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  • Title: Indiscretions of Archie
  • Author: P. G. Wodehouse
  • Release Date: June 25, 2008 [EBook #3756]
  • Last Updated: March 12, 2018
  • Language: English
  • Character set encoding: UTF-8
  • *** START OF THIS PROJECT GUTENBERG EBOOK INDISCRETIONS OF ARCHIE ***
  • Produced by Charles Franks, Chuck Greif and the Online
  • Distributed Proofreading Team
  • INDISCRETIONS OF ARCHIE
  • By P. G. Wodehouse
  • It wasn't Archie's fault really. Its true he went to America and fell in
  • love with Lucille, the daughter of a millionaire hotel proprietor and if
  • he did marry her--well, what else was there to do?
  • From his point of view, the whole thing was a thoroughly good egg; but
  • Mr. Brewster, his father-in-law, thought differently, Archie had
  • neither money nor occupation, which was distasteful in the eyes of the
  • industrious Mr. Brewster; but the real bar was the fact that he had once
  • adversely criticised one of his hotels.
  • Archie does his best to heal the breach; but, being something of an ass,
  • genus priceless, he finds it almost beyond his powers to placate “the
  • man-eating fish” whom Providence has given him as a father-in-law
  • P. G. Wodehouse
  • AUTHOR OF “THE LITTLE WARRIOR,” “A DAMSEL IN DISTRESS,” “UNEASY MONEY,”
  • ETC.
  • NEW YORK
  • GEORGE H. DORAN COMPANY
  • COPYRIGHT,1921, BY GEORGE H, DORAN COMPANY
  • COPYRIGHT, 1920, BY INTERNATIONAL MAGAZINE COMPANY (COSMOPOLITAN
  • MAGAZINE)
  • PRINTED IN THE UNITED STATES OF AMERICA
  • DEDICATION TO B. W. KING-HALL
  • My dear Buddy,--
  • We have been friends for eighteen years. A considerable proportion of
  • my books were written under your hospitable roof. And yet I have never
  • dedicated one to you. What will be the verdict of Posterity on this? The
  • fact is, I have become rather superstitious about dedications. No sooner
  • do you label a book with the legend--
  • TO MY
  • BEST FRIEND
  • X
  • than X cuts you in Piccadilly, or you bring a lawsuit against him. There
  • is a fatality about it. However, I can't imagine anyone quarrelling
  • with you, and I am getting more attractive all the time, so let's take a
  • chance.
  • Yours ever,
  • P. G. WODEHOUSE.
  • CONTENTS
  • I DISTRESSING SCENE IN A HOTEL
  • II A SHOCK FOR MR. BREWSTER
  • III MR. BREWSTER DELIVERS SENTENCE
  • IV WORK WANTED
  • V STRANGE EXPERIENCE OF AN ARTIST'S MODEL
  • VI THE BOMB
  • VII MR. ROSCOE SHERRIFF HAS AN IDEA
  • VIII A DISTURBED NIGHT FOR DEAR OLD SQUIFFY
  • IX A LETTER FROM PARKER
  • X DOING FATHER A BIT OF GOOD
  • XI SALVATORE CHOOSES THE WRONG MOMENT
  • XII BRIGHT EYES-AND A FLY
  • XIII RALLYING ROUND PERCY
  • XIV THE SAD CASE OF LOONEY BIDDLE
  • XV SUMMER STORMS
  • XVI ARCHIE ACCEPTS A SITUATION
  • XVII BROTHER BILL'S ROMANCE
  • XVIII THE SAUSAGE CHAPPIE
  • XIX REGGIE COMES TO LIFE
  • XX THE SAUSAGE CHAPPIE CLICKS
  • XXI THE-GROWING BOY
  • XXII WASHY STEPS INTO THE HALL OF FAME
  • XXIII MOTHER'S-KNEE
  • XXIV THE MELTING OF MR. CONNOLLY
  • XXV THE WIGMORE VENUS
  • XXVI A TALE OF A GRANDFATHER
  • CHAPTER I. DISTRESSING SCENE
  • “I say, laddie!” said Archie.
  • “Sir?” replied the desk-clerk alertly. All the employes of the Hotel
  • Cosmopolis were alert. It was one of the things on which Mr. Daniel
  • Brewster, the proprietor, insisted. And as he was always wandering about
  • the lobby of the hotel keeping a personal eye on affairs, it was never
  • safe to relax.
  • “I want to see the manager.”
  • “Is there anything I could do, sir?”
  • Archie looked at him doubtfully.
  • “Well, as a matter of fact, my dear old desk-clerk,” he said, “I want to
  • kick up a fearful row, and it hardly seems fair to lug you into it. Why
  • you, I mean to say? The blighter whose head I want on a charger is the
  • bally manager.”
  • At this point a massive, grey-haired man, who had been standing close
  • by, gazing on the lobby with an air of restrained severity, as if daring
  • it to start anything, joined in the conversation.
  • “I am the manager,” he said.
  • His eye was cold and hostile. Others, it seemed to say, might like
  • Archie Moffam, but not he. Daniel Brewster was bristling for combat.
  • What he had overheard had shocked him to the core of his being. The
  • Hotel Cosmopolis was his own private, personal property, and the thing
  • dearest to him in the world, after his daughter Lucille. He prided
  • himself on the fact that his hotel was not like other New York hotels,
  • which were run by impersonal companies and shareholders and boards of
  • directors, and consequently lacked the paternal touch which made the
  • Cosmopolis what it was. At other hotels things went wrong, and clients
  • complained. At the Cosmopolis things never went wrong, because he was
  • on the spot to see that they didn't, and as a result clients never
  • complained. Yet here was this long, thin, string-bean of an Englishman
  • actually registering annoyance and dissatisfaction before his very eyes.
  • “What is your complaint?” he enquired frigidly.
  • Archie attached himself to the top button of Mr. Brewster's coat,
  • and was immediately dislodged by an irritable jerk of the other's
  • substantial body.
  • “Listen, old thing! I came over to this country to nose about in search
  • of a job, because there doesn't seem what you might call a general
  • demand for my services in England. Directly I was demobbed, the family
  • started talking about the Land of Opportunity and shot me on to a liner.
  • The idea was that I might get hold of something in America--”
  • He got hold of Mr. Brewster's coat-button, and was again shaken off.
  • “Between ourselves, I've never done anything much in England, and I
  • fancy the family were getting a bit fed. At any rate, they sent me over
  • here--”
  • Mr. Brewster disentangled himself for the third time.
  • “I would prefer to postpone the story of your life,” he said coldly,
  • “and be informed what is your specific complaint against the Hotel
  • Cosmopolis.”
  • “Of course, yes. The jolly old hotel. I'm coming to that. Well, it was
  • like this. A chappie on the boat told me that this was the best place to
  • stop at in New York--”
  • “He was quite right,” said Mr. Brewster.
  • “Was he, by Jove! Well, all I can say, then, is that the other New York
  • hotels must be pretty mouldy, if this is the best of the lot! I took a
  • room here last night,” said Archie quivering with self-pity, “and there
  • was a beastly tap outside somewhere which went drip-drip-drip all night
  • and kept me awake.”
  • Mr. Brewster's annoyance deepened. He felt that a chink had been found
  • in his armour. Not even the most paternal hotel-proprietor can keep an
  • eye on every tap in his establishment.
  • “Drip-drip-drip!” repeated Archie firmly. “And I put my boots outside
  • the door when I went to bed, and this morning they hadn't been touched.
  • I give you my solemn word! Not touched.”
  • “Naturally,” said Mr. Brewster. “My employes are honest”
  • “But I wanted them cleaned, dash it!”
  • “There is a shoe-shining parlour in the basement. At the Cosmopolis
  • shoes left outside bedroom doors are not cleaned.”
  • “Then I think the Cosmopolis is a bally rotten hotel!”
  • Mr. Brewster's compact frame quivered. The unforgivable insult had been
  • offered. Question the legitimacy of Mr. Brewster's parentage, knock Mr.
  • Brewster down and walk on his face with spiked shoes, and you did not
  • irremediably close all avenues to a peaceful settlement. But make a
  • remark like that about his hotel, and war was definitely declared.
  • “In that case,” he said, stiffening, “I must ask you to give up your
  • room.”
  • “I'm going to give it up! I wouldn't stay in the bally place another
  • minute.”
  • Mr. Brewster walked away, and Archie charged round to the cashier's
  • desk to get his bill. It had been his intention in any case, though for
  • dramatic purposes he concealed it from his adversary, to leave the hotel
  • that morning. One of the letters of introduction which he had brought
  • over from England had resulted in an invitation from a Mrs. van Tuyl to
  • her house-party at Miami, and he had decided to go there at once.
  • “Well,” mused Archie, on his way to the station, “one thing's certain.
  • I'll never set foot in THAT bally place again!”
  • But nothing in this world is certain.
  • CHAPTER II. A SHOCK FOR MR. BREWSTER
  • Mr. Daniel Brewster sat in his luxurious suite at the Cosmopolis,
  • smoking one of his admirable cigars and chatting with his old friend,
  • Professor Binstead. A stranger who had only encountered Mr. Brewster in
  • the lobby of the hotel would have been surprised at the appearance of
  • his sitting-room, for it had none of the rugged simplicity which was the
  • keynote of its owner's personal appearance. Daniel Brewster was a man
  • with a hobby. He was what Parker, his valet, termed a connoozer. His
  • educated taste in Art was one of the things which went to make the
  • Cosmopolis different from and superior to other New York hotels. He had
  • personally selected the tapestries in the dining-room and the various
  • paintings throughout the building. And in his private capacity he was an
  • enthusiastic collector of things which Professor Binstead, whose
  • tastes lay in the same direction, would have stolen without a twinge of
  • conscience if he could have got the chance.
  • The professor, a small man of middle age who wore tortoiseshell-rimmed
  • spectacles, flitted covetously about the room, inspecting its treasures
  • with a glistening eye. In a corner, Parker, a grave, lean individual,
  • bent over the chafing-dish, in which he was preparing for his employer
  • and his guest their simple lunch.
  • “Brewster,” said Professor Binstead, pausing at the mantelpiece.
  • Mr. Brewster looked up amiably. He was in placid mood to-day. Two
  • weeks and more had passed since the meeting with Archie recorded in the
  • previous chapter, and he had been able to dismiss that disturbing affair
  • from his mind. Since then, everything had gone splendidly with Daniel
  • Brewster, for he had just accomplished his ambition of the moment
  • by completing the negotiations for the purchase of a site further
  • down-town, on which he proposed to erect a new hotel. He liked building
  • hotels. He had the Cosmopolis, his first-born, a summer hotel in the
  • mountains, purchased in the previous year, and he was toying with the
  • idea of running over to England and putting up another in London, That,
  • however, would have to wait. Meanwhile, he would concentrate on this new
  • one down-town. It had kept him busy and worried, arranging for securing
  • the site; but his troubles were over now.
  • “Yes?” he said.
  • Professor Binstead had picked up a small china figure of delicate
  • workmanship. It represented a warrior of pre-khaki days advancing with a
  • spear upon some adversary who, judging from the contented expression on
  • the warrior's face, was smaller than himself.
  • “Where did you get this?”
  • “That? Mawson, my agent, found it in a little shop on the east side.”
  • “Where's the other? There ought to be another. These things go in pairs.
  • They're valueless alone.”
  • Mr. Brewster's brow clouded.
  • “I know that,” he said shortly. “Mawson's looking for the other one
  • everywhere. If you happen across it, I give you carte blanche to buy it
  • for me.”
  • “It must be somewhere.”
  • “Yes. If you find it, don't worry about the expense. I'll settle up, no
  • matter what it is.”
  • “I'll bear it in mind,” said Professor Binstead. “It may cost you a lot
  • of money. I suppose you know that.”
  • “I told you I don't care what it costs.”
  • “It's nice to be a millionaire,” sighed Professor Binstead.
  • “Luncheon is served, sir,” said Parker.
  • He had stationed himself in a statutesque pose behind Mr. Brewster's
  • chair, when there was a knock at the door. He went to the door, and
  • returned with a telegram.
  • “Telegram for you, sir.”
  • Mr. Brewster nodded carelessly. The contents of the chafing-dish had
  • justified the advance advertising of their odour, and he was too busy to
  • be interrupted.
  • “Put it down. And you needn't wait, Parker.”
  • “Very good, sir.”
  • The valet withdrew, and Mr. Brewster resumed his lunch.
  • “Aren't you going to open it?” asked Professor Binstead, to whom a
  • telegram was a telegram.
  • “It can wait. I get them all day long. I expect it's from Lucille,
  • saying what train she's making.”
  • “She returns to-day?”
  • “Yes, Been at Miami.” Mr. Brewster, having dwelt at adequate length on
  • the contents of the chafing-dish, adjusted his glasses and took up the
  • envelope. “I shall be glad--Great Godfrey!”
  • He sat staring at the telegram, his mouth open. His friend eyed him
  • solicitously.
  • “No bad news, I hope?”
  • Mr. Brewster gurgled in a strangled way.
  • “Bad news? Bad--? Here, read it for yourself.”
  • Professor Binstead, one of the three most inquisitive men in New York,
  • took the slip of paper with gratitude.
  • “'Returning New York to-day with darling Archie,'” he read. “'Lots of
  • love from us both. Lucille.'” He gaped at his host. “Who is Archie?” he
  • enquired.
  • “Who is Archie?” echoed Mr. Brewster helplessly. “Who is--? That's just
  • what I would like to know.”
  • “'Darling Archie,'” murmured the professor, musing over the telegram.
  • “'Returning to-day with darling Archie.' Strange!”
  • Mr. Brewster continued to stare before him. When you send your only
  • daughter on a visit to Miami minus any entanglements and she mentions
  • in a telegram that she has acquired a darling Archie, you are naturally
  • startled. He rose from the table with a bound. It had occurred to him
  • that by neglecting a careful study of his mail during the past week,
  • as was his bad habit when busy, he had lost an opportunity of keeping
  • abreast with current happenings. He recollected now that a letter had
  • arrived from Lucille some time ago, and that he had put it away unopened
  • till he should have leisure to read it. Lucille was a dear girl, he had
  • felt, but her letters when on a vacation seldom contained anything that
  • couldn't wait a few days for a reading. He sprang for his desk, rummaged
  • among his papers, and found what he was seeking.
  • It was a long letter, and there was silence in the room for some
  • moments while he mastered its contents. Then he turned to the professor,
  • breathing heavily.
  • “Good heavens!”
  • “Yes?” said Professor Binstead eagerly. “Yes?”
  • “Good Lord!”
  • “Well?”
  • “Good gracious!”
  • “What is it?” demanded the professor in an agony.
  • Mr. Brewster sat down again with a thud.
  • “She's married!”
  • “Married!”
  • “Married! To an Englishman!”
  • “Bless my soul!”
  • “She says,” proceeded Mr. Brewster, referring to the letter again, “that
  • they were both so much in love that they simply had to slip off and get
  • married, and she hopes I won't be cross. Cross!” gasped Mr. Brewster,
  • gazing wildly at his friend.
  • “Very disturbing!”
  • “Disturbing! You bet it's disturbing! I don't know anything about
  • the fellow. Never heard of him in my life. She says he wanted a quiet
  • wedding because he thought a fellow looked such a chump getting married!
  • And I must love him, because he's all set to love me very much!”
  • “Extraordinary!”
  • Mr. Brewster put the letter down.
  • “An Englishman!”
  • “I have met some very agreeable Englishmen,” said Professor Binstead.
  • “I don't like Englishmen,” growled Mr. Brewster. “Parker's an
  • Englishman.”
  • “Your valet?”
  • “Yes. I believe he wears my shirts on the sly,'” said Mr. Brewster
  • broodingly, “If I catch him--! What would you do about this, Binstead?”
  • “Do?” The professor considered the point judiciary. “Well, really,
  • Brewster, I do not see that there is anything you can do. You must
  • simply wait and meet the man. Perhaps he will turn out an admirable
  • son-in-law.”
  • “H'm!” Mr. Brewster declined to take an optimistic view. “But an
  • Englishman, Binstead!” he said with pathos. “Why,” he went on, memory
  • suddenly stirring, “there was an Englishman at this hotel only a week or
  • two ago who went about knocking it in a way that would have amazed you!
  • Said it was a rotten place! MY hotel!”
  • Professor Binstead clicked his tongue sympathetically. He understood his
  • friend's warmth.
  • CHAPTER III. MR. BREWSTER DELIVERS SENTENCE
  • At about the same moment that Professor Binstead was clicking his tongue
  • in Mr. Brewster's sitting-room, Archie Moffam sat contemplating his
  • bride in a drawing-room on the express from Miami. He was thinking that
  • this was too good to be true. His brain had been in something of a
  • whirl these last few days, but this was one thought that never failed to
  • emerge clearly from the welter.
  • Mrs. Archie Moffam, nee Lucille Brewster, was small and slender. She
  • had a little animated face, set in a cloud of dark hair. She was so
  • altogether perfect that Archie had frequently found himself compelled
  • to take the marriage-certificate out of his inside pocket and study it
  • furtively, to make himself realise that this miracle of good fortune had
  • actually happened to him.
  • “Honestly, old bean--I mean, dear old thing,--I mean, darling,” said
  • Archie, “I can't believe it!”
  • “What?”
  • “What I mean is, I can't understand why you should have married a
  • blighter like me.”
  • Lucille's eyes opened. She squeezed his hand.
  • “Why, you're the most wonderful thing in the world, precious!--Surely
  • you know that?”
  • “Absolutely escaped my notice. Are you sure?”
  • “Of course I'm sure! You wonder-child! Nobody could see you without
  • loving you!”
  • Archie heaved an ecstatic sigh. Then a thought crossed his mind. It was
  • a thought which frequently came to mar his bliss.
  • “I say, I wonder if your father will think that!”
  • “Of course he will!”
  • “We rather sprung this, as it were, on the old lad,” said Archie
  • dubiously. “What sort of a man IS your father?”
  • “Father's a darling, too.”
  • “Rummy thing he should own that hotel,” said Archie. “I had a frightful
  • row with a blighter of a manager there just before I left for Miami.
  • Your father ought to sack that chap. He was a blot on the landscape!”
  • It had been settled by Lucille during the journey that Archie should be
  • broken gently to his father-in-law. That is to say, instead of bounding
  • blithely into Mr. Brewster's presence hand in hand, the happy pair
  • should separate for half an hour or so, Archie hanging around in the
  • offing while Lucille saw her father and told him the whole story, or
  • those chapters of it which she had omitted from her letter for want of
  • space. Then, having impressed Mr. Brewster sufficiently with his luck in
  • having acquired Archie for a son-in-law, she would lead him to where his
  • bit of good fortune awaited him.
  • The programme worked out admirably in its earlier stages. When the two
  • emerged from Mr. Brewster's room to meet Archie, Mr. Brewster's general
  • idea was that fortune had smiled upon him in an almost unbelievable
  • fashion and had presented him with a son-in-law who combined in almost
  • equal parts the more admirable characteristics of Apollo, Sir Galahad,
  • and Marcus Aurelius. True, he had gathered in the course of the
  • conversation that dear Archie had no occupation and no private means;
  • but Mr. Brewster felt that a great-souled man like Archie didn't need
  • them. You can't have everything, and Archie, according to Lucille's
  • account, was practically a hundred per cent man in soul, looks, manners,
  • amiability, and breeding. These are the things that count. Mr. Brewster
  • proceeded to the lobby in a glow of optimism and geniality.
  • Consequently, when he perceived Archie, he got a bit of a shock.
  • “Hullo--ullo--ullo!” said Archie, advancing happily.
  • “Archie, darling, this is father,” said Lucille.
  • “Good Lord!” said Archie.
  • There was one of those silences. Mr. Brewster looked at Archie. Archie
  • gazed at Mr. Brewster. Lucille, perceiving without understanding why
  • that the big introduction scene had stubbed its toe on some unlooked-for
  • obstacle, waited anxiously for enlightenment. Meanwhile, Archie
  • continued to inspect Mr. Brewster, and Mr. Brewster continued to drink
  • in Archie.
  • After an awkward pause of about three and a quarter minutes, Mr.
  • Brewster swallowed once or twice, and finally spoke.
  • “Lu!”
  • “Yes, father?”
  • “Is this true?”
  • Lucille's grey eyes clouded over with perplexity and apprehension.
  • “True?”
  • “Have you really inflicted this--THIS on me for a son-in-law?” Mr.
  • Brewster swallowed a few more times, Archie the while watching with
  • a frozen fascination the rapid shimmying of his new relative's
  • Adam's-apple. “Go away! I want to have a few words alone with
  • this--This--WASSYOURDAMNAME?” he demanded, in an overwrought manner,
  • addressing Archie for the first time.
  • “I told you, father. It's Moom.”
  • “Moom?”
  • “It's spelt M-o-f-f-a-m, but pronounced Moom.”
  • “To rhyme,” said Archie, helpfully, “with Bluffinghame.”
  • “Lu,” said Mr. Brewster, “run away! I want to speak to-to-to--”
  • “You called me THIS before,” said Archie.
  • “You aren't angry, father, dear?” said Lucilla.
  • “Oh no! Oh no! I'm tickled to death!”
  • When his daughter had withdrawn, Mr. Brewster drew a long breath.
  • “Now then!” he said.
  • “Bit embarrassing, all this, what!” said Archie, chattily. “I mean
  • to say, having met before in less happy circs. and what not. Rum
  • coincidence and so forth! How would it be to bury the jolly old
  • hatchet--start a new life--forgive and forget--learn to love each
  • other--and all that sort of rot? I'm game if you are. How do we go? Is
  • it a bet?”
  • Mr. Brewster remained entirely unsoftened by this manly appeal to his
  • better feelings.
  • “What the devil do you mean by marrying my daughter?”
  • Archie reflected.
  • “Well, it sort of happened, don't you know! You know how these things
  • ARE! Young yourself once, and all that. I was most frightfully in love,
  • and Lu seemed to think it wouldn't be a bad scheme, and one thing led to
  • another, and--well, there you are, don't you know!”
  • “And I suppose you think you've done pretty well for yourself?”
  • “Oh, absolutely! As far as I'm concerned, everything's topping! I've
  • never felt so braced in my life!”
  • “Yes!” said Mr. Brewster, with bitterness, “I suppose, from your
  • view-point, everything IS 'topping.' You haven't a cent to your name,
  • and you've managed to fool a rich man's daughter into marrying you. I
  • suppose you looked me up in Bradstreet before committing yourself?”
  • This aspect of the matter had not struck Archie until this moment.
  • “I say!” he observed, with dismay. “I never looked at it like that
  • before! I can see that, from your point of view, this must look like a
  • bit of a wash-out!”
  • “How do you propose to support Lucille, anyway?”
  • Archie ran a finger round the inside of his collar. He felt embarrassed,
  • His father-in-law was opening up all kinds of new lines of thought.
  • “Well, there, old bean,” he admitted, frankly, “you rather have me!”
  • He turned the matter over for a moment. “I had a sort of idea of, as it
  • were, working, if you know what I mean.”
  • “Working at what?”
  • “Now, there again you stump me somewhat! The general scheme was that I
  • should kind of look round, you know, and nose about and buzz to and fro
  • till something turned up. That was, broadly speaking, the notion!”
  • “And how did you suppose my daughter was to live while you were doing
  • all this?”
  • “Well, I think,” said Archie, “I THINK we rather expected YOU to rally
  • round a bit for the nonce!”
  • “I see! You expected to live on me?”
  • “Well, you put it a bit crudely, but--as far as I had mapped anything
  • out--that WAS what you might call the general scheme of procedure. You
  • don't think much of it, what? Yes? No?”
  • Mr. Brewster exploded.
  • “No! I do not think much of it! Good God! You go out of my hotel--MY
  • hotel--calling it all the names you could think of--roasting it to beat
  • the band--”
  • “Trifle hasty!” murmured Archie, apologetically. “Spoke without
  • thinking. Dashed tap had gone DRIP-DRIP-DRIP all night--kept me
  • awake--hadn't had breakfast--bygones be bygones--!”
  • “Don't interrupt! I say, you go out of my hotel, knocking it as no one
  • has ever knocked it since it was built, and you sneak straight off and
  • marry my daughter without my knowledge.”
  • “Did think of wiring for blessing. Slipped the old bean, somehow. You
  • know how one forgets things!”
  • “And now you come back and calmly expect me to fling my arms round you
  • and kiss you, and support you for the rest of your life!”
  • “Only while I'm nosing about and buzzing to and fro.”
  • “Well, I suppose I've got to support you. There seems no way out of
  • it. I'll tell you exactly what I propose to do. You think my hotel is
  • a pretty poor hotel, eh? Well, you'll have plenty of opportunity of
  • judging, because you're coming to live here. I'll let you have a suite
  • and I'll let you have your meals, but outside of that--nothing doing!
  • Nothing doing! Do you understand what I mean?”
  • “Absolutely! You mean, 'Napoo!'”
  • “You can sign bills for a reasonable amount in my restaurant, and the
  • hotel will look after your laundry. But not a cent do you get out me.
  • And, if you want your shoes shined, you can pay for it yourself in
  • the basement. If you leave them outside your door, I'll instruct the
  • floor-waiter to throw them down the air-shaft. Do you understand? Good!
  • Now, is there anything more you want to ask?”
  • Archie smiled a propitiatory smile.
  • “Well, as a matter of fact, I was going to ask if you would stagger
  • along and have a bite with us in the grill-room?”
  • “I will not!”
  • “I'll sign the bill,” said Archie, ingratiatingly. “You don't think much
  • of it? Oh, right-o!”
  • CHAPTER IV. WORK WANTED
  • It seemed to Archie, as he surveyed his position at the end of the first
  • month of his married life, that all was for the best in the best of all
  • possible worlds. In their attitude towards America, visiting Englishmen
  • almost invariably incline to extremes, either detesting all that therein
  • is or else becoming enthusiasts on the subject of the country, its
  • climate, and its institutions. Archie belonged to the second class. He
  • liked America and got on splendidly with Americans from the start. He
  • was a friendly soul, a mixer; and in New York, that city of mixers,
  • he found himself at home. The atmosphere of good-fellowship and the
  • open-hearted hospitality of everybody he met appealed to him. There were
  • moments when it seemed to him as though New York had simply been waiting
  • for him to arrive before giving the word to let the revels commence.
  • Nothing, of course, in this world is perfect; and, rosy as were the
  • glasses through which Archie looked on his new surroundings, he had to
  • admit that there was one flaw, one fly in the ointment, one individual
  • caterpillar in the salad. Mr. Daniel Brewster, his father-in-law,
  • remained consistently unfriendly. Indeed, his manner towards his new
  • relative became daily more and more a manner which would have caused
  • gossip on the plantation if Simon Legree had exhibited it in his
  • relations with Uncle Tom. And this in spite of the fact that Archie, as
  • early as the third morning of his stay, had gone to him and in the
  • most frank and manly way, had withdrawn his criticism of the Hotel
  • Cosmopolis, giving it as his considered opinion that the Hotel
  • Cosmopolis on closer inspection appeared to be a good egg, one of the
  • best and brightest, and a bit of all right.
  • “A credit to you, old thing,” said Archie cordially.
  • “Don't call me old thing!” growled Mr. Brewster.
  • “Right-o, old companion!” said Archie amiably.
  • Archie, a true philosopher, bore this hostility with fortitude, but it
  • worried Lucille.
  • “I do wish father understood you better,” was her wistful comment when
  • Archie had related the conversation.
  • “Well, you know,” said Archie, “I'm open for being understood any time
  • he cares to take a stab at it.”
  • “You must try and make him fond of you.”
  • “But how? I smile winsomely at him and what not, but he doesn't
  • respond.”
  • “Well, we shall have to think of something. I want him to realise what
  • an angel you are. You ARE an angel, you know.”
  • “No, really?”
  • “Of course you are.”
  • “It's a rummy thing,” said Archie, pursuing a train of thought which was
  • constantly with him, “the more I see of you, the more I wonder how you
  • can have a father like--I mean to say, what I mean to say is, I wish I
  • had known your mother; she must have been frightfully attractive.”
  • “What would really please him, I know,” said Lucille, “would be if you
  • got some work to do. He loves people who work.”
  • “Yes?” said Archie doubtfully. “Well, you know, I heard him interviewing
  • that chappie behind the desk this morning, who works like the dickens
  • from early morn to dewy eve, on the subject of a mistake in his figures;
  • and, if he loved him, he dissembled it all right. Of course, I admit
  • that so far I haven't been one of the toilers, but the dashed difficult
  • thing is to know how to start. I'm nosing round, but the openings for a
  • bright young man seem so scarce.”
  • “Well, keep on trying. I feel sure that, if you could only find
  • something to do, it doesn't matter what, father would be quite
  • different.”
  • It was possibly the dazzling prospect of making Mr. Brewster quite
  • different that stimulated Archie. He was strongly of the opinion that
  • any change in his father-in-law must inevitably be for the better. A
  • chance meeting with James B. Wheeler, the artist, at the Pen-and-Ink
  • Club seemed to open the way.
  • To a visitor to New York who has the ability to make himself liked
  • it almost appears as though the leading industry in that city was
  • the issuing of two-weeks' invitation-cards to clubs. Archie since
  • his arrival had been showered with these pleasant evidences of his
  • popularity; and he was now an honorary member of so many clubs of
  • various kinds that he had not time to go to them all. There were the
  • fashionable clubs along Fifth Avenue to which his friend Reggie van
  • Tuyl, son of his Florida hostess, had introduced him. There were the
  • businessmen's clubs of which he was made free by more solid citizens.
  • And, best of all, there were the Lambs', the Players', the Friars', the
  • Coffee-House, the Pen-and-Ink,--and the other resorts of the artist, the
  • author, the actor, and the Bohemian. It was in these that Archie spent
  • most of his time, and it was here that he made the acquaintance of J. B.
  • Wheeler, the popular illustrator.
  • To Mr. Wheeler, over a friendly lunch, Archie had been confiding
  • some of his ambitions to qualify as the hero of one of the
  • Get-on-or-get-out-young-man-step-lively-books.
  • “You want a job?” said Mr. Wheeler.
  • “I want a job,” said Archie.
  • Mr. Wheeler consumed eight fried potatoes in quick succession. He was an
  • able trencherman.
  • “I always looked on you as one of our leading lilies of the field,” he
  • said. “Why this anxiety to toil and spin?”
  • “Well, my wife, you know, seems to think it might put me one-up with the
  • jolly old dad if I did something.”
  • “And you're not particular what you do, so long as it has the outer
  • aspect of work?”
  • “Anything in the world, laddie, anything in the world.”
  • “Then come and pose for a picture I'm doing,” said J. B. Wheeler. “It's
  • for a magazine cover. You're just the model I want, and I'll pay you at
  • the usual rates. Is it a go?”
  • “Pose?”
  • “You've only got to stand still and look like a chunk of wood. You can
  • do that, surely?”
  • “I can do that,” said Archie.
  • “Then come along down to my studio to-morrow.”
  • “Right-o!” said Archie.
  • CHAPTER V. STRANGE EXPERIENCES OF AN ARTIST'S MODEL
  • “I say, old thing!”
  • Archie spoke plaintively. Already he was looking back ruefully to the
  • time when he had supposed that an artist's model had a soft job. In the
  • first five minutes muscles which he had not been aware that he possessed
  • had started to ache like neglected teeth. His respect for the toughness
  • and durability of artists' models was now solid. How they acquired the
  • stamina to go through this sort of thing all day and then bound off to
  • Bohemian revels at night was more than he could understand.
  • “Don't wobble, confound you!” snorted Mr. Wheeler.
  • “Yes, but, my dear old artist,” said Archie, “what you don't seem to
  • grasp--what you appear not to realise--is that I'm getting a crick in
  • the back.”
  • “You weakling! You miserable, invertebrate worm. Move an inch and
  • I'll murder you, and come and dance on your grave every Wednesday and
  • Saturday. I'm just getting it.”
  • “It's in the spine that it seems to catch me principally.”
  • “Be a man, you faint-hearted string-bean!” urged J. B. Wheeler. “You
  • ought to be ashamed of yourself. Why, a girl who was posing for me last
  • week stood for a solid hour on one leg, holding a tennis racket over her
  • head and smiling brightly withal.”
  • “The female of the species is more india-rubbery than the male,” argued
  • Archie.
  • “Well, I'll be through in a few minutes. Don't weaken. Think how proud
  • you'll be when you see yourself on all the bookstalls.”
  • Archie sighed, and braced himself to the task once more. He wished he
  • had never taken on this binge. In addition to his physical discomfort,
  • he was feeling a most awful chump. The cover on which Mr. Wheeler was
  • engaged was for the August number of the magazine, and it had been
  • necessary for Archie to drape his reluctant form in a two-piece bathing
  • suit of a vivid lemon colour; for he was supposed to be representing one
  • of those jolly dogs belonging to the best families who dive off floats
  • at exclusive seashore resorts. J. B. Wheeler, a stickler for accuracy,
  • had wanted him to remove his socks and shoes; but there Archie had stood
  • firm. He was willing to make an ass of himself, but not a silly ass.
  • “All right,” said J. B. Wheeler, laying down his brush. “That will do
  • for to-day. Though, speaking without prejudice and with no wish to be
  • offensive, if I had had a model who wasn't a weak-kneed, jelly-backboned
  • son of Belial, I could have got the darned thing finished without having
  • to have another sitting.”
  • “I wonder why you chappies call this sort of thing 'sitting,'” said
  • Archie, pensively, as he conducted tentative experiments in osteopathy
  • on his aching back. “I say, old thing, I could do with a restorative, if
  • you have one handy. But, of course, you haven't, I suppose,” he added,
  • resignedly. Abstemious as a rule, there were moments when Archie found
  • the Eighteenth Amendment somewhat trying.
  • J. B. Wheeler shook his head.
  • “You're a little previous,” he said. “But come round in another day or
  • so, and I may be able to do something for you.” He moved with a certain
  • conspirator-like caution to a corner of the room, and, lifting to one
  • side a pile of canvases, revealed a stout barrel, which, he regarded
  • with a fatherly and benignant eye. “I don't mind telling you that, in
  • the fullness of time, I believe this is going to spread a good deal of
  • sweetness and light.”
  • “Oh, ah,” said Archie, interested. “Home-brew, what?”
  • “Made with these hands. I added a few more raisins yesterday, to speed
  • things up a bit. There is much virtue in your raisin. And, talking of
  • speeding things up, for goodness' sake try to be a bit more punctual
  • to-morrow. We lost an hour of good daylight to-day.”
  • “I like that! I was here on the absolute minute. I had to hang about on
  • the landing waiting for you.”
  • “Well, well, that doesn't matter,” said J. B. Wheeler, impatiently, for
  • the artist soul is always annoyed by petty details. “The point is that
  • we were an hour late in getting to work. Mind you're here to-morrow at
  • eleven sharp.”
  • It was, therefore, with a feeling of guilt and trepidation that Archie
  • mounted the stairs on the following morning; for in spite of his good
  • resolutions he was half an hour behind time. He was relieved to find
  • that his friend had also lagged by the wayside. The door of the studio
  • was ajar, and he went in, to discover the place occupied by a lady of
  • mature years, who was scrubbing the floor with a mop. He went into the
  • bedroom and donned his bathing suit. When he emerged, ten minutes later,
  • the charwoman had gone, but J. B. Wheeler was still absent. Rather glad
  • of the respite, he sat down to kill time by reading the morning paper,
  • whose sporting page alone he had managed to master at the breakfast
  • table.
  • There was not a great deal in the paper to interest him. The usual
  • bond-robbery had taken place on the previous day, and the police were
  • reported hot on the trail of the Master-Mind who was alleged to be at
  • the back of these financial operations. A messenger named Henry Babcock
  • had been arrested and was expected to become confidential. To one who,
  • like Archie, had never owned a bond, the story made little appeal. He
  • turned with more interest to a cheery half-column on the activities of a
  • gentleman in Minnesota who, with what seemed to Archie, as he thought
  • of Mr. Daniel Brewster, a good deal of resource and public spirit, had
  • recently beaned his father-in-law with the family meat-axe. It was only
  • after he had read this through twice in a spirit of gentle approval that
  • it occurred to him that J. B. Wheeler was uncommonly late at the
  • tryst. He looked at his watch, and found that he had been in the studio
  • three-quarters of an hour.
  • Archie became restless. Long-suffering old bean though he was, he
  • considered this a bit thick. He got up and went out on to the landing,
  • to see if there were any signs of the blighter. There were none. He
  • began to understand now what had happened. For some reason or other the
  • bally artist was not coming to the studio at all that day. Probably he
  • had called up the hotel and left a message to this effect, and Archie
  • had just missed it. Another man might have waited to make certain that
  • his message had reached its destination, but not woollen-headed Wheeler,
  • the most casual individual in New York.
  • Thoroughly aggrieved, Archie turned back to the studio to dress and go
  • away.
  • His progress was stayed by a solid, forbidding slab of oak. Somehow or
  • other, since he had left the room, the door had managed to get itself
  • shut.
  • “Oh, dash it!” said Archie.
  • The mildness of the expletive was proof that the full horror of the
  • situation had not immediately come home to him. His mind in the first
  • few moments was occupied with the problem of how the door had got
  • that way. He could not remember shutting it. Probably he had done it
  • unconsciously. As a child, he had been taught by sedulous elders that
  • the little gentleman always closed doors behind him, and presumably his
  • subconscious self was still under the influence. And then, suddenly, he
  • realised that this infernal, officious ass of a subconscious self had
  • deposited him right in the gumbo. Behind that closed door, unattainable
  • as youthful ambition, lay his gent's heather-mixture with the green
  • twill, and here he was, out in the world, alone, in a lemon-coloured
  • bathing suit.
  • In all crises of human affairs there are two broad courses open to a
  • man. He can stay where he is or he can go elsewhere. Archie, leaning on
  • the banisters, examined these alternatives narrowly. If he stayed where
  • he was he would have to spend the night on this dashed landing. If he
  • legged it, in this kit, he would be gathered up by the constabulary
  • before he had gone a hundred yards. He was no pessimist, but he was
  • reluctantly forced to the conclusion that he was up against it.
  • It was while he was musing with a certain tenseness on these things that
  • the sound of footsteps came to him from below. But almost in the first
  • instant the hope that this might be J. B. Wheeler, the curse of the
  • human race, died away. Whoever was coming up the stairs was running, and
  • J. B. Wheeler never ran upstairs. He was not one of your lean, haggard,
  • spiritual-looking geniuses. He made a large income with his brush and
  • pencil, and spent most of it in creature comforts. This couldn't be J.
  • B. Wheeler.
  • It was not. It was a tall, thin man whom he had never seen before. He
  • appeared to be in a considerable hurry. He let himself into the studio
  • on the floor below, and vanished without even waiting to shut the door.
  • He had come and disappeared in almost record time, but, brief though
  • his passing had been, it had been long enough to bring consolation to
  • Archie. A sudden bright light had been vouchsafed to Archie, and he now
  • saw an admirably ripe and fruity scheme for ending his troubles. What
  • could be simpler than to toddle down one flight of stairs and in an easy
  • and debonair manner ask the chappie's permission to use his telephone?
  • And what could be simpler, once he was at the 'phone, than to get in
  • touch with somebody at the Cosmopolis who would send down a few trousers
  • and what not in a kit bag. It was a priceless solution, thought Archie,
  • as he made his way downstairs. Not even embarrassing, he meant to say.
  • This chappie, living in a place like this, wouldn't bat an eyelid at the
  • spectacle of a fellow trickling about the place in a bathing suit. They
  • would have a good laugh about the whole thing.
  • “I say, I hate to bother you--dare say you're busy and all that sort of
  • thing--but would you mind if I popped in for half a second and used your
  • 'phone?”
  • That was the speech, the extremely gentlemanly and well-phrased speech,
  • which Archie had prepared to deliver the moment the man appeared.
  • The reason he did not deliver it was that the man did not appear. He
  • knocked, but nothing stirred.
  • “I say!”
  • Archie now perceived that the door was ajar, and that on an envelope
  • attached with a tack to one of the panels was the name “Elmer M. Moon”
  • He pushed the door a little farther open and tried again.
  • “Oh, Mr. Moon! Mr. Moon!” He waited a moment. “Oh, Mr. Moon! Mr. Moon!
  • Are you there, Mr. Moon?”
  • He blushed hotly. To his sensitive ear the words had sounded exactly
  • like the opening line of the refrain of a vaudeville song-hit. He
  • decided to waste no further speech on a man with such an unfortunate
  • surname until he could see him face to face and get a chance of lowering
  • his voice a bit. Absolutely absurd to stand outside a chappie's door
  • singing song-hits in a lemon-coloured bathing suit. He pushed the door
  • open and walked in; and his subconscious self, always the gentleman,
  • closed it gently behind him.
  • “Up!” said a low, sinister, harsh, unfriendly, and unpleasant voice.
  • “Eh?” said Archie, revolving sharply on his axis.
  • He found himself confronting the hurried gentleman who had run upstairs.
  • This sprinter had produced an automatic pistol, and was pointing it in
  • a truculent manner at his head. Archie stared at his host, and his host
  • stared at him.
  • “Put your hands up,” he said.
  • “Oh, right-o! Absolutely!” said Archie. “But I mean to say--”
  • The other was drinking him in with considerable astonishment. Archie's
  • costume seemed to have made a powerful impression upon him.
  • “Who the devil are you?” he enquired.
  • “Me? Oh, my name's--”
  • “Never mind your name. What are you doing here?”
  • “Well, as a matter of fact, I popped in to ask if I might use your
  • 'phone. You see--”
  • A certain relief seemed to temper the austerity of the other's gaze. As
  • a visitor, Archie, though surprising, seemed to be better than he had
  • expected.
  • “I don't know what to do with you,” he said, meditatively.
  • “If you'd just let me toddle to the 'phone--”
  • “Likely!” said the man. He appeared to reach a decision. “Here, go into
  • that room.”
  • He indicated with a jerk of his head the open door of what was
  • apparently a bedroom at the farther end of the studio.
  • “I take it,” said Archie, chattily, “that all this may seem to you not a
  • little rummy.”
  • “Get on!”
  • “I was only saying--”
  • “Well, I haven't time to listen. Get a move on!”
  • The bedroom was in a state of untidiness which eclipsed anything which
  • Archie had ever witnessed. The other appeared to be moving house. Bed,
  • furniture, and floor were covered with articles of clothing. A silk
  • shirt wreathed itself about Archie's ankles as he stood gaping, and,
  • as he moved farther into the room, his path was paved with ties and
  • collars.
  • “Sit down!” said Elmer M. Moon, abruptly.
  • “Right-o! Thanks,” said Archie, “I suppose you wouldn't like me to
  • explain, and what not, what?”
  • “No!” said Mr. Moon. “I haven't got your spare time. Put your hands
  • behind that chair.”
  • Archie did so, and found them immediately secured by what felt like a
  • silk tie. His assiduous host then proceeded to fasten his ankles in a
  • like manner. This done, he seemed to feel that he had done all that
  • was required of him, and he returned to the packing of a large suitcase
  • which stood by the window.
  • “I say!” said Archie.
  • Mr. Moon, with the air of a man who has remembered something which
  • he had overlooked, shoved a sock in his guest's mouth and resumed his
  • packing. He was what might be called an impressionist packer. His aim
  • appeared to be speed rather than neatness. He bundled his belongings in,
  • closed the bag with some difficulty, and, stepping to the window, opened
  • it. Then he climbed out on to the fire-escape, dragged the suit-case
  • after him, and was gone.
  • Archie, left alone, addressed himself to the task of freeing his
  • prisoned limbs. The job proved much easier than he had expected. Mr.
  • Moon, that hustler, had wrought for the moment, not for all time. A
  • practical man, he had been content to keep his visitor shackled merely
  • for such a period as would permit him to make his escape unhindered. In
  • less than ten minutes Archie, after a good deal of snake-like writhing,
  • was pleased to discover that the thingummy attached to his wrists had
  • loosened sufficiently to enable him to use his hands. He untied himself
  • and got up.
  • He now began to tell himself that out of evil cometh good. His encounter
  • with the elusive Mr. Moon had not been an agreeable one, but it had
  • had this solid advantage, that it had left him right in the middle of
  • a great many clothes. And Mr. Moon, whatever his moral defects, had the
  • one excellent quality of taking about the same size as himself. Archie,
  • casting a covetous eye upon a tweed suit which lay on the bed, was on
  • the point of climbing into the trousers when on the outer door of the
  • studio there sounded a forceful knocking.
  • “Open up here!”
  • CHAPTER VI. THE BOMB
  • Archie bounded silently out into the other room and stood listening
  • tensely. He was not a naturally querulous man, but he did feel at this
  • point that Fate was picking on him with a somewhat undue severity.
  • “In th' name av th' Law!”
  • There are times when the best of us lose our heads. At this juncture
  • Archie should undoubtedly have gone to the door, opened it, explained
  • his presence in a few well-chosen words, and generally have passed the
  • whole thing off with ready tact. But the thought of confronting a posse
  • of police in his present costume caused him to look earnestly about him
  • for a hiding-place.
  • Up against the farther wall was a settee with a high, arching back,
  • which might have been put there for that special purpose. He inserted
  • himself behind this, just as a splintering crash announced that the Law,
  • having gone through the formality of knocking with its knuckles, was now
  • getting busy with an axe. A moment later the door had given way, and the
  • room was full of trampling feet. Archie wedged himself against the wall
  • with the quiet concentration of a clam nestling in its shell, and hoped
  • for the best.
  • It seemed to him that his immediate future depended for better or for
  • worse entirely on the native intelligence of the Force. If they were the
  • bright, alert men he hoped they were, they would see all that junk in
  • the bedroom and, deducing from it that their quarry had stood not
  • upon the order of his going but had hopped it, would not waste time in
  • searching a presumably empty apartment. If, on the other hand, they were
  • the obtuse, flat-footed persons who occasionally find their way into
  • the ranks of even the most enlightened constabularies, they would
  • undoubtedly shift the settee and drag him into a publicity from which
  • his modest soul shrank. He was enchanted, therefore, a few moments
  • later, to hear a gruff voice state that th' mutt had beaten it down
  • th' fire-escape. His opinion of the detective abilities of the New York
  • police force rose with a bound.
  • There followed a brief council of war, which, as it took place in the
  • bedroom, was inaudible to Archie except as a distant growling noise.
  • He could distinguish no words, but, as it was succeeded by a general
  • trampling of large boots in the direction of the door and then by
  • silence, he gathered that the pack, having drawn the studio and found
  • it empty, had decided to return to other and more profitable duties. He
  • gave them a reasonable interval for removing themselves, and then poked
  • his head cautiously over the settee.
  • All was peace. The place was empty. No sound disturbed the stillness.
  • Archie emerged. For the first time in this morning of disturbing
  • occurrences he began to feel that God was in his heaven and all right
  • with the world. At last things were beginning to brighten up a bit, and
  • life might be said to have taken on some of the aspects of a good egg.
  • He stretched himself, for it is cramping work lying under settees, and,
  • proceeding to the bedroom, picked up the tweed trousers again.
  • Clothes had a fascination for Archie. Another man, in similar
  • circumstances, might have hurried over his toilet; but Archie, faced by
  • a difficult choice of ties, rather strung the thing out. He selected a
  • specimen which did great credit to the taste of Mr. Moon, evidently
  • one of our snappiest dressers, found that it did not harmonise with the
  • deeper meaning of the tweed suit, removed it, chose another, and was
  • adjusting the bow and admiring the effect, when his attention was
  • diverted by a slight sound which was half a cough and half a sniff; and,
  • turning, found himself gazing into the clear blue eyes of a large man
  • in uniform, who had stepped into the room from the fire-escape. He was
  • swinging a substantial club in a negligent sort of way, and he looked at
  • Archie with a total absence of bonhomie.
  • “Ah!” he observed.
  • “Oh, THERE you are!” said Archie, subsiding weakly against the chest
  • of drawers. He gulped. “Of course, I can see you're thinking all this
  • pretty tolerably weird and all that,” he proceeded, in a propitiatory
  • voice.
  • The policeman attempted no analysis of his emotions, He opened a mouth
  • which a moment before had looked incapable of being opened except with
  • the assistance of powerful machinery, and shouted a single word.
  • “Cassidy!”
  • A distant voice gave tongue in answer. It was like alligators roaring to
  • their mates across lonely swamps.
  • There was a rumble of footsteps in the region of the stairs, and
  • presently there entered an even larger guardian of the Law than the
  • first exhibit. He, too, swung a massive club, and, like his colleague,
  • he gazed frostily at Archie.
  • “God save Ireland!” he remarked.
  • The words appeared to be more in the nature of an expletive than a
  • practical comment on the situation. Having uttered them, he draped
  • himself in the doorway like a colossus, and chewed gum.
  • “Where ja get him?” he enquired, after a pause.
  • “Found him in here attimpting to disguise himself.”
  • “I told Cap. he was hiding somewheres, but he would have it that he'd
  • beat it down th' escape,” said the gum-chewer, with the sombre triumph
  • of the underling whose sound advice has been overruled by those above
  • him. He shifted his wholesome (or, as some say, unwholesome) morsel to
  • the other side of his mouth, and for the first time addressed Archie
  • directly. “Ye're pinched!” he observed.
  • Archie started violently. The bleak directness of the speech roused him
  • with a jerk from the dream-like state into which he had fallen. He had
  • not anticipated this. He had assumed that there would be a period of
  • tedious explanations to be gone through before he was at liberty to
  • depart to the cosy little lunch for which his interior had been sighing
  • wistfully this long time past; but that he should be arrested had been
  • outside his calculations. Of course, he could put everything right
  • eventually; he could call witnesses to his character and the purity of
  • his intentions; but in the meantime the whole dashed business would be
  • in all the papers, embellished with all those unpleasant flippancies to
  • which your newspaper reporter is so prone to stoop when he sees half a
  • chance. He would feel a frightful chump. Chappies would rot him about it
  • to the most fearful extent. Old Brewster's name would come into it, and
  • he could not disguise it from himself that his father-in-law, who liked
  • his name in the papers as little as possible, would be sorer than a
  • sunburned neck.
  • “No, I say, you know! I mean, I mean to say!”
