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  • The Project Gutenberg EBook of My Man Jeeves, by P. G. Wodehouse
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  • Title: My Man Jeeves
  • Author: P. G. Wodehouse
  • Posting Date: February 18, 2012 [EBook #8164]
  • Release Date: May, 2005
  • [This file was first posted on June 24, 2003]
  • Last updated: August 30, 2016
  • Language: English
  • *** START OF THIS PROJECT GUTENBERG EBOOK MY MAN JEEVES ***
  • Produced by Suzanne L. Shell, Charles Franks and the Online
  • Distributed Proofreading Team
  • MY MAN JEEVES
  • BY P. G. WODEHOUSE
  • 1919
  • CONTENTS
  • LEAVE IT TO JEEVES
  • JEEVES AND THE UNBIDDEN GUEST
  • JEEVES AND THE HARD-BOILED EGG
  • ABSENT TREATMENT
  • HELPING FREDDIE
  • RALLYING ROUND OLD GEORGE
  • DOING CLARENCE A BIT OF GOOD
  • THE AUNT AND THE SLUGGARD
  • LEAVE IT TO JEEVES
  • Jeeves--my man, you know--is really a most extraordinary chap. So capable.
  • Honestly, I shouldn't know what to do without him. On broader lines he's
  • like those chappies who sit peering sadly over the marble battlements
  • at the Pennsylvania Station in the place marked "Inquiries." You know
  • the Johnnies I mean. You go up to them and say: "When's the next train
  • for Melonsquashville, Tennessee?" and they reply, without stopping to
  • think, "Two-forty-three, track ten, change at San Francisco." And they're
  • right every time. Well, Jeeves gives you just the same impression of
  • omniscience.
  • As an instance of what I mean, I remember meeting Monty Byng in Bond
  • Street one morning, looking the last word in a grey check suit, and I
  • felt I should never be happy till I had one like it. I dug the address
  • of the tailors out of him, and had them working on the thing inside the
  • hour.
  • "Jeeves," I said that evening. "I'm getting a check suit like that one
  • of Mr. Byng's."
  • "Injudicious, sir," he said firmly. "It will not become you."
  • "What absolute rot! It's the soundest thing I've struck for years."
  • "Unsuitable for you, sir."
  • Well, the long and the short of it was that the confounded thing came
  • home, and I put it on, and when I caught sight of myself in the glass I
  • nearly swooned. Jeeves was perfectly right. I looked a cross between a
  • music-hall comedian and a cheap bookie. Yet Monty had looked fine in
  • absolutely the same stuff. These things are just Life's mysteries, and
  • that's all there is to it.
  • But it isn't only that Jeeves's judgment about clothes is infallible,
  • though, of course, that's really the main thing. The man knows
  • everything. There was the matter of that tip on the "Lincolnshire."
  • I forget now how I got it, but it had the aspect of being the real,
  • red-hot tabasco.
  • "Jeeves," I said, for I'm fond of the man, and like to do him a good
  • turn when I can, "if you want to make a bit of money have something on
  • Wonderchild for the 'Lincolnshire.'"
  • He shook his head.
  • "I'd rather not, sir."
  • "But it's the straight goods. I'm going to put my shirt on him."
  • "I do not recommend it, sir. The animal is not intended to win. Second
  • place is what the stable is after."
  • Perfect piffle, I thought, of course. How the deuce could Jeeves know
  • anything about it? Still, you know what happened. Wonderchild led till
  • he was breathing on the wire, and then Banana Fritter came along and
  • nosed him out. I went straight home and rang for Jeeves.
  • "After this," I said, "not another step for me without your advice.
  • From now on consider yourself the brains of the establishment."
  • "Very good, sir. I shall endeavour to give satisfaction."
  • And he has, by Jove! I'm a bit short on brain myself; the old bean
  • would appear to have been constructed more for ornament than for use,
  • don't you know; but give me five minutes to talk the thing over with
  • Jeeves, and I'm game to advise any one about anything. And that's why,
  • when Bruce Corcoran came to me with his troubles, my first act was to
  • ring the bell and put it up to the lad with the bulging forehead.
  • "Leave it to Jeeves," I said.
  • I first got to know Corky when I came to New York. He was a pal of my
  • cousin Gussie, who was in with a lot of people down Washington Square
  • way. I don't know if I ever told you about it, but the reason why I
  • left England was because I was sent over by my Aunt Agatha to try to
  • stop young Gussie marrying a girl on the vaudeville stage, and I got
  • the whole thing so mixed up that I decided that it would be a sound
  • scheme for me to stop on in America for a bit instead of going back and
  • having long cosy chats about the thing with aunt. So I sent Jeeves out
  • to find a decent apartment, and settled down for a bit of exile. I'm
  • bound to say that New York's a topping place to be exiled in. Everybody
  • was awfully good to me, and there seemed to be plenty of things going
  • on, and I'm a wealthy bird, so everything was fine. Chappies introduced
  • me to other chappies, and so on and so forth, and it wasn't long before
  • I knew squads of the right sort, some who rolled in dollars in houses
  • up by the Park, and others who lived with the gas turned down mostly
  • around Washington Square--artists and writers and so forth. Brainy
  • coves.
  • Corky was one of the artists. A portrait-painter, he called himself,
  • but he hadn't painted any portraits. He was sitting on the side-lines
  • with a blanket over his shoulders, waiting for a chance to get into the
  • game. You see, the catch about portrait-painting--I've looked into the
  • thing a bit--is that you can't start painting portraits till people
  • come along and ask you to, and they won't come and ask you to until
  • you've painted a lot first. This makes it kind of difficult for a
  • chappie. Corky managed to get along by drawing an occasional picture
  • for the comic papers--he had rather a gift for funny stuff when he got
  • a good idea--and doing bedsteads and chairs and things for the
  • advertisements. His principal source of income, however, was derived
  • from biting the ear of a rich uncle--one Alexander Worple, who was in
  • the jute business. I'm a bit foggy as to what jute is, but it's
  • apparently something the populace is pretty keen on, for Mr. Worple had
  • made quite an indecently large stack out of it.
  • Now, a great many fellows think that having a rich uncle is a pretty
  • soft snap: but, according to Corky, such is not the case. Corky's uncle
  • was a robust sort of cove, who looked like living for ever. He was
  • fifty-one, and it seemed as if he might go to par. It was not this,
  • however, that distressed poor old Corky, for he was not bigoted and had
  • no objection to the man going on living. What Corky kicked at was the
  • way the above Worple used to harry him.
  • Corky's uncle, you see, didn't want him to be an artist. He didn't
  • think he had any talent in that direction. He was always urging him to
  • chuck Art and go into the jute business and start at the bottom and
  • work his way up. Jute had apparently become a sort of obsession with
  • him. He seemed to attach almost a spiritual importance to it. And what
  • Corky said was that, while he didn't know what they did at the bottom
  • of the jute business, instinct told him that it was something too
  • beastly for words. Corky, moreover, believed in his future as an
  • artist. Some day, he said, he was going to make a hit. Meanwhile, by
  • using the utmost tact and persuasiveness, he was inducing his uncle to
  • cough up very grudgingly a small quarterly allowance.
  • He wouldn't have got this if his uncle hadn't had a hobby. Mr. Worple
  • was peculiar in this respect. As a rule, from what I've observed, the
  • American captain of industry doesn't do anything out of business hours.
  • When he has put the cat out and locked up the office for the night, he
  • just relapses into a state of coma from which he emerges only to start
  • being a captain of industry again. But Mr. Worple in his spare time was
  • what is known as an ornithologist. He had written a book called
  • _American Birds_, and was writing another, to be called _More
  • American Birds_. When he had finished that, the presumption was that
  • he would begin a third, and keep on till the supply of American birds
  • gave out. Corky used to go to him about once every three months and let
  • him talk about American birds. Apparently you could do what you liked
  • with old Worple if you gave him his head first on his pet subject, so
  • these little chats used to make Corky's allowance all right for the
  • time being. But it was pretty rotten for the poor chap. There was the
  • frightful suspense, you see, and, apart from that, birds, except when
  • broiled and in the society of a cold bottle, bored him stiff.
  • To complete the character-study of Mr. Worple, he was a man of
  • extremely uncertain temper, and his general tendency was to think that
  • Corky was a poor chump and that whatever step he took in any direction
  • on his own account, was just another proof of his innate idiocy. I
  • should imagine Jeeves feels very much the same about me.
  • So when Corky trickled into my apartment one afternoon, shooing a girl
  • in front of him, and said, "Bertie, I want you to meet my fiancĂ©e, Miss
  • Singer," the aspect of the matter which hit me first was precisely the
  • one which he had come to consult me about. The very first words I spoke
  • were, "Corky, how about your uncle?"
  • The poor chap gave one of those mirthless laughs. He was looking
  • anxious and worried, like a man who has done the murder all right but
  • can't think what the deuce to do with the body.
  • "We're so scared, Mr. Wooster," said the girl. "We were hoping that you
  • might suggest a way of breaking it to him."
  • Muriel Singer was one of those very quiet, appealing girls who have a
  • way of looking at you with their big eyes as if they thought you were
  • the greatest thing on earth and wondered that you hadn't got on to it
  • yet yourself. She sat there in a sort of shrinking way, looking at me
  • as if she were saying to herself, "Oh, I do hope this great strong man
  • isn't going to hurt me." She gave a fellow a protective kind of
  • feeling, made him want to stroke her hand and say, "There, there,
  • little one!" or words to that effect. She made me feel that there was
  • nothing I wouldn't do for her. She was rather like one of those
  • innocent-tasting American drinks which creep imperceptibly into your
  • system so that, before you know what you're doing, you're starting out
  • to reform the world by force if necessary and pausing on your way to
  • tell the large man in the corner that, if he looks at you like that,
  • you will knock his head off. What I mean is, she made me feel alert and
  • dashing, like a jolly old knight-errant or something of that kind. I
  • felt that I was with her in this thing to the limit.
  • "I don't see why your uncle shouldn't be most awfully bucked," I said
  • to Corky. "He will think Miss Singer the ideal wife for you."
  • Corky declined to cheer up.
  • "You don't know him. Even if he did like Muriel he wouldn't admit it.
  • That's the sort of pig-headed guy he is. It would be a matter of
  • principle with him to kick. All he would consider would be that I had
  • gone and taken an important step without asking his advice, and he
  • would raise Cain automatically. He's always done it."
  • I strained the old bean to meet this emergency.
  • "You want to work it so that he makes Miss Singer's acquaintance
  • without knowing that you know her. Then you come along----"
  • "But how can I work it that way?"
  • I saw his point. That was the catch.
  • "There's only one thing to do," I said.
  • "What's that?"
  • "Leave it to Jeeves."
  • And I rang the bell.
  • "Sir?" said Jeeves, kind of manifesting himself. One of the rummy
  • things about Jeeves is that, unless you watch like a hawk, you very
  • seldom see him come into a room. He's like one of those weird chappies
  • in India who dissolve themselves into thin air and nip through space in
  • a sort of disembodied way and assemble the parts again just where they
  • want them. I've got a cousin who's what they call a Theosophist, and he
  • says he's often nearly worked the thing himself, but couldn't quite
  • bring it off, probably owing to having fed in his boyhood on the flesh
  • of animals slain in anger and pie.
  • The moment I saw the man standing there, registering respectful
  • attention, a weight seemed to roll off my mind. I felt like a lost
  • child who spots his father in the offing. There was something about him
  • that gave me confidence.
  • Jeeves is a tallish man, with one of those dark, shrewd faces. His eye
  • gleams with the light of pure intelligence.
  • "Jeeves, we want your advice."
  • "Very good, sir."
  • I boiled down Corky's painful case into a few well-chosen words.
  • "So you see what it amount to, Jeeves. We want you to suggest some way
  • by which Mr. Worple can make Miss Singer's acquaintance without getting
  • on to the fact that Mr. Corcoran already knows her. Understand?"
  • "Perfectly, sir."
  • "Well, try to think of something."
  • "I have thought of something already, sir."
  • "You have!"
  • "The scheme I would suggest cannot fail of success, but it has what may
  • seem to you a drawback, sir, in that it requires a certain financial
  • outlay."
  • "He means," I translated to Corky, "that he has got a pippin of an
  • idea, but it's going to cost a bit."
  • Naturally the poor chap's face dropped, for this seemed to dish the
  • whole thing. But I was still under the influence of the girl's melting
  • gaze, and I saw that this was where I started in as a knight-errant.
  • "You can count on me for all that sort of thing, Corky," I said. "Only
  • too glad. Carry on, Jeeves."
  • "I would suggest, sir, that Mr. Corcoran take advantage of Mr. Worple's
  • attachment to ornithology."
  • "How on earth did you know that he was fond of birds?"
  • "It is the way these New York apartments are constructed, sir. Quite
  • unlike our London houses. The partitions between the rooms are of the
  • flimsiest nature. With no wish to overhear, I have sometimes heard Mr.
  • Corcoran expressing himself with a generous strength on the subject I
  • have mentioned."
  • "Oh! Well?"
  • "Why should not the young lady write a small volume, to be entitled--let
  • us say--_The Children's Book of American Birds_, and dedicate it
  • to Mr. Worple! A limited edition could be published at your expense,
  • sir, and a great deal of the book would, of course, be given over to
  • eulogistic remarks concerning Mr. Worple's own larger treatise on the
  • same subject. I should recommend the dispatching of a presentation copy
  • to Mr. Worple, immediately on publication, accompanied by a letter in
  • which the young lady asks to be allowed to make the acquaintance of one
  • to whom she owes so much. This would, I fancy, produce the desired
  • result, but as I say, the expense involved would be considerable."
  • I felt like the proprietor of a performing dog on the vaudeville stage
  • when the tyke has just pulled off his trick without a hitch. I had
  • betted on Jeeves all along, and I had known that he wouldn't let me
  • down. It beats me sometimes why a man with his genius is satisfied to
  • hang around pressing my clothes and what-not. If I had half Jeeves's
  • brain, I should have a stab at being Prime Minister or something.
  • "Jeeves," I said, "that is absolutely ripping! One of your very best
  • efforts."
  • "Thank you, sir."
  • The girl made an objection.
  • "But I'm sure I couldn't write a book about anything. I can't even
  • write good letters."
  • "Muriel's talents," said Corky, with a little cough "lie more in the
  • direction of the drama, Bertie. I didn't mention it before, but one of
  • our reasons for being a trifle nervous as to how Uncle Alexander will
  • receive the news is that Muriel is in the chorus of that show _Choose
  • your Exit_ at the Manhattan. It's absurdly unreasonable, but we both
  • feel that that fact might increase Uncle Alexander's natural tendency
  • to kick like a steer."
  • I saw what he meant. Goodness knows there was fuss enough in our family
  • when I tried to marry into musical comedy a few years ago. And the
  • recollection of my Aunt Agatha's attitude in the matter of Gussie and
  • the vaudeville girl was still fresh in my mind. I don't know why it
  • is--one of these psychology sharps could explain it, I suppose--but
  • uncles and aunts, as a class, are always dead against the drama,
  • legitimate or otherwise. They don't seem able to stick it at any price.
  • But Jeeves had a solution, of course.
  • "I fancy it would be a simple matter, sir, to find some impecunious
  • author who would be glad to do the actual composition of the volume for
  • a small fee. It is only necessary that the young lady's name should
  • appear on the title page."
  • "That's true," said Corky. "Sam Patterson would do it for a hundred
  • dollars. He writes a novelette, three short stories, and ten thousand
  • words of a serial for one of the all-fiction magazines under different
  • names every month. A little thing like this would be nothing to him.
  • I'll get after him right away."
  • "Fine!"
  • "Will that be all, sir?" said Jeeves. "Very good, sir. Thank you, sir."
  • I always used to think that publishers had to be devilish intelligent
  • fellows, loaded down with the grey matter; but I've got their number
  • now. All a publisher has to do is to write cheques at intervals, while
  • a lot of deserving and industrious chappies rally round and do the real
  • work. I know, because I've been one myself. I simply sat tight in the
  • old apartment with a fountain-pen, and in due season a topping, shiny
  • book came along.
  • I happened to be down at Corky's place when the first copies of _The
  • Children's Book of American Birds_ bobbed up. Muriel Singer was
  • there, and we were talking of things in general when there was a bang
  • at the door and the parcel was delivered.
  • It was certainly some book. It had a red cover with a fowl of some
  • species on it, and underneath the girl's name in gold letters. I opened
  • a copy at random.
  • "Often of a spring morning," it said at the top of page twenty-one, "as
  • you wander through the fields, you will hear the sweet-toned,
  • carelessly flowing warble of the purple finch linnet. When you are
  • older you must read all about him in Mr. Alexander Worple's wonderful
  • book--_American Birds_."
  • You see. A boost for the uncle right away. And only a few pages later
  • there he was in the limelight again in connection with the yellow-billed
  • cuckoo. It was great stuff. The more I read, the more I admired the chap
  • who had written it and Jeeves's genius in putting us on to the wheeze.
  • I didn't see how the uncle could fail to drop. You can't call a chap the
  • world's greatest authority on the yellow-billed cuckoo without rousing a
  • certain disposition towards chumminess in him.
  • "It's a cert!" I said.
  • "An absolute cinch!" said Corky.
  • And a day or two later he meandered up the Avenue to my apartment to
  • tell me that all was well. The uncle had written Muriel a letter so
  • dripping with the milk of human kindness that if he hadn't known Mr.
  • Worple's handwriting Corky would have refused to believe him the author
  • of it. Any time it suited Miss Singer to call, said the uncle, he would
  • be delighted to make her acquaintance.
  • Shortly after this I had to go out of town. Divers sound sportsmen had
  • invited me to pay visits to their country places, and it wasn't for
  • several months that I settled down in the city again. I had been
  • wondering a lot, of course, about Corky, whether it all turned out
  • right, and so forth, and my first evening in New York, happening to pop
  • into a quiet sort of little restaurant which I go to when I don't feel
  • inclined for the bright lights, I found Muriel Singer there, sitting by
  • herself at a table near the door. Corky, I took it, was out
  • telephoning. I went up and passed the time of day.
  • "Well, well, well, what?" I said.
  • "Why, Mr. Wooster! How do you do?"
  • "Corky around?"
  • "I beg your pardon?"
  • "You're waiting for Corky, aren't you?"
  • "Oh, I didn't understand. No, I'm not waiting for him."
  • It seemed to me that there was a sort of something in her voice, a
  • kind of thingummy, you know.
  • "I say, you haven't had a row with Corky, have you?"
  • "A row?"
  • "A spat, don't you know--little misunderstanding--faults on both
  • sides--er--and all that sort of thing."
  • "Why, whatever makes you think that?"
  • "Oh, well, as it were, what? What I mean is--I thought you usually
  • dined with him before you went to the theatre."
  • "I've left the stage now."
  • Suddenly the whole thing dawned on me. I had forgotten what a long time
  • I had been away.
  • "Why, of course, I see now! You're married!"
  • "Yes."
  • "How perfectly topping! I wish you all kinds of happiness."
  • "Thank you, so much. Oh Alexander," she said, looking past me, "this is
  • a friend of mine--Mr. Wooster."
  • I spun round. A chappie with a lot of stiff grey hair and a red sort of
  • healthy face was standing there. Rather a formidable Johnnie, he
  • looked, though quite peaceful at the moment.
  • "I want you to meet my husband, Mr. Wooster. Mr. Wooster is a friend of
  • Bruce's, Alexander."
  • The old boy grasped my hand warmly, and that was all that kept me from
  • hitting the floor in a heap. The place was rocking. Absolutely.
  • "So you know my nephew, Mr. Wooster," I heard him say. "I wish you
  • would try to knock a little sense into him and make him quit this
  • playing at painting. But I have an idea that he is steadying down. I
  • noticed it first that night he came to dinner with us, my dear, to be
  • introduced to you. He seemed altogether quieter and more serious.
  • Something seemed to have sobered him. Perhaps you will give us the
  • pleasure of your company at dinner to-night, Mr. Wooster? Or have you
  • dined?"
  • I said I had. What I needed then was air, not dinner. I felt that I
  • wanted to get into the open and think this thing out.
  • When I reached my apartment I heard Jeeves moving about in his lair. I
  • called him.
  • "Jeeves," I said, "now is the time for all good men to come to the aid
  • of the party. A stiff b.-and-s. first of all, and then I've a bit of
  • news for you."
  • He came back with a tray and a long glass.
  • "Better have one yourself, Jeeves. You'll need it."
  • "Later on, perhaps, thank you, sir."
  • "All right. Please yourself. But you're going to get a shock. You
  • remember my friend, Mr. Corcoran?"
  • "Yes, sir."
  • "And the girl who was to slide gracefully into his uncle's esteem by
  • writing the book on birds?"
  • "Perfectly, sir."
  • "Well, she's slid. She's married the uncle."
  • He took it without blinking. You can't rattle Jeeves.
  • "That was always a development to be feared, sir."
  • "You don't mean to tell me that you were expecting it?"
  • "It crossed my mind as a possibility."
  • "Did it, by Jove! Well, I think, you might have warned us!"
  • "I hardly liked to take the liberty, sir."
  • Of course, as I saw after I had had a bite to eat and was in a calmer
  • frame of mind, what had happened wasn't my fault, if you come down to
  • it. I couldn't be expected to foresee that the scheme, in itself a
  • cracker-jack, would skid into the ditch as it had done; but all the
  • same I'm bound to admit that I didn't relish the idea of meeting Corky
  • again until time, the great healer, had been able to get in a bit of
  • soothing work. I cut Washington Square out absolutely for the next few
  • months. I gave it the complete miss-in-baulk. And then, just when I was
  • beginning to think I might safely pop down in that direction and gather
  • up the dropped threads, so to speak, time, instead of working the
  • healing wheeze, went and pulled the most awful bone and put the lid on
  • it. Opening the paper one morning, I read that Mrs. Alexander Worple
  • had presented her husband with a son and heir.
  • I was so darned sorry for poor old Corky that I hadn't the heart to
  • touch my breakfast. I told Jeeves to drink it himself. I was bowled
  • over. Absolutely. It was the limit.
  • I hardly knew what to do. I wanted, of course, to rush down to
  • Washington Square and grip the poor blighter silently by the hand; and
  • then, thinking it over, I hadn't the nerve. Absent treatment seemed the
  • touch. I gave it him in waves.
  • But after a month or so I began to hesitate again. It struck me that it
  • was playing it a bit low-down on the poor chap, avoiding him like this
  • just when he probably wanted his pals to surge round him most. I
  • pictured him sitting in his lonely studio with no company but his
  • bitter thoughts, and the pathos of it got me to such an extent that I
  • bounded straight into a taxi and told the driver to go all out for the
  • studio.
  • I rushed in, and there was Corky, hunched up at the easel, painting
  • away, while on the model throne sat a severe-looking female of middle
  • age, holding a baby.
  • A fellow has to be ready for that sort of thing.
  • "Oh, ah!" I said, and started to back out.
  • Corky looked over his shoulder.
  • "Halloa, Bertie. Don't go. We're just finishing for the day. That will
  • be all this afternoon," he said to the nurse, who got up with the baby
  • and decanted it into a perambulator which was standing in the fairway.
  • "At the same hour to-morrow, Mr. Corcoran?"
  • "Yes, please."
  • "Good afternoon."
  • "Good afternoon."
  • Corky stood there, looking at the door, and then he turned to me and
  • began to get it off his chest. Fortunately, he seemed to take it for
  • granted that I knew all about what had happened, so it wasn't as
  • awkward as it might have been.
  • "It's my uncle's idea," he said. "Muriel doesn't know about it yet. The
  • portrait's to be a surprise for her on her birthday. The nurse takes
  • the kid out ostensibly to get a breather, and they beat it down here.
  • If you want an instance of the irony of fate, Bertie, get acquainted
  • with this. Here's the first commission I have ever had to paint a
  • portrait, and the sitter is that human poached egg that has butted in
  • and bounced me out of my inheritance. Can you beat it! I call it
  • rubbing the thing in to expect me to spend my afternoons gazing into
  • the ugly face of a little brat who to all intents and purposes has hit
  • me behind the ear with a blackjack and swiped all I possess. I can't
  • refuse to paint the portrait because if I did my uncle would stop my
  • allowance; yet every time I look up and catch that kid's vacant eye, I
  • suffer agonies. I tell you, Bertie, sometimes when he gives me a
  • patronizing glance and then turns away and is sick, as if it revolted
  • him to look at me, I come within an ace of occupying the entire front
  • page of the evening papers as the latest murder sensation. There are
  • moments when I can almost see the headlines: 'Promising Young Artist
  • Beans Baby With Axe.'"
  • I patted his shoulder silently. My sympathy for the poor old scout was
  • too deep for words.
  • I kept away from the studio for some time after that, because it didn't
  • seem right to me to intrude on the poor chappie's sorrow. Besides, I'm
  • bound to say that nurse intimidated me. She reminded me so infernally
  • of Aunt Agatha. She was the same gimlet-eyed type.
  • But one afternoon Corky called me on the 'phone.
  • "Bertie."
  • "Halloa?"
  • "Are you doing anything this afternoon?"
  • "Nothing special."
  • "You couldn't come down here, could you?"
  • "What's the trouble? Anything up?"
  • "I've finished the portrait."
  • "Good boy! Stout work!"
  • "Yes." His voice sounded rather doubtful. "The fact is, Bertie, it
  • doesn't look quite right to me. There's something about it--My uncle's
  • coming in half an hour to inspect it, and--I don't know why it is, but
  • I kind of feel I'd like your moral support!"
  • I began to see that I was letting myself in for something. The
  • sympathetic co-operation of Jeeves seemed to me to be indicated.
  • "You think he'll cut up rough?"
  • "He may."
  • I threw my mind back to the red-faced chappie I had met at the
  • restaurant, and tried to picture him cutting up rough. It was only too
  • easy. I spoke to Corky firmly on the telephone.
  • "I'll come," I said.
  • "Good!"
  • "But only if I may bring Jeeves!"
  • "Why Jeeves? What's Jeeves got to do with it? Who wants Jeeves? Jeeves
  • is the fool who suggested the scheme that has led----"
  • "Listen, Corky, old top! If you think I am going to face that uncle of
  • yours without Jeeves's support, you're mistaken. I'd sooner go into a
  • den of wild beasts and bite a lion on the back of the neck."
  • "Oh, all right," said Corky. Not cordially, but he said it; so I rang
  • for Jeeves, and explained the situation.
  • "Very good, sir," said Jeeves.
  • That's the sort of chap he is. You can't rattle him.
  • We found Corky near the door, looking at the picture, with one hand up
  • in a defensive sort of way, as if he thought it might swing on him.
  • "Stand right where you are, Bertie," he said, without moving. "Now,
  • tell me honestly, how does it strike you?"
  • The light from the big window fell right on the picture. I took a good
  • look at it. Then I shifted a bit nearer and took another look. Then I
  • went back to where I had been at first, because it hadn't seemed quite
  • so bad from there.
  • "Well?" said Corky, anxiously.
  • I hesitated a bit.
  • "Of course, old man, I only saw the kid once, and then only for a
  • moment, but--but it _was_ an ugly sort of kid, wasn't it, if I
  • remember rightly?"
  • "As ugly as that?"
  • I looked again, and honesty compelled me to be frank.
  • "I don't see how it could have been, old chap."
  • Poor old Corky ran his fingers through his hair in a temperamental sort
  • of way. He groaned.
  • "You're right quite, Bertie. Something's gone wrong with the darned
  • thing. My private impression is that, without knowing it, I've worked
  • that stunt that Sargent and those fellows pull--painting the soul of
  • the sitter. I've got through the mere outward appearance, and have put
  • the child's soul on canvas."
  • "But could a child of that age have a soul like that? I don't see how
  • he could have managed it in the time. What do you think, Jeeves?"
  • "I doubt it, sir."
  • "It--it sorts of leers at you, doesn't it?"
  • "You've noticed that, too?" said Corky.
  • "I don't see how one could help noticing."
  • "All I tried to do was to give the little brute a cheerful expression.
  • But, as it worked out, he looks positively dissipated."
  • "Just what I was going to suggest, old man. He looks as if he were in
  • the middle of a colossal spree, and enjoying every minute of it. Don't
  • you think so, Jeeves?"
  • "He has a decidedly inebriated air, sir."
  • Corky was starting to say something when the door opened, and the uncle
  • came in.
  • For about three seconds all was joy, jollity, and goodwill. The old boy
  • shook hands with me, slapped Corky on the back, said that he didn't
  • think he had ever seen such a fine day, and whacked his leg with his
  • stick. Jeeves had projected himself into the background, and he didn't
  • notice him.
  • "Well, Bruce, my boy; so the portrait is really finished, is it--really
  • finished? Well, bring it out. Let's have a look at it. This will be a
  • wonderful surprise for your aunt. Where is it? Let's----"
  • And then he got it--suddenly, when he wasn't set for the punch; and he
  • rocked back on his heels.
  • "Oosh!" he exclaimed. And for perhaps a minute there was one of the
  • scaliest silences I've ever run up against.
  • "Is this a practical joke?" he said at last, in a way that set about
  • sixteen draughts cutting through the room at once.
  • I thought it was up to me to rally round old Corky.
  • "You want to stand a bit farther away from it," I said.
  • "You're perfectly right!" he snorted. "I do! I want to stand so far
  • away from it that I can't see the thing with a telescope!" He turned on
  • Corky like an untamed tiger of the jungle who has just located a chunk
  • of meat. "And this--this--is what you have been wasting your time and
  • my money for all these years! A painter! I wouldn't let you paint a
  • house of mine! I gave you this commission, thinking that you were a
  • competent worker, and this--this--this extract from a comic coloured
  • supplement is the result!" He swung towards the door, lashing his tail
  • and growling to himself. "This ends it! If you wish to continue this
  • foolery of pretending to be an artist because you want an excuse for
  • idleness, please yourself. But let me tell you this. Unless you report
  • at my office on Monday morning, prepared to abandon all this idiocy and
  • start in at the bottom of the business to work your way up, as you
  • should have done half a dozen years ago, not another cent--not another
  • cent--not another--Boosh!"
  • Then the door closed, and he was no longer with us. And I crawled out
  • of the bombproof shelter.
  • "Corky, old top!" I whispered faintly.
  • Corky was standing staring at the picture. His face was set. There was
  • a hunted look in his eye.
  • "Well, that finishes it!" he muttered brokenly.
  • "What are you going to do?"
  • "Do? What can I do? I can't stick on here if he cuts off supplies. You
  • heard what he said. I shall have to go to the office on Monday."
  • I couldn't think of a thing to say. I knew exactly how he felt about
  • the office. I don't know when I've been so infernally uncomfortable. It
  • was like hanging round trying to make conversation to a pal who's just
  • been sentenced to twenty years in quod.
  • And then a soothing voice broke the silence.
  • "If I might make a suggestion, sir!"
  • It was Jeeves. He had slid from the shadows and was gazing gravely at
  • the picture. Upon my word, I can't give you a better idea of the
  • shattering effect of Corky's uncle Alexander when in action than by
  • saying that he had absolutely made me forget for the moment that Jeeves
  • was there.
  • "I wonder if I have ever happened to mention to you, sir, a Mr. Digby
  • Thistleton, with whom I was once in service? Perhaps you have met him?
  • He was a financier. He is now Lord Bridgnorth. It was a favourite
  • saying of his that there is always a way. The first time I heard him
  • use the expression was after the failure of a patent depilatory which
  • he promoted."
  • "Jeeves," I said, "what on earth are you talking about?"
  • "I mentioned Mr. Thistleton, sir, because his was in some respects
  • a parallel case to the present one. His depilatory failed, but he
  • did not despair. He put it on the market again under the name of
  • Hair-o, guaranteed to produce a full crop of hair in a few months.
  • It was advertised, if you remember, sir, by a humorous picture of a
  • billiard-ball, before and after taking, and made such a substantial
  • fortune that Mr. Thistleton was soon afterwards elevated to the peerage
  • for services to his Party. It seems to me that, if Mr. Corcoran looks
  • into the matter, he will find, like Mr. Thistleton, that there is always
  • a way. Mr. Worple himself suggested the solution of the difficulty. In
  • the heat of the moment he compared the portrait to an extract from a
  • coloured comic supplement. I consider the suggestion a very valuable
  • one, sir. Mr. Corcoran's portrait may not have pleased Mr. Worple as a
  • likeness of his only child, but I have no doubt that editors would gladly
  • consider it as a foundation for a series of humorous drawings. If Mr.
  • Corcoran will allow me to make the suggestion, his talent has always been
  • for the humorous. There is something about this picture--something bold
  • and vigorous, which arrests the attention. I feel sure it would be highly
  • popular."
  • Corky was glaring at the picture, and making a sort of dry, sucking
  • noise with his mouth. He seemed completely overwrought.
  • And then suddenly he began to laugh in a wild way.
  • "Corky, old man!" I said, massaging him tenderly. I feared the poor
  • blighter was hysterical.
