Quotations.ch
  Directory : The House of Life
GUIDE SUPPORT US BLOG
  • The Project Gutenberg EBook of The House of Life, by Dante Gabriel Rossetti
  • This eBook is for the use of anyone anywhere at no cost and with
  • almost no restrictions whatsoever. You may copy it, give it away or
  • re-use it under the terms of the Project Gutenberg License included
  • with this eBook or online at www.gutenberg.net
  • Title: The House of Life
  • Author: Dante Gabriel Rossetti
  • Posting Date: April 30, 2009 [EBook #3692]
  • Release Date: January, 2003
  • First Posted: July 22, 2001
  • Language: English
  • *** START OF THIS PROJECT GUTENBERG EBOOK THE HOUSE OF LIFE ***
  • Produced by A. Elizabeth Warren
  • The House of Life
  • by
  • Dante Gabriel Rossetti
  • Part I. YOUTH AND CHANGE
  • INTRODUCTORY SONNET
  • A Sonnet is a moment's monument,--
  • Memorial from the Soul's eternity
  • To one dead deathless hour. Look that it be,
  • Whether for lustral rite or dire portent,
  • Of its own arduous fulness reverent:
  • Carve it in ivory or in ebony,
  • As Day or Night may rule; and let Time see
  • Its flowering crest impearled and orient.
  • A Sonnet is a coin: its face reveals
  • The soul,--its converse, to what Power 'tis due:--
  • Whether for tribute to the august appeals
  • Of Life, or dower in Love's high retinue,
  • It serve; or, 'mid the dark wharf's cavernous breath,
  • In Charon's palm it pay the toll to Death.
  • LOVE ENTHRONED
  • I marked all kindred Powers the heart finds fair:--
  • Truth, with awed lips; and Hope, with eyes upcast;
  • And Fame, whose loud wings fan the ashen Past
  • To signal-fires, Oblivion's flight to scare;
  • And Youth, with still some single golden hair
  • Unto his shoulder clinging, since the last
  • Embrace wherein two sweet arms held him fast;
  • And Life, still wreathing flowers for Death to wear.
  • Love's throne was not with these; but far above
  • All passionate wind of welcome and farewell
  • He sat in breathless bowers they dream not of;
  • Though Truth foreknow Love's heart, and Hope foretell,
  • And Fame be for Love's sake desirable,
  • And Youth be dear, and Life be sweet to Love.
  • BRIDAL BIRTH
  • As when desire, long darkling, dawns, and first
  • The mother looks upon the new-born child,
  • Even so my Lady stood at gaze and smiled
  • When her soul knew at length the Love it nursed.
  • Born with her life, creature of poignant thirst
  • And exquisite hunger, at her heart Love lay
  • Quickening in darkness, till a voice that day
  • Cried on him, and the bonds of birth were burst.
  • Now, shielded in his wings, our faces yearn
  • Together, as his fullgrown feet now range
  • The grove, and his warm hands our couch prepare:
  • Till to his song our bodiless souls in turn
  • Be born his children, when Death's nuptial change
  • Leaves us for light the halo of his hair.
  • REDEMPTION
  • O Thou who at Love's hour ecstatically
  • Unto my lips dost evermore present
  • The body and blood of Love in sacrament;
  • Whom I have neared and felt thy breath to be
  • The inmost incense of his sanctuary;
  • Who without speech hast owned him, and intent
  • Upon his will, thy life with mine hast blent,
  • And murmured o'er the cup, Remember me!--
  • O what from thee the grace, for me the prize,
  • And what to Love the glory,--when the whole
  • Of the deep stair thou tread'st to the dim shoal
  • And weary water of the place of sighs,
  • And there dost work deliverance, as thine eyes
  • Draw up my prisoned spirit to thy soul!
  • LOVESIGHT
  • When do I see thee most, beloved one?
  • When in the light the spirits of mine eyes
  • Before thy face, their altar, solemnize
  • The worship of that Love through thee made known?
  • Or when in the dusk hours, (we two alone,)
  • Close-kissed and eloquent of still replies
  • Thy twilight-hidden glimmering visage lies,
  • And my soul only sees thy soul its own?
  • O love, my love! if I no more should see
  • Thyself, nor on the earth the shadow of thee,
  • Nor image of thine eyes in any spring,--
  • How then should sound upon Life's darkening slope
  • The ground-whirl of the perished leaves of Hope,
  • The wind of Death's imperishable wing?
  • HEART'S HOPE
  • By what word's power, the key of paths untrod,
  • Shall I the difficult deeps of Love explore,
  • Till parted waves of Song yield up the shore
  • Even as that sea which Israel crossed dry-shod?
  • For lo! in some poor rhythmic period,
  • Lady, I fain would tell how evermore
  • Thy soul I know not from thy body, nor
  • Thee from myself, neither our love from God.
  • Yea, in God's name, and Love's, and thine, would I
  • Draw from one loving heart such evidence
  • As to all hearts all things shall signify;
  • Tender as dawn's first hill-fire, and intense
  • As instantaneous penetrating sense,
  • In Spring's birth-hour, of other Springs gone by.
  • THE KISS
  • What smouldering senses in death's sick delay
  • Or seizure of malign vicissitude
  • Can rob this body of honour, or denude
  • This soul of wedding-raiment worn to-day?
  • For lo! even now my lady's lips did play
  • With these my lips such consonant interlude
  • As laurelled Orpheus longed for when he wooed
  • The half-drawn hungering face with that last lay.
  • I was a child beneath her touch,--a man
  • When breast to breast we clung, even I and she,--
  • A spirit when her spirit looked through me,--
  • A god when all our life-breath met to fan
  • Our life-blood, till love's emulous ardours ran,
  • Fire within fire, desire in deity.*
  • *[sic]
  • NUPTIAL SLEEP
  • At length their long kiss severed, with sweet smart:
  • And as the last slow sudden drops are shed
  • From sparkling eaves when all the storm has fled,
  • So singly flagged the pulses of each heart.
  • Their bosoms sundered, with the opening start
  • Of married flowers to either side outspread
  • From the knit stem; yet still their mouths, burnt red,
  • Fawned on each other where they lay apart.
  • Sleep sank them lower than the tide of dreams,
  • And their dreams watched them sink, and slid away.
  • Slowly their souls swam up again, through gleams
  • Of watered light and dull drowned waifs of day;
  • Till from some wonder of new woods and streams
  • He woke, and wondered more: for there she lay.
  • SUPREME SURRENDER
  • O all the spirits of love that wander by
  • Along the love-sown fallowfield of sleep
  • My lady lies apparent; and the deep
  • Calls to the deep; and no man sees but I.
  • The bliss so long afar, at length so nigh,
  • Rests there attained. Methinks proud Love must weep
  • When Fate's control doth from his harvest reap
  • The sacred hour for which the years did sigh.
  • First touched, the hand now warm around my neck
  • Taught memory long to mock desire: and lo!
  • Across my breast the abandoned hair doth flow,
  • Where one shorn tress long stirred the longing ache:
  • And next the heart that trembled for its sake
  • Lies the queen-heart in sovereign overthrow.
  • LOVE'S LOVERS
  • Some ladies love the jewels in Love's zone
  • And gold-tipped darts he hath for painless play
  • In idle scornful hours he flings away;
  • And some that listen to his lure's soft tone
  • Do love to deem the silver praise their own;
  • Some prize his blindfold sight; and there be they
  • Who kissed his wings which brought him yesterday
  • And thank his wings to-day that he is flown.
  • My lady only loves the heart of Love:
  • Therefore Love's heart, my lady, hath for thee
  • His bower of unimagined flower and tree:
  • There kneels he now, and all-anhungered of
  • Thine eyes grey-lit in shadowing hair above,
  • Seals with thy mouth his immortality.
  • PASSION AND WORSHIP
  • One flame-winged brought a white-winged harp-player
  • Even where my lady and I lay all alone;
  • Saying: 'Behold, this minstrel is unknown;
  • Bid him depart, for I am minstrel here:
  • Only my strains are to Love's dear ones, dear.'
  • Then said I: 'Through thine hautboy's rapturous tone
  • Unto my lady still this harp makes moan,
  • And still she deems the cadence deep and clear.'
  • Then said my lady: 'Thou art Passion of Love,
  • And this Love's Worship: both he plights to me.
  • Thy mastering music walks the sunlit sea:
  • But where wan water trembles in the grove
  • And the wan moon is all the light thereof,
  • This harp still makes my name its voluntary.'
  • THE PORTRAIT
  • O Lord of all compassionate control,
  • O Love! let this my lady's picture glow
  • Under my hand to praise her name, and show
  • Even of her inner self the perfect whole:
  • That he who seeks her beauty's furthest goal,
  • Beyond the light that the sweet glances throw
  • And refluent wave of the sweet smile, may know
  • The very sky and sea-line of her soul.
  • Lo! it is done. Above the long lithe throat
  • The mouth's mould testifies of voice and kiss,
  • The shadowed eyes remember and foresee.
  • Her face is made her shrine. Let all men note
  • That in all years (O Love, thy gift is this!)
  • They that would look on her must come to me.
  • THE LOVE-LETTER
  • Warmed by her hand and shadowed by her hair
  • As close she leaned and poured her heart through thee,
  • Whereof the articulate throbs accompany
  • The smooth black stream that makes thy whiteness fair,--
  • Sweet fluttering sheet, even of her breath aware,--
  • Oh let thy silent song disclose to me
  • That soul wherewith her lips and eyes agree
  • Like married music in Love's answering air.
  • Fain had I watched her when, at some fond thought,
  • Her bosom to the writing closelier press'd,
  • And her breast's secrets peered into her breast;
  • When, through eyes raised an instant, her soul sought
  • My soul, and from the sudden confluence caught
  • The words that made her love the loveliest.
  • THE LOVERS' WALK
  • Sweet twining hedgeflowers wind-stirred in no wise
  • On this June day; and hand that clings in hand:--
  • Still glades; and meeting faces scarcely fann'd:--
  • An osier-odoured stream that draws the skies
  • Deep to its heart; and mirrored eyes in eyes:--
  • Fresh hourly wonder o'er the Summer land
  • Of light and cloud; and two souls softly spann'd
  • With one o'erarching heaven of smiles and sighs:--
  • Even such their path, whose bodies lean unto
  • Each other's visible sweetness amorously,--
  • Whose passionate hearts lean by Love's high decree
  • Together on his heart for ever true,
  • As the cloud-foaming firmamental blue
  • Rests on the blue line of a foamless sea.
  • ANTIPHONY
  • 'I love you, sweet: how can you ever learn
  • How much I love you?' 'You I love even so,
  • And so I learn it.' 'Sweet, you cannot know
  • How fair you are.' 'If fair enough to earn
  • Your love, so much is all my love's concern.'
  • 'My love grows hourly, sweet.' 'Mine too doth grow,
  • Yet love seemed full so many hours ago!'
  • Thus lovers speak, till kisses claim their turn.
