Quotations.ch
  Directory : Maud
GUIDE SUPPORT US BLOG
  • The Project Gutenberg EBook of Maud, and Other Poems, by Alfred Tennyson
  • This eBook is for the use of anyone anywhere in the United States and most
  • other parts of the world at no cost and with almost no restrictions
  • whatsoever. You may copy it, give it away or re-use it under the terms of
  • the Project Gutenberg License included with this eBook or online at
  • www.gutenberg.org. If you are not located in the United States, you'll have
  • to check the laws of the country where you are located before using this ebook.
  • Title: Maud, and Other Poems
  • Author: Alfred Tennyson
  • Release Date: April 3, 2018 [EBook #56913]
  • Language: English
  • Character set encoding: UTF-8
  • *** START OF THIS PROJECT GUTENBERG EBOOK MAUD, AND OTHER POEMS ***
  • MAUD,
  • AND OTHER POEMS.
  • BY
  • ALFRED TENNYSON, D.C.L.,
  • POET LAUREATE.
  • A NEW EDITION.
  • LONDON:
  • EDWARD MOXON & Co., DOVER STREET.
  • 1859.
  • LONDON:
  • BRADBURY AND EVANS, PRINTERS, WHITEFRIARS.
  • CONTENTS.
  • MAUD
  • THE BROOK; AN IDYL
  • THE LETTERS
  • ODE ON THE DEATH OF THE DUKE OF WELLINGTON
  • THE DAISY
  • TO THE REV. F. D. MAURICE
  • WILL
  • THE CHARGE OF THE LIGHT BRIGADE
  • MAUD
  • I.
  • 1.
  • I hate the dreadful hollow behind the little wood,
  • Its lips in the field above are dabbled with blood-red heath,
  • The red-ribb'd ledges drip with a silent horror of blood,
  • And Echo there, whatever is ask'd her, answers 'Death.'
  • 2.
  • For there in the ghastly pit long since a body was found,
  • His who had given me life--O father! O God! was it well?--
  • Mangled, and flatten'd, and crush'd, and dinted into the ground:
  • There yet lies the rock that fell with him when he fell.
  • 3.
  • Did he fling himself down? who knows? for a vast speculation had fail'd,
  • And ever he mutter'd and madden'd, and ever wann'd with despair,
  • And out he walk'd when the wind like a broken worldling wail'd,
  • And the flying gold of the ruin'd woodlands drove thro' the air.
  • 4.
  • I remember the time, for the roots of my hair were stirr'd
  • By a shuffled step, by a dead weight trail'd, by a whisper'd fright,
  • And my pulses closed their gates with a shock on my heart as I heard
  • The shrill-edged shriek of a mother divide the shuddering night.
  • 5.
  • Villainy somewhere! whose? One says, we are villains all.
  • Not he: his honest fame should at least by me be maintained:
  • But that old man, now lord of the broad estate and the Hall,
  • Dropt off gorged from a scheme that had left us flaccid and drain'd.
  • 6.
  • Why do they prate of the blessings of Peace? we have made them a curse,
  • Pickpockets, each hand lusting for all that is not its own;
  • And lust of gain, in the spirit of Cain, is it better or worse
  • Than the heart of the citizen hissing in war on his own hearthstone?
  • 7.
  • But these are the days of advance, the works of the men of mind,
  • When who but a fool would have faith in a tradesman's ware or his word?
  • Is it peace or war? Civil war, as I think, and that of a kind
  • The viler, as underhand, not openly bearing the sword.
  • 8.
  • Sooner or later I too may passively take the print
  • Of the golden age-- why not? I have neither hope nor trust;
  • May make my heart as a millstone, set my face as a flint,
  • Cheat and be cheated, and die: who knows? we are ashes and dust.
  • 9.
  • Peace sitting under her olive, and slurring the days gone by,
  • When the poor are hovell'd and hustled together, each sex, like swine,
  • When only the ledger lives, and when only not all men lie;
  • Peace in her vineyard--yes!�-but a company forges the wine.
  • 10.
  • And the vitriol madness flushes up in the ruffian's head,
  • Till the filthy by-lane rings to the yell of the trampled wife,
  • While chalk and alum and plaster are sold to the poor for bread,
  • And the spirit of murder works in the very means of life.
  • 11.
  • And Sleep must lie down arm'd, for the villainous centre-bits
  • Grind on the wakeful ear in the hush of the moonless nights,
  • While another is cheating the sick of a few last gasps, as he sits
  • To pestle a poison'd poison behind his crimson lights.
  • 12.
  • When a Mammonite mother kills her babe for a burial fee,
  • And Timour-Mammon grins on a pile of children's bones,
  • Is it peace or war? better, war! loud war by land and by sea,
  • War with a thousand battles, and shaking a hundred thrones.
  • 13.
  • For I trust if an enemy's fleet came yonder round by the hill,
  • And the rushing battle-bolt sang from the three-decker out of the foam,
  • That the smoothfaced snubnosed rogue would leap from his counter and till,
  • And strike, if he could, were it but with his cheating yardwand, home.------
  • 14.
  • What! am I raging alone as my father raged in his mood?
  • Must _I_ too creep to the hollow and dash myself down and die
  • Rather than hold by the law that I made, nevermore to brood
  • On a horror of shatter'd limbs and a wretched swindler's lie?
  • 15.
  • Would there be sorrow for _me?_ there was _love_ in the passionate shriek,
  • Love for the silent thing that had made false haste to the grave--
  • Wrapt in a cloak, as I saw him, and thought he would rise and speak
  • And rave at the lie and the liar, ah God, as he used to rave.
  • 16.
  • I am sick of the Hall and the hill, I am sick of the moor and the main.
  • Why should I stay? can a sweeter chance ever come to me here?
  • O, having the nerves of motion as well as the nerves of pain,
  • Were it not wise if I fled from the place and the pit and the fear?
  • 17.
  • There are workmen up at the Hall: they are coming back from abroad;
  • The dark old place will be gilt by the touch of a millionnaire:
  • I have heard, I know not whence, of the singular beauty of Maud;
  • I play*d with the girl when a child; she promised then to be fair.
  • 18.
  • Maud with her venturous climbings and tumbles and childish escapes,
  • Maud the delight of the village, the ringing joy of the Hall,
  • Maud with her sweet purse-mouth when my father dangled the grapes,
  • Maud the beloved of my mother, the moon-faced darling of all,--
  • 19.
  • What is she now? My dreams are bad. She may bring me a curse.
  • No, there is fatter game on the moor; she will let me alone.
  • Thanks, for the fiend best knows whether woman or man be the worse.
  • I will bury myself in my books, and the Devil may pipe to his own.
  • II.
  • Long have I sigh'd for a calm: God grant I may find it at last!
  • It will never be broken by Maud, she has neither savour nor salt,
  • But a cold and clear-cut face, as I found when her carriage past,
  • Perfectly beautiful: let it be granted her: where is the fault?
  • All that I saw (for her eyes were downcast, not to be seen)
  • Faultily faultless, icily regular, splendidly null,
  • Dead perfection, no more; nothing more, if it had not been
  • For a chance of travel, a paleness, an hour's defect of the rose,
  • Or an underlip, you may call it a little too ripe, too full,
  • Or the least little delicate aquiline curve in a sensitive nose,
  • From which I escaped heart-free, with the least little touch of spleen.
  • III.
  • Cold and clear-cut face, why come you so cruelly meek,
  • Breaking a slumber in which all spleenful folly was drown'd,
  • Pale with the golden beam of an eyelash dead on the cheek,
  • Passionless, pale, cold face, star-sweet on a gloom profound;
  • Womanlike, taking revenge too deep for a transient wrong
  • Done but in thought to your beauty, and ever as pale as before
  • Growing and fading and growing upon me without a sound.
  • Luminous, gemlike, ghostlike, deathlike, half the night long
  • Growing and fading and growing, till I could bear it no more.
  • But arose, and all by myself in my own dark garden ground,
  • Listening now to the tide in its broad-flung shipwrecking roar,
  • Now to the scream of a madden'd beach dragg'd down by the wave,
  • Walk'd in a wintry wind by a ghastly glimmer, and found
  • The shining daffodil dead, and Orion low in his grave.
  • IV.
  • 1.
  • A million emeralds break from the ruby-budded lime
  • In the little grove where I sit--ah, wherefore cannot I be
  • Like things of the season gay, like the bountiful season bland,
  • When the far-off sail is blown by the breeze of a softer clime,
  • Half-lost in the liquid azure bloom of a crescent of sea.
  • The silent sapphire-spangled marriage ring of the land?
  • 2.
  • Below me, there, is the village, and looks how quiet and small!
  • And yet bubbles o'er like a city, with gossip, scandal, and spite;
  • And Jack on his ale-house bench has as many lies as a Czar;
  • And here on the landward side, by a red rock, glimmers the Hall;
  • And up in the high Hall-garden I see her pass like a light;
  • But sorrow seize me if ever that light be my leading star!
  • 3.
  • When have I bow'd to her father, the wrinkled head of the race?
  • I met her to-day with her brother, but not to her brother I bow'd;
  • I bow'd to his lady-sister as she rode by on the moor;
  • But the fire of a foolish pride flash'd over her beautiful face.
  • O child, you wrong your beauty, believe it, in being so proud;
  • Your father has wealth well-gotten, and I am nameless and poor.
  • 4.
  • I keep but a man and a maid, ever ready to slander and steal;
  • I know it, and smile a hard-set smile, like a stoic, or like
  • A wiser epicurean, and let the world have its way:
  • For nature is one with rapine, a harm no preacher can heal;
  • The Mayfly is torn by the swallow, the sparrow spear'd by the shrike,
  • And the whole little wood where I sit is a world of plunder and prey.
  • 5.
  • We are puppets, Man in his pride, and Beauty fair in her flower;
  • Do we move ourselves, or are moved by an unseen hand at a game
  • That pushes us off from the board, and others ever succeed?
  • Ah yet, we cannot be kind to each other here for an hour;
  • We whisper, and hint, and chuckle, and grin at a brother's shame;
  • However we brave it out, we men are a little breed.
  • 6.
  • A monstrous eft was of old the Lord and Master of Earth,
  • For him did his high sun flame, and his river billowing ran,
  • And he felt himself in his force to be Nature's crowning race.
  • As nine months go to the shaping an infant ripe for his birth,
  • So many a million of ages have gone to the making of man:
  • He now is first, but is he the last? is he not too base?
  • 7.
  • The man of science himself is fonder of glory, and vain,
  • An eye well-practised in nature, a spirit bounded and poor;
  • The passionate heart of the poet is whirl'd into folly and vice.
  • I would not marvel at either, but keep a temperate brain;
  • For not to desire or admire, if a man could learn it, were more
  • Than to walk all day like the sultan of old in a garden of spice.
  • 8.
  • For the drift of the Maker is dark, an Isis hid by the veil.
  • Who knows the ways of the world, how God will bring them about?
  • Our planet is one, the suns are many, the world is wide.
  • Shall I weep if a Poland fall? shall I shriek if a Hungary fail?
  • Or an infant civilisation be ruled with rod or with knout?
  • I have not made the world, and He that made it will guide.
  • 9.
  • Be mine a philosopher's life in the quiet woodland ways,
  • Where if I cannot be gay let a passionless peace be my lot,
  • Far-off from the clamour of liars belied in the hubbub of lies;
  • From the long-neck'd geese of the world that are ever hissing dispraise
  • Because their natures are little, and, whether he heed it or not,
  • Where each man walks with his head in a cloud of poisonous flies.
  • 10.
  • And most of all would I flee from the cruel madness of love,
  • The honey of poison-flowers and all the measureless ill.
  • Ah Maud, you milkwhite fawn, you are all unmeet for a wife.
  • Your mother is mute in her grave as her image in marble above;
  • Your father is ever in London, you wander about at your will;
  • You have but fed on the roses, and lain in the lilies of life.
  • V.
  • 1.
  • A voice by the cedar tree,
  • In the meadow under the Hall!
  • She is singing an air that is known to me,
  • A passionate ballad gallant and gay,
  • A martial song like a trumpet's call!
  • Singing alone in the morning of life,
  • In the happy morning of life and of May,
  • Singing of men that in battle array,
  • Ready in heart and ready in hand,
  • March with banner and bugle and fife
  • To the death, for their native land.
  • 2.
  • Maud with her exquisite face.
  • And wild voice pealing up to the sunny sky,
  • And feet like sunny gems on an English green,
  • Maud in the light of her youth and her grace,
  • Singing of Death, and of Honour that cannot die,
  • Till I well could weep for a time so sordid and mean,
  • And myself so languid and base.
  • 3.
  • Silence, beautiful voice!
  • Be still, for you only trouble the mind
  • With a joy in which I cannot rejoice,
  • A glory I shall not find.
  • Still! I will hear you no more,
  • For your sweetness hardly leaves me a choice
  • But to move to the meadow and fall before
  • Her feet on the meadow grass, and adore,
  • Not her, who is neither courtly nor kind,
  • Not her, not her, but a voice.
  • VI.
  • 1.
  • Morning arises stormy and pale,
  • No sun, but a wannish glare
  • In fold upon fold of hueless cloud,
  • And the budded peaks of the wood are bow'd
  • Caught and cuff'd by the gale:
  • I had fancied it would be fair.
