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  • Title: Pierre; or The Ambiguities
  • Author: Herman Melville
  • Release Date: January 15, 2011 [EBook #34970]
  • Language: English
  • *** START OF THIS PROJECT GUTENBERG EBOOK PIERRE; OR THE AMBIGUITIES ***
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  • PIERRE:
  • OR,
  • THE AMBIGUITIES.
  • BY
  • HERMAN MELVILLE.
  • NEW YORK:
  • HARPER & BROTHERS, PUBLISHERS
  • 329 & 331 PEARL STREET,
  • FRANKLIN SQUARE.
  • 1852.
  • Entered according to Act of Congress, in the year 1852, by
  • HERMAN MELVILLE,
  • In the Clerk's Office of the Southern District of New York.
  • TO
  • Greylock's Most Excellent Majesty.
  • In old times authors were proud of the privilege of dedicating their
  • works to Majesty. A right noble custom, which we of Berkshire must
  • revive. For whether we will or no, Majesty is all around us here in
  • Berkshire, sitting as in a grand Congress of Vienna of majestical
  • hill-tops, and eternally challenging our homage.
  • But since the majestic mountain, Greylock--my own more immediate
  • sovereign lord and king--hath now, for innumerable ages, been the one
  • grand dedicatee of the earliest rays of all the Berkshire mornings, I
  • know not how his Imperial Purple Majesty (royal-born: Porphyrogenitus)
  • will receive the dedication of my own poor solitary ray.
  • Nevertheless, forasmuch as I, dwelling with my loyal neighbors, the
  • Maples and the Beeches, in the amphitheater over which his central
  • majesty presides, have received his most bounteous and unstinted
  • fertilizations, it is but meet, that I here devoutly kneel, and render
  • up my gratitude, whether, thereto, The Most Excellent Purple Majesty of
  • Greylock benignantly incline his hoary crown or no.
  • _Pittsfield, Mass._
  • TABLE OF CONTENTS.
  • BOOK I.
  • PAGE
  • PIERRE JUST EMERGING FROM HIS TEENS 1
  • BOOK II.
  • LOVE, DELIGHT, AND ALARM 26
  • BOOK III.
  • THE PRESENTIMENT AND THE VERIFICATION 56
  • BOOK IV.
  • RETROSPECTIVE 89
  • BOOK V.
  • MISGIVINGS AND PREPARATIVES 116
  • BOOK VI.
  • ISABEL, AND THE FIRST PART OF THE STORY OF ISABEL 147
  • BOOK VII.
  • INTERMEDIATE BETWEEN PIERRE'S TWO INTERVIEWS
  • WITH ISABEL AT THE FARM-HOUSE 173
  • BOOK VIII.
  • THE SECOND INTERVIEW, AND THE SECOND PART OF
  • THE STORY OF ISABEL. THEIR IMMEDIATE IMPULSIVE
  • EFFECT UPON PIERRE 194
  • BOOK IX.
  • MORE LIGHT, AND THE GLOOM OF THAT LIGHT. MORE
  • GLOOM, AND THE LIGHT OF THAT GLOOM 224
  • BOOK X.
  • THE UNPRECEDENTED FINAL RESOLUTION OF PIERRE 233
  • BOOK XI.
  • HE CROSSES THE RUBICON 247
  • BOOK XII.
  • ISABEL, MRS. GLENDINNING, THE PORTRAIT, AND LUCY 256
  • BOOK XIII.
  • THEY DEPART THE MEADOWS 273
  • BOOK XIV.
  • THE JOURNEY AND THE PAMPHLET 277
  • BOOK XV.
  • THE COUSINS 294
  • BOOK XVI.
  • FIRST NIGHT OF THEIR ARRIVAL IN THE CITY 312
  • BOOK XVII.
  • YOUNG AMERICA IN LITERATURE 333
  • BOOK XVIII.
  • PIERRE, AS A JUVENILE AUTHOR, RECONSIDERED 350
  • BOOK XIX.
  • THE CHURCH OF THE APOSTLES 360
  • BOOK XX.
  • CHARLIE MILLTHORPE 374
  • BOOK XXI.
  • PIERRE IMMATURELY ATTEMPTS A MATURE BOOK. TIDINGS
  • FROM THE MEADOWS. PLINLIMMON 384
  • BOOK XXII.
  • THE FLOWER-CURTAIN LIFTED FROM BEFORE A TROPICAL
  • AUTHOR; WITH SOME REMARKS ON THE TRANSCENDENTAL
  • FLESH-BRUSH PHILOSOPHY 402
  • BOOK XXIII.
  • A LETTER FOR PIERRE. ISABEL. ARRIVAL OF LUCY'S
  • EASEL AND TRUNKS AT THE APOSTLES' 418
  • BOOK XXIV.
  • LUCY AT THE APOSTLES' 439
  • BOOK XXV.
  • LUCY, ISABEL, AND PIERRE. PIERRE AT HIS BOOK.
  • ENCELADUS 450
  • BOOK XXVI.
  • A WALK; A FOREIGN PORTRAIT; A SAIL. AND THE
  • END 475
  • PIERRE.
  • BOOK I.
  • PIERRE JUST EMERGING FROM HIS TEENS.
  • I.
  • There are some strange summer mornings in the country, when he who is
  • but a sojourner from the city shall early walk forth into the fields,
  • and be wonder-smitten with the trance-like aspect of the green and
  • golden world. Not a flower stirs; the trees forget to wave; the grass
  • itself seems to have ceased to grow; and all Nature, as if suddenly
  • become conscious of her own profound mystery, and feeling no refuge from
  • it but silence, sinks into this wonderful and indescribable repose.
  • Such was the morning in June, when, issuing from the embowered and
  • high-gabled old home of his fathers, Pierre, dewily refreshed and
  • spiritualized by sleep, gayly entered the long, wide, elm-arched street
  • of the village, and half unconsciously bent his steps toward a cottage,
  • which peeped into view near the end of the vista.
  • The verdant trance lay far and wide; and through it nothing came but the
  • brindled kine, dreamily wandering to their pastures, followed, not
  • driven, by ruddy-cheeked, white-footed boys.
  • As touched and bewitched by the loveliness of this silence, Pierre
  • neared the cottage, and lifted his eyes, he swiftly paused, fixing his
  • glance upon one upper, open casement there. Why now this impassioned,
  • youthful pause? Why this enkindled cheek and eye? Upon the sill of the
  • casement, a snow-white glossy pillow reposes, and a trailing shrub has
  • softly rested a rich, crimson flower against it.
  • Well mayst thou seek that pillow, thou odoriferous flower, thought
  • Pierre; not an hour ago, her own cheek must have rested there. "Lucy!"
  • "Pierre!"
  • As heart rings to heart those voices rang, and for a moment, in the
  • bright hush of the morning, the two stood silently but ardently eying
  • each other, beholding mutual reflections of a boundless admiration and
  • love.
  • "Nothing but Pierre," laughed the youth, at last; "thou hast forgotten
  • to bid me good-morning."
  • "That would be little. Good-mornings, good-evenings, good days, weeks,
  • months, and years to thee, Pierre;--bright Pierre!--Pierre!"
  • Truly, thought the youth, with a still gaze of inexpressible fondness;
  • truly the skies do ope, and this invoking angel looks down.--"I would
  • return thee thy manifold good-mornings, Lucy, did not that presume thou
  • had'st lived through a night; and by Heaven, thou belong'st to the
  • regions of an infinite day!"
  • "Fie, now, Pierre; why should ye youths always swear when ye love!"
  • "Because in us love is profane, since it mortally reaches toward the
  • heaven in ye!"
  • "There thou fly'st again, Pierre; thou art always circumventing me so.
  • Tell me, why should ye youths ever show so sweet an expertness in
  • turning all trifles of ours into trophies of yours?"
  • "I know not how that is, but ever was it our fashion to do." And shaking
  • the casement shrub, he dislodged the flower, and conspicuously fastened
  • it in his bosom.--"I must away now, Lucy; see! under these colors I
  • march."
  • "Bravissimo! oh, my only recruit!"
  • II.
  • Pierre was the only son of an affluent, and haughty widow; a lady who
  • externally furnished a singular example of the preservative and
  • beautifying influences of unfluctuating rank, health, and wealth, when
  • joined to a fine mind of medium culture, uncankered by any inconsolable
  • grief, and never worn by sordid cares. In mature age, the rose still
  • miraculously clung to her cheek; litheness had not yet completely
  • uncoiled itself from her waist, nor smoothness unscrolled itself from
  • her brow, nor diamondness departed from her eyes. So that when lit up
  • and bediademed by ball-room lights, Mrs. Glendinning still eclipsed far
  • younger charms, and had she chosen to encourage them, would have been
  • followed by a train of infatuated suitors, little less young than her
  • own son Pierre.
  • But a reverential and devoted son seemed lover enough for this widow
  • Bloom; and besides all this, Pierre when namelessly annoyed, and
  • sometimes even jealously transported by the too ardent admiration of the
  • handsome youths, who now and then, caught in unintended snares, seemed
  • to entertain some insane hopes of wedding this unattainable being;
  • Pierre had more than once, with a playful malice, openly sworn, that the
  • man--gray-beard, or beardless--who should dare to propose marriage to
  • his mother, that man would by some peremptory unrevealed agency
  • immediately disappear from the earth.
  • This romantic filial love of Pierre seemed fully returned by the
  • triumphant maternal pride of the widow, who in the clear-cut lineaments
  • and noble air of the son, saw her own graces strangely translated into
  • the opposite sex. There was a striking personal resemblance between
  • them; and as the mother seemed to have long stood still in her beauty,
  • heedless of the passing years; so Pierre seemed to meet her half-way,
  • and by a splendid precocity of form and feature, almost advanced himself
  • to that mature stand-point in Time, where his pedestaled mother so long
  • had stood. In the playfulness of their unclouded love, and with that
  • strange license which a perfect confidence and mutual understanding at
  • all points, had long bred between them, they were wont to call each
  • other brother and sister. Both in public and private this was their
  • usage; nor when thrown among strangers, was this mode of address ever
  • suspected for a sportful assumption; since the amaranthiness of Mrs.
  • Glendinning fully sustained this youthful pretension.--Thus freely and
  • lightsomely for mother and son flowed on the pure joined current of
  • life. But as yet the fair river had not borne its waves to those
  • sideways repelling rocks, where it was thenceforth destined to be
  • forever divided into two unmixing streams.
  • An excellent English author of these times enumerating the prime
  • advantages of his natal lot, cites foremost, that he first saw the rural
  • light. So with Pierre. It had been his choice fate to have been born and
  • nurtured in the country, surrounded by scenery whose uncommon loveliness
  • was the perfect mould of a delicate and poetic mind; while the popular
  • names of its finest features appealed to the proudest patriotic and
  • family associations of the historic line of Glendinning. On the meadows
  • which sloped away from the shaded rear of the manorial mansion, far to
  • the winding river, an Indian battle had been fought, in the earlier days
  • of the colony, and in that battle the paternal great-grandfather of
  • Pierre, mortally wounded, had sat unhorsed on his saddle in the grass,
  • with his dying voice, still cheering his men in the fray. This was
  • Saddle-Meadows, a name likewise extended to the mansion and the
  • village. Far beyond these plains, a day's walk for Pierre, rose the
  • storied heights, where in the Revolutionary War his grandfather had for
  • several months defended a rude but all-important stockaded fort, against
  • the repeated combined assaults of Indians, Tories, and Regulars. From
  • before that fort, the gentlemanly, but murderous half-breed, Brandt, had
  • fled, but had survived to dine with General Glendinning, in the amicable
  • times which followed that vindictive war. All the associations of
  • Saddle-Meadows were full of pride to Pierre. The Glendinning deeds by
  • which their estate had so long been held, bore the cyphers of three
  • Indian kings, the aboriginal and only conveyancers of those noble woods
  • and plains. Thus loftily, in the days of his circumscribed youth, did
  • Pierre glance along the background of his race; little recking of that
  • maturer and larger interior development, which should forever deprive
  • these things of their full power of pride in his soul.
  • But the breeding of Pierre would have been unwisely contracted, had his
  • youth been unintermittingly passed in these rural scenes. At a very
  • early period he had begun to accompany his father and mother--and
  • afterwards his mother alone--in their annual visits to the city; where
  • naturally mingling in a large and polished society, Pierre had
  • insensibly formed himself in the airier graces of life, without
  • enfeebling the vigor derived from a martial race, and fostered in the
  • country's clarion air.
  • Nor while thus liberally developed in person and manners, was Pierre
  • deficient in a still better and finer culture. Not in vain had he spent
  • long summer afternoons in the deep recesses of his father's fastidiously
  • picked and decorous library; where the Spenserian nymphs had early led
  • him into many a maze of all-bewildering beauty. Thus, with a graceful
  • glow on his limbs, and soft, imaginative flames in his heart, did this
  • Pierre glide toward maturity, thoughtless of that period of remorseless
  • insight, when all these delicate warmths should seem frigid to him, and
  • he should madly demand more ardent fires.
  • Nor had that pride and love which had so bountifully provided for the
  • youthful nurture of Pierre, neglected his culture in the deepest element
  • of all. It had been a maxim with the father of Pierre, that all
  • gentlemanhood was vain; all claims to it preposterous and absurd, unless
  • the primeval gentleness and golden humanities of religion had been so
  • thoroughly wrought into the complete texture of the character, that he
  • who pronounced himself gentleman, could also rightfully assume the meek,
  • but kingly style of Christian. At the age of sixteen, Pierre partook
  • with his mother of the Holy Sacraments.
  • It were needless, and more difficult, perhaps, to trace out precisely
  • the absolute motives which prompted these youthful vows. Enough, that as
  • to Pierre had descended the numerous other noble qualities of his
  • ancestors; and as he now stood heir to their forests and farms; so by
  • the same insensible sliding process, he seemed to have inherited their
  • docile homage to a venerable Faith, which the first Glendinning had
  • brought over sea, from beneath the shadow of an English minister. Thus
  • in Pierre was the complete polished steel of the gentleman, girded with
  • Religion's silken sash; and his great-grandfather's soldierly fate had
  • taught him that the generous sash should, in the last bitter trial,
  • furnish its wearer with Glory's shroud; so that what through life had
  • been worn for Grace's sake, in death might safely hold the man. But
  • while thus all alive to the beauty and poesy of his father's faith,
  • Pierre little foresaw that this world hath a secret deeper than beauty,
  • and Life some burdens heavier than death.
  • So perfect to Pierre had long seemed the illuminated scroll of his life
  • thus far, that only one hiatus was discoverable by him in that
  • sweetly-writ manuscript. A sister had been omitted from the text. He
  • mourned that so delicious a feeling as fraternal love had been denied
  • him. Nor could the fictitious title, which he so often lavished upon his
  • mother, at all supply the absent reality. This emotion was most natural;
  • and the full cause and reason of it even Pierre did not at that time
  • entirely appreciate. For surely a gentle sister is the second best gift
  • to a man; and it is first in point of occurrence; for the wife comes
  • after. He who is sisterless, is as a bachelor before his time. For much
  • that goes to make up the deliciousness of a wife, already lies in the
  • sister.
  • "Oh, had my father but had a daughter!" cried Pierre; "some one whom I
  • might love, and protect, and fight for, if need be. It must be a
  • glorious thing to engage in a mortal quarrel on a sweet sister's behalf!
  • Now, of all things, would to heaven, I had a sister!"
  • Thus, ere entranced in the gentler bonds of a lover; thus often would
  • Pierre invoke heaven for a sister; but Pierre did not then know, that if
  • there be any thing a man might well pray against, that thing is the
  • responsive gratification of some of the devoutest prayers of his youth.
  • It may have been that this strange yearning of Pierre for a sister, had
  • part of its origin in that still stranger feeling of loneliness he
  • sometimes experienced, as not only the solitary head of his family, but
  • the only surnamed male Glendinning extant. A powerful and populous
  • family had by degrees run off into the female branches; so that Pierre
  • found himself surrounded by numerous kinsmen and kinswomen, yet
  • companioned by no surnamed male Glendinning, but the duplicate one
  • reflected to him in the mirror. But in his more wonted natural mood,
  • this thought was not wholly sad to him. Nay, sometimes it mounted into
  • an exultant swell. For in the ruddiness, and flushfulness, and
  • vain-gloriousness of his youthful soul, he fondly hoped to have a
  • monopoly of glory in capping the fame-column, whose tall shaft had been
  • erected by his noble sires.
  • In all this, how unadmonished was our Pierre by that foreboding and
  • prophetic lesson taught, not less by Palmyra's quarries, than by
  • Palmyra's ruins. Among those ruins is a crumbling, uncompleted shaft,
  • and some leagues off, ages ago left in the quarry, is the crumbling
  • corresponding capital, also incomplete. These Time seized and spoiled;
  • these Time crushed in the egg; and the proud stone that should have
  • stood among the clouds, Time left abased beneath the soil. Oh, what
  • quenchless feud is this, that Time hath with the sons of Men!
  • III.
  • It has been said that the beautiful country round about Pierre appealed
  • to very proud memories. But not only through the mere chances of things,
  • had that fine country become ennobled by the deeds of his sires, but in
  • Pierre's eyes, all its hills and swales seemed as sanctified through
  • their very long uninterrupted possession by his race.
  • That fond ideality which, in the eyes of affection, hallows the least
  • trinket once familiar to the person of a departed love; with Pierre that
  • talisman touched the whole earthly landscape about him; for remembering
  • that on those hills his own fine fathers had gazed; through those woods,
  • over these lawns, by that stream, along these tangled paths, many a
  • grand-dame of his had merrily strolled when a girl; vividly recalling
  • these things, Pierre deemed all that part of the earth a love-token; so
  • that his very horizon was to him as a memorial ring.
  • The monarchical world very generally imagines, that in demagoguical
  • America the sacred Past hath no fixed statues erected to it, but all
  • things irreverently seethe and boil in the vulgar caldron of an
  • everlasting uncrystalizing Present. This conceit would seem peculiarly
  • applicable to the social condition. With no chartered aristocracy, and
  • no law of entail, how can any family in America imposingly perpetuate
  • itself? Certainly that common saying among us, which declares, that be a
  • family conspicuous as it may, a single half-century shall see it abased;
  • that maxim undoubtedly holds true with the commonalty. In our cities
  • families rise and burst like bubbles in a vat. For indeed the democratic
  • element operates as a subtile acid among us; forever producing new
  • things by corroding the old; as in the south of France verdigris, the
  • primitive material of one kind of green paint, is produced by
  • grape-vinegar poured upon copper plates. Now in general nothing can be
  • more significant of decay than the idea of corrosion; yet on the other
  • hand, nothing can more vividly suggest luxuriance of life, than the idea
  • of green as a color; for green is the peculiar signet of all-fertile
  • Nature herself. Herein by apt analogy we behold the marked anomalousness
  • of America; whose character abroad, we need not be surprised, is
  • misconceived, when we consider how strangely she contradicts all prior
  • notions of human things; and how wonderfully to her, Death itself
  • becomes transmuted into Life. So that political institutions, which in
  • other lands seem above all things intensely artificial, with America
  • seem to possess the divine virtue of a natural law; for the most mighty
  • of nature's laws is this, that out of Death she brings Life.
  • Still, are there things in the visible world, over which ever-shifting
  • Nature hath not so unbounded a sway. The grass is annually changed; but
  • the limbs of the oak, for a long term of years, defy that annual decree.
  • And if in America the vast mass of families be as the blades of grass,
  • yet some few there are that stand as the oak; which, instead of
  • decaying, annually puts forth new branches; whereby Time, instead of
  • subtracting, is made to capitulate into a multiple virtue.
  • In this matter we will--not superciliously, but in fair spirit--compare
  • pedigrees with England, and strange as it may seem at the first blush,
  • not without some claim to equality. I dare say, that in this thing the
  • Peerage Book is a good statistical standard whereby to judge her; since
  • the compilers of that work can not be entirely insensible on whose
  • patronage they most rely; and the common intelligence of our own people
  • shall suffice to judge us. But the magnificence of names must not
  • mislead us as to the humility of things. For as the breath in all our
  • lungs is hereditary, and my present breath at this moment, is further
  • descended than the body of the present High Priest of the Jews, so far
  • as he can assuredly trace it; so mere names, which are also but air, do
  • likewise revel in this endless descendedness. But if Richmond, and St.
  • Albans, and Grafton, and Portland, and Buccleugh, be names almost old as
  • England herself, the present Dukes of those names stop in their own
  • genuine pedigrees at Charles II., and there find no very fine fountain;
  • since what we would deem the least glorious parentage under the sun, is
  • precisely the parentage of a Buccleugh, for example; whose ancestress
  • could not well avoid being a mother, it is true, but had accidentally
  • omitted the preliminary rite. Yet a king was the sire. Then only so much
  • the worse; for if it be small insult to be struck by a pauper, but
  • mortal offense to receive a blow from a gentleman, then of all things
  • the bye-blows of kings must be signally unflattering. In England the
  • Peerage is kept alive by incessant restorations and creations. One man,
  • George III., manufactured five hundred and twenty-two peers. An earldom,
  • in abeyance for five centuries, has suddenly been assumed by some
  • commoner, to whom it had not so much descended, as through the art of
  • the lawyers been made flexibly to bend in that direction. For not Thames
  • is so sinuous in his natural course, not the Bridgewater Canal more
  • artificially conducted, than blood in the veins of that winding or
  • manufactured nobility. Perishable as stubble, and fungous as the fungi,
  • those grafted families successively live and die on the eternal soil of
  • a name. In England this day, twenty-five hundred peerages are extinct;
  • but the names survive. So that the empty air of a name is more
  • endurable than a man, or than dynasties of men; the air fills man's
  • lungs and puts life into a man, but man fills not the air, nor puts life
  • into that.
  • All honor to the names then, and all courtesy to the men; but if St.
  • Albans tell me he is all-honorable and all-eternal, I must still
  • politely refer him to Nell Gwynne.
  • Beyond Charles II. very few indeed--hardly worthy of note--are the
  • present titled English families which can trace any thing like a direct
  • unvitiated blood-descent from the thief knights of the Norman. Beyond
  • Charles II. their direct genealogies seem vain as though some Jew
  • clothesman, with a tea-canister on his head, turned over the first
  • chapter of St. Matthew to make out his unmingled participation in the
  • blood of King Saul, who had long died ere the career of the Cæsar began.
  • Now, not preliminarily to enlarge upon the fact that, while in England
  • an immense mass of state-masonry is brought to bear as a buttress in
  • upholding the hereditary existence of certain houses, while with us
  • nothing of that kind can possibly be admitted; and to omit all mention
  • of the hundreds of unobtrusive families in New England who,
  • nevertheless, might easily trace their uninterrupted English lineage to
  • a time before Charles the Blade: not to speak of the old and
  • oriental-like English planter families of Virginia and the South; the
  • Randolphs for example, one of whose ancestors, in King James' time,
  • married Pocahontas the Indian Princess, and in whose blood therefore an
  • underived aboriginal royalty was flowing over two hundred years ago;
  • consider those most ancient and magnificent Dutch Manors at the North,
  • whose perches are miles--whose meadows overspread adjacent
  • countries--and whose haughty rent-deeds are held by their thousand
  • farmer tenants, so long as grass grows and water runs; which hints of a
  • surprising eternity for a deed, and seem to make lawyer's ink
  • unobliterable as the sea. Some of those manors are two centuries old;
  • and their present patrons or lords will show you stakes and stones on
  • their estates put there--the stones at least--before Nell Gwynne the
  • Duke-mother was born, and genealogies which, like their own river,
  • Hudson, flow somewhat farther and straighter than the Serpentine
  • brooklet in Hyde Park.
  • These far-descended Dutch meadows lie steeped in a Hindooish haze; an
  • eastern patriarchalness sways its mild crook over pastures, whose tenant
  • flocks shall there feed, long as their own grass grows, long as their
  • own water shall run. Such estates seem to defy Time's tooth, and by
  • conditions which take hold of the indestructible earth seem to
  • contemporize their fee-simples with eternity. Unimaginable audacity of a
  • worm that but crawls through the soil he so imperially claims!
  • In midland counties of England they boast of old oaken dining-halls
  • where three hundred men-at-arms could exercise of a rainy afternoon, in
  • the reign of the Plantagenets. But our lords, the Patroons, appeal not
  • to the past, but they point to the present. One will show you that the
  • public census of a county is but part of the roll of his tenants. Ranges
  • of mountains, high as Ben Nevis or Snowdon, are their walls; and regular
  • armies, with staffs of officers, crossing rivers with artillery, and
  • marching through primeval woods, and threading vast rocky defiles, have
  • been sent out to distrain upon three thousand farmer-tenants of one
  • landlord, at a blow. A fact most suggestive two ways; both whereof shall
  • be nameless here.
  • But whatever one may think of the existence of such mighty lordships in
  • the heart of a republic, and however we may wonder at their thus
  • surviving, like Indian mounds, the Revolutionary flood; yet survive and
  • exist they do, and are now owned by their present proprietors, by as
  • good nominal title as any peasant owns his father's old hat, or any duke
  • his great-uncle's old coronet.
  • For all this, then, we shall not err very widely if we humbly conceive,
  • that--should she choose to glorify herself in that inconsiderable
  • way--our America will make out a good general case with England in this
  • short little matter of large estates, and long pedigrees--pedigrees I
  • mean, wherein is no flaw.
  • IV.
  • In general terms we have been thus decided in asserting the great
  • genealogical and real-estate dignity of some families in America,
  • because in so doing we poetically establish the richly aristocratic
  • condition of Master Pierre Glendinning, for whom we have before claimed
  • some special family distinction. And to the observant reader the sequel
  • will not fail to show, how important is this circumstance, considered
  • with reference to the singularly developed character and most singular
  • life-career of our hero. Nor will any man dream that the last chapter
  • was merely intended for a foolish bravado, and not with a solid purpose
  • in view.
  • Now Pierre stands on this noble pedestal; we shall see if he keeps that
  • fine footing; we shall see if Fate hath not just a little bit of a small
  • word or two to say in this world. But it is not laid down here that the
  • Glendinnings dated back beyond Pharaoh, or the deeds of Saddle-Meadows
  • to the Three Magi in the Gospels. Nevertheless, those deeds, as before
  • hinted, did indeed date back to three kings--Indian kings--only so much
  • the finer for that.
  • But if Pierre did not date back to the Pharaohs, and if the English
  • farmer Hampdens were somewhat the seniors of even the oldest
  • Glendinning; and if some American manors boasted a few additional years
  • and square miles over his, yet think you that it is at all possible,
  • that a youth of nineteen should--merely by way of trial of the
  • thing--strew his ancestral kitchen hearth-stone with wheat in the stalk,
  • and there standing in the chimney thresh out that grain with a flail,
  • whose aerial evolutions had free play among all that masonry; were it
  • not impossible for such a flailer so to thresh wheat in his own
  • ancestral kitchen chimney without feeling just a little twinge or two of
  • what one might call family pride? I should say not.
  • Or how think you it would be with this youthful Pierre, if every day
  • descending to breakfast, he caught sight of an old tattered British
  • banner or two, hanging over an arched window in his hall; and those
  • banners captured by his grandfather, the general, in fair fight? Or how
  • think you it would be if every time he heard the band of the military
  • company of the village, he should distinctly recognize the peculiar tap
  • of a British kettle-drum also captured by his grandfather in fair fight,
  • and afterwards suitably inscribed on the brass and bestowed upon the
  • Saddle-Meadows Artillery Corps? Or how think you it would be, if
  • sometimes of a mild meditative Fourth of July morning in the country, he
  • carried out with him into the garden by way of ceremonial cane, a long,
  • majestic, silver-tipped staff, a Major-General's baton, once wielded on
  • the plume-nodding and musket-flashing review by the same grandfather
  • several times here-in-before mentioned? I should say that considering
  • Pierre was quite young and very unphilosophical as yet, and withal
  • rather high-blooded; and sometimes read the History of the Revolutionary
  • War, and possessed a mother who very frequently made remote social
  • allusions to the epaulettes of the Major-General his grandfather;--I
  • should say that upon all of these occasions, the way it must have been
  • with him, was a very proud, elated sort of way. And if this seem but too
  • fond and foolish in Pierre; and if you tell me that this sort of thing
  • in him showed him no sterling Democrat, and that a truly noble man
  • should never brag of any arm but his own; then I beg you to consider
  • again that this Pierre was but a youngster as yet. And believe me you
  • will pronounce Pierre a thoroughgoing Democrat in time; perhaps a little
  • too Radical altogether to your fancy.
  • In conclusion, do not blame me if I here make repetition, and do
  • verbally quote my own words in saying that _it had been the choice fate
  • of Pierre to have been born and bred in the country_. For to a noble
  • American youth this indeed--more than in any other land--this indeed is
  • a most rare and choice lot. For it is to be observed, that while in
  • other countries, the finest families boast of the country as their home;
  • the more prominent among us, proudly cite the city as their seat. Too
  • often the American that himself makes his fortune, builds him a great
  • metropolitan house, in the most metropolitan street of the most
  • metropolitan town. Whereas a European of the same sort would thereupon
  • migrate into the country. That herein the European hath the better of
  • it, no poet, no philosopher, and no aristocrat will deny. For the
  • country is not only the most poetical and philosophical, but it is the
  • most aristocratic part of this earth, for it is the most venerable, and
  • numerous bards have ennobled it by many fine titles. Whereas the town is
  • the more plebeian portion: which, besides many other things, is plainly
  • evinced by the dirty unwashed face perpetually worn by the town; but the
  • country, like any Queen, is ever attended by scrupulous lady's maids in
  • the guise of the seasons, and the town hath but one dress of brick
  • turned up with stone; but the country hath a brave dress for every week
  • in the year; sometimes she changes her dress twenty-four times in the
  • twenty-four hours; and the country weareth her sun by day as a diamond
  • on a Queen's brow; and the stars by night as necklaces of gold beads;
  • whereas the town's sun is smoky paste, and no diamond, and the town's
  • stars are pinchbeck and not gold.
  • In the country then Nature planted our Pierre; because Nature intended a
  • rare and original development in Pierre. Never mind if hereby she proved
  • ambiguous to him in the end; nevertheless, in the beginning she did
  • bravely. She blew her wind-clarion from the blue hills, and Pierre
  • neighed out lyrical thoughts, as at the trumpet-blast, a war-horse paws
  • himself into a lyric of foam. She whispered through her deep groves at
  • eve, and gentle whispers of humanness, and sweet whispers of love, ran
  • through Pierre's thought-veins, musical as water over pebbles. She
  • lifted her spangled crest of a thickly-starred night, and forth at that
  • glimpse of their divine Captain and Lord, ten thousand mailed thoughts
  • of heroicness started up in Pierre's soul, and glared round for some
  • insulted good cause to defend.
  • So the country was a glorious benediction to young Pierre; we shall see
  • if that blessing pass from him as did the divine blessing from the
  • Hebrews; we shall yet see again, I say, whether Fate hath not just a
  • little bit of a word or two to say in this world; we shall see whether
  • this wee little bit scrap of latinity be very far out of the way--_Nemo
  • contra Deum nisi Deus ipse._
  • V.
  • "Sister Mary," said Pierre, returned from his sunrise stroll, and
  • tapping at his mother's chamber door:--"do you know, sister Mary, that
  • the trees which have been up all night, are all abroad again this
  • morning before you?--Do you not smell something like coffee, my sister?"
  • A light step moved from within toward the door; which opened, showing
  • Mrs. Glendinning, in a resplendently cheerful morning robe, and holding
  • a gay wide ribbon in her hand.
  • "Good morning, madam," said Pierre, slowly, and with a bow, whose
  • genuine and spontaneous reverence amusingly contrasted with the sportive
  • manner that had preceded it. For thus sweetly and religiously was the
  • familiarity of his affections bottomed on the profoundest filial
  • respect.
  • "Good afternoon to you, Pierre, for I suppose it is afternoon. But come,
  • you shall finish my toilette;--here, brother--" reaching the
  • ribbon--"now acquit yourself bravely--" and seating herself away from
  • the glass, she awaited the good offices of Pierre.
  • "First Lady in waiting to the Dowager Duchess Glendinning," laughed
  • Pierre, as bowing over before his mother, he gracefully passed the
  • ribbon round her neck, simply crossing the ends in front.
  • "Well, what is to hold it there, Pierre?"
  • "I am going to try and tack it with a kiss, sister,--there!--oh, what a
  • pity that sort of fastening won't always hold!--where's the cameo with
  • the fawns, I gave you last night?--Ah! on the slab--you were going to
  • wear it then?--Thank you, my considerate and most politic
  • sister--there!--but stop--here's a ringlet gone romping--so now, dear
  • sister, give that Assyrian toss to your head."
  • The haughtily happy mother rose to her feet, and as she stood before the
  • mirror to criticize her son's adornings, Pierre, noticing the straggling
  • tie of her slipper, knelt down and secured it. "And now for the urn," he
  • cried, "madam!" and with a humorous gallantry, offering his arm to his
  • mother, the pair descended to breakfast.
  • With Mrs. Glendinning it was one of those spontaneous maxims, which
  • women sometimes act upon without ever thinking of, never to appear in
  • the presence of her son in any dishabille that was not eminently
  • becoming. Her own independent observation of things, had revealed to her
  • many very common maxims, which often become operatively lifeless from a
  • vicarious reception of them. She was vividly aware how immense was that
  • influence, which, even in the closest ties of the heart, the merest
  • appearances make upon the mind. And as in the admiring love and
  • graceful devotion of Pierre lay now her highest joy in life; so she
  • omitted no slightest trifle which could possibly contribute to the
  • preservation of so sweet and flattering a thing.
  • Besides all this, Mary Glendinning was a woman, and with more than the
  • ordinary vanity of women--if vanity it can be called--which in a life of
  • nearly fifty years had never betrayed her into a single published
  • impropriety, or caused her one known pang at the heart. Moreover, she
  • had never yearned for admiration; because that was her birthright by the
  • eternal privilege of beauty; she had always possessed it; she had not to
  • turn her head for it, since spontaneously it always encompassed her.
  • Vanity, which in so many women approaches to a spiritual vice, and
  • therefore to a visible blemish; in her peculiar case--and though
  • possessed in a transcendent degree--was still the token of the highest
  • health; inasmuch as never knowing what it was to yearn for its
  • gratification, she was almost entirely unconscious of possessing it at
  • all. Many women carry this light of their lives flaming on their
  • foreheads; but Mary Glendinning unknowingly bore hers within. Through
  • all the infinite traceries of feminine art, she evenly glowed like a
  • vase which, internally illuminated, gives no outward sign of the
  • lighting flame, but seems to shine by the very virtue of the exquisite
  • marble itself. But that bluff corporeal admiration, with which some
  • ball-room women are content, was no admiration to the mother of Pierre.
  • Not the general homage of men, but the selected homage of the noblest
  • men, was what she felt to be her appropriate right. And as her own
  • maternal partialities were added to, and glorified the rare and absolute
  • merits of Pierre; she considered the voluntary allegiance of his
  • affectionate soul, the representative fealty of the choicest guild of
  • his race. Thus, though replenished through all her veins with the
  • subtlest vanity, with the homage of Pierre alone she was content.
  • But as to a woman of sense and spirit, the admiration of even the
  • noblest and most gifted man, is esteemed as nothing, so long as she
  • remains conscious of possessing no directly influencing and practical
  • sorcery over his soul; and as notwithstanding all his intellectual
  • superiority to his mother, Pierre, through the unavoidable weakness of
  • inexperienced and unexpanded youth, was strangely docile to the maternal
  • tuitions in nearly all the things which thus far had any ways interested
  • or affected him; therefore it was, that to Mary Glendinning this
  • reverence of Pierre was invested with all the proudest delights and
  • witcheries of self-complacency, which it is possible for the most
  • conquering virgin to feel. Still more. That nameless and infinitely
  • delicate aroma of inexpressible tenderness and attentiveness which, in
  • every refined and honorable attachment, is cotemporary with the
  • courtship, and precedes the final banns and the rite; but which, like
  • the _bouquet_ of the costliest German wines, too often evaporates upon
  • pouring love out to drink, in the disenchanting glasses of the
  • matrimonial days and nights; this highest and airiest thing in the whole
  • compass of the experience of our mortal life; this heavenly
  • evanescence--still further etherealized in the filial breast--was for
  • Mary Glendinning, now not very far from her grand climacteric,
  • miraculously revived in the courteous lover-like adoration of Pierre.
  • Altogether having its origin in a wonderful but purely fortuitous
  • combination of the happiest and rarest accidents of earth; and not to be
  • limited in duration by that climax which is so fatal to ordinary love;
  • this softened spell which still wheeled the mother and son in one orbit
  • of joy, seemed a glimpse of the glorious possibility, that the divinest
  • of those emotions, which are incident to the sweetest season of love, is
  • capable of an indefinite translation into many of the less signal
  • relations of our many chequered life. In a detached and individual way,
  • it seemed almost to realize here below the sweet dreams of those
  • religious enthusiasts, who paint to us a Paradise to come, when
  • etherealized from all drosses and stains, the holiest passion of man
  • shall unite all kindreds and climes in one circle of pure and
  • unimpairable delight.
  • VI.
  • There was one little uncelestial trait, which, in the opinion of some,
  • may mar the romantic merits of the gentlemanly Pierre Glendinning. He
  • always had an excellent appetite, and especially for his breakfast. But
  • when we consider that though Pierre's hands were small, and his ruffles
  • white, yet his arm was by no means dainty, and his complexion inclined
  • to brown; and that he generally rose with the sun, and could not sleep
  • without riding his twenty, or walking his twelve miles a day, or felling
  • a fair-sized hemlock in the forest, or boxing, or fencing, or boating,
  • or performing some other gymnastical feat; when we consider these
  • athletic habitudes of Pierre, and the great fullness of brawn and muscle
  • they built round about him; all of which manly brawn and muscle, three
  • times a day loudly clamored for attention; we shall very soon perceive
  • that to have a bountiful appetite, was not only no vulgar reproach, but
  • a right royal grace and honor to Pierre; attesting him a man and a
  • gentleman; for a thoroughly developed gentleman is always robust and
  • healthy; and Robustness and Health are great trencher-men.
  • So when Pierre and his mother descended to breakfast, and Pierre had
  • scrupulously seen her supplied with whatever little things were
  • convenient to her; and had twice or thrice ordered the respectable and
  • immemorial Dates, the servitor, to adjust and re-adjust the
  • window-sashes, so that no unkind current of air should take undue
  • liberties with his mother's neck; after seeing to all this, but in a
  • very quiet and inconspicuous way; and also after directing the unruffled
  • Dates, to swing out, horizontally into a particular light, a fine joyous
  • painting, in the good-fellow, Flemish style (which painting was so
  • attached to the wall as to be capable of that mode of adjusting), and
  • furthermore after darting from where he sat a few invigorating glances
  • over the river-meadows to the blue mountains beyond; Pierre made a
  • masonic sort of mysterious motion to the excellent Dates, who in
  • automaton obedience thereto, brought from a certain agreeable little
  • side-stand, a very prominent-looking cold pasty; which, on careful
  • inspection with the knife, proved to be the embossed savory nest of a
  • few uncommonly tender pigeons of Pierre's own shooting.
  • "Sister Mary," said he, lifting on his silver trident one of the
  • choicest of the many fine pigeon morsels; "Sister Mary," said he, "in
  • shooting these pigeons, I was very careful to bring down one in such a
  • manner that the breast is entirely unmarred. It was intended for you!
  • and here it is. Now Sergeant Dates, help hither your mistress' plate.
  • No?--nothing but the crumbs of French rolls, and a few peeps into a
  • coffee-cup--is that a breakfast for the daughter of yonder bold
  • General?"--pointing to a full-length of his gold-laced grandfather on
  • the opposite wall. "Well, pitiable is my case when I have to breakfast
  • for two. Dates!"
  • "Sir."
  • "Remove that toast-rack, Dates; and this plate of tongue, and bring the
  • rolls nearer, and wheel the stand farther off, good Dates."
  • Having thus made generous room for himself, Pierre commenced operations,
  • interrupting his mouthfuls by many sallies of mirthfulness.
  • "You seem to be in prodigious fine spirits this morning, brother
  • Pierre," said his mother.
  • "Yes, very tolerable; at least I can't say, that I am low-spirited
  • exactly, sister Mary;--Dates, my fine fellow, bring me three bowls of
  • milk."
  • "One bowl, sir, you mean," said Dates, gravely and imperturbably.
  • As the servitor left the room, Mrs. Glendinning spoke. "My dear Pierre,
  • how often have I begged you never to permit your hilariousness to betray
  • you into overstepping the exact line of propriety in your intercourse
  • with servants. Dates' look was a respectful reproof to you just now. You
  • must not call Dates, _My fine fellow_. He _is_ a fine fellow, a very
  • fine fellow, indeed; but there is no need of telling him so at my table.
  • It is very easy to be entirely kind and pleasant to servants, without
  • the least touch of any shade of transient good-fellowship with them."
  • "Well, sister, no doubt you are altogether right; after this I shall
  • drop the _fine_, and call Dates nothing but _fellow_;--Fellow, come
  • here!--how will that answer?"
  • "Not at all, Pierre--but you are a Romeo, you know, and so for the
  • present I pass over your nonsense."
  • "Romeo! oh, no. I am far from being Romeo--" sighed Pierre. "I laugh,
  • but he cried; poor Romeo! alas Romeo! woe is me, Romeo! he came to a
  • very deplorable end, did Romeo, sister Mary."
  • "It was his own fault though."
  • "Poor Romeo!"
  • "He was disobedient to his parents."
  • "Alas Romeo!"
  • "He married against their particular wishes."
  • "Woe is me, Romeo!"
  • "But you, Pierre, are going to be married before long, I trust, not to a
  • Capulet, but to one of our own Montagues; and so Romeo's evil fortune
  • will hardly be yours. You will be happy."
  • "The more miserable Romeo!"
  • "Don't be so ridiculous, brother Pierre; so you are going to take Lucy
  • that long ride among the hills this morning? She is a sweet girl; a most
  • lovely girl."
  • "Yes, that is rather my opinion, sister Mary.--By heavens, mother, the
  • five zones hold not such another! She is--yes--though I say
  • it--Dates!--he's a precious long time getting that milk!"
  • "Let him stay.--Don't be a milk-sop, Pierre!"
  • "Ha! my sister is a little satirical this morning. I comprehend."
  • "Never rave, Pierre; and never rant. Your father never did either; nor
  • is it written of Socrates; and both were very wise men. Your father was
  • profoundly in love--that I know to my certain knowledge--but I never
  • heard him rant about it. He was always exceedingly gentlemanly: and
  • gentlemen never rant. Milk-sops and Muggletonians rant, but gentlemen
  • never."
  • "Thank you, sister.--There, put it down, Dates; are the horses ready?"
  • "Just driving round, sir, I believe."
  • "Why, Pierre," said his mother, glancing out at the window, "are you
  • going to Santa Fe De Bogota with that enormous old phaeton;--what do you
  • take that Juggernaut out for?"
  • "Humor, sister, humor; I like it because it's old-fashioned, and because
  • the seat is such a wide sofa of a seat, and finally because a young lady
  • by the name of Lucy Tartan cherishes a high regard for it. She vows she
  • would like to be married in it."
  • "Well, Pierre, all I have to say, is, be sure that Christopher puts the
  • coach-hammer and nails, and plenty of cords and screws into the box. And
  • you had better let him follow you in one of the farm wagons, with a
  • spare axle and some boards."
  • "No fear, sister; no fear;--I shall take the best of care of the old
  • phaeton. The quaint old arms on the panel, always remind me who it was
  • that first rode in it."
  • "I am glad you have that memory, brother Pierre."
  • "And who it was that _next_ rode in it."
  • "Bless you!--God bless you, my dear son!--always think of him and you
  • can never err; yes, always think of your dear perfect father, Pierre."
  • "Well, kiss me now, dear sister, for I must go."
  • "There; this is my cheek, and the other is Lucy's; though now that I
  • look at them both, I think that hers is getting to be the most blooming;
  • sweeter dews fall on that one, I suppose."
  • Pierre laughed, and ran out of the room, for old Christopher was getting
  • impatient. His mother went to the window and stood there.
  • "A noble boy, and docile"--she murmured--"he has all the frolicsomeness
  • of youth, with little of its giddiness. And he does not grow
  • vain-glorious in sophomorean wisdom. I thank heaven I sent him not to
  • college. A noble boy, and docile. A fine, proud, loving, docile,
  • vigorous boy. Pray God, he never becomes otherwise to me. His little
  • wife, that is to be, will not estrange him from me; for she too is
  • docile,--beautiful, and reverential, and most docile. Seldom yet have I
  • known such blue eyes as hers, that were not docile, and would not follow
  • a bold black one, as two meek blue-ribboned ewes, follow their martial
  • leader. How glad am I that Pierre loves her so, and not some dark-eyed
  • haughtiness, with whom I could never live in peace; but who would be
  • ever setting her young married state before my elderly widowed one, and
  • claiming all the homage of my dear boy--the fine, proud, loving, docile,
  • vigorous boy!--the lofty-minded, well-born, noble boy; and with such
  • sweet docilities! See his hair! He does in truth illustrate that fine
  • saying of his father's, that as the noblest colts, in three
  • points--abundant hair, swelling chest, and sweet docility--should
  • resemble a fine woman, so should a noble youth. Well, good-bye, Pierre,
  • and a merry morning to ye!"
  • So saying she crossed the room, and--resting in a corner--her glad proud
  • eye met the old General's baton, which the day before in one of his
  • frolic moods Pierre had taken from its accustomed place in the
  • pictured-bannered hall. She lifted it, and musingly swayed it to and
  • fro; then paused, and staff-wise rested with it in her hand. Her stately
  • beauty had ever somewhat martial in it; and now she looked the daughter
  • of a General, as she was; for Pierre's was a double revolutionary
  • descent. On both sides he sprang from heroes.
  • "This is his inheritance--this symbol of command! and I swell out to
  • think it. Yet but just now I fondled the conceit that Pierre was so
  • sweetly docile! Here sure is a most strange inconsistency! For is sweet
  • docility a general's badge? and is this baton but a distaff
  • then?--Here's something widely wrong. Now I almost wish him otherwise
  • than sweet and docile to me, seeing that it must be hard for man to be
  • an uncompromising hero and a commander among his race, and yet never
  • ruffle any domestic brow. Pray heaven he show his heroicness in some
  • smooth way of favoring fortune, not be called out to be a hero of some
  • dark hope forlorn;--of some dark hope forlorn, whose cruelness makes a
  • savage of a man. Give him, O God, regardful gales! Fan him with
  • unwavering prosperities! So shall he remain all docility to me, and yet
  • prove a haughty hero to the world!"
  • BOOK II.
  • LOVE, DELIGHT, AND ALARM.
  • I.
  • On the previous evening, Pierre had arranged with Lucy the plan of a
  • long winding ride, among the hills which stretched around to the
  • southward from the wide plains of Saddle-Meadows.
  • Though the vehicle was a sexagenarian, the animals that drew it, were
  • but six-year colts. The old phaeton had outlasted several generations of
  • its drawers.
  • Pierre rolled beneath the village elms in billowy style, and soon drew
  • up before the white cottage door. Flinging his reins upon the ground he
  • entered the house.
  • The two colts were his particular and confidential friends; born on the
  • same land with him, and fed with the same corn, which, in the form of
  • Indian-cakes, Pierre himself was often wont to eat for breakfast. The
  • same fountain that by one branch supplied the stables with water, by
  • another supplied Pierre's pitcher. They were a sort of family cousins to
  • Pierre, those horses; and they were splendid young cousins; very showy
  • in their redundant manes and mighty paces, but not at all vain or
  • arrogant. They acknowledged Pierre as the undoubted head of the house of
  • Glendinning. They well knew that they were but an inferior and
  • subordinate branch of the Glendinnings, bound in perpetual feudal fealty
  • to its headmost representative. Therefore, these young cousins never
  • permitted themselves to run from Pierre; they were impatient in their
  • paces, but very patient in the halt. They were full of good-humor too,
  • and kind as kittens.
  • "Bless me, how can you let them stand all alone that way, Pierre," cried
  • Lucy, as she and Pierre stepped forth from the cottage door, Pierre
  • laden with shawls, parasol, reticule, and a small hamper.
  • "Wait a bit," cried Pierre, dropping his load; "I will show you what my
  • colts are."
  • So saying, he spoke to them mildly, and went close up to them, and
  • patted them. The colts neighed; the nigh colt neighing a little
  • jealously, as if Pierre had not patted impartially. Then, with a low,
  • long, almost inaudible whistle, Pierre got between the colts, among the
  • harness. Whereat Lucy started, and uttered a faint cry, but Pierre told
  • her to keep perfectly quiet, for there was not the least danger in the
  • world. And Lucy did keep quiet; for somehow, though she always started
  • when Pierre seemed in the slightest jeopardy, yet at bottom she rather
  • cherished a notion that Pierre bore a charmed life, and by no earthly
  • possibility could die from her, or experience any harm, when she was
  • within a thousand leagues.
  • Pierre, still between the horses, now stepped upon the pole of the
  • phaeton; then stepping down, indefinitely disappeared, or became
  • partially obscured among the living colonnade of the horses' eight
  • slender and glossy legs. He entered the colonnade one way, and after a
  • variety of meanderings, came out another way; during all of which
  • equestrian performance, the two colts kept gayly neighing, and
  • good-humoredly moving their heads perpendicularly up and down; and
  • sometimes turning them sideways toward Lucy; as much as to say--We
  • understand young master; we understand him, Miss; never fear, pretty
  • lady: why, bless your delicious little heart, we played with Pierre
  • before you ever did.
  • "Are you afraid of their running away now, Lucy?" said Pierre, returning
  • to her.
  • "Not much, Pierre; the superb fellows! Why, Pierre, they have made an
  • officer of you--look!" and she pointed to two foam-flakes epauletting
  • his shoulders. "Bravissimo again! I called you my recruit, when you left
  • my window this morning, and here you are promoted."
  • "Very prettily conceited, Lucy. But see, you don't admire their coats;
  • they wear nothing but the finest Genoa velvet, Lucy. See! did you ever
  • see such well-groomed horses?"
  • "Never!"
  • "Then what say you to have them for my groomsmen, Lucy? Glorious
  • groomsmen they would make, I declare. They should have a hundred ells of
  • white favors all over their manes and tails; and when they drew us to
  • church, they would be still all the time scattering white favors from
  • their mouths, just as they did here on me. Upon my soul, they shall be
  • my groomsmen, Lucy. Stately stags! playful dogs! heroes, Lucy. We shall
  • have no marriage bells; they shall neigh for us, Lucy; we shall be
  • wedded to the martial sound of Job's trumpeters, Lucy. Hark! they are
  • neighing now to think of it."
  • "Neighing at your lyrics, Pierre. Come, let us be off. Here, the shawl,
  • the parasol, the basket: what are you looking at them so for?"
  • "I was thinking, Lucy, of the sad state I am in. Not six months ago, I
  • saw a poor affianced fellow, an old comrade of mine, trudging along with
  • his Lucy Tartan, a hillock of bundles under either arm; and I said to
  • myself--There goes a sumpter, now; poor devil, he's a lover. And now
  • look at me! Well, life's a burden, they say; why not be burdened
  • cheerily? But look ye, Lucy, I am going to enter a formal declaration
  • and protest before matters go further with us. When we are married, I
  • am not to carry any bundles, unless in cases of real need; and what is
  • more, when there are any of your young lady acquaintances in sight, I am
  • not to be unnecessarily called upon to back up, and load for their
  • particular edification."
  • "Now I am really vexed with you, Pierre; that is the first ill-natured
  • innuendo I ever heard from you. Are there any of my young lady
  • acquaintances in sight now, I should like to know?"
  • "Six of them, right over the way," said Pierre; "but they keep behind
  • the curtains. I never trust your solitary village streets, Lucy.
  • Sharp-shooters behind every clap-board, Lucy."
  • "Pray, then, dear Pierre, do let us be off!"
  • II.
  • While Pierre and Lucy are now rolling along under the elms, let it be
  • said who Lucy Tartan was. It is needless to say that she was a beauty;
  • because chestnut-haired, bright-cheeked youths like Pierre Glendinning,
  • seldom fall in love with any but a beauty. And in the times to come,
  • there must be--as in the present times, and in the times gone by--some
  • splendid men, and some transcendent women; and how can they ever be,
  • unless always, throughout all time, here and there, a handsome youth
  • weds with a handsome maid!
  • But though owing to the above-named provisions of dame Nature, there
  • always will be beautiful women in the world; yet the world will never
  • see another Lucy Tartan. Her cheeks were tinted with the most delicate
  • white and red, the white predominating. Her eyes some god brought down
  • from heaven; her hair was Danae's, spangled with Jove's shower; her
  • teeth were dived for in the Persian Sea.
  • If long wont to fix his glance on those who, trudging through the
  • humbler walks of life, and whom unequal toil and poverty deform; if that
  • man shall haply view some fair and gracious daughter of the gods, who,
  • from unknown climes of loveliness and affluence, comes floating into
  • sight, all symmetry and radiance; how shall he be transported, that in a
  • world so full of vice and misery as ours, there should yet shine forth
  • this visible semblance of the heavens. For a lovely woman is not
  • entirely of this earth. Her own sex regard her not as such. A crowd of
  • women eye a transcendent beauty entering a room, much as though a bird
  • from Arabia had lighted on the window sill. Say what you will, their
  • jealousy--if any--is but an afterbirth to their open admiration. Do men
  • envy the gods? And shall women envy the goddesses? A beautiful woman is
  • born Queen of men and women both, as Mary Stuart was born Queen of
  • Scots, whether men or women. All mankind are her Scots; her leal clans
  • are numbered by the nations. A true gentleman in Kentucky would
  • cheerfully die for a beautiful woman in Hindostan, though he never saw
  • her. Yea, count down his heart in death-drops for her; and go to Pluto,
  • that she might go to Paradise. He would turn Turk before he would disown
  • an allegiance hereditary to all gentlemen, from the hour their Grand
  • Master, Adam, first knelt to Eve.
  • A plain-faced Queen of Spain dwells not in half the glory a beautiful
  • milliner does. Her soldiers can break heads, but her Highness can not
  • crack a heart; and the beautiful milliner might string hearts for
  • necklaces. Undoubtedly, Beauty made the first Queen. If ever again the
  • succession to the German Empire should be contested, and one poor lame
  • lawyer should present the claims of the first excellingly beautiful
  • woman he chanced to see--she would thereupon be unanimously elected
  • Empress of the Holy Roman German Empire;--that is to say, if all the
  • Germans were true, free-hearted and magnanimous gentlemen, at all
  • capable of appreciating so immense an honor.
  • It is nonsense to talk of France as the seat of all civility. Did not
  • those French heathen have a Salique law? Three of the most bewitching
  • creatures,--immortal flowers of the line of Valois--were excluded from
  • the French throne by that infamous provision. France, indeed! whose
  • Catholic millions still worship Mary Queen of Heaven; and for ten
  • generations refused cap and knee to many angel Maries, rightful Queens
  • of France. Here is cause for universal war. See how vilely nations, as
  • well as men, assume and wear unchallenged the choicest titles, however
  • without merit. The Americans, and not the French, are the world's models
  • of chivalry. Our Salique Law provides that universal homage shall be
  • paid all beautiful women. No man's most solid rights shall weigh against
  • her airiest whims. If you buy the best seat in the coach, to go and
  • consult a doctor on a matter of life and death, you shall cheerfully
  • abdicate that best seat, and limp away on foot, if a pretty woman,
  • traveling, shake one feather from the stage-house door.
  • Now, since we began by talking of a certain young lady that went out
  • riding with a certain youth; and yet find ourselves, after leading such
  • a merry dance, fast by a stage-house window;--this may seem rather
  • irregular sort of writing. But whither indeed should Lucy Tartan conduct
  • us, but among mighty Queens, and all other creatures of high degree; and
  • finally set us roaming, to see whether the wide world can match so fine
  • a wonder. By immemorial usage, am I not bound to celebrate this Lucy
  • Tartan? Who shall stay me? Is she not my hero's own affianced? What can
  • be gainsaid? Where underneath the tester of the night sleeps such
  • another?
  • Yet, how would Lucy Tartan shrink from all this noise and clatter! She
  • is bragged of, but not brags. Thus far she hath floated as stilly
  • through this life, as thistle-down floats over meadows. Noiseless, she,
  • except with Pierre; and even with him she lives through many a panting
  • hush. Oh, those love-pauses that they know--how ominous of their
  • future; for pauses precede the earthquake, and every other terrible
  • commotion! But blue be their sky awhile, and lightsome all their chat,
  • and frolicsome their humors.
  • Never shall I get down the vile inventory! How, if with paper and with
  • pencil I went out into the starry night to inventorize the heavens? Who
  • shall tell stars as teaspoons? Who shall put down the charms of Lucy
  • Tartan upon paper?
  • And for the rest; her parentage, what fortune she would possess, how
  • many dresses in her wardrobe, and how many rings upon her fingers;
  • cheerfully would I let the genealogists, tax-gatherers, and upholsterers
  • attend to that. My proper province is with the angelical part of Lucy.
  • But as in some quarters, there prevails a sort of prejudice against
  • angels, who are merely angels and nothing more; therefore I shall
  • martyrize myself, by letting such gentlemen and ladies into some details
  • of Lucy Tartan's history.
  • She was the daughter of an early and most cherished friend of Pierre's
  • father. But that father was now dead, and she resided an only daughter
  • with her mother, in a very fine house in the city. But though her home
  • was in the city, her heart was twice a year in the country. She did not
  • at all love the city and its empty, heartless, ceremonial ways. It was
  • very strange, but most eloquently significant of her own natural
  • angelhood that, though born among brick and mortar in a sea-port, she
  • still pined for unbaked earth and inland grass. So the sweet linnet,
  • though born inside of wires in a lady's chamber on the ocean coast, and
  • ignorant all its life of any other spot; yet, when spring-time comes, it
  • is seized with flutterings and vague impatiences; it can not eat or
  • drink for these wild longings. Though unlearned by any experience, still
  • the inspired linnet divinely knows that the inland migrating time has
  • come. And just so with Lucy in her first longings for the verdure. Every
  • spring those wild flutterings shook her; every spring, this sweet
  • linnet girl did migrate inland. Oh God grant that those other and long
  • after nameless flutterings of her inmost soul, when all life was become
  • weary to her--God grant, that those deeper flutterings in her were
  • equally significant of her final heavenly migration from this heavy
  • earth.
  • It was fortunate for Lucy that her Aunt Lanyllyn--a pensive, childless,
  • white-turbaned widow--possessed and occupied a pretty cottage in the
  • village of Saddle Meadows; and still more fortunate, that this excellent
  • old aunt was very partial to her, and always felt a quiet delight in
  • having Lucy near her. So Aunt Lanyllyn's cottage, in effect, was Lucy's.
  • And now, for some years past, she had annually spent several months at
  • Saddle Meadows; and it was among the pure and soft incitements of the
  • country that Pierre first had felt toward Lucy the dear passion which
  • now made him wholly hers.
  • Lucy had two brothers; one her senior, by three years, and the other her
  • junior by two. But these young men were officers in the navy; and so
  • they did not permanently live with Lucy and her mother.
  • Mrs. Tartan was mistress of an ample fortune. She was, moreover,
  • perfectly aware that such was the fact, and was somewhat inclined to
  • force it upon the notice of other people, nowise interested in the
  • matter. In other words, Mrs. Tartan, instead of being daughter-proud,
  • for which she had infinite reason, was a little inclined to being
  • purse-proud, for which she had not the slightest reason; seeing that the
  • Great Mogul probably possessed a larger fortune than she, not to speak
  • of the Shah of Persia and Baron Rothschild, and a thousand other
  • millionaires; whereas, the Grand Turk, and all their other majesties of
  • Europe, Asia, and Africa to boot, could not, in all their joint
  • dominions, boast so sweet a girl as Lucy. Nevertheless, Mrs. Tartan was
  • an excellent sort of lady, as this lady-like world goes. She subscribed
  • to charities, and owned five pews in as many churches, and went about
  • trying to promote the general felicity of the world, by making all the
  • handsome young people of her acquaintance marry one another. In other
  • words, she was a match-maker--not a Lucifer match-maker--though, to tell
  • the truth, she may have kindled the matrimonial blues in certain
  • dissatisfied gentlemen's breasts, who had been wedded under her
  • particular auspices, and by her particular advice. Rumor said--but rumor
  • is always fibbing--that there was a secret society of dissatisfied young
  • husbands, who were at the pains of privately circulating handbills among
  • all unmarried young strangers, warning them against the insidious
  • approaches of Mrs. Tartan; and, for reference, named themselves in
  • cipher. But this could not have been true; for, flushed with a thousand
  • matches--burning blue or bright, it made little matter--Mrs. Tartan
  • sailed the seas of fashion, causing all topsails to lower to her; and
  • towing flotillas of young ladies, for all of whom she was bound to find
  • the finest husband harbors in the world.
  • But does not match-making, like charity, begin at home? Why is her own
  • daughter Lucy without a mate? But not so fast; Mrs. Tartan years ago
  • laid out that sweet programme concerning Pierre and Lucy; but in this
  • case, her programme happened to coincide, in some degree, with a
  • previous one in heaven, and only for that cause did it come to pass,
  • that Pierre Glendinning was the proud elect of Lucy Tartan. Besides,
  • this being a thing so nearly affecting herself, Mrs. Tartan had, for the
  • most part, been rather circumspect and cautious in all her
  • manoeuvrings with Pierre and Lucy. Moreover, the thing demanded no
  • manoeuvring at all. The two Platonic particles, after roaming in quest
  • of each other, from the time of Saturn and Ops till now; they came
  • together before Mrs. Tartan's own eyes; and what more could Mrs. Tartan
  • do toward making them forever one and indivisible? Once, and only once,
  • had a dim suspicion passed through Pierre's mind, that Mrs. Tartan was a
  • lady thimble-rigger, and slyly rolled the pea.
  • In their less mature acquaintance, he was breakfasting with Lucy and
  • her mother in the city, and the first cup of coffee had been poured out
  • by Mrs. Tartan, when she declared she smelt matches burning somewhere in
  • the house, and she must see them extinguished. So banning all pursuit,
  • she rose to seek for the burning matches, leaving the pair alone to
  • interchange the civilities of the coffee; and finally sent word to them,
  • from above stairs, that the matches, or something else, had given her a
  • headache, and begged Lucy to send her up some toast and tea, for she
  • would breakfast in her own chamber that morning.
  • Upon this, Pierre looked from Lucy to his boots, and as he lifted his
  • eyes again, saw Anacreon on the sofa on one side of him, and Moore's
  • Melodies on the other, and some honey on the table, and a bit of white
  • satin on the floor, and a sort of bride's veil on the chandelier.
  • Never mind though--thought Pierre, fixing his gaze on Lucy--I'm entirely
  • willing to be caught, when the bait is set in Paradise, and the bait is
  • such an angel. Again he glanced at Lucy, and saw a look of infinite
  • subdued vexation, and some unwonted pallor on her cheek. Then willingly
  • he would have kissed the delicious bait, that so gently hated to be
  • tasted in the trap. But glancing round again, and seeing that the music,
  • which Mrs. Tartan, under the pretense of putting in order, had been
  • adjusting upon the piano; seeing that this music was now in a vertical
  • pile against the wall, with--"_Love was once a little boy_," for the
  • outermost and only visible sheet; and thinking this to be a remarkable
  • coincidence under the circumstances; Pierre could not refrain from a
  • humorous smile, though it was a very gentle one, and immediately
  • repented of, especially as Lucy seeing and interpreting it, immediately
  • arose, with an unaccountable, indignant, angelical, adorable, and
  • all-persuasive "Mr. Glendinning?" utterly confounded in him the
  • slightest germ of suspicion as to Lucy's collusion in her mother's
  • imagined artifices.
  • Indeed, Mrs. Tartan's having any thing whatever to do, or hint, or
  • finesse in this matter of the loves of Pierre and Lucy, was nothing less
  • than immensely gratuitous and sacrilegious. Would Mrs. Tartan doctor
  • lilies when they blow? Would Mrs. Tartan set about match-making between
  • the steel and magnet? Preposterous Mrs. Tartan! But this whole world is
  • a preposterous one, with many preposterous people in it; chief among
  • whom was Mrs. Tartan, match-maker to the nation.
  • This conduct of Mrs. Tartan, was the more absurd, seeing that she could
  • not but know that Mrs. Glendinning desired the thing. And was not Lucy
  • wealthy?--going to be, that is, very wealthy when her mother died;--(sad
  • thought that for Mrs. Tartan)--and was not her husband's family of the
  • best; and had not Lucy's father been a bosom friend of Pierre's father?
  • And though Lucy might be matched to some one man, where among women was
  • the match for Lucy? Exceedingly preposterous Mrs. Tartan! But when a
  • lady like Mrs. Tartan has nothing positive and useful to do, then she
  • will do just such preposterous things as Mrs. Tartan did.
  • Well, time went on; and Pierre loved Lucy, and Lucy, Pierre; till at
  • last the two young naval gentlemen, her brothers, happened to arrive in
  • Mrs. Tartan's drawing-room, from their first cruise--a three years' one
  • up the Mediterranean. They rather stared at Pierre, finding him on the
  • sofa, and Lucy not very remote.
  • "Pray, be seated, gentlemen," said Pierre. "Plenty of room."
  • "My darling brothers!" cried Lucy, embracing them.
  • "My darling brothers and sister!" cried Pierre, folding them together.
  • "Pray, hold off, sir," said the elder brother, who had served as a
  • passed midshipman for the last two weeks. The younger brother retreated
  • a little, and clapped his hand upon his dirk, saying, "Sir, we are from
  • the Mediterranean. Sir, permit me to say, this is decidedly improper!
  • Who may you be, sir?"
  • "I can't explain for joy," cried Pierre, hilariously embracing them all
  • again.
  • "Most extraordinary!" cried the elder brother, extricating his
  • shirt-collar from the embrace, and pulling it up vehemently.
  • "Draw!" cried the younger, intrepidly.
  • "Peace, foolish fellows," cried Lucy--"this is your old play-fellow,
  • Pierre Glendinning."
  • "Pierre? why, Pierre?" cried the lads--"a hug all round again! You've
  • grown a fathom!--who would have known you? But, then--Lucy? I say,
  • Lucy?--what business have you here in this--eh? eh?--hugging-match, I
  • should call it?"
  • "Oh! Lucy don't mean any thing," cried Pierre--"come, one more all
  • round."
  • So they all embraced again; and that evening it was publicly known that
  • Pierre was to wed with Lucy.
  • Whereupon, the young officers took it upon themselves to think--though
  • they by no means presumed to breathe it--that they had authoritatively,
  • though indirectly, accelerated a before ambiguous and highly
  • incommendable state of affairs between the now affianced lovers.
  • III.
  • In the fine old robust times of Pierre's grandfather, an American
  • gentleman of substantial person and fortune spent his time in a somewhat
  • different style from the green-house gentlemen of the present day. The
  • grandfather of Pierre measured six feet four inches in height; during a
  • fire in the old manorial mansion, with one dash of his foot, he had
  • smitten down an oaken door, to admit the buckets of his negro slaves;
  • Pierre had often tried on his military vest, which still remained an
  • heirloom at Saddle Meadows, and found the pockets below his knees, and
  • plenty additional room for a fair-sized quarter-cask within its buttoned
  • girth; in a night-scuffle in the wilderness before the Revolutionary
  • War, he had annihilated two Indian savages by making reciprocal
  • bludgeons of their heads. And all this was done by the mildest hearted,
  • and most blue-eyed gentleman in the world, who, according to the
  • patriarchal fashion of those days, was a gentle, white-haired worshiper
  • of all the household gods; the gentlest husband, and the gentlest
  • father; the kindest of masters to his slaves; of the most wonderful
  • unruffledness of temper; a serene smoker of his after-dinner pipe; a
  • forgiver of many injuries; a sweet-hearted, charitable Christian; in
  • fine, a pure, cheerful, child-like, blue-eyed, divine old man; in whose
  • meek, majestic soul, the lion and the lamb embraced--fit image of his
  • God.
  • Never could Pierre look upon his fine military portrait without an
  • infinite and mournful longing to meet his living aspect in actual life.
  • The majestic sweetness of this portrait was truly wonderful in its
  • effects upon any sensitive and generous-minded young observer. For such,
  • that portrait possessed the heavenly persuasiveness of angelic speech; a
  • glorious gospel framed and hung upon the wall, and declaring to all
  • people, as from the Mount, that man is a noble, god-like being, full of
  • choicest juices; made up of strength and beauty.
  • Now, this grand old Pierre Glendinning was a great lover of horses; but
  • not in the modern sense, for he was no jockey;--one of his most intimate
  • friends of the masculine gender was a huge, proud, gray horse, of a
  • surprising reserve of manner, his saddle-beast; he had his horses'
  • mangers carved like old trenchers, out of solid maple logs; the key of
  • the corn-bin hung in his library; and no one grained his steeds, but
  • himself; unless his absence from home promoted Moyar, an incorruptible
  • and most punctual old black, to that honorable office. He said that no
  • man loved his horses, unless his own hands grained them. Every Christmas
  • he gave them brimming measures. "I keep Christmas with my horses," said
  • grand old Pierre. This grand old Pierre always rose at sunrise; washed
  • his face and chest in the open air; and then, returning to his closet,
  • and being completely arrayed at last, stepped forth to make a
  • ceremonious call at his stables, to bid his very honorable friends there
  • a very good and joyful morning. Woe to Cranz, Kit, Douw, or any other of
  • his stable slaves, if grand old Pierre found one horse unblanketed, or
  • one weed among the hay that filled their rack. Not that he ever had
  • Cranz, Kit, Douw, or any of them flogged--a thing unknown in that
  • patriarchal time and country--but he would refuse to say his wonted
  • pleasant word to them; and that was very bitter to them, for Cranz, Kit,
  • Douw, and all of them, loved grand old Pierre, as his shepherds loved
  • old Abraham.
  • What decorous, lordly, gray-haired steed is this? What old Chaldean
  • rides abroad?--'Tis grand old Pierre; who, every morning before he eats,
  • goes out promenading with his saddle-beast; nor mounts him, without
  • first asking leave. But time glides on, and grand old Pierre grows old:
  • his life's glorious grape now swells with fatness; he has not the
  • conscience to saddle his majestic beast with such a mighty load of
  • manliness. Besides, the noble beast himself is growing old, and has a
  • touching look of meditativeness in his large, attentive eyes. Leg of
  • man, swears grand old Pierre, shall never more bestride my steed; no
  • more shall harness touch him! Then every spring he sowed a field with
  • clover for his steed; and at mid-summer sorted all his meadow grasses,
  • for the choicest hay to winter him; and had his destined grain thrashed
  • out with a flail, whose handle had once borne a flag in a brisk battle,
  • into which this same old steed had pranced with grand old Pierre; one
  • waving mane, one waving sword!
  • Now needs must grand old Pierre take a morning drive; he rides no more
  • with the old gray steed. He has a phaeton built, fit for a vast General,
  • in whose sash three common men might hide. Doubled, trebled are the
  • huge S shaped leather springs; the wheels seem stolen from some mill;
  • the canopied seat is like a testered bed. From beneath the old archway,
  • not one horse, but two, every morning now draw forth old Pierre, as the
  • Chinese draw their fat god Josh, once every year from out his fane.
  • But time glides on, and a morning comes, when the phaeton emerges not;
  • but all the yards and courts are full; helmets line the ways;
  • sword-points strike the stone steps of the porch; muskets ring upon the
  • stairs; and mournful martial melodies are heard in all the halls. Grand
  • old Pierre is dead; and like a hero of old battles, he dies on the eve
  • of another war; ere wheeling to fire on the foe, his platoons fire over
  • their old commander's grave; in A. D. 1812, died grand old Pierre. The
  • drum that beat in brass his funeral march, was a British kettle-drum,
  • that had once helped beat the vain-glorious march, for the thirty
  • thousand predestined prisoners, led into sure captivity by that bragging
  • boy, Burgoyne.
  • Next day the old gray steed turned from his grain; turned round, and
  • vainly whinnied in his stall. By gracious Moyar's hand, he refuses to be
  • patted now; plain as horse can speak, the old gray steed says--"I smell
  • not the wonted hand; where is grand old Pierre? Grain me not, and groom
  • me not;--Where is grand old Pierre?"
  • He sleeps not far from his master now; beneath the field he cropt, he
  • has softly lain him down; and long ere this, grand old Pierre and steed
  • have passed through that grass to glory.
  • But his phaeton--like his plumed hearse, outlives the noble load it
  • bore. And the dark bay steeds that drew grand old Pierre alive, and by
  • his testament drew him dead, and followed the lordly lead of the led
  • gray horse; those dark bay steeds are still extant; not in themselves or
  • in their issue; but in the two descendants of stallions of their own
  • breed. For on the lands of Saddle Meadows, man and horse are both
  • hereditary; and this bright morning Pierre Glendinning, grandson of
  • grand old Pierre, now drives forth with Lucy Tartan, seated where his
  • own ancestor had sat, and reining steeds, whose
  • great-great-great-grandfathers grand old Pierre had reined before.
  • How proud felt Pierre: In fancy's eye, he saw the horse-ghosts a-tandem
  • in the van; "These are but wheelers"--cried young Pierre--"the leaders
  • are the generations."
  • IV.
  • But Love has more to do with his own possible and probable posterities,
  • than with the once living but now impossible ancestries in the past. So
  • Pierre's glow of family pride quickly gave place to a deeper hue, when
  • Lucy bade love's banner blush out from his cheek.
  • That morning was the choicest drop that Time had in his vase. Ineffable
  • distillations of a soft delight were wafted from the fields and hills.
  • Fatal morning that, to all lovers unbetrothed; "Come to your
  • confessional," it cried. "Behold our airy loves," the birds chirped from
  • the trees; far out at sea, no more the sailors tied their bowline-knots;
  • their hands had lost their cunning; will they, nill they, Love tied
  • love-knots on every spangled spar.
  • Oh, praised be the beauty of this earth, the beauty, and the bloom, and
  • the mirthfulness thereof! The first worlds made were winter worlds; the
  • second made, were vernal worlds; the third, and last, and perfectest,
  • was this summer world of ours. In the cold and nether spheres, preachers
  • preach of earth, as we of Paradise above. Oh, there, my friends, they
  • say, they have a season, in their language known as summer. Then their
  • fields spin themselves green carpets; snow and ice are not in all the
  • land; then a million strange, bright, fragrant things powder that sward
  • with perfumes; and high, majestic beings, dumb and grand, stand up with
  • outstretched arms, and hold their green canopies over merry angels--men
  • and women--who love and wed, and sleep and dream, beneath the approving
  • glances of their visible god and goddess, glad-hearted sun, and pensive
  • moon!
  • Oh, praised be the beauty of this earth; the beauty, and the bloom, and
  • the mirthfulness thereof. We lived before, and shall live again; and as
  • we hope for a fairer world than this to come; so we came from one less
  • fine. From each successive world, the demon Principle is more and more
  • dislodged; he is the accursed clog from chaos, and thither, by every new
  • translation, we drive him further and further back again. Hosannahs to
  • this world! so beautiful itself, and the vestibule to more. Out of some
  • past Egypt, we have come to this new Canaan; and from this new Canaan,
  • we press on to some Circassia. Though still the villains, Want and Woe,
  • followed us out of Egypt, and now beg in Canaan's streets: yet
  • Circassia's gates shall not admit them; they, with their sire, the demon
  • Principle, must back to chaos, whence they came.
  • Love was first begot by Mirth and Peace, in Eden, when the world was
  • young. The man oppressed with cares, he can not love; the man of gloom
  • finds not the god. So, as youth, for the most part, has no cares, and
  • knows no gloom, therefore, ever since time did begin, youth belongs to
  • love. Love may end in grief and age, and pain and need, and all other
  • modes of human mournfulness; but love begins in joy. Love's first sigh
  • is never breathed, till after love hath laughed. Love laughs first, and
  • then sighs after. Love has not hands, but cymbals; Love's mouth is
  • chambered like a bugle, and the instinctive breathings of his life
  • breathe jubilee notes of joy!
  • That morning, two bay horses drew two Laughs along the road that led to
  • the hills from Saddle Meadows. Apt time they kept; Pierre Glendinning's
  • young, manly tenor, to Lucy Tartan's girlish treble.
  • Wondrous fair of face, blue-eyed, and golden-haired, the bright blonde,
  • Lucy, was arrayed in colors harmonious with the heavens. Light blue be
  • thy perpetual color, Lucy; light blue becomes thee best--such the
  • repeated azure counsel of Lucy Tartan's mother. On both sides, from the
  • hedges, came to Pierre the clover bloom of Saddle Meadows, and from
  • Lucy's mouth and cheek came the fresh fragrance of her violet young
  • being.
  • "Smell I the flowers, or thee?" cried Pierre.
  • "See I lakes, or eyes?" cried Lucy, her own gazing down into his soul,
  • as two stars gaze down into a tarn.
  • No Cornwall miner ever sunk so deep a shaft beneath the sea, as Love
  • will sink beneath the floatings of the eyes. Love sees ten million
  • fathoms down, till dazzled by the floor of pearls. The eye is Love's own
  • magic glass, where all things that are not of earth, glide in
  • supernatural light. There are not so many fishes in the sea, as there
  • are sweet images in lovers' eyes. In those miraculous translucencies
  • swim the strange eye-fish with wings, that sometimes leap out, instinct
  • with joy; moist fish-wings wet the lover's cheek. Love's eyes are holy
  • things; therein the mysteries of life are lodged; looking in each
  • other's eyes, lovers see the ultimate secret of the worlds; and with
  • thrills eternally untranslatable, feel that Love is god of all. Man or
  • woman who has never loved, nor once looked deep down into their own
  • lover's eyes, they know not the sweetest and the loftiest religion of
  • this earth. Love is both Creator's and Saviour's gospel to mankind; a
  • volume bound in rose-leaves, clasped with violets, and by the beaks of
  • humming-birds printed with peach-juice on the leaves of lilies.
  • Endless is the account of Love. Time and space can not contain Love's
  • story. All things that are sweet to see, or taste, or feel, or hear,
  • all these things were made by Love; and none other things were made by
  • Love. Love made not the Arctic zones, but Love is ever reclaiming them.
  • Say, are not the fierce things of this earth daily, hourly going out?
  • Where now are your wolves of Britain? Where in Virginia now, find you
  • the panther and the pard? Oh, love is busy everywhere. Everywhere Love
  • hath Moravian missionaries. No Propagandist like to love. The south wind
  • wooes the barbarous north; on many a distant shore the gentler west wind
  • persuades the arid east.
  • All this Earth is Love's affianced; vainly the demon Principle howls to
  • stay the banns. Why round her middle wears this world so rich a zone of
  • torrid verdure, if she be not dressing for the final rites? And why
  • provides she orange blossoms and lilies of the valley, if she would not
  • that all men and maids should love and marry? For every wedding where
  • true lovers wed, helps on the march of universal Love. Who are brides
  • here shall be Love's bridemaids in the marriage world to come. So on all
  • sides Love allures; can contain himself what youth who views the wonders
  • of the beauteous woman-world? Where a beautiful woman is, there is all
  • Asia and her Bazars. Italy hath not a sight before the beauty of a
  • Yankee girl; nor heaven a blessing beyond her earthly love. Did not the
  • angelical Lotharios come down to earth, that they might taste of mortal
  • woman's Love and Beauty? even while her own silly brothers were pining
  • after the self-same Paradise they left? Yes, those envying angels did
  • come down; did emigrate; and who emigrates except to be better off?
  • Love is this world's great redeemer and reformer; and as all beautiful
  • women are her selectest emissaries, so hath Love gifted them with a
  • magnetical persuasiveness, that no youth can possibly repel. The own
  • heart's choice of every youth, seems ever as an inscrutable witch to
  • him; and by ten thousand concentric spells and circling incantations,
  • glides round and round him, as he turns: murmuring meanings of
  • unearthly import; and summoning up to him all the subterranean sprites
  • and gnomes; and unpeopling all the sea for naiads to swim round him; so
  • that mysteries are evoked as in exhalations by this Love;--what wonder
  • then that Love was aye a mystic?
  • V.
  • And this self-same morning Pierre was very mystical; not continually,
  • though; but most mystical one moment, and overflowing with mad,
  • unbridled merriment, the next. He seemed a youthful Magian, and almost a
  • mountebank together. Chaldaic improvisations burst from him, in quick
  • Golden Verses, on the heel of humorous retort and repartee. More
  • especially, the bright glance of Lucy was transporting to him. Now,
  • reckless of his horses, with both arms holding Lucy in his embrace, like
  • a Sicilian diver he dives deep down in the Adriatic of her eyes, and
  • brings up some king's-cup of joy. All the waves in Lucy's eyes seemed
  • waves of infinite glee to him. And as if, like veritable seas, they did
  • indeed catch the reflected irradiations of that pellucid azure morning;
  • in Lucy's eyes, there seemed to shine all the blue glory of the general
  • day, and all the sweet inscrutableness of the sky. And certainly, the
  • blue eye of woman, like the sea, is not uninfluenced by the atmosphere.
  • Only in the open air of some divinest, summer day, will you see its
  • ultramarine,--its fluid lapis lazuli. Then would Pierre burst forth in
  • some screaming shout of joy; and the striped tigers of his chestnut eyes
  • leaped in their lashed cages with a fierce delight. Lucy shrank from him
  • in extreme love; for the extremest top of love, is Fear and Wonder.
  • Soon the swift horses drew this fair god and goddess nigh the wooded
  • hills, whose distant blue, now changed into a variously-shaded green,
  • stood before them like old Babylonian walls, overgrown with verdure;
  • while here and there, at regular intervals, the scattered peaks seemed
  • mural towers; and the clumped pines surmounting them, as lofty archers,
  • and vast, out-looking watchers of the glorious Babylonian City of the
  • Day. Catching that hilly air, the prancing horses neighed; laughed on
  • the ground with gleeful feet. Felt they the gay delightsome spurrings of
  • the day; for the day was mad with excessive joy; and high in heaven you
  • heard the neighing of the horses of the sun; and down dropt their
  • nostrils' froth in many a fleecy vapor from the hills.
  • From the plains, the mists rose slowly; reluctant yet to quit so fair a
  • mead. At those green slopings, Pierre reined in his steeds, and soon the
  • twain were seated on the bank, gazing far, and far away; over many a
  • grove and lake; corn-crested uplands, and Herd's-grass lowlands; and
  • long-stretching swales of vividest green, betokening where the greenest
  • bounty of this earth seeks its winding channels; as ever, the most
  • heavenly bounteousness most seeks the lowly places; making green and
  • glad many a humble mortal's breast, and leaving to his own lonely
  • aridness, many a hill-top prince's state.
  • But Grief, not Joy, is a moralizer; and small moralizing wisdom caught
  • Pierre from that scene. With Lucy's hand in his, and feeling, softly
  • feeling of its soft tinglingness; he seemed as one placed in linked
  • correspondence with the summer lightnings; and by sweet shock on shock,
  • receiving intimating fore-tastes of the etherealest delights of earth.
  • Now, prone on the grass he falls, with his attentive upward glance fixed
  • on Lucy's eyes. "Thou art my heaven, Lucy; and here I lie thy
  • shepherd-king, watching for new eye-stars to rise in thee. Ha! I see
  • Venus' transit now;--lo! a new planet there;--and behind all, an
  • infinite starry nebulousness, as if thy being were backgrounded by some
  • spangled vail of mystery."
  • Is Lucy deaf to all these ravings of his lyric love? Why looks she down,
  • and vibrates so; and why now from her over-charged lids, drops such warm
  • drops as these? No joy now in Lucy's eyes, and seeming tremor on her
  • lips.
  • "Ah! thou too ardent and impetuous Pierre!"
  • "Nay, thou too moist and changeful April! know'st thou not, that the
  • moist and changeful April is followed by the glad, assured, and
  • showerless joy of June? And this, Lucy, this day should be thy June,
  • even as it is the earth's?"
  • "Ah Pierre! not June to me. But say, are not the sweets of June made
  • sweet by the April tears?"
  • "Ay, love! but here fall more drops,--more and more;--these showers are
  • longer than beseem the April, and pertain not to the June."
  • "June! June!--thou bride's month of the summer,--following the spring's
  • sweet courtship of the earth,--my June, my June is yet to come!"
  • "Oh! yet to come, but fixedly decreed;--good as come, and better."
  • "Then no flower that, in the bud, the April showers have nurtured; no
  • such flower may untimely perish, ere the June unfolds it? Ye will not
  • swear that, Pierre?"
  • "The audacious immortalities of divinest love are in me; and I now swear
  • to thee all the immutable eternities of joyfulness, that ever woman
  • dreamed of, in this dream-house of the earth. A god decrees to thee
  • unchangeable felicity; and to me, the unchallenged possession of thee
  • and them, for my inalienable fief.--Do I rave? Look on me, Lucy; think
  • on me, girl."
  • "Thou art young, and beautiful, and strong; and a joyful manliness
  • invests thee, Pierre; and thy intrepid heart never yet felt the touch of
  • fear;--But--"
  • "But what?"
  • "Ah, my best Pierre!"
  • "With kisses I will suck thy secret from thy cheek!--but what?"
  • "Let us hie homeward, Pierre. Some nameless sadness, faintness,
  • strangely comes to me. Foretaste I feel of endless dreariness. Tell me
  • once more the story of that face, Pierre,--that mysterious, haunting
  • face, which thou once told'st me, thou didst thrice vainly try to shun.
  • Blue is the sky, oh, bland the air, Pierre;--but--tell me the story of
  • the face,--the dark-eyed, lustrous, imploring, mournful face, that so
  • mystically paled, and shrunk at thine. Ah, Pierre, sometimes I have
  • thought,--never will I wed with my best Pierre, until the riddle of that
  • face be known. Tell me, tell me, Pierre;--as a fixed basilisk, with eyes
  • of steady, flaming mournfulness, that face this instant fastens me."
  • "Bewitched! bewitched!--Cursed be the hour I acted on the thought, that
  • Love hath no reserves. Never should I have told thee the story of that
  • face, Lucy. I have bared myself too much to thee. Oh, never should Love
  • know all!"
  • "Knows not all, then loves not all, Pierre. Never shalt thou so say
  • again;--and Pierre, listen to me. Now,--now, in this inexplicable
  • trepidation that I feel, I do conjure thee, that thou wilt ever continue
  • to do as thou hast done; so that I may ever continue to know all that
  • agitatest thee, the airiest and most transient thought, that ever shall
  • sweep into thee from the wide atmosphere of all things that hem
  • mortality. Did I doubt thee here;--could I ever think, that thy heart
  • hath yet one private nook or corner from me;--fatal disenchanting day
  • for me, my Pierre, would that be. I tell thee, Pierre--and 'tis Love's
  • own self that now speaks through me--only in unbounded confidence and
  • interchangings of all subtlest secrets, can Love possibly endure. Love's
  • self is a secret, and so feeds on secrets, Pierre. Did I only know of
  • thee, what the whole common world may know--what then were Pierre to
  • me?--Thou must be wholly a disclosed secret to me; Love is vain and
  • proud; and when I walk the streets, and meet thy friends, I must still
  • be laughing and hugging to myself the thought,--They know him not;--I
  • only know my Pierre;--none else beneath the circuit of yon sun. Then,
  • swear to me, dear Pierre, that thou wilt never keep a secret from
  • me--no, never, never;--swear!"
  • "Something seizes me. Thy inexplicable tears, falling, falling on my
  • heart, have now turned it to a stone. I feel icy cold and hard; I will
  • not swear!"
  • "Pierre! Pierre!"
  • "God help thee, and God help me, Lucy. I can not think, that in this
  • most mild and dulcet air, the invisible agencies are plotting treasons
  • against our loves. Oh! if ye be now nigh us, ye things I have no name
  • for; then by a name that should be efficacious--by Christ's holy name, I
  • warn ye back from her and me. Touch her not, ye airy devils; hence to
  • your appointed hell! why come ye prowling in these heavenly perlieus?
  • Can not the chains of Love omnipotent bind ye, fiends?"
  • "Is this Pierre? His eyes glare fearfully; now I see layer on layer
  • deeper in him; he turns round and menaces the air and talks to it, as if
  • defied by the air. Woe is me, that fairy love should raise this evil
  • spell!--Pierre?"
  • "But now I was infinite distances from thee, oh my Lucy, wandering
  • baffled in the choking night; but thy voice might find me, though I had
  • wandered to the Boreal realm, Lucy. Here I sit down by thee; I catch a
  • soothing from thee."
  • "My own, own Pierre! Pierre, into ten trillion pieces I could now be
  • torn for thee; in my bosom would yet hide thee, and there keep thee
  • warm, though I sat down on Arctic ice-floes, frozen to a corpse. My own,
  • best, blessed Pierre! Now, could I plant some poniard in me, that my
  • silly ailings should have power to move thee thus, and pain thee thus.
  • Forgive me, Pierre; thy changed face hath chased the other from me; the
  • fright of thee exceeds all other frights. It does not so haunt me now.
  • Press hard my hand; look hard on me, my love, that its last trace may
  • pass away. Now I feel almost whole again; now, 'tis gone. Up, my Pierre;
  • let us up, and fly these hills, whence, I fear, too wide a prospect
  • meets us. Fly we to the plain. See, thy steeds neigh for thee--they call
  • thee--see, the clouds fly down toward the plain--lo, these hills now
  • seem all desolate to me, and the vale all verdure. Thank thee,
  • Pierre.--See, now, I quit the hills, dry-cheeked; and leave all tears
  • behind to be sucked in by these evergreens, meet emblems of the
  • unchanging love, my own sadness nourishes in me. Hard fate, that Love's
  • best verdure should feed so on tears!"
  • Now they rolled swiftly down the slopes; nor tempted the upper hills;
  • but sped fast for the plain. Now the cloud hath passed from Lucy's eye;
  • no more the lurid slanting light forks upward from her lover's brow. In
  • the plain they find peace, and love, and joy again.
  • "It was the merest, idling, wanton vapor, Lucy!"
  • "An empty echo, Pierre, of a sad sound, long past. Bless thee, my
  • Pierre!"
  • "The great God wrap thee ever, Lucy. So, now, we are home."
  • VI.
  • After seeing Lucy into her aunt's most cheerful parlor, and seating her
  • by the honeysuckle that half clambered into the window there; and near
  • to which was her easel for crayon-sketching, upon part of whose frame
  • Lucy had cunningly trained two slender vines, into whose earth-filled
  • pots two of the three legs of the easel were inserted; and sitting down
  • himself by her, and by his pleasant, lightsome chat, striving to chase
  • the last trace of sadness from her; and not till his object seemed fully
  • gained; Pierre rose to call her good aunt to her, and so take his leave
  • till evening, when Lucy called him back, begging him first to bring her
  • the blue portfolio from her chamber, for she wished to kill her last
  • lingering melancholy--if any indeed did linger now--by diverting her
  • thoughts, in a little pencil sketch, to scenes widely different from
  • those of Saddle Meadows and its hills.
  • So Pierre went up stairs, but paused on the threshold of the open door.
  • He never had entered that chamber but with feelings of a wonderful
  • reverentialness. The carpet seemed as holy ground. Every chair seemed
  • sanctified by some departed saint, there once seated long ago. Here his
  • book of Love was all a rubric, and said--Bow now, Pierre, bow. But this
  • extreme loyalty to the piety of love, called from him by such glimpses
  • of its most secret inner shrine, was not unrelieved betimes by such
  • quickenings of all his pulses, that in fantasy he pressed the wide
  • beauty of the world in his embracing arms; for all his world resolved
  • itself into his heart's best love for Lucy.