  • Ah! happy they to whom such words as these
  • In youth have served for speech the whole day long,
  • Hour after hour, remote from the world's throng,
  • Work, contest, fame, all life's confederate pleas,--
  • What while Love breathed in sighs and silences
  • Through two blent souls one rapturous undersong.
  • YOUTH'S SPRING-TRIBUTE
  • On this sweet bank your head thrice sweet and dear
  • I lay, and spread your hair on either side,
  • And see the newborn wood flowers bashful-eyed
  • Look through the golden tresses here and there.
  • On these debateable* borders of the year
  • Spring's foot half falters; scarce she yet may know
  • The leafless blackthorn-blossom from the snow;
  • And through her bowers the wind's way still is clear.
  • But April's sun strikes down the glades to-day;
  • So shut your eyes upturned, and feel my kiss
  • Creep, as the Spring now thrills through every spray,
  • Up your warm throat to your warm lips: for this
  • Is even the hour of Love's sworn suitservice,
  • With whom cold hearts are counted castaway.
  • *[sic]
  • THE BIRTH-BOND
  • Have you not noted, in some family
  • Where two were born of a first marriage-bed,
  • How still they own their gracious bond, though fed
  • And nursed on the forgotten breast and knee?--
  • How to their father's children they shall be
  • In act and thought of one goodwill; but each
  • Shall for the other have, in silence speech,
  • And in a word complete community?
  • Even so, when first I saw you, seemed it, love,
  • That among souls allied to mine was yet
  • One nearer kindred than life hinted of.
  • O born with me somewhere that men forget,
  • And though in years of sight and sound unmet,
  • Known for my soul's birth-partner well enough!
  • A DAY OF LOVE
  • Those envied places which do know her well,
  • And are so scornful of this lonely place,
  • Even now for once are emptied of her grace:
  • Nowhere but here she is: and while Love's spell
  • From his predominant presence doth compel
  • All alien hours, an outworn populace,
  • The hours of Love fill full the echoing space
  • With sweet confederate music favourable.
  • Now many memories make solicitous
  • The delicate love-lines of her mouth, till, lit
  • With quivering fire, the words take wing from it;
  • As here between our kisses we sit thus
  • Speaking of things remembered, and so sit
  • Speechless while things forgotten call to us.
  • BEAUTY'S PAGEANT
  • What dawn-pulse at the heart of heaven, or last
  • Incarnate flower of culminating day,--
  • What marshalled marvels on the skirts of May,
  • Or song full-quired, sweet June's encomiast;
  • What glory of change by nature's hand amass'd
  • Can vie with all those moods of varying grace
  • Which o'er one loveliest woman's form and face
  • Within this hour, within this room, have pass'd?
  • Love's very vesture and elect disguise
  • Was each fine movement,--wonder new-begot
  • Of lily or swan or swan-stemmed galiot;
  • Joy to his sight who now the sadlier sighs,
  • Parted again; and sorrow yet for eyes
  • Unborn that read these words and saw her not.
  • GENIUS IN BEAUTY
  • Beauty like hers is genius. Not the call
  • Of Homer's or of Dante's heart sublime,--
  • Not Michael's hand furrowing the zones of time,--
  • Is more with compassed mysteries musical;
  • Nay, not in Spring's or Summer's sweet footfall
  • More gathered gifts exuberant Life bequeathes*
  • Than doth this sovereign face, whose love-spell breathes
  • Even from its shadowed contour on the wall.
  • As many men are poets in their youth,
  • But for one sweet-strung soul the wires prolong
  • Even through all change the indomitable song;
  • So in likewise the envenomed years, whose tooth
  • Rends shallower grace with ruin void of ruth,
  • Upon this beauty's power shall wreak no wrong.
  • *[sic]
  • SILENT NOON
  • Your hands lie open in the long fresh grass,--
  • The finger-points look through the rosy blooms:
  • Your eyes smile peace. The pasture gleams and glooms
  • 'Neath billowing skies that scatter and amass.
  • All round our nest, far as the eye can pass,
  • Are golden kingcup-fields with silver edge
  • Where the cow-parsley skirts the hawthorn-hedge.
  • 'Tis visible silence, still as the hour-glass.
  • Deep in the sun-searched growths the dragon-fly
  • Hangs like a blue thread loosened from the sky:
  • So this wing'd hour is dropt to us from above.
  • Oh! clasp we to our hearts, for deathless dower,
  • This close-companioned inarticulate hour
  • When twofold silence was the song of love.
  • GRACIOUS MOONLIGHT
  • Even as the moon grows queenlier in mid-space
  • When the sky darkens, and her cloud-rapt car
  • Thrills with intenser radiance from afar,--
  • So lambent, lady, beams thy sovereign grace
  • When the drear soul desires thee. Of that face
  • What shall be said,--which, like a governing star,
  • Gathers and garners from all things that are
  • Their silent penetrative loveliness?
  • O'er water-daisies and wild waifs of Spring,
  • There where the iris rears its gold-crowned sheaf
  • With flowering rush and sceptred arrow-leaf,
  • So have I marked Queen Dian, in bright ring
  • Of cloud above and wave below, take wing
  • And chase night's gloom, as thou the spirit's grief.
  • LOVE-SWEETNESS
  • Sweet dimness of her loosened hair's downfall
  • About thy face; her sweet hands round thy head
  • In gracious fostering union garlanded,
  • Her tremulous smiles, her glances' sweet recall
  • Of love; her murmuring sighs memorial;
  • Her mouth's culled sweetness by thy kisses shed
  • On cheeks and neck and eyelids, and so led
  • Back to her mouth which answers there for all:--
  • What sweeter than these things, except the thing
  • In lacking which all these would lose their sweet:--
  • The confident heart's still fervour: the swift beat
  • And soft subsidence of the spirit's wing,
  • Then when it feels, in cloud--girt wayfaring,
  • The breath of kindred plumes against its feet?
  • HEART'S HAVEN
  • Sometimes she is a child within mine arms,
  • Cowering beneath dark wings that love must chase,--
  • With still tears showering and averted face,
  • Inexplicably filled with faint alarms:
  • And oft from mine own spirit's hurtling harms
  • I crave the refuge of her deep embrace,--
  • Against all ills the fortified strong place
  • And sweet reserve of sovereign counter-charms.
  • And Love, our light at night and shade at noon,
  • Lulls us to rest with songs, and turns away
  • All shafts of shelterless tumultuous day.
  • Like the moon's growth, his face gleams through his tune;
  • And as soft waters warble to the moon,
  • Our answering spirits chime one roundelay.
  • LOVE'S BAUBLES
  • I stood where Love in brimming armfuls bore
  • Slight wanton flowers and foolish toys of fruit:
  • And round him ladies thronged in warm pursuit,
  • Fingered and lipped and proffered the strange store:
  • And from one hand the petal and the core
  • Savoured of sleep; and cluster and curled shoot
  • Seemed from another hand like shame's salute,--
  • Gifts that I felt my cheek was blushing for.
  • At last Love bade my Lady give the same:
  • And as I looked, the dew was light thereon;
  • And as I took them, at her touch they shone
  • With inmost heaven-hue of the heart of flame.
  • And then Love said: 'Lo! when the hand is hers,
  • Follies of love are love's true ministers.'
  • PRIDE OF YOUTH
  • Even as a child, of sorrow that we give
  • The dead, but little in his heart can find,
  • Since without need of thought to his clear mind
  • Their turn it is to die and his to live:
  • Even so the winged New Love smiles to receive
  • Along his eddying plumes the auroral wind,
  • Nor, forward glorying, casts one look behind
  • Where night-rack shrouds the Old Love fugitive.
  • There is a change in every hour's recall,
  • And the last cowslip in the fields we see
  • On the same day with the first corn-poppy.
  • Alas for hourly change! Alas for all
  • The loves that from his hand proud Youth lets fall,
  • Even as the beads of a told rosary!
  • WINGED HOURS
  • Each hour until we meet is as a bird
  • That wings from far his gradual way along
  • The rustling covert of my soul,--his song
  • Still loudlier trilled through leaves more deeply stirr'd:
  • But at the hour of meeting, a clear word
  • Is every note he sings, in Love's own tongue;
  • Yet, Love, thou know'st the sweet strain wrong,
  • Through our contending kisses oft unheard.
  • What of that hour at last, when for her sake
  • No wing may fly to me nor song may flow;
  • When, wandering round my life unleaved, I
  • The bloodied feathers scattered in the brake,
  • And think how she, far from me, with like eyes
  • Sees through the untuneful bough the wingless skies?
  • MID-RAPTURE
  • Thou lovely and beloved, thou my love;
  • Whose kiss seems still the first; whose summoning eyes,
  • Even now, as for our love-world's new sunrise,
  • Shed very dawn; whose voice, attuned above
  • All modulation of the deep-bowered dove,
  • Is like a hand laid softly on the soul;
  • Whose hand is like a sweet voice to control
  • Those worn tired brows it hath the keeping of:--
  • What word can answer to thy word,--what gaze
  • To thine, which now absorbs within its sphere
  • My worshipping face, till I am mirrored there
  • Light-circled in a heaven of deep-drawn rays?
  • What clasp, what kiss mine inmost heart can prove,
  • O lovely and beloved, O my love?
  • HEART'S COMPASS
  • Sometimes thou seem'st not as thyself alone,
  • But as the meaning of all things that are;
  • A breathless wonder, shadowing forth afar
  • Some heavenly solstice hushed and halcyon;
  • Whose unstirred lips are music's visible tone;
  • Whose eyes the sun-gate of the soul unbar,
  • Being of its furthest fires oracular;--
  • The evident heart of all life sown and mown.
  • Even such Love is; and is not thy name Love?
  • Yea, by thy hand the Love-god rends apart
  • All gathering clouds of Night's ambiguous art;
  • Flings them far down, and sets thine eyes above;
  • And simply, as some gage of flower or glove,
  • Stakes with a smile the world against thy heart.
  • SOUL-LIGHT
  • What other woman could be loved like you,
  • Or how of you should love possess his fill?
  • After the fulness of all rapture, still,--
  • As at the end of some deep avenue
  • A tender glamour of day,--there comes to view
  • Far in your eyes a yet more hungering thrill,--
  • Such fire as Love's soul-winnowing hands distil
  • Even from his inmost arc of light and dew.
  • And as the traveller triumphs with the sun,
  • Glorying in heat's mid-height, yet startide brings
  • Wonder new-born, and still fresh transport springs
  • From limpid lambent hours of day begun;--
  • Even so, through eyes and voice, your soul doth move
  • My soul with changeful light of infinite love.
  • THE MOONSTAR
  • Lady, I thank thee for thy loveliness,
  • Because my lady is more lovely still.
  • Glorying I gaze, and yield with glad goodwill
  • To thee thy tribute; by whose sweet-spun dress
  • Of delicate life Love labours to assess
  • My Lady's absolute queendom; saying, 'Lo!
  • How high this beauty is, which yet doth show
  • But as that beauty's sovereign votaress.'