  • 2.
  • Whom but Maud should I meet
  • Last night, when the sunset burn'd
  • On the blossom'd gable-ends
  • At the head of the village street,
  • Whom but Maud should I meet?
  • And she touch'd my hand with a smile so sweet
  • She made me divine amends
  • For a courtesy not return'd.
  • 3.
  • And thus a delicate spark
  • Of glowing and growing light
  • Thro' the livelong hours of the dark
  • Kept itself warm in the heart of my dreams,
  • Ready to burst in a colour'd flame;
  • Till at last when the morning came
  • In a cloud, it faded, and seems
  • But an ashen-gray delight.
  • 4.
  • What if with her sunny hair,
  • And smile as sunny as cold,
  • She meant to weave me a snare
  • Of some coquettish deceit,
  • Cleopatra-like as of old
  • To entangle me when we met,
  • To have her lion roll in a silken net
  • And fawn at a victor's feet.
  • 5.
  • Ah, what shall I be at fifty
  • Should Nature keep me alive,
  • If I find the world so bitter
  • When I am but twenty-five?
  • Yet, if she were not a cheat,
  • If Maud were all that she seem'd,
  • And her smile were all that I dream'd,
  • Then the world were not so bitter
  • But a smile could make it sweet.
  • 6.
  • What if tho' her eye seem'd full
  • Of a kind intent to me,
  • What if that dandy-despot, he,
  • That jewell'd mass of millinery,
  • That oil'd and curl'd Assyrian Bull
  • Smelling of musk and of insolence,
  • Her brother, from whom I keep aloof,
  • Who wants the finer politic sense
  • To mask, tho' but in his own behoof,
  • With a glassy smile his brutal scorn--
  • What if he had told her yestermorn
  • How prettily for his own sweet sake
  • A face of tenderness might be feign'd,
  • And a moist mirage in desert eyes,
  • That so, when the rotten hustings shake
  • In another month to his brazen lies,
  • A wretched vote may be gain'd.
  • 7.
  • For a raven ever croaks, at my side,
  • Keep watch and ward, keep watch and ward,
  • Or thou wilt prove their tool.
  • Yea too, myself from myself I guard,
  • For often a man's own angry pride
  • Is cap and bells for a fool.
  • 8.
  • Perhaps the smile and tender tone
  • Came out of her pitying womanhood,
  • For am I not, am I not, here alone
  • So many a summer since she died,
  • My mother, who was so gentle and good?
  • Living alone in an empty house,
  • Here half-hid in the gleaming wood,
  • Where I hear the dead at midday moan,
  • And the shrieking rush of the wainscot mouse,
  • And my own sad name in corners cried,
  • When the shiver of dancing leaves is thrown
  • About its echoing chambers wide,
  • Till a morbid hate and horror have grown
  • Of a world in which I have hardly mixt,
  • And a morbid eating lichen fixt
  • On a heart half-turn'd to stone.
  • 9.
  • O heart of stone, are you flesh, and caught
  • By that you swore to withstand?
  • For what was it else within me wrought
  • But, I fear, the new strong wine of love,
  • That made my tongue so stammer and trip
  • When I saw the treasured splendour, her hand,
  • Come sliding out of her sacred glove,
  • And the sunlight broke from her lip?
  • 10.
  • I have play'd with her when a child;
  • She remembers it now we meet.
  • Ah well, well, well, I may be beguiled
  • By some coquettish deceit.
  • Yet, if she were not a cheat,
  • If Maud were all that she seem'd,
  • And her smile had all that I dream'd,
  • Then the world were not so bitter
  • But a smile could make it sweet.
  • VII.
  • 1.
  • Did I hear it half in a doze
  • Long since, I know not where?
  • Did I dream it an hour ago,
  • When asleep in this arm-chair?
  • 2.
  • Men were drinking together,
  • Drinking and talking of me;
  • 'Well, if it prove a girl, the boy
  • Will have plenty: so let it be.'
  • 3.
  • Is it an echo of something
  • Read with a boy's delight,
  • Viziers nodding together
  • In some Arabian night?
  • 4.
  • Strange, that I hear two men,
  • Somewhere, talking of me;
  • 'Well, if it prove a girl, my boy
  • Will have plenty: so let it be.'
  • VIII.
  • She came to the village church,
  • And sat by a pillar alone;
  • An angel watching an urn
  • Wept over her, carved in stone;
  • And once, but once, she lifted her eyes,
  • And suddenly, sweetly, strangely blush'd
  • To find they were met by my own;
  • And suddenly, sweetly, my heart beat stronger
  • And thicker, until I heard no longer
  • The snowy-banded, dilettante,
  • Delicate-handed priest intone;
  • And thought, is it pride, and mused and sigh'd
  • 'No surely, now it cannot be pride.'
  • IX.
  • I was walking a mile,
  • More than a mile from the shore,
  • The sun look'd out with a smile
  • Betwixt the cloud and the moor,
  • And riding at set of day
  • Over the dark moor land,
  • Rapidly riding far away,
  • She waved to me with her hand.
  • There were two at her side,
  • Something flash' d in the sun,
  • Down by the hill I saw them ride,
  • In a moment they were gone:
  • Like a sudden spark
  • Struck vainly in the night,
  • And back returns the dark
  • With no more hope of light.
  • X.
  • 1.
  • Sick, am I sick of a jealous dread?
  • Was not one of the two at her side
  • This new-made lord, whose splendour plucks
  • The slavish hat from the villager's head?
  • Whose old grand-father has lately died,
  • Gone to a blacker pit, for whom
  • Grimy nakedness dragging his trucks
  • And laying his trams in a poison'd gloom
  • Wrought, till he crept from a gutted mine
  • Master of half a servile shire,
  • And left his coal all turn'd into gold
  • To a grandson, first of his noble line,
  • Rich in the grace all women desire,
  • Strong in the power that all men adore,
  • And simper and set their voices lower,
  • And soften as if to a girl, and hold
  • Awe-stricken breaths at a work divine,
  • Seeing his gewgaw castle shine,
  • New as his title, built last year,
  • There amid perky larches and pine,
  • And over the sullen-purple moor
  • (Look at it) pricking a cockney ear.
  • 2.
  • What, has he found my jewel out?
  • For one of the two that rode at her side
  • Bound for the Hall, I am sure was he:
  • Bound for the Hall, and I think for a bride.
  • Blithe would her brother's acceptance be.
  • Maud could be gracious too, no doubt,
  • To a lord, a captain, a padded shape,
  • A bought commission, a waxen face,
  • A rabbit mouth that is ever agape--
  • Bought? what is it he cannot buy?
  • And therefore splenetic, personal, base,
  • A wounded thing with a rancourous cry,
  • At war with myself and a wretched race,
  • Sick, sick to the heart of life, am I.
  • 3.
  • Last week came one to the county town,
  • To preach our poor little army down,
  • And play the game of the despot kings,
  • Tho' the state has done it and thrice as well:
  • This broad-brim'd hawker of holy things,
  • Whose ear is cramm'd with his cotton, and rings
  • Even in dreams to the chink of his pence,
  • This huckster put down war! can he tell
  • Whether war be a cause or a consequence?
  • Put down the passions that make earth Hell!
  • Down with ambition, avarice, pride,
  • Jealousy, down! cut off from the mind
  • The bitter springs of anger and fear;
  • Down too, down at your own fireside,
  • With the evil tongue and the evil ear,
  • For each is at war with mankind.
  • 4.
  • I wish I could hear again
  • The chivalrous battle-song
  • That she warbled alone in her joy!
  • I might persuade myself then
  • She would not do herself this great wrong
  • To take a wanton dissolute boy
  • For a man and leader of men.
  • 5.
  • Ah God, for a man with heart, head, hand,
  • Like some of the simple great ones gone
  • For ever and ever by,
  • One still strong man in a blatant land,
  • Whatever they call him, what care I,
  • Aristocrat, democrat, autocrat--one
  • Who can rule and dare not lie.
  • 6.
  • And ah for a man to arise in me,
  • That the man I am may cease to be!
  • XI.
  • 1.
  • O let the solid ground
  • Not fail beneath my feet
  • Before my life has found
  • What some have found so sweet;
  • Then let come what come may,
  • What matter if I go mad,
  • I shall have had my day.
  • 2.
  • Let the sweet heavens endure,
  • Not close and darken above me
  • Before I am quite quite sure
  • That there is one to love me;
  • Then let come what come may
  • To a life that has been so sad,
  • I shall have had my day.
  • XII.
  • 1.
  • Birds in the high Hall-garden
  • When twilight was falling,
  • Maud, Maud, Maud, Maud,
  • They were crying and calling.
  • 2.
  • Where was Maud? in our wood;
  • And I, who else, was with her,
  • Gathering woodland lilies,
  • Myriads blow together.
  • 3.
  • Birds in our wood sang
  • Ringing thro' the vallies,
  • Maud is here, here, here
  • In among the lilies.
  • 4.
  • I kiss'd her slender hand,
  • She took the kiss sedately;
  • Maud is not seventeen,
  • But she is tall and stately.
  • 5.
  • I to cry out on pride
  • Who have won her favour!
  • Maud were sure of Heaven
  • If lowliness could save her.
  • 6.
  • I know the way she went
  • Home with her maiden posy,
  • For her feet have touch'd the meadows
  • And left the daisies rosy.
  • 7.
  • Birds in the high Hall-garden
  • Were crying and calling to her,
  • Where is Maud, Maud, Maud,
  • One is come to woo her.
  • 8.
  • Look, a horse at the door,
  • And little King Charles is snarling,
  • Go back, my lord, across the moor,
  • You are not her darling.
  • XIII.
  • 1.
  • Scorn'd, to be scorn'd by one that I scorn,
  • Is that a matter to make me fret?
  • That a calamity hard to be borne?
  • Well, he may live to hate me yet.
  • Fool that I am to be vext with his pride!
  • I past him, I was crossing his lands;
  • He stood on the path a little aside;
  • His face, as I grant, in spite of spite,
  • Has a broad-blown comeliness, red and white,
  • And six feet two, as I think, he stands;
  • But his essences turn'd the live air sick,
  • And barbarous opulence jewel-thick
  • Sunn'd itself on his breast and his hands.
  • 2.
  • Who shall call me ungentle, unfair,
  • I long'd so heartily then and there
  • To give him the grasp of fellowship;
  • But while I past he was humming an air,
  • Stopt, and then with a riding whip
  • Leisurely tapping a glossy boot,
  • And curving a contumelious lip,
  • Gorgonised me from head to foot
  • With a stony British stare.
  • 3.
  • Why sits he here in his father's chair?
  • That old man never comes to his place:
  • Shall I believe him ashamed to be seen?
  • For only once, in the village street,
  • Last year, I caught a glimpse of his face,
  • A gray old wolf and a lean.
  • Scarcely, now, would I call him a cheat;
  • For then, perhaps, as a child of deceit,
  • She might by a true descent be untrue;
  • And Maud is as true as Maud is sweet:
  • Tho' I fancy her sweetness only due
  • To the sweeter blood by the other side;
  • Her mother has been a thing complete,
  • However she came to be so allied.
  • And fair without, faithful within,
  • Maud to him is nothing akin:
  • Some peculiar mystic grace
  • Made her only the child of her mother,
  • And heap'd the whole inherited sin
  • On that huge scapegoat of the race,
  • All, all upon the brother.
  • 4.
  • Peace, angry spirit, and let him be!
  • Has not his sister smiled on me?
  • XIV.
  • 1.
  • Maud has a garden of roses
  • And lilies fair on a lawn:
  • There she walks in her state
  • And tends upon bed and bower
  • And thither I climb'd at dawn
  • And stood by her garden-gate;
  • A lion ramps at the top,
  • He is claspt by a passion-flower.
  • 2.
  • Maud's own little oak-room
  • (Which Maud, like a precious stone
  • Set in the heart of the carven gloom,
  • Lights with herself, when alone
  • She sits by her music and books,
  • And her brother lingers late
  • With a roystering company) looks
  • Upon Maud's own garden gate:
  • And I thought as I stood, if a hand, as white
  • As ocean-foam in the moon, were laid
  • On the hasp of the window, and my Delight
  • Had a sudden desire, like a glorious ghost, to glide,
  • Like a beam of the seventh Heaven, down to my side,
  • There were but a step to be made.
  • 3.
  • The fancy flatter'd my mind,
  • And again seem'd overbold;
  • Now I thought that she cared for me,
  • Now I thought she was kind
  • Only because she was cold.
  • 4.
  • I heard no sound where I stood
  • But the rivulet on from the lawn
  • Running down to my own dark wood;
  • Or the voice of the long sea-wave as it swell'd
  • Now and then in the dim-gray dawn;
  • But I look'd, and round, all round the house I beheld
  • The death-white curtain drawn;
  • Felt a horror over me creep,
  • Prickle my skin and catch my breath,
  • Knew that the death-white curtain meant but sleep,
  • Yet I shudder'd and thought like a fool of the sleep of death.
  • XV.
  • So dark a mind within me dwells,
  • And I make myself such evil cheer,
  • That if I be dear to some one else,
  • Then some one else may have much to fear;
  • But if I be dear to some one else,
  • Then I should be to myself more dear.
  • Shall I not take care of all that I think,
  • Yea ev'n of wretched meat and drink,
  • If I be dear,
  • If I be dear to some one else.
