Quotations.ch
  Directory : The Marne
GUIDE SUPPORT US BLOG
  • The Project Gutenberg eBook, The Marne, by Edith Wharton
  • This eBook is for the use of anyone anywhere at no cost and with
  • almost no restrictions whatsoever. You may copy it, give it away or
  • re-use it under the terms of the Project Gutenberg License included
  • with this eBook or online at www.gutenberg.org
  • Title: The Marne
  • A Tale of the War
  • Author: Edith Wharton
  • Release Date: January 16, 2013 [eBook #41855]
  • Language: English
  • ***START OF THE PROJECT GUTENBERG EBOOK THE MARNE***
  • E-text prepared by sp1nd, Mary Meehan, and the Online Distributed
  • Proofreading Team (http://www.pgdp.net) from page images generously made
  • available by Internet Archive (http://archive.org)
  • Note: Images of the original pages are available through
  • Internet Archive. See
  • http://archive.org/details/marnetaleofwar00whariala
  • THE MARNE
  • A Tale of the War
  • by
  • EDITH WHARTON
  • Macmillan and Co., Limited
  • St. Martin's Street, London
  • 1918
  • Macmillan and Co., Limited
  • London · Bombay · Calcutta · Madras
  • Melbourne
  • Copyright
  • THE MARNE
  • I
  • Ever since the age of six Troy Belknap of New York had embarked for
  • Europe every June on the fastest steamer of one or another of the most
  • expensive lines.
  • With his family he had descended at the dock from a large noiseless
  • motor, had kissed his father good-bye, turned back to shake hands with
  • the chauffeur (a particular friend), and trotted up the gang-plank
  • behind his mother's maid, while one welcoming steward captured Mrs.
  • Belknap's bag, and another led away her miniature French bull-dog--also
  • a particular friend of Troy's.
  • From that hour all had been delight. For six golden days Troy had ranged
  • the decks, splashed in the blue salt water brimming his huge porcelain
  • tub, lunched and dined with the grown-ups in the Ritz restaurant, and
  • swaggered about in front of the children who had never crossed before,
  • and didn't know the stewards, or the purser, or the captain's cat, or on
  • which deck you might exercise your dog, or how to induce the officer on
  • the watch to let you scramble up for a minute to the bridge. Then, when
  • these joys began to pall, he had lost himself in others deeper and
  • dearer. Another of his cronies, the library steward, had unlocked the
  • book-case doors for him, and, buried for hours in the depths of a huge
  • library armchair (there weren't any to compare with it on land), he had
  • ranged through the length and breadth of several literatures.
  • These six days of bliss would have been too soon over if they had not
  • been the mere prelude to intenser sensations. On the seventh
  • morning--generally at Cherbourg--Troy Belknap followed his mother, and
  • his mother's maid, and the French bull, up the gang-plank and into
  • another large noiseless motor, with another chauffeur (French, this one)
  • to whom he was also deeply attached, and who sat grinning and
  • cap-touching at the wheel. And then--in a few minutes, so swiftly and
  • smilingly was the way of Mrs. Belknap smoothed--the noiseless motor was
  • off, and they were rushing eastward through the orchards of Normandy.
  • The little boy's happiness would have been complete if there had been
  • more time to give to the beautiful things that flew past them: thatched
  • villages with square-towered churches in hollows of the deep green
  • country, or grey shining towns above rivers on which cathedrals seemed
  • to be moored like ships; miles and miles of field and hedge and park
  • falling away from high terraced houses, and little embroidered stone
  • manors reflected in reed-grown moats under ancient trees.
  • Unfortunately Mrs. Belknap always had pressing engagements in Paris. She
  • had made appointments beforehand with all her dressmakers, and, as Troy
  • was well aware, it was impossible, at the height of the season, to break
  • such engagements without losing one's turn, and having to wait weeks and
  • weeks to get a lot of nasty rags that one had seen, by that time, on the
  • back of every other woman in the place.
  • Luckily, however, even Mrs. Belknap had to eat; and during the halts in
  • the shining towns, where a succulent luncheon was served in a garden or
  • a flowery courtyard, Troy had time (as he grew bigger) to slip away
  • alone, and climb to the height where the cathedral stood, or at least to
  • loiter and gaze in the narrow crooked streets, between gabled
  • cross-beamed houses, each more picture-bookishly quaint than its
  • neighbours.
  • In Paris, in their brightly-lit and beflowered hotel drawing-room, he
  • was welcomed by Madame Lebuc, an old French lady smelling of crape, who
  • gave him lessons and took him and the bull-dog for walks, and who, as he
  • grew older, was supplemented, and then replaced, by an ugly vehement
  • young tutor, of half-English descent, whose companionship opened fresh
  • fields and pastures to Troy's dawning imagination.
  • Then in July--always at the same date--Mr. Belknap was deposited at the
  • door by the noiseless motor, which had been down to Havre to fetch him;
  • and a few days later they all got into it, and while Madame Lebuc
  • (pressing a packet of chocolates into her pupil's hand) waved a damp
  • farewell from the doorway, the Pegasus motor flew up the Champs Élysées,
  • devoured the leafy alleys of the Bois, and soared away to new horizons.
  • Most often they were mountain horizons, for the tour invariably ended in
  • the Swiss Alps. But there always seemed to be new ways (looked out by
  • Mr. Belknap on the map) of reaching their destination; ways lovelier,
  • more winding, more wonderful, that took in vast sweeping visions of
  • France from the Seine to the Rhone. And when Troy grew older the
  • vehement young tutor went with them, and once they all stopped and
  • lunched at his father's house, on the edge of a gabled village in the
  • Argonne, with a view stretching away for miles toward the Vosges and
  • Alsace. Mr. and Mrs. Belknap were very kind people, and it would never
  • have occurred to them to refuse M. Gantier's invitation to lunch with
  • his family; but they had no idea of the emotions stirred in their son's
  • eager bosom by what seemed to them merely a rather inconvenient
  • deviation from their course. Troy himself was hardly aware of these
  • emotions at the time, though his hungry interest in life always made him
  • welcome the least deflection from the expected. He had simply thought
  • what kind jolly people the Gantiers were, and what fun it was to be
  • inside one of the quaint stone houses, with small window-panes looking
  • on old box-gardens, that he was always being whisked past in the motor.
  • But later he was to re-live that day in all its homely details.
  • II
  • They were at St Moritz--as usual.
  • He and M. Gantier had been for a tramp through the Val Suvretta, and,
  • coming home late, were rushing into their evening clothes to join Mr.
  • and Mrs. Belknap at dinner (as they did now regularly, Troy having
  • reached the virile age of fifteen, and having to justify the possession
  • of a smoking-jacket and patent-leather shoes). He was just out of his
  • bath, and smothered in towels, when the tutor opened the door and thrust
  • in a newspaper.
  • "There will be war--I must leave to-morrow."
  • Troy dropped the towels.
  • War! War! War against his beautiful France! And this young man, his
  • dearest friend and companion, was to be torn from him suddenly,
  • senselessly, torn from their endless talks, their long walks in the
  • mountains, their elaborately planned courses of study--archæology,
  • French literature, mediæval philosophy, the Divine Comedy, and vistas
  • and vistas beyond--to be torn from all this, and to disappear from Troy
  • Belknap's life into the black gulf of this unfathomable thing called
  • War, that seemed suddenly to have escaped out of the history books like
  • a dangerous lunatic escaping from the asylum in which he was supposed to
  • be securely confined!
  • Troy Belknap was stunned.
  • He pulled himself together to bid a valiant farewell to M. Gantier (the
  • air was full of the "Marseillaise" and Sambre-et-Meuse, and everybody
  • knew the Russians would be in Berlin in six weeks); but once his tutor
  • was gone the mystery and horror again closed in on him.
  • France, his France, attacked, invaded, outraged; and he, a poor helpless
  • American boy, who adored her, and could do nothing for her--not even
  • cry, as a girl might! It was bitter.
  • His parents, too, were dreadfully upset; and so were all their friends.
  • But what chiefly troubled them was that they could get no money, no
  • seats in the train, no assurance that the Swiss frontier would not be
  • closed before they could cross the border. These preoccupations seemed
  • to leave them, for the moment, no time to think about France; and Troy,
  • during those first days, felt as if he were an infant Winkelried, with
  • all the shafts of the world's woe gathered into his inadequate breast.
  • For France was his holiday world, the world of his fancy and
  • imagination, a great traceried window opening on the universe. And now,
  • in the hour of her need, all he heard about him was the worried talk of
  • people planning to desert her!
  • Safe in Paris, Mr. and Mrs. Belknap regained their balance. Having
  • secured (for a sum that would have fitted up an ambulance) their
  • passages on a steamer sailing from England, they could at length look
  • about them, feel sorry, and subscribe to all the budding war charities.
  • They even remembered poor Madame Lebuc, stranded by the flight of all
  • her pupils, and found a job for her in a refugee bureau. Then, just as
  • they were about to sail, Mrs. Belknap had a touch of pneumonia, and was
  • obliged to postpone her departure; while Mr. Belknap, jamming his
  • possessions into a single suit-case, dashed down to Spain to take ship
  • at Malaga. The turn affairs were taking made it advisable for him to get
  • back as quickly as possible, and his wife and son were to follow from
  • England in a month.
  • All the while there came no news of M. Gantier. He had rejoined his
  • depot at once, and Troy had had a post-card from him, dated the 6th of
  • August, and saying that he was leaving for the front. After that,
  • silence.
  • Troy, poring over the morning papers, and slipping out alone to watch
  • for the noon communiqués in the windows of the Paris _Herald_, read of
  • the rash French advance in Alsace, and the enemy's retaliatory descent
  • on the region the Belknaps had so often sped over. And one day, among
  • the names of the ruined villages, he lit on that of the little town
  • where they had all lunched with the Gantiers. He saw the box-garden with
  • the horn-beam arbour where they had gone to drink coffee, old M.
  • Gantier ceremoniously leading the way with Mrs. Belknap; he saw Mme.
  • Gantier, lame and stout, hobbling after with Mr. Belknap; a little old
  • aunt with bobbing curls; the round-faced Gantier girl, shy and rosy; an
  • incredibly dried and smoked and aged grandfather, with Voltairian eyes
  • and sly snuff-taking gestures; and his own friend, the eldest of the
  • three brothers; he saw all these modest beaming people grouped about
  • Mme. Gantier's coffee and Papa Gantier's best bottle of "_Fine_," he
  • smelt the lime-blossoms and box, he heard the bees in the lavender, he
  • looked out on the rich fields and woods and the blue hills bathed in
  • summer light. And he read: "Not a house is standing. The curé has been
  • shot. A number of old people were burnt in the Hospice. The mayor and
  • five of the principal inhabitants have been taken to Germany as
  • hostages."
  • The year before the war, he remembered, old M. Gantier was mayor!
  • He wrote and wrote, after that, to his tutor; wrote to his depot, to his
  • Paris address, to the ruin that had been his home; but had no answer.
  • And finally, amid the crowding horrors of that dread August, he forgot
  • even M. Gantier, and M. Gantier's family, forgot everything but the
  • spectacle of the Allied armies swept back from Liège, from Mons, from
  • Laon, from Charleroi, and the hosts of evil surging nearer and ever
  • nearer to the heart of France.
  • His father, with whom he might have talked, was gone; and Troy could not
  • talk to his mother. Not that Mrs. Belknap was not kind and full of
  • sympathy: as fast as the bank at home cabled funds she poured them out
  • for war charities. But most of her time was spent in agitated
  • conference with her compatriots, and Troy could not bear to listen to
  • their endlessly reiterated tales of flight from Nauheim or Baden or
  • Brussels, their difficulties in drawing money, hiring motors, bribing
  • hotel-porters, battling for seats in trains, recovering lost luggage,
  • cabling for funds, and their general tendency to regard the war as a
  • mere background to their personal grievances.
  • "You were exceedingly rude to Mrs. Sampson, Troy," his mother said to
  • him, surprised one day by an explosion of temper. "It is so natural she
  • should be nervous at not being able to get staterooms; and she had just
  • given me five hundred dollars for the American ambulance."
  • "Giving money's no use," the boy growled, obscurely irritated; and when
  • Mrs. Belknap exclaimed, "Why, Troy, _how callous_--with all this
  • suffering!" he slunk out without answering, and went downstairs to lie
  • in wait for the evening papers.
  • The misery of feeling himself a big boy, long-limbed, strong-limbed, old
  • enough for evening clothes, champagne, the classics, biology, and views
  • on international politics, and yet able to do nothing but hang about
  • marble hotels and pore over newspapers, while rank on rank, and regiment
  • on regiment, the youth of France and England, swung through the dazed
  • streets and packed the endless trains--the misery of this was so great
  • to Troy that he became, as the days dragged on, more than ever what his
  • mother called "callous," sullen, humiliated, resentful at being
  • associated with all the rich Americans flying from France.
  • At last the turn of the Belknaps came too; but, as they were preparing
  • to start, news came that the German army was at Lille, and civilian
  • travel to England interrupted.
  • It was the fateful week, and every name in the bulletins--Amiens,
  • Compiègne, Rheims, Meaux, Senlis--evoked in Troy Belknap's tortured
  • imagination visions of ancient beauty and stability. He had done that
  • bit of France alone with M. Gantier the year before, while Mrs. Belknap
  • waited in Paris for belated clothes; and the thought of the great
  • stretch of desolation spreading and spreading like a leprosy over a land
  • so full of the poetry of the past, and so rich in a happy prosperous
  • present, was added to the crueller vision of the tragic and magnificent
  • armies that had failed to defend it.
  • Troy, as soon as he was reassured about his mother's health, had
  • secretly rejoiced at the accident which had kept them in France. But now
  • his joy was turned to bitterness. Mrs. Belknap, in her horrified
  • surprise at seeing her plans again obstructed, lost all sense of the
  • impending calamity except as it affected her safety and Troy's, and
  • joined in the indignant chorus of compatriots stranded in Paris, and
  • obscurely convinced that France ought to have seen them safely home
  • before turning her attention to the invader.