  • Lady, I saw thee with her, side by side;
  • And as, when night's fair fires their queen surround,
  • An emulous star too near the moon will ride,--
  • Even so thy rays within her luminous bound
  • Were traced no more; and by the light so drown'd,
  • Lady, not thou but she was glorified.
  • LAST FIRE
  • Love, through your spirit and mine what summer eve
  • Now glows with glory of all things possess'd,
  • Since this day's sun of rapture filled the west
  • And the light sweetened as the fire took leave?
  • Awhile now softlier let your bosom heave,
  • As in Love's harbour, even that loving breast,
  • All care takes refuge while we sink to rest,
  • And mutual dreams the bygone bliss retrieve.
  • Many the days that Winter keeps in store,
  • Sunless throughout, or whose brief sun-glimpses
  • Scarce shed the heaped snow through the naked trees.
  • This day at least was Summer's paramour,
  • Sun-coloured to the imperishable core
  • With sweet well-being of love and full heart's ease.
  • HER GIFTS
  • High grace, the dower of queens; and therewithal
  • Some wood-born wonder's sweet simplicity;
  • A glance like water brimming with the sky
  • Or hyacinth-light where forest-shadows fall;
  • Such thrilling pallor of cheek as doth enthral
  • The heart; a mouth whose passionate forms imply
  • All music and all silence held thereby;
  • Deep golden locks, her sovereign coronal;
  • A round reared neck, meet column of Love's shrine
  • To cling to when the heart takes sanctuary;
  • Hands which for ever at Love's bidding be,
  • And soft-stirred feet still answering to his sign:--
  • These are her gifts, as tongue may tell them o'er.
  • Breathe low her name, my soul; for that means more.
  • EQUAL TROTH
  • Not by one measure mayst thou mete our love;
  • For how should I be loved as I love thee?--
  • I, graceless, joyless, lacking absolutely
  • All gifts that with thy queenship best behove;--
  • Thou, throned in every heart's elect alcove,
  • And crowned with garlands culled from every tree,
  • Which for no head but thine, by Love's decree,
  • All beauties and all mysteries interwove.
  • But here thine eyes and lips yield soft rebuke:--
  • 'Then only,' (say'st thou), 'could I love thee less,
  • When thou couldst doubt my love's equality.'
  • Peace, sweet! If not to sum but worth we look,
  • Thy heart's transcendence, not my heart's excess,
  • Then more a thousandfold thou lov'st than I.
  • VENUS VICTRIX
  • Could Juno's self more sovereign presence wear
  • Than thou, 'mid other ladies throned in grace?--
  • Or Pallas, when thou bend'st with soul-stilled face
  • O'er poet's page gold-shadowed in thy hair?
  • Dost thou than Venus seem less heavenly fair
  • When o'er the sea of love's tumultuous trance
  • Hovers thy smile, and mingles with thy glance
  • That sweet voice like the last wave murmuring there?
  • Before such triune loveliness divine
  • Awestruck I ask, which goddess here most claims
  • The prize that, howsoe'er adjudged, is thine?
  • Then Love breathes low the sweetest of thy names;
  • And Venus Victrix to my heart doth bring
  • Herself, the Helen of her guerdoning.
  • THE DARK GLASS
  • Not I myself know all my love for thee:
  • How should I reach so far, who cannot weigh
  • To-morrow's dower by gage of yesterday?
  • Shall birth and death, and all dark names that be
  • As doors and windows bared to some loud sea,
  • Lash deaf mine ears and blind my face with spray;
  • And shall my sense pierce love,--the last relay
  • And ultimate outpost of eternity?
  • Lo! what am I to Love, the lord of all?
  • One murmuring shell he gathers from the sand,--
  • One little heart-flame sheltered in his hand.
  • Yet through thine eyes he grants me clearest call
  • And veriest touch of powers primordial
  • That any hour-girt life may understand.
  • THE LAMP'S SHRINE
  • Sometimes I fain would find in thee some fault,
  • That I might love thee still in spite of it:
  • Yet how should our Lord Love curtail one whit
  • Thy perfect praise whom most he would exalt?
  • Alas! he can but make my heart's low vault
  • Even in men's sight unworthier, being lit
  • By thee, who thereby show'st more exquisite
  • Like fiery chrysoprase in deep basalt.
  • Yet will I nowise shrink; but at Love's shrine
  • Myself within the beams his brow doth dart
  • Will set the flashing jewel of thy heart
  • In that dull chamber where it deigns to shine:
  • For lo! in honour of thine excellencies
  • My heart takes pride to show how poor it is.
  • LIFE-IN-LOVE
  • Not in thy body is thy life at all
  • But in this lady's lips and hands and eyes;
  • Through these she yields the life that vivifies
  • What else were sorrow's servant and death's thrall.
  • Look on thyself without her, and recall
  • The waste remembrance and forlorn surmise
  • That lived but in a dead-drawn breath of sighs
  • O'er vanished hours and hours eventual.
  • Even so much life hath the poor tress of hair
  • Which, stored apart, is all love hath to show
  • For heart-beats and for fire-heats long ago;
  • Even so much life endures unknown, even where,
  • 'Mid change the changeless night environeth,
  • Lies all that golden hair undimmed in death.
  • THE LOVE-MOON
  • 'When that dead face, bowered in the furthest years,
  • Which once was all the life years held for thee,
  • Can now scarce bide the tides of memory
  • Cast on thy soul a little spray of tears,--
  • How canst thou gaze into these eyes of hers
  • Whom now thy heart delights in, and not see
  • Within each orb Love's philtred euphrasy
  • Make them of buried troth remembrancers?'
  • 'Nay, pitiful Love, nay, loving Pity! Well
  • Thou knowest that in these twain I have confess'd
  • Two very voices of thy summoning bell.
  • Nay, Master, shall not Death make manifest
  • In these the culminant changes which approve
  • The love-moon that must light my soul to Love?'
  • THE MORROW'S MESSAGE
  • 'Thou Ghost,' I said, 'and is thy name To-day?--
  • Yesterday's son, with such an abject brow!--
  • And can To-morrow be more pale than thou?'
  • While yet I spoke, the silence answered: 'Yea,
  • Henceforth our issue is all grieved and grey,
  • And each beforehand makes such poor avow
  • As of old leaves beneath the budding bough
  • Or night-drift that the sundawn shreds away.'
  • Then cried I: 'Mother of many malisons,
  • O Earth, receive me to thy dusty bed!'
  • But therewithal the tremulous silence said:
  • 'Lo! Love yet bids thy lady greet thee once:--
  • Yea, twice,--whereby thy life is still the sun's;
  • And thrice,--whereby the shadow of death is dead.'
  • SLEEPLESS DREAMS
  • Girt in dark growths, yet glimmering with one star,
  • O night desirous as the nights of youth!
  • Why should my heart within thy spell, forsooth,
  • Now beat, as the bride's finger-pulses are
  • Quickened within the girdling golden bar?
  • What wings are these that fan my pillow smooth?
  • And why does Sleep, waved back by Joy and Ruth,
  • Tread softly round and gaze at me from far?
  • Nay, night deep-leaved! And would Love feign in thee
  • Some shadowy palpitating grove that bears
  • Rest for man's eyes and music for his ears?
  • O lonely night! art thou not known to me,
  • A thicket hung with masks of mockery
  • And watered with the wasteful warmth of tears?
  • SEVERED SELVES
  • Two separate divided silences,
  • Which, brought together, would find loving voice;
  • Two glances which together would rejoice
  • In love, now lost like stars beyond dark trees;
  • Two hands apart whose touch alone gives ease;
  • Two bosoms which, heart-shrined with mutual flame,
  • Would, meeting in one clasp, be made the same;
  • Two souls, the shores wave-mocked of sundering seas:--
  • Such are we now. Ah! may our hope forecast
  • Indeed one hour again, when on this stream
  • Of darkened love once more the light shall gleam?
  • An hour how slow to come, how quickly past,
  • Which blooms and fades, and only leaves at last,
  • Faint as shed flowers, the attenuated dream.
  • THROUGH DEATH TO LOVE
  • Like labour-laden moonclouds faint to flee
  • From winds that sweep the winter-bitten wold,--
  • Like multiform circumfluence manifold
  • Of night's flood-tide,--like terrors that agree
  • Of hoarse-tongued fire and inarticulate sea,--
  • Even such, within some glass dimmed by our breath,
  • Our hearts discern wild images of Death,
  • Shadows and shoals that edge eternity.
  • Howbeit athwart Death's imminent shade doth soar
  • One Power, than flow of stream or flight of dove
  • Sweeter to glide around, to brood above.
  • Tell me, my heart;--what angel-greeted door
  • Or threshold of wing-winnowed threshing-floor
  • Hath guest fire-fledged as thine, whose lord is Love?
  • HOPE OVERTAKEN
  • I deemed thy garments, O my Hope, were grey,
  • So far I viewed thee. Now the space between
  • Is passed at length; and garmented in green
  • Even as in days of yore thou stand'st to-day.
  • Ah God! and but for lingering dull dismay,
  • On all that road our footsteps erst had been
  • Even thus commingled, and our shadows seen
  • Blent on the hedgerows and the water-way.
  • O Hope of mine whose eyes are living love,
  • No eyes but hers,--O Love and Hope the same!--
  • Lean close to me, for now the sinking sun
  • That warmed our feet scarce gilds our hair above.
  • O hers thy voice and very hers thy name!
  • Alas, cling round me, for the day is done!
  • LOVE AND HOPE
  • Bless love and hope. Full many a withered year
  • Whirled past us, eddying to its chill doomsday;
  • And clasped together where the blown leaves lay,
  • We long have knelt and wept full many a tear.
  • Yet lo! one hour at last, the Spring's compeer,
  • Flutes softly to us from some green byeway:*
  • Those years, those tears are dead, but only they:--
  • Bless love and hope, true soul; for we are here.
  • Cling heart to heart; nor of this hour demand
  • Whether in very truth, when we are dead,
  • Our hearts shall wake to know Love's golden head
  • Sole sunshine of the imperishable land;
  • Or but discern, through night's unfeatured scope,
  • Scorn-fired at length the illusive eyes of Hope.
  • *[sic]
  • CLOUD AND WIND
  • Love, should I fear death most for you or me?
  • Yet if you die, can I not follow you,
  • Forcing the straits of change? Alas! but who
  • Shall wrest a bond from night's inveteracy,
  • Ere yet my hazardous soul put forth, to be
  • Her warrant against all her haste might rue?--
  • Ah! in your eyes so reached what dumb adieu,
  • What unsunned gyres of waste eternity?
  • And if I die the first, shall death be then
  • A lampless watchtower whence I see you weep?--
  • Or (woe is me!) a bed wherein my sleep
  • Ne'er notes (as death's dear cup at last you drain),
  • The hour when you too learn that all is vain
  • And that Hope sows what Love shall never reap?