  • Now, crossing the magic silence of the empty chamber, he caught the
  • snow-white bed reflected in the toilet-glass. This rooted him. For one
  • swift instant, he seemed to see in that one glance the two separate
  • beds--the real one and the reflected one--and an unbidden, most
  • miserable presentiment thereupon stole into him. But in one breath it
  • came and went. So he advanced, and with a fond and gentle joyfulness,
  • his eye now fell upon the spotless bed itself, and fastened on a
  • snow-white roll that lay beside the pillow. Now he started; Lucy seemed
  • coming in upon him; but no--'tis only the foot of one of her little
  • slippers, just peeping into view from under the narrow nether curtains
  • of the bed. Then again his glance fixed itself upon the slender,
  • snow-white, ruffled roll; and he stood as one enchanted. Never precious
  • parchment of the Greek was half so precious in his eyes. Never
  • trembling scholar longed more to unroll the mystic vellum, than Pierre
  • longed to unroll the sacred secrets of that snow-white, ruffled thing.
  • But his hands touched not any object in that chamber, except the one he
  • had gone thither for.
  • "Here is the blue portfolio, Lucy. See, the key hangs to its silver
  • lock;--were you not fearful I would open it?--'twas tempting, I must
  • confess."
  • "Open it!" said Lucy--"why, yes, Pierre, yes; what secret thing keep I
  • from thee? Read me through and through. I am entirely thine. See!" and
  • tossing open the portfolio, all manner of rosy things came floating from
  • it, and a most delicate perfume of some invisible essence.
  • "Ah! thou holy angel, Lucy!"
  • "Why, Pierre, thou art transfigured; thou now lookest as one who--why,
  • Pierre?"
  • "As one who had just peeped in at paradise, Lucy; and----"
  • "Again wandering in thy mind, Pierre; no more--Come, you must leave me,
  • now. I am quite rested again. Quick, call my aunt, and leave me. Stay,
  • this evening we are to look over the book of plates from the city, you
  • know. Be early;--go now, Pierre."
  • "Well, good-bye, till evening, thou height of all delight."
  • VII.
  • As Pierre drove through the silent village, beneath the vertical shadows
  • of the noon-day trees, the sweet chamber scene abandoned him, and the
  • mystical face recurred to him, and kept with him. At last, arrived at
  • home, he found his mother absent; so passing straight through the wide
  • middle hall of the mansion, he descended the piazza on the other ride,
  • and wandered away in reveries down to the river bank.
  • Here one primeval pine-tree had been luckily left standing by the
  • otherwise unsparing woodmen, who long ago had cleared that meadow. It
  • was once crossing to this noble pine, from a clump of hemlocks far
  • across the river, that Pierre had first noticed the significant fact,
  • that while the hemlock and the pine are trees of equal growth and
  • stature, and are so similar in their general aspect, that people unused
  • to woods sometimes confound them; and while both trees are proverbially
  • trees of sadness, yet the dark hemlock hath no music in its thoughtful
  • boughs; but the gentle pine-tree drops melodious mournfulness.
  • At its half-bared roots of sadness, Pierre sat down, and marked the
  • mighty bulk and far out-reaching length of one particular root, which,
  • straying down the bank, the storms and rains had years ago exposed.
  • "How wide, how strong these roots must spread! Sure, this pine-tree
  • takes powerful hold of this fair earth! Yon bright flower hath not so
  • deep a root. This tree hath outlived a century of that gay flower's
  • generations, and will outlive a century of them yet to come. This is
  • most sad. Hark, now I hear the pyramidical and numberless, flame-like
  • complainings of this Eolean pine;--the wind breathes now upon it:--the
  • wind,--that is God's breath! Is He so sad? Oh, tree! so mighty thou, so
  • lofty, yet so mournful! This is most strange! Hark! as I look up into
  • thy high secrecies, oh, tree, the face, the face, peeps down on
  • me!--'Art thou Pierre? Come to me'--oh, thou mysterious girl,--what an
  • ill-matched pendant thou, to that other countenance of sweet Lucy, which
  • also hangs, and first did hang within my heart! Is grief a pendant then
  • to pleasantness? Is grief a self-willed guest that _will_ come in? Yet I
  • have never known thee, Grief;--thou art a legend to me. I have known
  • some fiery broils of glorious frenzy; I have oft tasted of revery;
  • whence comes pensiveness; whence comes sadness; whence all delicious
  • poetic presentiments;--but thou, Grief! art still a ghost-story to me. I
  • know thee not,--do half disbelieve in thee. Not that I would be without
  • my too little cherished fits of sadness now and then; but God keep me
  • from thee, thou other shape of far profounder gloom! I shudder at thee!
  • The face!--the face!--forth again from thy high secrecies, oh, tree! the
  • face steals down upon me. Mysterious girl! who art thou? by what right
  • snatchest thou thus my deepest thoughts? Take thy thin fingers from
  • me;--I am affianced, and not to thee. Leave me!--what share hast thou in
  • me? Surely, thou lovest not me?--that were most miserable for thee, and
  • me, and Lucy. It can not be. What, _who_ art thou? Oh! wretched
  • vagueness--too familiar to me, yet inexplicable,--unknown, utterly
  • unknown! I seem to founder in this perplexity. Thou seemest to know
  • somewhat of me, that I know not of myself,--what is it then? If thou
  • hast a secret in thy eyes of mournful mystery, out with it; Pierre
  • demands it; what is that thou hast veiled in thee so imperfectly, that I
  • seem to see its motion, but not its form? It visibly rustles behind the
  • concealing screen. Now, never into the soul of Pierre, stole there
  • before, a muffledness like this! If aught really lurks in it, ye
  • sovereign powers that claim all my leal worshipings, I conjure ye to
  • lift the veil; I must see it face to face. Tread I on a mine, warn me;
  • advance I on a precipice, hold me back; but abandon me to an unknown
  • misery, that it shall suddenly seize me, and possess me, wholly,--that
  • ye will never do; else, Pierre's fond faith in ye--now clean,
  • untouched--may clean depart; and give me up to be a railing atheist! Ah,
  • now the face departs. Pray heaven it hath not only stolen back, and
  • hidden again in thy high secrecies, oh tree! But 'tis
  • gone--gone--entirely gone; and I thank God, and I feel joy again; joy,
  • which I also feel to be my right as man; deprived of joy, I feel I
  • should find cause for deadly feuds with things invisible. Ha! a coat of
  • iron-mail seems to grow round, and husk me now; and I have heard, that
  • the bitterest winters are foretold by a thicker husk upon the Indian
  • corn; so our old farmers say. But 'tis a dark similitude. Quit thy
  • analogies; sweet in the orator's mouth, bitter in the thinker's belly.
  • Now, then, I'll up with my own joyful will; and with my joy's face scare
  • away all phantoms:--so, they go; and Pierre is Joy's, and Life's again.
  • Thou pine-tree!--henceforth I will resist thy too treacherous
  • persuasiveness. Thou'lt not so often woo me to thy airy tent, to ponder
  • on the gloomy rooted stakes that bind it. Hence now I go; and peace be
  • with thee, pine! That blessed sereneness which lurks ever at the heart
  • of sadness--mere sadness--and remains when all the rest has gone;--that
  • sweet feeling is now mine, and cheaply mine. I am not sorry I was sad, I
  • feel so blessed now. Dearest Lucy!--well, well;--'twill be a pretty time
  • we'll have this evening; there's the book of Flemish prints--that first
  • we must look over; then, second, is Flaxman's Homer--clear-cut outlines,
  • yet full of unadorned barbaric nobleness. Then Flaxman's Dante;--Dante!
  • Night's and Hell's poet he. No, we will not open Dante. Methinks now the
  • face--the face--minds me a little of pensive, sweet Francesca's
  • face--or, rather, as it had been Francesca's daughter's face--wafted on
  • the sad dark wind, toward observant Virgil and the blistered Florentine.
  • No, we will not open Flaxman's Dante. Francesca's mournful face is now
  • ideal to me. Flaxman might evoke it wholly,--make it present in lines of
  • misery--bewitching power. No! I will not open Flaxman's Dante! Damned be
  • the hour I read in Dante! more damned than that wherein Paolo and
  • Francesca read in fatal Launcelot!"
  • BOOK III.
  • THE PRESENTIMENT AND THE VERIFICATION.
  • I.
  • The face, of which Pierre and Lucy so strangely and fearfully hinted,
  • was not of enchanted air; but its mortal lineaments of mournfulness had
  • been visibly beheld by Pierre. Nor had it accosted him in any privacy;
  • or in any lonely byeway; or beneath the white light of the crescent
  • moon; but in a joyous chamber, bright with candles, and ringing with two
  • score women's gayest voices. Out of the heart of mirthfulness, this
  • shadow had come forth to him. Encircled by bandelets of light, it had
  • still beamed upon him; vaguely historic and prophetic; backward, hinting
  • of some irrevocable sin; forward, pointing to some inevitable ill. One
  • of those faces, which now and then appear to man, and without one word
  • of speech, still reveal glimpses of some fearful gospel. In natural
  • guise, but lit by supernatural light; palpable to the senses, but
  • inscrutable to the soul; in their perfectest impression on us, ever
  • hovering between Tartarean misery and Paradisaic beauty; such faces,
  • compounded so of hell and heaven, overthrow in us all foregone
  • persuasions, and make us wondering children in this world again.
  • The face had accosted Pierre some weeks previous to his ride with Lucy
  • to the hills beyond Saddle Meadows; and before her arrival for the
  • summer at the village; moreover it had accosted him in a very common
  • and homely scene; but this enhanced the wonder.
  • On some distant business, with a farmer-tenant, he had been absent from
  • the mansion during the best part of the day, and had but just come home,
  • early of a pleasant moonlight evening, when Dates delivered a message to
  • him from his mother, begging him to come for her about half-past seven
  • that night to Miss Llanyllyn's cottage, in order to accompany her thence
  • to that of the two Miss Pennies. At the mention of that last name,
  • Pierre well knew what he must anticipate. Those elderly and truly pious
  • spinsters, gifted with the most benevolent hearts in the world, and at
  • mid-age deprived by envious nature of their hearing, seemed to have made
  • it a maxim of their charitable lives, that since God had not given them
  • any more the power to hear Christ's gospel preached, they would
  • therefore thenceforth do what they could toward practicing it.
  • Wherefore, as a matter of no possible interest to them now, they
  • abstained from church; and while with prayer-books in their hands the
  • Rev. Mr. Falsgrave's congregation were engaged in worshiping their God,
  • according to the divine behest; the two Miss Pennies, with thread and
  • needle, were hard at work in serving him; making up shirts and gowns for
  • the poor people of the parish. Pierre had heard that they had recently
  • been at the trouble of organizing a regular society, among the
  • neighboring farmers' wives and daughters, to meet twice a month at their
  • own house (the Miss Pennies) for the purpose of sewing in concert for
  • the benefit of various settlements of necessitous emigrants, who had
  • lately pitched their populous shanties further up the river. But though
  • this enterprise had not been started without previously acquainting Mrs.
  • Glendinning of it,--for indeed she was much loved and honored by the
  • pious spinsters,--and their promise of solid assistance from that
  • gracious manorial lady; yet Pierre had not heard that his mother had
  • been officially invited to preside, or be at all present at the
  • semi-monthly meetings; though he supposed, that far from having any
  • scruples against so doing, she would be very glad to associate that way,
  • with the good people of the village.
  • "Now, brother Pierre"--said Mrs. Glendinning, rising from Miss
  • Llanyllyn's huge cushioned chair--"throw my shawl around me; and
  • good-evening to Lucy's aunt.--There, we shall be late."
  • As they walked along, she added--"Now, Pierre, I know you are apt to be
  • a little impatient sometimes, of these sewing scenes; but courage; I
  • merely want to peep in on them; so as to get some inkling of what they
  • would indeed be at; and then my promised benefactions can be better
  • selected by me. Besides, Pierre, I could have had Dates escort me, but I
  • preferred you; because I want you to know who they are you live among;
  • how many really pretty, and naturally-refined dames and girls you shall
  • one day be lord of the manor of. I anticipate a rare display of rural
  • red and white."
  • Cheered by such pleasant promises, Pierre soon found himself leading his
  • mother into a room full of faces. The instant they appeared, a
  • gratuitous old body, seated with her knitting near the door, squeaked
  • out shrilly--"Ah! dames, dames,--Madam Glendinning!--Master Pierre
  • Glendinning!"
  • Almost immediately following this sound, there came a sudden,
  • long-drawn, unearthly, girlish shriek, from the further corner of the
  • long, double room. Never had human voice so affected Pierre before.
  • Though he saw not the person from whom it came, and though the voice was
  • wholly strange to him, yet the sudden shriek seemed to split its way
  • clean through his heart, and leave a yawning gap there. For an instant,
  • he stood bewildered; but started at his mother's voice; her arm being
  • still in his. "Why do you clutch my arm so, Pierre? You pain me. Pshaw!
  • some one has fainted,--nothing more."
  • Instantly Pierre recovered himself, and affecting to mock at his own
  • trepidation, hurried across the room to offer his services, if such
  • were needed. But dames and maidens had been all beforehand with him; the
  • lights were wildly flickering in the air-current made by the flinging
  • open of the casement, near to where the shriek had come. But the climax
  • of the tumult was soon past; and presently, upon closing the casement,
  • it subsided almost wholly. The elder of the spinster Pennies, advancing
  • to Mrs. Glendinning, now gave her to understand, that one of the further
  • crowd of industrious girls present, had been attacked by a sudden, but
  • fleeting fit, vaguely imputable to some constitutional disorder or
  • other. She was now quite well again. And so the company, one and all,
  • seemingly acting upon their natural good-breeding, which in any one at
  • bottom, is but delicacy and charity, refrained from all further
  • curiosity; reminded not the girl of what had passed; noted her scarce at
  • all; and all needles stitched away as before.
  • Leaving his mother to speak with whom she pleased, and attend alone to
  • her own affairs with the society; Pierre, oblivious now in such a lively
  • crowd, of any past unpleasantness, after some courtly words to the Miss
  • Pennies,--insinuated into their understandings through a long coiled
  • trumpet, which, when not in use, the spinsters wore, hanging like a
  • powder-horn from their girdles:--and likewise, after manifesting the
  • profoundest and most intelligent interest in the mystic mechanism of a
  • huge woolen sock, in course of completion by a spectacled old lady of
  • his more particular acquaintance; after all this had been gone through,
  • and something more too tedious to detail, but which occupied him for
  • nearly half an hour, Pierre, with a slightly blushing, and imperfectly
  • balanced assurance, advanced toward the further crowd of maidens; where,
  • by the light of many a well-snuffed candle, they clubbed all their
  • bright contrasting cheeks, like a dense bed of garden tulips. There were
  • the shy and pretty Maries, Marthas, Susans, Betties, Jennies, Nellies;
  • and forty more fair nymphs, who skimmed the cream, and made the butter
  • of the fat farms of Saddle Meadows.
  • Assurance is in presence of the assured. Where embarrassments prevail,
  • they affect the most disembarrassed. What wonder, then, that gazing on
  • such a thick array of wreathing, roguish, half-averted, blushing
  • faces--still audacious in their very embarrassment--Pierre, too, should
  • flush a bit, and stammer in his attitudes a little? Youthful love and
  • graciousness were in his heart; kindest words upon his tongue; but there
  • he stood, target for the transfixing glances of those ambushed archers
  • of the eye.
  • But his abashments last too long; his cheek hath changed from blush to
  • pallor; what strange thing does Pierre Glendinning see? Behind the first
  • close, busy breast-work of young girls, are several very little stands,
  • or circular tables, where sit small groups of twos and threes, sewing in
  • small comparative solitudes, as it were. They would seem to be the less
  • notable of the rural company; or else, for some cause, they have
  • voluntarily retired into their humble banishment. Upon one of these
  • persons engaged at the furthermost and least conspicuous of these little
  • stands, and close by a casement, Pierre's glance is palely fixed.
  • The girl sits steadily sewing; neither she nor her two companions speak.
  • Her eyes are mostly upon her work; but now and then a very close
  • observer would notice that she furtively lifts them, and moves them
  • sideways and timidly toward Pierre; and then, still more furtively and
  • timidly toward his lady mother, further off. All the while, her
  • preternatural calmness sometimes seems only made to cover the intensest
  • struggle in her bosom. Her unadorned and modest dress is black; fitting
  • close up to her neck, and clasping it with a plain, velvet border. To a
  • nice perception, that velvet shows elastically; contracting and
  • expanding, as though some choked, violent thing were risen up there
  • within from the teeming region of her heart. But her dark, olive cheek
  • is without a blush, or sign of any disquietude. So far as this girl lies
  • upon the common surface, ineffable composure steeps her. But still, she
  • sideways steals the furtive, timid glance. Anon, as yielding to the
  • irresistible climax of her concealed emotion, whatever that may be, she
  • lifts her whole marvelous countenance into the radiant candlelight, and
  • for one swift instant, that face of supernaturalness unreservedly meets
  • Pierre's. Now, wonderful loveliness, and a still more wonderful
  • loneliness, have with inexplicable implorings, looked up to him from
  • that henceforth immemorial face. There, too, he seemed to see the fair
  • ground where Anguish had contended with Beauty, and neither being
  • conqueror, both had laid down on the field.
  • Recovering at length from his all too obvious emotion, Pierre turned
  • away still farther, to regain the conscious possession of himself. A
  • wild, bewildering, and incomprehensible curiosity had seized him, to
  • know something definite of that face. To this curiosity, at the moment,
  • he entirely surrendered himself; unable as he was to combat it, or
  • reason with it in the slightest way. So soon as he felt his outward
  • composure returned to him, he purposed to chat his way behind the
  • breastwork of bright eyes and cheeks, and on some parlor pretense or
  • other, hear, if possible, an audible syllable from one whose mere silent
  • aspect had so potentially moved him. But at length, as with this object
  • in mind, he was crossing the room again, he heard his mother's voice,
  • gayly calling him away; and turning, saw her shawled and bonneted. He
  • could now make no plausible stay, and smothering the agitation in him,
  • he bowed a general and hurried adieu to the company, and went forth with
  • his mother.
  • They had gone some way homeward, in perfect silence, when his mother
  • spoke.
  • "Well, Pierre, what can it possibly be!"
  • "My God, mother, did you see her then!"
  • "My son!" cried Mrs. Glendinning, instantly stopping in terror, and
  • withdrawing her arm from Pierre, "what--what under heaven ails you? This
  • is most strange! I but playfully asked, what you were so steadfastly
  • thinking of; and here you answer me by the strangest question, in a
  • voice that seems to come from under your great-grandfather's tomb! What,
  • in heaven's name, does this mean, Pierre? Why were you so silent, and
  • why now are you so ill-timed in speaking! Answer me;--explain all
  • this;--_she_--_she_--what _she_ should you be thinking of but Lucy
  • Tartan?--Pierre, beware, beware! I had thought you firmer in your lady's
  • faith, than such strange behavior as this would seem to hint. Answer me,
  • Pierre, what may this mean? Come, I hate a mystery; speak, my son."
  • Fortunately, this prolonged verbalized wonder in his mother afforded
  • Pierre time to rally from his double and aggravated astonishment,
  • brought about by first suspecting that his mother also had been struck
  • by the strange aspect of the face, and then, having that suspicion so
  • violently beaten back upon him, by her apparently unaffected alarm at
  • finding him in some region of thought wholly unshared by herself at the
  • time.
  • "It is nothing--nothing, sister Mary; just nothing at all in the world.
  • I believe I was dreaming--sleep-walking, or something of that sort. They
  • were vastly pretty girls there this evening, sister Mary, were they not?
  • Come, let us walk on--do, sister mine."
  • "Pierre, Pierre!--but I will take your arm again;--and have you really
  • nothing more to say? were you really wandering, Pierre?"
  • "I swear to you, my dearest mother, that never before in my whole
  • existence, have I so completely gone wandering in my soul, as at that
  • very moment. But it is all over now." Then in a less earnest and
  • somewhat playful tone, he added: "And sister mine, if you know aught of
  • the physical and sanitary authors, you must be aware, that the only
  • treatment for such a case of harmless temporary aberration, is for all
  • persons to ignore it in the subject. So no more of this foolishness.
  • Talking about it only makes me feel very unpleasantly silly, and there
  • is no knowing that it may not bring it back upon me."
  • "Then by all means, my dear boy, not another word about it. But it's
  • passing strange--very, very strange indeed. Well, about that morning
  • business; how fared you? Tell me about it."
  • II.
  • So Pierre, gladly plunging into this welcome current of talk, was
  • enabled to attend his mother home without furnishing further cause for
  • her concern or wonderment. But not by any means so readily could he
  • allay his own concern and wonderment. Too really true in itself, however
  • evasive in its effect at the time, was that earnest answer to his
  • mother, declaring that never in his whole existence had he been so
  • profoundly stirred. The face haunted him as some imploring, and
  • beauteous, impassioned, ideal Madonna's haunts the morbidly longing and
  • enthusiastic, but ever-baffled artist. And ever, as the mystic face thus
  • rose before his fancy's sight, another sense was touched in him; the
  • long-drawn, unearthly, girlish shriek pealed through and through his
  • soul; for now he knew the shriek came from the face--such Delphic shriek
  • could only come from such a source. And wherefore that shriek? thought
  • Pierre. Bodes it ill to the face, or me, or both? How am I changed, that
  • my appearance on any scene should have power to work such woe? But it
  • was mostly the face--the face, that wrought upon him. The shriek seemed
  • as incidentally embodied there.
  • The emotions he experienced seemed to have taken hold of the deepest
  • roots and subtlest fibres of his being. And so much the more that it was
  • so subterranean in him, so much the more did he feel its weird
  • inscrutableness. What was one unknown, sad-eyed, shrieking girl to him?
  • There must be sad-eyed girls somewhere in the world, and this was only
  • one of them. And what was the most beautiful sad-eyed girl to him?
  • Sadness might be beautiful, as well as mirth--he lost himself trying to
  • follow out this tangle. "I will no more of this infatuation," he would
  • cry; but forth from regions of irradiated air, the divine beauty and
  • imploring sufferings of the face, stole into his view.
  • Hitherto I have ever held but lightly, thought Pierre, all stories of
  • ghostly mysticalness in man; my creed of this world leads me to believe
  • in visible, beautiful flesh, and audible breath, however sweet and
  • scented; but only in visible flesh, and audible breath, have I hitherto
  • believed. But now!--now!--and again he would lose himself in the most
  • surprising and preternatural ponderings, which baffled all the
  • introspective cunning of his mind. Himself was too much for himself. He
  • felt that what he had always before considered the solid land of
  • veritable reality, was now being audaciously encroached upon by bannered
  • armies of hooded phantoms, disembarking in his soul, as from flotillas
  • of specter-boats.
  • The terrors of the face were not those of Gorgon; not by repelling
  • hideousness did it smite him so; but bewilderingly allured him, by its
  • nameless beauty, and its long-suffering, hopeless anguish.
  • But he was sensible that this general effect upon him, was also special;
  • the face somehow mystically appealing to his own private and individual
  • affections; and by a silent and tyrannic call, challenging him in his
  • deepest moral being, and summoning Truth, Love, Pity, Conscience, to the
  • stand. Apex of all wonders! thought Pierre; this indeed almost unmans me
  • with its wonderfulness. Escape the face he could not. Muffling his own
  • in his bed-clothes--that did not hide it. Flying from it by sunlight
  • down the meadows, was as vain.
  • Most miraculous of all to Pierre was the vague impression, that
  • somewhere he had seen traits of the likeness of that face before. But
  • where, he could not say; nor could he, in the remotest degree, imagine.
  • He was not unaware--for in one or two instances, he had experienced the
  • fact--that sometimes a man may see a passing countenance in the street,
  • which shall irresistibly and magnetically affect him, for a moment, as
  • wholly unknown to him, and yet strangely reminiscent of some vague face
  • he has previously encountered, in some fancied time, too, of extreme
  • interest to his life. But not so was it now with Pierre. The face had
  • not perplexed him for a few speculative minutes, and then glided from
  • him, to return no more. It stayed close by him; only--and not
  • invariably--could he repel it, by the exertion of all his resolution and
  • self-will. Besides, what of general enchantment lurked in his strange
  • sensations, seemed concentringly condensed, and pointed to a spear-head,
  • that pierced his heart with an inexplicable pang, whenever the
  • specializing emotion--to call it so--seized the possession of his
  • thoughts, and waved into his visions, a thousand forms of by-gone times,
  • and many an old legendary family scene, which he had heard related by
  • his elderly relations, some of them now dead.
  • Disguising his wild reveries as best he might from the notice of his
  • mother, and all other persons of her household, for two days Pierre
  • wrestled with his own haunted spirit; and at last, so effectually purged
  • it of all weirdnesses, and so effectually regained the general mastery
  • of himself, that for a time, life went with him, as though he had never
  • been stirred so strangely. Once more, the sweet unconditional thought of
  • Lucy slid wholly into his soul, dislodging thence all such phantom
  • occupants. Once more he rode, he walked, he swam, he vaulted; and with
  • new zest threw himself into the glowing practice of all those manly
  • exercises, he so dearly loved. It almost seemed in him, that ere
  • promising forever to protect, as well as eternally to love, his Lucy, he
  • must first completely invigorate and embrawn himself into the possession
  • of such a noble muscular manliness, that he might champion Lucy against
  • the whole physical world.
  • Still--even before the occasional reappearance of the face to
  • him--Pierre, for all his willful ardor in his gymnasticals and other
  • diversions, whether in-doors or out, or whether by book or foil; still,
  • Pierre could not but be secretly annoyed, and not a little perplexed, as
  • to the motive, which, for the first time in his recollection, had
  • impelled him, not merely to conceal from his mother a singular
  • circumstance in his life (for that, he felt would have been but venial;
  • and besides, as will eventually be seen, he could find one particular
  • precedent for it, in his past experience) but likewise, and
  • superaddedly, to parry, nay, to evade, and, in effect, to return
  • something alarmingly like a fib, to an explicit question put to him by
  • his mother;--such being the guise, in which part of the conversation
  • they had had that eventful night, now appeared to his fastidious sense.
  • He considered also, that his evasive answer had not pantheistically
  • burst from him in a momentary interregnum of self-command. No; his
  • mother had made quite a lengthy speech to him; during which he well
  • remembered, he had been carefully, though with trepidation, turning over
  • in his mind, how best he might recall her from her unwished-for and
  • untimely scent. Why had this been so? Was this his wont? What
  • inscrutable thing was it, that so suddenly had seized him, and made him
  • a falsifyer--ay, a falsifyer and nothing less--to his own
  • dearly-beloved, and confiding mother? Here, indeed, was something
  • strange for him; here was stuff for his utmost ethical meditations. But,
  • nevertheless, on strict introspection, he felt, that he would not
  • willingly have it otherwise; not willingly would he now undissemble
  • himself in this matter to his mother. Why was this, too? Was this his
  • wont? Here, again, was food for mysticism. Here, in imperfect inklings,
  • tinglings, presentiments, Pierre began to feel--what all mature men, who
  • are Magians, sooner or later know, and more or less assuredly--that not
  • always in our actions, are we our own factors. But this conceit was very
  • dim in Pierre; and dimness is ever suspicious and repugnant to us; and
  • so, Pierre shrank abhorringly from the infernal catacombs of thought,
  • down into which, this foetal fancy beckoned him. Only this, though in
  • secret, did he cherish; only this, he felt persuaded of; namely, that
  • not for both worlds would he have his mother made a partner to his
  • sometime mystic mood.
  • But with this nameless fascination of the face upon him, during those
  • two days that it had first and fully possessed him for its own, did
  • perplexed Pierre refrain from that apparently most natural of all
  • resources,--boldly seeking out, and returning to the palpable cause, and
  • questioning her, by look or voice, or both together--the mysterious girl
  • herself? No; not entirely did Pierre here refrain. But his profound
  • curiosity and interest in the matter--strange as it may seem--did not so
  • much appear to be embodied in the mournful person of the olive girl, as
  • by some radiations from her, embodied in the vague conceits which
  • agitated his own soul. _There_, lurked the subtler secret: _that_,
  • Pierre had striven to tear away. From without, no wonderful effect is
  • wrought within ourselves, unless some interior, responding wonder meets
  • it. That the starry vault shall surcharge the heart with all rapturous
  • marvelings, is only because we ourselves are greater miracles, and
  • superber trophies than all the stars in universal space. Wonder
  • interlocks with wonder; and then the confounding feeling comes. No cause
  • have we to fancy, that a horse, a dog, a fowl, ever stand transfixed
  • beneath yon skyey load of majesty. But our soul's arches underfit into
  • its; and so, prevent the upper arch from falling on us with
  • unsustainable inscrutableness. "Explain ye my deeper mystery," said the
  • shepherd Chaldean king, smiting his breast, lying on his back upon the
  • plain; "and then, I will bestow all my wonderings upon ye, ye stately
  • stars!" So, in some sort, with Pierre. Explain thou this strange
  • integral feeling in me myself, he thought--turning upon the fancied
  • face--and I will then renounce all other wonders, to gaze wonderingly at
  • thee. But thou hast evoked in me profounder spells than the evoking one,
  • thou face! For me, thou hast uncovered one infinite, dumb, beseeching
  • countenance of mystery, underlying all the surfaces of visible time and
  • space.
  • But during those two days of his first wild vassalage to his original
  • sensations, Pierre had not been unvisited by less mysterious impulses.
  • Two or three very plain and practical plannings of desirable procedures
  • in reference to some possible homely explication of all this
  • nonsense--so he would momentarily denominate it--now and then flittingly
  • intermitted his pervading mood of semi-madness. Once he had seized his
  • hat, careless of his accustomed gloves and cane, and found himself in
  • the street, walking very rapidly in the direction of the Miss Pennies'.
  • But whither now? he disenchantingly interrogated himself. Where would
  • you go? A million to one, those deaf old spinsters can tell you nothing
  • you burn to know. Deaf old spinsters are not used to be the depositaries
  • of such mystical secrecies. But then, they may reveal her name--where
  • she dwells, and something, however fragmentary and unsatisfactory, of
  • who she is, and whence. Ay; but then, in ten minutes after your leaving
  • them, all the houses in Saddle Meadows would be humming with the gossip
  • of Pierre Glendinning engaged to marry Lucy Tartan, and yet running
  • about the country, in ambiguous pursuit of strange young women. That
  • will never do. You remember, do you not, often seeing the Miss Pennies,
  • hatless and without a shawl, hurrying through the village, like two
  • postmen intent on dropping some tit-bit of precious gossip? What a
  • morsel for them, Pierre, have you, if you now call upon them. Verily,
  • their trumpets are both for use and for significance. Though very deaf,
  • the Miss Pennies are by no means dumb. They blazon very wide.
  • "Now be sure, and say that it was the Miss Pennies, who left the
  • news--be sure--we--the Miss Pennies--remember--say to Mrs. Glendinning
  • it was we." Such was the message that now half-humorously occurred to
  • Pierre, as having been once confided to him by the sister spinsters, one
  • evening when they called with a choice present of some very _recherche_
  • chit-chat for his mother; but found the manorial lady out; and so
  • charged her son with it; hurrying away to all the inferior houses, so as
  • not to be anywhere forestalled in their disclosure.
  • Now, I wish it had been any other house than the Miss Pennies; any other
  • house but theirs, and on my soul I believe I should have gone. But not
  • to them--no, that I can not do. It would be sure to reach my mother, and
  • then she would put this and that together--stir a little--let it
  • simmer--and farewell forever to all her majestic notions of my
  • immaculate integrity. Patience, Pierre, the population of this region is
  • not so immense. No dense mobs of Nineveh confound all personal
  • identities in Saddle Meadows. Patience; thou shalt see it soon again;
  • catch it passing thee in some green lane, sacred to thy evening
  • reveries. She that bears it can not dwell remote. Patience, Pierre. Ever
  • are such mysteries best and soonest unraveled by the eventual unraveling
  • of themselves. Or, if you will, go back and get your gloves, and more
  • especially your cane, and begin your own secret voyage of discovery
  • after it. Your cane, I say; because it will probably be a very long and
  • weary walk. True, just now I hinted, that she that bears it can not
  • dwell very remote; but then her nearness may not be at all conspicuous.
  • So, homeward, and put off thy hat, and let thy cane stay still, good
  • Pierre. Seek not to mystify the mystery so.
  • Thus, intermittingly, ever and anon during those sad two days of
  • deepest sufferance, Pierre would stand reasoning and expostulating with
  • himself; and by such meditative treatment, reassure his own spontaneous
  • impulses. Doubtless, it was wise and right that so he did; doubtless:
  • but in a world so full of all dubieties as this, one can never be
  • entirely certain whether another person, however carefully and
  • cautiously conscientious, has acted in all respects conceivable for the
  • very best.
  • But when the two days were gone by, and Pierre began to recognize his
  • former self as restored to him from its mystic exile, then the thoughts
  • of personally and pointedly seeking out the unknown, either
  • preliminarily by a call upon the sister spinsters, or generally by
  • performing the observant lynx-eyed circuit of the country on foot, and
  • as a crafty inquisitor, dissembling his cause of inquisition; these and
  • all similar intentions completely abandoned Pierre.
  • He was now diligently striving, with all his mental might, forever to
  • drive the phantom from him. He seemed to feel that it begat in him a
  • certain condition of his being, which was most painful, and every way
  • uncongenial to his natural, wonted self. It had a touch of he knew not
  • what sort of unhealthiness in it, so to speak; for, in his then
  • ignorance, he could find no better term; it seemed to have in it a germ
  • of somewhat which, if not quickly extirpated, might insidiously poison
  • and embitter his whole life--that choice, delicious life which he had
  • vowed to Lucy for his one pure and comprehensive offering--at once a
  • sacrifice and a delight.
  • Nor in these endeavorings did he entirely fail. For the most part, he
  • felt now that he had a power over the comings and the goings of the
  • face; but not on all occasions. Sometimes the old, original mystic
  • tyranny would steal upon him; the long, dark, locks of mournful hair
  • would fall upon his soul, and trail their wonderful melancholy along
  • with them; the two full, steady, over-brimming eyes of loveliness and
  • anguish would converge their magic rays, till he felt them kindling he
  • could not tell what mysterious fires in the heart at which they aimed.
  • When once this feeling had him fully, then was the perilous time for
  • Pierre. For supernatural as the feeling was, and appealing to all things
  • ultramontane to his soul; yet was it a delicious sadness to him. Some
  • hazy fairy swam above him in the heavenly ether, and showered down upon
  • him the sweetest pearls of pensiveness. Then he would be seized with a
  • singular impulse to reveal the secret to some one other individual in
  • the world. Only one, not more; he could not hold all this strange
  • fullness in himself. It must be shared. In such an hour it was, that
  • chancing to encounter Lucy (her, whom above all others, he did
  • confidingly adore), she heard the story of the face; nor slept at all
  • that night; nor for a long time freed her pillow completely from wild,
  • Beethoven sounds of distant, waltzing melodies, as of ambiguous fairies
  • dancing on the heath.
  • III.
  • This history goes forward and goes backward, as occasion calls. Nimble
  • center, circumference elastic you must have. Now we return to Pierre,
  • wending homeward from his reveries beneath the pine-tree.
  • His burst of impatience against the sublime Italian, Dante, arising from
  • that poet being the one who, in a former time, had first opened to his
  • shuddering eyes the infinite cliffs and gulfs of human mystery and
  • misery;--though still more in the way of experimental vision, than of
  • sensational presentiment or experience (for as yet he had not seen so
  • far and deep as Dante, and therefore was entirely incompetent to meet
  • the grim bard fairly on his peculiar ground), this ignorant burst of
  • his young impatience,--also arising from that half contemptuous dislike,
  • and sometimes selfish loathing, with which, either naturally feeble or
  • undeveloped minds, regard those dark ravings of the loftier poets, which
  • are in eternal opposition to their own fine-spun, shallow dreams of
  • rapturous or prudential Youth;--this rash, untutored burst of Pierre's
  • young impatience, seemed to have carried off with it, all the other
  • forms of his melancholy--if melancholy it had been--and left him now
  • serene again, and ready for any tranquil pleasantness the gods might
  • have in store. For his, indeed, was true Youth's temperament,--summary
  • with sadness, swift to joyfulness, and long protracting, and detaining
  • with that joyfulness, when once it came fully nigh to him.
  • As he entered the dining-hall, he saw Dates retiring from another door
  • with his tray. Alone and meditative, by the bared half of the polished
  • table, sat his mother at her dessert; fruit-baskets, and a decanter were
  • before her. On the other leaf of the same table, still lay the cloth,
  • folded back upon itself, and set out with one plate and its usual
  • accompaniments.
  • "Sit down, Pierre; when I came home, I was surprised to hear that the
  • phaeton had returned so early, and here I waited dinner for you, until I
  • could wait no more. But go to the green pantry now, and get what Dates
  • has but just put away for you there. Heigh-ho! too plainly I foresee
  • it--no more regular dinner-hours, or tea-hours, or supper-hours, in
  • Saddle Meadows, till its young lord is wedded. And that puts me in mind
  • of something, Pierre; but I'll defer it till you have eaten a little. Do
  • you know, Pierre, that if you continue these irregular meals of yours,
  • and deprive me so entirely almost of your company, that I shall run
  • fearful risk of getting to be a terrible wine-bibber;--yes, could you
  • unalarmed see me sitting all alone here with this decanter, like any old
  • nurse, Pierre; some solitary, forlorn old nurse, Pierre, deserted by her
  • last friend, and therefore forced to embrace her flask?"
  • "No, I did not feel any great alarm, sister," said Pierre, smiling,
  • "since I could not but perceive that the decanter was still full to the
  • stopple."
  • "Possibly it may be only a fresh decanter, Pierre;" then changing her
  • voice suddenly--"but mark me, Mr. Pierre Glendinning!"
  • "Well, Mrs. Mary Glendinning!"
  • "Do you know, sir, that you are very shortly to be married,--that indeed
  • the day is all but fixed?"
  • "How-!" cried Pierre, in real joyful astonishment, both at the nature of
  • the tidings, and the earnest tones in which they were conveyed--"dear,
  • dear mother, you have strangely changed your mind then, my dear mother."
  • "It is even so, dear brother;--before this day month I hope to have a
  • little sister Tartan."
  • "You talk very strangely, mother," rejoined Pierre, quickly. "I suppose,
  • then, I have next to nothing to say in the matter!"
  • "Next to nothing, Pierre! What indeed could you say to the purpose? what
  • at all have you to do with it, I should like to know? Do you so much as
  • dream, you silly boy, that men ever have the marrying of themselves?
  • Juxtaposition marries men. There is but one match-maker in the world,
  • Pierre, and that is Mrs. Juxtaposition, a most notorious lady!"
  • "Very peculiar, disenchanting sort of talk, this, under the
  • circumstances, sister Mary," laying down his fork. "Mrs. Juxtaposition,
  • ah! And in your opinion, mother, does this fine glorious passion only
  • amount to that?"
  • "Only to that, Pierre; but mark you: according to my creed--though this
  • part of it is a little hazy--Mrs. Juxtaposition moves her pawns only as
  • she herself is moved to so doing by the spirit."
  • "Ah! that sets it all right again," said Pierre, resuming his fork--"my
  • appetite returns. But what was that about my being married so soon?" he
  • added, vainly striving to assume an air of incredulity and unconcern;
  • "you were joking, I suppose; it seems to me, sister, either you or I was
  • but just now wandering in the mind a little, on that subject. Are you
  • really thinking of any such thing? and have you really vanquished your
  • sagacious scruples by yourself, after I had so long and ineffectually
  • sought to do it for you? Well, I am a million times delighted; tell me
  • quick!"
  • "I will, Pierre. You very well know, that from the first hour you
  • apprised me--or rather, from a period prior to that--from the moment
  • that I, by my own insight, became aware of your love for Lucy, I have
  • always approved it. Lucy is a delicious girl; of honorable descent, a
  • fortune, well-bred, and the very pattern of all that I think amiable and
  • attractive in a girl of seventeen."
  • "Well, well, well," cried Pierre rapidly and impetuously; "we both knew
  • that before."
  • "Well, well, well, Pierre," retorted his mother, mockingly.
  • "It is not well, well, well; but ill, ill, ill, to torture me so,
  • mother; go on, do!"
  • "But notwithstanding my admiring approval of your choice, Pierre; yet,
  • as you know, I have resisted your entreaties for my consent to your
  • speedy marriage, because I thought that a girl of scarcely seventeen,
  • and a boy scarcely twenty, should not be in such a hurry;--there was
  • plenty of time, I thought, which could be profitably employed by both."
  • "Permit me here to interrupt you, mother. Whatever you may have seen in
  • me; she,--I mean Lucy,--has never been in the slightest hurry to be
  • married;--that's all. But I shall regard it as a _lapsus-lingua_ in
  • you."
  • "Undoubtedly, a _lapsus_. But listen to me. I have been carefully
  • observing both you and Lucy of late; and that has made me think further
  • of the matter. Now, Pierre, if you were in any profession, or in any
  • business at all; nay, if I were a farmer's wife, and you my child,
  • working in my fields; why, then, you and Lucy should still wait awhile.
  • But as you have nothing to do but to think of Lucy by day, and dream of
  • her by night, and as she is in the same predicament, I suppose; with
  • respect to you; and as the consequence of all this begins to be
  • discernible in a certain, just perceptible, and quite harmless thinness,
  • so to speak, of the cheek; but a very conspicuous and dangerous
  • febrileness of the eye; therefore, I choose the lesser of two evils; and
  • now you have my permission to be married, as soon as the thing can be
  • done with propriety. I dare say you have no objection to have the
  • wedding take place before Christmas, the present month being the first
  • of summer."
  • Pierre said nothing; but leaping to his feet, threw his two arms around
  • his mother, and kissed her repeatedly.
  • "A most sweet and eloquent answer, Pierre; but sit down again. I desire
  • now to say a little concerning less attractive, but quite necessary
  • things connected with this affair. You know, that by your father's will,
  • these lands and--"
  • "Miss Lucy, my mistress;" said Dates, throwing open the door.
  • Pierre sprang to his feet; but as if suddenly mindful of his mother's
  • presence, composed himself again, though he still approached the door.
  • Lucy entered, carrying a little basket of strawberries.
  • "Why, how do you do, my dear," said Mrs. Glendinning affectionately.
  • "This is an unexpected pleasure."
  • "Yes; and I suppose that Pierre here is a little surprised too; seeing
  • that he was to call upon me this evening, and not I upon him before
  • sundown. But I took a sudden fancy for a solitary stroll,--the afternoon
  • was such a delicious one; and chancing--it was only chancing--to pass
  • through the Locust Lane leading hither, I met the strangest little
  • fellow, with this basket in his hand.--'Yes, buy them, miss'--said he.
  • 'And how do you know I want to buy them,' returned I, 'I don't want to
  • buy them.'--'Yes you do, miss; they ought to be twenty-six cents, but
  • I'll take thirteen cents, that being my shilling. I always want the odd
  • half cent, I do. Come, I can't wait, I have been expecting you long
  • enough.'"
  • "A very sagacious little imp," laughed Mrs. Glendinning.
  • "Impertinent little rascal," cried Pierre.
  • "And am I not now the silliest of all silly girls, to be telling you my
  • adventures so very frankly," smiled Lucy.
  • "No; but the most celestial of all innocents," cried Pierre, in a
  • rhapsody of delight. "Frankly open is the flower, that hath nothing but
  • purity to show."
  • "Now, my dear little Lucy," said Mrs. Glendinning, "let Pierre take off
  • your shawl, and come now and stay to tea with us. Pierre has put back
  • the dinner so, the tea-hour will come now very soon."
  • "Thank you; but I can not stay this time. Look, I have forgotten my own
  • errand; I brought these strawberries for you, Mrs. Glendinning, and for
  • Pierre;--Pierre is so wonderfully fond of them."
  • "I was audacious enough to think as much," cried Pierre, "for you _and_
  • me, you see, mother; for you _and_ me, you understand that, I hope."
  • "Perfectly, my dear brother."
  • Lucy blushed.
  • "How warm it is, Mrs. Glendinning."
  • "Very warm, Lucy. So you won't stay to tea?"
  • "No, I must go now; just a little stroll, that's all; good-bye! Now
  • don't be following me, Pierre. Mrs. Glendinning, will you keep Pierre
  • back? I know you want him; you were talking over some private affair
  • when I entered; you both looked so very confidential."
  • "And you were not very far from right, Lucy," said Mrs. Glendinning,
  • making no sign to stay her departure.
  • "Yes, business of the highest importance," said Pierre, fixing his eyes
  • upon Lucy significantly.
  • At this moment, Lucy just upon the point of her departure, was hovering
  • near the door; the setting sun, streaming through the window, bathed her
  • whole form in golden loveliness and light; that wonderful, and most
  • vivid transparency of her clear Welsh complexion, now fairly glowed like
  • rosy snow. Her flowing, white, blue-ribboned dress, fleecily invested
  • her. Pierre almost thought that she could only depart the house by
  • floating out of the open window, instead of actually stepping from the
  • door. All her aspect to him, was that moment touched with an
  • indescribable gayety, buoyancy, fragility, and an unearthly evanescence.
  • Youth is no philosopher. Not into young Pierre's heart did there then
  • come the thought, that as the glory of the rose endures but for a day,
  • so the full bloom of girlish airiness and bewitchingness, passes from
  • the earth almost as soon; as jealously absorbed by those frugal
  • elements, which again incorporate that translated girlish bloom, into
  • the first expanding flower-bud. Not into young Pierre, did there then
  • steal that thought of utmost sadness; pondering on the inevitable
  • evanescence of all earthly loveliness; which makes the sweetest things
  • of life only food for ever-devouring and omnivorous melancholy. Pierre's
  • thought was different from this, and yet somehow akin to it.
  • This to be my wife? I that but the other day weighed an hundred and
  • fifty pounds of solid avoirdupois;--_I_ to wed this heavenly fleece?
  • Methinks one husbandly embrace would break her airy zone, and she exhale
  • upward to that heaven whence she hath hither come, condensed to mortal
  • sight. It can not be; I am of heavy earth, and she of airy light. By
  • heaven, but marriage is an impious thing!
  • Meanwhile, as these things ran through his soul, Mrs. Glendinning also
  • had thinkings of her own.
  • "A very beautiful tableau," she cried, at last, artistically turning her
  • gay head a little sideways--"very beautiful, indeed; this, I suppose is
  • all premeditated for my entertainment. Orpheus finding his Eurydice; or
  • Pluto stealing Proserpine. Admirable! It might almost stand for either."
  • "No," said Pierre, gravely; "it is the last. Now, first I see a meaning
  • there." Yes, he added to himself inwardly, I am Pluto stealing
  • Proserpine; and every accepted lover is.
  • "And you would be very stupid, brother Pierre, if you did not see
  • something there," said his mother, still that way pursuing her own
  • different train of thought. "The meaning thereof is this: Lucy has
  • commanded me to stay you; but in reality she wants you to go along with
  • her. Well, you may go as far as the porch; but then, you must return,
  • for we have not concluded our little affair, you know. Adieu, little
  • lady!"
  • There was ever a slight degree of affectionate patronizing in the manner
  • of the resplendent, full-blown Mrs. Glendinning, toward the delicate and
  • shrinking girlhood of young Lucy. She treated her very much as she might
  • have treated some surpassingly beautiful and precocious child; and this
  • was precisely what Lucy was. Looking beyond the present period, Mrs.
  • Glendinning could not but perceive, that even in Lucy's womanly
  • maturity, Lucy would still be a child to her; because, she, elated,
  • felt, that in a certain intellectual vigor, so to speak, she was the
  • essential opposite of Lucy, whose sympathetic mind and person had both
  • been cast in one mould of wondrous delicacy. But here Mrs. Glendinning
  • was both right and wrong. So far as she here saw a difference between
  • herself and Lucy Tartan, she did not err; but so far--and that was very
  • far--as she thought she saw her innate superiority to her in the
  • absolute scale of being, here she very widely and immeasurably erred.
  • For what may be artistically styled angelicalness, this is the highest
  • essence compatible with created being; and angelicalness hath no vulgar
  • vigor in it. And that thing which very often prompts to the display of
  • any vigor--which thing, in man or woman, is at bottom nothing but
  • ambition--this quality is purely earthly, and not angelical. It is
  • false, that any angels fell by reason of ambition. Angels never fall;
  • and never feel ambition. Therefore, benevolently, and affectionately,
  • and all-sincerely, as thy heart, oh, Mrs. Glendinning! now standest
  • affected toward the fleecy Lucy; still, lady, thou dost very sadly
  • mistake it, when the proud, double-arches of the bright breastplate of
  • thy bosom, expand with secret triumph over one, whom thou so sweetly,
  • but still so patronizingly stylest, The Little Lucy.
  • But ignorant of these further insights, that very superb-looking lady,
  • now waiting Pierre's return from the portico door, sat in a very
  • matronly revery; her eyes fixed upon the decanter of amber-hued wine
  • before her. Whether it was that she somehow saw some lurking analogical
  • similitude between that remarkably slender, and gracefully cut little
  • pint-decanter, brimfull of light, golden wine, or not, there is no
  • absolute telling now. But really, the peculiarly, and reminiscently, and
  • forecastingly complacent expression of her beaming and benevolent
  • countenance, seemed a tell-tale of some conceit very much like the
  • following:--Yes, she's a very pretty little pint-decanter of a girl: a
  • very pretty little Pale Sherry pint-decanter of a girl; and I--I'm a
  • quart decanter of--of--Port--potent Port! Now, Sherry for boys, and Port
  • for men--so I've heard men say; and Pierre is but a boy; but when his
  • father wedded me,--why, his father was turned of five-and-thirty years.
  • After a little further waiting for him, Mrs. Glendinning heard Pierre's
  • voice--"Yes, before eight o'clock at least, Lucy--no fear;" and then the
  • hall door banged, and Pierre returned to her.
  • But now she found that this unforeseen visit of Lucy had completely
  • routed all business capacity in her mercurial son; fairly capsizing him
  • again into, there was no telling what sea of pleasant pensiveness.
  • "Dear me! some other time, sister Mary."
  • "Not this time; that is very certain, Pierre. Upon my word I shall have
  • to get Lucy kidnapped, and temporarily taken out of the country, and you
  • handcuffed to the table, else there will be no having a preliminary
  • understanding with you, previous to calling in the lawyers. Well, I
  • shall yet manage you, one way or other. Good-bye, Pierre; I see you
  • don't want me now. I suppose I shan't see you till to-morrow morning.
  • Luckily, I have a very interesting book to read. Adieu!"
  • But Pierre remained in his chair; his gaze fixed upon the stilly sunset
  • beyond the meadows, and far away to the now golden hills. A glorious,
  • softly glorious, and most gracious evening, which seemed plainly a
  • tongue to all humanity, saying: I go down in beauty to rise in joy; Love
  • reigns throughout all worlds that sunsets visit; it is a foolish ghost
  • story; there is no such thing as misery. Would Love, which is
  • omnipotent, have misery in his domain? Would the god of sunlight decree
  • gloom? It is a flawless, speckless, fleckless, beautiful world
  • throughout; joy now, and joy forever!
  • Then the face, which before had seemed mournfully and reproachfully
  • looking out upon him from the effulgent sunset's heart; the face slid
  • from him; and left alone there with his soul's joy, thinking that that
  • very night he would utter the magic word of marriage to his Lucy; not a
  • happier youth than Pierre Glendinning sat watching that day's sun go
  • down.
  • IV.
  • After this morning of gayety, this noon of tragedy, and this evening so
  • full of chequered pensiveness; Pierre now possessed his soul in joyful
  • mildness and steadfastness; feeling none of that wild anguish of
  • anticipative rapture, which, in weaker minds, too often dislodges Love's
  • sweet bird from her nest.
  • The early night was warm, but dark--for the moon was not risen yet--and
  • as Pierre passed on beneath the pendulous canopies of the long arms of
  • the weeping elms of the village, an almost impenetrable blackness
  • surrounded him, but entered not the gently illuminated halls of his
  • heart. He had not gone very far, when in the distance beyond, he noticed
  • a light moving along the opposite side of the road, and slowly
  • approaching. As it was the custom for some of the more elderly, and
  • perhaps timid inhabitants of the village, to carry a lantern when going
  • abroad of so dark a night, this object conveyed no impression of novelty
  • to Pierre; still, as it silently drew nearer and nearer, the one only
  • distinguishable thing before him, he somehow felt a nameless
  • presentiment that the light must be seeking him. He had nearly gained
  • the cottage door, when the lantern crossed over toward him; and as his
  • nimble hand was laid at last upon the little wicket-gate, which he
  • thought was now to admit him to so much delight; a heavy hand was laid
  • upon himself, and at the same moment, the lantern was lifted toward his
  • face, by a hooded and obscure-looking figure, whose half-averted
  • countenance he could but indistinctly discern. But Pierre's own open
  • aspect, seemed to have been quickly scrutinized by the other.
  • "I have a letter for Pierre Glendinning," said the stranger, "and I
  • believe this is he." At the same moment, a letter was drawn forth, and
  • sought his hand.
  • "For me!" exclaimed Pierre, faintly, starting at the strangeness of the
  • encounter;--"methinks this is an odd time and place to deliver your
  • mail;--who are you?--Stay!"
  • But without waiting an answer, the messenger had already turned about,
  • and was re-crossing the road. In the first impulse of the moment, Pierre
  • stept forward, and would have pursued him; but smiling at his own
  • causeless curiosity and trepidation, paused again; and softly turned
  • over the letter in his hand. What mysterious correspondent is this,
  • thought he, circularly moving his thumb upon the seal; no one writes me
  • but from abroad; and their letters come through the office; and as for
  • Lucy--pooh!--when she herself is within, she would hardly have her notes
  • delivered at her own gate. Strange! but I'll in, and read it;--no, not
  • that;--I come to read again in her own sweet heart--that dear missive to
  • me from heaven,--and this impertinent letter would pre-occupy me. I'll
  • wait till I go home.
  • He entered the gate, and laid his hand upon the cottage knocker. Its
  • sudden coolness caused a slight, and, at any other time, an
  • unaccountable sympathetic sensation in his hand. To his unwonted mood,
  • the knocker seemed to say--"Enter not!--Begone, and first read thy
  • note."
  • Yielding now, half alarmed, and half bantering with himself, to these
  • shadowy interior monitions, he half-unconsciously quitted the door;
  • repassed the gate; and soon found himself retracing his homeward path.
  • He equivocated with himself no more; the gloom of the air had now burst
  • into his heart, and extinguished its light; then, first in all his life,
  • Pierre felt the irresistible admonitions and intuitions of Fate.
  • He entered the hall unnoticed, passed up to his chamber, and hurriedly
  • locking the door in the dark, lit his lamp. As the summoned flame
  • illuminated the room, Pierre, standing before the round center-table,
  • where the lamp was placed, with his hand yet on the brass circle which
  • regulated the wick, started at a figure in the opposite mirror. It bore
  • the outline of Pierre, but now strangely filled with features
  • transformed, and unfamiliar to him; feverish eagerness, fear, and
  • nameless forebodings of ill! He threw himself into a chair, and for a
  • time vainly struggled with the incomprehensible power that possessed
  • him. Then, as he avertedly drew the letter from his bosom, he whispered
  • to himself--Out on thee, Pierre! how sheepish now will ye feel when this
  • tremendous note will turn out to be an invitation to a supper to-morrow
  • night; quick, fool, and write the stereotyped reply: Mr. Pierre
  • Glendinning will be very happy to accept Miss so and so's polite
  • invitation.
  • Still for the moment he held the letter averted. The messenger had so
  • hurriedly accosted him, and delivered his duty, that Pierre had not yet
  • so much as gained one glance at the superscription of the note. And now
  • the wild thought passed through his mind of what would be the result,
  • should he deliberately destroy the note, without so much as looking at
  • the hand that had addressed it. Hardly had this half-crazy conceit fully
  • made itself legible in his soul, when he was conscious of his two hands
  • meeting in the middle of the sundered note! He leapt from his chair--By
  • heaven! he murmured, unspeakably shocked at the intensity of that mood
  • which had caused him unwittingly as it were, to do for the first time in
  • his whole life, an act of which he was privately ashamed. Though the
  • mood that was on him was none of his own willful seeking; yet now he
  • swiftly felt conscious that he had perhaps a little encouraged it,
  • through that certain strange infatuation of fondness, which the human
  • mind, however vigorous, sometimes feels for any emotion at once novel
  • and mystical. Not willingly, at such times--never mind how fearful we
  • may be--do we try to dissolve the spell which seems, for the time, to
  • admit us, all astonished, into the vague vestibule of the spiritual
  • worlds.
  • Pierre now seemed distinctly to feel two antagonistic agencies within
  • him; one of which was just struggling into his consciousness, and each
  • of which was striving for the mastery; and between whose respective
  • final ascendencies, he thought he could perceive, though but shadowly,
  • that he himself was to be the only umpire. One bade him finish the
  • selfish destruction of the note; for in some dark way the reading of it
  • would irretrievably entangle his fate. The other bade him dismiss all
  • misgivings; not because there was no possible ground for them, but
  • because to dismiss them was the manlier part, never mind what might
  • betide. This good angel seemed mildly to say--Read, Pierre, though by
  • reading thou may'st entangle thyself, yet may'st thou thereby
  • disentangle others. Read, and feel that best blessedness which, with the
  • sense of all duties discharged, holds happiness indifferent. The bad
  • angel insinuatingly breathed--Read it not, dearest Pierre; but destroy
  • it, and be happy. Then, at the blast of his noble heart, the bad angel
  • shrunk up into nothingness; and the good one defined itself clearer and
  • more clear, and came nigher and more nigh to him, smiling sadly but
  • benignantly; while forth from the infinite distances wonderful harmonies
  • stole into his heart; so that every vein in him pulsed to some heavenly
  • swell.
  • V.
  • "The name at the end of this letter will be wholly strange to thee.
  • Hitherto my existence has been utterly unknown to thee. This letter will
  • touch thee and pain thee. Willingly would I spare thee, but I can not.
  • My heart bears me witness, that did I think that the suffering these
  • lines would give thee, would, in the faintest degree, compare with what
  • mine has been, I would forever withhold them.
  • "Pierre Glendinning, thou art not the only child of thy father; in the
  • eye of the sun, the hand that traces this is thy sister's; yes, Pierre,
  • Isabel calls thee her brother--her brother! oh, sweetest of words, which
  • so often I have thought to myself, and almost deemed it profanity for an
  • outcast like me to speak or think. Dearest Pierre, my brother, my own
  • father's child! art thou an angel, that thou canst overleap all the
  • heartless usages and fashions of a banded world, that will call thee
  • fool, fool, fool! and curse thee, if thou yieldest to that heavenly
  • impulse which alone can lead thee to respond to the long tyrannizing,
  • and now at last unquenchable yearnings of my bursting heart? Oh, my
  • brother!
  • "But, Pierre Glendinning, I will be proud with thee. Let not my hapless
  • condition extinguish in me, the nobleness which I equally inherit with
  • thee. Thou shall not be cozened, by my tears and my anguish, into any
  • thing which thy most sober hour will repent. Read no further. If it suit
  • thee, burn this letter; so shalt thou escape the certainty of that
  • knowledge, which, if thou art now cold and selfish, may hereafter, in
  • some maturer, remorseful, and helpless hour, cause thee a poignant
  • upbraiding. No, I shall not, I will not implore thee.--Oh, my brother,
  • my dear, dear Pierre,--help me, fly to me; see, I perish without
  • thee;--pity, pity,--here I freeze in the wide, wide world;--no father,
  • no mother, no sister, no brother, no living thing in the fair form of
  • humanity, that holds me dear. No more, oh no more, dear Pierre, can I
  • endure to be an outcast in the world, for which the dear Savior died.
  • Fly to me, Pierre;--nay, I could tear what I now write,--as I have torn
  • so many other sheets, all written for thy eye, but which never reached
  • thee, because in my distraction, I knew not how to write to thee, nor
  • what to say to thee; and so, behold again how I rave.
  • "Nothing more; I will write no more;--silence becomes this grave;--the
  • heart-sickness steals over me, Pierre, my brother.
  • "Scarce know I what I have written. Yet will I write thee the fatal
  • line, and leave all the rest to thee, Pierre, my brother.--She that is
  • called Isabel Banford dwells in the little red farm-house, three miles
  • from the village, on the slope toward the lake. To-morrow
  • night-fall--not before--not by day, not by day, Pierre.
  • THY SISTER, ISABEL."
  • VI.
  • This letter, inscribed in a feminine, but irregular hand, and in some
  • places almost illegible, plainly attesting the state of the mind which
  • had dictated it;--stained, too, here and there, with spots of tears,
  • which chemically acted upon by the ink, assumed a strange and reddish
  • hue--as if blood and not tears had dropped upon the sheet;--and so
  • completely torn in two by Pierre's own hand, that it indeed seemed the
  • fit scroll of a torn, as well as bleeding heart;--this amazing letter,
  • deprived Pierre for the time of all lucid and definite thought or
  • feeling. He hung half-lifeless in his chair; his hand, clutching the
  • letter, was pressed against his heart, as if some assassin had stabbed
  • him and fled; and Pierre was now holding the dagger in the wound, to
  • stanch the outgushing of the blood.
  • Ay, Pierre, now indeed art thou hurt with a wound, never to be
  • completely healed but in heaven; for thee, the before undistrusted moral
  • beauty of the world is forever fled; for thee, thy sacred father is no
  • more a saint; all brightness hath gone from thy hills, and all peace
  • from thy plains; and now, now, for the first time, Pierre, Truth rolls a
  • black billow through thy soul! Ah, miserable thou, to whom Truth, in her
  • first tides, bears nothing but wrecks!
  • The perceptible forms of things; the shapes of thoughts; the pulses of
  • life, but slowly came back to Pierre. And as the mariner, shipwrecked
  • and cast on the beach, has much ado to escape the recoil of the wave
  • that hurled him there; so Pierre long struggled, and struggled, to
  • escape the recoil of that anguish, which had dashed him out of itself,
  • upon the beach of his swoon.
  • But man was not made to succumb to the villain Woe. Youth is not young
  • and a wrestler in vain. Pierre staggeringly rose to his feet; his wide
  • eyes fixed, and his whole form in a tremble.
  • "Myself am left, at least," he slowly and half-chokingly murmured. "With
  • myself I front thee! Unhand me all fears, and unlock me all spells!
  • Henceforth I will know nothing but Truth; glad Truth, or sad Truth; I
  • will know what is, and do what my deepest angel dictates.--The
  • letter!--Isabel,--sister,--brother,--me, _me_--my sacred father!--This
  • is some accursed dream!--nay, but this paper thing is forged,--a base
  • and malicious forgery, I swear;--Well didst thou hide thy face from me,
  • thou vile lanterned messenger, that didst accost me on the threshold of
  • Joy, with this lying warrant of Woe! Doth Truth come in the dark, and
  • steal on us, and rob us so, and then depart, deaf to all pursuing
  • invocations? If this night, which now wraps my soul, be genuine as that
  • which now wraps this half of the world; then Fate, I have a choice
  • quarrel with thee. Thou art a palterer and a cheat; thou hast lured me
  • on through gay gardens to a gulf. Oh! falsely guided in the days of my
  • Joy, am I now truly led in this night of my grief?--I will be a raver,
  • and none shall stay me! I will lift my hand in fury, for am I not
  • struck? I will be bitter in my breath, for is not this cup of gall? Thou
  • Black Knight, that with visor down, thus confrontest me, and mockest at
  • me; Lo! I strike through thy helm, and will see thy face, be it
  • Gorgon!--Let me go, ye fond affections; all piety leave me;--I will be
  • impious, for piety hath juggled me, and taught me to revere, where I
  • should spurn. From all idols, I tear all veils; henceforth I will see
  • the hidden things; and live right out in my own hidden life!--Now I feel
  • that nothing but Truth can move me so. This letter is not a forgery. Oh!
  • Isabel, thou art my sister; and I will love thee, and protect thee, ay,
  • and own thee through all. Ah! forgive me, ye heavens, for my ignorant
  • ravings, and accept this my vow.--Here I swear myself Isabel's. Oh! thou
  • poor castaway girl, that in loneliness and anguish must have long
  • breathed that same air, which I have only inhaled for delight; thou who
  • must even now be weeping, and weeping, cast into an ocean of uncertainty
  • as to thy fate, which heaven hath placed in my hands; sweet Isabel!
  • would I not be baser than brass, and harder, and colder than ice, if I
  • could be insensible to such claims as thine? Thou movest before me, in
  • rainbows spun of thy tears! I see thee long weeping, and God demands me
  • for thy comforter; and comfort thee, stand by thee, and fight for thee,
  • will thy leapingly-acknowledging brother, whom thy own father named
  • Pierre!"
  • He could not stay in his chamber: the house contracted to a nut-shell
  • around him; the walls smote his forehead; bare-headed he rushed from the
  • place, and only in the infinite air, found scope for that boundless
  • expansion of his life.
  • BOOK IV.
  • RETROSPECTIVE.
  • I.
  • In their precise tracings-out and subtile causations, the strongest and
  • fieriest emotions of life defy all analytical insight. We see the cloud,
  • and feel its bolt; but meteorology only idly essays a critical scrutiny
  • as to how that cloud became charged, and how this bolt so stuns. The
  • metaphysical writers confess, that the most impressive, sudden, and
  • overwhelming event, as well as the minutest, is but the product of an
  • infinite series of infinitely involved and untraceable foregoing
  • occurrences. Just so with every motion of the heart. Why this cheek
  • kindles with a noble enthusiasm; why that lip curls in scorn; these are
  • things not wholly imputable to the immediate apparent cause, which is
  • only one link in the chain; but to a long line of dependencies whose
  • further part is lost in the mid-regions of the impalpable air.
  • Idle then would it be to attempt by any winding way so to penetrate into
  • the heart, and memory, and inmost life, and nature of Pierre, as to show
  • why it was that a piece of intelligence which, in the natural course of
  • things, many amiable gentlemen, both young and old, have been known to
  • receive with a momentary feeling of surprise, and then a little
  • curiosity to know more, and at last an entire unconcern; idle would it
  • be, to attempt to show how to Pierre it rolled down on his soul like
  • melted lava, and left so deep a deposit of desolation, that all his
  • subsequent endeavors never restored the original temples to the soil,
  • nor all his culture completely revived its buried bloom.
  • But some random hints may suffice to deprive a little of its
  • strangeness, that tumultuous mood, into which so small a note had thrown
  • him.
  • There had long stood a shrine in the fresh-foliaged heart of Pierre, up
  • to which he ascended by many tableted steps of remembrance; and around
  • which annually he had hung fresh wreaths of a sweet and holy affection.
  • Made one green bower of at last, by such successive votive offerings of
  • his being; this shrine seemed, and was indeed, a place for the
  • celebration of a chastened joy, rather than for any melancholy rites.
  • But though thus mantled, and tangled with garlands, this shrine was of
  • marble--a niched pillar, deemed solid and eternal, and from whose top
  • radiated all those innumerable sculptured scrolls and branches, which
  • supported the entire one-pillared temple of his moral life; as in some
  • beautiful gothic oratories, one central pillar, trunk-like, upholds the
  • roof. In this shrine, in this niche of this pillar, stood the perfect
  • marble form of his departed father; without blemish, unclouded,
  • snow-white, and serene; Pierre's fond personification of perfect human
  • goodness and virtue. Before this shrine, Pierre poured out the fullness
  • of all young life's most reverential thoughts and beliefs. Not to God
  • had Pierre ever gone in his heart, unless by ascending the steps of that
  • shrine, and so making it the vestibule of his abstractest religion.
  • Blessed and glorified in his tomb beyond Prince Mausolus is that mortal
  • sire, who, after an honorable, pure course of life, dies, and is buried,
  • as in a choice fountain, in the filial breast of a tender-hearted and
  • intellectually appreciative child. For at that period, the Solomonic
  • insights have not poured their turbid tributaries into the pure-flowing
  • well of the childish life. Rare preservative virtue, too, have those
  • heavenly waters. Thrown into that fountain, all sweet recollections
  • become marbleized; so that things which in themselves were evanescent,
  • thus became unchangeable and eternal. So, some rare waters in Derbyshire
  • will petrify birds'-nests. But if fate preserves the father to a later
  • time, too often the filial obsequies are less profound; the canonization
  • less ethereal. The eye-expanded boy perceives, or vaguely thinks he
  • perceives, slight specks and flaws in the character he once so wholly
  • reverenced.
  • When Pierre was twelve years old, his father had died, leaving behind
  • him, in the general voice of the world, a marked reputation as a
  • gentleman and a Christian; in the heart of his wife, a green memory of
  • many healthy days of unclouded and joyful wedded life, and in the inmost
  • soul of Pierre, the impression of a bodily form of rare manly beauty and
  • benignity, only rivaled by the supposed perfect mould in which his
  • virtuous heart had been cast. Of pensive evenings, by the wide winter
  • fire, or in summer, in the southern piazza, when that mystical
  • night-silence so peculiar to the country would summon up in the minds of
  • Pierre and his mother, long trains of the images of the past; leading
  • all that spiritual procession, majestically and holily walked the
  • venerated form of the departed husband and father. Then their talk would
  • be reminiscent and serious, but sweet; and again, and again, still deep
  • and deeper, was stamped in Pierre's soul the cherished conceit, that his
  • virtuous father, so beautiful on earth, was now uncorruptibly sainted in
  • heaven. So choicely, and in some degree, secludedly nurtured, Pierre,
  • though now arrived at the age of nineteen, had never yet become so
  • thoroughly initiated into that darker, though truer aspect of things,
  • which an entire residence in the city from the earliest period of life,
  • almost inevitably engraves upon the mind of any keenly observant and
  • reflective youth of Pierre's present years. So that up to this period,
  • in his breast, all remained as it had been; and to Pierre, his father's
  • shrine seemed spotless, and still new as the marble of the tomb of him
  • of Arimathea.
  • Judge, then, how all-desolating and withering the blast, that for
  • Pierre, in one night, stripped his holiest shrine of all over-laid
  • bloom, and buried the mild statue of the saint beneath the prostrated
  • ruins of the soul's temple itself.
  • II.
  • As the vine flourishes, and the grape empurples close up to the very
  • walls and muzzles of cannoned Ehrenbreitstein; so do the sweetest joys
  • of life grow in the very jaws of its perils.
  • But is life, indeed, a thing for all infidel levities, and we, its
  • misdeemed beneficiaries, so utterly fools and infatuate, that what we
  • take to be our strongest tower of delight, only stands at the caprice of
  • the minutest event--the falling of a leaf, the hearing of a voice, or
  • the receipt of one little bit of paper scratched over with a few small
  • characters by a sharpened feather? Are we so entirely insecure, that
  • that casket, wherein we have placed our holiest and most final joy, and
  • which we have secured by a lock of infinite deftness; can that casket be
  • picked and desecrated at the merest stranger's touch, when we think that
  • we alone hold the only and chosen key?
  • Pierre! thou art foolish; rebuild--no, not that, for thy shrine still
  • stands; it stands, Pierre, firmly stands; smellest thou not its yet
  • undeparted, embowering bloom? Such a note as thine can be easily enough
  • written, Pierre; impostors are not unknown in this curious world; or the
  • brisk novelist, Pierre, will write thee fifty such notes, and so steal
  • gushing tears from his reader's eyes; even as _thy_ note so strangely
  • made thine own manly eyes so arid; so glazed, and so arid,
  • Pierre--foolish Pierre!
  • Oh! mock not the poniarded heart. The stabbed man knows the steel; prate
  • not to him that it is only a tickling feather. Feels he not the interior
  • gash? What does this blood on my vesture? and what does this pang in my
  • soul?
  • And here again, not unreasonably, might invocations go up to those Three
  • Weird Ones, that tend Life's loom. Again we might ask them, What threads
  • were those, oh, ye Weird Ones, that ye wove in the years foregone; that
  • now to Pierre, they so unerringly conduct electric presentiments, that
  • his woe is woe, his father no more a saint, and Isabel a sister indeed?
  • Ah, fathers and mothers! all the world round, be heedful,--give heed!
  • Thy little one may not now comprehend the meaning of those words and
  • those signs, by which, in its innocent presence, thou thinkest to
  • disguise the sinister thing ye would hint. Not now he knows; not very
  • much even of the externals he consciously remarks; but if, in
  • after-life, Fate puts the chemic key of the cipher into his hands; then
  • how swiftly and how wonderfully, he reads all the obscurest and most
  • obliterate inscriptions he finds in his memory; yea, and rummages
  • himself all over, for still hidden writings to read. Oh, darkest lessons
  • of Life have thus been read; all faith in Virtue been murdered, and
  • youth gives itself up to an infidel scorn.
  • But not thus, altogether, was it now with Pierre; yet so like, in some
  • points, that the above true warning may not misplacedly stand.
  • His father had died of a fever; and, as is not uncommon in such
  • maladies, toward his end, he at intervals lowly wandered in his mind. At
  • such times, by unobserved, but subtle arts, the devoted family
  • attendants, had restrained his wife from being present at his side. But
  • little Pierre, whose fond, filial love drew him ever to that bed; they
  • heeded not innocent little Pierre, when his father was delirious; and
  • so, one evening, when the shadows intermingled with the curtains; and
  • all the chamber was hushed; and Pierre but dimly saw his father's face;
  • and the fire on the hearth lay in a broken temple of wonderful coals;
  • then a strange, plaintive, infinitely pitiable, low voice, stole forth
  • from the testered bed; and Pierre heard,--"My daughter! my daughter!"
  • "He wanders again," said the nurse.
  • "Dear, dear father!" sobbed the child--"thou hast not a daughter, but
  • here is thy own little Pierre."
  • But again the unregardful voice in the bed was heard; and now in a
  • sudden, pealing wail,--"My daughter!--God! God!--my daughter!"
  • The child snatched the dying man's hand; it faintly grew to his grasp;
  • but on the other side of the bed, the other hand now also emptily lifted
  • itself and emptily caught, as if at some other childish fingers. Then
  • both hands dropped on the sheet; and in the twinkling shadows of the
  • evening little Pierre seemed to see, that while the hand which he held
  • wore a faint, feverish flush, the other empty one was ashy white as a
  • leper's.
  • "It is past," whispered the nurse, "he will wander so no more now till
  • midnight,--that is his wont." And then, in her heart, she wondered how
  • it was, that so excellent a gentleman, and so thoroughly good a man,
  • should wander so ambiguously in his mind; and trembled to think of that
  • mysterious thing in the soul, which seems to acknowledge no human
  • jurisdiction, but in spite of the individual's own innocent self, will
  • still dream horrid dreams, and mutter unmentionable thoughts; and into
  • Pierre's awe-stricken, childish soul, there entered a kindred, though
  • still more nebulous conceit. But it belonged to the spheres of the
  • impalpable ether; and the child soon threw other and sweeter
  • remembrances over it, and covered it up; and at last, it was blended
  • with all other dim things, and imaginings of dimness; and so, seemed to
  • survive to no real life in Pierre. But though through many long years
  • the henbane showed no leaves in his soul; yet the sunken seed was
  • there: and the first glimpse of Isabel's letter caused it to spring
  • forth, as by magic. Then, again, the long-hushed, plaintive and
  • infinitely pitiable voice was heard,--"My daughter! my daughter!"
  • followed by the compunctious "God! God!" And to Pierre, once again the
  • empty hand lifted itself, and once again the ashy hand fell.
  • III.
  • In the cold courts of justice the dull head demands oaths, and holy writ
  • proofs; but in the warm halls of the heart one single, untestified
  • memory's spark shall suffice to enkindle such a blaze of evidence, that
  • all the corners of conviction are as suddenly lighted up as a midnight
  • city by a burning building, which on every side whirls its reddened
  • brands.
  • In a locked, round-windowed closet connecting with the chamber of
  • Pierre, and whither he had always been wont to go, in those sweetly
  • awful hours, when the spirit crieth to the spirit, Come into solitude
  • with me, twin-brother; come away: a secret have I; let me whisper it to
  • thee aside; in this closet, sacred to the Tadmore privacies and repose
  • of the sometimes solitary Pierre, there hung, by long cords from the
  • cornice, a small portrait in oil, before which Pierre had many a time
  • trancedly stood. Had this painting hung in any annual public exhibition,
  • and in its turn been described in print by the casual glancing critics,
  • they would probably have described it thus, and truthfully: "An
  • impromptu portrait of a fine-looking, gay-hearted, youthful gentleman.
  • He is lightly, and, as it were, airily and but grazingly seated in, or
  • rather flittingly tenanting an old-fashioned chair of Malacca. One arm
  • confining his hat and cane is loungingly thrown over the back of the
  • chair, while the fingers of the other hand play with his gold
  • watch-seal and key. The free-templed head is sideways turned, with a
  • peculiarly bright, and care-free, morning expression. He seems as if
  • just dropped in for a visit upon some familiar acquaintance. Altogether,
  • the painting is exceedingly clever and cheerful; with a fine, off-handed
  • expression about it. Undoubtedly a portrait, and no fancy-piece; and, to
  • hazard a vague conjecture, by an amateur."
  • So bright, and so cheerful then; so trim, and so young; so singularly
  • healthful, and handsome; what subtile element could so steep this whole
  • portrait, that, to the wife of the original, it was namelessly
  • unpleasant and repelling? The mother of Pierre could never abide this
  • picture which she had always asserted did signally belie her husband.
  • Her fond memories of the departed refused to hang one single wreath
  • around it. It is not he, she would emphatically and almost indignantly
  • exclaim, when more urgently besought to reveal the cause for so
  • unreasonable a dissent from the opinion of nearly all the other
  • connections and relatives of the deceased. But the portrait which she
  • held to do justice to her husband, correctly to convey his features in
  • detail, and more especially their truest, and finest, and noblest
  • combined expression; this portrait was a much larger one, and in the
  • great drawing-room below occupied the most conspicuous and honorable
  • place on the wall.
  • Even to Pierre these two paintings had always seemed strangely
  • dissimilar. And as the larger one had been painted many years after the
  • other, and therefore brought the original pretty nearly within his own
  • childish recollections; therefore, he himself could not but deem it by
  • far the more truthful and life-like presentation of his father. So that
  • the mere preference of his mother, however strong, was not at all
  • surprising to him, but rather coincided with his own conceit. Yet not
  • for this, must the other portrait be so decidedly rejected. Because, in
  • the first place, there was a difference in time, and some difference of
  • costume to be considered, and the wide difference of the styles of the
  • respective artiste, and the wide difference of those respective,
  • semi-reflected, ideal faces, which, even in the presence of the
  • original, a spiritual artist will rather choose to draw from than from
  • the fleshy face, however brilliant and fine. Moreover, while the larger
  • portrait was that of a middle-aged, married man, and seemed to possess
  • all the nameless and slightly portly tranquillities, incident to that
  • condition when a felicitous one; the smaller portrait painted a brisk,
  • unentangled, young bachelor, gayly ranging up and down in the world;
  • light-hearted, and a very little bladish perhaps; and charged to the
  • lips with the first uncloying morning fullness and freshness of life.
  • Here, certainly, large allowance was to be made in any careful, candid
  • estimation of these portraits. To Pierre this conclusion had become
  • well-nigh irresistible, when he placed side by side two portraits of
  • himself; one taken in his early childhood, a frocked and belted boy of
  • four years old; and the other, a grown youth of sixteen. Except an
  • indestructible, all-surviving something in the eyes and on the temples,
  • Pierre could hardly recognize the loud-laughing boy in the tall, and
  • pensively smiling youth. If a few years, then, can have in me made all
  • this difference, why not in my father? thought Pierre.
  • Besides all this, Pierre considered the history, and, so to speak, the
  • family legend of the smaller painting. In his fifteenth year, it was
  • made a present to him by an old maiden aunt, who resided in the city,
  • and who cherished the memory of Pierre's father, with all that wonderful
  • amaranthine devotion which an advanced maiden sister ever feels for the
  • idea of a beloved younger brother, now dead and irrevocably gone. As the
  • only child of that brother, Pierre was an object of the warmest and most
  • extravagant attachment on the part of this lonely aunt, who seemed to
  • see, transformed into youth once again, the likeness, and very soul of
  • her brother, in the fair, inheriting brow of Pierre. Though the portrait
  • we speak of was inordinately prized by her, yet at length the strict
  • canon of her romantic and imaginative love asserted the portrait to be
  • Pierre's--for Pierre was not only his father's only child, but his
  • namesake--so soon as Pierre should be old enough to value aright so holy
  • and inestimable a treasure. She had accordingly sent it to him, trebly
  • boxed, and finally covered with a water-proof cloth; and it was
  • delivered at Saddle Meadows, by an express, confidential messenger, an
  • old gentleman of leisure, once her forlorn, because rejected gallant,
  • but now her contented, and chatty neighbor. Henceforth, before a
  • gold-framed and gold-lidded ivory miniature,--a fraternal gift--aunt
  • Dorothea now offered up her morning and her evening rites, to the memory
  • of the noblest and handsomest of brothers. Yet an annual visit to the
  • far closet of Pierre--no slight undertaking now for one so stricken in
  • years, and every way infirm--attested the earnestness of that strong
  • sense of duty, that painful renunciation of self, which had induced her
  • voluntarily to part with the precious memorial.
  • IV.
  • "Tell me, aunt," the child Pierre had early said to her, long before the
  • portrait became his--"tell me, aunt, how this chair-portrait, as you
  • call it, was painted;--who painted it?--whose chair was this?--have you
  • the chair now?--I don't see it in your room here;--what is papa looking
  • at so strangely?--I should like to know now, what papa was thinking of,
  • then. Do, now, dear aunt, tell me all about this picture, so that when
  • it is mine, as you promise me, I shall know its whole history."
  • "Sit down, then, and be very still and attentive, my dear child," said
  • aunt Dorothea; while she a little averted her head, and tremulously and
  • inaccurately sought her pocket, till little Pierre cried--"Why, aunt,
  • the story of the picture is not in any little book, is it, that you are
  • going to take out and read to me?"
  • "My handkerchief, my child."
  • "Why, aunt, here it is, at your elbow; here, on the table; here, aunt;
  • take it, do; Oh, don't tell me any thing about the picture, now; I won't
  • hear it."
  • "Be still, my darling Pierre," said his aunt, taking the handkerchief,
  • "draw the curtain a little, dearest; the light hurts my eyes. Now, go
  • into the closet, and bring me my dark shawl;--take your time.--There;
  • thank you, Pierre; now sit down again, and I will begin.--The picture
  • was painted long ago, my child; you were not born then."
  • "Not born?" cried little Pierre.
  • "Not born," said his aunt.
  • "Well, go on, aunt; but don't tell me again that once upon a time I was
  • not little Pierre at all, and yet my father was alive. Go on, aunt,--do,
  • do!"
  • "Why, how nervous you are getting, my child;--Be patient; I am very old,
  • Pierre; and old people never like to be hurried."
  • "Now, my own dear Aunt Dorothea, do forgive me this once, and go on with
  • your story."
  • "When your poor father was quite a young man, my child, and was on one
  • of his long autumnal visits to his friends in this city, he was rather
  • intimate at times with a cousin of his, Ralph Winwood, who was about his
  • own age,--a fine youth he was, too, Pierre."
  • "I never saw him, aunt; pray, where is he now?" interrupted
  • Pierre;--"does he live in the country, now, as mother and I do?"
  • "Yes, my child; but a far-away, beautiful country, I hope;--he's in
  • heaven, I trust."
  • "Dead," sighed little Pierre--"go on, aunt."
  • "Now, cousin Ralph had a great love for painting, my child; and he
  • spent many hours in a room, hung all round with pictures and portraits;
  • and there he had his easel and brushes; and much liked to paint his
  • friends, and hang their faces on his walls; so that when all alone by
  • himself, he yet had plenty of company, who always wore their best
  • expressions to him, and never once ruffled him, by ever getting cross or
  • ill-natured, little Pierre. Often, he had besought your father to sit to
  • him; saying, that his silent circle of friends would never be complete,
  • till your father consented to join them. But in those days, my child,
  • your father was always in motion. It was hard for me to get him to stand
  • still, while I tied his cravat; for he never came to any one but me for
  • that. So he was always putting off, and putting off cousin Ralph. 'Some
  • other time, cousin; not to-day;--to-morrow, perhaps;--or next
  • week;'--and so, at last cousin Ralph began to despair. But I'll catch
  • him yet, cried sly cousin Ralph. So now he said nothing more to your
  • father about the matter of painting him; but every pleasant morning kept
  • his easel and brushes and every thing in readiness; so as to be ready
  • the first moment your father should chance to drop in upon him from his
  • long strolls; for it was now and then your father's wont to pay flying
  • little visits to cousin Ralph in his painting-room.--But, my child, you
  • may draw back the curtain now--it's getting very dim here, seems to me."
  • "Well, I thought so all along, aunt," said little Pierre, obeying; "but
  • didn't you say the light hurt your eyes."
  • "But it does not now, little Pierre."
  • "Well, well; go on, go on, aunt; you can't think how interested I am,"
  • said little Pierre, drawing his stool close up to the quilted satin hem
  • of his good Aunt Dorothea's dress.
  • "I will, my child. But first let me tell you, that about this time there
  • arrived in the port, a cabin-full of French emigrants of quality;--poor
  • people, Pierre, who were forced to fly from their native land, because
  • of the cruel, blood-shedding times there. But you have read all that in
  • the little history I gave you, a good while ago."
  • "I know all about it;--the French Revolution," said little Pierre.
  • "What a famous little scholar you are, my dear child,"--said Aunt
  • Dorothea, faintly smiling--"among those poor, but noble emigrants, there
  • was a beautiful young girl, whose sad fate afterward made a great noise
  • in the city, and made many eyes to weep, but in vain, for she never was
  • heard of any more."
  • "How? how? aunt;--I don't understand;--did she disappear then, aunt?"
  • "I was a little before my story, child. Yes, she did disappear, and
  • never was heard of again; but that was afterward, some time afterward,
  • my child. I am very sure it was; I could take my oath of that, Pierre."
  • "Why, dear aunt," said little Pierre, "how earnestly you talk--after
  • what? your voice is getting very strange; do now;--don't talk that way;
  • you frighten me so, aunt."
  • "Perhaps it is this bad cold I have to-day; it makes my voice a little
  • hoarse, I fear, Pierre. But I will try and not talk so hoarsely again.
  • Well, my child, some time before this beautiful young lady disappeared,
  • indeed it was only shortly after the poor emigrants landed, your father
  • made her acquaintance; and with many other humane gentlemen of the city,
  • provided for the wants of the strangers, for they were very poor indeed,
  • having been stripped of every thing, save a little trifling jewelry,
  • which could not go very far. At last, the friends of your father
  • endeavored to dissuade him from visiting these people so much; they were
  • fearful that as the young lady was so very beautiful, and a little
  • inclined to be intriguing--so some said--your father might be tempted to
  • marry her; which would not have been a wise thing in him; for though the
  • young lady might have been very beautiful, and good-hearted, yet no one
  • on this side the water certainly knew her history; and she was a
  • foreigner; and would not have made so suitable and excellent a match for
  • your father as your dear mother afterward did, my child. But, for
  • myself, I--who always knew your father very well in all his intentions,
  • and he was very confidential with me, too--I, for my part, never
  • credited that he would do so unwise a thing as marry the strange young
  • lady. At any rate, he at last discontinued his visits to the emigrants;
  • and it was after this that the young lady disappeared. Some said that
  • she must have voluntarily but secretly returned into her own country;
  • and others declared that she must have been kidnapped by French
  • emissaries; for, after her disappearance, rumor began to hint that she
  • was of the noblest birth, and some ways allied to the royal family; and
  • then, again, there were some who shook their heads darkly, and muttered
  • of drownings, and other dark things; which one always hears hinted when
  • people disappear, and no one can find them. But though your father and
  • many other gentlemen moved heaven and earth to find trace of her, yet,
  • as I said before, my child, she never re-appeared."
  • "The poor French lady!" sighed little Pierre. "Aunt, I'm afraid she was
  • murdered."
  • "Poor lady, there is no telling," said his aunt. "But listen, for I am
  • coming to the picture again. Now, at the time your father was so often
  • visiting the emigrants, my child, cousin Ralph was one of those who a
  • little fancied that your father was courting her; but cousin Ralph being
  • a quiet young man, and a scholar, not well acquainted with what is wise,
  • or what is foolish in the great world; cousin Ralph would not have been
  • at all mortified had your father really wedded with the refugee young
  • lady. So vainly thinking, as I told you, that your father was courting
  • her, he fancied it would be a very fine thing if he could paint your
  • father as her wooer; that is, paint him just after his coming from his
  • daily visits to the emigrants. So he watched his chance; every thing
  • being ready in his painting-room, as I told you before; and one
  • morning, sure enough, in dropt your father from his walk. But before he
  • came into the room, cousin Ralph had spied him from the window; and when
  • your father entered, cousin Ralph had the sitting-chair ready drawn out,
  • back of his easel, but still fronting toward him, and pretended to be
  • very busy painting. He said to your father--'Glad to see you, cousin
  • Pierre; I am just about something here; sit right down there now, and
  • tell me the news; and I'll sally out with you presently. And tell us
  • something of the emigrants, cousin Pierre,' he slyly added--wishing, you
  • see, to get your father's thoughts running that supposed wooing way, so
  • that he might catch some sort of corresponding expression you see,
  • little Pierre."
  • "I don't know that I precisely understand, aunt; but go on, I am so
  • interested; do go on, dear aunt."
  • "Well, by many little cunning shifts and contrivances, cousin Ralph kept
  • your father there sitting, and sitting in the chair, rattling and
  • rattling away, and so self-forgetful too, that he never heeded that all
  • the while sly cousin Ralph was painting and painting just as fast as
  • ever he could; and only making believe laugh at your father's wit; in
  • short, cousin Ralph was stealing his portrait, my child."
  • "Not _stealing_ it, I hope," said Pierre, "that would be very wicked."
  • "Well, then, we won't call it stealing, since I am sure that cousin
  • Ralph kept your father all the time off from him, and so, could not have
  • possibly picked his pocket, though indeed, he slyly picked his portrait,
  • so to speak. And if indeed it was stealing, or any thing of that sort;
  • yet seeing how much comfort that portrait has been to me, Pierre, and
  • how much it will yet be to you, I hope; I think we must very heartily
  • forgive cousin Ralph, for what he then did."
  • "Yes, I think we must indeed," chimed in little Pierre, now eagerly
  • eying the very portrait in question, which hung over the mantle.
  • "Well, by catching your father two or three times more in that way,
  • cousin Ralph at last finished the painting; and when it was all framed,
  • and every way completed, he would have surprised your father by hanging
  • it boldly up in his room among his other portraits, had not your father
  • one morning suddenly come to him--while, indeed, the very picture itself
  • was placed face down on a table and cousin Ralph fixing the cord to
  • it--came to him, and frightened cousin Ralph by quietly saying, that now
  • that he thought of it, it seemed to him that cousin Ralph had been
  • playing tricks with him; but he hoped it was not so. 'What do you mean?'
  • said cousin Ralph, a little flurried. 'You have not been hanging my
  • portrait up here, have you, cousin Ralph?' said your father, glancing
  • along the walls. 'I'm glad I don't see it. It is my whim, cousin
  • Ralph,--and perhaps it is a very silly one,--but if you have been lately
  • painting my portrait, I want you to destroy it; at any rate, don't show
  • it to any one, keep it out of sight. What's that you have there, cousin
  • Ralph?'