  • XVI.
  • 1.
  • This lump of earth has left his estate
  • The lighter by the loss of his weight;
  • And so that he find what he went to seek,
  • And fulsome Pleasure clog him, and drown
  • His heart in the gross mud-honey of town,
  • He may stay for a year who has gone for a week:
  • But this is the day when I must speak,
  • And I see my Oread coming down,
  • O this is the day!
  • O beautiful creature, what am I
  • That I dare to look her way;
  • Think I may hold dominion sweet,
  • Lord of the pulse that is lord of her breast,
  • And dream of her beauty with tender dread,
  • From the delicate Arab arch of her feet
  • To the grace that, bright and light as the crest
  • Of a peacock, sits on her shining head,
  • And she knows it not: O, if she knew it,
  • To know her beauty might half undo it.
  • I know it the one bright thing to save
  • My yet young life in the wilds of Time,
  • Perhaps from madness, perhaps from crime,
  • Perhaps from a selfish grave.
  • 2.
  • What, if she be fasten'd to this fool lord,
  • Dare I bid her abide by her word?
  • Should I love her so well if she
  • Had given her word to a thing so low?
  • Shall I love her as well if she
  • Can break her word were it even for me?
  • I trust that it is not so.
  • 3.
  • Catch not my breath, O clamorous heart,
  • Let not my tongue be a thrall to my eye,
  • For I must tell her before we part,
  • I must tell her, or die.
  • XVII.
  • Go not, happy day,
  • From the shining fields,
  • Go not, happy day.
  • Till the maiden yields.
  • Rosy is the West,
  • Rosy is the South,
  • Roses are her cheeks,
  • And a rose her mouth.
  • When the happy Yes
  • Falters from her lips,
  • Pass and blush the news
  • O'er the blowing ships.
  • Over blowing seas,
  • Over seas at rest,
  • Pass the happy news,
  • Blush it thro' the West;
  • Till the red man dance
  • By his red cedar tree,
  • And the red man's babe
  • Leap, beyond the sea.
  • Blush from West to East,
  • Blush from East to West,
  • Till the West is East,
  • Blush it thro' the West.
  • Rosy is the West,
  • Rosy is the South,
  • Roses are her cheeks.
  • And a rose her mouth.
  • XVIII.
  • 1.
  • I have led her home, my love, my only friend.
  • There is none like her, none.
  • And never yet so warmly ran my blood
  • And sweetly, on and on
  • Calming itself to the long-wish'd-for end,
  • Full to the banks, close on the promised good.
  • 2.
  • None like her, none.
  • Just now the dry-tongued laurels' pattering talk
  • Seem'd her light foot along the garden walk,
  • And shook my heart to think she comes once more;
  • But even then I heard her close the door,
  • The gates of Heaven are closed, and she is gone.
  • 3.
  • There is none like her, none.
  • Nor will be when our summers have deceased.
  • O, art thou sighing for Lebanon
  • In the long breeze that streams to thy delicious East,
  • Sighing for Lebanon,
  • Dark cedar, tho' thy limbs have here increased,
  • Upon a pastoral slope as fair,
  • And looking to the South, and fed
  • With honey'd rain and delicate air,
  • And haunted by the starry head
  • Of her whose gentle will has changed my fate,
  • And made my life a perfumed altar-flame;
  • And over whom thy darkness must have spread
  • With such delight as theirs of old, thy great
  • Forefathers of the thornless garden, there
  • Shadowing the snow-limb'd Eve from whom she came.
  • 4.
  • Here will I lie, while these long branches sway,
  • And you fair stars that crown a happy day
  • Go in and out as if at merry play,
  • Who am no more so all forlorn,
  • As when it seem'd far better to be born
  • To labour and the mattock-harden'd hand,
  • Than nursed at ease and brought to understand
  • A sad astrology, the boundless plan
  • That makes you tyrants in your iron skies,
  • Innumerable, pitiless, passionless eyes,
  • Cold fires, yet with power to burn and brand
  • His nothingness into man.
  • 5.
  • But now shine on, and what care I,
  • Who in this stormy gulf have found a pearl
  • The countercharm of space and hollow sky,
  • And do accept my madness, and would die
  • To save from some slight shame one simple girl.
  • 6.
  • Would die; for sullen-seeming Death may give
  • More life to Love than is or ever was
  • In our low world, where yet 'tis sweet to live.
  • Let no one ask me how it came to pass;
  • It seems that I am happy, that to me
  • A livelier emerald twinkles in the grass,
  • A purer sapphire melts into the sea.
  • 7.
  • Not die; but live a life of truest breath,
  • And teach true life to fight with mortal wrongs.
  • O, why should Love, like men in drinking-songs,
  • Spice his fair banquet with the dust of death?
  • Make answer, Maud my bliss,
  • Maud made my Maud by that long lover's kiss,
  • Life of my life, wilt thou not answer this?
  • 'The dusky strand of Death inwoven here
  • With dear Love's tie, makes Love himself more dear.'
  • 8.
  • Is that enchanted moan only the swell
  • Of the long waves that roll in yonder bay?
  • And hark the clock within, the silver knell
  • Of twelve sweet hours that past in bridal white,
  • And died to live, long as my pulses play;
  • But now by this my love has closed her sight
  • And given false death her hand, and stol'n away
  • To dreamful wastes where footless fancies dwell
  • Among the fragments of the golden day.
  • May nothing there her maiden grace affright!
  • Dear heart, I feel with thee the drowsy spell.
  • My bride to be, my evermore delight,
  • My own heart's heart and ownest own farewell;
  • It is but for a little space I go:
  • And ye meanwhile far over moor and fell
  • Beat to the noiseless music of the night!
  • Has our whole earth gone nearer to the glow
  • Of your soft splendours that you look so bright?
  • I have climb'd nearer out of lonely Hell.
  • Beat, happy stars, timing with things below,
  • Beat with my heart more blest than heart can tell,
  • Blest, but for some dark undercurrent woe
  • That seems to draw--but it shall not be so:
  • Let all be well, be well.
  • XIX.
  • 1.
  • Her brother is coming back to-night,
  • Breaking up my dream of delight.
  • 2.
  • My dream? do I dream of bliss?
  • I have walk'd awake with Truth.
  • O when did a morning shine
  • So rich in atonement as this
  • For my dark-dawning youth,
  • Darkened watching a mother decline
  • And that dead man at her heart and mine
  • For who was left to watch her but I?
  • Yet so did I let my freshness die.
  • 3.
  • I trust that I did not talk
  • To gentle Maud in our walk
  • (For often in lonely wanderings
  • I have cursed him even to lifeless things)
  • But I trust that I did not talk,
  • Not touch on her father's sin:
  • I am sure I did but speak
  • Of my mother's faded cheek
  • When it slowly grew so thin,
  • That I felt she was slowly dying
  • Vext with lawyers and harass'd with debt:
  • For how often I caught her with eyes all wet,
  • Shaking her head at her son and sighing
  • A world of trouble within!
  • 4.
  • And Maud too, Maud was moved
  • To speak of the mother she loved
  • As one scarce less forlorn,
  • Dying abroad and it seems apart
  • From him who had ceased to share her heart,
  • And ever mourning over the feud,
  • The household Fury sprinkled with blood
  • By which our houses are torn:
  • How strange was what she said,
  • When only Maud and the brother
  • Hung over her dying bed--
  • That Maud's dark father and mine
  • Had bound us one to the other,
  • Betrothed us over their wine,
  • On the day when Maud was born;
  • Seal'd her mine from her first sweet breath.
  • Mine, mine by a right, from birth till death,
  • Mine, mine--our fathers have sworn.
  • 5.
  • But the true blood spilt had in it a heat
  • To dissolve the precious seal on a bond,
  • That, if left uncancell'd, had been so sweet:
  • And none of us thought of a something beyond,
  • A desire that awoke in the heart of the child,
  • As it were a duty done to the tomb,
  • To be friends for her sake, to be reconciled;
  • And I was cursing them and my doom,
  • And letting a dangerous thought run wild
  • While often abroad in the fragrant gloom
  • Of foreign churches--I see her there,
  • Bright English lily, breathing a prayer
  • To be friends, to be reconciled!
  • 6.
  • But then what a flint is he!
  • Abroad, at Florence, at Rome,
  • I find whenever she touch'd on me
  • This brother had laugh'd her down,
  • And at last, when each came home,
  • He had darken'd into a frown,
  • Chid her, and forbid her to speak
  • To me, her friend of the years before;
  • And this was what had reddened her cheek
  • When I bow'd to her on the moor.
  • 7.
  • Yet Maud, altho' not blind
  • To the faults of his heart and mind,
  • I see she cannot but love him,
  • And says he is rough but kind,
  • And wishes me to approve him,
  • And tells me, when she lay
  • Sick once, with a fear of worse,
  • That he left his wine and horses and play,
  • Sat with her, read to her, night and day,
  • And tended her like a nurse.
  • 8.
  • Kind? but the deathbed desire
  • Spurn'd by this heir of the liar--
  • Rough but kind? yet I know
  • He has plotted against me in this,
  • That he plots against me still.
  • Kind to Maud? that were not amiss.
  • Well, rough but kind; why, let it be so:
  • For shall not Maud have her will?
  • 9.
  • For, Maud, so tender and true.
  • As long as my life endures
  • I feel I shall owe you a debt,
  • That I never can hope to pay;
  • And if ever I should forget
  • That I owe this debt to you
  • And for your sweet sake to yours;
  • O then, what then shall I say?--
  • If ever I _should_ forget.
  • May God make me more wretched
  • Than ever I have been yet!
  • 10.
  • So now I have sworn to bury
  • All this dead body of hate,
  • I feel so free and so clear
  • By the loss of that dead weight,
  • That I should grow light-headed, I fear.
  • Fantastically merry;
  • But that her brother comes, like a blight
  • On my fresh hope, to the Hall to-night.
  • XX.
  • 1.
  • Strange, that I felt so gay,
  • Strange, that I tried to-day
  • To beguile her melancholy;
  • The Sultan, as we name him,--
  • She did not wish to blame him--
  • But he vext her and perplext her
  • With his worldly talk and folly:
  • Was it gentle to reprove her
  • For stealing out of view
  • From a little lazy lover
  • Who but claims her as his due?
  • Or for chilling his caresses
  • By the coldness of her manners,
  • Nay, the plainness of her dresses?
  • Now I know her but in two,
  • Nor can pronounce upon it
  • If one should ask me whether
  • The habit, hat, and feather.
  • Or the frock and gipsy bonnet
  • Be the neater and completer;
  • For nothing can be sweeter
  • Than maiden Maud in either.
  • 2.
  • But to morrow, if we live,
  • Our ponderous squire will give
  • A grand political dinner
  • To half the squirelings near;
  • And Maud will wear her jewels,
  • And the bird of prey will hover,
  • And the titmouse hope to win her
  • With his chirrup at her ear.
  • 3.
  • A grand political dinner
  • To the men of many acres,
  • A gathering of the Tory,
  • A dinner and then a dance
  • For the maids and marriage-makers,
  • And every eye but mine will glance
  • At Maud in all her glory.
  • 4.
  • For I am not invited,
  • But, with the Sultan's pardon,
  • I am all as well delighted,
  • For I know her own rose-garden,
  • And mean to linger in it
  • Till the dancing will be over;
  • And then, oh then, come out to me
  • For a minute, but for a minute,
  • Come out to your own true lover.
  • That your true lover may see
  • Your glory also, and render
  • All homage to his own darling,
  • Queen Maud in all her splendour.
  • XXI.
  • Rivulet crossing my ground,
  • And bringing me down from the Hall
  • This garden-rose that I found,
  • Forgetful of Maud and me,
  • And lost in trouble and moving round
  • Here at the head of a tinkling fall,
  • And trying to pass to the sea;
  • Rivulet, born at the Hall,
  • My Maud has sent it by thee
  • (If I read her sweet will right)
  • On a blushing mission to me,
  • Saying in odour and colour, 'Ah, be
  • Among the roses to-night.'
  • XXII.
  • 1.
  • Come into the garden, Maud,
  • For the black bat, night, has flown,
  • Come into the garden, Maud,
  • I am here at the gate alone;
  • And the woodbine spices are wafted abroad,
  • And the musk of the roses blown.
  • 2.
  • For a breeze of morning moves,
  • And the planet of Love is on high,
  • Beginning to faint in the light that she loves
  • On a bed of daffodil sky,
  • To faint in the light of the sun she loves.
  • To faint in his light, and to die.
  • 3.
  • All night have the roses heard
  • The flute, violin, bassoon;
  • All night has the casement jessamine stirr'd
  • To the dangers dancing in tune;
  • Till a silence fell with the waking bird,
  • And a hush with the setting moon.
  • 4.
  • I said to the lily, 'There is but one
  • With whom she has heart to be gay.
  • When will the dancers leave her alone?
  • She is weary of dance and play.'
  • Now half to the setting moon are gone,
  • And half to the rising day;
  • Low on the sand and loud on the stone
  • The last wheel echoes away.
  • 5.
  • I said to the rose, 'The brief night goes
  • In babble and revel and wine.
  • young lord-lover, what sighs are those,
  • For one that will never be thine?