  • SECRET PARTING
  • Because our talk was of the cloud-control
  • And moon-track of the journeying face of Fate,
  • Her tremulous kisses faltered at love's gate
  • And her eyes dreamed against a distant goal:
  • But soon, remembering her how brief the whole
  • Of joy, which its own hours annihilate,
  • Her set gaze gathered, thirstier than of late,
  • And as she kissed, her mouth became her soul.
  • Thence in what ways we wandered, and how strove
  • To build with fire-tried vows the piteous home
  • Which memory haunts and whither sleep may roam,--
  • They only know for whom the roof of Love
  • Is the still-seated secret of the grove,
  • Nor spire may rise nor bell be heard therefrom.
  • PARTED LOVE
  • What shall be said of this embattled day
  • And armed occupation of this night
  • By all thy foes beleaguered,--now when sight
  • Nor sound denotes the loved one far away?
  • Of these thy vanquished hours what shalt thou say,--
  • As every sense to which she dealt delight
  • Now labours lonely o'er the stark noon-height
  • To reach the sunset's desolate disarray?
  • Stand still, fond fettered wretch! while Memory's art
  • Parades the Past before thy face, and lures
  • Thy spirit to her passionate portraitures:
  • Till the tempestuous tide-gates flung apart
  • Flood with wild will the hollows of thy heart,
  • And thy heart rends thee, and thy body endures.
  • BROKEN MUSIC
  • The mother will not turn, who thinks she hears
  • Her nursling's speech first grow articulate;
  • But breathless with averted eyes elate
  • She sits, with open lips and open ears,
  • That it may call her twice. 'Mid doubts and fears
  • Thus oft my soul has hearkened; till the song,
  • A central moan for days, at length found tongue,
  • And the sweet music welled and the sweet tears.
  • But now, whatever while the soul is fain
  • To list that wonted murmur, as it were
  • The speech-bound sea-shell's low importunate strain,--
  • No breath of song, thy voice alone is there,
  • O bitterly beloved! and all her gain
  • Is but the pang of unpermitted prayer.
  • DEATH-IN-LOVE
  • There came an image in Life's retinue
  • That had Love's wings and bore his gonfalon:
  • Fair was the web, and nobly wrought thereon,
  • O soul-sequestered face, thy form and hue!
  • Bewildering sounds, such as Spring wakens to,
  • Shook in its folds; and through my heart its power
  • Sped trackless as the immemorable hour
  • When birth's dark portal groaned and all was new.
  • But a veiled woman followed, and she caught
  • The banner round its staff, to furl and cling,--
  • Then plucked a feather from the bearer's wing,
  • And held it to his lips that stirred it not,
  • And said to me, 'Behold, there is no breath:
  • I and this Love are one, and I am Death.'
  • WILLOWWOOD
  • I
  • I sat with Love upon a woodside well,
  • Leaning across the water, I and he;
  • Nor ever did he speak nor looked at me,
  • But touched his lute wherein was audible
  • The certain secret thing he had to tell:
  • Only our mirrored eyes met silently
  • In the low wave; and that sound came to be
  • The passionate voice I knew; and my tears fell.
  • And at their fall, his eyes beneath grew hers;
  • And with his foot and with his wing-feathers
  • He swept the spring that watered my heart's drouth.
  • Then the dark ripples spread to waving hair,
  • And as I stooped, her own lips rising there
  • Bubbled with brimming kisses at my mouth.
  • II
  • And now Love sang: but his was such a song,
  • So meshed with half-remembrance hard to free,
  • As souls disused in death's sterility
  • May sing when the new birthday tarries long.
  • And I was made aware of a dumb throng
  • That stood aloof, one form by every tree,
  • All mournful forms, for each was I or she,
  • The shades of those our days that had no tongue.
  • They looked on us, and knew us and were known;
  • While fast together, alive from the abyss,
  • Clung the soul-wrung implacable close kiss;
  • And pity of self through all made broken moan
  • Which said, 'For once, for once, for once alone!'
  • And still Love sang, and what he sang was this:--
  • III
  • 'O ye, all ye that walk in Willow-wood,
  • That walk with hollow faces burning white;
  • What fathom-depth of soul-struck widowhood,
  • What long, what longer hours, one lifelong night,
  • Ere ye again, who so in vain have wooed
  • Your last hope lost, who so in vain invite
  • Your lips to that their unforgotten food,
  • Ere ye, ere ye again shall see the light!
  • Alas! the bitter banks in Willowwood,
  • With tear-spurge wan, with blood-wort burning red:
  • Alas! if ever such a pillow could
  • Steep deep the soul in sleep till she were dead,--
  • Better all life forget her than this thing,
  • That Willowwood should hold her wandering!'
  • IV
  • So sang he: and as meeting rose and rose
  • Together cling through the wind's wellaway
  • Nor change at once, yet near the end of day
  • The leaves drop loosened where the heart-stain glows,--
  • So when the song died did the kiss unclose;
  • And her face fell back drowned, and was as grey
  • As its grey eyes; and if it ever may
  • Meet mine again I know not if Love knows.
  • Only I know that I leaned low and drank
  • A long draught from the water where she sank,
  • Her breath and all her tears and all her soul:
  • And as I leaned, I know I felt Love's face
  • Pressed on my neck with moan of pity and grace,
  • Till both our heads were in his aureole.
  • WITHOUT HER
  • What of her glass without her? The blank grey
  • There where the pool is blind of the moon's face.
  • Her dress without her? The tossed empty space
  • Of cloud-rack whence the moon has passed away.
  • Her paths without her? Day's appointed sway
  • Usurped by desolate night. Her pillowed place
  • Without her? Tears, ah me! for love's good grace,
  • And cold forgetfulness of night or day.
  • What of the heart without her? Nay, poor heart,
  • Of thee what word remains ere speech be still?
  • A wayfarer by barren ways and chill,
  • Steep ways and weary, without her thou art,
  • Where the long cloud, the long wood's counterpart,
  • Sheds doubled darkness up the labouring hill.
  • LOVE'S FATALITY
  • Sweet Love,--but oh! most dread Desire of Love
  • Life-thwarted. Linked in gyves I saw them stand,
  • Love shackled with Vain-longing, hand to hand:
  • And one was eyed as the blue vault above:
  • But hope tempestuous like a fire-cloud hove
  • I' the other's gaze, even as in his whose wand
  • Vainly all night with spell-wrought power has spann'd
  • The unyielding caves of some deep treasure-trove.
  • Also his lips, two writhen flakes of flame,
  • Made moan: 'Alas O Love, thus leashed with me!
  • Wing-footed thou, wing-shouldered, once born free:
  • And I, thy cowering self, in chains grown tame,
  • Bound to thy body and soul, named with thy name,
  • Life's iron heart, even Love's Fatality.'
  • STILLBORN LOVE
  • The hour which might have been yet might not be,
  • Which man's and woman's heart conceived and bore
  • Yet whereof life was barren,--on what shore
  • Bides it the breaking of Time's weary sea?
  • Bondchild of all consummate joys set free,
  • It somewhere sighs and serves, and mute before
  • The house of Love, hears through the echoing door
  • His hours elect in choral consonancy.
  • But lo! what wedded souls now hand in hand
  • Together tread at last the immortal strand
  • With eyes where burning memory lights love home?
  • Lo! how the little outcast hour has turned
  • And leaped to them and in their faces yearned:--
  • 'I am your child: O parents, ye have come!'
  • TRUE WOMAN
  • I. HERSELF
  • To be a sweetness more desired than Spring;
  • A bodily beauty more acceptable
  • Than the wild rose-tree's arch that crowns the fell;
  • To be an essence more environing
  • Than wine's drained juice; a music ravishing
  • More than the passionate pulse of Philomel;--
  • To be all this 'neath one soft bosom's swell
  • That is the flower of life:--how strange a thing!
  • How strange a thing to be what Man can know
  • But as a sacred secret! Heaven's own screen
  • Hides her soul's purest depth and loveliest glow;
  • Closely withheld, as all things most unseen,--
  • The wave-bowered pearl, the heart-shaped seal of green
  • That flecks the snowdrop underneath the snow.
  • II. HER LOVE
  • She loves him; for her infinite soul is Love,
  • And he her lodestar. Passion in her is
  • A glass facing his fire, where the bright bliss
  • Is mirrored, and the heat returned. Yet move
  • That glass, a stranger's amorous flame to prove,
  • And it shall turn, by instant contraries,
  • Ice to the moon; while her pure fire to his
  • For whom it burns, clings close i' the heart's alcove.
  • Lo! they are one. With wifely breast to breast
  • And circling arms, she welcomes all command
  • Of love,--her soul to answering ardours fann'd:
  • Yet as morn springs or twilight sinks to rest,
  • Ah! who shall say she deems not loveliest
  • The hour of sisterly sweet hand-in-hand?
  • III. HER HEAVEN
  • If to grow old in Heaven is to grow young,
  • (As the Seer saw and said,) then blest were he
  • With youth forevermore, whose heaven should be
  • True Woman, she whom these weak notes have sung.
  • Here and hereafter,--choir-strains of her tongue,--
  • Sky-spaces of her eyes,--sweet signs that flee
  • About her soul's immediate sanctuary,--
  • Were Paradise all uttermost worlds among.
  • The sunrise blooms and withers on the hill
  • Like any hillflower; and the noblest troth
  • Dies here to dust. Yet shall Heaven's promise clothe
  • Even yet those lovers who have cherished still
  • This test for love:--in every kiss sealed fast
  • To feel the first kiss and forebode the last.
  • LOVE'S LAST GIFT
  • Love to his singer held a glistening leaf,
  • And said: 'The rose-tree and the apple-tree
  • Have fruits to vaunt or flowers to lure the bee;
  • And golden shafts are in the feathered sheaf
  • Of the great harvest-marshal, the year's chief,
  • Victorious Summer; aye, and 'neath warm sea
  • Strange secret grasses lurk inviolably
  • Between the filtering channels of sunk reef.
  • All are my blooms; and all sweet blooms of love
  • To thee I gave while Spring and Summer sang;
  • But Autumn stops to listen, with some pang
  • From those worse things the wind is moaning of.
  • Only this laurel dreads no winter days:
  • Take my last gift; thy heart hath sung my praise.'
  • PART II. CHANGE AND FATE
  • TRANSFIGURED LIFE
  • As growth of form or momentary glance
  • In a child's features will recall to mind
  • The father's with the mother's face combin'd,--
  • Sweet interchange that memories still enhance:
  • And yet, as childhood's years and youth's advance,
  • The gradual mouldings leave one stamp behind,
  • Till in the blended likeness now we find
  • A separate man's or woman's countenance:--
  • So in the Song, the singer's Joy and Pain,
  • Its very parents, evermore expand
  • To bid the passion's fullgrown birth remain,
  • By Art's transfiguring essence subtly spann'd;
  • And from that song-cloud shaped as a man's hand
  • There comes the sound as of abundant rain.
  • THE SONG-THROE
  • By thine own tears thy song must tears beget,
  • O Singer! Magic mirror thou hast none
  • Except thy manifest heart; and save thine own
  • Anguish or ardour, else no amulet.