  • "Cousin Ralph was now more and more fluttered; not knowing what to
  • make--as indeed, to this day, I don't completely myself--of your
  • father's strange manner. But he rallied, and said--'This, cousin Pierre,
  • is a secret portrait I have here; you must be aware that we
  • portrait-painters are sometimes called upon to paint such. I, therefore,
  • can not show it to you, or tell you any thing about it.'
  • "'Have you been painting my portrait or not, cousin Ralph?' said your
  • father, very suddenly and pointedly.
  • "'I have painted nothing that looks as you there look,' said cousin
  • Ralph, evasively, observing in your father's face a fierce-like
  • expression, which he had never seen there before. And more than that,
  • your father could not get from him."
  • "And what then?" said little Pierre.
  • "Why not much, my child; only your father never so much as caught one
  • glimpse of that picture; indeed, never knew for certain, whether there
  • was such a painting in the world. Cousin Ralph secretly gave it to me,
  • knowing how tenderly I loved your father; making me solemnly promise
  • never to expose it anywhere where your father could ever see it, or any
  • way hear of it. This promise I faithfully kept; and it was only after
  • your dear father's death, that I hung it in my chamber. There, Pierre,
  • you now have the story of the chair-portrait."
  • "And a very strange one it is," said Pierre--"and so interesting, I
  • shall never forget it, aunt."
  • "I hope you never will, my child. Now ring the bell, and we will have a
  • little fruit-cake, and I will take a glass of wine, Pierre;--do you
  • hear, my child?--the bell--ring it. Why, what do you do standing there,
  • Pierre?"
  • "_Why_ didn't papa want to have cousin Ralph paint his picture, aunt?"
  • "How these children's minds do run!" exclaimed old aunt Dorothea staring
  • at little Pierre in amazement--"That indeed is more than I can tell you,
  • little Pierre. But cousin Ralph had a foolish fancy about it. He used to
  • tell me, that being in your father's room some few days after the last
  • scene I described, he noticed there a very wonderful work on
  • Physiognomy, as they call it, in which the strangest and shadowiest
  • rules were laid down for detecting people's innermost secrets by
  • studying their faces. And so, foolish cousin Ralph always flattered
  • himself, that the reason your father did not want his portrait taken
  • was, because he was secretly in love with the French young lady, and did
  • not want his secret published in a portrait; since the wonderful work on
  • Physiognomy had, as it were, indirectly warned him against running that
  • risk. But cousin Ralph being such a retired and solitary sort of a
  • youth, he always had such curious whimsies about things. For my part, I
  • don't believe your father ever had any such ridiculous ideas on the
  • subject. To be sure, I myself can not tell you _why_ he did not want his
  • picture taken; but when you get to be as old as I am, little Pierre, you
  • will find that every one, even the best of us, at times, is apt to act
  • very queerly and unaccountably; indeed some things we do, we can not
  • entirely explain the reason of, even to ourselves, little Pierre. But
  • you will know all about these strange matters by and by."
  • "I hope I shall, aunt," said little Pierre--"But, dear aunt, I thought
  • Marten was to bring in some fruit-cake?"
  • "Ring the bell for him, then, my child."
  • "Oh! I forgot," said little Pierre, doing her bidding.
  • By-and-by, while the aunt was sipping her wine; and the boy eating his
  • cake, and both their eyes were fixed on the portrait in question; little
  • Pierre, pushing his stool nearer the picture exclaimed--"Now, aunt, did
  • papa really look exactly like that? Did you ever see him in that same
  • buff vest, and huge-figured neckcloth? I remember the seal and key,
  • pretty well; and it was only a week ago that I saw mamma take them out
  • of a little locked drawer in her wardrobe--but I don't remember the
  • queer whiskers; nor the buff vest; nor the huge white-figured neckcloth;
  • did you ever see papa in that very neckcloth, aunt?"
  • "My child, it was I that chose the stuff for that neckcloth; yes, and
  • hemmed it for him, and worked P. G. in one corner; but that aint in the
  • picture. It is an excellent likeness, my child, neckcloth and all; as he
  • looked at that time. Why, little Pierre, sometimes I sit here all alone
  • by myself, gazing, and gazing, and gazing at that face, till I begin to
  • think your father is looking at me, and smiling at me, and nodding at
  • me, and saying--Dorothea! Dorothea!"
  • "How strange," said little Pierre, "I think it begins to look at me now,
  • aunt. Hark! aunt, it's so silent all round in this old-fashioned room,
  • that I think I hear a little jingling in the picture, as if the
  • watch-seal was striking against the key--Hark! aunt."
  • "Bless me, don't talk so strangely, my child."
  • "I heard mamma say once--but she did not say so to me--that, for her
  • part, she did not like aunt Dorothea's picture; it was not a good
  • likeness, so she said. Why don't mamma like the picture, aunt?"
  • "My child, you ask very queer questions. If your mamma don't like the
  • picture, it is for a very plain reason. She has a much larger and finer
  • one at home, which she had painted for herself; yes, and paid I don't
  • know how many hundred dollars for it; and that, too, is an excellent
  • likeness, _that_ must be the reason, little Pierre."
  • And thus the old aunt and the little child ran on; each thinking the
  • other very strange; and both thinking the picture still stranger; and
  • the face in the picture still looked at them frankly, and cheerfully, as
  • if there was nothing kept concealed; and yet again, a little ambiguously
  • and mockingly, as if slyly winking to some other picture, to mark what a
  • very foolish old sister, and what a very silly little son, were growing
  • so monstrously grave and speculative about a huge white-figured
  • neckcloth, a buff vest, and a very gentleman-like and amiable
  • countenance.
  • And so, after this scene, as usual, one by one, the fleet years ran on;
  • till the little child Pierre had grown up to be the tall Master Pierre,
  • and could call the picture his own; and now, in the privacy of his own
  • little closet, could stand, or lean, or sit before it all day long, if
  • he pleased, and keep thinking, and thinking, and thinking, and thinking,
  • till by-and-by all thoughts were blurred, and at last there were no
  • thoughts at all.
  • Before the picture was sent to him, in his fifteenth year, it had been
  • only through the inadvertence of his mother, or rather through a casual
  • passing into a parlor by Pierre, that he had any way learned that his
  • mother did not approve of the picture. Because, as then Pierre was
  • still young, and the picture was the picture of his father, and the
  • cherished property of a most excellent, and dearly-beloved, affectionate
  • aunt; therefore the mother, with an intuitive delicacy, had refrained
  • from knowingly expressing her peculiar opinion in the presence of little
  • Pierre. And this judicious, though half-unconscious delicacy in the
  • mother, had been perhaps somewhat singularly answered by a like nicety
  • of sentiment in the child; for children of a naturally refined
  • organization, and a gentle nurture, sometimes possess a wonderful, and
  • often undreamed of, daintiness of propriety, and thoughtfulness, and
  • forbearance, in matters esteemed a little subtile even by their elders,
  • and self-elected betters. The little Pierre never disclosed to his
  • mother that he had, through another person, become aware of her thoughts
  • concerning Aunt Dorothea's portrait; he seemed to possess an intuitive
  • knowledge of the circumstance, that from the difference of their
  • relationship to his father, and for other minute reasons, he could in
  • some things, with the greater propriety, be more inquisitive concerning
  • him, with his aunt, than with his mother, especially touching the matter
  • of the chair-portrait. And Aunt Dorothea's reasons accounting for his
  • mother's distaste, long continued satisfactory, or at least not
  • unsufficiently explanatory.
  • And when the portrait arrived at the Meadows, it so chanced that his
  • mother was abroad; and so Pierre silently hung it up in his closet; and
  • when after a day or two his mother returned, he said nothing to her
  • about its arrival, being still strangely alive to that certain mild
  • mystery which invested it, and whose sacredness now he was fearful of
  • violating, by provoking any discussion with his mother about Aunt
  • Dorothea's gift, or by permitting himself to be improperly curious
  • concerning the reasons of his mother's private and self-reserved
  • opinions of it. But the first time--and it was not long after the
  • arrival of the portrait--that he knew of his mother's having entered
  • his closet; then, when he next saw her, he was prepared to hear what
  • she should voluntarily say about the late addition to its
  • embellishments; but as she omitted all mention of any thing of that
  • sort, he unobtrusively scanned her countenance, to mark whether any
  • little clouding emotion might be discoverable there. But he could
  • discern none. And as all genuine delicacies are by their nature
  • accumulative; therefore this reverential, mutual, but only tacit
  • forbearance of the mother and son, ever after continued uninvaded. And
  • it was another sweet, and sanctified, and sanctifying bond between them.
  • For, whatever some lovers may sometimes say, love does not always abhor
  • a secret, as nature is said to abhor a vacuum. Love is built upon
  • secrets, as lovely Venice upon invisible and incorruptible piles in the
  • sea. Love's secrets, being mysteries, ever pertain to the transcendent
  • and the infinite; and so they are as airy bridges, by which our further
  • shadows pass over into the regions of the golden mists and exhalations;
  • whence all poetical, lovely thoughts are engendered, and drop into us,
  • as though pearls should drop from rainbows.
  • As time went on, the chasteness and pure virginity of this mutual
  • reservation, only served to dress the portrait in sweeter, because still
  • more mysterious attractions; and to fling, as it were, fresh fennel and
  • rosemary around the revered memory of the father. Though, indeed, as
  • previously recounted, Pierre now and then loved to present to himself
  • for some fanciful solution the penultimate secret of the portrait, in so
  • far, as that involved his mother's distaste; yet the cunning analysis in
  • which such a mental procedure would involve him, never voluntarily
  • transgressed that sacred limit, where his mother's peculiar repugnance
  • began to shade off into ambiguous considerations, touching any unknown
  • possibilities in the character and early life of the original. Not, that
  • he had altogether forbidden his fancy to range in such fields of
  • speculation; but all such imaginings must be contributory to that pure,
  • exalted idea of his father, which, in his soul, was based upon the known
  • acknowledged facts of his father's life.
  • V.
  • If, when the mind roams up and down in the ever-elastic regions of
  • evanescent invention, any definite form or feature can be assigned to
  • the multitudinous shapes it creates out of the incessant dissolvings of
  • its own prior creations; then might we here attempt to hold and define
  • the least shadowy of those reasons, which about the period of
  • adolescence we now treat of, more frequently occurred to Pierre,
  • whenever he essayed to account for his mother's remarkable distaste for
  • the portrait. Yet will we venture one sketch.
  • Yes--sometimes dimly thought Pierre--who knows but cousin Ralph, after
  • all, may have been not so very far from the truth, when he surmised that
  • at one time my father did indeed cherish some passing emotion for the
  • beautiful young Frenchwoman. And this portrait being painted at that
  • precise time, and indeed with the precise purpose of perpetuating some
  • shadowy testification of the fact in the countenance of the original:
  • therefore, its expression is not congenial, is not familiar, is not
  • altogether agreeable to my mother: because, not only did my father's
  • features never look so to her (since it was afterward that she first
  • became acquainted with him), but also, that certain womanliness of
  • women; that thing I should perhaps call a tender jealousy, a fastidious
  • vanity, in any other lady, enables her to perceive that the glance of
  • the face in the portrait, is not, in some nameless way, dedicated to
  • herself, but to some other and unknown object; and therefore, is she
  • impatient of it, and it is repelling to her; for she must naturally be
  • intolerant of any imputed reminiscence in my father, which is not in
  • some way connected with her own recollections of him.
  • Whereas, the larger and more expansive portrait in the great
  • drawing-room, taken in the prime of life; during the best and rosiest
  • days of their wedded union; at the particular desire of my mother; and
  • by a celebrated artist of her own election, and costumed after her own
  • taste; and on all hands considered to be, by those who know, a
  • singularly happy likeness at the period; a belief spiritually reinforced
  • by my own dim infantile remembrances; for all these reasons, this
  • drawing-room portrait possesses an inestimable charm to her; there, she
  • indeed beholds her husband as he had really appeared to her; she does
  • not vacantly gaze upon an unfamiliar phantom called up from the distant,
  • and, to her, well-nigh fabulous days of my father's bachelor life. But
  • in that other portrait, she sees rehearsed to her fond eyes, the latter
  • tales and legends of his devoted wedded love. Yes, I think now that I
  • plainly see it must be so. And yet, ever new conceits come vaporing up
  • in me, as I look on the strange chair-portrait: which, though so very
  • much more unfamiliar to me, than it can possibly be to my mother, still
  • sometimes seems to say--Pierre, believe not the drawing-room painting;
  • that is not thy father; or, at least, is not _all_ of thy father.
  • Consider in thy mind, Pierre, whether we two paintings may not make only
  • one. Faithful wives are ever over-fond to a certain imaginary image of
  • their husbands; and faithful widows are ever over-reverential to a
  • certain imagined ghost of that same imagined image, Pierre. Look again,
  • I am thy father as he more truly was. In mature life, the world overlays
  • and varnishes us, Pierre; the thousand proprieties and polished
  • finenesses and grimaces intervene, Pierre; then, we, as it were,
  • abdicate ourselves, and take unto us another self, Pierre; in youth we
  • _are_, Pierre, but in age we _seem_. Look again. I am thy real father,
  • so much the more truly, as thou thinkest thou recognizest me not,
  • Pierre. To their young children, fathers are not wont to unfold
  • themselves entirely, Pierre. There are a thousand and one odd little
  • youthful peccadilloes, that we think we may as well not divulge to them,
  • Pierre. Consider this strange, ambiguous smile, Pierre; more narrowly
  • regard this mouth. Behold, what is this too ardent and, as it were,
  • unchastened light in these eyes, Pierre? I am thy father, boy. There was
  • once a certain, oh, but too lovely young Frenchwoman, Pierre. Youth is
  • hot, and temptation strong, Pierre; and in the minutest moment momentous
  • things are irrevocably done, Pierre; and Time sweeps on, and the thing
  • is not always carried down by its stream, but may be left stranded on
  • its bank; away beyond, in the young, green countries, Pierre. Look
  • again. Doth thy mother dislike me for naught? Consider. Do not all her
  • spontaneous, loving impressions, ever strive to magnify, and
  • spiritualize, and deify, her husband's memory, Pierre? Then why doth she
  • cast despite upon me; and never speak to thee of me; and why dost thou
  • thyself keep silence before her, Pierre? Consider. Is there no little
  • mystery here? Probe a little, Pierre. Never fear, never fear. No matter
  • for thy father now. Look, do I not smile?--yes, and with an unchangeable
  • smile; and thus have I unchangeably smiled for many long years gone by,
  • Pierre. Oh, it is a permanent smile! Thus I smiled to cousin Ralph; and
  • thus in thy dear old Aunt Dorothea's parlor, Pierre; and just so, I
  • smile here to thee, and even thus in thy father's later life, when his
  • body may have been in grief, still--hidden away in Aunt Dorothea's
  • secretary--I thus smiled as before; and just so I'd smile were I now
  • hung up in the deepest dungeon of the Spanish Inquisition, Pierre;
  • though suspended in outer darkness, still would I smile with this smile,
  • though then not a soul should be near. Consider; for a smile is the
  • chosen vehicle for all ambiguities, Pierre. When we would deceive, we
  • smile; when we are hatching any nice little artifice, Pierre; only just
  • a little gratifying our own sweet little appetites, Pierre; then watch
  • us, and out comes the odd little smile. Once upon a time, there was a
  • lovely young Frenchwoman, Pierre. Have you carefully, and analytically,
  • and psychologically, and metaphysically, considered her belongings and
  • surroundings, and all her incidentals, Pierre? Oh, a strange sort of
  • story, that, thy dear old Aunt Dorothea once told thee, Pierre. I once
  • knew a credulous old soul, Pierre. Probe, probe a little--see--there
  • seems one little crack there, Pierre--a wedge, a wedge. Something ever
  • comes of all persistent inquiry; we are not so continually curious for
  • nothing, Pierre; not for nothing, do we so intrigue and become wily
  • diplomatists, and glozers with our own minds, Pierre; and afraid of
  • following the Indian trail from the open plain into the dark thickets,
  • Pierre; but enough; a word to the wise.
  • Thus sometimes in the mystical, outer quietude of the long country
  • nights; either when the hushed mansion was banked round by the
  • thick-fallen December snows, or banked round by the immovable white
  • August moonlight; in the haunted repose of a wide story, tenanted only
  • by himself; and sentineling his own little closet; and standing guard,
  • as it were, before the mystical tent of the picture; and ever watching
  • the strangely concealed lights of the meanings that so mysteriously
  • moved to and fro within; thus sometimes stood Pierre before the portrait
  • of his father, unconsciously throwing himself open to all those
  • ineffable hints and ambiguities, and undefined half-suggestions, which
  • now and then people the soul's atmosphere, as thickly as in a soft,
  • steady snow-storm, the snow-flakes people the air. Yet as often starting
  • from these reveries and trances, Pierre would regain the assured element
  • of consciously bidden and self-propelled thought; and then in a moment
  • the air all cleared, not a snow-flake descended, and Pierre, upbraiding
  • himself for his self-indulgent infatuation, would promise never again
  • to fall into a midnight revery before the chair-portrait of his father.
  • Nor did the streams of these reveries seem to leave any conscious
  • sediment in his mind; they were so light and so rapid, that they rolled
  • their own alluvial along; and seemed to leave all Pierre's
  • thought-channels as clean and dry as though never any alluvial stream
  • had rolled there at all.
  • And so still in his sober, cherishing memories, his father's
  • beatification remained untouched; and all the strangeness of the
  • portrait only served to invest his idea with a fine, legendary romance;
  • the essence whereof was that very mystery, which at other times was so
  • subtly and evilly significant.
  • But now, _now!_--Isabel's letter read: swift as the first light that
  • slides from the sun, Pierre saw all preceding ambiguities, all mysteries
  • ripped open as if with a keen sword, and forth trooped thickening
  • phantoms of an infinite gloom. Now his remotest infantile
  • reminiscences--the wandering mind of his father--the empty hand, and the
  • ashen--the strange story of Aunt Dorothea--the mystical midnight
  • suggestions of the portrait itself; and, above all, his mother's
  • intuitive aversion, all, all overwhelmed him with reciprocal
  • testimonies.
  • And now, by irresistible intuitions, all that had been inexplicably
  • mysterious to him in the portrait, and all that had been inexplicably
  • familiar in the face, most magically these now coincided; the merriness
  • of the one not inharmonious with the mournfulness of the other, but by
  • some ineffable correlativeness, they reciprocally identified each other,
  • and, as it were, melted into each other, and thus interpenetratingly
  • uniting, presented lineaments of an added supernaturalness.
  • On all sides, the physical world of solid objects now slidingly
  • displaced itself from around him, and he floated into an ether of
  • visions; and, starting to his feet with clenched hands and outstaring
  • eyes at the transfixed face in the air, he ejaculated that wonderful
  • verse from Dante, descriptive of the two mutually absorbing shapes in
  • the Inferno:
  • "Ah! how dost thou change,
  • Agnello! See! thou art not double now,
  • Nor only one!"
  • BOOK V.
  • MISGIVINGS AND PREPARATIONS.
  • I.
  • It was long after midnight when Pierre returned to the house. He had
  • rushed forth in that complete abandonment of soul, which, in so ardent a
  • temperament, attends the first stages of any sudden and tremendous
  • affliction; but now he returned in pallid composure, for the calm spirit
  • of the night, and the then risen moon, and the late revealed stars, had
  • all at last become as a strange subduing melody to him, which, though at
  • first trampled and scorned, yet by degrees had stolen into the windings
  • of his heart, and so shed abroad its own quietude in him. Now, from his
  • height of composure, he firmly gazed abroad upon the charred landscape
  • within him; as the timber man of Canada, forced to fly from the
  • conflagration of his forests, comes back again when the fires have
  • waned, and unblinkingly eyes the immeasurable fields of fire-brands that
  • here and there glow beneath the wide canopy of smoke.
  • It has been said, that always when Pierre would seek solitude in its
  • material shelter and walled isolation, then the closet communicating
  • with his chamber was his elected haunt. So, going to his room, he took
  • up the now dim-burning lamp he had left there, and instinctively entered
  • that retreat, seating himself, with folded arms and bowed head, in the
  • accustomed dragon-footed old chair. With leaden feet, and heart now
  • changing from iciness to a strange sort of indifference, and a numbing
  • sensation stealing over him, he sat there awhile, till, like the resting
  • traveler in snows, he began to struggle against this inertness as the
  • most treacherous and deadliest of symptoms. He looked up, and found
  • himself fronted by the no longer wholly enigmatical, but still
  • ambiguously smiling picture of his father. Instantly all his
  • consciousness and his anguish returned, but still without power to shake
  • the grim tranquillity which possessed him. Yet endure the smiling
  • portrait he could not; and obeying an irresistible nameless impulse, he
  • rose, and without unhanging it, reversed the picture on the wall.
  • This brought to sight the defaced and dusty back, with some wrinkled,
  • tattered paper over the joints, which had become loosened from the
  • paste. "Oh, symbol of thy reversed idea in my soul," groaned Pierre;
  • "thou shalt not hang thus. Rather cast thee utterly out, than
  • conspicuously insult thee so. I will no more have a father." He removed
  • the picture wholly from the wall, and the closet; and concealed it in a
  • large chest, covered with blue chintz, and locked it up there. But
  • still, in a square space of slightly discolored wall, the picture still
  • left its shadowy, but vacant and desolate trace. He now strove to banish
  • the least trace of his altered father, as fearful that at present all
  • thoughts concerning him were not only entirely vain, but would prove
  • fatally distracting and incapacitating to a mind, which was now loudly
  • called upon, not only to endure a signal grief, but immediately to act
  • upon it. Wild and cruel case, youth ever thinks; but mistakenly; for
  • Experience well knows, that action, though it seems an aggravation of
  • woe, is really an alleviative; though permanently to alleviate pain, we
  • must first dart some added pangs.
  • Nor now, though profoundly sensible that his whole previous moral being
  • was overturned, and that for him the fair structure of the world must,
  • in some then unknown way, be entirely rebuilded again, from the
  • lowermost corner stone up; nor now did Pierre torment himself with the
  • thought of that last desolation; and how the desolate place was to be
  • made flourishing again. He seemed to feel that in his deepest soul,
  • lurked an indefinite but potential faith, which could rule in the
  • interregnum of all hereditary beliefs, and circumstantial persuasions;
  • not wholly, he felt, was his soul in anarchy. The indefinite regent had
  • assumed the scepter as its right; and Pierre was not entirely given up
  • to his grief's utter pillage and sack.
  • To a less enthusiastic heart than Pierre's the foremost question in
  • respect to Isabel which would have presented itself, would have been,
  • _What_ must I do? But such a question never presented itself to Pierre;
  • the spontaneous responsiveness of his being left no shadow of
  • dubiousness as to the direct point he must aim at. But if the object was
  • plain, not so the path to it. _How_ must I do it? was a problem for
  • which at first there seemed no chance of solution. But without being
  • entirely aware of it himself, Pierre was one of those spirits, which not
  • in a determinate and sordid scrutiny of small pros and cons--but in an
  • impulsive subservience to the god-like dictation of events themselves,
  • find at length the surest solution of perplexities, and the brightest
  • prerogative of command. And as for him, _What_ must I do? was a question
  • already answered by the inspiration of the difficulty itself; so now he,
  • as it were, unconsciously discharged his mind, for the present, of all
  • distracting considerations concerning _How_ he should do it; assured
  • that the coming interview with Isabel could not but unerringly inspire
  • him there. Still, the inspiration which had thus far directed him had
  • not been entirely mute and undivulging as to many very bitter things
  • which Pierre foresaw in the wide sea of trouble into which he was
  • plunged.
  • If it be the sacred province and--by the wisest, deemed--the inestimable
  • compensation of the heavier woes, that they both purge the soul of
  • gay-hearted errors and replenish it with a saddened truth; that holy
  • office is not so much accomplished by any covertly inductive reasoning
  • process, whose original motive is received from the particular
  • affliction; as it is the magical effect of the admission into man's
  • inmost spirit of a before unexperienced and wholly inexplicable element,
  • which like electricity suddenly received into any sultry atmosphere of
  • the dark, in all directions splits itself into nimble lances of
  • purifying light; which at one and the same instant discharge all the air
  • of sluggishness and inform it with an illuminating property; so that
  • objects which before, in the uncertainty of the dark, assumed shadowy
  • and romantic outlines, now are lighted up in their substantial
  • realities; so that in these flashing revelations of grief's wonderful
  • fire, we see all things as they are; and though, when the electric
  • element is gone, the shadows once more descend, and the false outlines
  • of objects again return; yet not with their former power to deceive; for
  • now, even in the presence of the falsest aspects, we still retain the
  • impressions of their immovable true ones, though, indeed, once more
  • concealed.
  • Thus with Pierre. In the joyous young times, ere his great grief came
  • upon him, all the objects which surrounded him were concealingly
  • deceptive. Not only was the long-cherished image of his rather now
  • transfigured before him from a green foliaged tree into a blasted trunk,
  • but every other image in his mind attested the universality of that
  • electral light which had darted into his soul. Not even his lovely,
  • immaculate mother, remained entirely untouched, unaltered by the shock.
  • At her changed aspect, when first revealed to him, Pierre had gazed in a
  • panic; and now, when the electrical storm had gone by, he retained in
  • his mind, that so suddenly revealed image, with an infinite
  • mournfulness. She, who in her less splendid but finer and more spiritual
  • part, had ever seemed to Pierre not only as a beautiful saint before
  • whom to offer up his daily orisons, but also as a gentle lady-counsellor
  • and confessor, and her revered chamber as a soft satin-hung cabinet and
  • confessional;--his mother was no longer this all-alluring thing; no
  • more, he too keenly felt, could he go to his mother, as to one who
  • entirely sympathized with him; as to one before whom he could almost
  • unreservedly unbosom himself; as to one capable of pointing out to him
  • the true path where he seemed most beset. Wonderful, indeed, was that
  • electric insight which Fate had now given him into the vital character
  • of his mother. She well might have stood all ordinary tests; but when
  • Pierre thought of the touchstone of his immense strait applied to her
  • spirit, he felt profoundly assured that she would crumble into nothing
  • before it.
  • She was a noble creature, but formed chiefly for the gilded prosperities
  • of life, and hitherto mostly used to its unruffled serenities; bred and
  • expanded, in all developments, under the sole influence of hereditary
  • forms and world-usages. Not his refined, courtly, loving, equable
  • mother, Pierre felt, could unreservedly, and like a heaven's heroine,
  • meet the shock of his extraordinary emergency, and applaud, to his
  • heart's echo, a sublime resolve, whose execution should call down the
  • astonishment and the jeers of the world.
  • My mother!--dearest mother!--God hath given me a sister, and unto thee a
  • daughter, and covered her with the world's extremest infamy and scorn,
  • that so I and thou--_thou_, my mother, mightest gloriously own her, and
  • acknowledge her, and,---- Nay, nay, groaned Pierre, never, never, could
  • such syllables be one instant tolerated by her. Then, high-up, and
  • towering, and all-forbidding before Pierre grew the before unthought of
  • wonderful edifice of his mother's immense pride;--her pride of birth,
  • her pride of affluence, her pride of purity, and all the pride of
  • high-born, refined, and wealthy Life, and all the Semiramian pride of
  • woman. Then he staggered back upon himself, and only found support in
  • himself. Then Pierre felt that deep in him lurked a divine
  • unidentifiableness, that owned no earthly kith or kin. Yet was this
  • feeling entirely lonesome, and orphan-like. Fain, then, for one moment,
  • would he have recalled the thousand sweet illusions of Life; tho'
  • purchased at the price of Life's Truth; so that once more he might not
  • feel himself driven out an infant Ishmael into the desert, with no
  • maternal Hagar to accompany and comfort him.
  • Still, were these emotions without prejudice to his own love for his
  • mother, and without the slightest bitterness respecting her; and, least
  • of all, there was no shallow disdain toward her of superior virtue. He
  • too plainly saw, that not his mother had made his mother; but the
  • Infinite Haughtiness had first fashioned her; and then the haughty world
  • had further molded her; nor had a haughty Ritual omitted to finish her.
  • Wonderful, indeed, we repeat it, was the electrical insight which Pierre
  • now had into the character of his mother, for not even the vivid
  • recalling of her lavish love for him could suffice to gainsay his sudden
  • persuasion. Love me she doth, thought Pierre, but how? Loveth she me
  • with the love past all understanding? that love, which in the loved
  • one's behalf, would still calmly confront all hate? whose most
  • triumphing hymn, triumphs only by swelling above all opposing taunts and
  • despite?--Loving mother, here have I a loved, but world-infamous sister
  • to own;--and if thou lovest me, mother, thy love will love her, too, and
  • in the proudest drawing-room take her so much the more proudly by the
  • hand.--And as Pierre thus in fancy led Isabel before his mother; and in
  • fancy led her away, and felt his tongue cleave to the roof of his mouth,
  • with her transfixing look of incredulous, scornful horror; then Pierre's
  • enthusiastic heart sunk in and in, and caved clean away in him, as he so
  • poignantly felt his first feeling of the dreary heart-vacancies of the
  • conventional life. Oh heartless, proud, ice-gilded world, how I hate
  • thee, he thought, that thy tyrannous, insatiate grasp, thus now in my
  • bitterest need--thus doth rob me even of my mother; thus doth make me
  • now doubly an orphan, without a green grave to bedew. My tears,--could
  • I weep them,--must now be wept in the desolate places; now to me is it,
  • as though both father and mother had gone on distant voyages, and,
  • returning, died in unknown seas.
  • She loveth me, ay;--but why? Had I been cast in a cripple's mold, how
  • then? Now, do I remember that in her most caressing love, there ever
  • gleamed some scaly, glittering folds of pride. Me she loveth with
  • pride's love; in me she thinks she seeth her own curled and haughty
  • beauty; before my glass she stands,--pride's priestess--and to her
  • mirrored image, not to me, she offers up her offerings of kisses. Oh,
  • small thanks I owe thee, Favorable Goddess, that didst clothe this form
  • with all the beauty of a man, that so thou mightest hide from me all the
  • truth of a man. Now I see that in his beauty a man is snared, and made
  • stone-blind, as the worm within its silk. Welcome then be Ugliness and
  • Poverty and Infamy, and all ye other crafty ministers of Truth, that
  • beneath the hoods and rags of beggars hide yet the belts and crowns of
  • kings. And dimmed be all beauty that must own the clay; and dimmed be
  • all wealth, and all delight, and all the annual prosperities of earth,
  • that but gild the links, and stud with diamonds the base rivets and the
  • chains of Lies. Oh, now methinks I a little see why of old the men _of_
  • Truth went barefoot, girded with a rope, and ever moving under
  • mournfulness as underneath a canopy. I remember now those first wise
  • words, wherewith our Savior Christ first spoke in his first speech to
  • men:--'Blessed are the poor in spirit, and blessed they that mourn.' Oh,
  • hitherto I have but piled up words; bought books, and bought some small
  • experiences, and builded me in libraries; now I sit down and read. Oh,
  • now I know the night, and comprehend the sorceries of the moon, and all
  • the dark persuadings that have their birth in storms and winds. Oh, not
  • long will Joy abide, when Truth doth come; nor Grief her laggard be.
  • Well may this head hang on my breast--it holds too much; well may my
  • heart knock at my ribs,--prisoner impatient of his iron bars. Oh, men
  • are jailers all; jailers of themselves; and in Opinion's world
  • ignorantly hold their noblest part a captive to their vilest; as
  • disguised royal Charles when caught by peasants. The heart! the heart!
  • 'tis God's anointed; let me pursue the heart!
  • II.
  • But if the presentiment in Pierre of his mother's pride, as bigotedly
  • hostile to the noble design he cherished; if this feeling was so
  • wretched to him; far more so was the thought of another and a deeper
  • hostility, arising from her more spiritual part. For her pride would not
  • be so scornful, as her wedded memories reject with horror, the
  • unmentionable imputation involved in the mere fact of Isabel's
  • existence. In what galleries of conjecture, among what horrible haunting
  • toads and scorpions, would such a revelation lead her? When Pierre
  • thought of this, the idea of at all divulging his secret to his mother,
  • not only was made repelling by its hopelessness, as an infirm attack
  • upon her citadel of pride, but was made in the last degree inhuman, as
  • torturing her in her tenderest recollections, and desecrating the
  • whitest altar in her sanctuary.
  • Though the conviction that he must never disclose his secret to his
  • mother was originally an unmeditated, and as it were, an inspired one;
  • yet now he was almost pains-taking in scrutinizing the entire
  • circumstances of the matter, in order that nothing might be overlooked.
  • For already he vaguely felt, that upon the concealment, or the
  • disclosure of this thing, with reference to his mother, hinged his whole
  • future course of conduct, his whole earthly weal, and Isabel's. But the
  • more and the more that he pondered upon it, the more and the more fixed
  • became his original conviction. He considered that in the case of a
  • disclosure, all human probability pointed to his mother's scornful
  • rejection of his suit as a pleader for Isabel's honorable admission into
  • the honorable mansion of the Glendinnings. Then in that case,
  • unconsciously thought Pierre, I shall have given the deep poison of a
  • miserable truth to my mother, without benefit to any, and positive harm
  • to all. And through Pierre's mind there then darted a baleful thought;
  • how that the truth should not always be paraded; how that sometimes a
  • lie is heavenly, and truth infernal. Filially infernal, truly, thought
  • Pierre, if I should by one vile breath of truth, blast my father's
  • blessed memory in the bosom of my mother, and plant the sharpest dagger
  • of grief in her soul. I will not do it!
  • But as this resolution in him opened up so dark and wretched a
  • background to his view, he strove to think no more of it now, but
  • postpone it until the interview with Isabel should have in some way more
  • definitely shaped his purposes. For, when suddenly encountering the
  • shock of new and unanswerable revelations, which he feels must
  • revolutionize all the circumstances of his life, man, at first, ever
  • seeks to shun all conscious definitiveness in his thoughts and purposes;
  • as assured, that the lines that shall precisely define his present
  • misery, and thereby lay out his future path; these can only be defined
  • by sharp stakes that cut into his heart.
  • III.
  • Most melancholy of all the hours of earth, is that one long, gray hour,
  • which to the watcher by the lamp intervenes between the night and day;
  • when both lamp and watcher, over-tasked, grow sickly in the pallid
  • light; and the watcher, seeking for no gladness in the dawn, sees naught
  • but garish vapors there; and almost invokes a curse upon the public
  • day, that shall invade his lonely night of sufferance.
  • The one small window of his closet looked forth upon the meadow, and
  • across the river, and far away to the distant heights, storied with the
  • great deeds of the Glendinnings. Many a time had Pierre sought this
  • window before sunrise, to behold the blood-red, out-flinging dawn, that
  • would wrap those purple hills as with a banner. But now the morning
  • dawned in mist and rain, and came drizzlingly upon his heart. Yet as the
  • day advanced, and once more showed to him the accustomed features of his
  • room by that natural light, which, till this very moment, had never
  • lighted him but to his joy; now that the day, and not the night, was
  • witness to his woe; now first the dread reality came appallingly upon
  • him. A sense of horrible forlornness, feebleness, impotence, and
  • infinite, eternal desolation possessed him. It was not merely mental,
  • but corporeal also. He could not stand; and when he tried to sit, his
  • arms fell floorwards as tied to leaden weights. Dragging his ball and
  • chain, he fell upon his bed; for when the mind is cast down, only in
  • sympathetic proneness can the body rest; whence the bed is often Grief's
  • first refuge. Half stupefied, as with opium, he fell into the
  • profoundest sleep.
  • In an hour he awoke, instantly recalling all the previous night; and now
  • finding himself a little strengthened, and lying so quietly and silently
  • there, almost without bodily consciousness, but his soul unobtrusively
  • alert; careful not to break the spell by the least movement of a limb,
  • or the least turning of his head. Pierre steadfastly faced his grief,
  • and looked deep down into its eyes; and thoroughly, and calmly, and
  • summarily comprehended it now--so at least he thought--and what it
  • demanded from him; and what he must quickly do in its more immediate
  • sequences; and what that course of conduct was, which he must pursue in
  • the coming unevadable breakfast interview with his mother; and what, for
  • the present must be his plan with Lucy. His time of thought was brief.
  • Rising from his bed, he steadied himself upright a moment; and then
  • going to his writing-desk, in a few at first faltering, but at length
  • unlagging lines, traced the following note:
  • "I must ask pardon of you, Lucy, for so strangely absenting myself
  • last night. But you know me well enough to be very sure that I
  • would not have done so without important cause. I was in the street
  • approaching your cottage, when a message reached me, imperatively
  • calling me away. It is a matter which will take up all my time and
  • attention for, possibly, two or three days. I tell you this, now,
  • that you may be prepared for it. And I know that however unwelcome
  • this may be to you, you will yet bear with it for my sake; for,
  • indeed, and indeed, Lucy dear, I would not dream of staying from
  • you so long, unless irresistibly coerced to it. Do not come to the
  • mansion until I come to you; and do not manifest any curiosity or
  • anxiety about me, should you chance in the interval to see my
  • mother in any other place. Keep just as cheerful as if I were by
  • you all the time. Do this, now, I conjure you; and so farewell!"
  • He folded the note, and was about sealing it, when he hesitated a
  • moment, and instantly unfolding it, read it to himself. But he could not
  • adequately comprehend his own writing, for a sudden cloud came over him.
  • This passed; and taking his pen hurriedly again, he added the following
  • postscript:
  • "Lucy, this note may seem mysterious; but if it shall, I did not
  • mean to make it so; nor do I know that I could have helped it. But
  • the only reason is this, Lucy: the matter which I have alluded to,
  • is of such a nature, that, for the present I stand virtually
  • pledged not to disclose it to any person but those more directly
  • involved in it. But where one can not reveal the thing itself, it
  • only makes it the more mysterious to write round it this way. So
  • merely know me entirely unmenaced in person, and eternally faithful
  • to you; and so be at rest till I see you."
  • Then sealing the note, and ringing the bell, he gave it in strict charge
  • to a servant, with directions to deliver it at the earliest practicable
  • moment, and not wait for any answer. But as the messenger was departing
  • the chamber, he called him back, and taking the sealed note again, and
  • hollowing it in his hand, scrawled inside of it in pencil the following
  • words: "Don't write me; don't inquire for me;" and then returned it to
  • the man, who quitted him, leaving Pierre rooted in thought in the middle
  • of the room.
  • But he soon roused himself, and left the mansion; and seeking the cool,
  • refreshing meadow stream, where it formed a deep and shady pool, he
  • bathed; and returning invigorated to his chamber, changed his entire
  • dress; in the little trifling concernments of his toilette, striving
  • utterly to banish all thought of that weight upon his soul. Never did he
  • array himself with more solicitude for effect. It was one of his fond
  • mother's whims to perfume the lighter contents of his wardrobe; and it
  • was one of his own little femininenesses--of the sort sometimes
  • curiously observable in very robust-bodied and big-souled men, as
  • Mohammed, for example--to be very partial to all pleasant essences. So
  • that when once more he left the mansion in order to freshen his cheek
  • anew to meet the keen glance of his mother--to whom the secret of his
  • possible pallor could not be divulged; Pierre went forth all redolent;
  • but alas! his body only the embalming cerements of his buried dead
  • within.
  • IV.
  • His stroll was longer than he meant; and when he returned up the Linden
  • walk leading to the breakfast-room, and ascended the piazza steps, and
  • glanced into the wide window there, he saw his mother seated not far
  • from the table; her face turned toward his own; and heard her gay voice,
  • and peculiarly light and buoyant laugh, accusing him, and not her, of
  • being the morning's laggard now. Dates was busy among some spoons and
  • napkins at a side-stand.
  • Summoning all possible cheerfulness to his face, Pierre entered the
  • room. Remembering his carefulness in bathing and dressing; and knowing
  • that there is no air so calculated to give bloom to the cheek as that of
  • a damply fresh, cool, and misty morning, Pierre persuaded himself that
  • small trace would now be found on him of his long night of watching.
  • 'Good morning, sister;--Such a famous stroll! I have been all the way
  • to---- '
  • 'Where? good heavens! where? for such a look as that!--why, Pierre,
  • Pierre? what ails thee? Dates, I will touch the bell presently.'
  • As the good servitor fumbled for a moment among the napkins, as if
  • unwilling to stir so summarily from his accustomed duty, and not without
  • some of a well and long-tried old domestic's vague, intermitted
  • murmuring, at being wholly excluded from a matter of family interest;
  • Mrs. Glendinning kept her fixed eye on Pierre, who, unmindful that the
  • breakfast was not yet entirely ready, seating himself at the table,
  • began helping himself--though but nervously enough--to the cream and
  • sugar. The moment the door closed on Dates, the mother sprang to her
  • feet, and threw her arms around her son; but in that embrace, Pierre
  • miserably felt that their two hearts beat not together in such unison as
  • before.
  • 'What haggard thing possesses thee, my son? Speak, this is
  • incomprehensible! Lucy;--fie!--not she?--no love-quarrel there;--speak,
  • speak, my darling boy!
  • 'My dear sister,' began Pierre.
  • 'Sister me not, now, Pierre;--I am thy mother.'
  • 'Well, then, dear mother, thou art quite as incomprehensible to me as I
  • to---- '
  • 'Talk faster, Pierre--this calmness freezes me. Tell me; for, by my
  • soul, something most wonderful must have happened to thee. Thou art my
  • son, and I command thee. It is not Lucy; it is something else. Tell me.'
  • 'My dear mother,' said Pierre, impulsively moving his chair backward
  • from the table, 'if thou wouldst only believe me when I say it, I have
  • really nothing to tell thee. Thou knowest that sometimes, when I happen
  • to feel very foolishly studious and philosophical, I sit up late in my
  • chamber; and then, regardless of the hour, foolishly run out into the
  • air, for a long stroll across the meadows. I took such a stroll last
  • night; and had but little time left for napping afterward; and what nap
  • I had I was none the better for. But I won't be so silly again, soon; so
  • do, dearest mother, stop looking at me, and let us to breakfast.--Dates!
  • Touch the bell there, sister.'
  • 'Stay, Pierre!--There is a heaviness in this hour. I feel, I know, that
  • thou art deceiving me;--perhaps I erred in seeking to wrest thy secret
  • from thee; but believe me, my son, I never thought thou hadst any secret
  • thing from me, except thy first love for Lucy--and that, my own
  • womanhood tells me, was most pardonable and right. But now, what can it
  • be? Pierre, Pierre! consider well before thou determinest upon
  • withholding confidence from me. I am thy mother. It may prove a fatal
  • thing. Can that be good and virtuous, Pierre, which shrinks from a
  • mother's knowledge? Let us not loose hands so, Pierre; thy confidence
  • from me, mine goes from thee. Now, shall I touch the bell?'
  • Pierre, who had thus far been vainly seeking to occupy his hands with
  • his cap and spoon; he now paused, and unconsciously fastened a
  • speechless glance of mournfulness upon his mother. Again he felt
  • presentiments of his mother's newly-revealed character. He foresaw the
  • supposed indignation of her wounded pride; her gradually estranged
  • affections thereupon; he knew her firmness, and her exaggerated ideas of
  • the inalienable allegiance of a son. He trembled to think, that now
  • indeed was come the first initial moment of his heavy trial. But though
  • he knew all the significance of his mother's attitude, as she stood
  • before him, intently eying him, with one hand upon the bell-cord; and
  • though he felt that the same opening of the door that should now admit
  • Dates, could not but give eternal exit to all confidence between him and
  • his mother; and though he felt, too, that this was his mother's latent
  • thought; nevertheless, he was girded up in his well-considered
  • resolution.
  • "Pierre, Pierre! shall I touch the bell?"
  • "Mother, stay!--yes do, sister."
  • The bell was rung; and at the summons Dates entered; and looking with
  • some significance at Mrs. Glendinning, said,--"His Reverence has come,
  • my mistress, and is now in the west parlor."
  • "Show Mr. Falsgrave in here immediately; and bring up the coffee; did I
  • not tell you I expected him to breakfast this morning?"
  • "Yes, my mistress; but I thought that--that--just then"--glancing
  • alarmedly from mother to son.
  • "Oh, my good Dates, nothing has happened," cried Mrs. Glendinning,
  • lightly, and with a bitter smile, looking toward her son,--"show Mr.
  • Falsgrave in. Pierre, I did not see thee, to tell thee, last night; but
  • Mr. Falsgrave breakfasts with us by invitation. I was at the parsonage
  • yesterday, to see him about that wretched affair of Delly, and we are
  • finally to settle upon what is to be done this morning. But my mind is
  • made up concerning Ned; no such profligate shall pollute this place;
  • nor shall the disgraceful Delly."
  • Fortunately, the abrupt entrance of the clergyman, here turned away
  • attention from the sudden pallor of Pierre's countenance, and afforded
  • him time to rally.
  • "Good morning, madam; good morning, sir;" said Mr. Falsgrave, in a
  • singularly mild, flute-like voice, turning to Mrs. Glendinning and her
  • son; the lady receiving him with answering cordiality, but Pierre too
  • embarrassed just then to be equally polite. As for one brief moment Mr.
  • Falsgrave stood before the pair, ere taking the offered chair from
  • Dates, his aspect was eminently attractive.
  • There are certain ever-to-be-cherished moments in the life of almost any
  • man, when a variety of little foregoing circumstances all unite to make
  • him temporarily oblivious of whatever may be hard and bitter in his
  • life, and also to make him most amiably and ruddily disposed; when the
  • scene and company immediately before him are highly agreeable; and if at
  • such a time he chance involuntarily to put himself into a scenically
  • favorable bodily posture; then, in that posture, however transient, thou
  • shalt catch the noble stature of his Better Angel; catch a heavenly
  • glimpse of the latent heavenliness of man. It was so with Mr. Falsgrave
  • now. Not a house within a circuit of fifty miles that he preferred
  • entering before the mansion-house of Saddle Meadows; and though the
  • business upon which he had that morning come, was any thing but
  • relishable to him, yet that subject was not in his memory then. Before
  • him stood united in one person, the most exalted lady and the most
  • storied beauty of all the country round; and the finest, most
  • intellectual, and most congenial youth he knew. Before him also, stood
  • the generous foundress and the untiring patroness of the beautiful
  • little marble church, consecrated by the good Bishop, not four years
  • gone by. Before him also, stood--though in polite disguise--the same
  • untiring benefactress, from whose purse, he could not help suspecting,
  • came a great part of his salary, nominally supplied by the rental of the
  • pews. He had been invited to breakfast; a meal, which, in a
  • well-appointed country family, is the most cheerful circumstance of
  • daily life; he smelt all Java's spices in the aroma from the silver
  • coffee-urn; and well he knew, what liquid deliciousness would soon come
  • from it. Besides all this, and many more minutenesses of the kind, he
  • was conscious that Mrs. Glendinning entertained a particular partiality
  • for him (though not enough to marry him, as he ten times knew by very
  • bitter experience), and that Pierre was not behindhand in his esteem.
  • And the clergyman was well worthy of it. Nature had been royally
  • bountiful to him in his person. In his happier moments, as the present,
  • his face was radiant with a courtly, but mild benevolence; his person
  • was nobly robust and dignified; while the remarkable smallness of his
  • feet, and the almost infantile delicacy, and vivid whiteness and purity
  • of his hands, strikingly contrasted with his fine girth and stature. For
  • in countries like America, where there is no distinct hereditary caste
  • of gentlemen, whose order is factitiously perpetuated as race-horses and
  • lords are in kingly lands; and especially, in those agricultural
  • districts, where, of a hundred hands, that drop a ballot for the
  • Presidency, ninety-nine shall be of the brownest and the brawniest; in
  • such districts, this daintiness of the fingers, when united with a
  • generally manly aspect, assumes a remarkableness unknown in European
  • nations.
  • This most prepossessing form of the clergyman lost nothing by the
  • character of his manners, which were polished and unobtrusive, but
  • peculiarly insinuating, without the least appearance of craftiness or
  • affectation. Heaven had given him his fine, silver-keyed person for a
  • flute to play on in this world; and he was nearly the perfect master of
  • it. His graceful motions had the undulatoriness of melodious sounds.
  • You almost thought you heard, not saw him. So much the wonderful, yet
  • natural gentleman he seemed, that more than once Mrs. Glendinning had
  • held him up to Pierre as a splendid example of the polishing and
  • gentlemanizing influences of Christianity upon the mind and manners;
  • declaring, that extravagant as it might seem, she had always been of his
  • father's fancy,--that no man could be a complete gentleman, and preside
  • with dignity at his own table, unless he partook of the church's
  • sacraments. Nor in Mr. Falsgrave's case was this maxim entirely absurd.
  • The child of a poor northern farmer who had wedded a pretty sempstress,
  • the clergyman had no heraldic line of ancestry to show, as warrant and
  • explanation of his handsome person and gentle manners; the first, being
  • the willful partiality of nature; and the second, the consequence of a
  • scholastic life, attempered by a taste for the choicest female society,
  • however small, which he had always regarded as the best relish of
  • existence. If now his manners thus responded to his person, his mind
  • answered to them both, and was their finest illustration. Besides his
  • eloquent persuasiveness in the pulpit, various fugitive papers upon
  • subjects of nature, art, and literature, attested not only his refined
  • affinity to all beautiful things, visible or invisible; but likewise
  • that he possessed a genius for celebrating such things, which in a less
  • indolent and more ambitious nature, would have been sure to have gained
  • a fair poet's name ere now. For this Mr. Falsgrave was just hovering
  • upon his prime of years; a period which, in such a man, is the sweetest,
  • and, to a mature woman, by far the most attractive of manly life. Youth
  • has not yet completely gone with its beauty, grace, and strength; nor
  • has age at all come with its decrepitudes; though the finest undrossed
  • parts of it--its mildness and its wisdom--have gone on before, as
  • decorous chamberlains precede the sedan of some crutched king.
  • Such was this Mr. Falsgrave, who now sat at Mrs. Glendinning's breakfast
  • table, a corner of one of that lady's generous napkins so inserted into
  • his snowy bosom, that its folds almost invested him as far down as the
  • table's edge; and he seemed a sacred priest, indeed, breakfasting in his
  • surplice.
  • "Pray, Mr. Falsgrave," said Mrs. Glendinning, "break me off a bit of
  • that roll."
  • Whether or not his sacerdotal experiences had strangely refined and
  • spiritualized so simple a process as breaking bread; or whether it was
  • from the spotless aspect of his hands: certain it is that Mr. Falsgrave
  • acquitted himself on this little occasion, in a manner that beheld of
  • old by Leonardo, might have given that artist no despicable hint
  • touching his celestial painting. As Pierre regarded him, sitting there
  • so mild and meek; such an image of white-browed and white-handed, and
  • napkined immaculateness; and as he felt the gentle humane radiations
  • which came from the clergyman's manly and rounded beautifulness; and as
  • he remembered all the good that he knew of this man, and all the good
  • that he had heard of him, and could recall no blemish in his character;
  • and as in his own concealed misery and forlornness, he contemplated the
  • open benevolence, and beaming excellent-heartedness of Mr. Falsgrave,
  • the thought darted through his mind, that if any living being was
  • capable of giving him worthy counsel in his strait; and if to any one he
  • could go with Christian propriety and some small hopefulness, that
  • person was the one before him.
  • "Pray, Mr. Glendinning," said the clergyman, pleasantly, as Pierre was
  • silently offering to help him to some tongue--"don't let me rob you of
  • it--pardon me, but you seem to have very little yourself this morning, I
  • think. An execrable pun, I know: but"--turning toward Mrs.
  • Glendinning--"when one is made to feel very happy, one is somehow apt to
  • say very silly things. Happiness and silliness--ah, it's a suspicious
  • coincidence."
  • "Mr. Falsgrave," said the hostess--"Your cup is empty. Dates!--We were
  • talking yesterday, Mr. Falsgrave, concerning that vile fellow, Ned."
  • "Well, Madam," responded the gentleman, a very little uneasily.
  • "He shall not stay on any ground of mine; my mind is made up, sir.
  • Infamous man!--did he not have a wife as virtuous and beautiful now, as
  • when I first gave her away at your altar?--It was the sheerest and most
  • gratuitous profligacy."
  • The clergyman mournfully and assentingly moved his head.
  • "Such men," continued the lady, flushing with the sincerest
  • indignation--"are to my way of thinking more detestable than murderers."
  • "That is being a little hard upon them, my dear Madam," said Mr.
  • Falsgrave, mildly.
  • "Do you not think so, Pierre"--now, said the lady, turning earnestly
  • upon her son--"is not the man, who has sinned like that Ned, worse than
  • a murderer? Has he not sacrificed one woman completely, and given infamy
  • to another--to both of them--for their portion. If his own legitimate
  • boy should now hate him, I could hardly blame him."
  • "My dear Madam," said the clergyman, whose eyes having followed Mrs.
  • Glendinning's to her son's countenance, and marking a strange
  • trepidation there, had thus far been earnestly scrutinizing Pierre's not
  • wholly repressible emotion;--"My dear Madam," he said, slightly bending
  • over his stately episcopal-looking person--"Virtue has, perhaps, an
  • over-ardent champion in you; you grow too warm; but Mr. Glendinning,
  • here, he seems to grow too cold. Pray, favor us with your views, Mr.
  • Glendinning?"
  • "I will not think now of the man," said Pierre, slowly, and looking away
  • from both his auditors--"let us speak of Delly and her infant--she has,
  • or had one, I have loosely heard;--their case is miserable indeed."
  • "The mother deserves it," said the lady, inflexibly--"and the
  • child--Reverend sir, what are the words of the Bible?"
  • "'The sins of the father shall be visited upon the children to the third
  • generation,'" said Mr. Falsgrave, with some slight reluctance in his
  • tones. "But Madam, that does not mean, that the community is in any way
  • to take the infamy of the children into their own voluntary hands, as
  • the conscious delegated stewards of God's inscrutable dispensations.
  • Because it is declared that the infamous consequences of sin shall be
  • hereditary, it does not follow that our personal and active loathing of
  • sin, should descend from the sinful sinner to his sinless child."
  • "I understand you, sir," said Mrs. Glendinning, coloring slightly, "you
  • think me too censorious. But if we entirely forget the parentage of the
  • child, and every way receive the child as we would any other, feel for
  • it in all respects the same, and attach no sign of ignominy to it--how
  • then is the Bible dispensation to be fulfilled? Do we not then put
  • ourselves in the way of its fulfilment, and is that wholly free from
  • impiety?"
  • Here it was the clergyman's turn to color a little, and there was a just
  • perceptible tremor of the under lip.
  • "Pardon me," continued the lady, courteously, "but if there is any one
  • blemish in the character of the Reverend Mr. Falsgrave, it is that the
  • benevolence of his heart, too much warps in him the holy rigor of our
  • Church's doctrines. For my part, as I loathe the man, I loathe the
  • woman, and never desire to behold the child."
  • A pause ensued, during which it was fortunate for Pierre, that by the
  • social sorcery of such occasions as the present, the eyes of all three
  • were intent upon the cloth; all three for the moment, giving loose to
  • their own distressful meditations upon the subject in debate, and Mr.
  • Falsgrave vexedly thinking that the scene was becoming a little
  • embarrassing.
  • Pierre was the first who spoke; as before, he steadfastly kept his eyes
  • away from both his auditors; but though he did not designate his mother,
  • something in the tone of his voice showed that what he said was
  • addressed more particularly to her.
  • "Since we seem to have been strangely drawn into the ethical aspect of
  • this melancholy matter," said he, "suppose we go further in it; and let
  • me ask, how it should be between the legitimate and the illegitimate
  • child--children of one father--when they shall have passed their
  • childhood?"
  • Here the clergyman quickly raising his eyes, looked as surprised and
  • searchingly at Pierre, as his politeness would permit.
  • "Upon my word"--said Mrs. Glendinning, hardly less surprised, and making
  • no attempt at disguising it--"this is an odd question you put; you have
  • been more attentive to the subject than I had fancied. But what do you
  • mean, Pierre? I did not entirely understand you."
  • "Should the legitimate child shun the illegitimate, when one father is
  • father to both?" rejoined Pierre, bending his head still further over
  • his plate.
  • The clergyman looked a little down again, and was silent; but still
  • turned his head slightly sideways toward his hostess, as if awaiting
  • some reply to Pierre from her.
  • "Ask the world, Pierre"--said Mrs. Glendinning warmly--"and ask your own
  • heart."
  • "My own heart? I will, Madam"--said Pierre, now looking up steadfastly;
  • "but what do _you_ think, Mr. Falsgrave?" letting his glance drop
  • again--"should the one shun the other; should the one refuse his highest
  • sympathy and perfect love for the other, especially if that other be
  • deserted by all the rest of the world? What think you would have been
  • our blessed Savior's thoughts on such a matter? And what was that he so
  • mildly said to the adulteress?"
  • A swift color passed over the clergyman's countenance, suffusing even
  • his expanded brow; he slightly moved in his chair, and looked
  • uncertainly from Pierre to his mother. He seemed as a shrewd,
  • benevolent-minded man, placed between opposite opinions--merely
  • opinions--who, with a full, and doubly-differing persuasion in himself,
  • still refrains from uttering it, because of an irresistible dislike to
  • manifesting an absolute dissent from the honest convictions of any
  • person, whom he both socially and morally esteems.
  • "Well, what do you reply to my son?"--said Mrs. Glendinning at last.
  • "Madam and sir"--said the clergyman, now regaining his entire
  • self-possession. "It is one of the social disadvantages which we of the
  • pulpit labor under, that we are supposed to know more of the moral
  • obligations of humanity than other people. And it is a still more
  • serious disadvantage to the world, that our unconsidered, conversational
  • opinions on the most complex problems of ethics, are too apt to be
  • considered authoritative, as indirectly proceeding from the church
  • itself. Now, nothing can be more erroneous than such notions; and
  • nothing so embarrasses me, and deprives me of that entire serenity,
  • which is indispensable to the delivery of a careful opinion on moral
  • subjects, than when sudden questions of this sort are put to me in
  • company. Pardon this long preamble, for I have little more to say. It is
  • not every question, however direct, Mr. Glendinning, which can be
  • conscientiously answered with a yes or no. Millions of circumstances
  • modify all moral questions; so that though conscience may possibly
  • dictate freely in any known special case; yet, by one universal maxim,
  • to embrace all moral contingencies,--this is not only impossible, but
  • the attempt, to me, seems foolish."
  • At this instant, the surplice-like napkin dropped from the clergyman's
  • bosom, showing a minute but exquisitely cut cameo brooch, representing
  • the allegorical union of the serpent and dove. It had been the gift of
  • an appreciative friend, and was sometimes worn on secular occasions like
  • the present.
  • "I agree with you, sir"--said Pierre, bowing. "I fully agree with you.
  • And now, madam, let us talk of something else."
  • "You madam me very punctiliously this morning, Mr. Glendinning"--said
  • his mother, half-bitterly smiling, and half-openly offended, but still
  • more surprised at Pierre's frigid demeanor.
  • "'Honor thy father and mother;'" said Pierre--"_both_ father and
  • mother," he unconsciously added. "And now that it strikes me, Mr.
  • Falsgrave, and now that we have become so strangely polemical this
  • morning, let me say, that as that command is justly said to be the only
  • one with a promise, so it seems to be without any contingency in the
  • application. It would seem--would it not, sir?--that the most deceitful
  • and hypocritical of fathers should be equally honored by the son, as the
  • purest."
  • "So it would certainly seem, according to the strict letter of the
  • Decalogue--certainly."
  • "And do you think, sir, that it should be so held, and so applied in
  • actual life? For instance, should I honor my father, if I knew him to be
  • a seducer?"
  • "Pierre! Pierre!" said his mother, profoundly coloring, and half rising;
  • "there is no need of these argumentative assumptions. You very immensely
  • forget yourself this morning."
  • "It is merely the interest of the general question, Madam," returned
  • Pierre, coldly. "I am sorry. If your former objection does not apply
  • here, Mr. Falsgrave, will you favor me with an answer to my question?"
  • "There you are again, Mr. Glendinning," said the clergyman, thankful for
  • Pierre's hint; "that is another question in morals absolutely incapable
  • of a definite answer, which shall be universally applicable." Again the
  • surplice-like napkin chanced to drop.
  • "I am tacitly rebuked again then, sir," said Pierre, slowly; "but I
  • admit that perhaps you are again in the right. And now, Madam, since Mr.
  • Falsgrave and yourself have a little business together, to which my
  • presence is not necessary, and may possibly prove quite dispensable,
  • permit me to leave you. I am going off on a long ramble, so you need not
  • wait dinner for me. Good morning, Mr. Falsgrave; good morning, Madam,"
  • looking toward his mother.
  • As the door closed upon him, Mr. Falsgrave spoke--"Mr. Glendinning looks
  • a little pale to-day: has he been ill?"
  • "Not that I know of," answered the lady, indifferently, "but did you
  • ever see young gentleman so stately as he was! Extraordinary!" she
  • murmured; "what can this mean--Madam--Madam? But your cup is empty
  • again, sir"--reaching forth her hand.
  • "No more, no more, Madam," said the clergyman.
  • "Madam? pray don't Madam me any more, Mr. Falsgrave; I have taken a
  • sudden hatred to that title."
  • "Shall it be Your Majesty, then?" said the clergyman, gallantly; "the
  • May Queens are so styled, and so should be the Queens of October."
  • Here the lady laughed. "Come," said she, "let us go into another room,
  • and settle the affair of that infamous Ned and that miserable Delly."
  • V.
  • The swiftness and unrepellableness of the billow which, with its first
  • shock, had so profoundly whelmed Pierre, had not only poured into his
  • soul a tumult of entirely new images and emotions, but, for the time, it
  • almost entirely drove out of him all previous ones. The things that any
  • way bore directly upon the pregnant fact of Isabel, these things were
  • all animate and vividly present to him; but the things which bore more
  • upon himself, and his own personal condition, as now forever involved
  • with his sister's, these things were not so animate and present to him.
  • The conjectured past of Isabel took mysterious hold of his father;
  • therefore, the idea of his father tyrannized over his imagination; and
  • the possible future of Isabel, as so essentially though indirectly
  • compromisable by whatever course of conduct his mother might hereafter
  • ignorantly pursue with regard to himself, as henceforth, through Isabel,
  • forever altered to her; these considerations brought his mother with
  • blazing prominence before him.
  • Heaven, after all, hath been a little merciful to the miserable man; not
  • entirely untempered to human nature are the most direful blasts of Fate.
  • When on all sides assailed by prospects of disaster, whose final ends
  • are in terror hidden from it, the soul of man--either, as instinctively
  • convinced that it can not battle with the whole host at once; or else,
  • benevolently blinded to the larger arc of the circle which menacingly
  • hems it in;--whichever be the truth, the soul of man, thus surrounded,
  • can not, and does never intelligently confront the totality of its
  • wretchedness. The bitter drug is divided into separate draughts for him:
  • to-day he takes one part of his woe; to-morrow he takes more; and so on,
  • till the last drop is drunk.
  • Not that in the despotism of other things, the thought of Lucy, and the
  • unconjecturable suffering into which she might so soon be plunged, owing
  • to the threatening uncertainty of the state of his own future, as now in
  • great part and at all hazards dedicated to Isabel; not that this thought
  • had thus far been alien to him. Icy-cold, and serpent-like, it had
  • overlayingly crawled in upon his other shuddering imaginings; but those
  • other thoughts would as often upheave again, and absorb it into
  • themselves, so that it would in that way soon disappear from his
  • cotemporary apprehension. The prevailing thoughts connected with Isabel
  • he now could front with prepared and open eyes; but the occasional
  • thought of Lucy, when _that_ started up before him, he could only cover
  • his bewildered eyes with his bewildered hands. Nor was this the
  • cowardice of selfishness, but the infinite sensitiveness of his soul. He
  • could bear the agonizing thought of Isabel, because he was immediately
  • resolved to help her, and to assuage a fellow-being's grief; but, as
  • yet, he could not bear the thought of Lucy, because the very resolution
  • that promised balm to Isabel obscurely involved the everlasting peace of
  • Lucy, and therefore aggravatingly threatened a far more than
  • fellow-being's happiness.
  • Well for Pierre it was, that the penciling presentiments of his mind
  • concerning Lucy as quickly erased as painted their tormenting images.
  • Standing half-befogged upon the mountain of his Fate, all that part of
  • the wide panorama was wrapped in clouds to him; but anon those
  • concealings slid aside, or rather, a quick rent was made in them;
  • disclosing far below, half-vailed in the lower mist, the winding
  • tranquil vale and stream of Lucy's previous happy life; through the
  • swift cloud-rent he caught one glimpse of her expectant and angelic face
  • peeping from the honey-suckled window of her cottage; and the next
  • instant the stormy pinions of the clouds locked themselves over it
  • again; and all was hidden as before; and all went confused in whirling
  • rack and vapor as before. Only by unconscious inspiration, caught from
  • the agencies invisible to man, had he been enabled to write that first
  • obscurely announcing note to Lucy; wherein the collectedness, and the
  • mildness, and the calmness, were but the natural though insidious
  • precursors of the stunning bolts on bolts to follow.
  • But, while thus, for the most part wrapped from his consciousness and
  • vision, still, the condition of his Lucy, as so deeply affected now, was
  • still more and more disentangling and defining itself from out its
  • nearer mist, and even beneath the general upper fog. For when
  • unfathomably stirred, the subtler elements of man do not always reveal
  • themselves in the concocting act; but, as with all other potencies, show
  • themselves chiefly in their ultimate resolvings and results. Strange
  • wild work, and awfully symmetrical and reciprocal, was that now going on
  • within the self-apparently chaotic breast of Pierre. As in his own
  • conscious determinations, the mournful Isabel was being snatched from
  • her captivity of world-wide abandonment; so, deeper down in the more
  • secret chambers of his unsuspecting soul, the smiling Lucy, now as dead
  • and ashy pale, was being bound a ransom for Isabel's salvation. Eye for
  • eye, and tooth for tooth. Eternally inexorable and unconcerned is Fate,
  • a mere heartless trader in men's joys and woes.
  • Nor was this general and spontaneous self-concealment of all the most
  • momentous interests of his love, as irretrievably involved with Isabel
  • and his resolution respecting her; nor was this unbidden thing in him
  • unseconded by the prompting of his own conscious judgment, when in the
  • tyranny of the master-event itself, that judgment was permitted some
  • infrequent play. He could not but be aware, that all meditation on Lucy
  • now was worse than useless. How could he now map out his and her young
  • life-chart, when all was yet misty-white with creamy breakers! Still
  • more: divinely dedicated as he felt himself to be; with divine commands
  • upon him to befriend and champion Isabel, through all conceivable
  • contingencies of Time and Chance; how could he insure himself against
  • the insidious inroads of self-interest, and hold intact all his
  • unselfish magnanimities, if once he should permit the distracting
  • thought of Lucy to dispute with Isabel's the pervading possession of his
  • soul?
  • And if--though but unconsciously as yet--he was almost superhumanly
  • prepared to make a sacrifice of all objects dearest to him, and cut
  • himself away from his last hopes of common happiness, should they cross
  • his grand enthusiast resolution;--if this was so with him; then, how
  • light as gossamer, and thinner and more impalpable than airiest threads
  • of gauze, did he hold all common conventional regardings;--his
  • hereditary duty to his mother, his pledged worldly faith and honor to
  • the hand and seal of his affiancement?
  • Not that at present all these things did thus present themselves to
  • Pierre; but these things were foetally forming in him. Impregnations
  • from high enthusiasms he had received; and the now incipient offspring
  • which so stirred, with such painful, vague vibrations in his soul; this,
  • in its mature development, when it should at last come forth in living
  • deeds, would scorn all personal relationship with Pierre, and hold his
  • heart's dearest interests for naught.
  • Thus, in the Enthusiast to Duty, the heaven-begotten Christ is born; and
  • will not own a mortal parent, and spurns and rends all mortal bonds.
  • VI.
  • One night, one day, and a small part of the one ensuing evening had been
  • given to Pierre to prepare for the momentous interview with Isabel.
  • Now, thank God, thought Pierre, the night is past,--the night of Chaos
  • and of Doom; the day only, and the skirt of evening now remain. May
  • heaven new-string my soul, and confirm me in the Christ-like feeling I
  • first felt. May I, in all my least shapeful thoughts still square myself
  • by the inflexible rule of holy right. Let no unmanly, mean temptation
  • cross my path this day; let no base stone lie in it. This day I will
  • forsake the censuses of men, and seek the suffrages of the god-like
  • population of the trees, which now seem to me a nobler race than man.
  • Their high foliage shall drop heavenliness upon me; my feet in contact
  • with their mighty roots, immortal vigor shall so steal into me. Guide
  • me, gird me, guard me, this day, ye sovereign powers! Bind me in bonds I
  • can not break; remove all sinister allurings from me; eternally this day
  • deface in me the detested and distorted images of all the convenient
  • lies and duty-subterfuges of the diving and ducking moralities of this
  • earth. Fill me with consuming fire for them; to my life's muzzle, cram
  • me with your own intent. Let no world-syren come to sing to me this day,
  • and wheedle from me my undauntedness. I cast my eternal die this day, ye
  • powers. On my strong faith in ye Invisibles, I stake three whole
  • felicities, and three whole lives this day. If ye forsake me
  • now,--farewell to Faith, farewell to Truth, farewell to God; exiled for
  • aye from God and man, I shall declare myself an equal power with both;
  • free to make war on Night and Day, and all thoughts and things of mind
  • and matter, which the upper and the nether firmaments do clasp!
  • VII.
  • But Pierre, though, charged with the fire of all divineness, his
  • containing thing was made of clay. Ah, muskets the gods have made to
  • carry infinite combustions, and yet made them of clay!
  • Save me from being bound to Truth, liege lord, as I am now. How shall I
  • steal yet further into Pierre, and show how this heavenly fire was
  • helped to be contained in him, by mere contingent things, and things
  • that he knew not. But I shall follow the endless, winding way,--the
  • flowing river in the cave of man; careless whither I be led, reckless
  • where I land.
  • Was not the face--though mutely mournful--beautiful, bewitchingly? How
  • unfathomable those most wondrous eyes of supernatural light! In those
  • charmed depths, Grief and Beauty plunged and dived together. So
  • beautiful, so mystical, so bewilderingly alluring; speaking of a
  • mournfulness infinitely sweeter and more attractive than all
  • mirthfulness; that face of glorious suffering; that face of touching
  • loveliness; that face was Pierre's own sister's; that face was Isabel's;
  • that face Pierre had visibly seen; into those same supernatural eyes
  • our Pierre had looked. Thus, already, and ere the proposed encounter, he
  • was assured that, in a transcendent degree, womanly beauty, and not
  • womanly ugliness, invited him to champion the right. Be naught concealed
  • in this book of sacred truth. How, if accosted in some squalid lane, a
  • humped, and crippled, hideous girl should have snatched his garment's
  • hem, with--"Save me, Pierre--love me, own me, brother; I am thy
  • sister!"--Ah, if man were wholly made in heaven, why catch we
  • hell-glimpses? Why in the noblest marble pillar that stands beneath the
  • all-comprising vault, ever should we descry the sinister vein? We lie in
  • nature very close to God; and though, further on, the stream may be
  • corrupted by the banks it flows through; yet at the fountain's rim,
  • where mankind stand, there the stream infallibly bespeaks the fountain.
  • So let no censorious word be here hinted of mortal Pierre. Easy for me
  • to slyly hide these things, and always put him before the eye as perfect
  • as immaculate; unsusceptible to the inevitable nature and the lot of
  • common men. I am more frank with Pierre than the best men are with
  • themselves. I am all unguarded and magnanimous with Pierre; therefore
  • you see his weakness, and therefore only. In reserves men build imposing
  • characters; not in revelations. He who shall be wholly honest, though
  • nobler than Ethan Allen; that man shall stand in danger of the meanest
  • mortal's scorn.
  • BOOK VI.
  • ISABEL, AND THE FIRST PART OF THE STORY OF ISABEL.
  • I.
  • Half wishful that the hour would come; half shuddering that every moment
  • it still came nearer and more near to him; dry-eyed, but wet with that
  • dark day's rain; at fall of eve, Pierre emerged from long wanderings in
  • the primeval woods of Saddle Meadows, and for one instant stood
  • motionless upon their sloping skirt.
  • Where he stood was in the rude wood road, only used by sledges in the
  • time of snow; just where the out-posted trees formed a narrow arch, and
  • fancied gateway leading upon the far, wide pastures sweeping down toward
  • the lake. In that wet and misty eve the scattered, shivering pasture
  • elms seemed standing in a world inhospitable, yet rooted by inscrutable
  • sense of duty to their place. Beyond, the lake lay in one sheet of
  • blankness and of dumbness, unstirred by breeze or breath; fast bound
  • there it lay, with not life enough to reflect the smallest shrub or
  • twig. Yet in that lake was seen the duplicate, stirless sky above. Only
  • in sunshine did that lake catch gay, green images; and these but
  • displaced the imaged muteness of the unfeatured heavens.
  • On both sides, in the remoter distance, and also far beyond the mild
  • lake's further shore, rose the long, mysterious mountain masses; shaggy
  • with pines and hemlocks, mystical with nameless, vapory exhalations, and
  • in that dim air black with dread and gloom. At their base, profoundest
  • forests lay entranced, and from their far owl-haunted depths of caves
  • and rotted leaves, and unused and unregarded inland overgrowth of
  • decaying wood--for smallest sticks of which, in other climes many a
  • pauper was that moment perishing; from out the infinite inhumanities of
  • those profoundest forests, came a moaning, muttering, roaring,
  • intermitted, changeful sound: rain-shakings of the palsied trees,
  • slidings of rocks undermined, final crashings of long-riven boughs, and
  • devilish gibberish of the forest-ghosts.
  • But more near, on the mild lake's hither shore, where it formed a long
  • semi-circular and scooped acclivity of corn-fields, there the small and
  • low red farm-house lay; its ancient roof a bed of brightest mosses; its
  • north front (from the north the moss-wind blows), also moss-incrusted,
  • like the north side of any vast-trunked maple in the groves. At one
  • gabled end, a tangled arbor claimed support, and paid for it by generous
  • gratuities of broad-flung verdure, one viny shaft of which pointed
  • itself upright against the chimney-bricks, as if a waving lightning-rod.
  • Against the other gable, you saw the lowly dairy-shed; its sides close
  • netted with traced Madeira vines; and had you been close enough, peeping
  • through that imprisoning tracery, and through the light slats barring
  • the little embrasure of a window, you might have seen the gentle and
  • contented captives--the pans of milk, and the snow-white Dutch cheeses
  • in a row, and the molds of golden butter, and the jars of lily cream. In
  • front, three straight gigantic lindens stood guardians of this verdant
  • spot. A long way up, almost to the ridge-pole of the house, they showed
  • little foliage; but then, suddenly, as three huge green balloons, they
  • poised their three vast, inverted, rounded cones of verdure in the air.
  • Soon as Pierre's eye rested on the place, a tremor shook him. Not alone
  • because of Isabel, as there a harborer now, but because of two dependent
  • and most strange coincidences which that day's experience had brought to
  • him. He had gone to breakfast with his mother, his heart charged to
  • overflowing with presentiments of what would probably be her haughty
  • disposition concerning such a being as Isabel, claiming her maternal
  • love: and lo! the Reverend Mr. Falsgrave enters, and Ned and Delly are
  • discussed, and that whole sympathetic matter, which Pierre had despaired
  • of bringing before his mother in all its ethic bearings, so as
  • absolutely to learn her thoughts upon it, and thereby test his own
  • conjectures; all that matter had been fully talked about; so that,
  • through that strange coincidence, he now perfectly knew his mother's
  • mind, and had received forewarnings, as if from heaven, not to make any
  • present disclosure to her. That was in the morning; and now, at eve
  • catching a glimpse of the house where Isabel was harboring, at once he
  • recognized it as the rented farm-house of old Walter Ulver, father to
  • the self-same Delly, forever ruined through the cruel arts of Ned.
  • Strangest feelings, almost supernatural, now stole into Pierre. With
  • little power to touch with awe the souls of less susceptible,
  • reflective, and poetic beings, such coincidences, however frequently
  • they may recur, ever fill the finer organization with sensations which
  • transcend all verbal renderings. They take hold of life's subtlest
  • problem. With the lightning's flash, the query is spontaneously
  • propounded--chance, or God? If too, the mind thus influenced be likewise
  • a prey to any settled grief, then on all sides the query magnifies, and
  • at last takes in the all-comprehending round of things. For ever is it
  • seen, that sincere souls in suffering, then most ponder upon final
  • causes. The heart, stirred to its depths, finds correlative sympathy in
  • the head, which likewise is profoundly moved. Before miserable men, when
  • intellectual, all the ages of the world pass as in a manacled
  • procession, and all their myriad links rattle in the mournful mystery.
  • Pacing beneath the long-skirting shadows of the elevated wood, waiting
  • for the appointed hour to come, Pierre strangely strove to imagine to
  • himself the scene which was destined to ensue. But imagination utterly
  • failed him here; the reality was too real for him; only the face, the
  • face alone now visited him; and so accustomed had he been of late to
  • confound it with the shapes of air, that he almost trembled when he
  • thought that face to face, that face must shortly meet his own.
  • And now the thicker shadows begin to fall; the place is lost to him;
  • only the three dim, tall lindens pilot him as he descends the hill,
  • hovering upon the house. He knows it not, but his meditative route is
  • sinuous; as if that moment his thought's stream was likewise
  • serpentining: laterally obstructed by insinuated misgivings as to the
  • ultimate utilitarian advisability of the enthusiast resolution that was
  • his. His steps decrease in quickness as he comes more nigh, and sees one
  • feeble light struggling in the rustic double-casement. Infallibly he
  • knows that his own voluntary steps are taking him forever from the
  • brilliant chandeliers of the mansion of Saddle Meadows, to join company
  • with the wretched rush-lights of poverty and woe. But his sublime
  • intuitiveness also paints to him the sun-like glories of god-like truth
  • and virtue; which though ever obscured by the dense fogs of earth, still
  • shall shine eventually in unclouded radiance, casting illustrative light
  • upon the sapphire throne of God.
  • II.
  • He stands before the door; the house is steeped in silence; he knocks;
  • the casement light flickers for a moment, and then moves away; within,
  • he hears a door creak on its hinges; then his whole heart beats wildly
  • as the outer latch is lifted; and holding the light above her
  • supernatural head, Isabel stands before him. It is herself. No word is
  • spoken; no other soul is seen. They enter the room of the double
  • casement; and Pierre sits down, overpowered with bodily faintness and
  • spiritual awe. He lifts his eyes to Isabel's gaze of loveliness and
  • loneliness; and then a low, sweet, half-sobbing voice of more than
  • natural musicalness is heard:--
  • "And so, thou art my brother;--shall I call thee Pierre?"
  • Steadfastly, with his one first and last fraternal inquisition of the
  • person of the mystic girl, Pierre now for an instant eyes her; and in
  • that one instant sees in the imploring face, not only the nameless
  • touchingness of that of the sewing-girl, but also the subtler expression
  • of the portrait of his then youthful father, strangely translated, and
  • intermarryingly blended with some before unknown, foreign feminineness.
  • In one breath, Memory and Prophecy, and Intuition tell him--"Pierre,
  • have no reserves; no minutest possible doubt;--this being is thy sister;
  • thou gazest on thy father's flesh."
  • "And so thou art my brother!--shall I call thee Pierre?"
  • He sprang to his feet, and caught her in his undoubting arms.
  • "Thou art! thou art!"
  • He felt a faint struggling within his clasp; her head drooped against
  • him; his whole form was bathed in the flowing glossiness of her long and
  • unimprisoned hair. Brushing the locks aside, he now gazed upon the
  • death-like beauty of the face, and caught immortal sadness from it. She
  • seemed as dead; as suffocated,--the death that leaves most unimpaired
  • the latent tranquillities and sweetnesses of the human countenance.
  • He would have called aloud for succor; but the slow eyes opened upon
  • him; and slowly he felt the girl's supineness leaving her; and now she
  • recovers herself a little,--and again he feels her faintly struggling in
  • his arms, as if somehow abashed, and incredulous of mortal right to hold
  • her so. Now Pierre repents his over-ardent and incautious warmth, and
  • feels himself all reverence for her. Tenderly he leads her to a bench
  • within the double casement; and sits beside her; and waits in silence,
  • till the first shock of this encounter shall have left her more composed
  • and more prepared to hold communion with him.
  • "How feel'st thou now, my sister?"
  • "Bless thee! bless thee!"
  • Again the sweet, wild power of the musicalness of the voice, and some
  • soft, strange touch of foreignness in the accent,--so it fancifully
  • seemed to Pierre, thrills through and through his soul. He bent and
  • kissed her brow; and then feels her hand seeking his, and then clasping
  • it without one uttered word.
  • All his being is now condensed in that one sensation of the clasping
  • hand. He feels it as very small and smooth, but strangely hard. Then he
  • knew that by the lonely labor of her hands, his own father's daughter
  • had earned her living in the same world, where he himself, her own
  • brother, had so idly dwelled. Once more he reverently kissed her brow,
  • and his warm breath against it murmured with a prayer to heaven.
  • "I have no tongue to speak to thee, Pierre, my brother. My whole being,
  • all my life's thoughts and longings are in endless arrears to thee; then
  • how can I speak to thee? Were it God's will, Pierre, my utmost blessing
  • now, were to lie down and die. Then should I be at peace. Bear with me,
  • Pierre."
  • "Eternally will I do that, my beloved Isabel! Speak not to me yet
  • awhile, if that seemeth best to thee, if that only is possible to thee.
  • This thy clasping hand, my sister, _this_ is now thy tongue to me."
  • "I know not where to begin to speak to thee, Pierre; and yet my soul
  • o'erbrims in me."
  • "From my heart's depths, I love and reverence thee; and feel for thee,
  • backward and forward, through all eternity!"
  • "Oh, Pierre, can'st thou not cure in me this dreaminess, this
  • bewilderingness I feel? My poor head swims and swims, and will not
  • pause. My life can not last long thus; I am too full without discharge.
  • Conjure tears for me, Pierre; that my heart may not break with the
  • present feeling,--more death-like to me than all my grief gone by!"
  • "Ye thirst-slaking evening skies, ye hilly dews and mists, distil your
  • moisture here! The bolt hath passed; why comes not the following
  • shower?--Make her to weep!"
  • Then her head sought his support; and big drops fell on him; and anon,
  • Isabel gently slid her head from him, and sat a little composedly beside
  • him.
  • "If thou feelest in endless arrears of thought to me, my sister; so do I
  • feel toward thee. I too, scarce know what I should speak to thee. But
  • when thou lookest on me, my sister, thou beholdest one, who in his soul
  • hath taken vows immutable, to be to thee, in all respects, and to the
  • uttermost bounds and possibilities of Fate, thy protecting and
  • all-acknowledging brother!"
  • "Not mere sounds of common words, but inmost tones of my heart's deepest
  • melodies should now be audible to thee. Thou speakest to a human thing,
  • but something heavenly should answer thee;--some flute heard in the air
  • should answer thee; for sure thy most undreamed-of accents, Pierre, sure
  • they have not been unheard on high. Blessings that are imageless to all
  • mortal fancyings, these shall be thine for this."
  • "Blessing like to thine, doth but recoil and bless homeward to the heart
  • that uttered it. I can not bless thee, my sister, as thou dost bless
  • thyself in blessing my unworthiness. But, Isabel, by still keeping
  • present the first wonder of our meeting, we shall make our hearts all
  • feebleness. Let me then rehearse to thee what Pierre is; what life
  • hitherto he hath been leading; and what hereafter he shall lead;--so
  • thou wilt be prepared."
  • "Nay, Pierre, that is my office; thou art first entitled to my tale,
  • then, if it suit thee, thou shalt make me the unentitled gift of thine.
  • Listen to me, now. The invisible things will give me strength;--it is
  • not much, Pierre;--nor aught very marvelous. Listen then;--I feel
  • soothed down to utterance now."
  • During some brief, interluding, silent pauses in their interview thus
  • far, Pierre had heard a soft, slow, sad, to-and-fro, meditative stepping
  • on the floor above; and in the frequent pauses that intermitted the
  • strange story in the following chapter, that same soft, slow, sad,
  • to-and-fro, meditative, and most melancholy stepping, was again and
  • again audible in the silent room.
  • III.
  • "I never knew a mortal mother. The farthest stretch of my life's memory
  • can not recall one single feature of such a face. If, indeed, mother of
  • mine hath lived, she is long gone, and cast no shadow on the ground she
  • trod. Pierre, the lips that do now speak to thee, never touched a
  • woman's breast; I seem not of woman born. My first dim life-thoughts
  • cluster round an old, half-ruinous house in some region, for which I now
  • have no chart to seek it out. If such a spot did ever really exist, that
  • too seems to have been withdrawn from all the remainder of the earth. It
  • was a wild, dark house, planted in the midst of a round, cleared,
  • deeply-sloping space, scooped out of the middle of deep stunted pine
  • woods. Ever I shrunk at evening from peeping out of my window, lest the
  • ghostly pines should steal near to me, and reach out their grim arms to
  • snatch me into their horrid shadows. In summer the forest unceasingly
  • hummed with unconjecturable voices of unknown birds and beasts. In
  • winter its deep snows were traced like any paper map, with dotting
  • night-tracks of four-footed creatures, that, even to the sun, were never
  • visible, and never were seen by man at all. In the round open space the
  • dark house stood, without one single green twig or leaf to shelter it;
  • shadeless and shelterless in the heart of shade and shelter. Some of the
  • windows were rudely boarded up, with boards nailed straight up and down;
  • and those rooms were utterly empty, and never were entered, though they
  • were doorless. But often, from the echoing corridor, I gazed into them
  • with fear; for the great fire-places were all in ruins; the lower tier
  • of back-stones were burnt into one white, common crumbling; and the
  • black bricks above had fallen upon the hearths, heaped here and there
  • with the still falling soot of long-extinguished fires. Every
  • hearth-stone in that house had one long crack through it; every floor
  • drooped at the corners; and outside, the whole base of the house, where
  • it rested on the low foundation of greenish stones, was strewn with
  • dull, yellow molderings of the rotting sills. No name; no scrawled or
  • written thing; no book, was in the house; no one memorial speaking of
  • its former occupants. It was dumb as death. No grave-stone, or mound, or
  • any little hillock around the house, betrayed any past burials of man or
  • child. And thus, with no trace then to me of its past history, thus it
  • hath now entirely departed and perished from my slightest knowledge as
  • to where that house so stood, or in what region it so stood. None other
  • house like it have I ever seen. But once I saw plates of the outside of
  • French chateaux which powerfully recalled its dim image to me,
  • especially the two rows of small dormer windows projecting from the
  • inverted hopper-roof. But that house was of wood, and these of stone.
  • Still, sometimes I think that house was not in this country, but
  • somewhere in Europe; perhaps in France; but it is all bewildering to me;
  • and so you must not start at me, for I can not but talk wildly upon so
  • wild a theme.
  • "In this house I never saw any living human soul, but an old man and
  • woman. The old man's face was almost black with age, and was one purse
  • of wrinkles, his hoary beard always tangled, streaked with dust and
  • earthy crumbs. I think in summer he toiled a little in the garden, or
  • some spot like that, which lay on one side of the house. All my ideas
  • are in uncertainty and confusion here. But the old man and the old woman
  • seem to have fastened themselves indelibly upon my memory. I suppose
  • their being the only human things around me then, _that_ caused the hold
  • they took upon me. They seldom spoke to me; but would sometimes, of
  • dark, gusty nights, sit by the fire and stare at me, and then mumble to
  • each other, and then stare at me again. They were not entirely unkind to
  • me; but, I repeat, they seldom or never spoke to me. What words or
  • language they used to each other, this it is impossible for me to
  • recall. I have often wished to; for then I might at least have some
  • additional idea whether the house was in this country or somewhere
  • beyond the sea. And here I ought to say, that sometimes I have, I know
  • not what sort of vague remembrances of at one time--shortly after the
  • period I now speak of--chattering in two different childish languages;
  • one of which waned in me as the other and latter grew. But more of this
  • anon. It was the woman that gave me my meals; for I did not eat with
  • them. Once they sat by the fire with a loaf between them, and a bottle
  • of some thin sort of reddish wine; and I went up to them, and asked to
  • eat with them, and touched the loaf. But instantly the old man made a
  • motion as if to strike me, but did not, and the woman, glaring at me,
  • snatched the loaf and threw it into the fire before them. I ran
  • frightened from the room; and sought a cat, which I had often tried to
  • coax into some intimacy, but, for some strange cause, without success.
  • But in my frightened loneliness, then, I sought the cat again, and found
  • her up-stairs, softly scratching for some hidden thing among the litter
  • of the abandoned fire-places. I called to her, for I dared not go into
  • the haunted chamber; but she only gazed sideways and unintelligently
  • toward me; and continued her noiseless searchings. I called again, and
  • then she turned round and hissed at me; and I ran down stairs, still
  • stung with the thought of having been driven away there, too. I now knew
  • not where to go to rid myself of my loneliness. At last I went outside
  • of the house, and sat down on a stone, but its coldness went up to my
  • heart, and I rose and stood on my feet. But my head was dizzy; I could
  • not stand; I fell, and knew no more. But next morning I found myself in
  • bed in my uncheerable room, and some dark bread and a cup of water by
  • me.
  • "It has only been by chance that I have told thee this one particular
  • reminiscence of my early life in that house. I could tell many more like
  • it, but this is enough to show what manner of life I led at that time.
  • Every day that I then lived, I felt all visible sights and all audible
  • sounds growing stranger and stranger, and fearful and more fearful to
  • me. To me the man and the woman were just like the cat; none of them
  • would speak to me; none of them were comprehensible to me. And the man,
  • and the woman, and the cat, were just like the green foundation stones
  • of the house to me; I knew not whence they came, or what cause they had
  • for being there. I say again, no living human soul came to the house but
  • the man and the woman; but sometimes the old man early trudged away to a
  • road that led through the woods, and would not come back till late in
  • the evening; he brought the dark bread, and the thin, reddish wine with
  • him. Though the entrance to the wood was not so very far from the door,
  • yet he came so slowly and infirmly trudging with his little load, that
  • it seemed weary hours on hours between my first descrying him among the
  • trees, and his crossing the splintered threshold.
  • "Now the wide and vacant blurrings of my early life thicken in my mind.
  • All goes wholly memoryless to me now. It may have been that about that
  • time I grew sick with some fever, in which for a long interval I lost
  • myself. Or it may be true, which I have heard, that after the period of
  • our very earliest recollections, then a space intervenes of entire
  • unknowingness, followed again by the first dim glimpses of the
  • succeeding memory, more or less distinctly embracing all our past up to
  • that one early gap in it.
  • "However this may be, nothing more can I recall of the house in the wide
  • open space; nothing of how at last I came to leave it; but I must have
  • been still extremely young then. But some uncertain, tossing memory have
  • I of being at last in another round, open space, but immensely larger
  • than the first one, and with no encircling belt of woods. Yet often it
  • seems to me that there were three tall, straight things like pine-trees
  • somewhere there nigh to me at times; and that they fearfully shook and
  • snapt as the old trees used to in the mountain storms. And the floors
  • seemed sometimes to droop at the corners still more steeply than the old
  • floors did; and changefully drooped too, so that I would even seem to
  • feel them drooping under me.
  • "Now, too, it was that, as it sometimes seems to me, I first and last
  • chattered in the two childish languages I spoke of a little time ago.
  • There seemed people about me, some of whom talked one, and some the
  • other; but I talked both; yet one not so readily as the other; and but
  • beginningly as it were; still this other was the one which was gradually
  • displacing the former. The men who--as it sometimes dreamily seems to me
  • at times--often climbed the three strange tree-like things, they
  • talked--I needs must think--if indeed I have any real thought about so
  • bodiless a phantom as this is--they talked the language which I speak of
  • as at this time gradually waning in me. It was a bonny tongue; oh, seems
  • to me so sparkling-gay and lightsome; just the tongue for a child like
  • me, if the child had not been so sad always. It was pure children's
  • language, Pierre; so twittering--such a chirp.