  • He began to stagger about all over the floor.
  • "He's right! The man's absolutely right! Jeeves, you're a life-saver!
  • You've hit on the greatest idea of the age! Report at the office on
  • Monday! Start at the bottom of the business! I'll buy the business if I
  • feel like it. I know the man who runs the comic section of the
  • _Sunday Star_. He'll eat this thing. He was telling me only the
  • other day how hard it was to get a good new series. He'll give me
  • anything I ask for a real winner like this. I've got a gold-mine.
  • Where's my hat? I've got an income for life! Where's that confounded
  • hat? Lend me a fiver, Bertie. I want to take a taxi down to Park Row!"
  • Jeeves smiled paternally. Or, rather, he had a kind of paternal
  • muscular spasm about the mouth, which is the nearest he ever gets to
  • smiling.
  • "If I might make the suggestion, Mr. Corcoran--for a title of the
  • series which you have in mind--'The Adventures of Baby Blobbs.'"
  • Corky and I looked at the picture, then at each other in an awed way.
  • Jeeves was right. There could be no other title.
  • "Jeeves," I said. It was a few weeks later, and I had just finished
  • looking at the comic section of the _Sunday Star_. "I'm an
  • optimist. I always have been. The older I get, the more I agree with
  • Shakespeare and those poet Johnnies about it always being darkest
  • before the dawn and there's a silver lining and what you lose on the
  • swings you make up on the roundabouts. Look at Mr. Corcoran, for
  • instance. There was a fellow, one would have said, clear up to the
  • eyebrows in the soup. To all appearances he had got it right in the
  • neck. Yet look at him now. Have you seen these pictures?"
  • "I took the liberty of glancing at them before bringing them to you,
  • sir. Extremely diverting."
  • "They have made a big hit, you know."
  • "I anticipated it, sir."
  • I leaned back against the pillows.
  • "You know, Jeeves, you're a genius. You ought to be drawing a
  • commission on these things."
  • "I have nothing to complain of in that respect, sir. Mr. Corcoran has
  • been most generous. I am putting out the brown suit, sir."
  • "No, I think I'll wear the blue with the faint red stripe."
  • "Not the blue with the faint red stripe, sir."
  • "But I rather fancy myself in it."
  • "Not the blue with the faint red stripe, sir."
  • "Oh, all right, have it your own way."
  • "Very good, sir. Thank you, sir."
  • Of course, I know it's as bad as being henpecked; but then Jeeves is
  • always right. You've got to consider that, you know. What?
  • JEEVES AND THE UNBIDDEN GUEST
  • I'm not absolutely certain of my facts, but I rather fancy it's
  • Shakespeare--or, if not, it's some equally brainy lad--who says that
  • it's always just when a chappie is feeling particularly top-hole, and
  • more than usually braced with things in general that Fate sneaks up
  • behind him with a bit of lead piping. There's no doubt the man's right.
  • It's absolutely that way with me. Take, for instance, the fairly rummy
  • matter of Lady Malvern and her son Wilmot. A moment before they turned
  • up, I was just thinking how thoroughly all right everything was.
  • It was one of those topping mornings, and I had just climbed out from
  • under the cold shower, feeling like a two-year-old. As a matter of
  • fact, I was especially bucked just then because the day before I had
  • asserted myself with Jeeves--absolutely asserted myself, don't you
  • know. You see, the way things had been going on I was rapidly becoming
  • a dashed serf. The man had jolly well oppressed me. I didn't so much
  • mind when he made me give up one of my new suits, because, Jeeves's
  • judgment about suits is sound. But I as near as a toucher rebelled when
  • he wouldn't let me wear a pair of cloth-topped boots which I loved like
  • a couple of brothers. And when he tried to tread on me like a worm in
  • the matter of a hat, I jolly well put my foot down and showed him who
  • was who. It's a long story, and I haven't time to tell you now, but
  • the point is that he wanted me to wear the Longacre--as worn by John
  • Drew--when I had set my heart on the Country Gentleman--as worn by
  • another famous actor chappie--and the end of the matter was that, after
  • a rather painful scene, I bought the Country Gentleman. So that's how
  • things stood on this particular morning, and I was feeling kind of
  • manly and independent.
  • Well, I was in the bathroom, wondering what there was going to be for
  • breakfast while I massaged the good old spine with a rough towel and
  • sang slightly, when there was a tap at the door. I stopped singing and
  • opened the door an inch.
  • "What ho without there!"
  • "Lady Malvern wishes to see you, sir," said Jeeves.
  • "Eh?"
  • "Lady Malvern, sir. She is waiting in the sitting-room."
  • "Pull yourself together, Jeeves, my man," I said, rather severely, for
  • I bar practical jokes before breakfast. "You know perfectly well
  • there's no one waiting for me in the sitting-room. How could there be
  • when it's barely ten o'clock yet?"
  • "I gathered from her ladyship, sir, that she had landed from an ocean
  • liner at an early hour this morning."
  • This made the thing a bit more plausible. I remembered that when I had
  • arrived in America about a year before, the proceedings had begun at
  • some ghastly hour like six, and that I had been shot out on to a
  • foreign shore considerably before eight.
  • "Who the deuce is Lady Malvern, Jeeves?"
  • "Her ladyship did not confide in me, sir."
  • "Is she alone?"
  • "Her ladyship is accompanied by a Lord Pershore, sir. I fancy that his
  • lordship would be her ladyship's son."
  • "Oh, well, put out rich raiment of sorts, and I'll be dressing."
  • "Our heather-mixture lounge is in readiness, sir."
  • "Then lead me to it."
  • While I was dressing I kept trying to think who on earth Lady Malvern
  • could be. It wasn't till I had climbed through the top of my shirt and
  • was reaching out for the studs that I remembered.
  • "I've placed her, Jeeves. She's a pal of my Aunt Agatha."
  • "Indeed, sir?"
  • "Yes. I met her at lunch one Sunday before I left
  • London. A very vicious specimen. Writes books. She wrote a book on
  • social conditions in India when she came back from the Durbar."
  • "Yes, sir? Pardon me, sir, but not that tie!"
  • "Eh?"
  • "Not that tie with the heather-mixture lounge, sir!"
  • It was a shock to me. I thought I had quelled the fellow. It was rather
  • a solemn moment. What I mean is, if I weakened now, all my good work
  • the night before would be thrown away. I braced myself.
  • "What's wrong with this tie? I've seen you give it a nasty look before.
  • Speak out like a man! What's the matter with it?"
  • "Too ornate, sir."
  • "Nonsense! A cheerful pink. Nothing more."
  • "Unsuitable, sir."
  • "Jeeves, this is the tie I wear!"
  • "Very good, sir."
  • Dashed unpleasant. I could see that the man was wounded. But I was
  • firm. I tied the tie, got into the coat and waistcoat, and went into
  • the sitting-room.
  • "Halloa! Halloa! Halloa!" I said. "What?"
  • "Ah! How do you do, Mr. Wooster? You have never met my son, Wilmot, I
  • think? Motty, darling, this is Mr. Wooster."
  • Lady Malvern was a hearty, happy, healthy, overpowering sort of dashed
  • female, not so very tall but making up for it by measuring about six feet
  • from the O.P. to the Prompt Side. She fitted into my biggest arm-chair as
  • if it had been built round her by someone who knew they were wearing
  • arm-chairs tight about the hips that season. She had bright, bulging
  • eyes and a lot of yellow hair, and when she spoke she showed about
  • fifty-seven front teeth. She was one of those women who kind of numb
  • a fellow's faculties. She made me feel as if I were ten years old and
  • had been brought into the drawing-room in my Sunday clothes to say
  • how-d'you-do. Altogether by no means the sort of thing a chappie would
  • wish to find in his sitting-room before breakfast.
  • Motty, the son, was about twenty-three, tall and thin and meek-looking.
  • He had the same yellow hair as his mother, but he wore it plastered
  • down and parted in the middle. His eyes bulged, too, but they weren't
  • bright. They were a dull grey with pink rims. His chin gave up the
  • struggle about half-way down, and he didn't appear to have any
  • eyelashes. A mild, furtive, sheepish sort of blighter, in short.
  • "Awfully glad to see you," I said. "So you've popped over, eh? Making a
  • long stay in America?"
  • "About a month. Your aunt gave me your address and told me to be sure
  • and call on you."
  • I was glad to hear this, as it showed that Aunt Agatha was beginning to
  • come round a bit. There had been some unpleasantness a year before,
  • when she had sent me over to New York to disentangle my Cousin Gussie
  • from the clutches of a girl on the music-hall stage. When I tell you
  • that by the time I had finished my operations, Gussie had not only
  • married the girl but had gone on the stage himself, and was doing well,
  • you'll understand that Aunt Agatha was upset to no small extent. I
  • simply hadn't dared go back and face her, and it was a relief to find
  • that time had healed the wound and all that sort of thing enough to
  • make her tell her pals to look me up. What I mean is, much as I liked
  • America, I didn't want to have England barred to me for the rest of my
  • natural; and, believe me, England is a jolly sight too small for anyone
  • to live in with Aunt Agatha, if she's really on the warpath. So I
  • braced on hearing these kind words and smiled genially on the
  • assemblage.
  • "Your aunt said that you would do anything that was in your power to be
  • of assistance to us."
  • "Rather? Oh, rather! Absolutely!"
  • "Thank you so much. I want you to put dear Motty up for a little
  • while."
  • I didn't get this for a moment.
  • "Put him up? For my clubs?"
  • "No, no! Darling Motty is essentially a home bird. Aren't you, Motty
  • darling?"
  • Motty, who was sucking the knob of his stick, uncorked himself.
  • "Yes, mother," he said, and corked himself up again.
  • "I should not like him to belong to clubs. I mean put him up here. Have
  • him to live with you while I am away."
  • These frightful words trickled out of her like honey. The woman simply
  • didn't seem to understand the ghastly nature of her proposal. I gave
  • Motty the swift east-to-west. He was sitting with his mouth nuzzling
  • the stick, blinking at the wall. The thought of having this planted on
  • me for an indefinite period appalled me. Absolutely appalled me, don't
  • you know. I was just starting to say that the shot wasn't on the board
  • at any price, and that the first sign Motty gave of trying to nestle
  • into my little home I would yell for the police, when she went on,
  • rolling placidly over me, as it were.
  • There was something about this woman that sapped a chappie's will-power.
  • "I am leaving New York by the midday train, as I have to pay a visit to
  • Sing-Sing prison. I am extremely interested in prison conditions in
  • America. After that I work my way gradually across to the coast,
  • visiting the points of interest on the journey. You see, Mr. Wooster, I
  • am in America principally on business. No doubt you read my book,
  • _India and the Indians_? My publishers are anxious for me to write
  • a companion volume on the United States. I shall not be able to spend
  • more than a month in the country, as I have to get back for the season,
  • but a month should be ample. I was less than a month in India, and my
  • dear friend Sir Roger Cremorne wrote his _America from Within_
  • after a stay of only two weeks. I should love to take dear Motty with
  • me, but the poor boy gets so sick when he travels by train. I shall
  • have to pick him up on my return."
  • From where I sat I could see Jeeves in the dining-room, laying the
  • breakfast-table. I wished I could have had a minute with him alone. I
  • felt certain that he would have been able to think of some way of
  • putting a stop to this woman.
  • "It will be such a relief to know that Motty is safe with you, Mr.
  • Wooster. I know what the temptations of a great city are. Hitherto dear
  • Motty has been sheltered from them. He has lived quietly with me in the
  • country. I know that you will look after him carefully, Mr. Wooster. He
  • will give very little trouble." She talked about the poor blighter as
  • if he wasn't there. Not that Motty seemed to mind. He had stopped
  • chewing his walking-stick and was sitting there with his mouth open.
  • "He is a vegetarian and a teetotaller and is devoted to reading. Give
  • him a nice book and he will be quite contented." She got up. "Thank you
  • so much, Mr. Wooster! I don't know what I should have done without your
  • help. Come, Motty! We have just time to see a few of the sights before
  • my train goes. But I shall have to rely on you for most of my
  • information about New York, darling. Be sure to keep your eyes open and
  • take notes of your impressions! It will be such a help. Good-bye, Mr.
  • Wooster. I will send Motty back early in the afternoon."
  • They went out, and I howled for Jeeves.
  • "Jeeves! What about it?"
  • "Sir?"
  • "What's to be done? You heard it all, didn't you? You were in the
  • dining-room most of the time. That pill is coming to stay here."
  • "Pill, sir?"
  • "The excrescence."
  • "I beg your pardon, sir?"
  • I looked at Jeeves sharply. This sort of thing wasn't like him. It was
  • as if he were deliberately trying to give me the pip. Then I
  • understood. The man was really upset about that tie. He was trying to
  • get his own back.
  • "Lord Pershore will be staying here from to-night, Jeeves," I said
  • coldly.
  • "Very good, sir. Breakfast is ready, sir."
  • I could have sobbed into the bacon and eggs. That there wasn't any
  • sympathy to be got out of Jeeves was what put the lid on it. For a
  • moment I almost weakened and told him to destroy the hat and tie if he
  • didn't like them, but I pulled myself together again. I was dashed if I
  • was going to let Jeeves treat me like a bally one-man chain-gang!
  • But, what with brooding on Jeeves and brooding on Motty, I was in a
  • pretty reduced sort of state. The more I examined the situation, the
  • more blighted it became. There was nothing I could do. If I slung Motty
  • out, he would report to his mother, and she would pass it on to Aunt
  • Agatha, and I didn't like to think what would happen then. Sooner or
  • later, I should be wanting to go back to England, and I didn't want to
  • get there and find Aunt Agatha waiting on the quay for me with a
  • stuffed eelskin. There was absolutely nothing for it but to put the
  • fellow up and make the best of it.
  • About midday Motty's luggage arrived, and soon afterward a large parcel
  • of what I took to be nice books. I brightened up a little when I saw
  • it. It was one of those massive parcels and looked as if it had enough
  • in it to keep the chappie busy for a year. I felt a trifle more
  • cheerful, and I got my Country Gentleman hat and stuck it on my head,
  • and gave the pink tie a twist, and reeled out to take a bite of lunch
  • with one or two of the lads at a neighbouring hostelry; and what with
  • excellent browsing and sluicing and cheery conversation and what-not,
  • the afternoon passed quite happily. By dinner-time I had almost
  • forgotten blighted Motty's existence.
  • I dined at the club and looked in at a show afterward, and it wasn't
  • till fairly late that I got back to the flat. There were no signs of
  • Motty, and I took it that he had gone to bed.
  • It seemed rummy to me, though, that the parcel of nice books was still
  • there with the string and paper on it. It looked as if Motty, after
  • seeing mother off at the station, had decided to call it a day.
  • Jeeves came in with the nightly whisky-and-soda. I could tell by the
  • chappie's manner that he was still upset.
  • "Lord Pershore gone to bed, Jeeves?" I asked, with reserved hauteur and
  • what-not.
  • "No, sir. His lordship has not yet returned."
  • "Not returned? What do you mean?"
  • "His lordship came in shortly after six-thirty, and, having dressed,
  • went out again."
  • At this moment there was a noise outside the front door, a sort of
  • scrabbling noise, as if somebody were trying to paw his way through the
  • woodwork. Then a sort of thud.
  • "Better go and see what that is, Jeeves."
  • "Very good, sir."
  • He went out and came back again.
  • "If you would not mind stepping this way, sir, I think we might be able
  • to carry him in."
  • "Carry him in?"
  • "His lordship is lying on the mat, sir."
  • I went to the front door. The man was right. There was Motty huddled up
  • outside on the floor. He was moaning a bit.
  • "He's had some sort of dashed fit," I said. I took another look.
  • "Jeeves! Someone's been feeding him meat!"
  • "Sir?"
  • "He's a vegetarian, you know. He must have been digging into a steak or
  • something. Call up a doctor!"
  • "I hardly think it will be necessary, sir. If you would take his
  • lordship's legs, while I----"
  • "Great Scot, Jeeves! You don't think--he can't be----"
  • "I am inclined to think so, sir."
  • And, by Jove, he was right! Once on the right track, you couldn't
  • mistake it. Motty was under the surface.
  • It was the deuce of a shock.
  • "You never can tell, Jeeves!"
  • "Very seldom, sir."
  • "Remove the eye of authority and where are you?"
  • "Precisely, sir."
  • "Where is my wandering boy to-night and all that sort of thing, what?"
  • "It would seem so, sir."
  • "Well, we had better bring him in, eh?"
  • "Yes, sir."
  • So we lugged him in, and Jeeves put him to bed, and I lit a cigarette
  • and sat down to think the thing over. I had a kind of foreboding. It
  • seemed to me that I had let myself in for something pretty rocky.
  • Next morning, after I had sucked down a thoughtful cup of tea, I went
  • into Motty's room to investigate. I expected to find the fellow a
  • wreck, but there he was, sitting up in bed, quite chirpy, reading
  • Gingery stories.
  • "What ho!" I said.
  • "What ho!" said Motty.
  • "What ho! What ho!"
  • "What ho! What ho! What ho!"
  • After that it seemed rather difficult to go on with the conversation.
  • "How are you feeling this morning?" I asked.
  • "Topping!" replied Motty, blithely and with abandon. "I say, you know,
  • that fellow of yours--Jeeves, you know--is a corker. I had a most
  • frightful headache when I woke up, and he brought me a sort of rummy
  • dark drink, and it put me right again at once. Said it was his own
  • invention. I must see more of that lad. He seems to me distinctly one
  • of the ones!"
  • I couldn't believe that this was the same blighter who had sat and
  • sucked his stick the day before.
  • "You ate something that disagreed with you last night, didn't you?" I
  • said, by way of giving him a chance to slide out of it if he wanted to.
  • But he wouldn't have it, at any price.
  • "No!" he replied firmly. "I didn't do anything of the kind. I drank too
  • much! Much too much. Lots and lots too much! And, what's more, I'm
  • going to do it again! I'm going to do it every night. If ever you see
  • me sober, old top," he said, with a kind of holy exaltation, "tap me on
  • the shoulder and say, 'Tut! Tut!' and I'll apologize and remedy the
  • defect."
  • "But I say, you know, what about me?"
  • "What about you?"
  • "Well, I'm so to speak, as it were, kind of responsible for you. What I
  • mean to say is, if you go doing this sort of thing I'm apt to get in
  • the soup somewhat."
  • "I can't help your troubles," said Motty firmly. "Listen to me, old
  • thing: this is the first time in my life that I've had a real chance to
  • yield to the temptations of a great city. What's the use of a great
  • city having temptations if fellows don't yield to them? Makes it so
  • bally discouraging for a great city. Besides, mother told me to keep my
  • eyes open and collect impressions."
  • I sat on the edge of the bed. I felt dizzy.
  • "I know just how you feel, old dear," said Motty consolingly. "And, if
  • my principles would permit it, I would simmer down for your sake. But
  • duty first! This is the first time I've been let out alone, and I mean
  • to make the most of it. We're only young once. Why interfere with
  • life's morning? Young man, rejoice in thy youth! Tra-la! What ho!"
  • Put like that, it did seem reasonable.
  • "All my bally life, dear boy," Motty went on, "I've been cooped up in
  • the ancestral home at Much Middlefold, in Shropshire, and till you've
  • been cooped up in Much Middlefold you don't know what cooping is! The
  • only time we get any excitement is when one of the choir-boys is caught
  • sucking chocolate during the sermon. When that happens, we talk about
  • it for days. I've got about a month of New York, and I mean to store up
  • a few happy memories for the long winter evenings. This is my only
  • chance to collect a past, and I'm going to do it. Now tell me, old
  • sport, as man to man, how does one get in touch with that very decent
  • chappie Jeeves? Does one ring a bell or shout a bit? I should like to
  • discuss the subject of a good stiff b.-and-s. with him!"
  • * * * * *
  • I had had a sort of vague idea, don't you know, that if I stuck close
  • to Motty and went about the place with him, I might act as a bit of a
  • damper on the gaiety. What I mean is, I thought that if, when he was
  • being the life and soul of the party, he were to catch my reproving eye
  • he might ease up a trifle on the revelry. So the next night I took him
  • along to supper with me. It was the last time. I'm a quiet, peaceful
  • sort of chappie who has lived all his life in London, and I can't stand
  • the pace these swift sportsmen from the rural districts set. What I
  • mean to say is this, I'm all for rational enjoyment and so forth, but I
  • think a chappie makes himself conspicuous when he throws soft-boiled
  • eggs at the electric fan. And decent mirth and all that sort of thing
  • are all right, but I do bar dancing on tables and having to dash all
  • over the place dodging waiters, managers, and chuckers-out, just when
  • you want to sit still and digest.
  • Directly I managed to tear myself away that night and get home, I made
  • up my mind that this was jolly well the last time that I went about
  • with Motty. The only time I met him late at night after that was once
  • when I passed the door of a fairly low-down sort of restaurant and had
  • to step aside to dodge him as he sailed through the air _en route_
  • for the opposite pavement, with a muscular sort of looking chappie
  • peering out after him with a kind of gloomy satisfaction.
  • In a way, I couldn't help sympathizing with the fellow. He had about
  • four weeks to have the good time that ought to have been spread over
  • about ten years, and I didn't wonder at his wanting to be pretty busy.
  • I should have been just the same in his place. Still, there was no
  • denying that it was a bit thick. If it hadn't been for the thought of
  • Lady Malvern and Aunt Agatha in the background, I should have regarded
  • Motty's rapid work with an indulgent smile. But I couldn't get rid of
  • the feeling that, sooner or later, I was the lad who was scheduled to
  • get it behind the ear. And what with brooding on this prospect, and
  • sitting up in the old flat waiting for the familiar footstep, and
  • putting it to bed when it got there, and stealing into the sick-chamber
  • next morning to contemplate the wreckage, I was beginning to lose
  • weight. Absolutely becoming the good old shadow, I give you my honest
  • word. Starting at sudden noises and what-not.
  • And no sympathy from Jeeves. That was what cut me to the quick. The man
  • was still thoroughly pipped about the hat and tie, and simply wouldn't
  • rally round. One morning I wanted comforting so much that I sank the
  • pride of the Woosters and appealed to the fellow direct.
  • "Jeeves," I said, "this is getting a bit thick!"
  • "Sir?" Business and cold respectfulness.
  • "You know what I mean. This lad seems to have chucked all the
  • principles of a well-spent boyhood. He has got it up his nose!"
  • "Yes, sir."
  • "Well, I shall get blamed, don't you know. You know what my Aunt Agatha
  • is!"
  • "Yes, sir."
  • "Very well, then."
  • I waited a moment, but he wouldn't unbend.
  • "Jeeves," I said, "haven't you any scheme up your sleeve for coping
  • with this blighter?"
  • "No, sir."
  • And he shimmered off to his lair. Obstinate devil! So dashed absurd,
  • don't you know. It wasn't as if there was anything wrong with that
  • Country Gentleman hat. It was a remarkably priceless effort, and much
  • admired by the lads. But, just because he preferred the Longacre, he
  • left me flat.
  • It was shortly after this that young Motty got the idea of bringing
  • pals back in the small hours to continue the gay revels in the home.
  • This was where I began to crack under the strain. You see, the part of
  • town where I was living wasn't the right place for that sort of thing.
  • I knew lots of chappies down Washington Square way who started the
  • evening at about 2 a.m.--artists and writers and what-not, who
  • frolicked considerably till checked by the arrival of the morning milk.
  • That was all right. They like that sort of thing down there. The
  • neighbours can't get to sleep unless there's someone dancing Hawaiian
  • dances over their heads. But on Fifty-seventh Street the atmosphere
  • wasn't right, and when Motty turned up at three in the morning with a
  • collection of hearty lads, who only stopped singing their college song
  • when they started singing "The Old Oaken Bucket," there was a marked
  • peevishness among the old settlers in the flats. The management was
  • extremely terse over the telephone at breakfast-time, and took a lot of
  • soothing.
  • The next night I came home early, after a lonely dinner at a place
  • which I'd chosen because there didn't seem any chance of meeting Motty
  • there. The sitting-room was quite dark, and I was just moving to switch
  • on the light, when there was a sort of explosion and something collared
  • hold of my trouser-leg. Living with Motty had reduced me to such an
  • extent that I was simply unable to cope with this thing. I jumped
  • backward with a loud yell of anguish, and tumbled out into the hall
  • just as Jeeves came out of his den to see what the matter was.
  • "Did you call, sir?"
  • "Jeeves! There's something in there that grabs you by the leg!"
  • "That would be Rollo, sir."
  • "Eh?"
  • "I would have warned you of his presence, but I did not hear you come
  • in. His temper is a little uncertain at present, as he has not yet
  • settled down."
  • "Who the deuce is Rollo?"
  • "His lordship's bull-terrier, sir. His lordship won him in a raffle,
  • and tied him to the leg of the table. If you will allow me, sir, I will
  • go in and switch on the light."
  • There really is nobody like Jeeves. He walked straight into the
  • sitting-room, the biggest feat since Daniel and the lions' den, without
  • a quiver. What's more, his magnetism or whatever they call it was such
  • that the dashed animal, instead of pinning him by the leg, calmed down
  • as if he had had a bromide, and rolled over on his back with all his
  • paws in the air. If Jeeves had been his rich uncle he couldn't have
  • been more chummy. Yet directly he caught sight of me again, he got all
  • worked up and seemed to have only one idea in life--to start chewing me
  • where he had left off.
  • "Rollo is not used to you yet, sir," said Jeeves, regarding the bally
  • quadruped in an admiring sort of way. "He is an excellent watchdog."
  • "I don't want a watchdog to keep me out of my rooms."
  • "No, sir."
  • "Well, what am I to do?"
  • "No doubt in time the animal will learn to discriminate, sir. He will
  • learn to distinguish your peculiar scent."
  • "What do you mean--my peculiar scent? Correct the impression that I
  • intend to hang about in the hall while life slips by, in the hope that
  • one of these days that dashed animal will decide that I smell all
  • right." I thought for a bit. "Jeeves!"
  • "Sir?"
  • "I'm going away--to-morrow morning by the first train. I shall go and
  • stop with Mr. Todd in the country."
  • "Do you wish me to accompany you, sir?"
  • "No."
  • "Very good, sir."
  • "I don't know when I shall be back. Forward my letters."
  • "Yes, sir."
  • * * * * *
  • As a matter of fact, I was back within the week. Rocky Todd, the pal I
  • went to stay with, is a rummy sort of a chap who lives all alone in the
  • wilds of Long Island, and likes it; but a little of that sort of thing
  • goes a long way with me. Dear old Rocky is one of the best, but after a
  • few days in his cottage in the woods, miles away from anywhere, New
  • York, even with Motty on the premises, began to look pretty good to me.
  • The days down on Long Island have forty-eight hours in them; you can't
  • get to sleep at night because of the bellowing of the crickets; and you
  • have to walk two miles for a drink and six for an evening paper. I
  • thanked Rocky for his kind hospitality, and caught the only train they
  • have down in those parts. It landed me in New York about dinner-time. I
  • went straight to the old flat. Jeeves came out of his lair. I looked
  • round cautiously for Rollo.
  • "Where's that dog, Jeeves? Have you got him tied up?"
  • "The animal is no longer here, sir. His lordship gave him to the
  • porter, who sold him. His lordship took a prejudice against the animal
  • on account of being bitten by him in the calf of the leg."
  • I don't think I've ever been so bucked by a bit of news. I felt I had
  • misjudged Rollo. Evidently, when you got to know him better, he had a
  • lot of intelligence in him.
  • "Ripping!" I said. "Is Lord Pershore in, Jeeves?"
  • "No, sir."
  • "Do you expect him back to dinner?"
  • "No, sir."
  • "Where is he?"
  • "In prison, sir."
  • Have you ever trodden on a rake and had the handle jump up and hit you?
  • That's how I felt then.
  • "In prison!"
  • "Yes, sir."
  • "You don't mean--in prison?"
  • "Yes, sir."
  • I lowered myself into a chair.
  • "Why?" I said.
  • "He assaulted a constable, sir."
  • "Lord Pershore assaulted a constable!"
  • "Yes, sir."
  • I digested this.
  • "But, Jeeves, I say! This is frightful!"
  • "Sir?"
  • "What will Lady Malvern say when she finds out?"
  • "I do not fancy that her ladyship will find out, sir."
  • "But she'll come back and want to know where he is."
  • "I rather fancy, sir, that his lordship's bit of time will have run out
  • by then."
  • "But supposing it hasn't?"
  • "In that event, sir, it may be judicious to prevaricate a little."
  • "How?"
  • "If I might make the suggestion, sir, I should inform her ladyship that
  • his lordship has left for a short visit to Boston."
  • "Why Boston?"
  • "Very interesting and respectable centre, sir."
  • "Jeeves, I believe you've hit it."
  • "I fancy so, sir."
  • "Why, this is really the best thing that could have happened. If this
  • hadn't turned up to prevent him, young Motty would have been in a
  • sanatorium by the time Lady Malvern got back."
  • "Exactly, sir."
  • The more I looked at it in that way, the sounder this prison wheeze
  • seemed to me. There was no doubt in the world that prison was just what
  • the doctor ordered for Motty. It was the only thing that could have
  • pulled him up. I was sorry for the poor blighter, but, after all, I
  • reflected, a chappie who had lived all his life with Lady Malvern, in a
  • small village in the interior of Shropshire, wouldn't have much to kick
  • at in a prison. Altogether, I began to feel absolutely braced again.
  • Life became like what the poet Johnnie says--one grand, sweet song.
  • Things went on so comfortably and peacefully for a couple of weeks that
  • I give you my word that I'd almost forgotten such a person as Motty
  • existed. The only flaw in the scheme of things was that Jeeves was
  • still pained and distant. It wasn't anything he said or did, mind you,
  • but there was a rummy something about him all the time. Once when I was
  • tying the pink tie I caught sight of him in the looking-glass. There
  • was a kind of grieved look in his eye.
  • And then Lady Malvern came back, a good bit ahead of schedule. I hadn't
  • been expecting her for days. I'd forgotten how time had been slipping
  • along. She turned up one morning while I was still in bed sipping tea
  • and thinking of this and that. Jeeves flowed in with the announcement
  • that he had just loosed her into the sitting-room. I draped a few
  • garments round me and went in.
  • There she was, sitting in the same arm-chair, looking as massive as
  • ever. The only difference was that she didn't uncover the teeth, as she
  • had done the first time.
  • "Good morning," I said. "So you've got back, what?"
  • "I have got back."
  • There was something sort of bleak about her tone, rather as if she had
  • swallowed an east wind. This I took to be due to the fact that she
  • probably hadn't breakfasted. It's only after a bit of breakfast that
  • I'm able to regard the world with that sunny cheeriness which makes a
  • fellow the universal favourite. I'm never much of a lad till I've
  • engulfed an egg or two and a beaker of coffee.
  • "I suppose you haven't breakfasted?"
  • "I have not yet breakfasted."
  • "Won't you have an egg or something? Or a sausage or something? Or
  • something?"
  • "No, thank you."
  • She spoke as if she belonged to an anti-sausage society or a league for
  • the suppression of eggs. There was a bit of a silence.
  • "I called on you last night," she said, "but you were out."
  • "Awfully sorry! Had a pleasant trip?"
  • "Extremely, thank you."
  • "See everything? Niag'ra Falls, Yellowstone Park, and the jolly old
  • Grand Canyon, and what-not?"
  • "I saw a great deal."
  • There was another slightly _frappĂ©_ silence. Jeeves floated
  • silently into the dining-room and began to lay the breakfast-table.
  • "I hope Wilmot was not in your way, Mr. Wooster?"
  • I had been wondering when she was going to mention Motty.
  • "Rather not! Great pals! Hit it off splendidly."
  • "You were his constant companion, then?"
  • "Absolutely! We were always together. Saw all the sights, don't you
  • know. We'd take in the Museum of Art in the morning, and have a bit of
  • lunch at some good vegetarian place, and then toddle along to a sacred
  • concert in the afternoon, and home to an early dinner. We usually
  • played dominoes after dinner. And then the early bed and the refreshing
  • sleep. We had a great time. I was awfully sorry when he went away to
  • Boston."
  • "Oh! Wilmot is in Boston?"
  • "Yes. I ought to have let you know, but of course we didn't know where
  • you were. You were dodging all over the place like a snipe--I mean,
  • don't you know, dodging all over the place, and we couldn't get at you.
  • Yes, Motty went off to Boston."
  • "You're sure he went to Boston?"
  • "Oh, absolutely." I called out to Jeeves, who was now messing about in
  • the next room with forks and so forth: "Jeeves, Lord Pershore didn't
  • change his mind about going to Boston, did he?"
  • "No, sir."
  • "I thought I was right. Yes, Motty went to Boston."
  • "Then how do you account, Mr. Wooster, for the fact that when I went
  • yesterday afternoon to Blackwell's Island prison, to secure material
  • for my book, I saw poor, dear Wilmot there, dressed in a striped suit,
  • seated beside a pile of stones with a hammer in his hands?"