  • "Of course I don't pretend to be a strategist," whimpering or wrathful
  • ladies used to declare, their jewel-boxes clutched in one hand, their
  • passports in the other, "but one can't help feeling that if only the
  • French Government had told our Ambassador in _time_, trains might have
  • been provided...."
  • "Or why couldn't _Germany_ have let our Government know? After all,
  • Germany has no grievance against America...."
  • "And we've really spent enough money in Europe for some consideration
  • to be shown us ..." the woeful chorus went on.
  • The choristers were all good and kindly persons, shaken out of the rut
  • of right feeling by the first real fright of their lives. But Troy was
  • too young to understand this, and to foresee that, once in safety, they
  • would become the passionate advocates of France, all the more fervent in
  • their championship because of their reluctant participation in her
  • peril.
  • ("What did I do?--Why, I just simply _stayed in Paris_.... Not to run
  • away was the only thing one _could_ do to show one's sympathy," he heard
  • one of the passport-clutchers declare, a year later, in a New York
  • drawing-room.)
  • Troy, from the height of his youthful indignation, regarded them all as
  • heartless egoists, and fled away into the streets from the sound of
  • their lamentations.
  • But in the streets was fresh food for misery; for every day the once
  • empty vistas were filled with trains of farm-waggons, drawn by slow
  • country horses, and heaped with furniture and household utensils; and
  • beside the carts walked lines of haggard people, old men and women with
  • vacant faces, mothers hugging hungry babies, and children limping after
  • them with heavy bundles. The fugitives of the Marne were pouring into
  • Paris.
  • Troy dashed into the nearest shops, bought them cakes and fruit,
  • followed them to the big hippodrome where they were engulfed in the
  • dusty arena, and finally, in despair at his inability to do more than
  • gape and pity, tried to avoid the streets they followed on their way
  • into Paris from St. Denis and Vincennes.
  • Then one day, in the sunny desert of the Place de la Concorde, he came
  • on a more cheering sight. A motley band of civilians, young,
  • middle-aged, and even grey-headed, were shambling along together, badged
  • and beribboned, in the direction of the Invalides; and above them
  • floated the American flag. Troy flew after it, and caught up with the
  • last marchers.
  • "Where are we going?... Foreign Legion," an olive-faced "dago" answered
  • joyously in broken American. "All 'nited States citizens.... Come and
  • join up, sonnie...." And for one mad moment Troy thought of risking the
  • adventure.
  • But he was too visibly only a schoolboy still; and with tears of envy in
  • his smarting eyes he stood, small and useless, on the pavement, and
  • watched the heterogeneous band under the beloved flag disappearing in
  • the doorway of the registration office.
  • When he got back to his mother's drawing-room the tea-table was still
  • surrounded, and a lady was saying: "I've offered _anything_ for a
  • special train, but they won't listen...." And another, in a stricken
  • whisper: "If they _do_ come, what do you mean to do about your pearls?"
  • III
  • Then came the Marne, and suddenly the foreigners caught in Paris by the
  • German advance became heroes--or mostly heroines--who had stayed to
  • reassure their beloved city in her hour of need.
  • "We all owe so much to Paris," murmured Mrs. Belknap, in lovely
  • convalescent clothes, from her sofa-corner. "I'm sure we can none of us
  • ever cease to be thankful for this chance of showing it...."
  • She had sold her staterooms to a compatriot who happened to be in
  • England, and was now cabling home to suggest to Mr. Belknap that she
  • should spend the winter in France and take a job on a war charity. She
  • was not strong enough for nursing, but she thought it would be
  • delightful to take convalescent officers for drives in the Bois in the
  • noiseless motor. "Troy would love it too," she cabled.
  • Mr. Belknap, however, was unmoved by these arguments. "Future too
  • doubtful," he cabled back. "Insist on your sailing. Staterooms November
  • tenth paid for. Troy must return to school."
  • "Future too doubtful" impressed Mrs. Belknap more than "Insist," though
  • she made a larger use of the latter word in explaining to her friends
  • why, after all, she was obliged to give up her projected war work.
  • Meanwhile, having quite recovered, she rose from her cushions, donned a
  • nurse's garb, poured tea once or twice at a fashionable hospital, and,
  • on the strength of this effort, obtained permission to carry supplies
  • (in her own motor) to the devastated regions. Troy of course went with
  • her, and thus had his first glimpse of war.
  • Fresh in his mind was a delicious July day at Rheims with his tutor, and
  • the memory of every detail noted on the way, along the green windings of
  • the Marne, by Meaux, Montmirail and Epernay. Now, traversing the same
  • towns, he seemed to be looking into murdered faces, vacant and stony.
  • Where he had seen the sociable gossiping life of the narrow streets,
  • young men lounging at the blacksmith's, blue-sleeved carters sitting in
  • the wine-shops while their horses shook off the flies in the hot
  • sunshine of the village square, black-pinafored children coming home
  • from school, the fat curé stopping to talk to little old ladies under
  • the church porch, girls with sleek hair calling to each other from the
  • doorways of the shops, and women in sunburnt gingham bending over the
  • village wash-trough or leaning on their rakes among the hayricks--where
  • all this had been, now only a few incalculably old people sat in the
  • doorways and looked with bewildered eyes at strange soldiers fulfilling
  • the familiar tasks.
  • This was what war did! It emptied towns of their inhabitants as it
  • emptied veins of their blood; it killed houses and lands as well as men.
  • Out there, a few miles beyond the sunny vineyards and the low hills, men
  • were dying at that very moment by hundreds, by thousands--and their
  • motionless young bodies must have the same unnatural look as these wan
  • ruins, these gutted houses and sterile fields.... War meant Death,
  • Death, Death--Death everywhere and to everything.
  • By a special favour, the staff-officer who accompanied them managed to
  • extend their trip to the ruined château of Mondement, the pivot on which
  • the battle had turned. He had himself been in the thick of the fight,
  • and standing before the shattered walls of the old house he explained
  • the struggle for the spur of Mondement: the advance of the grey masses
  • across the plain, their capture of the ridge that barred the road to
  • Paris; then the impetuous rush of General Humbert's infantry, repulsed,
  • returning, repulsed again, and again attacking; the hand-to-hand
  • fighting in court and gardens; the French infantry's last irresistible
  • dash, the batteries rattling up, getting into place on the ridge, and
  • flinging back the grey battalions from the hillside into the marshes.
  • Mrs. Belknap smiled and exclaimed, with vague comments and a wandering
  • glance (for the officer, carried away by his subject, had forgotten her
  • and become technical); while Troy, his map spread on the top of a
  • shot-riddled wall, followed every word and gesture with eyes that
  • absorbed at the same time all the details of the immortal landscape.
  • The Marne--this was the actual setting of the battle of the Marne! This
  • happy temperate landscape, with its sheltering woods, its friendly
  • fields and downs flowing away to a mild sky, had looked on at the most
  • awful conflict in history. Scenes of anguish and heroism that ought to
  • have had some Titanic background of cliff and chasm had unrolled
  • themselves among harmless fields, and along wood-roads where wild
  • strawberries grew and children cut hazel-switches to drive home their
  • geese. A name of glory and woe was attached to every copse and hollow,
  • and to each grey steeple above the village roofs....
  • Troy listened, his heart beating higher at each exploit, till he forgot
  • the horror of war, and thought only of its splendours. Oh, to have been
  • there too! To have had even the smallest share in those great hours! To
  • be able to say, as this young man could say: "Yes, I was in the battle
  • of the Marne"; to be able to break off, and step back a yard or two,
  • correcting one's self critically: "No ... it was _here_ the General
  • stood when I told him our batteries had got through ..." or: "This is
  • the very spot where the first seventy-five was trained on the valley. I
  • can see the swathes it cut in the Bavarians as they swarmed up at us a
  • third and fourth time...."
  • Troy suddenly remembered a bit of _Henry V._ that M. Gantier had been
  • fond of quoting:
  • And gentlemen in England now abed
  • Shall think themselves accurst they were not here,
  • And hold their manhood cheap, when any speaks
  • That fought with us....
  • Ah, yes--ah, yes--to have been in the battle of the Marne!
  • * * * * *
  • On the way back, below the crest of the hill, the motor stopped at the
  • village church and the officer jumped down. "Some of our men are buried
  • here," he said.
  • Mrs. Belknap, with a murmur of sympathy, caught up the bunch of roses
  • she had gathered in the ravaged garden of the château, and they picked
  • their way among the smashed and slanting stones of the cemetery to a
  • corner behind the church where wooden crosses marked a row of fresh
  • graves. Half-faded flowers in bottles were thrust into the loose earth,
  • and a few tin wreaths hung on the arms of the crosses.
  • Some of the graves bore only the date of the battle, with "Pour la
  • France," or "Priez pour lui"; but on others names and numbers had been
  • roughly burnt into the crosses.
  • Suddenly Troy stopped short with a cry.
  • "What is it?" his mother asked. She had walked ahead of him to the
  • parapet overhanging the valley, and forgetting her roses she leaned
  • against the low cemetery wall while the officer took up his story.
  • Troy made no answer. Mrs. Belknap stood with her back to him, and he did
  • not ask her to turn. He did not want her, or any one else, to read the
  • name he had just read; of a sudden there had been revealed to him the
  • deep secretiveness of sorrow. But he stole up to her and drew the
  • flowers from her hand, while she continued, with vague inattentive
  • murmurs, to follow the officer's explanations. She took no notice of
  • Troy, and he went back to the grave and laid the roses on it.
  • On the cross he had read: "September 12, 1914. Paul Gantier, --th
  • Chasseurs à pied."
  • "Oh, poor fellows ... poor fellows. Yes, that's right, Troy; put the
  • roses on their graves," Mrs. Belknap assented approvingly, as she picked
  • her way back to the motor.
  • IV
  • The 10th of November came, and they sailed.
  • The week in the steamer was intolerable, not only because they were
  • packed like herrings, and Troy (who had never known discomfort before)
  • had to share his narrow cabin with two young German-Americans full of
  • open brag about the Fatherland; but also because of the same eternally
  • renewed anecdotes among the genuine Americans about the perils and
  • discomforts they had undergone, and the general disturbance of their
  • plans.
  • Most of the passengers were in ardent sympathy with the Allies, and hung
  • anxiously on the meagre wirelesses; but a flat-faced professor with
  • lank hair, having announced that "there were two sides to every case,"
  • immediately raised up a following of unnoticed ladies, who "couldn't
  • believe all that was said of the Germans" and hoped that America would
  • never be "drawn in"; while, even among the right-minded, there subsisted
  • a vague feeling that war was an avoidable thing, which one had only to
  • reprobate enough to prevent its recurrence.
  • They found New York--Mrs. Belknap's New York--buzzing with
  • war-charities, yet apparently unaware of the war. That at least was
  • Troy's impression during the twenty-four hours before he was packed off
  • to school to catch up with his interrupted studies.
  • At school he heard the same incessant war-talk, and found the same
  • fundamental unawareness of the meaning of the war. At first the boys
  • were very keen to hear his story, but he described what he had seen so
  • often--and especially his haunting impressions of the Marne--that they
  • named him "Marny Belknap," and finally asked him to cut it out.
  • The masters were mostly frankly for the Allies, but the Rector had given
  • out that neutrality was the attitude approved by the Government, and
  • therefore a patriotic duty; and one Sunday after chapel he gave a little
  • talk to explain why the President thought it right to try to keep his
  • people out of the dreadful struggle. The words duty and responsibility
  • and fortunate privilege recurred often in this address, and it struck
  • Troy as odd that the lesson of the day happened to be the story of the
  • Good Samaritan.
  • When he went home for the Christmas holidays everybody was sending toys
  • and sugar-plums to the Belgian war-orphans, with little notes from
  • "Happy American children" requesting to have their gifts acknowledged.
  • "It makes us so _happy_ to help," beaming young women declared with a
  • kind of ghoulish glee, doing up parcels, planning war-tableaux and
  • charity dances, rushing to "propaganda" lectures given by handsome
  • French officers, and keeping up a kind of continuous picnic on the ruins
  • of civilization.
  • Mr. and Mrs. Belknap had inevitably been affected by the surrounding
  • atmosphere.
  • "The tragedy of it--the _tragedy_--no one can tell who hasn't seen it
  • and been through it," Mrs. Belknap would begin, looking down her long
  • dinner-table between the orchids and the candelabra; and the pretty
  • women and prosperous men would interrupt their talk, and listen for a
  • moment, half absently, with spurts of easy indignation that faded out
  • again as they heard the story oftener.
  • After all, Mrs. Belknap wasn't the _only_ person who had seen a
  • battlefield! Lots and lots more were pouring home all the time with
  • fresh tales of tragedy: the Marne had become--in a way--an old story.
  • People wanted something newer ... different....
  • And then, why hadn't Joffre followed up the offensive? The Germans were
  • wonderful soldiers after all.... Yes, but such beasts ... sheer
  • devils.... Here was Mr. So-and-so, just back from Belgium--such horrible
  • stories--really unrepeatable! "Don't you want to come and hear them, my
  • dear? Dine with us to-morrow; he's promised to come unless he's summoned
  • to Washington. But do come anyhow; the Jim Cottages are going to dance
  • after dinner...."
  • In time Mrs. Belknap, finding herself hopelessly out-storied,
  • out-charitied, out-adventured, began insensibly to take a calmer and
  • more distant view of the war. What was the use of trying to keep up her
  • own enthusiasm when that of her audience had flagged? Wherever she went
  • she was sure to meet other ladies who had arrived from France much more
  • recently, and had done and seen much more than she had. One after
  • another she saw them received with the same eagerness--"Of course we all
  • know about the marvellous things you've been doing in France--your
  • wonderful war-work"--then, like herself, they were superseded by some
  • later arrival, who had been nearer the front, or had raised more money,
  • or had had an audience of the Queen of the Belgians, or an autograph
  • letter from Lord Kitchener. No one was listened to for long, and the
  • most eagerly-sought-for were like the figures in a movy-show, forever
  • breathlessly whisking past to make way for others.