  • "In thy own mind, thou must now perceive, that most of these dim
  • remembrances in me, hint vaguely of a ship at sea. But all is dim and
  • vague to me. Scarce know I at any time whether I tell you real things,
  • or the unrealest dreams. Always in me, the solidest things melt into
  • dreams, and dreams into solidities. Never have I wholly recovered from
  • the effects of my strange early life. This it is, that even now--this
  • moment--surrounds thy visible form, my brother, with a mysterious
  • mistiness; so that a second face, and a third face, and a fourth face
  • peep at me from within thy own. Now dim, and more dim, grows in me all
  • the memory of how thou and I did come to meet. I go groping again amid
  • all sorts of shapes, which part to me; so that I seem to advance through
  • the shapes; and yet the shapes have eyes that look at me. I turn round,
  • and they look at me; I step forward, and they look at me.--Let me be
  • silent now; do not speak to me."
  • IV.
  • Filled with nameless wonderings at this strange being, Pierre sat mute,
  • intensely regarding her half-averted aspect. Her immense soft tresses of
  • the jettiest hair had slantingly fallen over her as though a curtain
  • were half drawn from before some saint enshrined. To Pierre, she seemed
  • half unearthly; but this unearthliness was only her mysteriousness, not
  • any thing that was repelling or menacing to him. And still, the low
  • melodies of her far interior voice hovered in sweet echoes in the room;
  • and were trodden upon, and pressed like gushing grapes, by the steady
  • invisible pacing on the floor above.
  • She moved a little now, and after some strange wanderings more
  • coherently continued.
  • "My next memory which I think I can in some degree rely upon, was yet
  • another house, also situated away from human haunts, in the heart of a
  • not entirely silent country. Through this country, and by the house,
  • wound a green and lagging river. That house must have been in some
  • lowland; for the first house I spoke of seems to me to have been
  • somewhere among mountains, or near to mountains;--the sounds of the far
  • waterfalls,--I seem to hear them now; the steady up-pointed cloud-shapes
  • behind the house in the sunset sky--I seem to see them now. But this
  • other house, this second one, or third one, I know not which, I say
  • again it was in some lowland. There were no pines around it; few trees
  • of any sort; the ground did not slope so steeply as around the first
  • house. There were cultivated fields about it, and in the distance
  • farm-houses, and out-houses, and cattle, and fowls, and many objects of
  • that familiar sort. This house I am persuaded was in this country; on
  • this side of the sea. It was a very large house, and full of people; but
  • for the most part they lived separately. There were some old people in
  • it, and there were young men, and young women in it,--some very
  • handsome; and there were children in it. It seemed a happy place to some
  • of these people; many of them were always laughing; but it was not a
  • happy place for me.
  • "But here I may err, because of my own consciousness I can not identify
  • in myself--I mean in the memory of my whole foregoing life,--I say, I
  • can not identify that thing which is called happiness; that thing whose
  • token is a laugh, or a smile, or a silent serenity on the lip. I may
  • have been happy, but it is not in my conscious memory now. Nor do I feel
  • a longing for it, as though I had never had it; my spirit seeks
  • different food from happiness; for I think I have a suspicion of what it
  • is. I have suffered wretchedness, but not because of the absence of
  • happiness, and without praying for happiness. I pray for peace--for
  • motionlessness--for the feeling of myself, as of some plant, absorbing
  • life without seeking it, and existing without individual sensation. I
  • feel that there can be no perfect peace in individualness. Therefore I
  • hope one day to feel myself drank up into the pervading spirit animating
  • all things. I feel I am an exile here. I still go straying.--Yes; in thy
  • speech, thou smilest.--But let me be silent again. Do not answer me.
  • When I resume, I will not wander so, but make short end."
  • Reverently resolved not to offer the slightest let or hinting hindrance
  • to the singular tale rehearsing to him, but to sit passively and receive
  • its marvelous droppings into his soul, however long the pauses; and as
  • touching less mystical considerations, persuaded that by so doing he
  • should ultimately derive the least nebulous and imperfect account of
  • Isabel's history; Pierre still sat waiting her resuming, his eyes fixed
  • upon the girl's wonderfully beautiful ear, which chancing to peep forth
  • from among her abundant tresses, nestled in that blackness like a
  • transparent sea-shell of pearl.
  • She moved a little now; and after some strange wanderings more
  • coherently continued; while the sound of the stepping on the floor
  • above--it seemed to cease.
  • "I have spoken of the second or rather the third spot in my memory of
  • the past, as it first appeared to me; I mean, I have spoken of the
  • people in the house, according to my very earliest recallable impression
  • of them. But I stayed in that house for several years--five, six,
  • perhaps, seven years--and during that interval of my stay, all things
  • changed to me, because I learned more, though always dimly. Some of its
  • occupants departed; some changed from smiles to tears; some went moping
  • all the day; some grew as savages and outrageous, and were dragged
  • below by dumb-like men into deep places, that I knew nothing of, but
  • dismal sounds came through the lower floor, groans and clanking
  • fallings, as of iron in straw. Now and then, I saw coffins silently at
  • noon-day carried into the house, and in five minutes' time emerge again,
  • seemingly heavier than they entered; but I saw not who was in them.
  • Once, I saw an immense-sized coffin, endwise pushed through a lower
  • window by three men who did not speak; and watching, I saw it pushed out
  • again, and they drove off with it. But the numbers of those invisible
  • persons who thus departed from the house, were made good by other
  • invisible persons arriving in close carriages. Some in rags and tatters
  • came on foot, or rather were driven on foot. Once I heard horrible
  • outcries, and peeping from my window, saw a robust but squalid and
  • distorted man, seemingly a peasant, tied by cords with four long ends to
  • them, held behind by as many ignorant-looking men who with a lash drove
  • the wild squalid being that way toward the house. Then I heard answering
  • hand-clappings, shrieks, howls, laughter, blessings, prayers, oaths,
  • hymns, and all audible confusions issuing from all the chambers of the
  • house.
  • "Sometimes there entered the house--though only transiently, departing
  • within the hour they came--people of a then remarkable aspect to me.
  • They were very composed of countenance; did not laugh; did not groan;
  • did not weep; did not make strange faces; did not look endlessly
  • fatigued; were not strangely and fantastically dressed; in short, did
  • not at all resemble any people I had ever seen before, except a little
  • like some few of the persons of the house, who seemed to have authority
  • over the rest. These people of a remarkable aspect to me, I thought they
  • were strangely demented people;--composed of countenance, but wandering
  • of mind; soul-composed and bodily-wandering, and strangely demented
  • people.
  • "By-and-by, the house seemed to change again, or else my mind took in
  • more, and modified its first impressions. I was lodged up-stairs in a
  • little room; there was hardly any furniture in the room; sometimes I
  • wished to go out of it; but the door was locked. Sometimes the people
  • came and took me out of the room, into a much larger and very long room,
  • and here I would collectively see many of the other people of the house,
  • who seemed likewise brought from distant and separate chambers. In this
  • long room they would vacantly roam about, and talk vacant talk to each
  • other. Some would stand in the middle of the room gazing steadily on the
  • floor for hours together, and never stirred, but only breathed and gazed
  • upon the floor. Some would sit crouching in the corner, and sit
  • crouching there, and only breathe and crouch in the corners. Some kept
  • their hands tight on their hearts, and went slowly promenading up and
  • down, moaning and moaning to themselves. One would say to another--"Feel
  • of it--here, put thy hand in the break." Another would mutter--"Broken,
  • broken, broken"--and would mutter nothing but that one word broken. But
  • most of them were dumb, and could not, or would not speak, or had
  • forgotten how to speak. They were nearly all pale people. Some had hair
  • white as snow, and yet were quite young people. Some were always talking
  • about Hell, Eternity, and God; and some of all things as fixedly
  • decreed; others would say nay to this, and then they would argue, but
  • without much conviction either way. But once nearly all the people
  • present--even the dumb moping people, and the sluggish persons crouching
  • in the corners--nearly all of them laughed once, when after a whole
  • day's loud babbling, two of these predestinarian opponents, said each to
  • the other--'Thou hast convinced me, friend; but we are quits; for so
  • also, have I convinced thee, the other way; now then, let's argue it all
  • over again; for still, though mutually converted, we are still at odds.'
  • Some harangued the wall; some apostrophized the air; some hissed at the
  • air; some lolled their tongues out at the air; some struck the air; some
  • made motions, as if wrestling with the air, and fell out of the arms of
  • the air, panting from the invisible hug.
  • "Now, as in the former thing, thou must, ere this, have suspected what
  • manner of place this second or third house was, that I then lived in.
  • But do not speak the word to me. That word has never passed my lips;
  • even now, when I hear the word, I run from it; when I see it printed in
  • a book, I run from the book. The word is wholly unendurable to me. Who
  • brought me to the house; how I came there, I do not know. I lived a long
  • time in the house; that alone I know; I say I know, but still I am
  • uncertain; still Pierre, still the--oh the dreaminess, the
  • bewilderingness--it never entirely leaves me. Let me be still again."
  • She leaned away from him; she put her small hard hand to her forehead;
  • then moved it down, very slowly, but still hardly over her eyes, and
  • kept it there, making no other sign, and still as death. Then she moved
  • and continued her vague tale of terribleness.
  • "I must be shorter; I did not mean to turn off into the mere
  • offshootings of my story, here and there; but the dreaminess I speak of
  • leads me sometimes; and I, as impotent then, obey the dreamy prompting.
  • Bear with me; now I will be briefer."
  • "It came to pass, at last, that there was a contention about me in the
  • house; some contention which I heard in the after rumor only, not at the
  • actual time. Some strangers had arrived; or had come in haste, being
  • sent for to the house. Next day they dressed me in new and pretty, but
  • still plain clothes, and they took me down stairs, and out into the air,
  • and into a carriage with a pleasant-looking woman, a stranger to me; and
  • I was driven off a good way, two days nearly we drove away, stopping
  • somewhere over-night; and on the evening of the second day we came to
  • another house, and went into it, and stayed there.
  • "This house was a much smaller one than the other, and seemed sweetly
  • quiet to me after that. There was a beautiful infant in it; and this
  • beautiful infant always archly and innocently smiling on me, and
  • strangely beckoning me to come and play with it, and be glad with it;
  • and be thoughtless, and be glad and gleeful with it; this beautiful
  • infant first brought me to my own mind, as it were; first made me
  • sensible that I was something different from stones, trees, cats; first
  • undid in me the fancy that all people were as stones, trees, cats; first
  • filled me with the sweet idea of humanness; first made me aware of the
  • infinite mercifulness, and tenderness, and beautifulness of humanness;
  • and this beautiful infant first filled me with the dim thought of
  • Beauty; and equally, and at the same time, with the feeling of the
  • Sadness; of the immortalness and universalness of the Sadness. I now
  • feel that I should soon have gone,---- stop me now; do not let me go
  • that way. I owe all things to that beautiful infant. Oh, how I envied
  • it, lying in its happy mother's breast, and drawing life and gladness,
  • and all its perpetual smilingness from that white and smiling breast.
  • That infant saved me; but still gave me vague desirings. Now I first
  • began to reflect in my mind; to endeavor after the recalling past
  • things; but try as I would, little could I recall, but the
  • bewilderingness;--and the stupor, and the torpor, and the blackness, and
  • the dimness, and the vacant whirlingness of the bewilderingness. Let me
  • be still again."
  • And the stepping on the floor above,--it then resumed.
  • V.
  • "I must have been nine, or ten, or eleven years old, when the
  • pleasant-looking woman carried me away from the large house. She was a
  • farmer's wife; and now that was my residence, the farm-house. They
  • taught me to sew, and work with wool, and spin the wool; I was nearly
  • always busy now. This being busy, too, this it must have been, which
  • partly brought to me the power of being sensible of myself as something
  • human. Now I began to feel strange differences. When I saw a snake
  • trailing through the grass, and darting out the fire-fork from its
  • mouth, I said to myself, That thing is not human, but I am human. When
  • the lightning flashed, and split some beautiful tree, and left it to rot
  • from all its greenness, I said, That lightning is not human, but I am
  • human. And so with all other things. I can not speak coherently here;
  • but somehow I felt that all good, harmless men and women were human
  • things, placed at cross-purposes, in a world of snakes and lightnings,
  • in a world of horrible and inscrutable inhumanities. I have had no
  • training of any sort. All my thoughts well up in me; I know not whether
  • they pertain to the old bewilderings or not; but as they are, they are,
  • and I can not alter them, for I had nothing to do with putting them in
  • my mind, and I never affect any thoughts, and I never adulterate any
  • thoughts; but when I speak, think forth from the tongue, speech being
  • sometimes before the thought; so, often, my own tongue teaches me new
  • things.
  • "Now as yet I never had questioned the woman, or her husband, or the
  • young girls, their children, why I had been brought to the house, or how
  • long I was to stay in the house. There I was; just as I found myself in
  • the world; there I was; for what cause I had been brought into the
  • world, would have been no stranger question to me, than for what cause I
  • had been brought to the house. I knew nothing of myself, or any thing
  • pertaining to myself; I felt my pulse, my thought; but other things I
  • was ignorant of, except the general feeling of my humanness among the
  • inhumanities. But as I grew older, I expanded in my mind. I began to
  • learn things out of me; to see still stranger, and minuter differences.
  • I called the woman mother, and so did the other girls; yet the woman
  • often kissed them, but seldom me. She always helped them first at table.
  • The farmer scarcely ever spoke to me. Now months, years rolled on, and
  • the young girls began to stare at me. Then the bewilderingness of the
  • old starings of the solitary old man and old woman, by the cracked
  • hearth-stone of the desolate old house, in the desolate, round, open
  • space; the bewilderingness of those old starings now returned to me; and
  • the green starings, and the serpent hissings of the uncompanionable cat,
  • recurred to me, and the feeling of the infinite forlornness of my life
  • rolled over me. But the woman was very kind to me; she taught the girls
  • not to be cruel to me; she would call me to her, and speak cheerfully to
  • me, and I thanked--not God, for I had been taught no God--I thanked the
  • bright human summer, and the joyful human sun in the sky; I thanked the
  • human summer and the sun, that they had given me the woman; and I would
  • sometimes steal away into the beautiful grass, and worship the kind
  • summer and the sun; and often say over to myself the soft words, summer
  • and the sun.
  • "Still, weeks and years ran on, and my hair began to vail me with its
  • fullness and its length; and now often I heard the word beautiful,
  • spoken of my hair, and beautiful, spoken of myself. They would not say
  • the word openly to me, but I would by chance overhear them whispering
  • it. The word joyed me with the human feeling of it. They were wrong not
  • to say it openly to me; my joy would have been so much the more assured
  • for the openness of their saying beautiful, to me; and I know it would
  • have filled me with all conceivable kindness toward every one. Now I
  • had heard the word beautiful, whispered, now and then, for some months,
  • when a new being came to the house; they called him gentleman. His face
  • was wonderful to me. Something strangely like it, and yet again unlike
  • it, I had seen before, but where, I could not tell. But one day, looking
  • into the smooth water behind the house, there I saw the
  • likeness--something strangely like, and yet unlike, the likeness of his
  • face. This filled me with puzzlings. The new being, the gentleman, he
  • was very gracious to me; he seemed astonished, confounded at me; he
  • looked at me, then at a very little, round picture--so it seemed--which
  • he took from his pocket, and yet concealed from me. Then he kissed me,
  • and looked with tenderness and grief upon me; and I felt a tear fall on
  • me from him. Then he whispered a word into my ear. 'Father,' was the
  • word he whispered; the same word by which the young girls called the
  • farmer. Then I knew it was the word of kindness and of kisses. I kissed
  • the gentleman.
  • "When he left the house I wept for him to come again. And he did come
  • again. All called him my father now. He came to see me once every month
  • or two; till at last he came not at all; and when I wept and asked for
  • him, they said the word _Dead_ to me. Then the bewilderings of the
  • comings and the goings of the coffins at the large and populous house;
  • these bewilderings came over me. What was it to be dead? What is it to
  • be living? Wherein is the difference between the words Death and Life?
  • Had I been ever dead? Was I living? Let me be still again. Do not speak
  • to me."
  • And the stepping on the floor above; again it did resume.
  • "Months ran on; and now I somehow learned that my father had every now
  • and then sent money to the woman to keep me with her in the house; and
  • that no more money had come to her after he was dead; the last penny of
  • the former money was now gone. Now the farmer's wife looked troubledly
  • and painfully at me; and the farmer looked unpleasantly and impatiently
  • at me. I felt that something was miserably wrong; I said to myself, I am
  • one too many; I must go away from the pleasant house. Then the
  • bewilderings of all the loneliness and forlornness of all my forlorn and
  • lonely life; all these bewilderings and the whelmings of the
  • bewilderings rolled over me; and I sat down without the house, but could
  • not weep.
  • "But I was strong, and I was a grown girl now. I said to the woman--Keep
  • me hard at work; let me work all the time, but let me stay with thee.
  • But the other girls were sufficient to do the work; me they wanted not.
  • The farmer looked out of his eyes at me, and the out-lookings of his
  • eyes said plainly to me--Thee we do not want; go from us; thou art one
  • too many; and thou art more than one too many. Then I said to the
  • woman--Hire me out to some one; let me work for some one.--But I spread
  • too wide my little story. I must make an end.
  • "The woman listened to me, and through her means I went to live at
  • another house, and earned wages there. My work was milking the cows, and
  • making butter, and spinning wool, and weaving carpets of thin strips of
  • cloth. One day there came to this house a pedler. In his wagon he had a
  • guitar, an old guitar, yet a very pretty one, but with broken strings.
  • He had got it slyly in part exchange from the servants of a grand house
  • some distance off. Spite of the broken strings, the thing looked very
  • graceful and beautiful to me; and I knew there was melodiousness lurking
  • in the thing, though I had never seen a guitar before, nor heard of one;
  • but there was a strange humming in my heart that seemed to prophesy of
  • the hummings of the guitar. Intuitively, I knew that the strings were
  • not as they should be. I said to the man--I will buy of thee the thing
  • thou callest a guitar. But thou must put new strings to it. So he went
  • to search for them; and brought the strings, and restringing the guitar,
  • tuned it for me. So with part of my earnings I bought the guitar.
  • Straightway I took it to my little chamber in the gable, and softly laid
  • it on my bed. Then I murmured; sung and murmured to it; very lowly, very
  • softly; I could hardly hear myself. And I changed the modulations of my
  • singings and my murmurings; and still sung, and murmured, lowly,
  • softly,--more and more; and presently I heard a sudden sound: sweet and
  • low beyond all telling was the sweet and sudden sound. I clapt my hands;
  • the guitar was speaking to me; the dear guitar was singing to me;
  • murmuring and singing to me, the guitar. Then I sung and murmured to it
  • with a still different modulation; and once more it answered me from a
  • different string; and once more it murmured to me, and it answered to me
  • with a different string. The guitar was human; the guitar taught me the
  • secret of the guitar; the guitar learned me to play on the guitar. No
  • music-master have I ever had but the guitar. I made a loving friend of
  • it; a heart friend of it. It sings to me as I to it. Love is not all on
  • one side with my guitar. All the wonders that are unimaginable and
  • unspeakable; all these wonders are translated in the mysterious
  • melodiousness of the guitar. It knows all my past history. Sometimes it
  • plays to me the mystic visions of the confused large house I never name.
  • Sometimes it brings to me the bird-twitterings in the air; and sometimes
  • it strikes up in me rapturous pulsations of legendary delights eternally
  • unexperienced and unknown to me. Bring me the guitar."
  • VI.
  • Entranced, lost, as one wandering bedazzled and amazed among innumerable
  • dancing lights, Pierre had motionlessly listened to this
  • abundant-haired, and large-eyed girl of mystery.
  • "Bring me the guitar!"
  • Starting from his enchantment, Pierre gazed round the room, and saw the
  • instrument leaning against a corner. Silently he brought it to the girl,
  • and silently sat down again.
  • "Now listen to the guitar; and the guitar shall sing to thee the sequel
  • of my story; for not in words can it be spoken. So listen to the
  • guitar."
  • Instantly the room was populous with sounds of melodiousness, and
  • mournfulness, and wonderfulness; the room swarmed with the
  • unintelligible but delicious sounds. The sounds seemed waltzing in the
  • room; the sounds hung pendulous like glittering icicles from the corners
  • of the room; and fell upon him with a ringing silveryness; and were
  • drawn up again to the ceiling, and hung pendulous again, and dropt down
  • upon him again with the ringing silveryness. Fire-flies seemed buzzing
  • in the sounds; summer-lightnings seemed vividly yet softly audible in
  • the sounds.
  • And still the wild girl played on the guitar; and her long dark shower
  • of curls fell over it, and vailed it; and still, out from the vail came
  • the swarming sweetness, and the utter unintelligibleness, but the
  • infinite significancies of the sounds of the guitar.
  • "Girl of all-bewildering mystery!" cried Pierre--"Speak to me;--sister,
  • if thou indeed canst be a thing that's mortal--speak to me, if thou be
  • Isabel!"
  • "Mystery! Mystery!
  • Mystery of Isabel!
  • Mystery! Mystery!
  • Isabel and Mystery!"
  • Among the waltzings, and the droppings, and the swarmings of the sounds,
  • Pierre now heard the tones above deftly stealing and winding among the
  • myriad serpentinings of the other melody:--deftly stealing and winding
  • as respected the instrumental sounds, but in themselves wonderfully and
  • abandonedly free and bold--bounding and rebounding as from multitudinous
  • reciprocal walls; while with every syllable the hair-shrouded form of
  • Isabel swayed to and fro with a like abandonment, and suddenness, and
  • wantonness:--then it seemed not like any song; seemed not issuing from
  • any mouth; but it came forth from beneath the same vail concealing the
  • guitar.
  • Now a strange wild heat burned upon his brow; he put his hand to it.
  • Instantly the music changed; and drooped and changed; and changed and
  • changed; and lingeringly retreated as it changed; and at last was wholly
  • gone.
  • Pierre was the first to break the silence.
  • "Isabel, thou hast filled me with such wonderings; I am so distraught
  • with thee, that the particular things I had to tell to thee, when I
  • hither came; these things I can not now recall, to speak them to
  • thee:--I feel that something is still unsaid by thee, which at some
  • other time thou wilt reveal. But now I can stay no longer with thee.
  • Know me eternally as thy loving, revering, and most marveling brother,
  • who will never desert thee, Isabel. Now let me kiss thee and depart,
  • till to-morrow night; when I shall open to thee all my mind, and all my
  • plans concerning me and thee. Let me kiss thee, and adieu!"
  • As full of unquestioning and unfaltering faith in him, the girl sat
  • motionless and heard him out. Then silently rose, and turned her
  • boundlessly confiding brow to him. He kissed it thrice, and without
  • another syllable left the place.
  • BOOK VII.
  • INTERMEDIATE BETWEEN PIERRE'S TWO INTERVIEWS WITH ISABEL AT THE
  • FARM-HOUSE.
  • I.
  • Not immediately, not for a long time, could Pierre fully, or by any
  • approximation, realize the scene which he had just departed. But the
  • vague revelation was now in him, that the visible world, some of which
  • before had seemed but too common and prosaic to him; and but too
  • intelligible; he now vaguely felt, that all the world, and every
  • misconceivedly common and prosaic thing in it, was steeped a million
  • fathoms in a mysteriousness wholly hopeless of solution. First, the
  • enigmatical story of the girl, and the profound sincerity of it, and yet
  • the ever accompanying haziness, obscurity, and almost miraculousness of
  • it;--first, this wonderful story of the girl had displaced all
  • commonness and prosaicness from his soul; and then, the inexplicable
  • spell of the guitar, and the subtleness of the melodious appealings of
  • the few brief words from Isabel sung in the conclusion of the
  • melody--all this had bewitched him, and enchanted him, till he had sat
  • motionless and bending over, as a tree-transformed and mystery-laden
  • visitant, caught and fast bound in some necromancer's garden.
  • But as now burst from these sorceries, he hurried along the open road,
  • he strove for the time to dispel the mystic feeling, or at least
  • postpone it for a while, until he should have time to rally both body
  • and soul from the more immediate consequences of that day's long
  • fastings and wanderings, and that night's never-to-be-forgotten scene.
  • He now endeavored to beat away all thoughts from him, but of present
  • bodily needs.
  • Passing through the silent village, he heard the clock tell the mid hour
  • of night. Hurrying on, he entered the mansion by a private door, the key
  • of which hung in a secret outer place. Without undressing, he flung
  • himself upon the bed. But remembering himself again, he rose and
  • adjusted his alarm-clock, so that it would emphatically repeat the hour
  • of five. Then to bed again, and driving off all intrudings of
  • thoughtfulness, and resolutely bending himself to slumber, he by-and-by
  • fell into its at first reluctant, but at last welcoming and hospitable
  • arms. At five he rose; and in the east saw the first spears of the
  • advanced-guard of the day.
  • It had been his purpose to go forth at that early hour, and so avoid all
  • casual contact with any inmate of the mansion, and spend the entire day
  • in a second wandering in the woods, as the only fit prelude to the
  • society of so wild a being as his new-found sister Isabel. But the
  • familiar home-sights of his chamber strangely worked upon him. For an
  • instant, he almost could have prayed Isabel back into the wonder-world
  • from which she had so slidingly emerged. For an instant, the fond,
  • all-understood blue eyes of Lucy displaced the as tender, but mournful
  • and inscrutable dark glance of Isabel. He seemed placed between them, to
  • choose one or the other; then both seemed his; but into Lucy's eyes
  • there stole half of the mournfulness of Isabel's, without diminishing
  • hers.
  • Again the faintness, and the long life-weariness benumbed him. He left
  • the mansion, and put his bare forehead against the restoring wind. He
  • re-entered the mansion, and adjusted the clock to repeat emphatically
  • the call of seven; and then lay upon his bed. But now he could not
  • sleep. At seven he changed his dress; and at half-past eight went below
  • to meet his mother at the breakfast table, having a little before
  • overheard her step upon the stair.
  • II.
  • He saluted her; but she looked gravely and yet alarmedly, and then in a
  • sudden, illy-repressed panic, upon him. Then he knew he must be
  • wonderfully changed. But his mother spoke not to him, only to return his
  • good-morning. He saw that she was deeply offended with him, on many
  • accounts; moreover, that she was vaguely frightened about him, and
  • finally that notwithstanding all this, her stung pride conquered all
  • apprehensiveness in her; and he knew his mother well enough to be very
  • certain that, though he should unroll a magician's parchment before her
  • now, she would verbally express no interest, and seek no explanation
  • from him. Nevertheless, he could not entirely abstain from testing the
  • power of her reservedness.
  • "I have been quite an absentee, sister Mary," said he, with ill-affected
  • pleasantness.
  • "Yes, Pierre. How does the coffee suit you this morning? It is some new
  • coffee."
  • "It is very nice; very rich and odorous, sister Mary."
  • "I am glad you find it so, Pierre."
  • "Why don't you call me brother Pierre?"
  • "Have I not called you so? Well, then, brother Pierre,--is that better?"
  • "Why do you look so indifferently and icily upon me, sister Mary?"
  • "Do I look indifferently and icily? Then I will endeavor to look
  • otherwise. Give me the toast there, Pierre."
  • "You are very deeply offended at me, my dear mother."
  • "Not in the slightest degree, Pierre. Have you seen Lucy lately?"
  • "I have not, my mother."
  • "Ah! A bit of salmon, Pierre."
  • "You are too proud to show toward me what you are this moment feeling,
  • my mother."
  • Mrs. Glendinning slowly rose to her feet, and her full stature of
  • womanly beauty and majesty stood imposingly over him.
  • "Tempt me no more, Pierre. I will ask no secret from thee; all shall be
  • voluntary between us, as it ever has been, until very lately, or all
  • shall be nothing between us. Beware of me, Pierre. There lives not that
  • being in the world of whom thou hast more reason to beware, so you
  • continue but a little longer to act thus with me."
  • She reseated herself, and spoke no more. Pierre kept silence; and after
  • snatching a few mouthfuls of he knew not what, silently quitted the
  • table, and the room, and the mansion.
  • III.
  • As the door of the breakfast-room closed upon Pierre, Mrs. Glendinning
  • rose, her fork unconsciously retained in her hand. Presently, as she
  • paced the room in deep, rapid thought, she became conscious of something
  • strange in her grasp, and without looking at it, to mark what it was,
  • impulsively flung it from her. A dashing noise was heard, and then a
  • quivering. She turned; and hanging by the side of Pierre's portrait, she
  • saw her own smiling picture pierced through, and the fork, whose silver
  • tines had caught in the painted bosom, vibratingly rankled in the wound.
  • She advanced swiftly to the picture, and stood intrepidly before it.
  • "Yes, thou art stabbed! but the wrong hand stabbed thee; this should
  • have been _thy_ silver blow," turning to Pierre's portrait face.
  • "Pierre, Pierre, thou hast stabbed me with a poisoned point. I feel my
  • blood chemically changing in me. I, the mother of the only surnamed
  • Glendinning, I feel now as though I had borne the last of a swiftly to
  • be extinguished race. For swiftly to be extinguished is that race, whose
  • only heir but so much as impends upon a deed of shame. And some deed of
  • shame, or something most dubious and most dark, is in thy soul, or else
  • some belying specter, with a cloudy, shame-faced front, sat at yon seat
  • but now! What can it be? Pierre, unbosom. Smile not so lightly upon my
  • heavy grief. Answer; what is it, boy? Can it? can it?
  • no--yes--surely--can it? it can not be! But he was not at Lucy's
  • yesterday; nor was she here; and she would not see me when I called.
  • What can this bode? But not a mere broken match--broken as lovers
  • sometimes break, to mend the break with joyful tears, so soon again--not
  • a mere broken match can break my proud heart so. If that indeed be part,
  • it is not all. But no, no, no; it can not, can not be. He would not,
  • could not, do so mad, so impious a thing. It was a most surprising face,
  • though I confessed it not to him, nor even hinted that I saw it. But no,
  • no, no, it can not be. Such young peerlessness in such humbleness, can
  • not have an honest origin. Lilies are not stalked on weeds, though
  • polluted, they sometimes may stand among them. She must be both poor and
  • vile--some chance-blow of a splendid, worthless rake, doomed to inherit
  • both parts of her infecting portion--vileness and beauty. No, I will not
  • think it of him. But what then? Sometimes I have feared that my pride
  • would work me some woe incurable, by closing both my lips, and
  • varnishing all my front, where I perhaps ought to be wholly in the
  • melted and invoking mood. But who can get at one's own heart, to mend
  • it? Right one's self against another, that, one may sometimes do; but
  • when that other is one's own self, these ribs forbid. Then I will live
  • my nature out. I will stand on pride. I will not budge. Let come what
  • will, I shall not half-way run to meet it, to beat it off. Shall a
  • mother abase herself before her stripling boy? Let him tell me of
  • himself, or let him slide adown!"
  • IV.
  • Pierre plunged deep into the woods, and paused not for several miles;
  • paused not till he came to a remarkable stone, or rather, smoothed mass
  • of rock, huge as a barn, which, wholly isolated horizontally, was yet
  • sweepingly overarched by beech-trees and chestnuts.
  • It was shaped something like a lengthened egg, but flattened more; and,
  • at the ends, pointed more; and yet not pointed, but irregularly
  • wedge-shaped. Somewhere near the middle of its under side, there was a
  • lateral ridge; and an obscure point of this ridge rested on a second
  • lengthwise-sharpened rock, slightly protruding from the ground. Beside
  • that one obscure and minute point of contact, the whole enormous and
  • most ponderous mass touched not another object in the wide terraqueous
  • world. It was a breathless thing to see. One broad haunched end hovered
  • within an inch of the soil, all along to the point of teetering contact;
  • but yet touched not the soil. Many feet from that--beneath one part of
  • the opposite end, which was all seamed and half-riven--the vacancy was
  • considerably larger, so as to make it not only possible, but convenient
  • to admit a crawling man; yet no mortal being had ever been known to have
  • the intrepid heart to crawl there.
  • It might well have been the wonder of all the country round. But strange
  • to tell, though hundreds of cottage hearthstones--where, of long
  • winter-evenings, both old men smoked their pipes and young men shelled
  • their corn--surrounded it, at no very remote distance, yet had the
  • youthful Pierre been the first known publishing discoverer of this
  • stone, which he had thereupon fancifully christened the Memnon Stone.
  • Possibly, the reason why this singular object had so long remained
  • unblazoned to the world, was not so much because it had never before
  • been lighted on--though indeed, both belted and topped by the dense deep
  • luxuriance of the aboriginal forest, it lay like Captain Kidd's sunken
  • hull in the gorge of the river Hudson's Highlands,--its crown being full
  • eight fathoms under high-foliage mark during the great spring-tide of
  • foliage;--and besides this, the cottagers had no special motive for
  • visiting its more immediate vicinity at all; their timber and fuel being
  • obtained from more accessible woodlands--as because, even, if any of the
  • simple people should have chanced to have beheld it, they, in their
  • hoodwinked unappreciativeness, would not have accounted it any very
  • marvelous sight, and therefore, would never have thought it worth their
  • while to publish it abroad. So that in real truth, they might have seen
  • it, and yet afterward have forgotten so inconsiderable a circumstance.
  • In short, this wondrous Memnon Stone could be no Memnon Stone to them;
  • nothing but a huge stumbling-block, deeply to be regretted as a vast
  • prospective obstacle in the way of running a handy little cross-road
  • through that wild part of the Manor.
  • Now one day while reclining near its flank, and intently eying it, and
  • thinking how surprising it was, that in so long-settled a country he
  • should have been the first discerning and appreciative person to light
  • upon such a great natural curiosity, Pierre happened to brush aside
  • several successive layers of old, gray-haired, close cropped, nappy
  • moss, and beneath, to his no small amazement, he saw rudely hammered in
  • the rock some half-obliterate initials--"S. ye W." Then he knew, that
  • ignorant of the stone, as all the simple country round might
  • immemorially have been, yet was not himself the only human being who had
  • discovered that marvelous impending spectacle: but long and long ago, in
  • quite another age, the stone had been beheld, and its wonderfulness
  • fully appreciated--as the painstaking initials seemed to testify--by
  • some departed man, who, were he now alive, might possibly wag a beard
  • old as the most venerable oak of centuries' growth. But who,--who in
  • Methuselah's name,--who might have been this "S. ye W?" Pierre
  • pondered long, but could not possibly imagine; for the initials, in
  • their antiqueness, seemed to point to some period before the era of
  • Columbus' discovery of the hemisphere. Happening in the end to mention
  • the strange matter of these initials to a white-haired old gentleman,
  • his city kinsman, who, after a long and richly varied, but unfortunate
  • life, had at last found great solace in the Old Testament, which he was
  • continually studying with ever-increasing admiration; this white-haired
  • old kinsman, after having learnt all the particulars about the
  • stone--its bulk, its height, the precise angle of its critical
  • impendings, and all that,--and then, after much prolonged cogitation
  • upon it, and several long-drawn sighs, and aged looks of hoar
  • significance, and reading certain verses in Ecclesiastes; after all
  • these tedious preliminaries, this not-at-all-to-be-hurried white-haired
  • old kinsman, had laid his tremulous hand upon Pierre's firm young
  • shoulder, and slowly whispered--"Boy; 'tis Solomon the Wise." Pierre
  • could not repress a merry laugh at this; wonderfully diverted by what
  • seemed to him so queer and crotchety a conceit; which he imputed to the
  • alledged dotage of his venerable kinsman, who he well knew had once
  • maintained, that the old Scriptural Ophir was somewhere on our northern
  • sea-coast; so no wonder the old gentleman should fancy that King Solomon
  • might have taken a trip--as a sort of amateur supercargo--of some Tyre
  • or Sidon gold-ship across the water, and happened to light on the Memnon
  • Stone, while rambling about with bow and quiver shooting partridges.
  • But merriment was by no means Pierre's usual mood when thinking of this
  • stone; much less when seated in the woods, he, in the profound
  • significance of that deep forest silence, viewed its marvelous
  • impendings. A flitting conceit had often crossed him, that he would like
  • nothing better for a head-stone than this same imposing pile; in which,
  • at times, during the soft swayings of the surrounding foliage, there
  • seemed to lurk some mournful and lamenting plaint, as for some sweet boy
  • long since departed in the antediluvian time.
  • Not only might this stone well have been the wonder of the simple
  • country round, but it might well have been its terror. Sometimes,
  • wrought to a mystic mood by contemplating its ponderous inscrutableness,
  • Pierre had called it the Terror Stone. Few could be bribed to climb its
  • giddy height, and crawl out upon its more hovering end. It seemed as if
  • the dropping of one seed from the beak of the smallest flying bird would
  • topple the immense mass over, crashing against the trees.
  • It was a very familiar thing to Pierre; he had often climbed it, by
  • placing long poles against it, and so creeping up to where it sloped in
  • little crumbling stepping-places; or by climbing high up the neighboring
  • beeches, and then lowering himself down upon the forehead-like summit by
  • the elastic branches. But never had he been fearless enough--or rather
  • fool-hardy enough, it may be, to crawl on the ground beneath the vacancy
  • of the higher end; that spot first menaced by the Terror Stone should it
  • ever really topple.
  • V.
  • Yet now advancing steadily, and as if by some interior
  • pre-determination, and eying the mass unfalteringly; he then threw
  • himself prone upon the wood's last year's leaves, and slid himself
  • straight into the horrible interspace, and lay there as dead. He spoke
  • not, for speechless thoughts were in him. These gave place at last to
  • things less and less unspeakable; till at last, from beneath the very
  • brow of the beetlings and the menacings of the Terror Stone came the
  • audible words of Pierre:--
  • "If the miseries of the undisclosable things in me, shall ever unhorse
  • me from my manhood's seat; if to vow myself all Virtue's and all
  • Truth's, be but to make a trembling, distrusted slave of me; if Life is
  • to prove a burden I can not bear without ignominious cringings; if
  • indeed our actions are all fore-ordained, and we are Russian serfs to
  • Fate; if invisible devils do titter at us when we most nobly strive; if
  • Life be a cheating dream, and virtue as unmeaning and unsequeled with
  • any blessing as the midnight mirth of wine; if by sacrificing myself for
  • Duty's sake, my own mother re-sacrifices me; if Duty's self be but a
  • bugbear, and all things are allowable and unpunishable to man;--then do
  • thou, Mute Massiveness, fall on me! Ages thou hast waited; and if these
  • things be thus, then wait no more; for whom better canst thou crush than
  • him who now lies here invoking thee?"
  • A down-darting bird, all song, swiftly lighted on the unmoved and
  • eternally immovable balancings of the Terror Stone, and cheerfully
  • chirped to Pierre. The tree-boughs bent and waved to the rushes of a
  • sudden, balmy wind; and slowly Pierre crawled forth, and stood haughtily
  • upon his feet, as he owed thanks to none, and went his moody way.
  • VI.
  • When in his imaginative ruminating moods of early youth, Pierre had
  • christened the wonderful stone by the old resounding name of Memnon, he
  • had done so merely from certain associative remembrances of that
  • Egyptian marvel, of which all Eastern travelers speak. And when the
  • fugitive thought had long ago entered him of desiring that same stone
  • for his head-stone, when he should be no more; then he had only yielded
  • to one of those innumerable fanciful notions, tinged with dreamy
  • painless melancholy, which are frequently suggested to the mind of a
  • poetic boy. But in after-times, when placed in far different
  • circumstances from those surrounding him at the Meadows, Pierre pondered
  • on the stone, and his young thoughts concerning it, and, later, his
  • desperate act in crawling under it; then an immense significance came to
  • him, and the long-passed unconscious movements of his then youthful
  • heart seemed now prophetic to him, and allegorically verified by the
  • subsequent events.
  • For, not to speak of the other and subtler meanings which lie crouching
  • behind the colossal haunches of this stone, regarded as the menacingly
  • impending Terror Stone--hidden to all the simple cottagers, but revealed
  • to Pierre--consider its aspects as the Memnon Stone. For Memnon was that
  • dewey, royal boy, son of Aurora, and born King of Egypt, who, with
  • enthusiastic rashness flinging himself on another's account into a
  • rightful quarrel, fought hand to hand with his overmatch, and met his
  • boyish and most dolorous death beneath the walls of Troy. His wailing
  • subjects built a monument in Egypt to commemorate his untimely fate.
  • Touched by the breath of the bereaved Aurora, every sunrise that statue
  • gave forth a mournful broken sound, as of a harp-string suddenly
  • sundered, being too harshly wound.
  • Herein lies an unsummed world of grief. For in this plaintive fable we
  • find embodied the Hamletism of the antique world; the Hamletism of three
  • thousand years ago: "The flower of virtue cropped by a too rare
  • mischance." And the English Tragedy is but Egyptian Memnon, Montaignized
  • and modernized; for being but a mortal man Shakspeare had his fathers
  • too.
  • Now as the Memnon Statue survives down to this present day, so does that
  • nobly-striving but ever-shipwrecked character in some royal youths (for
  • both Memnon and Hamlet were the sons of kings), of which that statue is
  • the melancholy type. But Memnon's sculptured woes did once melodiously
  • resound; now all is mute. Fit emblem that of old, poetry was a
  • consecration and an obsequy to all hapless modes of human life; but in a
  • bantering, barren, and prosaic, heartless age, Aurora's music-moan is
  • lost among our drifting sands which whelm alike the monument and the
  • dirge.
  • VII.
  • As Pierre went on through the woods, all thoughts now left him but those
  • investing Isabel. He strove to condense her mysterious haze into some
  • definite and comprehensible shape. He could not but infer that the
  • feeling of bewilderment, which she had so often hinted of during their
  • interview, had caused her continually to go aside from the straight line
  • of her narration; and finally to end it in an abrupt and enigmatical
  • obscurity. But he also felt assured, that as this was entirely
  • unintended, and now, doubtless, regretted by herself, so their coming
  • second interview would help to clear up much of this mysteriousness;
  • considering that the elapsing interval would do much to tranquilize her,
  • and rally her into less of wonderfulness to him; he did not therefore
  • so much accuse his unthinkingness in naming the postponing hour he had.
  • For, indeed, looking from the morning down the vista of the day, it
  • seemed as indefinite and interminable to him. He could not bring himself
  • to confront any face or house; a plowed field, any sign of tillage, the
  • rotted stump of a long-felled pine, the slightest passing trace of man
  • was uncongenial and repelling to him. Likewise in his own mind all
  • remembrances and imaginings that had to do with the common and general
  • humanity had become, for the time, in the most singular manner
  • distasteful to him. Still, while thus loathing all that was common in
  • the two different worlds--that without, and that within--nevertheless,
  • even in the most withdrawn and subtlest region of his own essential
  • spirit, Pierre could not now find one single agreeable twig of thought
  • whereon to perch his weary soul.
  • Men in general seldom suffer from this utter pauperism of the spirit. If
  • God hath not blessed them with incurable frivolity, men in general have
  • still some secret thing of self-conceit or virtuous gratulation; men in
  • general have always done some small self-sacrificing deed for some other
  • man; and so, in those now and then recurring hours of despondent
  • lassitude, which must at various and differing intervals overtake almost
  • every civilized human being; such persons straightway bethink them of
  • their one, or two, or three small self-sacrificing things, and suck
  • respite, consolation, and more or less compensating deliciousness from
  • it. But with men of self-disdainful spirits; in whose chosen souls
  • heaven itself hath by a primitive persuasion unindoctrinally fixed that
  • most true Christian doctrine of the utter nothingness of good works; the
  • casual remembrance of their benevolent well-doings, does never distill
  • one drop of comfort for them, even as (in harmony with the correlative
  • Scripture doctrine) the recalling of their outlived errors and
  • mis-deeds, conveys to them no slightest pang or shadow of reproach.
  • Though the clew-defying mysteriousness of Isabel's narration, did now
  • for the time, in this particular mood of his, put on a repelling aspect
  • to our Pierre; yet something must occupy the soul of man; and Isabel was
  • nearest to him then; and Isabel he thought of; at first, with great
  • discomfort and with pain, but anon (for heaven eventually rewards the
  • resolute and duteous thinker) with lessening repugnance, and at last
  • with still-increasing willingness and congenialness. Now he recalled his
  • first impressions, here and there, while she was rehearsing to him her
  • wild tale; he recalled those swift but mystical corroborations in his
  • own mind and memory, which by shedding another twinkling light upon her
  • history, had but increased its mystery, while at the same time
  • remarkably substantiating it.
  • Her first recallable recollection was of an old deserted chateau-like
  • house in a strange, French-like country, which she dimly imagined to be
  • somewhere beyond the sea. Did not this surprisingly correspond with
  • certain natural inferences to be drawn from his Aunt Dorothea's account
  • of the disappearance of the French young lady? Yes; the French young
  • lady's disappearance on this side the water was only contingent upon her
  • reappearance on the other; then he shuddered as he darkly pictured the
  • possible sequel of her life, and the wresting from her of her infant,
  • and its immurement in the savage mountain wilderness.
  • But Isabel had also vague impressions of herself crossing the
  • sea;--_re_crossing, emphatically thought Pierre, as he pondered on the
  • unbidden conceit, that she had probably first unconsciously and
  • smuggledly crossed it hidden beneath her sorrowing mother's heart. But
  • in attempting to draw any inferences, from what he himself had ever
  • heard, for a coinciding proof or elucidation of this assumption of
  • Isabel's actual crossing the sea at so tender an age; here Pierre felt
  • all the inadequateness of both his own and Isabel's united knowledge, to
  • clear up the profound mysteriousness of her early life. To the
  • certainty of this irremovable obscurity he bowed himself, and strove to
  • dismiss it from his mind, as worse than hopeless. So, also, in a good
  • degree, did he endeavor to drive out of him, Isabel's reminiscence of
  • the, to her, unnameable large house, from which she had been finally
  • removed by the pleasant woman in the coach. This episode in her life,
  • above all other things, was most cruelly suggestive to him, as possibly
  • involving his father in the privity to a thing, at which Pierre's inmost
  • soul fainted with amazement and abhorrence. Here the helplessness of all
  • further light, and the eternal impossibility of logically exonerating
  • his dead father, in his own mind, from the liability to this, and many
  • other of the blackest self-insinuated suppositions; all this came over
  • Pierre with a power so infernal and intense, that it could only have
  • proceeded from the unretarded malice of the Evil One himself. But
  • subtilly and wantonly as these conceits stole into him, Pierre as
  • subtilly opposed them; and with the hue-and-cry of his whole indignant
  • soul, pursued them forth again into the wide Tartarean realm from which
  • they had emerged.
  • The more and the more that Pierre now revolved the story of Isabel in
  • his mind, so much the more he amended his original idea, that much of
  • its obscurity would depart upon a second interview. He saw, or seemed to
  • see, that it was not so much Isabel who had by her wild idiosyncrasies
  • mystified the narration of her history, as it was the essential and
  • unavoidable mystery of her history itself, which had invested Isabel
  • with such wonderful enigmas to him.
  • VIII.
  • The issue of these reconsiderings was the conviction, that all he could
  • now reasonably anticipate from Isabel, in further disclosure on the
  • subject of her life, were some few additional particulars bringing it
  • down to the present moment; and, also, possibly filling out the latter
  • portion of what she had already revealed to him. Nor here, could he
  • persuade himself, that she would have much to say. Isabel had not been
  • so digressive and withholding as he had thought. What more, indeed,
  • could she now have to impart, except by what strange means she had at
  • last come to find her brother out; and the dreary recital of how she had
  • pecuniarily wrestled with her destitute condition; how she had come to
  • leave one place of toiling refuge for another, till now he found her in
  • humble servitude at farmer Ulver's? Is it possible then, thought Pierre,
  • that there lives a human creature in this common world of everydays,
  • whose whole history may be told in little less than two-score words, and
  • yet embody in that smallness a fathomless fountain of ever-welling
  • mystery? Is it possible, after all, that spite of bricks and shaven
  • faces, this world we live in is brimmed with wonders, and I and all
  • mankind, beneath our garbs of common-placeness, conceal enigmas that the
  • stars themselves, and perhaps the highest seraphim can not resolve?
  • The intuitively certain, however literally unproven fact of Isabel's
  • sisterhood to him, was a link that he now felt binding him to a before
  • unimagined and endless chain of wondering. His very blood seemed to flow
  • through all his arteries with unwonted subtileness, when he thought that
  • the same tide flowed through the mystic veins of Isabel. All his
  • occasional pangs of dubiousness as to the grand governing thing of
  • all--the reality of the physical relationship--only recoiled back upon
  • him with added tribute of both certainty and insolubleness.
  • She is my sister--my own father's daughter. Well; why do I believe it?
  • The other day I had not so much as heard the remotest rumor of her
  • existence; and what has since occurred to change me? What so new and
  • incontestable vouchers have I handled? None at all. But I have seen her.
  • Well; grant it; I might have seen a thousand other girls, whom I had
  • never seen before; but for that, I would not own any one among them for
  • my sister. But the portrait, the chair-portrait, Pierre? Think of that.
  • But that was painted before Isabel was born; what can that portrait have
  • to do with Isabel? It is not the portrait of Isabel, it is my father's
  • portrait; and yet my mother swears it is not he.
  • Now alive as he was to all these searching argumentative itemizings of
  • the minutest known facts any way bearing upon the subject; and yet, at
  • the same time, persuaded, strong as death, that in spite of them, Isabel
  • was indeed his sister; how could Pierre, naturally poetic, and therefore
  • piercing as he was; how could he fail to acknowledge the existence of
  • that all-controlling and all-permeating wonderfulness, which, when
  • imperfectly and isolatedly recognized by the generality, is so
  • significantly denominated The Finger of God? But it is not merely the
  • Finger, it is the whole outspread Hand of God; for doth not Scripture
  • intimate, that He holdeth all of us in the hollow of His hand?--a
  • Hollow, truly!
  • Still wandering through the forest, his eye pursuing its ever-shifting
  • shadowy vistas; remote from all visible haunts and traces of that
  • strangely wilful race, who, in the sordid traffickings of clay and mud,
  • are ever seeking to denationalize the natural heavenliness of their
  • souls; there came into the mind of Pierre, thoughts and fancies never
  • imbibed within the gates of towns; but only given forth by the
  • atmosphere of primeval forests, which, with the eternal ocean, are the
  • only unchanged general objects remaining to this day, from those that
  • originally met the gaze of Adam. For so it is, that the apparently most
  • inflammable or evaporable of all earthly things, wood and water, are, in
  • this view, immensely the most endurable.
  • Now all his ponderings, however excursive, wheeled round Isabel as their
  • center; and back to her they came again from every excursion; and again
  • derived some new, small germs for wonderment.
  • The question of Time occurred to Pierre. How old was Isabel? According
  • to all reasonable inferences from the presumed circumstances of her
  • life, she was his elder, certainly, though by uncertain years; yet her
  • whole aspect was that of more than childlikeness; nevertheless, not only
  • did he feel his muscular superiority to her, so to speak, which made him
  • spontaneously alive to a feeling of elderly protectingness over her; not
  • only did he experience the thoughts of superior world-acquaintance, and
  • general cultured knowledge; but spite of reason's self, and irrespective
  • of all mere computings, he was conscious of a feeling which
  • independently pronounced him her senior in point of Time, and Isabel a
  • child of everlasting youngness. This strange, though strong conceit of
  • his mysterious persuasion, doubtless, had its untraced, and but
  • little-suspected origin in his mind, from ideas born of his devout
  • meditations upon the artless infantileness of her face; which, though
  • profoundly mournful in the general expression, yet did not, by any
  • means, for that cause, lose one whit in its singular infantileness; as
  • the faces of real infants, in their earliest visibleness, do oft-times
  • wear a look of deep and endless sadness. But it was not the sadness, nor
  • indeed, strictly speaking, the infantileness of the face of Isabel which
  • so singularly impressed him with the idea of her original and changeless
  • youthfulness. It was something else; yet something which entirely eluded
  • him.
  • Imaginatively exalted by the willing suffrages of all mankind into
  • higher and purer realms than men themselves inhabit; beautiful
  • women--those of them at least who are beautiful in soul as well as
  • body--do, notwithstanding the relentless law of earthly fleetingness,
  • still seem, for a long interval, mysteriously exempt from the
  • incantations of decay; for as the outward loveliness touch by touch
  • departs, the interior beauty touch by touch replaces that departing
  • bloom, with charms, which, underivable from earth, possess the
  • ineffaceableness of stars. Else, why at the age of sixty, have some
  • women held in the strongest bonds of love and fealty, men young enough
  • to be their grandsons? And why did all-seducing Ninon unintendingly
  • break scores of hearts at seventy? It is because of the perennialness of
  • womanly sweetness.
  • Out from the infantile, yet eternal mournfulness of the face of Isabel,
  • there looked on Pierre that angelic childlikeness, which our Savior
  • hints is the one only investiture of translated souls; for of such--even
  • of little children--is the other world.
  • Now, unending as the wonderful rivers, which once bathed the feet of the
  • primeval generations, and still remain to flow fast by the graves of all
  • succeeding men, and by the beds of all now living; unending,
  • ever-flowing, ran through the soul of Pierre, fresh and fresher, further
  • and still further, thoughts of Isabel. But the more his thoughtful river
  • ran, the more mysteriousness it floated to him; and yet the more
  • certainty that the mysteriousness was unchangeable. In her life there
  • was an unraveled plot; and he felt that unraveled it would eternally
  • remain to him. No slightest hope or dream had he, that what was dark and
  • mournful in her would ever be cleared up into some coming atmosphere of
  • light and mirth. Like all youths, Pierre had conned his novel-lessons;
  • had read more novels than most persons of his years; but their false,
  • inverted attempts at systematizing eternally unsystemizable elements;
  • their audacious, intermeddling impotency, in trying to unravel, and
  • spread out, and classify, the more thin than gossamer threads which make
  • up the complex web of life; these things over Pierre had no power now.
  • Straight through their helpless miserableness he pierced; the one
  • sensational truth in him transfixed like beetles all the speculative
  • lies in them. He saw that human life doth truly come from that, which
  • all men are agreed to call by the name of _God_; and that it partakes of
  • the unravelable inscrutableness of God. By infallible presentiment he
  • saw, that not always doth life's beginning gloom conclude in gladness;
  • that wedding-bells peal not ever in the last scene of life's fifth act;
  • that while the countless tribes of common novels laboriously spin veils
  • of mystery, only to complacently clear them up at last; and while the
  • countless tribe of common dramas do but repeat the same; yet the
  • profounder emanations of the human mind, intended to illustrate all that
  • can be humanly known of human life; these never unravel their own
  • intricacies, and have no proper endings; but in imperfect,
  • unanticipated, and disappointing sequels (as mutilated stumps), hurry to
  • abrupt intermergings with the eternal tides of time and fate.
  • So Pierre renounced all thought of ever having Isabel's dark lantern
  • illuminated to him. Her light was lidded, and the lid was locked. Nor
  • did he feel a pang at this. By posting hither and thither among the
  • reminiscences of his family, and craftily interrogating his remaining
  • relatives on his father's side, he might possibly rake forth some few
  • small grains of dubious and most unsatisfying things, which, were he
  • that way strongly bent, would only serve the more hopelessly to cripple
  • him in his practical resolves. He determined to pry not at all into this
  • sacred problem. For him now the mystery of Isabel possessed all the
  • bewitchingness of the mysterious vault of night, whose very darkness
  • evokes the witchery.
  • The thoughtful river still ran on in him, and now it floated still
  • another thing to him.
  • Though the letter of Isabel gushed with all a sister's sacred longings
  • to embrace her brother, and in the most abandoned terms painted the
  • anguish of her life-long estrangement from him; and though, in effect,
  • it took vows to this,--that without his continual love and sympathy,
  • further life for her was only fit to be thrown into the nearest
  • unfathomed pool, or rushing stream; yet when the brother and the sister
  • had encountered, according to the set appointment, none of these
  • impassionedments had been repeated. She had more than thrice thanked
  • God, and most earnestly blessed himself, that now he had come near to
  • her in her loneliness; but no gesture of common and customary sisterly
  • affection. Nay, from his embrace had she not struggled? nor kissed him
  • once; nor had he kissed her, except when the salute was solely sought by
  • him.
  • Now Pierre began to see mysteries interpierced with mysteries, and
  • mysteries eluding mysteries; and began to seem to see the mere
  • imaginariness of the so supposed solidest principle of human
  • association. Fate had done this thing for them. Fate had separated the
  • brother and the sister, till to each other they somehow seemed so not at
  • all. Sisters shrink not from their brother's kisses. And Pierre felt
  • that never, never would he be able to embrace Isabel with the mere
  • brotherly embrace; while the thought of any other caress, which took
  • hold of any domesticness, was entirely vacant from his uncontaminated
  • soul, for it had never consciously intruded there.
  • Therefore, forever unsistered for him by the stroke of Fate, and
  • apparently forever, and twice removed from the remotest possibility of
  • that love which had drawn him to his Lucy; yet still the object of the
  • ardentest and deepest emotions of his soul; therefore, to him, Isabel
  • wholly soared out of the realms of mortalness, and for him became
  • transfigured in the highest heaven of uncorrupted Love.
  • BOOK VIII.
  • THE SECOND INTERVIEW AT THE FARM-HOUSE, AND THE SECOND PART OF THE STORY
  • OF ISABEL. THEIR IMMEDIATE IMPULSIVE EFFECT UPON PIERRE.
  • I.
  • His second interview with Isabel was more satisfying, but none the less
  • affecting and mystical than the first, though in the beginning, to his
  • no small surprise, it was far more strange and embarrassing.
  • As before, Isabel herself admitted him into the farm-house, and spoke no
  • word to him till they were both seated in the room of the double
  • casement, and himself had first addressed her. If Pierre had any way
  • predetermined how to deport himself at the moment, it was to manifest by
  • some outward token the utmost affection for his sister; but her rapt
  • silence and that atmosphere of unearthliness which invested her, now
  • froze him to his seat; his arms refused to open, his lips refused to
  • meet in the fraternal kiss; while all the while his heart was
  • overflowing with the deepest love, and he knew full well, that his
  • presence was inexpressibly grateful to the girl. Never did love and
  • reverence so intimately react and blend; never did pity so join with
  • wonder in casting a spell upon the movements of his body, and impeding
  • him in its command.
  • After a few embarrassed words from Pierre, and a brief reply, a pause
  • ensued, during which not only was the slow, soft stepping overhead
  • quite audible, as at intervals on the night before, but also some slight
  • domestic sounds were heard from the adjoining room; and noticing the
  • unconsciously interrogating expression of Pierre's face, Isabel thus
  • spoke to him:
  • "I feel, my brother, that thou dost appreciate the peculiarity and the
  • mystery of my life, and of myself, and therefore I am at rest concerning
  • the possibility of thy misconstruing any of my actions. It is only when
  • people refuse to admit the uncommonness of some persons and the
  • circumstances surrounding them, that erroneous conceits are nourished,
  • and their feelings pained. My brother, if ever I shall seem reserved and
  • unembracing to thee, still thou must ever trust the heart of Isabel, and
  • permit no doubt to cross thee there. My brother, the sounds thou hast
  • just overheard in yonder room, have suggested to thee interesting
  • questions connected with myself. Do not speak; I fervently understand
  • thee. I will tell thee upon what terms I have been living here; and how
  • it is that I, a hired person, am enabled to receive thee in this seemly
  • privacy; for as thou mayest very readily imagine, this room is not my
  • own. And this reminds me also that I have yet some few further trifling
  • things to tell thee respecting the circumstances which have ended in
  • bestowing upon me so angelical a brother."
  • "I can not retain that word"--said Pierre, with earnest lowness, and
  • drawing a little nearer to her--"of right, it only pertains to thee."
  • "My brother, I will now go on, and tell thee all that I think thou
  • couldst wish to know, in addition to what was so dimly rehearsed last
  • night. Some three months ago, the people of the distant farm-house,
  • where I was then staying, broke up their household and departed for some
  • Western country. No place immediately presented itself where my services
  • were wanted, but I was hospitably received at an old neighbor's hearth,
  • and most kindly invited to tarry there, till some employ should offer.
  • But I did not wait for chance to help me; my inquiries resulted in
  • ascertaining the sad story of Delly Ulver, and that through the fate
  • which had overtaken her, her aged parents were not only plunged into the
  • most poignant grief, but were deprived of the domestic help of an only
  • daughter, a circumstance whose deep discomfort can not be easily
  • realized by persons who have always been ministered to by servants.
  • Though indeed my natural mood--if I may call it so, for want of a better
  • term--was strangely touched by thinking that the misery of Delly should
  • be the source of benefit to me; yet this had no practically operative
  • effect upon me,--my most inmost and truest thoughts seldom have;--and so
  • I came hither, and my hands will testify that I did not come entirely
  • for naught. Now, my brother, since thou didst leave me yesterday, I have
  • felt no small surprise, that thou didst not then seek from me, how and
  • when I came to learn the name of Glendinning as so closely associated
  • with myself; and how I came to know Saddle Meadows to be the family
  • seat, and how I at last resolved upon addressing thee, Pierre, and none
  • other; and to what may be attributed that very memorable scene in the
  • sewing-circle at the Miss Pennies."
  • "I have myself been wondering at myself that these things should
  • hitherto have so entirely absented themselves from my mind," responded
  • Pierre;--"but truly, Isabel, thy all-abounding hair falls upon me with
  • some spell which dismisses all ordinary considerations from me, and
  • leaves me only sensible to the Nubian power in thine eyes. But go on,
  • and tell me every thing and any thing. I desire to know all, Isabel, and
  • yet, nothing which thou wilt not voluntarily disclose. I feel that
  • already I know the pith of all; that already I feel toward thee to the
  • very limit of all; and that, whatever remains for thee to tell me, can
  • but corroborate and confirm. So go on, my dearest,--ay, my only sister."
  • Isabel fixed her wonderful eyes upon him with a gaze of long
  • impassionment; then rose suddenly to her feet, and advanced swiftly
  • toward him; but more suddenly paused, and reseated herself in silence,
  • and continued so for a time, with her head averted from him, and mutely
  • resting on her hand, gazing out of the open casement upon the soft
  • heat-lightning, occasionally revealed there.
  • She resumed anon.
  • II.
  • "My brother, thou wilt remember that certain part of my story which in
  • reference to my more childish years spent remote from here, introduced
  • the gentleman--my--yes, _our_ father, Pierre. I can not describe to
  • thee, for indeed, I do not myself comprehend how it was, that though at
  • the time I sometimes called him my father, and the people of the house
  • also called him so, sometimes when speaking of him to me; yet--partly, I
  • suppose, because of the extraordinary secludedness of my previous
  • life--I did not then join in my mind with the word father, all those
  • peculiar associations which the term ordinarily inspires in children.
  • The word father only seemed a word of general love and endearment to
  • me--little or nothing more; it did not seem to involve any claims of any
  • sort, one way or the other. I did not ask the name of my father; for I
  • could have had no motive to hear him named, except to individualize the
  • person who was so peculiarly kind to me; and individualized in that way
  • he already was, since he was generally called by us _the gentleman_, and
  • sometimes _my father_. As I have no reason to suppose that had I then or
  • afterward, questioned the people of the house as to what more particular
  • name my father went by in the world, they would have at all disclosed it
  • to me; and, indeed, since, for certain singular reasons, I now feel
  • convinced that on that point they were pledged to secrecy; I do not
  • know that I ever would have come to learn my father's name,--and by
  • consequence, ever have learned the least shade or shadow of knowledge as
  • to you, Pierre, or any of your kin--had it not been for the merest
  • little accident, which early revealed it to me, though at the moment I
  • did not know the value of that knowledge. The last time my father
  • visited the house, he chanced to leave his handkerchief behind him. It
  • was the farmer's wife who first discovered it. She picked it up, and
  • fumbling at it a moment, as if rapidly examining the corners, tossed it
  • to me, saying, 'Here, Isabel, here is the good gentleman's handkerchief;
  • keep it for him now, till he comes to see little Bell again.' Gladly I
  • caught the handkerchief, and put it into my bosom. It was a white one;
  • and upon closely scanning it, I found a small line of fine faded
  • yellowish writing in the middle of it. At that time I could not read
  • either print or writing, so I was none the wiser then; but still, some
  • secret instinct told me, that the woman would not so freely have given
  • me the handkerchief, had she known there was any writing on it. I
  • forbore questioning her on the subject; I waited till my father should
  • return, to secretly question him. The handkerchief had become dusty by
  • lying on the uncarpeted floor. I took it to the brook and washed it, and
  • laid it out on the grass where none would chance to pass; and I ironed
  • it under my little apron, so that none would be attracted to it, to look
  • at it again. But my father never returned; so, in my grief, the
  • handkerchief became the more and the more endeared to me; it absorbed
  • many of the secret tears I wept in memory of my dear departed friend,
  • whom, in my child-like ignorance, I then equally called _my father_ and
  • _the gentleman_. But when the impression of his death became a fixed
  • thing to me, then again I washed and dried and ironed the precious
  • memorial of him, and put it away where none should find it but myself,
  • and resolved never more to soil it with my tears; and I folded it in
  • such a manner, that the name was invisibly buried in the heart of it,
  • and it was like opening a book and turning over many blank leaves before
  • I came to the mysterious writing, which I knew should be one day read by
  • me, without direct help from any one. Now I resolved to learn my
  • letters, and learn to read, in order that of myself I might learn the
  • meaning of those faded characters. No other purpose but that only one,
  • did I have in learning then to read. I easily induced the woman to give
  • me my little teachings, and being uncommonly quick, and moreover, most
  • eager to learn, I soon mastered the alphabet, and went on to spelling,
  • and by-and-by to reading, and at last to the complete deciphering of the
  • talismanic word--Glendinning. I was yet very ignorant. _Glendinning_,
  • thought I, what is that? It sounds something like
  • _gentleman_;--Glen-din-ning;--just as many syllables as _gentleman_;
  • and--G--it begins with the same letter; yes, it must mean _my father_. I
  • will think of him by that word now;--I will not think of the
  • _gentleman_, but of _Glendinning_. When at last I removed from that
  • house and went to another, and still another, and as I still grew up and
  • thought more to myself, that word was ever humming in my head, I saw it
  • would only prove the key to more. But I repressed all undue curiosity,
  • if any such has ever filled my breast. I would not ask of any one, who
  • it was that had been Glendinning; where he had lived; whether, ever any
  • other girl or boy had called him father as I had done. I resolved to
  • hold myself in perfect patience, as somehow mystically certain, that
  • Fate would at last disclose to me, of itself, and at the suitable time,
  • whatever Fate thought it best for me to know. But now, my brother, I
  • must go aside a little for a moment.--Hand me the guitar."
  • Surprised and rejoiced thus far at the unanticipated newness, and the
  • sweet lucidness and simplicity of Isabel's narrating, as compared with
  • the obscure and marvelous revelations of the night before, and all eager
  • for her to continue her story in the same limpid manner, but
  • remembering into what a wholly tumultuous and unearthly frame of mind
  • the melodies of her guitar had formerly thrown him; Pierre now, in
  • handing the instrument to Isabel, could not entirely restrain something
  • like a look of half-regret, accompanied rather strangely with a
  • half-smile of gentle humor. It did not pass unnoticed by his sister, who
  • receiving the guitar, looked up into his face with an expression which
  • would almost have been arch and playful, were it not for the
  • ever-abiding shadows cast from her infinite hair into her unfathomed
  • eyes, and redoubledly shot back again from them.
  • "Do not be alarmed, my brother; and do not smile at me; I am not going
  • to play the Mystery of Isabel to thee to-night. Draw nearer to me now.
  • Hold the light near to me."
  • So saying she loosened some ivory screws of the guitar, so as to open a
  • peep lengthwise through its interior.
  • "Now hold it thus, my brother; thus; and see what thou wilt see; but
  • wait one instant till I hold the lamp." So saying, as Pierre held the
  • instrument before him as directed, Isabel held the lamp so as to cast
  • its light through the round sounding-hole into the heart of the guitar.
  • "Now, Pierre, now."
  • Eagerly Pierre did as he was bid; but somehow felt disappointed, and yet
  • surprised at what he saw. He saw the word _Isabel_, quite legibly but
  • still fadedly gilded upon a part of one side of the interior, where it
  • made a projecting curve.
  • "A very curious place thou hast chosen, Isabel, wherein to have the
  • ownership of the guitar engraved. How did ever any person get in there
  • to do it, I should like to know?"
  • The girl looked surprisedly at him a moment; then took the instrument
  • from him, and looked into it herself. She put it down, and continued.
  • "I see, my brother, thou dost not comprehend. When one knows every thing
  • about any object, one is too apt to suppose that the slightest hint
  • will suffice to throw it quite as open to any other person. _I_ did not
  • have the name gilded there, my brother."
  • "How?" cried Pierre.
  • "The name was gilded there when I first got the guitar, though then I
  • did not know it. The guitar must have been expressly made for some one
  • by the name of Isabel; because the lettering could only have been put
  • there before the guitar was put together."
  • "Go on--hurry," said Pierre.
  • "Yes, one day, after I had owned it a long time, a strange whim came
  • into me. Thou know'st that it is not at all uncommon for children to
  • break their dearest playthings in order to gratify a half-crazy
  • curiosity to find out what is in the hidden heart of them. So it is with
  • children, sometimes. And, Pierre, I have always been, and feel that I
  • must always continue to be a child, though I should grow to three score
  • years and ten. Seized with this sudden whim, I unscrewed the part I
  • showed thee, and peeped in, and saw 'Isabel.' Now I have not yet told
  • thee, that from as early a time as I can remember, I have nearly always
  • gone by the name of Bell. And at the particular time I now speak of, my
  • knowledge of general and trivial matters was sufficiently advanced to
  • make it quite a familiar thing to me, that Bell was often a diminutive
  • for Isabella, or Isabel. It was therefore no very strange affair, that
  • considering my age, and other connected circumstances at the time, I
  • should have instinctively associated the word Isabel, found in the
  • guitar, with my own abbreviated name, and so be led into all sorts of
  • fancyings. They return upon me now. Do not speak to me."
  • She leaned away from him, toward the occasionally illuminated casement,
  • in the same manner as on the previous night, and for a few moments
  • seemed struggling with some wild bewilderment But now she suddenly
  • turned, and fully confronted Pierre with all the wonderfulness of her
  • most surprising face.
  • "I am called woman, and thou, man, Pierre; but there is neither man nor
  • woman about it. Why should I not speak out to thee? There is no sex in
  • our immaculateness. Pierre, the secret name in the guitar even now
  • thrills me through and through. Pierre, think! think! Oh, canst thou not
  • comprehend? see it?--what I mean, Pierre? The secret name in the guitar
  • thrills me, thrills me, whirls me, whirls me; so secret, wholly hidden,
  • yet constantly carried about in it; unseen, unsuspected, always
  • vibrating to the hidden heart-strings--broken heart-strings; oh, my
  • mother, my mother, my mother!"
  • As the wild plaints of Isabel pierced into his bosom's core, they
  • carried with them the first inkling of the extraordinary conceit, so
  • vaguely and shrinkingly hinted at in her till now entirely
  • unintelligible words.
  • She lifted her dry burning eyes of long-fringed fire to him.
  • "Pierre--I have no slightest proof--but the guitar was _hers_, I know, I
  • feel it was. Say, did I not last night tell thee, how it first sung to
  • me upon the bed, and answered me, without my once touching it? and how
  • it always sung to me and answered me, and soothed and loved me,--Hark
  • now; thou shalt hear my mother's spirit."
  • She carefully scanned the strings, and tuned them carefully; then placed
  • the guitar in the casement-bench, and knelt before it; and in low,
  • sweet, and changefully modulated notes, so barely audible, that Pierre
  • bent over to catch them; breathed the word _mother, mother, mother_!
  • There was profound silence for a time; when suddenly, to the lowest and
  • least audible note of all, the magical untouched guitar responded with a
  • quick spark of melody, which in the following hush, long vibrated and
  • subsidingly tingled through the room; while to his augmented wonder, he
  • now espied, quivering along the metallic strings of the guitar, some
  • minute scintillations, seemingly caught from the instrument's close
  • proximity to the occasionally irradiated window.
  • The girl still kept kneeling; but an altogether unwonted expression
  • suddenly overcast her whole countenance. She darted one swift glance at
  • Pierre; and then with a single toss of her hand tumbled her unrestrained
  • locks all over her, so that they tent-wise invested her whole kneeling
  • form close to the floor, and yet swept the floor with their wild
  • redundancy. Never Saya of Limeean girl, at dim mass in St. Dominic's
  • cathedral, so completely muffled the human figure. To Pierre, the deep
  • oaken recess of the double-casement, before which Isabel was kneeling,
  • seemed now the immediate vestibule of some awful shrine, mystically
  • revealed through the obscurely open window, which ever and anon was
  • still softly illumined by the mild heat-lightnings and
  • ground-lightnings, that wove their wonderfulness without, in the
  • unsearchable air of that ebonly warm and most noiseless summer night.
  • Some unsubduable word was on Pierre's lip, but a sudden voice from out
  • the veil bade him be silent.
  • "Mother--mother--mother!"
  • Again, after a preluding silence, the guitar as magically responded as
  • before; the sparks quivered along its strings; and again Pierre felt as
  • in the immediate presence of the spirit.
  • "Shall I, mother?--Art thou ready? Wilt thou tell me?--Now? Now?"
  • These words were lowly and sweetly murmured in the same way with the
  • word _mother_, being changefully varied in their modulations, till at
  • the last _now_, the magical guitar again responded; and the girl swiftly
  • drew it to her beneath her dark tent of hair. In this act, as the long
  • curls swept over the strings of the guitar, the strange sparks--still
  • quivering there--caught at those attractive curls; the entire casement
  • was suddenly and wovenly illumined; then waned again; while now, in the
  • succeeding dimness, every downward undulating wave and billow of
  • Isabel's tossed tresses gleamed here and there like a tract of
  • phosphorescent midnight sea; and, simultaneously, all the four winds of
  • the world of melody broke loose, and again as on the previous night,
  • only in a still more subtile, and wholly inexplicable way, Pierre felt
  • himself surrounded by ten thousand sprites and gnomes, and his whole
  • soul was swayed and tossed by supernatural tides; and again he heard the
  • wondrous, rebounding, chanted words:
  • "Mystery! Mystery!
  • Mystery of Isabel!
  • Mystery! Mystery!
  • Isabel and Mystery!
  • Mystery!"
  • III.
  • Almost deprived of consciousness by the spell flung over him by the
  • marvelous girl, Pierre unknowingly gazed away from her, as on vacancy;
  • and when at last stillness had once more fallen upon the room--all
  • except the stepping--and he recovered his self-possession, and turned to
  • look where he might now be, he was surprised to see Isabel composedly,
  • though avertedly, seated on the bench; the longer and fuller tresses of
  • her now ungleaming hair flung back, and the guitar quietly leaning in
  • the corner.
  • He was about to put some unconsidered question to her, but she
  • half-anticipated it by bidding him, in a low, but nevertheless almost
  • authoritative tone, not to make any allusion to the scene he had just
  • beheld.
  • He paused, profoundly thinking to himself, and now felt certain that the
  • entire scene, from the first musical invocation of the guitar, must have
  • unpremeditatedly proceeded from a sudden impulse in the girl, inspired
  • by the peculiar mood into which the preceding conversation, and
  • especially the handling of the guitar under such circumstances, had
  • irresistibly thrown her.
  • But that certain something of the preternatural in the scene, of which
  • he could not rid his mind:--the, so to speak, voluntary and all but
  • intelligent responsiveness of the guitar--its strangely scintillating
  • strings--the so suddenly glorified head of Isabel; altogether, these
  • things seemed not at the time entirely produced by customary or natural
  • causes. To Pierre's dilated senses Isabel seemed to swim in an electric
  • fluid; the vivid buckler of her brow seemed as a magnetic plate. Now
  • first this night was Pierre made aware of what, in the superstitiousness
  • of his rapt enthusiasm, he could not help believing was an extraordinary
  • physical magnetism in Isabel. And--as it were derived from this
  • marvelous quality thus imputed to her--he now first became vaguely
  • sensible of a certain still more marvelous power in the girl over
  • himself and his most interior thoughts and motions;--a power so hovering
  • upon the confines of the invisible world, that it seemed more inclined
  • that way than this;--a power which not only seemed irresistibly to draw
  • him toward Isabel, but to draw him away from another quarter--wantonly
  • as it were, and yet quite ignorantly and unintendingly; and, besides,
  • without respect apparently to any thing ulterior, and yet again, only
  • under cover of drawing him to her. For over all these things, and
  • interfusing itself with the sparkling electricity in which she seemed to
  • swim, was an ever-creeping and condensing haze of ambiguities. Often, in
  • after-times with her, did he recall this first magnetic night, and would
  • seem to see that she then had bound him to her by an extraordinary
  • atmospheric spell--both physical and spiritual--which henceforth it had
  • become impossible for him to break, but whose full potency he never
  • recognized till long after he had become habituated to its sway. This
  • spell seemed one with that Pantheistic master-spell, which eternally
  • locks in mystery and in muteness the universal subject world, and the
  • physical electricalness of Isabel seemed reciprocal with the
  • heat-lightnings and the ground-lightnings nigh to which it had first
  • become revealed to Pierre. She seemed molded from fire and air, and
  • vivified at some Voltaic pile of August thunder-clouds heaped against
  • the sunset.
  • The occasional sweet simplicity, and innocence, and humbleness of her
  • story; her often serene and open aspect; her deep-seated, but mostly
  • quiet, unobtrusive sadness, and that touchingness of her less unwonted
  • tone and air;--these only the more signalized and contrastingly
  • emphasized the profounder, subtler, and more mystic part of her.
  • Especially did Pierre feel this, when after another silent interval, she
  • now proceeded with her story in a manner so gently confiding, so
  • entirely artless, so almost peasant-like in its simplicity, and dealing
  • in some details so little sublimated in themselves, that it seemed well
  • nigh impossible that this unassuming maid should be the same dark, regal
  • being who had but just now bade Pierre be silent in so imperious a tone,
  • and around whose wondrous temples the strange electric glory had been
  • playing. Yet not very long did she now thus innocently proceed, ere, at
  • times, some fainter flashes of her electricalness came from her, but
  • only to be followed by such melting, human, and most feminine traits as
  • brought all his soft, enthusiast tears into the sympathetic but still
  • unshedding eyes of Pierre.
  • IV.
  • "Thou rememberest, my brother, my telling thee last night, how
  • the--the--thou knowest what I mean--_that, there_"--avertedly pointing
  • to the guitar; "thou rememberest how it came into my possession. But
  • perhaps I did not tell thee, that the pedler said he had got it in
  • barter from the servants of a great house some distance from the place
  • where I was then residing."
  • Pierre signed his acquiescence, and Isabel proceeded:
  • "Now, at long though stated intervals, that man passed the farm-house in
  • his trading route between the small towns and villages. When I
  • discovered the gilding in the guitar, I kept watch for him; for though I
  • truly felt persuaded that Fate had the dispensing of her own secrets in
  • her own good time; yet I also felt persuaded that in some cases Fate
  • drops us one little hint, leaving our own minds to follow it up, so that
  • we of ourselves may come to the grand secret in reserve. So I kept
  • diligent watch for him; and the next time he stopped, without permitting
  • him at all to guess my motives, I contrived to steal out of him what
  • great house it was from which the guitar had come. And, my brother, it
  • was the mansion of Saddle Meadows."
  • Pierre started, and the girl went on:
  • "Yes, my brother, Saddle Meadows; 'old General Glendinning's place,' he
  • said; 'but the old hero's long dead and gone now; and--the more's the
  • pity--so is the young General, his son, dead and gone; but then there is
  • a still younger grandson General left; that family always keep the title
  • and the name a-going; yes, even to the surname,--Pierre. Pierre
  • Glendinning was the white-haired old General's name, who fought in the
  • old French and Indian wars; and Pierre Glendinning is his young
  • great-grandson's name.' Thou may'st well look at me so, my
  • brother;--yes, he meant thee, _thee_, my brother."
  • "But the guitar--the guitar!"--cried Pierre--"how came the guitar openly
  • at Saddle Meadows, and how came it to be bartered away by servants? Tell
  • me that, Isabel!"
  • "Do not put such impetuous questions to me, Pierre; else thou mayst
  • recall the old--may be, it is the evil spell upon me. I can not
  • precisely and knowingly answer thee. I could surmise; but what are
  • surmises worth? Oh, Pierre, better, a million times, and far sweeter are
  • mysteries than surmises: though the mystery be unfathomable, it is still
  • the unfathomableness of fullness; but the surmise, that is but shallow
  • and unmeaning emptiness."
  • "But this is the most inexplicable point of all. Tell me, Isabel; surely
  • thou must have thought something about this thing."
  • "Much, Pierre, very much; but only about the mystery of it--nothing
  • more. Could I, I would not now be fully told, how the guitar came to be
  • at Saddle Meadows, and came to be bartered away by the servants of
  • Saddle Meadows. Enough, that it found me out, and came to me, and spoke
  • and sung to me, and soothed me, and has been every thing to me."
  • She paused a moment; while vaguely to his secret self Pierre revolved
  • these strange revealings; but now he was all attention again as Isabel
  • resumed.
  • "I now held in my mind's hand the clew, my brother. But I did not
  • immediately follow it further up. Sufficient to me in my loneliness was
  • the knowledge, that I now knew where my father's family was to be found.
  • As yet not the slightest intention of ever disclosing myself to them,
  • had entered my mind. And assured as I was, that for obvious reasons,
  • none of his surviving relatives could possibly know me, even if they saw
  • me, for what I really was, I felt entire security in the event of
  • encountering any of them by chance. But my unavoidable displacements and
  • migrations from one house to another, at last brought me within twelve
  • miles of Saddle Meadows. I began to feel an increasing longing in me;
  • but side by side with it, a new-born and competing pride,--yes, pride,
  • Pierre. Do my eyes flash? They belie me, if they do not. But it is no
  • common pride, Pierre; for what has Isabel to be proud of in this world?
  • It is the pride of--of--a too, too longing, loving heart, Pierre--the
  • pride of lasting suffering and grief, my brother! Yes, I conquered the
  • great longing with the still more powerful pride, Pierre; and so I would
  • not now be here, in this room,--nor wouldst thou ever have received any
  • line from me; nor, in all worldly probability, ever so much as heard of
  • her who is called Isabel Banford, had it not been for my hearing that at
  • Walter Ulver's, only three miles from the mansion of Saddle Meadows,
  • poor Bell would find people kind enough to give her wages for her work.
  • Feel my hand, my brother."
  • "Dear divine girl, my own exalted Isabel!" cried Pierre, catching the
  • offered hand with ungovernable emotion, "how most unbeseeming, that this
  • strange hardness, and this still stranger littleness should be united in
  • any human hand. But hard and small, it by an opposite analogy hints of
  • the soft capacious heart that made the hand so hard with heavenly
  • submission to thy most undeserved and martyred lot. Would, Isabel, that
  • these my kisses on the hand, were on the heart itself, and dropt the
  • seeds of eternal joy and comfort there."
  • He leaped to his feet, and stood before her with such warm, god-like
  • majesty of love and tenderness, that the girl gazed up at him as though
  • he were the one benignant star in all her general night.
  • "Isabel," cried Pierre, "I stand the sweet penance in my father's stead,
  • thou, in thy mother's. By our earthly acts we shall redeemingly bless
  • both their eternal lots; we will love with the pure and perfect love of
  • angel to an angel. If ever I fall from thee, dear Isabel, may Pierre
  • fall from himself; fall back forever into vacant nothingness and night!"
  • "My brother, my brother, speak not so to me; it is too much; unused to
  • any love ere now, thine, so heavenly and immense, falls crushing on me!
  • Such love is almost hard to bear as hate. Be still; do not speak to me."
  • They were both silent for a time; when she went on.
  • "Yes, my brother, Fate had now brought me within three miles of thee;
  • and--but shall I go straight on, and tell thee all, Pierre? all? every
  • thing? art thou of such divineness, that I may speak straight on, in all
  • my thoughts, heedless whither they may flow, or what things they may
  • float to me?"
  • "Straight on, and fearlessly," said Pierre.
  • "By chance I saw thy mother, Pierre, and under such circumstances that I
  • _knew_ her to be thy mother; and--but shall I go on?"
  • "Straight on, my Isabel; thou didst see my mother--well?"
  • "And when I saw her, though I spake not to her, nor she to me, yet
  • straightway my heart knew that she would love me not."
  • "Thy heart spake true," muttered Pierre to himself; "go on."
  • "I re-swore an oath never to reveal myself to thy mother."
  • "Oath well sworn," again he muttered; "go on."
  • "But I saw _thee_, Pierre; and, more than ever filled my mother toward
  • thy father, Pierre, then upheaved in me. Straightway I knew that if ever
  • I should come to be made known to thee, then thy own generous love would
  • open itself to me."
  • "Again thy heart spake true," he murmured; "go on--and didst thou
  • re-swear again?"
  • "No, Pierre; but yes, I did. I swore that thou wert my brother; with
  • love and pride I swore, that young and noble Pierre Glendinning was my
  • brother!"
  • "And only that?"
  • "Nothing more, Pierre; not to thee even, did I ever think to reveal
  • myself."
  • "How then? thou _art_ revealed to me."
  • "Yes; but the great God did it, Pierre--not poor Bell. Listen.
  • "I felt very dreary here; poor, dear Delly--thou must have heard
  • something of her story--a most sorrowful house, Pierre. Hark! that is
  • her seldom-pausing pacing thou hearest from the floor above. So she
  • keeps ever pacing, pacing, pacing; in her track, all thread-bare,
  • Pierre, is her chamber-rug. Her father will not look upon her; her
  • mother, she hath cursed her to her face. Out of yon chamber, Pierre,
  • Delly hath not slept, for now four weeks and more; nor ever hath she
  • once laid upon her bed; it was last made up five weeks ago; but paces,
  • paces, paces, all through the night, till after twelve; and then sits
  • vacant in her chair. Often I would go to her to comfort her; but she
  • says, 'Nay, nay, nay,' to me through the door; says 'Nay, nay, nay,' and
  • only nay to me, through the bolted door; bolted three weeks ago--when I
  • by cunning arts stole her dead baby from her, and with these fingers,
  • alone, by night, scooped out a hollow, and, seconding heaven's own
  • charitable stroke, buried that sweet, wee symbol of her not unpardonable
  • shame far from the ruthless foot of man--yes, bolted three weeks ago,
  • not once unbolted since; her food I must thrust through the little
  • window in her closet. Pierre, hardly these two handfuls has she eaten in
  • a week."
  • "Curses, wasp-like, cohere on that villain, Ned, and sting him to his
  • death!" cried Pierre, smit by this most piteous tale. "What can be done
  • for her, sweet Isabel; can Pierre do aught?"
  • "If thou or I do not, then the ever-hospitable grave will prove her
  • quick refuge, Pierre. Father and mother both, are worse than dead and
  • gone to her. They would have turned her forth, I think, but for my own
  • poor petitionings, unceasing in her behalf!"
  • Pierre's deep concern now gave place to a momentary look of benevolent
  • intelligence.
  • "Isabel, a thought of benefit to Delly has just entered me; but I am
  • still uncertain how best it may be acted on. Resolved I am though to
  • succor her. Do thou still hold her here yet awhile, by thy sweet
  • petitionings, till my further plans are more matured. Now run on with
  • thy story, and so divert me from the pacing;--her every step steps in my
  • soul."
  • "Thy noble heart hath many chambers, Pierre; the records of thy wealth,
  • I see, are not bound up in the one poor book of Isabel, my brother. Thou
  • art a visible token, Pierre, of the invisible angel-hoods, which in our
  • darker hours we do sometimes distrust. The gospel of thy acts goes very
  • far, my brother. Were all men like to thee, then were there no men at
  • all,--mankind extinct in seraphim!"
  • "Praises are for the base, my sister, cunningly to entice them to fair
  • Virtue by our ignorings of the ill in them, and our imputings of the
  • good not theirs. So make not my head to hang, sweet Isabel. Praise me
  • not. Go on now with thy tale."
  • "I have said to thee, my brother, how most dreary I found it here, and
  • from the first. Wonted all my life to sadness--if it be such--still,
  • this house hath such acuteness in its general grief, such hopelessness
  • and despair of any slightest remedy--that even poor Bell could scarce
  • abide it always, without some little going forth into contrasting
  • scenes. So I went forth into the places of delight, only that I might
  • return more braced to minister in the haunts of woe. For continual
  • unchanging residence therein, doth but bring on woe's stupor, and make
  • us as dead. So I went forth betimes; visiting the neighboring cottages;
  • where there were chattering children, and no one place vacant at the
  • cheerful board. Thus at last I chanced to hear of the Sewing Circle to
  • be held at the Miss Pennies'; and how that they were anxious to press
  • into their kind charity all the maidens of the country round. In various
  • cottages, I was besought to join; and they at length persuaded me; not
  • that I was naturally loth to it, and needed such entreaties; but at
  • first I felt great fear, lest at such a scene I might closely encounter
  • some of the Glendinnings; and that thought was then namelessly repulsive
  • to me. But by stealthy inquiries I learned, that the lady of the
  • manorial-house would not be present;--it proved deceptive
  • information;--but I went; and all the rest thou knowest."
  • "I do, sweet Isabel, but thou must tell it over to me; and all thy
  • emotions there."
  • V.
  • "Though but one day hath passed, my brother, since we first met in life,
  • yet thou hast that heavenly magnet in thee, which draws all my soul's
  • interior to thee. I will go on.--Having to wait for a neighbor's wagon,
  • I arrived but late at the Sewing Circle. When I entered, the two joined
  • rooms were very full. With the farmer's girls, our neighbors, I passed
  • along to the further corner, where thou didst see me; and as I went,
  • some heads were turned, and some whisperings I heard, of--'She's the new
  • help at poor Walter Ulver's--the strange girl they've got--she thinks
  • herself 'mazing pretty, I'll be bound;--but nobody knows her--Oh, how
  • demure!--but not over-good, I guess;--I wouldn't be her, not I--mayhap
  • she's some other ruined Delly, run away;--minx!' It was the first time
  • poor Bell had ever mixed in such a general crowded company; and knowing
  • little or nothing of such things, I had thought, that the meeting being
  • for charity's sweet sake, uncharity could find no harbor there; but no
  • doubt it was mere thoughtlessness, not malice in them. Still, it made my
  • heart ache in me sadly; for then I very keenly felt the dread
  • suspiciousness, in which a strange and lonely grief invests itself to
  • common eyes; as if grief itself were not enough, nor innocence any armor
  • to us, but despite must also come, and icy infamy! Miserable returnings
  • then I had--even in the midst of bright-budding girls and full-blown
  • women--miserable returnings then I had of the feeling, the bewildering
  • feeling of the inhumanities I spoke of in my earlier story. But Pierre,
  • blessed Pierre, do not look so sadly and half-reproachfully upon me.
  • Lone and lost though I have been, I love my kind; and charitably and
  • intelligently pity them, who uncharitably and unintelligently do me
  • despite. And thou, _thou_, blessed brother, hath glorified many somber
  • places in my soul, and taught me once for all to know, that my kind are
  • capable of things which would be glorious in angels. So look away from
  • me, dear Pierre, till thou hast taught thine eyes more wonted glances."
  • "They are vile falsifying telegraphs of me, then, sweet Isabel. What my
  • look was I can not tell, but my heart was only dark with ill-restrained
  • upbraidings against heaven that could unrelentingly see such innocence
  • as thine so suffer. Go on with thy too-touching tale."