  • Cisterned in Pride, verse is the feathery jet
  • Of soulless air-flung fountains; nay, more dry
  • Than the Dead Sea for throats that thirst and sigh,
  • That song o'er which no singer's lids grew wet.
  • The Song-god--He the Sun-god--is no slave
  • Of thine: thy Hunter he, who for thy soul
  • Fledges his shaft: to no august control
  • Of thy skilled hand his quivered store he gave:
  • But if thy lips' loud cry leap to his smart,
  • The inspir'd recoil shall pierce thy brother's heart.
  • THE SOUL'S SPHERE
  • Come prisoned moon in steep cloud-fastnesses,--
  • Throned queen and thralled; some dying sun whose pyre
  • Blazed with momentous memorable fire;--
  • Who hath not yearned and fed his heart with these?
  • Who, sleepless, hath not anguished to appease
  • Tragical shadow's realm of sound and sight
  • Conjectured in the lamentable night?...
  • Lo! the soul's sphere of infinite images!
  • What sense shall count them? Whether it forecast
  • The rose-winged hours that flutter in the van
  • Of Love's unquestioning unreveale'd span,--
  • Visions of golden futures: or that last
  • Wild pageant of the accumulated past
  • That clangs and flashes for a drowning man.
  • INCLUSIVENESS
  • The changing guests, each in a different mood,
  • Sit at the roadside table and arise:
  • And every life among them in likewise
  • Is a soul's board set daily with new food.
  • What man has bent o'er his son's sleep, to brood
  • How that face shall watch his when cold it lies?--
  • Or thought, as his own mother kissed his eyes,
  • Of what her kiss was when his father wooed?
  • May not this ancient room thou sit'st in dwell
  • In separate living souls for joy or pain?
  • Nay, all its corners may be painted plain
  • Where Heaven shows pictures of some life spent well;
  • And may be stamped, a memory all in vain,
  • Upon the sight of lidless eyes in Hell.
  • ARDOUR AND MEMORY
  • The cuckoo-throb, the heartbeat of the Spring;
  • The rosebud's blush that leaves it as it grows
  • Into the full-eyed fair unblushing rose;
  • The summer clouds that visit every wing
  • With fires of sunrise and of sunsetting;
  • The furtive flickering streams to light re-born
  • 'Mid airs new-fledged and valorous lusts of morn,
  • While all the daughters of the daybreak sing:--
  • These ardour loves, and memory: and when flown
  • All joys, and through dark forest-boughs in flight
  • The wind swoops onward brandishing the light,
  • Even yet the rose-tree's verdure left alone
  • Will flush all ruddy though the rose be gone;
  • With ditties and with dirges infinite.
  • KNOWN IN VAIN
  • As two whose love, first foolish, widening scope,
  • Knows suddenly, with music high and soft,
  • The Holy of holies; who because they scoff'd
  • Are now amazed with shame, nor dare to cope
  • With the whole truth aloud, lest heaven should ope;
  • Yet, at their meetings, laugh not as they
  • In speech; nor speak, at length; but sitting oft
  • Together, within hopeless sight of hope
  • For hours are silent:--So it happeneth
  • When Work and Will awake too late, to gaze
  • After their life sailed by, and hold their breath.
  • Ah! who shall dare to search through what sad maze
  • Thenceforth their incommunicable ways
  • Follow the desultory feet of Death?
  • HEART OF THE NIGHT
  • From child to youth; from youth to arduous man;
  • From lethargy to fever of the heart;
  • From faithful life to dream-dowered days apart;
  • From trust to doubt; from doubt to brink of ban;--
  • Thus much of change in one swift cycle ran
  • Till now. Alas, the soul!--how soon must she
  • Accept her primal immortality,--
  • The flesh resume its dust whence it began?
  • O Lord of work and peace! O Lord of life!
  • O Lord, the awful Lord of will! though late,
  • Even yet renew this soul with duteous breath:
  • That when the peace is garnered in from strife,
  • The work retrieved, the will regenerate,
  • This soul may see thy face, O Lord of death!
  • THE LANDMARK
  • Was _that_ the landmark? What,--the foolish well
  • Whose wave, low down, I did not stoop to drink,
  • But sat and flung the pebbles from its brink
  • In sport to send its imaged skies pell-mell,
  • (And mine own image, had I noted well!)
  • Was that my point of turning?--I had thought
  • The stations of my course should rise unsought,
  • As altar-stone or ensigned citadel.
  • But lo! the path is missed, I must go back,
  • And thirst to drink when next I reach the spring
  • Which once I stained, which since may have grown black.
  • Yet though no light be left nor bird now sing
  • As here I turn, I'll thank God, hastening,
  • That the same goal is still on the same track.
  • A DARK DAY
  • The gloom that breathes upon me with these airs
  • Is like the drops which strike the traveller's brow
  • Who knows not, darkling, if they bring him now
  • Fresh storm, or be old rain the covert bears.
  • Ah! bodes this hour some harvest of new tares,
  • Or hath but memory of the day whose plough
  • Sowed hunger once,--the night at length when thou,
  • O prayer found vain, didst fall from out my prayers?
  • How prickly were the growths which yet how smooth,
  • Along the hedgerows of this journey shed,
  • Lie by Time's grace till night and sleep may soothe!
  • Even as the thistledown from pathsides dead
  • Gleaned by a girl in autumns of her youth,
  • Which one new year makes soft her marriage-bed.
  • AUTUMN IDLENESS
  • This sunlight shames November where he grieves
  • In dead red leaves, and will not let him shun
  • The day, though bough with bough be over-run.
  • But with a blessing every glade receives
  • High salutation; while from hillock-eaves
  • The deer gaze calling, dappled white and dun,
  • As if, being foresters of old, the sun
  • Had marked them with the shade of forest-leaves.
  • Here dawn to-day unveiled her magic glass;
  • Here noon now gives the thirst and takes the dew;
  • Till eve bring rest when other good things pass.
  • And here the lost hours the lost hours renew
  • While I still lead my shadow o'er the grass,
  • Nor know, for longing, that which I should do.
  • THE HILL SUMMIT
  • This feast-day of the sun, his altar there
  • In the broad west has blazed for vesper-song;
  • And I have loitered in the vale too long
  • And gaze now a belated worshipper.
  • Yet may I not forget that I was 'ware,
  • So journeying, of his face at intervals
  • Transfigured where the fringed horizon falls,--
  • A fiery bush with coruscating hair.
  • And now that I have climbed and won this height,
  • I must tread downward through the sloping shade
  • And travel the bewildered tracks till night.
  • Yet for this hour I still may here be stayed
  • And see the gold air and the silver fade
  • And the last bird fly into the last light.
  • THE CHOICE
  • I
  • Eat thou and drink; to-morrow thou shalt die.
  • Surely the earth, that's wise being very old,
  • Needs not our help. Then loose me, love, and hold
  • Thy sultry hair up from my face that I
  • May pour for thee this yellow wine, brim-high,
  • Till round the glass thy fingers glow like gold.
  • We'll drown all hours: thy song, while hours toil'd,
  • Shall leap, as fountains veil the changing sky.
  • Now kiss, and think that there are really those,
  • My own high-bosomed beauty, who increase
  • Vain gold, vain lore, and yet might choose our way
  • Through many days they toil; then comes a day
  • They die not,--never having lived,--but cease;
  • And round their narrow lips the mould falls close.
  • II
  • Watch thou and fear; to-morrow thou shalt die.
  • Or art thou sure thou shalt have time for death?
  • Is not the day which God's word promiseth
  • To come man knows not when? In yonder sky,
  • Now while we speak, the sun speeds forth: can I
  • Or thou assure him of his goal? God's breath
  • Even at the moment haply quickeneth
  • The air to a flame; till spirits, always nigh
  • Though screened and hid, shall walk the daylight here.
  • And dost thou prate of all that man shall do?
  • Canst thou, who hast but plagues, presume to be
  • Glad in his gladness that comes after thee?
  • Will _his_ strength slay _thy_ worm in Hell? Go to:
  • Cover thy countenance, and watch, and fear.
  • Think thou and act; to-morrow thou shalt die.
  • Outstretched in the sun's warmth upon the shore,
  • Thou say'st: 'Man's measured path is all gone o'er:
  • Up all his years, steeply, with strain and sigh,
  • Man clomb* until he touched the truth; and I,
  • Even I, am he whom it was destined for.'
  • How should this be? Art thou then so much more
  • Than they who sowed, that thou shouldst reap thereby?
  • Nay, come up hither. From this wave-washed mound
  • Unto the furthest flood-brim look with me;
  • Then reach on with thy thought till it be drown'd.
  • Miles and miles distant though the grey line be,
  • And though thy soul sail leagues and leagues beyond,--
  • Still, leagues beyond those leagues there is more sea.
  • *[sic]
  • OLD AND NEW ART
  • I. ST. LUKE THE PAINTER
  • Give honour unto Luke Evangelist;
  • For he it was (the aged legends say)
  • Who first taught Art to fold her hands and pray.
  • Scarcely at once she dared to rend the mist
  • Of devious symbols: but soon having wist
  • How sky-breadth and field-silence and this day
  • Are symbols also in some deeper way,
  • She looked through these to God and was God's priest.
  • And if, past noon, her toil began to irk,
  • And she sought talismans, and turned in vain
  • To soulless self-reflections of man's skill,
  • Yet now, in this the twilight, she might still
  • Kneel in the latter grass to pray again,
  • Ere the night cometh and she may not work.
  • II. NOT AS THESE
  • 'I am not as these are,' the poet saith
  • In youth's pride, and the painter, among men
  • At bay, where never pencil comes nor pen,
  • And shut about with his own frozen breath.
  • To others, for whom only rhyme wins faith
  • As poets,--only paint as painters,--then
  • He turns in the cold silence; and again
  • Shrinking, 'I am not as these are,' he saith.
  • And say that this is so, what follows it?
  • For were thine eyes set backwards in thine head,
  • Such words were well; but they see on, and far.
  • Unto the lights of the great Past, new-lit
  • Fair for the Future's track, look thou instead,--
  • Say thou instead 'I am not as _these_ are.'
  • III. THE HUSBANDMEN
  • Though God, as one that is an householder,
  • Called these to labour in his vine-yard first,
  • Before the husk of darkness was well burst
  • Bidding them grope their way out and bestir,
  • (Who, questioned of their wages, answered, 'Sir,
  • Unto each man a penny:') though the worst
  • Burthen of heat was theirs and the dry thirst:
  • Though God hath since found none such as these were
  • To do their work like them:--Because of this
  • Stand not ye idle in the market-place.
  • Which of ye knoweth _he_ is not that last
  • Who may be first by faith and will?--yea, his
  • The hand which after the appointed days
  • And hours shall give a Future to their Past?
  • SOUL'S BEAUTY
  • Under the arch of Life, where love and death,
  • Terror and mystery, guard her shrine, I saw
  • Beauty enthroned; and though her gaze struck awe,
  • I drew it in as simply as my breath.