  • Mr. Belknap had always been less eloquent about the war than his wife;
  • but somehow Troy had fancied he felt it more deeply. Gradually, however,
  • he too seemed to accept the situation as a matter of course, and Troy,
  • coming home for the Easter holidays, found at the family table a large
  • sonorous personage--a Senator, just back from Europe--who, after rolling
  • out vague praises of France and England, began insidiously to hint that
  • it was a pity to see such wasted heroism, such suicidal determination on
  • the part of the Allies to resist all offers of peace from an enemy so
  • obviously their superior.
  • "She wouldn't be if America came in!" Troy blurted out, reddening at the
  • sound of his voice.
  • "America?" some one playfully interjected; and the Senator laughed, and
  • said something about geographical immunity. "They can't touch _us_. This
  • isn't our war, young man."
  • "It may be by the time I'm grown up," Troy persisted, burning redder.
  • "Well," returned the Senator good-humouredly, "you'll have to hurry, for
  • the economists all say it can't last more than a year longer. Lord
  • Reading told me----"
  • "There's been misery enough, in all conscience," sighed a lady, playing
  • with her pearls; and Mr. Belknap added gravely: "By the time Troy grows
  • up I hope wars and war-talk will be over for good and all."
  • "Oh, well--at his age every fellow wants to go out and kill something,"
  • remarked one of his uncles sympathetically.
  • Troy shuddered at the well-meant words. _To go out and kill something!_
  • They thought he regarded the war as a sport, just as they regarded it
  • as a moving-picture show! As if any one who had had even a glimpse of it
  • could ever again think with joy of killing! His boy's mind was sorely
  • exercised to define the urgent emotions with which it laboured. _To save
  • France_--that was the clear duty of the world, as he saw it. But none of
  • these kindly careless people about him knew what he meant when he said
  • "France." Bits of M. Gantier's talk came back to him, embodying that
  • meaning.
  • "Whatever happens, keep your mind keen and clear: open as many windows
  • on the universe as you can...." To Troy, France had been the biggest of
  • those windows.
  • The young tutor had never declaimed about his country; he had simply
  • told her story and embodied her ideals in his own impatient, questioning
  • and yet ardent spirit. "Le monde est aux enthousiastes," he had once
  • quoted; and he had shown Troy how France had always been alive in every
  • fibre, and how her inexhaustible vitality had been perpetually nourished
  • on criticism, analysis and dissatisfaction. "Self-satisfaction is
  • death," he had said; "France is the phoenix-country always rising from
  • the ashes of her recognized mistakes."
  • Troy felt what a wonderful help it must be to have that long rich past
  • in one's blood. Every stone that France had carved, every song she had
  • sung, every new idea she had struck out, every beauty she had created in
  • her thousand fruitful years, was a tie between her and her children.
  • These things were more glorious than her battles, for it was because of
  • them that all civilization was bound up in her, and that nothing that
  • concerned her could concern her only.
  • V
  • "It seems too absurd," said Mrs. Belknap; "but Troy will be eighteen
  • to-morrow. And that means," she added with a sigh, "that this horrible
  • war has been going on for three whole years. Do you remember, dearest,
  • your fifteenth birthday was on the very day that odious Archduke was
  • assassinated? We had a picnic on the Morterasch."
  • "Oh, dear," cried Sophy Wicks, flinging her tennis-racket into the air
  • with a swing that landed it in the middle of the empty court--"perhaps
  • that's the reason he's never stopped talking about the war for a single
  • minute since!"
  • Around the big tea-table under the trees there was a faint hush of
  • disapproval. A year before, Sophy Wicks's airy indifference to the
  • events that were agitating the world had amused some people and won the
  • frank approval of others. She did not exasperate her friends by
  • professions of pacifism, she simply declared that the war bored her; and
  • after three years of vain tension, of effort in the void, something in
  • the baffled American heart whispered that, things being as they were,
  • she was perhaps right.
  • But now things were no longer as they had been. Looking back, Troy
  • surveyed the gradual development of the war-feeling as it entered into a
  • schoolboy's range of vision. He had begun to notice the change before
  • the sinking of the _Lusitania_. Even in the early days, when his
  • school-fellows had laughed at him and called him "Marny," some of them
  • had listened to him and imitated him. It had become the fashion to have
  • a collection of war-trophies from the battlefields. The boys' sisters
  • were "adopting war-orphans" at long distance, and when Troy went home
  • for the holidays he heard more and more talk of war-charities, and
  • noticed that the funds collected were no longer raised by dancing and
  • fancy-balls. People who used the war as an opportunity to have fun were
  • beginning to be treated almost as coldly as the pacifists.
  • But the two great factors in the national change of feeling were the
  • _Lusitania_ and the training-camps.
  • The _Lusitania_ showed America what the Germans were, Plattsburg tried
  • to show her the only way of dealing with them.
  • Both events called forth a great deal of agitated discussion, for if
  • they focussed the popular feeling for war, they also gave the opponents
  • of war in general a point of departure for their arguments. For a while
  • feeling ran high, and Troy, listening to the heated talk at his parents'
  • table, perceived with disgust and wonder that at the bottom of the
  • anti-war sentiment, whatever specious impartiality it put on, there was
  • always the odd belief that life-in-itself--just the mere raw fact of
  • being alive--was the one thing that mattered, and getting killed the one
  • thing to be avoided.
  • This new standard of human dignity plunged Troy into the lowest depths
  • of pessimism. And it bewildered him as much as it disgusted him, since
  • it did away at a stroke with all that gave any interest to the fact of
  • living. It killed romance, it killed poetry and adventure, it took all
  • the meaning out of history and conduct and civilization. There had never
  • been anything worth while in the world that had not had to be died for,
  • and it was as clear as day that a world which no one would die for could
  • never be a world worth being alive in.
  • Luckily most people did not require to reason the matter out in order to
  • feel as Troy did, and in the long run the _Lusitania_ and Plattsburg won
  • the day. America tore the gag of neutrality from her lips, and with all
  • the strength of her liberated lungs claimed her right to a place in the
  • struggle. The pacifists crept into their holes, and only Sophy Wicks
  • remained unconverted.
  • Troy Belknap, tall and shy and awkward, lay at her feet and blushed and
  • groaned inwardly at her wrong-headedness. All the other girls were
  • war-mad; with the rupture of diplomatic relations the country had burst
  • into flame, and with the declaration of war the flame had become a
  • conflagration. And now, having at last a definite and personal concern
  • in the affair, every one was not only happier but more sensible than
  • when a perpetually thwarted indignation had had to expend itself in
  • vague philanthropy.
  • It was a peculiar cruelty of fate that made Troy feel Miss Wicks's
  • indifference more than the zeal of all the other young women gathered
  • about the Belknap tennis-court. In spite of everything, he found her
  • more interesting, more inexhaustible, more "his size" (as they said at
  • school), than any of the gay young war-goddesses who sped their
  • tennis-balls across the Belknap court.
  • It was a Long Island Sunday in June. A caressing warmth was in the air,
  • and a sea-breeze stirred the tops of the lime branches. The smell of
  • fresh hay-cocks blew across the lawn, and a sparkle of blue water and a
  • dipping of white sails showed through the trees beyond the hay-fields.
  • Mrs. Belknap smiled indulgently on the pleasant scene: her judgement of
  • Sophy Wicks was less severe than that of the young lady's
  • contemporaries. What did it matter if a chit of eighteen, having taken
  • up a foolish attitude, was too self-conscious to renounce it?
  • "Sophy will feel differently when she has nursed some of our own
  • soldiers in a French base hospital," she said, addressing herself to the
  • disapproving group.
  • The young girl raised her merry eyebrows. "Who'll stay and nurse Granny
  • if I go to a French base hospital? Troy, will _you_?" she suggested.
  • The other girls about the tea-table laughed. Though they were only
  • Troy's age, or younger, they did not mind his being teased, for he
  • seemed only a little boy to them, now that they all had friends or
  • brothers in the training-camps or on the way to France. Besides, though
  • they disapproved of Sophy's tone, her argument was unanswerable. They
  • knew her precocious wisdom and self-confidence had been acquired at the
  • head of her grandmother's household, and that there was no one else to
  • look after poor old paralytic Mrs. Wicks and the orphan brothers and
  • sisters to whom Sophy was mother and guardian.
  • Two or three of the young men present were in uniform, and one of them,
  • Mrs. Belknap's nephew, had a captain's double bar on his shoulder. What
  • did Troy Belknap and Sophy Wicks matter to young women playing a last
  • tennis-match with heroes on their way to France?
  • The game began again, with much noise and cheerful wrangling. Mrs.
  • Belknap walked toward the house to welcome a group of visitors, and Miss
  • Wicks remained beside the tea-table, alone with Troy. She was leaning
  • back in a wide basket-chair, her thin ankles in white open-work
  • stockings thrust out under her short skirt, her arms locked behind her
  • thrown-back head. Troy lay on the ground and plucked at the tufts of
  • grass at his elbow. Why was it that, with all the currents of vitality
  • flowing between this group of animated girls and youths, he could feel
  • no nearness but hers? The feeling was not particularly agreeable, but
  • there was no shaking it off: it was like a scent that has got into one's
  • clothes. He was not sure that he liked her, but he wanted to watch her,
  • to listen to her, to defend her against the mockery and criticism in the
  • eyes of the others. At this point his powers of analysis gave out, and
  • his somewhat extensive vocabulary failed him. After all, he had to fall
  • back on the stupid old school phrase: she was "his size"--that was all.
  • "Why do you always say the war bores you?" he asked abruptly, without
  • looking up.
  • "Because it does, my boy; and so do you, when you hold forth about it."
  • He was silent, and she touched his arm with the tip of her swinging
  • tennis-shoe. "Don't you see, Troy, it's not our job--not just now,
  • anyhow. So what's the use of always jawing about it?"
  • She jumped up, recovered her racket, and ran to take her place in a new
  • set beside Troy's cousin, the captain.
  • VI
  • It was not "his job"--that was the bitter drop in all the gladness.
  • At last what Troy longed for had come: his country was playing her part.
  • And he, who had so watched and hoped and longed for the divine far-off
  • event, had talked of it early and late to old and young, had got himself
  • laughed at, scolded, snubbed, ridiculed, nicknamed, commemorated in a
  • school-magazine skit in which "Marne" and "yarn" and "oh, darn," formed
  • the refrain of a lyric beginning "Oh _say_, have you _heard_ Belknap
  • _flap_ in the breeze?"--he, who had borne all the scoldings and all the
  • ridicule, sustained by a mysterious secret faith in the strength of his
  • cause, now saw that cause triumph, and all his country waving with flags
  • and swarming with khaki, while he had to stand aside and look on,
  • because his coming birthday was only his nineteenth.... He remembered
  • the anguish of regret with which he had seen M. Gantier leave St. Moritz
  • to join his regiment, and thought now with passionate envy of his
  • tutor's fate. "Dulce et decorum est ..." the old hackneyed phrase had
  • taken on a beauty that filled his eyes with tears.
  • Eighteen--and "nothing doing" till he was twenty-one! He could have
  • killed the cousins and uncles strutting about in uniform and saying:
  • "Don't fret, old man--there's lots of time. The war is sure to last
  • another four years." To say that, and laugh, how little they must know
  • of what war meant!
  • It was an old custom in the Belknap family to ask Troy what he wanted
  • for his birthday. The custom (according to tradition) had originated on
  • his sixth anniversary, when, being given a rabbit with ears that
  • wiggled, he had grown very red and stammered out: "I _did_ so want a
  • 'cyclopedia...."
  • Since then he had always been consulted on the subject with a good deal
  • of ceremony, and had spent no little time and thought in making a
  • judicious choice in advance. But this year his choice took no thinking
  • over.
  • "I want to go to France," he said immediately.
  • "To France----?" It struck his keen ears that there was less surprise
  • than he had feared in Mr. Belknap's voice.
  • "To France, my boy? The Government doesn't encourage foreign travel just
  • now."
  • "I want to volunteer in the Foreign Legion," said Troy, feeling as if
  • the veins of his forehead would burst.
  • Mrs. Belknap groaned, but Mr. Belknap retained his composure.
  • "My dear chap, I don't think you know much about the Foreign Legion.
  • It's a pretty rough berth for a fellow like you. And they're as likely
  • as not," he added carelessly, "to send you to Morocco or the Cameroon."
  • Troy, knowing this to be true, hung his head.
  • "Now," Mr. Belknap continued, taking advantage of his silence, "my
  • counter-proposition is that you should go to Brazil for three months
  • with your Uncle Tom Jarvice, who is being sent down there on a big
  • engineering job. It's a wonderful opportunity to see the country--see it
  • like a prince too, for he'll have a special train at his disposal. Then,
  • when you come back," he continued, his voice weakening a little under
  • the strain of Troy's visible inattention, "we'll see...."
  • "See what?"
  • "Well--I don't know ... a camp ... till it's time for Harvard...."
  • "I want to go to France at once, father," said Troy, with the voice of a
  • man.
  • "To do _what_?" wailed his mother.
  • "Oh, any old thing--drive an ambulance," Troy struck out at random.
  • "But, dearest," she protested, "you could never even learn to drive a
  • Ford runabout!"
  • "That's only because it never interested me."
  • "But one of those huge ambulances--you'll be killed!"
  • "Father!" exclaimed Troy, in a tone that seemed to say: "Aren't we out
  • of the nursery, at least?"
  • "Don't talk to him like that, Josephine," said Mr. Belknap, visibly
  • wishing that he knew how to talk to his son himself, but perceiving that
  • his wife was on the wrong tack.
  • "Don't you see, father, that there's no use talking at all? I'm going to
  • get to France anyhow."
  • "In defiance of our wishes?"
  • "Oh, you'll forget all that later," said Troy.
  • Mrs. Belknap began to cry, and her husband turned on her.
  • "My dear, you're really--really--_I understand Troy!_" he blurted out,
  • his veins swelling too.
  • "But if the Red Cross is to send you on that mission to Italy, why
  • shouldn't Troy wait and go as your secretary?" Mrs. Belknap said,
  • tacking skilfully.
  • Mr. Belknap, who had not yet made up his mind to accept the mission,
  • made it up on the instant. "Yes, Troy--why not? I shall be going
  • myself--in a month or so."
