenderly.
  • "I fear, Freddie, my dear boy, this has been a great shock to
  • you."
  • "Eh? What? Yes--rather! Deuce of a shock, gov'nor."
  • "I have been thinking it over, my boy, and perhaps I have been a
  • little hard on you. When your ankle is better I have decided to
  • renew your allowance; and you may return to London, as you do not
  • seem happy in the country. Though how any reasonable being can
  • prefer--"
  • The Honorable Freddie started, pop-eyed, to a sitting posture.
  • "My word! Not really?"
  • His father nodded.
  • "I say, gov'nor, you really are a topper! You really are, you
  • know! I know just how you feel about the country and the jolly
  • old birds and trees and chasing the bally slugs off the young
  • geraniums and all that sort of thing, but somehow it's never
  • quite hit me the same way. It's the way I'm built, I suppose. I
  • like asphalt streets and crowds and dodging taxis and meeting
  • chappies at the club and popping in at the Empire for half an
  • hour and so forth. And there's something about having an
  • allowance--I don't know . . . sort of makes you chuck your chest
  • out and feel you're someone. I don't know how to thank you,
  • gov'nor! You're--you're an absolute sportsman! This is the most
  • priceless bit of work you've ever done. I feel like a
  • two-year-old. I don't know when I've felt so braced.
  • I--I--really, you know, gov'nor, I'm most awfully grateful."
  • "Exactly," said Lord Emsworth. "Ah--precisely. But, Freddie, my
  • boy," he added, not without pathos, "there is just one thing
  • more. Do you think that--with an effort--for my sake--you could
  • endeavor this time not to make a--a damned fool of yourself?"
  • He eyed his offspring wistfully.
  • "Gov'nor," said the Honorable Freddie firmly, "I'll have a jolly
  • good stab at it!"
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