  • But mine, but mine,' so I sware to the rose,
  • 'For ever and ever, mine.'
  • 6.
  • And the soul of the rose went into my blood,
  • As the music clash'd in the hall;
  • And long by the garden lake I stood.
  • For I heard your rivulet fall
  • From the lake to the meadow and on to the wood,
  • Our wood, that is dearer than all;
  • 7.
  • From the meadow your walks have left so sweet
  • That whenever a March-wind sighs
  • He sets the jewel-print of your feet
  • In violets blue as your eyes,
  • To the woody hollows in which we meet
  • And the valleys of Paradise.
  • 8.
  • The slender acacia would not shake
  • One long milk-bloom on the tree;
  • The white lake-blossom fell into the lake,
  • As the pimpernel dozed on the lea;
  • But the rose was awake all night for your sake,
  • Knowing your promise to me;
  • The lilies and roses were all awake.
  • They sigh'd for the dawn and thee.
  • 9.
  • Queen rose of the rosebud garden of girls,
  • Come hither, the dances are done,
  • In gloss of satin and glimmer of pearls,
  • Queen lily and rose in one;
  • Shine out, little head, sunning over with curls,
  • To the flowers, and be their sun.
  • 10.
  • There has fallen a splendid tear
  • From the passion-flower at the gate.
  • She is coming, my dove, my dear;
  • She is coming, my life, my fate;
  • The red rose cries, *She is near, she is near;'
  • And the white rose weeps, 'She is late;'
  • The larkspur listens, 'I hear, I hear;'
  • And the lily whispers, 'I wait.'
  • 11.
  • She is coming, my own, my sweet;
  • Were it ever so airy a tread.
  • My heart would hear her and beat,
  • Were it earth in an earthy bed;
  • My dust would hear her and beat,
  • Had I lain for a century dead;
  • Would start and tremble under her feet,
  • And blossom in purple and red.
  • MAUD
  • PART II.
  • I.
  • 1.
  • 'The fault was mine, the fault was mine'--
  • Why am I sitting here so stunn'd and still,
  • Plucking the harmless wild-flower on the hill?--
  • It is this guilty hand!--
  • And there rises ever a passionate cry
  • From underneath in the darkening land--
  • What is it, that has been done?
  • O dawn of Eden bright over earth and sky,
  • The fires of Hell brake out of thy rising sun,
  • The fires of Hell and of Hate;
  • For she, sweet soul, had hardly spoken a word,
  • When her brother ran in his rage to the gate,
  • He came with the babe-faced lord;
  • Heap'd on her terms of disgrace,
  • And while she wept, and I strove to be cool,
  • He fiercely gave me the lie,
  • Till I with as fierce an anger spoke,
  • And he struck me, madman, over the face,
  • Struck me before the languid fool,
  • Who was gaping and grinning by:
  • Struck for himself an evil stroke;
  • Wrought for his house an irredeemable woe;
  • For front to front in an hour we stood,
  • And a million horrible bellowing echoes broke
  • From the red-ribb'd hollow behind the wood,
  • And thunder'd up into Heaven the Christless code,
  • That must have life for a blow.
  • Ever and ever afresh they seem'd to grow.
  • Was it he lay there with a fading eye?
  • 'The fault was mine,' he whisper'd, 'fly!'
  • Then glided out of the joyous wood
  • The ghastly Wraith of one that I know;
  • And there rang on a sudden a passionate cry,
  • A cry for a brother's blood:
  • It will ring in my heart and my ears, till I die, till I die.
  • 2.
  • Is it gone? my pulses beat--
  • What was it? a lying trick of the brain?
  • Yet I thought I saw her stand,
  • A shadow there at my feet,
  • High over the shadowy land.
  • It is gone; and the heavens fall in a gentle rain,
  • When they should burst and drown with deluging storms
  • The feeble vassals of wine and anger and lust,
  • The little hearts that know not how to forgive:
  • Arise, my God, and strike, for we hold Thee just,
  • Strike dead the whole weak race of venomous worms,
  • That sting each other here in the dust;
  • We are not worthy to live.
  • II.
  • 1.
  • See what a lovely shell,
  • Small and pure as a pearl,
  • Lying close to my foot,
  • Frail, but a work divine,
  • Made so fairily well
  • With delicate spire and whorl,
  • How exquisitely minute,
  • A miracle of design!
  • 2.
  • What is it? a learned man
  • Could give it a clumsy name.
  • Let him name it who can,
  • The beauty would be the same.
  • 3.
  • The tiny cell is forlorn,
  • Void of the little living will
  • That made it stir on the shore.
  • Did he stand at the diamond door
  • Of his house in a rainbow frill?
  • Did he push, when he was uncurl'd,
  • A golden foot or a fairy horn
  • Thro' his dim water-world?
  • 4.
  • Slight, to be crush' d with a tap
  • Of my finger-nail on the sand,
  • Small, but a work divine,
  • Frail, but of force to withstand,
  • Year upon year, the shock
  • Of cataract seas that snap
  • The three-decker's oaken spine
  • Athwart the ledges of rock,
  • Here on the Breton strand!
  • 5.
  • Breton, not Briton; here
  • Like a shipwreck'd man on a coast
  • Of ancient fable and fear--
  • Plagued with a flitting to and fro,
  • A disease, a hard mechanic ghost
  • That never came from on high
  • Nor ever arose from below,
  • But only moves with the moving eye,
  • Flying along the land and the main--
  • Why should it look like Maud?
  • Am I to be overawed
  • By what I cannot but know
  • Is a juggle born of the brain?
  • 6.
  • Back from the Breton coast,
  • Sick of a nameless fear,
  • Back to the dark sea-line
  • Looking, thinking of all I have lost;
  • An old song vexes my ear;
  • But that of Lamech is mine.
  • 7.
  • For years, a measureless ill,
  • For years, for ever, to part--
  • But she, she would love me still;
  • And as long, God, as she
  • Have a grain of love for me,
  • So long, no doubt, no doubt,
  • Shall I nurse in my dark heart,
  • However weary, a spark of will
  • Not to be trampled out.
  • 8.
  • Strange, that the mind, when fraught
  • With a passion so intense
  • One would think that it well
  • Might drown all life in the eye,--
  • That it should, by being so overwrought,
  • Suddenly strike on a sharper sense
  • For a shell, or a flower, little things
  • Which else would have been past by!
  • And now I remember, I,
  • When he lay dying there,
  • I noticed one of his many rings
  • (For he had many, poor worm) and thought
  • It is his mother's hair.
  • 9.
  • Who knows if he be dead?
  • Whether I need have fled?
  • Am I guilty of blood?
  • However this may be,
  • Comfort her, comfort her, all things good,
  • While I am over the sea!
  • Let me and my passionate love go by,
  • But speak to her all things holy and high,
  • Whatever happen to me!
  • Me and my harmful love, go by;
  • But come to her waking, find her asleep,
  • Powers of the height. Powers of the deep,
  • And comfort her tho' I die.
  • III.
  • Courage, poor heart of stone!
  • I will not ask thee why
  • Thou canst not understand
  • That thou art left for ever alone:
  • Courage, poor stupid heart of stone.--
  • Or if I ask thee why,
  • Care not thou to reply:
  • She is but dead, and the time is at hand
  • When thou shalt more than die.
  • IV.
  • 1.
  • O that 'twere possible
  • After long grief and pain
  • To find the arms of my true love
  • Round me once again!
  • 2.
  • When I was wont to meet her
  • In the silent woody places
  • By the home that gave me birth,
  • We stood tranced in long embraces
  • Mixt with kisses sweeter sweeter
  • Than any thing on earth.
  • 3.
  • A shadow flits before me,
  • Not thou, but like to thee;
  • Ah Christ, that it were possible
  • For one short hour to see
  • The souls we loved, that they might tell us
  • What and where they be.
  • 4.
  • It leads me forth at evening,
  • It lightly winds and steals
  • In a cold white robe before me,
  • When all my spirit reels
  • At the shouts, the leagues of lights,
  • And the roaring of the wheels.
  • 5.
  • Half the night I waste in sighs,
  • Half in dreams I sorrow after
  • The delight of early skies;
  • In a wakeful doze I sorrow
  • For the hand, the lips, the eyes,
  • For the meeting of the morrow,
  • The delight of happy laughter,
  • The delight of low replies.
  • 6.
  • 'Tis a morning pure and sweet,
  • And a dewy splendour falls
  • On the little flower that clings
  • To the turrets and the walls;
  • 'Tis a morning pure and sweet,
  • And the light and shadow fleet;
  • She is walking in the meadow,
  • And the woodland echo rings;
  • In a moment we shall meet;
  • She is singing in the meadow,
  • And the rivulet at her feet
  • Ripples on in light and shadow
  • To the ballad that she sings.
  • 7.
  • Do I hear her sing as of old,
  • My bird with the shining head,
  • My own dove with the tender eye?
  • But there rings on a sudden a passionate cry,
  • There is some one dying or dead,
  • And a sullen thunder is roll'd;
  • For a tumult shakes the city,
  • And I wake, my dream is fled;
  • In the shuddering dawn, behold,
  • Without knowledge, without pity,
  • By the curtains of my bed
  • That abiding phantom cold.
  • 8.
  • Get thee hence, nor come again,
  • Mix not memory with doubt,
  • Pass, thou deathlike type of pain,
  • Pass and cease to move about,
  • 'Tis the blot upon the brain
  • That _will_ show itself without.
  • 9.
  • Then I rise, the eavedrops fall,
  • And the yellow vapours choke
  • The great city sounding wide;
  • The day comes, a dull red ball
  • Wrapt in drifts of lurid smoke
  • On the misty river-tide.
  • 10.
  • Thro' the hubbub of the market
  • I steal, a wasted frame,
  • It crosses here, it crosses there,
  • Thro' all that crowd confused and loud,
  • The shadow still the same;
  • And on my heavy eyelids
  • My anguish hangs like shame.
  • 11.
  • Alas for her that met me,
  • That heard me softly call,
  • Came glimmering thro' the laurels
  • At the quiet evenfall,
  • In the garden by the turrets
  • Of the old manorial hall.
  • 12.
  • Would the happy spirit descend,
  • From the realms of light and song,
  • In the chamber or the street,
  • As she looks among the blest,
  • Should I fear to greet my friend
  • Or to say 'forgive the wrong,'
  • Or to ask her, 'take me, sweet,
  • To the regions of thy rest? '
  • 13.
  • But the broad light glares and beats,
  • And the shadow flits and fleets
  • And will not let me be;
  • And I loathe the squares and streets,
  • And the faces that one meets,
  • Hearts with no love for me:
  • Always I long to creep
  • Into some still cavern deep,
  • There to weep, and weep, and weep
  • My whole soul out to thee.
  • V.
  • 1.
  • Dead, long dead,
  • Long dead!
  • And my heart is a handful of dust,
  • And the wheels go over my head,
  • And my bones are shaken with pain,
  • For into a shallow grave they are thrust,
  • Only a yard beneath the street,
  • And the hoofs of the horses beat, beat,
  • The hoofs of the horses beat,
  • Beat into my scalp and my brain,
  • With never an end to the stream of passing feet,
  • Driving, hurrying, marrying, burying,
  • Clamour and rumble, and ringing and clatter,
  • And here beneath it is all as bad,
  • For I thought the dead had peace, but it is not so;
  • To have no peace in the grave, is that not sad?
  • But up and down and to and fro,
  • Ever about me the dead men go;
  • And then to hear a dead man chatter
  • Is enough to drive one mad.
  • 2.
  • Wretchedest age, since Time began,
  • They cannot even bury a man;
  • And tho' we paid our tithes in the days that are gone,
  • Not a bell was rung, not a prayer was read;
  • It is that which makes us loud in the world of the dead;
  • There is none that does his work, not one;
  • A touch of their office might have sufficed,
  • But the churchmen fain would kill their church,
  • As the churches have kill'd their Christ.
  • 3.
  • See, there is one of us sobbing,
  • No limit to his distress;
  • And another, a lord of all things, praying
  • To his own great self, as I guess;
  • And another, a statesman there, betraying
  • His party-secret, fool, to the press;
  • And yonder a vile physician, blabbing
  • The case of his patient-- all for what?
  • To tickle the maggot born in an empty head,
  • And wheedle a world that loves him not.
  • For it is but a world of the dead.
  • 4.
  • Nothing but idiot gabble!
  • For the prophecy given of old
  • And then not understood,
  • Has come to pass as foretold;
  • Not let any man think for the public good,
  • But babble, merely for babble.
  • For I never whisper'd a private affair
  • Within the hearing of cat or mouse,
  • No, not to myself in the closet alone,
  • But I heard it shouted at once from the top of the house;
  • Everything came to be known:
  • Who told _him_ we were there?
  • 5.
  • Not that gray old wolf, for he came not back
  • From the wilderness, full of wolves, where he used to lie;
  • He has gather'd the bones for his o'ergrown whelp to crack;
  • Crack them now for yourself, and howl, and die.
  • 6.
  • Prophet, curse me the blabbing lip,
  • And curse me the British vermin, the rat;
  • I know not whether he came in the Hanover ship,
  • But I know that he lies and listens mute
  • In an ancient mansion's crannies and holes:
  • Arsenic, arsenic, sure, would do it.
  • Except that now we poison our babes, poor souls!