  • "Quietly I sat there sewing, not brave enough to look up at all, and
  • thanking my good star, that had led me to so concealed a nook behind the
  • rest: quietly I sat there, sewing on a flannel shirt, and with each
  • stitch praying God, that whatever heart it might be folded over, the
  • flannel might hold it truly warm; and keep out the wide-world-coldness
  • which I felt myself; and which no flannel, or thickest fur, or any fire
  • then could keep off from me; quietly I sat there sewing, when I heard
  • the announcing words--oh, how deep and ineffaceably engraved they
  • are!--'Ah, dames, dames, Madame Glendinning,--Master Pierre
  • Glendinning.' Instantly, my sharp needle went through my side and
  • stitched my heart; the flannel dropt from my hand; thou heard'st my
  • shriek. But the good people bore me still nearer to the casement close
  • at hand, and threw it open wide; and God's own breath breathed on me;
  • and I rallied; and said it was some merest passing fit--'twas quite over
  • now--I was used to it--they had my heart's best thanks--but would they
  • now only leave me to myself, it were best for me;--I would go on and
  • sew. And thus it came and passed away; and again I sat sewing on the
  • flannel, hoping either that the unanticipated persons would soon depart,
  • or else that some spirit would catch me away from there; I sat sewing
  • on--till, Pierre! Pierre!--without looking up--for that I dared not do
  • at any time that evening--only once--without looking up, or knowing
  • aught but the flannel on my knee, and the needle in my heart, I
  • felt,--Pierre, _felt_--a glance of magnetic meaning on me. Long, I,
  • shrinking, sideways turned to meet it, but could not; till some helping
  • spirit seized me, and all my soul looked up at thee in my full-fronting
  • face. It was enough. Fate was in that moment. All the loneliness of my
  • life, all the choked longings of my soul, now poured over me. I could
  • not away from them. Then first I felt the complete deplorableness of my
  • state; that while thou, my brother, had a mother, and troops of aunts
  • and cousins, and plentiful friends in city and in country--I, I, Isabel,
  • thy own father's daughter, was thrust out of all hearts' gates, and
  • shivered in the winter way. But this was but the least. Not poor Bell
  • can tell thee all the feelings of poor Bell, or what feelings she felt
  • first. It was all one whirl of old and new bewilderings, mixed and
  • slanted with a driving madness. But it was most the sweet, inquisitive,
  • kindly interested aspect of thy face,--so strangely like thy father's,
  • too--the one only being that I first did love--it was that which most
  • stirred the distracting storm in me; most charged me with the immense
  • longings for some one of my blood to know me, and to own me, though but
  • once, and then away. Oh, my dear brother--Pierre! Pierre!--could'st thou
  • take out my heart, and look at it in thy hand, then thou would'st find
  • it all over written, this way and that, and crossed again, and yet
  • again, with continual lines of longings, that found no end but in
  • suddenly calling thee. Call him! Call him! He will come!--so cried my
  • heart to me; so cried the leaves and stars to me, as I that night went
  • home. But pride rose up--the very pride in my own longings,--and as one
  • arm pulled, the other held. So I stood still, and called thee not. But
  • Fate will be Fate, and it was fated. Once having met thy fixed regardful
  • glance; once having seen the full angelicalness in thee, my whole soul
  • was undone by thee; my whole pride was cut off at the root, and soon
  • showed a blighting in the bud; which spread deep into my whole being,
  • till I knew, that utterly decay and die away I must, unless pride let me
  • go, and I, with the one little trumpet of a pen, blew my heart's
  • shrillest blast, and called dear Pierre to me. My soul was full; and as
  • my beseeching ink went tracing o'er the page, my tears contributed their
  • mite, and made a strange alloy. How blest I felt that my so bitterly
  • tear-mingled ink--that last depth of my anguish--would never be visibly
  • known to thee, but the tears would dry upon the page, and all be fair
  • again, ere the so submerged-freighted letter should meet thine eye.
  • "Ah, there thou wast deceived, poor Isabel," cried Pierre impulsively;
  • "thy tears dried not fair, but dried red, almost like blood; and nothing
  • so much moved my inmost soul as that tragic sight."
  • "How? how? Pierre, my brother? Dried they red? Oh, horrible!
  • enchantment! most undreamed of!"
  • "Nay, the ink--the ink! something chemic in it changed thy real tears to
  • seeming blood;--only that, my sister."
  • "Oh Pierre! thus wonderfully is it--seems to me--that our own hearts do
  • not ever know the extremity of their own sufferings; sometimes we bleed
  • blood, when we think it only water. Of our sufferings, as of our
  • talents, others sometimes are the better judges. But stop me! force me
  • backward to my story! Yet methinks that now thou knowest all;--no, not
  • entirely all. Thou dost not know what planned and winnowed motive I did
  • have in writing thee; nor does poor Bell know that; for poor Bell was
  • too delirious to have planned and winnowed motives then. The impulse in
  • me called thee, not poor Bell. God called thee, Pierre, not poor Bell.
  • Even now, when I have passed one night after seeing thee, and hearkening
  • to all thy full love and graciousness; even now, I stand as one amazed,
  • and feel not what may be coming to me, or what will now befall me, from
  • having so rashly claimed thee for mine. Pierre, now, _now_, this instant
  • a vague anguish fills me. Tell me, by loving me, by owning me, publicly
  • or secretly,--tell me, doth it involve any vital hurt to thee? Speak
  • without reserve; speak honestly; as I do to thee! Speak now, Pierre, and
  • tell me all!"
  • "Is Love a harm? Can Truth betray to pain? Sweet Isabel, how can hurt
  • come in the path to God? Now, when I know thee all, now did I forget
  • thee, fail to acknowledge thee, and love thee before the wide world's
  • whole brazen width--could I do that; then might'st thou ask thy question
  • reasonably and say--Tell me, Pierre, does not the suffocating in thee of
  • poor Bell's holy claims, does not that involve for thee unending misery?
  • And my truthful soul would echo--Unending misery! Nay, nay, nay. Thou
  • art my sister and I am thy brother; and that part of the world which
  • knows me, shall acknowledge thee; or by heaven I will crush the
  • disdainful world down on its knees to thee, my sweet Isabel!"
  • "The menacings in thy eyes are dear delights to me; I grow up with thy
  • own glorious stature; and in thee, my brother, I see God's indignant
  • embassador to me, saying--Up, up, Isabel, and take no terms from the
  • common world, but do thou make terms to it, and grind thy fierce rights
  • out of it! Thy catching nobleness unsexes me, my brother; and now I know
  • that in her most exalted moment, then woman no more feels the twin-born
  • softness of her breasts, but feels chain-armor palpitating there!"
  • Her changed attitude of beautiful audacity; her long scornful hair, that
  • trailed out a disheveled banner; her wonderful transfigured eyes, in
  • which some meteors seemed playing up; all this now seemed to Pierre the
  • work of an invisible enchanter. Transformed she stood before him; and
  • Pierre, bowing low over to her, owned that irrespective, darting majesty
  • of humanity, which can be majestical and menacing in woman as in man.
  • But her gentler sex returned to Isabel at last; and she sat silent in
  • the casement's niche, looking out upon the soft ground-lightnings of the
  • electric summer night.
  • VI.
  • Sadly smiling, Pierre broke the pause.
  • "My sister, thou art so rich, that thou must do me alms; I am very
  • hungry; I have forgotten to eat since breakfast;--and now thou shalt
  • bring me bread and a cup of water, Isabel, ere I go forth from thee.
  • Last night I went rummaging in a pantry, like a bake-house burglar; but
  • to-night thou and I must sup together, Isabel; for as we may henceforth
  • live together, let us begin forthwith to eat in company."
  • Isabel looked up at him, with sudden and deep emotion, then all
  • acquiescing sweetness, and silently left the room.
  • As she returned, Pierre, casting his eyes toward the ceiling, said--"She
  • is quiet now, the pacing hath entirely ceased."
  • "Not the beating, tho'; her foot hath paused, not her unceasing heart.
  • My brother, she is not quiet now; quiet for her hath gone; so that the
  • pivoted stillness of this night is yet a noisy madness to her."
  • "Give me pen or pencil, and some paper, Isabel."
  • She laid down her loaf, and plate, and knife, and brought him pen, and
  • ink, and paper.
  • Pierre took the pen.
  • "Was this the one, dear Isabel?"
  • "It is the one, my brother; none other is in this poor cot."
  • He gazed at it intensely. Then turning to the table, steadily wrote the
  • following note:
  • "For Delly Ulver: with the deep and true regard and sympathy of
  • Pierre Glendinning.
  • "Thy sad story--partly known before--hath now more fully come to
  • me, from one who sincerely feels for thee, and who hath imparted
  • her own sincerity to me. Thou desirest to quit this neighborhood,
  • and be somewhere at peace, and find some secluded employ fitted to
  • thy sex and age. With this, I now willingly charge myself, and
  • insure it to thee, so far as my utmost ability can go.
  • Therefore--if consolation be not wholly spurned by thy great grief,
  • which too often happens, though it be but grief's great folly so to
  • feel--therefore, two true friends of thine do here beseech thee to
  • take some little heart to thee, and bethink thee, that all thy life
  • is not yet lived; that Time hath surest healing in his continuous
  • balm. Be patient yet a little while, till thy future lot be
  • disposed for thee, through our best help; and so, know me and
  • Isabel thy earnest friends and true-hearted lovers."
  • He handed the note to Isabel. She read it silently, and put it down, and
  • spread her two hands over him, and with one motion lifted her eyes
  • toward Delly and toward God.
  • "Thou think'st it will not pain her to receive the note, Isabel? Thou
  • know'st best. I thought, that ere our help do really reach her, some
  • promise of it now might prove slight comfort. But keep it, and do as
  • thou think'st best."
  • "Then straightway will I give it her, my brother," said Isabel, quitting
  • him.
  • An infixing stillness, now thrust a long rivet through the night, and
  • fast nailed it to that side of the world. And alone again in such an
  • hour, Pierre could not but listen. He heard Isabel's step on the stair;
  • then it approached him from above; then he heard a gentle knock, and
  • thought he heard a rustling, as of paper slid over a threshold
  • underneath a door. Then another advancing and opposite step tremblingly
  • met Isabel's; and then both steps stepped from each other, and soon
  • Isabel came back to him.
  • "Thou did'st knock, and slide it underneath the door?"
  • "Yes, and she hath it now. Hark! a sobbing! Thank God, long arid grief
  • hath found a tear at last. Pity, sympathy hath done this.--Pierre, for
  • thy dear deed thou art already sainted, ere thou be dead."
  • "Do saints hunger, Isabel?" said Pierre, striving to call her away from
  • this. "Come, give me the loaf; but no, thou shalt help me, my
  • sister.--Thank thee;--this is twice over the bread of sweetness.--Is
  • this of thine own making, Isabel?"
  • "My own making, my brother."
  • "Give me the cup; hand it me with thine own hand. So:--Isabel, my heart
  • and soul are now full of deepest reverence; yet I do dare to call this
  • the real sacrament of the supper.--Eat with me."
  • They eat together without a single word; and without a single word,
  • Pierre rose, and kissed her pure and spotless brow, and without a single
  • word departed from the place.
  • VII.
  • We know not Pierre Glendinning's thoughts as he gained the village and
  • passed on beneath its often shrouding trees, and saw no light from man,
  • and heard no sound from man, but only, by intervals, saw at his feet the
  • soft ground-lightnings, snake-like, playing in and out among the blades
  • of grass; and between the trees, caught the far dim light from heaven,
  • and heard the far wide general hum of the sleeping but still breathing
  • earth.
  • He paused before a detached and pleasant house, with much shrubbery
  • about it. He mounted the portico and knocked distinctly there, just as
  • the village clock struck one. He knocked, but no answer came. He knocked
  • again, and soon he heard a sash thrown up in the second story, and an
  • astonished voice inquired who was there?
  • "It is Pierre Glendinning, and he desires an instant interview with the
  • Reverend Mr. Falsgrave."
  • "Do I hear right?--in heaven's name, what is the matter, young
  • gentleman?"
  • "Every thing is the matter; the whole world is the matter. Will you
  • admit me, sir?"
  • "Certainly--but I beseech thee--nay, stay, I will admit thee."
  • In quicker time than could have been anticipated, the door was opened to
  • Pierre by Mr. Falsgrave in person, holding a candle, and invested in his
  • very becoming student's wrapper of Scotch plaid.
  • "For heaven's sake, what is the matter, Mr. Glendinning?"
  • "Heaven and earth is the matter, sir! shall we go up to the study?"
  • "Certainly, but--but--"
  • "Well, let us proceed, then."
  • They went up-stairs, and soon found themselves in the clergyman's
  • retreat, and both sat down; the amazed host still holding the candle in
  • his hand, and intently eying Pierre, with an apprehensive aspect.
  • "Thou art a man of God, sir, I believe."
  • "I? I? I? upon my word, Mr. Glendinning!"
  • "Yes, sir, the world calls thee a man of God. Now, what hast thou, the
  • man of God, decided, with my mother, concerning Delly Ulver?"
  • "Delly Ulver! why, why--what can this madness mean?"
  • "It means, sir, what have thou and my mother decided concerning Delly
  • Ulver."
  • "She?--Delly Ulver? She is to depart the neighborhood; why, her own
  • parents want her not."
  • "_How_ is she to depart? _Who_ is to take her? Art _thou_ to take her?
  • _Where_ is she to go? _Who_ has food for her? _What_ is to keep her from
  • the pollution to which such as she are every day driven to contribute,
  • by the detestable uncharitableness and heartlessness of the world?"
  • "Mr. Glendinning," said the clergyman, now somewhat calmly putting down
  • the candle, and folding himself with dignity in his gown; "Mr.
  • Glendinning, I will not now make any mention of my natural astonishment
  • at this most unusual call, and the most extraordinary time of it. Thou
  • hast sought information upon a certain point, and I have given it to
  • thee, to the best of my knowledge. All thy after and incidental
  • questions, I choose to have no answer for. I will be most happy to see
  • thee at any other time, but for the present thou must excuse my
  • presence. Good-night, sir."
  • But Pierre sat entirely still, and the clergyman could not but remain
  • standing still.
  • "I perfectly comprehend the whole, sir. Delly Ulver, then, is to be
  • driven out to starve or rot; and this, too, by the acquiescence of a man
  • of God. Mr. Falsgrave, the subject of Delly, deeply interesting as it is
  • to me, is only the preface to another, still more interesting to me, and
  • concerning which I once cherished some slight hope that thou wouldst
  • have been able, in thy Christian character, to sincerely and honestly
  • counsel me. But a hint from heaven assures me now, that thou hast no
  • earnest and world-disdaining counsel for me. I must seek it direct from
  • God himself, whom, I now know, never delegates his holiest admonishings.
  • But I do not blame thee; I think I begin to see how thy profession is
  • unavoidably entangled by all fleshly alliances, and can not move with
  • godly freedom in a world of benefices. I am more sorry than indignant.
  • Pardon me for my most uncivil call, and know me as not thy enemy.
  • Good-night, sir."
  • BOOK IX.
  • MORE LIGHT, AND THE GLOOM OF THAT LIGHT. MORE GLOOM, AND THE LIGHT OF
  • THAT GLOOM.
  • I.
  • In those Hyperborean regions, to which enthusiastic Truth, and
  • Earnestness, and Independence, will invariably lead a mind fitted by
  • nature for profound and fearless thought, all objects are seen in a
  • dubious, uncertain, and refracting light. Viewed through that rarefied
  • atmosphere the most immemorially admitted maxims of men begin to slide
  • and fluctuate, and finally become wholly inverted; the very heavens
  • themselves being not innocent of producing this confounding effect,
  • since it is mostly in the heavens themselves that these wonderful
  • mirages are exhibited.
  • But the example of many minds forever lost, like undiscoverable Arctic
  • explorers, amid those treacherous regions, warns us entirely away from
  • them; and we learn that it is not for man to follow the trail of truth
  • too far, since by so doing he entirely loses the directing compass of
  • his mind; for arrived at the Pole, to whose barrenness only it points,
  • there, the needle indifferently respects all points of the horizon
  • alike.
  • But even the less distant regions of thought are not without their
  • singular introversions. Hardly any sincere man of ordinary reflective
  • powers, and accustomed to exercise them at all, but must have been
  • independently struck by the thought, that, after all, what is so
  • enthusiastically applauded as the march of mind,--meaning the inroads of
  • Truth into Error--which has ever been regarded by hopeful persons as the
  • one fundamental thing most earnestly to be prayed for as the greatest
  • possible Catholic blessing to the world;--almost every thinking man must
  • have been some time or other struck with the idea, that, in certain
  • respects, a tremendous mistake may be lurking here, since all the world
  • does never gregariously advance to Truth, but only here and there some
  • of its individuals do; and by advancing, leave the rest behind; cutting
  • themselves forever adrift from their sympathy, and making themselves
  • always liable to be regarded with distrust, dislike, and often,
  • downright--though, ofttimes, concealed--fear and hate. What wonder,
  • then, that those advanced minds, which in spite of advance, happen still
  • to remain, for the time, ill-regulated, should now and then be goaded
  • into turning round in acts of wanton aggression upon sentiments and
  • opinions now forever left in their rear. Certain it is, that in their
  • earlier stages of advance, especially in youthful minds, as yet
  • untranquilized by long habituation to the world as it inevitably and
  • eternally is; this aggressiveness is almost invariably manifested, and
  • as invariably afterward deplored by themselves.
  • That amazing shock of practical truth, which in the compass of a very
  • few days and hours had not so much advanced, as magically transplanted
  • the youthful mind of Pierre far beyond all common discernments; it had
  • not been entirely unattended by the lamentable rearward aggressiveness
  • we have endeavored to portray above. Yielding to that unwarrantable
  • mood, he had invaded the profound midnight slumbers of the Reverend Mr.
  • Falsgrave, and most discourteously made war upon that really amiable and
  • estimable person. But as through the strange force of circumstances his
  • advance in insight had been so surprisingly rapid, so also was now his
  • advance in some sort of wisdom, in charitableness; and his concluding
  • words to Mr. Falsgrave, sufficiently evinced that already, ere quitting
  • that gentleman's study, he had begun to repent his ever entering it on
  • such a mission.
  • And as he now walked on in the profound meditations induced by the hour;
  • and as all that was in him stirred to and fro, intensely agitated by the
  • ever-creative fire of enthusiastic earnestness, he became fully alive to
  • many palliating considerations, which had they previously occurred to
  • him would have peremptorily forbidden his impulsive intrusion upon the
  • respectable clergyman.
  • But it is through the malice of this earthly air, that only by being
  • guilty of Folly does mortal man in many cases arrive at the perception
  • of Sense. A thought which should forever free us from hasty imprecations
  • upon our ever-recurring intervals of Folly; since though Folly be our
  • teacher, Sense is the lesson she teaches; since if Folly wholly depart
  • from us, Further Sense will be her companion in the flight, and we will
  • be left standing midway in wisdom. For it is only the miraculous vanity
  • of man which ever persuades him, that even for the most richly gifted
  • mind, there ever arrives an earthly period, where it can truly say to
  • itself, I have come to the Ultimate of Human Speculative Knowledge;
  • hereafter, at this present point I will abide. Sudden onsets of new
  • truth will assail him, and over-turn him as the Tartars did China; for
  • there is no China Wall that man can build in his soul, which shall
  • permanently stay the irruptions of those barbarous hordes which Truth
  • ever nourishes in the loins of her frozen, yet teeming North; so that
  • the Empire of Human Knowledge can never be lasting in any one dynasty,
  • since Truth still gives new Emperors to the earth.
  • But the thoughts we here indite as Pierre's are to be very carefully
  • discriminated from those we indite concerning him. Ignorant at this time
  • of the ideas concerning the reciprocity and partnership of Folly and
  • Sense, in contributing to the mental and moral growth of the mind;
  • Pierre keenly upbraided his thoughtlessness, and began to stagger in his
  • soul; as distrustful of that radical change in his general sentiments,
  • which had thus hurried him into a glaring impropriety and folly; as
  • distrustful of himself, the most wretched distrust of all. But this last
  • distrust was not of the heart; for heaven itself, so he felt, had
  • sanctified that with its blessing; but it was the distrust of his
  • intellect, which in undisciplinedly espousing the manly enthusiast cause
  • of his heart, seemed to cast a reproach upon that cause itself.
  • But though evermore hath the earnest heart an eventual balm for the most
  • deplorable error of the head; yet in the interval small alleviation is
  • to be had, and the whole man droops into nameless melancholy. Then it
  • seems as though the most magnanimous and virtuous resolutions were only
  • intended for fine spiritual emotions, not as mere preludes to their
  • bodily translation into acts; since in essaying their embodiment, we
  • have but proved ourselves miserable bunglers, and thereupon taken
  • ignominious shame to ourselves. Then, too, the never-entirely repulsed
  • hosts of Commonness, and Conventionalness, and Worldly
  • Prudent-mindedness return to the charge; press hard on the faltering
  • soul; and with inhuman hootings deride all its nobleness as mere
  • eccentricity, which further wisdom and experience shall assuredly cure.
  • The man is as seized by arms and legs, and convulsively pulled either
  • way by his own indecisions and doubts. Blackness advances her banner
  • over this cruel altercation, and he droops and swoons beneath its folds.
  • It was precisely in this mood of mind that, at about two in the morning,
  • Pierre, with a hanging head, now crossed the private threshold of the
  • Mansion of Saddle Meadows.
  • II.
  • In the profoundly silent heart of a house full of sleeping serving-men
  • and maids, Pierre now sat in his chamber before his accustomed round
  • table, still tossed with the books and the papers which, three days
  • before, he had abruptly left, for a sudden and more absorbing object.
  • Uppermost and most conspicuous among the books were the Inferno of
  • Dante, and the Hamlet of Shakspeare.
  • His mind was wandering and vague; his arm wandered and was vague. Soon
  • he found the open Inferno in his hand, and his eye met the following
  • lines, allegorically overscribed within the arch of the outgoings of the
  • womb of human life:
  • "Through me you pass into the city of Woe;
  • Through me you pass into eternal pain;
  • Through me, among the people lost for aye.
  • * * * * *
  • All hope abandon, ye who enter here."
  • He dropped the fatal volume from his hand; he dropped his fated head
  • upon his chest.
  • His mind was wandering and vague; his arm wandered and was vague. Some
  • moments passed, and he found the open Hamlet in his hand, and his eyes
  • met the following lines:
  • "The time is out of joint;--Oh cursed spite,
  • That ever I was born to set it right!"
  • He dropped the too true volume from his hand; his petrifying heart
  • dropped hollowly within him, as a pebble down Carrisbrook well.
  • III.
  • The man Dante Alighieri received unforgivable affronts and insults from
  • the world; and the poet Dante Alighieri bequeathed his immortal curse to
  • it, in the sublime malediction of the Inferno. The fiery tongue whose
  • political forkings lost him the solacements of this world, found its
  • malicious counterpart in that muse of fire, which would forever bar the
  • vast bulk of mankind from all solacement in the worlds to come.
  • Fortunately for the felicity of the Dilletante in Literature, the
  • horrible allegorical meanings of the Inferno, lie not on the surface;
  • but unfortunately for the earnest and youthful piercers into truth and
  • reality, those horrible meanings, when first discovered, infuse their
  • poison into a spot previously unprovided with that sovereign antidote of
  • a sense of uncapitulatable security, which is only the possession of the
  • furthest advanced and profoundest souls.
  • Judge ye, then, ye Judicious, the mood of Pierre, so far as the passage
  • in Dante touched him.
  • If among the deeper significances of its pervading indefiniteness, which
  • significances are wisely hidden from all but the rarest adepts, the
  • pregnant tragedy of Hamlet convey any one particular moral at all fitted
  • to the ordinary uses of man, it is this:--that all meditation is
  • worthless, unless it prompt to action; that it is not for man to stand
  • shilly-shallying amid the conflicting invasions of surrounding impulses;
  • that in the earliest instant of conviction, the roused man must strike,
  • and, if possible, with the precision and the force of the
  • lightning-bolt.
  • Pierre had always been an admiring reader of Hamlet; but neither his age
  • nor his mental experience thus far, had qualified him either to catch
  • initiating glimpses into the hopeless gloom of its interior meaning, or
  • to draw from the general story those superficial and purely incidental
  • lessons, wherein the painstaking moralist so complacently expatiates.
  • The intensest light of reason and revelation combined, can not shed such
  • blazonings upon the deeper truths in man, as will sometimes proceed from
  • his own profoundest gloom. Utter darkness is then his light, and
  • cat-like he distinctly sees all objects through a medium which is mere
  • blindness to common vision. Wherefore have Gloom and Grief been
  • celebrated of old as the selectest chamberlains to knowledge? Wherefore
  • is it, that not to know Gloom and Grief is not to know aught that an
  • heroic man should learn?
  • By the light of that gloom, Pierre now turned over the soul of Hamlet in
  • his hand. He knew not--at least, felt not--then, that Hamlet, though a
  • thing of life, was, after all, but a thing of breath, evoked by the
  • wanton magic of a creative hand, and as wantonly dismissed at last into
  • endless halls of hell and night.
  • It is the not impartially bestowed privilege of the more final insights,
  • that at the same moment they reveal the depths, they do, sometimes, also
  • reveal--though by no means so distinctly--some answering heights. But
  • when only midway down the gulf, its crags wholly conceal the upper
  • vaults, and the wanderer thinks it all one gulf of downward dark.
  • Judge ye, then, ye Judicious, the mood of Pierre, so far as the passage
  • in Hamlet touched him.
  • IV.
  • Torn into a hundred shreds the printed pages of Hell and Hamlet lay at
  • his feet, which trampled them, while their vacant covers mocked him with
  • their idle titles. Dante had made him fierce, and Hamlet had insinuated
  • that there was none to strike. Dante had taught him that he had bitter
  • cause of quarrel; Hamlet taunted him with faltering in the fight. Now he
  • began to curse anew his fate, for now he began to see that after all he
  • had been finely juggling with himself, and postponing with himself, and
  • in meditative sentimentalities wasting the moments consecrated to
  • instant action.
  • Eight-and-forty hours and more had passed. Was Isabel acknowledged? Had
  • she yet hung on his public arm? Who knew yet of Isabel but Pierre? Like
  • a skulking coward he had gone prowling in the woods by day, and like a
  • skulking coward he had stolen to her haunt by night! Like a thief he had
  • sat and stammered and turned pale before his mother, and in the cause of
  • Holy Right, permitted a woman to grow tall and hector over him! Ah! Easy
  • for man to think like a hero; but hard for man to act like one. All
  • imaginable audacities readily enter into the soul; few come boldly forth
  • from it.
  • Did he, or did he not vitally mean to do this thing? Was the immense
  • stuff to do it his, or was it not his? Why defer? Why put off? What was
  • there to be gained by deferring and putting off? His resolution had been
  • taken, why was it not executed? What more was there to learn? What more
  • which was essential to the public acknowledgment of Isabel, had remained
  • to be learned, after his first glance at her first letter? Had doubts of
  • her identity come over him to stay him?--None at all. Against the wall
  • of the thick darkness of the mystery of Isabel, recorded as by some
  • phosphoric finger was the burning fact, that Isabel was his sister. Why
  • then? How then? Whence then this utter nothing of his acts? Did he
  • stagger at the thought, that at the first announcement to his mother
  • concerning Isabel, and his resolution to own her boldly and lovingly,
  • his proud mother, spurning the reflection on his father, would likewise
  • spurn Pierre and Isabel, and denounce both him and her, and hate them
  • both alike, as unnatural accomplices against the good name of the purest
  • of husbands and parents? Not at all. Such a thought was not in him. For
  • had he not already resolved, that his mother should know nothing of the
  • fact of Isabel?--But how now? What then? How was Isabel to be
  • acknowledged to the world, if his mother was to know nothing of that
  • acknowledgment?--Short-sighted, miserable palterer and huckster, thou
  • hast been playing a most fond and foolish game with thyself! Fool and
  • coward! Coward and fool! Tear thyself open, and read there the
  • confounding story of thy blind dotishness! Thy two grand
  • resolutions--the public acknowledgment of Isabel, and the charitable
  • withholding of her existence from thy own mother,--these are impossible
  • adjuncts.--Likewise, thy so magnanimous purpose to screen thy father's
  • honorable memory from reproach, and thy other intention, the open
  • vindication of thy fraternalness to Isabel,--these also are impossible
  • adjuncts. And the having individually entertained four such resolves,
  • without perceiving that once brought together, they all mutually expire;
  • this, this ineffable folly, Pierre, brands thee in the forehead for an
  • unaccountable infatuate!
  • Well may'st thou distrust thyself, and curse thyself, and tear thy
  • Hamlet and thy Hell! Oh! fool, blind fool, and a million times an ass!
  • Go, go, thou poor and feeble one! High deeds are not for such blind
  • grubs as thou! Quit Isabel, and go to Lucy! Beg humble pardon of thy
  • mother, and hereafter be a more obedient and good boy to her,
  • Pierre--Pierre, Pierre,--infatuate!
  • Impossible would it be now to tell all the confusion and confoundings in
  • the soul of Pierre, so soon as the above absurdities in his mind
  • presented themselves first to his combining consciousness. He would fain
  • have disowned the very memory and the mind which produced to him such an
  • immense scandal upon his common sanity. Now indeed did all the fiery
  • floods in the Inferno, and all the rolling gloom in Hamlet suffocate him
  • at once in flame and smoke. The cheeks of his soul collapsed in him: he
  • dashed himself in blind fury and swift madness against the wall, and
  • fell dabbling in the vomit of his loathed identity.
  • BOOK X.
  • THE UNPRECEDENTED FINAL RESOLUTION OF PIERRE.
  • I.
  • Glorified be his gracious memory who first said, The deepest gloom
  • precedes the day. We care not whether the saying will prove true to the
  • utmost bounds of things; sufficient that it sometimes does hold true
  • within the bounds of earthly finitude.
  • Next morning Pierre rose from the floor of his chamber, haggard and
  • tattered in body from his past night's utter misery, but stoically
  • serene and symmetrical in soul, with the foretaste of what then seemed
  • to him a planned and perfect Future. Now he thinks he knows that the
  • wholly unanticipated storm which had so terribly burst upon him, had yet
  • burst upon him for his good; for the place, which in its undetected
  • incipiency, the storm had obscurely occupied in his soul, seemed now
  • clear sky to him; and all his horizon seemed distinctly commanded by
  • him.
  • His resolution was a strange and extraordinary one; but therefore it
  • only the better met a strange and extraordinary emergency. But it was
  • not only strange and extraordinary in its novelty of mere aspect, but it
  • was wonderful in its unequaled renunciation of himself.
  • From the first, determined at all hazards to hold his father's fair
  • fame inviolate from any thing he should do in reference to protecting
  • Isabel, and extending to her a brother's utmost devotedness and love;
  • and equally determined not to shake his mother's lasting peace by any
  • useless exposure of unwelcome facts; and yet vowed in his deepest soul
  • some way to embrace Isabel before the world, and yield to her his
  • constant consolation and companionship; and finding no possible mode of
  • unitedly compassing all these ends, without a most singular act of pious
  • imposture, which he thought all heaven would justify in him, since he
  • himself was to be the grand self-renouncing victim; therefore, this was
  • his settled and immovable purpose now; namely: to assume before the
  • world, that by secret rites, Pierre Glendinning was already become the
  • husband of Isabel Banford--an assumption which would entirely warrant
  • his dwelling in her continual company, and upon equal terms, taking her
  • wherever the world admitted him; and at the same time foreclose all
  • sinister inquisitions bearing upon his deceased parent's memory, or any
  • way affecting his mother's lasting peace, as indissolubly linked with
  • that. True, he in embryo, foreknew, that the extraordinary thing he had
  • resolved, would, in another way, indirectly though inevitably, dart a
  • most keen pang into his mother's heart; but this then seemed to him part
  • of the unavoidable vast price of his enthusiastic virtue; and, thus
  • minded, rather would he privately pain his living mother with a wound
  • that might be curable, than cast world-wide and irremediable
  • dishonor--so it seemed to him--upon his departed father.
  • Probably no other being than Isabel could have produced upon Pierre
  • impressions powerful enough to eventuate in a final resolution so
  • unparalleled as the above. But the wonderful melodiousness of her grief
  • had touched the secret monochord within his breast, by an apparent
  • magic, precisely similar to that which had moved the stringed tongue of
  • her guitar to respond to the heart-strings of her own melancholy
  • plaints. The deep voice of the being of Isabel called to him from out
  • the immense distances of sky and air, and there seemed no veto of the
  • earth that could forbid her heavenly claim.
  • During the three days that he had personally known her, and so been
  • brought into magnetic contact with her, other persuasions and potencies
  • than those direct ones, involved in her bewildering eyes and marvelous
  • story, had unconsciously left their ineffaceable impressions on him, and
  • perhaps without his privity, had mainly contributed to his resolve. She
  • had impressed him as the glorious child of Pride and Grief, in whose
  • countenance were traceable the divinest lineaments of both her parents.
  • Pride gave to her her nameless nobleness; Grief touched that nobleness
  • with an angelical softness; and again that softness was steeped in a
  • most charitable humility, which was the foundation of her loftiest
  • excellence of all.
  • Neither by word or letter had Isabel betrayed any spark of those more
  • common emotions and desires which might not unreasonably be ascribed to
  • an ordinary person placed in circumstances like hers. Though almost
  • penniless, she had not invoked the pecuniary bounty of Pierre; and
  • though she was altogether silent on that subject, yet Pierre could not
  • but be strangely sensible of something in her which disdained to
  • voluntarily hang upon the mere bounty even of a brother. Nor, though she
  • by various nameless ways, manifested her consciousness of being
  • surrounded by uncongenial and inferior beings, while yet descended from
  • a generous stock, and personally meriting the most refined
  • companionships which the wide world could yield; nevertheless, she had
  • not demanded of Pierre that he should array her in brocade, and lead her
  • forth among the rare and opulent ladies of the land. But while thus
  • evincing her intuitive, true lady-likeness and nobleness by this entire
  • freedom from all sordid motives, neither had she merged all her feelings
  • in any sickly sentimentalities of sisterly affection toward her so
  • suddenly discovered brother; which, in the case of a naturally
  • unattractive woman in her circumstances, would not have been altogether
  • alluring to Pierre. No. That intense and indescribable longing, which
  • her letter by its very incoherencies had best embodied, proceeded from
  • no base, vain, or ordinary motive whatever; but was the unsuppressible
  • and unmistakable cry of the godhead through her soul, commanding Pierre
  • to fly to her, and do his highest and most glorious duty in the world.
  • Nor now, as it changedly seemed to Pierre, did that duty consist in
  • stubbornly flying in the marble face of the Past, and striving to
  • reverse the decree which had pronounced that Isabel could never
  • perfectly inherit all the privileges of a legitimate child of her
  • father. And thoroughly now he felt, that even as this would in the
  • present case be both preposterous in itself and cruel in effect to both
  • the living and the dead, so was it entirely undesired by Isabel, who
  • though once yielding to a momentary burst of aggressive enthusiasm, yet
  • in her more wonted mood of mournfulness and sweetness, evinced no such
  • lawless wandering. Thoroughly, now he felt, that Isabel was content to
  • live obscure in her paternal identity, so long as she could any way
  • appease her deep longings for the constant love and sympathy and close
  • domestic contact of some one of her blood. So that Pierre had no
  • slightest misgiving that upon learning the character of his scheme, she
  • would deem it to come short of her natural expectations; while so far as
  • its apparent strangeness was concerned,--a strangeness, perhaps
  • invincible to squeamish and humdrum women--here Pierre anticipated no
  • obstacle in Isabel; for her whole past was strange, and strangeness
  • seemed best befitting to her future.
  • But had Pierre now reread the opening paragraph of her letter to him, he
  • might have very quickly derived a powerful anticipative objection from
  • his sister, which his own complete disinterestedness concealed from him.
  • Though Pierre had every reason to believe that--owing to her secluded
  • and humble life--Isabel was in entire ignorance of the fact of his
  • precise relation to Lucy Tartan:--an ignorance, whose first indirect and
  • unconscious manifestation in Isabel, had been unspeakably welcome to
  • him;--and though, of course, he had both wisely and benevolently
  • abstained from enlightening her on that point; still, notwithstanding
  • this, was it possible that any true-hearted noble girl like Isabel,
  • would, to benefit herself, willingly become a participator in an act,
  • which would prospectively and forever bar the blessed boon of
  • marriageable love from one so young and generous as Pierre, and
  • eternally entangle him in a fictitious alliance, which, though in
  • reality but a web of air, yet in effect would prove a wall of iron; for
  • the same powerful motive which induced the thought of forming such an
  • alliance, would always thereafter forbid that tacit exposure of its
  • fictitiousness, which would be consequent upon its public
  • discontinuance, and the real nuptials of Pierre with any other being
  • during the lifetime of Isabel.
  • But according to what view you take of it, it is either the gracious or
  • the malicious gift of the great gods to man, that on the threshold of
  • any wholly new and momentous devoted enterprise, the thousand ulterior
  • intricacies and emperilings to which it must conduct; these, at the
  • outset, are mostly withheld from sight; and so, through her
  • ever-primeval wilderness Fortune's Knight rides on, alike ignorant of
  • the palaces or the pitfalls in its heart. Surprising, and past all
  • ordinary belief, are those strange oversights and inconsistencies, into
  • which the enthusiastic meditation upon unique or extreme resolves will
  • sometimes beget in young and over-ardent souls. That all-comprehending
  • oneness, that calm representativeness, by which a steady philosophic
  • mind reaches forth and draws to itself, in their collective entirety,
  • the objects of its contemplations; that pertains not to the young
  • enthusiast. By his eagerness, all objects are deceptively foreshortened;
  • by his intensity each object is viewed as detached; so that essentially
  • and relatively every thing is misseen by him. Already have we exposed
  • that passing preposterousness in Pierre, which by reason of the
  • above-named cause which we have endeavored to portray, induced him to
  • cherish for a time four unitedly impossible designs. And now we behold
  • this hapless youth all eager to involve himself in such an inextricable
  • twist of Fate, that the three dextrous maids themselves could hardly
  • disentangle him, if once he tie the complicating knots about him and
  • Isabel.
  • Ah, thou rash boy! are there no couriers in the air to warn thee away
  • from these emperilings, and point thee to those Cretan labyrinths, to
  • which thy life's cord is leading thee? Where now are the high
  • beneficences? Whither fled the sweet angels that are alledged guardians
  • to man?
  • Not that the impulsive Pierre wholly overlooked all that was menacing to
  • him in his future, if now he acted out his most rare resolve; but
  • eagerly foreshortened by him, they assumed not their full magnitude of
  • menacing; nor, indeed,--so riveted now his purpose--were they pushed up
  • to his face, would he for that renounce his self-renunciation; while
  • concerning all things more immediately contingent upon his central
  • resolution; these were, doubtless, in a measure, foreseen and understood
  • by him. Perfectly, at least, he seemed to foresee and understand, that
  • the present hope of Lucy Tartan must be banished from his being; that
  • this would carry a terrible pang to her, which in the natural recoil
  • would but redouble his own; that to the world all his heroicness,
  • standing equally unexplained and unsuspected, therefore the world would
  • denounce him as infamously false to his betrothed; reckless of the most
  • binding human vows; a secret wooer and wedder of an unknown and
  • enigmatic girl; a spurner of all a loving mother's wisest counselings; a
  • bringer down of lasting reproach upon an honorable name; a besotted
  • self-exile from a most prosperous house and bounteous fortune; and
  • lastly, that now his whole life would, in the eyes of the wide humanity,
  • be covered with an all-pervading haze of incurable sinisterness,
  • possibly not to be removed even in the concluding hour of death.
  • Such, oh thou son of man! are the perils and the miseries thou callest
  • down on thee, when, even in a virtuous cause, thou steppest aside from
  • those arbitrary lines of conduct, by which the common world, however
  • base and dastardly, surrounds thee for thy worldly good.
  • Ofttimes it is very wonderful to trace the rarest and profoundest
  • things, and find their probable origin in something extremely trite or
  • trivial. Yet so strange and complicate is the human soul; so much is
  • confusedly evolved from out itself, and such vast and varied accessions
  • come to it from abroad, and so impossible is it always to distinguish
  • between these two, that the wisest man were rash, positively to assign
  • the precise and incipient origination of his final thoughts and acts.
  • Far as we blind moles can see, man's life seems but an acting upon
  • mysterious hints; it is somehow hinted to us, to do thus or thus. For
  • surely no mere mortal who has at all gone down into himself will ever
  • pretend that his slightest thought or act solely originates in his own
  • defined identity. This preamble seems not entirely unnecessary as usher
  • of the strange conceit, that possibly the latent germ of Pierre's
  • proposed extraordinary mode of executing his proposed extraordinary
  • resolve--namely, the nominal conversion of a sister into a wife--might
  • have been found in the previous conversational conversion of a mother
  • into a sister; for hereby he had habituated his voice and manner to a
  • certain fictitiousness in one of the closest domestic relations of life;
  • and since man's moral texture is very porous, and things assumed upon
  • the surface, at last strike in--hence, this outward habituation to the
  • above-named fictitiousness had insensibly disposed his mind to it as it
  • were; but only innocently and pleasantly as yet. If, by any possibility,
  • this general conceit be so, then to Pierre the times of sportfulness
  • were as pregnant with the hours of earnestness; and in sport he learnt
  • the terms of woe.
  • II.
  • If next to that resolve concerning his lasting fraternal succor to
  • Isabel, there was at this present time any determination in Pierre
  • absolutely inflexible, and partaking at once of the sacredness and the
  • indissolubleness of the most solemn oath, it was the enthusiastic, and
  • apparently wholly supererogatory resolution to hold his father's memory
  • untouched; nor to one single being in the world reveal the paternity of
  • Isabel. Unrecallably dead and gone from out the living world, again
  • returned to utter helplessness, so far as this world went; his perished
  • father seemed to appeal to the dutifulness and mercifulness of Pierre,
  • in terms far more moving than though the accents proceeded from his
  • mortal mouth. And what though not through the sin of Pierre, but through
  • his father's sin, that father's fair fame now lay at the mercy of the
  • son, and could only be kept inviolate by the son's free sacrifice of all
  • earthly felicity;--what if this were so? It but struck a still loftier
  • chord in the bosom of the son, and filled him with infinite
  • magnanimities. Never had the generous Pierre cherished the heathenish
  • conceit, that even in the general world, Sin is a fair object to be
  • stretched on the cruelest racks by self-complacent Virtue, that
  • self-complacent Virtue may feed her lily-liveredness on the pallor of
  • Sin's anguish. For perfect Virtue does not more loudly claim our
  • approbation, than repented Sin in its concludedness does demand our
  • utmost tenderness and concern. And as the more immense the Virtue, so
  • should be the more immense our approbation; likewise the more immense
  • the Sin, the more infinite our pity. In some sort, Sin hath its
  • sacredness, not less than holiness. And great Sin calls forth more
  • magnanimity than small Virtue. What man, who is a man, does not feel
  • livelier and more generous emotions toward the great god of
  • Sin--Satan,--than toward yonder haberdasher, who only is a sinner in
  • the small and entirely honorable way of trade?
  • Though Pierre profoundly shuddered at that impenetrable yet blackly
  • significant nebulousness, which the wild story of Isabel threw around
  • the early life of his father; yet as he recalled the dumb anguish of the
  • invocation of the empty and the ashy hand uplifted from his father's
  • death-bed, he most keenly felt that of whatsoever unknown shade his
  • father's guilt might be, yet in the final hour of death it had been most
  • dismally repented of; by a repentance only the more full of utter
  • wretchedness, that it was a consuming secret in him. Mince the matter
  • how his family would, had not his father died a raver? Whence that
  • raving, following so prosperous a life? Whence, but from the cruelest
  • compunctions?
  • Touched thus, and strung in all his sinews and his nerves to the holding
  • of his father's memory intact,--Pierre turned his confronting and
  • unfrightened face toward Lucy Tartan, and stilly vowed that not even she
  • should know the whole; no, not know the least.
  • There is an inevitable keen cruelty in the loftier heroism. It is not
  • heroism only to stand unflinched ourselves in the hour of suffering; but
  • it is heroism to stand unflinched both at our own and at some loved
  • one's united suffering; a united suffering, which we could put an
  • instant period to, if we would but renounce the glorious cause for which
  • ourselves do bleed, and see our most loved one bleed. If he would not
  • reveal his father's shame to the common world, whose favorable opinion
  • for himself, Pierre now despised; how then reveal it to the woman he
  • adored? To her, above all others, would he now uncover his father's
  • tomb, and bid her behold from what vile attaintings he himself had
  • sprung? So Pierre turned round and tied Lucy to the same stake which
  • must hold himself, for he too plainly saw, that it could not be, but
  • that both their hearts must burn.
  • Yes, his resolve concerning his father's memory involved the necessity
  • of assuming even to Lucy his marriage with Isabel. Here he could not
  • explain himself, even to her. This would aggravate the sharp pang of
  • parting, by self-suggested, though wholly groundless surmising in Lucy's
  • mind, in the most miserable degree contaminating to her idea of him. But
  • on this point, he still fondly trusted that without at all marring his
  • filial bond, he would be enabled by some significant intimations to
  • arrest in Lucy's mind those darker imaginings which might find entrance
  • there; and if he could not set her wholly right, yet prevent her from
  • going wildly wrong.
  • For his mother Pierre was more prepared. He considered that by an
  • inscrutable decree, which it was but foolishness to try to evade, or
  • shun, or deny existence to, since he felt it so profoundly pressing on
  • his inmost soul; the family of the Glendinnings was imperiously called
  • upon to offer up a victim to the gods of woe; one grand victim at the
  • least; and that grand victim must be his mother, or himself. If he
  • disclosed his secret to the world, then his mother was made the victim;
  • if at all hazards he kept it to himself, then himself would be the
  • victim. A victim as respecting his mother, because under the peculiar
  • circumstances of the case, the non-disclosure of the secret involved her
  • entire and infamy-engendering misconception of himself. But to this he
  • bowed submissive.
  • One other thing--and the last to be here named, because the very least
  • in the conscious thoughts of Pierre; one other thing remained to menace
  • him with assured disastrousness. This thing it was, which though but
  • dimly hinted of as yet, still in the apprehension must have exerted a
  • powerful influence upon Pierre, in preparing him for the worst.
  • His father's last and fatal sickness had seized him suddenly. Both the
  • probable concealed distraction of his mind with reference to his early
  • life as recalled to him in an evil hour, and his consequent mental
  • wanderings; these, with other reasons, had prevented him from framing a
  • new will to supersede one made shortly after his marriage, and ere
  • Pierre was born. By that will which as yet had never been dragged into
  • the courts of law; and which, in the fancied security of her own and her
  • son's congenial and loving future, Mrs. Glendinning had never but once,
  • and then inconclusively, offered to discuss, with a view to a better and
  • more appropriate ordering of things to meet circumstances non-existent
  • at the period the testament was framed; by that will, all the
  • Glendinning property was declared his mother's.
  • Acutely sensible to those prophetic intimations in him, which painted in
  • advance the haughty temper of his offended mother, as all bitterness and
  • scorn toward a son, once the object of her proudest joy, but now become
  • a deep reproach, as not only rebellious to her, but glaringly
  • dishonorable before the world; Pierre distinctly foresaw, that as she
  • never would have permitted Isabel Banford in her true character to cross
  • her threshold; neither would she now permit Isabel Banford to cross her
  • threshold in any other, and disguised character; least of all, as that
  • unknown and insidious girl, who by some pernicious arts had lured her
  • only son from honor into infamy. But not to admit Isabel, was now to
  • exclude Pierre, if indeed on independent grounds of exasperation against
  • himself, his mother would not cast him out.
  • Nor did the same interior intimations in him which fore-painted the
  • above bearing of his mother, abstain to trace her whole haughty heart as
  • so unrelentingly set against him, that while she would close her doors
  • against both him and his fictitious wife, so also she would not
  • willingly contribute one copper to support them in a supposed union so
  • entirely abhorrent to her. And though Pierre was not so familiar with
  • the science of the law, as to be quite certain what the law, if appealed
  • to concerning the provisions of his father's will, would decree
  • concerning any possible claims of the son to share with the mother in
  • the property of the sire; yet he prospectively felt an invincible
  • repugnance to dragging his dead father's hand and seal into open Court,
  • and fighting over them with a base mercenary motive, and with his own
  • mother for the antagonist. For so thoroughly did his infallible
  • presentiments paint his mother's character to him, as operated upon and
  • disclosed in all those fiercer traits,--hitherto held in abeyance by the
  • mere chance and felicity of circumstances,--that he felt assured that
  • her exasperation against him would even meet the test of a public legal
  • contention concerning the Glendinning property. For indeed there was a
  • reserved strength and masculineness in the character of his mother, from
  • which on all these points Pierre had every thing to dread. Besides, will
  • the matter how he would, Pierre for nearly two whole years to come,
  • would still remain a minor, an infant in the eye of the law, incapable
  • of personally asserting any legal claim; and though he might sue by his
  • next friend, yet who would be his voluntary next friend, when the
  • execution of his great resolve would, for him, depopulate all the world
  • of friends?
  • Now to all these things, and many more, seemed the soul of this
  • infatuated young enthusiast braced.
  • III.
  • There is a dark, mad mystery in some human hearts, which, sometimes,
  • during the tyranny of a usurper mood, leads them to be all eagerness to
  • cast off the most intense beloved bond, as a hindrance to the attainment
  • of whatever transcendental object that usurper mood so tyrannically
  • suggests. Then the beloved bond seems to hold us to no essential good;
  • lifted to exalted mounts, we can dispense with all the vale; endearments
  • we spurn; kisses are blisters to us; and forsaking the palpitating forms
  • of mortal love, we emptily embrace the boundless and the unbodied air.
  • We think we are not human; we become as immortal bachelors and gods; but
  • again, like the Greek gods themselves, prone we descend to earth; glad
  • to be uxorious once more; glad to hide these god-like heads within the
  • bosoms made of too-seducing clay.
  • Weary with the invariable earth, the restless sailor breaks from every
  • enfolding arm, and puts to sea in height of tempest that blows off
  • shore. But in long night-watches at the antipodes, how heavily that
  • ocean gloom lies in vast bales upon the deck; thinking that that very
  • moment in his deserted hamlet-home the household sun is high, and many a
  • sun-eyed maiden meridian as the sun. He curses Fate; himself he curses;
  • his senseless madness, which is himself. For whoso once has known this
  • sweet knowledge, and then fled it; in absence, to him the avenging dream
  • will come.
  • Pierre was now this vulnerable god; this self-upbraiding sailor; this
  • dreamer of the avenging dream. Though in some things he had unjuggled
  • himself, and forced himself to eye the prospect as it was; yet, so far
  • as Lucy was concerned, he was at bottom still a juggler. True, in his
  • extraordinary scheme, Lucy was so intimately interwoven, that it seemed
  • impossible for him at all to cast his future without some way having
  • that heart's love in view. But ignorant of its quantity as yet, or
  • fearful of ascertaining it; like an algebraist, for the real Lucy he, in
  • his scheming thoughts, had substituted but a sign--some empty _x_--and
  • in the ultimate solution of the problem, that empty _x_ still figured;
  • not the real Lucy.
  • But now, when risen from the abasement of his chamber-floor, and risen
  • from the still profounder prostration of his soul, Pierre had thought
  • that all the horizon of his dark fate was commanded by him; all his
  • resolutions clearly defined, and immovably decreed; now finally, to top
  • all, there suddenly slid into his inmost heart the living and breathing
  • form of Lucy. His lungs collapsed; his eyeballs glared; for the sweet
  • imagined form, so long buried alive in him, seemed now as gliding on
  • him from the grave; and her light hair swept far adown her shroud.
  • Then, for the time, all minor things were whelmed in him; his mother,
  • Isabel, the whole wide world; and one only thing remained to him;--this
  • all-including query--Lucy or God?
  • But here we draw a vail. Some nameless struggles of the soul can not be
  • painted, and some woes will not be told. Let the ambiguous procession of
  • events reveal their own ambiguousness.
  • BOOK XI.
  • HE CROSSES THE RUBICON
  • I.
  • Sucked within the Maelstrom, man must go round. Strike at one end the
  • longest conceivable row of billiard balls in close contact, and the
  • furthermost ball will start forth, while all the rest stand still; and
  • yet that last ball was not struck at all. So, through long previous
  • generations, whether of births or thoughts, Fate strikes the present
  • man. Idly he disowns the blow's effect, because he felt no blow, and
  • indeed, received no blow. But Pierre was not arguing Fixed Fate and Free
  • Will, now; Fixed Fate and Free Will were arguing him, and Fixed Fate got
  • the better in the debate.
  • The peculiarities of those influences which on the night and early
  • morning following the last interview with Isabel, persuaded Pierre to
  • the adoption of his final resolve, did now irresistibly impel him to a
  • remarkable instantaneousness in his actions, even as before he had
  • proved a lagger.
  • Without being consciously that way pointed, through the desire of
  • anticipating any objections on the part of Isabel to the assumption of a
  • marriage between himself and her; Pierre was now impetuously hurried
  • into an act, which should have the effective virtue of such an executed
  • intention, without its corresponding motive. Because, as the primitive
  • resolve so deplorably involved Lucy, her image was then prominent in his
  • mind; and hence, because he felt all eagerness to hold her no longer in
  • suspense, but by a certain sort of charity of cruelty, at once to
  • pronounce to her her fate; therefore, it was among his first final
  • thoughts that morning to go to Lucy. And to this, undoubtedly, so
  • trifling a circumstance as her being nearer to him, geographically, than
  • Isabel, must have contributed some added, though unconscious influence,
  • in his present fateful frame of mind.
  • On the previous undetermined days, Pierre had solicitously sought to
  • disguise his emotions from his mother, by a certain carefulness and
  • choiceness in his dress. But now, since his very soul was forced to wear
  • a mask, he would wear no paltry palliatives and disguisements on his
  • body. He went to the cottage of Lucy as disordered in his person, as
  • haggard in his face.
  • II.
  • She was not risen yet. So, the strange imperious instantaneousness in
  • him, impelled him to go straight to her chamber-door, and in a voice of
  • mild invincibleness, demand immediate audience, for the matter pressed.
  • Already namelessly concerned and alarmed for her lover, now
  • eight-and-forty hours absent on some mysterious and undisclosable
  • affair; Lucy, at this surprising summons was overwhelmed with sudden
  • terror; and in oblivion of all ordinary proprieties, responded to
  • Pierre's call, by an immediate assent.
  • Opening the door, he advanced slowly and deliberately toward her; and as
  • Lucy caught his pale determined figure, she gave a cry of groping
  • misery, which knew not the pang that caused it, and lifted herself
  • trembling in her bed; but without uttering one word.
  • Pierre sat down on the bedside; and his set eyes met her terrified and
  • virgin aspect.
  • "Decked in snow-white, and pale of cheek, thou indeed art fitted for the
  • altar; but not that one of which thy fond heart did'st dream:--so fair a
  • victim!"
  • "Pierre!"
  • "'Tis the last cruelty of tyrants to make their enemies slay each
  • other."
  • "My heart! my heart!"
  • "Nay;---- Lucy, I am married."
  • The girl was no more pale, but white as any leper; the bed-clothes
  • trembled to the concealed shudderings of all her limbs; one moment she
  • sat looking vacantly into the blank eyes of Pierre, and then fell over
  • toward him in a swoon.
  • Swift madness mounted into the brain of Pierre; all the past seemed as a
  • dream, and all the present an unintelligible horror. He lifted her, and
  • extended her motionless form upon the bed, and stamped for succor. The
  • maid Martha came running into the room, and beholding those two
  • inexplicable figures, shrieked, and turned in terror. But Pierre's
  • repeated cry rallied Martha from this, and darting out of the chamber,
  • she returned with a sharp restorative, which at length brought Lucy back
  • to life.
  • "Martha! Martha!" now murmured Lucy, in a scarce audible whispering, and
  • shuddering in the maid's own shuddering arms, "quick, quick; come to
  • me--drive it away! wake me! wake me!"
  • "Nay, pray God to sleep again," cried Martha, bending over her and
  • embracing her, and half-turning upon Pierre with a glance of loathing
  • indignation. "In God's holy name, sir, what may this be? How came you
  • here; accursed!"
  • "Accursed?--it is well. Is she herself again, Martha?"
  • "Thou hast somehow murdered her; how then be herself again? My sweet
  • mistress! oh, my young mistress! Tell me! tell me!" and she bent low
  • over her.
  • Pierre now advanced toward the bed, making a gesture for the maid to
  • leave them; but soon as Lucy re-caught his haggard form, she
  • whisperingly wailed again, "Martha! Martha! drive it
  • away!--there--there! him--him!" and shut her eyes convulsively, with
  • arms abhorrently outstretched.
  • "Monster! incomprehensible fiend!" cried the anew terror-smitten
  • maid--"depart! See! she dies away at the sight of thee--begone! Wouldst
  • thou murder her afresh? Begone!"
  • Starched and frozen by his own emotion, Pierre silently turned and
  • quitted the chamber; and heavily descending the stairs, tramped
  • heavily--as a man slowly bearing a great burden--through a long narrow
  • passage leading to a wing in the rear of the cottage, and knocking at
  • Miss Lanyllyn's door, summoned her to Lucy, who, he briefly said, had
  • fainted. Then, without waiting for any response, left the house, and
  • went directly to the mansion.
  • III.
  • "Is my mother up yet?" said he to Dates, whom he met in the hall.
  • "Not yet, sir;--heavens, sir! are you sick?"
  • "To death! Let me pass."
  • Ascending toward his mother's chamber, he heard a coming step, and met
  • her on the great middle landing of the stairs, where in an ample niche,
  • a marble group of the temple-polluting Laocoon and his two innocent
  • children, caught in inextricable snarls of snakes, writhed in eternal
  • torments.
  • "Mother, go back with me to thy chamber."
  • She eyed his sudden presence with a dark but repressed foreboding; drew
  • herself up haughtily and repellingly, and with a quivering lip, said,
  • "Pierre, thou thyself hast denied me thy confidence, and thou shall not
  • force me back to it so easily. Speak! what is that now between thee and
  • me?"
  • "I am married, mother."
  • "Great God! To whom?"
  • "Not to Lucy Tartan, mother."
  • "That thou merely sayest 'tis not Lucy, without saying who indeed it is,
  • this is good proof she is something vile. Does Lucy know thy marriage?"
  • "I am but just from Lucy's."
  • Thus far Mrs. Glendinning's rigidity had been slowly relaxing. Now she
  • clutched the balluster, bent over, and trembled, for a moment. Then
  • erected all her haughtiness again, and stood before Pierre in incurious,
  • unappeasable grief and scorn for him.
  • "My dark soul prophesied something dark. If already thou hast not found
  • other lodgment, and other table than this house supplies, then seek it
  • straight. Beneath my roof, and at my table, he who was once Pierre
  • Glendinning no more puts himself."
  • She turned from him, and with a tottering step climbed the winding
  • stairs, and disappeared from him; while in the balluster he held, Pierre
  • seemed to feel the sudden thrill running down to him from his mother's
  • convulsive grasp.
  • He stared about him with an idiot eye; staggered to the floor below, to
  • dumbly quit the house; but as he crossed its threshold, his foot tripped
  • upon its raised ledge; he pitched forward upon the stone portico, and
  • fell. He seemed as jeeringly hurled from beneath his own ancestral
  • roof.
  • IV.
  • Passing through the broad court-yard's postern, Pierre closed it after
  • him, and then turned and leaned upon it, his eyes fixed upon the great
  • central chimney of the mansion, from which a light blue smoke was
  • wreathing gently into the morning air.
  • "The hearth-stone from which thou risest, never more, I inly feel, will
  • these feet press. Oh God, what callest thou that which has thus made
  • Pierre a vagabond?"
  • He walked slowly away, and passing the windows of Lucy, looked up, and
  • saw the white curtains closely drawn, the white-cottage profoundly
  • still, and a white saddle-horse tied before the gate.
  • "I would enter, but again would her abhorrent wails repel; what more can
  • I now say or do to her? I can not explain. She knows all I purposed to
  • disclose. Ay, but thou didst cruelly burst upon her with it; thy
  • impetuousness, thy instantaneousness hath killed her, Pierre!--Nay, nay,
  • nay!--Cruel tidings who can gently break? If to stab be inevitable; then
  • instant be the dagger! Those curtains are close drawn upon her; so let
  • me upon her sweet image draw the curtains of my soul. Sleep, sleep,
  • sleep, sleep, thou angel!--wake no more to Pierre, nor to thyself, my
  • Lucy!"
  • Passing on now hurriedly and blindly, he jostled against some
  • oppositely-going wayfarer. The man paused amazed; and looking up, Pierre
  • recognized a domestic of the Mansion. That instantaneousness which now
  • impelled him in all his actions, again seized the ascendency in him.
  • Ignoring the dismayed expression of the man at thus encountering his
  • young master, Pierre commanded him to follow him. Going straight to the
  • "Black Swan," the little village Inn, he entered the first vacant room,
  • and bidding the man be seated, sought the keeper of the house, and
  • ordered pen and paper.
  • If fit opportunity offer in the hour of unusual affliction, minds of a
  • certain temperament find a strange, hysterical relief, in a wild,
  • perverse humorousness, the more alluring from its entire unsuitableness
  • to the occasion; although they seldom manifest this trait toward those
  • individuals more immediately involved in the cause or the effect of
  • their suffering. The cool censoriousness of the mere philosopher would
  • denominate such conduct as nothing short of temporary madness; and
  • perhaps it is, since, in the inexorable and inhuman eye of mere
  • undiluted reason, all grief, whether on our own account, or that of
  • others, is the sheerest unreason and insanity.
  • The note now written was the following:
  • "_For that Fine Old Fellow, Dates._
  • "Dates, my old boy, bestir thyself now. Go to my room, Dates, and
  • bring me down my mahogany strong-box and lock-up, the thing covered
  • with blue chintz; strap it very carefully, my sweet Dates, it is
  • rather heavy, and set it just without the postern. Then back and
  • bring me down my writing-desk, and set that, too, just without the
  • postern. Then back yet again, and bring me down the old camp-bed
  • (see that all the parts be there), and bind the case well with a
  • cord. Then go to the left corner little drawer in my wardrobe, and
  • thou wilt find my visiting-cards. Tack one on the chest, and the
  • desk, and the camp-bed case. Then get all my clothes together, and
  • pack them in trunks (not forgetting the two old military cloaks, my
  • boy), and tack cards on them also, my good Dates. Then fly round
  • three times indefinitely, my good Dates, and wipe a little of the
  • perspiration off. And then--let me see--then, my good Dates--why
  • what then? Why, this much. Pick up all papers of all sorts that may
  • be lying round my chamber, and see them burned. And then--have old
  • White Hoof put to the lightest farm-wagon, and send the chest, and
  • the desk, and the camp-bed, and the trunks to the 'Black Swan,'
  • where I shall call for them, when I am ready, and not before, sweet
  • Dates. So God bless thee, my fine, old, imperturbable Dates, and
  • adieu!
  • "Thy old young master,
  • PIERRE.
  • "_Nota bene_--Mark well, though, Dates. Should my mother possibly
  • interrupt thee, say that it is my orders, and mention what it is I
  • send for; but on no account show this to thy mistress--D'ye hear?
  • PIERRE again."
  • Folding this scrawl into a grotesque shape, Pierre ordered the man to
  • take it forthwith to Dates. But the man, all perplexed, hesitated,
  • turning the billet over in his hand; till Pierre loudly and violently
  • bade him begone; but as the man was then rapidly departing in a panic,
  • Pierre called him back and retracted his rude words; but as the servant
  • now lingered again, perhaps thinking to avail himself of this repentant
  • mood in Pierre, to say something in sympathy or remonstrance to him,
  • Pierre ordered him off with augmented violence, and stamped for him to
  • begone.
  • Apprising the equally perplexed old landlord that certain things would
  • in the course of that forenoon be left for him, (Pierre,) at the Inn;
  • and also desiring him to prepare a chamber for himself and wife that
  • night; some chamber with a commodious connecting room, which might
  • answer for a dressing-room; and likewise still another chamber for a
  • servant; Pierre departed the place, leaving the old landlord staring
  • vacantly at him, and dumbly marveling what horrible thing had happened
  • to turn the brain of his fine young favorite and old shooting comrade,
  • Master Pierre.
  • Soon the short old man went out bare-headed upon the low porch of the
  • Inn, descended its one step, and crossed over to the middle of the road,
  • gazing after Pierre. And only as Pierre turned up a distant lane, did
  • his amazement and his solicitude find utterance.
  • "I taught him--yes, old Casks;--the best shot in all the country round
  • is Master Pierre;--pray God he hits not now the bull's eye in
  • himself.--Married? married? and coming here?--This is pesky strange!"
  • BOOK XII.
  • ISABEL: MRS. GLENDINNING: THE PORTRAIT: AND LUCY.
  • I.
  • When on the previous night Pierre had left the farm-house where Isabel
  • harbored, it will be remembered that no hour, either of night or day, no
  • special time at all had been assigned for a succeeding interview. It was
  • Isabel, who for some doubtlessly sufficient reason of her own, had, for
  • the first meeting, assigned the early hour of darkness.
  • As now, when the full sun was well up the heavens, Pierre drew near the
  • farm-house of the Ulvers, he descried Isabel, standing without the
  • little dairy-wing, occupied in vertically arranging numerous glittering
  • shield-like milk-pans on a long shelf, where they might purifyingly meet
  • the sun. Her back was toward him. As Pierre passed through the open
  • wicket and crossed the short soft green sward, he unconsciously muffled
  • his footsteps, and now standing close behind his sister, touched her
  • shoulder and stood still.
  • She started, trembled, turned upon him swiftly, made a low, strange cry,
  • and then gazed rivetedly and imploringly upon him.
  • "I look rather queerish, sweet Isabel, do I not?" said Pierre at last
  • with a writhed and painful smile.
  • "My brother, my blessed brother!--speak--tell me--what has
  • happened--what hast thou done? Oh! Oh! I should have warned thee before,
  • Pierre, Pierre; it is my fault--mine, mine!"
  • "_What_ is thy fault, sweet Isabel?"
  • "Thou hast revealed Isabel to thy mother, Pierre."
  • "I have not, Isabel. Mrs. Glendinning knows not thy secret at all."
  • "Mrs. Glendinning?--that's,--that's thine own mother, Pierre! In
  • heaven's name, my brother, explain thyself. Knows not my secret, and yet
  • thou here so suddenly, and with such a fatal aspect? Come, come with me
  • into the house. Quick, Pierre, why dost thou not stir? Oh, my God! if
  • mad myself sometimes, I am to make mad him who loves me best, and who, I
  • fear, has in some way ruined himself for me;--then, let me no more stand
  • upright on this sod, but fall prone beneath it, that I may be hidden!
  • Tell me!" catching Pierre's arms in both her frantic hands--"tell me, do
  • I blast where I look? is my face Gorgon's?"
  • "Nay, sweet Isabel; but it hath a more sovereign power; that turned to
  • stone; thine might turn white marble into mother's milk."
  • "Come with me--come quickly."
  • They passed into the dairy, and sat down on a bench by the honey-suckled
  • casement.
  • "Pierre, forever fatal and accursed be the day my longing heart called
  • thee to me, if now, in the very spring-time of our related love, thou
  • art minded to play deceivingly with me, even though thou should'st fancy
  • it for my good. Speak to me; oh speak to me, my brother!"
  • "Thou hintest of deceiving one for one's good. Now supposing, sweet
  • Isabel, that in no case would I affirmatively deceive thee;--in no case
  • whatever;--would'st thou then be willing for thee and me to piously
  • deceive others, for both their and our united good?--Thou sayest
  • nothing. Now, then, is it _my_ turn, sweet Isabel, to bid thee speak to
  • me, oh speak to me!"
  • "That unknown, approaching thing, seemeth ever ill, my brother, which
  • must have unfrank heralds to go before. Oh, Pierre, dear, dear Pierre;
  • be very careful with me! This strange, mysterious, unexampled love
  • between us, makes me all plastic in thy hand. Be very careful with me. I
  • know little out of me. The world seems all one unknown India to me. Look
  • up, look on me, Pierre; say now, thou wilt be very careful; say so, say
  • so, Pierre!"
  • "If the most exquisite, and fragile filagree of Genoa be carefully
  • handled by its artisan; if sacred nature carefully folds, and warms, and
  • by inconceivable attentivenesses eggs round and round her minute and
  • marvelous embryoes; then, Isabel, do I most carefully and most tenderly
  • egg thee, gentlest one, and the fate of thee! Short of the great God,
  • Isabel, there lives none who will be more careful with thee, more
  • infinitely considerate and delicate with thee."
  • "From my deepest heart, do I believe thee, Pierre. Yet thou mayest be
  • very delicate in some point, where delicateness is not all essential,
  • and in some quick impulsive hour, omit thy fullest heedfulness somewhere
  • where heedlessness were most fatal. Nay, nay, my brother; bleach these
  • locks snow-white, thou sun! if I have any thought to reproach thee,
  • Pierre, or betray distrust of thee. But earnestness must sometimes seem
  • suspicious, else it is none. Pierre, Pierre, all thy aspect speaks
  • eloquently of some already executed resolution, born in suddenness.
  • Since I last saw thee, Pierre, some deed irrevocable has been done by
  • thee. My soul is stiff and starched to it; now tell me what it is?"
  • "Thou, and I, and Delly Ulver, to-morrow morning depart this whole
  • neighborhood, and go to the distant city.--That is it."
  • "No more?"
  • "Is it not enough?"
  • "There is something more, Pierre."
  • "Thou hast not yet answered a question I put to thee but just now.
  • Bethink thee, Isabel. The deceiving of others by thee and me, in a thing
  • wholly pertaining to ourselves, for their and our united good. Wouldst
  • thou?"
  • "I would do any thing that does not tend to the marring of thy best
  • lasting fortunes, Pierre. What is it thou wouldst have thee and me to do
  • together? I wait; I wait!"
  • "Let us go into the room of the double casement, my sister," said
  • Pierre, rising.
  • "Nay, then; if it can not be said here, then can I not do it anywhere,
  • my brother; for it would harm thee."
  • "Girl!" cried Pierre, sternly, "if for thee I have lost"--but he checked
  • himself.
  • "Lost? for me? Now does the very worst blacken on me. Pierre! Pierre!"
  • "I was foolish, and sought but to frighten thee, my sister. It was very
  • foolish. Do thou now go on with thine innocent work here, and I will
  • come again a few hours hence. Let me go now."
  • He was turning from her, when Isabel sprang forward to him, caught him
  • with both her arms round him, and held him so convulsively, that her
  • hair sideways swept over him, and half concealed him.
  • "Pierre, if indeed my soul hath cast on thee the same black shadow that
  • my hair now flings on thee; if thou hast lost aught for me; then
  • eternally is Isabel lost to Isabel, and Isabel will not outlive this
  • night. If I am indeed an accursing thing, I will not act the given part,
  • but cheat the air, and die from it. See; I let thee go, lest some poison
  • I know not of distill upon thee from me."
  • She slowly drooped, and trembled from him. But Pierre caught her, and
  • supported her.
  • "Foolish, foolish one! Behold, in the very bodily act of loosing hold of
  • me, thou dost reel and fall;--unanswerable emblem of the indispensable
  • heart-stay, I am to thee, my sweet, sweet Isabel! Prate not then of
  • parting."
  • "What hast thou lost for me? Tell me!"
  • "A gainful loss, my sister!"
  • "'Tis mere rhetoric! What hast thou lost?"
  • "Nothing that my inmost heart would now recall. I have bought inner love
  • and glory by a price, which, large or small, I would not now have paid
  • me back, so I must return the thing I bought."
  • "Is love then cold, and glory white? Thy cheek is snowy, Pierre."
  • "It should be, for I believe to God that I am pure, let the world think
  • how it may."
  • "What hast thou lost?"
  • "Not thee, nor the pride and glory of ever loving thee, and being a
  • continual brother to thee, my best sister. Nay, why dost thou now turn
  • thy face from me?"
  • "With fine words he wheedles me, and coaxes me, not to know some secret
  • thing. Go, go, Pierre, come to me when thou wilt. I am steeled now to
  • the worst, and to the last. Again I tell thee, I will do any thing--yes,
  • any thing that Pierre commands--for, though outer ill do lower upon us,
  • still, deep within, thou wilt be careful, very careful with me, Pierre?"
  • "Thou art made of that fine, unshared stuff of which God makes his
  • seraphim. But thy divine devotedness to me, is met by mine to thee. Well
  • mayest thou trust me, Isabel; and whatever strangest thing I may yet
  • propose to thee, thy confidence,--will it not bear me out? Surely thou
  • will not hesitate to plunge, when I plunge first;--already have I
  • plunged! now thou canst not stay upon the bank. Hearken, hearken to
  • me.--I seek not now to gain thy prior assent to a thing as yet undone;
  • but I call to thee now, Isabel, from the depth of a foregone act, to
  • ratify it, backward, by thy consent. Look not so hard upon me. Listen. I
  • will tell all. Isabel, though thou art all fearfulness to injure any
  • living thing, least of all, thy brother; still thy true heart
  • foreknoweth not the myriad alliances and criss-crossings among mankind,
  • the infinite entanglements of all social things, which forbids that one
  • thread should fly the general fabric, on some new line of duty, without
  • tearing itself and tearing others. Listen. All that has happened up to
  • this moment, and all that may be yet to happen, some sudden inspiration
  • now assures me, inevitably proceeded from the first hour I saw thee. Not
  • possibly could it, or can it, be otherwise. Therefore feel I, that I
  • have some patience. Listen. Whatever outer things might possibly be
  • mine; whatever seeming brightest blessings; yet now to live uncomforting
  • and unloving to thee, Isabel; now to dwell domestically away from thee;
  • so that only by stealth, and base connivances of the night, I could come
  • to thee as thy related brother; this would be, and is, unutterably
  • impossible. In my bosom a secret adder of self-reproach and self-infamy
  • would never leave off its sting. Listen. But without gratuitous dishonor
  • to a memory which--for right cause or wrong--is ever sacred and
  • inviolate to me, I can not be an open brother to thee, Isabel. But thou
  • wantest not the openness; for thou dost not pine for empty nominalness,
  • but for vital realness; what thou wantest, is not the occasional
  • openness of my brotherly love; but its continual domestic confidence. Do
  • I not speak thine own hidden heart to thee? say, Isabel? Well, then,
  • still listen to me. One only way presents to this; a most strange way,
  • Isabel; to the world, that never throbbed for thee in love, a most
  • deceitful way; but to all a harmless way; so harmless in its essence,
  • Isabel, that, seems to me, Pierre hath consulted heaven itself upon it,
  • and heaven itself did not say Nay. Still, listen to me; mark me. As thou
  • knowest that thou wouldst now droop and die without me; so would I
  • without thee. We are equal there; mark _that_, too, Isabel. I do not
  • stoop to thee, nor thou to me; but we both reach up alike to a glorious
  • ideal! Now the continualness, the secretness, yet the always present
  • domesticness of our love; how may we best compass that, without
  • jeopardizing the ever-sacred memory I hinted of? One way--one way--only
  • one! A strange way, but most pure. Listen. Brace thyself: here, let me
  • hold thee now; and then whisper it to thee, Isabel. Come, I holding
  • thee, thou canst not fall."
  • He held her tremblingly; she bent over toward him; his mouth wet her
  • ear; he whispered it.
  • The girl moved not; was done with all her tremblings; leaned closer to
  • him, with an inexpressible strangeness of an intense love, new and
  • inexplicable. Over the face of Pierre there shot a terrible
  • self-revelation; he imprinted repeated burning kisses upon her; pressed
  • hard her hand; would not let go her sweet and awful passiveness.
  • Then they changed; they coiled together, and entangledly stood mute.
  • II.
  • Mrs. Glendinning walked her chamber; her dress loosened.
  • "That such accursed vileness should proceed from me! Now will the
  • tongued world say--See the vile boy of Mary Glendinning!--Deceitful!
  • thick with guilt, where I thought it was all guilelessness and gentlest
  • docility to me. It has not happened! It is not day! Were this thing so,
  • I should go mad, and be shut up, and not walk here where every door is
  • open to me.--My own only son married to an unknown--thing! My own only
  • son, false to his holiest plighted public vow--and the wide world
  • knowing to it! He bears my name--Glendinning. I will disown it; were it
  • like this dress, I would tear my name off from me, and burn it till it
  • shriveled to a crisp!--Pierre! Pierre! come back, come back, and swear
  • it is not so! It can not be! Wait: I will ring the bell, and see if it
  • be so."
  • She rung the bell with violence, and soon heard a responsive knock.
  • "Come in!--Nay, falter not;" (throwing a shawl over her) "come in. Stand
  • there and tell me if thou darest, that my son was in this house this
  • morning and met me on the stairs. Darest thou say that?"
  • Dates looked confounded at her most unwonted aspect.
  • "Say it! find thy tongue! Or I will root mine out and fling it at thee!
  • Say it!"
  • "My dear mistress!"
  • "I am not thy mistress! but thou my master; for, if thou sayest it, thou
  • commandest me to madness.--Oh, vile boy!--Begone from me!"
  • She locked the door upon him, and swiftly and distractedly walked her
  • chamber. She paused, and tossing down the curtains, shut out the sun
  • from the two windows.
  • Another, but an unsummoned knock, was at the door. She opened it.
  • "My mistress, his Reverence is below. I would not call you, but he
  • insisted."
  • "Let him come up."
  • "Here? Immediately?"
  • "Didst thou hear me? Let Mr. Falsgrave come up."
  • As if suddenly and admonishingly made aware, by Dates, of the
  • ungovernable mood of Mrs. Glendinning, the clergyman entered the open
  • door of her chamber with a most deprecating but honest reluctance, and
  • apprehensiveness of he knew not what.
  • "Be seated, sir; stay, shut the door and lock it."
  • "Madam!"
  • "_I_ will do it. Be seated. Hast thou seen him?"
  • "Whom, Madam?--Master Pierre?"
  • "Him!--quick!"
  • "It was to speak of him I came, Madam. He made a most extraordinary call
  • upon me last night--midnight."
  • "And thou marriedst him?--Damn thee!"
  • "Nay, nay, nay, Madam; there is something here I know not of--I came to
  • tell thee news, but thou hast some o'erwhelming tidings to reveal to
  • me."
  • "I beg no pardons; but I may be sorry. Mr. Falsgrave, my son, standing
  • publicly plighted to Lucy Tartan, has privately wedded some other
  • girl--some slut!"
  • "Impossible!"
  • "True as thou art there. Thou knowest nothing of it then?"
  • "Nothing, nothing--not one grain till now. Who is it he has wedded?"
  • "Some _slut_, I tell thee!--I am no lady now, but something deeper,--a
  • woman!--an outraged and pride-poisoned woman!"
  • She turned from him swiftly, and again paced the room, as frantic and
  • entirely regardless of any presence. Waiting for her to pause, but in
  • vain, Mr. Falsgrave advanced toward her cautiously, and with the
  • profoundest deference, which was almost a cringing, spoke:--
  • "It is the hour of woe to thee; and I confess my cloth hath no
  • consolation for thee yet awhile. Permit me to withdraw from thee,
  • leaving my best prayers for thee, that thou mayst know some peace, ere
  • this now shut-out sun goes down. Send for me whenever thou desirest
  • me.--May I go now?"
  • "Begone! and let me not hear thy soft, mincing voice, which is an infamy
  • to a man! Begone, thou helpless, and unhelping one!"
  • She swiftly paced the room again, swiftly muttering to herself. "Now,
  • now, now, now I see it clearer, clearer--clear now as day! My first dim
  • suspicions pointed right!--too right! Ay--the sewing! it was the
  • sewing!--The shriek!--I saw him gazing rooted at her. He would not speak
  • going home with me. I charged him with his silence; he put me off with
  • lies, lies, lies! Ay, ay, he is married to her, to her;--to
  • her!--perhaps was then. And yet,--and yet,--how can it be?--Lucy,
  • Lucy--I saw him, after that, look on her as if he would be glad to die
  • for her, and go to hell for her, whither he deserves to go!--Oh! oh! oh!
  • Thus ruthlessly to cut off, at one gross sensual dash, the fair
  • succession of an honorable race! Mixing the choicest wine with filthy
  • water from the plebeian pool, and so turning all to undistinguishable
  • rankness!--Oh viper! had I thee now in me, I would be a suicide and a
  • murderer with one blow!"
  • A third knock was at the door. She opened it.
  • "My mistress, I thought it would disturb you,--it is so just
  • overhead,--so I have not removed them yet."
  • "Unravel thy gibberish!--what is it?"
  • "Pardon, my mistress, I somehow thought you knew it, but you can not."
  • "What is that writing crumpling in thy hand? Give it me."
  • "I have promised my young master not to, my mistress."
  • "I will snatch it, then, and so leave thee blameless.--What? what?
  • what?--He's mad sure!--'Fine old fellow Dates'--what? what?--mad and
  • merry!--chest?--clothes?--trunks?--he wants them?--Tumble them out of
  • his window!--and if he stand right beneath, tumble them out! Dismantle
  • that whole room. Tear up the carpet. I swear, he shall leave no smallest
  • vestige in this house.--Here! this very spot--here, here, where I stand,
  • he may have stood upon;--yes, he tied my shoe-string here; it's
  • slippery! Dates!"
  • "My mistress."
  • "Do his bidding. By reflection he has made me infamous to the world; and
  • I will make him infamous to it. Listen, and do not delude thyself that
  • I am crazy. Go up to yonder room" (pointing upward), "and remove every
  • article in it, and where he bid thee set down the chest and trunks,
  • there set down all the contents of that room."
  • "'Twas before the house--this house!"
  • "And if it had not been there, I would not order thee to put them there.
  • Dunce! I would have the world know that I disown and scorn him! Do my
  • bidding!--Stay. Let the room stand; but take him what he asks for."
  • "I will, my mistress."
  • As Dates left the chamber, Mrs. Glendinning again paced it swiftly, and
  • again swiftly muttered: "Now, if I were less a strong and haughty woman,
  • the fit would have gone by ere now. But deep volcanoes long burn, ere
  • they burn out.--Oh, that the world were made of such malleable stuff,
  • that we could recklessly do our fieriest heart's-wish before it, and not
  • falter. Accursed be those four syllables of sound which make up that
  • vile word Propriety. It is a chain and bell to drag;--drag? what sound
  • is that? there's dragging--his trunks--the traveler's--dragging out. Oh
  • would I could so drag my heart, as fishers for the drowned do, as that I
  • might drag up my sunken happiness! Boy! boy! worse than brought in
  • dripping drowned to me,--drowned in icy infamy! Oh! oh! oh!"
  • She threw herself upon the bed, covered her face, and lay motionless.
  • But suddenly rose again, and hurriedly rang the bell.
  • "Open that desk, and draw the stand to me. Now wait and take this to
  • Miss Lucy."
  • With a pencil she rapidly traced these lines:--
  • "My heart bleeds for thee, sweet Lucy. I can not speak--I know it all.
  • Look for me the first hour I regain myself."
  • Again she threw herself upon the bed, and lay motionless.
  • III.
  • Toward sundown that evening, Pierre stood in one of the three bespoken
  • chambers in the Black Swan Inn; the blue chintz-covered chest and the
  • writing-desk before him. His hands were eagerly searching through his
  • pockets.
  • "The key! the key! Nay, then, I must force it open. It bodes ill, too.
  • Yet lucky is it, some bankers can break into their own vaults, when
  • other means do fail. Not so, ever. Let me see:--yes, the tongs there.
  • Now then for the sweet sight of gold and silver. I never loved it till
  • this day. How long it has been hoarded;--little token pieces, of years
  • ago, from aunts, uncles, cousins innumerable, and from--but I won't
  • mention _them_; dead henceforth to me! Sure there'll be a premium on
  • such ancient gold. There's some broad bits, token pieces to my--I name
  • him not--more than half a century ago. Well, well, I never thought to
  • cast them back into the sordid circulations whence they came. But if
  • they must be spent, now is the time, in this last necessity, and in this
  • sacred cause. 'Tis a most stupid, dunderheaded crowbar. Hoy! so! ah, now
  • for it:--snake's nest!"
  • Forced suddenly back, the chest-lid had as suddenly revealed to him the
  • chair-portrait lying on top of all the rest, where he had secreted it
  • some days before. Face up, it met him with its noiseless, ever-nameless,
  • and ambiguous, unchanging smile. Now his first repugnance was augmented
  • by an emotion altogether new. That certain lurking lineament in the
  • portrait, whose strange transfer blended with far other, and sweeter,
  • and nobler characteristics, was visible in the countenance of Isabel;
  • that lineament in the portrait was somehow now detestable; nay,
  • altogether loathsome, ineffably so, to Pierre. He argued not with
  • himself why this was so; he only felt it, and most keenly.
  • Omitting more subtile inquisition into this deftly-winding theme, it
  • will be enough to hint, perhaps, that possibly one source of this new
  • hatefulness had its primary and unconscious rise in one of those
  • profound ideas, which at times atmospherically, as it were, do insinuate
  • themselves even into very ordinary minds. In the strange relativeness,
  • reciprocalness, and transmittedness, between the long-dead father's
  • portrait, and the living daughter's face, Pierre might have seemed to
  • see reflected to him, by visible and uncontradictable symbols, the
  • tyranny of Time and Fate. Painted before the daughter was conceived or
  • born, like a dumb seer, the portrait still seemed leveling its prophetic
  • finger at that empty air, from which Isabel did finally emerge. There
  • seemed to lurk some mystical intelligence and vitality in the picture;
  • because, since in his own memory of his father, Pierre could not recall
  • any distinct lineament transmitted to Isabel, but vaguely saw such in
  • the portrait; therefore, not Pierre's parent, as any way rememberable by
  • him, but the portrait's painted _self_ seemed the real father of Isabel;
  • for, so far as all sense went, Isabel had inherited one peculiar trait
  • no-whither traceable but to it.
  • And as his father was now sought to be banished from his mind, as a most
  • bitter presence there, but Isabel was become a thing of intense and
  • fearful love for him; therefore, it was loathsome to him, that in the
  • smiling and ambiguous portrait, her sweet mournful image should be so
  • sinisterly becrooked, bemixed, and mutilated to him.
  • When, the first shock, and then the pause were over, he lifted the
  • portrait in his two hands, and held it averted from him.
  • "It shall not live. Hitherto I have hoarded up mementoes and monuments
  • of the past; been a worshiper of all heirlooms; a fond filer away of
  • letters, locks of hair, bits of ribbon, flowers, and the
  • thousand-and-one minutenesses which love and memory think they
  • sanctify:--but it is forever over now! If to me any memory shall
  • henceforth be dear, I will not mummy it in a visible memorial for every
  • passing beggar's dust to gather on. Love's museum is vain and foolish as
  • the Catacombs, where grinning apes and abject lizards are embalmed, as,
  • forsooth, significant of some imagined charm. It speaks merely of decay
  • and death, and nothing more; decay and death of endless innumerable
  • generations; it makes of earth one mold. How can lifelessness be fit
  • memorial of life?--So far, for mementoes of the sweetest. As for the
  • rest--now I know this, that in commonest memorials, the twilight fact of
  • death first discloses in some secret way, all the ambiguities of that
  • departed thing or person; obliquely it casts hints, and insinuates
  • surmises base, and eternally incapable of being cleared. Decreed by God
  • Omnipotent it is, that Death should be the last scene of the last act of
  • man's play;--a play, which begin how it may, in farce or comedy, ever
  • hath its tragic end; the curtain inevitably falls upon a corpse.
  • Therefore, never more will I play the vile pigmy, and by small memorials
  • after death, attempt to reverse the decree of death, by essaying the
  • poor perpetuating of the image of the original. Let all die, and mix
  • again! As for this--this!--why longer should I preserve it? Why preserve
  • that on which one can not patient look? If I am resolved to hold his
  • public memory inviolate,--destroy this thing; for here is the one great,
  • condemning, and unsuborned proof, whose mysticalness drives me half
  • mad.--Of old Greek times, before man's brain went into doting bondage,
  • and bleached and beaten in Baconian fulling-mills, his four limbs lost
  • their barbaric tan and beauty; when the round world was fresh, and rosy,
  • and spicy, as a new-plucked apple;--all's wilted now!--in those bold
  • times, the great dead were not, turkey-like, dished in trenchers, and
  • set down all garnished in the ground, to glut the damned Cyclop like a
  • cannibal; but nobly envious Life cheated the glutton worm, and
  • gloriously burned the corpse; so that the spirit up-pointed, and visibly
  • forked to heaven!
  • "So now will I serve thee. Though that solidity of which thou art the
  • unsolid duplicate, hath long gone to its hideous church-yard
  • account;--and though, God knows! but for one part of thee it may have
  • been fit auditing;--yet will I now a second time see thy obsequies
  • performed, and by now burning thee, urn thee in the great vase of air!
  • Come now!"
  • A small wood-fire had been kindled on the hearth to purify the
  • long-closed room; it was now diminished to a small pointed heap of
  • glowing embers. Detaching and dismembering the gilded but tarnished
  • frame, Pierre laid the four pieces on the coals; as their dryness soon
  • caught the sparks, he rolled the reversed canvas into a scroll, and tied
  • it, and committed it to the now crackling, clamorous flames. Steadfastly
  • Pierre watched the first crispings and blackenings of the painted
  • scroll, but started as suddenly unwinding from the burnt string that had
  • tied it, for one swift instant, seen through the flame and smoke, the
  • upwrithing portrait tormentedly stared at him in beseeching horror, and
  • then, wrapped in one broad sheet of oily fire, disappeared forever.
  • Yielding to a sudden ungovernable impulse, Pierre darted his hand among
  • the flames, to rescue the imploring face; but as swiftly drew back his
  • scorched and bootless grasp. His hand was burnt and blackened, but he
  • did not heed it.
  • He ran back to the chest, and seizing repeated packages of family
  • letters, and all sorts of miscellaneous memorials in paper, he threw
  • them one after the other upon the fire.
  • "Thus, and thus, and thus! on thy manes I fling fresh spoils; pour out
  • all my memory in one libation!--so, so, so--lower, lower, lower; now all
  • is done, and all is ashes! Henceforth, cast-out Pierre hath no
  • paternity, and no past; and since the Future is one blank to all;
  • therefore, twice-disinherited Pierre stands untrammeledly his
  • ever-present self!--free to do his own self-will and present fancy to
  • whatever end!"
  • IV.
  • That same sunset Lucy lay in her chamber. A knock was heard at its door,
  • and the responding Martha was met by the now self-controlled and
  • resolute face of Mrs. Glendinning.
  • "How is your young mistress, Martha? May I come in?"
  • But waiting for no answer, with the same breath she passed the maid, and
  • determinately entered the room.
  • She sat down by the bed, and met the open eye, but closed and pallid
  • mouth of Lucy. She gazed rivetedly and inquisitively a moment; then
  • turned a quick aghast look toward Martha, as if seeking warrant for some
  • shuddering thought.
  • "Miss Lucy"--said Martha--"it is your--it is Mrs. Glendinning. Speak to
  • her, Miss Lucy."
  • As if left in the last helpless attitude of some spent contortion of her
  • grief, Lucy was not lying in the ordinary posture of one in bed, but lay
  • half crosswise upon it, with the pale pillows propping her hueless form,
  • and but a single sheet thrown over her, as though she were so heart
  • overladen, that her white body could not bear one added feather. And as
  • in any snowy marble statue, the drapery clings to the limbs; so as one
  • found drowned, the thin, defining sheet invested Lucy.