  • "I want to go to France," said his son. And he added, laughing with
  • sudden courage: "You see, you've never refused me a birthday present
  • yet."
  • VII
  • France again--France at last! As the cliffs grew green across the bay he
  • could have knelt to greet them--as he hurried down the gang-plank with
  • the eager jostling crowd he could have kissed the sacred soil they were
  • treading.
  • The very difficulties and delays of the arrival thrilled and
  • stimulated him, gave him a keener sense of his being already a humble
  • participant in the conflict. Passports, identification papers, sharp
  • interrogatories, examinations, the enforced surrendering of keys and
  • papers: how different it all was from the old tame easy landings, with
  • the noiseless motor waiting at the dock, and France lying safe and open
  • before them whichever way they chose to turn!
  • On the way over many things had surprised and irritated him--not least
  • the attitude of some of his fellow-passengers. The boat swarmed with
  • young civilians, too young for military service, or having, for some
  • more or less valid reason, been exempted from it. They were all pledged
  • to some form of relief work, and all overflowing with zeal: "France" was
  • as often on their lips as on Troy's. But some of them seemed to be
  • mainly concerned with questions of uniform and rank. The steamer seethed
  • with wrangles and rivalries between their various organisations, and now
  • and then the young crusaders seemed to lose sight of the object of their
  • crusade--as had too frequently been the case with their predecessors.
  • Very few of the number knew France or could speak French, and most of
  • them were full of the importance of America's mission. This was
  • Liberty's chance to Enlighten the World; and all these earnest youths
  • apparently regarded themselves as her chosen torch-bearers.
  • "We must teach France efficiency," they all said with a glowing
  • condescension.
  • The women were even more sure of their mission; and there were plenty of
  • them, middle-aged as well as young, in uniform too, cocked-hatted,
  • badged and gaitered--though most of them, apparently, were going to sit
  • in the offices of Paris war-charities, and Troy had never noticed that
  • Frenchwomen had donned khaki for that purpose.
  • "France must be purified," these young Columbias proclaimed. "Frenchmen
  • must be taught to respect Women. We must protect our boys from
  • contamination ... the dreadful theatres ... and the novels ... and the
  • Boulevards.... Of course we mustn't be hard on the French, for they've
  • never known Home Life, or the Family ... but we must show them ... we
  • must set the example...."
  • Troy, sickened by their blatancy, had kept to himself for the greater
  • part of the trip; but during the last days he had been drawn into talk
  • by a girl who reminded him of Miss Wicks, though she was in truth
  • infinitely prettier. The evenings below decks were long, and he sat at
  • her side in the saloon and listened to her.
  • Her name was Hinda Warlick, and she came from the Middle West. He
  • gathered from her easy confidences that she was singing in a suburban
  • church choir while waiting for a vaudeville engagement. Her studies had
  • probably been curtailed by the task of preparing a repertory, for she
  • appeared to think that Joan of Arc was a Revolutionary hero, who had
  • been guillotined with Marie Antoinette for blowing up the Bastille; and
  • her notions of French history did not extend beyond this striking
  • episode. But she was ready and eager to explain France to Troy, and to
  • the group of young men who gathered about her, listening to her piercing
  • accents and gazing into her deep blue eyes.
  • "We must carry America right into the heart of France--for she has got a
  • great big heart, in spite of _everything_," Miss Warlick declared. "We
  • must teach her to love children and home and the outdoor life, and you
  • American boys must teach the young Frenchmen to love their mothers. You
  • must set the example.... Oh, boys, do you know what my ambition is? It's
  • to organize an Old Home Week just like ours, all over France from
  • Harver right down to Marseilles--and all through the devastated regions
  • too. Wouldn't it be lovely if we could get General Pershing to let us
  • keep Home Week right up at the front, at 'Eep and Leal and Rams, and all
  • those martyr cities--right close up in the trenches? So that even the
  • Germans would see us and hear us, and perhaps learn from us too?--for
  • you know we mustn't despair even of teaching the Germans!"
  • Troy, as he crept away, heard one young man, pink and shock-headed,
  • murmur shyly to the Prophetess: "Hearing you say this has made it all so
  • clear to me----" and an elderly Y.M.C.A. leader, adjusting his
  • eye-glasses, added with nasal emphasis: "Yes, Miss Warlick has expressed
  • in a very lovely way what we all feel: that America's mission is to
  • contribute the _human element_ to this war."
  • "Oh, good God!" Troy groaned, crawling to his darkened cabin. He
  • remembered M. Gantier's phrase, "Self-satisfaction is death," and felt a
  • sudden yearning for Sophy Wicks's ironic eyes and her curt "What's the
  • use of jawing?"
  • * * * * *
  • He had been for six months on his job, and was beginning to know
  • something about it: to know, for instance, that nature had never meant
  • him for an ambulance-driver.
  • Nevertheless he had stuck to his task with such a dogged determination
  • to succeed that after several months about the Paris hospitals he was
  • beginning to be sent to exposed sectors.
  • His first sight of the desolated country he had traversed three years
  • earlier roused old memories of the Gantier family, and he wrote once
  • more to their little town, but again without result. Then one day he
  • was sent to a sector in the Vosges which was held by American troops.
  • His heart was beating hard as the motor rattled over the hills, through
  • villages empty of their inhabitants, like those of the Marne, but
  • swarming with big fair-haired soldiers. The land lifted and dipped
  • again, and he saw ahead of him the ridge once crowned by M. Gantier's
  • village, and the wall of the terraced garden, with the horn-beam arbour
  • putting forth its early green. Everything else was in ruins: pale
  • weather-bleached ruins over which the rains and suns of three years had
  • passed effacingly. The church, once so firm and four-square on the hill,
  • was now a mere tracery against the clouds; the hospice roofless, the
  • houses all gutted and bulging, with black smears of smoke on their inner
  • walls. At the head of the street a few old women and children were
  • hoeing vegetables before a row of tin-roofed shanties, and a Y.M.C.A.
  • hut flew the stars-and-stripes across the way.
  • Troy jumped down and began to ask questions. At first the only person
  • who recognized the name of Gantier was an old woman too frightened and
  • feeble-minded to answer intelligibly. Then a French territorial who was
  • hoeing with the women came forward. He belonged to the place and knew
  • the story.
  • "M. Gantier--the old gentleman? He was mayor, and the Germans took him.
  • He died in Germany. The young girl--Mlle. Gantier--was taken with him.
  • No, she's not dead.... I don't know.... She's shut up somewhere in
  • Germany ... queer in the head, they say.... The sons--ah, you knew
  • Monsieur Paul? He went first.... What, the others?... Yes: the three
  • others--Louis at Notre Dame de Lorette; Jean on a submarine: poor
  • little Félix, the youngest, of the fever at Salonika. _Voilà_.... The
  • old lady? Ah, she and her sister went away ... some charitable people
  • took them, I don't know where.... I've got the address somewhere...." He
  • fumbled, and brought out a strip of paper on which was written the name
  • of a town in the centre of France.
  • "There's where they were a year ago.... Yes, you may say: _there's a
  • family gone--wiped out_. How often I've seen them all sitting there,
  • laughing and drinking coffee under the arbour! They were not rich, but
  • they were happy and proud of each other. That's over."
  • He went back to his hoeing.
  • * * * * *
  • After that, whenever Troy Belknap got back to Paris he hunted for the
  • surviving Gantiers. For a long time he could get no trace of them; then
  • he remembered his old governess, Mme. Lebuc, for whom Mrs. Belknap had
  • found employment in a refugee bureau.
  • He ran down Mme. Lebuc, who was still at her desk in the same big room,
  • facing a row of horse-hair benches packed with tired people waiting
  • their turn for a clothing-ticket or a restaurant card.
  • Mme. Lebuc had grown much older, and her filmy eyes peered anxiously
  • through large spectacles before she recognized Troy. Then, after tears
  • and raptures, he set forth his errand, and she began to peer again
  • anxiously, shuffling about the bits of paper on the desk, and confusing
  • her records hopelessly.
  • "Why, is that _you_?" cried a gay young voice; and there, on the other
  • side of the room, sat one of the young war-goddesses of the Belknap
  • tennis-court, trim, uniformed, important, with a row of bent backs in
  • shabby black before her desk.
  • "Ah, Miss Batchford will tell you--she's so quick and clever," Mme.
  • Lebuc sighed, resigning herself to chronic bewilderment.
  • Troy crossed to the other desk. An old woman sat before it in threadbare
  • mourning, a crape veil on her twitching head. She spoke in a low voice,
  • slowly, taking a long time to explain; each one of Miss Batchford's
  • quick questions put her back, and she had to begin all over again.
  • "Oh, these refugees!" cried Miss Batchford, stretching a bangled arm
  • above the crape veil to clasp Troy's hand. "Do sit down, Mr.
  • Belknap.--Dépêchez-vous, s'il vous plaît," she said, not too unkindly,
  • to the old woman; and added, to Troy: "There's no satisfying them."
  • At the sound of Troy's name the old woman had turned her twitching
  • head, putting back her veil. Her eyes met Troy's, and they looked at
  • each other doubtfully. Then--"Madame Gantier!" he exclaimed.
  • "Yes, yes," she said, the tears running down her face.
  • Troy was not sure if she recognized him, though his name had evidently
  • called up some vague association. He saw that most things had grown far
  • off to her, and that for the moment her whole mind was centred on the
  • painful and humiliating effort of putting her case to this strange young
  • woman who snapped out questions like a machine.
  • "Do you know her?" asked Miss Batchford, surprised.
  • "I used to, I believe," Troy answered.
  • "You can't think what she wants--just everything! They're all alike. She
  • wants to borrow five hundred francs to furnish a flat for herself and
  • her sister."
  • "Well, why not?"
  • "Why, we don't lend money, of course. It's against all our principles.
  • We give work, or relief in kind--that's what I'm telling her."
  • "I see. Could I give it to her?"
  • "What--all that money? Certainly _not_. You don't know them!"
  • Troy shook hands and went out into the street to wait for Mme. Gantier;
  • and when she came he told her who he was. She cried and shook a great
  • deal, and he called a cab and drove her home to the poor lodging where
  • she and her sister lived. The sister had become weak-minded, and the
  • room was dirty and untidy, because, as Mme. Gantier explained, her
  • lameness prevented her from keeping it clean, and they could not afford
  • a charwoman. The pictures of the four dead sons hung on the wall, a
  • wisp of crape above each, with all their ribbons and citations. But when
  • Troy spoke of old M. Gantier and the daughter Mme. Gantier's face grew
  • like a stone, and her sister began to whimper like an animal.
  • Troy remembered the territorial's phrase: "You may say: _there's a
  • family wiped out_." He went away, too shy to give the five hundred
  • francs in his pocket.
  • One of his first cares on getting back to France had been to order a
  • head-stone for Paul Gantier's grave at Mondement. A week or two after
  • his meeting with Mme. Gantier, his ambulance was ordered to Epernay, and
  • he managed to get out to Mondement and have the stone set up and the
  • grave photographed. He had brought some flowers to lay on it, and he
  • borrowed two tin wreaths from the neighbouring crosses, so that Paul
  • Gantier's mound should seem the most fondly tended of all. He sent the
  • photograph to Mme. Gantier, with a five hundred franc bill; but after a
  • long time his letter came back from the post-office. The two old women
  • had gone....
  • VIII
  • In February Mr. Belknap arrived in Paris on a mission. Tightly buttoned
  • into his Red Cross uniform, he looked to his son older and fatter, but
  • more important and impressive, than usual.
  • He was on his way to Italy, where he was to remain for three months, and
  • Troy learned with dismay that he needed a secretary, and had brought
  • none with him because he counted on his son to fill the post.
  • "You've had nearly a year of this, old man, and the front's as quiet as
  • a church. As for Paris, isn't it too frivolous for you? It's much
  • farther from the war nowadays than New York. I haven't had a dinner like
  • this since your mother joined the Voluntary Rationing League," Mr.
  • Belknap smiled at him across their little table at the Nouveau Luxe.
  • "I'm glad to hear it--about New York, I mean," Troy answered composedly.
  • "It's _our_ turn now. But Paris isn't a bit too frivolous for me. Which
  • shall it be, father--the Palais Royal--or the Capucines? They say the
  • new _revue_ there is great fun."
  • Mr. Belknap was genuinely shocked. He had caught the war fever late in
  • life, and late in the war, and his son's flippancy surprised and pained
  • him.
  • "The theatre? We don't go to the theatre...." He paused to light his
  • cigar, and added, embarrassed: "Really, Troy, now there's so little
  • doing here, don't you think you might be more useful in Italy?"
  • Troy was anxious, for he was not sure that Mr. Belknap's influence
  • might not be sufficient to detach him from his job on a temporary
  • mission; but long experience in dealing with parents made him assume a
  • greater air of coolness as his fears increased.
  • "Well, you see, father, so many other chaps have taken advantage of the
  • lull to go off on leave that if I asked to be detached now--well, it
  • wouldn't do me much good with my chief," he said cunningly, guessing
  • that if he appeared to yield his father might postpone action.
  • "Yes, I see," Mr. Belknap rejoined, impressed by the military character
  • of the argument. He was still trying to get used to the fact that he was
  • himself under orders, and nervous visions of a sort of mitigated
  • court-martial came to him in the middle of pleasant dinners, or jumped
  • him out of his morning sleep like an alarm-clock.
  • Troy saw that his point was gained; but he regretted having proposed
  • the Capucines to his father. He himself was not shocked by the seeming
  • indifference of Paris: he thought the gay theatres, the crowded shops,
  • the restaurants groaning with abundance, were all healthy signs of the
  • nation's irrepressible vitality. But he understood that America's young
  • zeal might well be chilled by the first contact with this careless
  • exuberance, so close to the lines where young men like himself were
  • dying day by day in order that the curtain might ring up punctually on
  • low-necked _revues_, and fat neutrals feast undisturbed on lobster and
  • champagne. Only now and then he asked himself what had become of the
  • Paris of the Marne, and what would happen if ever again----But that of
  • course was nonsense....
  • * * * * *
  • Mr. Belknap left for Italy--and two days afterward Troy's ambulance was
  • roused from semi-inaction and hurried to Beauvais. The retreat from St.