  • “Pinched!” repeated the rather larger policeman.
  • “And annything ye say,” added his slightly smaller colleague, “will be
  • used agenst ya 't the trial.”
  • “And if ya try t'escape,” said the first speaker, twiddling his club,
  • “ya'll getja block knocked off.”
  • And, having sketched out this admirably clear and neatly-constructed
  • scenario, the two relapsed into silence. Officer Cassidy restored his
  • gum to circulation. Officer Donahue frowned sternly at his boots.
  • “But, I say,” said Archie, “it's all a mistake, you know. Absolutely a
  • frightful error, my dear old constables. I'm not the lad you're after
  • at all. The chappie you want is a different sort of fellow altogether.
  • Another blighter entirely.”
  • New York policemen never laugh when on duty. There is probably something
  • in the regulations against it. But Officer Donahue permitted the left
  • corner of his mouth to twitch slightly, and a momentary muscular spasm
  • disturbed the calm of Officer Cassidy's granite features, as a passing
  • breeze ruffles the surface of some bottomless lake.
  • “That's what they all say!” observed Officer Donahue.
  • “It's no use tryin' that line of talk,” said Officer Cassidy. “Babcock's
  • squealed.”
  • “Sure. Squealed 's morning,” said Officer Donahue.
  • Archie's memory stirred vaguely.
  • “Babcock?” he said. “Do you know, that name seems familiar to me,
  • somehow. I'm almost sure I've read it in the paper or something.”
  • “Ah, cut it out!” said Officer Cassidy, disgustedly. The two constables
  • exchanged a glance of austere disapproval. This hypocrisy pained them.
  • “Read it in th' paper or something!”
  • “By Jove! I remember now. He's the chappie who was arrested in that
  • bond business. For goodness' sake, my dear, merry old constables,” said
  • Archie, astounded, “you surely aren't labouring under the impression
  • that I'm the Master-Mind they were talking about in the paper? Why, what
  • an absolutely priceless notion! I mean to say, I ask you, what! Frankly,
  • laddies, do I look like a Master-Mind?”
  • Officer Cassidy heaved a deep sigh, which rumbled up from his interior
  • like the first muttering of a cyclone.
  • “If I'd known,” he said, regretfully, “that this guy was going to turn
  • out a ruddy Englishman, I'd have taken a slap at him with m' stick and
  • chanced it!”
  • Officer Donahue considered the point well taken.
  • “Ah!” he said, understandingly. He regarded Archie with an unfriendly
  • eye. “I know th' sort well! Trampling on th' face av th' poor!”
  • “Ya c'n trample on the poor man's face,” said Officer Cassidy, severely;
  • “but don't be surprised if one day he bites you in the leg!”
  • “But, my dear old sir,” protested Archie, “I've never trampled--”
  • “One of these days,” said Officer Donahue, moodily, “the Shannon will
  • flow in blood to the sea!”
  • “Absolutely! But--”
  • Officer Cassidy uttered a glad cry.
  • “Why couldn't we hit him a lick,” he suggested, brightly, “an' tell th'
  • Cap. he resisted us in th' exercise of our jooty?”
  • An instant gleam of approval and enthusiasm came into Officer Donahue's
  • eyes. Officer Donahue was not a man who got these luminous inspirations
  • himself, but that did not prevent him appreciating them in others and
  • bestowing commendation in the right quarter. There was nothing petty or
  • grudging about Officer Donahue.
  • “Ye're the lad with the head, Tim!” he exclaimed admiringly.
  • “It just sorta came to me,” said Mr. Cassidy, modestly.
  • “It's a great idea, Timmy!”
  • “Just happened to think of it,” said Mr. Cassidy, with a coy gesture of
  • self-effacement.
  • Archie had listened to the dialogue with growing uneasiness. Not for the
  • first time since he had made their acquaintance, he became vividly aware
  • of the exceptional physical gifts of these two men. The New York police
  • force demands from those who would join its ranks an extremely high
  • standard of stature and sinew, but it was obvious that jolly old Donahue
  • and Cassidy must have passed in first shot without any difficulty
  • whatever.
  • “I say, you know,” he observed, apprehensively.
  • And then a sharp and commanding voice spoke from the outer room.
  • “Donahue! Cassidy! What the devil does this mean?”
  • Archie had a momentary impression that an angel had fluttered down to
  • his rescue. If this was the case, the angel had assumed an effective
  • disguise--that of a police captain. The new arrival was a far smaller
  • man than his subordinates--so much smaller that it did Archie good to
  • look at him. For a long time he had been wishing that it were possible
  • to rest his eyes with the spectacle of something of a slightly less
  • out-size nature than his two companions.
  • “Why have you left your posts?”
  • The effect of the interruption on the Messrs. Cassidy and Donahue
  • was pleasingly instantaneous. They seemed to shrink to almost normal
  • proportions, and their manner took on an attractive deference.
  • Officer Donahue saluted.
  • “If ye plaze, sorr--”
  • Officer Cassidy also saluted, simultaneously.
  • “'Twas like this, sorr--”
  • The captain froze Officer Cassidy with a glance and, leaving him
  • congealed, turned to Officer Donahue.
  • “Oi wuz standing on th' fire-escape, sorr,” said Officer Donahue, in
  • a tone of obsequious respect which not only delighted, but astounded
  • Archie, who hadn't known he could talk like that, “accordin' to
  • instructions, when I heard a suspicious noise. I crope in, sorr, and
  • found this duck--found the accused, sorr--in front of the mirror,
  • examinin' himself. I then called to Officer Cassidy for assistance. We
  • pinched--arrested um, sorr.”
  • The captain looked at Archie. It seemed to Archie that he looked at him
  • coldly and with contempt.
  • “Who is he?”
  • “The Master-Mind, sorr.”
  • “The what?”
  • “The accused, sorr. The man that's wanted.”
  • “You may want him. I don't,” said the captain. Archie, though relieved,
  • thought he might have put it more nicely. “This isn't Moon. It's not a
  • bit like him.”
  • “Absolutely not!” agreed Archie, cordially. “It's all a mistake, old
  • companion, as I was trying to--”
  • “Cut it out!”
  • “Oh, right-o!”
  • “You've seen the photographs at the station. Do you mean to tell me you
  • see any resemblance?”
  • “If ye plaze, sorr,” said Officer Cassidy, coming to life.
  • “Well?”
  • “We thought he'd bin disguising himself, the way he wouldn't be
  • recognised.”
  • “You're a fool!” said the captain.
  • “Yes, sorr,” said Officer Cassidy, meekly.
  • “So are you, Donahue.”
  • “Yes, sorr.”
  • Archie's respect for this chappie was going up all the time. He seemed
  • to be able to take years off the lives of these massive blighters with a
  • word. It was like the stories you read about lion-tamers. Archie did
  • not despair of seeing Officer Donahue and his old college chum Cassidy
  • eventually jumping through hoops.
  • “Who are you?” demanded the captain, turning to Archie.
  • “Well, my name is--”
  • “What are you doing here?”
  • “Well, it's rather a longish story, you know. Don't want to bore you,
  • and all that.”
  • “I'm here to listen. You can't bore ME.”
  • “Dashed nice of you to put it like that,” said Archie, gratefully. “I
  • mean to say, makes it easier and so forth. What I mean is, you know how
  • rotten you feel telling the deuce of a long yarn and wondering if the
  • party of the second part is wishing you would turn off the tap and go
  • home. I mean--”
  • “If,” said the captain, “you're reciting something, stop. If you're
  • trying to tell me what you're doing here, make it shorter and easier.”
  • Archie saw his point. Of course, time was money--the modern spirit of
  • hustle--all that sort of thing.
  • “Well, it was this bathing suit, you know,” he said.
  • “What bathing suit?”
  • “Mine, don't you know, A lemon-coloured contrivance. Rather bright and
  • so forth, but in its proper place not altogether a bad egg. Well, the
  • whole thing started, you know, with my standing on a bally pedestal sort
  • of arrangement in a diving attitude--for the cover, you know. I don't
  • know if you have ever done anything of that kind yourself, but it gives
  • you a most fearful crick in the spine. However, that's rather beside the
  • point, I suppose--don't know why I mentioned it. Well, this morning he
  • was dashed late, so I went out--”
  • “What the devil are you talking about?”
  • Archie looked at him, surprised.
  • “Aren't I making it clear?”
  • “No.”
  • “Well, you understand about the bathing suit, don't you? The jolly old
  • bathing suit, you've grasped that, what?”
  • “No.”
  • “Oh, I say,” said Archie. “That's rather a nuisance. I mean to say,
  • the bathing suit's what you might call the good old pivot of the whole
  • dashed affair, you see. Well, you understand about the cover, what?
  • You're pretty clear on the subject of the cover?”
  • “What cover?”
  • “Why, for the magazine.”
  • “What magazine?”
  • “Now there you rather have me. One of these bright little periodicals,
  • you know, that you see popping to and fro on the bookstalls.”
  • “I don't know what you're talking about,” said the captain. He looked at
  • Archie with an expression of distrust and hostility. “And I'll tell you
  • straight out I don't like the looks of you. I believe you're a pal of
  • his.”
  • “No longer,” said Archie, firmly. “I mean to say, a chappie who makes
  • you stand on a bally pedestal sort of arrangement and get a crick in
  • the spine, and then doesn't turn up and leaves you biffing all over the
  • countryside in a bathing suit--”
  • The reintroduction of the bathing suit motive seemed to have the worst
  • effect on the captain. He flushed darkly.
  • “Are you trying to josh me? I've a mind to soak you!”
  • “If ye plaze, sorr,” cried Officer Donahue and Officer Cassidy in
  • chorus. In the course of their professional career they did not often
  • hear their superior make many suggestions with which they saw eye to
  • eye, but he had certainly, in their opinion, spoken a mouthful now.
  • “No, honestly, my dear old thing, nothing was farther from my
  • thoughts--”
  • He would have spoken further, but at this moment the world came to
  • an end. At least, that was how it sounded. Somewhere in the immediate
  • neighbourhood something went off with a vast explosion, shattering the
  • glass in the window, peeling the plaster from the ceiling, and sending
  • him staggering into the inhospitable arms of Officer Donahue.
  • The three guardians of the Law stared at one another.
  • “If ye plaze, sorr,” said. Officer Cassidy, saluting.
  • “Well?”
  • “May I spake, sorr?”
  • “Well?”
  • “Something's exploded, sorr!”
  • The information, kindly meant though it was, seemed to annoy the
  • captain.
  • “What the devil did you think I thought had happened?” he demanded, with
  • not a little irritation, “It was a bomb!”
  • Archie could have corrected this diagnosis, for already a faint but
  • appealing aroma of an alcoholic nature was creeping into the room
  • through a hole in the ceiling, and there had risen before his eyes the
  • picture of J. B. Wheeler affectionately regarding that barrel of his on
  • the previous morning in the studio upstairs. J. B. Wheeler had wanted
  • quick results, and he had got them. Archie had long since ceased to
  • regard J. B. Wheeler as anything but a tumour on the social system, but
  • he was bound to admit that he had certainly done him a good turn now.
  • Already these honest men, diverted by the superior attraction of this
  • latest happening, appeared to have forgotten his existence.
  • “Sorr!” said Officer Donahue.
  • “Well?”
  • “It came from upstairs, sorr.”
  • “Of course it came from upstairs. Cassidy!”
  • “Sorr?”
  • “Get down into the street, call up the reserves, and stand at the front
  • entrance to keep the crowd back. We'll have the whole city here in five
  • minutes.”
  • “Right, sorr.”
  • “Don't let anyone in.”
  • “No, sorr.”
  • “Well, see that you don't. Come along, Donahue, now. Look slippy.”
  • “On the spot, sorr!” said Officer Donahue.
  • A moment later Archie had the studio to himself. Two minutes later he
  • was picking his way cautiously down the fire-escape after the manner of
  • the recent Mr. Moon. Archie had not seen much of Mr. Moon, but he had
  • seen enough to know that in certain crises his methods were sound and
  • should be followed. Elmer Moon was not a good man; his ethics were poor
  • and his moral code shaky; but in the matter of legging it away from a
  • situation of peril and discomfort he had no superior.
  • CHAPTER VII. MR. ROSCOE SHERRIFF HAS AN IDEA
  • Archie inserted a fresh cigarette in his long holder and began to smoke
  • a little moodily. It was about a week after his disturbing adventures in
  • J. B. Wheeler's studio, and life had ceased for the moment to be a thing
  • of careless enjoyment. Mr. Wheeler, mourning over his lost home-brew and
  • refusing, like Niobe, to be comforted, has suspended the sittings for
  • the magazine cover, thus robbing Archie of his life-work. Mr. Brewster
  • had not been in genial mood of late. And, in addition to all this,
  • Lucille was away on a visit to a school-friend. And when Lucille went
  • away, she took with her the sunshine. Archie was not surprised at her
  • being popular and in demand among her friends, but that did not help him
  • to become reconciled to her absence.
  • He gazed rather wistfully across the table at his friend, Roscoe
  • Sherriff, the Press-agent, another of his Pen-and-Ink Club
  • acquaintances. They had just finished lunch, and during the meal
  • Sherriff, who, like most men of action, was fond of hearing the sound
  • of his own voice and liked exercising it on the subject of himself, had
  • been telling Archie a few anecdotes about his professional past. From
  • these the latter had conceived a picture of Roscoe Sherriff's life as a
  • prismatic thing of energy and adventure and well-paid withal--just the
  • sort of life, in fact, which he would have enjoyed leading himself.
  • He wished that he, too, like the Press-agent, could go about the place
  • “slipping things over” and “putting things across.” Daniel Brewster, he
  • felt, would have beamed upon a son-in-law like Roscoe Sherriff.
  • “The more I see of America,” sighed Archie, “the more it amazes me. All
  • you birds seem to have been doing things from the cradle upwards. I wish
  • I could do things!”
  • “Well, why don't you?”
  • Archie flicked the ash from his cigarette into the finger-bowl.
  • “Oh, I don't know, you know,” he said, “Somehow, none of our family ever
  • have. I don't know why it is, but whenever a Moffam starts out to do
  • things he infallibly makes a bloomer. There was a Moffam in the Middle
  • Ages who had a sudden spasm of energy and set out to make a pilgrimage
  • to Jerusalem, dressed as a wandering friar. Rum ideas they had in those
  • days.”
  • “Did he get there?”
  • “Absolutely not! Just as he was leaving the front door his favourite
  • hound mistook him for a tramp--or a varlet, or a scurvy knave, or
  • whatever they used to call them at that time--and bit him in the fleshy
  • part of the leg.”
  • “Well, at least he started.”
  • “Enough to make a chappie start, what?”
  • Roscoe Sherriff sipped his coffee thoughtfully. He was an apostle of
  • Energy, and it seemed to him that he could make a convert of Archie and
  • incidentally do himself a bit of good. For several days he had been,
  • looking for someone like Archie to help him in a small matter which he
  • had in mind.
  • “If you're really keen on doing things,” he said, “there's something you
  • can do for me right away.”
  • Archie beamed. Action was what his soul demanded.
  • “Anything, dear boy, anything! State your case!”
  • “Would you have any objection to putting up a snake for me?”
  • “Putting up a snake?”
  • “Just for a day or two.”
  • “But how do you mean, old soul? Put him up where?”
  • “Wherever you live. Where do you live? The Cosmopolis, isn't it? Of
  • course! You married old Brewster's daughter. I remember reading about
  • it.”
  • “But, I say, laddie, I don't want to spoil your day and disappoint you
  • and so forth, but my jolly old father-in-law would never let me keep a
  • snake. Why, it's as much as I can do to make him let me stop on in the
  • place.”
  • “He wouldn't know.”
  • “There's not much that goes on in the hotel that he doesn't know,” said
  • Archie, doubtfully.
  • “He mustn't know. The whole point of the thing is that it must be a dead
  • secret.”
  • Archie flicked some more ash into the finger-bowl.
  • “I don't seem absolutely to have grasped the affair in all its aspects,
  • if you know what I mean,” he said. “I mean to say--in the first
  • place--why would it brighten your young existence if I entertained this
  • snake of yours?”
  • “It's not mine. It belongs to Mme. Brudowska. You've heard of her, of
  • course?”
  • “Oh yes. She's some sort of performing snake female in vaudeville or
  • something, isn't she, or something of that species or order?”
  • “You're near it, but not quite right. She is the leading exponent of
  • high-brow tragedy on any stage in the civilized world.”
  • “Absolutely! I remember now. My wife lugged me to see her perform one
  • night. It all comes back to me. She had me wedged in an orchestra-stall
  • before I knew what I was up against, and then it was too late. I
  • remember reading in some journal or other that she had a pet snake,
  • given her by some Russian prince or other, what?”
  • “That,” said Sherriff, “was the impression I intended to convey when I
  • sent the story to the papers. I'm her Press-agent. As a matter of fact,
  • I bought Peter-its name's Peter-myself down on the East Side. I always
  • believe in animals for Press-agent stunts. I've nearly always had good
  • results. But with Her Nibs I'm handicapped. Shackled, so to speak. You
  • might almost say my genius is stifled. Or strangled, if you prefer it.”
  • “Anything you say,” agreed Archie, courteously, “But how? Why is your
  • what-d'you-call-it what's-its-named?”
  • “She keeps me on a leash. She won't let me do anything with a kick in
  • it. If I've suggested one rip-snorting stunt, I've suggested twenty, and
  • every time she turns them down on the ground that that sort of thing
  • is beneath the dignity of an artist in her position. It doesn't give a
  • fellow a chance. So now I've made up my mind to do her good by stealth.
  • I'm going to steal her snake.”
  • “Steal it? Pinch it, as it were?”
  • “Yes. Big story for the papers, you see. She's grown very much attached
  • to Peter. He's her mascot. I believe she's practically kidded herself
  • into believing that Russian prince story. If I can sneak it away and
  • keep it away for a day or two, she'll do the rest. She'll make such a
  • fuss that the papers will be full of it.”
  • “I see.”
  • “Wow, any ordinary woman would work in with me. But not Her Nibs. She
  • would call it cheap and degrading and a lot of other things. It's got to
  • be a genuine steal, and, if I'm caught at it, I lose my job. So that's
  • where you come in.”
  • “But where am I to keep the jolly old reptile?”
  • “Oh, anywhere. Punch a few holes in a hat-box, and make it up a
  • shakedown inside. It'll be company for you.”
  • “Something in that. My wife's away just now and it's a bit lonely in the
  • evenings.”
  • “You'll never be lonely with Peter around. He's a great scout. Always
  • merry and bright.”
  • “He doesn't bite, I suppose, or sting or what-not?”
  • “He may what-not occasionally. It depends on the weather. But, outside
  • of that, he's as harmless as a canary.”
  • “Dashed dangerous things, canaries,” said Archie, thoughtfully. “They
  • peck at you.”
  • “Don't weaken!” pleaded the Press-agent
  • “Oh, all right. I'll take him. By the way, touching the matter of
  • browsing and sluicing. What do I feed him on?”
  • “Oh, anything. Bread-and-milk or fruit or soft-boiled egg or dog-biscuit
  • or ants'-eggs. You know--anything you have yourself. Well, I'm much
  • obliged for your hospitality. I'll do the same for you another time. Now
  • I must be getting along to see to the practical end of the thing. By the
  • way, Her Nibs lives at the Cosmopolis, too. Very convenient. Well, so
  • long. See you later.”
  • Archie, left alone, began for the first time to have serious doubts. He
  • had allowed himself to be swayed by Mr. Sherriff's magnetic personality,
  • but now that the other had removed himself he began to wonder if he had
  • been entirely wise to lend his sympathy and co-operation to the scheme.
  • He had never had intimate dealings with a snake before, but he had kept
  • silkworms as a child, and there had been the deuce of a lot of fuss and
  • unpleasantness over them. Getting into the salad and what-not. Something
  • seemed to tell him that he was asking for trouble with a loud voice, but
  • he had given his word and he supposed he would have to go through with
  • it.
  • He lit another cigarette and wandered out into Fifth Avenue. His usually
  • smooth brow was ruffled with care. Despite the eulogies which Sherriff
  • had uttered concerning Peter, he found his doubts increasing. Peter
  • might, as the Press-agent had stated, be a great scout, but was his
  • little Garden of Eden on the fifth floor of the Cosmopolis Hotel likely
  • to be improved by the advent of even the most amiable and winsome of
  • serpents? However--
  • “Moffam! My dear fellow!”
  • The voice, speaking suddenly in his ear from behind, roused Archie from
  • his reflections. Indeed, it roused him so effectually that he jumped a
  • clear inch off the ground and bit his tongue. Revolving on his axis, he
  • found himself confronting a middle-aged man with a face like a horse.
  • The man was dressed in something of an old-world style. His clothes had
  • an English cut. He had a drooping grey moustache. He also wore a grey
  • bowler hat flattened at the crown--but who are we to judge him?
  • “Archie Moffam! I have been trying to find you all the morning.”
  • Archie had placed him now. He had not seen General Mannister for several
  • years--not, indeed, since the days when he used to meet him at the home
  • of young Lord Seacliff, his nephew. Archie had been at Eton and Oxford
  • with Seacliff, and had often visited him in the Long Vacation.
  • “Halloa, General! What ho, what ho! What on earth are you doing over
  • here?”
  • “Let's get out of this crush, my boy.” General Mannister steered Archie
  • into a side-street, “That's better.” He cleared his throat once or
  • twice, as if embarrassed. “I've brought Seacliff over,” he said,
  • finally.
  • “Dear old Squiffy here? Oh, I say! Great work!”
  • General Mannister did not seem to share his enthusiasm. He looked like a
  • horse with a secret sorrow. He coughed three times, like a horse who, in
  • addition to a secret sorrow, had contracted asthma.
  • “You will find Seacliff changed,” he said. “Let me see, how long is it
  • since you and he met?”
  • Archie reflected.
  • “I was demobbed just about a year ago. I saw him in Paris about a year
  • before that. The old egg got a bit of shrapnel in his foot or something,
  • didn't he? Anyhow, I remember he was sent home.”
  • “His foot is perfectly well again now. But, unfortunately, the enforced
  • inaction led to disastrous results. You recollect, no doubt, that
  • Seacliff always had a--a tendency;--a--a weakness--it was a family
  • failing--”
  • “Mopping it up, do you mean? Shifting it? Looking on the jolly old stuff
  • when it was red and what not, what?”
  • “Exactly.”
  • Archie nodded.
  • “Dear old Squiffy was always rather-a lad for the wassail-bowl. When I
  • met him in Paris, I remember, he was quite tolerably blotto.”
  • “Precisely. And the failing has, I regret to say, grown on him since he
  • returned from the war. My poor sister was extremely worried. In fact, to
  • cut a long story short, I induced him to accompany me to America. I am
  • attached to the British Legation in Washington now, you know.”
  • “Oh, really?”
  • “I wished Seacliff to come with me to Washington, but he insists on
  • remaining in New York. He stated specifically that the thought of living
  • in Washington gave him the--what was the expression he used?”
  • “The pip?”
  • “The pip. Precisely.”
  • “But what was the idea of bringing him to America?”
  • “This admirable Prohibition enactment has rendered America--to my
  • mind--the ideal place for a young man of his views.” The General looked
  • at his watch. “It is most fortunate that I happened to run into you, my
  • dear fellow. My train for Washington leaves in another hour, and I have
  • packing to do. I want to leave poor Seacliff in your charge while I am
  • gone.”
  • “Oh, I say! What!”
  • “You can look after him. I am credibly informed that even now there
  • are places in New York where a determined young man may obtain
  • the--er--stuff, and I should be infinitely obliged--and my poor sister
  • would be infinitely grateful--if you would keep an eye on him.” He
  • hailed a taxi-cab. “I am sending Seacliff round to the Cosmopolis
  • to-night. I am sure you, will do everything you can. Good-bye, my boy,
  • good-bye.”
  • Archie continued his walk. This, he felt, was beginning to be a bit
  • thick. He smiled a bitter, mirthless smile as he recalled the fact that
  • less than half an hour had elapsed since he had expressed a regret that
  • he did not belong to the ranks of those who do things. Fate since then
  • had certainly supplied him with jobs with a lavish hand. By bed-time he
  • would be an active accomplice to a theft, valet and companion to a snake
  • he had never met, and--as far as could gather the scope of his duties--a
  • combination of nursemaid and private detective to dear old Squiffy.
  • It was past four o'clock when he returned to the Cosmopolis. Roscoe
  • Sherriff was pacing the lobby of the hotel nervously, carrying a small
  • hand-bag.
  • “Here you are at last! Good heavens, man, I've been waiting two hours.”
  • “Sorry, old bean. I was musing a bit and lost track of the time.”
  • The Press-agent looked cautiously round. There was nobody within
  • earshot.
  • “Here he is!” he said.
  • “Who?”
  • “Peter.”
  • “Where?” said Archie, staring blankly.
  • “In this bag. Did you expect to find him strolling arm-in-arm with me
  • round the lobby? Here you are! Take him!”
  • He was gone. And Archie, holding the bag, made his way to the lift. The
  • bag squirmed gently in his grip.
  • The only other occupant of the lift was a striking-looking woman of
  • foreign appearance, dressed in a way that made Archie feel that she
  • must be somebody or she couldn't look like that. Her face, too, seemed
  • vaguely familiar. She entered the lift at the second floor where the
  • tea-room is, and she had the contented expression of one who had tea'd
  • to her satisfaction. She got off at the same floor as Archie, and walked
  • swiftly, in a lithe, pantherist way, round the bend in the corridor.
  • Archie followed more slowly. When he reached the door of his room, the
  • passage was empty. He inserted the key in his door, turned it, pushed
  • the door open, and pocketed the key. He was about to enter when the bag
  • again squirmed gently in his grip.
  • From the days of Pandora, through the epoch of Bluebeard's wife, down
  • to the present time, one of the chief failings of humanity has been the
  • disposition to open things that were better closed. It would have been
  • simple for Archie to have taken another step and put a door between
  • himself and the world, but there came to him the irresistible desire to
  • peep into the bag now--not three seconds later, but now. All the way
  • up in the lift he had been battling with the temptation, and now he
  • succumbed.
  • The bag was one of those simple bags with a thingummy which you press.
  • Archie pressed it. And, as it opened, out popped the head of Peter. His
  • eyes met Archie's. Over his head there seemed to be an invisible mark
  • of interrogation. His gaze was curious, but kindly. He appeared to be
  • saying to himself, “Have I found a friend?”
  • Serpents, or Snakes, says the Encyclopaedia, are reptiles of the saurian
  • class Ophidia, characterised by an elongated, cylindrical, limbless,
  • scaly form, and distinguished from lizards by the fact that the halves
  • (RAMI) of the lower jaw are not solidly united at the chin, but movably
  • connected by an elastic ligament. The vertebra are very numerous,
  • gastrocentrous, and procoelous. And, of course, when they put it like
  • that, you can see at once that a man might spend hours with combined
  • entertainment and profit just looking at a snake.
  • Archie would no doubt have done this; but long before he had time really
  • to inspect the halves (RAMI) of his new friend's lower jaw and to admire
  • its elastic fittings, and long before the gastrocentrous and procoelous
  • character of the other's vertebrae had made any real impression on
  • him, a piercing scream almost at his elbow--startled him out of his
  • scientific reverie. A door opposite had opened, and the woman of the
  • elevator was standing staring at him with an expression of horror and
  • fury that went through, him like a knife. It was the expression
  • which, more than anything else, had made Mme. Brudowska what she was
  • professionally. Combined with a deep voice and a sinuous walk, it
  • enabled her to draw down a matter of a thousand dollars per week.
  • Indeed, though the fact gave him little pleasure, Archie, as a matter of
  • fact, was at this moment getting about--including war-tax--two dollars
  • and seventy-five cents worth of the great emotional star for nothing.
  • For, having treated him gratis to the look of horror and fury, she now
  • moved towards him with the sinuous walk and spoke in the tone which she
  • seldom permitted herself to use before the curtain of act two, unless
  • there was a whale of a situation that called for it in act one.
  • “Thief!”
  • It was the way she said it.
  • Archie staggered backwards as though he had been hit between the eyes,
  • fell through the open door of his room, kicked it to with a flying foot,
  • and collapsed on the bed. Peter, the snake, who had fallen on the floor
  • with a squashy sound, looked surprised and pained for a moment; then,
  • being a philosopher at heart, cheered up and began hunting for flies
  • under the bureau.
  • CHAPTER VIII. A DISTURBED NIGHT FOR DEAR OLD SQUIFFY
  • Peril sharpens the intellect. Archie's mind as a rule worked in rather a
  • languid and restful sort of way, but now it got going with a rush and
  • a whir. He glared round the room. He had never seen a room so devoid
  • of satisfactory cover. And then there came to him a scheme, a ruse. It
  • offered a chance of escape. It was, indeed, a bit of all right.
  • Peter, the snake, loafing contentedly about the carpet, found himself
  • seized by what the Encyclopaedia calls the “distensible gullet” and
  • looked up reproachfully. The next moment he was in his bag again; and
  • Archie, bounding silently into the bathroom, was tearing the cord off
  • his dressing-gown.
  • There came a banging at the door. A voice spoke sternly. A masculine
  • voice this time.
  • “Say! Open this door!”
  • Archie rapidly attached the dressing-gown cord to the handle of the bag,
  • leaped to the window, opened it, tied the cord to a projecting piece of
  • iron on the sill, lowered Peter and the bag into the depths, and closed
  • the window again. The whole affair took but a few seconds. Generals have
  • received the thanks of their nations for displaying less resource on the
  • field of battle.
  • He opened the-door. Outside stood the bereaved woman, and beside her a
  • bullet-headed gentleman with a bowler hat on the back of his head, in
  • whom Archie recognised the hotel detective.
  • The hotel detective also recognised Archie, and the stern cast of his
  • features relaxed. He even smiled a rusty but propitiatory smile. He
  • imagined--erroneously--that Archie, being the son-in-law of the owner
  • of the hotel, had a pull with that gentleman; and he resolved to proceed
  • warily lest he jeopardise his job.
  • “Why, Mr. Moffam!” he said, apologetically. “I didn't know it was you I
  • was disturbing.”
  • “Always glad to have a chat,” said Archie, cordially. “What seems to be
  • the trouble?”
  • “My snake!” cried the queen of tragedy. “Where is my snake?”
  • Archie, looked at the detective. The detective looked at Archie.
  • “This lady,” said the detective, with a dry little cough, “thinks her
  • snake is in your room, Mr. Moffam.”
  • “Snake?”
  • “Snake's what the lady said.”
  • “My snake! My Peter!” Mme. Brudowska's voice shook with emotion. “He is
  • here--here in this room.”
  • Archie shook his head.
  • “No snakes here! Absolutely not! I remember noticing when I came in.”
  • “The snake is here--here in this room. This man had it in a bag! I saw
  • him! He is a thief!”
  • “Easy, ma'am!” protested the detective. “Go easy! This gentleman is the
  • boss's son-in-law.”
  • “I care not who he is! He has my snake! Here--' here in this room!”
  • “Mr. Moffam wouldn't go round stealing snakes.”
  • “Rather not,” said Archie. “Never stole a snake in my life. None of the
  • Moffams have ever gone about stealing snakes. Regular family tradition!
  • Though I once had an uncle who kept gold-fish.”
  • “Here he is! Here! My Peter!”
  • Archie looked at the detective. The detective looked at Archie. “We must
  • humour her!” their glances said.
  • “Of course,” said Archie, “if you'd like to search the room, what? What
  • I mean to say is, this is Liberty Hall. Everybody welcome! Bring the
  • kiddies!”
  • “I will search the room!” said Mme. Brudowska.
  • The detective glanced apologetically at Archie.
  • “Don't blame me for this, Mr. Moffam,” he urged.
  • “Rather not! Only too glad you've dropped in!”
  • He took up an easy attitude against the window, and watched the empress
  • of the emotional drama explore. Presently she desisted, baffled. For an
  • instant she paused, as though about to speak, then swept from the room.
  • A moment later a door banged across the passage.
  • “How do they get that way?” queried the detective, “Well, g'bye, Mr.
  • Moffam. Sorry to have butted in.”
  • The door closed. Archie waited a few moments, then went to the window
  • and hauled in the slack. Presently the bag appeared over the edge of the
  • window-sill.
  • “Good God!” said Archie.
  • In the rush and swirl of recent events he must have omitted to see that
  • the clasp that fastened the bag was properly closed; for the bag, as
  • it jumped on to the window-sill, gaped at him like a yawning face. And
  • inside it there was nothing.
  • Archie leaned as far out of the window as he could manage without
  • committing suicide. Far below him, the traffic took its usual course
  • and the pedestrians moved to and fro upon the pavements. There was no
  • crowding, no excitement. Yet only a few moments before a long green
  • snake with three hundred ribs, a distensible gullet, and gastrocentrous
  • vertebras must have descended on that street like the gentle rain from
  • Heaven upon the place beneath. And nobody seemed even interested. Not
  • for the first time since he had arrived in America, Archie marvelled
  • at the cynical detachment of the New Yorker, who permits himself to be
  • surprised at nothing.
  • He shut the window and moved away with a heavy Heart. He had not had
  • the pleasure of an extended acquaintanceship with Peter, but he had
  • seen enough of him to realise his sterling qualities. Somewhere beneath
  • Peter's three hundred ribs there had lain a heart of gold, and Archie
  • mourned for his loss.
  • Archie had a dinner and theatre engagement that night, and it was late
  • when he returned to the hotel. He found his father-in-law prowling
  • restlessly about the lobby. There seemed to be something on Mr.
  • Brewster's mind. He came up to Archie with a brooding frown on his
  • square face.
  • “Who's this man Seacliff?” he demanded, without preamble. “I hear he's a
  • friend of yours.”
  • “Oh, you've met him, what?” said Archie. “Had a nice little chat
  • together, yes? Talked of this and that, no!”
  • “We have not said a word to each other.”
  • “Really? Oh, well, dear old Squiffy is one of those strong, silent
  • fellers you know. You mustn't mind if he's a bit dumb. He never says
  • much, but it's whispered round the clubs that he thinks a lot. It was
  • rumoured in the spring of nineteen-thirteen that Squiffy was on the
  • point of making a bright remark, but it never came to anything.”
  • Mr. Brewster struggled with his feelings.
  • “Who is he? You seem to know him.”
  • “Oh yes. Great pal of mine, Squiffy. We went through Eton, Oxford, and
  • the Bankruptcy Court together. And here's a rummy coincidence. When they
  • examined ME, I had no assets. And, when they examined Squiffy, HE had no
  • assets! Rather extraordinary, what?”
  • Mr. Brewster seemed to be in no mood for discussing coincidences.
  • “I might have known he was a friend of yours!” he said, bitterly. “Well,
  • if you want to see him, you'll have to do it outside my hotel.”
  • “Why, I thought he was stopping here.”
  • “He is--to-night. To-morrow he can look for some other hotel to break
  • up.”
  • “Great Scot! Has dear old Squiffy been breaking the place up?”
  • Mr. Brewster snorted.
  • “I am informed that this precious friend of yours entered my grill-room
  • at eight o'clock. He must have been completely intoxicated, though the
  • head waiter tells me he noticed nothing at the time.”
  • Archie nodded approvingly.
  • “Dear old Squiffy was always like that. It's a gift. However woozled he
  • might be, it was impossible to detect it with the naked eye. I've seen
  • the dear old chap many a time whiffled to the eyebrows, and looking as
  • sober as a bishop. Soberer! When did it begin to dawn on the lads in the
  • grill-room that the old egg had been pushing the boat out?”
  • “The head waiter,” said Mr. Brewster, with cold fury, “tells me that he
  • got a hint of the man's condition when he suddenly got up from his table
  • and went the round of the room, pulling off all the table-cloths, and
  • breaking everything that was on them. He then threw a number of rolls at
  • the diners, and left. He seems to have gone straight to bed.”
  • “Dashed sensible of him, what? Sound, practical chap, Squiffy. But where
  • on earth did he get the--er--materials?”
  • “From his room. I made enquiries. He has six large cases in his room.”
  • “Squiffy always was a chap of infinite resource! Well, I'm dashed sorry
  • this should have happened, don't you know.”
  • “If it hadn't been for you, the man would never have come here.” Mr.
  • Brewster brooded coldly. “I don't know why it is, but ever since you
  • came to this hotel I've had nothing but trouble.”
  • “Dashed sorry!” said Archie, sympathetically.
  • “Grrh!” said Mr. Brewster.
  • Archie made his way meditatively to the lift. The injustice of his
  • father-in-law's attitude pained him. It was absolutely rotten and
  • all that to be blamed for everything that went wrong in the Hotel
  • Cosmopolis.
  • While this conversation was in progress, Lord Seacliff was enjoying a
  • refreshing sleep in his room on the fourth floor. Two hours passed. The
  • noise of the traffic in the street below faded away. Only the rattle of
  • an occasional belated cab broke the silence. In the hotel all was still.
  • Mr. Brewster had gone to bed. Archie, in his room, smoked meditatively.
  • Peace may have been said to reign.
  • At half-past two Lord Seacliff awoke. His hours of slumber were
  • always irregular. He sat up in bed and switched the light on. He was a
  • shock-headed young man with a red face and a hot brown eye. He yawned
  • and stretched himself. His head was aching a little. The room seemed to
  • him a trifle close. He got out of bed and threw open the window.
  • Then, returning to bed, he picked up a book and began to read. He was
  • conscious of feeling a little jumpy, and reading generally sent him to
  • sleep.
  • Much has been written on the subject of bed-books. The general consensus
  • of opinion is that a gentle, slow-moving story makes the best opiate.
  • If this be so, dear old Squiffy's choice of literature had been rather
  • injudicious. His book was The Adventures of Sherlock Holmes, and the
  • particular story, which he selected for perusal was the one entitled,
  • “The Speckled Band.” He was not a great reader, but, when he read, he
  • liked something with a bit of zip to it.
  • Squiffy became absorbed. He had read the story before, but a long time
  • back, and its complications were fresh to him. The tale, it may be
  • remembered, deals with the activities of an ingenious gentleman who kept
  • a snake, and used to loose it into people's bedrooms as a preliminary to
  • collecting on their insurance. It gave Squiffy pleasant thrills, for he
  • had always had a particular horror of snakes. As a child, he had shrunk
  • from visiting the serpent house at the Zoo; and, later, when he had come
  • to man's estate and had put off childish things, and settled down
  • in real earnest to his self-appointed mission of drinking up all the
  • alcoholic fluid in England, the distaste for Ophidia had lingered. To
  • a dislike for real snakes had been added a maturer shrinking from
  • those which existed only in his imagination. He could still recall his
  • emotions on the occasion, scarcely three months before, when he had seen
  • a long, green serpent which a majority of his contemporaries had assured
  • him wasn't there.
  • Squiffy read on:--
  • “Suddenly another sound became audible--a very gentle, soothing sound,
  • like that of a small jet of steam escaping continuously from a kettle.”
  • Lord Seacliff looked up from his book with a start Imagination was
  • beginning to play him tricks. He could have sworn that he had actually
  • heard that identical sound. It had seemed to come from the window. He
  • listened again. No! All was still. He returned to his book and went on
  • reading.
  • “It was a singular sight that met our eyes. Beside the table, on a
  • wooden chair, sat Doctor Grimesby Rylott, clad in a long dressing-gown.
  • His chin was cocked upward and his eyes were fixed in a dreadful, rigid
  • stare at the corner of the ceiling. Round his brow he had a peculiar
  • yellow band, with brownish speckles, which seemed to be bound tightly
  • round his head.”
  • “I took a step forward. In an instant his strange head-gear began
  • to move, and there reared itself from among his hair the squat,
  • diamond-shaped head and puffed neck of a loathsome serpent...”
  • “Ugh!” said Squiffy.
  • He closed the book and put it down. His head was aching worse than ever.
  • He wished now that he had read something else. No fellow could read
  • himself to sleep with this sort of thing. People ought not to write this
  • sort of thing.
  • His heart gave a bound. There it was again, that hissing sound. And this
  • time he was sure it came from the window.
  • He looked at the window, and remained staring, frozen. Over the sill,
  • with a graceful, leisurely movement, a green snake was crawling. As
  • it crawled, it raised its head and peered from side to side, like a
  • shortsighted man looking for his spectacles. It hesitated a moment on
  • the edge of the sill, then wriggled to the floor and began to cross the
  • room. Squiffy stared on.
  • It would have pained Peter deeply, for he was a snake of great
  • sensibility, if he had known how much his entrance had disturbed the
  • occupant of the room. He himself had no feeling but gratitude for the
  • man who had opened the window and so enabled him to get in out of the
  • rather nippy night air. Ever since the bag had swung open and shot him
  • out onto the sill of the window below Archie's, he had been waiting
  • patiently for something of the kind to happen. He was a snake who took
  • things as they came, and was prepared to rough it a bit if necessary;
  • but for the last hour or two he had been hoping that somebody would do
  • something practical in the way of getting him in out of the cold. When
  • at home, he had an eiderdown quilt to sleep on, and the stone of the
  • window-sill was a little trying to a snake of regular habits. He crawled
  • thankfully across the floor under Squiffy's bed. There was a pair of
  • trousers there, for his host had undressed when not in a frame of mind
  • to fold his clothes neatly and place them upon a chair. Peter looked the
  • trousers over. They were not an eiderdown quilt, but they would serve.
  • He curled up in them and went to sleep. He had had an exciting day, and
  • was glad to turn in.
  • After about ten minutes, the tension of Squiffy's attitude relaxed. His
  • heart, which had seemed to suspend its operations, began beating again.
  • Reason reasserted itself. He peeped cautiously under the bed. He could
  • see nothing.
  • Squiffy was convinced. He told himself that he had never really believed
  • in Peter as a living thing. It stood to reason that there couldn't
  • really be a snake in his room. The window looked out on emptiness.
  • His room was several stories above the ground. There was a stern,
  • set expression on Squiffy's face as he climbed out of bed. It was the
  • expression of a man who is turning over a new leaf, starting a new life.
  • He looked about the room for some implement which would carry out the
  • deed he had to do, and finally pulled out one of the curtain-rods. Using
  • this as a lever, he broke open the topmost of the six cases which stood
  • in the corner. The soft wood cracked and split. Squiffy drew out a
  • straw-covered bottle. For a moment he stood looking at it, as a man
  • might gaze at a friend on the point of death. Then, with a sudden
  • determination, he went into the bathroom. There was a crash of glass and
  • a gurgling sound.
  • Half an hour later the telephone in Archie's room rang. “I say, Archie,
  • old top,” said the voice of Squiffy.
  • “Halloa, old bean! Is that you?”
  • “I say, could you pop down here for a second? I'm rather upset.”
  • “Absolutely! Which room?”
  • “Four-forty-one.”
  • “I'll be with you eftsoons or right speedily.”
  • “Thanks, old man.”
  • “What appears to be the difficulty?”
  • “Well, as a matter of fact, I thought I saw a snake!”
  • “A snake!”
  • “I'll tell you all about it when you come down.”
  • Archie found Lord Seacliff seated on his bed. An arresting aroma of
  • mixed drinks pervaded the atmosphere.
  • “I say! What?” said Archie, inhaling.
  • “That's all right. I've been pouring my stock away. Just finished the
  • last bottle.”
  • “But why?”
  • “I told you. I thought I saw a snake!”
  • “Green?”
  • Squiffy shivered slightly.
  • “Frightfully green!”
  • Archie hesitated. He perceived that there are moments when silence is
  • the best policy. He had been worrying himself over the unfortunate case
  • of his friend, and now that Fate seemed to have provided a solution,
  • it would be rash to interfere merely to ease the old bean's mind. If
  • Squiffy was going to reform because he thought he had seen an imaginary
  • snake, better not to let him know that the snake was a real one.
  • “Dashed serious!” he said.
  • “Bally dashed serious!” agreed Squiffy. “I'm going to cut it out!”
  • “Great scheme!”
  • “You don't think,” asked Squiffy, with a touch of hopefulness, “that it
  • could have been a real snake?”
  • “Never heard of the management supplying them.”
  • “I thought it went under the bed.”
  • “Well, take a look.”
  • Squiffy shuddered.
  • “Not me! I say, old top, you know, I simply can't sleep in this room
  • now. I was wondering if you could give me a doss somewhere in yours.”
  • “Rather! I'm in five-forty-one. Just above. Trot along up. Here's the
  • key. I'll tidy up a bit here, and join you in a minute.”
  • Squiffy put on a dressing-gown and disappeared. Archie looked under
  • the bed. From the trousers the head of Peter popped up with its usual
  • expression of amiable enquiry. Archie nodded pleasantly, and sat down
  • on the bed. The problem of his little friend's immediate future wanted
  • thinking over.
  • He lit a cigarette and remained for a while in thought. Then he rose. An
  • admirable solution had presented itself. He picked Peter up and placed
  • him in the pocket of his dressing-gown. Then, leaving the room, he
  • mounted the stairs till he reached the seventh floor. Outside a room
  • half-way down the corridor he paused.
  • From within, through the open transom, came the rhythmical snoring of a
  • good man taking his rest after the labours of the day. Mr. Brewster was
  • always a heavy sleeper.
  • “There's always a way,” thought Archie, philosophically, “if a chappie
  • only thinks of it.”
  • His father-in-law's snoring took on a deeper note. Archie extracted
  • Peter from his pocket and dropped him gently through the transom.
  • CHAPTER IX. A LETTER FROM PARKER
  • As the days went by and he settled down at the Hotel Cosmopolis, Archie,
  • looking about him and revising earlier judgments, was inclined to think
  • that of all his immediate circle he most admired Parker, the lean, grave
  • valet of Mr. Daniel Brewster. Here was a man who, living in the closest
  • contact with one of the most difficult persons in New York, contrived
  • all the while to maintain an unbowed head, and, as far as one could
  • gather from appearances, a tolerably cheerful disposition. A great man,
  • judge him by what standard you pleased. Anxious as he was to earn an
  • honest living, Archie would not have changed places with Parker for the
  • salary of a movie-star.
  • It was Parker who first directed Archie's attention to the hidden merits
  • of Pongo. Archie had drifted into his father-in-law's suite one morning,
  • as he sometimes did in the effort to establish more amicable relations,
  • and had found it occupied only by the valet, who was dusting the
  • furniture and bric-a-brac with a feather broom rather in the style of a
  • man-servant at the rise of the curtain of an old-fashioned farce. After
  • a courteous exchange of greetings, Archie sat down and lit a cigarette.
  • Parker went on dusting.
  • “The guv'nor,” said Parker, breaking the silence, “has some nice little
  • objay dar, sir.”
  • “Little what?”
  • “Objay dar, sir.”
  • Light dawned upon Archie.
  • “Of course, yes. French for junk. I see what you mean now. Dare say
  • you're right, old friend. Don't know much about these things myself.”
  • Parker gave an appreciative flick at a vase on the mantelpiece.
  • “Very valuable, some of the guv'nor's things.” He had picked up the
  • small china figure of the warrior with the spear, and was grooming it
  • with the ostentatious care of one brushing flies off a sleeping Venus.
  • He regarded this figure with a look of affectionate esteem which
  • seemed to Archie absolutely uncalled-for. Archie's taste in Art was not
  • precious. To his untutored eye the thing was only one degree less foul
  • than his father-in-law's Japanese prints, which he had always observed
  • with silent loathing. “This one, now,” continued Parker. “Worth a lot of
  • money. Oh, a lot of money.”
  • “What, Pongo?” said Archie incredulously.
  • “Sir?”
  • “I always call that rummy-looking what-not Pongo. Don't know what else
  • you could call him, what!”
  • The valet seemed to disapprove of this levity. He shook his head and
  • replaced the figure on the mantelpiece.
  • “Worth a lot of money,” he repeated. “Not by itself, no.”
  • “Oh, not by itself?”
  • “No, sir. Things like this come in pairs. Somewhere or other there's the
  • companion-piece to this here, and if the guv'nor could get hold of it,
  • he'd have something worth having. Something that connoozers would give a
  • lot of money for. But one's no good without the other. You have to have
  • both, if you understand my meaning, sir.”
  • “I see. Like filling a straight flush, what?”
  • “Precisely, sir.”
  • Archie gazed at Pongo again, with the dim hope of discovering virtues
  • not immediately apparent to the casual observer. But without success.
  • Pongo left him cold--even chilly. He would not have taken Pongo as a
  • gift, to oblige a dying friend.
  • “How much would the pair be worth?” he asked. “Ten dollars?”
  • Parker smiled a gravely superior smile. “A leetle more than that, sir.
  • Several thousand dollars, more like it.”
  • “Do you mean to say,” said Archie, with honest amazement, “that there
  • are chumps going about loose--absolutely loose--who would pay that for a
  • weird little object like Pongo?”
  • “Undoubtedly, sir. These antique china figures are in great demand among
  • collectors.”
  • Archie looked at Pongo once more, and shook his head.
  • “Well, well, well! It takes all sorts to make a world, what!”
  • What might be called the revival of Pongo, the restoration of Pongo to
  • the ranks of the things that matter, took place several weeks later,
  • when Archie was making holiday at the house which his father-in-law had
  • taken for the summer at Brookport. The curtain of the second act may be
  • said to rise on Archie strolling back from the golf-links in the cool of
  • an August evening. From time to time he sang slightly, and wondered
  • idly if Lucille would put the finishing touch upon the all-rightness of
  • everything by coming to meet him and sharing his homeward walk.
  • She came in view at this moment, a trim little figure in a white skirt
  • and a pale blue sweater. She waved to Archie; and Archie, as always
  • at the sight of her, was conscious of that jumpy, fluttering sensation
  • about the heart, which, translated into words, would have formed the
  • question, “What on earth could have made a girl like that fall in love
  • with a chump like me?” It was a question which he was continually asking
  • himself, and one which was perpetually in the mind also of Mr. Brewster,
  • his father-in-law. The matter of Archie's unworthiness to be the husband
  • of Lucille was practically the only one on which the two men saw eye to
  • eye.
  • “Hallo--allo--allo!” said Archie. “Here we are, what! I was just hoping
  • you would drift over the horizon.”
  • Lucille kissed him.
  • “You're a darling,” she said. “And you look like a Greek god in that
  • suit.”