  • "It is Mrs. Glendinning. Will you speak to her, Miss Lucy?"
  • The thin lips moved and trembled for a moment, and then were still
  • again, and augmented pallor shrouded her.
  • Martha brought restoratives; and when all was as before, she made a
  • gesture for the lady to depart, and in a whisper, said, "She will not
  • speak to any; she does not speak to me. The doctor has just left--he has
  • been here five times since morning--and says she must be kept entirely
  • quiet." Then pointing to the stand, added, "You see what he has
  • left--mere restoratives. Quiet is her best medicine now, he says. Quiet,
  • quiet, quiet! Oh, sweet quiet, wilt thou now ever come?"
  • "Has Mrs. Tartan been written to?" whispered the lady. Martha nodded.
  • So the lady moved to quit the room, saying that once every two hours she
  • would send to know how Lucy fared.
  • "But where, where is her aunt, Martha?" she exclaimed, lowly, pausing at
  • the door, and glancing in sudden astonishment about the room; "surely,
  • surely, Mrs. Lanyllyn--"
  • "Poor, poor old lady," weepingly whispered Martha, "she hath caught
  • infection from sweet Lucy's woe; she hurried hither, caught one glimpse
  • of that bed, and fell like dead upon the floor. The Doctor hath two
  • patients now, lady"--glancing at the bed, and tenderly feeling Lucy's
  • bosom, to mark if yet it heaved; "Alack! Alack! oh, reptile! reptile!
  • that could sting so sweet a breast! fire would be too cold for
  • him--accursed!"
  • "Thy own tongue blister the roof of thy mouth!" cried Mrs. Glendinning,
  • in a half-stifled, whispering scream. "'Tis not for thee, hired one, to
  • rail at my son, though he were Lucifer, simmering in Hell! Mend thy
  • manners, minx!"
  • And she left the chamber, dilated with her unconquerable pride, leaving
  • Martha aghast at such venom in such beauty.
  • BOOK XIII.
  • THEY DEPART THE MEADOWS.
  • I.
  • It was just dusk when Pierre approached the Ulver farm-house, in a wagon
  • belonging to the Black Swan Inn. He met his sister shawled and bonneted
  • in the porch.
  • "Now then, Isabel, is all ready? Where is Delly? I see two most small
  • and inconsiderable portmanteaux. Wee is the chest that holds the goods
  • of the disowned! The wagon waits, Isabel. Now is all ready? and nothing
  • left?"
  • "Nothing, Pierre; unless in going hence--but I'll not think of that;
  • all's fated."
  • "Delly! where is she? Let us go in for her," said Pierre, catching the
  • hand of Isabel, and turning rapidly. As he thus half dragged her into
  • the little lighted entry, and then dropping her hand, placed his touch
  • on the catch of the inner door, Isabel stayed his arm, as if to keep him
  • back, till she should forewarn him against something concerning Delly;
  • but suddenly she started herself; and for one instant, eagerly pointing
  • at his right hand, seemed almost to half shrink from Pierre.
  • "'Tis nothing. I am not hurt; a slight burn--the merest accidental
  • scorch this morning. But what's this?" he added, lifting his hand
  • higher; "smoke! soot! this comes of going in the dark; sunlight, and I
  • had seen it. But I have not touched thee, Isabel?"
  • Isabel lifted her hand and showed the marks.--"But it came from thee, my
  • brother; and I would catch the plague from thee, so that it should make
  • me share thee. Do thou clean thy hand; let mine alone."
  • "Delly! Delly!"--cried Pierre--"why may I not go to her, to bring her
  • forth?"
  • Placing her finger upon her lip, Isabel softly opened the door, and
  • showed the object of his inquiry avertedly seated, muffled, on a chair.
  • "Do not speak to her, my brother," whispered Isabel, "and do not seek to
  • behold her face, as yet. It will pass over now, ere long, I trust. Come,
  • shall we go now? Take Delly forth, but do not speak to her. I have
  • bidden all good-by; the old people are in yonder room in the rear; I am
  • glad that they chose not to come out, to attend our going forth. Come
  • now, be very quick, Pierre; this is an hour I like not; be it swiftly
  • past."
  • Soon all three alighted at the inn. Ordering lights, Pierre led the way
  • above-stairs, and ushered his two companions into one of the two
  • outermost rooms of the three adjoining chambers prepared for all.
  • "See," said he, to the mute and still self-averting figure of
  • Delly;--"see, this is thy room, Miss Ulver; Isabel has told thee all;
  • thou know'st our till now secret marriage; she will stay with thee now,
  • till I return from a little business down the street. To-morrow, thou
  • know'st, very early, we take the stage. I may not see thee again till
  • then, so, be steadfast, and cheer up a very little, Miss Ulver, and
  • good-night. All will be well."
  • II.
  • Next morning, by break of day, at four o'clock, the four swift hours
  • were personified in four impatient horses, which shook their trappings
  • beneath the windows of the inn. Three figures emerged into the cool dim
  • air and took their places in the coach.
  • The old landlord had silently and despondently shaken Pierre by the
  • hand; the vainglorious driver was on his box, threadingly adjusting the
  • four reins among the fingers of his buck-skin gloves; the usual thin
  • company of admiring ostlers and other early on-lookers were gathered
  • about the porch; when--on his companions' account--all eager to cut
  • short any vain delay, at such a painful crisis, Pierre impetuously
  • shouted for the coach to move. In a moment, the four meadow-fed young
  • horses leaped forward their own generous lengths, and the four
  • responsive wheels rolled their complete circles; while making vast
  • rearward flourishes with his whip, the elated driver seemed as a
  • bravado-hero signing his ostentatious farewell signature in the empty
  • air. And so, in the dim of the dawn--and to the defiant crackings of
  • that long and sharp-resounding whip, the three forever fled the sweet
  • fields of Saddle Meadows.
  • The short old landlord gazed after the coach awhile, and then
  • re-entering the inn, stroked his gray beard and muttered to himself:--"I
  • have kept this house, now, three-and-thirty years, and have had plenty
  • of bridal-parties come and go; in their long train of wagons,
  • break-downs, buggies, gigs--a gay and giggling train--Ha!--there's a
  • pun! popt out like a cork--ay, and once in ox-carts, all garlanded; ay,
  • and once, the merry bride was bedded on a load of sweet-scented new-cut
  • clover. But such a bridal-party as this morning's--why, it's as sad as
  • funerals. And brave Master Pierre Glendinning is the groom! Well, well,
  • wonders is all the go. I thought I had done with wondering when I passed
  • fifty; but I keep wondering still. Ah, somehow, now, I feel as though I
  • had just come from lowering some old friend beneath the sod, and yet
  • felt the grating cord-marks in my palms.--'Tis early, but I'll drink.
  • Let's see; cider,--a mug of cider;--'tis sharp, and pricks like a
  • game-cock's spur,--cider's the drink for grief. Oh, Lord! that fat men
  • should be so thin-skinned, and suffer in pure sympathy on others'
  • account. A thin-skinned, thin man, he don't suffer so, because there
  • ain't so much stuff in him for his thin skin to cover. Well, well, well,
  • well, well; of all colics, save me from the melloncholics; green melons
  • is the greenest thing!"
  • BOOK XIV.
  • THE JOURNEY AND THE PAMPHLET.
  • I.
  • All profound things, and emotions of things are preceded and attended by
  • Silence. What a silence is that with which the pale bride precedes the
  • responsive _I will_, to the priest's solemn question, _Wilt thou have
  • this man for thy husband?_ In silence, too, the wedded hands are
  • clasped. Yea, in silence the child Christ was born into the world.
  • Silence is the general consecration of the universe. Silence is the
  • invisible laying on of the Divine Pontiff's hands upon the world.
  • Silence is at once the most harmless and the most awful thing in all
  • nature. It speaks of the Reserved Forces of Fate. Silence is the only
  • Voice of our God.
  • Nor is this so august Silence confined to things simply touching or
  • grand. Like the air, Silence permeates all things, and produces its
  • magical power, as well during that peculiar mood which prevails at a
  • solitary traveler's first setting forth on a journey, as at the
  • unimaginable time when before the world was, Silence brooded on the face
  • of the waters.
  • No word was spoken by its inmates, as the coach bearing our young
  • Enthusiast, Pierre, and his mournful party, sped forth through the dim
  • dawn into the deep midnight, which still occupied, unrepulsed, the
  • hearts of the old woods through which the road wound, very shortly after
  • quitting the village.
  • When first entering the coach, Pierre had pressed his hand upon the
  • cushioned seat to steady his way, some crumpled leaves of paper had met
  • his fingers. He had instinctively clutched them; and the same strange
  • clutching mood of his soul which had prompted that instinctive act, did
  • also prevail in causing him now to retain the crumpled paper in his hand
  • for an hour or more of that wonderful intense silence, which the rapid
  • coach bore through the heart of the general stirless morning silence of
  • the fields and the woods.
  • His thoughts were very dark and wild; for a space there was rebellion
  • and horrid anarchy and infidelity in his soul. This temporary mood may
  • best be likened to that, which--according to a singular story once told
  • in the pulpit by a reverend man of God--invaded the heart of an
  • excellent priest. In the midst of a solemn cathedral, upon a cloudy
  • Sunday afternoon, this priest was in the act of publicly administering
  • the bread at the Holy Sacrament of the Supper, when the Evil One
  • suddenly propounded to him the possibility of the mere moonshine of the
  • Christian Religion. Just such now was the mood of Pierre; to him the
  • Evil One propounded the possibility of the mere moonshine of all his
  • self-renouncing Enthusiasm. The Evil One hooted at him, and called him a
  • fool. But by instant and earnest prayer--closing his two eyes, with his
  • two hands still holding the sacramental bread--the devout priest had
  • vanquished the impious Devil. Not so with Pierre. The imperishable
  • monument of his holy Catholic Church; the imperishable record of his
  • Holy Bible; the imperishable intuition of the innate truth of
  • Christianity;--these were the indestructible anchors which still held
  • the priest to his firm Faith's rock, when the sudden storm raised by the
  • Evil One assailed him. But Pierre--where could _he_ find the Church, the
  • monument, the Bible, which unequivocally said to him--"Go on; thou art
  • in the Right; I endorse thee all over; go on."--So the difference
  • between the Priest and Pierre was herein:--with the priest it was a
  • matter, whether certain bodiless thoughts of his were true or not true;
  • but with Pierre it was a question whether certain vital acts of his were
  • right or wrong. In this little nut lie germ-like the possible solution
  • of some puzzling problems; and also the discovery of additional, and
  • still more profound problems ensuing upon the solution of the former.
  • For so true is this last, that some men refuse to solve any present
  • problem, for fear of making still more work for themselves in that way.
  • Now, Pierre thought of the magical, mournful letter of Isabel, he
  • recalled the divine inspiration of that hour when the heroic words burst
  • from his heart--"Comfort thee, and stand by thee, and fight for thee,
  • will thy leapingly-acknowledging brother!" These remembrances unfurled
  • themselves in proud exultations in his soul; and from before such
  • glorious banners of Virtue, the club-footed Evil One limped away in
  • dismay. But now the dread, fateful parting look of his mother came over
  • him; anew he heard the heart-proscribing words--"Beneath my roof and at
  • my table, he who was once Pierre Glendinning no more puts
  • himself;"--swooning in her snow-white bed, the lifeless Lucy lay before
  • him, wrapt as in the reverberating echoings of her own agonizing shriek:
  • "My heart! my heart!" Then how swift the recurrence to Isabel, and the
  • nameless awfulness of his still imperfectly conscious, incipient,
  • new-mingled emotion toward this mysterious being. "Lo! I leave corpses
  • wherever I go!" groaned Pierre to himself--"Can then my conduct be
  • right? Lo! by my conduct I seem threatened by the possibility of a sin
  • anomalous and accursed, so anomalous, it may well be the one for which
  • Scripture says, there is never forgiveness. Corpses behind me, and the
  • last sin before, how then can my conduct be right?"
  • In this mood, the silence accompanied him, and the first visible rays of
  • the morning sun in this same mood found him and saluted him. The
  • excitement and the sleepless night just passed, and the strange
  • narcotic of a quiet, steady anguish, and the sweet quiescence of the
  • air, and the monotonous cradle-like motion of the coach over a road made
  • firm and smooth by a refreshing shower over night; these had wrought
  • their wonted effect upon Isabel and Delly; with hidden faces they leaned
  • fast asleep in Pierre's sight. Fast asleep--thus unconscious, oh sweet
  • Isabel, oh forlorn Delly, your swift destinies I bear in my own!
  • Suddenly, as his sad eye fell lower and lower from scanning their
  • magically quiescent persons, his glance lit upon his own clutched hand,
  • which rested on his knee. Some paper protruded from that clutch. He knew
  • not how it had got there, or whence it had come, though himself had
  • closed his own gripe upon it. He lifted his hand and slowly unfingered
  • and unbolted the paper, and unrolled it, and carefully smoothed it, to
  • see what it might be.
  • It was a thin, tattered, dried-fish-like thing; printed with blurred ink
  • upon mean, sleazy paper. It seemed the opening pages of some ruinous old
  • pamphlet--a pamphlet containing a chapter or so of some very voluminous
  • disquisition. The conclusion was gone. It must have been accidentally
  • left there by some previous traveler, who perhaps in drawing out his
  • handkerchief, had ignorantly extracted his waste paper.
  • There is a singular infatuation in most men, which leads them in odd
  • moments, intermitting between their regular occupations, and when they
  • find themselves all alone in some quiet corner or nook, to fasten with
  • unaccountable fondness upon the merest rag of old printed paper--some
  • shred of a long-exploded advertisement perhaps--and read it, and study
  • it, and reread it, and pore over it, and fairly agonize themselves over
  • this miserable, sleazy paper-rag, which at any other time, or in any
  • other place, they would hardly touch with St. Dunstan's long tongs. So
  • now, in a degree, with Pierre. But notwithstanding that he, with most
  • other human beings, shared in the strange hallucination above
  • mentioned, yet the first glimpse of the title of the dried-fish-like,
  • pamphlet-shaped rag, did almost tempt him to pitch it out of the window.
  • For, be a man's mood what it may, what sensible and ordinary mortal
  • could have patience for any considerable period, to knowingly hold in
  • his conscious hand a printed document (and that too a very blurred one
  • as to ink, and a very sleazy one as to paper), so metaphysically and
  • insufferably entitled as this:--"Chronometricals & Horologicals?"
  • Doubtless, it was something vastly profound; but it is to be observed,
  • that when a man is in a really profound mood, then all merely verbal or
  • written profundities are unspeakably repulsive, and seem downright
  • childish to him. Nevertheless, the silence still continued; the road ran
  • through an almost unplowed and uninhabited region; the slumberers still
  • slumbered before him; the evil mood was becoming well nigh insupportable
  • to him; so, more to force his mind away from the dark realities of
  • things than from any other motive, Pierre finally tried his best to
  • plunge himself into the pamphlet.
  • II.
  • Sooner or later in this life, the earnest, or enthusiastic youth comes
  • to know, and more or less appreciate this startling solecism:--That
  • while, as the grand condition of acceptance to God, Christianity calls
  • upon all men to renounce this world; yet by all odds the most Mammonish
  • part of this world--Europe and America--are owned by none but professed
  • Christian nations, who glory in the owning, and seem to have some reason
  • therefor.
  • This solecism once vividly and practically apparent; then comes the
  • earnest reperusal of the Gospels: the intense self-absorption into that
  • greatest real miracle of all religions, the Sermon on the Mount. From
  • that divine mount, to all earnest loving youths, flows an inexhaustible
  • soul-melting stream of tenderness and loving-kindness; and they leap
  • exulting to their feet, to think that the founder of their holy religion
  • gave utterance to sentences so infinitely sweet and soothing as these
  • sentences which embody all the love of the Past, and all the love which
  • can be imagined in any conceivable Future. Such emotions as that Sermon
  • raises in the enthusiastic heart; such emotions all youthful hearts
  • refuse to ascribe to humanity as their origin. This is of God! cries the
  • heart, and in that cry ceases all inquisition. Now, with this fresh-read
  • sermon in his soul, the youth again gazes abroad upon the world.
  • Instantly, in aggravation of the former solecism, an overpowering sense
  • of the world's downright positive falsity comes over him; the world
  • seems to lie saturated and soaking with lies. The sense of this thing is
  • so overpowering, that at first the youth is apt to refuse the evidence
  • of his own senses; even as he does that same evidence in the matter of
  • the movement of the visible sun in the heavens, which with his own eyes
  • he plainly sees to go round the world, but nevertheless on the authority
  • of other persons,--the Copernican astronomers, whom he never saw--he
  • believes it _not_ to go round the world, but the world round it. Just
  • so, too, he hears good and wise people sincerely say: This world only
  • _seems_ to be saturated and soaking with lies; but in reality it does
  • not so lie soaking and saturate; along with some lies, there is much
  • truth in this world. But again he refers to his Bible, and there he
  • reads most explicitly, that this world is unconditionally depraved and
  • accursed; and that at all hazards men must come out of it. But why come
  • out of it, if it be a True World and not a Lying World? Assuredly, then,
  • this world is a lie.
  • Hereupon then in the soul of the enthusiast youth two armies come to the
  • shock; and unless he prove recreant, or unless he prove gullible, or
  • unless he can find the talismanic secret, to reconcile this world with
  • his own soul, then there is no peace for him, no slightest truce for him
  • in this life. Now without doubt this Talismanic Secret has never yet
  • been found; and in the nature of human things it seems as though it
  • never can be. Certain philosophers have time and again pretended to have
  • found it; but if they do not in the end discover their own delusion,
  • other people soon discover it for themselves, and so those philosophers
  • and their vain philosophy are let glide away into practical oblivion.
  • Plato, and Spinoza, and Goethe, and many more belong to this guild of
  • self-impostors, with a preposterous rabble of Muggletonian Scots and
  • Yankees, whose vile brogue still the more bestreaks the stripedness of
  • their Greek or German Neoplatonical originals. That profound Silence,
  • that only Voice of our God, which I before spoke of; from that divine
  • thing without a name, those impostor philosophers pretend somehow to
  • have got an answer; which is as absurd, as though they should say they
  • had got water out of stone; for how can a man get a Voice out of
  • Silence?
  • Certainly, all must admit, that if for any one this problem of the
  • possible reconcilement of this world with our own souls possessed a
  • peculiar and potential interest, that one was Pierre Glendinning at the
  • period we now write of. For in obedience to the loftiest behest of his
  • soul, he had done certain vital acts, which had already lost him his
  • worldly felicity, and which he felt must in the end indirectly work him
  • some still additional and not-to-be-thought-of woe.
  • Soon then, as after his first distaste at the mystical title, and after
  • his then reading on, merely to drown himself, Pierre at last began to
  • obtain a glimmering into the profound intent of the writer of the sleazy
  • rag pamphlet, he felt a great interest awakened in him. The more he read
  • and re-read, the more this interest deepened, but still the more
  • likewise did his failure to comprehend the writer increase. He seemed
  • somehow to derive some general vague inkling concerning it, but the
  • central conceit refused to become clear to him. The reason whereof is
  • not so easy to be laid down; seeing that the reason-originating heart
  • and mind of man, these organic things themselves are not so easily to be
  • expounded. Something, however, more or less to the point, may be
  • adventured here.
  • If a man be in any vague latent doubt about the intrinsic correctness
  • and excellence of his general life-theory and practical course of life;
  • then, if that man chance to light on any other man, or any little
  • treatise, or sermon, which unintendingly, as it were, yet very palpably
  • illustrates to him the intrinsic incorrectness and non-excellence of
  • both the theory and the practice of his life; then that man will--more
  • or less unconsciously--try hard to hold himself back from the
  • self-admitted comprehension of a matter which thus condemns him. For in
  • this case, to comprehend, is himself to condemn himself, which is always
  • highly inconvenient and uncomfortable to a man. Again. If a man be told
  • a thing wholly new, then--during the time of its first announcement to
  • him--it is entirely impossible for him to comprehend it. For--absurd as
  • it may seem--men are only made to comprehend things which they
  • comprehended before (though but in the embryo, as it were). Things new
  • it is impossible to make them comprehend, by merely talking to them
  • about it. True, sometimes they pretend to comprehend; in their own
  • hearts they really believe they do comprehend; outwardly look as though
  • they _did_ comprehend; wag their bushy tails comprehendingly; but for
  • all that, they do not comprehend. Possibly, they may afterward come, of
  • themselves, to inhale this new idea from the circumambient air, and so
  • come to comprehend it; but not otherwise at all. It will be observed,
  • that, neither points of the above speculations do we, in set terms,
  • attribute to Pierre in connection with the rag pamphlet. Possibly both
  • might be applicable; possibly neither. Certain it is, however, that at
  • the time, in his own heart, he seemed to think that he did not fully
  • comprehend the strange writer's conceit in all its bearings. Yet was
  • this conceit apparently one of the plainest in the world; so natural, a
  • child might almost have originated it. Nevertheless, again so profound,
  • that scarce Juggularius himself could be the author; and still again so
  • exceedingly trivial, that Juggularius' smallest child might well have
  • been ashamed of it.
  • Seeing then that this curious paper rag so puzzled Pierre; foreseeing,
  • too, that Pierre may not in the end be entirely uninfluenced in his
  • conduct by the torn pamphlet, when afterwards perhaps by other means he
  • shall come to understand it; or, peradventure, come to know that he, in
  • the first place, did--seeing too that the author thereof came to be made
  • known to him by reputation, and though Pierre never spoke to him, yet
  • exerted a surprising sorcery upon his spirit by the mere distant glimpse
  • of his countenance;--all these reasons I account sufficient apology for
  • inserting in the following chapters the initial part of what seems to me
  • a very fanciful and mystical, rather than philosophical Lecture, from
  • which, I confess, that I myself can derive no conclusion which
  • permanently satisfies those peculiar motions in my soul, to which that
  • Lecture seems more particularly addressed. For to me it seems more the
  • excellently illustrated re-statement of a problem, than the solution of
  • the problem itself. But as such mere illustrations are almost
  • universally taken for solutions (and perhaps they are the only possible
  • human solutions), therefore it may help to the temporary quiet of some
  • inquiring mind; and so not be wholly without use. At the worst, each
  • person can now skip, or read and rail for himself.
  • III.
  • "_EI_,"
  • BY PLOTINUS PLINLIMMON,
  • (_In Three Hundred and Thirty-three Lectures._)
  • LECTURE FIRST.
  • CHRONOMETRICALS AND HOROLOGICALS,
  • (_Being not to much the Portal, as part of the temporary Scaffold to the
  • Portal of this new Philosophy._)
  • "Few of us doubt, gentlemen, that human life on this earth is but a
  • state of probation; which among other things implies, that here below,
  • we mortals have only to do with things provisional. Accordingly, I hold
  • that all our so-called wisdom is likewise but provisional.
  • "This preamble laid down, I begin.
  • "It seems to me, in my visions, that there is a certain most rare order
  • of human souls, which if carefully carried in the body will almost
  • always and everywhere give Heaven's own Truth, with some small grains of
  • variance. For peculiarly coming from God, the sole source of that
  • heavenly truth, and the great Greenwich hill and tower from which the
  • universal meridians are far out into infinity reckoned; such souls seem
  • as London sea-chronometers (_Greek_, time-namers) which as the London
  • ship floats past Greenwich down the Thames, are accurately adjusted by
  • Greenwich time, and if heedfully kept, will still give that same time,
  • even though carried to the Azores. True, in nearly all cases of long,
  • remote voyages--to China, say--chronometers of the best make, and the
  • most carefully treated, will gradually more or less vary from Greenwich
  • time, without the possibility of the error being corrected by direct
  • comparison with their great standard; but skillful and devout
  • observations of the stars by the sextant will serve materially to lessen
  • such errors. And besides, there is such a thing as _rating_ a
  • chronometer; that is, having ascertained its degree of organic
  • inaccuracy, however small, then in all subsequent chronometrical
  • calculations, that ascertained loss or gain can be readily added or
  • deducted, as the case may be. Then again, on these long voyages, the
  • chronometer may be corrected by comparing it with the chronometer of
  • some other ship at sea, more recently from home.
  • "Now in an artificial world like ours, the soul of man is further
  • removed from its God and the Heavenly Truth, than the chronometer
  • carried to China, is from Greenwich. And, as that chronometer, if at all
  • accurate, will pronounce it to be 12 o'clock high-noon, when the China
  • local watches say, perhaps, it is 12 o'clock midnight; so the
  • chronometric soul, if in this world true to its great Greenwich in the
  • other, will always, in its so-called intuitions of right and wrong, be
  • contradicting the mere local standards and watch-maker's brains of this
  • earth.
  • "Bacon's brains were mere watch-maker's brains; but Christ was a
  • chronometer; and the most exquisitely adjusted and exact one, and the
  • least affected by all terrestrial jarrings, of any that have ever come
  • to us. And the reason why his teachings seemed folly to the Jews, was
  • because he carried that Heaven's time in Jerusalem, while the Jews
  • carried Jerusalem time there. Did he not expressly say--My wisdom (time)
  • is not of this world? But whatever is really peculiar in the wisdom of
  • Christ seems precisely the same folly to-day as it did 1850 years ago.
  • Because, in all that interval his bequeathed chronometer has still
  • preserved its original Heaven's time, and the general Jerusalem of this
  • world has likewise carefully preserved its own.
  • "But though the chronometer carried from Greenwich to China, should
  • truly exhibit in China what the time may be at Greenwich at any moment;
  • yet, though thereby it must necessarily contradict China time, it does
  • by no means thence follow, that with respect to China, the China watches
  • are at all out of the way. Precisely the reverse. For the fact of that
  • variance is a presumption that, with respect to China, the Chinese
  • watches must be all right; and consequently as the China watches are
  • right as to China, so the Greenwich chronometers must be wrong as to
  • China. Besides, of what use to the Chinaman would a Greenwich
  • chronometer, keeping Greenwich time, be? Were he thereby to regulate his
  • daily actions, he would be guilty of all manner of absurdities:--going
  • to bed at noon, say, when his neighbors would be sitting down to dinner.
  • And thus, though the earthly wisdom of man be heavenly folly to God; so
  • also, conversely, is the heavenly wisdom of God an earthly folly to man.
  • Literally speaking, this is so. Nor does the God at the heavenly
  • Greenwich expect common men to keep Greenwich wisdom in this remote
  • Chinese world of ours; because such a thing were unprofitable for them
  • here, and, indeed, a falsification of Himself, inasmuch as in that case,
  • China time would be identical with Greenwich time, which would make
  • Greenwich time wrong.
  • "But why then does God now and then send a heavenly chronometer (as a
  • meteoric stone) into the world, uselessly as it would seem, to give the
  • lie to all the world's time-keepers? Because he is unwilling to leave
  • man without some occasional testimony to this:--that though man's
  • Chinese notions of things may answer well enough here, they are by no
  • means universally applicable, and that the central Greenwich in which He
  • dwells goes by a somewhat different method from this world. And yet it
  • follows not from this, that God's truth is one thing and man's truth
  • another; but--as above hinted, and as will be further elucidated in
  • subsequent lectures--by their very contradictions they are made to
  • correspond.
  • "By inference it follows, also, that he who finding in himself a
  • chronometrical soul, seeks practically to force that heavenly time upon
  • the earth; in such an attempt he can never succeed, with an absolute and
  • essential success. And as for himself, if he seek to regulate his own
  • daily conduct by it, he will but array all men's earthly time-keepers
  • against him, and thereby work himself woe and death. Both these things
  • are plainly evinced in the character and fate of Christ, and the past
  • and present condition of the religion he taught. But here one thing is
  • to be especially observed. Though Christ encountered woe in both the
  • precept and the practice of his chronometricals, yet did he remain
  • throughout entirely without folly or sin. Whereas, almost invariably,
  • with inferior beings, the absolute effort to live in this world
  • according to the strict letter of the chronometricals is, somehow, apt
  • to involve those inferior beings eventually in strange, _unique_ follies
  • and sins, unimagined before. It is the story of the Ephesian matron,
  • allegorized.
  • "To any earnest man of insight, a faithful contemplation of these ideas
  • concerning Chronometricals and Horologicals, will serve to render
  • provisionally far less dark some few of the otherwise obscurest things
  • which have hitherto tormented the honest-thinking men of all ages. What
  • man who carries a heavenly soul in him, has not groaned to perceive,
  • that unless he committed a sort of suicide as to the practical things of
  • this world, he never can hope to regulate his earthly conduct by that
  • same heavenly soul? And yet by an infallible instinct he knows, that
  • that monitor can not be wrong in itself.
  • "And where is the earnest and righteous philosopher, gentlemen, who
  • looking right and left, and up and down, through all the ages of the
  • world, the present included; where is there such an one who has not a
  • thousand times been struck with a sort of infidel idea, that whatever
  • other worlds God may be Lord of, he is not the Lord of this; for else
  • this world would seem to give the lie to Him; so utterly repugnant seem
  • its ways to the instinctively known ways of Heaven. But it is not, and
  • can not be so; nor will he who regards this chronometrical conceit
  • aright, ever more be conscious of that horrible idea. For he will then
  • see, or seem to see, that this world's seeming incompatibility with God,
  • absolutely results from its meridianal correspondence with him.
  • * * * * *
  • "This chronometrical conceit does by no means involve the justification
  • of all the acts which wicked men may perform. For in their wickedness
  • downright wicked men sin as much against their own horologes, as against
  • the heavenly chronometer. That this is so, their spontaneous liability
  • to remorse does plainly evince. No, this conceit merely goes to show,
  • that for the mass of men, the highest abstract heavenly righteousness is
  • not only impossible, but would be entirely out of place, and positively
  • wrong in a world like this. To turn the left cheek if the right be
  • smitten, is chronometrical; hence, no average son of man ever did such a
  • thing. To give _all_ that thou hast to the poor, this too is
  • chronometrical; hence no average son of man ever did such a thing.
  • Nevertheless, if a man gives with a certain self-considerate generosity
  • to the poor; abstains from doing downright ill to any man; does his
  • convenient best in a general way to do good to his whole race; takes
  • watchful loving care of his wife and children, relatives, and friends;
  • is perfectly tolerant to all other men's opinions, whatever they may be;
  • is an honest dealer, an honest citizen, and all that; and more
  • especially if he believe that there is a God for infidels, as well as
  • for believers, and acts upon that belief; then, though such a man falls
  • infinitely short of the chronometrical standard, though all his actions
  • are entirely horologic;--yet such a man need never lastingly despond,
  • because he is sometimes guilty of some minor offense:--hasty words,
  • impulsively returning a blow, fits of domestic petulance, selfish
  • enjoyment of a glass of wine while he knows there are those around him
  • who lack a loaf of bread. I say he need never lastingly despond on
  • account of his perpetual liability to these things; because _not_ to do
  • them, and their like, would be to be an angel, a chronometer; whereas,
  • he is a man and a horologe.
  • "Yet does the horologe itself teach, that all liabilities to these
  • things should be checked as much as possible, though it is certain they
  • can never be utterly eradicated. They are only to be checked, then,
  • because, if entirely unrestrained, they would finally run into utter
  • selfishness and human demonism, which, as before hinted, are not by any
  • means justified by the horologe.
  • "In short, this Chronometrical and Horological conceit, in sum, seems to
  • teach this:--That in things terrestrial (horological) a man must not be
  • governed by ideas celestial (chronometrical); that certain minor
  • self-renunciations in this life his own mere instinct for his own
  • every-day general well-being will teach him to make, but he must by no
  • means make a complete unconditional sacrifice of himself in behalf of
  • any other being, or any cause, or any conceit. (For, does aught else
  • completely and unconditionally sacrifice itself for him? God's own sun
  • does not abate one tittle of its heat in July, however you swoon with
  • that heat in the sun. And if it _did_ abate its heat on your behalf,
  • then the wheat and the rye would not ripen; and so, for the incidental
  • benefit of one, a whole population would suffer.)
  • "A virtuous expediency, then, seems the highest desirable or attainable
  • earthly excellence for the mass of men, and is the only earthly
  • excellence that their Creator intended for them. When they go to heaven,
  • it will be quite another thing. There, they can freely turn the left
  • cheek, because there the right cheek will never be smitten. There they
  • can freely give all to the poor, for _there_ there will be no poor to
  • give to. A due appreciation of this matter will do good to man. For,
  • hitherto, being authoritatively taught by his dogmatical teachers that
  • he must, while on earth, aim at heaven, and attain it, too, in all his
  • earthly acts, on pain of eternal wrath; and finding by experience that
  • this is utterly impossible; in his despair, he is too apt to run clean
  • away into all manner of moral abandonment, self-deceit, and hypocrisy
  • (cloaked, however, mostly under an aspect of the most respectable
  • devotion); or else he openly runs, like a mad dog, into atheism.
  • Whereas, let men be taught those Chronometricals and Horologicals, and
  • while still retaining every common-sense incentive to whatever of virtue
  • be practicable and desirable, and having these incentives strengthened,
  • too, by the consciousness of powers to attain their mark; then there
  • would be an end to that fatal despair of becoming at all good, which has
  • too often proved the vice-producing result in many minds of the
  • undiluted chronometrical doctrines hitherto taught to mankind. But if
  • any man say, that such a doctrine as this I lay down is false, is
  • impious; I would charitably refer that man to the history of Christendom
  • for the last 1800 years; and ask him, whether, in spite of all the
  • maxims of Christ, that history is not just as full of blood, violence,
  • wrong, and iniquity of every kind, as any previous portion of the
  • world's story? Therefore, it follows, that so far as practical results
  • are concerned--regarded in a purely earthly light--the only great
  • original moral doctrine of Christianity (_i. e._ the chronometrical
  • gratuitous return of good for evil, as distinguished from the
  • horological forgiveness of injuries taught by some of the Pagan
  • philosophers), has been found (horologically) a false one; because after
  • 1800 years' inculcation from tens of thousands of pulpits, it has proved
  • entirely impracticable.
  • "I but lay down, then, what the best mortal men do daily practice; and
  • what all really wicked men are very far removed from. I present
  • consolation to the earnest man, who, among all his human frailties, is
  • still agonizingly conscious of the beauty of chronometrical excellence.
  • I hold up a practicable virtue to the vicious; and interfere not with
  • the eternal truth, that, sooner or later, in all cases, downright vice
  • is downright woe.
  • "Moreover: if----"
  • But here the pamphlet was torn, and came to a most untidy termination.
  • BOOK XV.
  • THE COUSINS.
  • I.
  • Though resolved to face all out to the last, at whatever desperate
  • hazard, Pierre had not started for the city without some reasonable
  • plans, both with reference to his more immediate circumstances, and his
  • ulterior condition.
  • There resided in the city a cousin of his, Glendinning Stanly, better
  • known in the general family as Glen Stanly, and by Pierre, as Cousin
  • Glen. Like Pierre, he was an only son; his parents had died in his early
  • childhood; and within the present year he had returned from a protracted
  • sojourn in Europe, to enter, at the age of twenty-one, into the
  • untrammeled possession of a noble property, which in the hands of
  • faithful guardians, had largely accumulated.
  • In their boyhood and earlier adolescence, Pierre and Glen had cherished
  • a much more than cousinly attachment. At the age of ten, they had
  • furnished an example of the truth, that the friendship of fine-hearted,
  • generous boys, nurtured amid the romance-engendering comforts and
  • elegancies of life, sometimes transcends the bounds of mere boyishness,
  • and revels for a while in the empyrean of a love which only comes short,
  • by one degree, of the sweetest sentiment entertained between the sexes.
  • Nor is this boy-love without the occasional fillips and spicinesses,
  • which at times, by an apparent abatement, enhance the permanent delights
  • of those more advanced lovers who love beneath the cestus of Venus.
  • Jealousies are felt. The sight of another lad too much consorting with
  • the boy's beloved object, shall fill him with emotions akin to those of
  • Othello's; a fancied slight, or lessening of the every-day indications
  • of warm feelings, shall prompt him to bitter upbraidings and reproaches;
  • or shall plunge him into evil moods, for which grim solitude only is
  • congenial.
  • Nor are the letters of Aphroditean devotees more charged with headlong
  • vows and protestations, more cross-written and crammed with discursive
  • sentimentalities, more undeviating in their semi-weekliness, or
  • dayliness, as the case may be, than are the love-friendship missives of
  • boys. Among those bundles of papers which Pierre, in an ill hour, so
  • frantically destroyed in the chamber of the inn, were two large packages
  • of letters, densely written, and in many cases inscribed crosswise
  • throughout with red ink upon black; so that the love in those letters
  • was two layers deep, and one pen and one pigment were insufficient to
  • paint it. The first package contained the letters of Glen to Pierre, the
  • other those of Pierre to Glen, which, just prior to Glen's departure for
  • Europe, Pierre had obtained from him, in order to re-read them in his
  • absence, and so fortify himself the more in his affection, by reviving
  • reference to the young, ardent hours of its earliest manifestations.
  • But as the advancing fruit itself extrudes the beautiful blossom, so in
  • many cases, does the eventual love for the other sex forever dismiss the
  • preliminary love-friendship of boys. The mere outer friendship may in
  • some degree--greater or less--survive; but the singular love in it has
  • perishingly dropped away.
  • If in the eye of unyielding reality and truth, the earthly heart of man
  • do indeed ever fix upon some one woman, to whom alone, thenceforth
  • eternally to be a devotee, without a single shadow of the misgiving of
  • its faith; and who, to him, does perfectly embody his finest, loftiest
  • dream of feminine loveliness, if this indeed be so--and may Heaven grant
  • that it be--nevertheless, in metropolitan cases, the love of the most
  • single-eyed lover, almost invariably, is nothing more than the ultimate
  • settling of innumerable wandering glances upon some one specific object;
  • as admonished, that the wonderful scope and variety of female
  • loveliness, if too long suffered to sway us without decision, shall
  • finally confound all power of selection. The confirmed bachelor is, in
  • America, at least, quite as often the victim of a too profound
  • appreciation of the infinite charmingness of woman, as made solitary for
  • life by the legitimate empire of a cold and tasteless temperament.
  • Though the peculiar heart-longings pertaining to his age, had at last
  • found their glowing response in the bosom of Lucy; yet for some period
  • prior to that, Pierre had not been insensible to the miscellaneous
  • promptings of the passion. So that even before he became a declarative
  • lover, Love had yet made him her general votary; and so already there
  • had gradually come a cooling over that ardent sentiment which in earlier
  • years he had cherished for Glen.
  • All round and round does the world lie as in a sharp-shooter's ambush,
  • to pick off the beautiful illusions of youth, by the pitiless cracking
  • rifles of the realities of the age. If the general love for women, had
  • in Pierre sensibly modified his particular sentiment toward Glen;
  • neither had the thousand nameless fascinations of the then brilliant
  • paradises of France and Italy, failed to exert their seductive influence
  • on many of the previous feelings of Glen. For as the very best
  • advantages of life are not without some envious drawback, so it is among
  • the evils of enlarged foreign travel, that in young and unsolid minds,
  • it dislodges some of the finest feelings of the home-born nature;
  • replacing them with a fastidious superciliousness, which like the
  • alledged bigoted Federalism of old times would not--according to a
  • political legend--grind its daily coffee in any mill save of European
  • manufacture, and was satirically said to have thought of importing
  • European air for domestic consumption. The mutually curtailed,
  • lessening, long-postponed, and at last altogether ceasing letters of
  • Pierre and Glen were the melancholy attestations of a fact, which
  • perhaps neither of them took very severely to heart, as certainly,
  • concerning it, neither took the other to task.
  • In the earlier periods of that strange transition from the generous
  • impulsiveness of youth to the provident circumspectness of age, there
  • generally intervenes a brief pause of unpleasant reconsidering; when
  • finding itself all wide of its former spontaneous self, the soul
  • hesitates to commit itself wholly to selfishness; more than repents its
  • wanderings;--yet all this is but transient; and again hurried on by the
  • swift current of life, the prompt-hearted boy scarce longer is to be
  • recognized in matured man,--very slow to feel, deliberate even in love,
  • and statistical even in piety. During the sway of this peculiar period,
  • the boy shall still make some strenuous efforts to retrieve his
  • departing spontaneities; but so alloyed are all such endeavors with the
  • incipiencies of selfishness, that they were best not made at all; since
  • too often they seem but empty and self-deceptive sallies, or still
  • worse, the merest hypocritical assumptions.
  • Upon the return of Glen from abroad, the commonest courtesy, not to say
  • the blood-relation between them, prompted Pierre to welcome him home,
  • with a letter, which though not over-long, and little enthusiastic,
  • still breathed a spirit of cousinly consideration and kindness,
  • pervadingly touched by the then naturally frank and all-attractive
  • spirit of Pierre. To this, the less earnest and now Europeanized Glen
  • had replied in a letter all sudden suavity; and in a strain of artistic
  • artlessness, mourned the apparent decline of their friendship; yet
  • fondly trusted that now, notwithstanding their long separation, it
  • would revive with added sincerity. Yet upon accidentally fixing his
  • glance upon the opening salutation of this delicate missive, Pierre
  • thought he perceived certain, not wholly disguisable chirographic
  • tokens, that the "My very dear Pierre," with which the letter seemed to
  • have been begun, had originally been written "Dear Pierre;" but that
  • when all was concluded, and Glen's signature put to it, then the ardent
  • words "My very" had been prefixed to the reconsidered "Dear Pierre;" a
  • casual supposition, which possibly, however unfounded, materially
  • retarded any answering warmth in Pierre, lest his generous flame should
  • only embrace a flaunted feather. Nor was this idea altogether
  • unreinforced, when on the reception of a second, and now half-business
  • letter (of which mixed sort nearly all the subsequent ones were), from
  • Glen, he found that the "My very dear Pierre" had already retreated into
  • "My dear Pierre;" and on a third occasion, into "Dear Pierre;" and on a
  • fourth, had made a forced and very spirited advanced march up to "My
  • dearest Pierre." All of which fluctuations augured ill for the
  • determinateness of that love, which, however immensely devoted to one
  • cause, could yet hoist and sail under the flags of all nations. Nor
  • could he but now applaud a still subsequent letter from Glen, which
  • abruptly, and almost with apparent indecorousness, under the
  • circumstances, commenced the strain of friendship without any overture
  • of salutation whatever; as if at last, owing to its infinite
  • delicateness, entirely hopeless of precisely defining the nature of
  • their mystical love, Glen chose rather to leave that precise definition
  • to the sympathetical heart and imagination of Pierre; while he himself
  • would go on to celebrate the general relation, by many a sugared
  • sentence of miscellaneous devotion. It was a little curious and rather
  • sardonically diverting, to compare these masterly, yet not wholly
  • successful, and indeterminate tactics of the accomplished Glen, with the
  • unfaltering stream of _Beloved Pierres_, which not only flowed along
  • the top margin of all his earlier letters, but here and there, from
  • their subterranean channel, flashed out in bright intervals, through all
  • the succeeding lines. Nor had the chance recollection of these things at
  • all restrained the reckless hand of Pierre, when he threw the whole
  • package of letters, both new and old, into that most honest and summary
  • of all elements, which is neither a respecter of persons, nor a finical
  • critic of what manner of writings it burns; but like ultimate Truth
  • itself, of which it is the eloquent symbol, consumes all, and only
  • consumes.
  • When the betrothment of Pierre to Lucy had become an acknowledged thing,
  • the courtly Glen, besides the customary felicitations upon that event,
  • had not omitted so fit an opportunity to re-tender to his cousin all his
  • previous jars of honey and treacle, accompanied by additional boxes of
  • candied citron and plums. Pierre thanked him kindly; but in certain
  • little roguish ambiguities begged leave, on the ground of cloying, to
  • return him inclosed by far the greater portion of his present; whose
  • non-substantialness was allegorically typified in the containing letter
  • itself, prepaid with only the usual postage.
  • True love, as every one knows, will still withstand many repulses, even
  • though rude. But whether it was the love or the politeness of Glen,
  • which on this occasion proved invincible, is a matter we will not
  • discuss. Certain it was, that quite undaunted, Glen nobly returned to
  • the charge, and in a very prompt and unexpected answer, extended to
  • Pierre all the courtesies of the general city, and all the hospitalities
  • of five sumptuous chambers, which he and his luxurious environments
  • contrived nominally to occupy in the most fashionable private hotel of a
  • very opulent town. Nor did Glen rest here; but like Napoleon, now seemed
  • bent upon gaining the battle by throwing all his regiments upon one
  • point of attack, and gaining that point at all hazards. Hearing of some
  • rumor at the tables of his relatives that the day was being fixed for
  • the positive nuptials of Pierre; Glen called all his Parisian
  • portfolios for his rosiest sheet, and with scented ink, and a pen of
  • gold, indited a most burnished and redolent letter, which, after
  • invoking all the blessings of Apollo and Venus, and the Nine Muses, and
  • the Cardinal Virtues upon the coming event; concluded at last with a
  • really magnificent testimonial to his love.
  • According to this letter, among his other real estate in the city, Glen
  • had inherited a very charming, little, old house, completely furnished
  • in the style of the last century, in a quarter of the city which, though
  • now not so garishly fashionable as of yore, still in its quiet
  • secludedness, possessed great attractions for the retired billings and
  • cooings of a honeymoon. Indeed he begged leave now to christen it the
  • Cooery, and if after his wedding jaunt, Pierre would deign to visit the
  • city with his bride for a month or two's sojourn, then the Cooery would
  • be but too happy in affording him a harbor. His sweet cousin need be
  • under no apprehension. Owing to the absence of any fit applicant for it,
  • the house had now long been without a tenant, save an old, confidential,
  • bachelor clerk of his father's, who on a nominal rent, and more by way
  • of safe-keeping to the house than any thing else, was now hanging up his
  • well-furbished hat in its hall. This accommodating old clerk would
  • quickly unpeg his beaver at the first hint of new occupants. Glen would
  • charge himself with supplying the house in advance with a proper retinue
  • of servants; fires would be made in the long-unoccupied chambers; the
  • venerable, grotesque, old mahoganies, and marbles, and mirror-frames,
  • and moldings could be very soon dusted and burnished; the kitchen was
  • amply provided with the necessary utensils for cooking; the strong box
  • of old silver immemorially pertaining to the mansion, could be readily
  • carted round from the vaults of the neighboring Bank; while the hampers
  • of old china, still retained in the house, needed but little trouble to
  • unpack; so that silver and china would soon stand assorted in their
  • appropriate closets; at the turning of a faucet in the cellar, the best
  • of the city's water would not fail to contribute its ingredient to the
  • concocting of a welcoming glass of negus before retiring on the first
  • night of their arrival.
  • The over-fastidiousness of some unhealthily critical minds, as well as
  • the moral pusillanimity of others, equally bars the acceptance of
  • effectually substantial favors from persons whose motive in proffering
  • them, is not altogether clear and unimpeachable; and toward whom,
  • perhaps, some prior coolness or indifference has been shown. But when
  • the acceptance of such a favor would be really convenient and desirable
  • to the one party, and completely unattended with any serious distress to
  • the other; there would seem to be no sensible objection to an immediate
  • embrace of the offer. And when the acceptor is in rank and fortune the
  • general equal of the profferer, and perhaps his superior, so that any
  • courtesy he receives, can be amply returned in the natural course of
  • future events, then all motives to decline are very materially lessened.
  • And as for the thousand inconceivable finicalnesses of small pros and
  • cons about imaginary fitnesses, and proprieties, and self-consistencies;
  • thank heaven, in the hour of heart-health, none such shilly-shallying
  • sail-trimmers ever balk the onward course of a bluff-minded man. He
  • takes the world as it is; and carelessly accommodates himself to its
  • whimsical humors; nor ever feels any compunction at receiving the
  • greatest possible favors from those who are as able to grant, as free to
  • bestow. He himself bestows upon occasion; so that, at bottom, common
  • charity steps in to dictate a favorable consideration for all possible
  • profferings; seeing that the acceptance shall only the more enrich him,
  • indirectly, for new and larger beneficences of his own.
  • And as for those who noways pretend with themselves to regulate their
  • deportment by considerations of genuine benevolence, and to whom such
  • courteous profferings hypocritically come from persons whom they suspect
  • for secret enemies; then to such minds not only will their own worldly
  • tactics at once forbid the uncivil blank repulse of such offers; but if
  • they are secretly malicious as well as frigid, or if they are at all
  • capable of being fully gratified by the sense of concealed superiority
  • and mastership (which precious few men are) then how delightful for such
  • persons under the guise of mere acquiescence in his own voluntary
  • civilities, to make genteel use of their foe. For one would like to
  • know, what were foes made for except to be used? In the rude ages men
  • hunted and javelined the tiger, because they hated him for a
  • mischief-minded wild-beast; but in these enlightened times, though we
  • love the tiger as little as ever, still we mostly hunt him for the sake
  • of his skin. A wise man then will wear his tiger; every morning put on
  • his tiger for a robe to keep him warm and adorn him. In this view, foes
  • are far more desirable than friends; for who would hunt and kill his own
  • faithful affectionate dog for the sake of his skin? and is a dog's skin
  • as valuable as a tiger's? Cases there are where it becomes soberly
  • advisable, by direct arts to convert some well-wishers into foes. It is
  • false that in point of policy a man should never make enemies. As
  • well-wishers some men may not only be nugatory but positive obstacles in
  • your peculiar plans; but as foes you may subordinately cement them into
  • your general design.
  • But into these ulterior refinements of cool Tuscan policy, Pierre as yet
  • had never become initiated; his experiences hitherto not having been
  • varied and ripe enough for that; besides, he had altogether too much
  • generous blood in his heart. Nevertheless, thereafter, in a less
  • immature hour, though still he shall not have the heart to practice upon
  • such maxims as the above, yet shall he have the brain thoroughly to
  • comprehend their practicability; which is not always the case. And
  • generally, in worldly wisdom, men will deny to one the possession of all
  • insight, which one does not by his every-day outward life practically
  • reveal. It is a very common error of some unscrupulously
  • infidel-minded, selfish, unprincipled, or downright knavish men, to
  • suppose that believing men, or benevolent-hearted men, or good men, do
  • not know enough to be unscrupulously selfish, do not know enough to be
  • unscrupulous knaves. And thus--thanks to the world!--are there many
  • spies in the world's camp, who are mistaken for strolling simpletons.
  • And these strolling simpletons seem to act upon the principle, that in
  • certain things, we do not so much learn, by showing that already we know
  • a vast deal, as by negatively seeming rather ignorant. But here we press
  • upon the frontiers of that sort of wisdom, which it is very well to
  • possess, but not sagacious to show that you possess. Still, men there
  • are, who having quite done with the world, all its mere worldly contents
  • are become so far indifferent, that they care little of what mere
  • worldly imprudence they may be guilty.
  • Now, if it were not conscious considerations like the really benevolent
  • or neutral ones first mentioned above, it was certainly something akin
  • to them, which had induced Pierre to return a straightforward, manly,
  • and entire acceptance to his cousin of the offer of the house; thanking
  • him, over and over, for his most supererogatory kindness concerning the
  • pre-engagement of servants and so forth, and the setting in order of the
  • silver and china; but reminding him, nevertheless, that he had
  • overlooked all special mention of wines, and begged him to store the
  • bins with a few of the very best brands. He would likewise be obliged,
  • if he would personally purchase at a certain celebrated grocer's, a
  • small bag of undoubted Mocha coffee; but Glen need not order it to be
  • roasted or ground, because Pierre preferred that both those highly
  • important and flavor-deciding operations should be performed
  • instantaneously previous to the final boiling and serving. Nor did he
  • say that he would pay for the wines and the Mocha; he contented himself
  • with merely stating the remissness on the part of his cousin, and
  • pointing out the best way of remedying it.
  • He concluded his letter by intimating that though the rumor of a set
  • day, and a near one, for his nuptials, was unhappily but ill-founded,
  • yet he would not hold Glen's generous offer as merely based upon that
  • presumption, and consequently falling with it; but on the contrary,
  • would consider it entirely good for whatever time it might prove
  • available to Pierre. He was betrothed beyond a peradventure; and hoped
  • to be married ere death. Meanwhile, Glen would further oblige him by
  • giving the confidential clerk a standing notice to quit.
  • Though at first quite amazed at this letter,--for indeed, his offer
  • might possibly have proceeded as much from ostentation as any thing
  • else, nor had he dreamed of so unhesitating an acceptance,--Pierre's
  • cousin was too much of a precocious young man of the world, disclosedly
  • to take it in any other than a very friendly, and cousinly, and
  • humorous, and yet practical way; which he plainly evinced by a reply far
  • more sincere and every way creditable, apparently, both to his heart and
  • head, than any letter he had written to Pierre since the days of their
  • boyhood. And thus, by the bluffness and, in some sort,
  • uncompunctuousness of Pierre, this very artificial youth was well
  • betrayed into an act of effective kindness; being forced now to drop the
  • empty mask of ostentation, and put on the solid hearty features of a
  • genuine face. And just so, are some people in the world to be joked into
  • occasional effective goodness, when all coyness, and coolness, all
  • resentments, and all solemn preaching, would fail.
  • II.
  • But little would we comprehend the peculiar relation between Pierre and
  • Glen--a relation involving in the end the most serious results--were
  • there not here thrown over the whole equivocal, preceding account of it,
  • another and more comprehensive equivocalness, which shall absorb all
  • minor ones in itself; and so make one pervading ambiguity the only
  • possible explanation for all the ambiguous details.
  • It had long been imagined by Pierre, that prior to his own special
  • devotion to Lucy, the splendid Glen had not been entirely insensible to
  • her surprising charms. Yet this conceit in its incipiency, he knew not
  • how to account for. Assuredly his cousin had never in the slightest
  • conceivable hint betrayed it; and as for Lucy, the same intuitive
  • delicacy which forever forbade Pierre to question her on the subject,
  • did equally close her own voluntary lips. Between Pierre and Lucy,
  • delicateness put her sacred signet on this chest of secrecy; which like
  • the wax of an executor upon a desk, though capable of being melted into
  • nothing by the smallest candle, for all this, still possesses to the
  • reverent the prohibitive virtue of inexorable bars and bolts.
  • If Pierre superficially considered the deportment of Glen toward him,
  • therein he could find no possible warrant for indulging the suspicious
  • idea. Doth jealousy smile so benignantly and offer its house to the
  • bride? Still, on the other hand, to quit the mere surface of the
  • deportment of Glen, and penetrate beneath its brocaded vesture; there
  • Pierre sometimes seemed to see the long-lurking and yet unhealed wound
  • of all a rejected lover's most rankling detestation of a supplanting
  • rival, only intensified by their former friendship, and the unimpairable
  • blood-relation between them. Now, viewed by the light of this
  • master-solution, all the singular enigmas in Glen; his capriciousness in
  • the matter of the epistolary--"Dear Pierres" and "Dearest Pierres;" the
  • mercurial fall from the fever-heat of cordiality, to below the Zero of
  • indifference; then the contrary rise to fever-heat; and, above all, his
  • emphatic redundancy of devotion so soon as the positive espousals of
  • Pierre seemed on the point of consummation; thus read, all these riddles
  • apparently found their cunning solution. For the deeper that some men
  • feel a secret and poignant feeling, the higher they pile the belying
  • surfaces. The friendly deportment of Glen then was to be considered as
  • in direct proportion to his hoarded hate; and the climax of that hate
  • was evinced in throwing open his house to the bride. Yet if hate was the
  • abstract cause, hate could not be the immediate motive of the conduct of
  • Glen. Is hate so hospitable? The immediate motive of Glen then must be
  • the intense desire to disguise from the wide world, a fact unspeakably
  • humiliating to his gold-laced and haughty soul: the fact that in the
  • profoundest desire of his heart, Pierre had so victoriously supplanted
  • him. Yet was it that very artful deportment in Glen, which Glen
  • profoundly assumed to this grand end; that consummately artful
  • deportment it was, which first obtruded upon Pierre the surmise, which
  • by that identical method his cousin was so absorbedly intent upon
  • rendering impossible to him. Hence we here see that as in the negative
  • way the secrecy of any strong emotion is exceedingly difficult to be
  • kept lastingly private to one's own bosom by any human being; so it is
  • one of the most fruitless undertakings in the world, to attempt by
  • affirmative assumptions to tender to men, the precisely opposite emotion
  • as yours. Therefore the final wisdom decrees, that if you have aught
  • which you desire to keep a secret to yourself, be a Quietist there, and
  • do and say nothing at all about it. For among all the poor chances, this
  • is the least poor. Pretensions and substitutions are only the recourse
  • of under-graduates in the science of the world; in which science, on his
  • own ground, my Lord Chesterfield, is the poorest possible preceptor. The
  • earliest instinct of the child, and the ripest experience of age, unite
  • in affirming simplicity to be the truest and profoundest part for man.
  • Likewise this simplicity is so universal and all-containing as a rule
  • for human life, that the subtlest bad man, and the purest good man, as
  • well as the profoundest wise man, do all alike present it on that side
  • which they socially turn to the inquisitive and unscrupulous world.
  • III.
  • Now the matter of the house had remained in precisely the above-stated
  • awaiting predicament, down to the time of Pierre's great
  • life-revolution, the receipt of Isabel's letter. And though, indeed,
  • Pierre could not but naturally hesitate at still accepting the use of
  • the dwelling, under the widely different circumstances in which he now
  • found himself; and though at first the strongest possible spontaneous
  • objections on the ground of personal independence, pride, and general
  • scorn, all clamorously declared in his breast against such a course;
  • yet, finally, the same uncompunctuous, ever-adaptive sort of motive
  • which had induced his original acceptation, prompted him, in the end,
  • still to maintain it unrevoked. It would at once set him at rest from
  • all immediate tribulations of mere bed and board; and by affording him a
  • shelter, for an indefinite term, enable him the better to look about
  • him, and consider what could best be done to further the permanent
  • comfort of those whom Fate had intrusted to his charge.
  • Irrespective, it would seem, of that wide general awaking of his
  • profounder being, consequent upon the extraordinary trials he had so
  • aggregatively encountered of late; the thought was indignantly suggested
  • to him, that the world must indeed be organically despicable, if it held
  • that an offer, superfluously accepted in the hour of his abundance,
  • should now, be rejected in that of his utmost need. And without at all
  • imputing any singularity of benevolent-mindedness to his cousin, he did
  • not for a moment question, that under the changed aspect of affairs,
  • Glen would at least pretend the more eagerly to welcome him to the
  • house, now that the mere thing of apparent courtesy had become
  • transformed into something like a thing of positive and urgent
  • necessity. When Pierre also considered that not himself only was
  • concerned, but likewise two peculiarly helpless fellow-beings, one of
  • them bound to him from the first by the most sacred ties, and lately
  • inspiring an emotion which passed all human precedent in its mixed and
  • mystical import; these added considerations completely overthrew in
  • Pierre all remaining dictates of his vague pride and false independence,
  • if such indeed had ever been his.
  • Though the interval elapsing between his decision to depart with his
  • companions for the city, and his actual start in the coach, had not
  • enabled him to receive any replying word from his cousin; and though
  • Pierre knew better than to expect it; yet a preparative letter to him he
  • had sent; and did not doubt that this proceeding would prove
  • well-advised in the end.
  • In naturally strong-minded men, however young and inexperienced in some
  • things, those great and sudden emergencies, which but confound the timid
  • and the weak, only serve to call forth all their generous latentness,
  • and teach them, as by inspiration, extraordinary maxims of conduct,
  • whose counterpart, in other men, is only the result of a long,
  • variously-tried and pains-taking life. One of those maxims is, that
  • when, through whatever cause, we are suddenly translated from opulence
  • to need, or from a fair fame to a foul; and straightway it becomes
  • necessary not to contradict the thing--so far at least as the mere
  • imputation goes,--to some one previously entertaining high conventional
  • regard for us, and from whom we would now solicit some genuine helping
  • offices; then, all explanation or palation should be scorned;
  • promptness, boldness, utter gladiatorianism, and a defiant non-humility
  • should mark every syllable we breathe, and every line we trace.
  • The preparative letter of Pierre to Glen, plunged at once into the very
  • heart of the matter, and was perhaps the briefest letter he had ever
  • written him. Though by no means are such characteristics invariable
  • exponents of the predominant mood or general disposition of a man (since
  • so accidental a thing as a numb finger, or a bad quill, or poor ink, or
  • squalid paper, or a rickety desk may produce all sorts of
  • modifications), yet in the present instance, the handwriting of Pierre
  • happened plainly to attest and corroborate the spirit of his
  • communication. The sheet was large; but the words were placarded upon it
  • in heavy though rapid lines, only six or eight to the page. And as the
  • footman of a haughty visitor--some Count or Duke--announces the chariot
  • of his lord by a thunderous knock on the portal; so to Glen did Pierre,
  • in the broad, sweeping, and prodigious superscription of his letter,
  • forewarn him what manner of man was on the road.
  • In the moment of strong feeling a wonderful condensativeness points the
  • tongue and pen; so that ideas, then enunciated sharp and quick as
  • minute-guns, in some other hour of unruffledness or unstimulatedness,
  • require considerable time and trouble to verbally recall.
  • Not here and now can we set down the precise contents of Pierre's
  • letter, without a tautology illy doing justice to the ideas themselves.
  • And though indeed the dread of tautology be the continual torment of
  • some earnest minds, and, as such, is surely a weakness in them; and
  • though no wise man will wonder at conscientious Virgil all eager at
  • death to burn his Æniad for a monstrous heap of inefficient superfluity;
  • yet not to dread tautology at times only belongs to those enviable
  • dunces, whom the partial God hath blessed, over all the earth, with the
  • inexhaustible self-riches of vanity, and folly, and a blind
  • self-complacency.
  • Some rumor of the discontinuance of his betrothment to Lucy Tartan; of
  • his already consummated marriage with a poor and friendless orphan; of
  • his mother's disowning him consequent upon these events; such rumors,
  • Pierre now wrote to his cousin, would very probably, in the parlors of
  • his city-relatives and acquaintances, precede his arrival in town. But
  • he hinted no word of any possible commentary on these things. He simply
  • went on to say, that now, through the fortune of life--which was but
  • the proverbially unreliable fortune of war--he was, for the present,
  • thrown entirely upon his own resources, both for his own support and
  • that of his wife, as well as for the temporary maintenance of a girl,
  • whom he had lately had excellent reason for taking under his especial
  • protection. He proposed a permanent residence in the city; not without
  • some nearly quite settled plans as to the procuring of a competent
  • income, without any ulterior reference to any member of their wealthy
  • and widely ramified family. The house, whose temporary occupancy Glen
  • had before so handsomely proffered him, would now be doubly and trebly
  • desirable to him. But the pre-engaged servants, and the old china, and
  • the old silver, and the old wines, and the Mocha, were now become
  • altogether unnecessary. Pierre would merely take the place--for a short
  • interval--of the worthy old clerk; and, so far as Glen was concerned,
  • simply stand guardian of the dwelling, till his plans were matured. His
  • cousin had originally made his most bounteous overture, to welcome the
  • coming of the presumed bride of Pierre; and though another lady had now
  • taken her place at the altar, yet Pierre would still regard the offer of
  • Glen as impersonal in that respect, and bearing equal reference to any
  • young lady, who should prove her claim to the possessed hand of Pierre.
  • Since there was no universal law of opinion in such matters, Glen, on
  • general worldly grounds, might not consider the real Mrs. Glendinning
  • altogether so suitable a match for Pierre, as he possibly might have
  • held numerous other young ladies in his eye: nevertheless, Glen would
  • find her ready to return with sincerity all his cousinly regard and
  • attention. In conclusion, Pierre said, that he and his party meditated
  • an immediate departure, and would very probably arrive in town in
  • eight-and-forty hours after the mailing of the present letter. He
  • therefore begged Glen to see the more indispensable domestic appliances
  • of the house set in some little order against their arrival; to have
  • the rooms aired and lighted; and also forewarn the confidential clerk of
  • what he might soon expect. Then, without any tapering sequel
  • of--"_Yours, very truly and faithfully, my dear Cousin Glen_," he
  • finished the letter with the abrupt and isolated signature
  • of--"PIERRE."
  • BOOK XVI.
  • FIRST NIGHT OF THEIR ARRIVAL IN THE CITY.
  • I.
  • The stage was belated.
  • The country road they traveled entered the city by a remarkably wide and
  • winding street, a great thoroughfare for its less opulent inhabitants.
  • There was no moon and few stars. It was that preluding hour of the night
  • when the shops are just closing, and the aspect of almost every
  • wayfarer, as he passes through the unequal light reflected from the
  • windows, speaks of one hurrying not abroad, but homeward. Though the
  • thoroughfare was winding, yet no sweep that it made greatly obstructed
  • its long and imposing vista; so that when the coach gained the top of
  • the long and very gradual slope running toward the obscure heart of the
  • town, and the twinkling perspective of two long and parallel rows of
  • lamps was revealed--lamps which seemed not so much intended to dispel
  • the general gloom, as to show some dim path leading through it, into
  • some gloom still deeper beyond--when the coach gained this critical
  • point, the whole vast triangular town, for a moment, seemed dimly and
  • despondently to capitulate to the eye.
  • And now, ere descending the gradually-sloping declivity, and just on its
  • summit as it were, the inmates of the coach, by numerous hard, painful
  • joltings, and ponderous, dragging trundlings, are suddenly made sensible
  • of some great change in the character of the road. The coach seems
  • rolling over cannon-balls of all calibers. Grasping Pierre's arm, Isabel
  • eagerly and forebodingly demands what is the cause of this most strange
  • and unpleasant transition.
  • "The pavements, Isabel; this is the town."
  • Isabel was silent.
  • But, the first time for many weeks, Delly voluntarily spoke:
  • "It feels not so soft as the green sward, Master Pierre."
  • "No, Miss Ulver," said Pierre, very bitterly, "the buried hearts of some
  • dead citizens have perhaps come to the surface."
  • "Sir?" said Delly.
  • "And are they so hard-hearted here?" asked Isabel.
  • "Ask yonder pavements, Isabel. Milk dropt from the milkman's can in
  • December, freezes not more quickly on those stones, than does snow-white
  • innocence, if in poverty, it chance to fall in these streets."
  • "Then God help my hard fate, Master Pierre," sobbed Delly. "Why didst
  • thou drag hither a poor outcast like me?"
  • "Forgive me, Miss Ulver," exclaimed Pierre, with sudden warmth, and yet
  • most marked respect; "forgive me; never yet have I entered the city by
  • night, but, somehow, it made me feel both bitter and sad. Come, be
  • cheerful, we shall soon be comfortably housed, and have our comfort all
  • to ourselves; the old clerk I spoke to you about, is now doubtless
  • ruefully eying his hat on the peg. Come, cheer up, Isabel;--'tis a long
  • ride, but here we are, at last. Come! 'Tis not very far now to our
  • welcome."
  • "I hear a strange shuffling and clattering," said Delly, with a shudder.
  • "It does not seem so light as just now," said Isabel.
  • "Yes," returned Pierre, "it is the shop-shutters being put on; it is the
  • locking, and bolting, and barring of windows and doors; the
  • town's-people are going to their rest."
  • "Please God they may find it!" sighed Delly.
  • "They lock and bar out, then, when they rest, do they, Pierre?" said
  • Isabel.
  • "Yes, and you were thinking that does not bode well for the welcome I
  • spoke of."
  • "Thou read'st all my soul; yes, I was thinking of that. But whither lead
  • these long, narrow, dismal side-glooms we pass every now and then? What
  • are they? They seem terribly still. I see scarce any body in
  • them;--there's another, now. See how haggardly look its criss-cross,
  • far-separate lamps.--What are these side-glooms, dear Pierre; whither
  • lead they?"
  • "They are the thin tributaries, sweet Isabel, to the great Oronoco
  • thoroughfare we are in; and like true tributaries, they come from the
  • far-hidden places; from under dark beetling secrecies of mortar and
  • stone; through the long marsh-grasses of villainy, and by many a
  • transplanted bough-beam, where the wretched have hung."
  • "I know nothing of these things, Pierre. But I like not the town.
  • Think'st thou, Pierre, the time will ever come when all the earth shall
  • be paved?"
  • "Thank God, that never can be!"
  • "These silent side-glooms are horrible;--look! Methinks, not for the
  • world would I turn into one."
  • That moment the nigh fore-wheel sharply grated under the body of the
  • coach.
  • "Courage!" cried Pierre, "we are in it!--Not so very solitary either;
  • here comes a traveler."
  • "Hark, what is that?" said Delly, "that keen iron-ringing sound? It
  • passed us just now."
  • "The keen traveler," said Pierre, "he has steel plates to his
  • boot-heels;--some tender-souled elder son, I suppose."
  • "Pierre," said Isabel, "this silence is unnatural, is fearful. The
  • forests are never so still."
  • "Because brick and mortar have deeper secrets than wood or fell, sweet
  • Isabel. But here we turn again; now if I guess right, two more turns
  • will bring us to the door. Courage, all will be well; doubtless he has
  • prepared a famous supper. Courage, Isabel. Come, shall it be tea or
  • coffee? Some bread, or crisp toast? We'll have eggs, too; and some cold
  • chicken, perhaps."--Then muttering to himself--"I hope not that, either;
  • no cold collations! there's too much of that in these paving-stones
  • here, set out for the famishing beggars to eat. No. I won't have the
  • cold chicken." Then aloud--"But here we turn again; yes, just as I
  • thought. Ho, driver!" (thrusting his head out of the window) "to the
  • right! to the right! it should be on the right! the first house with a
  • light on the right!"
  • "No lights yet but the street's," answered the surly voice of the
  • driver.
  • "Stupid! he has passed it--yes, yes--he has! Ho! ho! stop; turn back.
  • Have you not passed lighted windows?"
  • "No lights but the street's," was the rough reply. "What's the number?
  • the number? Don't keep me beating about here all night! The number, I
  • say!"
  • "I do not know it," returned Pierre; "but I well know the house; you
  • must have passed it, I repeat. You must turn back. Surely you have
  • passed lighted windows?"
  • "Then them lights must burn black; there's no lighted windows in the
  • street; I knows the city; old maids lives here, and they are all to bed;
  • rest is warehouses."
  • "Will you stop the coach, or not?" cried Pierre, now incensed at his
  • surliness in continuing to drive on.
  • "I obeys orders: the first house with a light; and 'cording to my
  • reck'ning--though to be sure, I don't know nothing of the city where I
  • was born and bred all my life--no, I knows nothing at all about
  • it--'cording to my reck'ning, the first light in this here street will
  • be the watch-house of the ward--yes, there it is--all right! cheap
  • lodgings ye've engaged--nothing to pay, and wictuals in."
  • To certain temperaments, especially when previously agitated by any deep
  • feeling, there is perhaps nothing more exasperating, and which sooner
  • explodes all self-command, than the coarse, jeering insolence of a
  • porter, cabman, or hack-driver. Fetchers and carriers of the worst city
  • infamy as many of them are; professionally familiar with the most
  • abandoned haunts; in the heart of misery, they drive one of the most
  • mercenary of all the trades of guilt. Day-dozers and sluggards on their
  • lazy boxes in the sunlight, and felinely wakeful and cat-eyed in the
  • dark; most habituated to midnight streets, only trod by sneaking
  • burglars, wantons, and debauchees; often in actual pandering league with
  • the most abhorrent sinks; so that they are equally solicitous and
  • suspectful that every customer they encounter in the dark, will prove a
  • profligate or a knave; this hideous tribe of ogres, and Charon ferry-men
  • to corruption and death, naturally slide into the most practically
  • Calvinistical view of humanity, and hold every man at bottom a fit
  • subject for the coarsest ribaldry and jest; only fine coats and full
  • pockets can whip such mangy hounds into decency. The least impatience,
  • any quickness of temper, a sharp remonstrating word from a customer in a
  • seedy coat, or betraying any other evidence of poverty, however minute
  • and indirect (for in that pecuniary respect they are the most piercing
  • and infallible of all the judgers of men), will be almost sure to
  • provoke, in such cases, their least endurable disdain.
  • Perhaps it was the unconscious transfer to the stage-driver of some such
  • ideas as these, which now prompted the highly irritated Pierre to an
  • act, which, in a more benignant hour, his better reason would have
  • restrained him from.
  • He did not see the light to which the driver had referred; and was
  • heedless, in his sudden wrath, that the coach was now going slower in
  • approaching it. Ere Isabel could prevent him, he burst open the door,
  • and leaping to the pavement, sprang ahead of the horses, and violently
  • reined back the leaders by their heads. The driver seized his
  • four-in-hand whip, and with a volley of oaths was about striking out its
  • long, coiling lash at Pierre, when his arm was arrested by a policeman,
  • who suddenly leaping on the stayed coach, commanded him to keep the
  • peace.
  • "Speak! what is the difficulty here? Be quiet, ladies, nothing serious
  • has happened. Speak you!"
  • "Pierre! Pierre!" cried the alarmed Isabel. In an instant Pierre was at
  • her side by the window; and now turning to the officer, explained to him
  • that the driver had persisted in passing the house at which he was
  • ordered to stop.
  • "Then he shall turn to the right about with you, sir;--in double quick
  • time too; do ye hear? I know you rascals well enough. Turn about, you
  • sir, and take the gentleman where he directed."
  • The cowed driver was beginning a long string of criminating
  • explanations, when turning to Pierre, the policeman calmly desired him
  • to re-enter the coach; he would see him safely at his destination; and
  • then seating himself beside the driver on the box, commanded him to tell
  • the number given him by the gentleman.
  • "He don't know no numbers--didn't I say he didn't--that's what I got mad
  • about."
  • "Be still"--said the officer. "Sir"--turning round and addressing Pierre
  • within; "where do you wish to go?"
  • "I do not know the number, but it is a house in this street; we have
  • passed it; it is, I think, the fourth or fifth house this side of the
  • last corner we turned. It must be lighted up too. It is the small
  • old-fashioned dwelling with stone lion-heads above the windows. But make
  • him turn round, and drive slowly, and I will soon point it out."
  • "Can't see lions in the dark"--growled the driver--"lions; ha! ha!
  • jackasses more likely!"
  • "Look you," said the officer, "I shall see you tightly housed this
  • night, my fine fellow, if you don't cease your jabber. Sir," he added,
  • resuming with Pierre, "I am sure there is some mistake here. I perfectly
  • well know now the house you mean. I passed it within the last half-hour;
  • all as quiet there as ever. No one lives there, I think; I never saw a
  • light in it. Are you not mistaken in something, then?"
  • Pierre paused in perplexity and foreboding. Was it possible that Glen
  • had willfully and utterly neglected his letter? Not possible. But it
  • might not have come to his hand; the mails sometimes delayed. Then
  • again, it was not wholly out of the question, that the house was
  • prepared for them after all, even though it showed no outward sign. But
  • that was not probable. At any rate, as the driver protested, that his
  • four horses and lumbering vehicle could not turn short round in that
  • street; and that if he must go back, it could only be done by driving
  • on, and going round the block, and so retracing his road; and as after
  • such a procedure, on his part, then in case of a confirmed
  • disappointment respecting the house, the driver would seem warranted, at
  • least in some of his unmannerliness; and as Pierre loathed the villain
  • altogether, therefore, in order to run no such risks, he came to a
  • sudden determination on the spot.
  • "I owe you very much, my good friend," said he to the officer, "for your
  • timely assistance. To be frank, what you have just told me has indeed
  • perplexed me not a little concerning the place where I proposed to stop.
  • Is there no hotel in this neighborhood, where I could leave these ladies
  • while I seek my friend?"
  • Wonted to all manner of deceitfulness, and engaged in a calling which
  • unavoidably makes one distrustful of mere appearances, however specious,
  • however honest; the really good-hearted officer, now eyed Pierre in the
  • dubious light with a most unpleasant scrutiny; and he abandoned the
  • "Sir," and the tone of his voice sensibly changed, as he
  • replied:--"There is no hotel in this neighborhood; it is too off the
  • thoroughfares."
  • "Come! come!"--cried the driver, now growing bold again--"though you're
  • an officer, I'm a citizen for all that. You haven't any further right to
  • keep me out of my bed now. He don't know where he wants to go to, cause
  • he haint got no place at all to go to; so I'll just dump him here, and
  • you dar'n't stay me."
  • "Don't be impertinent now," said the officer, but not so sternly as
  • before.
  • "I'll have my rights though, I tell you that! Leave go of my arm; damn
  • ye, get off the box; I've the law now. I say mister, come tramp, here
  • goes your luggage," and so saying he dragged toward him a light trunk on
  • the top of the stage.
  • "Keep a clean tongue in ye now"--said the officer--"and don't be in
  • quite so great a hurry," then addressing Pierre, who had now re-alighted
  • from the coach--"Well, this can't continue; what do you intend to do?"
  • "Not to ride further with that man, at any rate," said Pierre; "I will
  • stop right here for the present."
  • "He! he!" laughed the driver; "he! he! 'mazing 'commodating now--we
  • hitches now, we do--stops right afore the watch-house--he! he!--that's
  • funny!"
  • "Off with the luggage then, driver," said the policeman--"here hand the
  • small trunk, and now away and unlash there behind."
  • During all this scene, Delly had remained perfectly silent in her
  • trembling and rustic alarm; while Isabel, by occasional cries to Pierre,
  • had vainly besought some explanation. But though their complete
  • ignorance of city life had caused Pierre's two companions to regard the
  • scene thus far with too much trepidation; yet now, when in the
  • obscurity of night, and in the heart of a strange town, Pierre handed
  • them out of the coach into the naked street, and they saw their luggage
  • piled so near the white light of a watch-house, the same ignorance, in
  • some sort, reversed its effects on them; for they little fancied in what
  • really untoward and wretched circumstances they first touched the
  • flagging of the city.
  • As the coach lumbered off, and went rolling into the wide murkiness
  • beyond, Pierre spoke to the officer.
  • "It is a rather strange accident, I confess, my friend, but strange
  • accidents will sometimes happen."
  • "In the best of families," rejoined the other, a little ironically.
  • Now, I must not quarrel with this man, thought Pierre to himself, stung
  • at the officer's tone. Then said:--"Is there any one in your--office?"
  • "No one as yet--not late enough."
  • "Will you have the kindness then to house these ladies there for the
  • present, while I make haste to provide them with better lodgment? Lead
  • on, if you please."
  • The man seemed to hesitate a moment, but finally acquiesced; and soon
  • they passed under the white light, and entered a large, plain, and most
  • forbidding-looking room, with hacked wooden benches and bunks ranged
  • along the sides, and a railing before a desk in one corner. The
  • permanent keeper of the place was quietly reading a paper by the long
  • central double bat's-wing gas-light; and three officers off duty were
  • nodding on a bench.
  • "Not very liberal accommodations"--said the officer, quietly; "nor
  • always the best of company, but we try to be civil. Be seated, ladies,"
  • politely drawing a small bench toward them.
  • "Hallo, my friends," said Pierre, approaching the nodding three beyond,
  • and tapping them on the shoulder--"Hallo, I say! Will you do me a little
  • favor? Will you help bring some trunks in from the street? I will
  • satisfy you for your trouble, and be much obliged into the bargain."
  • Instantly the three noddies, used to sudden awakenings, opened their
  • eyes, and stared hard; and being further enlightened by the bat's-wings
  • and first officer, promptly brought in the luggage as desired.
  • Pierre hurriedly sat down by Isabel, and in a few words gave her to
  • understand, that she was now in a perfectly secure place, however
  • unwelcoming; that the officers would take every care of her, while he
  • made all possible speed in running to the house, and indubitably
  • ascertaining how matters stood there. He hoped to be back in less than
  • ten minutes with good tidings. Explaining his intention to the first
  • officer, and begging him not to leave the girls till he should return,
  • he forthwith sallied into the street. He quickly came to the house, and
  • immediately identified it. But all was profoundly silent and dark. He
  • rang the bell, but no answer; and waiting long enough to be certain,
  • that either the house was indeed deserted, or else the old clerk was
  • unawakeable or absent; and at all events, certain that no slightest
  • preparation had been made for their arrival; Pierre, bitterly
  • disappointed, returned to Isabel with this most unpleasant information.
  • Nevertheless something must be done, and quickly. Turning to one of the
  • officers, he begged him to go and seek a hack, that the whole party
  • might be taken to some respectable lodging. But the man, as well as his
  • comrades, declined the errand on the score, that there was no stand on
  • their beat, and they could not, on any account, leave their beat. So
  • Pierre himself must go. He by no means liked to leave Isabel and Delly
  • again, on an expedition which might occupy some time. But there seemed
  • no resource, and time now imperiously pressed. Communicating his
  • intention therefore to Isabel, and again entreating the officer's
  • particular services as before, and promising not to leave him
  • unrequited; Pierre again sallied out. He looked up and down the street,
  • and listened; but no sound of any approaching vehicle was audible. He
  • ran on, and turning the first corner, bent his rapid steps toward the
  • greatest and most central avenue of the city, assured that there, if
  • anywhere, he would find what he wanted. It was some distance off; and he
  • was not without hope that an empty hack would meet him ere he arrived
  • there. But the few stray ones he encountered had all muffled fares. He
  • continued on, and at last gained the great avenue. Not habitually used
  • to such scenes, Pierre for a moment was surprised, that the instant he
  • turned out of the narrow, and dark, and death-like bye-street, he should
  • find himself suddenly precipitated into the not-yet-repressed noise and
  • contention, and all the garish night-life of a vast thoroughfare,
  • crowded and wedged by day, and even now, at this late hour, brilliant
  • with occasional illuminations, and echoing to very many swift wheels and
  • footfalls.
  • II.
  • "I say, my pretty one! Dear! Dear! young man! Oh, love, you are in a
  • vast hurry, aint you? Can't you stop a bit, now, my dear: do--there's a
  • sweet fellow."
  • Pierre turned; and in the flashing, sinister, evil cross-lights of a
  • druggist's window, his eye caught the person of a wonderfully
  • beautifully-featured girl; scarlet-cheeked, glaringly-arrayed, and of a
  • figure all natural grace but unnatural vivacity. Her whole form,
  • however, was horribly lit by the green and yellow rays from the
  • druggist's.
  • "My God!" shuddered Pierre, hurrying forward, "the town's first welcome
  • to youth!"
  • He was just crossing over to where a line of hacks were drawn up
  • against the opposite curb, when his eye was arrested by a short, gilded
  • name, rather reservedly and aristocratically denominating a large and
  • very handsome house, the second story of which was profusely lighted. He
  • looked up, and was very certain that in this house were the apartments
  • of Glen. Yielding to a sudden impulse, he mounted the single step toward
  • the door, and rang the bell, which was quickly responded to by a very
  • civil black.
  • As the door opened, he heard the distant interior sound of dancing-music
  • and merriment.
  • "Is Mr. Stanly in?"
  • "Mr. Stanly? Yes, but he's engaged."
  • "How?"
  • "He is somewhere in the drawing rooms. My mistress is giving a party to
  • the lodgers."
  • "Ay? Tell Mr. Stanly I wish to see him for one moment if you please;
  • only one moment."
  • "I dare not call him, sir. He said that possibly some one might call for
  • him to-night--they are calling every night for Mr. Stanly--but I must
  • admit no one, on the plea of the party."
  • A dark and bitter suspicion now darted through the mind of Pierre; and
  • ungovernably yielding to it, and resolved to prove or falsify it without
  • delay, he said to the black:
  • "My business is pressing. I must see Mr. Stanly."
  • "I am sorry, sir, but orders are orders: I am his particular servant
  • here--the one that sees his silver every holyday. I can't disobey him.
  • May I shut the door, sir? for as it is, I can not admit you."
  • "The drawing-rooms are on the second floor, are they not?" said Pierre
  • quietly.
  • "Yes," said the black pausing in surprise, and holding the door.
  • "Yonder are the stairs, I think?"
  • "That way, sir; but this is yours;" and the now suspicious black was
  • just on the point of closing the portal violently upon him, when Pierre
  • thrust him suddenly aside, and springing up the long stairs, found
  • himself facing an open door, from whence proceeded a burst of combined
  • brilliancy and melody, doubly confusing to one just emerged from the
  • street. But bewildered and all demented as he momentarily felt, he
  • instantly stalked in, and confounded the amazed company with his
  • unremoved slouched hat, pale cheek, and whole dusty, travel-stained, and
  • ferocious aspect.
  • "Mr. Stanly! where is Mr. Stanly?" he cried, advancing straight through
  • a startled quadrille, while all the music suddenly hushed, and every eye
  • was fixed in vague affright upon him.
  • "Mr. Stanly! Mr. Stanly!" cried several bladish voices, toward the
  • further end of the further drawing-room, into which the first one widely
  • opened, "Here is a most peculiar fellow after you; who the devil is he?"
  • "I think I see him," replied a singularly cool, deliberate, and rather
  • drawling voice, yet a very silvery one, and at bottom perhaps a very
  • resolute one; "I think I see him; stand aside, my good fellow, will you;
  • ladies, remove, remove from between me and yonder hat."
  • The polite compliance of the company thus addressed, now revealed to the
  • advancing Pierre, the tall, robust figure of a remarkably
  • splendid-looking, and brown-bearded young man, dressed with surprising
  • plainness, almost demureness, for such an occasion; but this plainness
  • of his dress was not so obvious at first, the material was so fine, and
  • admirably fitted. He was carelessly lounging in a half side-long
  • attitude upon a large sofa, and appeared as if but just interrupted in
  • some very agreeable chat with a diminutive but vivacious brunette,
  • occupying the other end. The dandy and the man; strength and effeminacy;
  • courage and indolence, were so strangely blended in this superb-eyed
  • youth, that at first sight, it seemed impossible to decide whether there
  • was any genuine mettle in him, or not.
  • Some years had gone by since the cousins had met; years peculiarly
  • productive of the greatest conceivable changes in the general personal
  • aspect of human beings. Nevertheless, the eye seldom alters. The instant
  • their eyes met, they mutually recognized each other. But both did not
  • betray the recognition.
  • "Glen!" cried Pierre, and paused a few steps from him.
  • But the superb-eyed only settled himself lower down in his lounging
  • attitude, and slowly withdrawing a small, unpretending, and unribboned
  • glass from his vest pocket, steadily, yet not entirely insultingly,
  • notwithstanding the circumstances, scrutinized Pierre. Then, dropping
  • his glass, turned slowly round upon the gentlemen near him, saying in
  • the same peculiar, mixed, and musical voice as before:
  • "I do not know him; it is an entire mistake; why don't the servants take
  • him out, and the music go on?---- As I was saying, Miss Clara, the
  • statues you saw in the Louvre are not to be mentioned with those in
  • Florence and Rome. Why, there now is that vaunted _chef d'oeuvre_, the
  • Fighting Gladiator of the Louvre----"
  • "Fighting Gladiator it is!" yelled Pierre, leaping toward him like
  • Spartacus. But the savage impulse in him was restrained by the alarmed
  • female shrieks and wild gestures around him. As he paused, several
  • gentlemen made motions to pinion him; but shaking them off fiercely, he
  • stood erect, and isolated for an instant, and fastening his glance upon
  • his still reclining, and apparently unmoved cousin, thus spoke:--
  • "Glendinning Stanly, thou disown'st Pierre not so abhorrently as Pierre
  • does thee. By Heaven, had I a knife, Glen, I could prick thee on the
  • spot; let out all thy Glendinning blood, and then sew up the vile
  • remainder. Hound, and base blot upon the general humanity!"
  • "This is very extraordinary:--remarkable case of combined imposture and
  • insanity; but where are the servants? why don't that black advance? Lead
  • him out, my good Doc, lead him out. Carefully, carefully! stay"--putting
  • his hand in his pocket--"there, take that, and have the poor fellow
  • driven off somewhere."
  • Bolting his rage in him, as impossible to be sated by any conduct, in
  • such a place, Pierre now turned, sprang down the stairs, and fled the
  • house.
  • III.
  • "Hack, sir? Hack, sir? Hack, sir?"
  • "Cab, sir? Cab, sir? Cab, sir?"
  • "This way, sir! This way, sir! This way, sir!"
  • "He's a rogue! Not him! he's a rogue!"
  • Pierre was surrounded by a crowd of contending hackmen, all holding long
  • whips in their hands; while others eagerly beckoned to him from their
  • boxes, where they sat elevated between their two coach-lamps like
  • shabby, discarded saints. The whip-stalks thickened around him, and
  • several reports of the cracking lashes sharply sounded in his ears. Just
  • bursting from a scene so goading as his interview with the scornful Glen
  • in the dazzling drawing-room, to Pierre, this sudden tumultuous
  • surrounding of him by whip-stalks and lashes, seemed like the onset of
  • the chastising fiends upon Orestes. But, breaking away from them, he
  • seized the first plated door-handle near him, and, leaping into the
  • hack, shouted for whoever was the keeper of it, to mount his box
  • forthwith and drive off in a given direction.
  • The vehicle had proceeded some way down the great avenue when it
  • paused, and the driver demanded whither now; what place?
  • "The Watch-house of the---- Ward," cried Pierre.
  • "Hi! hi! Goin' to deliver himself up, hey!" grinned the fellow to
  • himself--"Well, that's a sort of honest, any way:--g'lang, you
  • dogs!--whist! whee! wha!--g'lang!"
  • The sights and sounds which met the eye of Pierre on re-entering the
  • watch-house, filled him with inexpressible horror and fury. The before
  • decent, drowsy place, now fairly reeked with all things unseemly. Hardly
  • possible was it to tell what conceivable cause or occasion had, in the
  • comparatively short absence of Pierre, collected such a base
  • congregation. In indescribable disorder, frantic, diseased-looking men
  • and women of all colors, and in all imaginable flaunting, immodest,
  • grotesque, and shattered dresses, were leaping, yelling, and cursing
  • around him. The torn Madras handkerchiefs of negresses, and the red
  • gowns of yellow girls, hanging in tatters from their naked bosoms, mixed
  • with the rent dresses of deep-rouged white women, and the split coats,
  • checkered vests, and protruding shirts of pale, or whiskered, or
  • haggard, or mustached fellows of all nations, some of whom seemed scared
  • from their beds, and others seemingly arrested in the midst of some
  • crazy and wanton dance. On all sides, were heard drunken male and female
  • voices, in English, French, Spanish, and Portuguese, interlarded now and
  • then, with the foulest of all human lingoes, that dialect of sin and
  • death, known as the Cant language, or the Flash.
  • Running among this combined babel of persons and voices, several of the
  • police were vainly striving to still the tumult; while others were busy
  • handcuffing the more desperate; and here and there the distracted
  • wretches, both men and women, gave downright battle to the officers; and
  • still others already handcuffed struck out at them with their joined
  • ironed arms. Meanwhile, words and phrases unrepeatable in God's
  • sunlight, and whose very existence was utterly unknown, and undreamed
  • of by tens of thousands of the decent people of the city; syllables
  • obscene and accursed were shouted forth in tones plainly evincing that
  • they were the common household breath of their utterers. The
  • thieves'-quarters, and all the brothels, Lock-and-Sin hospitals for
  • incurables, and infirmaries and infernoes of hell seemed to have made
  • one combined sortie, and poured out upon earth through the vile vomitory
  • of some unmentionable cellar.
  • Though the hitherto imperfect and casual city experiences of Pierre illy
  • fitted him entirely to comprehend the specific purport of this terrific
  • spectacle; still he knew enough by hearsay of the more infamous life of
  • the town, to imagine from whence, and who, were the objects before him.
  • But all his consciousness at the time was absorbed by the one horrified
  • thought of Isabel and Delly, forced to witness a sight hardly endurable
  • for Pierre himself; or, possibly, sucked into the tumult, and in close
  • personal contact with its loathsomeness. Rushing into the crowd,
  • regardless of the random blows and curses he encountered, he wildly
  • sought for Isabel, and soon descried her struggling from the delirious
  • reaching arms of a half-clad reeling whiskerando. With an immense blow
  • of his mailed fist, he sent the wretch humming, and seizing Isabel,
  • cried out to two officers near, to clear a path for him to the door.