  • Quentin had begun, and Paris was once again the Paris of the Marne.
  • The same--but how different!--were the tense days that followed. Troy
  • Belknap, instead of hanging miserably about marble hotels and waiting
  • with restless crowds for the communiqués to appear in the windows of the
  • newspaper offices, was in the thick of the retreat, swept back on its
  • tragic tide, his heart wrung, but his imagination hushed by the fact of
  • participating in the struggle, playing a small dumb indefatigable part,
  • relieving a little fraction of the immense anguish and the dreadful
  • disarray.
  • The mere fact of lifting a wounded man "so that it wouldn't hurt"; of
  • stiffening one's lips to a smile as the ambulance pulled up in the
  • market-place of a terror-stricken village; of calling out "Nous les
  • tenons!" to whimpering women and bewildered old people; of giving a lift
  • to a family of foot-sore refugees; of prying open a tin of condensed
  • milk for the baby, or taking down the address of a sister in Paris, with
  • the promise to bring her news of the fugitives; the heat and the burden
  • and the individual effort of each minute carried one along through the
  • endless and yet breathless hours--backward and forward, backward and
  • forward, between Paris and the fluctuating front, till in Troy's weary
  • brain the ambulance took on the semblance of a tireless grey shuttle
  • humming in the hand of Fate....
  • It was on one of these trips that, for the first time, he saw a
  • train-load of American soldiers on the way to the battle front. He had,
  • of course, seen plenty of them in Paris during the months since his
  • arrival; seen them vaguely roaming the streets, or sitting in front of
  • cafés, or wooed by polyglot sirens in the obscure promiscuity of
  • cinema-palaces.
  • At first he had seized every chance of talking to them; but either his
  • own shyness or theirs seemed to paralyze him. He found them, as a rule,
  • bewildered, depressed and unresponsive. They wanted to kill Germans all
  • right, they said; but this hanging around Paris wasn't what they'd
  • bargained for, and there was a good deal more doing back home at Podunk
  • or Tombstone or Skohegan.
  • It was not only the soldiers who took this depreciatory view of France.
  • Some of the officers whom Troy met at his friends' houses discouraged
  • him more than the enlisted men with whom he tried to make friends in the
  • cafés. They had more definite and more unfavourable opinions as to the
  • country they had come to defend. They wanted to know, in God's name,
  • where in the blasted place you could get fried hominy and a real
  • porter-house steak for breakfast, and when the ball-game season began,
  • and whether it rained every day all the year round; and Troy's timid
  • efforts to point out some of the compensating advantages of Paris failed
  • to excite any lasting interest.
  • But now he seemed to see a different race of men. The faces leaning from
  • the windows of the train glowed with youthful resolution. The soldiers
  • were out on their real business at last, and as Troy looked at them, so
  • alike and so innumerable, he had the sense of a force, inexorable and
  • exhaustless, poured forth from the reservoirs of the new world to
  • replenish the wasted veins of the old.
  • "Hooray!" he shouted frantically, waving his cap at the passing train;
  • but as it disappeared he hung his head and swore under his breath.
  • There they went, his friends and fellows, as he had so often dreamed of
  • seeing them, racing in their hundreds of thousands to the rescue of
  • France; and he was still too young to be among them, and could only
  • yearn after them with all his aching heart!
  • After a hard fortnight of day-and-night work he was ordered a few days
  • off, and sulkily resigned himself to inaction. For the first twenty-four
  • hours he slept the leaden sleep of weary youth, and for the next he
  • moped on his bed in the Infirmary; but the third day he crawled out to
  • take a look at Paris.
  • The long-distance bombardment was going on, and now and then, at
  • irregular intervals, there was a more or less remote crash, followed by
  • a long reverberation. But the life of the streets was not affected.
  • People went about their business as usual, and it was obvious that the
  • strained look on every face was not caused by the random fall of a few
  • shells, but by the perpetual vision of that swaying and receding line on
  • which all men's thoughts were fixed. It was sorrow, not fear, that Troy
  • read in all those anxious eyes--sorrow over so much wasted effort, such
  • high hopes thwarted, so many dear-bought miles of France once more under
  • the German heel.
  • That night when he came home he found a letter from his mother. At the
  • very end, in a crossed postscript, he read: "Who do you suppose sailed
  • last week? Sophy Wicks. Soon there'll be nobody left! Old Mrs. Wicks
  • died in January--did I tell you?--and Sophy has sent the children to
  • Long Island with their governess, and rushed over to do Red Cross
  • nursing. It seems she had taken a course at the Presbyterian without
  • any one's knowing it. I've promised to keep an eye on the children. Let
  • me know if you see her."
  • Sophy Wicks in France! There was hardly room in his troubled mind for
  • the news. What Sophy Wicks did or did not do had shrunk to utter
  • insignificance in the crash of falling worlds. He was rather sorry to
  • have to class her with the other hysterical girls fighting for a pretext
  • to get to France; but what did it all matter, anyhow? On the way home he
  • had overheard an officer in the street telling a friend that the Germans
  • were at Creil....
  • Then came the day when the advance was checked. The glorious
  • counter-attack of General Mangin gave France new faith in her armies,
  • and Paris irrepressibly burst at once into abounding life. It was as if
  • she were ashamed of having doubted, as if she wanted, by a livelier
  • renewal of activities, to proclaim her unshakable faith in her
  • defenders. In the perpetual sunshine of the most golden of springs she
  • basked and decked herself, and mirrored her recovered beauty in the
  • Seine.
  • And still the cloudless weeks succeeded each other, days of blue warmth
  • and nights of silver lustre; and still, behind the impenetrable wall of
  • the front, the Beast dumbly lowered and waited. Then one morning, toward
  • the end of May, Troy, waking late after an unusually hard day, read:
  • "The new German offensive has begun. The Chemin des Dames has been
  • retaken by the enemy. Our valiant troops are resisting heroically...."
  • Ah, now indeed they were on the road to Paris! In a flash of horror he
  • saw it all. The bitter history of the war was re-enacting itself, and
  • the battle of the Marne was to be fought again....
  • The misery of the succeeding days would have been intolerable if there
  • had been time to think of it. But day and night there was no respite for
  • Troy's service; and, being by this time a practised hand, he had to be
  • continually on the road.
  • On the second day he received orders to evacuate the wounded from an
  • American base hospital near the Marne. It was actually the old
  • battleground he was to traverse; only, before, he had traversed it in
  • the wake of the German retreat, and now it was the allied troops who,
  • slowly, methodically, and selling every inch dear, were falling back
  • across the sacred soil. Troy faced eastward with a heavy heart....
  • IX
  • The next morning at daylight they started for the front.
  • Troy's breast swelled with the sense of the approach to something bigger
  • than he had yet known. The air of Paris, that day, was heavy with doom.
  • There was no mistaking its taste on the lips. It was the air of the
  • Marne that he was breathing....
  • Here he was, once more involved in one of the great convulsions of
  • destiny, and still almost as helpless a spectator as when, four years
  • before, he had strayed the burning desert of Paris and cried out in his
  • boy's heart for a share in the drama. Almost as helpless, yes--in spite
  • of his four more years, his grown-up responsibilities, and the blessed
  • uniform thanks to which he, even he, a poor little ambulance-driver of
  • eighteen, ranked as a soldier of the great untried army of his country.
  • It was something--it was a great deal--to be even the humblest part, the
  • most infinitesimal cog, in that mighty machinery of the future; but it
  • was not enough, at this turning-point of history, for one who had so
  • lived it all in advance, who was so aware of it now that it had come,
  • who had carried so long on his lips the taste of its scarcely breathable
  • air.
  • As the ambulance left the gates of Paris, and hurried eastward in the
  • grey dawn, this sense of going toward something new and overwhelming
  • continued to grow in Troy. It was probably the greatest hour of the war
  • that was about to strike--and he was still too young to give himself to
  • the cause he had so long dreamed of serving.
  • From the moment they left the gates the road was encumbered with huge
  • grey motor-trucks, limousines, torpedoes, motor-cycles, long trains of
  • artillery, army kitchens, supply wagons, all the familiar elements of
  • the procession he had so often watched unrolling itself endlessly east
  • and west from the Atlantic to the Alps. Nothing new in the sight--but
  • something new in the faces! A look of having got beyond the accident of
  • living, and accepted what lay over the edge, in the dim land of the
  • final. He had seen that look in the days before the Marne....
  • Most of the faces on the way were French: as far as Epernay they met
  • their compatriots only in isolated groups. But whenever one of the
  • motor-trucks lumbering by bore a big U.S. on its rear panel Troy pushed
  • his light ambulance ahead and skimmed past, just for the joy of seeing
  • the fresh young heads rising pyramid-wise above the sides of the lorry,
  • hearing the snatches of familiar song--"Hail, hail, the gang's all
  • here!" and "We won't come back till it's over over there!"--and shouting
  • back, in reply to a stentorian "Hi, kid, beat it!", "Bet your life I
  • will, old man!"
  • Hubert Jacks, the young fellow who was with him, shouted back too, as
  • lustily; but between times he was more occupied with the details of
  • their own particular job--to which he was newer than Troy--and seemed
  • not to feel so intensely the weight of impending events.
  • As they neared the Montmirail monument: "Ever been over this ground
  • before?" Troy asked carelessly, and Jacks answered: "N--no."
  • "Ah--I have. I was here just after the battle of the Marne, in September
  • 'fourteen."
  • "That so? You must have been quite a kid," said Jacks with indifference,
  • filling his pipe.
  • "Well--not _quite_," Troy rejoined sulkily; and they said no more.
  • At Epernay they stopped for lunch, and found the place swarming with
  • troops. Troy's soul was bursting within him: he wanted to talk and
  • remember and compare. But his companion was unimaginative, and perhaps a
  • little jealous of his greater experience. "He doesn't want to show that
  • he's new at the job," Troy decided.
  • They lunched together in a corner of the packed restaurant, and while
  • they were taking coffee some French officers came up and chatted with
  • Troy. To all of them he felt the desperate need of explaining that he
  • was driving an ambulance only because he was still too young to be
  • among the combatants.
  • "But I shan't be--soon!" he always added, in the tone of one who
  • affirms. "It's merely a matter of a few weeks now."
  • "Oh, you all look like babies--but you all fight like devils," said a
  • young French lieutenant seasoned by four years at the front; and another
  • officer added gravely: "Make haste to be old enough, _cher monsieur_. We
  • need you all--every one of you...."
  • "Oh, we're coming--we're all coming!" Troy cried.
  • That evening, after a hard and harrowing day's work between _postes de
  • secours_ and a base hospital, they found themselves in a darkened
  • village, where, after a summary meal under flying shells, some one
  • suggested ending up at the Y.M.C.A. hut.
  • The shelling had ceased, and there seemed nothing better to do than to
  • wander down the dark street to the underground shelter packed with
  • American soldiers. Troy was sleepy and tired, and would have preferred
  • to crawl into his bed at the inn; he felt, more keenly than ever, the
  • humiliation (the word was stupid, but he could find no other) of being
  • among all these young men, only a year or two his seniors, and none, he
  • was sure, more passionately eager than himself for the work that lay
  • ahead, and yet so hopelessly divided from him by that stupid difference
  • in age. But Hubert Jacks was seemingly unconscious of this, and only
  • desirous of ending his night cheerfully. It would have looked unfriendly
  • not to accompany him, so they pushed their way together through the
  • cellar door surmounted by the sociable red triangle.
  • It was a big cellar, but brown uniforms and ruddy faces crowded it from
  • wall to wall. In one corner the men were sitting on packing-boxes at a
  • long table made of boards laid across barrels, the smoky light of little
  • oil lamps reddening their cheeks and deepening the furrows in their
  • white foreheads as they laboured over their correspondence. Others were
  • playing checkers, or looking at the illustrated papers, and everybody
  • was smoking and talking--not in large groups, but quietly, by twos or
  • threes. Young women in trig uniforms, with fresh innocent faces, moved
  • among the barrels and boxes, distributing stamps or books, chatting with
  • the soldiers, and being generally homelike and sisterly. The men gave
  • them back glances as honest, and almost as innocent, and an air of
  • simple daylight friendliness pervaded the Avernian cave.
  • It was the first time that Troy had ever seen a large group of his
  • compatriots so close to the fighting front, and in an hour of ease, and
  • he was struck by the gravity of the young faces, and the low tones of
  • their talk. Everything was in a minor key. No one was laughing or
  • singing or larking: the note was that which might have prevailed in a
  • club of quiet elderly men, or in a drawing-room where the guests did not
  • know each other well. Troy was all the more surprised because he
  • remembered the jolly calls of the young soldiers in the motor-trucks,
  • and the songs and horse-play of the gangs of trench-diggers and
  • hut-builders he had passed on the way. Was it that his compatriots did
  • not know how to laugh when they were at leisure, or was it rather that,
  • in the intervals of work, the awe of the unknown laid its hand on these
  • untried hearts?
  • Troy and Jacks perched on a packing-box, and talked a little with their
  • neighbours; but presently they were interrupted by the noise of a motor
  • stopping outside. There was a stir at the mouth of the cavern, and a
  • girl said eagerly: "Here she comes!"
  • Instantly the cellar woke up. The soldiers' faces grew young again, they
  • flattened themselves laughingly against the walls near the entrance, the
  • door above was cautiously opened, and a girl in a long blue cloak
  • appeared at the head of the stairs.
  • "Well, boys--you see I managed it!" she cried; and Troy recognized the
  • piercing accents and azure gaze of Miss Hinda Warlick.
  • "_She_ managed it!" the whole cellar roared as one man, drowning her
  • answer in a cheer. And, "Of course I did!" she continued, laughing and
  • nodding right and left as she made her triumphant way down the lane of
  • khaki, to what, at her appearance, had somehow promptly become the stage
  • at the farther end of a packed theatre. The elderly Y.M.C.A. official
  • who accompanied her puffed out his chest like a general and blinked
  • knowingly behind his gold eye-glasses.