  • “Glad you like it.” Archie squinted with some complacency down his
  • chest. “I always say it doesn't matter what you pay for a suit, so long
  • as it's right. I hope your jolly old father will feel that way when he
  • settles up for it.”
  • “Where is father? Why didn't he come back with you?”
  • “Well, as a matter of fact, he didn't seem any too keen on my company.
  • I left him in the locker-room chewing a cigar. Gave me the impression of
  • having something on his mind.”
  • “Oh, Archie! You didn't beat him AGAIN?”
  • Archie looked uncomfortable. He gazed out to sea with something of
  • embarrassment.
  • “Well, as a matter of fact, old thing, to be absolutely frank, I, as it
  • were, did!”
  • “Not badly?”
  • “Well, yes! I rather fancy I put it across him with some vim and not
  • a little emphasis. To be perfectly accurate, I licked him by ten and
  • eight.”
  • “But you promised me you would let him beat you to-day. You know how
  • pleased it would have made him.”
  • “I know. But, light of my soul, have you any idea how dashed difficult
  • it is to get beaten by your festive parent at golf?”
  • “Oh, well!” Lucille sighed. “It can't be helped, I suppose.” She felt in
  • the pocket of her sweater. “Oh, there's a letter for you. I've just
  • been to fetch the mail. I don't know who it can be from. The handwriting
  • looks like a vampire's. Kind of scrawly.”
  • Archie inspected the envelope. It provided no solution.
  • “That's rummy! Who could be writing to me?”
  • “Open it and see.”
  • “Dashed bright scheme! I will, Herbert Parker. Who the deuce is Herbert
  • Parker?”
  • “Parker? Father's valet's name was Parker. The one he dismissed when he
  • found he was wearing his shirts.”
  • “Do you mean to say any reasonable chappie would willingly wear the
  • sort of shirts your father--? I mean to say, there must have been some
  • mistake.”
  • “Do read the letter. I expect he wants to use your influence with father
  • to have him taken back.”
  • “MY influence? With your FATHER? Well, I'm dashed. Sanguine sort of
  • Johnny, if he does. Well, here's what he says. Of course, I remember
  • jolly old Parker now--great pal of mine.”
  • Dear Sir,--It is some time since the undersigned had the
  • honour of conversing with you, but I am respectfully trusting
  • that you may recall me to mind when I mention that until
  • recently I served Mr. Brewster, your father-in-law, in the
  • capacity of valet. Owing to an unfortunate misunderstanding,
  • I was dismissed from that position and am now temporarily out
  • of a job. “How art thou fallen from Heaven, O Lucifer, son of
  • the morning?” (Isaiah xiv. 12.)
  • “You know,” said Archie, admiringly, “this bird is hot stuff! I mean to
  • say he writes dashed well.”
  • It is not, however, with my own affairs that I desire to
  • trouble you, dear sir. I have little doubt that all will be
  • well with me and that I shall not fall like a sparrow to the
  • ground. “I have been young and now am old; yet have I not
  • seen the righteous forsaken, nor his seed begging bread”
  • (Psalms xxxvii. 25). My object in writing to you is as
  • follows. You may recall that I had the pleasure of meeting
  • you one morning in Mr. Brewster's suite, when we had an
  • interesting talk on the subject of Mr. B.'s objets d'art.
  • You may recall being particularly interested in a small
  • china figure. To assist your memory, the figure to which I
  • allude is the one which you whimsically referred to as Pongo.
  • I informed you, if you remember, that, could the accompanying
  • figure be secured, the pair would be extremely valuable.
  • I am glad to say, dear sir, that this has now transpired, and
  • is on view at Beale's Art Galleries on West Forty-Fifth Street,
  • where it will be sold to-morrow at auction, the sale commencing
  • at two-thirty sharp. If Mr. Brewster cares to attend, he will,
  • I fancy, have little trouble in securing it at a reasonable price.
  • I confess that I had thought of refraining from apprising my late
  • employer of this matter, but more Christian feelings have
  • prevailed. “If thine enemy hunger, feed him; if he thirst, give
  • him drink; for in so doing thou shalt heap coals of fire on his
  • head” (Romans xii. 20). Nor, I must confess, am I altogether
  • uninfluenced by the thought that my action in this matter may
  • conceivably lead to Mr. B. consenting to forget the past and to
  • reinstate me in my former position. However, I am confident that
  • I can leave this to his good feeling.
  • I remain, respectfully yours,
  • Herbert Parker.
  • Lucille clapped her hands.
  • “How splendid! Father will be pleased!”
  • “Yes. Friend Parker has certainly found a way to make the old dad fond
  • of him. Wish I could!”
  • “But you can, silly! He'll be delighted when you show him that letter.”
  • “Yes, with Parker. Old Herb. Parker's is the neck he'll fall on--not
  • mine.”
  • Lucille reflected.
  • “I wish--” she began. She stopped. Her eyes lit up. “Oh, Archie,
  • darling, I've got an idea!”
  • “Decant it.”
  • “Why don't you slip up to New York to-morrow and buy the thing, and give
  • it to father as a surprise?”
  • Archie patted her hand kindly. He hated to spoil her girlish day-dreams.
  • “Yes,” he said. “But reflect, queen of my heart! I have at the moment of
  • going to press just two dollars fifty in specie, which I took off your
  • father this after-noon. We were playing twenty-five cents a Hole.
  • He coughed it up without enthusiasm--in fact, with a nasty hacking
  • sound--but I've got it. But that's all I have got.”
  • “That's all right. You can pawn that ring and that bracelet of mine.”
  • “Oh, I say, what! Pop the family jewels?”
  • “Only for a day or two. Of course, once you've got the thing, father
  • will pay us back. He would give you all the money we asked him for, if
  • he knew what it was for. But I want to surprise him. And if you were to
  • go to him and ask him for a thousand dollars without telling him what it
  • was for, he might refuse.”
  • “He might!” said Archie. “He might!”
  • “It all works out splendidly. To-morrow's the Invitation Handicap, and
  • father's been looking forward to it for weeks. He'd hate to have to go
  • up to town himself and not play in it. But you can slip up and slip back
  • without his knowing anything about it.”
  • Archie pondered.
  • “It sounds a ripe scheme. Yes, it has all the ear-marks of a somewhat
  • fruity wheeze! By Jove, it IS a fruity wheeze! It's an egg!”
  • “An egg?”
  • “Good egg, you know. Halloa, here's a postscript. I didn't see it.”
  • P.S.--I should be glad if you would convey my most
  • cordial respects to Mrs. Moffam. Will you also inform
  • her that I chanced to meet Mr. William this morning on
  • Broadway, just off the boat. He desired me to send his
  • regards and to say that he would be joining you at
  • Brookport in the course of a day or so. Mr. B. will be
  • pleased to have him back. “A wise son maketh a glad
  • father” (Proverbs x. 1).
  • “Who's Mr. William?” asked Archie.
  • “My brother Bill, of course. I've told you all about him.”
  • “Oh yes, of course. Your brother Bill. Rummy to think I've got a
  • brother-in-law I've never seen.”
  • “You see, we married so suddenly. When we married, Bill was in Yale.”
  • “Good God! What for?”
  • “Not jail, silly. Yale. The university.”
  • “Oh, ah, yes.”
  • “Then he went over to Europe for a trip to broaden his mind. You must
  • look him up to-morrow when you get back to New York. He's sure to be at
  • his club.”
  • “I'll make a point of it. Well, vote of thanks to good old Parker! This
  • really does begin to look like the point in my career where I start to
  • have your forbidding old parent eating out of my hand.”
  • “Yes, it's an egg, isn't it!”
  • “Queen of my soul,” said Archie enthusiastically, “it's an omelette!”
  • The business negotiations in connection with the bracelet and the ring
  • occupied Archie on his arrival in New York to an extent which made it
  • impossible for him to call on Brother Bill before lunch. He decided to
  • postpone the affecting meeting of brothers-in-law to a more convenient
  • season, and made his way to his favourite table at the Cosmopolis
  • grill-room for a bite of lunch preliminary to the fatigues of the sale.
  • He found Salvatore hovering about as usual, and instructed him to come
  • to the rescue with a minute steak.
  • Salvatore was the dark, sinister-looking waiter who attended, among
  • other tables, to the one at the far end of the grill-room at which
  • Archie usually sat. For several weeks Archie's conversations with the
  • other had dealt exclusively with the bill of fare and its contents; but
  • gradually he had found himself becoming more personal. Even before the
  • war and its democratising influences, Archie had always lacked that
  • reserve which characterises many Britons; and since the war he had
  • looked on nearly everyone he met as a brother. Long since, through the
  • medium of a series of friendly chats, he had heard all about Salvatore's
  • home in Italy, the little newspaper and tobacco shop which his mother
  • owned down on Seventh Avenue, and a hundred other personal details.
  • Archie had an insatiable curiosity about his fellow-man.
  • “Well done,” said Archie.
  • “Sare?”
  • “The steak. Not too rare, you know.”
  • “Very good, sare.”
  • Archie looked at the waiter closely. His tone had been subdued and sad.
  • Of course, you don't expect a waiter to beam all over his face and give
  • three rousing cheers simply because you have asked him to bring you a
  • minute steak, but still there was something about Salvatore's manner
  • that disturbed Archie. The man appeared to have the pip. Whether he was
  • merely homesick and brooding on the lost delights of his sunny
  • native land, or whether his trouble was more definite, could only be
  • ascertained by enquiry. So Archie enquired.
  • “What's the matter, laddie?” he said sympathetically. “Something on your
  • mind?”
  • “Sare?”
  • “I say, there seems to be something on your mind. What's the trouble?”
  • The waiter shrugged his shoulders, as if indicating an unwillingness to
  • inflict his grievances on one of the tipping classes.
  • “Come on!” persisted Archie encouragingly. “All pals here. Barge along,
  • old thing, and let's have it.”
  • Salvatore, thus admonished, proceeded in a hurried undertone--with one
  • eye on the headwaiter--to lay bare his soul. What he said was not very
  • coherent, but Archie could make out enough of it to gather that it was a
  • sad story of excessive hours and insufficient pay. He mused awhile. The
  • waiter's hard case touched him.
  • “I'll tell you what,” he said at last. “When jolly old Brewster conies
  • back to town--he's away just now--I'll take you along to him and we'll
  • beard the old boy in his den. I'll introduce you, and you get that
  • extract from Italian opera-off your chest which you've just been singing
  • to me, and you'll find it'll be all right. He isn't what you might call
  • one of my greatest admirers, but everybody says he's a square sort of
  • cove and he'll see you aren't snootered. And now, laddie, touching the
  • matter of that steak.”
  • The waiter disappeared, greatly cheered, and Archie, turning, perceived
  • that his friend Reggie van Tuyl was entering the room. He waved to him
  • to join his table. He liked Reggie, and it also occurred to him that a
  • man of the world like the heir of the van Tuyls, who had been popping
  • about New York for years, might be able to give him some much-needed
  • information on the procedure at an auction sale, a matter on which he
  • himself was profoundly ignorant.
  • CHAPTER X. DOING FATHER A BIT OF GOOD
  • Reggie Van Tuyl approached the table languidly, and sank down into a
  • chair. He was a long youth with a rather subdued and deflated look,
  • as though the burden of the van Tuyl millions was more than his frail
  • strength could support. Most things tired him.
  • “I say, Reggie, old top,” said Archie, “you're just the lad I wanted to
  • see. I require the assistance of a blighter of ripe intellect. Tell me,
  • laddie, do you know anything about sales?”
  • Reggie eyed him sleepily.
  • “Sales?”
  • “Auction sales.”
  • Reggie considered.
  • “Well, they're sales, you know.” He checked a yawn. “Auction sales, you
  • understand.”
  • “Yes,” said Archie encouragingly. “Something--the name or
  • something--seemed to tell me that.”
  • “Fellows put things up for sale you know, and other fellows--other
  • fellows go in and--and buy 'em, if you follow me.”
  • “Yes, but what's the procedure? I mean, what do I do? That's what I'm
  • after. I've got to buy something at Beale's this afternoon. How do I set
  • about it?”
  • “Well,” said Reggie, drowsily, “there are several ways of bidding, you
  • know. You can shout, or you can nod, or you can twiddle your fingers--”
  • The effort of concentration was too much for him. He leaned back limply
  • in his chair. “I'll tell you what. I've nothing to do this afternoon.
  • I'll come with you and show you.”
  • When he entered the Art Galleries a few minutes later, Archie was glad
  • of the moral support of even such a wobbly reed as Reggie van Tuyl.
  • There is something about an auction room which weighs heavily upon the
  • novice. The hushed interior was bathed in a dim, religious light; and
  • the congregation, seated on small wooden chairs, gazed in reverent
  • silence at the pulpit, where a gentleman of commanding presence and
  • sparkling pince-nez was delivering a species of chant. Behind a gold
  • curtain at the end of the room mysterious forms flitted to and fro.
  • Archie, who had been expecting something on the lines of the New York
  • Stock Exchange, which he had once been privileged to visit when it was
  • in a more than usually feverish mood, found the atmosphere oppressively
  • ecclesiastical. He sat down and looked about him. The presiding priest
  • went on with his chant.
  • “Sixteen-sixteen-sixteen-sixteen-sixteen--worth three
  • hundred--sixteen-sixteen-sixteen-sixteen-sixteen--ought to bring five
  • hundred--sixteen-sixteen-seventeen-seventeen-eighteen-eighteen
  • nineteen-nineteen-nineteen.”
  • He stopped and eyed the worshippers with a glittering and reproachful
  • eye. They had, it seemed, disappointed him. His lips curled, and he
  • waved a hand towards a grimly uncomfortable-looking chair with insecure
  • legs and a good deal of gold paint about it. “Gentlemen! Ladies and
  • gentlemen! You are not here to waste my time; I am not here to
  • waste yours. Am I seriously offered nineteen dollars for this
  • eighteenth-century chair, acknowledged to be the finest piece sold
  • in New York for months and months? Am I--twenty? I thank you.
  • Twenty-twenty-twenty-twenty. YOUR opportunity! Priceless. Very few
  • extant. Twenty-five-five-five-five-thirty-thirty. Just what
  • you are looking for. The only one in the City of New York.
  • Thirty-five-five-five-five. Forty-forty-forty-forty-forty. Look at those
  • legs! Back it into the light, Willie. Let the light fall on those legs!”
  • Willie, a sort of acolyte, manoeuvred the chair as directed. Reggie van
  • Tuyl, who had been yawning in a hopeless sort of way, showed his first
  • flicker of interest.
  • “Willie,” he observed, eyeing that youth more with pity than reproach,
  • “has a face like Jo-Jo the dog-faced boy, don't you think so?”
  • Archie nodded briefly. Precisely the same criticism had occurred to him.
  • “Forty-five-five-five-five-five,” chanted the high-priest. “Once
  • forty-five. Twice forty-five. Third and last call, forty-five. Sold at
  • forty-five. Gentleman in the fifth row.”
  • Archie looked up and down the row with a keen eye. He was anxious to
  • see who had been chump enough to give forty-five dollars for such
  • a frightful object. He became aware of the dog-faced Willie leaning
  • towards him.
  • “Name, please?” said the canine one.
  • “Eh, what?” said Archie. “Oh, my name's Moffam, don't you know.” The
  • eyes of the multitude made him feel a little nervous “Er--glad to meet
  • you and all that sort of rot.”
  • “Ten dollars deposit, please,” said Willie.
  • “I don't absolutely follow you, old bean. What is the big thought at the
  • back of all this?”
  • “Ten dollars deposit on the chair.”
  • “What chair?”
  • “You bid forty-five dollars for the chair.”
  • “Me?”
  • “You nodded,” said Willie, accusingly. “If,” he went on, reasoning
  • closely, “you didn't want to bid, why did you nod?”
  • Archie was embarrassed. He could, of course, have pointed out that he
  • had merely nodded in adhesion to the statement that the other had a face
  • like Jo-Jo the dog-faced boy; but something seemed to tell him that
  • a purist might consider the excuse deficient in tact. He hesitated
  • a moment, then handed over a ten-dollar bill, the price of Willie's
  • feelings. Willie withdrew like a tiger slinking from the body of its
  • victim.
  • “I say, old thing,” said Archie to Reggie, “this is a bit thick, you
  • know. No purse will stand this drain.”
  • Reggie considered the matter. His face seemed drawn under the mental
  • strain.
  • “Don't nod again,” he advised. “If you aren't careful, you get into
  • the habit of it. When you want to bid, just twiddle your fingers. Yes,
  • that's the thing. Twiddle!”
  • He sighed drowsily. The atmosphere of the auction room was close; you
  • weren't allowed to smoke; and altogether he was beginning to regret that
  • he had come. The service continued. Objects of varying unattractiveness
  • came and went, eulogised by the officiating priest, but coldly received
  • by the congregation. Relations between the former and the latter were
  • growing more and more distant. The congregation seemed to suspect the
  • priest of having an ulterior motive in his eulogies, and the priest
  • seemed to suspect the congregation of a frivolous desire to waste his
  • time. He had begun to speculate openly as to why they were there at all.
  • Once, when a particularly repellent statuette of a nude female with an
  • unwholesome green skin had been offered at two dollars and had found no
  • bidders--the congregation appearing silently grateful for his statement
  • that it was the only specimen of its kind on the continent--he had
  • specifically accused them of having come into the auction room merely
  • with the purpose of sitting down and taking the weight off their feet.
  • “If your thing--your whatever-it-is, doesn't come up soon, Archie,” said
  • Reggie, fighting off with an effort the mists of sleep, “I rather think
  • I shall be toddling along. What was it you came to get?”
  • “It's rather difficult to describe. It's a rummy-looking sort of
  • what-not, made of china or something. I call it Pongo. At least, this
  • one isn't Pongo, don't you know--it's his little brother, but presumably
  • equally foul in every respect. It's all rather complicated, I know,
  • but--hallo!” He pointed excitedly. “By Jove! We're off! There it is!
  • Look! Willie's unleashing it now!”
  • Willie, who had disappeared through the gold curtain, had now returned,
  • and was placing on a pedestal a small china figure of delicate
  • workmanship. It was the figure of a warrior in a suit of armour
  • advancing with raised spear upon an adversary. A thrill permeated
  • Archie's frame. Parker had not been mistaken. This was undoubtedly the
  • companion-figure to the redoubtable Pongo. The two were identical. Even
  • from where he sat Archie could detect on the features of the figure on
  • the pedestal the same expression of insufferable complacency which had
  • alienated his sympathies from the original Pongo.
  • The high-priest, undaunted by previous rebuffs, regarded the figure
  • with a gloating enthusiasm wholly unshared by the congregation, who were
  • plainly looking upon Pongo's little brother as just another of those
  • things.
  • “This,” he said, with a shake in his voice, “is something very special.
  • China figure, said to date back to the Ming Dynasty. Unique. Nothing
  • like it on either side of the Atlantic. If I were selling this at
  • Christie's in London, where people,” he said, nastily, “have an educated
  • appreciation of the beautiful, the rare, and the exquisite, I should
  • start the bidding at a thousand dollars. This afternoon's experience has
  • taught me that that might possibly be too high.” His pince-nez sparkled
  • militantly, as he gazed upon the stolid throng. “Will anyone offer me a
  • dollar for this unique figure?”
  • “Leap at it, old top,” said Reggie van Tuyl. “Twiddle, dear boy,
  • twiddle! A dollar's reasonable.”
  • Archie twiddled.
  • “One dollar I am offered,” said the high-priest, bitterly. “One
  • gentleman here is not afraid to take a chance. One gentleman here knows
  • a good thing when he sees one.” He abandoned the gently sarcastic manner
  • for one of crisp and direct reproach. “Come, come, gentlemen, we are not
  • here to waste time. Will anyone offer me one hundred dollars for
  • this superb piece of--” He broke off, and seemed for a moment almost
  • unnerved. He stared at someone in one of the seats in front of Archie.
  • “Thank you,” he said, with a sort of gulp. “One hundred dollars I am
  • offered! One hundred--one hundred--one hundred--”
  • Archie was startled. This sudden, tremendous jump, this wholly
  • unforeseen boom in Pongos, if one might so describe it, was more than
  • a little disturbing. He could not see who his rival was, but it was
  • evident that at least one among those present did not intend to allow
  • Pongo's brother to slip by without a fight. He looked helplessly at
  • Reggie for counsel, but Reggie had now definitely given up the struggle.
  • Exhausted nature had done its utmost, and now he was leaning back
  • with closed eyes, breathing softly through his nose. Thrown on his own
  • resources, Archie could think of no better course than to twiddle his
  • fingers again. He did so, and the high-priest's chant took on a note of
  • positive exuberance.
  • “Two hundred I am offered. Much better! Turn the pedestal round,
  • Willie, and let them look at it. Slowly! Slowly! You aren't spinning a
  • roulette-wheel. Two hundred. Two-two-two-two-two.” He became suddenly
  • lyrical. “Two-two-two--There was a young lady named Lou, who was
  • catching a train at two-two. Said the porter, 'Don't worry or hurry or
  • scurry. It's a minute or two to two-two!' Two-two-two-two-two!”
  • Archie's concern increased. He seemed to be twiddling at this voluble
  • man across seas of misunderstanding. Nothing is harder to interpret to a
  • nicety than a twiddle, and Archie's idea of the language of twiddles
  • and the high-priest's idea did not coincide by a mile. The high-priest
  • appeared to consider that, when Archie twiddled, it was his intention
  • to bid in hundreds, whereas in fact Archie had meant to signify that he
  • raised the previous bid by just one dollar. Archie felt that, if given
  • time, he could make this clear to the high-priest, but the latter gave
  • him no time. He had got his audience, so to speak, on the run, and he
  • proposed to hustle them before they could rally.
  • “Two hundred--two hundred--two--three--thank you,
  • sir--three-three-three-four-four-five-five-six-six-seven-seven-seven--”
  • Archie sat limply in his wooden chair. He was conscious of a feeling
  • which he had only experienced twice in his life--once when he had taken
  • his first lesson in driving a motor and had trodden on the accelerator
  • instead of the brake; the second time more recently, when he had made
  • his first down-trip on an express lift. He had now precisely the same
  • sensation of being run away with by an uncontrollable machine, and of
  • having left most of his internal organs at some little distance from the
  • rest of his body. Emerging from this welter of emotion, stood out the
  • one clear fact that, be the opposition bidding what it might, he
  • must nevertheless secure the prize. Lucille had sent him to New York
  • expressly to do so. She had sacrificed her jewellery for the cause. She
  • relied on him. The enterprise had become for Archie something almost
  • sacred. He felt dimly like a knight of old hot on the track of the Holy
  • Grail.
  • He twiddled again. The ring and the bracelet had fetched nearly twelve
  • hundred dollars. Up to that figure his hat was in the ring.
  • “Eight hundred I am offered. Eight hundred. Eight-eight-eight-eight--”
  • A voice spoke from somewhere at the back of the room. A quiet, cold,
  • nasty, determined voice.
  • “Nine!”
  • Archie rose from his seat and spun round. This mean attack from the rear
  • stung his fighting spirit. As he rose, a young man sitting immediately
  • in front of him rose too and stared likewise. He was a square-built
  • resolute-looking young man, who reminded Archie vaguely of somebody he
  • had seen before. But Archie was too busy trying to locate the man at the
  • back to pay much attention to him. He detected him at last, owing to the
  • fact that the eyes of everybody in that part of the room were fixed
  • upon him. He was a small man of middle age, with tortoise-shell-rimmed
  • spectacles. He might have been a professor or something of the kind.
  • Whatever he was, he was obviously a man to be reckoned with. He had a
  • rich sort of look, and his demeanour was the demeanour of a man who is
  • prepared to fight it out on these lines if it takes all the summer.
  • “Nine hundred I am offered. Nine-nine-nine-nine--”
  • Archie glared defiantly at the spectacled man.
  • “A thousand!” he cried.
  • The irruption of high finance into the placid course of the afternoon's
  • proceedings had stirred the congregation out of its lethargy. There
  • were excited murmurs. Necks were craned, feet shuffled. As for the
  • high-priest, his cheerfulness was now more than restored, and his faith
  • in his fellow-man had soared from the depths to a very lofty altitude.
  • He beamed with approval. Despite the warmth of his praise he would have
  • been quite satisfied to see Pongo's little brother go at twenty dollars,
  • and the reflection that the bidding had already reached one thousand and
  • that his commission was twenty per cent, had engendered a mood of sunny
  • happiness.
  • “One thousand is bid!” he carolled. “Now, gentlemen, I don't want to
  • hurry you over this. You are all connoisseurs here, and you don't want
  • to see a priceless china figure of the Ming Dynasty get away from you
  • at a sacrifice price. Perhaps you can't all see the figure where it
  • is. Willie, take it round and show it to 'em. We'll take a little
  • intermission while you look carefully at this wonderful figure. Get a
  • move on, Willie! Pick up your feet!”
  • Archie, sitting dazedly, was aware that Reggie van Tuyl had finished his
  • beauty sleep and was addressing the young man in the seat in front.
  • “Why, hallo,” said Reggie. “I didn't know you were back. You remember
  • me, don't you? Reggie van Tuyl. I know your sister very well. Archie,
  • old man, I want you to meet my friend, Bill Brewster. Why, dash it!” He
  • chuckled sleepily. “I was forgetting. Of course! He's your--”
  • “How are you?” said the young man. “Talking of my sister,” he said to
  • Reggie, “I suppose you haven't met her husband by any chance? I suppose
  • you know she married some awful chump?”
  • “Me,” said Archie.
  • “How's that?”
  • “I married your sister. My name's Moffam.”
  • The young man seemed a trifle taken aback.
  • “Sorry,” he said.
  • “Not at all,” said Archie.
  • “I was only going by what my father said in his letters,” he explained,
  • in extenuation.
  • Archie nodded.
  • “I'm afraid your jolly old father doesn't appreciate me. But I'm hoping
  • for the best. If I can rope in that rummy-looking little china thing
  • that Jo-Jo the dog-faced boy is showing the customers, he will be all
  • over me. I mean to say, you know, he's got another like it, and, if
  • he can get a full house, as it were, I'm given to understand he'll be
  • bucked, cheered, and even braced.”
  • The young man stared.
  • “Are YOU the fellow who's been bidding against me?”
  • “Eh, what? Were you bidding against ME?”
  • “I wanted to buy the thing for my father. I've a special reason for
  • wanting to get in right with him just now. Are you buying it for him,
  • too?”
  • “Absolutely. As a surprise. It was Lucille's idea. His valet, a chappie
  • named Parker, tipped us off that the thing was to be sold.”
  • “Parker? Great Scot! It was Parker who tipped ME off. I met him on
  • Broadway, and he told me about it.”
  • “Rummy he never mentioned it in his letter to me. Why, dash it, we could
  • have got the thing for about two dollars if we had pooled our bids.”
  • “Well, we'd better pool them now, and extinguish that pill at the back
  • there. I can't go above eleven hundred. That's all I've got.”
  • “I can't go above eleven hundred myself.”
  • “There's just one thing. I wish you'd let me be the one to hand the
  • thing over to Father. I've a special reason for wanting to make a hit
  • with him.”
  • “Absolutely!” said Archie, magnanimously. “It's all the same to me. I
  • only wanted to get him generally braced, as it were, if you know what I
  • mean.”
  • “That's awfully good of you.”
  • “Not a bit, laddie, no, no, and far from it. Only too glad.”
  • Willie had returned from his rambles among the connoisseurs, and Pongo's
  • brother was back on his pedestal. The high-priest cleared his throat and
  • resumed his discourse.
  • “Now that you have all seen this superb figure we will--I was offered
  • one thousand--one thousand-one-one-one-one--eleven hundred. Thank you,
  • sir. Eleven hundred I am offered.”
  • The high-priest was now exuberant. You could see him doing figures in
  • his head.
  • “You do the bidding,” said Brother Bill.
  • “Right-o!” said Archie.
  • He waved a defiant hand.
  • “Thirteen,” said the man at the back.
  • “Fourteen, dash it!”
  • “Fifteen!”
  • “Sixteen!”
  • “Seventeen!”
  • “Eighteen!”
  • “Nineteen!”
  • “Two thousand!”
  • The high-priest did everything but sing. He radiated good will and
  • bonhomie.
  • “Two thousand I am offered. Is there any advance on two thousand? Come,
  • gentlemen, I don't want to give this superb figure away. Twenty-one
  • hundred. Twenty-one-one-one-one. This is more the sort of thing I have
  • been accustomed to. When I was at Sotheby's Rooms in London, this kind
  • of bidding was a common-place. Twenty-two-two-two-two-two. One hardly
  • noticed it. Three-three-three. Twenty-three-three-three. Twenty-three
  • hundred dollars I am offered.”
  • He gazed expectantly at Archie, as a man gazes at some favourite dog
  • whom he calls upon to perform a trick. But Archie had reached the end of
  • his tether. The hand that had twiddled so often and so bravely lay inert
  • beside his trouser-leg, twitching feebly. Archie was through.
  • “Twenty-three hundred,” said the high-priest, ingratiatingly.
  • Archie made no movement. There was a tense pause. The high-priest gave a
  • little sigh, like one waking from a beautiful dream.
  • “Twenty-three hundred,” he said. “Once twenty-three. Twice twenty-three.
  • Third, last, and final call, twenty-three. Sold at twenty-three hundred.
  • I congratulate you, sir, on a genuine bargain!”
  • Reggie van Tuyl had dozed off again. Archie tapped his brother-in-law on
  • the shoulder.
  • “May as well be popping, what?”
  • They threaded their way sadly together through the crowd, and made for
  • the street. They passed into Fifth Avenue without breaking the silence.
  • “Bally nuisance,” said Archie, at last.
  • “Rotten!”
  • “Wonder who that chappie was?”
  • “Some collector, probably.”
  • “Well, it can't be helped,” said Archie.
  • Brother Bill attached himself to Archie's arm, and became communicative.
  • “I didn't want to mention it in front of van Tuyl,” he said, “because
  • he's such a talking-machine, and it would have been all over New York
  • before dinner-time. But you're one of the family, and you can keep a
  • secret.”
  • “Absolutely! Silent tomb and what not.”
  • “The reason I wanted that darned thing was because I've just got engaged
  • to a girl over in England, and I thought that, if I could hand my father
  • that china figure-thing with one hand and break the news with the other,
  • it might help a bit. She's the most wonderful girl!”
  • “I'll bet she is,” said Archie, cordially.
  • “The trouble is she's in the chorus of one of the revues over there,
  • and Father is apt to kick. So I thought--oh, well, it's no good worrying
  • now. Come along where it's quiet, and I'll tell you all about her.”
  • “That'll be jolly,” said Archie.
  • CHAPTER XI. SALVATORE CHOOSES THE WRONG MOMENT
  • Archie reclaimed the family jewellery from its temporary home next
  • morning; and, having done so, sauntered back to the Cosmopolis. He
  • was surprised, on entering the lobby, to meet his father-in-law. More
  • surprising still, Mr. Brewster was manifestly in a mood of extraordinary
  • geniality. Archie could hardly believe his eyes when the other waved
  • cheerily to him--nor his ears a moment later when Mr. Brewster,
  • addressing him as “my boy,” asked him how he was and mentioned that the
  • day was a warm one.
  • Obviously this jovial frame of mind must be taken advantage of; and
  • Archie's first thought was of the downtrodden Salvatore, to the tale of
  • whose wrongs he had listened so sympathetically on the previous day. Now
  • was plainly the moment for the waiter to submit his grievance, before
  • some ebb-tide caused the milk of human kindness to flow out of Daniel
  • Brewster. With a swift “Cheerio!” in his father-in-law's direction,
  • Archie bounded into the grill-room. Salvatore, the hour for luncheon
  • being imminent but not yet having arrived, was standing against the far
  • wall in an attitude of thought.
  • “Laddie!” cried Archie.
  • “Sare?”
  • “A most extraordinary thing has happened. Good old Brewster has suddenly
  • popped up through a trap and is out in the lobby now. And what's still
  • more weird, he's apparently bucked.”
  • “Sare?”
  • “Braced, you know. In the pink. Pleased about something. If you go to
  • him now with that yarn of yours, you can't fail. He'll kiss you on both
  • cheeks and give you his bank-roll and collar-stud. Charge along and ask
  • the head-waiter if you can have ten minutes off.”
  • Salvatore vanished in search of the potentate named, and Archie returned
  • to the lobby to bask in the unwonted sunshine.
  • “Well, well, well, what!” he said. “I thought you were at Brookport.”
  • “I came up this morning to meet a friend of mine,” replied Mr. Brewster
  • genially. “Professor Binstead.”
  • “Don't think I know him.”
  • “Very interesting man,” said Mr. Brewster, still with the same uncanny
  • amiability. “He's a dabbler in a good many things--science, phrenology,
  • antiques. I asked him to bid for me at a sale yesterday. There was a
  • little china figure--”
  • Archie's jaw fell.
  • “China figure?” he stammered feebly.
  • “Yes. The companion to one you may have noticed on my mantelpiece
  • upstairs. I have been trying to get the pair of them for years. I should
  • never have heard of this one if it had not been for that valet of mine,
  • Parker. Very good of him to let me know of it, considering I had fired
  • him. Ah, here is Binstead.”--He moved to greet the small, middle-aged
  • man with the tortoiseshell-rimmed spectacles who was bustling across the
  • lobby. “Well, Binstead, so you got it?”
  • “Yes.”
  • “I suppose the price wasn't particularly stiff?”
  • “Twenty-three hundred.”
  • “Twenty-three hundred!” Mr. Brewster seemed to reel in his tracks.
  • “Twenty-three HUNDRED!”
  • “You gave me carte blanche.”
  • “Yes, but twenty-three hundred!”
  • “I could have got it for a few dollars, but unfortunately I was a little
  • late, and, when I arrived, some young fool had bid it up to a thousand,
  • and he stuck to me till I finally shook him off at twenty-three hundred.
  • Why, this is the very man! Is he a friend of yours?”
  • Archie coughed.
  • “More a relation than a friend, what? Son-in-law, don't you know!”
  • Mr. Brewster's amiability had vanished.
  • “What damned foolery have you been up to NOW?” he demanded. “Can't I
  • move a step without stubbing my toe on you? Why the devil did you bid?”
  • “We thought it would be rather a fruity scheme. We talked it over and
  • came to the conclusion that it was an egg. Wanted to get hold of the
  • rummy little object, don't you know, and surprise you.”
  • “Who's we?”
  • “Lucille and I.”
  • “But how did you hear of it at all?”
  • “Parker, the valet-chappie, you know, wrote me a letter about it.”
  • “Parker! Didn't he tell you that he had told me the figure was to be
  • sold?”
  • “Absolutely not!” A sudden suspicion came to Archie. He was normally a
  • guileless young man, but even to him the extreme fishiness of the part
  • played by Herbert Parker had become apparent. “I say, you know, it looks
  • to me as if friend Parker had been having us all on a bit, what? I
  • mean to say it was jolly old Herb, who tipped your son off--Bill, you
  • know--to go and bid for the thing.”
  • “Bill! Was Bill there?”
  • “Absolutely in person! We were bidding against each other like the
  • dickens till we managed to get together and get acquainted. And then
  • this bird--this gentleman--sailed in and started to slip it across us.”
  • Professor Binstead chuckled--the care-free chuckle of a man who sees
  • all those around him smitten in the pocket, while he himself remains
  • untouched.
  • “A very ingenious rogue, this Parker of yours, Brewster. His method
  • seems to have been simple but masterly. I have no doubt that either he
  • or a confederate obtained the figure and placed it with the auctioneer,
  • and then he ensured a good price for it by getting us all to bid against
  • each other. Very ingenious!”
  • Mr. Brewster struggled with his feelings. Then he seemed to overcome
  • them and to force himself to look on the bright side.
  • “Well, anyway,” he said. “I've got the pair of figures, and that's what
  • I wanted. Is that it in that parcel?”
  • “This is it. I wouldn't trust an express company to deliver it. Suppose
  • we go up to your room and see how the two look side by side.”
  • They crossed the lobby to the lift.-The cloud was still on Mr.
  • Brewster's brow as they stepped out and made their way to his suite.
  • Like most men who have risen from poverty to wealth by their
  • own exertions, Mr. Brewster objected to parting with his money
  • unnecessarily, and it was plain that that twenty-three hundred dollars
  • still rankled.
  • Mr. Brewster unlocked the door and crossed the room. Then, suddenly, he
  • halted, stared, and stared again. He sprang to the bell and pressed it,
  • then stood gurgling wordlessly.
  • “Anything wrong, old bean?” queried Archie, solicitously.
  • “Wrong! Wrong! It's gone!”
  • “Gone?”
  • “The figure!”
  • The floor-waiter had manifested himself silently in answer to the bell,
  • and was standing in the doorway.
  • “Simmons!” Mr. Brewster turned to him wildly. “Has anyone been in this
  • suite since I went away?”
  • “No, sir.”
  • “Nobody?”
  • “Nobody except your valet, sir--Parker. He said he had come to
  • fetch some things away. I supposed he had come from you, sir, with
  • instructions.”
  • “Get out!”
  • Professor Binstead had unwrapped his parcel, and had placed the Pongo
  • on the table. There was a weighty silence. Archie picked up the little
  • china figure and balanced it on the palm of his hand. It was a small
  • thing, he reflected philosophically, but it had made quite a stir in the
  • world.
  • Mr. Brewster fermented for a while without speaking.
  • “So,” he said, at last, in a voice trembling with self-pity, “I have
  • been to all this trouble--”
  • “And expense,” put in Professor Binstead, gently.
  • “Merely to buy back something which had been stolen from me! And, owing
  • to your damned officiousness,” he cried, turning on Archie, “I have had
  • to pay twenty-three hundred dollars for it! I don't know why they make
  • such a fuss about Job. Job never had anything like you around!”
  • “Of course,” argued Archie, “he had one or two boils.”
  • “Boils! What are boils?”
  • “Dashed sorry,” murmured Archie. “Acted for the best. Meant well. And
  • all that sort of rot!”
  • Professor Binstead's mind seemed occupied to the exclusion of all other
  • aspects of the affair, with the ingenuity of the absent Parker.
  • “A cunning scheme!” he said. “A very cunning scheme! This man Parker
  • must have a brain of no low order. I should like to feel his bumps!”
  • “I should like to give him some!” said the stricken Mr. Brewster. He
  • breathed a deep breath. “Oh, well,” he said, “situated as I am, with a
  • crook valet and an imbecile son-in-law, I suppose I ought to be
  • thankful that I've still got my own property, even if I have had to
  • pay twenty-three hundred dollars for the privilege of keeping it.” He
  • rounded on Archie, who was in a reverie. The thought of the unfortunate
  • Bill had just crossed Archie's mind. It would be many moons, many
  • weary moons, before Mr. Brewster would be in a suitable mood to listen
  • sympathetically to the story of love's young dream. “Give me that
  • figure!”
  • Archie continued to toy absently with Pongo. He was wondering now
  • how best to break this sad occurrence to Lucille. It would be a
  • disappointment for the poor girl.
  • “GIVE ME THAT FIGURE!”
  • Archie started violently. There was an instant in which Pongo seemed to
  • hang suspended, like Mohammed's coffin, between heaven and earth, then
  • the force of gravity asserted itself. Pongo fell with a sharp crack and
  • disintegrated. And as it did so there was a knock at the door, and in
  • walked a dark, furtive person, who to the inflamed vision of Mr. Daniel
  • Brewster looked like something connected with the executive staff of the
  • Black Hand. With all time at his disposal, the unfortunate Salvatore had
  • selected this moment for stating his case.
  • “Get out!” bellowed Mr. Brewster. “I didn't ring for a waiter.”
  • Archie, his mind reeling beneath the catastrophe, recovered himself
  • sufficiently to do the honours. It was at his instigation that Salvatore
  • was there, and, greatly as he wished that he could have seen fit to
  • choose a more auspicious moment for his business chat, he felt compelled
  • to do his best to see him through.
  • “Oh, I say, half a second,” he said. “You don't quite understand. As
  • a matter of fact, this chappie is by way of being downtrodden and
  • oppressed and what not, and I suggested that he should get hold of you
  • and speak a few well-chosen words. Of course, if you'd rather--some
  • other time--”
  • But Mr. Brewster was not permitted to postpone the interview. Before
  • he could get his breath, Salvatore had begun to talk. He was a strong,
  • ambidextrous talker, whom it was hard to interrupt; and it was not for
  • some moments that Mr. Brewster succeeded in getting a word in. When he
  • did, he spoke to the point. Though not a linguist, he had been able
  • to follow the discourse closely enough to realise that the waiter was
  • dissatisfied with conditions in his hotel; and Mr. Brewster, as has been
  • indicated, had a short way with people who criticised the Cosmopolis.
  • “You're fired!” said Mr. Brewster.
  • “Oh, I say!” protested Archie.
  • Salvatore muttered what sounded like a passage from Dante.
  • “Fired!” repeated Mr. Brewster resolutely. “And I wish to heaven,” he
  • added, eyeing his son-in-law malignantly, “I could fire you!”
  • “Well,” said Professor Binstead cheerfully, breaking the grim silence
  • which followed this outburst, “if you will give me your cheque,
  • Brewster, I think I will be going. Two thousand three hundred dollars.
  • Make it open, if you will, and then I can run round the corner and cash
  • it before lunch. That will be capital!”
  • CHAPTER XII. BRIGHT EYES--AND A FLY
  • The Hermitage (unrivalled scenery, superb cuisine, Daniel Brewster,
  • proprietor) was a picturesque summer hotel in the green heart of the
  • mountains, built by Archie's father-in-law shortly after he assumed
  • control of the Cosmopolis. Mr. Brewster himself seldom went there,
  • preferring to concentrate his attention on his New York establishment;
  • and Archie and Lucille, breakfasting in the airy dining-room some ten
  • days after the incidents recorded in the last chapter, had consequently
  • to be content with two out of the three advertised attractions of the
  • place. Through the window at their side quite a slab of the unrivalled
  • scenery was visible; some of the superb cuisine was already on the
  • table; and the fact that the eye searched in vain for Daniel Brewster,
  • proprietor, filled Archie, at any rate, with no sense of aching loss. He
  • bore it with equanimity and even with positive enthusiasm. In Archie's
  • opinion, practically all a place needed to make it an earthly Paradise
  • was for Mr. Daniel Brewster to be about forty-seven miles away from it.
  • It was at Lucille's suggestion that they had come to the Hermitage.
  • Never a human sunbeam, Mr. Brewster had shown such a bleak front to the
  • world, and particularly to his son-in-law, in the days following the
  • Pongo incident, that Lucille had thought that he and Archie would for a
  • time at least be better apart--a view with which her husband cordially
  • agreed. He had enjoyed his stay at the Hermitage, and now he regarded
  • the eternal hills with the comfortable affection of a healthy man who is
  • breakfasting well.
  • “It's going to be another perfectly topping day,” he observed, eyeing
  • the shimmering landscape, from which the morning mists were swiftly
  • shredding away like faint puffs of smoke. “Just the day you ought to
  • have been here.”
  • “Yes, it's too bad I've got to go. New York will be like an oven.”
  • “Put it off.”
  • “I can't, I'm afraid. I've a fitting.”
  • Archie argued no further. He was a married man of old enough standing to
  • know the importance of fittings.
  • “Besides,” said Lucille, “I want to see father.” Archie repressed an
  • exclamation of astonishment. “I'll be back to-morrow evening. You will
  • be perfectly happy.”
  • “Queen of my soul, you know I can't be happy with you away. You know--”
  • “Yes?” murmured Lucille, appreciatively. She never tired of hearing
  • Archie say this sort of thing.
  • Archie's voice had trailed off. He was looking across the room.
  • “By Jove!” he exclaimed. “What an awfully pretty woman!”
  • “Where?”
  • “Over there. Just coming in, I say, what wonderful eyes! I don't think
  • I ever saw such eyes. Did you notice her eyes? Sort of flashing! Awfully
  • pretty woman!”
  • Warm though the morning was, a suspicion of chill descended upon the
  • breakfast-table. A certain coldness seemed to come into Lucille's face.
  • She could not always share Archie's fresh young enthusiasms.
  • “Do you think so?”
  • “Wonderful figure, too!”
  • “Yes?”
  • “Well, what I mean to say, fair to medium,” said Archie, recovering a
  • certain amount of that intelligence which raises man above the level
  • of the beasts of the field. “Not the sort of type I admire myself, of
  • course.”
  • “You know her, don't you?”
  • “Absolutely not and far from it,” said Archie, hastily. “Never met her
  • in my life.”
  • “You've seen her on the stage. Her name's Vera Silverton. We saw her
  • in--”
  • “Of course, yes. So we did. I say, I wonder what she's doing here?
  • She ought to be in New York, rehearsing. I remember meeting
  • what's-his-name--you know--chappie who writes plays and what not--George
  • Benham--I remember meeting George Benham, and he told me she was
  • rehearsing in a piece of his called--I forget the name, but I know it
  • was called something or other. Well, why isn't she?”
  • “She probably lost her temper and broke her contract and came away.
  • She's always doing that sort of thing. She's known for it. She must be a
  • horrid woman.”
  • “Yes.”
  • “I don't want to talk about her. She used to be married to someone,
  • and she divorced him. And then she was married to someone else, and he
  • divorced her. And I'm certain her hair wasn't that colour two years ago,
  • and I don't think a woman ought to make up like that, and her dress is
  • all wrong for the country, and those pearls can't be genuine, and I hate
  • the way she rolls her eyes about, and pink doesn't suit her a bit. I
  • think she's an awful woman, and I wish you wouldn't keep on talking
  • about her.”
  • “Right-o!” said Archie, dutifully.
  • They finished breakfast, and Lucille went up to pack her bag. Archie
  • strolled out on to the terrace outside the hotel, where he smoked,
  • communed with nature, and thought of Lucille. He always thought of
  • Lucille when he was alone, especially when he chanced to find himself
  • in poetic surroundings like those provided by the unrivalled scenery
  • encircling the Hotel Hermitage. The longer he was married to her the
  • more did the sacred institution seem to him a good egg. Mr. Brewster
  • might regard their marriage as one of the world's most unfortunate
  • incidents, but to Archie it was, and always had been, a bit of all
  • right. The more he thought of it the more did he marvel that a girl like
  • Lucille should have been content to link her lot with that of a Class C
  • specimen like himself. His meditations were, in fact, precisely what a
  • happily-married man's meditations ought to be.
  • He was roused from them by a species of exclamation or cry almost at
  • his elbow, and turned to find that the spectacular Miss Silverton was
  • standing beside him. Her dubious hair gleamed in the sunlight, and one
  • of the criticised eyes was screwed up. The other gazed at Archie with an
  • expression of appeal.
  • “There's something in my eye,” she said.
  • “No, really!”
  • “I wonder if you would mind? It would be so kind of you!”
  • Archie would have preferred to remove himself, but no man worthy of
  • the name can decline to come to the rescue of womanhood in distress. To
  • twist the lady's upper lid back and peer into it and jab at it with the
  • corner of his handkerchief was the only course open to him. His conduct
  • may be classed as not merely blameless but definitely praiseworthy. King
  • Arthur's knights used to do this sort of thing all the time, and look
  • what people think of them. Lucille, therefore, coming out of the
  • hotel just as the operation was concluded, ought not to have felt
  • the annoyance she did. But, of course, there is a certain superficial
  • intimacy about the attitude of a man who is taking a fly out of a
  • woman's eye which may excusably jar upon the sensibilities of his wife.
  • It is an attitude which suggests a sort of rapprochement or camaraderie
  • or, as Archie would have put it, what not.
  • “Thanks so much!” said Miss Silverton.
  • “Oh no, rather not,” said Archie.
  • “Such a nuisance getting things in your eye.”
  • “Absolutely!”
  • “I'm always doing it!”
  • “Rotten luck!”
  • “But I don't often find anyone as clever as you to help me.”
  • Lucille felt called upon to break in on this feast of reason and flow of
  • soul.
  • “Archie,” she said, “if you go and get your clubs now, I shall just have
  • time to walk round with you before my train goes.”
  • “Oh, ah!” said Archie, perceiving her for the first time. “Oh, ah, yes,
  • right-o, yes, yes, yes!”
  • On the way to the first tee it seemed to Archie that Lucille was
  • distrait and abstracted in her manner; and it occurred to him, not for
  • the first time in his life, what a poor support a clear conscience is
  • in moments of crisis. Dash it all, he didn't see what else he could have
  • done. Couldn't leave the poor female staggering about the place with
  • squads of flies wedged in her eyeball. Nevertheless--
  • “Rotten thing getting a fly in your eye,” he hazarded at length. “Dashed
  • awkward, I mean.”
  • “Or convenient.”
  • “Eh?”
  • “Well, it's a very good way of dispensing with an introduction.”
  • “Oh, I say! You don't mean you think--”
  • “She's a horrid woman!”
  • “Absolutely! Can't think what people see in her.”
  • “Well, you seemed to enjoy fussing over her!”
  • “No, no! Nothing of the kind! She inspired me with absolute
  • what-d'you-call-it--the sort of thing chappies do get inspired with, you
  • know.”
  • “You were beaming all over your face.”
  • “I wasn't. I was just screwing up my face because the sun was in my
  • eye.”
  • “All sorts of things seem to be in people's eyes this morning!”
  • Archie was saddened. That this sort of misunderstanding should have
  • occurred on such a topping day and at a moment when they were to be torn
  • asunder for about thirty-six hours made him feel--well, it gave him the
  • pip. He had an idea that there were words which would have straightened
  • everything out, but he was not an eloquent young man and could not find
  • them. He felt aggrieved. Lucille, he considered, ought to have
  • known that he was immune as regarded females with flashing eyes and
  • experimentally-coloured hair. Why, dash it, he could have extracted
  • flies from the eyes of Cleopatra with one hand and Helen of Troy with
  • the other, simultaneously, without giving them a second thought. It was
  • in depressed mood that he played a listless nine holes; nor had life
  • brightened for him when he came back to the hotel two hours later, after
  • seeing Lucille off in the train to New York. Never till now had they had
  • anything remotely resembling a quarrel. Life, Archie felt, was a bit of
  • a wash-out. He was disturbed and jumpy, and the sight of Miss Silverton,
  • talking to somebody on a settee in the corner of the hotel lobby, sent
  • him shooting off at right angles and brought him up with a bump against
  • the desk behind which the room-clerk sat.