  • Hers are the eyes which, over and beneath,
  • The sky and sea bend on thee,--which can draw,
  • By sea or sky or woman, to one law,
  • The allotted bondman of her palm and wreath.
  • This is that Lady Beauty, in whose praise
  • Thy voice and hand shake still,--long known to thee
  • By flying hair and fluttering hem,--the beat
  • Following her daily of thy heart and feet,
  • How passionately and irretrievably,
  • In what fond flight, how many ways and days!
  • BODY'S BEAUTY
  • Of Adam's first wife, Lilith, it is told
  • (The witch he loved before the gift of Eve,)
  • That, ere the snake's, her sweet tongue could deceive,
  • And her enchanted hair was the first gold.
  • And still she sits, young while the earth is old,
  • And, subtly of herself contemplative,
  • Draws men to watch the bright web she can weave,
  • Till heart and body and life are in its hold.
  • The rose and poppy are her flowers; for where
  • Is he not found, O Lilith, whom shed scent
  • And soft-shed kisses and soft sleep shall snare?
  • Lo! as that youth's eyes burned at thine, so went
  • Thy spell through him, and left his straight neck bent
  • And round his heart one strangling golden hair.
  • THE MONOCHORD
  • Is it this sky's vast vault or ocean's sound
  • That is Life's self and draws my life from me,
  • And by instinct ineffable decree
  • Holds my breath quailing on the bitter bound?
  • Nay, is it Life or Death, thus thunder-crown'd,
  • That 'mid the tide of all emergency
  • Now notes my separate wave, and to what sea
  • Its difficult eddies labour in the ground?
  • Oh! what is this that knows the road I came,
  • The flame turned cloud, the cloud returned to flame,
  • The lifted shifted steeps and all the way?--
  • That draws round me at last this wind-warm space,
  • And in regenerate rapture turns my face
  • Upon the devious coverts of dismay?
  • FROM DAWN TO NOON
  • As the child knows not if his mother's face
  • Be fair; nor of his elders yet can deem
  • What each most is; but as of hill or stream
  • At dawn, all glimmering life surrounds his place:
  • Who yet, tow'rd noon of his half-weary race,
  • Pausing awhile beneath the high sun-beam
  • And gazing steadily back,--as through a dream,
  • In things long past new features now can trace:--
  • Even so the thought that is at length fullgrown
  • Turns back to note the sun-smit paths, all grey
  • And marvellous once, where first it walked alone;
  • And haply doubts, amid the unblenching day,
  • Which most or least impelled its onward way,--
  • Those unknown things or these things overknown.
  • MEMORIAL THRESHOLDS
  • What place so strange,--though unrevealed snow
  • With unimaginable fires arise
  • At the earth's end,--what passion of surprise
  • Like frost-bound fire-girt scenes of long ago?
  • Lo! this is none but I this hour; and lo!
  • This is the very place which to mine eyes
  • Those mortal hours in vain immortalize,
  • 'Mid hurrying crowds, with what alone I know.
  • City, of thine a single simple door,
  • By some new Power reduplicate, must be
  • Even yet my life-porch in eternity,
  • Even with one presence filled, as once of yore
  • Or mocking winds whirl round a chaff-strown floor
  • Thee and thy years and these my words and me.
  • HOARDED JOY
  • I said: 'Nay, pluck not,--let the first fruit be:
  • Even as thou sayest, it is sweet and red,
  • But let it ripen still. The tree's bent head
  • Sees in the stream its own fecundity
  • And bides the day of fulness. Shall not we
  • At the sun's hour that day possess the shade,
  • And claim our fruit before its ripeness fade,
  • And eat it from the branch and praise the tree?'
  • I say: 'Alas! our fruit hath wooed the sun
  • Too long,--'tis fallen and floats adown the stream.
  • Lo, the last clusters! Pluck them every one,
  • And let us sup with summer; ere the gleam
  • Of autumn set the year's pent sorrow free,
  • And the woods wail like echoes from the sea.'
  • BARREN SPRING
  • So now the changed year's turning wheel returns
  • And as a girl sails balanced in the wind,
  • And now before and now again behind
  • Stoops as it swoops, with cheek that laughs and burns,--
  • So Spring comes merry towards me now, but earns
  • No answering smile from me, whose life is twin'd
  • With the dead boughs that winter still must bind,
  • And whom to-day the Spring no more concerns.
  • Behold, this crocus is a withering flame;
  • This snowdrop, snow; this apple-blossom's part
  • To breed the fruit that breeds the serpent's art.
  • Nay, for these Spring-flowers, turn thy face from them,
  • Nor gaze till on the year's last lily-stem
  • The white cup shrivels round the golden heart.
  • FAREWELL TO THE GLEN
  • Sweet stream-fed glen, why say 'farewell' to thee
  • Who far'st so well and find'st for ever smooth
  • The brow of Time where man may read no ruth?
  • Nay, do thou rather say 'farewell' to me,
  • Who now fare forth in bitterer fantasy
  • Than erst was mine where other shade might soothe
  • By other streams, what while in fragrant youth
  • The bliss of being sad made melancholy.
  • And yet, farewell! For better shalt thou fare
  • When children bathe sweet faces in thy flow
  • And happy lovers blend sweet shadows there
  • In hours to come, than when an hour ago
  • Thine echoes had but one man's sighs to bear
  • And thy trees whispered what he feared to know.
  • VAIN VIRTUES
  • What is the sorriest thing that enters Hell?
  • None of the sins,--but this and that fair deed
  • Which a soul's sin at length could supersede.
  • These yet are virgins, whom death's timely knell
  • Might once have sainted; whom the fiends compel
  • Together now, in snake-bound shuddering sheaves
  • Of anguish, while the scorching bridegroom leaves
  • Their refuse maidenhood abominable.
  • Night sucks them down, the garbage of the pit,
  • Whose names, half entered in the book of Life,
  • Were God's desire at noon. And as their hair
  • And eyes sink last, the Torturer deigns no whit
  • To gaze, but, yearning, waits his worthier wife,
  • The Sin still blithe on earth that sent them there.
  • LOST DAYS
  • The lost days of my life until to-day,
  • What were they, could I see them on the street
  • Lie as they fell? Would they be ears of wheat
  • Sown once for food but trodden into clay?
  • Or golden coins squandered and still to pay?
  • Or drops of blood dabbling the guilty feet?
  • Or such spilt water as in dreams must cheat
  • The throats of men in Hell, who thirst alway?
  • I do not see them here; but after death
  • God knows I know the faces I shall see,
  • Each one a murdered self, with low last breath.
  • 'I am thyself,--what hast thou done to me?'
  • 'And I--and I--thyself,' (lo! each one saith,)
  • 'And thou thyself to all eternity!'
  • DEATH'S SONGSTERS
  • When first that horse, within whose populous womb
  • The birth was death, o'ershadowed Troy with fate,
  • Her elders, dubious of its Grecian freight,
  • Brought Helen there to sing the songs of home:
  • She whispered, 'Friends, I am alone; come, come!'
  • Then, crouched within, Ulysses waxed afraid,
  • And on his comrades' quivering mouths he laid
  • His hands, and held them till the voice was dumb.
  • The same was he who, lashed to his own mast,
  • There where the sea-flowers screen the charnel-caves,
  • Beside the sirens' singing island pass'd,
  • Till sweetness failed along the inveterate waves...
  • Say, soul,--are songs of Death no heaven to thee,
  • Nor shames her lip the cheek of Victory?
  • HERO'S LAMP*
  • That lamp thou fill'st in Eros name to-night,
  • O Hero, shall the Sestian augurs take
  • To-morrow, and for drowned Leander's sake
  • To Anteros its fireless lip shall plight.
  • Aye, waft the unspoken vow: yet dawn's first light
  • On ebbing storm and life twice ebb'd must break;
  • While 'neath no sunrise, by the Avernian Lake,
  • Lo where Love walks, Death's pallid neophyte.
  • That lamp within Anteros' shadowy shrine
  • Shall stand unlit (for so the gods decree)
  • Till some one man the happy issue see
  • Of a life's love, and bid its flame to shine:
  • Which still may rest unfir'd; for, theirs or thine,
  • O brother, what brought love to them or thee?
  • *After the deaths of Leander and Hero, the signal-lamp was dedicated to
  • Anteros, with the edict that no man should light it unless his love had
  • proved fortunate.
  • THE TREES OF THE GARDEN
  • Ye who have passed Death's haggard hills; and ye
  • Whom trees that knew your sires shall cease to know
  • And still stand silent:--is it all a show,
  • A wisp that laughs upon the wall?--decree
  • Of some inexorable supremacy
  • Which ever, as man strains his blind surmise
  • From depth to ominous depth, looks past his eyes,
  • Sphinx-faced with unabashed augury?
  • Nay, rather question the Earth's self. Invoke
  • The storm-felled forest-trees moss-grown to-day
  • Whose roots are hillocks where the children play;
  • Or ask the silver sapling 'neath what yoke
  • Those stars, his spray-crown's clustering gems, shall wage
  • Their journey still when his boughs shrink with age.
  • 'RETRO ME, SATHANA!'
  • Get thee behind me. Even as, heavy-curled,
  • Stooping against the wind, a charioteer
  • Is snatched from out his chariot by the hair,
  • So shall Time be; and as the void car, hurled
  • Abroad by reinless steeds, even so the world:
  • Yea, even as chariot-dust upon the air,
  • It shall be sought and not found anywhere.
  • Get thee behind me, Satan. Oft unfurled,
  • Thy perilous wings can beat and break like lath
  • Much mightiness of men to win thee praise.
  • Leave these weak feet to tread in narrow ways.
  • Thou still, upon the broad vine-sheltered path,
  • Mayst wait the turning of the phials of wrath
  • For certain years, for certain months and days.
  • LOST ON BOTH SIDES
  • As when two men have loved a woman well,
  • Each hating each, through Love's and Death's deceit;
  • Since not for either this stark marriage-sheet
  • And the long pauses of this wedding bell;
  • Yet o'er her grave the night and day dispel
  • At last their feud forlorn, with cold and heat;
  • Nor other than dear friends to death may fleet
  • The two lives left that most of her can tell:--
  • So separate hopes, which in a soul had wooed
  • The one same Peace, strove with each other long,
  • And Peace before their faces perished since:
  • So through that soul, in restless brotherhood,
  • They roam together now, and wind among
  • Its bye-streets, knocking at the dusty inns.
  • THE SUN'S SHAME
  • I
  • Beholding youth and hope in mockery caught
  • From life; and mocking pulses that remain
  • When the soul's death of bodily death is fain;
  • Honour unknown, and honour known unsought;
  • And penury's sedulous self-torturing thought
  • On gold, whose master therewith buys his bane;
  • And longed-for woman longing all in vain
  • For lonely man with love's desire distraught;
  • And wealth, and strength, and power, and pleasantness,
  • Given unto bodies of whose souls men say,
  • None poor and weak, slavish and foul, as they:--
  • Beholding these things, I behold no less
  • The blushing morn and blushing eve confess
  • The shame that loads the intolerable day.