  • I tried to think of something to say, but nothing came. A chappie has
  • to be a lot broader about the forehead than I am to handle a jolt like
  • this. I strained the old bean till it creaked, but between the collar
  • and the hair parting nothing stirred. I was dumb. Which was lucky,
  • because I wouldn't have had a chance to get any persiflage out of my
  • system. Lady Malvern collared the conversation. She had been bottling
  • it up, and now it came out with a rush:
  • "So this is how you have looked after my poor, dear boy, Mr. Wooster!
  • So this is how you have abused my trust! I left him in your charge,
  • thinking that I could rely on you to shield him from evil. He came to
  • you innocent, unversed in the ways of the world, confiding, unused to
  • the temptations of a large city, and you led him astray!"
  • I hadn't any remarks to make. All I could think of was the picture of
  • Aunt Agatha drinking all this in and reaching out to sharpen the
  • hatchet against my return.
  • "You deliberately----"
  • Far away in the misty distance a soft voice spoke:
  • "If I might explain, your ladyship."
  • Jeeves had projected himself in from the dining-room and materialized
  • on the rug. Lady Malvern tried to freeze him with a look, but you can't
  • do that sort of thing to Jeeves. He is look-proof.
  • "I fancy, your ladyship, that you have misunderstood Mr. Wooster, and
  • that he may have given you the impression that he was in New York when
  • his lordship--was removed. When Mr. Wooster informed your ladyship that
  • his lordship had gone to Boston, he was relying on the version I had
  • given him of his lordship's movements. Mr. Wooster was away, visiting a
  • friend in the country, at the time, and knew nothing of the matter till
  • your ladyship informed him."
  • Lady Malvern gave a kind of grunt. It didn't rattle Jeeves.
  • "I feared Mr. Wooster might be disturbed if he knew the truth, as he is
  • so attached to his lordship and has taken such pains to look after him,
  • so I took the liberty of telling him that his lordship had gone away
  • for a visit. It might have been hard for Mr. Wooster to believe that
  • his lordship had gone to prison voluntarily and from the best motives,
  • but your ladyship, knowing him better, will readily understand."
  • "What!" Lady Malvern goggled at him. "Did you say that Lord Pershore
  • went to prison voluntarily?"
  • "If I might explain, your ladyship. I think that your ladyship's
  • parting words made a deep impression on his lordship. I have frequently
  • heard him speak to Mr. Wooster of his desire to do something to follow
  • your ladyship's instructions and collect material for your ladyship's
  • book on America. Mr. Wooster will bear me out when I say that his
  • lordship was frequently extremely depressed at the thought that he was
  • doing so little to help."
  • "Absolutely, by Jove! Quite pipped about it!" I said.
  • "The idea of making a personal examination into the prison system of
  • the country--from within--occurred to his lordship very suddenly one
  • night. He embraced it eagerly. There was no restraining him."
  • Lady Malvern looked at Jeeves, then at me, then at Jeeves again. I
  • could see her struggling with the thing.
  • "Surely, your ladyship," said Jeeves, "it is more reasonable to suppose
  • that a gentleman of his lordship's character went to prison of his own
  • volition than that he committed some breach of the law which
  • necessitated his arrest?"
  • Lady Malvern blinked. Then she got up.
  • "Mr. Wooster," she said, "I apologize. I have done you an injustice. I
  • should have known Wilmot better. I should have had more faith in his
  • pure, fine spirit."
  • "Absolutely!" I said.
  • "Your breakfast is ready, sir," said Jeeves.
  • I sat down and dallied in a dazed sort of way with a poached egg.
  • "Jeeves," I said, "you are certainly a life-saver!"
  • "Thank you, sir."
  • "Nothing would have convinced my Aunt Agatha that I hadn't lured that
  • blighter into riotous living."
  • "I fancy you are right, sir."
  • I champed my egg for a bit. I was most awfully moved, don't you know,
  • by the way Jeeves had rallied round. Something seemed to tell me that
  • this was an occasion that called for rich rewards. For a moment I
  • hesitated. Then I made up my mind.
  • "Jeeves!"
  • "Sir?"
  • "That pink tie!"
  • "Yes, sir?"
  • "Burn it!"
  • "Thank you, sir."
  • "And, Jeeves!"
  • "Yes, sir?"
  • "Take a taxi and get me that Longacre hat, as worn by John Drew!"
  • "Thank you very much, sir."
  • I felt most awfully braced. I felt as if the clouds had rolled away and
  • all was as it used to be. I felt like one of those chappies in the
  • novels who calls off the fight with his wife in the last chapter and
  • decides to forget and forgive. I felt I wanted to do all sorts of other
  • things to show Jeeves that I appreciated him.
  • "Jeeves," I said, "it isn't enough. Is there anything else you would
  • like?"
  • "Yes, sir. If I may make the suggestion--fifty dollars."
  • "Fifty dollars?"
  • "It will enable me to pay a debt of honour, sir. I owe it to his
  • lordship."
  • "You owe Lord Pershore fifty dollars?"
  • "Yes, sir. I happened to meet him in the street the night his lordship
  • was arrested. I had been thinking a good deal about the most suitable
  • method of inducing him to abandon his mode of living, sir. His lordship
  • was a little over-excited at the time and I fancy that he mistook me
  • for a friend of his. At any rate when I took the liberty of wagering
  • him fifty dollars that he would not punch a passing policeman in the
  • eye, he accepted the bet very cordially and won it."
  • I produced my pocket-book and counted out a hundred.
  • "Take this, Jeeves," I said; "fifty isn't enough. Do you know, Jeeves,
  • you're--well, you absolutely stand alone!"
  • "I endeavour to give satisfaction, sir," said Jeeves.
  • JEEVES AND THE HARD-BOILED EGG
  • Sometimes of a morning, as I've sat in bed sucking down the early cup
  • of tea and watched my man Jeeves flitting about the room and putting
  • out the raiment for the day, I've wondered what the deuce I should do
  • if the fellow ever took it into his head to leave me. It's not so bad
  • now I'm in New York, but in London the anxiety was frightful. There
  • used to be all sorts of attempts on the part of low blighters to sneak
  • him away from me. Young Reggie Foljambe to my certain knowledge offered
  • him double what I was giving him, and Alistair Bingham-Reeves, who's
  • got a valet who had been known to press his trousers sideways, used to
  • look at him, when he came to see me, with a kind of glittering hungry
  • eye which disturbed me deucedly. Bally pirates!
  • The thing, you see, is that Jeeves is so dashed competent. You can spot
  • it even in the way he shoves studs into a shirt.
  • I rely on him absolutely in every crisis, and he never lets me down.
  • And, what's more, he can always be counted on to extend himself
  • on behalf of any pal of mine who happens to be to all appearances
  • knee-deep in the bouillon. Take the rather rummy case, for instance,
  • of dear old Bicky and his uncle, the hard-boiled egg.
  • It happened after I had been in America for a few months. I got back to
  • the flat latish one night, and when Jeeves brought me the final drink
  • he said:
  • "Mr. Bickersteth called to see you this evening, sir, while you were
  • out."
  • "Oh?" I said.
  • "Twice, sir. He appeared a trifle agitated."
  • "What, pipped?"
  • "He gave that impression, sir."
  • I sipped the whisky. I was sorry if Bicky was in trouble, but, as a
  • matter of fact, I was rather glad to have something I could discuss
  • freely with Jeeves just then, because things had been a bit strained
  • between us for some time, and it had been rather difficult to hit on
  • anything to talk about that wasn't apt to take a personal turn. You
  • see, I had decided--rightly or wrongly--to grow a moustache and this
  • had cut Jeeves to the quick. He couldn't stick the thing at any price,
  • and I had been living ever since in an atmosphere of bally disapproval
  • till I was getting jolly well fed up with it. What I mean is, while
  • there's no doubt that in certain matters of dress Jeeves's judgment is
  • absolutely sound and should be followed, it seemed to me that it was
  • getting a bit too thick if he was going to edit my face as well as my
  • costume. No one can call me an unreasonable chappie, and many's the
  • time I've given in like a lamb when Jeeves has voted against one of my
  • pet suits or ties; but when it comes to a valet's staking out a claim
  • on your upper lip you've simply got to have a bit of the good old
  • bulldog pluck and defy the blighter.
  • "He said that he would call again later, sir."
  • "Something must be up, Jeeves."
  • "Yes, sir."
  • I gave the moustache a thoughtful twirl. It seemed to hurt Jeeves a
  • good deal, so I chucked it.
  • "I see by the paper, sir, that Mr. Bickersteth's uncle is arriving on
  • the _Carmantic_."
  • "Yes?"
  • "His Grace the Duke of Chiswick, sir."
  • This was news to me, that Bicky's uncle was a duke. Rum, how little one
  • knows about one's pals! I had met Bicky for the first time at a species
  • of beano or jamboree down in Washington Square, not long after my
  • arrival in New York. I suppose I was a bit homesick at the time, and I
  • rather took to Bicky when I found that he was an Englishman and had, in
  • fact, been up at Oxford with me. Besides, he was a frightful chump, so
  • we naturally drifted together; and while we were taking a quiet snort
  • in a corner that wasn't all cluttered up with artists and sculptors and
  • what-not, he furthermore endeared himself to me by a most extraordinarily
  • gifted imitation of a bull-terrier chasing a cat up a tree. But, though
  • we had subsequently become extremely pally, all I really knew about him
  • was that he was generally hard up, and had an uncle who relieved the
  • strain a bit from time to time by sending him monthly remittances.
  • "If the Duke of Chiswick is his uncle," I said, "why hasn't he a title?
  • Why isn't he Lord What-Not?"
  • "Mr. Bickersteth is the son of his grace's late sister, sir, who
  • married Captain Rollo Bickersteth of the Coldstream Guards."
  • Jeeves knows everything.
  • "Is Mr. Bickersteth's father dead, too?"
  • "Yes, sir."
  • "Leave any money?"
  • "No, sir."
  • I began to understand why poor old Bicky was always more or less on the
  • rocks. To the casual and irreflective observer, if you know what I
  • mean, it may sound a pretty good wheeze having a duke for an uncle, but
  • the trouble about old Chiswick was that, though an extremely wealthy
  • old buster, owning half London and about five counties up north, he was
  • notoriously the most prudent spender in England. He was what American
  • chappies would call a hard-boiled egg. If Bicky's people hadn't left
  • him anything and he depended on what he could prise out of the old
  • duke, he was in a pretty bad way. Not that that explained why he was
  • hunting me like this, because he was a chap who never borrowed money.
  • He said he wanted to keep his pals, so never bit any one's ear on
  • principle.
  • At this juncture the door bell rang. Jeeves floated out to answer it.
  • "Yes, sir. Mr. Wooster has just returned," I heard him say. And Bicky
  • came trickling in, looking pretty sorry for himself.
  • "Halloa, Bicky!" I said. "Jeeves told me you had been trying to get me.
  • Jeeves, bring another glass, and let the revels commence. What's the
  • trouble, Bicky?"
  • "I'm in a hole, Bertie. I want your advice."
  • "Say on, old lad!"
  • "My uncle's turning up to-morrow, Bertie."
  • "So Jeeves told me."
  • "The Duke of Chiswick, you know."
  • "So Jeeves told me."
  • Bicky seemed a bit surprised.
  • "Jeeves seems to know everything."
  • "Rather rummily, that's exactly what I was thinking just now myself."
  • "Well, I wish," said Bicky gloomily, "that he knew a way to get me out
  • of the hole I'm in."
  • Jeeves shimmered in with the glass, and stuck it competently on the
  • table.
  • "Mr. Bickersteth is in a bit of a hole, Jeeves," I said, "and wants you
  • to rally round."
  • "Very good, sir."
  • Bicky looked a bit doubtful.
  • "Well, of course, you know, Bertie, this thing is by way of being a bit
  • private and all that."
  • "I shouldn't worry about that, old top. I bet Jeeves knows all about it
  • already. Don't you, Jeeves?"
  • "Yes, sir."
  • "Eh!" said Bicky, rattled.
  • "I am open to correction, sir, but is not your dilemma due to the fact
  • that you are at a loss to explain to his grace why you are in New York
  • instead of in Colorado?"
  • Bicky rocked like a jelly in a high wind.
  • "How the deuce do you know anything about it?"
  • "I chanced to meet his grace's butler before we left England. He
  • informed me that he happened to overhear his grace speaking to you on
  • the matter, sir, as he passed the library door."
  • Bicky gave a hollow sort of laugh.
  • "Well, as everybody seems to know all about it, there's no need to try
  • to keep it dark. The old boy turfed me out, Bertie, because he said I
  • was a brainless nincompoop. The idea was that he would give me a
  • remittance on condition that I dashed out to some blighted locality of
  • the name of Colorado and learned farming or ranching, or whatever they
  • call it, at some bally ranch or farm or whatever it's called. I didn't
  • fancy the idea a bit. I should have had to ride horses and pursue cows,
  • and so forth. I hate horses. They bite at you. I was all against the
  • scheme. At the same time, don't you know, I had to have that
  • remittance."
  • "I get you absolutely, dear boy."
  • "Well, when I got to New York it looked a decent sort of place to me,
  • so I thought it would be a pretty sound notion to stop here. So I
  • cabled to my uncle telling him that I had dropped into a good business
  • wheeze in the city and wanted to chuck the ranch idea. He wrote back
  • that it was all right, and here I've been ever since. He thinks I'm
  • doing well at something or other over here. I never dreamed, don't you
  • know, that he would ever come out here. What on earth am I to do?"
  • "Jeeves," I said, "what on earth is Mr. Bickersteth to do?"
  • "You see," said Bicky, "I had a wireless from him to say that he was
  • coming to stay with me--to save hotel bills, I suppose. I've always
  • given him the impression that I was living in pretty good style. I
  • can't have him to stay at my boarding-house."
  • "Thought of anything, Jeeves?" I said.
  • "To what extent, sir, if the question is not a delicate one, are you
  • prepared to assist Mr. Bickersteth?"
  • "I'll do anything I can for you, of course, Bicky, old man."
  • "Then, if I might make the suggestion, sir, you might lend Mr.
  • Bickersteth----"
  • "No, by Jove!" said Bicky firmly. "I never have touched you, Bertie,
  • and I'm not going to start now. I may be a chump, but it's my boast
  • that I don't owe a penny to a single soul--not counting tradesmen, of
  • course."
  • "I was about to suggest, sir, that you might lend Mr. Bickersteth this
  • flat. Mr. Bickersteth could give his grace the impression that he was
  • the owner of it. With your permission I could convey the notion that I
  • was in Mr. Bickersteth's employment, and not in yours. You would be
  • residing here temporarily as Mr. Bickersteth's guest. His grace would
  • occupy the second spare bedroom. I fancy that you would find this
  • answer satisfactorily, sir."
  • Bicky had stopped rocking himself and was staring at Jeeves in an awed
  • sort of way.
  • "I would advocate the dispatching of a wireless message to his grace
  • on board the vessel, notifying him of the change of address. Mr.
  • Bickersteth could meet his grace at the dock and proceed directly here.
  • Will that meet the situation, sir?"
  • "Absolutely."
  • "Thank you, sir."
  • Bicky followed him with his eye till the door closed.
  • "How does he do it, Bertie?" he said. "I'll tell you what I think it
  • is. I believe it's something to do with the shape of his head. Have you
  • ever noticed his head, Bertie, old man? It sort of sticks out at the
  • back!"
  • * * * * *
  • I hopped out of bed early next morning, so as to be among those present
  • when the old boy should arrive. I knew from experience that these ocean
  • liners fetch up at the dock at a deucedly ungodly hour. It wasn't much
  • after nine by the time I'd dressed and had my morning tea and was
  • leaning out of the window, watching the street for Bicky and his uncle.
  • It was one of those jolly, peaceful mornings that make a chappie wish
  • he'd got a soul or something, and I was just brooding on life in
  • general when I became aware of the dickens of a spate in progress down
  • below. A taxi had driven up, and an old boy in a top hat had got out
  • and was kicking up a frightful row about the fare. As far as I could
  • make out, he was trying to get the cab chappie to switch from New York
  • to London prices, and the cab chappie had apparently never heard of
  • London before, and didn't seem to think a lot of it now. The old boy
  • said that in London the trip would have set him back eightpence; and
  • the cabby said he should worry. I called to Jeeves.
  • "The duke has arrived, Jeeves."
  • "Yes, sir?"
  • "That'll be him at the door now."
  • Jeeves made a long arm and opened the front door, and the old boy
  • crawled in, looking licked to a splinter.
  • "How do you do, sir?" I said, bustling up and being the ray of
  • sunshine. "Your nephew went down to the dock to meet you, but you must
  • have missed him. My name's Wooster, don't you know. Great pal of
  • Bicky's, and all that sort of thing. I'm staying with him, you know.
  • Would you like a cup of tea? Jeeves, bring a cup of tea."
  • Old Chiswick had sunk into an arm-chair and was looking about the room.
  • "Does this luxurious flat belong to my nephew Francis?"
  • "Absolutely."
  • "It must be terribly expensive."
  • "Pretty well, of course. Everything costs a lot over here, you know."
  • He moaned. Jeeves filtered in with the tea. Old Chiswick took a stab at
  • it to restore his tissues, and nodded.
  • "A terrible country, Mr. Wooster! A terrible country! Nearly eight
  • shillings for a short cab-drive! Iniquitous!" He took another look
  • round the room. It seemed to fascinate him. "Have you any idea how
  • much my nephew pays for this flat, Mr. Wooster?"
  • "About two hundred dollars a month, I believe."
  • "What! Forty pounds a month!"
  • I began to see that, unless I made the thing a bit more plausible, the
  • scheme might turn out a frost. I could guess what the old boy was
  • thinking. He was trying to square all this prosperity with what he knew
  • of poor old Bicky. And one had to admit that it took a lot of squaring,
  • for dear old Bicky, though a stout fellow and absolutely unrivalled as
  • an imitator of bull-terriers and cats, was in many ways one of the most
  • pronounced fatheads that ever pulled on a suit of gent's underwear.
  • "I suppose it seems rummy to you," I said, "but the fact is New York
  • often bucks chappies up and makes them show a flash of speed that you
  • wouldn't have imagined them capable of. It sort of develops them.
  • Something in the air, don't you know. I imagine that Bicky in the past,
  • when you knew him, may have been something of a chump, but it's quite
  • different now. Devilish efficient sort of chappie, and looked on in
  • commercial circles as quite the nib!"
  • "I am amazed! What is the nature of my nephew's business, Mr. Wooster?"
  • "Oh, just business, don't you know. The same sort of thing Carnegie and
  • Rockefeller and all these coves do, you know." I slid for the door.
  • "Awfully sorry to leave you, but I've got to meet some of the lads
  • elsewhere."
  • Coming out of the lift I met Bicky bustling in from the street.
  • "Halloa, Bertie! I missed him. Has he turned up?"
  • "He's upstairs now, having some tea."
  • "What does he think of it all?"
  • "He's absolutely rattled."
  • "Ripping! I'll be toddling up, then. Toodle-oo, Bertie, old man. See
  • you later."
  • "Pip-pip, Bicky, dear boy."
  • He trotted off, full of merriment and good cheer, and I went off to the
  • club to sit in the window and watch the traffic coming up one way and
  • going down the other.
  • It was latish in the evening when I looked in at the flat to dress for
  • dinner.
  • "Where's everybody, Jeeves?" I said, finding no little feet pattering
  • about the place. "Gone out?"
  • "His grace desired to see some of the sights of the city, sir. Mr.
  • Bickersteth is acting as his escort. I fancy their immediate objective
  • was Grant's Tomb."
  • "I suppose Mr. Bickersteth is a bit braced at the way things are
  • going--what?"
  • "Sir?"
  • "I say, I take it that Mr. Bickersteth is tolerably full of beans."
  • "Not altogether, sir."
  • "What's his trouble now?"
  • "The scheme which I took the liberty of suggesting to Mr. Bickersteth
  • and yourself has, unfortunately, not answered entirely satisfactorily,
  • sir."
  • "Surely the duke believes that Mr. Bickersteth is doing well in
  • business, and all that sort of thing?"
  • "Exactly, sir. With the result that he has decided to cancel Mr.
  • Bickersteth's monthly allowance, on the ground that, as Mr. Bickersteth
  • is doing so well on his own account, he no longer requires pecuniary
  • assistance."
  • "Great Scot, Jeeves! This is awful."
  • "Somewhat disturbing, sir."
  • "I never expected anything like this!"
  • "I confess I scarcely anticipated the contingency myself, sir."
  • "I suppose it bowled the poor blighter over absolutely?"
  • "Mr. Bickersteth appeared somewhat taken aback, sir."
  • My heart bled for Bicky.
  • "We must do something, Jeeves."
  • "Yes, sir."
  • "Can you think of anything?"
  • "Not at the moment, sir."
  • "There must be something we can do."
  • "It was a maxim of one of my former employers, sir--as I believe I
  • mentioned to you once before--the present Lord Bridgnorth, that there
  • is always a way. I remember his lordship using the expression on the
  • occasion--he was then a business gentleman and had not yet received his
  • title--when a patent hair-restorer which he chanced to be promoting
  • failed to attract the public. He put it on the market under another
  • name as a depilatory, and amassed a substantial fortune. I have
  • generally found his lordship's aphorism based on sound foundations. No
  • doubt we shall be able to discover some solution of Mr. Bickersteth's
  • difficulty, sir."
  • "Well, have a stab at it, Jeeves!"
  • "I will spare no pains, sir."
  • I went and dressed sadly. It will show you pretty well how pipped I was
  • when I tell you that I near as a toucher put on a white tie with a
  • dinner-jacket. I sallied out for a bit of food more to pass the time
  • than because I wanted it. It seemed brutal to be wading into the bill
  • of fare with poor old Bicky headed for the breadline.
  • When I got back old Chiswick had gone to bed, but Bicky was there,
  • hunched up in an arm-chair, brooding pretty tensely, with a cigarette
  • hanging out of the corner of his mouth and a more or less glassy stare
  • in his eyes. He had the aspect of one who had been soaked with what the
  • newspaper chappies call "some blunt instrument."
  • "This is a bit thick, old thing--what!" I said.
  • He picked up his glass and drained it feverishly, overlooking the fact
  • that it hadn't anything in it.
  • "I'm done, Bertie!" he said.
  • He had another go at the glass. It didn't seem to do him any good.
  • "If only this had happened a week later, Bertie! My next month's money
  • was due to roll in on Saturday. I could have worked a wheeze I've been
  • reading about in the magazine advertisements. It seems that you can
  • make a dashed amount of money if you can only collect a few dollars
  • and start a chicken-farm. Jolly sound scheme, Bertie! Say you buy a
  • hen--call it one hen for the sake of argument. It lays an egg every
  • day of the week. You sell the eggs seven for twenty-five cents. Keep
  • of hen costs nothing. Profit practically twenty-five cents on every
  • seven eggs. Or look at it another way: Suppose you have a dozen eggs.
  • Each of the hens has a dozen chickens. The chickens grow up and have
  • more chickens. Why, in no time you'd have the place covered knee-deep
  • in hens, all laying eggs, at twenty-five cents for every seven. You'd
  • make a fortune. Jolly life, too, keeping hens!" He had begun to get
  • quite worked up at the thought of it, but he slopped back in his chair
  • at this juncture with a good deal of gloom. "But, of course, it's no
  • good," he said, "because I haven't the cash."
  • "You've only to say the word, you know, Bicky, old top."
  • "Thanks awfully, Bertie, but I'm not going to sponge on you."
  • That's always the way in this world. The chappies you'd like to lend
  • money to won't let you, whereas the chappies you don't want to lend it
  • to will do everything except actually stand you on your head and lift
  • the specie out of your pockets. As a lad who has always rolled
  • tolerably free in the right stuff, I've had lots of experience of the
  • second class. Many's the time, back in London, I've hurried along
  • Piccadilly and felt the hot breath of the toucher on the back of my
  • neck and heard his sharp, excited yapping as he closed in on me. I've
  • simply spent my life scattering largesse to blighters I didn't care a
  • hang for; yet here was I now, dripping doubloons and pieces of eight
  • and longing to hand them over, and Bicky, poor fish, absolutely on his
  • uppers, not taking any at any price.
  • "Well, there's only one hope, then."
  • "What's that?"
  • "Jeeves."
  • "Sir?"
  • There was Jeeves, standing behind me, full of zeal. In this matter of
  • shimmering into rooms the chappie is rummy to a degree. You're sitting
  • in the old arm-chair, thinking of this and that, and then suddenly you
  • look up, and there he is. He moves from point to point with as little
  • uproar as a jelly fish. The thing startled poor old Bicky considerably.
  • He rose from his seat like a rocketing pheasant. I'm used to Jeeves
  • now, but often in the days when he first came to me I've bitten my
  • tongue freely on finding him unexpectedly in my midst.
  • "Did you call, sir?"
  • "Oh, there you are, Jeeves!"
  • "Precisely, sir."
  • "Jeeves, Mr. Bickersteth is still up the pole. Any ideas?"
  • "Why, yes, sir. Since we had our recent conversation I fancy I have
  • found what may prove a solution. I do not wish to appear to be taking a
  • liberty, sir, but I think that we have overlooked his grace's
  • potentialities as a source of revenue."
  • Bicky laughed, what I have sometimes seen described as a hollow,
  • mocking laugh, a sort of bitter cackle from the back of the throat,
  • rather like a gargle.
  • "I do not allude, sir," explained Jeeves, "to the possibility of
  • inducing his grace to part with money. I am taking the liberty of
  • regarding his grace in the light of an at present--if I may say
  • so--useless property, which is capable of being developed."
  • Bicky looked at me in a helpless kind of way. I'm bound to say I didn't
  • get it myself.
  • "Couldn't you make it a bit easier, Jeeves!"
  • "In a nutshell, sir, what I mean is this: His grace is, in a sense, a
  • prominent personage. The inhabitants of this country, as no doubt you
  • are aware, sir, are peculiarly addicted to shaking hands with prominent
  • personages. It occurred to me that Mr. Bickersteth or yourself might
  • know of persons who would be willing to pay a small fee--let us say two
  • dollars or three--for the privilege of an introduction, including
  • handshake, to his grace."
  • Bicky didn't seem to think much of it.
  • "Do you mean to say that anyone would be mug enough to part with solid
  • cash just to shake hands with my uncle?"
  • "I have an aunt, sir, who paid five shillings to a young fellow for
  • bringing a moving-picture actor to tea at her house one Sunday. It gave
  • her social standing among the neighbours."
  • Bicky wavered.
  • "If you think it could be done----"
  • "I feel convinced of it, sir."
  • "What do you think, Bertie?"
  • "I'm for it, old boy, absolutely. A very brainy wheeze."
  • "Thank you, sir. Will there be anything further? Good night, sir."
  • And he floated out, leaving us to discuss details.
  • Until we started this business of floating old Chiswick as a money-making
  • proposition I had never realized what a perfectly foul time those Stock
  • Exchange chappies must have when the public isn't biting freely. Nowadays
  • I read that bit they put in the financial reports about "The market
  • opened quietly" with a sympathetic eye, for, by Jove, it certainly opened
  • quietly for us! You'd hardly believe how difficult it was to interest
  • the public and make them take a flutter on the old boy. By the end of the
  • week the only name we had on our list was a delicatessen-store keeper
  • down in Bicky's part of the town, and as he wanted us to take it out in
  • sliced ham instead of cash that didn't help much. There was a gleam of
  • light when the brother of Bicky's pawnbroker offered ten dollars, money
  • down, for an introduction to old Chiswick, but the deal fell through,
  • owing to its turning out that the chap was an anarchist and intended to
  • kick the old boy instead of shaking hands with him. At that, it took me
  • the deuce of a time to persuade Bicky not to grab the cash and let things
  • take their course. He seemed to regard the pawnbroker's brother rather as
  • a sportsman and benefactor of his species than otherwise.
  • The whole thing, I'm inclined to think, would have been off if it
  • hadn't been for Jeeves. There is no doubt that Jeeves is in a class of
  • his own. In the matter of brain and resource I don't think I have ever
  • met a chappie so supremely like mother made. He trickled into my room
  • one morning with a good old cup of tea, and intimated that there was
  • something doing.
  • "Might I speak to you with regard to that matter of his grace, sir?"
  • "It's all off. We've decided to chuck it."
  • "Sir?"
  • "It won't work. We can't get anybody to come."
  • "I fancy I can arrange that aspect of the matter, sir."
  • "Do you mean to say you've managed to get anybody?"
  • "Yes, sir. Eighty-seven gentlemen from Birdsburg, sir."
  • I sat up in bed and spilt the tea.
  • "Birdsburg?"
  • "Birdsburg, Missouri, sir."
  • "How did you get them?"
  • "I happened last night, sir, as you had intimated that you would be
  • absent from home, to attend a theatrical performance, and entered into
  • conversation between the acts with the occupant of the adjoining seat.
  • I had observed that he was wearing a somewhat ornate decoration in his
  • buttonhole, sir--a large blue button with the words 'Boost for
  • Birdsburg' upon it in red letters, scarcely a judicious addition to a
  • gentleman's evening costume. To my surprise I noticed that the
  • auditorium was full of persons similarly decorated. I ventured to
  • inquire the explanation, and was informed that these gentlemen, forming
  • a party of eighty-seven, are a convention from a town of the name if
  • Birdsburg, in the State of Missouri. Their visit, I gathered, was
  • purely of a social and pleasurable nature, and my informant spoke at
  • some length of the entertainments arranged for their stay in the city.
  • It was when he related with a considerable amount of satisfaction and
  • pride, that a deputation of their number had been introduced to and had
  • shaken hands with a well-known prizefighter, that it occurred to me to
  • broach the subject of his grace. To make a long story short, sir, I
  • have arranged, subject to your approval, that the entire convention
  • shall be presented to his grace to-morrow afternoon."
  • I was amazed. This chappie was a Napoleon.
  • "Eighty-seven, Jeeves. At how much a head?"
  • "I was obliged to agree to a reduction for quantity, sir. The terms
  • finally arrived at were one hundred and fifty dollars for the party."
  • I thought a bit.
  • "Payable in advance?"
  • "No, sir. I endeavoured to obtain payment in advance, but was not
  • successful."
  • "Well, any way, when we get it I'll make it up to five hundred.
  • Bicky'll never know. Do you suspect Mr. Bickersteth would suspect
  • anything, Jeeves, if I made it up to five hundred?"
  • "I fancy not, sir. Mr. Bickersteth is an agreeable gentleman, but not
  • bright."
  • "All right, then. After breakfast run down to the bank and get me some
  • money."
  • "Yes, sir."
  • "You know, you're a bit of a marvel, Jeeves."
  • "Thank you, sir."
  • "Right-o!"
  • "Very good, sir."
  • When I took dear old Bicky aside in the course of the morning and told
  • him what had happened he nearly broke down. He tottered into the
  • sitting-room and buttonholed old Chiswick, who was reading the comic
  • section of the morning paper with a kind of grim resolution.
  • "Uncle," he said, "are you doing anything special to-morrow afternoon?
  • I mean to say, I've asked a few of my pals in to meet you, don't you
  • know."
  • The old boy cocked a speculative eye at him.
  • "There will be no reporters among them?"
  • "Reporters? Rather not! Why?"
  • "I refuse to be badgered by reporters. There were a number of adhesive
  • young men who endeavoured to elicit from me my views on America while
  • the boat was approaching the dock. I will not be subjected to this
  • persecution again."
  • "That'll be absolutely all right, uncle. There won't be a newspaper-man
  • in the place."
  • "In that case I shall be glad to make the acquaintance of your
  • friends."
  • "You'll shake hands with them and so forth?"
  • "I shall naturally order my behaviour according to the accepted rules
  • of civilized intercourse."
  • Bicky thanked him heartily and came off to lunch with me at the club,
  • where he babbled freely of hens, incubators, and other rotten things.
  • After mature consideration we had decided to unleash the Birdsburg
  • contingent on the old boy ten at a time. Jeeves brought his theatre pal
  • round to see us, and we arranged the whole thing with him. A very
  • decent chappie, but rather inclined to collar the conversation and turn
  • it in the direction of his home-town's new water-supply system. We
  • settled that, as an hour was about all he would be likely to stand,
  • each gang should consider itself entitled to seven minutes of the
  • duke's society by Jeeves's stop-watch, and that when their time was up
  • Jeeves should slide into the room and cough meaningly. Then we parted
  • with what I believe are called mutual expressions of goodwill, the
  • Birdsburg chappie extending a cordial invitation to us all to pop out
  • some day and take a look at the new water-supply system, for which we
  • thanked him.
  • Next day the deputation rolled in. The first shift consisted of the
  • cove we had met and nine others almost exactly like him in every
  • respect. They all looked deuced keen and businesslike, as if from youth
  • up they had been working in the office and catching the boss's eye and
  • what-not. They shook hands with the old boy with a good deal of
  • apparent satisfaction--all except one chappie, who seemed to be
  • brooding about something--and then they stood off and became chatty.