  • The room-clerk, always of a chatty disposition, was saying something to
  • him, but Archie did not listen. He nodded mechanically. It was something
  • about his room. He caught the word “satisfactory.”
  • “Oh, rather, quite!” said Archie.
  • A fussy devil, the room-clerk! He knew perfectly well that Archie found
  • his room satisfactory. These chappies gassed on like this so as to try
  • to make you feel that the management took a personal interest in you.
  • It was part of their job. Archie beamed absently and went in to lunch.
  • Lucille's empty seat stared at him mournfully, increasing his sense of
  • desolation.
  • He was half-way through his lunch, when the chair opposite ceased to
  • be vacant. Archie, transferring his gaze from the scenery outside the
  • window, perceived that his friend, George Benham, the playwright, had
  • materialised from nowhere and was now in his midst.
  • “Hallo!” he said.
  • George Benham was a grave young man whose spectacles gave him the look
  • of a mournful owl. He seemed to have something on his mind besides the
  • artistically straggling mop of black hair which swept down over his
  • brow. He sighed wearily, and ordered fish-pie.
  • “I thought I saw you come through the lobby just now,” he said.
  • “Oh, was that you on the settee, talking to Miss Silverton?”
  • “She was talking to ME,” said the playwright, moodily.
  • “What are you doing here?” asked Archie. He could have wished Mr. Benham
  • elsewhere, for he intruded on his gloom, but, the chappie being amongst
  • those present, it was only civil to talk to him. “I thought you were in
  • New York, watching the rehearsals of your jolly old drama.”
  • “The rehearsals are hung up. And it looks as though there wasn't going
  • to be any drama. Good Lord!” cried George Benham, with honest warmth,
  • “with opportunities opening out before one on every side--with life
  • extending prizes to one with both hands--when you see coal-heavers
  • making fifty dollars a week and the fellows who clean out the sewers
  • going happy and singing about their work--why does a man deliberately
  • choose a job like writing plays? Job was the only man that ever lived
  • who was really qualified to write a play, and he would have found
  • it pretty tough going if his leading woman had been anyone like Vera
  • Silverton!”
  • Archie--and it was this fact, no doubt, which accounted for his
  • possession of such a large and varied circle of friends--was always
  • able to shelve his own troubles in order to listen to other people's
  • hard-luck stories.
  • “Tell me all, laddie,” he said. “Release the film! Has she walked out on
  • you?”
  • “Left us flat! How did you hear about it? Oh, she told you, of course?”
  • Archie hastened to try to dispel the idea that he was on any such terms
  • of intimacy with Miss Silverton.
  • “No, no! My wife said she thought it must be something of that nature or
  • order when we saw her come in to breakfast. I mean to say,” said
  • Archie, reasoning closely, “woman can't come into breakfast here and
  • be rehearsing in New York at the same time. Why did she administer the
  • raspberry, old friend?”
  • Mr. Benham helped himself to fish-pie, and spoke dully through the
  • steam.
  • “Well, what happened was this. Knowing her as intimately as you do--”
  • “I DON'T know her!”
  • “Well, anyway, it was like this. As you know, she has a dog--”
  • “I didn't know she had a dog,” protested Archie. It seemed to him that
  • the world was in conspiracy to link him with this woman.
  • “Well, she has a dog. A beastly great whacking brute of a bulldog. And
  • she brings it to rehearsal.” Mr. Benham's eyes filled with tears, as
  • in his emotion he swallowed a mouthful of fish-pie some eighty-three
  • degrees Fahrenheit hotter than it looked. In the intermission caused by
  • this disaster his agile mind skipped a few chapters of the story, and,
  • when he was able to speak again, he said, “So then there was a lot of
  • trouble. Everything broke loose!”
  • “Why?” Archie was puzzled. “Did the management object to her bringing
  • the dog to rehearsal?”
  • “A lot of good that would have done! She does what she likes in the
  • theatre.”
  • “Then why was there trouble?”
  • “You weren't listening,” said Mr. Benham, reproachfully. “I told you.
  • This dog came snuffling up to where I was sitting--it was quite dark in
  • the body of the theatre, you know--and I got up to say something about
  • something that was happening on the stage, and somehow I must have given
  • it a push with my foot.”
  • “I see,” said Archie, beginning to get the run of the plot. “You kicked
  • her dog.”
  • “Pushed it. Accidentally. With my foot.”
  • “I understand. And when you brought off this kick--”
  • “Push,” said Mr. Benham, austerely.
  • “This kick or push. When you administered this kick or push--”
  • “It was more a sort of light shove.”
  • “Well, when you did whatever you did, the trouble started?”
  • Mr. Benham gave a slight shiver.
  • “She talked for a while, and then walked out, taking the dog with her.
  • You see, this wasn't the first time it had happened.”
  • “Good Lord! Do you spend your whole time doing that sort of thing?”
  • “It wasn't me the first time. It was the stage-manager. He didn't know
  • whose dog it was, and it came waddling on to the stage, and he gave it a
  • sort of pat, a kind of flick--”
  • “A slosh?”
  • “NOT a slosh,” corrected Mr. Benham, firmly. “You might call it a
  • tap--with the promptscript. Well, we had a lot of difficulty smoothing
  • her over that time. Still, we managed to do it, but she said that if
  • anything of the sort occurred again she would chuck up her part.”
  • “She must be fond of the dog,” said Archie, for the first time feeling a
  • touch of goodwill and sympathy towards the lady.
  • “She's crazy about, it. That's what made it so awkward when I
  • happened--quite inadvertently--to give it this sort of accidental shove.
  • Well, we spent the rest of the day trying to get her on the 'phone at
  • her apartment, and finally we heard that she had come here. So I took
  • the next train, and tried to persuade her to come back. She wouldn't
  • listen. And that's how matters stand.”
  • “Pretty rotten!” said Archie, sympathetically.
  • “You can bet it's pretty rotten--for me. There's nobody else who can
  • play the part. Like a chump, I wrote the thing specially for her. It
  • means the play won't be produced at all, if she doesn't do it. So you're
  • my last hope!”
  • Archie, who was lighting a cigarette, nearly swallowed it.
  • “_I_ am?”
  • “I thought you might persuade her. Point out to her what a lot hangs on
  • her coming back. Jolly her along, YOU know the sort of thing!”
  • “But, my dear old friend, I tell you I don't know her!”
  • Mr. Benham's eyes opened behind their zareba of glass.
  • “Well, she knows YOU. When you came through the lobby just now she said
  • that you were the only real human being she had ever met.”
  • “Well, as a matter of fact, I did take a fly out of her eye. But--”
  • “You did? Well, then, the whole thing's simple. All you have to do is to
  • ask her how her eye is, and tell her she has the most beautiful eyes you
  • ever saw, and coo a bit.”
  • “But, my dear old son!” The frightful programme which his friend had
  • mapped out stunned Archie. “I simply can't! Anything to oblige and all
  • that sort of thing, but when it comes to cooing, distinctly Napoo!”
  • “Nonsense! It isn't hard to coo.”
  • “You don't understand, laddie. You're not a married man. I mean to say,
  • whatever you say for or against marriage--personally I'm all for it and
  • consider it a ripe egg--the fact remains that it practically makes a
  • chappie a spent force as a cooer. I don't want to dish you in any way,
  • old bean, but I must firmly and resolutely decline to coo.”
  • Mr. Benham rose and looked at his watch.
  • “I'll have to be moving,” he said. “I've got to get back to New York and
  • report. I'll tell them that I haven't been able to do anything myself,
  • but that I've left the matter in good hands. I know you will do your
  • best.”
  • “But, laddie!”
  • “Think,” said Mr. Benham, solemnly, “of all that depends on it! The
  • other actors! The small-part people thrown out of a job! Myself--but no!
  • Perhaps you had better touch very lightly or not at all on my connection
  • with the thing. Well, you know how to handle it. I feel I can leave
  • it to you. Pitch it strong! Good-bye, my dear old man, and a thousand
  • thanks. I'll do the same for you another time.” He moved towards the
  • door, leaving Archie transfixed. Half-way there he turned and came back.
  • “Oh, by the way,” he said, “my lunch. Have it put on your bill, will
  • you? I haven't time to stay and settle. Good-bye! Good-bye!”
  • CHAPTER XIII. RALLYING ROUND PERCY
  • It amazed Archie through the whole of a long afternoon to reflect how
  • swiftly and unexpectedly the blue and brilliant sky of life can cloud
  • over and with what abruptness a man who fancies that his feet are on
  • solid ground can find himself immersed in Fate's gumbo. He recalled,
  • with the bitterness with which one does recall such things, that that
  • morning he had risen from his bed without a care in the world, his
  • happiness unruffled even by the thought that Lucille would be leaving
  • him for a short space. He had sung in his bath. Yes, he had chirruped
  • like a bally linnet. And now--
  • Some men would have dismissed the unfortunate affairs of Mr. George
  • Benham from their mind as having nothing to do with themselves, but
  • Archie had never been made of this stern stuff. The fact that Mr.
  • Benham, apart from being an agreeable companion with whom he had lunched
  • occasionally in New York, had no claims upon him affected him little. He
  • hated to see his fellowman in trouble. On the other hand, what could
  • he do? To seek Miss Silverton out and plead with her--even if he did
  • it without cooing--would undoubtedly establish an intimacy between them
  • which, instinct told him, might tinge her manner after Lucille's return
  • with just that suggestion of Auld Lang Syne which makes things so
  • awkward.
  • His whole being shrank from extending to Miss Silverton that inch which
  • the female artistic temperament is so apt to turn into an ell; and when,
  • just as he was about to go in to dinner, he met her in the lobby and she
  • smiled brightly at him and informed him that her eye was now completely
  • recovered, he shied away like a startled mustang of the prairie, and,
  • abandoning his intention of worrying the table d'hote in the same room
  • with the amiable creature, tottered off to the smoking-room, where he
  • did the best he could with sandwiches and coffee.
  • Having got through the time as best he could till eleven o'clock, he
  • went up to bed.
  • The room to which he and Lucille had been assigned by the management was
  • on the second floor, pleasantly sunny by day and at night filled with
  • cool and heartening fragrance of the pines. Hitherto Archie had always
  • enjoyed taking a final smoke on the balcony overlooking the woods,
  • but, to-night such was his mental stress that he prepared to go to bed
  • directly he had closed the door. He turned to the cupboard to get his
  • pyjamas.
  • His first thought, when even after a second scrutiny no pyjamas were
  • visible, was that this was merely another of those things which happen
  • on days when life goes wrong. He raked the cupboard for a third time
  • with an annoyed eye. From every hook hung various garments of Lucille's,
  • but no pyjamas. He was breathing a soft malediction preparatory to
  • embarking on a point-to-point hunt for his missing property, when
  • something in the cupboard caught his eye and held him for a moment
  • puzzled.
  • He could have sworn that Lucille did not possess a mauve neglige. Why,
  • she had told him a dozen times that mauve was a colour which she did
  • not like. He frowned perplexedly; and as he did so, from near the window
  • came a soft cough.
  • Archie spun round and subjected the room to as close a scrutiny as that
  • which he had bestowed upon the cupboard. Nothing was visible. The window
  • opening on to the balcony gaped wide. The balcony was manifestly empty.
  • “URRF!”
  • This time there was no possibility of error. The cough had come from the
  • immediate neighbourhood of the window.
  • Archie was conscious of a pringly sensation about the roots of his
  • closely-cropped back-hair, as he moved cautiously across the room. The
  • affair was becoming uncanny; and, as he tip-toed towards the window, old
  • ghost stories, read in lighter moments before cheerful fires with
  • plenty of light in the room, flitted through his mind. He had the
  • feeling--precisely as every chappie in those stories had had--that he
  • was not alone.
  • Nor was he. In a basket behind an arm-chair, curled up, with his massive
  • chin resting on the edge of the wicker-work, lay a fine bulldog.
  • “Urrf!” said the bulldog.
  • “Good God!” said Archie.
  • There was a lengthy pause in which the bulldog looked earnestly at
  • Archie and Archie looked earnestly at the bulldog.
  • Normally, Archie was a dog-lover. His hurry was never so great as to
  • prevent him stopping, when in the street, and introducing himself to any
  • dog he met. In a strange house, his first act was to assemble the canine
  • population, roll it on its back or backs, and punch it in the ribs. As a
  • boy, his earliest ambition had been to become a veterinary surgeon; and,
  • though the years had cheated him of his career, he knew all about dogs,
  • their points, their manners, their customs, and their treatment in
  • sickness and in health. In short, he loved dogs, and, had they met under
  • happier conditions, he would undoubtedly have been on excellent terms
  • with this one within the space of a minute. But, as things were, he
  • abstained from fraternising and continued to goggle dumbly.
  • And then his eye, wandering aside, collided with the following objects:
  • a fluffy pink dressing-gown, hung over the back of a chair, an entirely
  • strange suit-case, and, on the bureau, a photograph in a silver frame of
  • a stout gentleman in evening-dress whom he had never seen before in his
  • life.
  • Much has been written of the emotions of the wanderer who, returning to
  • his childhood home, finds it altered out of all recognition; but poets
  • have neglected the theme--far more poignant--of the man who goes up to
  • his room in an hotel and finds it full of somebody else's dressing-gowns
  • and bulldogs.
  • Bulldogs! Archie's heart jumped sideways and upwards with a wiggling
  • movement, turning two somersaults, and stopped beating. The hideous
  • truth, working its way slowly through the concrete, had at last
  • penetrated to his brain. He was not only in somebody else's room, and a
  • woman's at that. He was in the room belonging to Miss Vera Silverton.
  • He could not understand it. He would have been prepared to stake the
  • last cent he could borrow from his father-in-law on the fact that he had
  • made no error in the number over the door. Yet, nevertheless, such was
  • the case, and, below par though his faculties were at the moment, he was
  • sufficiently alert to perceive that it behoved him to withdraw.
  • He leaped to the door, and, as he did so, the handle began to turn.
  • The cloud which had settled on Archie's mind lifted abruptly. For an
  • instant he was enabled to think about a hundred times more quickly than
  • was his leisurely wont. Good fortune had brought him to within easy
  • reach of the electric-light switch. He snapped it back, and was in
  • darkness. Then, diving silently and swiftly to the floor, he wriggled
  • under the bed. The thud of his head against what appeared to be some
  • sort of joist or support, unless it had been placed there by the maker
  • as a practical joke, on the chance of this kind of thing happening some
  • day, coincided with the creak of the opening door. Then the light
  • was switched on again, and the bulldog in the corner gave a welcoming
  • woofle.
  • “And how is mamma's precious angel?”
  • Rightly concluding that the remark had not been addressed to himself
  • and that no social obligation demanded that he reply, Archie pressed
  • his cheek against the boards and said nothing. The question was not
  • repeated, but from the other side of the room came the sound of a patted
  • dog.
  • “Did he think his muzzer had fallen down dead and was never coming up?”
  • The beautiful picture which these words conjured up filled Archie with
  • that yearning for the might-have-been which is always so painful. He was
  • finding his position physically as well as mentally distressing. It was
  • cramped under the bed, and the boards were harder than anything he had
  • ever encountered. Also, it appeared to be the practice of the housemaids
  • at the Hotel Hermitage to use the space below the beds as a depository
  • for all the dust which they swept off the carpet, and much of this was
  • insinuating itself into his nose and mouth. The two things which Archie
  • would have liked most to do at that moment were first to kill Miss
  • Silverton--if possible, painfully--and then to spend the remainder of
  • his life sneezing.
  • After a prolonged period he heard a drawer open, and noted the fact as
  • promising. As the old married man, he presumed that it signified the
  • putting away of hair-pins. About now the dashed woman would be looking
  • at herself in the glass with her hair down. Then she would brush it.
  • Then she would twiddle it up into thingummies. Say, ten minutes for
  • this. And after that she would go to bed and turn out the light, and he
  • would be able, after giving her a bit of time to go to sleep, to creep
  • out and leg it. Allowing at a conservative estimate three-quarters of--
  • “Come out!”
  • Archie stiffened. For an instant a feeble hope came to him that this
  • remark, like the others, might be addressed to the dog.
  • “Come out from under that bed!” said a stern voice. “And mind how you
  • come! I've got a pistol!”
  • “Well, I mean to say, you know,” said Archie, in a propitiatory voice,
  • emerging from his lair like a tortoise and smiling as winningly as a man
  • can who has just bumped his head against the leg of a bed, “I suppose
  • all this seems fairly rummy, but--”
  • “For the love of Mike!” said Miss Silverton.
  • The point seemed to Archie well taken and the comment on the situation
  • neatly expressed.
  • “What are you doing in my room?”
  • “Well, if it comes to that, you know--shouldn't have mentioned it if you
  • hadn't brought the subject up in the course of general chit-chat--what
  • are you doing in mine?”
  • “Yours?”
  • “Well, apparently there's been a bloomer of some species somewhere, but
  • this was the room I had last night,” said Archie.
  • “But the desk-clerk said that he had asked you if it would be quite
  • satisfactory to you giving it up to me, and you said yes. I come here
  • every summer, when I'm not working, and I always have this room.”
  • “By Jove! I remember now. The chappie did say something to me about the
  • room, but I was thinking of something else and it rather went over the
  • top. So that's what he was talking about, was it?”
  • Miss Silverton was frowning. A moving-picture director, scanning her
  • face, would have perceived that she was registering disappointment.
  • “Nothing breaks right for me in this darned world,” she said,
  • regretfully. “When I caught sight of your leg sticking out from under
  • the bed, I did think that everything was all lined up for a real find
  • and, at last, I could close my eyes and see the thing in the papers.
  • On the front page, with photographs: 'Plucky Actress Captures Burglar.'
  • Darn it!”
  • “Fearfully sorry, you know!”
  • “I just needed something like that. I've got a Press-agent, and I
  • will say for him that he eats well and sleeps well and has just enough
  • intelligence to cash his monthly cheque without forgetting what he went
  • into the bank for, but outside of that you can take it from me he's not
  • one of the world's workers! He's about as much solid use to a girl with
  • aspirations as a pain in the lower ribs. It's three weeks since he got
  • me into print at all, and then the brightest thing he could think up was
  • that my favourite breakfast-fruit was an apple. Well, I ask you!”
  • “Rotten!” said Archie.
  • “I did think that for once my guardian angel had gone back to work
  • and was doing something for me. 'Stage Star and Midnight Marauder,'”
  • murmured Miss Silverton, wistfully. “'Footlight Favourite Foils Felon.'”
  • “Bit thick!” agreed Archie, sympathetically. “Well, you'll probably
  • be wanting to get to bed and all that sort of rot, so I may as well be
  • popping, what! Cheerio!”
  • A sudden gleam came into Miss Silverton's compelling eyes.
  • “Wait!”
  • “Eh?”
  • “Wait! I've got an idea!” The wistful sadness had gone from her manner.
  • She was bright and alert. “Sit down!”
  • “Sit down?”
  • “Sure. Sit down and take the chill off the arm-chair. I've thought of
  • something.”
  • Archie sat down as directed. At his elbow the bulldog eyed him gravely
  • from the basket.
  • “Do they know you in this hotel?”
  • “Know me? Well, I've been here about a week.”
  • “I mean, do they know who you are? Do they know you're a good citizen?”
  • “Well, if it comes to that, I suppose they don't. But--”
  • “Fine!” said Miss Silverton, appreciatively. “Then it's all right. We
  • can carry on!”
  • “Carry on!”
  • “Why, sure! All I want is to get the thing into the papers. It doesn't
  • matter to me if it turns out later that there was a mistake and that you
  • weren't a burglar trying for my jewels after all. It makes just as good
  • a story either way. I can't think why that never struck me before. Here
  • have I been kicking because you weren't a real burglar, when it doesn't
  • amount to a hill of beans whether you are or not. All I've got to do
  • is to rush out and yell and rouse the hotel, and they come in and pinch
  • you, and I give the story to the papers, and everything's fine!”
  • Archie leaped from his chair.
  • “I say! What!”
  • “What's on your mind?” enquired Miss Silverton, considerately. “Don't
  • you think it's a nifty scheme?”
  • “Nifty! My dear old soul! It's frightful!”
  • “Can't see what's wrong with it,” grumbled Miss Silverton. “After I've
  • had someone get New York on the long-distance 'phone and give the
  • story to the papers you can explain, and they'll let you out. Surely to
  • goodness you don't object, as a personal favour to me, to spending an
  • hour or two in a cell? Why, probably they haven't got a prison at all
  • out in these parts, and you'll simply be locked in a room. A child of
  • ten could do it on his head,” said Miss Silverton. “A child of six,” she
  • emended.
  • “But, dash it--I mean--what I mean to say--I'm married!”
  • “Yes?” said Miss Silverton, with the politeness of faint interest. “I've
  • been married myself. I wouldn't say it's altogether a bad thing, mind
  • you, for those that like it, but a little of it goes a long way. My
  • first husband,” she proceeded, reminiscently, “was a travelling man. I
  • gave him a two-weeks' try-out, and then I told him to go on travelling.
  • My second husband--now, HE wasn't a gentleman in any sense of the word.
  • I remember once--”
  • “You don't grasp the point. The jolly old point! You fail to grasp it.
  • If this bally thing comes out, my wife will be most frightfully sick!”
  • Miss Silverton regarded him with pained surprise.
  • “Do you mean to say you would let a little thing like that stand in the
  • way of my getting on the front page of all the papers--WITH photographs?
  • Where's your chivalry?”
  • “Never mind my dashed chivalry!”
  • “Besides, what does it matter if she does get a little sore? She'll soon
  • get over it. You can put that right. Buy her a box of candy. Not that
  • I'm strong for candy myself. What I always say is, it may taste good,
  • but look what it does to your hips! I give you my honest word that, when
  • I gave up eating candy, I lost eleven ounces the first week. My second
  • husband--no, I'm a liar, it was my third--my third husband said--Say,
  • what's the big idea? Where are you going?”
  • “Out!” said Archie, firmly. “Bally out!”
  • A dangerous light flickered in Miss Silverton's eyes.
  • “That'll be all of that!” she said, raising the pistol. “You stay right
  • where you are, or I'll fire!”
  • “Right-o!”
  • “I mean it!”
  • “My dear old soul,” said Archie, “in the recent unpleasantness in France
  • I had chappies popping off things like that at me all day and every day
  • for close on five years, and here I am, what! I mean to say, if I've
  • got to choose between staying here and being pinched in your room by the
  • local constabulary and having the dashed thing get into the papers and
  • all sorts of trouble happening, and my wife getting the wind up and--I
  • say, if I've got to choose--”
  • “Suck a lozenge and start again!” said Miss Silverton.
  • “Well, what I mean to say is, I'd much rather take a chance of getting a
  • bullet in the old bean than that. So loose it off and the best o' luck!”
  • Miss Silverton lowered the pistol, sank into a chair, and burst into
  • tears.
  • “I think you're the meanest man I ever met!” she sobbed. “You know
  • perfectly well the bang would send me into a fit!”
  • “In that case,” said Archie, relieved, “cheerio, good luck, pip-pip,
  • toodle-oo, and good-bye-ee! I'll be shifting!”
  • “Yes, you will!” cried Miss Silverton, energetically, recovering with
  • amazing swiftness from her collapse. “Yes, you will, I by no means
  • suppose! You think, just because I'm no champion with a pistol, I'm
  • helpless. You wait! Percy!”
  • “My name is not Percy.”
  • “I never said it was. Percy! Percy, come to muzzer!”
  • There was a creaking rustle from behind the arm-chair. A heavy body
  • flopped on the carpet. Out into the room, heaving himself along as
  • though sleep had stiffened his joints, and breathing stertorously
  • through his tilted nose, moved the fine bulldog. Seen in the open, he
  • looked even more formidable than he had done in his basket.
  • “Guard him, Percy! Good dog, guard him! Oh, heavens! What's the matter
  • with him?”
  • And with these words the emotional woman, uttering a wail of anguish,
  • flung herself on the floor beside the animal.
  • Percy was, indeed, in manifestly bad shape. He seemed quite unable to
  • drag his limbs across the room. There was a curious arch in his back,
  • and, as his mistress touched him, he cried out plaintively,
  • “Percy! Oh, what IS the matter with him? His nose is burning!”
  • Now was the time, with both sections of the enemy's forces occupied, for
  • Archie to have departed softly from the room. But never, since the
  • day when at the age of eleven he had carried a large, damp, and muddy
  • terrier with a sore foot three miles and deposited him on the best sofa
  • in his mother's drawing-room, had he been able to ignore the spectacle
  • of a dog in trouble.
  • “He does look bad, what!”
  • “He's dying! Oh, he's dying! Is it distemper? He's never had distemper.”
  • Archie regarded the sufferer with the grave eye of the expert. He shook
  • his head.
  • “It's not that,” he said. “Dogs with distemper make a sort of snifting
  • noise.”
  • “But he IS making a snifting noise!”
  • “No, he's making a snuffling noise. Great difference between snuffling
  • and snifting. Not the same thing at all. I mean to say, when they snift
  • they snift, and when they snuffle they--as it were--snuffle. That's how
  • you can tell. If you ask ME”--he passed his hand over the dog's back.
  • Percy uttered another cry. “I know what's the matter with him.”
  • “A brute of a man kicked him at rehearsal. Do you think he's injured
  • internally?”
  • “It's rheumatism,” said Archie. “Jolly old rheumatism. That's all that's
  • the trouble.”
  • “Are you sure?”
  • “Absolutely!”
  • “But what can I do?”
  • “Give him a good hot bath, and mind and dry him well. He'll have a good
  • sleep then, and won't have any pain. Then, first thing to-morrow, you
  • want to give him salicylate of soda.”
  • “I'll never remember that.”--“I'll write it down for you. You ought to
  • give him from ten to twenty grains three times a day in an ounce of
  • water. And rub him with any good embrocation.”
  • “And he won't die?”
  • “Die! He'll live to be as old as you are!-I mean to say--”
  • “I could kiss you!” said Miss Silverton, emotionally.
  • Archie backed hastily.
  • “No, no, absolutely not! Nothing like that required, really!”
  • “You're a darling!”
  • “Yes. I mean no. No, no, really!”
  • “I don't know what to say. What can I say?”
  • “Good night,” said Archie.
  • “I wish there was something I could do! If you hadn't been here, I
  • should have gone off my head!”
  • A great idea flashed across Archie's brain.
  • “Do you really want to do something?”
  • “Anything!”
  • “Then I do wish, like a dear sweet soul, you would pop straight back to
  • New York to-morrow and go on with those rehearsals.”
  • Miss Silverton shook her head.
  • “I can't do that!”
  • “Oh, right-o! But it isn't much to ask, what!”
  • “Not much to ask! I'll never forgive that man for kicking Percy!”
  • “Now listen, dear old soul. You've got the story all wrong. As a matter
  • of fact, jolly old Benham told me himself that he has the greatest
  • esteem and respect for Percy, and wouldn't have kicked him for the
  • world. And, you know it was more a sort of push than a kick. You might
  • almost call it a light shove. The fact is, it was beastly dark in the
  • theatre, and he was legging it sideways for some reason or other, no
  • doubt with the best motives, and unfortunately he happened to stub his
  • toe on the poor old bean.”
  • “Then why didn't he say so?”
  • “As far as I could make out, you didn't give him a chance.”
  • Miss Silverton wavered.
  • “I always hate going back after I've walked out on a show,” she said.
  • “It seems so weak!”
  • “Not a bit of it! They'll give three hearty cheers and think you a
  • topper. Besides, you've got to go to New York in any case. To take Percy
  • to a vet., you know, what!”
  • “Of course. How right you always are!” Miss Silverton hesitated again.
  • “Would you really be glad if I went back to the show?”
  • “I'd go singing about the hotel! Great pal of mine, Benham. A thoroughly
  • cheery old bean, and very cut up about the whole affair. Besides, think
  • of all the coves thrown out of work--the thingummabobs and the poor
  • what-d'you-call-'ems!”
  • “Very well.”
  • “You'll do it?”
  • “Yes.”
  • “I say, you really are one of the best! Absolutely like mother made!
  • That's fine! Well, I think I'll be saying good night.”
  • “Good night. And thank you so much!”
  • “Oh, no, rather not!”
  • Archie moved to the door.
  • “Oh, by the way.”
  • “Yes?”
  • “If I were you, I think I should catch the very first train you can get
  • to New York. You see--er--you ought to take Percy to the vet. as soon as
  • ever you can.”
  • “You really do think of everything,” said Miss Silverton.
  • “Yes,” said Archie, meditatively.
  • CHAPTER XIV. THE SAD CASE OF LOONEY BIDDLE
  • Archie was a simple soul, and, as is the case with most simple souls,
  • gratitude came easily to him. He appreciated kind treatment. And when,
  • on the following day, Lucille returned to the Hermitage, all smiles and
  • affection, and made no further reference to Beauty's Eyes and the flies
  • that got into them, he was conscious of a keen desire to show some solid
  • recognition of this magnanimity. Few wives, he was aware, could have
  • had the nobility and what not to refrain from occasionally turning the
  • conversation in the direction of the above-mentioned topics. It had not
  • needed this behaviour on her part to convince him that Lucille was a
  • topper and a corker and one of the very best, for he had been cognisant
  • of these facts since the first moment he had met her: but what he did
  • feel was that she deserved to be rewarded in no uncertain manner. And
  • it seemed a happy coincidence to him that her birthday should be coming
  • along in the next week or so. Surely, felt Archie, he could whack up
  • some sort of a not unjuicy gift for that occasion--something pretty ripe
  • that would make a substantial hit with the dear girl. Surely something
  • would come along to relieve his chronic impecuniosity for just
  • sufficient length of time to enable him to spread himself on this great
  • occasion.
  • And, as if in direct answer to prayer, an almost forgotten aunt in
  • England suddenly, out of an absolutely blue sky, shot no less a sum than
  • five hundred dollars across the ocean. The present was so lavish and
  • unexpected that Archie had the awed feeling of one who participates in
  • a miracle. He felt, like Herbert Parker, that the righteous was not
  • forsaken. It was the sort of thing that restored a fellow's faith in
  • human nature. For nearly a week he went about in a happy trance: and
  • when, by thrift and enterprise--that is to say, by betting Reggie van
  • Tuyl that the New York Giants would win the opening game of the series
  • against the Pittsburg baseball team--he contrived to double his capital,
  • what it amounted to was simply that life had nothing more to offer. He
  • was actually in a position to go to a thousand dollars for Lucille's
  • birthday present. He gathered in Mr. van Tuyl, of whose taste in these
  • matters he had a high opinion, and dragged him off to a jeweller's on
  • Broadway.
  • The jeweller, a stout, comfortable man, leaned on the counter and
  • fingered lovingly the bracelet which he had lifted out of its nest of
  • blue plush. Archie, leaning on the other side of the counter, inspected
  • the bracelet searchingly, wishing that he knew more about these things;
  • for he had rather a sort of idea that the merchant was scheming to do
  • him in the eyeball. In a chair by his side, Reggie van Tuyl, half asleep
  • as usual, yawned despondently. He had permitted Archie to lug him into
  • this shop; and he wanted to buy something and go. Any form of sustained
  • concentration fatigued Reggie.
  • “Now this,” said the jeweller, “I could do at eight hundred and fifty
  • dollars.”
  • “Grab it!” murmured Mr. van Tuyl.
  • The jeweller eyed him approvingly, a man after his own heart; but Archie
  • looked doubtful. It was all very well for Reggie to tell him to grab
  • it in that careless way. Reggie was a dashed millionaire, and no doubt
  • bought bracelets by the pound or the gross or what not; but he himself
  • was in an entirely different position.
  • “Eight hundred and fifty dollars!” he said, hesitating.
  • “Worth it,” mumbled Reggie van Tuyl.
  • “More than worth it,” amended the jeweller. “I can assure you that it is
  • better value than you could get anywhere on Fifth Avenue.”
  • “Yes?” said Archie. He took the bracelet and twiddled it thoughtfully.
  • “Well, my dear old jeweller, one can't say fairer than that, can one--or
  • two, as the case may be!” He frowned. “Oh, well, all right! But it's
  • rummy that women are so fearfully keen on these little thingummies,
  • isn't it? I mean to say, can't see what they see in them. Stones, and
  • all that. Still, there, it is, of course!”
  • “There,” said the jeweller, “as you say, it is, sir.”
  • “Yes, there it is!”
  • “Yes, there it is,” said the jeweller, “fortunately for people in my
  • line of business. Will you take it with you, sir?”
  • Archie reflected.
  • “No. No, not take it with me. The fact is, you know, my wife's coming
  • back from the country to-night, and it's her birthday to-morrow, and the
  • thing's for her, and, if it was popping about the place to-night, she
  • might see it, and it would sort of spoil the surprise. I mean to say,
  • she doesn't know I'm giving it her, and all that!”
  • “Besides,” said Reggie, achieving a certain animation now that the
  • tedious business interview was concluded, “going to the ball-game this
  • afternoon--might get pocket picked--yes, better have it sent.”
  • “Where shall I send it, sir?”
  • “Eh? Oh, shoot it along to Mrs. Archibald Moffam, at the Cosmopolis. Not
  • to-day, you know. Buzz it in first thing to-morrow.”
  • Having completed the satisfactory deal, the jeweller threw off the
  • business manner and became chatty.
  • “So you are going to the ball-game? It should be an interesting
  • contest.”
  • Reggie van Tuyl, now--by his own standards--completely awake, took
  • exception to this remark.
  • “Not a bit of it!” he said, decidedly. “No contest! Can't call it a
  • contest! Walkover for the Pirates!”
  • Archie was stung to the quick. There is that about baseball which
  • arouses enthusiasm and the partisan spirit in the unlikeliest bosoms. It
  • is almost impossible for a man to live in America and not become gripped
  • by the game; and Archie had long been one of its warmest adherents.
  • He was a whole-hearted supporter of the Giants, and his only grievance
  • against Reggie, in other respects an estimable young man, was that the
  • latter, whose money had been inherited from steel-mills in that city,
  • had an absurd regard for the Pirates of Pittsburg.
  • “What absolute bally rot!” he exclaimed. “Look what the Giants did to
  • them yesterday!”
  • “Yesterday isn't to-day,” said Reggie.
  • “No, it'll be a jolly sight worse,” said Archie. “Looney Biddle'll be
  • pitching for the Giants to-day.”
  • “That's just what I mean. The Pirates have got him rattled. Look what
  • happened last time.”
  • Archie understood, and his generous nature chafed at the innuendo.
  • Looney Biddle--so-called by an affectionately admiring public as the
  • result of certain marked eccentricities--was beyond dispute the greatest
  • left-handed pitcher New York had possessed in the last decade. But there
  • was one blot on Mr. Biddle's otherwise stainless scutcheon. Five weeks
  • before, on the occasion of the Giants' invasion of Pittsburg, he had
  • gone mysteriously to pieces. Few native-born partisans, brought up to
  • baseball from the cradle, had been plunged into a profounder gloom on
  • that occasion than Archie; but his soul revolted at the thought that
  • that sort of thing could ever happen again.
  • “I'm not saying,” continued Reggie, “that Biddle isn't a very fair
  • pitcher, but it's cruel to send him against the Pirates, and somebody
  • ought to stop it. His best friends should interfere. Once a team gets
  • a pitcher rattled, he's never any good against them again. He loses his
  • nerve.”
  • The jeweller nodded approval of this sentiment.
  • “They never come back,” he said, sententiously.
  • The fighting blood of the Moffams was now thoroughly stirred. Archie
  • eyed his friend sternly. Reggie was a good chap--in many respects an
  • extremely sound egg--but he must not be allowed to talk rot of this
  • description about the greatest left-handed pitcher of the age.
  • “It seems to me, old companion,” he said, “that a small bet is indicated
  • at this juncture. How about it?”
  • “Don't want to take your money.”
  • “You won't have to! In the cool twilight of the merry old summer
  • evening I, friend of my youth and companion of my riper years, shall be
  • trousering yours.”
  • Reggie yawned. The day was very hot, and this argument was making him
  • feel sleepy again.
  • “Well, just as you like, of course. Double or quits on yesterday's bet,
  • if that suits you.”
  • For a moment Archie hesitated. Firm as his faith was in Mr. Biddle's
  • stout left arm, he had not intended to do the thing on quite this
  • scale. That thousand dollars of his was earmarked for Lucille's birthday
  • present, and he doubted whether he ought to risk it. Then the thought
  • that the honour of New York was in his hands decided him. Besides, the
  • risk was negligible. Betting on Looney Biddle was like betting on the
  • probable rise of the sun in the east. The thing began to seem to Archie
  • a rather unusually sound and conservative investment. He remembered that
  • the jeweller, until he drew him firmly but kindly to earth and urged
  • him to curb his exuberance and talk business on a reasonable plane, had
  • started brandishing bracelets that cost about two thousand. There would
  • be time to pop in at the shop this evening after the game and change the
  • one he had selected for one of those. Nothing was too good for Lucille
  • on her birthday.
  • “Right-o!” he said. “Make it so, old friend!”
  • Archie walked back to the Cosmopolis. No misgivings came to mar his
  • perfect contentment. He felt no qualms about separating Reggie from
  • another thousand dollars. Except for a little small change in the
  • possession of the Messrs. Rockefeller and Vincent Astor, Reggie had all
  • the money in the world and could afford to lose. He hummed a gay air
  • as he entered the lobby and crossed to the cigar-stand to buy a few
  • cigarettes to see him through the afternoon.
  • The girl behind the cigar counter welcomed him with a bright smile.
  • Archie was popular with all the employes of the Cosmopolis.
  • “'S a great day, Mr. Moffam!”
  • “One of the brightest and best,” Agreed Archie. “Could you dig me out
  • two, or possibly three, cigarettes of the usual description? I shall
  • want something to smoke at the ball-game.”
  • “You going to the ball-game?”
  • “Rather! Wouldn't miss it for a fortune.”
  • “No?”
  • “Absolutely no! Not with jolly old Biddle pitching.”
  • The cigar-stand girl laughed amusedly.
  • “Is he pitching this afternoon? Say, that feller's a nut? D'you know
  • him?”
  • “Know him? Well, I've seen him pitch and so forth.”
  • “I've got a girl friend who's engaged to him!”
  • Archie looked at her with positive respect. It would have been more
  • dramatic, of course, if she had been engaged to the great man herself,
  • but still the mere fact that she had a girl friend in that astounding
  • position gave her a sort of halo.
  • “No, really!” he said. “I say, by Jove, really! Fancy that!”
  • “Yes, she's engaged to him all right. Been engaged close on a coupla
  • months now.”
  • “I say! That's frightfully interesting! Fearfully interesting, really!”
  • “It's funny about that guy,” said the cigar-stand girl. “He's a nut!
  • The fellow who said there's plenty of room at the top must have been
  • thinking of Gus Biddle's head! He's crazy about m' girl friend, y' know,
  • and, whenever they have a fuss, it seems like he sort of flies right off
  • the handle.”
  • “Goes in off the deep end, eh?”
  • “Yes, SIR! Loses what little sense he's got. Why, the last time him and
  • m' girl friend got to scrapping was when he was going on to Pittsburg
  • to play, about a month ago. He'd been out with her the day he left for
  • there, and he had a grouch or something, and he started making low,
  • sneaky cracks about her Uncle Sigsbee. Well, m' girl friend's got a nice
  • disposition, but she c'n get mad, and she just left him flat and told
  • him all was over. And he went off to Pittsburg, and, when he started in
  • to pitch the opening game, he just couldn't keep his mind on his
  • job, and look what them assassins done to him! Five runs in the first
  • innings! Yessir, he's a nut all right!”
  • Archie was deeply concerned. So this was the explanation of that
  • mysterious disaster, that weird tragedy which had puzzled the sporting
  • press from coast to coast.
  • “Good God! Is he often taken like that?”
  • “Oh, he's all right when he hasn't had a fuss with m' girl friend,” said
  • the cigar-stand girl, indifferently. Her interest in baseball was tepid.
  • Women are too often like this--mere butterflies, with no concern for the
  • deeper side of life.
  • “Yes, but I say! What I mean to say, you know! Are they pretty pally
  • now? The good old Dove of Peace flapping its little wings fairly briskly
  • and all that?”
  • “Oh, I guess everything's nice and smooth just now. I seen m' girl
  • friend yesterday, and Gus was taking her to the movies last night, so I
  • guess everything's nice and smooth.”
  • Archie breathed a sigh of relief.
  • “Took her to the movies, did he? Stout fellow!”
  • “I was at the funniest picture last week,” said the cigar-stand girl.
  • “Honest, it was a scream! It was like this--”
  • Archie listened politely; then went in to get a bite of lunch. His
  • equanimity, shaken by the discovery of the rift in the peerless one's
  • armour, was restored. Good old Biddle had taken the girl to the movies
  • last night. Probably he had squeezed her hand a goodish bit in the dark.
  • With what result? Why, the fellow would be feeling like one of those
  • chappies who used to joust for the smiles of females in the Middle Ages.
  • What he meant to say, presumably the girl would be at the game this
  • afternoon, whooping him on, and good old Biddle would be so full of
  • beans and buck that there would be no holding him.
  • Encouraged by these thoughts, Archie lunched with an untroubled mind.
  • Luncheon concluded, he proceeded to the lobby to buy back his hat and
  • stick from the boy brigand with whom he had left them. It was while he
  • was conducting this financial operation that he observed that at the
  • cigar-stand, which adjoined the coat-and-hat alcove, his friend behind
  • the counter had become engaged in conversation with another girl.
  • This was a determined looking young woman in a blue dress and a large
  • hat of a bold and flowery species, Archie happening to attract her
  • attention, she gave him a glance out of a pair of fine brown eyes, then,
  • as if she did not think much of him, turned to her companion and resumed
  • their conversation--which, being of an essentially private and intimate
  • nature, she conducted, after the manner of her kind, in a ringing
  • soprano which penetrated into every corner of the lobby. Archie,
  • waiting while the brigand reluctantly made change for a dollar bill, was
  • privileged to hear every word.
  • “Right from the start I seen he was in a ugly mood. YOU know how he
  • gets, dearie! Chewing his upper lip and looking at you as if you were
  • so much dirt beneath his feet! How was _I_ to know he'd lost fifteen
  • dollars fifty-five playing poker, and anyway, I don't see where he gets
  • a licence to work off his grouches on me. And I told him so. I said to
  • him, 'Gus,' I said, 'if you can't be bright and smiling and cheerful
  • when you take me out, why do you come round at all? Was I wrong or
  • right, dearie?”
  • The girl behind the counter heartily endorsed her conduct. “Once you let
  • a man think he could use you as a door-mat, where were you?”
  • “What happened then, honey?”
  • “Well, after that we went to the movies.”
  • Archie started convulsively. The change from his dollar-bill leaped in
  • his hand. Some of it sprang overboard and tinkled across the floor, with
  • the brigand in pursuit. A monstrous suspicion had begun, to take root in
  • his mind.
  • “Well, we got good seats, but--well, you know how it is, once things
  • start going wrong. You know that hat of mine, the one with the daisies
  • and cherries and the feather--I'd taken it off and given it him to hold
  • when we went in, and what do you think that fell'r'd done? Put it on the
  • floor and crammed it under the seat, just to save himself the trouble of
  • holding it on his lap! And, when I showed him I was upset, all he said
  • was that he was a pitcher and not a hatstand!”
  • Archie was paralysed. He paid no attention to the hat-check boy, who
  • was trying to induce him to accept treasure-trove to the amount of
  • forty-five cents. His whole being was concentrated on this frightful
  • tragedy which had burst upon him like a tidal wave. No possible room for
  • doubt remained. “Gus” was the only Gus in New York that mattered, and
  • this resolute and injured female before him was the Girl Friend, in
  • whose slim hands rested the happiness of New York's baseball followers,
  • the destiny of the unconscious Giants, and the fate of his thousand
  • dollars. A strangled croak proceeded from his parched lips.
  • “Well, I didn't say anything at the moment. It just shows how them
  • movies can work on a girl's feelings. It was a Bryant Washburn film, and
  • somehow, whenever I see him on the screen, nothing else seems to matter.
  • I just get that goo-ey feeling, and couldn't start a fight if you asked
  • me to. So we go off to have a soda, and I said to him, 'That sure was a
  • lovely film, Gus!' and would you believe me, he says straight out that
  • he didn't think it was such a much, and he thought Bryant Washburn was a
  • pill! A pill!” The Girl Friend's penetrating voice shook with emotion.
  • “He never!” exclaimed the shocked cigar-stand girl.
  • “He did, if I die the next moment! I wasn't more than half-way through
  • my vanilla and maple, but I got up without a word and left him. And I
  • ain't seen a sight of him since. So there you are, dearie! Was I right
  • or wrong?”
  • The cigar-stand girl gave unqualified approval. What men like Gus Biddle
  • needed for the salvation of their souls was an occasional good jolt
  • right where it would do most good.
  • “I'm glad you think I acted right, dearie,” said the Girl Friend. “I
  • guess I've been too weak with Gus, and he's took advantage of it. I
  • s'pose I'll have to forgive him one of these old days, but, believe me,
  • it won't be for a week.”
  • The cigar-stand girl was in favour of a fortnight.
  • “No,” said the Girl Friend, regretfully. “I don't believe I could hold
  • out that long. But, if I speak to him inside a week, well--! Well, I
  • gotta be going. Goodbye, honey.”
  • The cigar-stand girl turned to attend to an impatient customer, and the
  • Girl Friend, walking with the firm and decisive steps which indicate
  • character, made for the swing-door leading to the street. And as she
  • went, the paralysis which had pipped Archie released its hold. Still
  • ignoring the forty-five cents which the boy continued to proffer, he
  • leaped in her wake like a panther and came upon her just as she was
  • stepping into a car. The car was full, but not too full for Archie. He
  • dropped his five cents into the box and reached for a vacant strap.
  • He looked down upon the flowered hat. There she was. And there he was.
  • Archie rested his left ear against the forearm of a long, strongly-built
  • young man in a grey suit who had followed him into the car and was
  • sharing his strap, and pondered.
  • CHAPTER XV. SUMMER STORMS
  • Of course, in a way, the thing was simple. The wheeze was, in a sense,
  • straightforward and uncomplicated. What he wanted to do was to point out
  • to the injured girl all that hung on her. He wished to touch her
  • heart, to plead with her, to desire her to restate her war-aims, and to
  • persuade her--before three o'clock when that stricken gentleman would be
  • stepping into the pitcher's box to loose off the first ball against
  • the Pittsburg Pirates--to let bygones be bygones and forgive Augustus
  • Biddle. But the blighted problem was, how the deuce to find the
  • opportunity to start. He couldn't yell at the girl in a crowded
  • street-car; and, if he let go of his strap and bent over her, somebody
  • would step on his neck.
  • The Girl Friend, who for the first five minutes had remained entirely
  • concealed beneath her hat, now sought diversion by looking up and
  • examining the faces of the upper strata of passengers. Her eye caught
  • Archie's in a glance of recognition, and he smiled feebly, endeavouring
  • to register bonhomie and good-will. He was surprised to see a startled
  • expression come into her brown eyes. Her face turned pink. At least, it
  • was pink already, but it turned pinker. The next moment, the car having
  • stopped to pick up more passengers, she jumped off and started to hurry
  • across the street.
  • Archie was momentarily taken aback. When embarking on this business
  • he had never intended it to become a blend of otter-hunting and a
  • moving-picture chase. He followed her off the car with a sense that his
  • grip on the affair was slipping. Preoccupied with these thoughts, he
  • did not perceive that the long young man who had shared his strap had
  • alighted too. His eyes were fixed on the vanishing figure of the Girl
  • Friend, who, having buzzed at a smart pace into Sixth Avenue, was now
  • legging it in the direction of the staircase leading to one of the
  • stations of the Elevated Railroad. Dashing up the stairs after her,
  • he shortly afterwards found himself suspended as before from a strap,
  • gazing upon the now familiar flowers on top of her hat. From another
  • strap farther down the carriage swayed the long young man in the grey
  • suit.
  • The train rattled on. Once or twice, when it stopped, the girl seemed
  • undecided whether to leave or remain. She half rose, then sank back
  • again. Finally she walked resolutely out of the car, and Archie,
  • following, found himself in a part of New York strange to him. The
  • inhabitants of this district appeared to eke out a precarious existence,
  • not by taking in one another's washing, but by selling one another
  • second-hand clothes.
  • Archie glanced at his watch. He had lunched early, but so crowded with
  • emotions had been the period following lunch that he was surprised to
  • find that the hour was only just two. The discovery was a pleasant one.
  • With a full hour before the scheduled start of the game, much might be
  • achieved. He hurried after the girl, and came up with her just as she
  • turned the corner into one of those forlorn New York side-streets which
  • are populated chiefly by children, cats, desultory loafers, and empty
  • meat-tins.
  • The girl stopped and turned. Archie smiled a winning smile.
  • “I say, my dear sweet creature!” he said. “I say, my dear old thing, one
  • moment!”
  • “Is that so?” said the Girl Friend.
  • “I beg your pardon?”
  • “Is that so?”
  • Archie began to feel certain tremors. Her eyes were gleaming, and her
  • determined mouth had become a perfectly straight line of scarlet. It was
  • going to be difficult to be chatty to this girl. She was going to be a
  • hard audience. Would mere words be able to touch her heart? The thought
  • suggested itself that, properly speaking, one would need to use a
  • pick-axe.
  • “If you could spare me a couples of minutes of your valuable time--”
  • “Say!” The lady drew herself up menacingly. “You tie a can to yourself
  • and disappear! Fade away, or I'll call a cop!”
  • Archie was horrified at this misinterpretation of his motives. One or
  • two children, playing close at hand, and a loafer who was trying to
  • keep the wall from falling down, seemed pleased. Theirs was a colourless
  • existence and to the rare purple moments which had enlivened it in the
  • past the calling of a cop had been the unfailing preliminary. The loafer
  • nudged a fellow-loafer, sunning himself against the same wall. The
  • children, abandoning the meat-tin round which their game had centred,
  • drew closer.