  • Troy's first movement had been one of impatience. He hated all that Miss
  • Warlick personified, and hated it most of all on this sacred soil, and
  • at this fateful moment, with the iron wings of doom clanging so close
  • above their heads. But it would have been almost impossible to fight his
  • way out through the crowd that had closed in behind her--and he stayed.
  • The cheering subsided, she gained her improvised platform--a door laid
  • on some biscuit-boxes--and the recitation began.
  • She gave them all sorts of things, ranging from grave to gay, and
  • extracting from the sentimental numbers a peculiarly piercing effect
  • that hurt Troy like the twinge of a dental instrument. And her audience
  • loved it all, indiscriminately and voraciously, with souls hungry for
  • the home-flavour and long nurtured on what Troy called "cereal-fiction."
  • One had to admit that Miss Warlick knew her public, and could play on
  • every chord.
  • It might have been funny if it had not been so infinitely touching. They
  • were all so young, so serious, so far from home, and bound on a quest so
  • glorious! And there overhead, just above them, brooded and clanged the
  • black wings of their doom.... Troy's mockery was softened to tenderness,
  • and he felt, under the hard shell of his youthful omniscience, the stir
  • of all the things to which the others were unconsciously responding.
  • "And now, by special request, Miss Warlick is going to say a few words,"
  • the elderly eye-glassed officer importantly announced.
  • Ah, what a pity! If only she had ended on that last jolly chorus, so
  • full of artless laughter and tears! Troy remembered her dissertations on
  • the steamer, and winced at a fresh display of such fatuity in such a
  • scene.
  • She had let the cloak slip from her shoulders, and stepped to the edge
  • of her unsteady stage. Her eyes burned large in a face grown suddenly
  • grave.... For a moment she reminded him again of Sophy Wicks.
  • "Only a few words, really," she began apologetically; and the cellar
  • started a cheer of protest.
  • "No--not that kind. Something different...." She paused long enough to
  • let the silence prepare them: sharp little artist that she was! Then
  • she leaned forward. "This is what I want to say. I've come from the
  • French front--pretty near the edge. They're dying there, boys--dying by
  • thousands, _now_, this minute.... But that's not it--I know: you want me
  • to cut it out--and I'm going to.... But this is why I began that way;
  • because it was my first sight of--things of that sort. And I had to tell
  • you----"
  • She stopped, pale, her pretty mouth twitching.
  • "What I really wanted to say is this. Since I came to Europe, nearly a
  • year ago, I've got to know the country they're dying for--and I
  • understand why they mean to go on and on dying--if they have to--till
  • there isn't one of them left.
  • "Boys--I know France now--and she's worth it! Don't you make any
  • mistake!
  • "I have to laugh now when I remember what I thought of France when I
  • landed. My! How d'you suppose she'd got on so long without us? Done a
  • few things too--poor little toddler! Well--it was time we took her by
  • the hand, and showed her how to behave. And I wasn't the only one
  • either; I guess most of us thought we'd have to teach her her letters.
  • Maybe some of you boys right here felt that way too?"
  • A guilty laugh, and loud applause.
  • "Thought so," said Miss Warlick, smiling.
  • "Well," she continued, "there wasn't hardly anything _I_ wasn't ready to
  • teach them. On the steamer coming out with us there was a lot of those
  • Amb'lance boys. My! How I gassed to them. I said the French had got to
  • be taught how to love their mothers--I said they hadn't any
  • home-feeling--and didn't love children the way we do. I've been round
  • among them some since then, in the hospitals, and I've seen fellows
  • lying there shot 'most to death, and their little old mothers in white
  • caps arriving from 'way off at the other end of France. Well, those
  • fellows know how to see their mothers coming even if they're blind, and
  • how to hug 'em even if their arms are off.... And the children--the way
  • they go on about the children! Ever seen a French soldier yet that
  • didn't have a photograph of a baby stowed away somewhere in his dirty
  • uniform? I never have. I tell you, they're _white_! And they're fighting
  • as only people can who feel that way about mothers and babies. The way
  • we're going to fight; and maybe we'll prove it to 'em sooner than any of
  • us think....
  • "Anyhow, I wanted to get this off my chest to-night; not for _you_, only
  • for myself. I didn't want to have a shell get me before I'd said
  • 'Veever la France!' before all of you.
  • "See here, boys--the Marcellaze!"
  • She snatched a flag from the wall, drawing herself up to heroic height;
  • and the whole cellar joined her in a roar.
  • X
  • The next morning Jacks dragged Troy out of bed by the feet. The room was
  • still dark, and through the square of the low window glittered a bunch
  • of stars.
  • "Hurry call to Montmirail--step lively!" Jacks ordered, his voice thick
  • with sleep.
  • All the old names; with every turn of the wheel they seemed to be
  • drawing nearer and nearer to the ravaged spot of earth where Paul
  • Gantier slept his faithful sleep. Strange if, to-day of all days, Troy
  • should again stand by his friend's grave.
  • They pushed along eastward under the last stars, the roll of the cannon
  • crashing through the quiet dawn. The birds flew up with frightened cries
  • from the trees along the roadside; rooks cawed their warning from clump
  • to clump, and gathered in the sky in dark triangles flying before the
  • danger.
  • The east began to redden through the dust-haze of the cloudless air. As
  • they advanced the road became more and more crowded, and the ambulance
  • was caught in the usual dense traffic of the front: artillery,
  • field-kitchens, motor-trucks, horse-wagons, hay-carts packed with
  • refugees, and popping motor-cycles zigzagging through the tangle of
  • vehicles. The movement seemed more feverish and uncertain than usual,
  • and now and then the road was jammed, and curses, shouts and the crack
  • of heavy whips sounded against the incessant cannonade that hung its
  • iron curtain above the hills to the north-east. The faces of soldiers
  • and officers were unshaved sallow drawn with fatigue and anxiety. Women
  • crouched sobbing on their piled-up baggage, and here and there, by the
  • roadside, a little country cart had broken down, and the occupants sat
  • on the bank watching the confusion like impassive lookers-on.
  • Suddenly, in the thickest of the struggle, a heavy lorry smashed into
  • Troy's ambulance, and he felt the unmistakable wrench of the
  • steering-gear. The car shook like a careening boat, and then righted
  • herself and stopped.
  • "Oh, hell!" shouted Jacks in a fury. The two lads jumped down, and in a
  • few minutes they saw that they were stranded beyond remedy. Tears of
  • anger rushed into Troy's eyes. On this day of days he was not even to
  • accomplish his own humble job!
  • Another ambulance of their own formation overtook them, and it was
  • agreed that Jacks, who was the sharper of the two, was to get a lift to
  • the nearest town, and try to bring back a spare part, or, failing that,
  • pick up some sort of a car in which they could continue their work.
  • Troy was left by the roadside. Hour after hour he sat there waiting and
  • cursing his fate. When would Jacks be back again? Not at all, most
  • likely; it was ten to one he would be caught on the way and turned on to
  • some more pressing job. He knew, and Troy knew, that their ambulance was
  • for the time being a hopeless wreck, and would probably have to stick
  • ignominiously in its ditch till some one could go and fetch a spare part
  • from Paris. And meanwhile, what might not be happening nearer by?
  • The rumble and thump of the cannonade grew more intense; a violent
  • engagement was evidently going on not far off. Troy pulled out his map
  • and tried to calculate how far he was from the front; but the front, at
  • that point, was a wavering and incalculable line. He had an idea that
  • the fighting was much nearer than he or Jacks had imagined. The place at
  • which they had broken down must be about fifteen miles from the Marne.
  • But could it be possible that the Germans had crossed the Marne?
  • Troy grew hungry, and thrust his hand in his pocket to pull out a
  • sandwich. With it came a letter of his mother's, carried off in haste
  • when he left Paris the previous morning. He re-read it with a mournful
  • smile. "Of course we all know the Allies must win; but the preparations
  • here seem so slow and blundering; and the Germans are still so
  • strong...." (Thump, thump, the artillery echoed: "_Strong!_") And just
  • at the end of the letter, again; "I do wonder if you'll run across
  • Sophy...."
  • He lit a cigarette, and shut his eyes and thought. The sight of Miss
  • Warlick had made Sophy Wicks's presence singularly vivid to him: he had
  • fallen asleep thinking of her the night before. How like her to have
  • taken a course at the Presbyterian Hospital without letting any one
  • know! He wondered that he had not suspected, under her mocking
  • indifference, an ardour as deep as his own, and he was ashamed of having
  • judged her as others had, when, for so long, the thought of her had been
  • his torment and his joy. Where was she now, he wondered? Probably in
  • some hospital in the south or the centre: the authorities did not let
  • beginners get near the front, though, of course, it was what all the
  • girls were mad for.... Well, Sophy would do her work wherever it was
  • assigned to her: he did not see her intriguing for a showy post.
  • Troy began to marvel again at the spell of France--his France! Here was
  • a girl who had certainly not come in quest of vulgar excitement, as so
  • many did: Sophy had always kept herself scornfully aloof from the pretty
  • ghouls who danced and picnicked on the ruins of the world. He knew that
  • her motives, so jealously concealed, must have been as pure and urgent
  • as his own. France, which she hardly knew, had merely guessed at through
  • the golden blur of a six weeks' midsummer trip, France had drawn her
  • with an irresistible pressure; and the moment she had felt herself free
  • she had come. "Whither thou goest will I go, thy people shall be my
  • people...." Yes, France was the Naomi-country that had but to beckon,
  • and her children rose and came....
  • Troy was exceedingly tired: he stretched himself on the dusty bank, and
  • the noise of the road-traffic began to blend with the cannonade in his
  • whirling brain. Suddenly he fancied the Germans were upon him. He
  • thought he heard the peppering volley of machine-guns, shouts, screams,
  • rifle-shots close at hand....
  • He sat up and rubbed his eyes.
  • What he had heard was the cracking of whips and the shouting of carters
  • urging tired farm-horses along. Down a by-road to his left a stream of
  • haggard country people was pouring from the direction of the Marne. This
  • time only a few were in the carts: the greater number were flying on
  • their feet, the women carrying their babies, the old people bent under
  • preposterous bundles, blankets, garden utensils, cages with rabbits, an
  • agricultural prize framed and glazed, a wax wedding-wreath under a
  • broken globe. Sick and infirm people were dragged and shoved along by
  • the older children: a goitred idiot sat in a wheel-barrow pushed by a
  • girl, and laughed and pulled its tongue....
  • In among the throng Troy began to see the torn blue uniforms of wounded
  • soldiers limping on bandaged legs.... Others too, not wounded, elderly
  • haggard territorials, with powder-black faces, bristling beards, and the
  • horror of the shell-roar in their eyes.... One of them stopped near
  • Troy, and in a thick voice begged for a drink ... just a drop of
  • anything, for Gods sake. Others followed, pleading for food and drink.
  • "Gas, gas ..." a young artilleryman gasped at him through distorted
  • lips.... The Germans were over the Marne, they told him, the Germans
  • were coming. It was hell back there, no one could stand it.
  • Troy ransacked the ambulance, found water, brandy, biscuits, condensed
  • milk, and set up an impromptu canteen. But the people who had clustered
  • about him were pushed forward by others crying: "Are you mad to stay
  • here? The Germans are coming!"--and in a feeble panic they pressed on.
  • One old man, trembling with fatigue, and dragging a shaking brittle old
  • woman, had spied the stretcher beds inside the ambulance, and without
  • asking leave scrambled in and pulled his wife after him. They fell like
  • logs on to the grey blankets, and a livid territorial with a bandaged
  • arm drenched in blood crawled in after them and sank on the floor. The
  • rest of the crowd had surged by.
  • As he was helping the wounded soldier to settle himself in the
  • ambulance, Troy heard a new sound down the road. It was a deep
  • continuous rumble, the rhythmic growl of a long train of army-trucks.
  • The way must have been cleared to let them by, for there was no break or
  • faltering in the ever-deepening roar of their approach.
  • A cloud of dust rolled ahead, growing in volume with the growing noise;
  • now the first trucks were in sight, huge square olive-brown motor-trucks
  • stacked high with scores and scores of rosy soldiers. Troy jumped to his
  • feet with a shout. It was an American regiment being rushed to the
  • front!
  • The refugees and the worn-out blue soldiers fell back before the
  • triumphant advance, and a weak shout went up. The rosy soldiers shouted
  • back, but their faces were grave and set. It was clear that they knew
  • where they were going, and to what work they had been so hurriedly
  • summoned.
  • "It's hell back there!" a wounded territorial called out, pointing
  • backward over his bandaged shoulder, and another cried: "Vive
  • l'Amérique!"
  • "Vive la France!" shouted the truckful abreast of Troy, and the same cry
  • burst from his own lungs. A few miles off the battle of the Marne was
  • being fought again, and here were his own brothers rushing forward to
  • help! He felt that his greatest hour had struck.
  • One of the trucks had halted for a minute just in front of him, marking
  • time, and the lads leaning over its side had seen him, and were calling
  • out friendly college calls.
  • "Come along and help!" cried one, as the truck got under way again.
  • Troy glanced at his broken-down motor; then his eye lit on a rifle lying
  • close by in the dust of the roadside. He supposed it belonged to the
  • wounded territorial who had crawled into the ambulance.
  • He caught up the rifle, scrambled up over the side with the soldier's
  • help, and was engulfed among his brothers. Furtively he had pulled the
  • ambulance badge from his collar ... but a moment later he understood the
  • uselessness of the precaution. All that mattered to any one just then
  • was that he was one more rifle for the front.
  • XI
  • On the way he tried to call up half-remembered snatches of military
  • lore.
  • If only he did not disgrace them by a blunder!
  • He had talked enough to soldiers, French and American, in the last year:
  • he recalled odd bits of professional wisdom, but he was too excited to
  • piece them together. He was not in the least afraid of being afraid, but
  • his heart sank at the dread of doing something stupid, inopportune,
  • idiotic. His envy of the youths beside him turned to veneration. They
  • had all been in the front line, and knew its vocabulary, its dangers and
  • its dodges.
  • All he could do was to watch and imitate....
  • Presently they were all tumbled out of the motors and drawn up by the
  • roadside. An officer bawled unintelligible orders, and the men executed
  • mysterious movements in obedience.