  • "What message have you for Birdsburg, Duke?" asked our pal.
  • The old boy seemed a bit rattled.
  • "I have never been to Birdsburg."
  • The chappie seemed pained.
  • "You should pay it a visit," he said. "The most rapidly-growing city in
  • the country. Boost for Birdsburg!"
  • "Boost for Birdsburg!" said the other chappies reverently.
  • The chappie who had been brooding suddenly gave tongue.
  • "Say!"
  • He was a stout sort of well-fed cove with one of those determined chins
  • and a cold eye.
  • The assemblage looked at him.
  • "As a matter of business," said the chappie--"mind you, I'm not
  • questioning anybody's good faith, but, as a matter of strict
  • business--I think this gentleman here ought to put himself on
  • record before witnesses as stating that he really is a duke."
  • "What do you mean, sir?" cried the old boy, getting purple.
  • "No offence, simply business. I'm not saying anything, mind you, but
  • there's one thing that seems kind of funny to me. This gentleman here
  • says his name's Mr. Bickersteth, as I understand it. Well, if you're
  • the Duke of Chiswick, why isn't he Lord Percy Something? I've read
  • English novels, and I know all about it."
  • "This is monstrous!"
  • "Now don't get hot under the collar. I'm only asking. I've a right to
  • know. You're going to take our money, so it's only fair that we should
  • see that we get our money's worth."
  • The water-supply cove chipped in:
  • "You're quite right, Simms. I overlooked that when making the
  • agreement. You see, gentlemen, as business men we've a right to
  • reasonable guarantees of good faith. We are paying Mr. Bickersteth here
  • a hundred and fifty dollars for this reception, and we naturally want
  • to know----"
  • Old Chiswick gave Bicky a searching look; then he turned to the
  • water-supply chappie. He was frightfully calm.
  • "I can assure you that I know nothing of this," he said, quite
  • politely. "I should be grateful if you would explain."
  • "Well, we arranged with Mr. Bickersteth that eighty-seven citizens
  • of Birdsburg should have the privilege of meeting and shaking hands
  • with you for a financial consideration mutually arranged, and what my
  • friend Simms here means--and I'm with him--is that we have only Mr.
  • Bickersteth's word for it--and he is a stranger to us--that you are
  • the Duke of Chiswick at all."
  • Old Chiswick gulped.
  • "Allow me to assure you, sir," he said, in a rummy kind of voice, "that
  • I am the Duke of Chiswick."
  • "Then that's all right," said the chappie heartily. "That was all we
  • wanted to know. Let the thing go on."
  • "I am sorry to say," said old Chiswick, "that it cannot go on. I am
  • feeling a little tired. I fear I must ask to be excused."
  • "But there are seventy-seven of the boys waiting round the corner at
  • this moment, Duke, to be introduced to you."
  • "I fear I must disappoint them."
  • "But in that case the deal would have to be off."
  • "That is a matter for you and my nephew to discuss."
  • The chappie seemed troubled.
  • "You really won't meet the rest of them?"
  • "No!"
  • "Well, then, I guess we'll be going."
  • They went out, and there was a pretty solid silence. Then old Chiswick
  • turned to Bicky:
  • "Well?"
  • Bicky didn't seem to have anything to say.
  • "Was it true what that man said?"
  • "Yes, uncle."
  • "What do you mean by playing this trick?"
  • Bicky seemed pretty well knocked out, so I put in a word.
  • "I think you'd better explain the whole thing, Bicky, old top."
  • Bicky's Adam's-apple jumped about a bit; then he started:
  • "You see, you had cut off my allowance, uncle, and I wanted a bit of
  • money to start a chicken farm. I mean to say it's an absolute cert if
  • you once get a bit of capital. You buy a hen, and it lays an egg every
  • day of the week, and you sell the eggs, say, seven for twenty-five
  • cents.
  • "Keep of hens cost nothing. Profit practically----"
  • "What is all this nonsense about hens? You led me to suppose you were a
  • substantial business man."
  • "Old Bicky rather exaggerated, sir," I said, helping the chappie out.
  • "The fact is, the poor old lad is absolutely dependent on that remittance
  • of yours, and when you cut it off, don't you know, he was pretty solidly
  • in the soup, and had to think of some way of closing in on a bit of the
  • ready pretty quick. That's why we thought of this handshaking scheme."
  • Old Chiswick foamed at the mouth.
  • "So you have lied to me! You have deliberately deceived me as to your
  • financial status!"
  • "Poor old Bicky didn't want to go to that ranch," I explained. "He
  • doesn't like cows and horses, but he rather thinks he would be hot
  • stuff among the hens. All he wants is a bit of capital. Don't you think
  • it would be rather a wheeze if you were to----"
  • "After what has happened? After this--this deceit and foolery? Not a
  • penny!"
  • "But----"
  • "Not a penny!"
  • There was a respectful cough in the background.
  • "If I might make a suggestion, sir?"
  • Jeeves was standing on the horizon, looking devilish brainy.
  • "Go ahead, Jeeves!" I said.
  • "I would merely suggest, sir, that if Mr. Bickersteth is in need of a
  • little ready money, and is at a loss to obtain it elsewhere, he might
  • secure the sum he requires by describing the occurrences of this
  • afternoon for the Sunday issue of one of the more spirited and
  • enterprising newspapers."
  • "By Jove!" I said.
  • "By George!" said Bicky.
  • "Great heavens!" said old Chiswick.
  • "Very good, sir," said Jeeves.
  • Bicky turned to old Chiswick with a gleaming eye.
  • "Jeeves is right. I'll do it! The _Chronicle_ would jump at it.
  • They eat that sort of stuff."
  • Old Chiswick gave a kind of moaning howl.
  • "I absolutely forbid you, Francis, to do this thing!"
  • "That's all very well," said Bicky, wonderfully braced, "but if I can't
  • get the money any other way----"
  • "Wait! Er--wait, my boy! You are so impetuous! We might arrange
  • something."
  • "I won't go to that bally ranch."
  • "No, no! No, no, my boy! I would not suggest it. I would not for a
  • moment suggest it. I--I think----"
  • He seemed to have a bit of a struggle with himself. "I--I think that,
  • on the whole, it would be best if you returned with me to England. I--I
  • might--in fact, I think I see my way to doing--to--I might be able to
  • utilize your services in some secretarial position."
  • "I shouldn't mind that."
  • "I should not be able to offer you a salary, but, as you know, in
  • English political life the unpaid secretary is a recognized figure----"
  • "The only figure I'll recognize," said Bicky firmly, "is five hundred
  • quid a year, paid quarterly."
  • "My dear boy!"
  • "Absolutely!"
  • "But your recompense, my dear Francis, would consist in the unrivalled
  • opportunities you would have, as my secretary, to gain experience, to
  • accustom yourself to the intricacies of political life, to--in fact,
  • you would be in an exceedingly advantageous position."
  • "Five hundred a year!" said Bicky, rolling it round his tongue. "Why,
  • that would be nothing to what I could make if I started a chicken farm.
  • It stands to reason. Suppose you have a dozen hens. Each of the hens
  • has a dozen chickens. After a bit the chickens grow up and have a dozen
  • chickens each themselves, and then they all start laying eggs! There's
  • a fortune in it. You can get anything you like for eggs in America.
  • Chappies keep them on ice for years and years, and don't sell them till
  • they fetch about a dollar a whirl. You don't think I'm going to chuck a
  • future like this for anything under five hundred o' goblins a year--what?"
  • A look of anguish passed over old Chiswick's face, then he seemed to be
  • resigned to it. "Very well, my boy," he said.
  • "What-o!" said Bicky. "All right, then."
  • "Jeeves," I said. Bicky had taken the old boy off to dinner to
  • celebrate, and we were alone. "Jeeves, this has been one of your best
  • efforts."
  • "Thank you, sir."
  • "It beats me how you do it."
  • "Yes, sir."
  • "The only trouble is you haven't got much out of it--what!"
  • "I fancy Mr. Bickersteth intends--I judge from his remarks--to signify
  • his appreciation of anything I have been fortunate enough to do to
  • assist him, at some later date when he is in a more favourable position
  • to do so."
  • "It isn't enough, Jeeves!"
  • "Sir?"
  • It was a wrench, but I felt it was the only possible thing to be done.
  • "Bring my shaving things."
  • A gleam of hope shone in the chappie's eye, mixed with doubt.
  • "You mean, sir?"
  • "And shave off my moustache."
  • There was a moment's silence. I could see the fellow was deeply moved.
  • "Thank you very much indeed, sir," he said, in a low voice, and popped
  • off.
  • ABSENT TREATMENT
  • I want to tell you all about dear old Bobbie Cardew. It's a most
  • interesting story. I can't put in any literary style and all that; but
  • I don't have to, don't you know, because it goes on its Moral Lesson.
  • If you're a man you mustn't miss it, because it'll be a warning to you;
  • and if you're a woman you won't want to, because it's all about how a
  • girl made a man feel pretty well fed up with things.
  • If you're a recent acquaintance of Bobbie's, you'll probably be
  • surprised to hear that there was a time when he was more remarkable for
  • the weakness of his memory than anything else. Dozens of fellows, who
  • have only met Bobbie since the change took place, have been surprised
  • when I told them that. Yet it's true. Believe _me_.
  • In the days when I first knew him Bobbie Cardew was about the most
  • pronounced young rotter inside the four-mile radius. People have called
  • me a silly ass, but I was never in the same class with Bobbie. When it
  • came to being a silly ass, he was a plus-four man, while my handicap
  • was about six. Why, if I wanted him to dine with me, I used to post him
  • a letter at the beginning of the week, and then the day before send him
  • a telegram and a phone-call on the day itself, and--half an hour before
  • the time we'd fixed--a messenger in a taxi, whose business it was to
  • see that he got in and that the chauffeur had the address all correct.
  • By doing this I generally managed to get him, unless he had left town
  • before my messenger arrived.
  • The funny thing was that he wasn't altogether a fool in other ways.
  • Deep down in him there was a kind of stratum of sense. I had known him,
  • once or twice, show an almost human intelligence. But to reach that
  • stratum, mind you, you needed dynamite.
  • At least, that's what I thought. But there was another way which hadn't
  • occurred to me. Marriage, I mean. Marriage, the dynamite of the soul;
  • that was what hit Bobbie. He married. Have you ever seen a bull-pup
  • chasing a bee? The pup sees the bee. It looks good to him. But he still
  • doesn't know what's at the end of it till he gets there. It was like
  • that with Bobbie. He fell in love, got married--with a sort of whoop,
  • as if it were the greatest fun in the world--and then began to find out
  • things.
  • She wasn't the sort of girl you would have expected Bobbie to rave
  • about. And yet, I don't know. What I mean is, she worked for her
  • living; and to a fellow who has never done a hand's turn in his life
  • there's undoubtedly a sort of fascination, a kind of romance, about a
  • girl who works for her living.
  • Her name was Anthony. Mary Anthony. She was about five feet six; she
  • had a ton and a half of red-gold hair, grey eyes, and one of those
  • determined chins. She was a hospital nurse. When Bobbie smashed himself
  • up at polo, she was told off by the authorities to smooth his brow and
  • rally round with cooling unguents and all that; and the old boy hadn't
  • been up and about again for more than a week before they popped off to
  • the registrar's and fixed it up. Quite the romance.
  • Bobbie broke the news to me at the club one evening, and next day he
  • introduced me to her. I admired her. I've never worked myself--my
  • name's Pepper, by the way. Almost forgot to mention it. Reggie Pepper.
  • My uncle Edward was Pepper, Wells, and Co., the Colliery people. He
  • left me a sizable chunk of bullion--I say I've never worked myself, but
  • I admire any one who earns a living under difficulties, especially a
  • girl. And this girl had had a rather unusually tough time of it, being
  • an orphan and all that, and having had to do everything off her own bat
  • for years.
  • Mary and I got along together splendidly. We don't now, but we'll come
  • to that later. I'm speaking of the past. She seemed to think Bobbie the
  • greatest thing on earth, judging by the way she looked at him when she
  • thought I wasn't noticing. And Bobbie seemed to think the same about
  • her. So that I came to the conclusion that, if only dear old Bobbie
  • didn't forget to go to the wedding, they had a sporting chance of being
  • quite happy.
  • Well, let's brisk up a bit here, and jump a year. The story doesn't
  • really start till then.
  • They took a flat and settled down. I was in and out of the place quite
  • a good deal. I kept my eyes open, and everything seemed to me to be
  • running along as smoothly as you could want. If this was marriage, I
  • thought, I couldn't see why fellows were so frightened of it. There
  • were a lot of worse things that could happen to a man.
  • But we now come to the incident of the quiet Dinner, and it's just here
  • that love's young dream hits a snag, and things begin to occur.
  • I happened to meet Bobbie in Piccadilly, and he asked me to come back
  • to dinner at the flat. And, like a fool, instead of bolting and putting
  • myself under police protection, I went.
  • When we got to the flat, there was Mrs. Bobbie looking--well, I tell
  • you, it staggered me. Her gold hair was all piled up in waves and
  • crinkles and things, with a what-d'-you-call-it of diamonds in it. And
  • she was wearing the most perfectly ripping dress. I couldn't begin to
  • describe it. I can only say it was the limit. It struck me that if this
  • was how she was in the habit of looking every night when they were
  • dining quietly at home together, it was no wonder that Bobbie liked
  • domesticity.
  • "Here's old Reggie, dear," said Bobbie. "I've brought him home to have
  • a bit of dinner. I'll phone down to the kitchen and ask them to send it
  • up now--what?"
  • She stared at him as if she had never seen him before. Then she turned
  • scarlet. Then she turned as white as a sheet. Then she gave a little
  • laugh. It was most interesting to watch. Made me wish I was up a tree
  • about eight hundred miles away. Then she recovered herself.
  • "I am so glad you were able to come, Mr. Pepper," she said, smiling at
  • me.
  • And after that she was all right. At least, you would have said so. She
  • talked a lot at dinner, and chaffed Bobbie, and played us ragtime on
  • the piano afterwards, as if she hadn't a care in the world. Quite a jolly
  • little party it was--not. I'm no lynx-eyed sleuth, and all that sort of
  • thing, but I had seen her face at the beginning, and I knew that she was
  • working the whole time and working hard, to keep herself in hand, and
  • that she would have given that diamond what's-its-name in her hair and
  • everything else she possessed to have one good scream--just one. I've
  • sat through some pretty thick evenings in my time, but that one had the
  • rest beaten in a canter. At the very earliest moment I grabbed my hat and
  • got away.
  • Having seen what I did, I wasn't particularly surprised to meet Bobbie
  • at the club next day looking about as merry and bright as a lonely
  • gum-drop at an Eskimo tea-party.
  • He started in straightway. He seemed glad to have someone to talk to
  • about it.
  • "Do you know how long I've been married?" he said.
  • I didn't exactly.
  • "About a year, isn't it?"
  • "Not _about_ a year," he said sadly. "Exactly a year--yesterday!"
  • Then I understood. I saw light--a regular flash of light.
  • "Yesterday was----?"
  • "The anniversary of the wedding. I'd arranged to take Mary to the
  • Savoy, and on to Covent Garden. She particularly wanted to hear Caruso.
  • I had the ticket for the box in my pocket. Do you know, all through
  • dinner I had a kind of rummy idea that there was something I'd
  • forgotten, but I couldn't think what?"
  • "Till your wife mentioned it?"
  • He nodded----
  • "She--mentioned it," he said thoughtfully.
  • I didn't ask for details. Women with hair and chins like Mary's may be
  • angels most of the time, but, when they take off their wings for a bit,
  • they aren't half-hearted about it.
  • "To be absolutely frank, old top," said poor old Bobbie, in a broken
  • sort of way, "my stock's pretty low at home."
  • There didn't seem much to be done. I just lit a cigarette and sat
  • there. He didn't want to talk. Presently he went out. I stood at the
  • window of our upper smoking-room, which looks out on to Piccadilly, and
  • watched him. He walked slowly along for a few yards, stopped, then
  • walked on again, and finally turned into a jeweller's. Which was an
  • instance of what I meant when I said that deep down in him there was a
  • certain stratum of sense.
  • * * * * *
  • It was from now on that I began to be really interested in this problem
  • of Bobbie's married life. Of course, one's always mildly interested in
  • one's friends' marriages, hoping they'll turn out well and all that;
  • but this was different. The average man isn't like Bobbie, and the
  • average girl isn't like Mary. It was that old business of the immovable
  • mass and the irresistible force. There was Bobbie, ambling gently
  • through life, a dear old chap in a hundred ways, but undoubtedly a
  • chump of the first water.
  • And there was Mary, determined that he shouldn't be a chump. And
  • Nature, mind you, on Bobbie's side. When Nature makes a chump like
  • dear old Bobbie, she's proud of him, and doesn't want her handiwork
  • disturbed. She gives him a sort of natural armour to protect him
  • against outside interference. And that armour is shortness of memory.
  • Shortness of memory keeps a man a chump, when, but for it, he might
  • cease to be one. Take my case, for instance. I'm a chump. Well, if I
  • had remembered half the things people have tried to teach me during my
  • life, my size in hats would be about number nine. But I didn't. I
  • forgot them. And it was just the same with Bobbie.
  • For about a week, perhaps a bit more, the recollection of that quiet
  • little domestic evening bucked him up like a tonic. Elephants, I read
  • somewhere, are champions at the memory business, but they were fools to
  • Bobbie during that week. But, bless you, the shock wasn't nearly big
  • enough. It had dinted the armour, but it hadn't made a hole in it.
  • Pretty soon he was back at the old game.
  • It was pathetic, don't you know. The poor girl loved him, and she was
  • frightened. It was the thin edge of the wedge, you see, and she knew
  • it. A man who forgets what day he was married, when he's been married
  • one year, will forget, at about the end of the fourth, that he's
  • married at all. If she meant to get him in hand at all, she had got to
  • do it now, before he began to drift away.
  • I saw that clearly enough, and I tried to make Bobbie see it, when he
  • was by way of pouring out his troubles to me one afternoon. I can't
  • remember what it was that he had forgotten the day before, but it was
  • something she had asked him to bring home for her--it may have been a
  • book.
  • "It's such a little thing to make a fuss about," said Bobbie. "And she
  • knows that it's simply because I've got such an infernal memory about
  • everything. I can't remember anything. Never could."
  • He talked on for a while, and, just as he was going, he pulled out a
  • couple of sovereigns.
  • "Oh, by the way," he said.
  • "What's this for?" I asked, though I knew.
  • "I owe it you."
  • "How's that?" I said.
  • "Why, that bet on Tuesday. In the billiard-room. Murray and Brown were
  • playing a hundred up, and I gave you two to one that Brown would win,
  • and Murray beat him by twenty odd."
  • "So you do remember some things?" I said.
  • He got quite excited. Said that if I thought he was the sort of rotter
  • who forgot to pay when he lost a bet, it was pretty rotten of me after
  • knowing him all these years, and a lot more like that.
  • "Subside, laddie," I said.
  • Then I spoke to him like a father.
  • "What you've got to do, my old college chum," I said, "is to pull
  • yourself together, and jolly quick, too. As things are shaping, you're
  • due for a nasty knock before you know what's hit you. You've got to
  • make an effort. Don't say you can't. This two quid business shows that,
  • even if your memory is rocky, you can remember some things. What you've
  • got to do is to see that wedding anniversaries and so on are included
  • in the list. It may be a brainstrain, but you can't get out of it."
  • "I suppose you're right," said Bobbie. "But it beats me why she thinks
  • such a lot of these rotten little dates. What's it matter if I forgot
  • what day we were married on or what day she was born on or what day the
  • cat had the measles? She knows I love her just as much as if I were a
  • memorizing freak at the halls."
  • "That's not enough for a woman," I said. "They want to be shown. Bear
  • that in mind, and you're all right. Forget it, and there'll be
  • trouble."
  • He chewed the knob of his stick.
  • "Women are frightfully rummy," he said gloomily.
  • "You should have thought of that before you married one," I said.
  • * * * * *
  • I don't see that I could have done any more. I had put the whole thing
  • in a nutshell for him. You would have thought he'd have seen the point,
  • and that it would have made him brace up and get a hold on himself. But
  • no. Off he went again in the same old way. I gave up arguing with him.
  • I had a good deal of time on my hands, but not enough to amount to
  • anything when it was a question of reforming dear old Bobbie by argument.
  • If you see a man asking for trouble, and insisting on getting it, the
  • only thing to do is to stand by and wait till it comes to him. After
  • that you may get a chance. But till then there's nothing to be done.
  • But I thought a lot about him.
  • Bobbie didn't get into the soup all at once. Weeks went by, and months,
  • and still nothing happened. Now and then he'd come into the club with a
  • kind of cloud on his shining morning face, and I'd know that there had
  • been doings in the home; but it wasn't till well on in the spring that
  • he got the thunderbolt just where he had been asking for it--in the
  • thorax.
  • I was smoking a quiet cigarette one morning in the window looking out
  • over Piccadilly, and watching the buses and motors going up one way and
  • down the other--most interesting it is; I often do it--when in rushed
  • Bobbie, with his eyes bulging and his face the colour of an oyster,
  • waving a piece of paper in his hand.
  • "Reggie," he said. "Reggie, old top, she's gone!"
  • "Gone!" I said. "Who?"
  • "Mary, of course! Gone! Left me! Gone!"
  • "Where?" I said.
  • Silly question? Perhaps you're right. Anyhow, dear old Bobbie nearly
  • foamed at the mouth.
  • "Where? How should I know where? Here, read this."
  • He pushed the paper into my hand. It was a letter.
  • "Go on," said Bobbie. "Read it."
  • So I did. It certainly was quite a letter. There was not much of it,
  • but it was all to the point. This is what it said:
  • "MY DEAR BOBBIE,--I am going away. When you care enough about me
  • to remember to wish me many happy returns on my birthday, I will
  • come back. My address will be Box 341, _London Morning News_."
  • I read it twice, then I said, "Well, why don't you?"
  • "Why don't I what?"
  • "Why don't you wish her many happy returns? It doesn't seem much to
  • ask."
  • "But she says on her birthday."
  • "Well, when is her birthday?"
  • "Can't you understand?" said Bobbie. "I've forgotten."
  • "Forgotten!" I said.
  • "Yes," said Bobbie. "Forgotten."
  • "How do you mean, forgotten?" I said. "Forgotten whether it's the
  • twentieth or the twenty-first, or what? How near do you get to it?"
  • "I know it came somewhere between the first of January and the
  • thirty-first of December. That's how near I get to it."
  • "Think."
  • "Think? What's the use of saying 'Think'? Think I haven't thought? I've
  • been knocking sparks out of my brain ever since I opened that letter."
  • "And you can't remember?"
  • "No."
  • I rang the bell and ordered restoratives.
  • "Well, Bobbie," I said, "it's a pretty hard case to spring on an
  • untrained amateur like me. Suppose someone had come to Sherlock Holmes
  • and said, 'Mr. Holmes, here's a case for you. When is my wife's
  • birthday?' Wouldn't that have given Sherlock a jolt? However, I know
  • enough about the game to understand that a fellow can't shoot off his
  • deductive theories unless you start him with a clue, so rouse yourself
  • out of that pop-eyed trance and come across with two or three. For
  • instance, can't you remember the last time she had a birthday? What
  • sort of weather was it? That might fix the month."
  • Bobbie shook his head.
  • "It was just ordinary weather, as near as I can recollect."
  • "Warm?"
  • "Warmish."
  • "Or cold?"
  • "Well, fairly cold, perhaps. I can't remember."
  • I ordered two more of the same. They seemed indicated in the Young
  • Detective's Manual. "You're a great help, Bobbie," I said. "An
  • invaluable assistant. One of those indispensable adjuncts without
  • which no home is complete."
  • Bobbie seemed to be thinking.
  • "I've got it," he said suddenly. "Look here. I gave her a present on
  • her last birthday. All we have to do is to go to the shop, hunt up the
  • date when it was bought, and the thing's done."
  • "Absolutely. What did you give her?"
  • He sagged.
  • "I can't remember," he said.
  • Getting ideas is like golf. Some days you're right off, others it's
  • as easy as falling off a log. I don't suppose dear old Bobbie had ever
  • had two ideas in the same morning before in his life; but now he did
  • it without an effort. He just loosed another dry Martini into the
  • undergrowth, and before you could turn round it had flushed quite a
  • brain-wave.
  • Do you know those little books called _When were you Born_?
  • There's one for each month. They tell you your character, your talents,
  • your strong points, and your weak points at fourpence halfpenny a go.
  • Bobbie's idea was to buy the whole twelve, and go through them till we
  • found out which month hit off Mary's character. That would give us the
  • month, and narrow it down a whole lot.
  • A pretty hot idea for a non-thinker like dear old Bobbie. We sallied
  • out at once. He took half and I took half, and we settled down to work.
  • As I say, it sounded good. But when we came to go into the thing, we
  • saw that there was a flaw. There was plenty of information all right,
  • but there wasn't a single month that didn't have something that exactly
  • hit off Mary. For instance, in the December book it said, "December
  • people are apt to keep their own secrets. They are extensive travellers."
  • Well, Mary had certainly kept her secret, and she had travelled quite
  • extensively enough for Bobbie's needs. Then, October people were "born
  • with original ideas" and "loved moving." You couldn't have summed
  • up Mary's little jaunt more neatly. February people had "wonderful
  • memories"--Mary's speciality.
  • We took a bit of a rest, then had another go at the thing.
  • Bobbie was all for May, because the book said that women born in that
  • month were "inclined to be capricious, which is always a barrier to a
  • happy married life"; but I plumped for February, because February women
  • "are unusually determined to have their own way, are very earnest, and
  • expect a full return in their companion or mates." Which he owned was
  • about as like Mary as anything could be.
  • In the end he tore the books up, stamped on them, burnt them, and went
  • home.
  • It was wonderful what a change the next few days made in dear old
  • Bobbie. Have you ever seen that picture, "The Soul's Awakening"? It
  • represents a flapper of sorts gazing in a startled sort of way into the
  • middle distance with a look in her eyes that seems to say, "Surely that
  • is George's step I hear on the mat! Can this be love?" Well, Bobbie had
  • a soul's awakening too. I don't suppose he had ever troubled to think
  • in his life before--not really _think_. But now he was wearing his
  • brain to the bone. It was painful in a way, of course, to see a fellow
  • human being so thoroughly in the soup, but I felt strongly that it was
  • all for the best. I could see as plainly as possible that all these
  • brainstorms were improving Bobbie out of knowledge. When it was all
  • over he might possibly become a rotter again of a sort, but it would
  • only be a pale reflection of the rotter he had been. It bore out the
  • idea I had always had that what he needed was a real good jolt.
  • I saw a great deal of him these days. I was his best friend, and he
  • came to me for sympathy. I gave it him, too, with both hands, but I
  • never failed to hand him the Moral Lesson when I had him weak.
  • One day he came to me as I was sitting in the club, and I could see
  • that he had had an idea. He looked happier than he had done in weeks.
  • "Reggie," he said, "I'm on the trail. This time I'm convinced that I
  • shall pull it off. I've remembered something of vital importance."
  • "Yes?" I said.
  • "I remember distinctly," he said, "that on Mary's last birthday we went
  • together to the Coliseum. How does that hit you?"
  • "It's a fine bit of memorizing," I said; "but how does it help?"
  • "Why, they change the programme every week there."
  • "Ah!" I said. "Now you are talking."
  • "And the week we went one of the turns was Professor Some One's
  • Terpsichorean Cats. I recollect them distinctly. Now, are we narrowing
  • it down, or aren't we? Reggie, I'm going round to the Coliseum this
  • minute, and I'm going to dig the date of those Terpsichorean Cats out
  • of them, if I have to use a crowbar."
  • So that got him within six days; for the management treated us like
  • brothers; brought out the archives, and ran agile fingers over the
  • pages till they treed the cats in the middle of May.
  • "I told you it was May," said Bobbie. "Maybe you'll listen to me
  • another time."
  • "If you've any sense," I said, "there won't be another time."
  • And Bobbie said that there wouldn't.
  • Once you get your memory on the run, it parts as if it enjoyed doing it.
  • I had just got off to sleep that night when my telephone-bell rang. It
  • was Bobbie, of course. He didn't apologize.
  • "Reggie," he said, "I've got it now for certain. It's just come to me.
  • We saw those Terpsichorean Cats at a matinee, old man."
  • "Yes?" I said.
  • "Well, don't you see that that brings it down to two days? It must have
  • been either Wednesday the seventh or Saturday the tenth."
  • "Yes," I said, "if they didn't have daily matinees at the Coliseum."
  • I heard him give a sort of howl.
  • "Bobbie," I said. My feet were freezing, but I was fond of him.
  • "Well?"
  • "I've remembered something too. It's this. The day you went to the
  • Coliseum I lunched with you both at the Ritz. You had forgotten to
  • bring any money with you, so you wrote a cheque."
  • "But I'm always writing cheques."
  • "You are. But this was for a tenner, and made out to the hotel. Hunt up
  • your cheque-book and see how many cheques for ten pounds payable to the
  • Ritz Hotel you wrote out between May the fifth and May the tenth."
  • He gave a kind of gulp.
  • "Reggie," he said, "you're a genius. I've always said so. I believe
  • you've got it. Hold the line."
  • Presently he came back again.
  • "Halloa!" he said.
  • "I'm here," I said.
  • "It was the eighth. Reggie, old man, I----"
  • "Topping," I said. "Good night."
  • It was working along into the small hours now, but I thought I might as
  • well make a night of it and finish the thing up, so I rang up an hotel
  • near the Strand.
  • "Put me through to Mrs. Cardew," I said.
  • "It's late," said the man at the other end.
  • "And getting later every minute," I said. "Buck along, laddie."
  • I waited patiently. I had missed my beauty-sleep, and my feet had
  • frozen hard, but I was past regrets.
  • "What is the matter?" said Mary's voice.
  • "My feet are cold," I said. "But I didn't call you up to tell you that
  • particularly. I've just been chatting with Bobbie, Mrs. Cardew."
  • "Oh! is that Mr. Pepper?"
  • "Yes. He's remembered it, Mrs. Cardew."
  • She gave a sort of scream. I've often thought how interesting it must
  • be to be one of those Exchange girls. The things they must hear, don't
  • you know. Bobbie's howl and gulp and Mrs. Bobbie's scream and all about
  • my feet and all that. Most interesting it must be.
  • "He's remembered it!" she gasped. "Did you tell him?"
  • "No."
  • Well, I hadn't.
  • "Mr. Pepper."
  • "Yes?"
  • "Was he--has he been--was he very worried?"
  • I chuckled. This was where I was billed to be the life and soul of the
  • party.
  • "Worried! He was about the most worried man between here and Edinburgh.
  • He has been worrying as if he was paid to do it by the nation. He has
  • started out to worry after breakfast, and----"
  • Oh, well, you can never tell with women. My idea was that we should
  • pass the rest of the night slapping each other on the back across the
  • wire, and telling each other what bally brainy conspirators we were,
  • don't you know, and all that. But I'd got just as far as this, when she
  • bit at me. Absolutely! I heard the snap. And then she said "Oh!" in
  • that choked kind of way. And when a woman says "Oh!" like that, it
  • means all the bad words she'd love to say if she only knew them.
  • And then she began.
  • "What brutes men are! What horrid brutes! How you could stand by and
  • see poor dear Bobbie worrying himself into a fever, when a word from
  • you would have put everything right, I can't----"
  • "But----"
  • "And you call yourself his friend! His friend!" (Metallic laugh, most
  • unpleasant.) "It shows how one can be deceived. I used to think you a
  • kind-hearted man."
  • "But, I say, when I suggested the thing, you thought it perfectly----"
  • "I thought it hateful, abominable."
  • "But you said it was absolutely top----"
  • "I said nothing of the kind. And if I did, I didn't mean it. I don't
  • wish to be unjust, Mr. Pepper, but I must say that to me there seems to
  • be something positively fiendish in a man who can go out of his way to
  • separate a husband from his wife, simply in order to amuse himself by
  • gloating over his agony----"
  • "But----!"
  • "When one single word would have----"
  • "But you made me promise not to----" I bleated.
  • "And if I did, do you suppose I didn't expect you to have the sense to
  • break your promise?"
  • I had finished. I had no further observations to make. I hung up the
  • receiver, and crawled into bed.
  • * * * * *
  • I still see Bobbie when he comes to the club, but I do not visit
  • the old homestead. He is friendly, but he stops short of issuing
  • invitations. I ran across Mary at the Academy last week, and her eyes
  • went through me like a couple of bullets through a pat of butter. And
  • as they came out the other side, and I limped off to piece myself
  • together again, there occurred to me the simple epitaph which, when I
  • am no more, I intend to have inscribed on my tombstone. It was this:
  • "He was a man who acted from the best motives. There is one born every
  • minute."