  • “My dear old soul!” said Archie. “You don't understand!”
  • “Don't I! I know your sort, you trailing arbutus!”
  • “No, no! My dear old thing, believe me! I wouldn't dream!”
  • “Are you going or aren't you?”
  • Eleven more children joined the ring of spectators. The loafers stared
  • silently, like awakened crocodiles.
  • “But, I say, listen! I only wanted--”
  • At this point another voice spoke.
  • “Say!”
  • The word “Say!” more almost than any word in the American language, is
  • capable of a variety of shades of expression. It can be genial, it can
  • be jovial, it can be appealing. It can also be truculent The “Say!”
  • which at this juncture smote upon Archie's ear-drum with a suddenness
  • which made him leap in the air was truculent; and the two loafers and
  • twenty-seven children who now formed the audience were well satisfied
  • with the dramatic development of the performance. To their experienced
  • ears the word had the right ring.
  • Archie spun round. At his elbow stood a long, strongly-built young man
  • in a grey suit.
  • “Well!” said the young man, nastily. And he extended a large, freckled
  • face toward Archie's. It seemed to the latter, as he backed against the
  • wall, that the young man's neck must be composed of india-rubber. It
  • appeared to be growing longer every moment. His face, besides being
  • freckled, was a dull brick-red in colour; his lips curled back in an
  • unpleasant snarl, showing a gold tooth; and beside him, swaying in an
  • ominous sort of way, hung two clenched red hands about the size of two
  • young legs of mutton. Archie eyed him with a growing apprehension. There
  • are moments in life when, passing idly on our way, we see a strange
  • face, look into strange eyes, and with a sudden glow of human warmth
  • say to ourselves, “We have found a friend!” This was not one of those
  • moments. The only person Archie had ever seen in his life who looked
  • less friendly was the sergeant-major who had trained him in the early
  • days of the war, before he had got his commission.
  • “I've had my eye on you!” said the young man.
  • He still had his eye on him. It was a hot, gimlet-like eye, and it
  • pierced the recesses of Archie's soul. He backed a little farther
  • against the wall.
  • Archie was frankly disturbed. He was no poltroon, and had proved the
  • fact on many occasions during the days when the entire German army
  • seemed to be picking on him personally, but he hated and shrank from
  • anything in the nature of a bally public scene.
  • “What,” enquired the young man, still bearing the burden of the
  • conversation, and shifting his left hand a little farther behind his
  • back, “do you mean by following this young lady?”
  • Archie was glad he had asked him. This was precisely what he wanted to
  • explain.
  • “My dear old lad--” he began.
  • In spite of the fact that he had asked a question and presumably desired
  • a reply, the sound of Archie's voice seemed to be more than the young
  • man could endure. It deprived him of the last vestige of restraint. With
  • a rasping snarl he brought his left fist round in a sweeping semicircle
  • in the direction of Archie's head.
  • Archie was no novice in the art of self-defence. Since his early days at
  • school he had learned much from leather-faced professors of the science.
  • He had been watching this unpleasant young man's eyes with close
  • attention, and the latter could not have indicated his scheme of action
  • more clearly if he had sent him a formal note. Archie saw the swing all
  • the way. He stepped nimbly aside, and the fist crashed against the wall.
  • The young man fell back with a yelp of anguish.
  • “Gus!” screamed the Girl Friend, bounding forward.
  • She flung her arms round the injured man, who was ruefully examining
  • a hand which, always of an out-size, was now swelling to still further
  • dimensions.
  • “Gus, darling!”
  • A sudden chill gripped Archie. So engrossed had he been with his mission
  • that it had never occurred to him that the love-lorn pitcher might have
  • taken it into his head to follow the girl as well in the hope of putting
  • in a word for himself. Yet such apparently had been the case. Well, this
  • had definitely torn it. Two loving hearts were united again in complete
  • reconciliation, but a fat lot of good that was. It would be days before
  • the misguided Looney Biddle would be able to pitch with a hand like
  • that. It looked like a ham already, and was still swelling. Probably the
  • wrist was sprained. For at least a week the greatest left-handed pitcher
  • of his time would be about as much use to the Giants in any professional
  • capacity as a cold in the head. And on that crippled hand depended the
  • fate of all the money Archie had in the world. He wished now that he
  • had not thwarted the fellow's simple enthusiasm. To have had his head
  • knocked forcibly through a brick wall would not have been pleasant, but
  • the ultimate outcome would not have been as unpleasant as this. With a
  • heavy heart Archie prepared to withdraw, to be alone with his sorrow.
  • At this moment, however, the Girl Friend, releasing her wounded lover,
  • made a sudden dash for him, with the plainest intention of blotting him
  • from the earth.
  • “No, I say! Really!” said Archie, bounding backwards. “I mean to say!”
  • In a series of events, all of which had been a bit thick, this, in his
  • opinion, achieved the maximum of thickness. It was the extreme ragged,
  • outside edge of the limit. To brawl with a fellow-man in a public street
  • had been bad, but to be brawled with by a girl--the shot was not on the
  • board. Absolutely not on the board. There was only one thing to be done.
  • It was dashed undignified, no doubt, for a fellow to pick up the old
  • waukeesis and leg it in the face of the enemy, but there was no other
  • course. Archie started to run; and, as he did so, one of the loafers
  • made the mistake of gripping him by the collar of his coat.
  • “I got him!” observed the loafer.-There is a time for all things. This
  • was essentially not the time for anyone of the male sex to grip the
  • collar of Archie's coat. If a syndicate of Dempsey, Carpentier, and one
  • of the Zoo gorillas had endeavoured to stay his progress at that moment,
  • they would have had reason to consider it a rash move. Archie wanted to
  • be elsewhere, and the blood of generations of Moffams, many of whom
  • had swung a wicked axe in the free-for-all mix-ups of the Middle Ages,
  • boiled within him at any attempt to revise his plans. There was a
  • good deal of the loafer, but it was all soft. Releasing his hold when
  • Archie's heel took him shrewdly on the shin, he received a nasty punch
  • in what would have been the middle of his waistcoat if he had worn one,
  • uttered a gurgling bleat like a wounded sheep, and collapsed against the
  • wall. Archie, with a torn coat, rounded the corner, and sprinted down
  • Ninth Avenue.
  • The suddenness of the move gave him an initial advantage. He was halfway
  • down the first block before the vanguard of the pursuit poured out of
  • the side street. Continuing to travel well, he skimmed past a large dray
  • which had pulled up across the road, and moved on. The noise of those
  • who pursued was loud and clamorous in the rear, but the dray hid him
  • momentarily from their sight, and it was this fact which led Archie, the
  • old campaigner, to take his next step.
  • It was perfectly obvious--he was aware of this even in the novel
  • excitement of the chase--that a chappie couldn't hoof it at twenty-five
  • miles an hour indefinitely along a main thoroughfare of a great city
  • without exciting remark. He must take cover. Cover! That was the wheeze.
  • He looked about him for cover.
  • “You want a nice suit?”
  • It takes a great deal to startle your commercial New Yorker. The small
  • tailor, standing in his doorway, seemed in no way surprised at the
  • spectacle of Archie, whom he had seen pass at a conventional walk some
  • five minutes before, returning like this at top speed. He assumed that
  • Archie had suddenly remembered that he wanted to buy something.
  • This was exactly what Archie had done. More than anything else in the
  • world, what he wanted to do now was to get into that shop and have a
  • long talk about gents' clothing. Pulling himself up abruptly, he shot
  • past the small tailor into the dim interior. A confused aroma of cheap
  • clothing greeted him. Except for a small oasis behind a grubby counter,
  • practically all the available space was occupied by suits. Stiff suits,
  • looking like the body when discovered by the police, hung from hooks.
  • Limp suits, with the appearance of having swooned from exhaustion, lay
  • about on chairs and boxes. The place was a cloth morgue, a Sargasso Sea
  • of serge.
  • Archie would not have had it otherwise. In these quiet groves of
  • clothing a regiment could have lain hid.
  • “Something nifty in tweeds?” enquired the business-like proprietor of
  • this haven, following him amiably into the shop, “Or, maybe, yes, a nice
  • serge? Say, mister, I got a sweet thing in blue serge that'll fit you
  • like the paper on the wall!”
  • Archie wanted to talk about clothes, but not yet.
  • “I say, laddie,” he said, hurriedly. “Lend me, your ear for half a
  • jiffy!” Outside the baying of the pack had become imminent. “Stow me
  • away for a moment in the undergrowth, and I'll buy anything you want.”
  • He withdrew into the jungle. The noise outside grew in volume. The
  • pursuit had been delayed for a priceless few instants by the arrival of
  • another dray, moving northwards, which had drawn level with the first
  • dray and dexterously bottled up the fairway. This obstacle had now been
  • overcome, and the original searchers, their ranks swelled by a few dozen
  • more of the leisured classes, were hot on the trail again.
  • “You done a murder?” enquired the voice of the proprietor, mildly
  • interested, filtering through a wall of cloth. “Well, boys will be
  • boys!” he said, philosophically. “See anything there that you like?
  • There some sweet things there!”
  • “I'm inspecting them narrowly,” replied Archie. “If you don't let those
  • chappies find me, I shouldn't be surprised if I bought one.”
  • “One?” said the proprietor, with a touch of austerity.
  • “Two,” said Archie, quickly. “Or possibly three or six.”
  • The proprietor's cordiality returned.
  • “You can't have too many nice suits,” he said, approvingly, “not a young
  • feller like you that wants to look nice. All the nice girls like a
  • young feller that dresses nice. When you go out of here in a suit I got
  • hanging up there at the back, the girls 'll be all over you like flies
  • round a honey-pot.”
  • “Would you mind,” said Archie, “would you mind, as a personal favour to
  • me, old companion, not mentioning that word 'girls'?”
  • He broke off. A heavy foot had crossed the threshold of the shop.
  • “Say, uncle,” said a deep voice, one of those beastly voices that only
  • the most poisonous blighters have, “you seen a young feller run past
  • here?”
  • “Young feller?” The proprietor appeared to reflect. “Do you mean a young
  • feller in blue, with a Homburg hat?”
  • “That's the duck! We lost him. Where did he go?”
  • “Him! Why, he come running past, quick as he could go. I wondered what
  • he was running for, a hot day like this. He went round the corner at the
  • bottom of the block.”
  • There was a silence.
  • “Well, I guess he's got away,” said the voice, regretfully.
  • “The way he was travelling,” agreed the proprietor, “I wouldn't be
  • surprised if he was in Europe by this. You want a nice suit?”
  • The other, curtly expressing a wish that the proprietor would go to
  • eternal perdition and take his entire stock with him, stumped out.
  • “This,” said the proprietor, tranquilly, burrowing his way to where
  • Archie stood and exhibiting a saffron-coloured outrage, which appeared
  • to be a poor relation of the flannel family, “would put you back fifty
  • dollars. And cheap!”
  • “Fifty dollars!”
  • “Sixty, I said. I don't speak always distinct.”
  • Archie regarded the distressing garment with a shuddering horror. A
  • young man with an educated taste in clothes, it got right in among his
  • nerve centres.
  • “But, honestly, old soul, I don't want to hurt your feelings, but that
  • isn't a suit, it's just a regrettable incident!”
  • The proprietor turned to the door in a listening attitude.
  • “I believe I hear that feller coming back,” he said.
  • Archie gulped.
  • “How about trying it on?” he said. “I'm not sure, after all, it isn't
  • fairly ripe.”
  • “That's the way to talk,” said the proprietor, cordially. “You try it
  • on. You can't judge a suit, not a real nice suit like this, by looking
  • at it. You want to put it on. There!” He led the way to a dusty
  • mirror at the back of the shop. “Isn't that a bargain at seventy
  • dollars?...Why, say, your mother would be proud if she could see her boy
  • now!”
  • A quarter of an hour later, the proprietor, lovingly kneading a little
  • sheaf of currency bills, eyed with a fond look the heap of clothes which
  • lay on the counter.
  • “As nice a little lot as I've ever had in my shop!” Archie did not deny
  • this. It was, he thought, probably only too true.
  • “I only wish I could see you walking up Fifth Avenue in them!”
  • rhapsodised the proprietor. “You'll give 'em a treat! What you going
  • to do with 'em? Carry 'em under your arm?” Archie shuddered strongly.
  • “Well, then, I can send 'em for you anywhere you like. It's all the same
  • to me. Where'll I send 'em?”
  • Archie meditated. The future was black enough as it was. He shrank from
  • the prospect of being confronted next day, at the height of his misery,
  • with these appalling reach-me-downs.
  • An idea struck him.
  • “Yes, send 'em,” he said.
  • “What's the name and address?”
  • “Daniel Brewster,” said Archie, “Hotel Cosmopolis.”
  • It was a long time since he had given his father-in-law a present.
  • Archie went out into the street, and began to walk pensively down a now
  • peaceful Ninth Avenue. Out of the depths that covered him, black as the
  • pit from pole to pole, no single ray of hope came to cheer him. He could
  • not, like the poet, thank whatever gods there be for his unconquerable
  • soul, for his soul was licked to a splinter. He felt alone and
  • friendless in a rotten world. With the best intentions, he had succeeded
  • only in landing himself squarely amongst the ribstons. Why had he not
  • been content with his wealth, instead of risking it on that blighted bet
  • with Reggie? Why had he trailed the Girl Friend, dash her! He might have
  • known that he would only make an ass of himself, And, because he had
  • done so, Looney Biddle's left hand, that priceless left hand before
  • which opposing batters quailed and wilted, was out of action, resting in
  • a sling, careened like a damaged battleship; and any chance the Giants
  • might have had of beating the Pirates was gone--gone--as surely as
  • that thousand dollars which should have bought a birthday present for
  • Lucille.
  • A birthday present for Lucille! He groaned in bitterness of spirit.
  • She would be coming back to-night, dear girl, all smiles and happiness,
  • wondering what he was going to give her tomorrow. And when to-morrow
  • dawned, all he would be able to give her would be a kind smile. A nice
  • state of things! A jolly situation! A thoroughly good egg, he did NOT
  • think!
  • It seemed to Archie that Nature, contrary to her usual custom of
  • indifference to human suffering, was mourning with him. The sky
  • was overcast, and the sun had ceased to shine. There was a sort of
  • sombreness in the afternoon, which fitted in with his mood. And then
  • something splashed on his face.
  • It says much for Archie's pre-occupation that his first thought, as,
  • after a few scattered drops, as though the clouds were submitting
  • samples for approval, the whole sky suddenly began to stream like a
  • shower-bath, was that this was simply an additional infliction which he
  • was called upon to bear, On top of all his other troubles he would get
  • soaked to the skin or have to hang about in some doorway. He cursed
  • richly, and sped for shelter.
  • The rain was setting about its work in earnest. The world was full of
  • that rending, swishing sound which accompanies the more violent summer
  • storms. Thunder crashed, and lightning flicked out of the grey heavens.
  • Out in the street the raindrops bounded up off the stones like fairy
  • fountains. Archie surveyed them morosely from his refuge in the entrance
  • of a shop.
  • And then, suddenly, like one of those flashes which were lighting up the
  • gloomy sky, a thought lit up his mind.
  • “By Jove! If this keeps up, there won't be a ball-game to-day!”
  • With trembling fingers he pulled out his watch. The hands pointed to
  • five minutes to three. A blessed vision came to him of a moist and
  • disappointed crowd receiving rain-checks up at the Polo Grounds.
  • “Switch it on, you blighters!” he cried, addressing the leaden clouds.
  • “Switch it on more and more!”
  • It was shortly before five o'clock that a young man bounded into a
  • jeweller's shop near the Hotel Cosmopolis--a young man who, in spite of
  • the fact that his coat was torn near the collar and that he oozed
  • water from every inch of his drenched clothes, appeared in the highest
  • spirits.. It was only when he spoke that the jeweller recognised in
  • the human sponge the immaculate youth who had looked in that morning to
  • order a bracelet.
  • “I say, old lad,” said this young man, “you remember that jolly little
  • what-not you showed me before lunch?”
  • “The bracelet, sir?”
  • “As you observe with a manly candour which does you credit, my dear
  • old jeweller, the bracelet. Well, produce, exhibit, and bring it forth,
  • would you mind? Trot it out! Slip it across on a lordly dish!”
  • “You wished me, surely, to put it aside and send it to the Cosmopolis
  • to-morrow?”
  • The young man tapped the jeweller earnestly on his substantial chest.
  • “What I wished and what I wish now are two bally separate and dashed
  • distinct things, friend of my college days! Never put off till to-morrow
  • what you can do to-day, and all that! I'm not taking any more chances.
  • Not for me! For others, yes, but not for Archibald! Here are the
  • doubloons, produce the jolly bracelet Thanks!”
  • The jeweller counted the notes with the same unction which Archie
  • had observed earlier in the day in the proprietor of the second-hand
  • clothes-shop. The process made him genial.
  • “A nasty, wet day, sir, it's been,” he observed, chattily.
  • Archie shook his head.
  • “Old friend,” he said, “you're all wrong. Far otherwise, and not a bit
  • like it, my dear old trafficker in gems! You've put your finger on
  • the one aspect of this blighted p.m. that really deserves credit and
  • respect. Rarely in the experience of a lifetime have I encountered a day
  • so absolutely bally in nearly every shape and form, but there was one
  • thing that saved it, and that was its merry old wetness! Toodle-oo,
  • laddie!”
  • “Good evening, sir,” said the jeweller.
  • CHAPTER XVI. ARCHIE ACCEPTS A SITUATION
  • Lucille moved her wrist slowly round, the better to examine the new
  • bracelet.
  • “You really are an angel, angel!” she murmured.
  • “Like it?” said Archie complacently.
  • “LIKE it! Why, it's gorgeous! It must have cost a fortune.”
  • “Oh, nothing to speak of. Just a few hard-earned pieces of eight. Just a
  • few doubloons from the old oak chest.”
  • “But I didn't know there were any doubloons in the old oak chest.”
  • “Well, as a matter of fact,” admitted Archie, “at one point in the
  • proceedings there weren't. But an aunt of mine in England--peace be
  • on her head!--happened to send me a chunk of the necessary at what you
  • might call the psychological moment.”
  • “And you spent it all on a birthday present for me! Archie!” Lucille
  • gazed at her husband adoringly. “Archie, do you know what I think?”
  • “What?”
  • “You're the perfect man!”
  • “No, really! What ho!”
  • “Yes,” said Lucille firmly. “I've long suspected it, and now I know. I
  • don't think there's anybody like you in the world.”
  • Archie patted her hand.
  • “It's a rummy thing,” he observed, “but your father said almost exactly
  • that to me only yesterday. Only I don't fancy he meant the same as you.
  • To be absolutely frank, his exact expression was that he thanked God
  • there was only one of me.”
  • A troubled look came into Lucille's grey eyes.
  • “It's a shame about father. I do wish he appreciated you. But you
  • mustn't be too hard on him.”
  • “Me?” said Archie. “Hard on your father? Well, dash it all, I don't
  • think I treat him with what you might call actual brutality, what! I
  • mean to say, my whole idea is rather to keep out of the old lad's way
  • and curl up in a ball if I can't dodge him. I'd just as soon be hard on
  • a stampeding elephant! I wouldn't for the world say anything derogatory,
  • as it were, to your jolly old pater, but there is no getting away from
  • the fact that he's by way of being one of our leading man-eating fishes.
  • It would be idle to deny that he considers that you let down the proud
  • old name of Brewster a bit when you brought me in and laid me on the
  • mat.”
  • “Anyone would be lucky to get you for a son-in-law, precious.”
  • “I fear me, light of my life, the dad doesn't see eye to eye with you
  • on that point. No, every time I get hold of a daisy, I give him another
  • chance, but it always works out at 'He loves me not!'”
  • “You must make allowances for him, darling.”
  • “Right-o! But I hope devoutly that he doesn't catch me at it. I've a
  • sort of idea that if the old dad discovered that I was making allowances
  • for him, he would have from ten to fifteen fits.”
  • “He's worried just now, you know.”
  • “I didn't know. He doesn't confide in me much.”
  • “He's worried about that waiter.”
  • “What waiter, queen of my soul?”
  • “A man called Salvatore. Father dismissed him some time ago.”
  • “Salvatore!”
  • “Probably you don't remember him. He used to wait on this table.”
  • “Why--”
  • “And father dismissed him, apparently, and now there's all sorts of
  • trouble. You see, father wants to build this new hotel of his, and he
  • thought he'd got the site and everything and could start building right
  • away: and now he finds that this man Salvatore's mother owns a little
  • newspaper and tobacco shop right in the middle of the site, and there's
  • no way of getting him out without buying the shop, and he won't sell. At
  • least, he's made his mother promise that she won't sell.”
  • “A boy's best friend is his mother,” said Archie approvingly. “I had a
  • sort of idea all along--”
  • “So father's in despair.”
  • Archie drew at his cigarette meditatively.
  • “I remember a chappie--a policeman he was, as a matter of fact, and
  • incidentally a fairly pronounced blighter--remarking to me some time
  • ago that you could trample on the poor man's face but you mustn't be
  • surprised if he bit you in the leg while you were doing it. Apparently
  • this is what has happened to the old dad. I had a sort of idea all along
  • that old friend Salvatore would come out strong in the end if you only
  • gave him time. Brainy sort of feller! Great pal of mine.”--Lucille's
  • small face lightened. She gazed at Archie with proud affection. She
  • felt that she ought to have known that he was the one to solve this
  • difficulty.
  • “You're wonderful, darling! Is he really a friend of yours?”
  • “Absolutely. Many's the time he and I have chatted in this very
  • grill-room.”
  • “Then it's all right. If you went to him and argued with him, he would
  • agree to sell the shop, and father would be happy. Think how grateful
  • father would be to you! It would make all the difference.”
  • Archie turned this over in his mind.
  • “Something in that,” he agreed.
  • “It would make him see what a pet lambkin you really are!”
  • “Well,” said Archie, “I'm bound to say that any scheme which what you
  • might call culminates in your father regarding me as a pet lambkin ought
  • to receive one's best attention. How much did he offer Salvatore for his
  • shop?”
  • “I don't know. There is father.--Call him over and ask him.”
  • Archie glanced over to where Mr. Brewster had sunk moodily into a chair
  • at a neighbouring table. It was plain even at that distance that Daniel
  • Brewster had his troubles and was bearing them with an ill grace. He was
  • scowling absently at the table-cloth.
  • “YOU call him,” said Archie, having inspected his formidable relative.
  • “You know him better.”
  • “Let's go over to him.”
  • They crossed the room. Lucille sat down opposite her father.-Archie
  • draped himself over a chair in the background.
  • “Father, dear,” said Lucille. “Archie has got an idea.”
  • “Archie?” said Mr. Brewster incredulously.
  • “This is me,” said Archie, indicating himself with a spoon. “The tall,
  • distinguished-looking bird.”
  • “What new fool-thing is he up to now?”
  • “It's a splendid idea, father. He wants to help you over your new
  • hotel.”
  • “Wants to run it for me, I suppose?”
  • “By Jove!” said Archie, reflectively. “That's not a bad scheme! I never
  • thought of running an hotel. I shouldn't mind taking a stab at it.”
  • “He has thought of a way of getting rid of Salvatore and his shop.”
  • For the first time Mr. Brewster's interest in the conversation seemed to
  • stir. He looked sharply at his son-in-law.
  • “He has, has he?” he said.
  • Archie balanced a roll on a fork and inserted a plate underneath. The
  • roll bounded away into a corner.
  • “Sorry!” said Archie. “My fault, absolutely! I owe you a roll. I'll sign
  • a bill for it. Oh, about this sportsman Salvatore, Well, it's like this,
  • you know. He and I are great pals. I've known him for years and years.
  • At least, it seems like years and years. Lu was suggesting that I
  • seek him out in his lair and ensnare him with my diplomatic manner and
  • superior brain power and what not.”
  • “It was your idea, precious,” said Lucille.
  • Mr. Brewster was silent.--Much as it went against the grain to have to
  • admit it, there seemed to be something in this.
  • “What do you propose to do?”
  • “Become a jolly old ambassador. How much did you offer the chappie?”
  • “Three thousand dollars. Twice as much as the place is worth. He's
  • holding out on me for revenge.”
  • “Ah, but how did you offer it to him, what? I mean to say, I bet you got
  • your lawyer to write him a letter full of whereases, peradventures, and
  • parties of the first part, and so forth. No good, old companion!”
  • “Don't call me old companion!”
  • “All wrong, laddie! Nothing like it, dear heart! No good at all, friend
  • of my youth! Take it from your Uncle Archibald! I'm a student of human
  • nature, and I know a thing or two.”
  • “That's not much,” growled Mr. Brewster, who was finding his
  • son-in-law's superior manner a little trying.
  • “Now, don't interrupt, father,” said Lucille, severely. “Can't you see
  • that Archie is going to be tremendously clever in a minute?”
  • “He's got to show me!”
  • “What you ought to do,” said Archie, “is to let me go and see him,
  • taking the stuff in crackling bills. I'll roll them about on the
  • table in front of him. That'll fetch him!” He prodded Mr. Brewster
  • encouragingly with a roll. “I'll tell you what to do. Give me three
  • thousand of the best and crispest, and I'll undertake to buy that shop.
  • It can't fail, laddie!”
  • “Don't call me laddie!” Mr. Brewster pondered. “Very well,” he said at
  • last. “I didn't know you had so much sense,” he added grudgingly.
  • “Oh, positively!” said Archie. “Beneath a rugged exterior I hide a brain
  • like a buzz-saw. Sense? I exude it, laddie; I drip with it.”
  • There were moments during the ensuing days when Mr. Brewster permitted
  • himself to hope; but more frequent were the moments when he told himself
  • that a pronounced chump like his son-in-law could not fail somehow to
  • make a mess of the negotiations. His relief, therefore, when Archie
  • curveted into his private room and announced that he had succeeded was
  • great.
  • “You really managed to make that wop sell out?”
  • Archie brushed some papers off the desk with a careless gesture, and
  • seated himself on the vacant spot.
  • “Absolutely! I spoke to him as one old friend to another, sprayed the
  • bills all over the place; and he sang a few bars from 'Rigoletto,' and
  • signed on the dotted line.”
  • “You're not such a fool as you look,” owned Mr. Brewster.
  • Archie scratched a match on the desk and lit a cigarette.
  • “It's a jolly little shop,” he said. “I took quite a fancy to it. Full
  • of newspapers, don't you know, and cheap novels, and some weird-looking
  • sort of chocolates, and cigars with the most fearfully attractive
  • labels. I think I'll make a success of it. It's bang in the middle of a
  • dashed good neighbourhood. One of these days somebody will be building
  • a big hotel round about there, and that'll help trade a lot. I look
  • forward to ending my days on the other side of the counter with a
  • full set of white whiskers and a skull-cap, beloved by everybody.
  • Everybody'll say, 'Oh, you MUST patronise that quaint, delightful old
  • blighter! He's quite a character.'”
  • Mr. Brewster's air of grim satisfaction had given way to a look of
  • discomfort, almost of alarm. He presumed his son-in-law was merely
  • indulging in badinage; but even so, his words were not soothing.
  • “Well, I'm much obliged,” he said. “That infernal shop was holding up
  • everything. Now I can start building right away.”
  • Archie raised his eyebrows.
  • “But, my dear old top, I'm sorry to spoil your daydreams and stop you
  • chasing rainbows, and all that, but aren't you forgetting that the shop
  • belongs to me? I don't at all know that I want to sell, either!”
  • “I gave you the money to buy that shop!”
  • “And dashed generous of you it was, too!” admitted Archie, unreservedly.
  • “It was the first money you ever gave me, and I shall always, tell
  • interviewers that it was you who founded my fortunes. Some day, when I'm
  • the Newspaper-and-Tobacco-Shop King, I'll tell the world all about it in
  • my autobiography.”
  • Mr. Brewster rose dangerously from his seat.
  • “Do you think you can hold me up, you--you worm?”
  • “Well,” said Archie, “the way I look at it is this. Ever since we met,
  • you've been after me to become one of the world's workers, and earn a
  • living for myself, and what not; and now I see a way to repay you for
  • your confidence and encouragement. You'll look me up sometimes at the
  • good old shop, won't you?” He slid off the table and moved towards the
  • door. “There won't be any formalities where you are concerned. You can
  • sign bills for any reasonable amount any time you want a cigar or a
  • stick of chocolate. Well, toodle-oo!”
  • “Stop!”
  • “Now what?”
  • “How much do you want for that damned shop?”
  • “I don't want money.-I want a job.-If you are going to take my life-work
  • away from me, you ought to give me something else to do.”
  • “What job?”
  • “You suggested it yourself the other day. I want to manage your new
  • hotel.”
  • “Don't be a fool! What do you know about managing an hotel?”
  • “Nothing. It will be your pleasing task to teach me the business while
  • the shanty is being run up.”
  • There was a pause, while Mr. Brewster chewed three inches off a
  • pen-holder.
  • “Very well,” he said at last.
  • “Topping!” said Archie. “I knew you'd, see it. I'll study your methods,
  • what! Adding some of my own, of course. You know, I've thought of one
  • improvement on the Cosmopolis already.”
  • “Improvement on the Cosmopolis!” cried Mr. Brewster, gashed in his
  • finest feelings.
  • “Yes. There's one point where the old Cosmop slips up badly, and I'm
  • going to see that it's corrected at my little shack. Customers will be
  • entreated to leave their boots outside their doors at night, and they'll
  • find them cleaned in the morning. Well, pip, pip! I must be popping.
  • Time is money, you know, with us business men.”
  • CHAPTER XVII. BROTHER BILL'S ROMANCE
  • “Her eyes,” said Bill Brewster, “are like--like--what's the word I
  • want?”
  • He looked across at Lucille and Archie. Lucille was leaning forward
  • with an eager and interested face; Archie was leaning back with his
  • finger-tips together and his eyes closed. This was not the first time
  • since their meeting in Beale's Auction Rooms that his brother-in-law had
  • touched on the subject of the girl he had become engaged to marry during
  • his trip to England. Indeed, Brother Bill had touched on very little
  • else: and Archie, though of a sympathetic nature and fond of his young
  • relative, was beginning to feel that he had heard all he wished to hear
  • about Mabel Winchester. Lucille, on the other hand, was absorbed. Her
  • brother's recital had thrilled her.
  • “Like--” said Bill. “Like--”
  • “Stars?” suggested Lucille.
  • “Stars,” said Bill gratefully. “Exactly the word. Twin stars shining in
  • a clear sky on a summer night. Her teeth are like--what shall I say?”
  • “Pearls?”
  • “Pearls. And her hair is a lovely brown, like leaves in autumn. In
  • fact,” concluded Bill, slipping down from the heights with something of
  • a jerk, “she's a corker. Isn't she, Archie?”
  • Archie opened his eyes.
  • “Quite right, old top!” he said. “It was the only thing to do.”
  • “What the devil are you talking about?” demanded Bill coldly. He had
  • been suspicious all along of Archie's statement that he could listen
  • better with his eyes shut.
  • “Eh? Oh, sorry! Thinking of something else.”
  • “You were asleep.”
  • “No, no, positively and distinctly not. Frightfully interested and rapt
  • and all that, only I didn't quite get what you said.”
  • “I said that Mabel was a corker.”
  • “Oh, absolutely in every respect.”
  • “There!” Bill turned to Lucille triumphantly. “You hear that? And Archie
  • has only seen her photograph. Wait till he sees her in the flesh.”
  • “My dear old chap!” said Archie, shocked. “Ladies present! I mean to
  • say, what!”
  • “I'm afraid that father will be the one you'll find it hard to
  • convince.”
  • “Yes,” admitted her brother gloomily.
  • “Your Mabel sounds perfectly charming, but--well, you know what father
  • is. It IS a pity she sings in the chorus.”
  • “She-hasn't much of a voice,”--argued Bill--in extenuation.
  • “All the same--”
  • Archie, the conversation having reached a topic on which he considered
  • himself one of the greatest living authorities--to wit, the unlovable
  • disposition of his father-in-law--addressed the meeting as one who has a
  • right to be heard.
  • “Lucille's absolutely right, old thing.--Absolutely correct-o! Your
  • esteemed progenitor is a pretty tough nut, and it's no good trying to
  • get away from it.-And I'm sorry to have to say it, old bird, but, if you
  • come bounding in with part of the personnel of the ensemble on your arm
  • and try to dig a father's blessing out of him, he's extremely apt to
  • stab you in the gizzard.”
  • “I wish,” said Bill, annoyed, “you wouldn't talk as though Mabel were
  • the ordinary kind of chorus-girl. She's only on the stage because her
  • mother's hard-up and she wants to educate her little brother.”
  • “I say,” said Archie, concerned. “Take my tip, old top. In chatting the
  • matter over with the pater, don't dwell too much on that aspect of
  • the affair.--I've been watching him closely, and it's about all he
  • can stick, having to support ME. If you ring in a mother and a little
  • brother on him, he'll crack under the strain.”
  • “Well, I've got to do something about it. Mabel will be over here in a
  • week.”
  • “Great Scot! You never told us that.”
  • “Yes. She's going to be in the new Billington show. And, naturally, she
  • will expect to meet my family. I've told her all about you.”
  • “Did you explain father to her?” asked Lucille.
  • “Well, I just said she mustn't mind him, as his bark was worse than his
  • bite.”
  • “Well,” said Archie, thoughtfully, “he hasn't bitten me yet, so you may
  • be right. But you've got to admit that he's a bit of a barker.”
  • Lucille considered.
  • “Really, Bill, I think your best plan would be to go straight to father
  • and tell him the whole thing.--You don't want him to hear about it in a
  • roundabout way.”
  • “The trouble is that, whenever I'm with father, I can't think of
  • anything to say.”
  • Archie found himself envying his father-in-law this merciful
  • dispensation of Providence; for, where he himself was concerned, there
  • had been no lack of eloquence on Bill's part. In the brief period in
  • which he had known him, Bill had talked all the time and always on
  • the one topic. As unpromising a subject as the tariff laws was easily
  • diverted by him into a discussion of the absent Mabel.
  • “When I'm with father,” said Bill, “I sort of lose my nerve, and
  • yammer.”
  • “Dashed awkward,” said Archie, politely. He sat up suddenly. “I say! By
  • Jove! I know what you want, old friend! Just thought of it!”
  • “That busy brain is never still,” explained Lucille.
  • “Saw it in the paper this morning. An advertisement of a book, don't you
  • know.”
  • “I've no time for reading.”
  • “You've time for reading this one, laddie, for you can't afford to miss
  • it. It's a what-d'you-call-it book. What I mean to say is, if you read
  • it and take its tips to heart, it guarantees to make you a convincing
  • talker. The advertisement says so. The advertisement's all about a
  • chappie whose name I forget, whom everybody loved because he talked so
  • well. And, mark you, before he got hold of this book--The Personality
  • That Wins was the name of it, if I remember rightly--he was known to
  • all the lads in the office as Silent Samuel or something. Or it may have
  • been Tongue-Tied Thomas. Well, one day he happened by good luck to blow
  • in the necessary for the good old P. that W.'s, and now, whenever they
  • want someone to go and talk Rockefeller or someone into lending them a
  • million or so, they send for Samuel. Only now they call him Sammy the
  • Spell-Binder and fawn upon him pretty copiously and all that. How about
  • it, old son? How do we go?”
  • “What perfect nonsense,” said Lucille.
  • “I don't know,” said Bill, plainly impressed. “There might be something
  • in it.”
  • “Absolutely!” said Archie. “I remember it said, 'Talk convincingly, and
  • no man will ever treat you with cold, unresponsive indifference.' Well,
  • cold, unresponsive indifference is just what you don't want the pater to
  • treat you with, isn't it, or is it, or isn't it, what? I mean, what?”
  • “It sounds all right,” said Bill.
  • “It IS all right,” said Archie. “It's a scheme! I'll go farther. It's an
  • egg!”
  • “The idea I had,” said Bill, “was to see if I couldn't get Mabel a job
  • in some straight comedy. That would take the curse off the thing a bit.
  • Then I wouldn't have to dwell on the chorus end of the business, you
  • see.”
  • “Much more sensible,” said Lucille.
  • “But what a-deuce of a sweat”--argued Archie. “I mean to say, having to
  • pop round and nose about and all that.”
  • “Aren't you willing to take a little trouble for your stricken
  • brother-in-law, worm?” said Lucille severely.
  • “Oh, absolutely! My idea was to get this book and coach the dear old
  • chap. Rehearse him, don't you know. He could bone up the early chapters
  • a bit and then drift round and try his convincing talk on me.”
  • “It might be a good idea,” said Bill reflectively.
  • “Well, I'll tell you what _I'm_ going to do,” said Lucille. “I'm going
  • to get Bill to introduce me to his Mabel, and, if she's as nice as he
  • says she is, _I'll_ go to father and talk convincingly to him.”
  • “You're an ace!” said Bill.
  • “Absolutely!” agreed Archie cordially. “MY partner, what! All the same,
  • we ought to keep the book as a second string, you know. I mean to say,
  • you are a young and delicately nurtured girl--full of sensibility and
  • shrinking what's-its-name and all that--and you know what the jolly old
  • pater is. He might bark at you and put you out of action in the first
  • round. Well, then, if anything like that happened, don't you see, we
  • could unleash old Bill, the trained silver-tongued expert, and let him
  • have a shot. Personally, I'm all for the P. that W.'s.”--“Me, too,” said
  • Bill.
  • Lucille looked at her watch.
  • “Good gracious! It's nearly one o'clock!”
  • “No!” Archie heaved himself up from his chair. “Well, it's a shame to
  • break up this feast of reason and flow of soul and all that, but, if we
  • don't leg it with some speed, we shall be late.”
  • “We're lunching at the Nicholson's!” explained Lucille to her brother.
  • “I wish you were coming too.”
  • “Lunch!” Bill shook his head with a kind of tolerant scorn. “Lunch means
  • nothing to me these days. I've other things to think of besides food.”
  • He looked as spiritual as his rugged features would permit. “I haven't
  • written to Her yet to-day.”
  • “But, dash it, old scream, if she's going to be over here in a week,
  • what's the good of writing? The letter would cross her.”
  • “I'm not mailing my letters to England.” said Bill. “I'm keeping them
  • for her to read when she arrives.”
  • “My sainted aunt!” said Archie.
  • Devotion like this was something beyond his outlook.
  • CHAPTER XVIII. THE SAUSAGE CHAPPIE
  • The personality that wins cost Archie two dollars in cash and a lot of
  • embarrassment when he asked for it at the store. To buy a treatise of
  • that name would automatically seem to argue that you haven't a winning
  • personality already, and Archie was at some pains to explain to the girl
  • behind the counter that he wanted it for a friend. The girl seemed more
  • interested in his English accent than in his explanation, and Archie
  • was uncomfortably aware, as he receded, that she was practising it in an
  • undertone for the benefit of her colleagues and fellow-workers. However,
  • what is a little discomfort, if endured in friendship's name?
  • He was proceeding up Broadway after leaving the store when he
  • encountered Reggie van Tuyl, who was drifting along in somnambulistic
  • fashion near Thirty-Ninth Street.
  • “Hullo, Reggie old thing!” said Archie.
  • “Hullo!” said Reggie, a man of few words.
  • “I've just been buying a book for Bill Brewster,” went on Archie. “It
  • appears that old Bill--What's the matter?”
  • He broke off his recital abruptly. A sort of spasm had passed across
  • his companion's features. The hand holding Archie's arm had tightened
  • convulsively. One would have said that Reginald had received a shock.
  • “It's nothing,” said Reggie. “I'm all right now. I caught sight of that
  • fellow's clothes rather suddenly. They shook me a bit. I'm all right
  • now,” he said, bravely.
  • Archie, following his friend's gaze, understood. Reggie van Tuyl was
  • never at his strongest in the morning, and he had a sensitive eye for
  • clothes. He had been known to resign from clubs because members exceeded
  • the bounds in the matter of soft shirts with dinner-jackets. And the
  • short, thick-set man who was standing just in front of them in attitude
  • of restful immobility was certainly no dandy. His best friend could
  • not have called him dapper. Take him for all in all and on the hoof, he
  • might have been posing as a model for a sketch of What the Well-Dressed
  • Man Should Not Wear.
  • In costume, as in most other things, it is best to take a definite line
  • and stick to it. This man had obviously vacillated. His neck was swathed
  • in a green scarf; he wore an evening-dress coat; and his lower limbs
  • were draped in a pair of tweed trousers built for a larger man. To the
  • north he was bounded by a straw hat, to the south by brown shoes.
  • Archie surveyed the man's back carefully.
  • “Bit thick!” he said, sympathetically. “But of course Broadway isn't
  • Fifth Avenue. What I mean to say is, Bohemian licence and what not.
  • Broadway's crammed with deuced brainy devils who don't care how they
  • look. Probably this bird is a master-mind of some species.”
  • “All the same, man's no right to wear evening-dress coat with tweed
  • trousers.”
  • “Absolutely not! I see what you mean.”
  • At this point the sartorial offender turned. Seen from the front, he was
  • even more unnerving. He appeared to possess no shirt, though this defect
  • was offset by the fact that the tweed trousers fitted snugly under the
  • arms. He was not a handsome man. At his best he could never have been
  • that, and in the recent past he had managed to acquire a scar that ran
  • from the corner of his mouth half-way across his cheek. Even when his
  • face was in repose he had an odd expression; and when, as he chanced
  • to do now, he smiled, odd became a mild adjective, quite inadequate
  • for purposes of description. It was not an unpleasant face, however.
  • Unquestionably genial, indeed. There was something in it that had a
  • quality of humorous appeal.
  • Archie started. He stared at the man, Memory stirred.
  • “Great Scot!” he cried. “It's the Sausage Chappie!”
  • Reginald van Tuyl gave a little moan. He was not used to this sort of
  • thing. A sensitive young man as regarded scenes, Archie's behaviour
  • unmanned him. For Archie, releasing his arm, had bounded forward and was
  • shaking the other's hand warmly.
  • “Well, well, well! My dear old chap! You must remember me, what? No?
  • Yes?”
  • The man with the scar seemed puzzled. He shuffled the brown shoes,
  • patted the straw hat, and eyed Archie questioningly.
  • “I don't seem to place you,” he said.
  • Archie slapped the back of the evening-dress coat. He linked his arm
  • affectionately with that of the dress-reformer.
  • “We met outside St Mihiel in the war. You gave me a bit of sausage.
  • One of the most sporting events in history. Nobody but a real sportsman
  • would have parted with a bit of sausage at that moment to a stranger.
  • Never forgotten it, by Jove. Saved my life, absolutely. Hadn't chewed
  • a morsel for eight hours. Well, have you got anything on? I mean to say,
  • you aren't booked for lunch or any rot of that species, are you? Fine!
  • Then I move we all toddle off and get a bite somewhere.” He squeezed
  • the other's arm fondly. “Fancy meeting you again like this! I've often
  • wondered what became of you. But, by Jove, I was forgetting. Dashed rude
  • of me. My friend, Mr. van Tuyl.”
  • Reggie gulped. The longer he looked at it, the harder this man's costume
  • was to bear. His eye passed shudderingly from the brown shoes to the
  • tweed trousers, to the green scarf, from the green scarf to the straw
  • hat.
  • “Sorry,” he mumbled. “Just remembered. Important date. Late already.
  • Er--see you some time--”
  • He melted away, a broken man. Archie was not sorry to see him go. Reggie
  • was a good chap, but he would undoubtedly have been de trop at this
  • reunion.
  • “I vote we go to the Cosmopolis,” he said, steering his newly-found
  • friend through the crowd. “The browsing and sluicing isn't bad there,
  • and I can sign the bill which is no small consideration nowadays.”
  • The Sausage Chappie chuckled amusedly.
  • “I can't go to a place like the Cosmopolis looking like this.”
  • Archie, was a little embarrassed.
  • “Oh, I don't know, you know, don't you know!” he said. “Still, since you
  • have brought the topic up, you DID get the good old wardrobe a bit mixed
  • this morning what? I mean to say, you seem absent-mindedly, as it
  • were, to have got hold of samples from a good number of your various
  • suitings.”
  • “Suitings? How do you mean, suitings? I haven't any suitings! Who do you
  • think I am? Vincent Astor? All I have is what I stand up in.”
  • Archie was shocked. This tragedy touched him. He himself had never had
  • any money in his life, but somehow he had always seemed to manage to
  • have plenty of clothes. How this was he could not say. He had always had
  • a vague sort of idea that tailors were kindly birds who never failed to
  • have a pair of trousers or something up their sleeve to present to the
  • deserving. There was the drawback, of course, that once they had given
  • you things they were apt to write you rather a lot of letters about it;
  • but you soon managed to recognise their handwriting, and then it was a
  • simple task to extract their communications from your morning mail and
  • drop them in the waste-paper basket. This was the first case he had
  • encountered of a man who was really short of clothes.
  • “My dear old lad,” he said, briskly, “this must be remedied! Oh,
  • positively! This must be remedied at once! I suppose my things wouldn't
  • fit you? No. Well, I tell you what. We'll wangle something from
  • my father-in-law. Old Brewster, you know, the fellow who runs the
  • Cosmopolis. His'll fit you like the paper on the wall, because he's
  • a tubby little blighter, too. What I mean to say is, he's also one of
  • those sturdy, square, fine-looking chappies of about the middle height.
  • By the way, where are you stopping these days?”
  • “Nowhere just at present. I thought of taking one of those
  • self-contained Park benches.”
  • “Are you broke?”
  • “Am I!”
  • Archie was concerned.
  • “You ought to get a job.”
  • “I ought. But somehow I don't seem able to.”
  • “What did you do before the war?”
  • “I've forgotten.”
  • “Forgotten!”
  • “Forgotten.”
  • “How do you mean--forgotten? You can't mean--FORGOTTEN?”
  • “Yes. It's quite gone.”
  • “But I mean to say. You can't have forgotten a thing like that.”
  • “Can't I! I've forgotten all sorts of things. Where I was born. How old
  • I am. Whether I'm married or single. What my name is--”
  • “Well, I'm dashed!” said Archie, staggered. “But you remembered about
  • giving me a bit of sausage outside St. Mihiel?”
  • “No, I didn't. I'm taking your word for it. For all I know you may be
  • luring me into some den to rob me of my straw hat. I don't know you
  • from Adam. But I like your conversation--especially the part about
  • eating--and I'm taking a chance.”
  • Archie was concerned.
  • “Listen, old bean. Make an effort. You must remember that sausage
  • episode? It was just outside St. Mihiel, about five in the evening. Your
  • little lot were lying next to my little lot, and we happened to meet,
  • and I said 'What ho!' and you said 'Halloa!' and I said 'What ho! What
  • ho!' and you said 'Have a bit of sausage?' and I said 'What ho! What ho!
  • What HO!'”
  • “The dialogue seems to have been darned sparkling but I don't remember
  • it. It must have been after that that I stopped one. I don't seem quite
  • to have caught up with myself since I got hit.”
  • “Oh! That's how you got that scar?”
  • “No. I got that jumping through a plate-glass window in London on
  • Armistice night.”
  • “What on earth did you do that for?”
  • “Oh, I don't know. It seemed a good idea at the time.”
  • “But if you can remember a thing like that, why can't you remember your
  • name?”
  • “I remember everything that happened after I came out of hospital. It's
  • the part before that's gone.”
  • Archie patted him on the shoulder.
  • “I know just what you want. You need a bit of quiet and repose, to think
  • things over and so forth. You mustn't go sleeping on Park benches. Won't
  • do at all. Not a bit like it. You must shift to the Cosmopolis. It isn't
  • half a bad spot, the old Cosmop. I didn't like it much the first night
  • I was there, because there was a dashed tap that went drip-drip-drip all
  • night and kept me awake, but the place has its points.”
  • “Is the Cosmopolis giving free board and lodging these days?”
  • “Rather! That'll be all right. Well, this is the spot. We'll start by
  • trickling up to the old boy's suite and looking over his reach-me-downs.
  • I know the waiter on his floor. A very sound chappie. He'll let us in
  • with his pass-key.”
  • And so it came about that Mr. Daniel Brewster, returning to his suite in
  • the middle of lunch in order to find a paper dealing with the subject he
  • was discussing with his guest, the architect of his new hotel, was aware
  • of a murmur of voices behind the closed door of his bedroom. Recognising
  • the accents of his son-in-law, he breathed an oath and charged in. He
  • objected to Archie wandering at large about his suite.
  • The sight that met his eyes when he opened the door did nothing to
  • soothe him. The floor was a sea of clothes. There were coats on the
  • chairs, trousers on the bed, shirts on the bookshelf. And in the middle
  • of his welter stood Archie, with a man who, to Mr. Brewster's heated
  • eye, looked like a tramp comedian out of a burlesque show.
  • “Great Godfrey!” ejaculated Mr. Brewster.
  • Archie looked up with a friendly smile.
  • “Oh, halloa-halloa!” he said, affably, “We were just glancing through
  • your spare scenery to see if we couldn't find something for my pal here.
  • This is Mr. Brewster, my father-in-law, old man.”
  • Archie scanned his relative's twisted features. Something in his
  • expression seemed not altogether encouraging. He decided that the
  • negotiations had better be conducted in private. “One moment, old lad,”
  • he said to his new friend. “I just want to have a little talk with my
  • father-in-law in the other room. Just a little friendly business chat.
  • You stay here.”
  • In the other room Mr. Brewster turned on Archie like a wounded lion of
  • the desert.
  • “What the--!”
  • Archie secured one of his coat-buttons and began to massage it
  • affectionately.
  • “Ought to have explained!” said Archie, “only didn't want to interrupt
  • your lunch. The sportsman on the horizon is a dear old pal of mine--”
  • Mr. Brewster wrenched himself free.
  • “What the devil do you mean, you worm, by bringing tramps into my
  • bedroom and messing about with my clothes?”
  • “That's just what I'm trying to explain, if you'll only listen. This
  • bird is a bird I met in France during the war. He gave me a bit of
  • sausage outside St. Mihiel--”
  • “Damn you and him and the sausage!”
  • “Absolutely. But listen. He can't remember who he is or where he was
  • born or what his name is, and he's broke; so, dash it, I must look after
  • him. You see, he gave me a bit of sausage.”
  • Mr. Brewster's frenzy gave way to an ominous calm.