  • Troy crept close to the nearest soldier, and copied his gestures
  • awkwardly--but no one noticed. Night had fallen, and he was thankful for
  • the darkness. Perhaps by to-morrow morning he would have picked up a few
  • of their tricks. Meanwhile, apparently, all he had to do was to march,
  • march, march, at a sort of break-neck trot that the others took as
  • lightly as one skims the earth in a dream. If it had not been for his
  • pumping heart and his aching bursting feet, Troy at moments would have
  • thought it was a dream....
  • Rank by rank they pressed forward in the night toward a sky-line torn
  • with intermittent flame.
  • "We're going toward a battle," Troy sang to himself, "toward a battle,
  • toward a battle...." But the words meant no more to him than the
  • doggerel the soldier was chanting at his elbow.
  • * * * * *
  • They were in a wood, slipping forward cautiously, beating their way
  • through the under-growth. The night had grown cloudy, but now and then
  • the clouds broke, and a knot of stars clung to a branch like swarming
  • bees.
  • At length a halt was called in a clearing, and then the group to which
  • Troy had attached himself was ordered forward. He did not understand the
  • order, but seeing the men moving he followed, like a mascot dog trotting
  • after its company, and they began to beat their way onward, still more
  • cautiously, in little crawling lines of three or four. It reminded Troy
  • of "playing Indian" in his infancy.
  • "Careful ... watch out for 'em ..." the soldier next to him whispered,
  • clutching his arm at a noise in the underbrush; and Troy's heart jerked
  • back violently, though his legs were still pressing forward.
  • They were here, then: they might be close by in the blackness, behind
  • the next tree-hole, in the next clump of bushes--the destroyers of
  • France, old M. Gantier's murderers, the enemy to whom Paul Gantier had
  • given his life! These thoughts slipped confusedly through Troy's mind,
  • scarcely brushing it with a chill wing. His main feeling was one of a
  • base physical fear, and of a newly-awakened moral energy which had the
  • fear by the throat and held it down with shaking hands. Which of the two
  • would conquer, how many yards farther would the resolute Troy drag on
  • the limp coward through this murderous wood? That was the one thing that
  • mattered....
  • At length they dropped down into a kind of rocky hollow overhung with
  • bushes, and lay there, finger on trigger, hardly breathing. "Sleep a bit
  • if you can--you look beat," whispered the friendly soldier.
  • _Sleep!_
  • Troy's mind was whirling like a machine in a factory blazing with
  • lights. His thoughts rushed back over the miles he had travelled since
  • he had caught up the rifle by the roadside.
  • "My God!" he suddenly thought, "what am I doing here, anyhow? I'm a
  • deserter."
  • Yes: that was the name he would go by if ever his story became known.
  • And how should it not become known? He had deserted--deserted not only
  • his job, and his ambulance, and Jacks, who might come back at any
  • moment--it was a dead certainty to him now that Jacks would come
  • back--but also (incredible perfidy!) the poor worn-out old couple and
  • the wounded territorial who had crawled into the ambulance. He, Troy
  • Belknap, United States Army Ambulance driver, and sworn servant of
  • France, had deserted three sick and helpless people who, if things
  • continued to go badly, would almost certainly fall into the hands of the
  • Germans.... It was too horrible to think of, and so, after a minute or
  • two, he ceased to think of it--at least with the surface of his mind.
  • "If it's a court-martial it's a court-martial," he reflected; and began
  • to stretch his ears again for the sound of men slipping up in the
  • darkness through the bushes....
  • But he was really horribly tired, and in the midst of the tension the
  • blaze of lights in his head went out, and he fell into a half-conscious
  • doze. When he started into full consciousness again the men were
  • stirring, and he became aware that the sergeant was calling for
  • volunteers.
  • Volunteers for what? He didn't know and was afraid to ask. But it became
  • clear to him that the one chance to wash his guilt away (was that funny
  • old-fashioned phrase a quotation, and where did it come from?) was to
  • offer himself for the job, whatever it might be.
  • The decision once taken, he became instantly calm, happy and alert. He
  • observed the gesture made by the other volunteers and imitated it. It
  • was too dark for the sergeant to distinguish one man from another, and
  • without comment he let Troy fall into the line of men who were creeping
  • up out of the hollow.
  • The awful cannonade had ceased, and as they crawled along single file
  • between the trees the before-dawn twitter of birds rained down on them
  • like dew, and the woods smelt like the woods at home.
  • They came to the end of the trees, and guessed that the dark wavering
  • wall ahead was the edge of a wheat-field. Some one whispered that the
  • Marne was just beyond the wheat-field, and that the red flares they saw
  • must be over Château-Thierry.
  • The momentary stillness laid a reassuring touch on Troy's nerves, and he
  • slipped along adroitly at the tail of the line, alert but cool. Far off
  • the red flares still flecked the darkness, but they did not frighten
  • him. He said to himself: "People are always afraid in their first
  • battle. I'm not the least afraid, so I suppose this is not a battle" ...
  • and at the same moment there was a small shrieking explosion followed
  • by a horrible rattle of projectiles that seemed to spring up out of the
  • wheat at their feet.
  • The men dropped on their bellies and crawled away from it, and Troy
  • crawled after, sweating with fear. He had not looked back, but he knew
  • that some of the men must be lying where they had dropped, and suddenly
  • it occurred to him that it was his business to go and see....
  • Was it, though? Or would that be disobeying orders again?
  • The Ambulance driver's instinct awoke in him, and he did not stop to
  • consider, but turned and crawled back, straight back to the place that
  • the horrible explosion had come from. The firing had stopped, but in the
  • thin darkness he saw a body lying in front of him in the flattened
  • wheat. He looked in the direction from which he had come, and saw that
  • the sergeant and the rest of the men were disappearing to the right;
  • then he ramped forward again, forward and forward, till he touched the
  • arm of the motionless man and whispered: "Hi, kid, it's me...."
  • He tried to rouse the wounded man, to pull him forward, to tow him like
  • a barge along the beaten path in the wheat. But the man groaned and
  • resisted. He was evidently in great pain, and Troy, whom a year's
  • experience in ambulance work had enlightened, understood that he must
  • either be carried away or left where he was.
  • To carry him it was necessary to stand up, and the night was growing
  • transparent, and the wheat was not more than waist high.
  • Troy raised his head an inch or two and looked about him. In the east,
  • beyond the wheat, a pallor was creeping upward, drowning the last
  • stars. Any one standing up would be distinctly visible against that
  • pallor. With a sense of horror and reluctance and dismay he lifted the
  • wounded man and stood up. As he did so he felt a small tap on his back,
  • between the shoulders, as if some one had touched him from behind. He
  • half turned to see who it was, and doubled up, slipping down with the
  • wounded soldier in his arms.
  • XII
  • Troy, burning with fever, lay on a hospital bed.
  • He was not very clear where the hospital was, nor how he had got there;
  • and he did not greatly care. All that was left of clearness in his brain
  • was filled with the bitter sense of his failure. He had abandoned his
  • job to plunge into battle, and before he had seen a German or fired a
  • shot he found himself ignominiously laid by the heels in a strange place
  • full of benevolent-looking hypocrites whose least touch hurt him a
  • million times more than the German bullet.
  • It was all a stupid agitating muddle, in the midst of which he tried in
  • vain to discover what had become of Jacks, what had happened to the
  • ambulance, and whether the old people and the wounded territorial had
  • been heard of. He insisted particularly on the latter point to the cruel
  • shaved faces that were always stooping over him, but they seemed unable
  • to give him a clear answer--or else their cruelty prompted them to
  • withhold what they knew. He groaned and tossed and got no comfort, till,
  • suddenly opening his eyes, he found Jacks sitting by his bed.
  • He poured out his story to Jacks in floods and torrents: there was no
  • time to listen to what his friend had to say. He went in and out of the
  • whole business with him, explaining, arguing, and answering his own
  • arguments. Jacks, passive and bewildered, sat by the bed and murmured:
  • "All right--all right" at intervals. Then he too disappeared, giving
  • way to other unknown faces.
  • The third night (some one said it was the third night) the fever dropped
  • a little. Troy felt more quiet, and Jacks, who had turned up again, sat
  • beside him, and told him all the things he had not been able to listen
  • to the first day--all the great things in which he had played an
  • unconscious part.
  • "Battle of the Marne? Sure you were in it--in it up to the hilt, you
  • lucky kid!"
  • And what a battle it had been! The Americans had taken Vaux and driven
  • the Germans back across the bridge at Château-Thierry, the French were
  • pressing hard on their left flank, the advance on Paris had been
  • checked--and the poor old couple and the territorial in the ambulance
  • had not fallen into enemy hands, but had been discovered by Jacks where
  • Troy had left them, and hurried off to places of safety the same night.
  • As Troy lay and listened, tears of weakness and joy ran down his face.
  • The Germans were back across the Marne, and he had really been in the
  • action that had sent them there! The road to Paris was barred--and Sophy
  • Wicks was somewhere in France.... He felt as light as a feather, and if
  • it had not been for his deathly weakness he would have jumped out of bed
  • and insisted on rejoining the ambulance. But as it was he could only lie
  • flat and feebly return Jacks's grin....
  • * * * * *
  • There was just one thing he had not told Jacks: a little thing that
  • Jacks would not have understood. Out in the wheat, when he had felt that
  • tap on the shoulder, he had turned round quickly, thinking that a friend
  • had touched him. At the same instant he had stumbled and fallen, and
  • his eyes had grown dark; but through the darkness he still felt
  • confusedly that a friend was near, if only he could lift his lids and
  • look.
  • He did lift them at last; and there in the dawn he saw a French soldier,
  • haggard and battle-worn, looking down at him. The soldier wore the
  • uniform of the _chasseurs à pied_, and his face was the face of Paul
  • Gantier, bending low and whispering: "_Mon petit--mon pauvre petit
  • gars...._" Troy heard the words distinctly, he knew the voice as well as
  • he knew his mother's. His eyes shut again, but he felt Gantier's arms
  • under his body, felt himself lifted, lifted, till he seemed to float in
  • the arms of his friend.
  • He said nothing of that to Jacks or any one, and now that the fever had
  • dropped he was glad he had held his tongue. Some one told him that a
  • sergeant of the _chasseurs à pied_ had found him and brought him in to
  • the nearest _poste de secours_, where Jacks, providentially, had run
  • across him and carried him back to the base. They told him that his
  • rescue had been wonderful, but that nobody knew what the sergeant's name
  • was, or where he had gone to.... ("If _ever_ a man ought to have had the
  • Croix de Guerre--!" one of the nurses interjected emotionally.)
  • Troy listened and shut his lips. It was really none of his business to
  • tell these people where the sergeant had gone to; but he smiled a little
  • when the doctor said: "Chances are a man like that hasn't got much use
  • for decorations ..." and when the emotional nurse added: "Well, you must
  • just devote the rest of your life to trying to find him."
  • Ah, yes, he would do that, Troy swore--he would do it on the
  • battlefields of France.
  • THE END
  • _Printed by_ R. & R. CLARK, LIMITED, _Edinburgh_.
  • * * * * *
  • By EDITH WHARTON.
  • THE HOUSE OF MIRTH.
  • DESCENT OF MAN, and Other Stories.
  • THE FRUIT OF THE TREE.
  • THE HERMIT AND THE WILD WOMAN, and Other Stories.
  • TALES OF MEN AND GHOSTS.
  • THE REEF.
  • THE CUSTOM OF THE COUNTRY.
  • XINGU, and Other Stories.
  • SUMMER. A Novel.
  • SANCTUARY.
  • ETHAN FROME.
  • * * * * *
  • By WINSTON CHURCHILL.
  • THE CELEBRITY.
  • RICHARD CARVEL.
  • THE CRISIS.
  • THE CROSSING.
  • CONISTON.
  • MR. CREWE'S CAREER.
  • A MODERN CHRONICLE.
  • THE INSIDE OF THE CUP.
  • A FAR COUNTRY.
  • THE DWELLING PLACE OF LIGHT.
  • * * * * *
  • THE WORKS OF THOMAS HARDY
  • TESS OF THE D'URBERVILLES.
  • FAR FROM THE MADDING CROWD.
  • THE MAYOR OF CASTERBRIDGE.
  • A PAIR OF BLUE EYES.
  • TWO ON A TOWER.
  • THE RETURN OF THE NATIVE.
  • THE WOODLANDERS.
  • JUDE THE OBSCURE.
  • THE TRUMPET-MAJOR.
  • THE HAND OF ETHELBERTA.
  • A LAODICEAN.
  • DESPERATE REMEDIES.
  • WESSEX TALES.
  • LIFE'S LITTLE IRONIES.
  • A GROUP OF NOBLE DAMES.
  • UNDER THE GREENWOOD TREE.
  • THE WELL-BELOVED.
  • A CHANGED MAN, and other Tales.
  • WESSEX POEMS, and other Verses.
  • POEMS OF THE PAST AND THE PRESENT.
  • ***END OF THE PROJECT GUTENBERG EBOOK THE MARNE***
  • ******* This file should be named 41855-8.txt or 41855-8.zip *******
  • This and all associated files of various formats will be found in:
  • http://www.gutenberg.org/dirs/4/1/8/5/41855
  • Updated editions will replace the previous one--the old editions
  • will be renamed.
  • Creating the works from public domain print editions means that no
  • one owns a United States copyright in these works, so the Foundation
  • (and you!) can copy and distribute it in the United States without
  • permission and without paying copyright royalties. Special rules,
  • set forth in the General Terms of Use part of this license, apply to
  • copying and distributing Project Gutenberg-tm electronic works to
  • protect the PROJECT GUTENBERG-tm concept and trademark. Project
  • Gutenberg is a registered trademark, and may not be used if you
  • charge for the eBooks, unless you receive specific permission. If you
  • do not charge anything for copies of this eBook, complying with the
  • rules is very easy. You may use this eBook for nearly any purpose
  • such as creation of derivative works, reports, performances and
  • research. They may be modified and printed and given away--you may do
  • practically ANYTHING with public domain eBooks. Redistribution is
  • subject to the trademark license, especially commercial
  • redistribution.