  • HELPING FREDDIE
  • I don't want to bore you, don't you know, and all that sort of rot, but
  • I must tell you about dear old Freddie Meadowes. I'm not a flier at
  • literary style, and all that, but I'll get some writer chappie to give
  • the thing a wash and brush up when I've finished, so that'll be all
  • right.
  • Dear old Freddie, don't you know, has been a dear old pal of mine for
  • years and years; so when I went into the club one morning and found him
  • sitting alone in a dark corner, staring glassily at nothing, and
  • generally looking like the last rose of summer, you can understand I
  • was quite disturbed about it. As a rule, the old rotter is the life and
  • soul of our set. Quite the little lump of fun, and all that sort of
  • thing.
  • Jimmy Pinkerton was with me at the time. Jimmy's a fellow who writes
  • plays--a deuced brainy sort of fellow--and between us we set to work to
  • question the poor pop-eyed chappie, until finally we got at what the
  • matter was.
  • As we might have guessed, it was a girl. He had had a quarrel with
  • Angela West, the girl he was engaged to, and she had broken off the
  • engagement. What the row had been about he didn't say, but apparently
  • she was pretty well fed up. She wouldn't let him come near her, refused
  • to talk on the phone, and sent back his letters unopened.
  • I was sorry for poor old Freddie. I knew what it felt like. I was once
  • in love myself with a girl called Elizabeth Shoolbred, and the fact
  • that she couldn't stand me at any price will be recorded in my
  • autobiography. I knew the thing for Freddie.
  • "Change of scene is what you want, old scout," I said. "Come with me to
  • Marvis Bay. I've taken a cottage there. Jimmy's coming down on the
  • twenty-fourth. We'll be a cosy party."
  • "He's absolutely right," said Jimmy. "Change of scene's the thing. I
  • knew a man. Girl refused him. Man went abroad. Two months later girl
  • wired him, 'Come back. Muriel.' Man started to write out a reply;
  • suddenly found that he couldn't remember girl's surname; so never
  • answered at all."
  • But Freddie wouldn't be comforted. He just went on looking as if he had
  • swallowed his last sixpence. However, I got him to promise to come to
  • Marvis Bay with me. He said he might as well be there as anywhere.
  • Do you know Marvis Bay? It's in Dorsetshire. It isn't what you'd call a
  • fiercely exciting spot, but it has its good points. You spend the day
  • there bathing and sitting on the sands, and in the evening you stroll
  • out on the shore with the gnats. At nine o'clock you rub ointment on
  • the wounds and go to bed.
  • It seemed to suit poor old Freddie. Once the moon was up and the breeze
  • sighing in the trees, you couldn't drag him from that beach with a
  • rope. He became quite a popular pet with the gnats. They'd hang round
  • waiting for him to come out, and would give perfectly good strollers
  • the miss-in-baulk just so as to be in good condition for him.
  • Yes, it was a peaceful sort of life, but by the end of the first week I
  • began to wish that Jimmy Pinkerton had arranged to come down earlier:
  • for as a companion Freddie, poor old chap, wasn't anything to write
  • home to mother about. When he wasn't chewing a pipe and scowling at the
  • carpet, he was sitting at the piano, playing "The Rosary" with one
  • finger. He couldn't play anything except "The Rosary," and he couldn't
  • play much of that. Somewhere round about the third bar a fuse would
  • blow out, and he'd have to start all over again.
  • He was playing it as usual one morning when I came in from bathing.
  • "Reggie," he said, in a hollow voice, looking up, "I've seen her."
  • "Seen her?" I said. "What, Miss West?"
  • "I was down at the post office, getting the letters, and we met in the
  • doorway. She cut me!"
  • He started "The Rosary" again, and side-slipped in the second bar.
  • "Reggie," he said, "you ought never to have brought me here. I must go
  • away."
  • "Go away?" I said. "Don't talk such rot. This is the best thing that
  • could have happened. This is where you come out strong."
  • "She cut me."
  • "Never mind. Be a sportsman. Have another dash at her."
  • "She looked clean through me!"
  • "Of course she did. But don't mind that. Put this thing in my hands.
  • I'll see you through. Now, what you want," I said, "is to place her
  • under some obligation to you. What you want is to get her timidly
  • thanking you. What you want----"
  • "But what's she going to thank me timidly for?"
  • I thought for a moment.
  • "Look out for a chance and save her from drowning," I said.
  • "I can't swim," said Freddie.
  • That was Freddie all over, don't you know. A dear old chap in a
  • thousand ways, but no help to a fellow, if you know what I mean.
  • He cranked up the piano once more and I sprinted for the open.
  • I strolled out on to the sands and began to think this thing over.
  • There was no doubt that the brain-work had got to be done by me. Dear
  • old Freddie had his strong qualities. He was top-hole at polo, and in
  • happier days I've heard him give an imitation of cats fighting in a
  • backyard that would have surprised you. But apart from that he wasn't a
  • man of enterprise.
  • Well, don't you know, I was rounding some rocks, with my brain whirring
  • like a dynamo, when I caught sight of a blue dress, and, by Jove, it
  • was the girl. I had never met her, but Freddie had sixteen photographs
  • of her sprinkled round his bedroom, and I knew I couldn't be mistaken.
  • She was sitting on the sand, helping a small, fat child build a castle.
  • On a chair close by was an elderly lady reading a novel. I heard the
  • girl call her "aunt." So, doing the Sherlock Holmes business, I deduced
  • that the fat child was her cousin. It struck me that if Freddie had
  • been there he would probably have tried to work up some sentiment about
  • the kid on the strength of it. Personally I couldn't manage it. I don't
  • think I ever saw a child who made me feel less sentimental. He was one
  • of those round, bulging kids.
  • After he had finished the castle he seemed to get bored with life, and
  • began to whimper. The girl took him off to where a fellow was selling
  • sweets at a stall. And I walked on.
  • Now, fellows, if you ask them, will tell you that I'm a chump. Well, I
  • don't mind. I admit it. I _am_ a chump. All the Peppers have been
  • chumps. But what I do say is that every now and then, when you'd least
  • expect it, I get a pretty hot brain-wave; and that's what happened now.
  • I doubt if the idea that came to me then would have occurred to a
  • single one of any dozen of the brainiest chappies you care to name.
  • It came to me on my return journey. I was walking back along the shore,
  • when I saw the fat kid meditatively smacking a jelly-fish with a spade.
  • The girl wasn't with him. In fact, there didn't seem to be any one in
  • sight. I was just going to pass on when I got the brain-wave. I thought
  • the whole thing out in a flash, don't you know. From what I had seen of
  • the two, the girl was evidently fond of this kid, and, anyhow, he was
  • her cousin, so what I said to myself was this: If I kidnap this young
  • heavy-weight for the moment, and if, when the girl has got frightfully
  • anxious about where he can have got to, dear old Freddie suddenly
  • appears leading the infant by the hand and telling a story to the
  • effect that he has found him wandering at large about the country and
  • practically saved his life, why, the girl's gratitude is bound to make
  • her chuck hostilities and be friends again. So I gathered in the kid
  • and made off with him. All the way home I pictured that scene of
  • reconciliation. I could see it so vividly, don't you know, that, by
  • George, it gave me quite a choky feeling in my throat.
  • Freddie, dear old chap, was rather slow at getting on to the fine
  • points of the idea. When I appeared, carrying the kid, and dumped him
  • down in our sitting-room, he didn't absolutely effervesce with joy, if
  • you know what I mean. The kid had started to bellow by this time, and
  • poor old Freddie seemed to find it rather trying.
  • "Stop it!" he said. "Do you think nobody's got any troubles except you?
  • What the deuce is all this, Reggie?"
  • The kid came back at him with a yell that made the window rattle. I
  • raced to the kitchen and fetched a jar of honey. It was the right
  • stuff. The kid stopped bellowing and began to smear his face with the
  • stuff.
  • "Well?" said Freddie, when silence had set in. I explained the idea.
  • After a while it began to strike him.
  • "You're not such a fool as you look, sometimes, Reggie," he said
  • handsomely. "I'm bound to say this seems pretty good."
  • And he disentangled the kid from the honey-jar and took him out, to
  • scour the beach for Angela.
  • I don't know when I've felt so happy. I was so fond of dear old Freddie
  • that to know that he was soon going to be his old bright self again
  • made me feel as if somebody had left me about a million pounds. I was
  • leaning back in a chair on the veranda, smoking peacefully, when down
  • the road I saw the old boy returning, and, by George, the kid was still
  • with him. And Freddie looked as if he hadn't a friend in the world.
  • "Hello!" I said. "Couldn't you find her?"
  • "Yes, I found her," he replied, with one of those bitter, hollow
  • laughs.
  • "Well, then----?"
  • Freddie sank into a chair and groaned.
  • "This isn't her cousin, you idiot!" he said.
  • "He's no relation at all. He's just a kid she happened to meet on the
  • beach. She had never seen him before in her life."
  • "What! Who is he, then?"
  • "I don't know. Oh, Lord, I've had a time! Thank goodness you'll
  • probably spend the next few years of your life in Dartmoor for
  • kidnapping. That's my only consolation. I'll come and jeer at you
  • through the bars."
  • "Tell me all, old boy," I said.
  • It took him a good long time to tell the story, for he broke off in the
  • middle of nearly every sentence to call me names, but I gathered
  • gradually what had happened. She had listened like an iceberg while he
  • told the story he had prepared, and then--well, she didn't actually
  • call him a liar, but she gave him to understand in a general sort of
  • way that if he and Dr. Cook ever happened to meet, and started swapping
  • stories, it would be about the biggest duel on record. And then he had
  • crawled away with the kid, licked to a splinter.
  • "And mind, this is your affair," he concluded. "I'm not mixed up in it
  • at all. If you want to escape your sentence, you'd better go and find
  • the kid's parents and return him before the police come for you."
  • * * * * *
  • By Jove, you know, till I started to tramp the place with this infernal
  • kid, I never had a notion it would have been so deuced difficult to
  • restore a child to its anxious parents. It's a mystery to me how
  • kidnappers ever get caught. I searched Marvis Bay like a bloodhound,
  • but nobody came forward to claim the infant. You'd have thought, from
  • the lack of interest in him, that he was stopping there all by himself
  • in a cottage of his own. It wasn't till, by an inspiration, I thought
  • to ask the sweet-stall man that I found out that his name was Medwin,
  • and that his parents lived at a place called Ocean Rest, in Beach Road.
  • I shot off there like an arrow and knocked at the door. Nobody
  • answered. I knocked again. I could hear movements inside, but nobody
  • came. I was just going to get to work on that knocker in such a way
  • that the idea would filter through into these people's heads that I
  • wasn't standing there just for the fun of the thing, when a voice from
  • somewhere above shouted, "Hi!"
  • I looked up and saw a round, pink face, with grey whiskers east and
  • west of it, staring down from an upper window.
  • "Hi!" it shouted again.
  • "What the deuce do you mean by 'Hi'?" I said.
  • "You can't come in," said the face. "Hello, is that Tootles?"
  • "My name is not Tootles, and I don't want to come in," I said. "Are you
  • Mr. Medwin? I've brought back your son."
  • "I see him. Peep-bo, Tootles! Dadda can see 'oo!"
  • The face disappeared with a jerk. I could hear voices. The face
  • reappeared.
  • "Hi!"
  • I churned the gravel madly.
  • "Do you live here?" said the face.
  • "I'm staying here for a few weeks."
  • "What's your name?"
  • "Pepper. But----"
  • "Pepper? Any relation to Edward Pepper, the colliery owner?"
  • "My uncle. But----"
  • "I used to know him well. Dear old Edward Pepper! I wish I was with him
  • now."
  • "I wish you were," I said.
  • He beamed down at me.
  • "This is most fortunate," he said. "We were wondering what we were to
  • do with Tootles. You see, we have the mumps here. My daughter Bootles
  • has just developed mumps. Tootles must not be exposed to the risk of
  • infection. We could not think what we were to do with him. It was most
  • fortunate your finding him. He strayed from his nurse. I would hesitate
  • to trust him to the care of a stranger, but you are different. Any
  • nephew of Edward Pepper's has my implicit confidence. You must take
  • Tootles to your house. It will be an ideal arrangement. I have written
  • to my brother in London to come and fetch him. He may be here in a few
  • days."
  • "May!"
  • "He is a busy man, of course; but he should certainly be here within a
  • week. Till then Tootles can stop with you. It is an excellent plan.
  • Very much obliged to you. Your wife will like Tootles."
  • "I haven't got a wife," I yelled; but the window had closed with a
  • bang, as if the man with the whiskers had found a germ trying to
  • escape, don't you know, and had headed it off just in time.
  • I breathed a deep breath and wiped my forehead.
  • The window flew up again.
  • "Hi!"
  • A package weighing about a ton hit me on the head and burst like a
  • bomb.
  • "Did you catch it?" said the face, reappearing. "Dear me, you missed
  • it! Never mind. You can get it at the grocer's. Ask for Bailey's
  • Granulated Breakfast Chips. Tootles takes them for breakfast with a
  • little milk. Be certain to get Bailey's."
  • My spirit was broken, if you know what I mean. I accepted the situation.
  • Taking Tootles by the hand, I walked slowly away. Napoleon's retreat
  • from Moscow was a picnic by the side of it.
  • As we turned up the road we met Freddie's Angela.
  • The sight of her had a marked effect on the kid Tootles. He pointed at
  • her and said, "Wah!"
  • The girl stopped and smiled. I loosed the kid, and he ran to her.
  • "Well, baby?" she said, bending down to him. "So father found you
  • again, did he? Your little son and I made friends on the beach this
  • morning," she said to me.
  • This was the limit. Coming on top of that interview with the whiskered
  • lunatic it so utterly unnerved me, don't you know, that she had nodded
  • good-bye and was half-way down the road before I caught up with my
  • breath enough to deny the charge of being the infant's father.
  • I hadn't expected dear old Freddie to sing with joy when he found out
  • what had happened, but I did think he might have shown a little more
  • manly fortitude. He leaped up, glared at the kid, and clutched his
  • head. He didn't speak for a long time, but, on the other hand, when he
  • began he did not leave off for a long time. He was quite emotional,
  • dear old boy. It beat me where he could have picked up such
  • expressions.
  • "Well," he said, when he had finished, "say something! Heavens! man,
  • why don't you say something?"
  • "You don't give me a chance, old top," I said soothingly.
  • "What are you going to do about it?"
  • "What can we do about it?"
  • "We can't spend our time acting as nurses to this--this exhibit."
  • He got up.
  • "I'm going back to London," he said.
  • "Freddie!" I cried. "Freddie, old man!" My voice shook. "Would you
  • desert a pal at a time like this?"
  • "I would. This is your business, and you've got to manage it."
  • "Freddie," I said, "you've got to stand by me. You must. Do you realize
  • that this child has to be undressed, and bathed, and dressed again? You
  • wouldn't leave me to do all that single-handed? Freddie, old scout, we
  • were at school together. Your mother likes me. You owe me a tenner."
  • He sat down again.
  • "Oh, well," he said resignedly.
  • "Besides, old top," I said, "I did it all for your sake, don't you
  • know?"
  • He looked at me in a curious way.
  • "Reggie," he said, in a strained voice, "one moment. I'll stand a good
  • deal, but I won't stand for being expected to be grateful."
  • Looking back at it, I see that what saved me from Colney Hatch in that
  • crisis was my bright idea of buying up most of the contents of the
  • local sweet-shop. By serving out sweets to the kid practically
  • incessantly we managed to get through the rest of that day pretty
  • satisfactorily. At eight o'clock he fell asleep in a chair, and, having
  • undressed him by unbuttoning every button in sight and, where there
  • were no buttons, pulling till something gave, we carried him up to bed.
  • Freddie stood looking at the pile of clothes on the floor and I knew
  • what he was thinking. To get the kid undressed had been simple--a mere
  • matter of muscle. But how were we to get him into his clothes again? I
  • stirred the pile with my foot. There was a long linen arrangement which
  • might have been anything. Also a strip of pink flannel which was like
  • nothing on earth. We looked at each other and smiled wanly.
  • But in the morning I remembered that there were children at the next
  • bungalow but one. We went there before breakfast and borrowed their
  • nurse. Women are wonderful, by George they are! She had that kid
  • dressed and looking fit for anything in about eight minutes. I showered
  • wealth on her, and she promised to come in morning and evening. I sat
  • down to breakfast almost cheerful again. It was the first bit of silver
  • lining there had been to the cloud up to date.
  • "And after all," I said, "there's lots to be said for having a
  • child about the house, if you know what I mean. Kind of cosy and
  • domestic--what!"
  • Just then the kid upset the milk over Freddie's trousers, and when he
  • had come back after changing his clothes he began to talk about what a
  • much-maligned man King Herod was. The more he saw of Tootles, he said,
  • the less he wondered at those impulsive views of his on infanticide.
  • Two days later Jimmy Pinkerton came down. Jimmy took one look at the
  • kid, who happened to be howling at the moment, and picked up his
  • portmanteau.
  • "For me," he said, "the hotel. I can't write dialogue with that sort of
  • thing going on. Whose work is this? Which of you adopted this little
  • treasure?"
  • I told him about Mr. Medwin and the mumps. Jimmy seemed interested.
  • "I might work this up for the stage," he said. "It wouldn't make a bad
  • situation for act two of a farce."
  • "Farce!" snarled poor old Freddie.
  • "Rather. Curtain of act one on hero, a well-meaning, half-baked sort of
  • idiot just like--that is to say, a well-meaning, half-baked sort of
  • idiot, kidnapping the child. Second act, his adventures with it. I'll
  • rough it out to-night. Come along and show me the hotel, Reggie."
  • As we went I told him the rest of the story--the Angela part. He laid
  • down his portmanteau and looked at me like an owl through his glasses.
  • "What!" he said. "Why, hang it, this is a play, ready-made. It's the
  • old 'Tiny Hand' business. Always safe stuff. Parted lovers. Lisping
  • child. Reconciliation over the little cradle. It's big. Child, centre.
  • Girl L.C.; Freddie, up stage, by the piano. Can Freddie play the
  • piano?"
  • "He can play a little of 'The Rosary' with one finger."
  • Jimmy shook his head.
  • "No; we shall have to cut out the soft music. But the rest's all right.
  • Look here." He squatted in the sand. "This stone is the girl. This bit
  • of seaweed's the child. This nutshell is Freddie. Dialogue leading up
  • to child's line. Child speaks like, 'Boofer lady, does 'oo love dadda?'
  • Business of outstretched hands. Hold picture for a moment. Freddie crosses
  • L., takes girl's hand. Business of swallowing lump in throat. Then big
  • speech. 'Ah, Marie,' or whatever her name is--Jane--Agnes--Angela? Very
  • well. 'Ah, Angela, has not this gone on too long? A little child rebukes
  • us! Angela!' And so on. Freddie must work up his own part. I'm just
  • giving you the general outline. And we must get a good line for the
  • child. 'Boofer lady, does 'oo love dadda?' isn't definite enough. We
  • want something more--ah! 'Kiss Freddie,' that's it. Short, crisp, and
  • has the punch."
  • "But, Jimmy, old top," I said, "the only objection is, don't you know,
  • that there's no way of getting the girl to the cottage. She cuts
  • Freddie. She wouldn't come within a mile of him."
  • Jimmy frowned.
  • "That's awkward," he said. "Well, we shall have to make it an exterior set
  • instead of an interior. We can easily corner her on the beach somewhere,
  • when we're ready. Meanwhile, we must get the kid letter-perfect. First
  • rehearsal for lines and business eleven sharp to-morrow."
  • Poor old Freddie was in such a gloomy state of mind that we decided not
  • to tell him the idea till we had finished coaching the kid. He wasn't
  • in the mood to have a thing like that hanging over him. So we
  • concentrated on Tootles. And pretty early in the proceedings we saw
  • that the only way to get Tootles worked up to the spirit of the thing
  • was to introduce sweets of some sort as a sub-motive, so to speak.
  • "The chief difficulty," said Jimmy Pinkerton at the end of the first
  • rehearsal, "is to establish a connection in the kid's mind between his
  • line and the sweets. Once he has grasped the basic fact that those two
  • words, clearly spoken, result automatically in acid-drops, we have got
  • a success."
  • I've often thought, don't you know, how interesting it must be to be
  • one of those animal-trainer Johnnies: to stimulate the dawning
  • intelligence, and that sort of thing. Well, this was every bit as
  • exciting. Some days success seemed to be staring us in the eye, and the
  • kid got the line out as if he'd been an old professional. And then he'd
  • go all to pieces again. And time was flying.
  • "We must hurry up, Jimmy," I said. "The kid's uncle may arrive any day
  • now and take him away."
  • "And we haven't an understudy," said Jimmy. "There's something in that.
  • We must work! My goodness, that kid's a bad study. I've known deaf-mutes
  • who would have learned the part quicker."
  • I will say this for the kid, though: he was a trier. Failure didn't
  • discourage him. Whenever there was any kind of sweet near he had a dash
  • at his line, and kept on saying something till he got what he was
  • after. His only fault was his uncertainty. Personally, I would have
  • been prepared to risk it, and start the performance at the first
  • opportunity, but Jimmy said no.
  • "We're not nearly ready," said Jimmy. "To-day, for instance, he said
  • 'Kick Freddie.' That's not going to win any girl's heart. And she might
  • do it, too. No; we must postpone production awhile yet."
  • But, by George, we didn't. The curtain went up the very next afternoon.
  • It was nobody's fault--certainly not mine. It was just Fate. Freddie
  • had settled down at the piano, and I was leading the kid out of the
  • house to exercise it, when, just as we'd got out to the veranda, along
  • came the girl Angela on her way to the beach. The kid set up his usual
  • yell at the sight of her, and she stopped at the foot of the steps.
  • "Hello, baby!" she said. "Good morning," she said to me. "May I come
  • up?"
  • She didn't wait for an answer. She just came. She seemed to be that
  • sort of girl. She came up on the veranda and started fussing over the
  • kid. And six feet away, mind you, Freddie smiting the piano in the
  • sitting-room. It was a dash disturbing situation, don't you know. At
  • any minute Freddie might take it into his head to come out on to the
  • veranda, and we hadn't even begun to rehearse him in his part.
  • I tried to break up the scene.
  • "We were just going down to the beach," I said.
  • "Yes?" said the girl. She listened for a moment. "So you're having your
  • piano tuned?" she said. "My aunt has been trying to find a tuner for
  • ours. Do you mind if I go in and tell this man to come on to us when
  • he's finished here?"
  • "Er--not yet!" I said. "Not yet, if you don't mind. He can't bear to be
  • disturbed when he's working. It's the artistic temperament. I'll tell
  • him later."
  • "Very well," she said, getting up to go. "Ask him to call at Pine
  • Bungalow. West is the name. Oh, he seems to have stopped. I suppose he
  • will be out in a minute now. I'll wait."
  • "Don't you think--shouldn't we be going on to the beach?" I said.
  • She had started talking to the kid and didn't hear. She was feeling in
  • her pocket for something.
  • "The beach," I babbled.
  • "See what I've brought for you, baby," she said. And, by George, don't
  • you know, she held up in front of the kid's bulging eyes a chunk of
  • toffee about the size of the Automobile Club.
  • That finished it. We had just been having a long rehearsal, and the kid
  • was all worked up in his part. He got it right first time.
  • "Kiss Fweddie!" he shouted.
  • And the front door opened, and Freddie came out on to the veranda, for
  • all the world as if he had been taking a cue.
  • He looked at the girl, and the girl looked at him. I looked at the
  • ground, and the kid looked at the toffee.
  • "Kiss Fweddie!" he yelled. "Kiss Fweddie!"
  • The girl was still holding up the toffee, and the kid did what Jimmy
  • Pinkerton would have called "business of outstretched hands" towards
  • it.
  • "Kiss Fweddie!" he shrieked.
  • "What does this mean?" said the girl, turning to me.
  • "You'd better give it to him, don't you know," I said. "He'll go on
  • till you do."
  • She gave the kid his toffee, and he subsided. Poor old Freddie still
  • stood there gaping, without a word.
  • "What does it mean?" said the girl again. Her face was pink, and her
  • eyes were sparkling in the sort of way, don't you know, that makes a
  • fellow feel as if he hadn't any bones in him, if you know what I mean.
  • Did you ever tread on your partner's dress at a dance and tear it, and
  • see her smile at you like an angel and say: "_Please_ don't apologize.
  • It's nothing," and then suddenly meet her clear blue eyes and feel as
  • if you had stepped on the teeth of a rake and had the handle jump up
  • and hit you in the face? Well, that's how Freddie's Angela looked.
  • "_Well?_" she said, and her teeth gave a little click.
  • I gulped. Then I said it was nothing. Then I said it was nothing much.
  • Then I said, "Oh, well, it was this way." And, after a few brief
  • remarks about Jimmy Pinkerton, I told her all about it. And all the
  • while Idiot Freddie stood there gaping, without a word.
  • And the girl didn't speak, either. She just stood listening.
  • And then she began to laugh. I never heard a girl laugh so much. She
  • leaned against the side of the veranda and shrieked. And all the while
  • Freddie, the World's Champion Chump, stood there, saying nothing.
  • Well I sidled towards the steps. I had said all I had to say, and it
  • seemed to me that about here the stage-direction "exit" was written in
  • my part. I gave poor old Freddie up in despair. If only he had said a
  • word, it might have been all right. But there he stood, speechless.
  • What can a fellow do with a fellow like that?
  • Just out of sight of the house I met Jimmy Pinkerton.
  • "Hello, Reggie!" he said. "I was just coming to you. Where's the kid?
  • We must have a big rehearsal to-day."
  • "No good," I said sadly. "It's all over. The thing's finished. Poor
  • dear old Freddie has made an ass of himself and killed the whole show."
  • "Tell me," said Jimmy.
  • I told him.
  • "Fluffed in his lines, did he?" said Jimmy, nodding thoughtfully. "It's
  • always the way with these amateurs. We must go back at once. Things
  • look bad, but it may not be too late," he said as we started. "Even now
  • a few well-chosen words from a man of the world, and----"
  • "Great Scot!" I cried. "Look!"
  • In front of the cottage stood six children, a nurse, and the fellow
  • from the grocer's staring. From the windows of the houses opposite
  • projected about four hundred heads of both sexes, staring. Down the
  • road came galloping five more children, a dog, three men, and a boy,
  • about to stare. And on our porch, as unconscious of the spectators as
  • if they had been alone in the Sahara, stood Freddie and Angela, clasped
  • in each other's arms.
  • * * * * *
  • Dear old Freddie may have been fluffy in his lines, but, by George, his
  • business had certainly gone with a bang!
  • RALLYING ROUND OLD GEORGE
  • I think one of the rummiest affairs I was ever mixed up with, in the
  • course of a lifetime devoted to butting into other people's business,
  • was that affair of George Lattaker at Monte Carlo. I wouldn't bore you,
  • don't you know, for the world, but I think you ought to hear about it.
  • We had come to Monte Carlo on the yacht _Circe_, belonging to an
  • old sportsman of the name of Marshall. Among those present were myself,
  • my man Voules, a Mrs. Vanderley, her daughter Stella, Mrs. Vanderley's
  • maid Pilbeam and George.
  • George was a dear old pal of mine. In fact, it was I who had worked him
  • into the party. You see, George was due to meet his Uncle Augustus, who
  • was scheduled, George having just reached his twenty-fifth birthday, to
  • hand over to him a legacy left by one of George's aunts, for which he
  • had been trustee. The aunt had died when George was quite a kid. It was
  • a date that George had been looking forward to; for, though he had a
  • sort of income--an income, after-all, is only an income, whereas a
  • chunk of o' goblins is a pile. George's uncle was in Monte Carlo, and
  • had written George that he would come to London and unbelt; but it
  • struck me that a far better plan was for George to go to his uncle at
  • Monte Carlo instead. Kill two birds with one stone, don't you know. Fix
  • up his affairs and have a pleasant holiday simultaneously. So George
  • had tagged along, and at the time when the trouble started we were
  • anchored in Monaco Harbour, and Uncle Augustus was due next day.
  • * * * * *
  • Looking back, I may say that, so far as I was mixed up in it, the
  • thing began at seven o'clock in the morning, when I was aroused from
  • a dreamless sleep by the dickens of a scrap in progress outside my
  • state-room door. The chief ingredients were a female voice that sobbed
  • and said: "Oh, Harold!" and a male voice "raised in anger," as they say,
  • which after considerable difficulty, I identified as Voules's. I hardly
  • recognized it. In his official capacity Voules talks exactly like you'd
  • expect a statue to talk, if it could. In private, however, he evidently
  • relaxed to some extent, and to have that sort of thing going on in my
  • midst at that hour was too much for me.
  • "Voules!" I yelled.
  • Spion Kop ceased with a jerk. There was silence, then sobs diminishing
  • in the distance, and finally a tap at the door. Voules entered with
  • that impressive, my-lord-the-carriage-waits look which is what I pay
  • him for. You wouldn't have believed he had a drop of any sort of
  • emotion in him.
  • "Voules," I said, "are you under the delusion that I'm going to be
  • Queen of the May? You've called me early all right. It's only just
  • seven."
  • "I understood you to summon me, sir."
  • "I summoned you to find out why you were making that infernal noise
  • outside."
  • "I owe you an apology, sir. I am afraid that in the heat of the moment
  • I raised my voice."
  • "It's a wonder you didn't raise the roof. Who was that with you?"
  • "Miss Pilbeam, sir; Mrs. Vanderley's maid."
  • "What was all the trouble about?"
  • "I was breaking our engagement, sir."
  • I couldn't help gaping. Somehow one didn't associate Voules with
  • engagements. Then it struck me that I'd no right to butt in on his
  • secret sorrows, so I switched the conversation.
  • "I think I'll get up," I said.
  • "Yes, sir."
  • "I can't wait to breakfast with the rest. Can you get me some right
  • away?"
  • "Yes, sir."
  • So I had a solitary breakfast and went up on deck to smoke. It was
  • a lovely morning. Blue sea, gleaming Casino, cloudless sky, and all
  • the rest of the hippodrome. Presently the others began to trickle up.
  • Stella Vanderley was one of the first. I thought she looked a bit
  • pale and tired. She said she hadn't slept well. That accounted for
  • it. Unless you get your eight hours, where are you?
  • "Seen George?" I asked.
  • I couldn't help thinking the name seemed to freeze her a bit. Which was
  • queer, because all the voyage she and George had been particularly
  • close pals. In fact, at any moment I expected George to come to me and
  • slip his little hand in mine, and whisper: "I've done it, old scout;
  • she loves muh!"
  • "I have not seen Mr. Lattaker," she said.
  • I didn't pursue the subject. George's stock was apparently low that
  • a.m.
  • The next item in the day's programme occurred a few minutes later when
  • the morning papers arrived.
  • Mrs. Vanderley opened hers and gave a scream.
  • "The poor, dear Prince!" she said.
  • "What a shocking thing!" said old Marshall.
  • "I knew him in Vienna," said Mrs. Vanderley. "He waltzed divinely."
  • Then I got at mine and saw what they were talking about. The paper was
  • full of it. It seemed that late the night before His Serene Highness
  • the Prince of Saxburg-Leignitz (I always wonder why they call these
  • chaps "Serene") had been murderously assaulted in a dark street on
  • his way back from the Casino to his yacht. Apparently he had developed
  • the habit of going about without an escort, and some rough-neck, taking
  • advantage of this, had laid for him and slugged him with considerable
  • vim. The Prince had been found lying pretty well beaten up and insensible
  • in the street by a passing pedestrian, and had been taken back to his
  • yacht, where he still lay unconscious.
  • "This is going to do somebody no good," I said. "What do you get for
  • slugging a Serene Highness? I wonder if they'll catch the fellow?"
  • "'Later,'" read old Marshall, "'the pedestrian who discovered His
  • Serene Highness proves to have been Mr. Denman Sturgis, the eminent
  • private investigator. Mr. Sturgis has offered his services to the
  • police, and is understood to be in possession of a most important
  • clue.' That's the fellow who had charge of that kidnapping case in
  • Chicago. If anyone can catch the man, he can."
  • About five minutes later, just as the rest of them were going to move
  • off to breakfast, a boat hailed us and came alongside. A tall, thin man
  • came up the gangway. He looked round the group, and fixed on old
  • Marshall as the probable owner of the yacht.
  • "Good morning," he said. "I believe you have a Mr. Lattaker on
  • board--Mr. George Lattaker?"
  • "Yes," said Marshall. "He's down below. Want to see him? Whom shall I
  • say?"
  • "He would not know my name. I should like to see him for a moment on
  • somewhat urgent business."
  • "Take a seat. He'll be up in a moment. Reggie, my boy, go and hurry him
  • up."
  • I went down to George's state-room.
  • "George, old man!" I shouted.
  • No answer. I opened the door and went in. The room was empty. What's
  • more, the bunk hadn't been slept in. I don't know when I've been more
  • surprised. I went on deck.