  • “I'll give him two seconds to clear out of here. If he isn't gone by
  • then I'll have him thrown out.”
  • Archie was shocked.
  • “You don't mean that?”
  • “I do mean that.”
  • “But where is he to go?”
  • “Outside.”
  • “But you don't understand. This chappie has lost his memory because he
  • was wounded in the war. Keep that fact firmly fixed in the old bean. He
  • fought for you. Fought and bled for you. Bled profusely, by Jove. AND he
  • saved my life!”
  • “If I'd got nothing else against him, that would be enough.”
  • “But you can't sling a chappie out into the cold hard world who bled in
  • gallons to make the world safe for the Hotel Cosmopolis.”
  • Mr. Brewster looked ostentatiously at his watch.
  • “Two seconds!” he said.
  • There was a silence. Archie appeared to be thinking. “Right-o!” he said
  • at last. “No need to get the wind up. I know where he can go. It's just
  • occurred to me I'll put him up at my little shop.”
  • The purple ebbed from Mr. Brewster's face. Such was his emotion that he
  • had forgotten that infernal shop. He sat down. There was more silence.
  • “Oh, gosh!” said Mr. Brewster.
  • “I knew you would be reasonable about it,” said Archie, approvingly.
  • “Now, honestly, as man to man, how do we go?”
  • “What do you want me to do?” growled Mr. Brewster.
  • “I thought you might put the chappie up for a while, and give him a
  • chance to look round and nose about a bit.”
  • “I absolutely refuse to give any more loafers free board and lodging.”
  • “Any MORE?”
  • “Well, he would be the second, wouldn't he?”
  • Archie looked pained.
  • “It's true,” he said, “that when I first came here I was temporarily
  • resting, so to speak; but didn't I go right out and grab the managership
  • of your new hotel? Positively!”
  • “I will NOT adopt this tramp.”
  • “Well, find him a job, then.”
  • “What sort of a job?”
  • “Oh, any old sort”
  • “He can be a waiter if he likes.”
  • “All right; I'll put the matter before him.”
  • He returned to the bedroom. The Sausage Chappie was gazing fondly into
  • the mirror with a spotted tie draped round his neck.
  • “I say, old top,” said Archie, apologetically, “the Emperor of the
  • Blighters out yonder says you can have a job here as waiter, and he
  • won't do another dashed thing for you. How about it?”
  • “Do waiters eat?”
  • “I suppose so. Though, by Jove, come to think of it, I've never seen one
  • at it.”
  • “That's good enough for me!” said the Sausage Chappie. “When do I
  • begin?”
  • CHAPTER XIX. REGGIE COMES TO LIFE
  • The advantage of having plenty of time on one's hands is that one has
  • leisure to attend to the affairs of all one's circle of friends; and
  • Archie, assiduously as he watched over the destinies of the Sausage
  • Chappie, did not neglect the romantic needs of his brother-in-law Bill.
  • A few days later, Lucille, returning one morning to their mutual suite,
  • found her husband seated in an upright chair at the table, an unusually
  • stern expression on his amiable face. A large cigar was in the corner
  • of his mouth. The fingers of one hand rested in the armhole of his
  • waistcoat: with the other hand he tapped menacingly on the table.
  • As she gazed upon him, wondering what could be the matter with him,
  • Lucille was suddenly aware of Bill's presence. He had emerged sharply
  • from the bedroom and was walking briskly across the floor. He came to a
  • halt in front of the table.
  • “Father!” said Bill.
  • Archie looked up sharply, frowning heavily over his cigar.
  • “Well, my boy,” he said in a strange, rasping voice. “What is it? Speak
  • up, my boy, speak up! Why the devil can't you speak up? This is my busy
  • day!”
  • “What on earth are you doing?” asked Lucille.
  • Archie waved her away with the large gesture of a man of blood and iron
  • interrupted while concentrating.
  • “Leave us, woman! We would be alone! Retire into the jolly old
  • background and amuse yourself for a bit. Read a book. Do acrostics.
  • Charge ahead, laddie.”
  • “Father!” said Bill, again.
  • “Yes, my boy, yes? What is it?”
  • “Father!”
  • Archie picked up the red-covered volume that lay on the table.
  • “Half a mo', old son. Sorry to stop you, but I knew there was something.
  • I've just remembered. Your walk. All wrong!”
  • “All wrong?”
  • “All wrong! Where's the chapter on the Art. of Walking? Here we are.
  • Listen, dear old soul. Drink this in. 'In walking, one should strive to
  • acquire that swinging, easy movement from the hips. The correctly-poised
  • walker seems to float along, as it were.' Now, old bean, you didn't
  • float a dam' bit. You just galloped in like a chappie charging into
  • a railway restaurant for a bowl of soup when his train leaves in two
  • minutes. Dashed important, this walking business, you know. Get started
  • wrong, and where are you? Try it again.... Much better.” He turned to
  • Lucille. “Notice him float along that time? Absolutely skimmed, what?”
  • Lucille had taken a seat,-and was waiting for enlightenment.
  • “Are you and Bill going into vaudeville?” she asked.
  • Archie, scrutinising-his-brother-in-law closely, had further criticism
  • to make.
  • “'The man of self-respect and self-confidence,'” he read, “'stands erect
  • in an easy, natural, graceful attitude. Heels not too far apart, head
  • erect, eyes to the front with a level gaze'--get your gaze level, old
  • thing!--'shoulders thrown back, arms hanging naturally at the sides when
  • not otherwise employed'--that means that, if he tries to hit you, it's
  • all right to guard--'chest expanded naturally, and abdomen'--this is
  • no place for you, Lucille. Leg it out of earshot--'ab--what I said
  • before--drawn in somewhat and above all not protruded.' Now, have you
  • got all that? Yes, you look all right. Carry on, laddie, carry on. Let's
  • have two-penn'orth of the Dynamic Voice and the Tone of Authority--some
  • of the full, rich, round stuff we hear so much about!”
  • Bill fastened a gimlet eye upon his brother-in-law and drew a deep
  • breath.
  • “Father!” he said. “Father!”
  • “You'll have to brighten up Bill's dialogue a lot,” said Lucille,
  • critically, “or you will never get bookings.”
  • “Father!”
  • “I mean, it's all right as far as it goes, but it's sort of monotonous.
  • Besides, one of you ought to be asking questions and the other
  • answering. Bill ought to be saying, 'Who was that lady I saw you coming
  • down the street with?' so that you would be able to say, 'That wasn't a
  • lady. That was my wife.' I KNOW! I've been to lots of vaudeville shows.”
  • Bill relaxed his attitude. He deflated his chest, spread his heels, and
  • ceased to draw in his abdomen.
  • “We'd better try this another time, when we're alone,” he said,
  • frigidly. “I can't do myself justice.”
  • “Why do you want to do yourself justice?” asked Lucille.
  • “Right-o!” said Archie, affably, casting off his forbidding expression
  • like a garment. “Rehearsal postponed. I was just putting old Bill
  • through it,” he explained, “with a view to getting him into mid-season
  • form for the jolly old pater.”
  • “Oh!” Lucille's voice was the voice of one who sees light in darkness.
  • “When Bill walked in like a cat on hot bricks and stood there looking
  • stuffed, that was just the Personality That Wins!”
  • “That was it.”
  • “Well, you couldn't blame me for not recognising it, could you?”
  • Archie patted her head paternally.
  • “A little less of the caustic critic stuff,” he said. “Bill will be
  • all right on the night. If you hadn't come in then and put him off his
  • stroke, he'd have shot out some amazing stuff, full of authority and
  • dynamic accents and what not. I tell you, light of my soul, old Bill is
  • all right! He's got the winning personality up a tree, ready whenever
  • he wants to go and get it. Speaking as his backer and trainer, I think
  • he'll twist your father round his little finger. Absolutely! It wouldn't
  • surprise me if at the end of five minutes the good old dad started
  • pumping through hoops and sitting up for lumps of sugar.”
  • “It would surprise ME.”
  • “Ah, that's because you haven't seen old Bill in action. You crabbed his
  • act before he had begun to spread himself.”
  • “It isn't that at all. The reason why I think that Bill, however winning
  • his personality may be, won't persuade father to let him marry a girl in
  • the chorus is something that happened last night.”
  • “Last night?”
  • “Well, at three o'clock this morning. It's on the front page of the
  • early editions of the evening papers. I brought one in for you to see,
  • only you were so busy. Look! There it is!”
  • Archie seized the paper.
  • “Oh, Great Scot!”
  • “What is it?” asked Bill, irritably. “Don't stand goggling there! What
  • the devil is it?”
  • “Listen to this, old thing!”
  • REVELRY BY NIGHT.
  • SPIRITED BATTLE ROYAL AT HOTEL
  • COSMOPOLIS.
  • THE HOTEL DETECTIVE HAD A GOOD HEART
  • BUT PAULINE PACKED THE PUNCH.
  • The logical contender for Jack Dempsey's championship honours has been
  • discovered; and, in an age where women are stealing men's jobs all the
  • time, it will not come as a surprise to our readers to learn that she
  • belongs to the sex that is more deadly than the male. Her name is Miss
  • Pauline Preston, and her wallop is vouched for under oath--under many
  • oaths--by Mr. Timothy O'Neill, known to his intimates as Pie-Face, who
  • holds down the arduous job of detective at the Hotel Cosmopolis.
  • At three o'clock this morning, Mr. O'Neill was advised by the
  • night-clerk that the occupants of every room within earshot of number
  • 618 had 'phoned the desk to complain of a disturbance, a noise, a vocal
  • uproar proceeding from the room mentioned. Thither, therefore, marched
  • Mr. O'Neill, his face full of cheese-sandwich, (for he had been
  • indulging in an early breakfast or a late supper) and his heart of
  • devotion to duty. He found there the Misses Pauline Preston and
  • “Bobbie” St. Clair, of the personnel of the chorus of the Frivolities,
  • entertaining a few friends of either sex. A pleasant time was being had
  • by all, and at the moment of Mr. O'Neill's entry the entire strength
  • of the company was rendering with considerable emphasis that touching
  • ballad, “There's a Place For Me In Heaven, For My Baby-Boy Is There.”
  • The able and efficient officer at once suggested that there was a place
  • for them in the street and the patrol-wagon was there; and, being a man
  • of action as well as words, proceeded to gather up an armful of assorted
  • guests as a preliminary to a personally-conducted tour onto the
  • cold night. It was at this point that Miss Preston stepped into the
  • limelight. Mr. O'Neill contends that she hit him with a brick, an iron
  • casing, and the Singer Building. Be that as it may, her efforts were
  • sufficiently able to induce him to retire for reinforcements, which,
  • arriving, arrested the supper-party regardless of age or sex.
  • At the police-court this morning Miss Preston maintained that she and
  • her friends were merely having a quiet home-evening and that Mr. O'Neill
  • was no gentleman. The male guests gave their names respectively as
  • Woodrow Wilson, David Lloyd-George, and William J. Bryan. These,
  • however, are believed to be incorrect. But the moral is, if you want
  • excitement rather than sleep, stay at the Hotel Cosmopolis.
  • Bill may have quaked inwardly as he listened to this epic but outwardly
  • he was unmoved.
  • “Well,” he said, “what about it?”
  • “What about it!” said Lucille.
  • “What about it!” said Archie. “Why, my dear old friend, it simply means
  • that all the time we've been putting in making your personality winning
  • has been chucked away. Absolutely a dead loss! We might just as well
  • have read a manual on how to knit sweaters.”
  • “I don't see it,” maintained Bill, stoutly.
  • Lucille turned apologetically to her husband.
  • “You mustn't judge me by him, Archie, darling. This sort of thing
  • doesn't run in the family.-We are supposed to be rather bright on the
  • whole. But poor Bill was dropped by his nurse when he was a baby, and
  • fell on his head.”
  • “I suppose what you're driving at,” said the goaded Bill, “is that what
  • has happened will make father pretty sore against girls who happen to be
  • in the chorus?”
  • “That's absolutely it, old thing, I'm sorry to say. The next person who
  • mentions the word chorus-girl in the jolly old governor's presence is
  • going to take his life in his hands. I tell you, as one man to another,
  • that I'd much rather be back in France hopping over the top than do it
  • myself.”
  • “What darned nonsense! Mabel may be in the chorus, but she isn't like
  • those girls.”
  • “Poor old Bill!” said Lucille. “I'm awfully sorry, but it's no use not
  • facing facts. You know perfectly well that the reputation of the hotel
  • is the thing father cares more about than anything else in the world,
  • and that this is going to make him furious with all the chorus-girls in
  • creation. It's no good trying to explain to him that your Mabel is in
  • the chorus but not of the chorus, so to speak.”
  • “Deuced well put!” said Archie, approvingly. “You're absolutely right. A
  • chorus-girl by the river's brim, so to speak, a simple chorus-girl is to
  • him, as it were, and she is nothing more, if you know what I mean.”
  • “So now,” said Lucille, “having shown you that the imbecile scheme which
  • you concocted with my poor well-meaning husband is no good at all, I
  • will bring you words of cheer. Your own original plan--of getting your
  • Mabel a part in a comedy--was always the best one. And you can do it.
  • I wouldn't have broken the bad news so abruptly if I hadn't had some
  • consolation to give you afterwards. I met Reggie van Tuyl just now,
  • wandering about as if the cares of the world were on his shoulders,
  • and he told me that he was putting up most of the money for a new play
  • that's going into rehearsal right away. Reggie's an old friend of yours.
  • All you have to do is to go to him and ask him to use his influence to
  • get your Mabel a small part. There's sure to be a maid or something with
  • only a line or two that won't matter.”
  • “A ripe scheme!” said Archie. “Very sound and fruity!”
  • The cloud did not lift from Bill's corrugated brow.
  • “That's all very well,” he said. “But you know what a talker Reggie
  • is. He's an obliging sort of chump, but his tongue's fastened on at the
  • middle and waggles at both ends. I don't want the whole of New York to
  • know about my engagement, and have somebody spilling the news to father,
  • before I'm ready.”
  • “That's all right,” said Lucille. “Archie can speak to him. There's no
  • need for him to mention your name at all. He can just say there's a girl
  • he wants to get a part for. You would do it, wouldn't you, angel-face?”
  • “Like a bird, queen of my soul.”
  • “Then that's splendid. You'd better give Archie that photograph of Mabel
  • to give to Reggie, Bill.”
  • “Photograph?” said Bill. “Which photograph? I have twenty-four!”
  • Archie found Reggie van Tuyl brooding in a window of his club that
  • looked over Fifth Avenue. Reggie was a rather melancholy young man who
  • suffered from elephantiasis of the bank-roll and the other evils
  • that arise from that complaint. Gentle and sentimental by nature, his
  • sensibilities had been much wounded by contact with a sordid world; and
  • the thing that had first endeared Archie to him was the fact that the
  • latter, though chronically hard-up, had never made any attempt to borrow
  • money from him. Reggie would have parted with it on demand, but it
  • had delighted him to find that Archie seemed to take a pleasure in his
  • society without having any ulterior motives. He was fond of Archie,
  • and also of Lucille; and their happy marriage was a constant source of
  • gratification to him.
  • For Reggie was a sentimentalist. He would have liked to live in a world
  • of ideally united couples, himself ideally united to some charming and
  • affectionate girl. But, as a matter of cold fact, he was a bachelor,
  • and most of the couples he knew were veterans of several divorces. In
  • Reggie's circle, therefore, the home-life of Archie and Lucille shone
  • like a good deed in a naughty world. It inspired him. In moments of
  • depression it restored his waning faith in human nature.
  • Consequently, when Archie, having greeted him and slipped into a chair
  • at his side, suddenly produced from his inside pocket the photograph of
  • an extremely pretty girl and asked him to get her a small part in the
  • play which he was financing, he was shocked and disappointed. He was in
  • a more than usually sentimental mood that afternoon, and had, indeed,
  • at the moment of Archie's arrival, been dreaming wistfully of soft arms
  • clasped snugly about his collar and the patter of little feet and all
  • that sort of thing.-He gazed reproachfully at Archie.
  • “Archie!” his voice quivered with emotion. “Is it worth it?, is it worth
  • it, old man?-Think of the poor little woman at home!”
  • Archie was puzzled.
  • “Eh, old top? Which poor little woman?”
  • “Think of her trust in you, her faith--“.
  • “I don't absolutely get you, old bean.”
  • “What would Lucille say if she knew about this?”
  • “Oh, she does. She knows all about it.”
  • “Good heavens!” cried Reggie.-He was shocked to the core of his
  • being.-One of the articles of his faith was, that the union of Lucille
  • and Archie was different from those loose partnerships which were
  • the custom in his world.-He had not been conscious of such a poignant
  • feeling that the foundations of the universe were cracked and tottering
  • and that there was no light and sweetness in life since the morning,
  • eighteen months back, when a negligent valet had sent him out into Fifth
  • Avenue with only one spat on.
  • “It was Lucille's idea,” explained Archie. He was about to mention his
  • brother-in-law's connection with the matter, but checked himself
  • in time, remembering Bill's specific objection to having his secret
  • revealed to Reggie. “It's like this, old thing, I've never met this
  • female, but she's a pal of Lucille's”--he comforted his conscience by
  • the reflection that, if she wasn't now, she would be in a few days--“and
  • Lucille wants to do her a bit of good. She's been on the stage in
  • England, you know, supporting a jolly old widowed mother and educating a
  • little brother and all that kind and species of rot, you understand, and
  • now she's coming over to America, and Lucille wants you to rally round
  • and shove her into your show and generally keep the home fires burning
  • and so forth. How do we go?”
  • Reggie beamed with relief. He felt just as he had felt on that other
  • occasion at the moment when a taxi-cab had rolled up and enabled him to
  • hide his spatless leg from the public gaze.
  • “Oh, I see!” he said. “Why, delighted, old man, quite delighted!”
  • “Any small part would do. Isn't there a maid or something in your
  • bob's-worth of refined entertainment who drifts about saying, 'Yes,
  • madam,' and all that sort of thing? Well, then that's just the thing.
  • Topping! I knew I could rely on you, old bird. I'll get Lucille to ship
  • her round to your address when she arrives. I fancy she's due to totter
  • in somewhere in the next few days. Well, I must be popping. Toodle-oo!”
  • “Pip-pip!” said Reggie.
  • It was about a week later that Lucille came into the suite at the
  • Hotel Cosmopolis that was her home, and found Archie lying on the couch,
  • smoking a refreshing pipe after the labours of the day. It seemed to
  • Archie that his wife was not in her usual cheerful frame of mind. He
  • kissed her, and, having relieved her of her parasol, endeavoured without
  • success to balance it on his chin. Having picked it up from the floor
  • and placed it on the table, he became aware that Lucille was looking at
  • him in a despondent sort of way. Her grey eyes were clouded.
  • “Halloa, old thing,” said Archie. “What's up?”
  • Lucille sighed wearily.
  • “Archie, darling, do you know any really good swear-words?”
  • “Well,” said Archie, reflectively, “let me see. I did pick up a few
  • tolerably ripe and breezy expressions out in France. All through my
  • military career there was something about me--some subtle magnetism,
  • don't you know, and that sort of thing--that seemed to make colonels and
  • blighters of that order rather inventive. I sort of inspired them, don't
  • you know. I remember one brass-hat addressing me for quite ten minutes,
  • saying something new all the time. And even then he seemed to think he
  • had only touched the fringe of the subject. As a matter of fact, he
  • said straight out in the most frank and confiding way that mere words
  • couldn't do justice to me. But why?”
  • “Because I want to relieve my feelings.”
  • “Anything wrong?”
  • “Everything's wrong. I've just been having tea with Bill and his Mabel.”
  • “Oh, ah!” said Archie, interested. “And what's the verdict?”
  • “Guilty!” said Lucille. “And the sentence, if I had anything to do
  • with it, would be transportation for life.” She peeled off her gloves
  • irritably. “What fools men are! Not you, precious! You're the only man
  • in the world that isn't, it seems to me. You did marry a nice girl,
  • didn't you? YOU didn't go running round after females with crimson hair,
  • goggling at them with your eyes popping out of your head like a bulldog
  • waiting for a bone.”
  • “Oh, I say! Does old Bill look like that?”
  • “Worse!”
  • Archie rose to a point of order.
  • “But one moment, old lady. You speak of crimson hair. Surely old
  • Bill--in the extremely jolly monologues he used to deliver whenever I
  • didn't see him coming and he got me alone--used to allude to her hair as
  • brown.”
  • “It isn't brown now. It's bright scarlet. Good gracious, I ought to
  • know. I've been looking at it all the afternoon. It dazzled me. If I've
  • got to meet her again, I mean to go to the oculist's and get a pair of
  • those smoked glasses you wear at Palm Beach.” Lucille brooded silently
  • for a while over the tragedy. “I don't want to say anything against her,
  • of course.”
  • “No, no, of course not.”
  • “But of all the awful, second-rate girls I ever met, she's the worst!
  • She has vermilion hair and an imitation Oxford manner. She's so horribly
  • refined that it's dreadful to listen to her. She's a sly, creepy,
  • slinky, made-up, insincere vampire! She's common! She's awful! She's a
  • cat!”
  • “You're quite right not to say anything against her,” said Archie,
  • approvingly. “It begins to look,” he went on, “as if the good old pater
  • was about due for another shock. He has a hard life!”
  • “If Bill DARES to introduce that girl to Father, he's taking his life in
  • his hands.”
  • “But surely that was the idea--the scheme--the wheeze, wasn't it? Or do
  • you think there's any chance of his weakening?”
  • “Weakening! You should have seen him looking at her! It was like a small
  • boy flattening his nose against the window of a candy-store.”
  • “Bit thick!”
  • Lucille kicked the leg of the table.
  • “And to think,” she said, “that, when I was a little girl, I used to
  • look up to Bill as a monument of wisdom. I used to hug his knees and
  • gaze into his face and wonder how anyone could be so magnificent.” She
  • gave the unoffending table another kick. “If I could have looked into
  • the future,” she said, with feeling, “I'd have bitten him in the ankle!”
  • In the days which followed, Archie found himself a little out of
  • touch with Bill and his romance. Lucille referred to the matter only
  • when he brought the subject up, and made it plain that the topic of
  • her future sister-in-law was not one which she enjoyed discussing. Mr.
  • Brewster, senior, when Archie, by way of delicately preparing his mind
  • for what was about to befall, asked him if he liked red hair, called him
  • a fool, and told him to go away and bother someone else when they were
  • busy. The only person who could have kept him thoroughly abreast of the
  • trend of affairs was Bill himself; and experience had made Archie wary
  • in the matter of meeting Bill. The position of confidant to a young man
  • in the early stages of love is no sinecure, and it made Archie sleepy
  • even to think of having to talk to his brother-in-law. He sedulously
  • avoided his love-lorn relative, and it was with a sinking feeling
  • one day that, looking over his shoulder as he sat in the Cosmopolis
  • grill-room preparatory to ordering lunch, he perceived Bill bearing down
  • upon him, obviously resolved upon joining his meal.
  • To his surprise, however, Bill did not instantly embark upon his usual
  • monologue. Indeed, he hardly spoke at all. He champed a chop, and seemed
  • to Archie to avoid his eye. It was not till lunch was over and they were
  • smoking that he unburdened himself.
  • “Archie!” he said.
  • “Hallo, old thing!” said Archie. “Still there? I thought you'd died or
  • something. Talk about our old pals, Tongue-tied Thomas and Silent Sammy!
  • You could beat 'em both on the same evening.”
  • “It's enough to make me silent.”
  • “What is?”
  • Bill had relapsed into a sort of waking dream. He sat frowning sombrely,
  • lost to the world. Archie, having waited what seemed to him a sufficient
  • length of time for an answer to his question, bent forward and touched
  • his brother-in-law's hand gently with the lighted end of his cigar. Bill
  • came to himself with a howl.
  • “What is?” said Archie.
  • “What is what?” said Bill.
  • “Now listen, old thing,” protested Archie. “Life is short and time
  • is flying. Suppose we cut out the cross-talk. You hinted there was
  • something on your mind--something worrying the old bean--and I'm waiting
  • to hear what it is.”
  • Bill fiddled a moment with his coffee-spoon.
  • “I'm in an awful hole,” he said at last.
  • “What's the trouble?”
  • “It's about that darned girl!”
  • Archie blinked.
  • “What!”
  • “That darned girl!”
  • Archie could scarcely credit his senses. He had been prepared--indeed,
  • he had steeled himself--to hear Bill allude to his affinity in a number
  • of ways. But “that darned girl” was not one of them.
  • “Companion of my riper years,” he said, “let's get this thing straight.
  • When you say 'that darned girl,' do you by any possibility allude to--?”
  • “Of course I do!”
  • “But, William, old bird--”
  • “Oh, I know, I know, I know!” said Bill, irritably. “You're surprised to
  • hear me talk like that about her?”
  • “A trifle, yes. Possibly a trifle. When last heard from, laddie, you
  • must recollect, you were speaking of the lady as your soul-mate, and
  • at least once--if I remember rightly--you alluded to her as your little
  • dusky-haired lamb.”
  • A sharp howl escaped Bill.
  • “Don't!” A strong shudder convulsed his frame. “Don't remind me of it!”
  • “There's been a species of slump, then, in dusky-haired lambs?”
  • “How,” demanded Bill, savagely, “can a girl be a dusky-haired lamb when
  • her hair's bright scarlet?”
  • “Dashed difficult!” admitted Archie.
  • “I suppose Lucille told you about that?”
  • “She did touch on it. Lightly, as it were. With a sort of gossamer
  • touch, so to speak.”
  • Bill threw off the last fragments of reserve.
  • “Archie, I'm in the devil of a fix. I don't know why it was, but
  • directly I saw her--things seemed so different over in England--I mean.”
  • He swallowed ice-water in gulps. “I suppose it was seeing her with
  • Lucille. Old Lu is such a thoroughbred. Seemed to kind of show her
  • up. Like seeing imitation pearls by the side of real pearls. And that
  • crimson hair! It sort of put the lid on it.” Bill brooded morosely. “It
  • ought to be a criminal offence for women to dye their hair. Especially
  • red. What the devil do women do that sort of thing for?”
  • “Don't blame me, old thing. It's not my fault.”
  • Bill looked furtive and harassed.
  • “It makes me feel such a cad. Here am I, feeling that I would give all
  • I've got in the world to get out of the darned thing, and all the time
  • the poor girl seems to be getting fonder of me than ever.”
  • “How do you know?” Archie surveyed his brother-in-law critically.
  • “Perhaps her feelings have changed too. Very possibly she may not like
  • the colour of YOUR hair. I don't myself. Now if you were to dye yourself
  • crimson--”
  • “Oh, shut up! Of course a man knows when a girl's fond of him.”
  • “By no means, laddie. When you're my age--”
  • “I AM your age.”
  • “So you are! I forgot that. Well, now, approaching the matter from
  • another angle, let us suppose, old son, that Miss What's-Her-Name--the
  • party of the second part--”
  • “Stop it!” said Bill suddenly. “Here comes Reggie!”
  • “Eh?”
  • “Here comes Reggie van Tuyl. I don't want him to hear us talking about
  • the darned thing.”
  • Archie looked over his shoulder and perceived that it was indeed so.
  • Reggie was threading his way among the tables.
  • “Well, HE looks pleased with things, anyway,” said Bill, enviously.
  • “Glad somebody's happy.”
  • He was right. Reggie van Tuyl's usual mode of progress through a
  • restaurant was a somnolent slouch. Now he was positively bounding along.
  • Furthermore, the usual expression on Reggie's face was a sleepy sadness.
  • Now he smiled brightly and with animation. He curveted towards their
  • table, beaming and erect, his head up, his gaze level, and his chest
  • expanded, for all the world as if he had been reading the hints in “The
  • Personality That Wins.”
  • Archie was puzzled. Something had plainly happened to Reggie. But what?
  • It was idle to suppose that somebody had left him money, for he had been
  • left practically all the money there was a matter of ten years before.
  • “Hallo, old bean,” he said, as the new-comer, radiating good will and
  • bonhomie, arrived at the table and hung over it like a noon-day sun.
  • “We've finished. But rally round and we'll watch you eat. Dashed
  • interesting, watching old Reggie eat. Why go to the Zoo?”
  • Reggie shook his head.
  • “Sorry, old man. Can't. Just on my way to the Ritz. Stepped in because
  • I thought you might be here. I wanted you to be the first to hear the
  • news.”
  • “News?”
  • “I'm the happiest man alive!”
  • “You look it, darn you!” growled Bill, on whose mood of grey gloom this
  • human sunbeam was jarring heavily.
  • “I'm engaged to be married!”
  • “Congratulations, old egg!” Archie shook his hand cordially. “Dash it,
  • don't you know, as an old married man I like to see you young fellows
  • settling down.”
  • “I don't know how to thank you enough, Archie, old man,” said Reggie,
  • fervently.
  • “Thank me?”
  • “It was through you that I met her. Don't you remember the girl you sent
  • to me? You wanted me to get her a small part--”
  • He stopped, puzzled. Archie had uttered a sound that was half gasp and
  • half gurgle, but it was swallowed up in the extraordinary noise from the
  • other side of the table. Bill Brewster was leaning forward with bulging
  • eyes and soaring eyebrows.
  • “Are you engaged to Mabel Winchester?”
  • “Why, by George!” said Reggie. “Do you know her?”
  • Archie recovered himself.
  • “Slightly,” he said. “Slightly. Old Bill knows her slightly, as it were.
  • Not very well, don't you know, but--how shall I put it?”
  • “Slightly,” suggested Bill.
  • “Just the word. Slightly.”
  • “Splendid!” said Reggie van Tuyl. “Why don't you come along to the Ritz
  • and meet her now?”
  • Bill stammered. Archie came to the rescue again.
  • “Bill can't come now. He's got a date.”
  • “A date?” said Bill.
  • “A date,” said Archie. “An appointment, don't you know. A--a--in fact, a
  • date.”
  • “But--er--wish her happiness from me,” said Bill, cordially.
  • “Thanks very much, old man,” said Reggie.
  • “And say I'm delighted, will you?”
  • “Certainly.”
  • “You won't forget the word, will you? Delighted.”
  • “Delighted.”
  • “That's right. Delighted.”
  • Reggie looked at his watch.
  • “Halloa! I must rush!”
  • Bill and Archie watched him as he bounded out of the restaurant.
  • “Poor old Reggie!” said Bill, with a fleeting compunction.
  • “Not necessarily,” said Archie. “What I mean to say is, tastes differ,
  • don't you know. One man's peach is another man's poison, and vice
  • versa.”
  • “There's something in that.”
  • “Absolutely! Well,” said Archie, judicially, “this would appear to be,
  • as it were, the maddest, merriest day in all the glad New Year, yes,
  • no?”
  • Bill drew a deep breath.
  • “You bet your sorrowful existence it is!” he said. “I'd like to do
  • something to celebrate it.”
  • “The right spirit!” said Archie. “Absolutely the right spirit! Begin by
  • paying for my lunch!”
  • CHAPTER XX. THE-SAUSAGE-CHAPPIE-CLICKS
  • Rendered restless by relief, Bill Brewster did not linger long at the
  • luncheon-table. Shortly after Reggie van Tuyl had retired, he got up and
  • announced his intention of going for a bit of a walk to calm his excited
  • mind. Archie dismissed him with a courteous wave of the hand; and,
  • beckoning to the Sausage Chappie, who in his role of waiter was hovering
  • near, requested him to bring the best cigar the hotel could supply. The
  • padded seat in which he sat was comfortable; he had no engagements; and
  • it seemed to him that a pleasant half-hour could be passed in smoking
  • dreamily and watching his fellow-men eat.
  • The grill-room had filled up. The Sausage Chappie, having brought Archie
  • his cigar, was attending to a table close by, at which a woman with
  • a small boy in a sailor suit had seated themselves. The woman was
  • engrossed with the bill of fare, but the child's attention seemed
  • riveted upon the Sausage Chappie. He was drinking him in with wide eyes.
  • He seemed to be brooding on him.
  • Archie, too, was brooding on the Sausage Chappie, The latter made an
  • excellent waiter: he was brisk and attentive, and did the work as if
  • he liked it; but Archie was not satisfied. Something seemed to tell him
  • that the man was fitted for higher things. Archie was a grateful soul.
  • That sausage, coming at the end of a five-hour hike, had made a
  • deep impression on his plastic nature. Reason told him that only an
  • exceptional man could have parted with half a sausage at such a moment;
  • and he could not feel that a job as waiter at a New York hotel was an
  • adequate job for an exceptional man. Of course, the root of the trouble
  • lay in the fact that the fellow could not remember what his real
  • life-work had been before the war. It was exasperating to reflect, as
  • the other moved away to take his order to the kitchen, that there, for
  • all one knew, went the dickens of a lawyer or doctor or architect or
  • what not.
  • His meditations were broken by the voice of the child.
  • “Mummie,” asked the child interestedly, following the Sausage Chappie
  • with his eyes as the latter disappeared towards the kitchen, “why has
  • that man got such a funny face?”
  • “Hush, darling.”
  • “Yes, but why HAS he?”
  • “I don't know, darling.”
  • The child's faith in the maternal omniscience seemed to have received a
  • shock. He had the air of a seeker after truth who has been baffled. His
  • eyes roamed the room discontentedly.
  • “He's got a funnier face than that man there,” he said, pointing to
  • Archie.
  • “Hush, darling!”
  • “But he has. Much funnier.”
  • In a way it was a sort of compliment, but Archie felt embarrassed. He
  • withdrew coyly into the cushioned recess. Presently the Sausage Chappie
  • returned, attended to the needs of the woman and the child, and came
  • over to Archie. His homely face was beaming.
  • “Say, I had a big night last night,” he said, leaning on the table.
  • “Yes?” said Archie. “Party or something?”
  • “No, I mean I suddenly began to remember things. Something seems to have
  • happened to the works.”
  • Archie sat up excitedly. This was great news.
  • “No, really? My dear old lad, this is absolutely topping. This is
  • priceless.”
  • “Yessir! First thing I remembered was that I was born at Springfield,
  • Ohio. It was like a mist starting to lift. Springfield, Ohio. That was
  • it. It suddenly came back to me.”
  • “Splendid! Anything else?”
  • “Yessir! Just before I went to sleep I remembered my name as well.”
  • Archie was stirred to his depths.
  • “Why, the thing's a walk-over!” he exclaimed. “Now you've once got
  • started, nothing can stop you. What is your name?”
  • “Why, it's--That's funny! It's gone again. I have an idea it began with
  • an S. What was it? Skeffington? Skillington?”
  • “Sanderson?”
  • “No; I'll get it in a moment. Cunningham? Carrington? Wilberforce?
  • Debenham?”
  • “Dennison?” suggested Archie, helpfully.--“No, no, no. It's on the
  • tip of my tongue. Barrington? Montgomery? Hepplethwaite? I've got it!
  • Smith!”
  • “By Jove! Really?”
  • “Certain of it.”
  • “What's the first name?”
  • An anxious expression came into the man's eyes. He hesitated. He lowered
  • his voice.
  • “I have a horrible feeling that it's Lancelot!”
  • “Good God!” said Archie.
  • “It couldn't really be that, could it?”
  • Archie looked grave. He hated to give pain, but he felt he must be
  • honest.
  • “It might,” he said. “People give their children all sorts of rummy
  • names. My second name's Tracy. And I have a pal in England who was
  • christened Cuthbert de la Hay Horace. Fortunately everyone calls him
  • Stinker.”
  • The head-waiter began to drift up like a bank of fog, and the Sausage
  • Chappie returned to his professional duties. When he came back, he was
  • beaming again.
  • “Something else I remembered,” he said, removing the cover. “I'm
  • married!”
  • “Good Lord!”
  • “At least I was before the war. She had blue eyes and brown hair and a
  • Pekingese dog.”
  • “What was her name?”
  • “I don't know.”
  • “Well, you're coming on,” said Archie. “I'll admit that. You've still
  • got a bit of a way to go before you become like one of those blighters
  • who take the Memory Training Courses in the magazine advertisements--I
  • mean to say, you know, the lads who meet a fellow once for five minutes,
  • and then come across him again ten years later and grasp him by the hand
  • and say, 'Surely this is Mr. Watkins of Seattle?' Still, you're doing
  • fine. You only need patience. Everything comes to him who waits.”
  • Archie sat up, electrified. “I say, by Jove, that's rather good, what!
  • Everything comes to him who waits, and you're a waiter, what, what. I
  • mean to say, what!”
  • “Mummie,” said the child at the other table, still speculative, “do you
  • think something trod on his face?”
  • “Hush, darling.”
  • “Perhaps it was bitten by something?”
  • “Eat your nice fish, darling,” said the mother, who seemed to be one
  • of those dull-witted persons whom it is impossible to interest in a
  • discussion on first causes.
  • Archie felt stimulated. Not even the advent of his father-in-law, who
  • came in a few moments later and sat down at the other end of the room,
  • could depress his spirits.
  • The Sausage Chappie came to his table again.
  • “It's a funny thing,” he said. “Like waking up after you've been asleep.
  • Everything seems to be getting clearer. The dog's name was Marie. My
  • wife's dog, you know. And she had a mole on her chin.”
  • “The dog?”
  • “No. My wife. Little beast! She bit me in the leg once.”
  • “Your wife?”
  • “No. The dog. Good Lord!” said the Sausage Chappie.
  • Archie looked up and followed his gaze.
  • A couple of tables away, next to a sideboard on which the management
  • exposed for view the cold meats and puddings and pies mentioned in
  • volume two of the bill of fare (“Buffet Froid”), a man and a girl had
  • just seated themselves. The man was stout and middle-aged. He bulged
  • in practically every place in which a man can bulge, and his head was
  • almost entirely free from hair. The girl was young and pretty. Her eyes
  • were blue. Her hair was brown. She had a rather attractive little mole
  • on the left side of her chin.
  • “Good Lord!” said the Sausage Chappie.
  • “Now what?” said Archie.
  • “Who's that? Over at the table there?”
  • Archie, through long attendance at the Cosmopolis Grill, knew most of
  • the habitues by sight.
  • “That's a man named Gossett. James J. Gossett. He's a motion-picture
  • man. You must have seen his name around.”
  • “I don't mean him. Who's the girl?”
  • “I've never seen her before.”
  • “It's my wife!” said the Sausage Chappie.
  • “Your wife!”
  • “Yes!”
  • “Are you sure?”
  • “Of course I'm sure!”
  • “Well, well, well!” said Archie. “Many happy returns of the day!”
  • At the other table, the girl, unconscious of the drama which was about
  • to enter her life, was engrossed in conversation with the stout man. And
  • at this moment the stout man leaned forward and patted her on the cheek.
  • It was a paternal pat, the pat which a genial uncle might bestow on
  • a favourite niece, but it did not strike the Sausage Chappie in that
  • light. He had been advancing on the table at a fairly rapid pace, and
  • now, stirred to his depths, he bounded forward with a hoarse cry.
  • Archie was at some pains to explain to his father-in-law later that, if
  • the management left cold pies and things about all over the place, this
  • sort of thing was bound to happen sooner or later. He urged that it
  • was putting temptation in people's way, and that Mr. Brewster had only
  • himself to blame. Whatever the rights of the case, the Buffet Froid
  • undoubtedly came in remarkably handy at this crisis in the Sausage
  • Chappie's life. He had almost reached the sideboard when the stout man
  • patted the girl's cheek, and to seize a huckleberry pie was with him the
  • work of a moment. The next instant the pie had whizzed past the other's
  • head and burst like a shell against the wall.
  • There are, no doubt, restaurants where this sort of thing would
  • have excited little comment, but the Cosmopolis was not one of them.
  • Everybody had something to say, but the only one among those present who
  • had anything sensible to say was the child in the sailor suit.
  • “Do it again!” said the child, cordially.
  • The Sausage Chappie did it again. He took up a fruit salad, poised it
  • for a moment, then decanted it over Mr. Gossett's bald head. The child's
  • happy laughter rang over the restaurant. Whatever anybody else might
  • think of the affair, this child liked it and was prepared to go on
  • record to that effect.
  • Epic events have a stunning quality. They paralyse the faculties. For
  • a moment there was a pause. The world stood still. Mr. Brewster bubbled
  • inarticulately. Mr. Gossett dried himself sketchily with a napkin. The
  • Sausage Chappie snorted.
  • The girl had risen to her feet and was staring wildly.
  • “John!” she cried.
  • Even at this moment of crisis the Sausage Chappie was able to look
  • relieved.
  • “So it is!” he said. “And I thought it was Lancelot!”
  • “I thought you were dead!”
  • “I'm not!” said the Sausage Chappie.
  • Mr. Gossett, speaking thickly through the fruit-salad, was understood
  • to say that he regretted this. And then confusion broke loose again.
  • Everybody began to talk at once.
  • “I say!” said Archie. “I say! One moment!”
  • Of the first stages of this interesting episode Archie had been a
  • paralysed spectator. The thing had numbed him. And then--
  • Sudden a thought came, like a full-blown rose.
  • Flushing his brow.
  • When he reached the gesticulating group, he was calm and business-like.
  • He had a constructive policy to suggest.
  • “I say,” he said. “I've got an idea!”
  • “Go away!” said Mr. Brewster. “This is bad enough without you butting
  • in.”
  • Archie quelled him with a gesture.
  • “Leave us,” he said. “We would be alone. I want to have a little
  • business-talk with Mr. Gossett.” He turned to the movie-magnate, who
  • was gradually emerging from the fruit-salad rather after the manner of
  • a stout Venus rising from the sea. “Can you spare me a moment of your
  • valuable time?”
  • “I'll have him arrested!”
  • “Don't you do it, laddie. Listen!”
  • “The man's mad. Throwing pies!”
  • Archie attached himself to his coat-button.
  • “Be calm, laddie. Calm and reasonable!”
  • For the first time Mr. Gossett seemed to become aware that what he had
  • been looking on as a vague annoyance was really an individual.
  • “Who the devil are you?”
  • Archie drew himself up with dignity.
  • “I am this gentleman's representative,” he replied, indicating the
  • Sausage Chappie with a motion of the hand. “His jolly old personal
  • representative. I act for him. And on his behalf I have a pretty ripe
  • proposition to lay before you. Reflect, dear old bean,” he proceeded
  • earnestly. “Are you going to let this chance slip? The opportunity of a
  • lifetime which will not occur again. By Jove, you ought to rise up and
  • embrace this bird. You ought to clasp the chappie to your bosom! He has
  • thrown pies at you, hasn't he? Very well. You are a movie-magnate. Your
  • whole fortune is founded on chappies who throw pies. You probably scour
  • the world for chappies who throw pies. Yet, when one comes right to you
  • without any fuss or trouble and demonstrates before your very eyes the
  • fact that he is without a peer as a pie-propeller, you get the wind up
  • and talk about having him arrested. Consider! (There's a bit of cherry
  • just behind your left ear.) Be sensible. Why let your personal feeling
  • stand in the way of doing yourself a bit of good? Give this chappie a
  • job and give it him quick, or we go elsewhere. Did you ever see Fatty
  • Arbuckle handle pastry with a surer touch? Has Charlie Chaplin got this
  • fellow's speed and control. Absolutely not. I tell you, old friend,
  • you're in danger of throwing away a good thing!”
  • He paused. The Sausage Chappie beamed.
  • “I've aways wanted to go into the movies,” he said. “I was an actor
  • before the war. Just remembered.”
  • Mr. Brewster attempted to speak. Archie waved him down.
  • “How many times have I got to tell you not to butt in?” he said,
  • severely.
  • Mr. Gossett's militant demeanour had become a trifle modified during
  • Archie's harangue. First and foremost a man of business, Mr. Gossett was
  • not insensible to the arguments which had been put forward. He brushed a
  • slice of orange from the back of his neck, and mused awhile.
  • “How do I know this fellow would screen well?” he said, at length.
  • “Screen well!” cried Archie. “Of course he'll screen well. Look at
  • his face. I ask you! The map! I call your attention to it.” He turned
  • apologetically to the Sausage Chappie. “Awfully sorry, old lad, for
  • dwelling on this, but it's business, you know.” He turned to Mr.
  • Gossett. “Did you ever see a face like that? Of course not. Why should
  • I, as this gentleman's personal representative, let a face like that go
  • to waste? There's a fortune in it. By Jove, I'll give you two minutes to
  • think the thing over, and, if you don't talk business then, I'll jolly
  • well take my man straight round to Mack Sennett or someone. We don't
  • have to ask for jobs. We consider offers.”
  • There was a silence. And then the clear voice of the child in the sailor
  • suit made itself heard again.
  • “Mummie!”
  • “Yes, darling?”
  • “Is the man with the funny face going to throw any more pies?”
  • “No, darling.”
  • The child uttered a scream of disappointed fury.
  • “I want the funny man to throw some more pies! I want the funny man to
  • throw some more pies!”
  • A look almost of awe came into Mr. Gossett's face. He had heard the
  • voice of the Public. He had felt the beating of the Public's pulse.
  • “Out of the mouths of babes and sucklings,” he said, picking a piece of
  • banana off his right eyebrow, “Out of the mouths of babes and sucklings.
  • Come round to my office!”
  • CHAPTER XXI. THE GROWING BOY
  • The lobby of the Cosmopolis Hotel was a favourite stamping-ground of Mr.
  • Daniel Brewster, its proprietor. He liked to wander about there, keeping
  • a paternal eye on things, rather in the manner of the Jolly Innkeeper
  • (hereinafter to be referred to as Mine Host) of the old-fashioned novel.
  • Customers who, hurrying in to dinner, tripped over Mr. Brewster, were
  • apt to mistake him for the hotel detective--for his eye was keen and
  • his aspect a trifle austere--but, nevertheless, he was being as jolly an
  • innkeeper as he knew how. His presence in the lobby supplied a personal
  • touch to the Cosmopolis which other New York hotels lacked, and it
  • undeniably made the girl at the book-stall extraordinarily civil to her
  • clients, which was all to the good.
  • Most of the time Mr. Brewster stood in one spot and just looked
  • thoughtful; but now and again he would wander to the marble slab behind
  • which he kept the desk-clerk and run his eye over the register, to see
  • who had booked rooms--like a child examining the stocking on Christmas
  • morning to ascertain what Santa Claus had brought him.
  • As a rule, Mr. Brewster concluded this performance by shoving the book
  • back across the marble slab and resuming his meditations. But one night
  • a week or two after the Sausage Chappie's sudden restoration to the
  • normal, he varied this procedure by starting rather violently, turning
  • purple, and uttering an exclamation which was manifestly an exclamation
  • of chagrin. He turned abruptly and cannoned into Archie, who, in company
  • with Lucille, happened to be crossing the lobby at the moment on his way
  • to dine in their suite.
  • Mr. Brewster apologised gruffly; then, recognising his victim, seemed to
  • regret having done so.
  • “Oh, it's you! Why can't you look where you're going?” he demanded. He
  • had suffered much from his son-in-law.
  • “Frightfully sorry,” said Archie, amiably. “Never thought you were going
  • to fox-trot backwards all over the fairway.”
  • “You mustn't bully Archie,” said Lucille, severely, attaching herself
  • to her father's back hair and giving it a punitive tug, “because he's an
  • angel, and I love him, and you must learn to love him, too.”
  • “Give you lessons at a reasonable rate,” murmured Archie.
  • Mr. Brewster regarded his young relative with a lowering eye.
  • “What's the matter, father darling?” asked Lucille. “You seem upset”
  • “I am upset!” Mr. Brewster snorted. “Some people have got a nerve!” He
  • glowered forbiddingly at an inoffensive young man in a light overcoat
  • who had just entered, and the young man, though his conscience was quite
  • clear and Mr. Brewster an entire stranger to him, stopped dead, blushed,
  • and went out again--to dine elsewhere. “Some people have got the nerve
  • of an army mule!”
  • “Why, what's happened?”
  • “Those darned McCalls have registered here!”
  • “No!”
  • “Bit beyond me, this,” said Archie, insinuating himself into the
  • conversation. “Deep waters and what not! Who are the McCalls?”
  • “Some people father dislikes,” said Lucille. “And they've chosen his
  • hotel to stop at. But, father dear, you mustn't mind. It's really a
  • compliment. They've come because they know it's the best hotel in New
  • York.”
  • “Absolutely!” said Archie. “Good accommodation for man and beast! All
  • the comforts of home! Look on the bright side, old bean. No good getting
  • the wind up. Cherrio, old companion!”
  • “Don't call me old companion!”
  • “Eh, what? Oh, right-o!”
  • Lucille steered her husband out of the danger zone, and they entered the
  • lift.
  • “Poor father!” she said, as they went to their suite, “it's a shame.
  • They must have done it to annoy him. This man McCall has a place next to
  • some property father bought in Westchester, and he's bringing a law-suit
  • against father about a bit of land which he claims belongs to him. He
  • might have had the tact to go to another hotel. But, after all, I don't
  • suppose it was the poor little fellow's fault. He does whatever his wife
  • tells him to.”
  • “We all do that,” said Archie the married man.
  • Lucille eyed him fondly.
  • “Isn't it a shame, precious, that all husbands haven't nice wives like
  • me?”
  • “When I think of you, by Jove,” said Archie, fervently, “I want to
  • babble, absolutely babble!”
  • “Oh, I was telling you about the McCalls. Mr. McCall is one of those
  • little, meek men, and his wife's one of those big, bullying women. It
  • was she who started all the trouble with father. Father and Mr. McCall
  • were very fond of each other till she made him begin the suit. I feel
  • sure she made him come to this hotel just to annoy father. Still,
  • they've probably taken the most expensive suite in the place, which is
  • something.”
  • Archie was at the telephone. His mood was now one of quiet peace. Of
  • all the happenings which went to make up existence in New York, he liked
  • best the cosy tete-a-tete dinners with Lucille in their suite, which,
  • owing to their engagements--for Lucille was a popular girl, with many
  • friends--occurred all too seldom.
  • “Touching now the question of browsing and sluicing,” he said. “I'll be
  • getting them to send along a waiter.”
  • “Oh, good gracious!”
  • “What's the matter?”
  • “I've just remembered. I promised faithfully I would go and see Jane
  • Murchison to-day. And I clean forgot. I must rush.”