  • They did so. And in a few minutes the panting Isabel was safe in the
  • open air. He would have stayed by her, but she conjured him to return
  • for Delly, exposed to worse insults than herself. An additional posse of
  • officers now approaching, Pierre committing her to the care of one of
  • them, and summoning two others to join himself, now re-entered the room.
  • In another quarter of it, he saw Delly seized on each hand by two
  • bleared and half-bloody women, who with fiendish grimaces were
  • ironically twitting her upon her close-necked dress, and had already
  • stript her handkerchief from her. She uttered a cry of mixed anguish
  • and joy at the sight of him; and Pierre soon succeeded in returning with
  • her to Isabel.
  • During the absence of Pierre in quest of the hack, and while Isabel and
  • Delly were quietly awaiting his return, the door had suddenly burst
  • open, and a detachment of the police drove in, and caged, the entire
  • miscellaneous night-occupants of a notorious stew, which they had
  • stormed and carried during the height of some outrageous orgie. The
  • first sight of the interior of the watch-house, and their being so
  • quickly huddled together within its four blank walls, had suddenly
  • lashed the mob into frenzy; so that for the time, oblivious of all other
  • considerations, the entire force of the police was directed to the
  • quelling of the in-door riot; and consequently, abandoned to their own
  • protection, Isabel and Delly had been temporarily left to its mercy.
  • It was no time for Pierre to manifest his indignation at the
  • officer--even if he could now find him--who had thus falsified his
  • individual pledge concerning the precious charge committed to him. Nor
  • was it any time to distress himself about his luggage, still somewhere
  • within. Quitting all, he thrust the bewildered and half-lifeless girls
  • into the waiting hack, which, by his orders, drove back in the direction
  • of the stand, where Pierre had first taken it up.
  • When the coach had rolled them well away from the tumult, Pierre stopped
  • it, and said to the man, that he desired to be taken to the nearest
  • respectable hotel or boarding-house of any kind, that he knew of. The
  • fellow--maliciously diverted by what had happened thus far--made some
  • ambiguous and rudely merry rejoinder. But warned by his previous rash
  • quarrel with the stage-driver, Pierre passed this unnoticed, and in a
  • controlled, calm, decided manner repeated his directions.
  • The issue was, that after a rather roundabout drive they drew up in a
  • very respectable side-street, before a large respectable-looking house,
  • illuminated by two tall white lights flanking its portico. Pierre was
  • glad to notice some little remaining stir within, spite of the
  • comparative lateness of the hour. A bare-headed, tidily-dressed, and
  • very intelligent-looking man, with a broom clothes-brush in his hand,
  • appearing, scrutinized him rather sharply at first; but as Pierre
  • advanced further into the light, and his countenance became visible, the
  • man, assuming a respectful but still slightly perplexed air, invited the
  • whole party into a closely adjoining parlor, whose disordered chairs and
  • general dustiness, evinced that after a day's activity it now awaited
  • the morning offices of the housemaids.
  • "Baggage, sir?"
  • "I have left my baggage at another place," said Pierre, "I shall send
  • for it to-morrow."
  • "Ah!" exclaimed the very intelligent-looking man, rather dubiously,
  • "shall I discharge the hack, then?"
  • "Stay," said Pierre, bethinking him, that it would be well not to let
  • the man know from whence they had last come, "I will discharge it
  • myself, thank you."
  • So returning to the sidewalk, without debate, he paid the hackman an
  • exorbitant fare, who, anxious to secure such illegal gains beyond all
  • hope of recovery, quickly mounted his box and drove off at a gallop.
  • "Will you step into the office, sir, now?" said the man, slightly
  • flourishing with his brush--"this way, sir, if you please."
  • Pierre followed him, into an almost deserted, dimly lit room with a
  • stand in it. Going behind the stand, the man turned round to him a large
  • ledger-like book, thickly inscribed with names, like any directory, and
  • offered him a pen ready dipped in ink.
  • Understanding the general hint, though secretly irritated at something
  • in the manner of the man, Pierre drew the book to him, and wrote in a
  • firm hand, at the bottom of the last-named column,--
  • "Mr. and Mrs. Pierre Glendinning, and Miss Ulver."
  • The man glanced at the writing inquiringly, and then said--"The other
  • column, sir--where from."
  • "True," said Pierre, and wrote "Saddle Meadows."
  • The very intelligent-looking man re-examined the page, and then slowly
  • stroking his shaven chin, with a fork, made of his thumb for one tine,
  • and his united four fingers for the other, said softly and
  • whisperingly--"Anywheres in this country, sir?"
  • "Yes, in the country," said Pierre, evasively, and bridling his ire.
  • "But now show me to two chambers, will you; the one for myself and wife,
  • I desire to have opening into another, a third one, never mind how
  • small; but I must have a dressing-room."
  • "Dressing-room," repeated the man, in an ironically deliberative
  • voice--"Dressing-room;--Hem!--You will have your luggage taken into the
  • dressing-room, then, I suppose.--Oh, I forgot--your luggage aint come
  • yet--ah, yes, yes, yes--luggage is coming to-morrow--Oh, yes,
  • yes,--certainly--to-morrow--of course. By the way, sir; I dislike to
  • seem at all uncivil, and I am sure you will not deem me so; but--"
  • "Well," said Pierre, mustering all his self-command for the coming
  • impertinence.
  • "When stranger gentlemen come to this house without luggage, we think
  • ourselves bound to ask them to pay their bills in advance, sir; that is
  • all, sir."
  • "I shall stay here to-night and the whole of to-morrow, at any rate,"
  • rejoined Pierre, thankful that this was all; "how much will it be?" and
  • he drew out his purse.
  • The man's eyes fastened with eagerness on the purse; he looked from it
  • to the face of him who held it; then seemed half hesitating an instant;
  • then brightening up, said, with sudden suavity--"Never mind, sir, never
  • mind, sir; though rogues sometimes be gentlemanly; gentlemen that are
  • gentlemen never go abroad without their diplomas. Their diplomas are
  • their friends; and their only friends are their dollars; you have a
  • purse-full of friends.--We have chambers, sir, that will exactly suit
  • you, I think. Bring your ladies and I will show you up to them
  • immediately." So saying, dropping his brush, the very
  • intelligent-looking man lighted one lamp, and taking two unlighted ones
  • in his other hand, led the way down the dusky lead-sheeted hall, Pierre
  • following him with Isabel and Delly.
  • BOOK XVII.
  • YOUNG AMERICA IN LITERATURE.
  • I.
  • Among the various conflicting modes of writing history, there would seem
  • to be two grand practical distinctions, under which all the rest must
  • subordinately range. By the one mode, all contemporaneous circumstances,
  • facts, and events must be set down contemporaneously; by the other, they
  • are only to be set down as the general stream of the narrative shall
  • dictate; for matters which are kindred in time, may be very irrelative
  • in themselves. I elect neither of these; I am careless of either; both
  • are well enough in their way; I write precisely as I please.
  • In the earlier chapters of this volume, it has somewhere been passingly
  • intimated, that Pierre was not only a reader of the poets and other fine
  • writers, but likewise--and what is a very different thing from the
  • other--a thorough allegorical understander of them, a profound emotional
  • sympathizer with them; in other words, Pierre himself possessed the
  • poetic nature; in himself absolutely, though but latently and
  • floatingly, possessed every whit of the imaginative wealth which he so
  • admired, when by vast pains-takings, and all manner of unrecompensed
  • agonies, systematized on the printed page. Not that as yet his young and
  • immature soul had been accosted by the Wonderful Mutes, and through the
  • vast halls of Silent Truth, had been ushered into the full, secret,
  • eternally inviolable Sanhedrim, where the Poetic Magi discuss, in
  • glorious gibberish, the Alpha and Omega of the Universe. But among the
  • beautiful imaginings of the second and third degree of poets, he freely
  • and comprehendingly ranged.
  • But it still remains to be said, that Pierre himself had written many a
  • fugitive thing, which had brought him, not only vast credit and
  • compliments from his more immediate acquaintances, but the less partial
  • applauses of the always intelligent, and extremely discriminating
  • public. In short, Pierre had frequently done that, which many other boys
  • have done--published. Not in the imposing form of a book, but in the
  • more modest and becoming way of occasional contributions to magazines
  • and other polite periodicals. His magnificent and victorious _debut_ had
  • been made in that delightful love-sonnet, entitled "The Tropical
  • Summer." Not only the public had applauded his gemmed little sketches of
  • thought and fancy, whether in poetry or prose; but the high and mighty
  • Campbell clan of editors of all sorts had bestowed upon him those
  • generous commendations, which, with one instantaneous glance, they had
  • immediately perceived was his due. They spoke in high terms of his
  • surprising command of language; they begged to express their wonder at
  • his euphonious construction of sentences; they regarded with reverence
  • the pervading symmetry of his general style. But transcending even this
  • profound insight into the deep merits of Pierre, they looked infinitely
  • beyond, and confessed their complete inability to restrain their
  • unqualified admiration for the highly judicious smoothness and
  • genteelness of the sentiments and fancies expressed. "This writer," said
  • one,--in an ungovernable burst of admiring fury--"is characterized
  • throughout by Perfect Taste." Another, after endorsingly quoting that
  • sapient, suppressed maxim of Dr. Goldsmith's, which asserts that
  • whatever is new is false, went on to apply it to the excellent
  • productions before him; concluding with this: "He has translated the
  • unruffled gentleman from the drawing-room into the general levee of
  • letters; he never permits himself to astonish; is never betrayed into
  • any thing coarse or new; as assured that whatever astonishes is vulgar,
  • and whatever is new must be crude. Yes, it is the glory of this
  • admirable young author, that vulgarity and vigor--two inseparable
  • adjuncts--are equally removed from him."
  • A third, perorated a long and beautifully written review, by the bold
  • and startling announcement--"This writer is unquestionably a highly
  • respectable youth."
  • Nor had the editors of various moral and religious periodicals failed to
  • render the tribute of their severer appreciation, and more enviable,
  • because more chary applause. A renowned clerical and philological
  • conductor of a weekly publication of this kind, whose surprising
  • proficiency in the Greek, Hebrew, and Chaldaic, to which he had devoted
  • by far the greater part of his life, peculiarly fitted him to pronounce
  • unerring judgment upon works of taste in the English, had unhesitatingly
  • delivered himself thus:--"He is blameless in morals, and harmless
  • throughout." Another, had unhesitatingly recommended his effusions to
  • the family-circle. A third, had no reserve in saying, that the
  • predominant end and aim of this author was evangelical piety.
  • A mind less naturally strong than Pierre's might well have been hurried
  • into vast self-complacency, by such eulogy as this, especially as there
  • could be no possible doubt, that the primitive verdict pronounced by the
  • editors was irreversible, except in the highly improbable event of the
  • near approach of the Millennium, which might establish a different
  • dynasty of taste, and possibly eject the editors. It is true, that in
  • view of the general practical vagueness of these panegyrics, and the
  • circumstance that, in essence, they were all somehow of the prudently
  • indecisive sort; and, considering that they were panegyrics, and nothing
  • but panegyrics, without any thing analytical about them; an elderly
  • friend of a literary turn, had made bold to say to our hero--"Pierre,
  • this is very high praise, I grant, and you are a surprisingly young
  • author to receive it; but I do not see any criticisms as yet."
  • "Criticisms?" cried Pierre, in amazement; "why, sir, they are all
  • criticisms! I am the idol of the critics!"
  • "Ah!" sighed the elderly friend, as if suddenly reminded that that was
  • true after all--"Ah!" and went on with his inoffensive, non-committal
  • cigar.
  • Nevertheless, thanks to the editors, such at last became the popular
  • literary enthusiasm in behalf of Pierre, that two young men, recently
  • abandoning the ignoble pursuit of tailoring for the more honorable trade
  • of the publisher (probably with an economical view of working up in
  • books, the linen and cotton shreds of the cutter's counter, after having
  • been subjected to the action of the paper-mill), had on the daintiest
  • scolloped-edged paper, and in the neatest possible, and fine-needle-work
  • hand, addressed him a letter, couched in the following terms; the
  • general style of which letter will sufficiently evince that,
  • though--thanks to the manufacturer--their linen and cotton shreds may
  • have been very completely transmuted into paper, yet the cutters
  • themselves were not yet entirely out of the metamorphosing mill.
  • "Hon. Pierre Glendinning,
  • "Revered Sir,
  • "The fine cut, the judicious fit of your productions fill us with
  • amazement. The fabric is excellent--the finest broadcloth of
  • genius. We have just started in business. Your
  • pantaloons--productions, we mean--have never yet been collected.
  • They should be published in the Library form. The tailors--we mean
  • the librarians, demand it. Your fame is now in its finest nap.
  • Now--before the gloss is off--now is the time for the library form.
  • We have recently received an invoice of Chamois---- Russia
  • leather. The library form should be a durable form. We respectfully
  • offer to dress your amazing productions in the library form. If you
  • please, we will transmit you a sample of the cloth---- we mean a
  • sample-page, with a pattern of the leather. We are ready to give
  • you one tenth of the profits (less discount) for the privilege of
  • arraying your wonderful productions in the library form:--you
  • cashing the seamstresses'---- printer's and binder's bills on the
  • day of publication. An answer at your earliest convenience will
  • greatly oblige,--
  • "Sir, your most obsequious servants,
  • "WONDER & WEN."
  • "P. S.--We respectfully submit the enclosed block---- sheet, as some
  • earnest of our intentions to do every thing in your behalf possible to
  • any firm in the trade.
  • "N. B.--If the list does not comprise all your illustrious wardrobe----
  • works, we mean----, we shall exceedingly regret it. We have hunted
  • through all the drawers---- magazines.
  • "Sample of a coat---- title for the works of Glendinning:
  • THE
  • COMPLETE WORKS
  • OF
  • GLENDINNING,
  • AUTHOR OF
  • _That world-famed production_, "_The Tropical Summer: a Sonnet._"
  • "_The Weather: a Thought._" "_Life: an Impromptu._" "_The
  • late Reverend Mark Graceman: an Obituary._" "_Honor:
  • a Stanza._" "_Beauty: an Acrostic._" "_Edgar:
  • an Anagram._" "_The Pippin: a Paragraph._"
  • _&c. &c. &c. &c.
  • &c. &c. &c.
  • &c. &c.
  • &c._"
  • P
  • From a designer, Pierre had received the following:
  • "Sir: I approach you with unfeigned trepidation. For though you are
  • young in age, you are old in fame and ability. I can not express to
  • you my ardent admiration of your works; nor can I but deeply regret
  • that the productions of such graphic descriptive power, should be
  • unaccompanied by the humbler illustrative labors of the designer.
  • My services in this line are entirely at your command. I need not
  • say how proud I should be, if this hint, on my part, however
  • presuming, should induce you to reply in terms upon which I could
  • found the hope of honoring myself and my profession by a few
  • designs for the works of the illustrious Glendinning. But the
  • cursory mention of your name here fills me with such swelling
  • emotions, that I can say nothing more. I would only add, however,
  • that not being at all connected with the Trade, my business
  • situation unpleasantly forces me to make cash down on delivery of
  • each design, the basis of all my professional arrangements. Your
  • noble soul, however, would disdain to suppose, that this sordid
  • necessity, in my merely business concerns, could ever impair----
  • "That profound private veneration and admiration
  • With which I unmercenarily am,
  • Great and good Glendinning,
  • Yours most humbly,
  • PETER PENCE."
  • II.
  • These were stirring letters. The Library Form! an Illustrated Edition!
  • His whole heart swelled.
  • But unfortunately it occurred to Pierre, that as all his writings were
  • not only fugitive, but if put together could not possibly fill more than
  • a very small duodecimo; therefore the Library Edition seemed a little
  • premature, perhaps; possibly, in a slight degree, preposterous. Then, as
  • they were chiefly made up of little sonnets, brief meditative poems, and
  • moral essays, the matter for the designer ran some small risk of being
  • but meager. In his inexperience, he did not know that such was the great
  • height of invention to which the designer's art had been carried, that
  • certain gentlemen of that profession had gone to an eminent
  • publishing-house with overtures for an illustrated edition of "Coke upon
  • Lyttleton." Even the City Directory was beautifully illustrated with
  • exquisite engravings of bricks, tongs, and flat-irons.
  • Concerning the draught for the title-page, it must be confessed, that on
  • seeing the imposing enumeration of his titles--long and magnificent as
  • those preceding the proclamations of some German Prince ("_Hereditary
  • Lord of the back-yard of Crantz Jacobi; Undoubted Proprietor by Seizure
  • of the bedstead of the late Widow Van Lorn; Heir Apparent to the
  • Bankrupt Bakery of Fletz and Flitz; Residuary Legatee of the Confiscated
  • Pin-Money of the Late Dowager Dunker; &c. &c. &c._") Pierre could not
  • entirely repress a momentary feeling of elation. Yet did he also bow low
  • under the weight of his own ponderosity, as the author of such a vast
  • load of literature. It occasioned him some slight misgivings, however,
  • when he considered, that already in his eighteenth year, his title-page
  • should so immensely surpass in voluminous statisticals the simple page,
  • which in his father's edition prefixed the vast speculations of Plato.
  • Still, he comforted himself with the thought, that as he could not
  • presume to interfere with the bill-stickers of the Gazelle Magazine, who
  • every month covered the walls of the city with gigantic announcements of
  • his name among the other contributors; so neither could he now--in the
  • highly improbable event of closing with the offer of Messrs. Wonder and
  • Wen--presume to interfere with the bill-sticking department of their
  • business concern; for it was plain that they esteemed one's title-page
  • but another unwindowed wall, infinitely more available than most walls,
  • since here was at least one spot in the city where no rival
  • bill-stickers dared to encroach. Nevertheless, resolved as he was to let
  • all such bill-sticking matters take care of themselves, he was sensible
  • of some coy inclination toward that modest method of certain kid-gloved
  • and dainty authors, who scorning the vulgarity of a sounding parade,
  • contented themselves with simply subscribing their name to the
  • title-page; as confident, that that was sufficient guarantee to the
  • notice of all true gentlemen of taste. It was for petty German princes
  • to sound their prolonged titular flourishes. The Czar of Russia
  • contented himself with putting the simple word "NICHOLAS" to his
  • loftiest decrees.
  • This train of thought terminated at last in various considerations upon
  • the subject of anonymousness in authorship. He regretted that he had not
  • started his literary career under that mask. At present, it might be too
  • late; already the whole universe knew him, and it was in vain at this
  • late day to attempt to hood himself. But when he considered the
  • essential dignity and propriety at all points, of the inviolably
  • anonymous method, he could not but feel the sincerest sympathy for those
  • unfortunate fellows, who, not only naturally averse to any sort of
  • publicity, but progressively ashamed of their own successive
  • productions--written chiefly for the merest cash--were yet cruelly
  • coerced into sounding title-pages by sundry baker's and butcher's bills,
  • and other financial considerations; inasmuch as the placard of the
  • title-page indubitably must assist the publisher in his sales.
  • But perhaps the ruling, though not altogether conscious motive of Pierre
  • in finally declining--as he did--the services of Messrs. Wonder and Wen,
  • those eager applicants for the privilege of extending and solidifying
  • his fame, arose from the idea that being at this time not very far
  • advanced in years, the probability was, that his future productions
  • might at least equal, if not surpass, in some small degree, those
  • already given to the world. He resolved to wait for his literary
  • canonization until he should at least have outgrown the sophomorean
  • insinuation of the Law; which, with a singular affectation of benignity,
  • pronounced him an "infant." His modesty obscured from him the
  • circumstance, that the greatest lettered celebrities of the time, had,
  • by the divine power of genius, become full graduates in the University
  • of Fame, while yet as legal minors forced to go to their mammas for
  • pennies wherewith to keep them in peanuts.
  • Not seldom Pierre's social placidity was ruffled by polite entreaties
  • from the young ladies that he would be pleased to grace their Albums
  • with some nice little song. We say that here his social placidity was
  • ruffled; for the true charm of agreeable parlor society is, that there
  • you lose your own sharp individuality and become delightfully merged in
  • that soft social Pantheism, as it were, that rosy melting of all into
  • one, ever prevailing in those drawing-rooms, which pacifically and
  • deliciously belie their own name; inasmuch as there no one draws the
  • sword of his own individuality, but all such ugly weapons are left--as
  • of old--with your hat and cane in the hall. It was very awkward to
  • decline the albums; but somehow it was still worse, and peculiarly
  • distasteful for Pierre to comply. With equal justice apparently, you
  • might either have called this his weakness or his idiosyncrasy. He
  • summoned all his suavity, and refused. And the refusal of
  • Pierre--according to Miss Angelica Amabilia of Ambleside--was sweeter
  • than the compliance of others. But then--prior to the proffer of her
  • album--in a copse at Ambleside, Pierre in a gallant whim had in the
  • lady's own presence voluntarily carved Miss Angelica's initials upon the
  • bark of a beautiful maple. But all young ladies are not Miss Angelicas.
  • Blandly denied in the parlor, they courted repulse in the study. In
  • lovely envelopes they dispatched their albums to Pierre, not omitting
  • to drop a little attar-of-rose in the palm of the domestic who carried
  • them. While now Pierre--pushed to the wall in his
  • gallantry--shilly-shallied as to what he must do, the awaiting albums
  • multiplied upon him; and by-and-by monopolized an entire shelf in his
  • chamber; so that while their combined ornate bindings fairly dazzled his
  • eyes, their excessive redolence all but made him to faint, though
  • indeed, in moderation, he was very partial to perfumes. So that of
  • really chilly afternoons, he was still obliged to drop the upper sashes
  • a few inches.
  • The simplest of all things it is to write in a lady's album. But Cui
  • Bono? Is there such a dearth of printed reading, that the monkish times
  • must be revived, and ladies books be in manuscript? What could Pierre
  • write of his own on Love or any thing else, that would surpass what
  • divine Hafiz wrote so many long centuries ago? Was there not Anacreon
  • too, and Catullus, and Ovid--all translated, and readily accessible? And
  • then--bless all their souls!--had the dear creatures forgotten Tom
  • Moore? But the handwriting, Pierre,--they want the sight of your hand.
  • Well, thought Pierre, actual feeling is better than transmitted sight,
  • any day. I will give them the actual feeling of my hand, as much as they
  • want. And lips are still better than hands. Let them send their sweet
  • faces to me, and I will kiss _lipographs_ upon them forever and a day.
  • This was a felicitous idea. He called Dates, and had the albums carried
  • down by the basket-full into the dining-room. He opened and spread them
  • all out upon the extension-table there; then, modeling himself by the
  • Pope, when His Holiness collectively blesses long crates of rosaries--he
  • waved one devout kiss to the albums; and summoning three servants sent
  • the albums all home, with his best compliments, accompanied with a
  • confectioner's _kiss_ for each album, rolled up in the most ethereal
  • tissue.
  • From various quarters of the land, both town and country, and
  • especially during the preliminary season of autumn, Pierre received
  • various pressing invitations to lecture before Lyceums, Young Men's
  • Associations, and other Literary and Scientific Societies. The letters
  • conveying these invitations possessed quite an imposing and most
  • flattering aspect to the unsophisticated Pierre. One was as follows:--
  • "_Urquhartian Club for the Immediate Extension of the Limits of all
  • Knowledge, both Human and Divine._
  • "ZADOCKPRATTSVILLE,
  • "_June 11th, 18--_.
  • "_Author of the 'Tropical Summer,' &c._
  • "HONORED AND DEAR SIR:--
  • "Official duty and private inclination in this present case most
  • delightfully blend. What was the ardent desire of my heart, has now
  • by the action of the _Committee on Lectures_ become professionally
  • obligatory upon me. As Chairman of our _Committee on Lectures_, I
  • hereby beg the privilege of entreating that you will honor this
  • Society by lecturing before it on any subject you may choose, and
  • at any day most convenient to yourself. The subject of Human
  • Destiny we would respectfully suggest, without however at all
  • wishing to impede you in your own unbiased selection.
  • "If you honor us by complying with this invitation, be assured,
  • sir, that the Committee on Lectures will take the best care of you
  • throughout your stay, and endeavor to make Zadockprattsville
  • agreeable to you. A carriage will be in attendance at the
  • Stage-house to convey yourself and luggage to the Inn, under full
  • escort of the _Committee on Lectures_, with the Chairman at their
  • head.
  • "Permit me to join my private homage
  • To my high official consideration for you,
  • And to subscribe myself
  • Very humbly your servant,
  • DONALD DUNDONALD."
  • III.
  • But it was more especially the Lecture invitations coming from
  • venerable, gray-headed metropolitan Societies, and indited by venerable
  • gray-headed Secretaries, which far from elating filled the youthful
  • Pierre with the sincerest sense of humility. Lecture? lecture? such a
  • stripling as I lecture to fifty benches, with ten gray heads on each?
  • five hundred gray heads in all! Shall my one, poor, inexperienced brain
  • presume to lay down the law in a lecture to five hundred life-ripened
  • understandings? It seemed too absurd for thought. Yet the five hundred,
  • through their spokesman, had voluntarily extended this identical
  • invitation to him. Then how could it be otherwise, than that an
  • incipient Timonism should slide into Pierre, when he considered all the
  • disgraceful inferences to be derived from such a fact. He called to
  • mind, how that once upon a time, during a visit of his to the city, the
  • police were called out to quell a portentous riot, occasioned by the
  • vast press and contention for seats at the first lecture of an
  • illustrious lad of nineteen, the author of "A Week at Coney Island."
  • It is needless to say that Pierre most conscientiously and respectfully
  • declined all polite overtures of this sort.
  • Similar disenchantments of his cooler judgment did likewise deprive of
  • their full lusciousness several other equally marked demonstrations of
  • his literary celebrity. Applications for autographs showered in upon
  • him; but in sometimes humorously gratifying the more urgent requests of
  • these singular people Pierre could not but feel a pang of regret, that
  • owing to the very youthful and quite unformed character of his
  • handwriting, his signature did not possess that inflexible uniformity,
  • which--for mere prudential reasons, if nothing more--should always mark
  • the hand of illustrious men. His heart thrilled with sympathetic anguish
  • for posterity, which would be certain to stand hopelessly perplexed
  • before so many contradictory signatures of one supereminent name. Alas!
  • posterity would be sure to conclude that they were forgeries all; that
  • no chirographic relic of the sublime poet Glendinning survived to their
  • miserable times.
  • From the proprietors of the Magazines whose pages were honored by his
  • effusions, he received very pressing epistolary solicitations for the
  • loan of his portrait in oil, in order to take an engraving therefrom,
  • for a frontispiece to their periodicals. But here again the most
  • melancholy considerations obtruded. It had always been one of the lesser
  • ambitions of Pierre, to sport a flowing beard, which he deemed the most
  • noble corporeal badge of the man, not to speak of the illustrious
  • author. But as yet he was beardless; and no cunning compound of Rowland
  • and Son could force a beard which should arrive at maturity in any
  • reasonable time for the frontispiece. Besides, his boyish features and
  • whole expression were daily changing. Would he lend his authority to
  • this unprincipled imposture upon Posterity? Honor forbade.
  • These epistolary petitions were generally couched in an elaborately
  • respectful style; thereby intimating with what deep reverence his
  • portrait would be handled, while unavoidably subjected to the discipline
  • indispensable to obtain from it the engraved copy they prayed for. But
  • one or two of the persons who made occasional oral requisitions upon him
  • in this matter of his engraved portrait, seemed less regardful of the
  • inherent respect due to every man's portrait, much more, to that of a
  • genius so celebrated as Pierre. They did not even seem to remember that
  • the portrait of any man generally receives, and indeed is entitled to
  • more reverence than the original man himself; since one may freely clap
  • a celebrated friend on the shoulder, yet would by no means tweak his
  • nose in his portrait. The reason whereof may be this: that the portrait
  • is better entitled to reverence than the man; inasmuch as nothing
  • belittling can be imagined concerning the portrait, whereas many
  • unavoidably belittling things can be fancied as touching the man.
  • Upon one occasion, happening suddenly to encounter a literary
  • acquaintance--a joint editor of the "Captain Kidd Monthly"--who suddenly
  • popped upon him round a corner, Pierre was startled by a
  • rapid--"Good-morning, good-morning;--just the man I wanted:--come, step
  • round now with me, and have your Daguerreotype taken;--get it engraved
  • then in no time;--want it for the next issue."
  • So saying, this chief mate of Captain Kidd seized Pierre's arm, and in
  • the most vigorous manner was walking him off, like an officer a
  • pickpocket, when Pierre civilly said--"Pray, sir, hold, if you please, I
  • shall do no such thing."--"Pooh, pooh--must have it--public
  • property--come along--only a door or two now."--"Public property!"
  • rejoined Pierre, "that may do very well for the 'Captain Kidd
  • Monthly;'--it's very Captain Kiddish to say so. But I beg to repeat that
  • I do not intend to accede."--"Don't? Really?" cried the other, amazedly
  • staring Pierre full in the countenance;--"why bless your soul, _my_
  • portrait is published--long ago published!"--"Can't help that,
  • sir"--said Pierre. "Oh! come along, come along," and the chief mate
  • seized him again with the most uncompunctious familiarity by the arm.
  • Though the sweetest-tempered youth in the world when but decently
  • treated, Pierre had an ugly devil in him sometimes, very apt to be
  • evoked by the personal profaneness of gentlemen of the Captain Kidd
  • school of literature. "Look you, my good fellow," said he, submitting to
  • his impartial inspection a determinately double fist,--"drop my arm
  • now--or I'll drop you. To the devil with you and your Daguerreotype!"
  • This incident, suggestive as it was at the time, in the sequel had a
  • surprising effect upon Pierre. For he considered with what infinite
  • readiness now, the most faithful portrait of any one could be taken by
  • the Daguerreotype, whereas in former times a faithful portrait was only
  • within the power of the moneyed, or mental aristocrats of the earth. How
  • natural then the inference, that instead, as in old times, immortalizing
  • a genius, a portrait now only _dayalized_ a dunce. Besides, when every
  • body has his portrait published, true distinction lies in not having
  • yours published at all. For if you are published along with Tom, Dick,
  • and Harry, and wear a coat of their cut, how then are you distinct from
  • Tom, Dick, and Harry? Therefore, even so miserable a motive as downright
  • personal vanity helped to operate in this matter with Pierre.
  • Some zealous lovers of the general literature of the age, as well as
  • declared devotees to his own great genius, frequently petitioned him for
  • the materials wherewith to frame his biography. They assured him, that
  • life of all things was most insecure. He might feel many years in him
  • yet; time might go lightly by him; but in any sudden and fatal sickness,
  • how would his last hours be embittered by the thought, that he was about
  • to depart forever, leaving the world utterly unprovided with the
  • knowledge of what were the precise texture and hue of the first trowsers
  • he wore. These representations did certainly touch him in a very tender
  • spot, not previously unknown to the schoolmaster. But when Pierre
  • considered, that owing to his extreme youth, his own recollections of
  • the past soon merged into all manner of half-memories and a general
  • vagueness, he could not find it in his conscience to present such
  • materials to the impatient biographers, especially as his chief
  • verifying authority in these matters of his past career, was now
  • eternally departed beyond all human appeal. His excellent nurse Clarissa
  • had been dead four years and more. In vain a young literary friend, the
  • well-known author of two Indexes and one Epic, to whom the subject
  • happened to be mentioned, warmly espoused the cause of the distressed
  • biographers; saying that however unpleasant, one must needs pay the
  • penalty of celebrity; it was no use to stand back; and concluded by
  • taking from the crown of his hat the proof-sheets of his own biography,
  • which, with the most thoughtful consideration for the masses, was
  • shortly to be published in the pamphlet form, price only a shilling.
  • It only the more bewildered and pained him, when still other and less
  • delicate applicants sent him their regularly printed
  • _Biographico-Solicito Circulars_, with his name written in ink; begging
  • him to honor them and the world with a neat draft of his life, including
  • criticisms on his own writings; the printed circular indiscriminately
  • protesting, that undoubtedly he knew more of his own life than any other
  • living man; and that only he who had put together the great works of
  • Glendinning could be fully qualified thoroughly to analyze them, and
  • cast the ultimate judgment upon their remarkable construction.
  • Now, it was under the influence of the humiliating emotions engendered
  • by things like the above; it was when thus haunted by publishers,
  • engravers, editors, critics, autograph-collectors, portrait-fanciers,
  • biographers, and petitioning and remonstrating literary friends of all
  • sorts; it was then, that there stole into the youthful soul of Pierre,
  • melancholy forebodings of the utter unsatisfactoriness of all human
  • fame; since the most ardent profferings of the most martyrizing
  • demonstrations in his behalf,--these he was sorrowfully obliged to turn
  • away.
  • And it may well be believed, that after the wonderful vital
  • world-revelation so suddenly made to Pierre at the Meadows--a revelation
  • which, at moments, in some certain things, fairly Timonized him--he had
  • not failed to clutch with peculiar nervous detestation and contempt that
  • ample parcel, containing the letters of his Biographico and other silly
  • correspondents, which, in a less ferocious hour, he had filed away as
  • curiosities. It was with an almost infernal grin, that he saw that
  • particular heap of rubbish eternally quenched in the fire, and felt
  • that as it was consumed before his eyes, so in his soul was forever
  • killed the last and minutest undeveloped microscopic germ of that most
  • despicable vanity to which those absurd correspondents thought to
  • appeal.
  • BOOK XVIII.
  • PIERRE, AS A JUVENILE AUTHOR, RECONSIDERED.
  • I.
  • Inasmuch as by various indirect intimations much more than ordinary
  • natural genius has been imputed to Pierre, it may have seemed an
  • inconsistency, that only the merest magazine papers should have been
  • thus far the sole productions of his mind. Nor need it be added, that,
  • in the soberest earnest, those papers contained nothing uncommon;
  • indeed--entirely now to drop all irony, if hitherto any thing like that
  • has been indulged in--those fugitive things of Master Pierre's were the
  • veriest common-place.
  • It is true, as I long before said, that Nature at Saddle Meadows had
  • very early been as a benediction to Pierre;--had blown her wind-clarion
  • to him from the blue hills, and murmured melodious secrecies to him by
  • her streams and her woods. But while nature thus very early and very
  • abundantly feeds us, she is very late in tutoring us as to the proper
  • methodization of our diet. Or,--to change the metaphor,--there are
  • immense quarries of fine marble; but how to get it out; how to chisel
  • it; how to construct any temple? Youth must wholly quit, then, the
  • quarry, for awhile; and not only go forth, and get tools to use in the
  • quarry, but must go and thoroughly study architecture. Now the
  • quarry-discoverer is long before the stone-cutter; and the stone-cutter
  • is long before the architect; and the architect is long before the
  • temple; for the temple is the crown of the world.
  • Yes; Pierre was not only very unarchitectural at that time, but Pierre
  • was very young, indeed, at that time. And it is often to be observed,
  • that as in digging for precious metals in the mines, much earthy rubbish
  • has first to be troublesomely handled and thrown out; so, in digging in
  • one's soul for the fine gold of genius, much dullness and common-place
  • is first brought to light. Happy would it be, if the man possessed in
  • himself some receptacle for his own rubbish of this sort: but he is like
  • the occupant of a dwelling, whose refuse can not be clapped into his own
  • cellar, but must be deposited in the street before his own door, for the
  • public functionaries to take care of. No common-place is ever
  • effectually got rid of, except by essentially emptying one's self of it
  • into a book; for once trapped in a book, then the book can be put into
  • the fire, and all will be well. But they are not always put into the
  • fire; and this accounts for the vast majority of miserable books over
  • those of positive merit. Nor will any thoroughly sincere man, who is an
  • author, ever be rash in precisely defining the period, when he has
  • completely ridded himself of his rubbish, and come to the latent gold in
  • his mine. It holds true, in every case, that the wiser a man is, the
  • more misgivings he has on certain points.
  • It is well enough known, that the best productions of the best human
  • intellects, are generally regarded by those intellects as mere immature
  • freshman exercises, wholly worthless in themselves, except as
  • initiatives for entering the great University of God after death.
  • Certain it is, that if any inferences can be drawn from observations of
  • the familiar lives of men of the greatest mark, their finest things,
  • those which become the foolish glory of the world, are not only very
  • poor and inconsiderable to themselves, but often positively distasteful;
  • they would rather not have the book in the room. In minds comparatively
  • inferior as compared with the above, these surmising considerations so
  • sadden and unfit, that they become careless of what they write; go to
  • their desks with discontent, and only remain there--victims to headache,
  • and pain in the back--by the hard constraint of some social necessity.
  • Equally paltry and despicable to them, are the works thus composed; born
  • of unwillingness and the bill of the baker; the rickety offspring of a
  • parent, careless of life herself, and reckless of the germ-life she
  • contains. Let not the short-sighted world for a moment imagine, that any
  • vanity lurks in such minds; only hired to appear on the stage, not
  • voluntarily claiming the public attention; their utmost life-redness and
  • glow is but rouge, washed off in private with bitterest tears; their
  • laugh only rings because it is hollow; and the answering laugh is no
  • laughter to them.
  • There is nothing so slipperily alluring as sadness; we become sad in the
  • first place by having nothing stirring to do; we continue in it, because
  • we have found a snug sofa at last. Even so, it may possibly be, that
  • arrived at this quiet retrospective little episode in the career of my
  • hero--this shallowly expansive embayed Tappan Zee of my otherwise
  • deep-heady Hudson--I too begin to loungingly expand, and wax harmlessly
  • sad and sentimental.
  • Now, what has been hitherto presented in reference to Pierre, concerning
  • rubbish, as in some cases the unavoidable first-fruits of genius, is in
  • no wise contradicted by the fact, that the first published works of many
  • meritorious authors have given mature token of genius; for we do not
  • know how many they previously published to the flames; or privately
  • published in their own brains, and suppressed there as quickly. And in
  • the inferior instances of an immediate literary success, in very young
  • writers, it will be almost invariably observable, that for that instant
  • success they were chiefly indebted to some rich and peculiar experience
  • in life, embodied in a book, which because, for that cause, containing
  • original matter, the author himself, forsooth, is to be considered
  • original; in this way, many very original books, being the product of
  • very unoriginal minds. Indeed, man has only to be but a little
  • circumspect, and away flies the last rag of his vanity. The world is
  • forever babbling of originality; but there never yet was an original
  • man, in the sense intended by the world; the first man himself--who
  • according to the Rabbins was also the first author--not being an
  • original; the only original author being God. Had Milton's been the lot
  • of Caspar Hauser, Milton would have been vacant as he. For though the
  • naked soul of man doth assuredly contain one latent element of
  • intellectual productiveness; yet never was there a child born solely
  • from one parent; the visible world of experience being that procreative
  • thing which impregnates the muses; self-reciprocally efficient
  • hermaphrodites being but a fable.
  • There is infinite nonsense in the world on all of these matters; hence
  • blame me not if I contribute my mite. It is impossible to talk or to
  • write without apparently throwing oneself helplessly open; the
  • Invulnerable Knight wears his visor down. Still, it is pleasant to chat;
  • for it passes the time ere we go to our beds; and speech is farther
  • incited, when like strolling improvisatores of Italy, we are paid for
  • our breath. And we are only too thankful when the gapes of the audience
  • dismiss us with the few ducats we earn.
  • II.
  • It may have been already inferred, that the pecuniary plans of Pierre
  • touching his independent means of support in the city were based upon
  • his presumed literary capabilities. For what else could he do? He knew
  • no profession, no trade. Glad now perhaps might he have been, if Fate
  • had made him a blacksmith, and not a gentleman, a Glendinning, and a
  • genius. But here he would have been unpardonably rash, had he not
  • already, in some degree, actually tested the fact, in his own personal
  • experience, that it is not altogether impossible for a magazine
  • contributor to Juvenile American literature to receive a few pence in
  • exchange for his ditties. Such cases stand upon imperishable record, and
  • it were both folly and ingratitude to disown them.
  • But since the fine social position and noble patrimony of Pierre, had
  • thus far rendered it altogether unnecessary for him to earn the least
  • farthing of his own in the world, whether by hand or by brain; it may
  • seem desirable to explain a little here as we go. We shall do so, but
  • always including, the preamble.
  • Sometimes every possible maxim or thought seems an old one; yet it is
  • among the elder of the things in that unaugmentable stock, that never
  • mind what one's situation may be, however prosperous and happy, he will
  • still be impatient of it; he will still reach out of himself, and beyond
  • every present condition. So, while many a poor be-inked galley-slave,
  • toiling with the heavy oar of a quill, to gain something wherewithal to
  • stave off the cravings of nature; and in his hours of morbid
  • self-reproach, regarding his paltry wages, at all events, as an
  • unavoidable disgrace to him; while this galley-slave of letters would
  • have leaped with delight--reckless of the feeble seams of his
  • pantaloons--at the most distant prospect of inheriting the broad farms
  • of Saddle Meadows, lord of an all-sufficing income, and forever exempt
  • from wearing on his hands those treacherous plague-spots of
  • indigence--videlicet, blots from the inkstand;--Pierre himself, the
  • undoubted and actual possessor of the things only longingly and
  • hopelessly imagined by the other; the then top of Pierre's worldly
  • ambition, was the being able to boast that he had written such matters
  • as publishers would pay something for in the way of a mere business
  • transaction, which they thought would prove profitable. Yet altogether
  • weak and silly as this may seem in Pierre, let us preambillically
  • examine a little further, and see if it be so indeed.
  • Pierre was proud; and a proud man--proud with the sort of pride now
  • meant--ever holds but lightly those things, however beneficent, which he
  • did not for himself procure. Were such pride carried out to its
  • legitimate end, the man would eat no bread, the seeds whereof he had not
  • himself put into the soil, not entirely without humiliation, that even
  • that seed must be borrowed from some previous planter. A proud man likes
  • to feel himself in himself, and not by reflection in others. He likes to
  • be not only his own Alpha and Omega, but to be distinctly all the
  • intermediate gradations, and then to slope off on his own spine either
  • way, into the endless impalpable ether. What a glory it was then to
  • Pierre, when first in his two gentlemanly hands he jingled the wages of
  • labor! Talk of drums and the fife; the echo of coin of one's own earning
  • is more inspiring than all the trumpets of Sparta. How disdainfully now
  • he eyed the sumptuousness of his hereditary halls--the hangings, and the
  • pictures, and the bragging historic armorials and the banners of the
  • Glendinning renown; confident, that if need should come, he would not be
  • forced to turn resurrectionist, and dig up his grandfather's
  • Indian-chief grave for the ancestral sword and shield, ignominiously to
  • pawn them for a living! He could live on himself. Oh, twice-blessed now,
  • in the feeling of practical capacity, was Pierre.
  • The mechanic, the day-laborer, has but one way to live; his body must
  • provide for his body. But not only could Pierre in some sort, do that;
  • he could do the other; and letting his body stay lazily at home, send
  • off his soul to labor, and his soul would come faithfully back and pay
  • his body her wages. So, some unprofessional gentlemen of the
  • aristocratic South, who happen to own slaves, give those slaves liberty
  • to go and seek work, and every night return with their wages, which
  • constitute those idle gentlemen's income. Both ambidexter and
  • quadruple-armed is that man, who in a day-laborer's body, possesses a
  • day-laboring soul. Yet let not such an one be over-confident. Our God is
  • a jealous God; He wills not that any man should permanently possess the
  • least shadow of His own self-sufficient attributes. Yoke the body to the
  • soul, and put both to the plough, and the one or the other must in the
  • end assuredly drop in the furrow. Keep, then, thy body effeminate for
  • labor, and thy soul laboriously robust; or else thy soul effeminate for
  • labor, and thy body laboriously robust. Elect! the two will not
  • lastingly abide in one yoke. Thus over the most vigorous and soaring
  • conceits, doth the cloud of Truth come stealing; thus doth the shot,
  • even of a sixty-two-pounder pointed upward, light at last on the earth;
  • for strive we how we may, we can not overshoot the earth's orbit, to
  • receive the attractions of other planets; Earth's law of gravitation
  • extends far beyond her own atmosphere.
  • In the operative opinion of this world, he who is already fully provided
  • with what is necessary for him, that man shall have more; while he who
  • is deplorably destitute of the same, he shall have taken away from him
  • even that which he hath. Yet the world vows it is a very plain,
  • downright matter-of-fact, plodding, humane sort of world. It is governed
  • only by the simplest principles, and scorns all ambiguities, all
  • transcendentals, and all manner of juggling. Now some imaginatively
  • heterodoxical men are often surprisingly twitted upon their willful
  • inverting of all common-sense notions, their absurd and all-displacing
  • transcendentals, which say three is four, and two and two make ten. But
  • if the eminent Jugglarius himself ever advocated in mere words a
  • doctrine one thousandth part so ridiculous and subversive of all
  • practical sense, as that doctrine which the world actually and eternally
  • practices, of giving unto him who already hath more than enough, still
  • more of the superfluous article, and taking away from him who hath
  • nothing at all, even that which he hath,--then is the truest book in the
  • world a lie.
  • Wherefore we see that the so-called Transcendentalists are not the only
  • people who deal in Transcendentals. On the contrary, we seem to see that
  • the Utilitarians,--the every-day world's people themselves, far
  • transcend those inferior Transcendentalists by their own
  • incomprehensible worldly maxims. And--what is vastly more--with the one
  • party, their Transcendentals are but theoretic and inactive, and
  • therefore harmless; whereas with the other, they are actually clothed in
  • living deeds.
  • The highly graveling doctrine and practice of the world, above cited,
  • had in some small degree been manifested in the case of Pierre. He
  • prospectively possessed the fee of several hundred farms scattered over
  • part of two adjoining counties; and now the proprietor of that popular
  • periodical, the Gazelle Magazine, sent him several additional dollars
  • for his sonnets. That proprietor (though in sooth, he never read the
  • sonnets, but referred them to his professional adviser; and was so
  • ignorant, that, for a long time previous to the periodical's actually
  • being started, he insisted upon spelling the Gazelle with a _g_ for the
  • _z_, as thus: _Gagelle_; maintaining, that in the Gazelle connection,
  • the _z_ was a mere impostor, and that the _g_ was soft; for he was a
  • judge of softness, and could speak from experience); that proprietor was
  • undoubtedly a Transcendentalist; for did he not act upon the
  • Transcendental doctrine previously set forth?
  • Now, the dollars derived from his ditties, these Pierre had always
  • invested in cigars; so that the puffs which indirectly brought him his
  • dollars were again returned, but as perfumed puffs; perfumed with the
  • sweet leaf of Havanna. So that this highly-celebrated and world-renowned
  • Pierre--the great author--whose likeness the world had never seen (for
  • had he not repeatedly refused the world his likeness?), this famous
  • poet, and philosopher, author of "_The Tropical Summer: a Sonnet_;"
  • against whose very life several desperadoes were darkly plotting (for
  • had not the biographers sworn they would have it!); this towering
  • celebrity--there he would sit smoking, and smoking, mild and
  • self-festooned as a vapory mountain. It was very involuntarily and
  • satisfactorily reciprocal. His cigars were lighted in two ways: lighted
  • by the sale of his sonnets, and lighted by the printed sonnets
  • themselves.
  • For even at that early time in his authorial life, Pierre, however vain
  • of his fame, was not at all proud of his paper. Not only did he make
  • allumettes of his sonnets when published, but was very careless about
  • his discarded manuscripts; they were to be found lying all round the
  • house; gave a great deal of trouble to the housemaids in sweeping; went
  • for kindlings to the fires; and were forever flitting out of the
  • windows, and under the door-sills, into the faces of people passing the
  • manorial mansion. In this reckless, indifferent way of his, Pierre
  • himself was a sort of publisher. It is true his more familiar admirers
  • often earnestly remonstrated with him, against this irreverence to the
  • primitive vestments of his immortal productions; saying, that whatever
  • had once felt the nib of his mighty pen, was thenceforth sacred as the
  • lips which had but once saluted the great toe of the Pope. But hardened
  • as he was to these friendly censurings, Pierre never forbade that ardent
  • appreciation of "The Tear," who, finding a small fragment of the
  • original manuscript containing a dot (_tear_), over an _i_ (_eye_),
  • esteemed the significant event providential; and begged the
  • distinguished favor of being permitted to have it for a brooch; and
  • ousted a cameo-head of Homer, to replace it with the more invaluable
  • gem. He became inconsolable, when being caught in a rain, the dot
  • (_tear_) disappeared from over the _i_ (_eye_); so that the strangeness
  • and wonderfulness of the sonnet was still conspicuous; in that though
  • the least fragment of it could weep in a drought, yet did it become all
  • tearless in a shower.
  • But this indifferent and supercilious amateur--deaf to the admiration of
  • the world; the enigmatically merry and renowned author of "The Tear;"
  • the pride of the Gazelle Magazine, on whose flaunting cover his name
  • figured at the head of all contributors--(no small men either; for their
  • lives had all been fraternally written by each other, and they had
  • clubbed, and had their likenesses all taken by the aggregate job, and
  • published on paper, all bought at one shop) this high-prestiged
  • Pierre--whose future popularity and voluminousness had become so
  • startlingly announced by what he had already written, that certain
  • speculators came to the Meadows to survey its water-power, if any, with
  • a view to start a paper-mill expressly for the great author, and so
  • monopolize his stationery dealings;--this vast being,--spoken of with
  • awe by all merely youthful aspirants for fame; this age-neutralizing
  • Pierre;--before whom an old gentleman of sixty-five, formerly librarian
  • to Congress, on being introduced to him at the Magazine publishers',
  • devoutly took off his hat, and kept it so, and remained standing, though
  • Pierre was socially seated with his hat on;--this wonderful, disdainful
  • genius--but only life-amateur as yet--is now soon to appear in a far
  • different guise. He shall now learn, and very bitterly learn, that
  • though the world worship Mediocrity and Common Place, yet hath it fire
  • and sword for all cotemporary Grandeur; that though it swears that it
  • fiercely assails all Hypocrisy, yet hath it not always an ear for
  • Earnestness.
  • And though this state of things, united with the ever multiplying
  • freshets of new books, seems inevitably to point to a coming time, when
  • the mass of humanity reduced to one level of dotage, authors shall be
  • scarce as alchymists are to-day, and the printing-press be reckoned a
  • small invention:--yet even now, in the foretaste of this let us hug
  • ourselves, oh, my Aurelian! that though the age of authors be passing,
  • the hours of earnestness shall remain!
  • BOOK XIX.
  • THE CHURCH OF THE APOSTLES.
  • I.
  • In the lower old-fashioned part of the city, in a narrow street--almost
  • a lane--once filled with demure-looking dwellings, but now chiefly with
  • immense lofty warehouses of foreign importers; and not far from the
  • corner where the lane intersected with a very considerable but
  • contracted thoroughfare for merchants and their clerks, and their carmen
  • and porters; stood at this period a rather singular and ancient edifice,
  • a relic of the more primitive time. The material was a grayish stone,
  • rudely cut and masoned into walls of surprising thickness and strength;
  • along two of which walls--the side ones--were distributed as many rows
  • of arched and stately windows. A capacious, square, and wholly
  • unornamented tower rose in front to twice the height of the body of the
  • church; three sides of this tower were pierced with small and narrow
  • apertures. Thus far, in its external aspect, the building--now more than
  • a century old,--sufficiently attested for what purpose it had originally
  • been founded. In its rear, was a large and lofty plain brick structure,
  • with its front to the rearward street, but its back presented to the
  • back of the church, leaving a small, flagged, and quadrangular vacancy
  • between. At the sides of this quadrangle, three stories of homely brick
  • colonnades afforded covered communication between the ancient church,
  • and its less elderly adjunct. A dismantled, rusted, and forlorn old
  • railing of iron fencing in a small courtyard in front of the rearward
  • building, seemed to hint, that the latter had usurped an unoccupied
  • space formerly sacred as the old church's burial inclosure. Such a fancy
  • would have been entirely true. Built when that part of the city was
  • devoted to private residences, and not to warehouses and offices as now,
  • the old Church of the Apostles had had its days of sanctification and
  • grace; but the tide of change and progress had rolled clean through its
  • broad-aisle and side-aisles, and swept by far the greater part of its
  • congregation two or three miles up town. Some stubborn and elderly old
  • merchants and accountants, lingered awhile among its dusty pews,
  • listening to the exhortations of a faithful old pastor, who, sticking to
  • his post in this flight of his congregation, still propped his
  • half-palsied form in the worm-eaten pulpit, and occasionally
  • pounded--though now with less vigorous hand--the moth-eaten covering of
  • its desk. But it came to pass, that this good old clergyman died; and
  • when the gray-headed and bald-headed remaining merchants and accountants
  • followed his coffin out of the broad-aisle to see it reverently
  • interred; then that was the last time that ever the old edifice
  • witnessed the departure of a regular worshiping assembly from its walls.
  • The venerable merchants and accountants held a meeting, at which it was
  • finally decided, that, hard and unwelcome as the necessity might be, yet
  • it was now no use to disguise the fact, that the building could no
  • longer be efficiently devoted to its primitive purpose. It must be
  • divided into stores; cut into offices; and given for a roost to the
  • gregarious lawyers. This intention was executed, even to the making
  • offices high up in the tower; and so well did the thing succeed, that
  • ultimately the church-yard was invaded for a supplemental edifice,
  • likewise to be promiscuously rented to the legal crowd. But this new
  • building very much exceeded the body of the church in height. It was
  • some seven stories; a fearful pile of Titanic bricks, lifting its tiled
  • roof almost to a level with the top of the sacred tower.
  • In this ambitious erection the proprietors went a few steps, or rather a
  • few stories, too far. For as people would seldom willingly fall into
  • legal altercations unless the lawyers were always very handy to help
  • them; so it is ever an object with lawyers to have their offices as
  • convenient as feasible to the street; on the ground-floor, if possible,
  • without a single acclivity of a step; but at any rate not in the seventh
  • story of any house, where their clients might be deterred from employing
  • them at all, if they were compelled to mount seven long flights of
  • stairs, one over the other, with very brief landings, in order even to
  • pay their preliminary retaining fees. So, from some time after its
  • throwing open, the upper stories of the less ancient attached edifice
  • remained almost wholly without occupants; and by the forlorn echoes of
  • their vacuities, right over the head of the business-thriving legal
  • gentlemen below, must--to some few of them at least--have suggested
  • unwelcome similitudes, having reference to the crowded state of their
  • basement-pockets, as compared with the melancholy condition of their
  • attics;--alas! full purses and empty heads! This dreary posture of
  • affairs, however, was at last much altered for the better, by the
  • gradual filling up of the vacant chambers on high, by scores of those
  • miscellaneous, bread-and-cheese adventurers, and ambiguously
  • professional nondescripts in very genteel but shabby black, and
  • unaccountable foreign-looking fellows in blue spectacles; who,
  • previously issuing from unknown parts of the world, like storks in
  • Holland, light on the eaves, and in the attics of lofty old buildings in
  • most large sea-port towns. Here they sit and talk like magpies; or
  • descending in quest of improbable dinners, are to be seen drawn up along
  • the curb in front of the eating-houses, like lean rows of broken-hearted
  • pelicans on a beach; their pockets loose, hanging down and flabby, like
  • the pelican's pouches when fish are hard to be caught. But these poor,
  • penniless devils still strive to make ample amends for their physical
  • forlornness, by resolutely reveling in the region of blissful ideals.
  • They are mostly artists of various sorts; painters, or sculptors, or
  • indigent students, or teachers of languages, or poets, or fugitive
  • French politicians, or German philosophers. Their mental tendencies,
  • however heterodox at times, are still very fine and spiritual upon the
  • whole; since the vacuity of their exchequers leads them to reject the
  • coarse materialism of Hobbs, and incline to the airy exaltations of the
  • Berkelyan philosophy. Often groping in vain in their pockets, they can
  • not but give in to the Descartian vortices; while the abundance of
  • leisure in their attics (physical and figurative), unite with the
  • leisure in their stomachs, to fit them in an eminent degree for that
  • undivided attention indispensable to the proper digesting of the
  • sublimated Categories of Kant; especially as Kant (can't) is the one
  • great palpable fact in their pervadingly impalpable lives. These are the
  • glorious paupers, from whom I learn the profoundest mysteries of things;
  • since their very existence in the midst of such a terrible
  • precariousness of the commonest means of support, affords a problem on
  • which many speculative nutcrackers have been vainly employed. Yet let me
  • here offer up three locks of my hair, to the memory of all such glorious
  • paupers who have lived and died in this world. Surely, and truly I honor
  • them--noble men often at bottom--and for that very reason I make bold to
  • be gamesome about them; for where fundamental nobleness is, and
  • fundamental honor is due, merriment is never accounted irreverent. The
  • fools and pretenders of humanity, and the impostors and baboons among
  • the gods, these only are offended with raillery; since both those gods
  • and men whose titles to eminence are secure, seldom worry themselves
  • about the seditious gossip of old apple-women, and the skylarkings of
  • funny little boys in the street.
  • When the substance is gone, men cling to the shadow. Places once set
  • apart to lofty purposes, still retain the name of that loftiness, even
  • when converted to the meanest uses. It would seem, as if forced by
  • imperative Fate to renounce the reality of the romantic and lofty, the
  • people of the present would fain make a compromise by retaining some
  • purely imaginative remainder. The curious effects of this tendency is
  • oftenest evinced in those venerable countries of the old transatlantic
  • world; where still over the Thames one bridge yet retains the monastic
  • tide of Blackfriars; though not a single Black Friar, but many a
  • pickpocket, has stood on that bank since a good ways beyond the days of
  • Queen Bess; where still innumerable other historic anomalies sweetly and
  • sadly remind the present man of the wonderful procession that preceded
  • him in his new generation. Nor--though the comparative recentness of our
  • own foundation upon these Columbian shores, excludes any considerable
  • participation in these attractive anomalies,--yet are we not altogether,
  • in our more elderly towns, wholly without some touch of them, here and
  • there. It was thus with the ancient Church of the Apostles--better
  • known, even in its primitive day, under the abbreviative of The
  • Apostles--which, though now converted from its original purpose to one
  • so widely contrasting, yet still retained its majestical name. The
  • lawyer or artist tenanting its chambers, whether in the new building or
  • the old, when asked where he was to be found, invariably replied,--_At
  • the Apostles'_. But because now, at last, in the course of the
  • inevitable transplantations of the more notable localities of the
  • various professions in a thriving and amplifying town, the venerable
  • spot offered not such inducements as before to the legal gentlemen; and
  • as the strange nondescript adventurers and artists, and indigent
  • philosophers of all sorts, crowded in as fast as the others left;
  • therefore, in reference to the metaphysical strangeness of these curious
  • inhabitants, and owing in some sort to the circumstance, that several of
  • them were well-known Teleological Theorists, and Social Reformers, and
  • political propagandists of all manner of heterodoxical tenets;
  • therefore, I say, and partly, peradventure, from some slight waggishness
  • in the public; the immemorial popular name of the ancient church itself
  • was participatingly transferred to the dwellers therein. So it came to
  • pass, that in the general fashion of the day, he who had chambers in the
  • old church was familiarly styled an _Apostle_.
  • But as every effect is but the cause of another and a subsequent one, so
  • it now happened that finding themselves thus clannishly, and not
  • altogether infelicitously entitled, the occupants of the venerable
  • church began to come together out of their various dens, in more social
  • communion; attracted toward each other by a title common to all.
  • By-and-by, from this, they went further; and insensibly, at last became
  • organized in a peculiar society, which, though exceedingly
  • inconspicuous, and hardly perceptible in its public demonstrations, was
  • still secretly suspected to have some mysterious ulterior object,
  • vaguely connected with the absolute overturning of Church and State, and
  • the hasty and premature advance of some unknown great political and
  • religious Millennium. Still, though some zealous conservatives and
  • devotees of morals, several times left warning at the police-office, to
  • keep a wary eye on the old church; and though, indeed, sometimes an
  • officer would look up inquiringly at the suspicious narrow window-slits
  • in the lofty tower; yet, to say the truth, was the place, to all
  • appearance, a very quiet and decorous one, and its occupants a company
  • of harmless people, whose greatest reproach was efflorescent coats and
  • crack-crowned hats all podding in the sun.
  • Though in the middle of the day many bales and boxes would be trundled
  • along the stores in front of the Apostles'; and along its critically
  • narrow sidewalk, the merchants would now and then hurry to meet their
  • checks ere the banks should close: yet the street, being mostly devoted
  • to mere warehousing purposes, and not used as a general thoroughfare, it
  • was at all times a rather secluded and silent place. But from an hour or
  • two before sundown to ten or eleven o'clock the next morning, it was
  • remarkably silent and depopulated, except by the Apostles themselves;
  • while every Sunday it presented an aspect of surprising and startling
  • quiescence; showing nothing but one long vista of six or seven stories
  • of inexorable iron shutters on both sides of the way. It was pretty much
  • the same with the other street, which, as before said, intersected with
  • the warehousing lane, not very far from the Apostles'. For though that
  • street was indeed a different one from the latter, being full of cheap
  • refectories for clerks, foreign restaurants, and other places of
  • commercial resort; yet the only hum in it was restricted to business
  • hours; by night it was deserted of every occupant but the lamp-posts;
  • and on Sunday, to walk through it, was like walking through an avenue of
  • sphinxes.
  • Such, then, was the present condition of the ancient Church of the
  • Apostles; buzzing with a few lingering, equivocal lawyers in the
  • basement, and populous with all sorts of poets, painters, paupers and
  • philosophers above. A mysterious professor of the flute was perched in
  • one of the upper stories of the tower; and often, of silent, moonlight
  • nights, his lofty, melodious notes would be warbled forth over the roofs
  • of the ten thousand warehouses around him--as of yore, the bell had
  • pealed over the domestic gables of a long-departed generation.
  • II.
  • On the third night following the arrival of the party in the city,
  • Pierre sat at twilight by a lofty window in the rear building of the
  • Apostles'. The chamber was meager even to meanness. No carpet on the
  • floor, no picture on the wall; nothing but a low, long, and very
  • curious-looking single bedstead, that might possibly serve for an
  • indigent bachelor's pallet, a large, blue, chintz-covered chest, a
  • rickety, rheumatic, and most ancient mahogany chair, and a wide board of
  • the toughest live-oak, about six feet long, laid upon two upright empty
  • flour-barrels, and loaded with a large bottle of ink, an unfastened
  • bundle of quills, a pen-knife, a folder, and a still unbound ream of
  • foolscap paper, significantly stamped, "Ruled; Blue."
  • There, on the third night, at twilight, sat Pierre by that lofty window
  • of a beggarly room in the rear-building of the Apostles'. He was
  • entirely idle, apparently; there was nothing in his hands; but there
  • might have been something on his heart. Now and then he fixedly gazes at
  • the curious-looking, rusty old bedstead. It seemed powerfully symbolical
  • to him; and most symbolical it was. For it was the ancient dismemberable
  • and portable camp-bedstead of his grandfather, the defiant defender of
  • the Fort, the valiant captain in many an unsuccumbing campaign. On that
  • very camp-bedstead, there, beneath his tent on the field, the glorious
  • old mild-eyed and warrior-hearted general had slept, and but waked to
  • buckle his knight-making sword by his side; for it was noble knighthood
  • to be slain by grand Pierre; in the other world his foes' ghosts bragged
  • of the hand that had given them their passports.
  • But has that hard bed of War, descended for an inheritance to the soft
  • body of Peace? In the peaceful time of full barns, and when the noise of
  • the peaceful flail is abroad, and the hum of peaceful commerce resounds,
  • is the grandson of two Generals a warrior too? Oh, not for naught, in
  • the time of this seeming peace, are warrior grandsires given to Pierre!
  • For Pierre is a warrior too; Life his campaign, and three fierce allies,
  • Woe and Scorn and Want, his foes. The wide world is banded against him;
  • for lo you! he holds up the standard of Right, and swears by the Eternal
  • and True! But ah, Pierre, Pierre, when thou goest to that bed, how
  • humbling the thought, that thy most extended length measures not the
  • proud six feet four of thy grand John of Gaunt sire! The stature of the
  • warrior is cut down to the dwindled glory of the fight. For more
  • glorious in real tented field to strike down your valiant foe, than in
  • the conflicts of a noble soul with a dastardly world to chase a vile
  • enemy who ne'er will show front.
  • There, then, on the third night, at twilight, by the lofty window of
  • that beggarly room, sat Pierre in the rear building of the Apostles'. He
  • is gazing out from the window now. But except the donjon form of the old
  • gray tower, seemingly there is nothing to see but a wilderness of tiles,
  • slate, shingles, and tin;--the desolate hanging wildernesses of tiles,
  • slate, shingles and tin, wherewith we modern Babylonians replace the
  • fair hanging-gardens of the fine old Asiatic times when the excellent
  • Nebuchadnezzar was king.
  • There he sits, a strange exotic, transplanted from the delectable
  • alcoves of the old manorial mansion, to take root in this niggard soil.
  • No more do the sweet purple airs of the hills round about the green
  • fields of Saddle Meadows come revivingly wafted to his cheek. Like a
  • flower he feels the change; his bloom is gone from his cheek; his cheek
  • is wilted and pale.
  • From the lofty window of that beggarly room, what is it that Pierre is
  • so intently eying? There is no street at his feet; like a profound black
  • gulf the open area of the quadrangle gapes beneath him. But across it,
  • and at the further end of the steep roof of the ancient church, there
  • looms the gray and grand old tower; emblem to Pierre of an unshakable
  • fortitude, which, deep-rooted in the heart of the earth, defied all the
  • howls of the air.
  • There is a door in Pierre's room opposite the window of Pierre: and now
  • a soft knock is heard in that direction, accompanied by gentle words,
  • asking whether the speaker might enter.
  • "Yes, always, sweet Isabel"--answered Pierre, rising and approaching
  • the door;--"here: let us drag out the old camp-bed for a sofa; come, sit
  • down now, my sister, and let us fancy ourselves anywhere thou wilt."
  • "Then, my brother, let us fancy ourselves in realms of everlasting
  • twilight and peace, where no bright sun shall rise, because the black
  • night is always its follower. Twilight and peace, my brother, twilight
  • and peace!"
  • "It is twilight now, my sister; and surely, this part of the city at
  • least seems still."
  • "Twilight now, but night soon; then a brief sun, and then another long
  • night. Peace now, but sleep and nothingness soon, and then hard work for
  • thee, my brother, till the sweet twilight come again."
  • "Let us light a candle, my sister; the evening is deepening."
  • "For what light a candle, dear Pierre?--Sit close to me, my brother."
  • He moved nearer to her, and stole one arm around her; her sweet head
  • leaned against his breast; each felt the other's throbbing.
  • "Oh, my dear Pierre, why should we always be longing for peace, and then
  • be impatient of peace when it comes? Tell me, my brother! Not two hours
  • ago, thou wert wishing for twilight, and now thou wantest a candle to
  • hurry the twilight's last lingering away."
  • But Pierre did not seem to hear her; his arm embraced her tighter; his
  • whole frame was invisibly trembling. Then suddenly in a low tone of
  • wonderful intensity he breathed:
  • "Isabel! Isabel!"
  • She caught one arm around him, as his was around herself; the tremor ran
  • from him to her; both sat dumb.
  • He rose, and paced the room.
  • "Well, Pierre; thou camest in here to arrange thy matters, thou saidst.
  • Now what hast thou done? Come, we will light a candle now."
  • The candle was lighted, and their talk went on.
  • "How about the papers, my brother? Dost thou find every thing right?
  • Hast thou decided upon what to publish first, while thou art writing the
  • new thing thou didst hint of?"
  • "Look at that chest, my sister. Seest thou not that the cords are yet
  • untied?"
  • "Then thou hast not been into it at all as yet?"
  • "Not at all, Isabel. In ten days I have lived ten thousand years.
  • Forewarned now of the rubbish in that chest, I can not summon the heart
  • to open it. Trash! Dross! Dirt!"
  • "Pierre! Pierre! what change is this? Didst thou not tell me, ere we
  • came hither, that thy chest not only contained some silver and gold, but
  • likewise far more precious things, readily convertible into silver and
  • gold? Ah, Pierre, thou didst swear we had naught to fear!"
  • "If I have ever willfully deceived thee, Isabel, may the high gods prove
  • Benedict Arnolds to me, and go over to the devils to reinforce them
  • against me! But to have ignorantly deceived myself and thee together,
  • Isabel; that is a very different thing. Oh, what a vile juggler and
  • cheat is man! Isabel, in that chest are things which in the hour of
  • composition, I thought the very heavens looked in from the windows in
  • astonishment at their beauty and power. Then, afterward, when days
  • cooled me down, and again I took them up and scanned them, some
  • underlying suspicions intruded; but when in the open air, I recalled the
  • fresh, unwritten images of the bunglingly written things; then I felt
  • buoyant and triumphant again; as if by that act of ideal recalling, I
  • had, forsooth, transferred the perfect ideal to the miserable written
  • attempt at embodying it. This mood remained. So that afterward how I
  • talked to thee about the wonderful things I had done; the gold and the
  • silver mine I had long before sprung for thee and for me, who never were
  • to come to want in body or mind. Yet all this time, there was the latent
  • suspicion of folly; but I would not admit it; I shut my soul's door in
  • its face. Yet now, the ten thousand universal revealings brand me on the
  • forehead with fool! and like protested notes at the Bankers, all those
  • written things of mine, are jaggingly cut through and through with the
  • protesting hammer of Truth!--Oh, I am sick, sick, sick!"
  • "Let the arms that never were filled but by thee, lure thee back again,
  • Pierre, to the peace of the twilight, even though it be of the dimmest!"
  • She blew out the light, and made Pierre sit down by her; and their hands
  • were placed in each other's.
  • "Say, are not thy torments now gone, my brother?"
  • "But replaced by--by--by--Oh God, Isabel, unhand me!" cried Pierre,
  • starting up. "Ye heavens, that have hidden yourselves in the black hood
  • of the night, I call to ye! If to follow Virtue to her uttermost vista,
  • where common souls never go; if by that I take hold on hell, and the
  • uttermost virtue, after all, prove but a betraying pander to the
  • monstrousest vice,--then close in and crush me, ye stony walls, and into
  • one gulf let all things tumble together!"
  • "My brother! this is some incomprehensible raving," pealed Isabel,
  • throwing both arms around him;--"my brother, my brother!"
  • "Hark thee to thy furthest inland soul"--thrilled Pierre in a steeled
  • and quivering voice. "Call me brother no more! How knowest thou I am thy
  • brother? Did thy mother tell thee? Did my father say so to me?--I am
  • Pierre, and thou Isabel, wide brother and sister in the common
  • humanity,--no more. For the rest, let the gods look after their own
  • combustibles. If they have put powder-casks in me--let them look to it!
  • let them look to it! Ah! now I catch glimpses, and seem to half-see,
  • somehow, that the uttermost ideal of moral perfection in man is wide of
  • the mark. The demigods trample on trash, and Virtue and Vice are trash!
  • Isabel, I will write such things--I will gospelize the world anew, and
  • show them deeper secrets than the Apocalypse!--I will write it, I will
  • write it!"
  • "Pierre, I am a poor girl, born in the midst of a mystery, bred in
  • mystery, and still surviving to mystery. So mysterious myself, the air
  • and the earth are unutterable to me; no word have I to express them. But
  • these are the circumambient mysteries; thy words, thy thoughts, open
  • other wonder-worlds to me, whither by myself I might fear to go. But
  • trust to me, Pierre. With thee, with thee, I would boldly swim a
  • starless sea, and be buoy to thee, there, when thou the strong swimmer
  • shouldst faint. Thou, Pierre, speakest of Virtue and Vice; life-secluded
  • Isabel knows neither the one nor the other, but by hearsay. What are
  • they, in their real selves, Pierre? Tell me first what is
  • Virtue:--begin!"
  • "If on that point the gods are dumb, shall a pigmy speak? Ask the air!"
  • "Then Virtue is nothing."
  • "Not that!"
  • "Then Vice?"
  • "Look: a nothing is the substance, it casts one shadow one way, and
  • another the other way; and these two shadows cast from one nothing;
  • these, seems to me, are Virtue and Vice."
  • "Then why torment thyself so, dearest Pierre?"
  • "It is the law."
  • "What?"
  • "That a nothing should torment a nothing; for I am a nothing. It is all
  • a dream--we dream that we dreamed we dream."
  • "Pierre, when thou just hovered on the verge, thou wert a riddle to me;
  • but now, that thou art deep down in the gulf of the soul,--now, when
  • thou wouldst be lunatic to wise men, perhaps--now doth poor ignorant
  • Isabel begin to comprehend thee. Thy feeling hath long been mine,
  • Pierre. Long loneliness and anguish have opened miracles to me. Yes, it
  • is all a dream!"
  • Swiftly he caught her in his arms:--"From nothing proceeds nothing,
  • Isabel! How can one sin in a dream?"
  • "First what is sin, Pierre?"
  • "Another name for the other name, Isabel."
  • "For Virtue, Pierre?"
  • "No, for Vice."
  • "Let us sit down again, my brother."
  • "I am Pierre."
  • "Let us sit down again, Pierre; sit close; thy arm!"
  • And so, on the third night, when the twilight was gone, and no lamp was
  • lit, within the lofty window of that beggarly room, sat Pierre and
  • Isabel hushed.
  • BOOK XX.
  • CHARLIE MILLTHORPE.
  • I.
  • Pierre had been induced to take chambers at the Apostles', by one of the
  • Apostles themselves, an old acquaintance of his, and a native of Saddle
  • Meadows.
  • Millthorpe was the son of a very respectable farmer--now dead--of more
  • than common intelligence, and whose bowed shoulders and homely garb had
  • still been surmounted by a head fit for a Greek philosopher, and
  • features so fine and regular that they would have well graced an opulent
  • gentleman. The political and social levelings and confoundings of all
  • manner of human elements in America, produce many striking individual
  • anomalies unknown in other lands. Pierre well remembered old farmer
  • Millthorpe:--the handsome, melancholy, calm-tempered, mute, old man; in
  • whose countenance--refinedly ennobled by nature, and yet coarsely tanned
  • and attenuated by many a prolonged day's work in the harvest--rusticity
  • and classicalness were strangely united. The delicate profile of his
  • face, bespoke the loftiest aristocracy; his knobbed and bony hands
  • resembled a beggar's.
  • Though for several generations the Millthorpes had lived on the
  • Glendinning lands, they loosely and unostentatiously traced their origin
  • to an emigrating English Knight, who had crossed the sea in the time of
  • the elder Charles. But that indigence which had prompted the knight to
  • forsake his courtly country for the howling wilderness, was the only
  • remaining hereditament left to his bedwindled descendants in the fourth
  • and fifth remove. At the time that Pierre first recollected this
  • interesting man, he had, a year or two previous, abandoned an ample farm
  • on account of absolute inability to meet the manorial rent, and was
  • become the occupant of a very poor and contracted little place, on which
  • was a small and half-ruinous house. There, he then harbored with his
  • wife,--a very gentle and retiring person,--his three little daughters,
  • and his only son, a lad of Pierre's own age. The hereditary beauty and
  • youthful bloom of this boy; his sweetness of temper, and something of
  • natural refinement as contrasted with the unrelieved rudeness, and
  • oftentimes sordidness, of his neighbors; these things had early
  • attracted the sympathetic, spontaneous friendliness of Pierre. They were
  • often wont to take their boyish rambles together; and even the severely
  • critical Mrs. Glendinning, always fastidiously cautious as to the
  • companions of Pierre, had never objected to his intimacy with so
  • prepossessing and handsome a rustic as Charles.
  • Boys are often very swiftly acute in forming a judgment on character.
  • The lads had not long companioned, ere Pierre concluded, that however
  • fine his face, and sweet his temper, young Millthorpe was but little
  • vigorous in mind; besides possessing a certain constitutional,
  • sophomorean presumption and egotism; which, however, having nothing to
  • feed on but his father's meal and potatoes, and his own essentially
  • timid and humane disposition, merely presented an amusing and harmless,
  • though incurable, anomalous feature in his character, not at all
  • impairing the good-will and companionableness of Pierre; for even in his
  • boyhood, Pierre possessed a sterling charity, which could cheerfully
  • overlook all minor blemishes in his inferiors, whether in fortune or
  • mind; content and glad to embrace the good whenever presented, or with
  • whatever conjoined. So, in youth, do we unconsciously act upon those
  • peculiar principles, which in conscious and verbalized maxims shall
  • systematically regulate our maturer lives;--a fact, which forcibly
  • illustrates the necessitarian dependence of our lives, and their
  • subordination, not to ourselves, but to Fate.
  • If the grown man of taste, possess not only some eye to detect the
  • picturesque in the natural landscape, so also, has he as keen a
  • perception of what may not unfitly be here styled, the _povertiresque_
  • in the social landscape. To such an one, not more picturesquely
  • conspicuous is the dismantled thatch in a painted cottage of
  • Gainsborough, than the time-tangled and want-thinned locks of a beggar,
  • _povertiresquely_ diversifying those snug little cabinet-pictures of the
  • world, which, exquisitely varnished and framed, are hung up in the
  • drawing-room minds of humane men of taste, and amiable philosophers of
  • either the "Compensation," or "Optimist" school. They deny that any
  • misery is in the world, except for the purpose of throwing the fine
  • _povertiresque_ element into its general picture. Go to! God hath
  • deposited cash in the Bank subject to our gentlemanly order; he hath
  • bounteously blessed the world with a summer carpet of green. Begone,
  • Heraclitus! The lamentations of the rain are but to make us our
  • rainbows!
  • Not that in equivocal reference to the _povertiresque_ old farmer
  • Millthorpe, Pierre is here intended to be hinted at. Still, man can not
  • wholly escape his surroundings. Unconsciously Mrs. Glendinning had
  • always been one of these curious Optimists; and in his boyish life
  • Pierre had not wholly escaped the maternal contagion. Yet often, in
  • calling at the old farmer's for Charles of some early winter mornings,
  • and meeting the painfully embarrassed, thin, feeble features of Mrs.
  • Millthorpe, and the sadly inquisitive and hopelessly half-envious
  • glances of the three little girls; and standing on the threshold, Pierre
  • would catch low, aged, life-weary groans from a recess out of sight
  • from the door; then would Pierre have some boyish inklings of something
  • else than the pure _povertiresque_ in poverty: some inklings of what it
  • might be, to be old, and poor, and worn, and rheumatic, with shivering
  • death drawing nigh, and present life itself but a dull and a chill! some
  • inklings of what it might be, for him who in youth had vivaciously
  • leaped from his bed, impatient to meet the earliest sun, and lose no
  • sweet drop of his life, now hating the beams he once so dearly loved;
  • turning round in his bed to the wall to avoid them; and still postponing
  • the foot which should bring him back to the dismal day; when the sun is
  • not gold, but copper; and the sky is not blue, but gray; and the blood,
  • like Rhenish wine, too long unquaffed by Death, grows thin and sour in
  • the veins.
  • Pierre had not forgotten that the augmented penury of the Millthorpe's
  • was, at the time we now retrospectively treat of, gravely imputed by the
  • gossiping frequenters of the Black Swan Inn, to certain insinuated moral
  • derelictions of the farmer. "The old man tipped his elbow too often,"
  • once said in Pierre's hearing an old bottle-necked fellow, performing
  • the identical same act with a half-emptied glass in his hand. But though
  • the form of old Millthorpe was broken, his countenance, however sad and
  • thin, betrayed no slightest sign of the sot, either past or present. He
  • never was publicly known to frequent the inn, and seldom quitted the few
  • acres he cultivated with his son. And though, alas, indigent enough, yet
  • was he most punctually honest in paying his little debts of shillings
  • and pence for his groceries. And though, heaven knows, he had plenty of
  • occasion for all the money he could possibly earn, yet Pierre
  • remembered, that when, one autumn, a hog was bought of him for the
  • servants' hall at the Mansion, the old man never called for his money
  • till the midwinter following; and then, as with trembling fingers he
  • eagerly clutched the silver, he unsteadily said, "I have no use for it
  • now; it might just as well have stood over." It was then, that chancing
  • to overhear this, Mrs. Glendinning had looked at the old man, with a
  • kindly and benignantly interested eye to the _povertiresque_; and
  • murmured, "Ah! the old English Knight is not yet out of his blood.
  • Bravo, old man!"
  • One day, in Pierre's sight, nine silent figures emerged from the door of
  • old Millthorpe; a coffin was put into a neighbor's farm-wagon; and a
  • procession, some thirty feet long, including the elongated pole and box
  • of the wagon, wound along Saddle Meadows to a hill, where, at last, old
  • Millthorpe was laid down in a bed, where the rising sun should affront
  • him no more. Oh, softest and daintiest of Holland linen is the motherly
  • earth! There, beneath the sublime tester of the infinite sky, like
  • emperors and kings, sleep, in grand state, the beggars and paupers of
  • earth! I joy that Death is this Democrat; and hopeless of all other real
  • and permanent democracies, still hug the thought, that though in life
  • some heads are crowned with gold, and some bound round with thorns, yet
  • chisel them how they will, head-stones are all alike.
  • This somewhat particular account of the father of young Millthorpe, will
  • better set forth the less immature condition and character of the son,
  • on whom had now descended the maintenance of his mother and sisters.
  • But, though the son of a farmer, Charles was peculiarly averse to hard
  • labor. It was not impossible that by resolute hard labor he might
  • eventually have succeeded in placing his family in a far more
  • comfortable situation than he had ever remembered them. But it was not
  • so fated; the benevolent State had in its great wisdom decreed
  • otherwise.
  • In the village of Saddle Meadows there was an institution, half
  • common-school and half academy, but mainly supported by a general
  • ordinance and financial provision of the government Here, not only were
  • the rudiments of an English education taught, but likewise some touch of
  • belles lettres, and composition, and that great American bulwark and
  • bore--elocution. On the high-raised, stage platform of the Saddle
  • Meadows Academy, the sons of the most indigent day-laborers were wont to
  • drawl out the fiery revolutionary rhetoric of Patrick Henry, or
  • gesticulate impetuously through the soft cadences of Drake's "Culprit
  • Fay." What wonder, then, that of Saturdays, when there was no elocution
  • and poesy, these boys should grow melancholy and disdainful over the
  • heavy, plodding handles of dung-forks and hoes?
  • At the age of fifteen, the ambition of Charles Millthorpe was to be
  • either an orator, or a poet; at any rate, a great genius of one sort or
  • other. He recalled the ancestral Knight, and indignantly spurned the
  • plow. Detecting in him the first germ of this inclination, old
  • Millthorpe had very seriously reasoned with his son; warning him against
  • the evils of his vagrant ambition. Ambition of that sort was either for
  • undoubted genius, rich boys, or poor boys, standing entirely alone in
  • the world, with no one relying upon them. Charles had better consider
  • the case; his father was old and infirm; he could not last very long; he
  • had nothing to leave behind him but his plow and his hoe; his mother was
  • sickly; his sisters pale and delicate; and finally, life was a fact, and
  • the winters in that part of the country exceedingly bitter and long.
  • Seven months out of the twelve the pastures bore nothing, and all cattle
  • must be fed in the barns. But Charles was a boy; advice often seems the
  • most wantonly wasted of all human breath; man will not take wisdom on
  • trust; may be, it is well; for such wisdom is worthless; we must find
  • the true gem for ourselves; and so we go groping and groping for many
  • and many a day.
  • Yet was Charles Millthorpe as affectionate and dutiful a boy as ever
  • boasted of his brain, and knew not that he possessed a far more
  • excellent and angelical thing in the possession of a generous heart. His
  • father died; to his family he resolved to be a second father, and a
  • careful provider now. But not by hard toil of his hand; but by gentler
  • practices of his mind. Already he had read many books--history, poetry,
  • romance, essays, and all. The manorial book-shelves had often been
  • honored by his visits, and Pierre had kindly been his librarian. Not to
  • lengthen the tale, at the age of seventeen, Charles sold the horse, the
  • cow, the pig, the plow, the hoe, and almost every movable thing on the
  • premises; and, converting all into cash, departed with his mother and
  • sisters for the city; chiefly basing his expectations of success on some
  • vague representations of an apothecary relative there resident. How he
  • and his mother and sisters battled it out; how they pined and
  • half-starved for a while; how they took in sewing; and Charles took in
  • copying; and all but scantily sufficed for a livelihood; all this may be
  • easily imagined. But some mysterious latent good-will of Fate toward
  • him, had not only thus far kept Charles from the Poor-House, but had
  • really advanced his fortunes in a degree. At any rate, that certain
  • harmless presumption and innocent egotism which have been previously
  • adverted to as sharing in his general character, these had by no means
  • retarded him; for it is often to be observed of the shallower men, that
  • they are the very last to despond. It is the glory of the bladder that
  • nothing can sink it; it is the reproach of a box of treasure, that once
  • overboard it must down.
  • II.
  • When arrived in the city, and discovering the heartless neglect of Glen,
  • Pierre,--looking about him for whom to apply to in this
  • strait,--bethought him of his old boy-companion Charlie, and went out to
  • seek him, and found him at last; he saw before him, a tall, well-grown,
  • but rather thin and pale yet strikingly handsome young man of
  • two-and-twenty; occupying a small dusty law-office on the third floor
  • of the older building of the Apostles; assuming to be doing a very
  • large, and hourly increasing business among empty pigeon-holes, and
  • directly under the eye of an unopened bottle of ink; his mother and
  • sisters dwelling in a chamber overhead; and himself, not only following
  • the law for a corporeal living, but likewise inter-linked with the
  • peculiar secret, theologico-politico-social schemes of the masonic order
  • of the seedy-coated Apostles; and pursuing some crude, transcendental
  • Philosophy, for both a contributory means of support, as well as for his
  • complete intellectual aliment.
  • Pierre was at first somewhat startled by his exceedingly frank and
  • familiar manner; all old manorial deference for Pierre was clean gone
  • and departed; though at the first shock of their encounter, Charlie
  • could not possibly have known that Pierre was cast off.
  • "Ha, Pierre! glad to see you, my boy! Hark ye, next month I am to
  • deliver an address before the Omega order of the Apostles. The Grand
  • Master, Plinlimmon, will be there. I have heard on the best authority
  • that he once said of me--'That youth has the Primitive Categories in
  • him; he is destined to astonish the world.' Why, lad, I have received
  • propositions from the Editors of the Spinozaist to contribute a weekly
  • column to their paper, and you know how very few can understand the
  • Spinozaist; nothing is admitted there but the Ultimate Transcendentals.
  • Hark now, in your ear; I think of throwing off the Apostolic disguise
  • and coming boldly out; Pierre! I think of stumping the State, and
  • preaching our philosophy to the masses.--When did you arrive in town?"
  • Spite of all his tribulations, Pierre could not restrain a smile at this
  • highly diverting reception; but well knowing the youth, he did not
  • conclude from this audacious burst of enthusiastic egotism that his
  • heart had at all corroded; for egotism is one thing, and selfishness
  • another. No sooner did Pierre intimate his condition to him, than
  • immediately, Charlie was all earnest and practical kindness; recommended
  • the Apostles as the best possible lodgment for him,--cheap, snug, and
  • convenient to most public places; he offered to procure a cart and see
  • himself to the transport of Pierre's luggage; but finally thought it
  • best to mount the stairs and show him the vacant rooms. But when these
  • at last were decided upon; and Charlie, all cheerfulness and alacrity,
  • started with Pierre for the hotel, to assist him in the removal;
  • grasping his arm the moment they emerged from the great arched door
  • under the tower of the Apostles; he instantly launched into his amusing
  • heroics, and continued the strain till the trunks were fairly in sight.
  • "Lord! my law-business overwhelms me! I must drive away some of my
  • clients; I must have my exercise, and this ever-growing business denies
  • it to me. Besides, I owe something to the sublime cause of the general
  • humanity; I must displace some of my briefs for my metaphysical
  • treatises. I can not waste all my oil over bonds and mortgages.--You
  • said you were married, I think?"
  • But without stopping for any reply, he rattled on. "Well, I suppose it
  • is wise after all. It settles, centralizes, and confirms a man, I have
  • heard.--No, I didn't; it is a random thought of my own, that!--Yes, it
  • makes the world definite to him; it removes his morbid _sub_jectiveness,
  • and makes all things _ob_jective; nine small children, for instance, may
  • be considered _ob_jective. Marriage, hey!--A fine thing, no doubt, no
  • doubt:--domestic--pretty--nice, all round. But I owe something to the
  • world, my boy! By marriage, I might contribute to the population of men,
  • but not to the census of mind. The great men are all bachelors, you
  • know. Their family is the universe: I should say the planet Saturn was
  • their elder son; and Plato their uncle.--So you are married?"
  • But again, reckless of answers, Charlie went on. "Pierre, a thought, my
  • boy;--a thought for you! You do not say it, but you hint of a low
  • purse. Now I shall help you to fill it--Stump the State on the Kantian
  • Philosophy! A dollar a head, my boy! Pass round your beaver, and you'll
  • get it. I have every confidence in the penetration and magnanimousness
  • of the people! Pierre, hark in your ear;--it's my opinion the world is
  • all wrong. Hist, I say--an entire mistake. Society demands an Avatar,--a
  • Curtius, my boy! to leap into the fiery gulf, and by perishing himself,
  • save the whole empire of men! Pierre, I have long renounced the
  • allurements of life and fashion. Look at my coat, and see how I spurn
  • them! Pierre! but, stop, have you ever a shilling! let's take a cold cut
  • here--it's a cheap place; I go here sometimes. Come, let's in."
  • BOOK XXI.
  • PIERRE IMMATURELY ATTEMPTS A MATURE WORK. TIDINGS FROM THE MEADOWS.
  • PLINLIMMON.
  • I.
  • We are now to behold Pierre permanently lodged in three lofty adjoining
  • chambers of the Apostles. And passing on a little further in time, and
  • overlooking the hundred and one domestic details, of how their internal
  • arrangements were finally put into steady working order; how poor Delly,
  • now giving over the sharper pangs of her grief, found in the lighter
  • occupations of a handmaid and familiar companion to Isabel, the only
  • practical relief from the memories of her miserable past; how Isabel
  • herself in the otherwise occupied hours of Pierre, passed some of her
  • time in mastering the chirographical incoherencies of his manuscripts,
  • with a view to eventually copying them out in a legible hand for the
  • printer; or went below stairs to the rooms of the Millthorpes, and in
  • the modest and amiable society of the three young ladies and their
  • excellent mother, found some little solace for the absence of Pierre;
  • or, when his day's work was done, sat by him in the twilight, and played
  • her mystic guitar till Pierre felt chapter after chapter born of its
  • wondrous suggestiveness; but alas! eternally incapable of being
  • translated into words; for where the deepest words end, there music
  • begins with its supersensuous and all-confounding intimations.
  • Disowning now all previous exertions of his mind, and burning in scorn
  • even those fine fruits of a care-free fancy, which, written at Saddle
  • Meadows in the sweet legendary time of Lucy and her love, he had
  • jealously kept from the publishers, as too true and good to be
  • published; renouncing all his foregone self, Pierre was now engaged in a
  • comprehensive compacted work, to whose speedy completion two tremendous
  • motives unitedly impelled;--the burning desire to deliver what he
  • thought to be new, or at least miserably neglected Truth to the world;
  • and the prospective menace of being absolutely penniless, unless by the
  • sale of his book, he could realize money. Swayed to universality of
  • thought by the widely-explosive mental tendencies of the profound events
  • which had lately befallen him, and the unprecedented situation in which
  • he now found himself; and perceiving, by presentiment, that most grand
  • productions of the best human intellects ever are built round a circle,
  • as atolls (_i. e._ the primitive coral islets which, raising themselves
  • in the depths of profoundest seas, rise funnel-like to the surface, and
  • present there a hoop of white rock, which though on the outside
  • everywhere lashed by the ocean, yet excludes all tempests from the quiet
  • lagoon within), digestively including the whole range of all that can be
  • known or dreamed; Pierre was resolved to give the world a book, which
  • the world should hail with surprise and delight. A varied scope of
  • reading, little suspected by his friends, and randomly acquired by a
  • random but lynx-eyed mind, in the course of the multifarious,
  • incidental, bibliographic encounterings of almost any civilized young
  • inquirer after Truth; this poured one considerable contributary stream
  • into that bottomless spring of original thought which the occasion and
  • time had caused to burst out in himself. Now he congratulated himself
  • upon all his cursory acquisitions of this sort; ignorant that in reality
  • to a mind bent on producing some thoughtful thing of absolute Truth, all
  • mere reading is apt to prove but an obstacle hard to overcome; and not
  • an accelerator helpingly pushing him along.