  • It is all used up for that.
  • 7.
  • Tell him now: she is standing here at my head;
  • Not beautiful now, not even kind;
  • He may take her now; for she never speaks her mind,
  • But is ever the one thing silent here.
  • She is not of us, as I divine;
  • She comes from another stiller world of the dead,
  • Stiller, not fairer than mine.
  • 8.
  • But I know where a garden grows,
  • Fairer than aught in the world beside,
  • All made up of the lily and rose
  • That blow by night, when the season is good,
  • To the sound of dancing music and flutes:
  • It is only flowers, they had no fruits,
  • And I almost fear they are not roses, but blood;
  • For the keeper was one, so full of pride,
  • He linkt a dead man there to a spectral bride;
  • For he, if he had not been a Sultan of brutes,
  • Would he have that hole in his side?
  • 9.
  • But what will the old man say?
  • He laid a cruel snare in a pit
  • To catch a friend of mine one stormy day;
  • Yet now I could even weep to think of it;
  • For what will the old man say
  • When he comes to the second corpse in the pit?
  • 10.
  • Friend, to be struck by the public foe,
  • Then to strike him and lay him low,
  • That were a public merit, far,
  • Whatever the Quaker holds, from sin;
  • But the red life spilt for a private blow--
  • I swear to you, lawful and lawless war
  • Are scarcely even akin.
  • 11.
  • O me, why have they not buried me deep enough?
  • Is it kind to have made me a grave so rough,
  • Me, that was never a quiet sleeper?
  • Maybe still I am but half-dead;
  • Then I cannot be wholly dumb;
  • I will cry to the steps above my head,
  • And somebody, surely, some kind heart will come
  • To bury me, bury me
  • Deeper, ever so little deeper.
  • VI.
  • 1.
  • My life has crept so long on a broken wing
  • Thro' cells of madness, haunts of horror and fear,
  • That I come to be grateful at last for a little thing:
  • My mood is changed, for it fell at a time of year
  • When the face of night is fair on the dewy downs,
  • And the shining daffodil dies, and the Charioteer
  • And starry Gemini hang like glorious crowns
  • Over Orion's grave low down in the west,
  • That like a silent lightning under the stars
  • She seem'd to divide in a dream from a band of the blest,
  • And spoke of a hope for the world in the coming wars--
  • 'And in that hope, dear soul, let trouble have rest.
  • Knowing I tarry for thee,' and pointed to Mars
  • As he glow'd like a ruddy shield on the Lion's breast.
  • 2.
  • And it was but a dream, yet it yielded a dear delight
  • To have look'd, tho' but in a dream, upon eyes so fair,
  • That had been in a weary world my one thing bright;
  • And it was but a dream, yet it lightened my despair
  • When I thought that a war would arise in defence of the right,
  • That an iron tyranny now should bend or cease,
  • The, glory of manhood stand on his ancient height,
  • Nor Britain's one sole God be the millionnaire:
  • No more shall commerce be all in all, and Peace
  • Pipe on her pastoral hillock a languid note,
  • And watch her harvest ripen, her herd increase,
  • Nor the cannon-bullet rust on a slothful shore,
  • And the cobweb woven across the cannon's throat
  • Shall shake its threaded tears in the wind no more.
  • 3.
  • And as months ran on and rumour of battle grew,
  • 'It is time, it is time, O passionate heart,' said I
  • (For I cleaved to a cause that I felt to be pure and true),
  • 'It is time, O passionate heart and morbid eye,
  • That old hysterical mock-disease should die.'
  • And I stood on a giant deck and mix'd my breath
  • With a loyal people shouting a battle cry,
  • Till I saw the dreary phantom arise and fly
  • Far into the North, and battle, and seas of death.
  • 4.
  • Let it go or stay, so I wake to the higher aims
  • Of a land that has lost for a little her lust of gold,
  • And love of a peace that was full of wrongs and shames,
  • Horrible, hateful, monstrous, not to be told;
  • And hail once more to the banner of battle unroll'd!
  • Tho' many a light shall darken, and many shall weep
  • For those that are crush'd in the clash of jarring claims,
  • Yet God's just wrath shall be wreak'd on a giant liar;
  • And many a darkness into the light shall leap,
  • And shine in the sudden making of splendid names,
  • And noble thought be freer under the sun,
  • And the heart of a people beat with one desire;
  • For the peace, that I deem'd no peace, is over and done,
  • And now by the side of the Black and the Baltic deep,
  • And deathful-grinning mouths of the fortress, flames
  • The blood-red blossom of war with a heart of fire.
  • 5.
  • Let it flame or fade, and the war roll down like a wind,
  • We have proved we have hearts in a cause, we are noble still,
  • And myself have awaked, as it seems, to the better mind;
  • It is better to fight for the good, than to rail at the ill;
  • I have felt with my native land, I am one with my kind,
  • I embrace the purpose of God, and the doom assign'd.
  • THE BROOK;
  • AN IDYL.
  • 'Here, by this brook, we parted; I to the East
  • And he for Italy--too late--too late:
  • One whom the strong sons of the world despise;
  • For lucky rhymes to him were scrip and share,
  • And mellow metres more than cent for cent;
  • Nor could he understand how money breeds,
  • Thought it a dead thing; yet himself could make
  • The thing that is not as the thing that is.
  • O had he lived! In our schoolbooks we say,
  • Of those that held their heads above the crowd,
  • They flourish'd then or then; but life in him
  • Could scarce be said to flourish, only touched
  • On such a time as goes before the leaf,
  • When all the wood stands in a mist of green,
  • And nothing perfect: yet the brook he loved,
  • For which, in branding summers of Bengal,
  • Or ev'n the sweet half-English Neilgherry air,
  • I panted, seems, as I re-listen to it,
  • Prattling the primrose fancies of the boy,
  • To me that loved him; for "O brook," he says,
  • "O babbling brook," says Edmund in his rhyme,
  • "Whence come you?" and the brook, why not? replies.
  • I come from haunts of coot and hern,
  • I make a sudden sally
  • And sparkle out among the fern,
  • To bicker down a valley.
  • By thirty hills I hurry down,
  • Or slip between the ridges,
  • By twenty thorps, a little town,
  • And half a hundred bridges.
  • Till last by Philip's farm I flow
  • To join the brimming river,
  • For men may come and men may go,
  • But I go on for ever.
  • 'Poor lad, he died at Florence, quite worn out,
  • Travelling to Naples. There is Darnley bridge.
  • It has more ivy; there the river; and there
  • Stands Philip's farm where brook and river meet.
  • I chatter over stony ways,
  • In little sharps and trebles,
  • I bubble into eddying bays,
  • I babble on the pebbles.
  • With many a curve my banks I fret
  • By many a field and fallow.
  • And many a fairy foreland set
  • With willow-weed and mallow.
  • I chatter, chatter, as I flow
  • To join the brimming river,
  • For men may come and men may go,
  • But I go on for ever.
  • 'But Philip chatter'd more than brook or bird;
  • Old Philip; all about the fields you caught
  • His weary daylong chirping, like the dry
  • High-elbow'd grigs that leap in summer grass.
  • I wind about, and in and out,
  • With here a blossom sailing,
  • And here and there a lusty trout,
  • And here and there a grayling,
  • And here and there a foamy flake
  • Upon me, as I travel
  • With many a silvery waterbreak
  • Above the golden gravel,
  • And draw them all along, and flow
  • To join the brimming river,
  • For men may come and men may go,
  • But I go on for ever.
  • 'O darling Katie Willows, his one child!
  • A maiden of our century, yet most meek;
  • A daughter of our meadows, yet not coarse;
  • Straight, but as lissome as a hazel wand;
  • Her eyes a bashful azure, and her hair
  • In gloss and hue the chestnut, when the shell
  • Divides threefold to show the fruit within.
  • 'Sweet Katie, once I did her a good turn,
  • Her and her far-off cousin and betrothed,
  • James Willows, of one name and heart with her.
  • For here I came, twenty years back--the week
  • Before I parted with poor Edmund; crost
  • By that old bridge which, half in ruins then,
  • Still makes a hoary eyebrow for the gleam
  • Beyond it, where the waters marry--crost,
  • Whistling a random bar of Bonny Doon,
  • And push'd at Philip's garden-gate. The gate,
  • Half-parted from a weak and scolding hinge,
  • Stuck; and he clamour'd from a casement, "run"
  • To Katie somewhere in the walks below,
  • "Run, Katie!" Katie never ran: she moved
  • To meet me, winding under woodbine bowers,
  • A little fluttered, with her eyelids down,
  • Fresh apple-blossom, blushing for a boon.
  • 'What was it? less of sentiment than sense
  • Had Katie; not illiterate; nor of those
  • Who dabbling in the fount of fictive tears,
  • And nursed by mealy-mouth'd philanthropies,
  • Divorce the Feeling from her mate the Deed.
  • 'She told me. She and James had quarrell'd. Why?
  • What cause of quarrel? None, she said, no cause;
  • James had no cause: but when I prest the cause,
  • I learnt that James had flickering jealousies
  • Which anger'd her. Who anger'd James? I said.
  • But Katie snatch'd her eyes at once from mine,
  • And sketching with her slender pointed foot
  • Some figure like a wizard's pentagram
  • On garden gravel, let my query pass
  • Unclaim'd, in flushing silence, till I ask'd
  • If James were coming. "Coming every day,"
  • She answered, "ever longing to explain,
  • But evermore her father came across
  • With some long-winded tale, and broke him short;
  • And James departed vext with him and her."
  • How could I help her? "Would I--was it wrong?"
  • (Claspt hands and that petitionary grace
  • Of sweet seventeen subdued me ere she spoke)
  • "O would I take her father for one hour,
  • For one half-hour, and let him talk to me!"
  • And even while she spoke, I saw where James
  • Made toward us, like a wader in the surf,
  • Beyond the brook, waist-deep in meadow-sweet.
  • 'O Katie, what I suffered for your sake!
  • For in I went, and call'd old Philip out
  • To show the farm: full willingly he rose:
  • He led me thro' the short sweet-smelling lanes
  • Of his wheat-suburb, babbling as he went.
  • He praised his land, his horses, his machines;
  • He praised his ploughs, his cows, his hogs, his dogs;
  • He praised his hens, his geese, his guinea-hens;
  • His pigeons, who in session on their roofs
  • Approved him, bowing at their own deserts:
  • Then from the plaintive mother's teat he took
  • Her blind and shuddering puppies, naming each.
  • And naming those, his friends, for whom they were:
  • Then crost the common into Darnley chase
  • To show Sir Arthur's deer. In copse and fern
  • Twinkled the innumerable ear and tail.
  • Then, seated on a serpent-rooted beech,
  • He pointed out a pasturing colt, and said:
  • 'That was the four-year-old I sold the Squire.'
  • And there he told a long long-winded tale
  • Of how the Squire had seen the colt at grass,
  • And how it was the thing his daughter wish'd,
  • And how he sent the bailiff to the farm
  • To learn the price, and what the price he ask'd,
  • And how the bailiff swore that he was mad,
  • But he stood firm; and so the matter hung;
  • He gave them line: and five days after that
  • He met the bailiff at the Golden Fleece,
  • Who then and there had offer'd something more,
  • But he stood firm; and so the matter hung;
  • He knew the man; the colt would fetch its price;
  • He gave them line: and how by chance at last
  • (It might be May or April, he forgot,
  • The last of April or the first of May)
  • He found the bailiff riding by the farm,
  • And, talking from the point, he drew him in,
  • And there he mellow'd all his heart with ale,
  • Until they closed a bargain, hand in hand.
  • 'Then, while I breathed in sight of haven, he,
  • Poor fellow, could he help it? Recommenced,
  • And ran thro' all the coltish chronicle,
  • Wild Will, Black Bess, Tantivy, Tallyho,
  • Reform, White Rose, Bellerophon, the Jilt,
  • Arbaces, and Phenomenon, and the rest,
  • Till, not to die a listener, I arose,
  • And with me Philip, talking still; and so
  • We turn'd our foreheads from the falling sun,
  • And following our own shadows thrice as long
  • As when they follow'd us from Philip's door,
  • Arrived, and found the sun of sweet content
  • Re-risen in Katie's eyes, and all things well.
  • I steal by lawns and grassy plots,
  • I slide by hazel covers;
  • I move the sweet forget-me-nots
  • That grow for happy lovers.
  • I slip, I slide, I gloom, I glance.
  • Among my skimming swallows;
  • I make the netted sunbeam dance
  • Against my sandy shallows.
  • I murmur under moon and stars
  • In brambly wildernesses;
  • I linger by my shingly bars;
  • I loiter round my cresses;
  • And out again I curve and flow
  • To join the brimming river,
  • For men may come and men may go,
  • But I go on for ever.
  • Yes, men may come and go; and these are gone,
  • All gone. My dearest brother, Edmund, sleeps,
  • Not by the well-known stream and rustic spire,
  • But unfamiliar Arno, and the dome
  • Of Brunelleschi; sleeps in peace: and he,
  • Poor Philip, of all his lavish waste of words
  • Remains the lean P. W. on his tomb:
  • I scraped the lichen from it: Katie walks
  • By the long wash of Australasian seas
  • Far off, and holds her head to other stars,
  • And breathes in converse seasons. All are gone.'