  • "He isn't there," I said.
  • "Not there!" said old Marshall. "Where is he, then? Perhaps he's gone
  • for a stroll ashore. But he'll be back soon for breakfast. You'd better
  • wait for him. Have you breakfasted? No? Then will you join us?"
  • The man said he would, and just then the gong went and they trooped
  • down, leaving me alone on deck.
  • I sat smoking and thinking, and then smoking a bit more, when I thought
  • I heard somebody call my name in a sort of hoarse whisper. I looked
  • over my shoulder, and, by Jove, there at the top of the gangway in
  • evening dress, dusty to the eyebrows and without a hat, was dear old
  • George.
  • "Great Scot!" I cried.
  • "'Sh!" he whispered. "Anyone about?"
  • "They're all down at breakfast."
  • He gave a sigh of relief, sank into my chair, and closed his eyes. I
  • regarded him with pity. The poor old boy looked a wreck.
  • "I say!" I said, touching him on the shoulder.
  • He leaped out of the chair with a smothered yell.
  • "Did you do that? What did you do it for? What's the sense of it? How
  • do you suppose you can ever make yourself popular if you go about
  • touching people on the shoulder? My nerves are sticking a yard out of
  • my body this morning, Reggie!"
  • "Yes, old boy?"
  • "I did a murder last night."
  • "What?"
  • "It's the sort of thing that might happen to anybody. Directly Stella
  • Vanderley broke off our engagement I----"
  • "Broke off your engagement? How long were you engaged?"
  • "About two minutes. It may have been less. I hadn't a stop-watch. I
  • proposed to her at ten last night in the saloon. She accepted me. I was
  • just going to kiss her when we heard someone coming. I went out. Coming
  • along the corridor was that infernal what's-her-name--Mrs. Vanderley's
  • maid--Pilbeam. Have you ever been accepted by the girl you love,
  • Reggie?"
  • "Never. I've been refused dozens----"
  • "Then you won't understand how I felt. I was off my head with joy. I
  • hardly knew what I was doing. I just felt I had to kiss the nearest
  • thing handy. I couldn't wait. It might have been the ship's cat. It
  • wasn't. It was Pilbeam."
  • "You kissed her?"
  • "I kissed her. And just at that moment the door of the saloon opened
  • and out came Stella."
  • "Great Scott!"
  • "Exactly what I said. It flashed across me that to Stella, dear girl,
  • not knowing the circumstances, the thing might seem a little odd. It
  • did. She broke off the engagement, and I got out the dinghy and rowed
  • off. I was mad. I didn't care what became of me. I simply wanted to
  • forget. I went ashore. I--It's just on the cards that I may have drowned
  • my sorrows a bit. Anyhow, I don't remember a thing, except that I can
  • recollect having the deuce of a scrap with somebody in a dark street
  • and somebody falling, and myself falling, and myself legging it for all
  • I was worth. I woke up this morning in the Casino gardens. I've lost my
  • hat."
  • I dived for the paper.
  • "Read," I said. "It's all there."
  • He read.
  • "Good heavens!" he said.
  • "You didn't do a thing to His Serene Nibs, did you?"
  • "Reggie, this is awful."
  • "Cheer up. They say he'll recover."
  • "That doesn't matter."
  • "It does to him."
  • He read the paper again.
  • "It says they've a clue."
  • "They always say that."
  • "But--My hat!"
  • "Eh?"
  • "My hat. I must have dropped it during the scrap. This man, Denman
  • Sturgis, must have found it. It had my name in it!"
  • "George," I said, "you mustn't waste time. Oh!"
  • He jumped a foot in the air.
  • "Don't do it!" he said, irritably. "Don't bark like that. What's the
  • matter?"
  • "The man!"
  • "What man?"
  • "A tall, thin man with an eye like a gimlet. He arrived just before you
  • did. He's down in the saloon now, having breakfast. He said he wanted
  • to see you on business, and wouldn't give his name. I didn't like the
  • look of him from the first. It's this fellow Sturgis. It must be."
  • "No!"
  • "I feel it. I'm sure of it."
  • "Had he a hat?"
  • "Of course he had a hat."
  • "Fool! I mean mine. Was he carrying a hat?"
  • "By Jove, he _was_ carrying a parcel. George, old scout, you must
  • get a move on. You must light out if you want to spend the rest of your
  • life out of prison. Slugging a Serene Highness is _lèse-majestĂ©_.
  • It's worse than hitting a policeman. You haven't got a moment to
  • waste."
  • "But I haven't any money. Reggie, old man, lend me a tenner or
  • something. I must get over the frontier into Italy at once. I'll wire
  • my uncle to meet me in----"
  • "Look out," I cried; "there's someone coming!"
  • He dived out of sight just as Voules came up the companion-way,
  • carrying a letter on a tray.
  • "What's the matter!" I said. "What do you want?"
  • "I beg your pardon, sir. I thought I heard Mr. Lattaker's voice. A
  • letter has arrived for him."
  • "He isn't here."
  • "No, sir. Shall I remove the letter?"
  • "No; give it to me. I'll give it to him when he comes."
  • "Very good, sir."
  • "Oh, Voules! Are they all still at breakfast? The gentleman who came to
  • see Mr. Lattaker? Still hard at it?"
  • "He is at present occupied with a kippered herring, sir."
  • "Ah! That's all, Voules."
  • "Thank you, sir."
  • He retired. I called to George, and he came out.
  • "Who was it?"
  • "Only Voules. He brought a letter for you. They're all at breakfast
  • still. The sleuth's eating kippers."
  • "That'll hold him for a bit. Full of bones." He began to read his
  • letter. He gave a kind of grunt of surprise at the first paragraph.
  • "Well, I'm hanged!" he said, as he finished.
  • "Reggie, this is a queer thing."
  • "What's that?"
  • He handed me the letter, and directly I started in on it I saw why he
  • had grunted. This is how it ran:
  • "My dear George--I shall be seeing you to-morrow, I hope; but I
  • think it is better, before we meet, to prepare you for a curious
  • situation that has arisen in connection with the legacy which
  • your father inherited from your Aunt Emily, and which you are
  • expecting me, as trustee, to hand over to you, now that you have
  • reached your twenty-fifth birthday. You have doubtless heard
  • your father speak of your twin-brother Alfred, who was lost or
  • kidnapped--which, was never ascertained--when you were both
  • babies. When no news was received of him for so many years, it
  • was supposed that he was dead. Yesterday, however, I received a
  • letter purporting that he had been living all this time in Buenos
  • Ayres as the adopted son of a wealthy South American, and has
  • only recently discovered his identity. He states that he is on
  • his way to meet me, and will arrive any day now. Of course, like
  • other claimants, he may prove to be an impostor, but meanwhile
  • his intervention will, I fear, cause a certain delay before I can
  • hand over your money to you. It will be necessary to go into a
  • thorough examination of credentials, etc., and this will take
  • some time. But I will go fully into the matter with you when we
  • meet.--Your affectionate uncle,
  • "AUGUSTUS ARBUTT."
  • I read it through twice, and the second time I had one of those ideas I
  • do sometimes get, though admittedly a chump of the premier class. I
  • have seldom had such a thoroughly corking brain-wave.
  • "Why, old top," I said, "this lets you out."
  • "Lets me out of half the darned money, if that's what you mean. If this
  • chap's not an imposter--and there's no earthly reason to suppose he is,
  • though I've never heard my father say a word about him--we shall have
  • to split the money. Aunt Emily's will left the money to my father, or,
  • failing him, his 'offspring.' I thought that meant me, but apparently
  • there are a crowd of us. I call it rotten work, springing unexpected
  • offspring on a fellow at the eleventh hour like this."
  • "Why, you chump," I said, "it's going to save you. This lets you out of
  • your spectacular dash across the frontier. All you've got to do is to
  • stay here and be your brother Alfred. It came to me in a flash."
  • He looked at me in a kind of dazed way.
  • "You ought to be in some sort of a home, Reggie."
  • "Ass!" I cried. "Don't you understand? Have you ever heard of
  • twin-brothers who weren't exactly alike? Who's to say you aren't
  • Alfred if you swear you are? Your uncle will be there to back you
  • up that you have a brother Alfred."
  • "And Alfred will be there to call me a liar."
  • "He won't. It's not as if you had to keep it up for the rest of your
  • life. It's only for an hour or two, till we can get this detective
  • off the yacht. We sail for England to-morrow morning."
  • At last the thing seemed to sink into him. His face brightened.
  • "Why, I really do believe it would work," he said.
  • "Of course it would work. If they want proof, show them your mole. I'll
  • swear George hadn't one."
  • "And as Alfred I should get a chance of talking to Stella and making
  • things all right for George. Reggie, old top, you're a genius."
  • "No, no."
  • "You _are_."
  • "Well, it's only sometimes. I can't keep it up."
  • And just then there was a gentle cough behind us. We spun round.
  • "What the devil are you doing here, Voules," I said.
  • "I beg your pardon, sir. I have heard all."
  • I looked at George. George looked at me.
  • "Voules is all right," I said. "Decent Voules! Voules wouldn't give us
  • away, would you, Voules?"
  • "Yes, sir."
  • "You would?"
  • "Yes, sir."
  • "But, Voules, old man," I said, "be sensible. What would you gain by
  • it?"
  • "Financially, sir, nothing."
  • "Whereas, by keeping quiet"--I tapped him on the chest--"by holding
  • your tongue, Voules, by saying nothing about it to anybody, Voules, old
  • fellow, you might gain a considerable sum."
  • "Am I to understand, sir, that, because you are rich and I am poor, you
  • think that you can buy my self-respect?"
  • "Oh, come!" I said.
  • "How much?" said Voules.
  • So we switched to terms. You wouldn't believe the way the man haggled.
  • You'd have thought a decent, faithful servant would have been delighted
  • to oblige one in a little matter like that for a fiver. But not Voules.
  • By no means. It was a hundred down, and the promise of another hundred
  • when we had got safely away, before he was satisfied. But we fixed it
  • up at last, and poor old George got down to his state-room and changed
  • his clothes.
  • He'd hardly gone when the breakfast-party came on deck.
  • "Did you meet him?" I asked.
  • "Meet whom?" said old Marshall.
  • "George's twin-brother Alfred."
  • "I didn't know George had a brother."
  • "Nor did he till yesterday. It's a long story. He was kidnapped in
  • infancy, and everyone thought he was dead. George had a letter from his
  • uncle about him yesterday. I shouldn't wonder if that's where George
  • has gone, to see his uncle and find out about it. In the meantime,
  • Alfred has arrived. He's down in George's state-room now, having a
  • brush-up. It'll amaze you, the likeness between them. You'll think it
  • _is_ George at first. Look! Here he comes."
  • And up came George, brushed and clean, in an ordinary yachting suit.
  • They were rattled. There was no doubt about that. They stood looking at
  • him, as if they thought there was a catch somewhere, but weren't quite
  • certain where it was. I introduced him, and still they looked doubtful.
  • "Mr. Pepper tells me my brother is not on board," said George.
  • "It's an amazing likeness," said old Marshall.
  • "Is my brother like me?" asked George amiably.
  • "No one could tell you apart," I said.
  • "I suppose twins always are alike," said George. "But if it ever came
  • to a question of identification, there would be one way of
  • distinguishing us. Do you know George well, Mr. Pepper?"
  • "He's a dear old pal of mine."
  • "You've been swimming with him perhaps?"
  • "Every day last August."
  • "Well, then, you would have noticed it if he had had a mole like this
  • on the back of his neck, wouldn't you?" He turned his back and stooped
  • and showed the mole. His collar hid it at ordinary times. I had seen it
  • often when we were bathing together.
  • "Has George a mole like that?" he asked.
  • "No," I said. "Oh, no."
  • "You would have noticed it if he had?"
  • "Yes," I said. "Oh, yes."
  • "I'm glad of that," said George. "It would be a nuisance not to be able
  • to prove one's own identity."
  • That seemed to satisfy them all. They couldn't get away from it. It
  • seemed to me that from now on the thing was a walk-over. And I think
  • George felt the same, for, when old Marshall asked him if he had had
  • breakfast, he said he had not, went below, and pitched in as if he
  • hadn't a care in the world.
  • Everything went right till lunch-time. George sat in the shade on the
  • foredeck talking to Stella most of the time. When the gong went and the
  • rest had started to go below, he drew me back. He was beaming.
  • "It's all right," he said. "What did I tell you?"
  • "What did you tell me?"
  • "Why, about Stella. Didn't I say that Alfred would fix things for
  • George? I told her she looked worried, and got her to tell me what the
  • trouble was. And then----"
  • "You must have shown a flash of speed if you got her to confide in you
  • after knowing you for about two hours."
  • "Perhaps I did," said George modestly, "I had no notion, till I became
  • him, what a persuasive sort of chap my brother Alfred was. Anyway, she
  • told me all about it, and I started in to show her that George was a
  • pretty good sort of fellow on the whole, who oughtn't to be turned down
  • for what was evidently merely temporary insanity. She saw my point."
  • "And it's all right?"
  • "Absolutely, if only we can produce George. How much longer does that
  • infernal sleuth intend to stay here? He seems to have taken root."
  • "I fancy he thinks that you're bound to come back sooner or later, and
  • is waiting for you."
  • "He's an absolute nuisance," said George.
  • We were moving towards the companion way, to go below for lunch, when a
  • boat hailed us. We went to the side and looked over.
  • "It's my uncle," said George.
  • A stout man came up the gangway.
  • "Halloa, George!" he said. "Get my letter?"
  • "I think you are mistaking me for my brother," said George. "My name is
  • Alfred Lattaker."
  • "What's that?"
  • "I am George's brother Alfred. Are you my Uncle Augustus?"
  • The stout man stared at him.
  • "You're very like George," he said.
  • "So everyone tells me."
  • "And you're really Alfred?"
  • "I am."
  • "I'd like to talk business with you for a moment."
  • He cocked his eye at me. I sidled off and went below.
  • At the foot of the companion-steps I met Voules.
  • "I beg your pardon, sir," said Voules. "If it would be convenient I
  • should be glad to have the afternoon off."
  • I'm bound to say I rather liked his manner. Absolutely normal. Not a
  • trace of the fellow-conspirator about it. I gave him the afternoon off.
  • I had lunch--George didn't show up--and as I was going out I was
  • waylaid by the girl Pilbeam. She had been crying.
  • "I beg your pardon, sir, but did Mr. Voules ask you for the afternoon?"
  • I didn't see what business if was of hers, but she seemed all worked up
  • about it, so I told her.
  • "Yes, I have given him the afternoon off."
  • She broke down--absolutely collapsed. Devilish unpleasant it was. I'm
  • hopeless in a situation like this. After I'd said, "There, there!"
  • which didn't seem to help much, I hadn't any remarks to make.
  • "He s-said he was going to the tables to gamble away all his savings
  • and then shoot himself, because he had nothing left to live for."
  • I suddenly remembered the scrap in the small hours outside my
  • state-room door. I hate mysteries. I meant to get to the bottom of
  • this. I couldn't have a really first-class valet like Voules going
  • about the place shooting himself up. Evidently the girl Pilbeam was
  • at the bottom of the thing. I questioned her. She sobbed.
  • I questioned her more. I was firm. And eventually she yielded up the
  • facts. Voules had seen George kiss her the night before; that was the
  • trouble.
  • Things began to piece themselves together. I went up to interview George.
  • There was going to be another job for persuasive Alfred. Voules's mind
  • had got to be eased as Stella's had been. I couldn't afford to lose a
  • fellow with his genius for preserving a trouser-crease.
  • I found George on the foredeck. What is it Shakespeare or somebody says
  • about some fellow's face being sicklied o'er with the pale cast of
  • care? George's was like that. He looked green.
  • "Finished with your uncle?" I said.
  • He grinned a ghostly grin.
  • "There isn't any uncle," he said. "There isn't any Alfred. And there
  • isn't any money."
  • "Explain yourself, old top," I said.
  • "It won't take long. The old crook has spent every penny of the
  • trust money. He's been at it for years, ever since I was a kid. When
  • the time came to cough up, and I was due to see that he did it, he
  • went to the tables in the hope of a run of luck, and lost the last
  • remnant of the stuff. He had to find a way of holding me for a while
  • and postponing the squaring of accounts while he got away, and he
  • invented this twin-brother business. He knew I should find out sooner
  • or later, but meanwhile he would be able to get off to South America,
  • which he has done. He's on his way now."
  • "You let him go?"
  • "What could I do? I can't afford to make a fuss with that man Sturgis
  • around. I can't prove there's no Alfred when my only chance of avoiding
  • prison is to be Alfred."
  • "Well, you've made things right for yourself with Stella Vanderley,
  • anyway," I said, to cheer him up.
  • "What's the good of that now? I've hardly any money and no prospects.
  • How can I marry her?"
  • I pondered.
  • "It looks to me, old top," I said at last, "as if things were in a bit
  • of a mess."
  • "You've guessed it," said poor old George.
  • I spent the afternoon musing on Life. If you come to think of it, what
  • a queer thing Life is! So unlike anything else, don't you know, if you
  • see what I mean. At any moment you may be strolling peacefully along,
  • and all the time Life's waiting around the corner to fetch you one. You
  • can't tell when you may be going to get it. It's all dashed puzzling.
  • Here was poor old George, as well-meaning a fellow as ever stepped,
  • getting swatted all over the ring by the hand of Fate. Why? That's what
  • I asked myself. Just Life, don't you know. That's all there was about
  • it.
  • It was close on six o'clock when our third visitor of the day arrived.
  • We were sitting on the afterdeck in the cool of the evening--old
  • Marshall, Denman Sturgis, Mrs. Vanderley, Stella, George, and I--when
  • he came up. We had been talking of George, and old Marshall was
  • suggesting the advisability of sending out search-parties. He was
  • worried. So was Stella Vanderley. So, for that matter, were George and
  • I, only not for the same reason.
  • We were just arguing the thing out when the visitor appeared. He was a
  • well-built, stiff sort of fellow. He spoke with a German accent.
  • "Mr. Marshall?" he said. "I am Count Fritz von Cöslin, equerry to His
  • Serene Highness"--he clicked his heels together and saluted--"the
  • Prince of Saxburg-Leignitz."
  • Mrs. Vanderley jumped up.
  • "Why, Count," she said, "what ages since we met in Vienna! You
  • remember?"
  • "Could I ever forget? And the charming Miss Stella, she is well, I
  • suppose not?"
  • "Stella, you remember Count Fritz?"
  • Stella shook hands with him.
  • "And how is the poor, dear Prince?" asked Mrs. Vanderley. "What a
  • terrible thing to have happened!"
  • "I rejoice to say that my high-born master is better. He has regained
  • consciousness and is sitting up and taking nourishment."
  • "That's good," said old Marshall.
  • "In a spoon only," sighed the Count. "Mr. Marshall, with your
  • permission I should like a word with Mr. Sturgis."
  • "Mr. Who?"
  • The gimlet-eyed sportsman came forward.
  • "I am Denman Sturgis, at your service."
  • "The deuce you are! What are you doing here?"
  • "Mr. Sturgis," explained the Count, "graciously volunteered his
  • services----"
  • "I know. But what's he doing here?"
  • "I am waiting for Mr. George Lattaker, Mr. Marshall."
  • "Eh?"
  • "You have not found him?" asked the Count anxiously.
  • "Not yet, Count; but I hope to do so shortly. I know what he looks like
  • now. This gentleman is his twin-brother. They are doubles."
  • "You are sure this gentleman is not Mr. George Lattaker?"
  • George put his foot down firmly on the suggestion.
  • "Don't go mixing me up with my brother," he said. "I am Alfred. You can
  • tell me by my mole."
  • He exhibited the mole. He was taking no risks.
  • The Count clicked his tongue regretfully.
  • "I am sorry," he said.
  • George didn't offer to console him,
  • "Don't worry," said Sturgis. "He won't escape me. I shall find him."
  • "Do, Mr. Sturgis, do. And quickly. Find swiftly that noble young man."
  • "What?" shouted George.
  • "That noble young man, George Lattaker, who, at the risk of his life,
  • saved my high-born master from the assassin."
  • George sat down suddenly.
  • "I don't understand," he said feebly.
  • "We were wrong, Mr. Sturgis," went on the Count. "We leaped to the
  • conclusion--was it not so?--that the owner of the hat you found was
  • also the assailant of my high-born master. We were wrong. I have heard
  • the story from His Serene Highness's own lips. He was passing down a
  • dark street when a ruffian in a mask sprang out upon him. Doubtless he
  • had been followed from the Casino, where he had been winning heavily.
  • My high-born master was taken by surprise. He was felled. But before he
  • lost consciousness he perceived a young man in evening dress, wearing
  • the hat you found, running swiftly towards him. The hero engaged the
  • assassin in combat, and my high-born master remembers no more. His
  • Serene Highness asks repeatedly, 'Where is my brave preserver?' His
  • gratitude is princely. He seeks for this young man to reward him. Ah,
  • you should be proud of your brother, sir!"
  • "Thanks," said George limply.
  • "And you, Mr. Sturgis, you must redouble your efforts. You must search
  • the land; you must scour the sea to find George Lattaker."
  • "He needn't take all that trouble," said a voice from the gangway.
  • It was Voules. His face was flushed, his hat was on the back of his
  • head, and he was smoking a fat cigar.
  • "I'll tell you where to find George Lattaker!" he shouted.
  • He glared at George, who was staring at him.
  • "Yes, look at me," he yelled. "Look at me. You won't be the first this
  • afternoon who's stared at the mysterious stranger who won for two hours
  • without a break. I'll be even with you now, Mr. Blooming Lattaker. I'll
  • learn you to break a poor man's heart. Mr. Marshall and gents, this
  • morning I was on deck, and I over'eard 'im plotting to put up a game on
  • you. They'd spotted that gent there as a detective, and they arranged
  • that blooming Lattaker was to pass himself off as his own twin-brother.
  • And if you wanted proof, blooming Pepper tells him to show them his
  • mole and he'd swear George hadn't one. Those were his very words. That
  • man there is George Lattaker, Hesquire, and let him deny it if he can."
  • George got up.
  • "I haven't the least desire to deny it, Voules."
  • "Mr. Voules, if _you_ please."
  • "It's true," said George, turning to the Count. "The fact is, I had
  • rather a foggy recollection of what happened last night. I only
  • remembered knocking some one down, and, like you, I jumped to the
  • conclusion that I must have assaulted His Serene Highness."
  • "Then you are really George Lattaker?" asked the Count.
  • "I am."
  • "'Ere, what does all this mean?" demanded Voules.
  • "Merely that I saved the life of His Serene Highness the Prince of
  • Saxburg-Leignitz, Mr. Voules."
  • "It's a swindle!" began Voules, when there was a sudden rush and the
  • girl Pilbeam cannoned into the crowd, sending me into old Marshall's
  • chair, and flung herself into the arms of Voules.
  • "Oh, Harold!" she cried. "I thought you were dead. I thought you'd shot
  • yourself."
  • He sort of braced himself together to fling her off, and then he seemed
  • to think better of it and fell into the clinch.
  • It was all dashed romantic, don't you know, but there _are_ limits.
  • "Voules, you're sacked," I said.
  • "Who cares?" he said. "Think I was going to stop on now I'm a gentleman
  • of property? Come along, Emma, my dear. Give a month's notice and get
  • your 'at, and I'll take you to dinner at Ciro's."
  • "And you, Mr. Lattaker," said the Count, "may I conduct you to the
  • presence of my high-born master? He wishes to show his gratitude to his
  • preserver."
  • "You may," said George. "May I have my hat, Mr. Sturgis?"
  • There's just one bit more. After dinner that night I came up for a
  • smoke, and, strolling on to the foredeck, almost bumped into George and
  • Stella. They seemed to be having an argument.
  • "I'm not sure," she was saying, "that I believe that a man can be so
  • happy that he wants to kiss the nearest thing in sight, as you put it."
  • "Don't you?" said George. "Well, as it happens, I'm feeling just that
  • way now."
  • I coughed and he turned round.
  • "Halloa, Reggie!" he said.
  • "Halloa, George!" I said. "Lovely night."
  • "Beautiful," said Stella.
  • "The moon," I said.
  • "Ripping," said George.
  • "Lovely," said Stella.
  • "And look at the reflection of the stars on the----"
  • George caught my eye. "Pop off," he said.
  • I popped.
  • DOING CLARENCE A BIT OF GOOD
  • Have you ever thought about--and, when I say thought about, I mean
  • really carefully considered the question of--the coolness, the cheek,
  • or, if you prefer it, the gall with which Woman, as a sex, fairly
  • bursts? _I_ have, by Jove! But then I've had it thrust on my
  • notice, by George, in a way I should imagine has happened to pretty
  • few fellows. And the limit was reached by that business of the
  • Yeardsley "Venus."
  • To make you understand the full what-d'you-call-it of the situation, I
  • shall have to explain just how matters stood between Mrs. Yeardsley and
  • myself.
  • When I first knew her she was Elizabeth Shoolbred. Old Worcestershire
  • family; pots of money; pretty as a picture. Her brother Bill was at
  • Oxford with me.
  • I loved Elizabeth Shoolbred. I loved her, don't you know. And there was
  • a time, for about a week, when we were engaged to be married. But just
  • as I was beginning to take a serious view of life and study furniture
  • catalogues and feel pretty solemn when the restaurant orchestra played
  • "The Wedding Glide," I'm hanged if she didn't break it off, and a month
  • later she was married to a fellow of the name of Yeardsley--Clarence
  • Yeardsley, an artist.
  • What with golf, and billiards, and a bit of racing, and fellows at the
  • club rallying round and kind of taking me out of myself, as it were, I
  • got over it, and came to look on the affair as a closed page in the
  • book of my life, if you know what I mean. It didn't seem likely to me
  • that we should meet again, as she and Clarence had settled down in the
  • country somewhere and never came to London, and I'm bound to own that,
  • by the time I got her letter, the wound had pretty well healed, and I
  • was to a certain extent sitting up and taking nourishment. In fact, to
  • be absolutely honest, I was jolly thankful the thing had ended as it
  • had done.
  • This letter I'm telling you about arrived one morning out of a blue
  • sky, as it were. It ran like this:
  • "MY DEAR OLD REGGIE,--What ages it seems since I saw anything of
  • you. How are you? We have settled down here in the most perfect old
  • house, with a lovely garden, in the middle of delightful country.
  • Couldn't you run down here for a few days? Clarence and I would be
  • so glad to see you. Bill is here, and is most anxious to meet you
  • again. He was speaking of you only this morning. _Do_ come.
  • Wire your train, and I will send the car to meet you.
  • --Yours most sincerely,
  • ELIZABETH YEARDSLEY.
  • "P.S.--We can give you new milk and fresh eggs. Think of that!
  • "P.P.S.--Bill says our billiard-table is one of the best he has
  • ever played on.
  • "P.P.S.S.--We are only half a mile from a golf course. Bill says
  • it is better than St. Andrews.
  • "P.P.S.S.S.--You _must_ come!"
  • Well, a fellow comes down to breakfast one morning, with a bit of a
  • head on, and finds a letter like that from a girl who might quite
  • easily have blighted his life! It rattled me rather, I must confess.
  • However, that bit about the golf settled me. I knew Bill knew what he
  • was talking about, and, if he said the course was so topping, it must
  • be something special. So I went.
  • Old Bill met me at the station with the car. I hadn't come across him
  • for some months, and I was glad to see him again. And he apparently was
  • glad to see me.
  • "Thank goodness you've come," he said, as we drove off. "I was just
  • about at my last grip."
  • "What's the trouble, old scout?" I asked.
  • "If I had the artistic what's-its-name," he went on, "if the mere
  • mention of pictures didn't give me the pip, I dare say it wouldn't be
  • so bad. As it is, it's rotten!"
  • "Pictures?"
  • "Pictures. Nothing else is mentioned in this household. Clarence is an
  • artist. So is his father. And you know yourself what Elizabeth is like
  • when one gives her her head?"
  • I remembered then--it hadn't come back to me before--that most of my
  • time with Elizabeth had been spent in picture-galleries. During the
  • period when I had let her do just what she wanted to do with me, I had
  • had to follow her like a dog through gallery after gallery, though
  • pictures are poison to me, just as they are to old Bill. Somehow it had
  • never struck me that she would still be going on in this way after
  • marrying an artist. I should have thought that by this time the mere
  • sight of a picture would have fed her up. Not so, however, according to
  • old Bill.
  • "They talk pictures at every meal," he said. "I tell you, it makes a
  • chap feel out of it. How long are you down for?"
  • "A few days."
  • "Take my tip, and let me send you a wire from London. I go there
  • to-morrow. I promised to play against the Scottish. The idea was
  • that I was to come back after the match. But you couldn't get me
  • back with a lasso."
  • I tried to point out the silver lining.
  • "But, Bill, old scout, your sister says there's a most corking links
  • near here."
  • He turned and stared at me, and nearly ran us into the bank.
  • "You don't mean honestly she said that?"
  • "She said you said it was better than St. Andrews."
  • "So I did. Was that all she said I said?"
  • "Well, wasn't it enough?"
  • "She didn't happen to mention that I added the words, 'I don't think'?"
  • "No, she forgot to tell me that."
  • "It's the worst course in Great Britain."
  • I felt rather stunned, don't you know. Whether it's a bad habit to have
  • got into or not, I can't say, but I simply can't do without my daily
  • allowance of golf when I'm not in London.
  • I took another whirl at the silver lining.
  • "We'll have to take it out in billiards," I said. "I'm glad the table's
  • good."
  • "It depends what you call good. It's half-size, and there's a seven-inch
  • cut just out of baulk where Clarence's cue slipped. Elizabeth has mended
  • it with pink silk. Very smart and dressy it looks, but it doesn't improve
  • the thing as a billiard-table."
  • "But she said you said----"
  • "Must have been pulling your leg."
  • We turned in at the drive gates of a good-sized house standing well
  • back from the road. It looked black and sinister in the dusk, and I
  • couldn't help feeling, you know, like one of those Johnnies you read
  • about in stories who are lured to lonely houses for rummy purposes and
  • hear a shriek just as they get there. Elizabeth knew me well enough to
  • know that a specially good golf course was a safe draw to me. And she
  • had deliberately played on her knowledge. What was the game? That was
  • what I wanted to know. And then a sudden thought struck me which brought
  • me out in a cold perspiration. She had some girl down here and was going
  • to have a stab at marrying me off. I've often heard that young married
  • women are all over that sort of thing. Certainly she had said there was
  • nobody at the house but Clarence and herself and Bill and Clarence's
  • father, but a woman who could take the name of St. Andrews in vain as
  • she had done wouldn't be likely to stick at a trifle.
  • "Bill, old scout," I said, "there aren't any frightful girls or any rot
  • of that sort stopping here, are there?"
  • "Wish there were," he said. "No such luck."
  • As we pulled up at the front door, it opened, and a woman's figure
  • appeared.
  • "Have you got him, Bill?" she said, which in my present frame of mind
  • struck me as a jolly creepy way of putting it. The sort of thing Lady
  • Macbeth might have said to Macbeth, don't you know.
  • "Do you mean me?" I said.
  • She came down into the light. It was Elizabeth, looking just the same
  • as in the old days.
  • "Is that you, Reggie? I'm so glad you were able to come. I was afraid
  • you might have forgotten all about it. You know what you are. Come
  • along in and have some tea."
  • * * * * *
  • Have you ever been turned down by a girl who afterwards married and
  • then been introduced to her husband? If so you'll understand how I felt
  • when Clarence burst on me. You know the feeling. First of all, when you
  • hear about the marriage, you say to yourself, "I wonder what he's like."
  • Then you meet him, and think, "There must be some mistake. She can't have
  • preferred _this_ to me!" That's what I thought, when I set eyes on
  • Clarence.
  • He was a little thin, nervous-looking chappie of about thirty-five. His
  • hair was getting grey at the temples and straggly on top. He wore
  • pince-nez, and he had a drooping moustache. I'm no Bombardier Wells
  • myself, but in front of Clarence I felt quite a nut. And Elizabeth,
  • mind you, is one of those tall, splendid girls who look like princesses.
  • Honestly, I believe women do it out of pure cussedness.
  • "How do you do, Mr. Pepper? Hark! Can you hear a mewing cat?" said
  • Clarence. All in one breath, don't you know.
  • "Eh?" I said.
  • "A mewing cat. I feel sure I hear a mewing cat. Listen!"
  • While we were listening the door opened, and a white-haired old
  • gentleman came in. He was built on the same lines as Clarence, but was
  • an earlier model. I took him correctly, to be Mr. Yeardsley, senior.
  • Elizabeth introduced us.
  • "Father," said Clarence, "did you meet a mewing cat outside? I feel
  • positive I heard a cat mewing."
  • "No," said the father, shaking his head; "no mewing cat."
  • "I can't bear mewing cats," said Clarence. "A mewing cat gets on my
  • nerves!"
  • "A mewing cat is so trying," said Elizabeth.