  • “But light of my soul, we are about to eat. Pop around and see her after
  • dinner.”
  • “I can't. She's going to a theatre to-night.”
  • “Give her the jolly old miss-in-baulk, then, for the nonce, and spring
  • round to-morrow.”
  • “She's sailing for England to-morrow morning, early. No, I must go and
  • see her now. What a shame! She's sure to make me stop to dinner, I tell
  • you what. Order something for me, and, if I'm not back in half an hour,
  • start.”
  • “Jane Murchison,” said Archie, “is a bally nuisance.”
  • “Yes. But I've known her since she was eight.”
  • “If her parents had had any proper feeling,” said Archie, “they would
  • have drowned her long before that.”
  • He unhooked the receiver, and asked despondently to be connected
  • with Room Service. He thought bitterly of the exigent Jane, whom he
  • recollected dimly as a tall female with teeth. He half thought of going
  • down to the grill-room on the chance of finding a friend there, but the
  • waiter was on his way to the room. He decided that he might as well stay
  • where he was.
  • The waiter arrived, booked the order, and departed. Archie had just
  • completed his toilet after a shower-bath when a musical clinking without
  • announced the advent of the meal. He opened the door. The waiter was
  • there with a table congested with things under covers, from which
  • escaped a savoury and appetising odour. In spite of his depression,
  • Archie's soul perked up a trifle.
  • Suddenly he became aware that he was not the only person present who
  • was deriving enjoyment from the scent of the meal. Standing beside the
  • waiter and gazing wistfully at the foodstuffs was a long, thin boy of
  • about sixteen. He was one of those boys who seem all legs and knuckles.
  • He had pale red hair, sandy eyelashes, and a long neck; and his eyes, as
  • he removed them from the-table and raised them to Archie's, had a hungry
  • look. He reminded Archie of a half-grown, half-starved hound.
  • “That smells good!” said the long boy. He inhaled deeply. “Yes, sir,” he
  • continued, as one whose mind is definitely made up, “that smells good!”
  • Before Archie could reply, the telephone bell rang. It was Lucille,
  • confirming her prophecy that the pest Jane would insist on her staying
  • to dine.
  • “Jane,” said Archie, into the telephone, “is a pot of poison. The waiter
  • is here now, setting out a rich banquet, and I shall have to eat two of
  • everything by myself.”
  • He hung up the receiver, and, turning, met the pale eye of the long boy,
  • who had propped himself up in the doorway.
  • “Were you expecting somebody to dinner?” asked the boy.
  • “Why, yes, old friend, I was.”
  • “I wish--”
  • “Yes?”
  • “Oh, nothing.”
  • The waiter left. The long boy hitched his back more firmly against the
  • doorpost, and returned to his original theme.
  • “That surely does smell good!” He basked a moment in the aroma. “Yes,
  • sir! I'll tell the world it does!”
  • Archie was not an abnormally rapid thinker, but he began at this point
  • to get a clearly defined impression that this lad, if invited, would
  • waive the formalities and consent to join his meal. Indeed, the idea
  • Archie got was that, if he were not invited pretty soon, he would invite
  • himself.
  • “Yes,” he agreed. “It doesn't smell bad, what!”
  • “It smells GOOD!” said the boy. “Oh, doesn't it! Wake me up in the night
  • and ask me if it doesn't!”
  • “Poulet en casserole,” said Archie.
  • “Golly!” said the boy, reverently.
  • There was a pause. The situation began to seem to Archie a trifle
  • difficult. He wanted to start his meal, but it began to appear that he
  • must either do so under the penetrating gaze of his new friend or else
  • eject the latter forcibly. The boy showed no signs of ever wanting to
  • leave the doorway.
  • “You've dined, I suppose, what?” said Archie.
  • “I never dine.”
  • “What!”
  • “Not really dine, I mean. I only get vegetables and nuts and things.”
  • “Dieting?”
  • “Mother is.”
  • “I don't absolutely catch the drift, old bean,” said Archie. The boy
  • sniffed with half-closed eyes as a wave of perfume from the poulet en
  • casserole floated past him. He seemed to be anxious to intercept as much
  • of it as possible before it got through the door.
  • “Mother's a food-reformer,” he vouchsafed. “She lectures on it. She
  • makes Pop and me live on vegetables and nuts and things.”
  • Archie was shocked. It was like listening to a tale from the abyss.
  • “My dear old chap, you must suffer agonies--absolute shooting pains!”
  • He had no hesitation now. Common humanity pointed out his course. “Would
  • you care to join me in a bite now?”
  • “Would I!” The boy smiled a wan smile. “Would I! Just stop me on the
  • street and ask me!”
  • “Come on in, then,” said Archie, rightly taking this peculiar phrase
  • for a formal acceptance. “And close the door. The fatted calf is getting
  • cold.”
  • Archie was not a man with a wide visiting-list among people with
  • families, and it was so long since he had seen a growing boy in action
  • at the table that he had forgotten what sixteen is capable of doing
  • with a knife and fork, when it really squares its elbows, takes a
  • deep breath, and gets going. The spectacle which he witnessed was
  • consequently at first a little unnerving. The long boy's idea of
  • trifling with a meal appeared to be to swallow it whole and reach out
  • for more. He ate like a starving Eskimo. Archie, in the time he had
  • spent in the trenches making the world safe for the working-man to
  • strike in, had occasionally been quite peckish, but he sat dazed before
  • this majestic hunger. This was real eating.
  • There was little conversation. The growing boy evidently did not believe
  • in table-talk when he could use his mouth for more practical purposes.
  • It was not until the final roll had been devoured to its last crumb that
  • the guest found leisure to address his host. Then he leaned back with a
  • contented sigh.
  • “Mother,” said the human python, “says you ought to chew every mouthful
  • thirty-three times....”
  • “Yes, sir! Thirty-three times!” He sighed again, “I haven't ever had
  • meal like that.”
  • “All right, was it, what?”
  • “Was it! Was it! Call me up on the 'phone and ask me!-Yes, sir!-Mother's
  • tipped off these darned waiters not to serve-me anything but vegetables
  • and nuts and things, darn it!”
  • “The mater seems to have drastic ideas about the good old feed-bag,
  • what!”
  • “I'll say she has! Pop hates it as much as me, but he's scared to kick.
  • Mother says vegetables contain all the proteins you want. Mother says,
  • if you eat meat, your blood-pressure goes all blooey. Do you think it
  • does?”
  • “Mine seems pretty well in the pink.”
  • “She's great on talking,” conceded the boy. “She's out to-night
  • somewhere, giving a lecture on Rational Eating to some ginks. I'll
  • have to be slipping up to our suite before she gets back.” He rose,
  • sluggishly. “That isn't a bit of roll under that napkin, is it?” he
  • asked, anxiously.
  • Archie raised the napkin.
  • “No. Nothing of that species.”
  • “Oh, well!” said the boy, resignedly. “Then I believe I'll be going.
  • Thanks very much for the dinner.”
  • “Not a bit, old top. Come again if you're ever trickling round in this
  • direction.”
  • The long boy removed himself slowly, loath to leave. At the door he cast
  • an affectionate glance back at the table.
  • “Some meal!” he said, devoutly. “Considerable meal!”
  • Archie lit a cigarette. He felt like a Boy Scout who has done his day's
  • Act of Kindness.
  • On the following morning it chanced that Archie needed a fresh supply
  • of tobacco. It was his custom, when this happened, to repair to a small
  • shop on Sixth Avenue which he had discovered accidentally in the course
  • of his rambles about the great city. His relations with Jno. Blake, the
  • proprietor, were friendly and intimate. The discovery that Mr. Blake
  • was English and had, indeed, until a few years back maintained an
  • establishment only a dozen doors or so from Archie's London club, had
  • served as a bond.
  • To-day he found Mr. Blake in a depressed mood. The tobacconist was a
  • hearty, red-faced man, who looked like an English sporting publican--the
  • kind of man who wears a fawn-coloured top-coat and drives to the Derby
  • in a dog-cart; and usually there seemed to be nothing on his mind
  • except the vagaries of the weather, concerning which he was a great
  • conversationalist. But now moodiness had claimed him for its own.
  • After a short and melancholy “Good morning,” he turned to the task of
  • measuring out the tobacco in silence.
  • Archie's sympathetic nature was perturbed.--“What's the matter, laddie?”
  • he enquired. “You would seem to be feeling a bit of an onion this bright
  • morning, what, yes, no? I can see it with the naked eye.”
  • Mr. Blake grunted sorrowfully.
  • “I've had a knock, Mr. Moffam.”
  • “Tell me all, friend of my youth.”
  • Mr. Blake, with a jerk of his thumb, indicated a poster which hung on
  • the wall behind the counter. Archie had noticed it as he came in, for
  • it was designed to attract the eye. It was printed in black letters on a
  • yellow ground, and ran as follows:
  • CLOVER-LEAF SOCIAL AND OUTING CLUB
  • GRAND CONTEST
  • PIE-EATING CHAMPIONSHIP OF THE WEST SIDE
  • SPIKE O'DOWD
  • (Champion)
  • v.
  • BLAKE'S UNKNOWN
  • FOR A PURSE OF $50 AND SIDE-BET
  • Archie examined this document gravely. It conveyed nothing to him
  • except--what he had long suspected--that his sporting-looking friend had
  • sporting blood as well as that kind of exterior. He expressed a kindly
  • hope that the other's Unknown would bring home the bacon.
  • Mr. Blake laughed one of those hollow, mirthless laughs.
  • “There ain't any blooming Unknown,” he said, bitterly. This man had
  • plainly suffered. “Yesterday, yes, but not now.”
  • Archie sighed.
  • “In the midst of life--Dead?” he enquired, delicately.
  • “As good as,” replied the stricken tobacconist. He cast aside his
  • artificial restraint and became voluble. Archie was one of those
  • sympathetic souls in whom even strangers readily confided their most
  • intimate troubles. He was to those in travail of spirit very much what
  • catnip is to a cat. “It's 'ard, sir, it's blooming 'ard! I'd got the
  • event all sewed up in a parcel, and now this young feller-me-lad 'as to
  • give me the knock. This lad of mine--sort of cousin 'e is; comes from
  • London, like you and me--'as always 'ad, ever since he landed in this
  • country, a most amazing knack of stowing away grub. 'E'd been a bit
  • underfed these last two or three years over in the old country, what
  • with food restrictions and all, and 'e took to the food over 'ere
  • amazing. I'd 'ave backed 'im against a ruddy orstridge! Orstridge! I'd
  • 'ave backed 'im against 'arff a dozen orstridges--take 'em on one
  • after the other in the same ring on the same evening--and given 'em a
  • handicap, too! 'E was a jewel, that boy. I've seen him polish off four
  • pounds of steak and mealy potatoes and then look round kind of wolfish,
  • as much as to ask when dinner was going to begin! That's the kind of a
  • lad 'e was till this very morning. 'E would have out-swallowed this 'ere
  • O'Dowd without turning a hair, as a relish before 'is tea! I'd got a
  • couple of 'undred dollars on 'im, and thought myself lucky to get the
  • odds. And now--”
  • Mr. Blake relapsed into a tortured silence.
  • “But what's the matter with the blighter? Why can't he go over the top?
  • Has he got indigestion?”
  • “Indigestion?” Mr. Blaife laughed another of his hollow laughs. “You
  • couldn't give that boy indigestion if you fed 'im in on safety-razor
  • blades. Religion's more like what 'e's got.”
  • “Religion?”
  • “Well, you can call it that. Seems last night, instead of goin' and
  • resting 'is mind at a picture-palace like I told him to, 'e sneaked off
  • to some sort of a lecture down on Eighth Avenue. 'E said 'e'd seen a
  • piece about it in the papers, and it was about Rational Eating, and that
  • kind of attracted 'im. 'E sort of thought 'e might pick up a few hints,
  • like. 'E didn't know what rational eating was, but it sounded to 'im as
  • if it must be something to do with food, and 'e didn't want to miss it.
  • 'E came in here just now,” said Mr. Blake, dully, “and 'e was a changed
  • lad! Scared to death 'e was! Said the way 'e'd been goin' on in the
  • past, it was a wonder 'e'd got any stummick left! It was a lady that
  • give the lecture, and this boy said it was amazing what she told 'em
  • about blood-pressure and things 'e didn't even know 'e 'ad. She showed
  • 'em pictures, coloured pictures, of what 'appens inside the injudicious
  • eater's stummick who doesn't chew his food, and it was like a
  • battlefield! 'E said 'e would no more think of eatin' a lot of pie than
  • 'e would of shootin' 'imself, and anyhow eating pie would be a quicker
  • death. I reasoned with 'im, Mr. Moffam, with tears in my eyes. I asked
  • 'im was he goin' to chuck away fame and wealth just because a woman
  • who didn't know what she was talking about had shown him a lot of faked
  • pictures. But there wasn't any doin' anything with him. 'E give me the
  • knock and 'opped it down the street to buy nuts.” Mr. Blake moaned. “Two
  • 'undred dollars and more gone pop, not to talk of the fifty dollars 'e
  • would have won and me to get twenty-five of!”
  • Archie took his tobacco and walked pensively back to the hotel. He was
  • fond of Jno. Blake, and grieved for the trouble that had come upon him.
  • It was odd, he felt, how things seemed to link themselves up together.
  • The woman who had delivered the fateful lecture to injudicious eaters
  • could not be other than the mother of his young guest of last night. An
  • uncomfortable woman! Not content with starving her own family--Archie
  • stopped in his tracks. A pedestrian, walking behind him, charged into
  • his back, but Archie paid no attention. He had had one of those sudden,
  • luminous ideas, which help a man who does not do much thinking as a rule
  • to restore his average. He stood there for a moment, almost dizzy at the
  • brilliance of his thoughts; then hurried on. Napoleon, he mused as he
  • walked, must have felt rather like this after thinking up a hot one to
  • spring on the enemy.
  • As if Destiny were suiting her plans to his, one of the first persons he
  • saw as he entered the lobby of the Cosmopolis was the long boy. He was
  • standing at the bookstall, reading as much of a morning paper as could
  • be read free under the vigilant eyes of the presiding girl. Both he and
  • she were observing the unwritten rules which govern these affairs--to
  • wit, that you may read without interference as much as can be read
  • without touching the paper. If you touch the paper, you lose, and have
  • to buy.
  • “Well, well, well!” said Archie. “Here we are again, what!” He prodded
  • the boy amiably in the lower ribs. “You're just the chap I was looking
  • for. Got anything on for the time being?”
  • The boy said he had no engagements.
  • “Then I want you to stagger round with me to a chappie I know on Sixth
  • Avenue. It's only a couple of blocks away. I think I can do you a bit of
  • good. Put you on to something tolerably ripe, if you know what I mean.
  • Trickle along, laddie. You don't need a hat.”
  • They found Mr. Blake brooding over his troubles in an empty shop.
  • “Cheer up, old thing!” said Archie. “The relief expedition has arrived.”
  • He directed his companion's gaze to the poster. “Cast your eye over
  • that. How does that strike you?”
  • The long boy scanned the poster. A gleam appeared in his rather dull
  • eye.
  • “Well?”
  • “Some people have all the luck!” said the long boy, feelingly.
  • “Would you like to compete, what?”
  • The boy smiled a sad smile.
  • “Would I! Would I! Say!...”
  • “I know,” interrupted Archie. “Wake you up in the night and ask you! I
  • knew I could rely on you, old thing.” He turned to Mr. Blake. “Here's
  • the fellow you've been wanting to meet. The finest left-and-right-hand
  • eater east of the Rockies! He'll fight the good fight for you.”
  • Mr. Blake's English training had not been wholly overcome by residence
  • in New York. He still retained a nice eye for the distinctions of class.
  • “But this is young gentleman's a young gentleman,” he urged, doubtfully,
  • yet with hope shining in his eye. “He wouldn't do it.”
  • “Of course, he would. Don't be ridic, old thing.”
  • “Wouldn't do what?” asked the boy.
  • “Why save the old homestead by taking on the champion. Dashed sad case,
  • between ourselves! This poor egg's nominee has given him the raspberry
  • at the eleventh hour, and only you can save him. And you owe it to him
  • to do something you know, because it was your jolly old mater's lecture
  • last night that made the nominee quit. You must charge in and take his
  • place. Sort of poetic justice, don't you know, and what not!” He turned
  • to Mr. Blake. “When is the conflict supposed to start? Two-thirty? You
  • haven't any important engagement for two-thirty, have you?”
  • “No. Mother's lunching at some ladies' club, and giving a lecture
  • afterwards. I can slip away.”
  • Archie patted his head.
  • “Then leg it where glory waits you, old bean!”
  • The long boy was gazing earnestly at the poster. It seemed to fascinate
  • him.
  • “Pie!” he said in a hushed voice.
  • The word was like a battle-cry.
  • CHAPTER XXII. WASHY STEPS INTO THE HALL OF FAME
  • At about nine o'clock next morning, in a suite at the Hotel Cosmopolis,
  • Mrs. Cora Bates McCall, the eminent lecturer on Rational Eating, was
  • seated at breakfast with her family. Before her sat Mr. McCall, a
  • little hunted-looking man, the natural peculiarities of whose face were
  • accentuated by a pair of glasses of semicircular shape, like half-moons
  • with the horns turned up. Behind these, Mr. McCall's eyes played a
  • perpetual game of peekaboo, now peering over them, anon ducking down and
  • hiding behind them. He was sipping a cup of anti-caffeine. On his right,
  • toying listlessly with a plateful of cereal, sat his son, Washington.
  • Mrs. McCall herself was eating a slice of Health Bread and nut butter.
  • For she practised as well as preached the doctrines which she had
  • striven for so many years to inculcate in an unthinking populace. Her
  • day always began with a light but nutritious breakfast, at which a
  • peculiarly uninviting cereal, which looked and tasted like an old straw
  • hat that had been run through a meat chopper, competed for first place
  • in the dislike of her husband and son with a more than usually offensive
  • brand of imitation coffee. Mr. McCall was inclined to think that he
  • loathed the imitation coffee rather more than the cereal, but Washington
  • held strong views on the latter's superior ghastliness. Both Washington
  • and his father, however, would have been fair-minded enough to admit
  • that it was a close thing.
  • Mrs. McCall regarded her offspring with grave approval.
  • “I am glad to see, Lindsay,” she said to her husband, whose eyes sprang
  • dutifully over the glass fence as he heard his name, “that Washy has
  • recovered his appetite. When he refused his dinner last night, I was
  • afraid that he might be sickening for something. Especially as he had
  • quite a flushed look. You noticed his flushed look?”
  • “He did look flushed.”
  • “Very flushed. And his breathing was almost stertorous. And, when he
  • said that he had no appetite, I am bound to say that I was anxious. But
  • he is evidently perfectly well this morning. You do feel perfectly well
  • this morning, Washy?”
  • The heir of the McCall's looked up from his cereal. He was a long, thin
  • boy of about sixteen, with pale red hair, sandy eyelashes, and a long
  • neck.
  • “Uh-huh,” he said.
  • Mrs. McCall nodded.
  • “Surely now you will agree, Lindsay, that a careful and rational diet
  • is what a boy needs? Washy's constitution is superb. He has a remarkable
  • stamina, and I attribute it entirely to my careful supervision of his
  • food. I shudder when I think of the growing boys who are permitted by
  • irresponsible people to devour meat, candy, pie--” She broke off. “What
  • is the matter, Washy?”
  • It seemed that the habit of shuddering at the thought of pie ran in the
  • McCall family, for at the mention of the word a kind of internal shimmy
  • had convulsed Washington's lean frame, and over his face there had come
  • an expression that was almost one of pain. He had been reaching out
  • his hand for a slice of Health Bread, but now he withdrew it rather
  • hurriedly and sat back breathing hard.
  • “I'm all right,” he said, huskily.
  • “Pie,” proceeded Mrs. McCall, in her platform voice. She stopped again
  • abruptly. “Whatever is the matter, Washington? You are making me feel
  • nervous.”
  • “I'm all right.”
  • Mrs. McCall had lost the thread of her remarks. Moreover, having now
  • finished her breakfast, she was inclined for a little light reading. One
  • of the subjects allied to the matter of dietary on which she felt deeply
  • was the question of reading at meals. She was of the opinion that the
  • strain on the eye, coinciding with the strain on the digestion, could
  • not fail to give the latter the short end of the contest; and it was a
  • rule at her table that the morning paper should not even be glanced at
  • till the conclusion of the meal. She said that it was upsetting to begin
  • the day by reading the paper, and events were to prove that she was
  • occasionally right.
  • All through breakfast the New York Chronicle had been lying neatly
  • folded beside her plate. She now opened it, and, with a remark about
  • looking for the report of her yesterday's lecture at the Butterfly Club,
  • directed her gaze at the front page, on which she hoped that an editor
  • with the best interests of the public at heart had decided to place her.
  • Mr. McCall, jumping up and down behind his glasses, scrutinised her face
  • closely as she began to read. He always did this on these occasions, for
  • none knew better than he that his comfort for the day depended
  • largely on some unknown reporter whom he had never met. If this unseen
  • individual had done his work properly and as befitted the importance of
  • his subject, Mrs. McCall's mood for the next twelve hours would be
  • as uniformly sunny as it was possible for it to be. But sometimes the
  • fellows scamped their job disgracefully; and once, on a day which lived
  • in Mr. McCall's memory, they had failed to make a report at all.
  • To-day, he noted with relief, all seemed to be well. The report
  • actually was on the front page, an honour rarely accorded to his wife's
  • utterances. Moreover, judging from the time it took her to read the
  • thing, she had evidently been reported at length.
  • “Good, my dear?” he ventured. “Satisfactory?”
  • “Eh?” Mrs. McCall smiled meditatively. “Oh, yes, excellent. They have
  • used my photograph, too. Not at all badly reproduced.”
  • “Splendid!” said Mr. McCall.
  • Mrs. McCall gave a sharp shriek, and the paper fluttered from her hand.
  • “My dear!” said Mr. McCall, with concern.
  • His wife had recovered the paper, and was reading with burning eyes. A
  • bright wave of colour had flowed over her masterful features. She was
  • breathing as stertorously as ever her son Washington had done on the
  • previous night.
  • “Washington!”
  • A basilisk glare shot across the table and turned the long boy to
  • stone--all except his mouth, which opened feebly.
  • “Washington! Is this true?”
  • Washy closed his mouth, then let it slowly open again.
  • “My dear!” Mr. McCall's voice was alarmed. “What is it?” His eyes had
  • climbed up over his glasses and remained there. “What is the matter? Is
  • anything wrong?”
  • “Wrong! Read for yourself!”
  • Mr. McCall was completely mystified. He could not even formulate a
  • guess at the cause of the trouble. That it appeared to concern his son
  • Washington seemed to be the one solid fact at his disposal, and that
  • only made the matter still more puzzling. Where, Mr. McCall asked
  • himself, did Washington come in?
  • He looked at the paper, and received immediate enlightenment. Headlines
  • met his eyes:
  • GOOD STUFF IN THIS BOY.
  • ABOUT A TON OF IT.
  • SON OF CORA BATES McCALL
  • FAMOUS FOOD-REFORM LECTURER
  • WINS PIE-EATING CHAMPIONSHIP OF
  • WEST SIDE.
  • There followed a lyrical outburst. So uplifted had the reporter
  • evidently felt by the importance of his news that he had been unable to
  • confine himself to prose:--
  • My children, if you fail to shine or triumph in your
  • special line; if, let us say, your hopes are bent on
  • some day being President, and folks ignore your proper
  • worth, and say you've not a chance on earth--Cheer up!
  • for in these stirring days Fame may be won in many ways.
  • Consider, when your spirits fall, the case of Washington
  • McCall.
  • Yes, cast your eye on Washy, please! He looks just like
  • a piece of cheese: he's not a brilliant sort of chap: he
  • has a dull and vacant map: his eyes are blank, his face
  • is red, his ears stick out beside his head. In fact, to
  • end these compliments, he would be dear at thirty cents.
  • Yet Fame has welcomed to her Hall this self-same
  • Washington McCall.
  • His mother (nee Miss Cora Bates) is one who frequently
  • orates upon the proper kind of food which every menu
  • should include. With eloquence the world she weans from
  • chops and steaks and pork and beans. Such horrid things
  • she'd like to crush, and make us live on milk and mush.
  • But oh! the thing that makes her sigh is when she sees
  • us eating pie. (We heard her lecture last July upon “The
  • Nation's Menace--Pie.”) Alas, the hit it made was small
  • with Master Washington McCall.
  • For yesterday we took a trip to see the great Pie
  • Championship, where men with bulging cheeks and eyes
  • consume vast quantities of pies. A fashionable West Side
  • crowd beheld the champion, Spike O'Dowd, endeavour to
  • defend his throne against an upstart, Blake's Unknown.
  • He wasn't an Unknown at all. He was young Washington
  • McCall.
  • We freely own we'd give a leg if we could borrow, steal,
  • or beg the skill old Homer used to show. (He wrote the
  • Iliad, you know.) Old Homer swung a wicked pen, but we
  • are ordinary men, and cannot even start to dream of
  • doing justice to our theme. The subject of that great
  • repast is too magnificent and vast. We can't describe
  • (or even try) the way those rivals wolfed their pie.
  • Enough to say that, when for hours each had extended all
  • his pow'rs, toward the quiet evenfall O'Dowd succumbed
  • to young McCall.
  • The champion was a willing lad. He gave the public all
  • he had. His was a genuine fighting soul. He'd lots of
  • speed and much control. No yellow streak did he evince.
  • He tackled apple-pie and mince. This was the motto on
  • his shield--“O'Dowds may burst. They never yield.” His
  • eyes began to start and roll. He eased his belt another
  • hole. Poor fellow! With a single glance one saw that he
  • had not a chance. A python would have had to crawl and
  • own defeat from young McCall.
  • At last, long last, the finish came. His features
  • overcast with shame, O'Dowd, who'd faltered once or
  • twice, declined to eat another slice. He tottered off,
  • and kindly men rallied around with oxygen. But Washy,
  • Cora Bates's son, seemed disappointed it was done. He
  • somehow made those present feel he'd barely started on
  • his meal. We ask him, “Aren't you feeling bad?” “Me!”
  • said the lion-hearted lad. “Lead me”--he started for the
  • street--“where I can get a bite to eat!” Oh, what a
  • lesson does it teach to all of us, that splendid speech!
  • How better can the curtain fall on Master Washington
  • McCall!
  • Mr. McCall read this epic through, then he looked at his son. He first
  • looked at him over his glasses, then through his glasses, then over his
  • glasses again, then through his glasses once more. A curious expression
  • was in his eyes. If such a thing had not been so impossible, one would
  • have said that his gaze had in it something of respect, of admiration,
  • even of reverence.
  • “But how did they find out your name?” he asked, at length.
  • Mrs. McCall exclaimed impatiently.
  • “Is THAT all you have to say?”
  • “No, no, my dear, of course not, quite so. But the point struck me as
  • curious.”
  • “Wretched boy,” cried Mrs. McCall, “were you insane enough to reveal
  • your name?”
  • Washington wriggled uneasily. Unable to endure the piercing stare of
  • his mother, he had withdrawn to the window, and was looking out with his
  • back turned. But even there he could feel her eyes on the back of his
  • neck.
  • “I didn't think it 'ud matter,” he mumbled. “A fellow with
  • tortoiseshell-rimmed specs asked me, so I told him. How was I to know--”
  • His stumbling defence was cut short by the opening of the door.
  • “Hallo-allo-allo! What ho! What ho!”
  • Archie was standing in the doorway, beaming ingratiatingly on the
  • family.
  • The apparition of an entire stranger served to divert the lightning
  • of Mrs. McCall's gaze from the unfortunate Washy. Archie, catching
  • it between the eyes, blinked and held on to the wall. He had begun
  • to regret that he had yielded so weakly to Lucille's entreaty that he
  • should look in on the McCalls and use the magnetism of his personality
  • upon them in the hope of inducing them to settle the lawsuit. He wished,
  • too, if the visit had to be paid that he had postponed it till after
  • lunch, for he was never at his strongest in the morning. But Lucille had
  • urged him to go now and get it over, and here he was.
  • “I think,” said Mrs. McCall, icily, “that you must have mistaken your
  • room.”
  • Archie rallied his shaken forces.
  • “Oh, no. Rather not. Better introduce myself, what? My name's Moffam,
  • you know. I'm old Brewster's son-in-law, and all that sort of rot, if
  • you know what I mean.” He gulped and continued. “I've come about this
  • jolly old lawsuit, don't you know.”
  • Mr. McCall seemed about to speak, but his wife anticipated him.
  • “Mr. Brewster's attorneys are in communication with ours. We do not wish
  • to discuss the matter.”
  • Archie took an uninvited seat, eyed the Health Bread on the breakfast
  • table for a moment with frank curiosity, and resumed his discourse.
  • “No, but I say, you know! I'll tell you what happened. I hate to totter
  • in where I'm not wanted and all that, but my wife made such a point
  • of it. Rightly or wrongly she regards me as a bit of a hound in the
  • diplomacy line, and she begged me to look you up and see whether we
  • couldn't do something about settling the jolly old thing. I mean to
  • say, you know, the old bird--old Brewster, you know--is considerably
  • perturbed about the affair--hates the thought of being in a posish where
  • he has either got to bite his old pal McCall in the neck or be bitten
  • by him--and--well, and so forth, don't you know! How about it?” He broke
  • off. “Great Scot! I say, what!”
  • So engrossed had he been in his appeal that he had not observed the
  • presence of the pie-eating champion, between whom and himself a large
  • potted plant intervened. But now Washington, hearing the familiar voice,
  • had moved from the window and was confronting him with an accusing
  • stare.
  • “HE made me do it!” said Washy, with the stern joy a sixteen-year-old
  • boy feels when he sees somebody on to whose shoulders he can shift
  • trouble from his own. “That's the fellow who took me to the place!”
  • “What are you talking about, Washington?”
  • “I'm telling you! He got me into the thing.”
  • “Do you mean this--this--” Mrs. McCall shuddered. “Are you referring to
  • this pie-eating contest?”
  • “You bet I am!”
  • “Is this true?” Mrs. McCall glared stonily at Archie, “Was it you who
  • lured my poor boy into that--that--”
  • “Oh, absolutely. The fact is, don't you know, a dear old pal of mine
  • who runs a tobacco shop on Sixth Avenue was rather in the soup. He had
  • backed a chappie against the champion, and the chappie was converted by
  • one of your lectures and swore off pie at the eleventh hour. Dashed hard
  • luck on the poor chap, don't you know! And then I got the idea that our
  • little friend here was the one to step in and save the situash, so I
  • broached the matter to him. And I'll tell you one thing,” said Archie,
  • handsomely, “I don't know what sort of a capacity the original chappie
  • had, but I'll bet he wasn't in your son's class. Your son has to be seen
  • to be believed! Absolutely! You ought to be proud of him!” He turned in
  • friendly fashion to Washy. “Rummy we should meet again like this! Never
  • dreamed I should find you here. And, by Jove, it's absolutely marvellous
  • how fit you look after yesterday. I had a sort of idea you would be
  • groaning on a bed of sickness and all that.”
  • There was a strange gurgling sound in the background. It resembled
  • something getting up steam. And this, curiously enough, is precisely
  • what it was. The thing that was getting up steam was Mr. Lindsay McCall.
  • The first effect of the Washy revelations on Mr. McCall had been merely
  • to stun him. It was not until the arrival of Archie that he had had
  • leisure to think; but since Archie's entrance he had been thinking
  • rapidly and deeply.
  • For many years Mr. McCall had been in a state of suppressed revolution.
  • He had smouldered, but had not dared to blaze. But this startling
  • upheaval of his fellow-sufferer, Washy, had acted upon him like a
  • high explosive. There was a strange gleam in his eye, a gleam of
  • determination. He was breathing hard.
  • “Washy!”
  • His voice had lost its deprecating mildness. It rang strong and clear.
  • “Yes, pop?”
  • “How many pies did you eat yesterday?”
  • Washy considered.
  • “A good few.”
  • “How many? Twenty?”
  • “More than that. I lost count. A good few.”
  • “And you feel as well as ever?”
  • “I feel fine.”
  • Mr. McCall dropped his glasses. He glowered for a moment at the
  • breakfast table. His eye took in the Health Bread, the imitation
  • coffee-pot, the cereal, the nut-butter. Then with a swift movement he
  • seized the cloth, jerked it forcibly, and brought the entire contents
  • rattling and crashing to the floor.
  • “Lindsay!”
  • Mr. McCall met his wife's eye with quiet determination. It was plain
  • that something had happened in the hinterland of Mr. McCall's soul.
  • “Cora,” he said, resolutely, “I have come to a decision. I've been
  • letting you run things your own way a little too long in this family.
  • I'm going to assert myself. For one thing, I've had all I want of this
  • food-reform foolery. Look at Washy! Yesterday that boy seems to have
  • consumed anything from a couple of hundredweight to a ton of pie, and
  • he has thriven on it! Thriven! I don't want to hurt your feelings, Cora,
  • but Washington and I have drunk our last cup of anti-caffeine! If you
  • care to go on with the stuff, that's your look-out. But Washy and I are
  • through.”
  • He silenced his wife with a masterful gesture and turned to Archie. “And
  • there's another thing. I never liked the idea of that lawsuit, but I let
  • you talk me into it. Now I'm going to do things my way. Mr. Moffam, I'm
  • glad you looked in this morning. I'll do just what you want. Take me to
  • Dan Brewster now, and let's call the thing off, and shake hands on it.”
  • “Are you mad, Lindsay?”
  • It was Cora Bates McCall's last shot. Mr. McCall paid no attention to
  • it. He was shaking hands with Archie.
  • “I consider you, Mr. Moffam,” he said, “the most sensible young man I
  • have ever met!”
  • Archie blushed modestly.
  • “Awfully good of you, old bean,” he said. “I wonder if you'd mind
  • telling my jolly old father-in-law that? It'll be a bit of news for
  • him!”
  • CHAPTER XXIII. MOTHER'S KNEE
  • Archie Moffam's connection with that devastatingly popular ballad,
  • “Mother's Knee,” was one to which he always looked back later with a
  • certain pride. “Mother's Knee,” it will be remembered, went through the
  • world like a pestilence. Scots elders hummed it on their way to kirk;
  • cannibals crooned it to their offspring in the jungles of Borneo; it was
  • a best-seller among the Bolshevists. In the United States alone three
  • million copies were disposed of. For a man who has not accomplished
  • anything outstandingly great in his life, it is something to have been
  • in a sense responsible for a song like that; and, though there were
  • moments when Archie experienced some of the emotions of a man who has
  • punched a hole in the dam of one of the larger reservoirs, he never
  • really regretted his share in the launching of the thing.
  • It seems almost bizarre now to think that there was a time when even one
  • person in the world had not heard “Mother's Knee”; but it came fresh to
  • Archie one afternoon some weeks after the episode of Washy, in his suite
  • at the Hotel Cosmopolis, where he was cementing with cigarettes and
  • pleasant conversation his renewed friendship with Wilson Hymack, whom he
  • had first met in the neighbourhood of Armentieres during the war.
  • “What are you doing these days?” enquired Wilson Hymack.
  • “Me?” said Archie. “Well, as a matter of fact, there is what you might
  • call a sort of species of lull in my activities at the moment. But my
  • jolly old father-in-law is bustling about, running up a new hotel a
  • bit farther down-town, and the scheme is for me to be manager when it's
  • finished. From what I have seen in this place, it's a simple sort of
  • job, and I fancy I shall be somewhat hot stuff. How are you filling in
  • the long hours?”
  • “I'm in my uncle's office, darn it!”
  • “Starting at the bottom and learning the business and all that? A noble
  • pursuit, no doubt, but I'm bound to say it would give me the pip in no
  • uncertain manner.”
  • “It gives me,” said Wilson Hymack, “a pain in the thorax. I want to be a
  • composer.”
  • “A composer, eh?”
  • Archie felt that he should have guessed this. The chappie had a
  • distinctly artistic look. He wore a bow-tie and all that sort of thing.
  • His trousers bagged at the knees, and his hair, which during the martial
  • epoch of his career had been pruned to the roots, fell about his ears in
  • luxuriant disarray.
  • “Say! Do you want to hear the best thing I've ever done?”
  • “Indubitably,” said Archie, politely. “Carry on, old bird!”
  • “I wrote the lyric as well as the melody,” said Wilson Hymack, who had
  • already seated himself at the piano. “It's got the greatest title you
  • ever heard. It's a lallapaloosa! It's called 'It's a Long Way Back to
  • Mother's Knee.' How's that? Poor, eh?”
  • Archie expelled a smoke-ring doubtfully.
  • “Isn't it a little stale?”
  • “Stale? What do you mean, stale? There's always room for another song
  • boosting Mother.”
  • “Oh, is it boosting Mother?” Archie's face cleared. “I thought it was a
  • hit at the short skirts. Why, of course, that makes all the difference.
  • In that case, I see no reason why it should not be ripe, fruity, and
  • pretty well all to the mustard. Let's have it.”
  • Wilson Hymack pushed as much of his hair out of his eyes as he could
  • reach with one hand, cleared his throat, looked dreamily over the top
  • of the piano at a photograph of Archie's father-in-law, Mr. Daniel
  • Brewster, played a prelude, and began to sing in a weak, high,
  • composer's voice. All composers sing exactly alike, and they have to be
  • heard to be believed.
  • “One night a young man wandered through the glitter of Broadway: His
  • money he had squandered. For a meal he couldn't pay.”
  • “Tough luck!” murmured Archie, sympathetically.
  • “He thought about the village where his boyhood he had
  • spent, And yearned for all the simple joys with which
  • he'd been content.”
  • “The right spirit!” said Archie, with approval. “I'm beginning to like
  • this chappie!”
  • “Don't interrupt!”
  • “Oh, right-o! Carried away and all that!”
  • “He looked upon the city, so frivolous and gay; And,
  • as he heaved a weary sigh, these words he then did say:
  • It's a long way back to Mother's knee,
  • Mother's knee,
  • Mother's knee:
  • It's a long way back to Mother's knee,
  • Where I used to stand and prattle
  • With my teddy-bear and rattle:
  • Oh, those childhood days in Tennessee,
  • They sure look good to me!
  • It's a long, long way, but I'm gonna start to-day!
  • I'm going back,
  • Believe me, oh!
  • I'm going back
  • (I want to go!)
  • I'm going back--back--on the seven-three
  • To the dear old shack where I used to be!
  • I'm going back to Mother's knee!”
  • Wilson Hymack's voice cracked on the final high note, which was of an
  • altitude beyond his powers. He turned with a modest cough.
  • “That'll give you an idea of it!”
  • “It has, old thing, it has!”
  • “Is it or is it not a ball of fire?”
  • “It has many of the earmarks of a sound egg,” admitted Archie. “Of
  • course--”
  • “Of course, it wants singing.”
  • “Just what I was going to suggest.”
  • “It wants a woman to sing it. A woman who could reach out for that last
  • high note and teach it to take a joke. The whole refrain is working up
  • to that. You need Tetrazzini or someone who would just pick that note
  • off the roof and hold it till the janitor came round to lock up the
  • building for the night.”
  • “I must buy a copy for my wife. Where can I get it?”
  • “You can't get it! It isn't published. Writing music's the darndest
  • job!” Wilson Hymack snorted fiercely. It was plain that the man was
  • pouring out the pent-up emotion of many days. “You write the biggest
  • thing in years and you go round trying to get someone to sing it, and
  • they say you're a genius and then shove the song away in a drawer and
  • forget about it.”
  • Archie lit another cigarette.
  • “I'm a jolly old child in these matters, old lad,” he said, “but why
  • don't you take it direct to a publisher? As a matter of fact, if it
  • would be any use to you, I was foregathering with a music-publisher only
  • the other day. A bird of the name of Blumenthal. He was lunching in here
  • with a pal of mine, and we got tolerably matey. Why not let me tool you
  • round to the office to-morrow and play it to him?”
  • “No, thanks. Much obliged, but I'm not going to play that melody in
  • any publisher's office with his hired gang of Tin-Pan Alley composers
  • listening at the keyhole and taking notes. I'll have to wait till I can
  • find somebody to sing it. Well, I must be going along. Glad to have seen
  • you again. Sooner or later I'll take you to hear that high note sung by
  • someone in a way that'll make your spine tie itself in knots round the
  • back of your neck.”
  • “I'll count the days,” said Archie, courteously. “Pip-pip!”
  • Hardly had the door closed behind the composer when it opened again to
  • admit Lucille.
  • “Hallo, light of my soul!” said Archie, rising and embracing his wife.
  • “Where have you been all the afternoon? I was expecting you this many an
  • hour past. I wanted you to meet--”
  • “I've been having tea with a girl down in Greenwich Village. I couldn't
  • get away before. Who was that who went out just as I came along the
  • passage?”
  • “Chappie of the name of Hymack. I met him in France. A composer and what
  • not.”
  • “We seem to have been moving in artistic circles this afternoon. The
  • girl I went to see is a singer. At least, she wants to sing, but gets no
  • encouragement.”
  • “Precisely the same with my bird. He wants to get his music sung but
  • nobody'll sing it. But I didn't know you knew any Greenwich Village
  • warblers, sunshine of my home. How did you meet this female?”
  • Lucille sat down and gazed forlornly at him with her big grey eyes. She
  • was registering something, but Archie could not gather what it was.
  • “Archie, darling, when you married me you undertook to share my sorrows,
  • didn't you?”
  • “Absolutely! It's all in the book of words. For better or for worse, in
  • sickness and in health, all-down-set-'em-up-in-the-other-alley. Regular
  • iron-clad contract!”
  • “Then share 'em!” said Lucille. “Bill's in love again!”
  • Archie blinked.
  • “Bill? When you say Bill, do you mean Bill? Your brother Bill? My
  • brother-in-law Bill? Jolly old William, the son and heir of the
  • Brewsters?”
  • “I do.”
  • “You say he's in love? Cupid's dart?”
  • “Even so!”
  • “But, I say! Isn't this rather--What I mean to say is, the lad's an
  • absolute scourge! The Great Lover, what! Also ran, Brigham Young, and
  • all that sort of thing! Why, it's only a few weeks ago that he was
  • moaning brokenly about that vermilion-haired female who subsequently
  • hooked on to old Reggie van Tuyl!”
  • “She's a little better than that girl, thank goodness. All the same, I
  • don't think Father will approve.”
  • “Of what calibre is the latest exhibit?”
  • “Well, she comes from the Middle West, and seems to be trying to be
  • twice as Bohemian as the rest of the girls down in Greenwich Village.
  • She wears her hair bobbed and goes about in a kimono. She's probably
  • read magazine stories about Greenwich Village, and has modelled herself
  • on them. It's so silly, when you can see Hicks Corners sticking out of
  • her all the time.”
  • “That one got past me before I could grab it. What did you say she had
  • sticking out of her?”
  • “I meant that anybody could see that she came from somewhere out in the
  • wilds. As a matter of fact, Bill tells me that she was brought up in
  • Snake Bite, Michigan.”
  • “Snake Bite? What rummy names you have in America! Still, I'll admit
  • there's a village in England called Nether Wallop, so who am I to cast
  • the first stone? How is old Bill? Pretty feverish?”
  • “He says this time it is the real thing.”
  • “That's what they all say! I wish I had a dollar for every
  • time--Forgotten what I was going to say!” broke off Archie, prudently.
  • “So you think,” he went on, after a pause, “that William's latest is
  • going to be one more shock for the old dad?”
  • “I can't imagine Father approving of her.”
  • “I've studied your merry old progenitor pretty closely,” said Archie,
  • “and, between you and me, I can't imagine him approving of anybody!”
  • “I can't understand why it is that Bill goes out of his way to pick
  • these horrors. I know at least twenty delightful girls, all pretty and
  • with lots of money, who would be just the thing for him; but he sneaks
  • away and goes falling in love with someone impossible. And the worst
  • of it is that one always feels one's got to do one's best to see him
  • through.”
  • “Absolutely! One doesn't want to throw a spanner into the works of
  • Love's young dream. It behoves us to rally round. Have you heard this
  • girl sing?”
  • “Yes. She sang this afternoon.”
  • “What sort of a voice has she got?”
  • “Well, it's--loud!”
  • “Could she pick a high note off the roof and hold it till the janitor
  • came round to lock up the building for the night?”
  • “What on earth do you mean?”
  • “Answer me this, woman, frankly. How is her high note? Pretty lofty?”
  • “Why, yes.”
  • “Then say no more,” said Archie. “Leave this to me, my dear old better
  • four-fifths! Hand the whole thing over to Archibald, the man who never
  • lets you down. I have a scheme!”
  • As Archie approached his suite on the following afternoon he heard
  • through the closed door the drone of a gruff male voice; and, going in,
  • discovered Lucille in the company of his brother-in-law. Lucille, Archie
  • thought, was looking a trifle fatigued. Bill, on the other hand, was in
  • great shape. His eyes were shining, and his face looked so like that of
  • a stuffed frog that Archie had no difficulty in gathering that he had
  • been lecturing on the subject of his latest enslaver.
  • “Hallo, Bill, old crumpet!” he said.
  • “Hallo, Archie!”
  • “I'm so glad you've come,” said Lucille. “Bill is telling me all about
  • Spectatia.”
  • “Who?”
  • “Spectatia. The girl, you know. Her name is Spectatia Huskisson.”
  • “It can't be!” said Archie, incredulously.
  • “Why not?” growled Bill.
  • “Well, how could it?” said Archie, appealing to him as a reasonable man.
  • “I mean to say! Spectatia Huskisson! I gravely doubt whether there is
  • such a name.”
  • “What's wrong with it?” demanded the incensed Bill. “It's a darned sight
  • better name than Archibald Moffam.”
  • “Don't fight, you two children!” intervened Lucille, firmly. “It's a
  • good old Middle West name. Everybody knows the Huskissons of Snake Bite,
  • Michigan. Besides, Bill calls her Tootles.”
  • “Pootles,” corrected Bill, austerely.
  • “Oh, yes, Pootles. He calls her Pootles.”
  • “Young blood! Young blood!” sighed Archie.
  • “I wish you wouldn't talk as if you were my grandfather.”
  • “I look on you as a son, laddie, a favourite son!”
  • “If I had a father like you--!”-“Ah, but you haven't,
  • young-feller-me-lad, and that's the trouble. If you had, everything
  • would be simple. But as your actual father, if you'll allow me to
  • say so, is one of the finest specimens of the human vampire-bat in
  • captivity, something has got to be done about it, and you're dashed
  • lucky to have me in your corner, a guide, philosopher, and friend,
  • full of the fruitiest ideas. Now, if you'll kindly listen to me for a
  • moment--”
  • “I've been listening to you ever since you came in.”
  • “You wouldn't speak in that harsh tone of voice if you knew all!
  • William, I have a scheme!”
  • “Well?”
  • “The scheme to which I allude is what Maeterlinck would call a
  • lallapaloosa!”
  • “What a little marvel he is!” said Lucille, regarding her husband
  • affectionately. “He eats a lot of fish, Bill. That's what makes him so
  • clever!”
  • “Shrimps!” diagnosed Bill, churlishly.
  • “Do you know the leader of the orchestra in the restaurant downstairs?”
  • asked Archie, ignoring the slur.
  • “I know there IS a leader of the orchestra. What about him?”
  • “A sound fellow. Great pal of mine. I've forgotten his name--”
  • “Call him Pootles!” suggested Lucille.
  • “Desist!” said Archie, as a wordless growl proceeded from his stricken
  • brother-in-law. “Temper your hilarity with a modicum of reserve. This
  • girlish frivolity is unseemly. Well, I'm going to have a chat with this
  • chappie and fix it all up.”
  • “Fix what up?”
  • “The whole jolly business. I'm going to kill two birds with one stone.
  • I've a composer chappie popping about in the background whose one
  • ambish. is to have his pet song sung before a discriminating audience.
  • You have a singer straining at the leash. I'm going to arrange with this
  • egg who leads the orchestra that your female shall sing my chappie's
  • song downstairs one night during dinner. How about it? Is it or is it
  • not a ball of fire?”
  • “It's not a bad idea,” admitted Bill, brightening visibly. “I wouldn't
  • have thought you had it in you.”
  • “Why not?”
  • “Well--”
  • “It's a capital idea,” said Lucille. “Quite out of the question, of
  • course.”
  • “How do you mean?”
  • “Don't you know that the one thing Father hates more than anything else
  • in the world is anything like a cabaret? People are always coming to
  • him, suggesting that it would brighten up the dinner hour if he had
  • singers and things, and he crushes them into little bits. He thinks
  • there's nothing that lowers the tone of a place more. He'll bite you in
  • three places when you suggest it to him!”
  • “Ah! But has it escaped your notice, lighting system of my soul, that
  • the dear old dad is not at present in residence? He went off to fish at
  • Lake What's-its-name this morning.”
  • “You aren't dreaming of doing this without asking him?”
  • “That was the general idea.”
  • “But he'll be furious when he finds out.”
  • “But will he find out? I ask you, will he?”
  • “Of course he will.”
  • “I don't see why he should,” said Bill, on whose plastic mind the plan
  • had made a deep impression.
  • “He won't,” said Archie, confidently. “This wheeze is for one night
  • only. By the time the jolly old guv'nor returns, bitten to the bone by
  • mosquitoes, with one small stuffed trout in his suit-case, everything
  • will be over and all quiet once more along the Potomac. The scheme is
  • this. My chappie wants his song heard by a publisher. Your girl wants
  • her voice heard by one of the blighters who get up concerts and all that
  • sort of thing. No doubt you know such a bird, whom you could invite to
  • the hotel for a bit of dinner?”
  • “I know Carl Steinburg. As a matter of fact, I was thinking of writing
  • to him about Spectatia.”
  • “You're absolutely sure that IS her name?” said Archie, his voice still
  • tinged with incredulity. “Oh, well, I suppose she told you so herself,
  • and no doubt she knows best. That will be topping. Rope in your pal
  • and hold him down at the table till the finish. Lucille, the beautiful
  • vision on the sky-line yonder, and I will be at another table
  • entertaining Maxie Blumenthal”
  • “Who on earth is Maxie Blumenthal?” asked Lucille.