  • So Lawrence Aylmer, seated on a style
  • In the long hedge, and rolling in his mind
  • Old waifs of rhyme, and bowing o'er the brook
  • A tonsured head in middle age forlorn,
  • Mused, and was mute. On a sudden a low breath
  • Of tender air made tremble in the hedge
  • The fragile bindweed-bells and briony rings;
  • And he look'd up. There stood a maiden near,
  • Waiting to pass. In much amaze he stared
  • On eyes a bashful azure, and on hair
  • In gloss and hue the chestnut, when the shell
  • Divides threefold to show the fruit within:
  • Then, wondering, ask'd her 'Are you from the farm?'
  • 'Yes' answer'd she. 'Pray stay a little: pardon me;
  • What do they call you?' 'Katie.' 'That were strange.
  • What surname? 'Willows.' 'No!' 'That is my name.'
  • 'Indeed!' and here he look'd so self-perplext,
  • That Katie laugh'd, and laughing blush'd, till he
  • Laugh'd also, but as one before he wakes,
  • Who feels a glimmering strangeness in his dream.
  • Then looking at her; 'Too happy, fresh and fair,
  • Too fresh and fair in our sad world's best bloom,
  • To be the ghost of one who bore your name
  • About these meadows, twenty years ago.'
  • 'Have you not heard?' said Katie, 'we came back.
  • We bought the farm we tenanted before.
  • Am I so like her? so they said on board.
  • Sir, if you knew her in her English days,
  • My mother, as it seems you did, the days
  • That most she loves to talk of, come with me.
  • My brother James is in the harvest-field:
  • But she--you will be welcome--O, come in!'
  • THE LETTERS.
  • 1.
  • Still on the tower stood the vane,
  • A black yew gloom'd the stagnant air,
  • I peer'd athwart the chancel pane
  • And saw the altar cold and bare.
  • A clog of lead was round my feet,
  • A band of pain across my brow;
  • 'Cold altar, Heaven and earth shall meet
  • Before you hear my marriage vow.'
  • 2.
  • I turn'd and humm'd a bitter song
  • That mock'd the wholesome human heart,
  • And then we met in wrath and wrong,
  • We met, but only meant to part.
  • Full cold my greeting was and dry;
  • She faintly smiled, she hardly moved;
  • I saw with half-unconscious eye
  • She wore the colours I approved.
  • 3.
  • She took the little ivory chest,
  • With half a sigh she turn'd the key,
  • Then raised her head with lips comprest,
  • And gave my letters back to me.
  • And gave the trinkets and the rings,
  • My gifts, when gifts of mine could please;
  • As looks a father on the things
  • Of his dead son, I look'd on these.
  • 4.
  • She told me all her friends had said;
  • I raged against the public liar;
  • She talk'd as if her love were dead,
  • But in my words were seeds of fire.
  • 'No more of love; your sex is known:
  • I never will be twice deceived.
  • Henceforth I trust the man alone,
  • The woman cannot be believed.
  • 5.
  • 'Thro' slander, meanest spawn of Hell
  • (And women's slander is the worst),
  • And you, whom once I loved so well,
  • Thro' you, my life will be accurst.'
  • I spoke with heart, and heat and force,
  • I shook her breast with vague alarms--
  • Like torrents from a mountain source
  • We rush'd into each other's arms.
  • 6.
  • We parted: sweetly gleam'd the stars,
  • And sweet the vapour-braided blue,
  • Low breezes fann'd the belfry bars,
  • As homeward by the church I drew.
  • The very graves appear'd to smile,
  • So fresh they rose in shadow'd swells;
  • 'Dark porch,' I said, 'and silent aisle
  • There comes a sound of marriage bells.'
  • ODE
  • ON THE DEATH OF
  • THE DUKE OF WELLINGTON.
  • 1.
  • Bury the Great Duke
  • With an empire's lamentation,
  • Let us bury the Great Duke
  • To the noise of the mourning of a mighty nation,
  • Mourning when their leaders fall,
  • Warriors carry the warrior's pall,
  • And sorrow darkens hamlet and hall.
  • 2.
  • Where shall we lay the man whom we deplore?
  • Here, in streaming London's central roar.
  • Let the sound of those he wrought for,
  • And the feet of those he fought for,
  • Echo round his bones for evermore.
  • 3.
  • Lead out the pageant: sad and slow,
  • As fits an universal woe,
  • Let the long long procession go,
  • And let the sorrowing crowd about it grow,
  • And let the mournful martial music blow;
  • The last great Englishman is low.
  • 4.
  • Mourn, for to us he seems the last.
  • Remembering all his greatness in the Past.
  • No more in soldier fashion will he greet
  • With lifted hand the gazer in the street.
  • O friends, our chief state-oracle is mute:
  • Mourn for the man of long-enduring blood,
  • The statesman-warrior, moderate, resolute,
  • Whole in himself, a common good.
  • Mourn for the man of amplest influence,
  • Yet clearest of ambitious crime,
  • Our greatest yet with least pretence,
  • Great in council and great in war,
  • Foremost captain of his time,
  • Rich in saving common-sense,
  • And, as the greatest only are,
  • In his simplicity sublime.
  • O good gray head which all men knew,
  • O voice from which their omens all men drew,
  • O iron nerve to true occasion true,
  • O fall'n at length that tower of strength
  • Which stood four-square to all the winds that blew!
  • Such was he whom we deplore.
  • The long self-sacrifice of life is o'er.
  • The great World-victor's victor will be seen no more.
  • 5.
  • All is over and done:
  • Render thanks to the Giver,
  • England, for thy son.
  • Let the bell be toll'd.
  • Render thanks to the Giver,
  • And render him to the mould.
  • Under the cross of gold
  • That shines over city and river,
  • There he shall rest for ever
  • Among the wise and the bold.
  • Let the bell be toll'd:
  • And a reverent people behold
  • The towering car, the sable steeds:
  • Bright let it be with its blazon'd deeds,
  • Dark in its funeral fold.
  • Let the bell be toll'd:
  • And a deeper knell in the heart be knoll'd;
  • And the sound of the sorrowing anthem roll'd
  • Thro' the dome of the golden cross;
  • And the volleying cannon thunder his loss;
  • He knew their voices of old.
  • For many a time in many a clime
  • His captain's-ear has heard them boom
  • Bellowing victory, bellowing doom;
  • When he with those deep voices wrought,
  • Guarding realms and kings from shame;
  • With those deep voices our dead captain taught
  • The tyrant, and asserts his claim
  • In that dread sound to the great name,
  • Which he has won so pure of blame,
  • In praise and in dispraise the same,
  • A man of well-attemper'd frame,
  • O civic muse, to such a name,
  • To such a name for ages long,
  • To such a name,
  • Preserve a broad approach of fame,
  • And ever-ringing avenues of song.
  • 6.
  • Who is he that cometh, like an honour'd guest,
  • With banner and with music, with soldier and with priest,
  • With a nation weeping, and breaking on my rest?
  • Mighty seaman, this is he
  • Was great by land as thou by sea.
  • Thine island loves thee well, thou famous man,
  • The greatest sailor since our world began.
  • Now, to the roll of muffled drums,
  • To thee the greatest soldier comes;
  • For this is he
  • Was great by land as thou by sea;
  • His foes were thine; he kept us free;
  • O give him welcome, this is he,
  • Worthy of our gorgeous rites,
  • And worthy to be laid by thee;
  • For this is England's greatest son,
  • He that gain'd a hundred fights,
  • Nor ever lost an English gun;
  • This is he that far away
  • Against the myriads of Assaye
  • Clash'd with his fiery few and won;
  • And underneath another sun,
  • Warring on a later day,
  • Round affrighted Lisbon drew
  • The treble works, the vast designs
  • Of his labour'd rampart-lines,
  • Where he greatly stood at bay,
  • Whence he issued forth anew,
  • And ever great and greater grew,
  • Beating from the wasted vines
  • Back to France her banded swarms,
  • Back to France with countless blows,
  • Till o'er the hills her eagles flew
  • Past the Pyrenean pines,
  • Follow'd up in valley and glen
  • With blare of bugle, clamour of men,
  • Roll of cannon and dash of arms,
  • And England pouring on her foes.
  • Such a war had such a close.
  • Again their ravening eagle rose
  • In anger, wheel'd on Europe-shadowing wings,
  • And barking for the thrones of kings;
  • Till one that sought but Duty's iron crown
  • On that loud sabbath shook the spoiler down;
  • A day of onsets of despair!
  • Dash'd on every rocky square
  • Their surging charges foam'd themselves away;
  • Last, the Prussian trumpet blew;
  • Thro' the long-tormented air
  • Heaven flash'd a sudden jubilant ray,
  • And down we swept and charged and overthrew.
  • So great a soldier taught us there,
  • What long-enduring hearts could do
  • In that world's-earthquake, Waterloo!
  • Mighty seaman, tender and true,
  • And pure as he from taint of craven guile,
  • O saviour of the silver-coasted isle,
  • O shaker of the Baltic and the Nile,
  • If aught of things that here befall
  • Touch a spirit among things divine,
  • If love of country move thee there at all,
  • Be glad, because his bones are laid by thine!
  • And thro' the centuries let a people's voice
  • In full acclaim,
  • A people's voice,
  • The proof and echo of all human fame,
  • A people's voice, when they rejoice
  • At civic revel and pomp and game,
  • Attest their great commander's claim
  • With honour, honour, honour, honour to him,
  • Eternal honour to his name.
  • 7.
  • A people's voice! we are a people yet.
  • Tho' all men else their nobler dreams forget
  • Confused by brainless mobs and lawless Powers;
  • Thank Him who isled us here, and roughly set
  • His Saxon in blown seas and storming showers,
  • We have a voice, with which to pay the debt
  • Of boundless love and reverence and regret
  • To those great men who fought, and kept it ours.
  • And keep it ours, O God, from brute control;
  • O Statesmen, guard us, guard the eye, the soul
  • Of Europe, keep our noble England whole,
  • And save the one true seed of freedom sown
  • Betwixt a people and their ancient throne,
  • That sober freedom out of which there springs
  • Our loyal passion for our temperate kings;
  • For, saving that, ye help to save mankind
  • Till public wrong be crumbled into dust,
  • And drill the raw world for the march of mind,
  • Till crowds at length be sane and crowns be just.
  • But wink no more in slothful overtrust.
  • Remember him who led your hosts;
  • He bad you guard the sacred coasts.
  • Your cannons moulder on the seaward wall;
  • His voice is silent in your council-hall
  • For ever; and whatever tempests lour
  • For ever silent; even if they broke
  • In thunder, silent; yet remember all
  • He spoke among you, and the Man who spoke;
  • Who never sold the truth to serve the hour,
  • Nor palter'd with Eternal God for power;
  • Who let the turbid streams of rumour flow
  • Thro' either babbling world of high and low;
  • Whose life was work, whose language rife
  • With rugged maxims hewn from life;
  • Who never spoke against a foe;
  • Whose eighty winters freeze with one rebuke
  • All great self-seekers trampling on the right:
  • Truth-teller was our England's Alfred named;
  • Truth-lover was our English Duke;
  • Whatever record leap to light
  • He never shall be shamed.
  • 8.
  • Lo, the leader in these glorious wars
  • Now to glorious burial slowly borne,
  • Followed by the brave of other lands,
  • He, on whom from both her open hands
  • Lavish Honour showered all her stars,
  • And affluent Fortune emptied all her horn.
  • Yea, let all good things await
  • Him who cares not to be great,
  • But as he saves or serves the state.
  • Not once or twice in our rough island-story,
  • The path of duty was the way to glory:
  • He that walks it, only thirsting
  • For the right, and learns to deaden
  • Love of self, before his journey closes,
  • He shall find the stubborn thistle bursting
  • Into glossy purples, which outredden
  • All voluptuous garden-roses.
  • Not once or twice in our fair island-story,
  • The path of duty was the way to glory:
  • He, that ever following her commands,
  • On with toil of heart and knees and hands,
  • Thro' the long gorge to the far light has won
  • His path upward, and prevail'd,
  • Shall find the toppling crags of Duty scaled
  • Are close upon the shining table-lands
  • To which our God Himself is moon and sun.
  • Such was he: his work is done.
  • But while the races of mankind endure,
  • Let his great example stand
  • Colossal, seen of every land,
  • And keep the soldier firm, the statesman pure;
  • Till in all lands and thro' all human story
  • The path of duty be the way to glory:
  • And let the land whose hearths he saved from shame
  • For many and many an age proclaim
  • At civic revel and pomp and game,
  • And when the long-illumined cities flame,
  • Their ever-loyal iron leader's fame,
  • With honour, honour, honour, honour to him.
  • Eternal honour to his name.
  • 9.
  • Peace, his triumph will be sung
  • By some yet unmoulded tongue
  • Far on in summers that we shall not see:
  • Peace, it is a day of pain
  • For one about whose patriarchal knee
  • Late the little children clung:
  • O peace, it is a day of pain
  • For one, upon whose hand and heart and brain
  • Once the weight and fate of Europe hung.
  • Ours the pain, be his the gain!
  • More than is of man's degree
  • Must be with us, watching here
  • At this, our great solemnity.