  • As some true chief of men, bowed down with stress
  • Of life's disastrous eld, on blossoming youth
  • May gaze, and murmur with self-pity and ruth,
  • 'Might I thy fruitless treasure but possess,
  • Such blessing of mine all coming years should bless;'--
  • Then sends one sigh forth to the unknown goal,
  • And bitterly feels breathe against his soul
  • The hour swift-winged of nearer nothingness:--
  • Even so the World's grey Soul to the green World
  • Perchance one hour must cry: 'Woe's me, for whom
  • Inveteracy of ill portends the doom,--
  • Whose heart's old fire in shadow of shame is furl'd:
  • While thou even as of yore art journeying,
  • All soulless now, yet merry with the Spring!'
  • MICHELANGELO'S KISS
  • Great Michelangelo, with age grown bleak
  • And uttermost labours, having once o'ersaid
  • All grievous memories on his long life shed,
  • This worst regret to one true heart could speak:--
  • That when, with sorrowing love and reverence meek,
  • He stooped o'er sweet Colonna's dying bed,
  • His Muse and dominant Lady, spirit-wed,
  • Her hand he kissed, but not her brow or cheek.
  • O Buonarruoti,--good at Art's fire-wheels
  • To urge her chariot!--even thus the Soul,
  • Touching at length some sorely-chastened goal,
  • Earns oftenest but a little: her appeals
  • Were deep and mute,--lowly her claim. Let be:
  • What holds for her Death's garner? And for thee?
  • THE VASE OF LIFE
  • Around the vase of Life at your slow pace
  • He has not crept, but turned it with his hands,
  • And all its sides already understands.
  • There, girt, one breathes alert for some great race;
  • Whose road runs far by sands and fruitful space;
  • Who laughs, yet through the jolly throng has pass'd;
  • Who weeps, nor stays for weeping; who at last,
  • A youth, stands somewhere crowned, with silent face.
  • And he has filled this vase with wine for blood,
  • With blood for tears, with spice for burning vow,
  • With watered flowers for buried love most fit;
  • And would have cast it shattered to the flood,
  • Yet in Fate's name has kept it whole; which now
  • Stands empty till his ashes fall in it.
  • LIFE THE BELOVED
  • As thy friend's face, with shadow of soul o'erspread,
  • Somewhile unto thy sight perchance hath been
  • Ghastly and strange, yet never so is seen
  • In thought, but to all fortunate favour wed;
  • As thy love's death-bound features never dead
  • To memory's glass return, but contravene
  • Frail fugitive days, and always keep, I ween
  • Than all new life a livelier lovelihead:--
  • So Life herself, thy spirit's friend and love,
  • Even still as Spring's authentic harbinger
  • Glows with fresh hours for hope to glorify;
  • Though pale she lay when in the winter grove
  • Her funeral flowers were snow-flakes shed on her
  • And the red wings of frost-fire rent the sky.
  • A SUPERSCRIPTION
  • Look in my face; my name is Might-have-been;
  • I am also called No-more, Too-late, Farewell;
  • Unto thine ear I hold the dead-sea shell
  • Cast up thy Life's foam-fretted feet between;
  • Unto thine eyes the glass where that is seen
  • Which had Life's form and Love's, but by my spell
  • Is now a shaken shadow intolerable,
  • Of ultimate things unuttered the frail screen.
  • Mark me, how still I am! But should there dart
  • One moment through thy soul the soft surprise
  • Of that winged Peace which lulls the breath of sighs,
  • Then shalt thou see me smile, and turn apart
  • Thy visage to mine ambush at thy heart
  • Sleepless with cold commemorative eyes.
  • HE AND I
  • Whence came his feet into my field, and why?
  • How is it that he sees it all so drear?
  • How do I see his seeing, and how hear
  • The name his bitter silence knows it by?
  • This was the little fold of separate sky
  • Whose pasturing clouds in the soul's atmosphere
  • Drew living light from one continual year:
  • How should he find it lifeless? He, or I?
  • Lo! this new Self now wanders round my field,
  • With plaints for every flower, and for each tree
  • A moan, the sighing wind's auxiliary:
  • And o'er sweet waters of my life, that yield
  • Unto his lips no draught but tears unseal'd,
  • Even in my place he weeps. Even I, not he.
  • NEWBORN DEATH
  • I
  • To-day Death seems to me an infant child
  • Which her worn mother Life upon my knee
  • Has set to grow my friend and play with me;
  • If haply so my heart might be beguil'd
  • To find no terrors in a face so mild,--
  • If haply so my weary heart might be
  • Unto the newborn milky eyes of thee,
  • O Death, before resentment reconcil'd.
  • How long, O Death? And shall thy feet depart
  • Still a young child's with mine, or wilt thou stand
  • Fullgrown the helpful daughter of my heart,
  • What time with thee indeed I reach the strand
  • Of the pale wave which knows thee what thou art,
  • And drink it in the hollow of thy hand?
  • II
  • And thou, O Life, the lady of all bliss,
  • With whom, when our first heart beat full and fast,
  • I wandered till the haunts of men were pass'd,
  • And in fair places found all bowers amiss
  • Till only woods and waves might hear our kiss,
  • While to the winds all thought of Death we cast:
  • Ah, Life! and must I have from thee at last
  • No smile to greet me and no babe but this?
  • Lo! Love, the child once ours; and Song, whose hair
  • Blew like a flame and blossomed like a wreath;
  • And Art, whose eyes were worlds by God found fair;
  • These o'er the book of Nature mixed their breath
  • With neck-twined arms, as oft we watched them there:
  • And did these die that thou mightst bear me Death?
  • THE ONE HOPE
  • When all desire at last and all regret
  • Go hand in hand to death, and all is vain,
  • What shall assuage the unforgotten pain
  • And teach the unforgetful to forget?
  • Shall Peace be still a sunk stream long unmet,--
  • Or may the soul at once in a green plain
  • Stoop through the spray of some sweet life-fountain
  • And cull the dew-drenched flowering amulet?
  • Ah! when the wan soul in that golden air
  • Between the scriptured petals softly blown
  • Peers breathless for the gift of grace unknown,
  • Ah! let none other written spell soe'er
  • But only the one Hope's one name be there,--
  • Not less nor more, but even that word alone.
  • End of Project Gutenberg's The House of Life, by Dante Gabriel Rossetti
  • *** END OF THIS PROJECT GUTENBERG EBOOK THE HOUSE OF LIFE ***
  • ***** This file should be named 3692.txt or 3692.zip *****
  • This and all associated files of various formats will be found in:
  • http://www.gutenberg.org/3/6/9/3692/
  • Produced by A. Elizabeth Warren
  • Updated editions will replace the previous one--the old editions
  • will be renamed.
  • Creating the works from public domain print editions means that no
  • one owns a United States copyright in these works, so the Foundation
  • (and you!) can copy and distribute it in the United States without
  • permission and without paying copyright royalties. Special rules,
  • set forth in the General Terms of Use part of this license, apply to
  • copying and distributing Project Gutenberg-tm electronic works to
  • protect the PROJECT GUTENBERG-tm concept and trademark. Project
  • Gutenberg is a registered trademark, and may not be used if you
  • charge for the eBooks, unless you receive specific permission. If you
  • do not charge anything for copies of this eBook, complying with the
  • rules is very easy. You may use this eBook for nearly any purpose
  • such as creation of derivative works, reports, performances and
  • research. They may be modified and printed and given away--you may do
  • practically ANYTHING with public domain eBooks. Redistribution is
  • subject to the trademark license, especially commercial
  • redistribution.
  • *** START: FULL LICENSE ***
  • THE FULL PROJECT GUTENBERG LICENSE
  • PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
  • To protect the Project Gutenberg-tm mission of promoting the free
  • distribution of electronic works, by using or distributing this work
  • (or any other work associated in any way with the phrase "Project
  • Gutenberg"), you agree to comply with all the terms of the Full Project
  • Gutenberg-tm License (available with this file or online at
  • http://gutenberg.net/license).
  • Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
  • electronic works
  • 1.A. By reading or using any part of this Project Gutenberg-tm
  • electronic work, you indicate that you have read, understand, agree to
  • and accept all the terms of this license and intellectual property
  • (trademark/copyright) agreement. If you do not agree to abide by all
  • the terms of this agreement, you must cease using and return or destroy
  • all copies of Project Gutenberg-tm electronic works in your possession.
  • If you paid a fee for obtaining a copy of or access to a Project
  • Gutenberg-tm electronic work and you do not agree to be bound by the
  • terms of this agreement, you may obtain a refund from the person or
  • entity to whom you paid the fee as set forth in paragraph 1.E.8.
  • 1.B. "Project Gutenberg" is a registered trademark. It may only be
  • used on or associated in any way with an electronic work by people who
  • agree to be bound by the terms of this agreement. There are a few
  • things that you can do with most Project Gutenberg-tm electronic works
  • even without complying with the full terms of this agreement. See
  • paragraph 1.C below. There are a lot of things you can do with Project
  • Gutenberg-tm electronic works if you follow the terms of this agreement
  • and help preserve free future access to Project Gutenberg-tm electronic
  • works. See paragraph 1.E below.
  • 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
  • or PGLAF), owns a compilation copyright in the collection of Project
  • Gutenberg-tm electronic works. Nearly all the individual works in the
  • collection are in the public domain in the United States. If an
  • individual work is in the public domain in the United States and you are
  • located in the United States, we do not claim a right to prevent you from
  • copying, distributing, performing, displaying or creating derivative
  • works based on the work as long as all references to Project Gutenberg
  • are removed. Of course, we hope that you will support the Project
  • Gutenberg-tm mission of promoting free access to electronic works by
  • freely sharing Project Gutenberg-tm works in compliance with the terms of
  • this agreement for keeping the Project Gutenberg-tm name associated with
  • the work. You can easily comply with the terms of this agreement by
  • keeping this work in the same format with its attached full Project
  • Gutenberg-tm License when you share it without charge with others.
  • 1.D. The copyright laws of the place where you are located also govern
  • what you can do with this work. Copyright laws in most countries are in
  • a constant state of change. If you are outside the United States, check
  • the laws of your country in addition to the terms of this agreement
  • before downloading, copying, displaying, performing, distributing or
  • creating derivative works based on this work or any other Project
  • Gutenberg-tm work. The Foundation makes no representations concerning
  • the copyright status of any work in any country outside the United
  • States.