  • *** START: FULL LICENSE ***
  • THE FULL PROJECT GUTENBERG LICENSE
  • PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
  • To protect the Project Gutenberg-tm mission of promoting the free
  • distribution of electronic works, by using or distributing this work
  • (or any other work associated in any way with the phrase "Project
  • Gutenberg"), you agree to comply with all the terms of the Full Project
  • Gutenberg-tm License available with this file or online at
  • www.gutenberg.org/license.
  • Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
  • electronic works
  • 1.A. By reading or using any part of this Project Gutenberg-tm
  • electronic work, you indicate that you have read, understand, agree to
  • and accept all the terms of this license and intellectual property
  • (trademark/copyright) agreement. If you do not agree to abide by all
  • the terms of this agreement, you must cease using and return or destroy
  • all copies of Project Gutenberg-tm electronic works in your possession.
  • If you paid a fee for obtaining a copy of or access to a Project
  • Gutenberg-tm electronic work and you do not agree to be bound by the
  • terms of this agreement, you may obtain a refund from the person or
  • entity to whom you paid the fee as set forth in paragraph 1.E.8.
  • 1.B. "Project Gutenberg" is a registered trademark. It may only be
  • used on or associated in any way with an electronic work by people who
  • agree to be bound by the terms of this agreement. There are a few
  • things that you can do with most Project Gutenberg-tm electronic works
  • even without complying with the full terms of this agreement. See
  • paragraph 1.C below. There are a lot of things you can do with Project
  • Gutenberg-tm electronic works if you follow the terms of this agreement
  • and help preserve free future access to Project Gutenberg-tm electronic
  • works. See paragraph 1.E below.
  • 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
  • or PGLAF), owns a compilation copyright in the collection of Project
  • Gutenberg-tm electronic works. Nearly all the individual works in the
  • collection are in the public domain in the United States. If an
  • individual work is in the public domain in the United States and you are
  • located in the United States, we do not claim a right to prevent you from
  • copying, distributing, performing, displaying or creating derivative
  • works based on the work as long as all references to Project Gutenberg
  • are removed. Of course, we hope that you will support the Project
  • Gutenberg-tm mission of promoting free access to electronic works by
  • freely sharing Project Gutenberg-tm works in compliance with the terms of
  • this agreement for keeping the Project Gutenberg-tm name associated with
  • the work. You can easily comply with the terms of this agreement by
  • keeping this work in the same format with its attached full Project
  • Gutenberg-tm License when you share it without charge with others.
  • 1.D. The copyright laws of the place where you are located also govern
  • what you can do with this work. Copyright laws in most countries are in
  • a constant state of change. If you are outside the United States, check
  • the laws of your country in addition to the terms of this agreement
  • before downloading, copying, displaying, performing, distributing or
  • creating derivative works based on this work or any other Project
  • Gutenberg-tm work. The Foundation makes no representations concerning
  • the copyright status of any work in any country outside the United
  • States.
  • 1.E. Unless you have removed all references to Project Gutenberg:
  • 1.E.1. The following sentence, with active links to, or other immediate
  • access to, the full Project Gutenberg-tm License must appear prominently
  • whenever any copy of a Project Gutenberg-tm work (any work on which the
  • phrase "Project Gutenberg" appears, or with which the phrase "Project
  • Gutenberg" is associated) is accessed, displayed, performed, viewed,
  • copied or distributed:
  • This eBook is for the use of anyone anywhere at no cost and with
  • almost no restrictions whatsoever. You may copy it, give it away or
  • re-use it under the terms of the Project Gutenberg License included
  • with this eBook or online at www.gutenberg.org
  • 1.E.2. If an individual Project Gutenberg-tm electronic work is derived
  • from the public domain (does not contain a notice indicating that it is
  • posted with permission of the copyright holder), the work can be copied
  • and distributed to anyone in the United States without paying any fees
  • or charges. If you are redistributing or providing access to a work
  • with the phrase "Project Gutenberg" associated with or appearing on the
  • work, you must comply either with the requirements of paragraphs 1.E.1
  • through 1.E.7 or obtain permission for the use of the work and the
  • Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
  • 1.E.9.
  • 1.E.3. If an individual Project Gutenberg-tm electronic work is posted
  • with the permission of the copyright holder, your use and distribution
  • must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
  • terms imposed by the copyright holder. Additional terms will be linked
  • to the Project Gutenberg-tm License for all works posted with the
  • permission of the copyright holder found at the beginning of this work.
  • 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
  • License terms from this work, or any files containing a part of this
  • work or any other work associated with Project Gutenberg-tm.
  • 1.E.5. Do not copy, display, perform, distribute or redistribute this
  • electronic work, or any part of this electronic work, without
  • prominently displaying the sentence set forth in paragraph 1.E.1 with
  • active links or immediate access to the full terms of the Project
  • Gutenberg-tm License.
  • 1.E.6. You may convert to and distribute this work in any binary,
  • compressed, marked up, nonproprietary or proprietary form, including any
  • word processing or hypertext form. However, if you provide access to or
  • distribute copies of a Project Gutenberg-tm work in a format other than
  • "Plain Vanilla ASCII" or other format used in the official version
  • posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
  • you must, at no additional cost, fee or expense to the user, provide a
  • copy, a means of exporting a copy, or a means of obtaining a copy upon
  • request, of the work in its original "Plain Vanilla ASCII" or other
  • form. Any alternate format must include the full Project Gutenberg-tm
  • License as specified in paragraph 1.E.1.
  • 1.E.7. Do not charge a fee for access to, viewing, displaying,
  • performing, copying or distributing any Project Gutenberg-tm works
  • unless you comply with paragraph 1.E.8 or 1.E.9.
  • 1.E.8. You may charge a reasonable fee for copies of or providing
  • access to or distributing Project Gutenberg-tm electronic works provided
  • that
  • - You pay a royalty fee of 20% of the gross profits you derive from
  • the use of Project Gutenberg-tm works calculated using the method
  • you already use to calculate your applicable taxes. The fee is
  • owed to the owner of the Project Gutenberg-tm trademark, but he
  • has agreed to donate royalties under this paragraph to the
  • Project Gutenberg Literary Archive Foundation. Royalty payments
  • must be paid within 60 days following each date on which you
  • prepare (or are legally required to prepare) your periodic tax
  • returns. Royalty payments should be clearly marked as such and
  • sent to the Project Gutenberg Literary Archive Foundation at the
  • address specified in Section 4, "Information about donations to
  • the Project Gutenberg Literary Archive Foundation."
  • - You provide a full refund of any money paid by a user who notifies
  • you in writing (or by e-mail) within 30 days of receipt that s/he
  • does not agree to the terms of the full Project Gutenberg-tm
  • License. You must require such a user to return or
  • destroy all copies of the works possessed in a physical medium
  • and discontinue all use of and all access to other copies of
  • Project Gutenberg-tm works.
  • - You provide, in accordance with paragraph 1.F.3, a full refund of any
  • money paid for a work or a replacement copy, if a defect in the
  • electronic work is discovered and reported to you within 90 days
  • of receipt of the work.
  • - You comply with all other terms of this agreement for free
  • distribution of Project Gutenberg-tm works.
  • 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
  • electronic work or group of works on different terms than are set
  • forth in this agreement, you must obtain permission in writing from
  • both the Project Gutenberg Literary Archive Foundation and Michael
  • Hart, the owner of the Project Gutenberg-tm trademark. Contact the
  • Foundation as set forth in Section 3 below.
  • 1.F.
  • 1.F.1. Project Gutenberg volunteers and employees expend considerable
  • effort to identify, do copyright research on, transcribe and proofread
  • public domain works in creating the Project Gutenberg-tm
  • collection. Despite these efforts, Project Gutenberg-tm electronic
  • works, and the medium on which they may be stored, may contain
  • "Defects," such as, but not limited to, incomplete, inaccurate or
  • corrupt data, transcription errors, a copyright or other intellectual
  • property infringement, a defective or damaged disk or other medium, a
  • computer virus, or computer codes that damage or cannot be read by
  • your equipment.
  • 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
  • of Replacement or Refund" described in paragraph 1.F.3, the Project
  • Gutenberg Literary Archive Foundation, the owner of the Project
  • Gutenberg-tm trademark, and any other party distributing a Project
  • Gutenberg-tm electronic work under this agreement, disclaim all
  • liability to you for damages, costs and expenses, including legal
  • fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
  • LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
  • PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
  • TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
  • LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
  • INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
  • DAMAGE.
  • 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
  • defect in this electronic work within 90 days of receiving it, you can
  • receive a refund of the money (if any) you paid for it by sending a
  • written explanation to the person you received the work from. If you
  • received the work on a physical medium, you must return the medium with
  • your written explanation. The person or entity that provided you with
  • the defective work may elect to provide a replacement copy in lieu of a
  • refund. If you received the work electronically, the person or entity
  • providing it to you may choose to give you a second opportunity to
  • receive the work electronically in lieu of a refund. If the second copy
  • is also defective, you may demand a refund in writing without further
  • opportunities to fix the problem.
  • 1.F.4. Except for the limited right of replacement or refund set forth
  • in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
  • WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
  • WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
  • 1.F.5. Some states do not allow disclaimers of certain implied
  • warranties or the exclusion or limitation of certain types of damages.
  • If any disclaimer or limitation set forth in this agreement violates the
  • law of the state applicable to this agreement, the agreement shall be
  • interpreted to make the maximum disclaimer or limitation permitted by
  • the applicable state law. The invalidity or unenforceability of any
  • provision of this agreement shall not void the remaining provisions.
  • 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
  • trademark owner, any agent or employee of the Foundation, anyone
  • providing copies of Project Gutenberg-tm electronic works in accordance
  • with this agreement, and any volunteers associated with the production,
  • promotion and distribution of Project Gutenberg-tm electronic works,
  • harmless from all liability, costs and expenses, including legal fees,
  • that arise directly or indirectly from any of the following which you do
  • or cause to occur: (a) distribution of this or any Project Gutenberg-tm
  • work, (b) alteration, modification, or additions or deletions to any
  • Project Gutenberg-tm work, and (c) any Defect you cause.
  • Section 2. Information about the Mission of Project Gutenberg-tm
  • Project Gutenberg-tm is synonymous with the free distribution of
  • electronic works in formats readable by the widest variety of computers
  • including obsolete, old, middle-aged and new computers. It exists
  • because of the efforts of hundreds of volunteers and donations from
  • people in all walks of life.
  • Volunteers and financial support to provide volunteers with the
  • assistance they need are critical to reaching Project Gutenberg-tm's
  • goals and ensuring that the Project Gutenberg-tm collection will
  • remain freely available for generations to come. In 2001, the Project
  • Gutenberg Literary Archive Foundation was created to provide a secure
  • and permanent future for Project Gutenberg-tm and future generations.
  • To learn more about the Project Gutenberg Literary Archive Foundation
  • and how your efforts and donations can help, see Sections 3 and 4
  • and the Foundation information page at www.gutenberg.org
  • Section 3. Information about the Project Gutenberg Literary Archive
  • Foundation
  • The Project Gutenberg Literary Archive Foundation is a non profit
  • 501(c)(3) educational corporation organized under the laws of the
  • state of Mississippi and granted tax exempt status by the Internal
  • Revenue Service. The Foundation's EIN or federal tax identification
  • number is 64-6221541. Contributions to the Project Gutenberg
  • Literary Archive Foundation are tax deductible to the full extent
  • permitted by U.S. federal laws and your state's laws.
  • The Foundation's principal office is located at 4557 Melan Dr. S.
  • Fairbanks, AK, 99712., but its volunteers and employees are scattered
  • throughout numerous locations. Its business office is located at 809
  • North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email
  • contact links and up to date contact information can be found at the
  • Foundation's web site and official page at www.gutenberg.org/contact
  • For additional contact information:
  • Dr. Gregory B. Newby
  • Chief Executive and Director
  • gbnewby@pglaf.org
  • Section 4. Information about Donations to the Project Gutenberg
  • Literary Archive Foundation
  • Project Gutenberg-tm depends upon and cannot survive without wide
  • spread public support and donations to carry out its mission of
  • increasing the number of public domain and licensed works that can be
  • freely distributed in machine readable form accessible by the widest
  • array of equipment including outdated equipment. Many small donations
  • ($1 to $5,000) are particularly important to maintaining tax exempt
  • status with the IRS.
  • The Foundation is committed to complying with the laws regulating
  • charities and charitable donations in all 50 states of the United
  • States. Compliance requirements are not uniform and it takes a
  • considerable effort, much paperwork and many fees to meet and keep up
  • with these requirements. We do not solicit donations in locations
  • where we have not received written confirmation of compliance. To
  • SEND DONATIONS or determine the status of compliance for any
  • particular state visit www.gutenberg.org/donate
  • While we cannot and do not solicit contributions from states where we
  • have not met the solicitation requirements, we know of no prohibition
  • against accepting unsolicited donations from donors in such states who
  • approach us with offers to donate.
  • International donations are gratefully accepted, but we cannot make
  • any statements concerning tax treatment of donations received from
  • outside the United States. U.S. laws alone swamp our small staff.
  • Please check the Project Gutenberg Web pages for current donation
  • methods and addresses. Donations are accepted in a number of other
  • ways including checks, online payments and credit card donations.
  • To donate, please visit: www.gutenberg.org/donate
  • Section 5. General Information About Project Gutenberg-tm electronic
  • works.
  • Professor Michael S. Hart was the originator of the Project Gutenberg-tm
  • concept of a library of electronic works that could be freely shared
  • with anyone. For forty years, he produced and distributed Project
  • Gutenberg-tm eBooks with only a loose network of volunteer support.
  • Project Gutenberg-tm eBooks are often created from several printed
  • editions, all of which are confirmed as Public Domain in the U.S.
  • unless a copyright notice is included. Thus, we do not necessarily
  • keep eBooks in compliance with any particular paper edition.
  • Most people start at our Web site which has the main PG search facility:
  • www.gutenberg.org
  • This Web site includes information about Project Gutenberg-tm,
  • including how to make donations to the Project Gutenberg Literary
  • Archive Foundation, how to help produce our new eBooks, and how to
  • subscribe to our email newsletter to hear about new eBooks.