  • "_I_ dislike mewing cats," said old Mr. Yeardsley.
  • That was all about mewing cats for the moment. They seemed to think
  • they had covered the ground satisfactorily, and they went back to
  • pictures.
  • We talked pictures steadily till it was time to dress for dinner. At
  • least, they did. I just sort of sat around. Presently the subject of
  • picture-robberies came up. Somebody mentioned the "Monna Lisa," and
  • then I happened to remember seeing something in the evening paper, as I
  • was coming down in the train, about some fellow somewhere having had a
  • valuable painting pinched by burglars the night before. It was the
  • first time I had had a chance of breaking into the conversation with
  • any effect, and I meant to make the most of it. The paper was in the
  • pocket of my overcoat in the hall. I went and fetched it.
  • "Here it is," I said. "A Romney belonging to Sir Bellamy Palmer----"
  • They all shouted "What!" exactly at the same time, like a chorus.
  • Elizabeth grabbed the paper.
  • "Let me look! Yes. 'Late last night burglars entered the residence of
  • Sir Bellamy Palmer, Dryden Park, Midford, Hants----'"
  • "Why, that's near here," I said. "I passed through Midford----"
  • "Dryden Park is only two miles from this house," said Elizabeth. I
  • noticed her eyes were sparkling.
  • "Only two miles!" she said. "It might have been us! It might have been
  • the 'Venus'!"
  • Old Mr. Yeardsley bounded in his chair.
  • "The 'Venus'!" he cried.
  • They all seemed wonderfully excited. My little contribution to the
  • evening's chat had made quite a hit.
  • Why I didn't notice it before I don't know, but it was not till Elizabeth
  • showed it to me after dinner that I had my first look at the Yeardsley
  • "Venus." When she led me up to it, and switched on the light, it seemed
  • impossible that I could have sat right through dinner without noticing
  • it. But then, at meals, my attention is pretty well riveted on the
  • foodstuffs. Anyway, it was not till Elizabeth showed it to me that I
  • was aware of its existence.
  • She and I were alone in the drawing-room after dinner. Old Yeardsley
  • was writing letters in the morning-room, while Bill and Clarence were
  • rollicking on the half-size billiard table with the pink silk tapestry
  • effects. All, in fact, was joy, jollity, and song, so to speak, when
  • Elizabeth, who had been sitting wrapped in thought for a bit, bent
  • towards me and said, "Reggie."
  • And the moment she said it I knew something was going to happen. You
  • know that pre-what-d'you-call-it you get sometimes? Well, I got it
  • then.
  • "What-o?" I said nervously.
  • "Reggie," she said, "I want to ask a great favour of you."
  • "Yes?"
  • She stooped down and put a log on the fire, and went on, with her back
  • to me:
  • "Do you remember, Reggie, once saying you would do anything in the
  • world for me?"
  • There! That's what I meant when I said that about the cheek of Woman as
  • a sex. What I mean is, after what had happened, you'd have thought she
  • would have preferred to let the dead past bury its dead, and all that
  • sort of thing, what?
  • Mind you, I _had_ said I would do anything in the world for her.
  • I admit that. But it was a distinctly pre-Clarence remark. He hadn't
  • appeared on the scene then, and it stands to reason that a fellow who
  • may have been a perfect knight-errant to a girl when he was engaged to
  • her, doesn't feel nearly so keen on spreading himself in that direction
  • when she has given him the miss-in-baulk, and gone and married a man
  • who reason and instinct both tell him is a decided blighter.
  • I couldn't think of anything to say but "Oh, yes."
  • "There's something you can do for me now, which will make me
  • everlastingly grateful."
  • "Yes," I said.
  • "Do you know, Reggie," she said suddenly, "that only a few months ago
  • Clarence was very fond of cats?"
  • "Eh! Well, he still seems--er--_interested_ in them, what?"
  • "Now they get on his nerves. Everything gets on his nerves."
  • "Some fellows swear by that stuff you see advertised all over the----"
  • "No, that wouldn't help him. He doesn't need to take anything. He wants
  • to get rid of something."
  • "I don't quite follow. Get rid of something?"
  • "The 'Venus,'" said Elizabeth.
  • She looked up and caught my bulging eye.
  • "You saw the 'Venus,'" she said.
  • "Not that I remember."
  • "Well, come into the dining-room."
  • We went into the dining-room, and she switched on the lights.
  • "There," she said.
  • On the wall close to the door--that may have been why I hadn't noticed
  • it before; I had sat with my back to it--was a large oil-painting. It
  • was what you'd call a classical picture, I suppose. What I mean is--well,
  • you know what I mean. All I can say is that it's funny I _hadn't_
  • noticed it.
  • "Is that the 'Venus'?" I said.
  • She nodded.
  • "How would you like to have to look at that every time you sat down to
  • a meal?"
  • "Well, I don't know. I don't think it would affect me much. I'd worry
  • through all right."
  • She jerked her head impatiently.
  • "But you're not an artist," she said. "Clarence is."
  • And then I began to see daylight. What exactly was the trouble I didn't
  • understand, but it was evidently something to do with the good old
  • Artistic Temperament, and I could believe anything about that. It
  • explains everything. It's like the Unwritten Law, don't you know,
  • which you plead in America if you've done anything they want to send
  • you to chokey for and you don't want to go. What I mean is, if you're
  • absolutely off your rocker, but don't find it convenient to be scooped
  • into the luny-bin, you simply explain that, when you said you were a
  • teapot, it was just your Artistic Temperament, and they apologize and
  • go away. So I stood by to hear just how the A.T. had affected Clarence,
  • the Cat's Friend, ready for anything.
  • And, believe me, it had hit Clarence badly.
  • It was this way. It seemed that old Yeardsley was an amateur artist and
  • that this "Venus" was his masterpiece. He said so, and he ought to have
  • known. Well, when Clarence married, he had given it to him, as a wedding
  • present, and had hung it where it stood with his own hands. All right so
  • far, what? But mark the sequel. Temperamental Clarence, being a
  • professional artist and consequently some streets ahead of the dad at
  • the game, saw flaws in the "Venus." He couldn't stand it at any price.
  • He didn't like the drawing. He didn't like the expression of the face.
  • He didn't like the colouring. In fact, it made him feel quite ill to
  • look at it. Yet, being devoted to his father and wanting to do anything
  • rather than give him pain, he had not been able to bring himself to
  • store the thing in the cellar, and the strain of confronting the
  • picture three times a day had begun to tell on him to such an extent
  • that Elizabeth felt something had to be done.
  • "Now you see," she said.
  • "In a way," I said. "But don't you think it's making rather heavy
  • weather over a trifle?"
  • "Oh, can't you understand? Look!" Her voice dropped as if she was in
  • church, and she switched on another light. It shone on the picture next
  • to old Yeardsley's. "There!" she said. "Clarence painted that!"
  • She looked at me expectantly, as if she were waiting for me to swoon,
  • or yell, or something. I took a steady look at Clarence's effort. It
  • was another Classical picture. It seemed to me very much like the other
  • one.
  • Some sort of art criticism was evidently expected of me, so I made a
  • dash at it.
  • "Er--'Venus'?" I said.
  • Mark you, Sherlock Holmes would have made the same mistake. On the
  • evidence, I mean.
  • "No. 'Jocund Spring,'" she snapped. She switched off the light. "I see
  • you don't understand even now. You never had any taste about pictures.
  • When we used to go to the galleries together, you would far rather have
  • been at your club."
  • This was so absolutely true, that I had no remark to make. She came up
  • to me, and put her hand on my arm.
  • "I'm sorry, Reggie. I didn't mean to be cross. Only I do want to make you
  • understand that Clarence is _suffering_. Suppose--suppose--well, let
  • us take the case of a great musician. Suppose a great musician had to sit
  • and listen to a cheap vulgar tune--the same tune--day after day, day after
  • day, wouldn't you expect his nerves to break! Well, it's just like that
  • with Clarence. Now you see?"
  • "Yes, but----"
  • "But what? Surely I've put it plainly enough?"
  • "Yes. But what I mean is, where do I come in? What do you want me to
  • do?"
  • "I want you to steal the 'Venus.'"
  • I looked at her.
  • "You want me to----?"
  • "Steal it. Reggie!" Her eyes were shining with excitement. "Don't you
  • see? It's Providence. When I asked you to come here, I had just got the
  • idea. I knew I could rely on you. And then by a miracle this robbery of
  • the Romney takes place at a house not two miles away. It removes the
  • last chance of the poor old man suspecting anything and having his
  • feelings hurt. Why, it's the most wonderful compliment to him. Think!
  • One night thieves steal a splendid Romney; the next the same gang take
  • his 'Venus.' It will be the proudest moment of his life. Do it to-night,
  • Reggie. I'll give you a sharp knife. You simply cut the canvas out of
  • the frame, and it's done."
  • "But one moment," I said. "I'd be delighted to be of any use to you,
  • but in a purely family affair like this, wouldn't it be better--in
  • fact, how about tackling old Bill on the subject?"
  • "I have asked Bill already. Yesterday. He refused."
  • "But if I'm caught?"
  • "You can't be. All you have to do is to take the picture, open one of
  • the windows, leave it open, and go back to your room."
  • It sounded simple enough.
  • "And as to the picture itself--when I've got it?"
  • "Burn it. I'll see that you have a good fire in your room."
  • "But----"
  • She looked at me. She always did have the most wonderful eyes.
  • "Reggie," she said; nothing more. Just "Reggie."
  • She looked at me.
  • "Well, after all, if you see what I mean--The days that are no more,
  • don't you know. Auld Lang Syne, and all that sort of thing. You follow
  • me?"
  • "All right," I said. "I'll do it."
  • I don't know if you happen to be one of those Johnnies who are steeped
  • in crime, and so forth, and think nothing of pinching diamond necklaces.
  • If you're not, you'll understand that I felt a lot less keen on the job
  • I'd taken on when I sat in my room, waiting to get busy, than I had done
  • when I promised to tackle it in the dining-room. On paper it all seemed
  • easy enough, but I couldn't help feeling there was a catch somewhere,
  • and I've never known time pass slower. The kick-off was scheduled for
  • one o'clock in the morning, when the household might be expected to be
  • pretty sound asleep, but at a quarter to I couldn't stand it any longer.
  • I lit the lantern I had taken from Bill's bicycle, took a grip of my
  • knife, and slunk downstairs.
  • The first thing I did on getting to the dining-room was to open the
  • window. I had half a mind to smash it, so as to give an extra bit of
  • local colour to the affair, but decided not to on account of the noise.
  • I had put my lantern on the table, and was just reaching out for it,
  • when something happened. What it was for the moment I couldn't have
  • said. It might have been an explosion of some sort or an earthquake.
  • Some solid object caught me a frightful whack on the chin. Sparks and
  • things occurred inside my head and the next thing I remember is feeling
  • something wet and cold splash into my face, and hearing a voice that
  • sounded like old Bill's say, "Feeling better now?"
  • I sat up. The lights were on, and I was on the floor, with old Bill
  • kneeling beside me with a soda siphon.
  • "What happened?" I said.
  • "I'm awfully sorry, old man," he said. "I hadn't a notion it was you. I
  • came in here, and saw a lantern on the table, and the window open and a
  • chap with a knife in his hand, so I didn't stop to make inquiries. I
  • just let go at his jaw for all I was worth. What on earth do you think
  • you're doing? Were you walking in your sleep?"
  • "It was Elizabeth," I said. "Why, you know all about it. She said she
  • had told you."
  • "You don't mean----"
  • "The picture. You refused to take it on, so she asked me."
  • "Reggie, old man," he said. "I'll never believe what they say about
  • repentance again. It's a fool's trick and upsets everything. If I
  • hadn't repented, and thought it was rather rough on Elizabeth not to
  • do a little thing like that for her, and come down here to do it after
  • all, you wouldn't have stopped that sleep-producer with your chin. I'm
  • sorry."
  • "Me, too," I said, giving my head another shake to make certain it was
  • still on.
  • "Are you feeling better now?"
  • "Better than I was. But that's not saying much."
  • "Would you like some more soda-water? No? Well, how about getting this
  • job finished and going to bed? And let's be quick about it too. You made
  • a noise like a ton of bricks when you went down just now, and it's on
  • the cards some of the servants may have heard. Toss you who carves."
  • "Heads."
  • "Tails it is," he said, uncovering the coin. "Up you get. I'll hold the
  • light. Don't spike yourself on that sword of yours."
  • It was as easy a job as Elizabeth had said. Just four quick cuts, and
  • the thing came out of its frame like an oyster. I rolled it up. Old
  • Bill had put the lantern on the floor and was at the sideboard,
  • collecting whisky, soda, and glasses.
  • "We've got a long evening before us," he said. "You can't burn a picture
  • of that size in one chunk. You'd set the chimney on fire. Let's do the
  • thing comfortably. Clarence can't grudge us the stuff. We've done him
  • a bit of good this trip. To-morrow'll be the maddest, merriest day of
  • Clarence's glad New Year. On we go."
  • We went up to my room, and sat smoking and yarning away and sipping our
  • drinks, and every now and then cutting a slice off the picture and
  • shoving it in the fire till it was all gone. And what with the cosiness
  • of it and the cheerful blaze, and the comfortable feeling of doing good
  • by stealth, I don't know when I've had a jollier time since the days
  • when we used to brew in my study at school.
  • We had just put the last slice on when Bill sat up suddenly, and
  • gripped my arm.
  • "I heard something," he said.
  • I listened, and, by Jove, I heard something, too. My room was just over
  • the dining-room, and the sound came up to us quite distinctly. Stealthy
  • footsteps, by George! And then a chair falling over.
  • "There's somebody in the dining-room," I whispered.
  • There's a certain type of chap who takes a pleasure in positively
  • chivvying trouble. Old Bill's like that. If I had been alone, it would
  • have taken me about three seconds to persuade myself that I hadn't
  • really heard anything after all. I'm a peaceful sort of cove, and
  • believe in living and letting live, and so forth. To old Bill, however,
  • a visit from burglars was pure jam. He was out of his chair in one
  • jump.
  • "Come on," he said. "Bring the poker."
  • I brought the tongs as well. I felt like it. Old Bill collared the
  • knife. We crept downstairs.
  • "We'll fling the door open and make a rush," said Bill.
  • "Supposing they shoot, old scout?"
  • "Burglars never shoot," said Bill.
  • Which was comforting provided the burglars knew it.
  • Old Bill took a grip of the handle, turned it quickly, and in he went.
  • And then we pulled up sharp, staring.
  • The room was in darkness except for a feeble splash of light at the
  • near end. Standing on a chair in front of Clarence's "Jocund Spring,"
  • holding a candle in one hand and reaching up with a knife in the other,
  • was old Mr. Yeardsley, in bedroom slippers and a grey dressing-gown. He
  • had made a final cut just as we rushed in. Turning at the sound, he
  • stopped, and he and the chair and the candle and the picture came down
  • in a heap together. The candle went out.
  • "What on earth?" said Bill.
  • I felt the same. I picked up the candle and lit it, and then a most
  • fearful thing happened. The old man picked himself up, and suddenly
  • collapsed into a chair and began to cry like a child. Of course, I
  • could see it was only the Artistic Temperament, but still, believe me,
  • it was devilish unpleasant. I looked at old Bill. Old Bill looked at
  • me. We shut the door quick, and after that we didn't know what to do. I
  • saw Bill look at the sideboard, and I knew what he was looking for. But
  • we had taken the siphon upstairs, and his ideas of first-aid stopped
  • short at squirting soda-water. We just waited, and presently old
  • Yeardsley switched off, sat up, and began talking with a rush.
  • "Clarence, my boy, I was tempted. It was that burglary at Dryden Park.
  • It tempted me. It made it all so simple. I knew you would put it down
  • to the same gang, Clarence, my boy. I----"
  • It seemed to dawn upon him at this point that Clarence was not among
  • those present.
  • "Clarence?" he said hesitatingly.
  • "He's in bed," I said.
  • "In bed! Then he doesn't know? Even now--Young men, I throw myself
  • on your mercy. Don't be hard on me. Listen." He grabbed at Bill, who
  • sidestepped. "I can explain everything--everything."
  • He gave a gulp.
  • "You are not artists, you two young men, but I will try to make you
  • understand, make you realise what this picture means to me. I was two
  • years painting it. It is my child. I watched it grow. I loved it. It
  • was part of my life. Nothing would have induced me to sell it. And then
  • Clarence married, and in a mad moment I gave my treasure to him. You
  • cannot understand, you two young men, what agonies I suffered. The
  • thing was done. It was irrevocable. I saw how Clarence valued the
  • picture. I knew that I could never bring myself to ask him for it back.
  • And yet I was lost without it. What could I do? Till this evening I
  • could see no hope. Then came this story of the theft of the Romney from
  • a house quite close to this, and I saw my way. Clarence would never
  • suspect. He would put the robbery down to the same band of criminals
  • who stole the Romney. Once the idea had come, I could not drive it out.
  • I fought against it, but to no avail. At last I yielded, and crept down
  • here to carry out my plan. You found me." He grabbed again, at me this
  • time, and got me by the arm. He had a grip like a lobster. "Young man,"
  • he said, "you would not betray me? You would not tell Clarence?"
  • I was feeling most frightfully sorry for the poor old chap by this
  • time, don't you know, but I thought it would be kindest to give it him
  • straight instead of breaking it by degrees.
  • "I won't say a word to Clarence, Mr. Yeardsley," I said. "I quite
  • understand your feelings. The Artistic Temperament, and all that sort
  • of thing. I mean--what? _I_ know. But I'm afraid--Well, look!"
  • I went to the door and switched on the electric light, and there,
  • staring him in the face, were the two empty frames. He stood goggling
  • at them in silence. Then he gave a sort of wheezy grunt.
  • "The gang! The burglars! They _have_ been here, and they have
  • taken Clarence's picture!" He paused. "It might have been mine! My
  • Venus!" he whispered It was getting most fearfully painful, you know,
  • but he had to know the truth.
  • "I'm awfully sorry, you know," I said. "But it _was_."
  • He started, poor old chap.
  • "Eh? What do you mean?"
  • "They _did_ take your Venus."
  • "But I have it here."
  • I shook my head.
  • "That's Clarence's 'Jocund Spring,'" I said.
  • He jumped at it and straightened it out.
  • "What! What are you talking about? Do you think I don't know my own
  • picture--my child--my Venus. See! My own signature in the corner. Can
  • you read, boy? Look: 'Matthew Yeardsley.' This is _my_ picture!"
  • And--well, by Jove, it _was_, don't you know!
  • * * * * *
  • Well, we got him off to bed, him and his infernal Venus, and we settled
  • down to take a steady look at the position of affairs. Bill said it was
  • my fault for getting hold of the wrong picture, and I said it was Bill's
  • fault for fetching me such a crack on the jaw that I couldn't be expected
  • to see what I was getting hold of, and then there was a pretty massive
  • silence for a bit.
  • "Reggie," said Bill at last, "how exactly do you feel about facing
  • Clarence and Elizabeth at breakfast?"
  • "Old scout," I said. "I was thinking much the same myself."
  • "Reggie," said Bill, "I happen to know there's a milk-train leaving
  • Midford at three-fifteen. It isn't what you'd call a flier. It gets to
  • London at about half-past nine. Well--er--in the circumstances, how
  • about it?"
  • THE AUNT AND THE SLUGGARD
  • Now that it's all over, I may as well admit that there was a time
  • during the rather funny affair of Rockmetteller Todd when I thought
  • that Jeeves was going to let me down. The man had the appearance of
  • being baffled.
  • Jeeves is my man, you know. Officially he pulls in his weekly wages
  • for pressing my clothes and all that sort of thing; but actually he's
  • more like what the poet Johnnie called some bird of his acquaintance who
  • was apt to rally round him in times of need--a guide, don't you know;
  • philosopher, if I remember rightly, and--I rather fancy--friend. I rely
  • on him at every turn.
  • So naturally, when Rocky Todd told me about his aunt, I didn't
  • hesitate. Jeeves was in on the thing from the start.
  • The affair of Rocky Todd broke loose early one morning of spring. I was
  • in bed, restoring the good old tissues with about nine hours of the
  • dreamless, when the door flew open and somebody prodded me in the lower
  • ribs and began to shake the bedclothes. After blinking a bit and
  • generally pulling myself together, I located Rocky, and my first
  • impression was that it was some horrid dream.
  • Rocky, you see, lived down on Long Island somewhere, miles away from
  • New York; and not only that, but he had told me himself more than once
  • that he never got up before twelve, and seldom earlier than one.
  • Constitutionally the laziest young devil in America, he had hit on a
  • walk in life which enabled him to go the limit in that direction. He
  • was a poet. At least, he wrote poems when he did anything; but most of
  • his time, as far as I could make out, he spent in a sort of trance. He
  • told me once that he could sit on a fence, watching a worm and
  • wondering what on earth it was up to, for hours at a stretch.
  • He had his scheme of life worked out to a fine point. About once a
  • month he would take three days writing a few poems; the other three
  • hundred and twenty-nine days of the year he rested. I didn't know there
  • was enough money in poetry to support a chappie, even in the way in
  • which Rocky lived; but it seems that, if you stick to exhortations to
  • young men to lead the strenuous life and don't shove in any rhymes,
  • American editors fight for the stuff. Rocky showed me one of his things
  • once. It began:
  • Be!
  • Be!
  • The past is dead.
  • To-morrow is not born.
  • Be to-day!
  • To-day!
  • Be with every nerve,
  • With every muscle,
  • With every drop of your red blood!
  • Be!
  • It was printed opposite the frontispiece of a magazine with a sort of
  • scroll round it, and a picture in the middle of a fairly-nude chappie,
  • with bulging muscles, giving the rising sun the glad eye. Rocky said
  • they gave him a hundred dollars for it, and he stayed in bed till four
  • in the afternoon for over a month.
  • As regarded the future he was pretty solid, owing to the fact that he
  • had a moneyed aunt tucked away somewhere in Illinois; and, as he had
  • been named Rockmetteller after her, and was her only nephew, his
  • position was pretty sound. He told me that when he did come into the
  • money he meant to do no work at all, except perhaps an occasional poem
  • recommending the young man with life opening out before him, with all
  • its splendid possibilities, to light a pipe and shove his feet upon the
  • mantelpiece.
  • And this was the man who was prodding me in the ribs in the grey dawn!
  • "Read this, Bertie!" I could just see that he was waving a letter or
  • something equally foul in my face. "Wake up and read this!"
  • I can't read before I've had my morning tea and a cigarette. I groped
  • for the bell.
  • Jeeves came in looking as fresh as a dewy violet. It's a mystery to me
  • how he does it.
  • "Tea, Jeeves."
  • "Very good, sir."
  • He flowed silently out of the room--he always gives you the impression
  • of being some liquid substance when he moves; and I found that Rocky
  • was surging round with his beastly letter again.
  • "What is it?" I said. "What on earth's the matter?"
  • "Read it!"
  • "I can't. I haven't had my tea."
  • "Well, listen then."
  • "Who's it from?"
  • "My aunt."
  • At this point I fell asleep again. I woke to hear him saying:
  • "So what on earth am I to do?"
  • Jeeves trickled in with the tray, like some silent stream meandering
  • over its mossy bed; and I saw daylight.
  • "Read it again, Rocky, old top," I said. "I want Jeeves to hear it. Mr.
  • Todd's aunt has written him a rather rummy letter, Jeeves, and we want
  • your advice."
  • "Very good, sir."
  • He stood in the middle of the room, registering devotion to the cause,
  • and Rocky started again:
  • "MY DEAR ROCKMETTELLER.--I have been thinking things over for a
  • long while, and I have come to the conclusion that I have been
  • very thoughtless to wait so long before doing what I have made
  • up my mind to do now."
  • "What do you make of that, Jeeves?"
  • "It seems a little obscure at present, sir, but no doubt it becomes
  • cleared at a later point in the communication."
  • "It becomes as clear as mud!" said Rocky.
  • "Proceed, old scout," I said, champing my bread and butter.
  • "You know how all my life I have longed to visit New York and see
  • for myself the wonderful gay life of which I have read so much. I
  • fear that now it will be impossible for me to fulfil my dream. I
  • am old and worn out. I seem to have no strength left in me."
  • "Sad, Jeeves, what?"
  • "Extremely, sir."
  • "Sad nothing!" said Rocky. "It's sheer laziness. I went to see her last
  • Christmas and she was bursting with health. Her doctor told me himself
  • that there was nothing wrong with her whatever. But she will insist
  • that she's a hopeless invalid, so he has to agree with her. She's got a
  • fixed idea that the trip to New York would kill her; so, though it's
  • been her ambition all her life to come here, she stays where she is."
  • "Rather like the chappie whose heart was 'in the Highlands a-chasing of
  • the deer,' Jeeves?"
  • "The cases are in some respects parallel, sir."
  • "Carry on, Rocky, dear
  • boy."
  • "So I have decided that, if I cannot enjoy all the marvels of the
  • city myself, I can at least enjoy them through you. I suddenly
  • thought of this yesterday after reading a beautiful poem in the
  • Sunday paper about a young man who had longed all his life for a
  • certain thing and won it in the end only when he was too old to
  • enjoy it. It was very sad, and it touched me."
  • "A thing," interpolated Rocky bitterly, "that I've not been able to do
  • in ten years."
  • "As you know, you will have my money when I am gone; but until now
  • I have never been able to see my way to giving you an allowance. I
  • have now decided to do so--on one condition. I have written to a
  • firm of lawyers in New York, giving them instructions to pay you
  • quite a substantial sum each month. My one condition is that you
  • live in New York and enjoy yourself as I have always wished to do.
  • I want you to be my representative, to spend this money for me as
  • I should do myself. I want you to plunge into the gay, prismatic
  • life of New York. I want you to be the life and soul of brilliant
  • supper parties.
  • "Above all, I want you--indeed, I insist on this--to write me
  • letters at least once a week giving me a full description of all
  • you are doing and all that is going on in the city, so that I may
  • enjoy at second-hand what my wretched health prevents my enjoying
  • for myself. Remember that I shall expect full details, and that no
  • detail is too trivial to interest.--Your affectionate Aunt,
  • "ISABEL ROCKMETTELLER."
  • "What about it?" said Rocky.
  • "What about it?" I said.
  • "Yes. What on earth am I going to do?"
  • It was only then that I really got on to the extremely rummy attitude
  • of the chappie, in view of the fact that a quite unexpected mess of the
  • right stuff had suddenly descended on him from a blue sky. To my mind
  • it was an occasion for the beaming smile and the joyous whoop; yet here
  • the man was, looking and talking as if Fate had swung on his solar
  • plexus. It amazed me.
  • "Aren't you bucked?" I said.
  • "Bucked!"
  • "If I were in your place I should be frightfully braced. I consider
  • this pretty soft for you."
  • He gave a kind of yelp, stared at me for a moment, and then began to
  • talk of New York in a way that reminded me of Jimmy Mundy, the reformer
  • chappie. Jimmy had just come to New York on a hit-the-trail campaign,
  • and I had popped in at the Garden a couple of days before, for half an
  • hour or so, to hear him. He had certainly told New York some pretty
  • straight things about itself, having apparently taken a dislike to the
  • place, but, by Jove, you know, dear old Rocky made him look like a
  • publicity agent for the old metrop.!
  • "Pretty soft!" he cried. "To have to come and live in New York! To have
  • to leave my little cottage and take a stuffy, smelly, over-heated hole
  • of an apartment in this Heaven-forsaken, festering Gehenna. To have to
  • mix night after night with a mob who think that life is a sort of St.
  • Vitus's dance, and imagine that they're having a good time because
  • they're making enough noise for six and drinking too much for ten. I
  • loathe New York, Bertie. I wouldn't come near the place if I hadn't got
  • to see editors occasionally. There's a blight on it. It's got moral
  • delirium tremens. It's the limit. The very thought of staying more than
  • a day in it makes me sick. And you call this thing pretty soft for me!"
  • I felt rather like Lot's friends must have done when they dropped in
  • for a quiet chat and their genial host began to criticise the Cities of
  • the Plain. I had no idea old Rocky could be so eloquent.
  • "It would kill me to have to live in New York," he went on. "To have to
  • share the air with six million people! To have to wear stiff collars
  • and decent clothes all the time! To----" He started. "Good Lord! I
  • suppose I should have to dress for dinner in the evenings. What a
  • ghastly notion!"
  • I was shocked, absolutely shocked.
  • "My dear chap!" I said reproachfully.
  • "Do you dress for dinner every night, Bertie?"
  • "Jeeves," I said coldly. The man was still standing like a statue by
  • the door. "How many suits of evening clothes have I?"
  • "We have three suits full of evening dress, sir; two dinner jackets----"
  • "Three."
  • "For practical purposes two only, sir. If you remember we cannot wear
  • the third. We have also seven white waistcoats."
  • "And shirts?"
  • "Four dozen, sir."
  • "And white ties?"
  • "The first two shallow shelves in the chest of drawers are completely
  • filled with our white ties, sir."
  • I turned to Rocky.
  • "You see?"
  • The chappie writhed like an electric fan.
  • "I won't do it! I can't do it! I'll be hanged if I'll do it! How on
  • earth can I dress up like that? Do you realize that most days I don't
  • get out of my pyjamas till five in the afternoon, and then I just put
  • on an old sweater?"
  • I saw Jeeves wince, poor chap! This sort of revelation shocked his
  • finest feelings.
  • "Then, what are you going to do about it?" I said.
  • "That's what I want to know."
  • "You might write and explain to your aunt."
  • "I might--if I wanted her to get round to her lawyer's in two rapid
  • leaps and cut me out of her will."
  • I saw his point.
  • "What do you suggest, Jeeves?" I said.
  • Jeeves cleared his throat respectfully.
  • "The crux of the matter would appear to be, sir, that Mr. Todd is
  • obliged by the conditions under which the money is delivered into his
  • possession to write Miss Rockmetteller long and detailed letters
  • relating to his movements, and the only method by which this can be
  • accomplished, if Mr. Todd adheres to his expressed intention of
  • remaining in the country, is for Mr. Todd to induce some second party
  • to gather the actual experiences which Miss Rockmetteller wishes
  • reported to her, and to convey these to him in the shape of a careful
  • report, on which it would be possible for him, with the aid of his
  • imagination, to base the suggested correspondence."
  • Having got which off the old diaphragm, Jeeves was silent. Rocky looked
  • at me in a helpless sort of way. He hasn't been brought up on Jeeves as
  • I have, and he isn't on to his curves.
  • "Could he put it a little clearer, Bertie?" he said. "I thought at the
  • start it was going to make sense, but it kind of flickered. What's the
  • idea?"
  • "My dear old man, perfectly simple. I knew we could stand on Jeeves.
  • All you've got to do is to get somebody to go round the town for you
  • and take a few notes, and then you work the notes up into letters.
  • That's it, isn't it, Jeeves?"
  • "Precisely, sir."
  • The light of hope gleamed in Rocky's eyes. He looked at Jeeves in a
  • startled way, dazed by the man's vast intellect.
  • "But who would do it?" he said. "It would have to be a pretty smart
  • sort of man, a man who would notice things."
  • "Jeeves!" I said. "Let Jeeves do it."
  • "But would he?"
  • "You would do it, wouldn't you, Jeeves?"
  • For the first time in our long connection I observed Jeeves almost
  • smile. The corner of his mouth curved quite a quarter of an inch, and
  • for a moment his eye ceased to look like a meditative fish's.
  • "I should be delighted to oblige, sir. As a matter of fact, I have
  • already visited some of New York's places of interest on my evening
  • out, and it would be most enjoyable to make a practice of the pursuit."
  • "Fine! I know exactly what your aunt wants to hear about, Rocky. She
  • wants an earful of cabaret stuff. The place you ought to go to first,
  • Jeeves, is Reigelheimer's. It's on Forty-second Street. Anybody will
  • show you the way."
  • Jeeves shook his head.
  • "Pardon me, sir. People are no longer going to Reigelheimer's. The
  • place at the moment is Frolics on the Roof."
  • "You see?" I said to Rocky. "Leave it to Jeeves. He knows."
  • It isn't often that you find an entire group of your fellow-humans
  • happy in this world; but our little circle was certainly an example of
  • the fact that it can be done. We were all full of beans. Everything
  • went absolutely right from the start.
  • Jeeves was happy, partly because he loves to exercise his giant brain,
  • and partly because he was having a corking time among the bright lights.
  • I saw him one night at the Midnight Revels. He was sitting at a table
  • on the edge of the dancing floor, doing himself remarkably well with a
  • fat cigar and a bottle of the best. I'd never imagined he could look so
  • nearly human. His face wore an expression of austere benevolence, and he
  • was making notes in a small book.
  • As for the rest of us, I was feeling pretty good, because I was fond
  • of old Rocky and glad to be able to do him a good turn. Rocky was
  • perfectly contented, because he was still able to sit on fences in his
  • pyjamas and watch worms. And, as for the aunt, she seemed tickled to
  • death. She was getting Broadway at pretty long range, but it seemed to
  • be hitting her just right. I read one of her letters to Rocky, and it
  • was full of life.