  • 1.E. Unless you have removed all references to Project Gutenberg:
  • 1.E.1. The following sentence, with active links to, or other immediate
  • access to, the full Project Gutenberg-tm License must appear prominently
  • whenever any copy of a Project Gutenberg-tm work (any work on which the
  • phrase "Project Gutenberg" appears, or with which the phrase "Project
  • Gutenberg" is associated) is accessed, displayed, performed, viewed,
  • copied or distributed:
  • This eBook is for the use of anyone anywhere at no cost and with
  • almost no restrictions whatsoever. You may copy it, give it away or
  • re-use it under the terms of the Project Gutenberg License included
  • with this eBook or online at www.gutenberg.net
  • 1.E.2. If an individual Project Gutenberg-tm electronic work is derived
  • from the public domain (does not contain a notice indicating that it is
  • posted with permission of the copyright holder), the work can be copied
  • and distributed to anyone in the United States without paying any fees
  • or charges. If you are redistributing or providing access to a work
  • with the phrase "Project Gutenberg" associated with or appearing on the
  • work, you must comply either with the requirements of paragraphs 1.E.1
  • through 1.E.7 or obtain permission for the use of the work and the
  • Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
  • 1.E.9.
  • 1.E.3. If an individual Project Gutenberg-tm electronic work is posted
  • with the permission of the copyright holder, your use and distribution
  • must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
  • terms imposed by the copyright holder. Additional terms will be linked
  • to the Project Gutenberg-tm License for all works posted with the
  • permission of the copyright holder found at the beginning of this work.
  • 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
  • License terms from this work, or any files containing a part of this
  • work or any other work associated with Project Gutenberg-tm.
  • 1.E.5. Do not copy, display, perform, distribute or redistribute this
  • electronic work, or any part of this electronic work, without
  • prominently displaying the sentence set forth in paragraph 1.E.1 with
  • active links or immediate access to the full terms of the Project
  • Gutenberg-tm License.
  • 1.E.6. You may convert to and distribute this work in any binary,
  • compressed, marked up, nonproprietary or proprietary form, including any
  • word processing or hypertext form. However, if you provide access to or
  • distribute copies of a Project Gutenberg-tm work in a format other than
  • "Plain Vanilla ASCII" or other format used in the official version
  • posted on the official Project Gutenberg-tm web site (www.gutenberg.net),
  • you must, at no additional cost, fee or expense to the user, provide a
  • copy, a means of exporting a copy, or a means of obtaining a copy upon
  • request, of the work in its original "Plain Vanilla ASCII" or other
  • form. Any alternate format must include the full Project Gutenberg-tm
  • License as specified in paragraph 1.E.1.
  • 1.E.7. Do not charge a fee for access to, viewing, displaying,
  • performing, copying or distributing any Project Gutenberg-tm works
  • unless you comply with paragraph 1.E.8 or 1.E.9.
  • 1.E.8. You may charge a reasonable fee for copies of or providing
  • access to or distributing Project Gutenberg-tm electronic works provided
  • that
  • - You pay a royalty fee of 20% of the gross profits you derive from
  • the use of Project Gutenberg-tm works calculated using the method
  • you already use to calculate your applicable taxes. The fee is
  • owed to the owner of the Project Gutenberg-tm trademark, but he
  • has agreed to donate royalties under this paragraph to the
  • Project Gutenberg Literary Archive Foundation. Royalty payments
  • must be paid within 60 days following each date on which you
  • prepare (or are legally required to prepare) your periodic tax
  • returns. Royalty payments should be clearly marked as such and
  • sent to the Project Gutenberg Literary Archive Foundation at the
  • address specified in Section 4, "Information about donations to
  • the Project Gutenberg Literary Archive Foundation."
  • - You provide a full refund of any money paid by a user who notifies
  • you in writing (or by e-mail) within 30 days of receipt that s/he
  • does not agree to the terms of the full Project Gutenberg-tm
  • License. You must require such a user to return or
  • destroy all copies of the works possessed in a physical medium
  • and discontinue all use of and all access to other copies of
  • Project Gutenberg-tm works.
  • - You provide, in accordance with paragraph 1.F.3, a full refund of any
  • money paid for a work or a replacement copy, if a defect in the
  • electronic work is discovered and reported to you within 90 days
  • of receipt of the work.
  • - You comply with all other terms of this agreement for free
  • distribution of Project Gutenberg-tm works.
  • 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
  • electronic work or group of works on different terms than are set
  • forth in this agreement, you must obtain permission in writing from
  • both the Project Gutenberg Literary Archive Foundation and Michael
  • Hart, the owner of the Project Gutenberg-tm trademark. Contact the
  • Foundation as set forth in Section 3 below.
  • 1.F.
  • 1.F.1. Project Gutenberg volunteers and employees expend considerable
  • effort to identify, do copyright research on, transcribe and proofread
  • public domain works in creating the Project Gutenberg-tm
  • collection. Despite these efforts, Project Gutenberg-tm electronic
  • works, and the medium on which they may be stored, may contain
  • "Defects," such as, but not limited to, incomplete, inaccurate or
  • corrupt data, transcription errors, a copyright or other intellectual
  • property infringement, a defective or damaged disk or other medium, a
  • computer virus, or computer codes that damage or cannot be read by
  • your equipment.
  • 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
  • of Replacement or Refund" described in paragraph 1.F.3, the Project
  • Gutenberg Literary Archive Foundation, the owner of the Project
  • Gutenberg-tm trademark, and any other party distributing a Project
  • Gutenberg-tm electronic work under this agreement, disclaim all
  • liability to you for damages, costs and expenses, including legal
  • fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
  • LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
  • PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
  • TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
  • LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
  • INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
  • DAMAGE.
  • 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
  • defect in this electronic work within 90 days of receiving it, you can
  • receive a refund of the money (if any) you paid for it by sending a
  • written explanation to the person you received the work from. If you
  • received the work on a physical medium, you must return the medium with
  • your written explanation. The person or entity that provided you with
  • the defective work may elect to provide a replacement copy in lieu of a
  • refund. If you received the work electronically, the person or entity
  • providing it to you may choose to give you a second opportunity to
  • receive the work electronically in lieu of a refund. If the second copy
  • is also defective, you may demand a refund in writing without further
  • opportunities to fix the problem.
  • 1.F.4. Except for the limited right of replacement or refund set forth
  • in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
  • WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
  • WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
  • 1.F.5. Some states do not allow disclaimers of certain implied
  • warranties or the exclusion or limitation of certain types of damages.
  • If any disclaimer or limitation set forth in this agreement violates the
  • law of the state applicable to this agreement, the agreement shall be
  • interpreted to make the maximum disclaimer or limitation permitted by
  • the applicable state law. The invalidity or unenforceability of any
  • provision of this agreement shall not void the remaining provisions.
  • 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
  • trademark owner, any agent or employee of the Foundation, anyone
  • providing copies of Project Gutenberg-tm electronic works in accordance
  • with this agreement, and any volunteers associated with the production,
  • promotion and distribution of Project Gutenberg-tm electronic works,
  • harmless from all liability, costs and expenses, including legal fees,
  • that arise directly or indirectly from any of the following which you do
  • or cause to occur: (a) distribution of this or any Project Gutenberg-tm
  • work, (b) alteration, modification, or additions or deletions to any
  • Project Gutenberg-tm work, and (c) any Defect you cause.
  • Section 2. Information about the Mission of Project Gutenberg-tm
  • Project Gutenberg-tm is synonymous with the free distribution of
  • electronic works in formats readable by the widest variety of computers
  • including obsolete, old, middle-aged and new computers. It exists
  • because of the efforts of hundreds of volunteers and donations from
  • people in all walks of life.
  • Volunteers and financial support to provide volunteers with the
  • assistance they need are critical to reaching Project Gutenberg-tm's
  • goals and ensuring that the Project Gutenberg-tm collection will
  • remain freely available for generations to come. In 2001, the Project
  • Gutenberg Literary Archive Foundation was created to provide a secure
  • and permanent future for Project Gutenberg-tm and future generations.
  • To learn more about the Project Gutenberg Literary Archive Foundation
  • and how your efforts and donations can help, see Sections 3 and 4
  • and the Foundation web page at http://www.pglaf.org.
  • Section 3. Information about the Project Gutenberg Literary Archive
  • Foundation
  • The Project Gutenberg Literary Archive Foundation is a non profit
  • 501(c)(3) educational corporation organized under the laws of the
  • state of Mississippi and granted tax exempt status by the Internal
  • Revenue Service. The Foundation's EIN or federal tax identification
  • number is 64-6221541. Its 501(c)(3) letter is posted at
  • http://pglaf.org/fundraising. Contributions to the Project Gutenberg
  • Literary Archive Foundation are tax deductible to the full extent
  • permitted by U.S. federal laws and your state's laws.
  • The Foundation's principal office is located at 4557 Melan Dr. S.
  • Fairbanks, AK, 99712., but its volunteers and employees are scattered
  • throughout numerous locations. Its business office is located at
  • 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
  • business@pglaf.org. Email contact links and up to date contact
  • information can be found at the Foundation's web site and official
  • page at http://pglaf.org
  • For additional contact information:
  • Dr. Gregory B. Newby
  • Chief Executive and Director
  • gbnewby@pglaf.org
  • Section 4. Information about Donations to the Project Gutenberg
  • Literary Archive Foundation
  • Project Gutenberg-tm depends upon and cannot survive without wide
  • spread public support and donations to carry out its mission of
  • increasing the number of public domain and licensed works that can be
  • freely distributed in machine readable form accessible by the widest
  • array of equipment including outdated equipment. Many small donations
  • ($1 to $5,000) are particularly important to maintaining tax exempt
  • status with the IRS.
  • The Foundation is committed to complying with the laws regulating
  • charities and charitable donations in all 50 states of the United
  • States. Compliance requirements are not uniform and it takes a
  • considerable effort, much paperwork and many fees to meet and keep up
  • with these requirements. We do not solicit donations in locations
  • where we have not received written confirmation of compliance. To
  • SEND DONATIONS or determine the status of compliance for any
  • particular state visit http://pglaf.org
  • While we cannot and do not solicit contributions from states where we
  • have not met the solicitation requirements, we know of no prohibition
  • against accepting unsolicited donations from donors in such states who
  • approach us with offers to donate.
  • International donations are gratefully accepted, but we cannot make
  • any statements concerning tax treatment of donations received from
  • outside the United States. U.S. laws alone swamp our small staff.
  • Please check the Project Gutenberg Web pages for current donation
  • methods and addresses. Donations are accepted in a number of other
  • ways including including checks, online payments and credit card
  • donations. To donate, please visit: http://pglaf.org/donate
  • Section 5. General Information About Project Gutenberg-tm electronic
  • works.
  • Professor Michael S. Hart is the originator of the Project Gutenberg-tm
  • concept of a library of electronic works that could be freely shared
  • with anyone. For thirty years, he produced and distributed Project
  • Gutenberg-tm eBooks with only a loose network of volunteer support.
  • Project Gutenberg-tm eBooks are often created from several printed
  • editions, all of which are confirmed as Public Domain in the U.S.
  • unless a copyright notice is included. Thus, we do not necessarily
  • keep eBooks in compliance with any particular paper edition.
  • Most people start at our Web site which has the main PG search facility:
  • http://www.gutenberg.net
  • This Web site includes information about Project Gutenberg-tm,
  • including how to make donations to the Project Gutenberg Literary
  • Archive Foundation, how to help produce our new eBooks, and how to
  • subscribe to our email newsletter to hear about new eBooks.