  • Whom we see not we revere,
  • We revere, and we refrain
  • From talk of battles loud and vain,
  • And brawling memories all too free
  • For such a wise humility
  • As befits a solemn fane:
  • We revere, and while we hear
  • The tides of Music's golden sea
  • Setting toward eternity,
  • Uplifted high in heart and hope are we,
  • Until we doubt not that for one so true
  • There must be other nobler work to do
  • Than when he fought at Waterloo,
  • And Victor he must ever be.
  • For tho' the Giant Ages heave the hill
  • And break the shore, and evermore
  • Make and break, and work their will;
  • Tho' world on world in myriad myriads roll
  • Round us, each with different powers,
  • And other forms of life than ours,
  • What know we greater than the soul?
  • On God and Godlike men we build our trust.
  • Hush, the Dead March wails in the people's ears:
  • The dark crowd moves, and there are sobs and tears:
  • The black earth yawns: the mortal disappears;
  • Ashes to ashes, dust to dust;
  • He is gone who seem'd so great.--
  • Gone; but nothing can bereave him
  • Of the force he made his own
  • Being here, and we believe him
  • Something far advanced in State,
  • And that he wears a truer crown
  • Than any wreath that man can weave him.
  • But speak no more of his renown,
  • Lay your earthly fancies down,
  • And in the vast cathedral leave him.
  • God accept him, Christ receive him.
  • 1862.
  • THE DAISY.
  • WRITTEN AT EDINBURGH.
  • O LOVE, what hours were thine and mine,
  • In lands of palm and southern pine;
  • In lands of palm, of orange-blossom,
  • Of olive, aloe, and maize and vine.
  • What Roman strength Turbia show'd
  • In ruin, by the mountain road;
  • How like a gem, beneath, the city
  • Of little Monaco, basking, glow'd.
  • How richly down the rocky dell
  • The torrent vineyard streaming fell
  • To meet the sun and sunny waters,
  • That only heaved with a summer swell.
  • What slender campanili grew
  • By bays, the peacock's neck in hue;
  • Where, here and there, on sandy beaches
  • A milky-bell'd amaryllis blew.
  • How young Columbus seem'd to rove,
  • Yet present in his natal grove,
  • Now watching high on mountain cornice,
  • And steering, now, from a purple cove,
  • Now pacing mute by ocean's rim;
  • Till, in a narrow street and dim,
  • I stay'd the wheels at Cogoletto,
  • And drank, and loyally drank to him.
  • Nor knew we well what pleased us most,
  • Not the clipt palm of which they boast;
  • But distant colour, happy hamlet,
  • A moulder'd citadel on the coast,
  • Or tower, or high hill-convent, seen
  • A light amid its olives green;
  • Or olive-hoary cape in ocean;
  • Or rosy blossom in hot ravine,
  • Where oleanders flush'd the bed
  • Of silent torrents, gravel-spread;
  • And, crossing, oft we saw the glisten
  • Of ice, far up on a mountain head.
  • We loved that hall, tho' white and cold,
  • Those niched shapes of noble mould,
  • A princely people's awful princes,
  • The grave, severe Genovese of old.
  • At Florence too what golden hours,
  • In those long galleries, were ours;
  • What drives about the fresh Cascin�,
  • Or walks in Boboli's ducal bowers.
  • In bright vignettes, and each complete,
  • Of tower or duomo, sunny-sweet,
  • Or palace, how the city glitter'd,
  • Thro' cypress avenues, at our feet.
  • But when we crost the Lombard plain
  • Remember what a plague of rain;
  • Of rain at Reggio, rain at Parma;
  • At Lodi, rain, Piacenza, rain.
  • And stern and sad (so rare the smiles
  • Of sunlight) look'd the Lombard piles;
  • Porch-pillars on the lion resting,
  • And sombre, old, colonnaded aisles.
  • O Milan, O the chanting quires,
  • The giant windows' blazon'd fires,
  • The height, the space, the gloom, the glory!
  • A mount of marble, a hundred spires!
  • I climb'd the roofs at break of day;
  • Sun-smitten Alps before me lay.
  • I stood among the silent statues,
  • And statued pinnacles, mute as they.
  • How faintly-flush'd, how phantom-fair,
  • Was Monte Rosa, hanging there
  • A thousand shadowy-pencill'd valleys
  • And snowy dells in a golden air.
  • Remember how we came at last
  • To Como; shower and storm and blast
  • Had blown the lake beyond his limit,
  • And all was flooded; and how we past
  • From Como, when the light was gray,
  • And in my head, for half the day,
  • The rich Virgilian rustic measure
  • Of Lari Maxume, all the way.
  • Like ballad-burthen music, kept,
  • As on The Lariano crept
  • To that fair port below the castle
  • Of Queen Theodolind, where we slept;
  • Or hardly slept, but watch'd awake
  • A cypress in the moonlight shake.
  • The moonlight touching o'er a terrace
  • One tall Agav� above the lake.
  • What more? we took our last adieu,
  • And up the snowy Splugen drew,
  • But ere we reach'd the highest summit
  • I pluck'd a daisy, I gave it you.
  • It told of England then to me,
  • And now it tells of Italy.
  • O love, we two shall go no longer
  • To lands of summer across the sea;
  • So dear a life your arms enfold
  • Whose crying is a cry for gold:
  • Yet here to-night in this dark city,
  • When ill and weary, alone and cold,
  • I found, tho' crush'd to hard and dry,
  • This nurseling of another sky
  • Still in the little book you lent me.
  • And where you tenderly laid it by:
  • And I forgot the clouded Forth,
  • The gloom that saddens Heaven and Earth,
  • The bitter east, the misty summer
  • And gray metropolis of the North.
  • Perchance, to lull the throbs of pain,
  • Perchance, to charm a vacant brain,
  • Perchance, to dream you still beside me,
  • My fancy fled to the South again.
  • TO THE REV. F. D. MAURICE.
  • Come, when no graver cares employ,
  • God-father, come and see your boy:
  • Your presence will be sun in winter,
  • Making the little one leap for joy.
  • For, being of that honest few,
  • Who give the Fiend himself his due,
  • Should eighty-thousand college-councils
  • Thunder 'Anathema,' friend, at you;
  • Should all our churchmen foam in spite
  • At you, so careful of the right,
  • Yet one lay-hearth would give you welcome
  • (Take it and come) to the Isle of Wight;
  • Where, far from noise and smoke of town,
  • I watch the twilight falling brown
  • All round a careless-order'd garden
  • Close to the ridge of a noble down.
  • You'll have no scandal while you dine,
  • But honest talk and wholesome wine.
  • And only hear the magpie gossip
  • Garrulous under a roof of pine:
  • For groves of pine on either hand,
  • To break the blast of winter, stand;
  • And further on, the hoary Channel
  • Tumbles a breaker on chalk and sand;
  • Where, if below the milky steep
  • Some ship of battle slowly creep,
  • And on thro' zones of light and shadow
  • Glimmer away to the lonely deep,
  • We might discuss the Northern sin
  • Which made a selfish war begin;
  • Dispute the claims, arrange the chances;
  • Emperor, Ottoman, which shall win:
  • Or whether war's avenging rod
  • Shall lash all Europe into blood;
  • Till you should turn to dearer matters,
  • Dear to the man that is dear to God;
  • How best to help the slender store,
  • How mend the dwellings, of the poor;
  • How gain in life, as life advances,
  • Valour and charity more and more.
  • Come, Maurice, come: the lawn as yet
  • Is hoar with rime, or spongy-wet;
  • But when the wreath of March has blossom'd,
  • Crocus, anemone, violet,
  • Or later, pay one visit here,
  • For those are few we hold as dear;
  • Nor pay but one, but come for many,
  • Many and many a happy year.
  • January, 1854.
  • WILL.
  • 1.
  • O well for him whose will is strong!
  • He suffers, but he will not suffer long;
  • He suffers, but he cannot suffer wrong:
  • For him nor moves the loud world's random mock,
  • Nor all Calamity's hugest waves confound,
  • Who seems a promontory of rock,
  • That, compass'd round with turbulent sound,
  • In middle ocean meets the surging shock,
  • Tempest-buffeted, citadel-crown'd.
  • 2.
  • But ill for him who, bettering not with time,
  • Corrupts the strength of heaven-descended Will,
  • And ever weaker grows thro' acted crime,
  • Or seeming-genial venial fault,
  • Recurring and suggesting still!
  • He seems as one whose footsteps halt,
  • Toiling in immeasurable sand,
  • And o'er a weary sultry land,
  • Far beneath a blazing vault,
  • Sown in a wrinkle of the monstrous hill,
  • The city sparkles like a grain of salt.
  • THE
  • CHARGE OF THE LIGHT BRIGADE
  • 1.
  • Half a league, half a league,
  • Half a league onward,
  • All in the valley of Death
  • Rode the six hundred.
  • "Forward, the Light Brigade!
  • "Charge for the guns!" he said:
  • Into the valley of Death
  • Rode the six hundred.
  • 2.
  • "Forward, the Light Brigade!"
  • Was there a man dismay'd?
  • Not tho' the soldier knew
  • Some one had blunder' d:
  • Their's not to make reply,
  • Their's not to reason why,
  • Their's but to do and die,
  • Into the valley of Death
  • Rode the six hundred.
  • 3.
  • Cannon to right of them,
  • Cannon to left of them,
  • Cannon in front of them
  • Volley'd and thunder'd;
  • Storm'd at with shot and shell,
  • Boldly they rode and well,
  • Into the jaws of Death,
  • Into the mouth of Hell
  • Rode the six hundred.
  • 4.
  • Flash'd all their sabres bare,
  • Flash'd as they turn'd in air,
  • Sabring the gunners there,
  • Charging an army, while
  • All the world wonder'd:
  • Plunged in the battery-smoke
  • Right thro' the line they broke;
  • Cossack and Russian
  • Reel'd from the sabre-stroke
  • Shatter'd and sunder'd.
  • Then they rode back, but not
  • Not the six hundred.
  • 5.
  • Cannon to right of them,
  • Cannon to left of them,
  • Cannon behind them
  • Volley'd and thunder'd;
  • Storm'd at with shot and shell,
  • While horse and hero fell,
  • They that had fought so well
  • Came thro' the jaws of Death
  • Back from the mouth of Hell,
  • All that was left of them,
  • Left of six hundred.
  • 6.
  • When can their glory fade?
  • O the wild charge they made!
  • All the world wonder'd.
  • Honour the charge they made!
  • Honour the Light Brigade,
  • Noble six hundred!
  • BRADBURY AND EVANS, PRINTERS, WHITEFRIARS.
  • End of Project Gutenberg's Maud, and Other Poems, by Alfred Tennyson
  • *** END OF THIS PROJECT GUTENBERG EBOOK MAUD, AND OTHER POEMS ***
  • ***** This file should be named 56913-0.txt or 56913-0.zip *****
  • This and all associated files of various formats will be found in:
  • http://www.gutenberg.org/5/6/9/1/56913/
  • Updated editions will replace the previous one--the old editions will
  • be renamed.
  • Creating the works from print editions not protected by U.S. copyright
  • law means that no one owns a United States copyright in these works,
  • so the Foundation (and you!) can copy and distribute it in the United
  • States without permission and without paying copyright
  • royalties. Special rules, set forth in the General Terms of Use part
  • of this license, apply to copying and distributing Project
  • Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
  • concept and trademark. Project Gutenberg is a registered trademark,
  • and may not be used if you charge for the eBooks, unless you receive
  • specific permission. If you do not charge anything for copies of this
  • eBook, complying with the rules is very easy. You may use this eBook
  • for nearly any purpose such as creation of derivative works, reports,
  • performances and research. They may be modified and printed and given
  • away--you may do practically ANYTHING in the United States with eBooks
  • not protected by U.S. copyright law. Redistribution is subject to the
  • trademark license, especially commercial redistribution.
  • START: FULL LICENSE
  • THE FULL PROJECT GUTENBERG LICENSE
  • PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
  • To protect the Project Gutenberg-tm mission of promoting the free
  • distribution of electronic works, by using or distributing this work
  • (or any other work associated in any way with the phrase "Project
  • Gutenberg"), you agree to comply with all the terms of the Full
  • Project Gutenberg-tm License available with this file or online at
  • www.gutenberg.org/license.
  • Section 1. General Terms of Use and Redistributing Project
  • Gutenberg-tm electronic works
  • 1.A. By reading or using any part of this Project Gutenberg-tm
  • electronic work, you indicate that you have read, understand, agree to
  • and accept all the terms of this license and intellectual property
  • (trademark/copyright) agreement. If you do not agree to abide by all
  • the terms of this agreement, you must cease using and return or
  • destroy all copies of Project Gutenberg-tm electronic works in your
  • possession. If you paid a fee for obtaining a copy of or access to a
  • Project Gutenberg-tm electronic work and you do not agree to be bound
  • by the terms of this agreement, you may obtain a refund from the
  • person or entity to whom you paid the fee as set forth in paragraph
  • 1.E.8.
  • 1.B. "Project Gutenberg" is a registered trademark. It may only be
  • used on or associated in any way with an electronic work by people who
  • agree to be bound by the terms of this agreement. There are a few
  • things that you can do with most Project Gutenberg-tm electronic works
  • even without complying with the full terms of this agreement. See
  • paragraph 1.C below. There are a lot of things you can do with Project
  • Gutenberg-tm electronic works if you follow the terms of this
  • agreement and help preserve free future access to Project Gutenberg-tm
  • electronic works. See paragraph 1.E below.