  • “One of my boyhood chums. A music-publisher. I'll get him to come along,
  • and then we'll all be set. At the conclusion of the performance Miss--”
  • Archie winced--“Miss Spectatia Huskisson will be signed up for a forty
  • weeks' tour, and jovial old Blumenthal will be making all arrangements
  • for publishing the song. Two birds, as I indicated before, with one
  • stone! How about it?”
  • “It's a winner,” said Bill.
  • “Of course,” said Archie, “I'm not urging you. I merely make the
  • suggestion. If you know a better 'ole go to it!”
  • “It's terrific!” said Bill.
  • “It's absurd!” said Lucille.
  • “My dear old partner of joys and sorrows,” said Archie, wounded,
  • “we court criticism, but this is mere abuse. What seems to be the
  • difficulty?”
  • “The leader of the orchestra would be afraid to do it.”
  • “Ten dollars--supplied by William here--push it over, Bill, old
  • man--will remove his tremors.”
  • “And Father's certain to find out.”
  • “Am I afraid of Father?” cried Archie, manfully. “Well, yes, I am!” he
  • added, after a moment's reflection. “But I don't see how he can possibly
  • get to know.”
  • “Of course he can't,” said Bill, decidedly. “Fix it up as soon as you
  • can, Archie. This is what the doctor ordered.”
  • CHAPTER XXIV. THE MELTING OF MR. CONNOLLY
  • The main dining-room of the Hotel Cosmopolis is a decorous place. The
  • lighting is artistically dim, and the genuine old tapestries on the
  • walls seem, with their mediaeval calm, to discourage any essay in the
  • riotous. Soft-footed waiters shimmer to and fro over thick, expensive
  • carpets to the music of an orchestra which abstains wholly from the
  • noisy modernity of jazz. To Archie, who during the past few days had
  • been privileged to hear Miss Huskisson rehearsing, the place had a sort
  • of brooding quiet, like the ocean just before the arrival of a cyclone.
  • As Lucille had said, Miss Huskisson's voice was loud. It was a powerful
  • organ, and there was no doubt that it would take the cloistered
  • stillness of the Cosmopolis dining-room and stand it on one ear. Almost
  • unconsciously, Archie found himself bracing his muscles and holding his
  • breath as he had done in France at the approach of the zero hour, when
  • awaiting the first roar of a barrage. He listened mechanically to the
  • conversation of Mr. Blumenthal.
  • The music-publisher was talking with some vehemence on the subject
  • of Labour. A recent printers' strike had bitten deeply into Mr.
  • Blumenthal's soul. The working man, he considered, was rapidly landing
  • God's Country in the soup, and he had twice upset his glass with the
  • vehemence of his gesticulation. He was an energetic right-and-left-hand
  • talker.
  • “The more you give 'em the more they want!” he complained. “There's no
  • pleasing 'em! It isn't only in my business. There's your father, Mrs.
  • Moffam!”
  • “Good God! Where?” said Archie, starting.
  • “I say, take your father's case. He's doing all he knows to get this new
  • hotel of his finished, and what happens? A man gets fired for loafing
  • on his job, and Connolly calls a strike. And the building operations are
  • held up till the thing's settled! It isn't right!”
  • “It's a great shame,” agreed Lucille. “I was reading about it in the
  • paper this morning.”
  • “That man Connolly's a tough guy. You'd think, being a personal friend
  • of your father, he would--”
  • “I didn't know they were friends.”
  • “Been friends for years. But a lot of difference that makes. Out come
  • the men just the same. It isn't right! I was saying it wasn't right!”
  • repeated Mr. Blumenthal to Archie, for he was a man who liked the
  • attention of every member of his audience.
  • Archie did not reply. He was staring glassily across the room at two
  • men who had just come in. One was a large, stout, square-faced man of
  • commanding personality. The other was Mr. Daniel Brewster.
  • Mr. Blumenthal followed his gaze.
  • “Why, there is Connolly coming in now!”
  • “Father!” gasped Lucille.
  • Her eyes met Archie's. Archie took a hasty drink of ice-water.
  • “This,” he murmured, “has torn it!”
  • “Archie, you must do something!”
  • “I know! But what?”
  • “What's the trouble?” enquired Mr. Blumenthal, mystified.
  • “Go over to their table and talk to them,” said Lucille.
  • “Me!” Archie quivered. “No, I say, old thing, really!”
  • “Get them away!”
  • “How do you mean?”
  • “I know!” cried Lucille, inspired, “Father promised that you should
  • be manager of the new hotel when it was built. Well, then, this strike
  • affects you just as much as anybody else. You have a perfect right to
  • talk it over with them. Go and ask them to have dinner up in our suite
  • where you can discuss it quietly. Say that up there they won't be
  • disturbed by the--the music.”
  • At this moment, while Archie wavered, hesitating like a diver on the
  • edge of a spring-board who is trying to summon up the necessary nerve to
  • project himself into the deep, a bell-boy approached the table where
  • the Messrs. Brewster and Connolly had seated themselves. He murmured
  • something in Mr. Brewster's ear, and the proprietor of the Cosmopolis
  • rose and followed him out of the room.
  • “Quick! Now's your chance!” said Lucille, eagerly. “Father's been called
  • to the telephone. Hurry!”
  • Archie took another drink of ice-water to steady his shaking
  • nerve-centers, pulled down his waistcoat, straightened his tie, and
  • then, with something of the air of a Roman gladiator entering the arena,
  • tottered across the room. Lucille turned to entertain the perplexed
  • music-publisher.
  • The nearer Archie got to Mr. Aloysius Connolly the less did he like the
  • looks of him. Even at a distance the Labour leader had had a formidable
  • aspect. Seen close to, he looked even more uninviting. His face had
  • the appearance of having been carved out of granite, and the eye which
  • collided with Archie's as the latter, with an attempt at an ingratiating
  • smile, pulled up a chair and sat down at the table was hard and frosty.
  • Mr. Connolly gave the impression that he would be a good man to have on
  • your side during a rough-and-tumble fight down on the water-front or in
  • some lumber-camp, but he did not look chummy.
  • “Hallo-allo-allo!” said Archie.
  • “Who the devil,” inquired Mr. Connolly, “are you?”
  • “My name's Archibald Moffam.”
  • “That's not my fault.”
  • “I'm jolly old Brewster's son-in-law.”
  • “Glad to meet you.”
  • “Glad to meet YOU,” said Archie, handsomely.
  • “Well, good-bye!” said Mr. Connolly.
  • “Eh?”
  • “Run along and sell your papers. Your father-in-law and I have business
  • to discuss.”
  • “Yes, I know.”
  • “Private,” added Mr. Connolly.
  • “Oh, but I'm in on this binge, you know. I'm going to be the manager of
  • the new hotel.”
  • “You!”
  • “Absolutely!”
  • “Well, well!” said Mr. Connolly, noncommittally.
  • Archie, pleased with the smoothness with which matters had opened, bent
  • forward winsomely.
  • “I say, you know! It won't do, you know! Absolutely no! Not a bit like
  • it! No, no, far from it! Well, how about it? How do we go? What? Yes?
  • No?”
  • “What on earth are you talking about?”
  • “Call it off, old thing!”
  • “Call what off?”
  • “This festive old strike.”
  • “Not on your--hallo, Dan! Back again?”
  • Mr. Brewster, looming over the table like a thundercloud, regarded
  • Archie with more than his customary hostility. Life was no pleasant
  • thing for the proprietor of the Cosmopolis just now. Once a man starts
  • building hotels, the thing becomes like dram-drinking. Any hitch, any
  • sudden cutting-off of the daily dose, has the worst effects; and the
  • strike which was holding up the construction of his latest effort had
  • plunged Mr. Brewster into a restless gloom. In addition to having this
  • strike on his hands, he had had to abandon his annual fishing-trip just
  • when he had begun to enjoy it; and, as if all this were not enough, here
  • was his son-in-law sitting at his table. Mr. Brewster had a feeling that
  • this was more than man was meant to bear.
  • “What do you want?” he demanded.
  • “Hallo, old thing!” said Archie. “Come and join the party!”
  • “Don't call me old thing!”
  • “Right-o, old companion, just as you say. I say, I was just going to
  • suggest to Mr. Connolly that we should all go up to my suite and talk
  • this business over quietly.”
  • “He says he's the manager of your new hotel,” said Mr. Connolly. “Is
  • that right?”
  • “I suppose so,” said Mr. Brewster, gloomily.
  • “Then I'm doing you a kindness,” said Mr. Connolly, “in not letting it
  • be built.”
  • Archie dabbed at his forehead with his handkerchief. The moments were
  • flying, and it began to seem impossible to shift these two men. Mr.
  • Connolly was as firmly settled in his chair as some primeval rock. As
  • for Mr. Brewster, he, too, had seated himself, and was gazing at Archie
  • with a weary repulsion. Mr. Brewster's glance always made Archie feel as
  • though there were soup on his shirt-front.
  • And suddenly from the orchestra at the other end of the room there came
  • a familiar sound, the prelude of “Mother's Knee.”
  • “So you've started a cabaret, Dan?” said Mr. Connolly, in a satisfied
  • voice. “I always told you you were behind the times here!”
  • Mr. Brewster jumped.
  • “Cabaret!”
  • He stared unbelievingly at the white-robed figure which had just mounted
  • the orchestra dais, and then concentrated his gaze on Archie.
  • Archie would not have looked at his father-in-law at this juncture if he
  • had had a free and untrammelled choice; but Mr. Brewster's eye drew his
  • with something of the fascination which a snake's has for a rabbit. Mr.
  • Brewster's eye was fiery and intimidating. A basilisk might have gone to
  • him with advantage for a course of lessons. His gaze went right through
  • Archie till the latter seemed to feel his back-hair curling crisply in
  • the flames.
  • “Is this one of your fool-tricks?”
  • Even in this tense moment Archie found time almost unconsciously to
  • admire his father-in-law's penetration and intuition. He seemed to have
  • a sort of sixth sense. No doubt this was how great fortunes were made.
  • “Well, as a matter of fact--to be absolutely accurate--it was like
  • this--”
  • “Say, cut it out!” said Mr. Connolly. “Can the chatter! I want to
  • listen.”
  • Archie was only too ready to oblige him. Conversation at the moment was
  • the last thing he himself desired. He managed with a strong effort to
  • disengage himself from Mr. Brewster's eye, and turned to the orchestra
  • dais, where Miss Spectatia Huskisson was now beginning the first verse
  • of Wilson Hymack's masterpiece.
  • Miss Huskisson, like so many of the female denizens of the Middle West,
  • was tall and blonde and constructed on substantial lines. She was a girl
  • whose appearance suggested the old homestead and fried pancakes and pop
  • coming home to dinner after the morning's ploughing. Even her bobbed
  • hair did not altogether destroy this impression. She looked big and
  • strong and healthy, and her lungs were obviously good. She attacked the
  • verse of the song with something of the vigour and breadth of treatment
  • with which in other days she had reasoned with refractory mules. Her
  • diction was the diction of one trained to call the cattle home in the
  • teeth of Western hurricanes. Whether you wanted to or not, you heard
  • every word.
  • The subdued clatter of knives and forks had ceased. The diners, unused
  • to this sort of thing at the Cosmopolis, were trying to adjust their
  • faculties to cope with the outburst. Waiters stood transfixed, frozen,
  • in attitudes of service. In the momentary lull between verse and refrain
  • Archie could hear the deep breathing of Mr. Brewster. Involuntarily
  • he turned to gaze at him once more, as refugees from Pompeii may have
  • turned to gaze upon Vesuvius; and, as he did so, he caught sight of Mr.
  • Connolly, and paused in astonishment.
  • Mr. Connolly was an altered man. His whole personality had undergone
  • a subtle change. His face still looked as though hewn from the living
  • rock, but into his eyes had crept an expression which in another man
  • might almost have been called sentimental. Incredible as it seemed
  • to Archie, Mr. Connolly's eyes were dreamy. There was even in them a
  • suggestion of unshed tears. And when with a vast culmination of sound
  • Miss Huskisson reached the high note at the end of the refrain and,
  • after holding it as some storming-party, spent but victorious, holds the
  • summit of a hard-won redoubt, broke off suddenly, in the stillness which
  • followed there proceeded from Mr. Connolly a deep sigh.
  • Miss Huskisson began the second verse. And Mr. Brewster, seeming to
  • recover from some kind of a trance, leaped to his feet.
  • “Great Godfrey!”
  • “Sit down!” said Mr. Connolly, in a broken voice. “Sit down, Dan!”
  • “He went back to his mother on the train that very day:
  • He knew there was no other who could make him bright and
  • gay:
  • He kissed her on the forehead and he whispered, 'I've come
  • home!'
  • He told her he was never going any more to roam.
  • And onward through the happy years, till he grew old and
  • grey,
  • He never once regretted those brave words he once did say:
  • It's a long way back to mother's knee--”
  • The last high note screeched across the room like a shell, and the
  • applause that followed was like a shell's bursting. One could hardly
  • have recognised the refined interior of the Cosmopolis dining-room. Fair
  • women were waving napkins; brave men were hammering on the tables with
  • the butt-end of knives, for all the world as if they imagined themselves
  • to be in one of those distressing midnight-revue places. Miss Huskisson
  • bowed, retired, returned, bowed, and retired again, the tears
  • streaming down her ample face. Over in a corner Archie could see his
  • brother-in-law clapping strenuously. A waiter, with a display of manly
  • emotion that did him credit, dropped an order of new peas.
  • “Thirty years ago last October,” said Mr. Connolly, in a shaking voice,
  • “I--”
  • Mr. Brewster interrupted him violently.
  • “I'll fire that orchestra-leader! He goes to-morrow! I'll fire--” He
  • turned on Archie. “What the devil do you mean by it, you--you--”
  • “Thirty years ago,” said Mr. Connolly, wiping away a tear with his
  • napkin, “I left me dear old home in the old country--”
  • “MY hotel a bear-garden!”
  • “Frightfully sorry and all that, old companion--”
  • “Thirty years ago last October! 'Twas a fine autumn evening the finest
  • ye'd ever wish to see. Me old mother, she came to the station to see me
  • off.”
  • Mr. Brewster, who was not deeply interested in Mr. Connolly's old
  • mother, continued to splutter inarticulately, like a firework trying to
  • go off.
  • “'Ye'll always be a good boy, Aloysius?' she said to me,” said Mr.
  • Connolly, proceeding with, his autobiography. “And I said: 'Yes, Mother,
  • I will!'” Mr. Connolly sighed and applied the napkin again. “'Twas a
  • liar I was!” he observed, remorsefully. “Many's the dirty I've played
  • since then. 'It's a long way back to Mother's knee.' 'Tis a true word!”
  • He turned impulsively to Mr. Brewster. “Dan, there's a deal of trouble
  • in this world without me going out of me way to make more. The strike is
  • over! I'll send the men back tomorrow! There's me hand on it!”
  • Mr. Brewster, who had just managed to co-ordinate his views on the
  • situation and was about to express them with the generous strength which
  • was ever his custom when dealing with his son-in-law, checked himself
  • abruptly. He stared at his old friend and business enemy, wondering if
  • he could have heard aright. Hope began to creep back into Mr. Brewster's
  • heart, like a shamefaced dog that has been away from home hunting for a
  • day or two.
  • “You'll what!”
  • “I'll send the men back to-morrow! That song was sent to guide me, Dan!
  • It was meant! Thirty years ago last October me dear old mother--”
  • Mr. Brewster bent forward attentively. His views on Mr. Connolly's dear
  • old mother had changed. He wanted to hear all about her.
  • “'Twas that last note that girl sang brought it all back to me as if
  • 'twas yesterday. As we waited on the platform, me old mother and I, out
  • comes the train from the tunnel, and the engine lets off a screech the
  • way ye'd hear it ten miles away. 'Twas thirty years ago--”
  • Archie stole softly from the table. He felt that his presence, if it had
  • ever been required, was required no longer. Looking back, he could see
  • his father-in-law patting Mr. Connolly affectionately on the shoulder.
  • Archie and Lucille lingered over their coffee. Mr. Blumenthal was out
  • in the telephone-box settling the business end with Wilson Hymack. The
  • music-publisher had been unstinted in his praise of “Mother's Knee.”
  • It was sure-fire, he said. The words, stated Mr. Blumenthal, were gooey
  • enough to hurt, and the tune reminded him of every other song-hit he had
  • ever heard. There was, in Mr. Blumenthal's opinion, nothing to stop this
  • thing selling a million copies.
  • Archie smoked contentedly.
  • “Not a bad evening's work, old thing,” he said. “Talk about birds with
  • one stone!” He looked at Lucille reproachfully. “You don't seem bubbling
  • over with joy.”
  • “Oh, I am, precious!” Lucille sighed. “I was only thinking about Bill.”
  • “What about Bill?”
  • “Well, it's rather awful to think of him tied for life to that-that
  • steam-siren.”
  • “Oh, we mustn't look on the jolly old dark side. Perhaps--Hallo, Bill,
  • old top! We were just talking about you.”
  • “Were you?” said Bill Brewster, in a dispirited voice.
  • “I take it that you want congratulations, what?”
  • “I want sympathy!”
  • “Sympathy?”
  • “Sympathy! And lots of it! She's gone!”
  • “Gone! Who?”
  • “Spectatia!”
  • “How do you mean, gone?”
  • Bill glowered at the tablecloth.
  • “Gone home. I've just seen her off in a cab. She's gone back to
  • Washington Square to pack. She's catching the ten o'clock train back
  • to Snake Bite. It was that damned song!” muttered Bill, in a stricken
  • voice. “She says she never realised before she sang it to-night how
  • hollow New York was. She said it suddenly came over her. She says she's
  • going to give up her career and go back to her mother. What the deuce
  • are you twiddling your fingers for?” he broke off, irritably.
  • “Sorry, old man. I was just counting.”
  • “Counting? Counting what?”
  • “Birds, old thing. Only birds!” said Archie.
  • CHAPTER XXV. THE WIGMORE VENUS
  • The morning was so brilliantly fine; the populace popped to and fro
  • in so active and cheery a manner; and everybody appeared to be so
  • absolutely in the pink, that a casual observer of the city of New York
  • would have said that it was one of those happy days. Yet Archie Moffam,
  • as he turned out of the sun-bathed street into the ramshackle building
  • on the third floor of which was the studio belonging to his artist
  • friend, James B. Wheeler, was faintly oppressed with a sort of a kind
  • of feeling that something was wrong. He would not have gone so far as to
  • say that he had the pip--it was more a vague sense of discomfort. And,
  • searching for first causes as he made his way upstairs, he came to the
  • conclusion that the person responsible for this nebulous depression was
  • his wife, Lucille. It seemed to Archie that at breakfast that morning
  • Lucille's manner had been subtly rummy. Nothing you could put your
  • finger on, still--rummy.
  • Musing thus, he reached the studio, and found the door open and the room
  • empty. It had the air of a room whose owner has dashed in to fetch
  • his golf-clubs and biffed off, after the casual fashion of the artist
  • temperament, without bothering to close up behind him. And such, indeed,
  • was the case. The studio had seen the last of J. B. Wheeler for that
  • day: but Archie, not realising this and feeling that a chat with Mr.
  • Wheeler, who was a light-hearted bird, was what he needed this morning,
  • sat down to wait. After a few moments, his gaze, straying over the room,
  • encountered a handsomely framed picture, and he went across to take a
  • look at it.
  • J. B. Wheeler was an artist who made a large annual income as an
  • illustrator for the magazines, and it was a surprise to Archie to find
  • that he also went in for this kind of thing. For the picture, dashingly
  • painted in oils, represented a comfortably plump young woman who, from
  • her rather weak-minded simper and the fact that she wore absolutely
  • nothing except a small dove on her left shoulder, was plainly intended
  • to be the goddess Venus. Archie was not much of a lad around the
  • picture-galleries, but he knew enough about Art to recognise Venus when
  • he saw her; though once or twice, it is true, artists had double-crossed
  • him by ringing in some such title as “Day Dreams,” or “When the Heart is
  • Young.”
  • He inspected this picture for awhile, then, returning to his seat, lit
  • a cigarette and began to meditate on Lucille once more. “Yes, the dear
  • girl had been rummy at breakfast. She had not exactly said anything or
  • done anything out of the ordinary; but--well, you know how it is. We
  • husbands, we lads of the for-better-or-for-worse brigade, we learn
  • to pierce the mask. There had been in Lucille's manner that curious,
  • strained sweetness which comes to women whose husbands have failed to
  • match the piece of silk or forgotten to post an important letter. If his
  • conscience had not been as clear as crystal, Archie would have said
  • that that was what must have been the matter. But, when Lucille wrote
  • letters, she just stepped out of the suite and dropped them in the
  • mail-chute attached to the elevator. It couldn't be that. And he
  • couldn't have forgotten anything else, because--”
  • “Oh my sainted aunt!”
  • Archie's cigarette smouldered, neglected, between his fingers. His
  • jaw had fallen and his eyes were staring glassily before him. He was
  • appalled. His memory was weak, he knew; but never before had it let him
  • down, so scurvily as this. This was a record. It stood in a class by
  • itself, printed in red ink and marked with a star, as the bloomer of a
  • lifetime. For a man may forget many things: he may forget his name, his
  • umbrella, his nationality, his spats, and the friends of his
  • youth: but there is one thing which your married man, your
  • in-sickness-and-in-health lizard must not forget: and that is the
  • anniversary of his wedding-day.
  • Remorse swept over Archie like a wave. His heart bled for Lucille. No
  • wonder the poor girl had been rummy at breakfast. What girl wouldn't be
  • rummy at breakfast, tied for life to a ghastly outsider like himself? He
  • groaned hollowly, and sagged forlornly in his chair: and, as he did so,
  • the Venus caught his eye. For it was an eye-catching picture. You might
  • like it or dislike it, but you could not ignore it.
  • As a strong swimmer shoots to the surface after a high dive, Archie's
  • soul rose suddenly from the depths to which it had descended. He did not
  • often get inspirations, but he got one now. Hope dawned with a jerk. The
  • one way out had presented itself to him. A rich present! That was the
  • wheeze. If he returned to her bearing a rich present, he might, with the
  • help of Heaven and a face of brass, succeed in making her believe that
  • he had merely pretended to forget the vital date in order to enhance the
  • surprise.
  • It was a scheme. Like some great general forming his plan of campaign on
  • the eve of battle, Archie had the whole binge neatly worked out inside a
  • minute. He scribbled a note to Mr. Wheeler, explaining the situation and
  • promising reasonable payment on the instalment system; then, placing the
  • note in a conspicuous position on the easel, he leaped to the telephone:
  • and presently found himself connected with Lucille's room at the
  • Cosmopolis.
  • “Hullo, darling,” he cooed.
  • There was a slight pause at the other end of the wire.
  • “Oh, hullo, Archie!”
  • Lucille's voice was dull and listless, and Archie's experienced ear
  • could detect that she had been crying. He raised his right foot, and
  • kicked himself indignantly on the left ankle.
  • “Many happy returns of the day, old thing!”
  • A muffled sob floated over the wire.
  • “Have you only just remembered?” said Lucille in a small voice.
  • Archie, bracing himself up, cackled gleefully into the receiver.
  • “Did I take you in, light of my home? Do you mean to say you really
  • thought I had forgotten? For Heaven's sake!”
  • “You didn't say a word at breakfast.”
  • “Ah, but that was all part of the devilish cunning. I hadn't got a
  • present for you then. At least, I didn't know whether it was ready.”
  • “Oh, Archie, you darling!” Lucille's voice had lost its crushed
  • melancholy. She trilled like a thrush, or a linnet, or any bird that
  • goes in largely for trilling. “Have you really got me a present?”
  • “It's here now. The dickens of a fruity picture. One of J. B. Wheeler's
  • things. You'll like it.”
  • “Oh, I know I shall. I love his work. You are an angel. We'll hang it
  • over the piano.”
  • “I'll be round with it in something under three ticks, star of my soul.
  • I'll take a taxi.”
  • “Yes, do hurry! I want to hug you!”
  • “Right-o!” said Archie. “I'll take two taxis.”
  • It is not far from Washington Square to the Hotel Cosmopolis, and Archie
  • made the journey without mishap. There was a little unpleasantness
  • with the cabman before starting--he, on the prudish plea that he was a
  • married man with a local reputation to keep up, declining at first to be
  • seen in company with the masterpiece. But, on Archie giving a promise to
  • keep the front of the picture away from the public gaze, he consented
  • to take the job on; and, some ten minutes later, having made his way
  • blushfully through the hotel lobby and endured the frank curiosity of
  • the boy who worked the elevator, Archie entered his suite, the picture
  • under his arm.
  • He placed it carefully against the wall in order to leave himself more
  • scope for embracing Lucille, and when the joyful reunion--or the sacred
  • scene, if you prefer so to call it, was concluded, he stepped forward to
  • turn it round and exhibit it.
  • “Why, it's enormous,” said Lucille. “I didn't know Mr. Wheeler ever
  • painted pictures that size. When you said it was one of his, I thought
  • it must be the original of a magazine drawing or something like--Oh!”
  • Archie had moved back and given her an uninterrupted view of the work of
  • art, and she had started as if some unkindly disposed person had driven
  • a bradawl into her.
  • “Pretty ripe, what?” said Archie enthusiastically.
  • Lucille did not speak for a moment. It may have been sudden joy that
  • kept her silent. Or, on the other hand, it may not. She stood looking at
  • the picture with wide eyes and parted lips.
  • “A bird, eh?” said Archie.
  • “Y--yes,” said Lucille.
  • “I knew you'd like it,” proceeded Archie with animation, “You see?
  • you're by way of being a picture-hound--know all about the things,
  • and what not--inherit it from the dear old dad, I shouldn't wonder.
  • Personally, I can't tell one picture from another as a rule, but I'm
  • bound to say, the moment I set eyes on this, I said to myself 'What
  • ho!' or words to that effect, I rather think this will add a touch of
  • distinction to the home, yes, no? I'll hang it up, shall I? 'Phone down
  • to the office, light of my soul, and tell them to send up a nail, a bit
  • of string, and the hotel hammer.”
  • “One moment, darling. I'm not quite sure.”
  • “Eh?”
  • “Where it ought to hang, I mean. You see--”
  • “Over the piano, you said. The jolly old piano.”
  • “Yes, but I hadn't seen it then.”
  • A monstrous suspicion flitted for an instant into Archie's mind.
  • “I say, you do like it, don't you?” he said anxiously.
  • “Oh, Archie, darling! Of course I do!-And it was so sweet of you to give
  • it to me. But, what I was trying to say was that this picture is so--so
  • striking that I feel that we ought to wait a little while and decide
  • where it would have the best effect. The light over the piano is rather
  • strong.”
  • “You think it ought to hang in a dimmish light, what?”
  • “Yes, yes. The dimmer the--I mean, yes, in a dim light. Suppose we leave
  • it in the corner for the moment--over there--behind the sofa, and--and
  • I'll think it over. It wants a lot of thought, you know.”
  • “Right-o! Here?”
  • “Yes, that will do splendidly. Oh, and, Archie.”
  • “Hullo?”
  • “I think perhaps... Just turn its face to the wall, will you?” Lucille
  • gave a little gulp. “It will prevent it getting dusty.”
  • It perplexed Archie a little during the next few days to notice in
  • Lucille, whom he had always looked on as pre-eminently a girl who knew
  • her own mind, a curious streak of vacillation. Quite half a dozen times
  • he suggested various spots on the wall as suitable for the Venus, but
  • Lucille seemed unable to decide. Archie wished that she would settle on
  • something definite, for he wanted to invite J. B. Wheeler to the suite
  • to see the thing. He had heard nothing from the artist since the day he
  • had removed the picture, and one morning, encountering him on Broadway,
  • he expressed his appreciation of the very decent manner in which the
  • other had taken the whole affair.
  • “Oh, that!” said J. B. Wheeler. “My dear fellow, you're welcome.” He
  • paused for a moment. “More than welcome,” he added. “You aren't much of
  • an expert on pictures, are you?”
  • “Well,” said Archie, “I don't know that you'd call me an absolute nib,
  • don't you know, but of course I know enough to see that this particular
  • exhibit is not a little fruity. Absolutely one of the best things you've
  • ever done, laddie.”
  • A slight purple tinge manifested itself in Mr. Wheeler's round and rosy
  • face. His eyes bulged.
  • “What are you talking about, you Tishbite? You misguided son of Belial,
  • are you under the impression that _I_ painted that thing?”
  • “Didn't you?”
  • Mr. Wheeler swallowed a little convulsively.
  • “My fiancee painted it,” he said shortly.
  • “Your fiancee? My dear old lad, I didn't know you were engaged. Who is
  • she? Do I know her?”
  • “Her name is Alice Wigmore. You don't know her.”
  • “And she painted that picture?” Archie was perturbed. “But, I say! Won't
  • she be apt to wonder where the thing has got to?”
  • “I told her it had been stolen. She thought it a great compliment, and
  • was tickled to death. So that's all right.”
  • “And, of course, she'll paint you another.”
  • “Not while I have my strength she won't,” said J. B. Wheeler firmly.
  • “She's given up painting since I taught her golf, thank goodness, and
  • my best efforts shall be employed in seeing that she doesn't have a
  • relapse.”
  • “But, laddie,” said Archie, puzzled, “you talk as though there were
  • something wrong with the picture. I thought it dashed hot stuff.”
  • “God bless you!” said J. B. Wheeler.
  • Archie proceeded on his way, still mystified. Then he reflected that
  • artists as a class were all pretty weird and rummy and talked more or
  • less consistently through their hats. You couldn't ever take an artist's
  • opinion on a picture. Nine out of ten of them had views on Art which
  • would have admitted them to any looney-bin, and no questions asked. He
  • had met several of the species who absolutely raved over things which
  • any reasonable chappie would decline to be found dead in a ditch with.
  • His admiration for the Wigmore Venus, which had faltered for a moment
  • during his conversation with J. B. Wheeler, returned in all its pristine
  • vigour. Absolute rot, he meant to say, to try to make out that it wasn't
  • one of the ones and just like mother used to make. Look how Lucille had
  • liked it!
  • At breakfast next morning, Archie once more brought up the question of
  • the hanging of the picture. It was absurd to let a thing like that go on
  • wasting its sweetness behind a sofa with its face to the wall.
  • “Touching the jolly old masterpiece,” he said, “how about it? I think
  • it's time we hoisted it up somewhere.”
  • Lucille fiddled pensively with her coffee-spoon.
  • “Archie, dear,” she said, “I've been thinking.”
  • “And a very good thing to do,” said Archie. “I've often meant to do it
  • myself when I got a bit of time.”
  • “About that picture, I mean. Did you know it was father's birthday
  • to-morrow?”
  • “Why no, old thing, I didn't, to be absolutely honest. Your revered
  • parent doesn't confide in me much these days, as a matter of fact.”
  • “Well, it is. And I think we ought to give him a present.”
  • “Absolutely. But how? I'm all for spreading sweetness and light, and
  • cheering up the jolly old pater's sorrowful existence, but I haven't a
  • bean. And, what is more, things have come to such a pass that I scan the
  • horizon without seeing a single soul I can touch. I suppose I could get
  • into Reggie van Tuyl's ribs for a bit, but--I don't know--touching poor
  • old Reggie always seems to me rather like potting a sitting bird.”
  • “Of course, I don't want you to do anything like that. I was
  • thinking--Archie, darling, would you be very hurt if I gave father the
  • picture?”
  • “Oh, I say!”
  • “Well, I can't think of anything else.”
  • “But wouldn't you miss it most frightfully?”
  • “Oh, of course I should. But you see--father's birthday--”
  • Archie had always thought Lucille the dearest and most unselfish angel
  • in the world, but never had the fact come home to him so forcibly as
  • now. He kissed her fondly.
  • “By Jove!” he exclaimed. “You really are, you know! This is the biggest
  • thing since jolly old Sir Philip What's-his-name gave the drink of water
  • to the poor blighter whose need was greater than his, if you recall the
  • incident. I had to sweat it up at school, I remember. Sir Philip, poor
  • old bean, had a most ghastly thirst on, and he was just going to
  • have one on the house, so to speak, when... but it's all in the
  • history-books. This is the sort of thing Boy Scouts do! Well, of course,
  • it's up to you, queen of my soul. If you feel like making the sacrifice,
  • right-o! Shall I bring the pater up here and show him the picture?”
  • “No, I shouldn't do that. Do you think you could get into his suite
  • to-morrow morning and hang it up somewhere? You see, if he had the
  • chance of--what I mean is, if--yes, I think it would be best to hang it
  • up and let him discover it there.”
  • “It would give him a surprise, you mean, what?”
  • “Yes.”
  • Lucille sighed inaudibly. She was a girl with a conscience, and that
  • conscience was troubling her a little. She agreed with Archie that the
  • discovery of the Wigmore Venus in his artistically furnished suite
  • would give Mr. Brewster a surprise. Surprise, indeed, was perhaps an
  • inadequate word. She was sorry for her father, but the instinct of
  • self-preservation is stronger than any other emotion.
  • Archie whistled merrily on the following morning as, having driven a
  • nail into his father-in-law's wallpaper, he adjusted the cord from which
  • the Wigmore Venus was suspended. He was a kind-hearted young man, and,
  • though Mr. Daniel Brewster had on many occasions treated him with a good
  • deal of austerity, his simple soul was pleased at the thought of
  • doing him a good turn, He had just completed his work and was
  • stepping cautiously down, when a voice behind him nearly caused him to
  • overbalance.
  • “What the devil?”
  • Archie turned beamingly.
  • “Hullo, old thing! Many happy returns of the day!”
  • Mr. Brewster was standing in a frozen attitude. His strong face was
  • slightly flushed.
  • “What--what--?” he gurgled.
  • Mr. Brewster was not in one of his sunniest moods that morning. The
  • proprietor of a large hotel has many things to disturb him, and to-day
  • things had been going wrong. He had come up to his suite with the idea
  • of restoring his shaken nerve system with a quiet cigar, and the sight
  • of his son-in-law had, as so frequently happened, made him feel worse
  • than ever. But, when Archie had descended from the chair and moved aside
  • to allow him an uninterrupted view of the picture, Mr. Brewster realised
  • that a worse thing had befallen him than a mere visit from one who
  • always made him feel that the world was a bleak place.
  • He stared at the Venus dumbly. Unlike most hotel-proprietors, Daniel
  • Brewster was a connoisseur of Art. Connoisseuring was, in fact, his
  • hobby. Even the public rooms of the Cosmopolis were decorated with
  • taste, and his own private suite was a shrine of all that was best and
  • most artistic. His tastes were quiet and restrained, and it is not too
  • much to say that the Wigmore Venus hit him behind the ear like a stuffed
  • eel-skin.
  • So great was the shock that for some moments it kept him silent, and
  • before he could recover speech Archie had explained.
  • “It's a birthday present from Lucille, don't you know.”
  • Mr. Brewster crushed down the breezy speech he had intended to utter.
  • “Lucille gave me--that?” he muttered.
  • He swallowed pathetically. He was suffering, but the iron courage of the
  • Brewsters stood him in good stead. This man was no weakling. Presently
  • the rigidity of his face relaxed. He was himself again. Of all things
  • in the world he loved his daughter most, and if, in whatever mood of
  • temporary insanity, she had brought herself to suppose that this beastly
  • daub was the sort of thing he would like for a birthday present, he must
  • accept the situation like a man. He would on the whole have preferred
  • death to a life lived in the society of the Wigmore Venus, but even that
  • torment must be endured if the alternative was the hurting of Lucille's
  • feelings.
  • “I think I've chosen a pretty likely spot to hang the thing, what?” said
  • Archie cheerfully. “It looks well alongside those Japanese prints, don't
  • you think? Sort of stands out.”
  • Mr. Brewster licked his dry lips and grinned a ghastly grin.
  • “It does stand out!” he agreed.
  • CHAPTER XXVI. A TALE OF A GRANDFATHER
  • Archie was not a man who readily allowed himself to become worried,
  • especially about people who were not in his own immediate circle of
  • friends, but in the course of the next week he was bound to admit that
  • he was not altogether easy in his mind about his father-in-law's mental
  • condition. He had read all sorts of things in the Sunday papers and
  • elsewhere about the constant strain to which captains of industry are
  • subjected, a strain which sooner or later is only too apt to make
  • the victim go all blooey, and it seemed to him that Mr. Brewster
  • was beginning to find the going a trifle too tough for his stamina.
  • Undeniably he was behaving in an odd manner, and Archie, though
  • no physician, was aware that, when the American business-man, that
  • restless, ever-active human machine, starts behaving in an odd manner,
  • the next thing you know is that two strong men, one attached to each
  • arm, are hurrying him into the cab bound for Bloomingdale.
  • He did not confide his misgivings to Lucille, not wishing to cause her
  • anxiety. He hunted up Reggie van Tuyl at the club, and sought advice
  • from him.
  • “I say, Reggie, old thing--present company excepted--have there been any
  • loonies in your family?”
  • Reggie stirred in the slumber which always gripped him in the early
  • afternoon.
  • “Loonies?” he mumbled, sleepily. “Rather! My uncle Edgar thought he was
  • twins.”
  • “Twins, eh?”
  • “Yes. Silly idea! I mean, you'd have thought one of my uncle Edgar would
  • have been enough for any man.”
  • “How did the thing start?” asked Archie.
  • “Start? Well, the first thing we noticed was when he began wanting two
  • of everything. Had to set two places for him at dinner and so on. Always
  • wanted two seats at the theatre. Ran into money, I can tell you.”
  • “He didn't behave rummily up till then? I mean to say, wasn't sort of
  • jumpy and all that?”
  • “Not that I remember. Why?”
  • Archie's tone became grave.
  • “Well, I'll tell you, old man, though I don't want it to go any farther,
  • that I'm a bit worried about my jolly old father-in-law. I believe he's
  • about to go in off the deep-end. I think he's cracking under the strain.
  • Dashed weird his behaviour has been the last few days.”
  • “Such as?” murmured Mr. van Tuyl.
  • “Well, the other morning I happened to be in his suite--incidentally he
  • wouldn't go above ten dollars, and I wanted twenty-five-and he suddenly
  • picked up a whacking big paper-weight and bunged it for all he was
  • worth.”
  • “At you?”
  • “Not at me. That was the rummy part of it. At a mosquito on the wall, he
  • said. Well, I mean to say, do chappies bung paper-weights at mosquitoes?
  • I mean, is it done?”
  • “Smash anything?”
  • “Curiously enough, no. But he only just missed a rather decent picture
  • which Lucille had given him for his birthday. Another foot to the left
  • and it would have been a goner.”
  • “Sounds queer.”
  • “And, talking of that picture, I looked in on him about a couple of
  • afternoons later, and he'd taken it down from the wall and laid it on
  • the floor and was staring at it in a dashed marked sort of manner. That
  • was peculiar, what?”
  • “On the floor?”
  • “On the jolly old carpet. When I came in, he was goggling at it in a
  • sort of glassy way. Absolutely rapt, don't you know. My coming in gave
  • him a start--seemed to rouse him from a kind of trance, you know--and he
  • jumped like an antelope; and, if I hadn't happened to grab him, he would
  • have trampled bang on the thing. It was deuced unpleasant, you know. His
  • manner was rummy. He seemed to be brooding on something. What ought I to
  • do about it, do you think? It's not my affair, of course, but it
  • seems to me that, if he goes on like this, one of these days he'll be
  • stabbing someone with a pickle-fork.”
  • To Archie's relief, his father-in-law's symptoms showed no signs of
  • development. In fact, his manner reverted to the normal once more, and
  • a few days later, meeting Archie in the lobby of the hotel, he seemed
  • quite cheerful. It was not often that he wasted his time talking to his
  • son-in-law, but on this occasion he chatted with him for several minutes
  • about the big picture-robbery which had formed the chief item of news
  • on the front pages of the morning papers that day. It was Mr. Brewster's
  • opinion that the outrage had been the work of a gang and that nobody was
  • safe.
  • Daniel Brewster had spoken of this matter with strange earnestness, but
  • his words had slipped from Archie's mind when he made his way that night
  • to his father-in-law's suite. Archie was in an exalted mood. In the
  • course of dinner he had had a bit of good news which was occupying his
  • thoughts to the exclusion of all other matters. It had left him in a
  • comfortable, if rather dizzy, condition of benevolence to all created
  • things. He had smiled at the room-clerk as he crossed the lobby, and if
  • he had had a dollar, he would have given it to the boy who took him up
  • in the elevator.
  • He found the door of the Brewster suite unlocked which at any other time
  • would have struck him as unusual; but to-night he was in no frame of
  • mind to notice these trivialities. He went in, and, finding the room
  • dark and no one at home, sat down, too absorbed in his thoughts to
  • switch on the lights, and gave himself up to dreamy meditation.
  • There are certain moods in which one loses count of time, and Archie
  • could not have said how long he had been sitting in the deep arm-chair
  • near the window when he first became aware that he was not alone in the
  • room. He had closed his eyes, the better to meditate, so had not seen
  • anyone enter. Nor had he heard the door open. The first intimation
  • he had that somebody had come in was when some hard substance knocked
  • against some other hard object, producing a sharp sound which brought
  • him back to earth with a jerk.
  • He sat up silently. The fact that the room was still in darkness made it
  • obvious that something nefarious was afoot. Plainly there was dirty work
  • in preparation at the cross-roads. He stared into the blackness, and, as
  • his eyes grew accustomed to it, was presently able to see an indistinct
  • form bending over something on the floor. The sound of rather stertorous
  • breathing came to him.
  • Archie had many defects which prevented him being the perfect man,
  • but lack of courage was not one of them. His somewhat rudimentary
  • intelligence had occasionally led his superior officers during the war
  • to thank God that Great Britain had a Navy, but even these stern critics
  • had found nothing to complain of in the manner in which he bounded over
  • the top. Some of us are thinkers, others men of action. Archie was a man
  • of action, and he was out of his chair and sailing in the direction of
  • the back of the intruder's neck before a wiser man would have completed
  • his plan of campaign. The miscreant collapsed under him with a squashy
  • sound, like the wind going out of a pair of bellows, and Archie, taking
  • a firm seat on his spine, rubbed the other's face in the carpet and
  • awaited the progress of events.
  • At the end of half a minute it became apparent that there was going
  • to be no counter-attack. The dashing swiftness of the assault had
  • apparently had the effect of depriving the marauder of his entire stock
  • of breath. He was gurgling to himself in a pained sort of way and making
  • no effort to rise. Archie, feeling that it would be safe to get up
  • and switch on the light, did so, and, turning after completing this
  • manoeuvre, was greeted by the spectacle of his father-in-law, seated
  • on the floor in a breathless and dishevelled condition, blinking at the
  • sudden illumination. On the carpet beside Mr. Brewster lay a long knife,
  • and beside the knife lay the handsomely framed masterpiece of J. B.
  • Wheeler's fiancee, Miss Alice Wigmore. Archie stared at this collection
  • dumbly.
  • “Oh, what-ho!” he observed at length, feebly.
  • A distinct chill manifested itself in the region of Archie's spine. This
  • could mean only one thing. His fears had been realised. The strain of
  • modern life, with all its hustle and excitement, had at last proved too
  • much for Mr. Brewster. Crushed by the thousand and one anxieties and
  • worries of a millionaire's existence, Daniel Brewster had gone off his
  • onion.
  • Archie was nonplussed. This was his first experience of this kind of
  • thing. What, he asked himself, was the proper procedure in a situation
  • of this sort? What was the local rule? Where, in a word, did he go from
  • here? He was still musing in an embarrassed and baffled way, having
  • taken the precaution of kicking the knife under the sofa, when Mr.
  • Brewster spoke. And there was in, both the words and the method of
  • their delivery so much of his old familiar self that Archie felt quite
  • relieved.
  • “So it's you, is it, you wretched blight, you miserable weed!” said
  • Mr. Brewster, having recovered enough breath to be going on with. He
  • glowered at his son-in-law despondently. “I might have, expected it! If
  • I was at the North Pole, I could count on you butting in!”
  • “Shall I get you a drink of water?” said Archie.
  • “What the devil,” demanded Mr. Brewster, “do you imagine I want with a
  • drink of water?”
  • “Well--” Archie hesitated delicately. “I had a sort of idea that you had
  • been feeling the strain a bit. I mean to say, rush of modern life and
  • all that sort of thing--”
  • “What are you doing in my room?” said Mr. Brewster, changing the
  • subject.
  • “Well, I came to tell you something, and I came in here and was waiting
  • for you, and I saw some chappie biffing about in the dark, and I thought
  • it was a burglar or something after some of your things, so, thinking it
  • over, I got the idea that it would be a fairly juicy scheme to land on
  • him with both feet. No idea it was you, old thing! Frightfully sorry and
  • all that. Meant well!”
  • Mr. Brewster sighed deeply. He was a just man, and he could not but
  • realise that, in the circumstances, Archie had behaved not unnaturally.
  • “Oh, well!” he said. “I might have known something would go wrong.”
  • “Awfully sorry!”
  • “It can't be helped. What was it you wanted to tell me?” He eyed his
  • son-in-law piercingly. “Not a cent over twenty dollars!” he said coldly.
  • Archie hastened to dispel the pardonable error.
  • “Oh, it wasn't anything like that,” he said. “As a matter of fact, I
  • think it's a good egg. It has bucked me up to no inconsiderable
  • degree. I was dining with Lucille just now, and, as we dallied with the
  • food-stuffs, she told me something which--well, I'm bound to say, it
  • made me feel considerably braced. She told me to trot along and ask you
  • if you would mind--”
  • “I gave Lucille a hundred dollars only last Tuesday.”
  • Archie was pained.
  • “Adjust this sordid outlook, old thing!” he urged. “You simply aren't
  • anywhere near it. Right off the target, absolutely! What Lucille told me
  • to ask you was if you would mind--at some tolerably near date--being
  • a grandfather! Rotten thing to be, of course,” proceeded Archie
  • commiseratingly, “for a chappie of your age, but there it is!”
  • Mr. Brewster gulped.
  • “Do you mean to say--?”
  • “I mean, apt to make a fellow feel a bit of a patriarch. Snowy hair and
  • what not. And, of course, for a chappie in the prime of life like you--”
  • “Do you mean to tell me--? Is this true?”
  • “Absolutely! Of course, speaking for myself, I'm all for it. I don't
  • know when I've felt more bucked. I sang as I came up here--absolutely
  • warbled in the elevator. But you--”
  • A curious change had come over Mr. Brewster. He was one of those men who
  • have the appearance of having been hewn out of the solid rock, but now
  • in some indescribable way he seemed to have melted. For a moment he
  • gazed at Archie, then, moving quickly forward, he grasped his hand in an
  • iron grip.
  • “This is the best news I've ever had!” he mumbled.
  • “Awfully good of you to take it like this,” said Archie cordially. “I
  • mean, being a grandfather--”
  • Mr. Brewster smiled. Of a man of his appearance one could hardly say
  • that he smiled playfully; but there was something in his expression that
  • remotely suggested playfulness.
  • “My dear old bean,” he said.
  • Archie started.
  • “My dear old bean,” repeated Mr. Brewster firmly, “I'm the happiest man
  • in America!” His eye fell on the picture which lay on the floor. He gave
  • a slight shudder, but recovered himself immediately. “After this,” he
  • said, “I can reconcile myself to living with that thing for the rest of
  • my life. I feel it doesn't matter.”
  • “I say,” said Archie, “how about that? Wouldn't have brought the thing
  • up if you hadn't introduced the topic, but, speaking as man to man, what
  • the dickens WERE you up to when I landed on your spine just now?”
  • “I suppose you thought I had gone off my head?”
  • “Well, I'm bound to say--”
  • Mr. Brewster cast an unfriendly glance at the picture.
  • “Well, I had every excuse, after living with that infernal thing for a
  • week!”
  • Archie looked at him, astonished.
  • “I say, old thing, I don't know if I have got your meaning exactly, but
  • you somehow give me the impression that you don't like that jolly old
  • work of Art.”
  • “Like it!” cried Mr. Brewster. “It's nearly driven me mad! Every time
  • it caught my eye, it gave me a pain in the neck. To-night I felt as if I
  • couldn't stand it any longer. I didn't want to hurt Lucille's feelings,
  • by telling her, so I made up my mind I would cut the damned thing out of
  • its frame and tell her it had been stolen.”
  • “What an extraordinary thing! Why, that's exactly what old Wheeler did.”
  • “Who is old Wheeler?”
  • “Artist chappie. Pal of mine. His fiancee painted the thing, and, when
  • I lifted it off him, he told her it had been stolen. HE didn't seem
  • frightfully keen on it, either.”
  • “Your friend Wheeler has evidently good taste.”
  • Archie was thinking.
  • “Well, all this rather gets past me,” he said. “Personally, I've always
  • admired the thing. Dashed ripe bit of work, I've always considered.
  • Still, of course, if you feel that way--”
  • “You may take it from me that I do!”
  • “Well, then, in that case--You know what a clumsy devil I am--You can
  • tell Lucille it was all my fault--”
  • The Wigmore Venus smiled up at Archie--it seemed to Archie with a
  • pathetic, pleading smile. For a moment he was conscious of a feeling of
  • guilt; then, closing his eyes and hardening his heart, he sprang lightly
  • in the air and descended with both feet on the picture. There was a
  • sound of rending canvas, and the Venus ceased to smile.
  • “Golly!” said Archie, regarding the wreckage remorsefully.
  • Mr. Brewster did not share his remorse. For the second time that night
  • he gripped him by the hand.
  • “My boy!” he quavered. He stared at Archie as if he were seeing him with
  • new eyes. “My dear boy, you were through the war, were you not?”
  • “Eh? Oh yes! Right through the jolly old war.”
  • “What was your rank?”
  • “Oh, second lieutenant.”
  • “You ought to have been a general!” Mr. Brewster clasped his hand once
  • more in a vigorous embrace. “I only hope,” he added “that your son will
  • be like you!”
  • There are certain compliments, or compliments coming from certain
  • sources, before which modesty reels, stunned. Archie's did.
  • He swallowed convulsively. He had never thought to hear these words from
  • Daniel Brewster.
  • “How would it be, old thing,” he said almost brokenly, “if you and I
  • trickled down to the bar and had a spot of sherbet?”
  • THE END
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