  • But then Rocky's letters, based on Jeeves's notes, were enough to buck
  • anybody up. It was rummy when you came to think of it. There was I,
  • loving the life, while the mere mention of it gave Rocky a tired
  • feeling; yet here is a letter I wrote to a pal of mine in London:
  • "DEAR FREDDIE,--Well, here I am in New York. It's not a bad place.
  • I'm not having a bad time. Everything's pretty all right. The
  • cabarets aren't bad. Don't know when I shall be back. How's
  • everybody? Cheer-o!--Yours,
  • "BERTIE.
  • "PS.--Seen old Ted lately?"
  • Not that I cared about Ted; but if I hadn't dragged him in I couldn't
  • have got the confounded thing on to the second page.
  • Now here's old Rocky on exactly the same subject:
  • "DEAREST AUNT ISABEL,--How can I ever thank you enough for giving
  • me the opportunity to live in this astounding city! New York seems
  • more wonderful every day.
  • "Fifth Avenue is at its best, of course, just now. The dresses are
  • magnificent!"
  • Wads of stuff about the dresses. I didn't know Jeeves was such an
  • authority.
  • "I was out with some of the crowd at the Midnight Revels the other
  • night. We took in a show first, after a little dinner at a new
  • place on Forty-third Street. We were quite a gay party. Georgie
  • Cohan looked in about midnight and got off a good one about Willie
  • Collier. Fred Stone could only stay a minute, but Doug. Fairbanks
  • did all sorts of stunts and made us roar. Diamond Jim Brady was
  • there, as usual, and Laurette Taylor showed up with a party. The
  • show at the Revels is quite good. I am enclosing a programme.
  • "Last night a few of us went round to Frolics on the Roof----"
  • And so on and so forth, yards of it. I suppose it's the artistic
  • temperament or something. What I mean is, it's easier for a chappie
  • who's used to writing poems and that sort of tosh to put a bit of a
  • punch into a letter than it is for a chappie like me. Anyway, there's
  • no doubt that Rocky's correspondence was hot stuff. I called Jeeves in
  • and congratulated him.
  • "Jeeves, you're a wonder!"
  • "Thank you, sir."
  • "How you notice everything at these places beats me. I couldn't tell
  • you a thing about them, except that I've had a good time."
  • "It's just a knack, sir."
  • "Well, Mr. Todd's letters ought to brace Miss Rockmetteller all right,
  • what?"
  • "Undoubtedly, sir," agreed Jeeves.
  • And, by Jove, they did! They certainly did, by George! What I mean to
  • say is, I was sitting in the apartment one afternoon, about a month
  • after the thing had started, smoking a cigarette and resting the old
  • bean, when the door opened and the voice of Jeeves burst the silence
  • like a bomb.
  • It wasn't that he spoke loud. He has one of those soft, soothing voices
  • that slide through the atmosphere like the note of a far-off sheep. It
  • was what he said made me leap like a young gazelle.
  • "Miss Rockmetteller!"
  • And in came a large, solid female.
  • The situation floored me. I'm not denying it. Hamlet must have felt
  • much as I did when his father's ghost bobbed up in the fairway. I'd
  • come to look on Rocky's aunt as such a permanency at her own home that
  • it didn't seem possible that she could really be here in New York. I
  • stared at her. Then I looked at Jeeves. He was standing there in an
  • attitude of dignified detachment, the chump, when, if ever he should
  • have been rallying round the young master, it was now.
  • Rocky's aunt looked less like an invalid than any one I've ever seen,
  • except my Aunt Agatha. She had a good deal of Aunt Agatha about her, as
  • a matter of fact. She looked as if she might be deucedly dangerous if
  • put upon; and something seemed to tell me that she would certainly
  • regard herself as put upon if she ever found out the game which poor
  • old Rocky had been pulling on her.
  • "Good afternoon," I managed to say.
  • "How do you do?" she said. "Mr. Cohan?"
  • "Er--no."
  • "Mr. Fred Stone?"
  • "Not absolutely. As a matter of fact, my name's Wooster--Bertie
  • Wooster."
  • She seemed disappointed. The fine old name of Wooster appeared to mean
  • nothing in her life.
  • "Isn't Rockmetteller home?" she said. "Where is he?"
  • She had me with the first shot. I couldn't think of anything to say. I
  • couldn't tell her that Rocky was down in the country, watching worms.
  • There was the faintest flutter of sound in the background. It was the
  • respectful cough with which Jeeves announces that he is about to speak
  • without having been spoken to.
  • "If you remember, sir, Mr. Todd went out in the automobile with a party
  • in the afternoon."
  • "So he did, Jeeves; so he did," I said, looking at my watch. "Did he
  • say when he would be back?"
  • "He gave me to understand, sir, that he would be somewhat late in
  • returning."
  • He vanished; and the aunt took the chair which I'd forgotten to offer
  • her. She looked at me in rather a rummy way. It was a nasty look. It
  • made me feel as if I were something the dog had brought in and intended
  • to bury later on, when he had time. My own Aunt Agatha, back in England,
  • has looked at me in exactly the same way many a time, and it never fails
  • to make my spine curl.
  • "You seem very much at home here, young man. Are you a great friend of
  • Rockmetteller's?"
  • "Oh, yes, rather!"
  • She frowned as if she had expected better things of old Rocky.
  • "Well, you need to be," she said, "the way you treat his flat as your
  • own!"
  • I give you my word, this quite unforeseen slam simply robbed me of the
  • power of speech. I'd been looking on myself in the light of the dashing
  • host, and suddenly to be treated as an intruder jarred me. It wasn't,
  • mark you, as if she had spoken in a way to suggest that she considered
  • my presence in the place as an ordinary social call. She obviously
  • looked on me as a cross between a burglar and the plumber's man come
  • to fix the leak in the bathroom. It hurt her--my being there.
  • At this juncture, with the conversation showing every sign of being
  • about to die in awful agonies, an idea came to me. Tea--the good old
  • stand-by.
  • "Would you care for a cup of tea?" I said.
  • "Tea?"
  • She spoke as if she had never heard of the stuff.
  • "Nothing like a cup after a journey," I said. "Bucks you up! Puts a bit
  • of zip into you. What I mean is, restores you, and so on, don't you
  • know. I'll go and tell Jeeves."
  • I tottered down the passage to Jeeves's lair. The man was reading the
  • evening paper as if he hadn't a care in the world.
  • "Jeeves," I said, "we want some tea."
  • "Very good, sir."
  • "I say, Jeeves, this is a bit thick, what?"
  • I wanted sympathy, don't you know--sympathy and kindness. The old nerve
  • centres had had the deuce of a shock.
  • "She's got the idea this place belongs to Mr. Todd. What on earth put
  • that into her head?"
  • Jeeves filled the kettle with a restrained dignity.
  • "No doubt because of Mr. Todd's letters, sir," he said. "It was my
  • suggestion, sir, if you remember, that they should be addressed from
  • this apartment in order that Mr. Todd should appear to possess a good
  • central residence in the city."
  • I remembered. We had thought it a brainy scheme at the time.
  • "Well, it's bally awkward, you know, Jeeves. She looks on me as an
  • intruder. By Jove! I suppose she thinks I'm someone who hangs about
  • here, touching Mr. Todd for free meals and borrowing his shirts."
  • "Yes, sir."
  • "It's pretty rotten, you know."
  • "Most disturbing, sir."
  • "And there's another thing: What are we to do about Mr. Todd? We've got
  • to get him up here as soon as ever we can. When you have brought the
  • tea you had better go out and send him a telegram, telling him to come
  • up by the next train."
  • "I have already done so, sir. I took the liberty of writing the message
  • and dispatching it by the lift attendant."
  • "By Jove, you think of everything, Jeeves!"
  • "Thank you, sir. A little buttered toast with the tea? Just so, sir.
  • Thank you."
  • I went back to the sitting-room. She hadn't moved an inch. She was still
  • bolt upright on the edge of her chair, gripping her umbrella like a
  • hammer-thrower. She gave me another of those looks as I came in. There
  • was no doubt about it; for some reason she had taken a dislike to me. I
  • suppose because I wasn't George M. Cohan. It was a bit hard on a chap.
  • "This is a surprise, what?" I said, after about five minutes' restful
  • silence, trying to crank the conversation up again.
  • "What is a surprise?"
  • "Your coming here, don't you know, and so on."
  • She raised her eyebrows and drank me in a bit more through her glasses.
  • "Why is it surprising that I should visit my only nephew?" she said.
  • Put like that, of course, it did seem reasonable.
  • "Oh, rather," I said. "Of course! Certainly. What I mean is----"
  • Jeeves projected himself into the room with the tea. I was jolly glad
  • to see him. There's nothing like having a bit of business arranged for
  • one when one isn't certain of one's lines. With the teapot to fool
  • about with I felt happier.
  • "Tea, tea, tea--what? What?" I said.
  • It wasn't what I had meant to say. My idea had been to be a good deal
  • more formal, and so on. Still, it covered the situation. I poured her
  • out a cup. She sipped it and put the cup down with a shudder.
  • "Do you mean to say, young man," she said frostily, "that you expect me
  • to drink this stuff?"
  • "Rather! Bucks you up, you know."
  • "What do you mean by the expression 'Bucks you up'?"
  • "Well, makes you full of beans, you know. Makes you fizz."
  • "I don't understand a word you say. You're English, aren't you?"
  • I admitted it. She didn't say a word. And somehow she did it in a way
  • that made it worse than if she had spoken for hours. Somehow it was
  • brought home to me that she didn't like Englishmen, and that if she had
  • had to meet an Englishman, I was the one she'd have chosen last.
  • Conversation languished again after that.
  • Then I tried again. I was becoming more convinced every moment that you
  • can't make a real lively _salon_ with a couple of people,
  • especially if one of them lets it go a word at a time.
  • "Are you comfortable at your hotel?" I said.
  • "At which hotel?"
  • "The hotel you're staying at."
  • "I am not staying at an hotel."
  • "Stopping with friends--what?"
  • "I am naturally stopping with my nephew."
  • I didn't get it for the moment; then it hit me.
  • "What! Here?" I gurgled.
  • "Certainly! Where else should I go?"
  • The full horror of the situation rolled over me like a wave. I couldn't
  • see what on earth I was to do. I couldn't explain that this wasn't
  • Rocky's flat without giving the poor old chap away hopelessly, because
  • she would then ask me where he did live, and then he would be right in
  • the soup. I was trying to induce the old bean to recover from the shock
  • and produce some results when she spoke again.
  • "Will you kindly tell my nephew's man-servant to prepare my room? I
  • wish to lie down."
  • "Your nephew's man-servant?"
  • "The man you call Jeeves. If Rockmetteller has gone for an automobile
  • ride, there is no need for you to wait for him. He will naturally wish
  • to be alone with me when he returns."
  • I found myself tottering out of the room. The thing was too much for
  • me. I crept into Jeeves's den.
  • "Jeeves!" I whispered.
  • "Sir?"
  • "Mix me a b.-and-s., Jeeves. I feel weak."
  • "Very good, sir."
  • "This is getting thicker every minute, Jeeves."
  • "Sir?"
  • "She thinks you're Mr. Todd's man. She thinks the whole place is his,
  • and everything in it. I don't see what you're to do, except stay on and
  • keep it up. We can't say anything or she'll get on to the whole thing,
  • and I don't want to let Mr. Todd down. By the way, Jeeves, she wants
  • you to prepare her bed."
  • He looked wounded.
  • "It is hardly my place, sir----"
  • "I know--I know. But do it as a personal favour to me. If you come to
  • that, it's hardly my place to be flung out of the flat like this and
  • have to go to an hotel, what?"
  • "Is it your intention to go to an hotel, sir? What will you do for
  • clothes?"
  • "Good Lord! I hadn't thought of that. Can you put a few things in a bag
  • when she isn't looking, and sneak them down to me at the St. Aurea?"
  • "I will endeavour to do so, sir."
  • "Well, I don't think there's anything more, is there? Tell Mr. Todd
  • where I am when he gets here."
  • "Very good, sir."
  • I looked round the place. The moment of parting had come. I felt sad.
  • The whole thing reminded me of one of those melodramas where they drive
  • chappies out of the old homestead into the snow.
  • "Good-bye, Jeeves," I said.
  • "Good-bye, sir."
  • And I staggered out.
  • * * * * *
  • You know, I rather think I agree with those poet-and-philosopher
  • Johnnies who insist that a fellow ought to be devilish pleased if he
  • has a bit of trouble. All that stuff about being refined by suffering,
  • you know. Suffering does give a chap a sort of broader and more
  • sympathetic outlook. It helps you to understand other people's
  • misfortunes if you've been through the same thing yourself.
  • As I stood in my lonely bedroom at the hotel, trying to tie my white
  • tie myself, it struck me for the first time that there must be whole
  • squads of chappies in the world who had to get along without a man to
  • look after them. I'd always thought of Jeeves as a kind of natural
  • phenomenon; but, by Jove! of course, when you come to think of it,
  • there must be quite a lot of fellows who have to press their own
  • clothes themselves and haven't got anybody to bring them tea in the
  • morning, and so on. It was rather a solemn thought, don't you know. I
  • mean to say, ever since then I've been able to appreciate the frightful
  • privations the poor have to stick.
  • I got dressed somehow. Jeeves hadn't forgotten a thing in his packing.
  • Everything was there, down to the final stud. I'm not sure this didn't
  • make me feel worse. It kind of deepened the pathos. It was like what
  • somebody or other wrote about the touch of a vanished hand.
  • I had a bit of dinner somewhere and went to a show of some kind; but
  • nothing seemed to make any difference. I simply hadn't the heart to go
  • on to supper anywhere. I just sucked down a whisky-and-soda in the
  • hotel smoking-room and went straight up to bed. I don't know when I've
  • felt so rotten. Somehow I found myself moving about the room softly, as
  • if there had been a death in the family. If I had anybody to talk to I
  • should have talked in a whisper; in fact, when the telephone-bell rang
  • I answered in such a sad, hushed voice that the fellow at the other end
  • of the wire said "Halloa!" five times, thinking he hadn't got me.
  • It was Rocky. The poor old scout was deeply agitated.
  • "Bertie! Is that you, Bertie! Oh, gosh? I'm having a time!"
  • "Where are you speaking from?"
  • "The Midnight Revels. We've been here an hour, and I think we're a
  • fixture for the night. I've told Aunt Isabel I've gone out to call up a
  • friend to join us. She's glued to a chair, with this-is-the-life
  • written all over her, taking it in through the pores. She loves it, and
  • I'm nearly crazy."
  • "Tell me all, old top," I said.
  • "A little more of this," he said, "and I shall sneak quietly off to the
  • river and end it all. Do you mean to say you go through this sort of
  • thing every night, Bertie, and enjoy it? It's simply infernal! I was
  • just snatching a wink of sleep behind the bill of fare just now when
  • about a million yelling girls swooped down, with toy balloons. There
  • are two orchestras here, each trying to see if it can't play louder
  • than the other. I'm a mental and physical wreck. When your telegram
  • arrived I was just lying down for a quiet pipe, with a sense of
  • absolute peace stealing over me. I had to get dressed and sprint two
  • miles to catch the train. It nearly gave me heart-failure; and on top
  • of that I almost got brain fever inventing lies to tell Aunt Isabel.
  • And then I had to cram myself into these confounded evening clothes of
  • yours."
  • I gave a sharp wail of agony. It hadn't struck me till then that Rocky
  • was depending on my wardrobe to see him through.
  • "You'll ruin them!"
  • "I hope so," said Rocky, in the most unpleasant way. His troubles
  • seemed to have had the worst effect on his character. "I should like to
  • get back at them somehow; they've given me a bad enough time. They're
  • about three sizes too small, and something's apt to give at any moment.
  • I wish to goodness it would, and give me a chance to breathe. I haven't
  • breathed since half-past seven. Thank Heaven, Jeeves managed to get out
  • and buy me a collar that fitted, or I should be a strangled corpse by
  • now! It was touch and go till the stud broke. Bertie, this is pure
  • Hades! Aunt Isabel keeps on urging me to dance. How on earth can I
  • dance when I don't know a soul to dance with? And how the deuce could
  • I, even if I knew every girl in the place? It's taking big chances even
  • to move in these trousers. I had to tell her I've hurt my ankle. She
  • keeps asking me when Cohan and Stone are going to turn up; and it's
  • simply a question of time before she discovers that Stone is sitting
  • two tables away. Something's got to be done, Bertie! You've got to
  • think up some way of getting me out of this mess. It was you who got me
  • into it."
  • "Me! What do you mean?"
  • "Well, Jeeves, then. It's all the same. It was you who suggested
  • leaving it to Jeeves. It was those letters I wrote from his notes that
  • did the mischief. I made them too good! My aunt's just been telling me
  • about it. She says she had resigned herself to ending her life where
  • she was, and then my letters began to arrive, describing the joys of
  • New York; and they stimulated her to such an extent that she pulled
  • herself together and made the trip. She seems to think she's had some
  • miraculous kind of faith cure. I tell you I can't stand it, Bertie!
  • It's got to end!"
  • "Can't Jeeves think of anything?"
  • "No. He just hangs round saying: 'Most disturbing, sir!' A fat lot of
  • help that is!"
  • "Well, old lad," I said, "after all, it's far worse for me than it is
  • for you. You've got a comfortable home and Jeeves. And you're saving a
  • lot of money."
  • "Saving money? What do you mean--saving money?"
  • "Why, the allowance your aunt was giving you. I suppose she's paying
  • all the expenses now, isn't she?"
  • "Certainly she is; but she's stopped the allowance. She wrote the
  • lawyers to-night. She says that, now she's in New York, there is no
  • necessity for it to go on, as we shall always be together, and it's
  • simpler for her to look after that end of it. I tell you, Bertie, I've
  • examined the darned cloud with a microscope, and if it's got a silver
  • lining it's some little dissembler!"
  • "But, Rocky, old top, it's too bally awful! You've no notion of what
  • I'm going through in this beastly hotel, without Jeeves. I must get
  • back to the flat."
  • "Don't come near the flat."
  • "But it's my own flat."
  • "I can't help that. Aunt Isabel doesn't like you. She asked me what you
  • did for a living. And when I told her you didn't do anything she said
  • she thought as much, and that you were a typical specimen of a useless
  • and decaying aristocracy. So if you think you have made a hit, forget
  • it. Now I must be going back, or she'll be coming out here after me.
  • Good-bye."
  • * * * * *
  • Next morning Jeeves came round. It was all so home-like when he floated
  • noiselessly into the room that I nearly broke down.
  • "Good morning, sir," he said. "I have brought a few more of your
  • personal belongings."
  • He began to unstrap the suit-case he was carrying.
  • "Did you have any trouble sneaking them away?"
  • "It was not easy, sir. I had to watch my chance. Miss Rockmetteller is
  • a remarkably alert lady."
  • "You know, Jeeves, say what you like--this is a bit thick, isn't it?"
  • "The situation is certainly one that has never before come under my
  • notice, sir. I have brought the heather-mixture suit, as the climatic
  • conditions are congenial. To-morrow, if not prevented, I will endeavour
  • to add the brown lounge with the faint green twill."
  • "It can't go on--this sort of thing--Jeeves."
  • "We must hope for the best, sir."
  • "Can't you think of anything to do?"
  • "I have been giving the matter considerable thought, sir, but so far
  • without success. I am placing three silk shirts--the dove-coloured, the
  • light blue, and the mauve--in the first long drawer, sir."
  • "You don't mean to say you can't think of anything, Jeeves?"
  • "For the moment, sir, no. You will find a dozen handkerchiefs and the
  • tan socks in the upper drawer on the left." He strapped the suit-case
  • and put it on a chair. "A curious lady, Miss Rockmetteller, sir."
  • "You understate it, Jeeves."
  • He gazed meditatively out of the window.
  • "In many ways, sir, Miss Rockmetteller reminds me of an aunt of mine
  • who resides in the south-east portion of London. Their temperaments are
  • much alike. My aunt has the same taste for the pleasures of the great
  • city. It is a passion with her to ride in hansom cabs, sir. Whenever
  • the family take their eyes off her she escapes from the house and
  • spends the day riding about in cabs. On several occasions she has
  • broken into the children's savings bank to secure the means to enable
  • her to gratify this desire."
  • "I love to have these little chats with you about your female
  • relatives, Jeeves," I said coldly, for I felt that the man had let me
  • down, and I was fed up with him. "But I don't see what all this has got
  • to do with my trouble."
  • "I beg your pardon, sir. I am leaving a small assortment of neckties on
  • the mantelpiece, sir, for you to select according to your preference. I
  • should recommend the blue with the red domino pattern, sir."
  • Then he streamed imperceptibly toward the door and flowed silently out.
  • * * * * *
  • I've often heard that chappies, after some great shock or loss, have a
  • habit, after they've been on the floor for a while wondering what hit
  • them, of picking themselves up and piecing themselves together, and
  • sort of taking a whirl at beginning a new life. Time, the great healer,
  • and Nature, adjusting itself, and so on and so forth. There's a lot in
  • it. I know, because in my own case, after a day or two of what you
  • might call prostration, I began to recover. The frightful loss of
  • Jeeves made any thought of pleasure more or less a mockery, but at
  • least I found that I was able to have a dash at enjoying life again.
  • What I mean is, I was braced up to the extent of going round the cabarets
  • once more, so as to try to forget, if only for the moment.
  • New York's a small place when it comes to the part of it that wakes up
  • just as the rest is going to bed, and it wasn't long before my tracks
  • began to cross old Rocky's. I saw him once at Peale's, and again at
  • Frolics on the roof. There wasn't anybody with him either time except
  • the aunt, and, though he was trying to look as if he had struck the
  • ideal life, it wasn't difficult for me, knowing the circumstances, to
  • see that beneath the mask the poor chap was suffering. My heart bled
  • for the fellow. At least, what there was of it that wasn't bleeding for
  • myself bled for him. He had the air of one who was about to crack under
  • the strain.
  • It seemed to me that the aunt was looking slightly upset also. I took
  • it that she was beginning to wonder when the celebrities were going to
  • surge round, and what had suddenly become of all those wild, careless
  • spirits Rocky used to mix with in his letters. I didn't blame her. I
  • had only read a couple of his letters, but they certainly gave the
  • impression that poor old Rocky was by way of being the hub of New York
  • night life, and that, if by any chance he failed to show up at a
  • cabaret, the management said: "What's the use?" and put up the
  • shutters.
  • The next two nights I didn't come across them, but the night after that
  • I was sitting by myself at the Maison Pierre when somebody tapped me on
  • the shoulder-blade, and I found Rocky standing beside me, with a sort
  • of mixed expression of wistfulness and apoplexy on his face. How the
  • chappie had contrived to wear my evening clothes so many times without
  • disaster was a mystery to me. He confided later that early in the
  • proceedings he had slit the waistcoat up the back and that that had
  • helped a bit.
  • For a moment I had the idea that he had managed to get away from his
  • aunt for the evening; but, looking past him, I saw that she was in
  • again. She was at a table over by the wall, looking at me as if I were
  • something the management ought to be complained to about.
  • "Bertie, old scout," said Rocky, in a quiet, sort of crushed voice,
  • "we've always been pals, haven't we? I mean, you know I'd do you a good
  • turn if you asked me?"
  • "My dear old lad," I said. The man had moved me.
  • "Then, for Heaven's sake, come over and sit at our table for the rest
  • of the evening."
  • Well, you know, there are limits to the sacred claims of friendship.
  • "My dear chap," I said, "you know I'd do anything in reason; but----"
  • "You must come, Bertie. You've got to. Something's got to be done to
  • divert her mind. She's brooding about something. She's been like that
  • for the last two days. I think she's beginning to suspect. She can't
  • understand why we never seem to meet anyone I know at these joints. A
  • few nights ago I happened to run into two newspaper men I used to know
  • fairly well. That kept me going for a while. I introduced them to Aunt
  • Isabel as David Belasco and Jim Corbett, and it went well. But the effect
  • has worn off now, and she's beginning to wonder again. Something's got to
  • be done, or she will find out everything, and if she does I'd take a
  • nickel for my chance of getting a cent from her later on. So, for the
  • love of Mike, come across to our table and help things along."
  • I went along. One has to rally round a pal in distress. Aunt Isabel was
  • sitting bolt upright, as usual. It certainly did seem as if she had
  • lost a bit of the zest with which she had started out to explore
  • Broadway. She looked as if she had been thinking a good deal about
  • rather unpleasant things.
  • "You've met Bertie Wooster, Aunt Isabel?" said Rocky.
  • "I have."
  • There was something in her eye that seemed to say:
  • "Out of a city of six million people, why did you pick on me?"
  • "Take a seat, Bertie. What'll you have?" said Rocky.
  • And so the merry party began. It was one of those jolly, happy,
  • bread-crumbling parties where you cough twice before you speak, and
  • then decide not to say it after all. After we had had an hour of this
  • wild dissipation, Aunt Isabel said she wanted to go home. In the light
  • of what Rocky had been telling me, this struck me as sinister. I had
  • gathered that at the beginning of her visit she had had to be dragged
  • home with ropes.
  • It must have hit Rocky the same way, for he gave me a pleading look.
  • "You'll come along, won't you, Bertie, and have a drink at the flat?"
  • I had a feeling that this wasn't in the contract, but there wasn't
  • anything to be done. It seemed brutal to leave the poor chap alone with
  • the woman, so I went along.
  • Right from the start, from the moment we stepped into the taxi, the
  • feeling began to grow that something was about to break loose. A
  • massive silence prevailed in the corner where the aunt sat, and,
  • though Rocky, balancing himself on the little seat in front, did his
  • best to supply dialogue, we weren't a chatty party.
  • I had a glimpse of Jeeves as we went into the flat, sitting in his
  • lair, and I wished I could have called to him to rally round. Something
  • told me that I was about to need him.
  • The stuff was on the table in the sitting-room. Rocky took up the
  • decanter.
  • "Say when, Bertie."
  • "Stop!" barked the aunt, and he dropped it.
  • I caught Rocky's eye as he stooped to pick up the ruins. It was the eye
  • of one who sees it coming.
  • "Leave it there, Rockmetteller!" said Aunt Isabel; and Rocky left it
  • there.
  • "The time has come to speak," she said. "I cannot stand idly by and see
  • a young man going to perdition!"
  • Poor old Rocky gave a sort of gurgle, a kind of sound rather like the
  • whisky had made running out of the decanter on to my carpet.
  • "Eh?" he said, blinking.
  • The aunt proceeded.
  • "The fault," she said, "was mine. I had not then seen the light. But
  • now my eyes are open. I see the hideous mistake I have made. I shudder
  • at the thought of the wrong I did you, Rockmetteller, by urging you
  • into contact with this wicked city."
  • I saw Rocky grope feebly for the table. His fingers touched it, and a
  • look of relief came into the poor chappie's face. I understood his
  • feelings.
  • "But when I wrote you that letter, Rockmetteller, instructing you to go
  • to the city and live its life, I had not had the privilege of hearing
  • Mr. Mundy speak on the subject of New York."
  • "Jimmy Mundy!" I cried.
  • You know how it is sometimes when everything seems all mixed up and
  • you suddenly get a clue. When she mentioned Jimmy Mundy I began to
  • understand more or less what had happened. I'd seen it happen before.
  • I remember, back in England, the man I had before Jeeves sneaked off
  • to a meeting on his evening out and came back and denounced me in front
  • of a crowd of chappies I was giving a bit of supper to as a moral leper.
  • The aunt gave me a withering up and down.
  • "Yes; Jimmy Mundy!" she said. "I am surprised at a man of your stamp
  • having heard of him. There is no music, there are no drunken, dancing
  • men, no shameless, flaunting women at his meetings; so for you they would
  • have no attraction. But for others, less dead in sin, he has his message.
  • He has come to save New York from itself; to force it--in his picturesque
  • phrase--to hit the trail. It was three days ago, Rockmetteller, that I
  • first heard him. It was an accident that took me to his meeting. How
  • often in this life a mere accident may shape our whole future!
  • "You had been called away by that telephone message from Mr. Belasco;
  • so you could not take me to the Hippodrome, as we had arranged. I asked
  • your man-servant, Jeeves, to take me there. The man has very little
  • intelligence. He seems to have misunderstood me. I am thankful that he
  • did. He took me to what I subsequently learned was Madison Square
  • Garden, where Mr. Mundy is holding his meetings. He escorted me to a
  • seat and then left me. And it was not till the meeting had begun that I
  • discovered the mistake which had been made. My seat was in the middle
  • of a row. I could not leave without inconveniencing a great many
  • people, so I remained."
  • She gulped.
  • "Rockmetteller, I have never been so thankful for anything else. Mr.
  • Mundy was wonderful! He was like some prophet of old, scourging the
  • sins of the people. He leaped about in a frenzy of inspiration till I
  • feared he would do himself an injury. Sometimes he expressed himself in
  • a somewhat odd manner, but every word carried conviction. He showed me
  • New York in its true colours. He showed me the vanity and wickedness of
  • sitting in gilded haunts of vice, eating lobster when decent people
  • should be in bed.
  • "He said that the tango and the fox-trot were devices of the devil to
  • drag people down into the Bottomless Pit. He said that there was more
  • sin in ten minutes with a negro banjo orchestra than in all the ancient
  • revels of Nineveh and Babylon. And when he stood on one leg and pointed
  • right at where I was sitting and shouted, 'This means you!' I could
  • have sunk through the floor. I came away a changed woman. Surely you
  • must have noticed the change in me, Rockmetteller? You must have seen
  • that I was no longer the careless, thoughtless person who had urged you
  • to dance in those places of wickedness?"
  • Rocky was holding on to the table as if it was his only friend.
  • "Y-yes," he stammered; "I--I thought something was wrong."
  • "Wrong? Something was right! Everything was right! Rockmetteller, it is
  • not too late for you to be saved. You have only sipped of the evil cup.
  • You have not drained it. It will be hard at first, but you will find
  • that you can do it if you fight with a stout heart against the glamour
  • and fascination of this dreadful city. Won't you, for my sake, try,
  • Rockmetteller? Won't you go back to the country to-morrow and begin the
  • struggle? Little by little, if you use your will----"
  • I can't help thinking it must have been that word "will" that roused
  • dear old Rocky like a trumpet call. It must have brought home to him
  • the realisation that a miracle had come off and saved him from being
  • cut out of Aunt Isabel's. At any rate, as she said it he perked up, let
  • go of the table, and faced her with gleaming eyes.
  • "Do you want me to go back to the country, Aunt Isabel?"
  • "Yes."
  • "Not to live in the country?"
  • "Yes, Rockmetteller."
  • "Stay in the country all the time, do you mean? Never come to New
  • York?"
  • "Yes, Rockmetteller; I mean just that. It is the only way. Only there
  • can you be safe from temptation. Will you do it, Rockmetteller? Will
  • you--for my sake?"
  • Rocky grabbed the table again. He seemed to draw a lot of encouragement
  • from that table.
  • "I will!" he said.
  • * * * * *
  • "Jeeves," I said. It was next day, and I was back in the old flat, lying
  • in the old arm-chair, with my feet upon the good old table. I had just
  • come from seeing dear old Rocky off to his country cottage, and an hour
  • before he had seen his aunt off to whatever hamlet it was that she was
  • the curse of; so we were alone at last. "Jeeves, there's no place like
  • home--what?"
  • "Very true, sir."
  • "The jolly old roof-tree, and all that sort of thing--what?"
  • "Precisely, sir."
  • I lit another cigarette.
  • "Jeeves."
  • "Sir?"
  • "Do you know, at one point in the business I really thought you were
  • baffled."
  • "Indeed, sir?"
  • "When did you get the idea of taking Miss Rockmetteller to the meeting?
  • It was pure genius!"
  • "Thank you, sir. It came to me a little suddenly, one morning when I
  • was thinking of my aunt, sir."
  • "Your aunt? The hansom cab one?"
  • "Yes, sir. I recollected that, whenever we observed one of her attacks
  • coming on, we used to send for the clergyman of the parish. We always
  • found that if he talked to her a while of higher things it diverted her
  • mind from hansom cabs. It occurred to me that the same treatment might
  • prove efficacious in the case of Miss Rockmetteller."
  • I was stunned by the man's resource.
  • "It's brain," I said; "pure brain! What do you do to get like that,
  • Jeeves? I believe you must eat a lot of fish, or something. Do you eat
  • a lot of fish, Jeeves?"
  • "No, sir."
  • "Oh, well, then, it's just a gift, I take it; and if you aren't born
  • that way there's no use worrying."
  • "Precisely, sir," said Jeeves. "If I might make the suggestion, sir, I
  • should not continue to wear your present tie. The green shade gives you
  • a slightly bilious air. I should strongly advocate the blue with the
  • red domino pattern instead, sir."
  • "All right, Jeeves." I said humbly. "You know!"
  • THE END
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