  • 1.C. The Project Gutenberg Literary Archive Foundation ("the
  • Foundation" or PGLAF), owns a compilation copyright in the collection
  • of Project Gutenberg-tm electronic works. Nearly all the individual
  • works in the collection are in the public domain in the United
  • States. If an individual work is unprotected by copyright law in the
  • United States and you are located in the United States, we do not
  • claim a right to prevent you from copying, distributing, performing,
  • displaying or creating derivative works based on the work as long as
  • all references to Project Gutenberg are removed. Of course, we hope
  • that you will support the Project Gutenberg-tm mission of promoting
  • free access to electronic works by freely sharing Project Gutenberg-tm
  • works in compliance with the terms of this agreement for keeping the
  • Project Gutenberg-tm name associated with the work. You can easily
  • comply with the terms of this agreement by keeping this work in the
  • same format with its attached full Project Gutenberg-tm License when
  • you share it without charge with others.
  • 1.D. The copyright laws of the place where you are located also govern
  • what you can do with this work. Copyright laws in most countries are
  • in a constant state of change. If you are outside the United States,
  • check the laws of your country in addition to the terms of this
  • agreement before downloading, copying, displaying, performing,
  • distributing or creating derivative works based on this work or any
  • other Project Gutenberg-tm work. The Foundation makes no
  • representations concerning the copyright status of any work in any
  • country outside the United States.
  • 1.E. Unless you have removed all references to Project Gutenberg:
  • 1.E.1. The following sentence, with active links to, or other
  • immediate access to, the full Project Gutenberg-tm License must appear
  • prominently whenever any copy of a Project Gutenberg-tm work (any work
  • on which the phrase "Project Gutenberg" appears, or with which the
  • phrase "Project Gutenberg" is associated) is accessed, displayed,
  • performed, viewed, copied or distributed:
  • This eBook is for the use of anyone anywhere in the United States and
  • most other parts of the world at no cost and with almost no
  • restrictions whatsoever. You may copy it, give it away or re-use it
  • under the terms of the Project Gutenberg License included with this
  • eBook or online at www.gutenberg.org. If you are not located in the
  • United States, you'll have to check the laws of the country where you
  • are located before using this ebook.
  • 1.E.2. If an individual Project Gutenberg-tm electronic work is
  • derived from texts not protected by U.S. copyright law (does not
  • contain a notice indicating that it is posted with permission of the
  • copyright holder), the work can be copied and distributed to anyone in
  • the United States without paying any fees or charges. If you are
  • redistributing or providing access to a work with the phrase "Project
  • Gutenberg" associated with or appearing on the work, you must comply
  • either with the requirements of paragraphs 1.E.1 through 1.E.7 or
  • obtain permission for the use of the work and the Project Gutenberg-tm
  • trademark as set forth in paragraphs 1.E.8 or 1.E.9.
  • 1.E.3. If an individual Project Gutenberg-tm electronic work is posted
  • with the permission of the copyright holder, your use and distribution
  • must comply with both paragraphs 1.E.1 through 1.E.7 and any
  • additional terms imposed by the copyright holder. Additional terms
  • will be linked to the Project Gutenberg-tm License for all works
  • posted with the permission of the copyright holder found at the
  • beginning of this work.
  • 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
  • License terms from this work, or any files containing a part of this
  • work or any other work associated with Project Gutenberg-tm.
  • 1.E.5. Do not copy, display, perform, distribute or redistribute this
  • electronic work, or any part of this electronic work, without
  • prominently displaying the sentence set forth in paragraph 1.E.1 with
  • active links or immediate access to the full terms of the Project
  • Gutenberg-tm License.
  • 1.E.6. You may convert to and distribute this work in any binary,
  • compressed, marked up, nonproprietary or proprietary form, including
  • any word processing or hypertext form. However, if you provide access
  • to or distribute copies of a Project Gutenberg-tm work in a format
  • other than "Plain Vanilla ASCII" or other format used in the official
  • version posted on the official Project Gutenberg-tm web site
  • (www.gutenberg.org), you must, at no additional cost, fee or expense
  • to the user, provide a copy, a means of exporting a copy, or a means
  • of obtaining a copy upon request, of the work in its original "Plain
  • Vanilla ASCII" or other form. Any alternate format must include the
  • full Project Gutenberg-tm License as specified in paragraph 1.E.1.
  • 1.E.7. Do not charge a fee for access to, viewing, displaying,
  • performing, copying or distributing any Project Gutenberg-tm works
  • unless you comply with paragraph 1.E.8 or 1.E.9.
  • 1.E.8. You may charge a reasonable fee for copies of or providing
  • access to or distributing Project Gutenberg-tm electronic works
  • provided that
  • * You pay a royalty fee of 20% of the gross profits you derive from
  • the use of Project Gutenberg-tm works calculated using the method
  • you already use to calculate your applicable taxes. The fee is owed
  • to the owner of the Project Gutenberg-tm trademark, but he has
  • agreed to donate royalties under this paragraph to the Project
  • Gutenberg Literary Archive Foundation. Royalty payments must be paid
  • within 60 days following each date on which you prepare (or are
  • legally required to prepare) your periodic tax returns. Royalty
  • payments should be clearly marked as such and sent to the Project
  • Gutenberg Literary Archive Foundation at the address specified in
  • Section 4, "Information about donations to the Project Gutenberg
  • Literary Archive Foundation."
  • * You provide a full refund of any money paid by a user who notifies
  • you in writing (or by e-mail) within 30 days of receipt that s/he
  • does not agree to the terms of the full Project Gutenberg-tm
  • License. You must require such a user to return or destroy all
  • copies of the works possessed in a physical medium and discontinue
  • all use of and all access to other copies of Project Gutenberg-tm
  • works.
  • * You provide, in accordance with paragraph 1.F.3, a full refund of
  • any money paid for a work or a replacement copy, if a defect in the
  • electronic work is discovered and reported to you within 90 days of
  • receipt of the work.
  • * You comply with all other terms of this agreement for free
  • distribution of Project Gutenberg-tm works.
  • 1.E.9. If you wish to charge a fee or distribute a Project
  • Gutenberg-tm electronic work or group of works on different terms than
  • are set forth in this agreement, you must obtain permission in writing
  • from both the Project Gutenberg Literary Archive Foundation and The
  • Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
  • trademark. Contact the Foundation as set forth in Section 3 below.
  • 1.F.
  • 1.F.1. Project Gutenberg volunteers and employees expend considerable
  • effort to identify, do copyright research on, transcribe and proofread
  • works not protected by U.S. copyright law in creating the Project
  • Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
  • electronic works, and the medium on which they may be stored, may
  • contain "Defects," such as, but not limited to, incomplete, inaccurate
  • or corrupt data, transcription errors, a copyright or other
  • intellectual property infringement, a defective or damaged disk or
  • other medium, a computer virus, or computer codes that damage or
  • cannot be read by your equipment.
  • 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
  • of Replacement or Refund" described in paragraph 1.F.3, the Project
  • Gutenberg Literary Archive Foundation, the owner of the Project
  • Gutenberg-tm trademark, and any other party distributing a Project
  • Gutenberg-tm electronic work under this agreement, disclaim all
  • liability to you for damages, costs and expenses, including legal
  • fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
  • LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
  • PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
  • TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
  • LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
  • INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
  • DAMAGE.
  • 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
  • defect in this electronic work within 90 days of receiving it, you can
  • receive a refund of the money (if any) you paid for it by sending a
  • written explanation to the person you received the work from. If you
  • received the work on a physical medium, you must return the medium
  • with your written explanation. The person or entity that provided you
  • with the defective work may elect to provide a replacement copy in
  • lieu of a refund. If you received the work electronically, the person
  • or entity providing it to you may choose to give you a second
  • opportunity to receive the work electronically in lieu of a refund. If
  • the second copy is also defective, you may demand a refund in writing
  • without further opportunities to fix the problem.
  • 1.F.4. Except for the limited right of replacement or refund set forth
  • in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
  • OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
  • LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
  • 1.F.5. Some states do not allow disclaimers of certain implied
  • warranties or the exclusion or limitation of certain types of
  • damages. If any disclaimer or limitation set forth in this agreement
  • violates the law of the state applicable to this agreement, the
  • agreement shall be interpreted to make the maximum disclaimer or
  • limitation permitted by the applicable state law. The invalidity or
  • unenforceability of any provision of this agreement shall not void the
  • remaining provisions.
  • 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
  • trademark owner, any agent or employee of the Foundation, anyone
  • providing copies of Project Gutenberg-tm electronic works in
  • accordance with this agreement, and any volunteers associated with the
  • production, promotion and distribution of Project Gutenberg-tm
  • electronic works, harmless from all liability, costs and expenses,
  • including legal fees, that arise directly or indirectly from any of
  • the following which you do or cause to occur: (a) distribution of this
  • or any Project Gutenberg-tm work, (b) alteration, modification, or
  • additions or deletions to any Project Gutenberg-tm work, and (c) any
  • Defect you cause.
  • Section 2. Information about the Mission of Project Gutenberg-tm
  • Project Gutenberg-tm is synonymous with the free distribution of
  • electronic works in formats readable by the widest variety of
  • computers including obsolete, old, middle-aged and new computers. It
  • exists because of the efforts of hundreds of volunteers and donations
  • from people in all walks of life.
  • Volunteers and financial support to provide volunteers with the
  • assistance they need are critical to reaching Project Gutenberg-tm's
  • goals and ensuring that the Project Gutenberg-tm collection will
  • remain freely available for generations to come. In 2001, the Project
  • Gutenberg Literary Archive Foundation was created to provide a secure
  • and permanent future for Project Gutenberg-tm and future
  • generations. To learn more about the Project Gutenberg Literary
  • Archive Foundation and how your efforts and donations can help, see
  • Sections 3 and 4 and the Foundation information page at
  • www.gutenberg.org Section 3. Information about the Project Gutenberg
  • Literary Archive Foundation
  • The Project Gutenberg Literary Archive Foundation is a non profit
  • 501(c)(3) educational corporation organized under the laws of the
  • state of Mississippi and granted tax exempt status by the Internal
  • Revenue Service. The Foundation's EIN or federal tax identification
  • number is 64-6221541. Contributions to the Project Gutenberg Literary
  • Archive Foundation are tax deductible to the full extent permitted by
  • U.S. federal laws and your state's laws.
  • The Foundation's principal office is in Fairbanks, Alaska, with the
  • mailing address: PO Box 750175, Fairbanks, AK 99775, but its
  • volunteers and employees are scattered throughout numerous
  • locations. Its business office is located at 809 North 1500 West, Salt
  • Lake City, UT 84116, (801) 596-1887. Email contact links and up to
  • date contact information can be found at the Foundation's web site and
  • official page at www.gutenberg.org/contact
  • For additional contact information:
  • Dr. Gregory B. Newby
  • Chief Executive and Director
  • gbnewby@pglaf.org
  • Section 4. Information about Donations to the Project Gutenberg
  • Literary Archive Foundation
  • Project Gutenberg-tm depends upon and cannot survive without wide
  • spread public support and donations to carry out its mission of
  • increasing the number of public domain and licensed works that can be
  • freely distributed in machine readable form accessible by the widest
  • array of equipment including outdated equipment. Many small donations
  • ($1 to $5,000) are particularly important to maintaining tax exempt
  • status with the IRS.
  • The Foundation is committed to complying with the laws regulating
  • charities and charitable donations in all 50 states of the United
  • States. Compliance requirements are not uniform and it takes a
  • considerable effort, much paperwork and many fees to meet and keep up
  • with these requirements. We do not solicit donations in locations
  • where we have not received written confirmation of compliance. To SEND
  • DONATIONS or determine the status of compliance for any particular
  • state visit www.gutenberg.org/donate
  • While we cannot and do not solicit contributions from states where we
  • have not met the solicitation requirements, we know of no prohibition
  • against accepting unsolicited donations from donors in such states who
  • approach us with offers to donate.
  • International donations are gratefully accepted, but we cannot make
  • any statements concerning tax treatment of donations received from
  • outside the United States. U.S. laws alone swamp our small staff.
  • Please check the Project Gutenberg Web pages for current donation
  • methods and addresses. Donations are accepted in a number of other
  • ways including checks, online payments and credit card donations. To
  • donate, please visit: www.gutenberg.org/donate
  • Section 5. General Information About Project Gutenberg-tm electronic works.
  • Professor Michael S. Hart was the originator of the Project
  • Gutenberg-tm concept of a library of electronic works that could be
  • freely shared with anyone. For forty years, he produced and
  • distributed Project Gutenberg-tm eBooks with only a loose network of
  • volunteer support.
  • Project Gutenberg-tm eBooks are often created from several printed
  • editions, all of which are confirmed as not protected by copyright in
  • the U.S. unless a copyright notice is included. Thus, we do not
  • necessarily keep eBooks in compliance with any particular paper
  • edition.
  • Most people start at our Web site which has the main PG search
  • facility: www.gutenberg.org
  • This Web site includes information about Project Gutenberg-tm,
  • including how to make donations to the Project Gutenberg Literary
  • Archive Foundation, how to help produce our new eBooks, and how to
  • subscribe to our email newsletter to hear about new eBooks.