  • While Pierre was thinking that he was entirely transplanted into a new
  • and wonderful element of Beauty and Power, he was, in fact, but in one
  • of the stages of the transition. That ultimate element once fairly
  • gained, then books no more are needed for buoys to our souls; our own
  • strong limbs support us, and we float over all bottomlessnesses with a
  • jeering impunity. He did not see,--or if he did, he could not yet name
  • the true cause for it,--that already, in the incipiency of his work, the
  • heavy unmalleable element of mere book-knowledge would not congenially
  • weld with the wide fluidness and ethereal airiness of spontaneous
  • creative thought. He would climb Parnassus with a pile of folios on his
  • back. He did not see, that it was nothing at all to him, what other men
  • had written; that though Plato was indeed a transcendently great man in
  • himself, yet Plato must not be transcendently great to him (Pierre), so
  • long as he (Pierre himself) would also do something transcendently
  • great. He did not see that there is no such thing as a standard for the
  • creative spirit; that no one great book must ever be separately
  • regarded, and permitted to domineer with its own uniqueness upon the
  • creative mind; but that all existing great works must be federated in
  • the fancy; and so regarded as a miscellaneous and Pantheistic whole; and
  • then,--without at all dictating to his own mind, or unduly biasing it
  • any way,--thus combined, they would prove simply an exhilarative and
  • provocative to him. He did not see, that even when thus combined, all
  • was but one small mite, compared to the latent infiniteness and
  • inexhaustibility in himself; that all the great books in the world are
  • but the mutilated shadowings-forth of invisible and eternally unembodied
  • images in the soul; so that they are but the mirrors, distortedly
  • reflecting to us our own things; and never mind what the mirror may be,
  • if we would see the object, we must look at the object itself, and not
  • at its reflection.
  • But, as to the resolute traveler in Switzerland, the Alps do never in
  • one wide and comprehensive sweep, instantaneously reveal their full
  • awfulness of amplitude--their overawing extent of peak crowded on peak,
  • and spur sloping on spur, and chain jammed behind chain, and all their
  • wonderful battalionings of might; so hath heaven wisely ordained, that
  • on first entering into the Switzerland of his soul, man shall not at
  • once perceive its tremendous immensity; lest illy prepared for such an
  • encounter, his spirit should sink and perish in the lowermost snows.
  • Only by judicious degrees, appointed of God, does man come at last to
  • gain his Mont Blanc and take an overtopping view of these Alps; and even
  • then, the tithe is not shown; and far over the invisible Atlantic, the
  • Rocky Mountains and the Andes are yet unbeheld. Appalling is the soul of
  • a man! Better might one be pushed off into the material spaces beyond
  • the uttermost orbit of our sun, than once feel himself fairly afloat in
  • himself!
  • But not now to consider these ulterior things, Pierre, though strangely
  • and very newly alive to many before unregarded wonders in the general
  • world; still, had he not as yet procured for himself that enchanter's
  • wand of the soul, which but touching the humblest experiences in one's
  • life, straightway it starts up all eyes, in every one of which are
  • endless significancies. Not yet had he dropped his angle into the well
  • of his childhood, to find what fish might be there; for who dreams to
  • find fish in a well? the running stream of the outer world, there
  • doubtless swim the golden perch and the pickerel! Ten million things
  • were as yet uncovered to Pierre. The old mummy lies buried in cloth on
  • cloth; it takes time to unwrap this Egyptian king. Yet now, forsooth,
  • because Pierre began to see through the first superficiality of the
  • world, he fondly weens he has come to the unlayered substance. But, far
  • as any geologist has yet gone down into the world, it is found to
  • consist of nothing but surface stratified on surface. To its axis, the
  • world being nothing but superinduced superficies. By vast pains we mine
  • into the pyramid; by horrible gropings we come to the central room; with
  • joy we espy the sarcophagus; but we lift the lid--and no body is
  • there!--appallingly vacant as vast is the soul of a man!
  • II.
  • He had been engaged some weeks upon his book--in pursuance of his
  • settled plan avoiding all contact with any of his city-connections or
  • friends, even as in his social downfall they sedulously avoided seeking
  • him out--nor ever once going or sending to the post-office, though it
  • was but a little round the corner from where he was, since having
  • dispatched no letters himself, he expected none; thus isolated from the
  • world, and intent upon his literary enterprise, Pierre had passed some
  • weeks, when verbal tidings came to him, of three most momentous events.
  • First: his mother was dead.
  • Second: all Saddle Meadows was become Glen Stanly's.
  • Third: Glen Stanly was believed to be the suitor of Lucy; who,
  • convalescent from an almost mortal illness, was now dwelling at her
  • mother's house in town.
  • It was chiefly the first-mentioned of these events which darted a sharp
  • natural anguish into Pierre. No letter had come to him; no smallest ring
  • or memorial been sent him; no slightest mention made of him in the will;
  • and yet it was reported that an inconsolable grief had induced his
  • mother's mortal malady, and driven her at length into insanity, which
  • suddenly terminated in death; and when he first heard of that event,
  • she had been cold in the ground for twenty-five days.
  • How plainly did all this speak of the equally immense pride and grief of
  • his once magnificent mother; and how agonizedly now did it hint of her
  • mortally-wounded love for her only and best-beloved Pierre! In vain he
  • reasoned with himself; in vain remonstrated with himself; in vain sought
  • to parade all his stoic arguments to drive off the onslaught of natural
  • passion. Nature prevailed; and with tears that like acid burned and
  • scorched as they flowed, he wept, he raved, at the bitter loss of his
  • parent; whose eyes had been closed by unrelated hands that were hired;
  • but whose heart had been broken, and whose very reason been ruined, by
  • the related hands of her son.
  • For some interval it almost seemed as if his own heart would snap; his
  • own reason go down. Unendurable grief of a man, when Death itself gives
  • the stab, and then snatches all availments to solacement away. For in
  • the grave is no help, no prayer thither may go, no forgiveness thence
  • come; so that the penitent whose sad victim lies in the ground, for that
  • useless penitent his doom is eternal, and though it be Christmas-day
  • with all Christendom, with him it is Hell-day and an eaten liver
  • forever.
  • With what marvelous precision and exactitude he now went over in his
  • mind all the minutest details of his old joyous life with his mother at
  • Saddle Meadows. He began with his own toilet in the morning; then his
  • mild stroll into the fields; then his cheerful return to call his mother
  • in her chamber; then the gay breakfast--and so on, and on, all through
  • the sweet day, till mother and son kissed, and with light, loving hearts
  • separated to their beds, to prepare themselves for still another day of
  • affectionate delight. This recalling of innocence and joy in the hour of
  • remorsefulness and woe; this is as heating red-hot the pincers that tear
  • us. But in this delirium of his soul, Pierre could not define where
  • that line was, which separated the natural grief for the loss of a
  • parent from that other one which was born of compunction. He strove hard
  • to define it, but could not. He tried to cozen himself into believing
  • that all his grief was but natural, or if there existed any other, that
  • must spring--not from the consciousness of having done any possible
  • wrong--but from the pang at what terrible cost the more exalted virtues
  • are gained. Nor did he wholly fail in this endeavor. At last he
  • dismissed his mother's memory into that same profound vault where
  • hitherto had reposed the swooned form of his Lucy. But, as sometimes men
  • are coffined in a trance, being thereby mistaken for dead; so it is
  • possible to bury a tranced grief in the soul, erroneously supposing that
  • it hath no more vitality of suffering. Now, immortal things only can
  • beget immortality. It would almost seem one presumptive argument for the
  • endless duration of the human soul, that it is impossible in time and
  • space to kill any compunction arising from having cruelly injured a
  • departed fellow-being.
  • Ere he finally committed his mother to the profoundest vault of his
  • soul, fain would he have drawn one poor alleviation from a circumstance,
  • which nevertheless, impartially viewed, seemed equally capable either of
  • soothing or intensifying his grief. His mother's will, which without the
  • least mention of his own name, bequeathed several legacies to her
  • friends, and concluded by leaving all Saddle Meadows and its rent-rolls
  • to Glendinning Stanly; this will bore the date of the day immediately
  • succeeding his fatal announcement on the landing of the stairs, of his
  • assumed nuptials with Isabel. It plausibly pressed upon him, that as all
  • the evidences of his mother's dying unrelentingness toward him were
  • negative; and the only positive evidence--so to speak--of even that
  • negativeness, was the will which omitted all mention of Pierre;
  • therefore, as that will bore so significant a date, it must needs be
  • most reasonable to conclude, that it was dictated in the not yet
  • subsided transports of his mother's first indignation. But small
  • consolation was this, when he considered the final insanity of his
  • mother; for whence that insanity but from a hate-grief unrelenting, even
  • as his father must have become insane from a sin-grief irreparable? Nor
  • did this remarkable double-doom of his parents wholly fail to impress
  • his mind with presentiments concerning his own fate--his own hereditary
  • liability to madness. Presentiment, I say; but what is a presentiment?
  • how shall you coherently define a presentiment, or how make any thing
  • out of it which is at all lucid, unless you say that a presentiment is
  • but a judgment in disguise? And if a judgment in disguise, and yet
  • possessing this preternaturalness of prophecy, how then shall you escape
  • the fateful conclusion, that you are helplessly held in the six hands of
  • the Sisters? For while still dreading your doom, you foreknow it. Yet
  • how foreknow and dread in one breath, unless with this divine seeming
  • power of prescience, you blend the actual slimy powerlessness of
  • defense?
  • That his cousin, Glen Stanly, had been chosen by his mother to inherit
  • the domain of the Meadows, was not entirely surprising to Pierre. Not
  • only had Glen always been a favorite with his mother by reason of his
  • superb person and his congeniality of worldly views with herself, but
  • excepting only Pierre, he was her nearest surviving blood relation; and
  • moreover, in his christian name, bore the hereditary syllables,
  • Glendinning. So that if to any one but Pierre the Meadows must descend,
  • Glen, on these general grounds, seemed the appropriate heir.
  • But it is not natural for a man, never mind who he may be, to see a
  • noble patrimony, rightfully his, go over to a soul-alien, and that alien
  • once his rival in love, and now his heartless, sneering foe; for so
  • Pierre could not but now argue of Glen; it is not natural for a man to
  • see this without singular emotions of discomfort and hate. Nor in Pierre
  • were these feelings at all soothed by the report of Glen's renewed
  • attentions to Lucy. For there is something in the breast of almost
  • every man, which at bottom takes offense at the attentions of any other
  • man offered to a woman, the hope of whose nuptial love he himself may
  • have discarded. Fain would a man selfishly appropriate all the hearts
  • which have ever in any way confessed themselves his. Besides, in
  • Pierre's case, this resentment was heightened by Glen's previous
  • hypocritical demeanor. For now all his suspicions seemed abundantly
  • verified; and comparing all dates, he inferred that Glen's visit to
  • Europe had only been undertaken to wear off the pang of his rejection by
  • Lucy, a rejection tacitly consequent upon her not denying her affianced
  • relation to Pierre.
  • But now, under the mask of profound sympathy--in time, ripening into
  • love--for a most beautiful girl, ruffianly deserted by her betrothed,
  • Glen could afford to be entirely open in his new suit, without at all
  • exposing his old scar to the world. So at least it now seemed to Pierre.
  • Moreover, Glen could now approach Lucy under the most favorable possible
  • auspices. He could approach her as a deeply sympathizing friend, all
  • wishful to assuage her sorrow, but hinting nothing, at present, of any
  • selfish matrimonial intent; by enacting this prudent and unclamorous
  • part, the mere sight of such tranquil, disinterested, but indestructible
  • devotedness, could not but suggest in Lucy's mind, very natural
  • comparisons between Glen and Pierre, most deplorably abasing to the
  • latter. Then, no woman--as it would sometimes seem--no woman is utterly
  • free from the influence of a princely social position in her suitor,
  • especially if he be handsome and young. And Glen would come to her now
  • the master of two immense fortunes, and the heir, by voluntary election,
  • no less than by blood propinquity, to the ancestral bannered hall, and
  • the broad manorial meadows of the Glendinnings. And thus, too, the
  • spirit of Pierre's own mother would seem to press Glen's suit. Indeed,
  • situated now as he was Glen would seem all the finest part of Pierre,
  • without any of Pierre's shame; would almost seem Pierre himself--what
  • Pierre had once been to Lucy. And as in the case of a man who has lost a
  • sweet wife, and who long refuses the least consolation; as this man at
  • last finds a singular solace in the companionship of his wife's sister,
  • who happens to bear a peculiar family resemblance to the dead; and as
  • he, in the end, proposes marriage to this sister, merely from the force
  • of such magical associative influences; so it did not seem wholly out of
  • reason to suppose, that the great manly beauty of Glen, possessing a
  • strong related similitude to Pierre's, might raise in Lucy's heart
  • associations, which would lead her at least to seek--if she could not
  • find--solace for one now regarded as dead and gone to her forever, in
  • the devotedness of another, who would notwithstanding almost seem as
  • that dead one brought back to life.
  • Deep, deep, and still deep and deeper must we go, if we would find out
  • the heart of a man; descending into which is as descending a spiral
  • stair in a shaft, without any end, and where that endlessness is only
  • concealed by the spiralness of the stair, and the blackness of the
  • shaft.
  • As Pierre conjured up this phantom of Glen transformed into the seeming
  • semblance of himself; as he figured it advancing toward Lucy and raising
  • her hand in devotion; an infinite quenchless rage and malice possessed
  • him. Many commingled emotions combined to provoke this storm. But chief
  • of all was something strangely akin to that indefinable detestation
  • which one feels for any impostor who has dared to assume one's own name
  • and aspect in any equivocal or dishonorable affair; an emotion greatly
  • intensified if this impostor be known for a mean villain at bottom, and
  • also, by the freak of nature to be almost the personal duplicate of the
  • man whose identity he assumes. All these and a host of other distressful
  • and resentful fancies now ran through the breast of Pierre. All his
  • Faith-born, enthusiastic, high-wrought, stoic, and philosophic defenses,
  • were now beaten down by this sudden storm of nature in his soul. For
  • there is no faith, and no stoicism, and no philosophy, that a mortal man
  • can possibly evoke, which will stand the final test of a real
  • impassioned onset of Life and Passion upon him. Then all the fair
  • philosophic or Faith-phantoms that he raised from the mist, slide away
  • and disappear as ghosts at cock-crow. For Faith and philosophy are air,
  • but events are brass. Amidst his gray philosophizings, Life breaks upon
  • a man like a morning.
  • While this mood was on him, Pierre cursed himself for a heartless
  • villain and an idiot fool;--heartless villain, as the murderer of his
  • mother--idiot fool, because he had thrown away all his felicity; because
  • he had himself, as it were, resigned his noble birthright to a cunning
  • kinsman for a mess of pottage, which now proved all but ashes in his
  • mouth.
  • Resolved to hide these new, and--as it latently seemed to him--unworthy
  • pangs, from Isabel, as also their cause, he quitted his chamber,
  • intending a long vagabond stroll in the suburbs of the town, to wear off
  • his sharper grief, ere he should again return into her sight.
  • III.
  • As Pierre, now hurrying from his chamber, was rapidly passing through
  • one of the higher brick colonnades connecting the ancient building with
  • the modern, there advanced toward him from the direction of the latter,
  • a very plain, composed, manly figure, with a countenance rather pale if
  • any thing, but quite clear and without wrinkle. Though the brow and the
  • beard, and the steadiness of the head and settledness of the step
  • indicated mature age, yet the blue, bright, but still quiescent eye
  • offered a very striking contrast. In that eye, the gay immortal youth
  • Apollo, seemed enshrined; while on that ivory-throned brow, old Saturn
  • cross-legged sat. The whole countenance of this man, the whole air and
  • look of this man, expressed a cheerful content. Cheerful is the
  • adjective, for it was the contrary of gloom; content--perhaps
  • acquiescence--is the substantive, for it was not Happiness or Delight.
  • But while the personal look and air of this man were thus winning, there
  • was still something latently visible in him which repelled. That
  • something may best be characterized as non-Benevolence. Non-Benevolence
  • seems the best word, for it was neither Malice nor Ill-will; but
  • something passive. To crown all, a certain floating atmosphere seemed to
  • invest and go along with this man. That atmosphere seems only renderable
  • in words by the term Inscrutableness. Though the clothes worn by this
  • man were strictly in accordance with the general style of any
  • unobtrusive gentleman's dress, yet his clothes seemed to disguise this
  • man. One would almost have said, his very face, the apparently natural
  • glance of his very eye disguised this man.
  • Now, as this person deliberately passed by Pierre, he lifted his hat,
  • gracefully bowed, smiled gently, and passed on. But Pierre was all
  • confusion; he flushed, looked askance, stammered with his hand at his
  • hat to return the courtesy of the other; he seemed thoroughly upset by
  • the mere sight of this hat-lifting, gracefully bowing, gently-smiling,
  • and most miraculously self-possessed, non-benevolent man.
  • Now who was this man? This man was Plotinus Plinlimmon. Pierre had read
  • a treatise of his in a stage-coach coming to the city, and had heard him
  • often spoken of by Millthorpe and others as the Grand Master of a
  • certain mystic Society among the Apostles. Whence he came, no one could
  • tell. His surname was Welsh, but he was a Tennesseean by birth. He
  • seemed to have no family or blood ties of any sort. He never was known
  • to work with his hands; never to write with his hands (he would not even
  • write a letter); he never was known to open a book. There were no books
  • in his chamber. Nevertheless, some day or other he must have read books,
  • but that time seemed gone now; as for the sleazy works that went under
  • his name, they were nothing more than his verbal things, taken down at
  • random, and bunglingly methodized by his young disciples.
  • Finding Plinlimmon thus unfurnished either with books or pen and paper,
  • and imputing it to something like indigence, a foreign scholar, a rich
  • nobleman, who chanced to meet him once, sent him a fine supply of
  • stationery, with a very fine set of volumes,--Cardan, Epictetus, the
  • Book of Mormon, Abraham Tucker, Condorcet and the Zenda-Vesta. But this
  • noble foreign scholar calling next day--perhaps in expectation of some
  • compliment for his great kindness--started aghast at his own package
  • deposited just without the door of Plinlimmon, and with all fastenings
  • untouched.
  • "Missent," said Plotinus Plinlimmon placidly: "if any thing, I looked
  • for some choice Curaçoa from a nobleman like you. I should be very
  • happy, my dear Count, to accept a few jugs of choice Curaçoa."
  • "I thought that the society of which you are the head, excluded all
  • things of that sort"--replied the Count.
  • "Dear Count, so they do; but Mohammed hath his own dispensation."
  • "Ah! I see," said the noble scholar archly.
  • "I am afraid you do not see, dear Count"--said Plinlimmon; and instantly
  • before the eyes of the Count, the inscrutable atmosphere eddied and
  • eddied roundabout this Plotinus Plinlimmon.
  • His chance brushing encounter in the corridor was the first time that
  • ever Pierre had without medium beheld the form or the face of
  • Plinlimmon. Very early after taking chambers at the Apostles', he had
  • been struck by a steady observant blue-eyed countenance at one of the
  • loftiest windows of the old gray tower, which on the opposite side of
  • the quadrangular space, rose prominently before his own chamber. Only
  • through two panes of glass--his own and the stranger's--had Pierre
  • hitherto beheld that remarkable face of repose,--repose neither divine
  • nor human, nor any thing made up of either or both--but a repose
  • separate and apart--a repose of a face by itself. One adequate look at
  • that face conveyed to most philosophical observers a notion of something
  • not before included in their scheme of the Universe.
  • Now as to the mild sun, glass is no hindrance at all, but he transmits
  • his light and life through the glass; even so through Pierre's panes did
  • the tower face transmit its strange mystery.
  • Becoming more and more interested in this face, he had questioned
  • Millthorpe concerning it "Bless your soul"--replied Millthorpe--"that is
  • Plotinus Plinlimmon! our Grand Master, Plotinus Plinlimmon! By gad, you
  • must know Plotinus thoroughly, as I have long done. Come away with me,
  • now, and let me introduce you instanter to Plotinus Plinlimmon."
  • But Pierre declined; and could not help thinking, that though in all
  • human probability Plotinus well understood Millthorpe, yet Millthorpe
  • could hardly yet have wound himself into Plotinus;--though indeed
  • Plotinus--who at times was capable of assuming a very off-hand,
  • confidential, and simple, sophomorean air--might, for reasons best known
  • to himself, have tacitly pretended to Millthorpe, that he (Millthorpe)
  • had thoroughly wriggled himself into his (Plotinus') innermost soul.
  • A man will be given a book, and when the donor's back is turned, will
  • carelessly drop it in the first corner; he is not over-anxious to be
  • bothered with the book. But now personally point out to him the author,
  • and ten to one he goes back to the corner, picks up the book, dusts the
  • cover, and very carefully reads that invaluable work. One does not
  • vitally believe in a man till one's own two eyes have beheld him. If
  • then, by the force of peculiar circumstances, Pierre while in the
  • stage, had formerly been drawn into an attentive perusal of the work on
  • "Chronometricals and Horologicals;" how then was his original interest
  • heightened by catching a subsequent glimpse of the author. But at the
  • first reading, not being able--as he thought--to master the pivot-idea
  • of the pamphlet; and as every incomprehended idea is not only a
  • perplexity but a taunting reproach to one's mind, Pierre had at last
  • ceased studying it altogether; nor consciously troubled himself further
  • about it during the remainder of the journey. But still thinking now it
  • might possibly have been mechanically retained by him, he searched all
  • the pockets of his clothes, but without success. He begged Millthorpe to
  • do his best toward procuring him another copy; but it proved impossible
  • to find one. Plotinus himself could not furnish it.
  • Among other efforts, Pierre in person had accosted a limping half-deaf
  • old book-stall man, not very far from the Apostles'. "Have you the
  • '_Chronometrics_,' my friend?" forgetting the exact title.
  • "Very bad, very bad!" said the old man, rubbing his back;--"has had the
  • _chronic-rheumatics_ ever so long; what's good for 'em?"
  • Perceiving his mistake, Pierre replied that he did not know what was the
  • infallible remedy.
  • "Whist! let me tell ye, then, young 'un," said the old cripple, limping
  • close up to him, and putting his mouth in Pierre's ear--"Never catch
  • 'em!--now's the time, while you're young:--never catch 'em!"
  • By-and-by the blue-eyed, mystic-mild face in the upper window of the old
  • gray tower began to domineer in a very remarkable manner upon Pierre.
  • When in his moods of peculiar depression and despair; when dark thoughts
  • of his miserable condition would steal over him; and black doubts as to
  • the integrity of his unprecedented course in life would most
  • malignantly suggest themselves; when a thought of the vanity of his
  • deep book would glidingly intrude; if glancing at his closet-window that
  • mystic-mild face met Pierre's; under any of these influences the effect
  • was surprising, and not to be adequately detailed in any possible words.
  • Vain! vain! vain! said the face to him. Fool! fool! fool! said the face
  • to him. Quit! quit! quit! said the face to him. But when he mentally
  • interrogated the face as to why it thrice said Vain! Fool! Quit! to him;
  • here there was no response. For that face did not respond to any thing.
  • Did I not say before that that face was something separate, and apart; a
  • face by itself? Now, any thing which is thus a thing by itself never
  • responds to any other thing. If to affirm, be to expand one's isolated
  • self; and if to deny, be to contract one's isolated self; then to
  • respond is a suspension of all isolation. Though this face in the tower
  • was so clear and so mild; though the gay youth Apollo was enshrined in
  • that eye, and paternal old Saturn sat cross-legged on that ivory brow;
  • yet somehow to Pierre the face at last wore a sort of malicious leer to
  • him. But the Kantists might say, that this was a _subjective_ sort of
  • leer in Pierre. Any way, the face seemed to leer upon Pierre. And now it
  • said to him--_Ass! ass! ass!_ This expression was insufferable. He
  • procured some muslin for his closet-window; and the face became
  • curtained like any portrait. But this did not mend the leer. Pierre knew
  • that still the face leered behind the muslin. What was most terrible was
  • the idea that by some magical means or other the face had got hold of
  • his secret. "Ay," shuddered Pierre, "the face knows that Isabel is not
  • my wife! And that seems the reason it leers."
  • Then would all manner of wild fancyings float through his soul, and
  • detached sentences of the "Chronometrics" would vividly recur to
  • him--sentences before but imperfectly comprehended, but now shedding a
  • strange, baleful light upon his peculiar condition, and emphatically
  • denouncing it. Again he tried his best to procure the pamphlet, to read
  • it now by the commentary of the mystic-mild face; again he searched
  • through the pockets of his clothes for the stage-coach copy, but in
  • vain.
  • And when--at the critical moment of quitting his chambers that morning
  • of the receipt of the fatal tidings--the face itself--the man
  • himself--this inscrutable Plotinus Plinlimmon himself--did visibly brush
  • by him in the brick corridor, and all the trepidation he had ever before
  • felt at the mild-mystic aspect in the tower window, now redoubled upon
  • him, so that, as before said, he flushed, looked askance, and stammered
  • with his saluting hand to his hat;--then anew did there burn in him the
  • desire of procuring the pamphlet. "Cursed fate that I should have lost
  • it"--he cried;--"more cursed, that when I did have it, and did read it,
  • I was such a ninny as not to comprehend; and now it is all too late!"
  • Yet--to anticipate here--when years after, an old Jew Clothesman
  • rummaged over a surtout of Pierre's--which by some means had come into
  • his hands--his lynx-like fingers happened to feel something foreign
  • between the cloth and the heavy quilted bombazine lining. He ripped open
  • the skirt, and found several old pamphlet pages, soft and worn almost to
  • tissue, but still legible enough to reveal the title--"Chronometricals
  • and Horologicals." Pierre must have ignorantly thrust it into his
  • pocket, in the stage, and it had worked through a rent there, and worked
  • its way clean down into the skirt, and there helped pad the padding. So
  • that all the time he was hunting for this pamphlet, he himself was
  • wearing the pamphlet. When he brushed past Plinlimmon in the brick
  • corridor, and felt that renewed intense longing for the pamphlet, then
  • his right hand was not two inches from the pamphlet.
  • Possibly this curious circumstance may in some sort illustrate his
  • self-supposed non-understanding of the pamphlet, as first read by him
  • in the stage. Could he likewise have carried about with him in his mind
  • the thorough understanding of the book, and yet not be aware that he so
  • understood it? I think that--regarded in one light--the final career of
  • Pierre will seem to show, that he _did_ understand it. And here it may
  • be randomly suggested, by way of bagatelle, whether some things that men
  • think they do not know, are not for all that thoroughly comprehended by
  • them; and yet, so to speak, though contained in themselves, are kept a
  • secret from themselves? The idea of Death seems such a thing.
  • BOOK XXII.
  • THE FLOWER-CURTAIN LIFTED FROM BEFORE A TROPICAL AUTHOR, WITH SOME
  • REMARKS ON THE TRANSCENDENTAL FLESH-BRUSH PHILOSOPHY.
  • I.
  • Some days passed after the fatal tidings from the Meadows, and at
  • length, somewhat mastering his emotions, Pierre again sits down in his
  • chamber; for grieve how he will, yet work he must. And now day succeeds
  • day, and week follows week, and Pierre still sits in his chamber. The
  • long rows of cooled brick-kilns around him scarce know of the change;
  • but from the fair fields of his great-great-great-grandfather's manor,
  • Summer hath flown like a swallow-guest; the perfidious wight, Autumn,
  • hath peeped in at the groves of the maple, and under pretense of
  • clothing them in rich russet and gold, hath stript them at last of the
  • slightest rag, and then ran away laughing; prophetic icicles depend from
  • the arbors round about the old manorial mansion--now locked up and
  • abandoned; and the little, round, marble table in the viny summer-house
  • where, of July mornings, he had sat chatting and drinking negus with his
  • gay mother, is now spread with a shivering napkin of frost; sleety
  • varnish hath encrusted that once gay mother's grave, preparing it for
  • its final cerements of wrapping snow upon snow; wild howl the winds in
  • the woods: it is Winter. Sweet Summer is done; and Autumn is done; but
  • the book, like the bitter winter, is yet to be finished.
  • That season's wheat is long garnered, Pierre; that season's ripe apples
  • and grapes are in; no crop, no plant, no fruit is out; the whole harvest
  • is done. Oh, woe to that belated winter-overtaken plant, which the
  • summer could not bring to maturity! The drifting winter snows shall
  • whelm it. Think, Pierre, doth not thy plant belong to some other and
  • tropical clime? Though transplanted to northern Maine, the orange-tree
  • of the Floridas will put forth leaves in that parsimonious summer, and
  • show some few tokens of fruitage; yet November will find no golden
  • globes thereon; and the passionate old lumber-man, December, shall peel
  • the whole tree, wrench it off at the ground, and toss it for a fagot to
  • some lime-kiln. Ah, Pierre, Pierre, make haste! make haste! force thy
  • fruitage, lest the winter force thee.
  • Watch yon little toddler, how long it is learning to stand by itself!
  • First it shrieks and implores, and will not try to stand at all, unless
  • both father and mother uphold it; then a little more bold, it must, at
  • least, feel one parental hand, else again the cry and the tremble; long
  • time is it ere by degrees this child comes to stand without any support.
  • But, by-and-by, grown up to man's estate, it shall leave the very mother
  • that bore it, and the father that begot it, and cross the seas, perhaps,
  • or settle in far Oregon lands. There now, do you see the soul. In its
  • germ on all sides it is closely folded by the world, as the husk folds
  • the tenderest fruit; then it is born from the world-husk, but still now
  • outwardly clings to it;--still clamors for the support of its mother the
  • world, and its father the Deity. But it shall yet learn to stand
  • independent, though not without many a bitter wail, and many a miserable
  • fall.
  • That hour of the life of a man when first the help of humanity fails
  • him, and he learns that in his obscurity and indigence humanity holds
  • him a dog and no man: that hour is a hard one, but not the hardest.
  • There is still another hour which follows, when he learns that in his
  • infinite comparative minuteness and abjectness, the gods do likewise
  • despise him, and own him not of their clan. Divinity and humanity then
  • are equally willing that he should starve in the street for all that
  • either will do for him. Now cruel father and mother have both let go his
  • hand, and the little soul-toddler, now you shall hear his shriek and his
  • wail, and often his fall.
  • When at Saddle Meadows, Pierre had wavered and trembled in those first
  • wretched hours ensuing upon the receipt of Isabel's letter; then
  • humanity had let go the hand of Pierre, and therefore his cry; but when
  • at last inured to this, Pierre was seated at his book, willing that
  • humanity should desert him, so long as he thought he felt a far higher
  • support; then, ere long, he began to feel the utter loss of that other
  • support, too; ay, even the paternal gods themselves did now desert
  • Pierre; the toddler was toddling entirely alone, and not without
  • shrieks.
  • If man must wrestle, perhaps it is well that it should be on the
  • nakedest possible plain.
  • The three chambers of Pierre at the Apostles' were connecting ones. The
  • first--having a little retreat where Delly slept--was used for the more
  • exacting domestic purposes: here also their meals were taken; the second
  • was the chamber of Isabel; the third was the closet of Pierre. In the
  • first--the dining room, as they called it--there was a stove which
  • boiled the water for their coffee and tea, and where Delly concocted
  • their light repasts. This was their only fire; for, warned again and
  • again to economize to the uttermost, Pierre did not dare to purchase any
  • additional warmth. But by prudent management, a very little warmth may
  • go a great way. In the present case, it went some forty feet or more. A
  • horizontal pipe, after elbowing away from above the stove in the
  • dining-room, pierced the partition wall, and passing straight through
  • Isabel's chamber, entered the closet of Pierre at one corner, and then
  • abruptly disappeared into the wall, where all further caloric--if
  • any--went up through the chimney into the air, to help warm the
  • December sun. Now, the great distance of Pierre's calorical stream from
  • its fountain, sadly impaired it, and weakened it. It hardly had the
  • flavor of heat. It would have had but very inconsiderable influence in
  • raising the depressed spirits of the most mercurial thermometer;
  • certainly it was not very elevating to the spirits of Pierre. Besides,
  • this calorical stream, small as it was, did not flow through the room,
  • but only entered it, to elbow right out of it, as some coquettish
  • maidens enter the heart; moreover, it was in the furthest corner from
  • the only place where, with a judicious view to the light, Pierre's
  • desk-barrels and board could advantageously stand. Often, Isabel
  • insisted upon his having a separate stove to himself; but Pierre would
  • not listen to such a thing. Then Isabel would offer her own room to him;
  • saying it was of no indispensable use to her by day; she could easily
  • spend her time in the dining-room; but Pierre would not listen to such a
  • thing; he would not deprive her of the comfort of a continually
  • accessible privacy; besides, he was now used to his own room, and must
  • sit by that particular window there, and no other. Then Isabel would
  • insist upon keeping her connecting door open while Pierre was employed
  • at his desk, that so the heat of her room might bodily go into his; but
  • Pierre would not listen to such a thing: because he must be religiously
  • locked up while at work; outer love and hate must alike be excluded
  • then. In vain Isabel said she would make not the slightest noise, and
  • muffle the point of the very needle she used. All in vain. Pierre was
  • inflexible here.
  • Yes, he was resolved to battle it out in his own solitary closet; though
  • a strange, transcendental conceit of one of the more erratic and
  • non-conforming Apostles,--who was also at this time engaged upon a
  • profound work above stairs, and who denied himself his full sufficiency
  • of food, in order to insure an abundant fire;--the strange conceit of
  • this Apostle, I say,--accidentally communicated to Pierre,--that,
  • through all the kingdoms of Nature, caloric was the great universal
  • producer and vivifyer, and could not be prudently excluded from the spot
  • where great books were in the act of creation; and therefore, he (the
  • Apostle) for one, was resolved to plant his head in a hot-bed of
  • stove-warmed air, and so force his brain to germinate and blossom, and
  • bud, and put forth the eventual, crowning, victorious flower;--though
  • indeed this conceit rather staggered Pierre--for in truth, there was no
  • small smack of plausible analogy in it--yet one thought of his purse
  • would wholly expel the unwelcome intrusion, and reinforce his own
  • previous resolve.
  • However lofty and magnificent the movements of the stars; whatever
  • celestial melodies they may thereby beget; yet the astronomers assure us
  • that they are the most rigidly methodical of all the things that exist.
  • No old housewife goes her daily domestic round with one millionth part
  • the precision of the great planet Jupiter in his stated and unalterable
  • revolutions. He has found his orbit, and stays in it; he has timed
  • himself, and adheres to his periods. So, in some degree with Pierre, now
  • revolving in the troubled orbit of his book.
  • Pierre rose moderately early; and the better to inure himself to the
  • permanent chill of his room, and to defy and beard to its face, the
  • cruelest cold of the outer air; he would--behind the curtain--throw down
  • the upper sash of his window; and on a square of old painted canvas,
  • formerly wrapping some bale of goods in the neighborhood, treat his
  • limbs, of those early December mornings, to a copious ablution, in water
  • thickened with incipient ice. Nor, in this stoic performance, was he at
  • all without company,--not present, but adjoiningly sympathetic; for
  • scarce an Apostle in all those scores and scores of chambers, but
  • undeviatingly took his daily December bath. Pierre had only to peep out
  • of his pane and glance round the multi-windowed, inclosing walls of the
  • quadrangle, to catch plentiful half-glimpses, all round him, of many a
  • lean, philosophical nudity, refreshing his meager bones with crash-towel
  • and cold water. "Quick be the play," was their motto: "Lively our
  • elbows, and nimble all our tenuities." Oh, the dismal echoings of the
  • raspings of flesh-brushes, perverted to the filing and polishing of the
  • merest ribs! Oh, the shuddersome splashings of pails of ice-water over
  • feverish heads, not unfamiliar with aches! Oh, the rheumatical
  • cracklings of rusted joints, in that defied air of December! for every
  • thick-frosted sash was down, and every lean nudity courted the zephyr!
  • Among all the innate, hyena-like repellants to the reception of any set
  • form of a spiritually-minded and pure archetypical faith, there is
  • nothing so potent in its skeptical tendencies, as that inevitable
  • perverse ridiculousness, which so often bestreaks some of the
  • essentially finest and noblest aspirations of those men, who disgusted
  • with the common conventional quackeries, strive, in their clogged
  • terrestrial humanities, after some imperfectly discerned, but heavenly
  • ideals: ideals, not only imperfectly discerned in themselves, but the
  • path to them so little traceable, that no two minds will entirely agree
  • upon it.
  • Hardly a new-light Apostle, but who, in superaddition to his
  • revolutionary scheme for the minds and philosophies of men, entertains
  • some insane, heterodoxical notions about the economy of his body. His
  • soul, introduced by the gentlemanly gods, into the supernal
  • society,--practically rejects that most sensible maxim of men of the
  • world, who chancing to gain the friendship of any great character, never
  • make that the ground of boring him with the supplemental acquaintance of
  • their next friend, who perhaps, is some miserable ninny. Love me, love
  • my dog, is only an adage for the old country-women who affectionately
  • kiss their cows. The gods love the soul of a man; often, they will
  • frankly accost it; but they abominate his body; and will forever cut it
  • dead, both here and hereafter. So, if thou wouldst go to the gods,
  • leave thy dog of a body behind thee. And most impotently thou strivest
  • with thy purifying cold baths, and thy diligent scrubbings with
  • flesh-brushes, to prepare it as a meet offering for their altar. Nor
  • shall all thy Pythagorean and Shellian dietings on apple-parings, dried
  • prunes, and crumbs of oat-meal cracker, ever fit thy body for heaven.
  • Feed all things with food convenient for them,--that is, if the food be
  • procurable. The food of thy soul is light and space; feed it then on
  • light and space. But the food of thy body is champagne and oysters; feed
  • it then on champagne and oysters; and so shall it merit a joyful
  • resurrection, if there is any to be. Say, wouldst thou rise with a
  • lantern jaw and a spavined knee? Rise with brawn on thee, and a most
  • royal corporation before thee; so shalt thou in that day claim
  • respectful attention. Know this: that while many a consumptive dietarian
  • has but produced the merest literary flatulencies to the world;
  • convivial authors have alike given utterance to the sublimest wisdom,
  • and created the least gross and most ethereal forms. And for men of
  • demonstrative muscle and action, consider that right royal epitaph which
  • Cyrus the Great caused to be engraved on his tomb--"I could drink a
  • great deal of wine, and it did me a great deal of good." Ah, foolish! to
  • think that by starving thy body, thou shalt fatten thy soul! Is yonder
  • ox fatted because yonder lean fox starves in the winter wood? And prate
  • not of despising thy body, while still thou flourisheth thy flesh-brush!
  • The finest houses are most cared for within; the outer walls are freely
  • left to the dust and the soot. Put venison in thee, and so wit shall
  • come out of thee. It is one thing in the mill, but another in the sack.
  • Now it was the continual, quadrangular example of those forlorn fellows,
  • the Apostles, who, in this period of his half-developments and
  • transitions, had deluded Pierre into the Flesh-Brush Philosophy, and had
  • almost tempted him into the Apple-Parings Dialectics. For all the long
  • wards, corridors, and multitudinous chambers of the Apostles' were
  • scattered with the stems of apples, the stones of prunes, and the shells
  • of peanuts. They went about huskily muttering the Kantian Categories
  • through teeth and lips dry and dusty as any miller's, with the crumbs of
  • Graham crackers. A tumbler of cold water was the utmost welcome to their
  • reception rooms; at the grand supposed Sanhedrim presided over by one of
  • the deputies of Plotinus Plinlimmon, a huge jug of Adam's Ale, and a
  • bushel-basket of Graham crackers were the only convivials. Continually
  • bits of cheese were dropping from their pockets, and old shiny apple
  • parchments were ignorantly exhibited every time they drew out a
  • manuscript to read you. Some were curious in the vintages of waters; and
  • in three glass decanters set before you, Fairmount, Croton, and
  • Cochituate; they held that Croton was the most potent, Fairmount a
  • gentle tonic, and Cochituate the mildest and least inebriating of all.
  • Take some more of the Croton, my dear sir! Be brisk with the Fairmount!
  • Why stops that Cochituate? So on their philosophical tables went round
  • their Port, their Sherry, and their Claret.
  • Some, further advanced, rejected mere water in the bath, as altogether
  • too coarse an element; and so, took to the Vapor-baths, and steamed
  • their lean ribs every morning. The smoke which issued from their heads,
  • and overspread their pages, was prefigured in the mists that issued from
  • under their door-sills and out of their windows. Some could not sit down
  • of a morning until after first applying the Vapor-bath outside and then
  • thoroughly rinsing out their interiors with five cups of cold Croton.
  • They were as faithfully replenished fire-buckets; and could they,
  • standing in one cordon, have consecutively pumped themselves into each
  • other, then the great fire of 1835 had been far less wide-spread and
  • disastrous.
  • Ah! ye poor lean ones! ye wretched Soakites and Vaporites! have not your
  • niggardly fortunes enough rinsed ye out, and wizened ye, but ye must
  • still be dragging the hose-pipe, and throwing still more cold Croton on
  • yourselves and the world? Ah! attach the screw of your hose-pipe to some
  • fine old butt of Madeira! pump us some sparkling wine into the world!
  • see, see, already, from all eternity, two-thirds of it have lain
  • helplessly soaking!
  • II.
  • With cheek rather pale, then, and lips rather blue, Pierre sits down to
  • his plank.
  • But is Pierre packed in the mail for St. Petersburg this morning? Over
  • his boots are his moccasins; over his ordinary coat is his surtout; and
  • over that, a cloak of Isabel's. Now he is squared to his plank; and at
  • his hint, the affectionate Isabel gently pushes his chair closer to it,
  • for he is so muffled, he can hardly move of himself. Now Delly comes in
  • with bricks hot from the stove; and now Isabel and she with devoted
  • solicitude pack away these comforting stones in the folds of an old blue
  • cloak, a military garment of the grandfather of Pierre, and tenderly
  • arrange it both over and under his feet; but putting the warm flagging
  • beneath. Then Delly brings still another hot brick to put under his
  • inkstand, to prevent the ink from thickening. Then Isabel drags the
  • camp-bedstead nearer to him, on which are the two or three books he may
  • possibly have occasion to refer to that day, with a biscuit or two, and
  • some water, and a clean towel, and a basin. Then she leans against the
  • plank by the elbow of Pierre, a crook-ended stick. Is Pierre a shepherd,
  • or a bishop, or a cripple? No, but he has in effect, reduced himself to
  • the miserable condition of the last. With the crook-ended cane,
  • Pierre--unable to rise without sadly impairing his manifold
  • intrenchments, and admitting the cold air into their innermost
  • nooks,--Pierre, if in his solitude, he should chance to need any thing
  • beyond the reach of his arm, then the crook-ended cane drags it to his
  • immediate vicinity.
  • Pierre glances slowly all round him; every thing seems to be right; he
  • looks up with a grateful, melancholy satisfaction at Isabel; a tear
  • gathers in her eye; but she conceals it from him by coming very close to
  • him, stooping over, and kissing his brow. 'Tis her lips that leave the
  • warm moisture there; not her tears, she says.
  • "I suppose I must go now, Pierre. Now don't, don't be so long to-day. I
  • will call thee at half-past four. Thou shalt not strain thine eyes in
  • the twilight."
  • "We will _see_ about that," says Pierre, with an unobserved attempt at a
  • very sad pun. "Come, thou must go. Leave me."
  • And there he is left.
  • Pierre is young; heaven gave him the divinest, freshest form of a man;
  • put light into his eye, and fire into his blood, and brawn into his arm,
  • and a joyous, jubilant, overflowing, upbubbling, universal life in him
  • everywhere. Now look around in that most miserable room, and at that
  • most miserable of all the pursuits of a man, and say if here be the
  • place, and this be the trade, that God intended him for. A rickety
  • chair, two hollow barrels, a plank, paper, pens, and infernally black
  • ink, four leprously dingy white walls, no carpet, a cup of water, and a
  • dry biscuit or two. Oh, I hear the leap of the Texan Camanche, as at
  • this moment he goes crashing like a wild deer through the green
  • underbrush; I hear his glorious whoop of savage and untamable health;
  • and then I look in at Pierre. If physical, practical unreason make the
  • savage, which is he? Civilization, Philosophy, Ideal Virtue! behold your
  • victim!
  • III.
  • Some hours pass. Let us peep over the shoulder of Pierre, and see what
  • it is he is writing there, in that most melancholy closet. Here, topping
  • the reeking pile by his side, is the last sheet from his hand, the
  • frenzied ink not yet entirely dry. It is much to our purpose; for in
  • this sheet, he seems to have directly plagiarized from his own
  • experiences, to fill out the mood of his apparent author-hero, Vivia,
  • who thus soliloquizes: "A deep-down, unutterable mournfulness is in me.
  • Now I drop all humorous or indifferent disguises, and all philosophical
  • pretensions. I own myself a brother of the clod, a child of the Primeval
  • Gloom. Hopelessness and despair are over me, as pall on pall. Away, ye
  • chattering apes of a sophomorean Spinoza and Plato, who once didst all
  • but delude me that the night was day, and pain only a tickle. Explain
  • this darkness, exorcise this devil, ye can not. Tell me not, thou
  • inconceivable coxcomb of a Goethe, that the universe can not spare thee
  • and thy immortality, so long as--like a hired waiter--thou makest
  • thyself 'generally useful.' Already the universe gets on without thee,
  • and could still spare a million more of the same identical kidney.
  • Corporations have no souls, and thy Pantheism, what was that? Thou wert
  • but the pretensious, heartless part of a man. Lo! I hold thee in this
  • hand, and thou art crushed in it like an egg from which the meat hath
  • been sucked."
  • Here is a slip from the floor.
  • "Whence flow the panegyrical melodies that precede the march of these
  • heroes? From what but from a sounding brass and a tinkling cymbal!"
  • And here is a second.
  • "Cast thy eye in there on Vivia; tell me why those four limbs should be
  • clapt in a dismal jail--day out, day in--week out, week in--month out,
  • month in--and himself the voluntary jailer! Is this the end of
  • philosophy? This the larger, and spiritual life? This your boasted
  • empyrean? Is it for this that a man should grow wise, and leave off his
  • most excellent and calumniated folly?"
  • And here is a third.
  • "Cast thy eye in there on Vivia; he, who in the pursuit of the highest
  • health of virtue and truth, shows but a pallid cheek! Weigh his heart in
  • thy hand, oh, thou gold-laced, virtuoso Goethe! and tell me whether it
  • does not exceed thy standard weight!"
  • And here is a fourth.
  • "Oh God, that man should spoil and rust on the stalk, and be wilted and
  • threshed ere the harvest hath come! And oh God, that men that call
  • themselves men should still insist on a laugh! I hate the world, and
  • could trample all lungs of mankind as grapes, and heel them out of their
  • breath, to think of the woe and the cant,--to think of the Truth and the
  • Lie! Oh! blessed be the twenty-first day of December, and cursed be the
  • twenty-first day of June!"
  • From these random slips, it would seem, that Pierre is quite conscious
  • of much that is so anomalously hard and bitter in his lot, of much that
  • is so black and terrific in his soul. Yet that knowing his fatal
  • condition does not one whit enable him to change or better his
  • condition. Conclusive proof that he has no power over his condition. For
  • in tremendous extremities human souls are like drowning men; well enough
  • they know they are in peril; well enough they know the causes of that
  • peril;--nevertheless, the sea is the sea, and these drowning men do
  • drown.
  • IV.
  • From eight o'clock in the morning till half-past four in the evening,
  • Pierre sits there in his room;--eight hours and a half!
  • From throbbing neck-bands, and swinging belly-bands of gay-hearted
  • horses, the sleigh-bells chimingly jingle;--but Pierre sits there in his
  • room; Thanksgiving comes, with its glad thanks, and crisp turkeys;--but
  • Pierre sits there in his room; soft through the snows, on tinted Indian
  • moccasin, Merry Christmas comes stealing;--but Pierre sits there in his
  • room; it is New-Year's, and like a great flagon, the vast city overbrims
  • at all curb-stones, wharves, and piers, with bubbling jubilations;--but
  • Pierre sits there in his room:--Nor jingling sleigh-bells at throbbing
  • neck-band, or swinging belly-band; nor glad thanks, and crisp turkeys of
  • Thanksgiving; nor tinted Indian moccasin of Merry Christmas softly
  • stealing through the snows; nor New-Year's curb-stones, wharves, and
  • piers, over-brimming with bubbling jubilations:--Nor jingling
  • sleigh-bells, nor glad Thanksgiving, nor Merry Christmas, nor jubilating
  • New Year's:--Nor Bell, Thank, Christ, Year;--none of these are for
  • Pierre. In the midst of the merriments of the mutations of Time, Pierre
  • hath ringed himself in with the grief of Eternity. Pierre is a peak
  • inflexible in the heart of Time, as the isle-peak, Piko, stands
  • unassaultable in the midst of waves.
  • He will not be called to; he will not be stirred. Sometimes the intent
  • ear of Isabel in the next room, overhears the alternate silence, and
  • then the long lonely scratch of his pen. It is, as if she heard the busy
  • claw of some midnight mole in the ground. Sometimes, she hears a low
  • cough, and sometimes the scrape of his crook-handled cane.
  • Here surely is a wonderful stillness of eight hours and a half, repeated
  • day after day. In the heart of such silence, surely something is at
  • work. Is it creation, or destruction? Builds Pierre the noble world of
  • a new book? or does the Pale Haggardness unbuild the lungs and the life
  • in him?--Unutterable, that a man should be thus!
  • When in the meridian flush of the day, we recall the black apex of
  • night; then night seems impossible; this sun can never go down. Oh that
  • the memory of the uttermost gloom as an already tasted thing to the
  • dregs, should be no security against its return. One may be passibly
  • well one day, but the next, he may sup at black broth with Pluto.
  • Is there then all this work to one book, which shall be read in a very
  • few hours; and, far more frequently, utterly skipped in one second; and
  • which, in the end, whatever it be, must undoubtedly go to the worms?
  • Not so; that which now absorbs the time and the life of Pierre, is not
  • the book, but the primitive elementalizing of the strange stuff, which
  • in the act of attempting that book, have upheaved and upgushed in his
  • soul. Two books are being writ; of which the world shall only see one,
  • and that the bungled one. The larger book, and the infinitely better, is
  • for Pierre's own private shelf. That it is, whose unfathomable cravings
  • drink his blood; the other only demands his ink. But circumstances have
  • so decreed, that the one can not be composed on the paper, but only as
  • the other is writ down in his soul. And the one of the soul is
  • elephantinely sluggish, and will not budge at a breath. Thus Pierre is
  • fastened on by two leeches;--how then can the life of Pierre last? Lo!
  • he is fitting himself for the highest life, by thinning his blood and
  • collapsing his heart. He is learning how to live, by rehearsing the part
  • of death.
  • Who shall tell all the thoughts and feelings of Pierre in that desolate
  • and shivering room, when at last the idea obtruded, that the wiser and
  • the profounder he should grow, the more and the more he lessened the
  • chances for bread; that could he now hurl his deep book out of the
  • window, and fall to on some shallow nothing of a novel, composable in a
  • month at the longest, then could he reasonably hope for both
  • appreciation and cash. But the devouring profundities, now opened up in
  • him, consume all his vigor; would he, he could not now be entertainingly
  • and profitably shallow in some pellucid and merry romance. Now he sees,
  • that with every accession of the personal divine to him, some great
  • land-slide of the general surrounding divineness slips from him, and
  • falls crashing away. Said I not that the gods, as well as mankind, had
  • unhanded themselves from this Pierre? So now in him you behold the baby
  • toddler I spoke of; forced now to stand and toddle alone.
  • Now and then he turns to the camp-bed, and wetting his towel in the
  • basin, presses it against his brow. Now he leans back in his chair, as
  • if to give up; but again bends over and plods.
  • Twilight draws on, the summons of Isabel is heard from the door; the
  • poor, frozen, blue-lipped, soul-shivering traveler for St. Petersburg is
  • unpacked; and for a moment stands toddling on the floor. Then his hat,
  • and his cane, and out he sallies for fresh air. A most comfortless
  • staggering of a stroll! People gaze at him passing, as at some imprudent
  • sick man, willfully burst from his bed. If an acquaintance is met, and
  • would say a pleasant newsmonger's word in his ear, that acquaintance
  • turns from him, affronted at his hard aspect of icy discourtesy.
  • "Bad-hearted," mutters the man, and goes on.
  • He comes back to his chambers, and sits down at the neat table of Delly;
  • and Isabel soothingly eyes him, and presses him to eat and be strong.
  • But his is the famishing which loathes all food. He can not eat but by
  • force. He has assassinated the natural day; how then can he eat with an
  • appetite? If he lays him down, he can not sleep; he has waked the
  • infinite wakefulness in him; then how can he slumber? Still his book,
  • like a vast lumbering planet, revolves in his aching head. He can not
  • command the thing out of its orbit; fain would he behead himself, to
  • gain one night's repose. At last the heavy hours move on; and sheer
  • exhaustion overtakes him, and he lies still--not asleep as children and
  • day-laborers sleep--but he lies still from his throbbings, and for that
  • interval holdingly sheaths the beak of the vulture in his hand, and lets
  • it not enter his heart.
  • Morning comes; again the dropt sash, the icy water, the flesh-brush, the
  • breakfast, the hot bricks, the ink, the pen, the
  • from-eight-o'clock-to-half-past-four, and the whole general inclusive
  • hell of the same departed day.
  • Ah! shivering thus day after day in his wrappers and cloaks, is this the
  • warm lad that once sung to the world of the Tropical Summer?
  • BOOK XXIII.
  • A LETTER FOR PIERRE. ISABEL. ARRIVAL OF LUCY'S EASEL AND TRUNKS AT THE
  • APOSTLES'.
  • I.
  • If a frontier man be seized by wild Indians, and carried far and deep
  • into the wilderness, and there held a captive, with no slightest
  • probability of eventual deliverance; then the wisest thing for that man
  • is to exclude from his memory by every possible method, the least images
  • of those beloved objects now forever reft from him. For the more
  • delicious they were to him in the now departed possession, so much the
  • more agonizing shall they be in the present recalling. And though a
  • strong man may sometimes succeed in strangling such tormenting memories;
  • yet, if in the beginning permitted to encroach upon him unchecked, the
  • same man shall, in the end, become as an idiot. With a continent and an
  • ocean between him and his wife--thus sundered from her, by whatever
  • imperative cause, for a term of long years;--the husband, if
  • passionately devoted to her, and by nature broodingly sensitive of soul,
  • is wise to forget her till he embrace her again;--is wise never to
  • remember her if he hear of her death. And though such complete suicidal
  • forgettings prove practically impossible, yet is it the shallow and
  • ostentatious affections alone which are bustling in the offices of
  • obituarian memories. _The love deep as death_--what mean those five
  • words, but that such love can not live, and be continually remembering
  • that the loved one is no more? If it be thus then in cases where entire
  • unremorsefulness as regards the beloved absent objects is presumed, how
  • much more intolerable, when the knowledge of their hopeless wretchedness
  • occurs, attended by the visitations of before latent upbraidings in the
  • rememberer as having been any way--even unwillingly--the producers of
  • their sufferings. There seems no other sane recourse for some moody
  • organizations on whom such things, under such circumstances intrude, but
  • right and left to flee them, whatever betide.
  • If little or nothing hitherto has been said of Lucy Tartan in reference
  • to the condition of Pierre after his departure from the Meadows, it has
  • only been because her image did not willingly occupy his soul. He had
  • striven his utmost to banish it thence; and only once--on receiving the
  • tidings of Glen's renewed attentions--did he remit the intensity of
  • those strivings, or rather feel them, as impotent in him in that hour of
  • his manifold and overwhelming prostration.
  • Not that the pale form of Lucy, swooning on her snow-white bed; not that
  • the inexpressible anguish of the shriek--"My heart! my heart!" would not
  • now at times force themselves upon him, and cause his whole being to
  • thrill with a nameless horror and terror. But the very thrillingness of
  • the phantom made him to shun it, with all remaining might of his spirit.
  • Nor were there wanting still other, and far more wonderful, though but
  • dimly conscious influences in the breast of Pierre, to meet as
  • repellants the imploring form. Not to speak of his being devoured by the
  • all-exacting theme of his book, there were sinister preoccupations in
  • him of a still subtler and more fearful sort, of which some inklings
  • have already been given.
  • It was while seated solitary in his room one morning; his flagging
  • faculties seeking a momentary respite; his head sideways turned toward
  • the naked floor, following the seams in it, which, as wires, led
  • straight from where he sat to the connecting door, and disappeared
  • beneath it into the chamber of Isabel; that he started at a tap at that
  • very door, followed by the wonted, low, sweet voice,--
  • "Pierre! a letter for thee--dost thou hear? a letter,--may I come in?"
  • At once he felt a dart of surprise and apprehension; for he was
  • precisely in that general condition with respect to the outer world,
  • that he could not reasonably look for any tidings but disastrous, or at
  • least, unwelcome ones. He assented; and Isabel entered, holding out the
  • billet in her hand.
  • "'Tis from some lady, Pierre; who can it be?--not thy mother though, of
  • that I am certain;--the expression of her face, as seen by me, not at
  • all answering to the expression of this handwriting here."
  • "My mother? from my mother?" muttered Pierre, in wild vacancy--"no! no!
  • it can scarce be from her.--Oh, she writes no more, even in her own
  • private tablets now! Death hath stolen the last leaf, and rubbed all
  • out, to scribble his own ineffaceable _hic jacet_ there!"
  • "Pierre!" cried Isabel, in affright.
  • "Give it me!" he shouted, vehemently, extending his hand. "Forgive me,
  • sweet, sweet Isabel, I have wandered in my mind; this book makes me mad.
  • There; I have it now"--in a tone of indifference--"now, leave me again.
  • It is from some pretty aunt, or cousin, I suppose," carelessly balancing
  • the letter in his hand.
  • Isabel quitted the room; the moment the door closed upon her, Pierre
  • eagerly split open the letter, and read:--
  • II.
  • "This morning I vowed it, my own dearest, dearest Pierre I feel stronger
  • to-day; for to-day I have still more thought of thine own superhuman,
  • angelical strength; which so, has a very little been transferred to me.
  • Oh, Pierre, Pierre, with what words shall I write thee now;--now, when
  • still knowing nothing, yet something of thy secret I, as a seer,
  • suspect. Grief,--deep, unspeakable grief, hath made me this seer. I
  • could murder myself, Pierre, when I think of my previous blindness; but
  • that only came from my swoon. It was horrible and most murdersome; but
  • now I see thou wert right in being so instantaneous with me, and in
  • never afterward writing to me, Pierre; yes, now I see it, and adore thee
  • the more.
  • "Ah! thou too noble and angelical Pierre, now I feel that a being like
  • thee, can possibly have no love as other men love; but thou lovest as
  • angels do; not for thyself, but wholly for others. But still are we one,
  • Pierre; thou art sacrificing thyself, and I hasten to re-tie myself to
  • thee, that so I may catch thy fire, and all the ardent multitudinous
  • arms of our common flames may embrace. I will ask of thee nothing,
  • Pierre; thou shalt tell me no secret. Very right wert thou, Pierre,
  • when, in that ride to the hills, thou wouldst not swear the fond,
  • foolish oath I demanded. Very right, very right; now I see it.
  • "If then I solemnly vow, never to seek from thee any slightest thing
  • which thou wouldst not willingly have me know; if ever I, in all outward
  • actions, shall recognize, just as thou dost, the peculiar position of
  • that mysterious, and ever-sacred being;--then, may I not come and live
  • with thee? I will be no encumbrance to thee. I know just where thou art,
  • and how thou art living; and only just there, Pierre, and only just so,
  • is any further life endurable, or possible for me. She will never
  • know--for thus far I am sure thou thyself hast never disclosed it to
  • her what I once was to thee. Let it seem, as though I were some
  • nun-like cousin immovably vowed to dwell with thee in thy strange exile.
  • Show not to me,--never show more any visible conscious token of love. I
  • will never to thee. Our mortal lives, oh, my heavenly Pierre, shall
  • henceforth be one mute wooing of each other; with no declaration; no
  • bridal; till we meet in the pure realms of God's final blessedness for
  • us;--till we meet where the ever-interrupting and ever-marring world can
  • not and shall not come; where all thy hidden, glorious unselfishness
  • shall be gloriously revealed in the full splendor of that heavenly
  • light; where, no more forced to these cruelest disguises, she, _she_ too
  • shall assume her own glorious place, nor take it hard, but rather feel
  • the more blessed, when, there, thy sweet heart, shall be openly and
  • unreservedly mine. Pierre, Pierre, my Pierre!--only this thought, this
  • hope, this sublime faith now supports me. Well was it, that the swoon,
  • in which thou didst leave me, that long eternity ago--well was it, dear
  • Pierre, that though I came out of it to stare and grope, yet it was only
  • to stare and grope, and then I swooned again, and then groped again, and
  • then again swooned. But all this was vacancy; little I clutched; nothing
  • I knew; 'twas less than a dream, my Pierre, I had no conscious thought
  • of thee, love; but felt an utter blank, a vacancy;--for wert thou not
  • then utterly gone from me? and what could there then be left of poor
  • Lucy?--But now, this long, long swoon is past; I come out again into
  • life and light; but how could I come out, how could I any way _be_, my
  • Pierre, if not in thee? So the moment I came out of the long, long
  • swoon, straightway came to me the immortal faith in thee, which though
  • it could offer no one slightest possible argument of mere sense in thy
  • behalf, yet was it only the more mysteriously imperative for that, my
  • Pierre. Know then, dearest Pierre, that with every most glaring earthly
  • reason to disbelieve in thy love; I do yet wholly give myself up to the
  • unshakable belief in it. For I feel, that always is love love, and can
  • not know change, Pierre; I feel that heaven hath called me to a
  • wonderful office toward thee. By throwing me into that long, long
  • swoon,--during which, Martha tells me, I hardly ate altogether, three
  • ordinary meals,--by that, heaven, I feel now, was preparing me for the
  • superhuman office I speak of; was wholly estranging me from this earth,
  • even while I yet lingered in it; was fitting me for a celestial mission
  • in terrestrial elements. Oh, give to me of thine own dear strength! I am
  • but a poor weak girl, dear Pierre; one that didst once love thee but too
  • fondly, and with earthly frailty. But now I shall be wafted far upward
  • from that; shall soar up to thee, where thou sittest in thine own calm,
  • sublime heaven of heroism.
  • "Oh seek not to dissuade me, Pierre. Wouldst thou slay me, and slay me a
  • million times more? and never have done with murdering me? I must come!
  • I must come! God himself can not stay me, for it is He that commands
  • me.--I know all that will follow my flight to thee;--my amazed mother,
  • my enraged brothers, the whole taunting and despising world.--But thou
  • art my mother and my brothers, and all the world, and all heaven, and
  • all the universe to me--thou _art_ my Pierre. One only being does this
  • soul in me serve--and that is thee, Pierre.--So I am coming to thee,
  • Pierre, and quickly;--to-morrow it shall be, and never more will I quit
  • thee, Pierre. Speak thou immediately to her about me; thou shalt know
  • best what to say. Is there not some connection between our families,
  • Pierre? I have heard my mother sometimes trace such a thing out,--some
  • indirect cousinship. If thou approvest then, thou shalt say to her, I am
  • thy cousin, Pierre;--thy resolved and immovable nun-like cousin; vowed
  • to dwell with thee forever; to serve thee and her, to guard thee and her
  • without end. Prepare some little corner for me somewhere; but let it be
  • very near. Ere I come, I shall send a few little things,--the tools I
  • shall work by, Pierre, and so contribute to the welfare of all. Look for
  • me then. I am coming! I am coming, my Pierre; for a deep, deep voice
  • assures me, that all noble as thou art, Pierre, some terrible jeopardy
  • involves thee, which my continual presence only can drive away. I am
  • coming! I am coming!"
  • LUCY.
  • III.
  • When surrounded by the base and mercenary crew, man, too long wonted to
  • eye his race with a suspicious disdain, suddenly is brushed by some
  • angelical plume of humanity, and the human accents of superhuman love,
  • and the human eyes of superhuman beauty and glory, suddenly burst on his
  • being; then how wonderful and fearful the shock! It is as if the
  • sky-cope were rent, and from the black valley of Jehoshaphat, he caught
  • upper glimpses of the seraphim in the visible act of adoring.
  • He held the artless, angelical letter in his unrealizing hand; he
  • started, and gazed round his room, and out at the window, commanding the
  • bare, desolate, all-forbidding quadrangle, and then asked himself
  • whether this was the place that an angel should choose for its visit to
  • earth. Then he felt a vast, out-swelling triumphantness, that the girl
  • whose rare merits his intuitive soul had once so clearly and
  • passionately discerned, should indeed, in this most tremendous of all
  • trials, have acquitted herself with such infinite majesty. Then again,
  • he sunk utterly down from her, as in a bottomless gulf, and ran
  • shuddering through hideous galleries of despair, in pursuit of some
  • vague, white shape, and lo! two unfathomable dark eyes met his, and
  • Isabel stood mutely and mournfully, yet all-ravishingly before him.
  • He started up from his plank; cast off his manifold wrappings, and
  • crossed the floor to remove himself from the spot, where such sweet,
  • such sublime, such terrific revelations had been made him.
  • Then a timid little rap was heard at the door.
  • "Pierre, Pierre; now that thou art risen, may I not come in--just for a
  • moment, Pierre."
  • "Come in, Isabel."
  • She was approaching him in her wonted most strange and sweetly mournful
  • manner, when he retreated a step from her, and held out his arm, not
  • seemingly to invite, but rather as if to warn.
  • She looked fixedly in his face, and stood rooted.
  • "Isabel, another is coming to me. Thou dost not speak, Isabel. She is
  • coming to dwell with us so long as we live, Isabel. Wilt thou not
  • speak?"
  • The girl still stood rooted; the eyes, which she had first fixed on him,
  • still remained wide-openly riveted.
  • "Wilt thou not speak, Isabel?" said Pierre, terrified at her frozen,
  • immovable aspect, yet too terrified to manifest his own terror to her;
  • and still coming slowly near her. She slightly raised one arm, as if to
  • grasp some support; then turned her head slowly sideways toward the door
  • by which she had entered; then her dry lips slowly parted--"My bed; lay
  • me; lay me!"
  • The verbal effort broke her stiffening enchantment of frost; her thawed
  • form sloped sidelong into the air; but Pierre caught her, and bore her
  • into her own chamber, and laid her there on the bed.
  • "Fan me; fan me!"
  • He fanned the fainting flame of her life; by-and-by she turned slowly
  • toward him.
  • "Oh! that feminine word from thy mouth, dear Pierre:--that _she_, that
  • _she_!"
  • Pierre sat silent, fanning her.
  • "Oh, I want none in the world but thee, my brother--but thee, but thee!
  • and, oh God! am _I_ not enough for thee? Bare earth with my brother were
  • all heaven for me; but all my life, all my full soul, contents not my
  • brother."
  • Pierre spoke not; he but listened; a terrible, burning curiosity was in
  • him, that made him as heartless. But still all that she had said thus
  • far was ambiguous.
  • "Had I known--had I but known it before! Oh bitterly cruel to reveal it
  • now. That _she_! That _she_!"
  • She raised herself suddenly, and almost fiercely confronted him.
  • "Either thou hast told thy secret, or she is not worthy the commonest
  • love of man! Speak Pierre,--which?"
  • "The secret is still a secret, Isabel."
  • "Then is she worthless, Pierre, whoever she be--foolishly, madly
  • fond!--Doth not the world know me for thy wife?--She shall not come!
  • 'Twere a foul blot on thee and me. She shall not come! One look from me
  • shall murder her, Pierre!"
  • "This is madness, Isabel. Look: now reason with me. Did I not before
  • opening the letter, say to thee, that doubtless it was from some pretty
  • young aunt or cousin?"
  • "Speak quick!--a cousin?"
  • "A cousin, Isabel."
  • "Yet, yet, that is not wholly out of the degree, I have heard. Tell me
  • more, and quicker! more! more!"
  • "A very strange cousin, Isabel; almost a nun in her notions. Hearing of
  • our mysterious exile, she, without knowing the cause, hath yet as
  • mysteriously vowed herself ours--not so much mine, Isabel, as ours,
  • _ours_--to serve _us_; and by some sweet heavenly fancying, to guide us
  • and guard us here."
  • "Then, possibly, it may be all very well, Pierre, my brother--my
  • _brother_--I can say that now?"
  • "Any,--all words are thine, Isabel; words and worlds with all their
  • containings, shall be slaves to thee, Isabel."
  • She looked eagerly and inquiringly at him; then dropped her eyes, and
  • touched his hand; then gazed again. "Speak so more to me, Pierre! Thou
  • art my brother; art thou not my brother?--But tell me now more of--her;
  • it is all newness, and utter strangeness to me, Pierre."
  • "I have said, my sweetest sister, that she has this wild, nun-like
  • notion in her. She is willful in it; in this letter she vows she must
  • and will come, and nothing on earth shall stay her. Do not have any
  • sisterly jealousy, then, my sister. Thou wilt find her a most gentle,
  • unobtrusive, ministering girl, Isabel. She will never name the
  • not-to-be-named things to thee; nor hint of them; because she knows them
  • not. Still, without knowing the secret, she yet hath the vague,
  • unspecializing sensation of the secret--the mystical presentiment,
  • somehow, of the secret. And her divineness hath drowned all womanly
  • curiosity in her; so that she desires not, in any way, to verify the
  • presentiment; content with the vague presentiment only; for in that, she
  • thinks, the heavenly summons to come to us, lies;--even there, in that,
  • Isabel. Dost thou now comprehend me?"
  • "I comprehend nothing, Pierre; there is nothing these eyes have ever
  • looked upon, Pierre, that this soul comprehended. Ever, as now, do I go
  • all a-grope amid the wide mysteriousness of things. Yes, she shall come;
  • it is only one mystery the more. Doth she talk in her sleep, Pierre?
  • Would it be well, if I slept with her, my brother?"
  • "On thy account; wishful for thy sake; to leave thee incommoded;
  • and--and--not knowing precisely how things really are;--she probably
  • anticipates and desires otherwise, my sister."
  • She gazed steadfastly at his outwardly firm, but not interiorly
  • unfaltering aspect; and then dropped her glance in silence.
  • "Yes, she shall come, my brother; she shall come. But it weaves its
  • thread into the general riddle, my brother.--Hath she that which they
  • call the memory, Pierre; the memory? Hath she that?"
  • "We all have the memory, my sister."
  • "Not all! not all!--poor Bell hath but very little. Pierre! I have seen
  • her in some dream. She is fair-haired--blue eyes--she is not quite so
  • tall as I, yet a very little slighter."
  • Pierre started. "Thou hast seen Lucy Tartan, at Saddle Meadows?"
  • "Is Lucy Tartan the name?--Perhaps, perhaps;--but also, in the dream,
  • Pierre; she came, with her blue eyes turned beseechingly on me; she
  • seemed as if persuading me from thee;--methought she was then more than
  • thy cousin;--methought she was that good angel, which some say, hovers
  • over every human soul; and methought--oh, methought that I was thy
  • other,--thy other angel, Pierre. Look: see these eyes,--this hair--nay,
  • this cheek;--all dark, dark, dark,--and she--the blue-eyed--the
  • fair-haired--oh, once the red-cheeked!"
  • She tossed her ebon tresses over her; she fixed her ebon eyes on him.
  • "Say, Pierre; doth not a funerealness invest me? Was ever hearse so
  • plumed?--Oh, God! that I had been born with blue eyes, and fair hair!
  • Those make the livery of heaven! Heard ye ever yet of a good angel with
  • dark eyes, Pierre?--no, no, no--all blue, blue, blue--heaven's own
  • blue--the clear, vivid, unspeakable blue, which we see in June skies,
  • when all clouds are swept by.--But the good angel shall come to thee,
  • Pierre. Then both will be close by thee, my brother; and thou mayest
  • perhaps elect,--elect!--She shall come; she shall come.--When is it to
  • be, dear Pierre?"
  • "To-morrow, Isabel. So it is here written."
  • She fixed her eye on the crumpled billet in his hand. "It were vile to
  • ask, but not wrong to suppose the asking.--Pierre,--no, I need not say
  • it,--wouldst thou?"
  • "No; I would not let thee read it, my sister; I would not; because I
  • have no right to--no right--no right;--that is it; no: I have no right.
  • I will burn it this instant, Isabel."
  • He stepped from her into the adjoining room; threw the billet into the
  • stove, and watching its last ashes, returned to Isabel.
  • She looked with endless intimations upon him.
  • "It is burnt, but not consumed; it is gone, but not lost. Through stove,
  • pipe, and flue, it hath mounted in flame, and gone as a scroll to
  • heaven! It shall appear again, my brother.--Woe is me--woe, woe!--woe is
  • me, oh, woe! Do not speak to me, Pierre; leave me now. She shall come.
  • The Bad angel shall tend the Good; she shall dwell with us, Pierre.
  • Mistrust me not; her considerateness to me, shall be outdone by mine to
  • her.--Let me be alone now, my brother."
  • IV.
  • Though by the unexpected petition to enter his privacy--a petition he
  • could scarce ever deny to Isabel, since she so religiously abstained
  • from preferring it, unless for some very reasonable cause, Pierre, in
  • the midst of those conflicting, secondary emotions, immediately
  • following the first wonderful effect of Lucy's strange letter, had been
  • forced to put on, toward Isabel, some air of assurance and understanding
  • concerning its contents; yet at bottom, he was still a prey to all
  • manner of devouring mysteries.
  • Soon, now, as he left the chamber of Isabel, these mysteriousnesses
  • re-mastered him completely; and as he mechanically sat down in the
  • dining-room chair, gently offered him by Delly--for the silent girl saw
  • that some strangeness that sought stillness was in him;--Pierre's mind
  • was revolving how it was possible, or any way conceivable, that Lucy
  • should have been inspired with such seemingly wonderful presentiments of
  • something assumed, or disguising, or non-substantial, somewhere and
  • somehow, in his present most singular apparent position in the eye of
  • world. The wild words of Isabel yet rang in his ears. It were an outrage
  • upon all womanhood to imagine that Lucy, however yet devoted to him in
  • her hidden heart, should be willing to come to him, so long as she
  • supposed, with the rest of the world, that Pierre was an ordinarily
  • married man. But how--what possible reason--what possible intimation
  • could she have had to suspect the contrary, or to suspect any thing
  • unsound? For neither at this present time, nor at any subsequent period,
  • did Pierre, or could Pierre, possibly imagine that in her marvelous
  • presentiments of Love she had any definite conceit of the precise nature
  • of the secret which so unrevealingly and enchantedly wrapt him. But a
  • peculiar thought passingly recurred to him here.
  • Within his social recollections there was a very remarkable case of a
  • youth, who, while all but affianced to a beautiful girl--one returning
  • his own throbbings with incipient passion--became somehow casually and
  • momentarily betrayed into an imprudent manifested tenderness toward a
  • second lady; or else, that second lady's deeply-concerned friends caused
  • it to be made known to the poor youth, that such committal tenderness
  • toward her he had displayed, nor had it failed to exert its natural
  • effect upon her; certain it is, this second lady drooped and drooped,
  • and came nigh to dying, all the while raving of the cruel infidelity of
  • her supposed lover; so that those agonizing appeals, from so really
  • lovely a girl, that seemed dying of grief for him, at last so moved the
  • youth, that--morbidly disregardful of the fact, that inasmuch as two
  • ladies claimed him, the prior lady had the best title to his hand--his
  • conscience insanely upbraided him concerning the second lady; he thought
  • that eternal woe would surely overtake him both here and hereafter if he
  • did not renounce his first love--terrible as the effort would be both to
  • him and her--and wed with the second lady; which he accordingly did;
  • while, through his whole subsequent life, delicacy and honor toward his
  • thus wedded wife, forbade that by explaining to his first love how it
  • was with him in this matter, he should tranquilize her heart; and,
  • therefore, in her complete ignorance, she believed that he was willfully
  • and heartlessly false to her; and so came to a lunatic's death on his
  • account.
  • This strange story of real life, Pierre knew to be also familiar to
  • Lucy; for they had several times conversed upon it; and the first love
  • of the demented youth had been a school-mate of Lucy's, and Lucy had
  • counted upon standing up with her as bridesmaid. Now, the passing idea
  • was self-suggested to Pierre, whether into Lucy's mind some such conceit
  • as this, concerning himself and Isabel, might not possibly have stolen.
  • But then again such a supposition proved wholly untenable in the end;
  • for it did by no means suffice for a satisfactory solution of the
  • absolute motive of the extraordinary proposed step of Lucy; nor indeed
  • by any ordinary law of propriety, did it at all seem to justify that
  • step. Therefore, he know not what to think; hardly what to dream.
  • Wonders, nay, downright miracles and no less were sung about Love; but
  • here was the absolute miracle itself--the out-acted miracle. For
  • infallibly certain he inwardly felt, that whatever her strange conceit;
  • whatever her enigmatical delusion; whatever her most secret and
  • inexplicable motive; still Lucy in her own virgin heart remained
  • transparently immaculate, without shadow of flaw or vein. Nevertheless,
  • what inconceivable conduct this was in her, which she in her letter so
  • passionately proposed! Altogether, it amazed him; it confounded him.
  • Now, that vague, fearful feeling stole into him, that, rail as all
  • atheists will, there is a mysterious, inscrutable divineness in the
  • world--a God--a Being positively present everywhere;--nay, He is now in
  • this room; the air did part when I here sat down. I displaced the Spirit
  • then--condensed it a little off from this spot. He looked
  • apprehensively around him; he felt overjoyed at the sight of the
  • humanness of Delly.
  • While he was thus plunged into this mysteriousness, a knock was heard at
  • the door.
  • Delly hesitatingly rose--"Shall I let any one in, sir?--I think it is
  • Mr. Millthorpe's knock."
  • "Go and see--go and see"--said Pierre, vacantly.
  • The moment the door was opened, Millthorpe--for it was he--catching a
  • glimpse of Pierre's seated form, brushed past Delly, and loudly entered
  • the room.
  • "Ha, ha! well, my boy, how comes on the Inferno? That is it you are
  • writing; one is apt to look black while writing Infernoes; you always
  • loved Dante. My lad! I have finished ten metaphysical treatises; argued
  • five cases before the court; attended all our society's meetings;
  • accompanied our great Professor, Monsieur Volvoon, the lecturer, through
  • his circuit in the philosophical saloons, sharing all the honors of his
  • illustrious triumph; and by the way, let me tell you, Volvoon secretly
  • gives me even more credit than is my due; for 'pon my soul, I did not
  • help write more than one half, at most, of his Lectures;
  • edited--anonymously, though--a learned, scientific work on 'The Precise
  • Cause of the Modifications in the Undulatory Motion in Waves,' a
  • posthumous work of a poor fellow--fine lad he was, too--a friend of
  • mine. Yes, here I have been doing all this, while you still are
  • hammering away at that one poor plaguy Inferno! Oh, there's a secret in
  • dispatching these things; patience! patience! you will yet learn the
  • secret. Time! time! I can't teach it to you, my boy, but Time can: I
  • wish I could, but I can't."
  • There was another knock at the door.
  • "Oh!" cried Millthorpe, suddenly turning round to it, "I forgot, my boy.
  • I came to tell you that there is a porter, with some queer things,
  • inquiring for you. I happened to meet him down stairs in the corridors,
  • and I told him to follow me up--I would show him the road; here he is;
  • let him in, let him in, good Delly, my girl."
  • Thus far, the rattlings of Millthorpe, if producing any effect at all,
  • had but stunned the averted Pierre. But now he started to his feet. A
  • man with his hat on, stood in the door, holding an easel before him.
  • "Is this Mr. Glendinning's room, gentlemen?"
  • "Oh, come in, come in," cried Millthorpe, "all right."
  • "Oh! is that _you_, sir? well, well, then;" and the man set down the
  • easel.
  • "Well, my boy," exclaimed Millthorpe to Pierre; "you are in the Inferno
  • dream yet. Look; that's what people call an _easel_, my boy. An _easel_,
  • an _easel_--not a _weasel_; you look at it as though you thought it a
  • weasel. Come; wake up, wake up! You ordered it, I suppose, and here it
  • is. Going to paint and illustrate the Inferno, as you go along, I
  • suppose. Well, my friends tell me it is a great pity my own things aint
  • illustrated. But I can't afford it. There now is that Hymn to the Niger,
  • which I threw into a pigeon-hole, a year or two ago--that would be fine
  • for illustrations."
  • "Is it for Mr. Glendinning you inquire?" said Pierre now, in a slow, icy
  • tone, to the porter.
  • "Mr. Glendinning, sir; all right, aint it?"
  • "Perfectly," said Pierre mechanically, and casting another strange,
  • rapt, bewildered glance at the easel. "But something seems strangely
  • wanting here. Ay, now I see, I see it:--Villain!--the vines! Thou hast
  • torn the green heart-strings! Thou hast but left the cold skeleton of
  • the sweet arbor wherein she once nestled! Thou besotted, heartless hind
  • and fiend, dost thou so much as dream in thy shriveled liver of the
  • eternal mischief thou hast done? Restore thou the green vines! untrample
  • them, thou accursed!--Oh my God, my God, trampled vines pounded and
  • crushed in all fibers, how can they live over again, even though they be
  • replanted! Curse thee, thou!--Nay, nay," he added moodily--"I was but
  • wandering to myself." Then rapidly and mockingly--"Pardon,
  • pardon!--porter; I most humbly crave thy most haughty pardon." Then
  • imperiously--"Come, stir thyself, man; thou hast more below: bring all
  • up."
  • As the astounded porter turned, he whispered to Millthorpe--"Is he
  • safe?--shall I bring 'em?"
  • "Oh certainly," smiled Millthorpe: "I'll look out for him; he's never
  • really dangerous when I'm present; there, go!"
  • Two trunks now followed, with "L. T." blurredly marked upon the ends.
  • "Is that all, my man?" said Pierre, as the trunks were being put down
  • before him; "well, how much?"--that moment his eyes first caught the
  • blurred letters.
  • "Prepaid, sir; but no objection to more."
  • Pierre stood mute and unmindful, still fixedly eying the blurred
  • letters; his body contorted, and one side drooping, as though that
  • moment half-way down-stricken with a paralysis, and yet unconscious of
  • the stroke.
  • His two companions, momentarily stood motionless in those respective
  • attitudes, in which they had first caught sight of the remarkable change
  • that had come over him. But, as if ashamed of having been thus affected,
  • Millthorpe summoning a loud, merry voice, advanced toward Pierre, and,
  • tapping his shoulder, cried, "Wake up, wake up, my boy!--He says he is
  • prepaid, but no objection to more."
  • "Prepaid;--what's that? Go, go, and jabber to apes!"
  • "A curious young gentleman, is he not?" said Millthorpe lightly to the
  • porter;--"Look you, my boy, I'll repeat:--He says he's prepaid, but no
  • objection to more."
  • "Ah?--take that then," said Pierre, vacantly putting something into the
  • porter's hand.
  • "And what shall I do with this, sir?" said the porter, staring.
  • "Drink a health; but not mine; that were mockery!"
  • "With a key, sir? This is a key you gave me."
  • "Ah!--well, you at least shall not have the thing that unlocks me. Give
  • me the key, and take this."
  • "Ay, ay!--here's the chink! Thank'ee sir, thank'ee. This'll drink. I
  • aint called a porter for nothing; Stout's the word; 2151 is my number;
  • any jobs, call on me."
  • "Do you ever cart a coffin, my man?" said Pierre.
  • "'Pon my soul!" cried Millthorpe, gayly laughing, "if you aint writing
  • an Inferno, then--but never mind. Porter! this gentleman is under
  • medical treatment at present. You had better--ab'--you
  • understand--'squatulate, porter! There, my boy, he is gone; I understand
  • how to manage these fellows; there's a trick in it, my boy--an
  • off-handed sort of what d'ye call it?--you understand--the trick! the
  • trick!--the whole world's a trick. Know the trick of it, all's right;
  • don't know, all's wrong. Ha! ha!"
  • "The porter is gone then?" said Pierre, calmly. "Well, Mr. Millthorpe,
  • you will have the goodness to follow him."
  • "Rare joke! admirable!--Good morning, sir. Ha, ha!"
  • And with his unruffleable hilariousness, Millthorpe quitted the room.
  • But hardly had the door closed upon him, nor had he yet removed his hand
  • from its outer knob, when suddenly it swung half open again, and
  • thrusting his fair curly head within, Millthorpe cried: "By the way, my
  • boy, I have a word for you. You know that greasy fellow who has been
  • dunning you so of late. Well, be at rest there; he's paid. I was
  • suddenly made flush yesterday:--regular flood-tide. You can return it
  • any day, you know--no hurry; that's all.--But, by the way,--as you look
  • as though you were going to have company here--just send for me in case
  • you want to use me--any bedstead to put up, or heavy things to be lifted
  • about. Don't you and the women do it, now, mind! That's all again.
  • Addios, my boy. Take care of yourself!"
  • "Stay!" cried Pierre, reaching forth one hand, but moving neither
  • foot--"Stay!"--in the midst of all his prior emotions struck by these
  • singular traits in Millthorpe. But the door was abruptly closed; and
  • singing Fa, la, la: Millthorpe in his seedy coat went tripping down the
  • corridor.
  • "Plus heart, minus head," muttered Pierre, his eyes fixed on the door.
  • "Now, by heaven! the god that made Millthorpe was both a better and a
  • greater than the god that made Napoleon or Byron.--Plus head, minus
  • heart--Pah! the brains grow maggoty without a heart; but the heart's the
  • preserving salt itself, and can keep sweet without the head.--Delly!"
  • "Sir?"
  • "My cousin Miss Tartan is coming here to live with us, Delly. That
  • easel,--those trunks are hers."
  • "Good heavens!--coming here?--your cousin?--Miss Tartan?"
  • "Yes, I thought you must have heard of her and me;--but it was broken
  • off; Delly."
  • "Sir? Sir?"
  • "I have no explanation, Delly; and from you, I must have no amazement.
  • My cousin,--mind, my _cousin_, Miss Tartan, is coming to live with us.
  • The next room to this, on the other side there, is unoccupied. That room
  • shall be hers. You must wait upon her, too, Delly."
  • "Certainly sir, certainly; I will do any thing;" said Delly trembling;
  • "but,--but--does Mrs. Glendin-din--does my mistress know this?"
  • "My wife knows all"--said Pierre sternly. "I will go down and get the
  • key of the room; and you must sweep it out."
  • "What is to be put into it, sir?" said Delly. "Miss Tartan--why, she is
  • used to all sorts of fine things,--rich
  • carpets--wardrobes--mirrors--curtains;--why, why, why!"
  • "Look," said Pierre, touching an old rug with his foot;--"here is a bit
  • of carpet; drag that into her room; here is a chair, put that in; and
  • for a bed,--ay, ay," he muttered to himself; "I have made it for her,
  • and she ignorantly lies on it now!--as made--so lie. Oh God!"
  • "Hark! my mistress is calling"--cried Delly, moving toward the opposite
  • room.
  • "Stay!"--cried Pierre, grasping her shoulder; "if both called at one
  • time from these opposite chambers, and both were swooning, which door
  • would you first fly to?"
  • The girl gazed at him uncomprehendingly and affrighted a moment; and
  • then said,--"This one, sir"--out of mere confusion perhaps, putting her
  • hand on Isabel's latch.
  • "It is well. Now go."
  • He stood in an intent unchanged attitude till Delly returned.
  • "How is my wife, now?"
  • Again startled by the peculiar emphasis placed on the magical word
  • _wife_, Delly, who had long before this, been occasionally struck with
  • the infrequency of his using that term; she looked at him perplexedly,
  • and said half-unconsciously--
  • "Your wife, sir?"
  • "Ay, is she not?"
  • "God grant that she be--Oh, 'tis most cruel to ask that of poor, poor
  • Delly, sir!"
  • "Tut for thy tears! Never deny it again then!--I swear to heaven, she
  • is!"
  • With these wild words, Pierre seized his hat, and departed the room,
  • muttering something about bringing the key of the additional chamber.
  • As the door closed on him, Delly dropped on her knees. She lifted her
  • head toward the ceiling, but dropped it again, as if tyrannically awed
  • downward, and bent it low over, till her whole form tremulously cringed
  • to the floor.
  • "God that made me, and that wast not so hard to me as wicked Delly
  • deserved,--God that made me, I pray to thee! ward it off from me, if it
  • be coming to me. Be not deaf to me; these stony walls--Thou canst hear
  • through them. Pity! pity!--mercy, my God!--If they are not married; if
  • I, penitentially seeking to be pure, am now but the servant to a greater
  • sin, than I myself committed: then, pity! pity! pity! pity! pity! Oh God
  • that made me,--See me, see me here--what can Delly do? If I go hence,
  • none will take me in but villains. If I stay, then--for stay I must--and
  • they be not married,--then pity, pity, pity, pity, pity!"
  • BOOK XXIV.
  • LUCY AT THE APOSTLES.
  • I.
  • Next morning, the recently appropriated room adjoining on the other side
  • of the dining-room, presented a different aspect from that which met the
  • eye of Delly upon first unlocking it with Pierre on the previous
  • evening. Two squares of faded carpeting of different patterns, covered
  • the middle of the floor, leaving, toward the surbase, a wide, blank
  • margin around them. A small glass hung in the pier; beneath that, a
  • little stand, with a foot or two of carpet before it. In one corner was
  • a cot, neatly equipped with bedding. At the outer side of the cot,
  • another strip of carpeting was placed. Lucy's delicate feet should not
  • shiver on the naked floor.
  • Pierre, Isabel, and Delly were standing in the room; Isabel's eyes were
  • fixed on the cot.
  • "I think it will be pretty cosy now," said Delly, palely glancing all
  • round, and then adjusting the pillow anew.
  • "There is no warmth, though," said Isabel. "Pierre, there is no stove in
  • the room. She will be very cold. The pipe--can we not send it this way?"
  • And she looked more intently at him, than the question seemed to
  • warrant.
  • "Let the pipe stay where it is, Isabel," said Pierre, answering her own
  • pointed gaze. "The dining-room door can stand open. She never liked
  • sleeping in a heated room. Let all be; it is well. Eh! but there is a
  • grate here, I see. I will buy coals. Yes, yes--that can be easily done;
  • a little fire of a morning--the expense will be nothing. Stay, we will
  • have a little fire here now for a welcome. She shall always have fire."
  • "Better change the pipe, Pierre," said Isabel, "that will be permanent,
  • and save the coals."
  • "It shall not be done, Isabel. Doth not that pipe and that warmth go
  • into thy room? Shall I rob my wife, good Delly, even to benefit my most
  • devoted and true-hearted cousin?"
  • "Oh! I should say not, sir; not at all," said Delly hysterically.
  • A triumphant fire flashed in Isabel's eye; her full bosom arched out;
  • but she was silent.
  • "She may be here, now, at any moment, Isabel," said Pierre; "come, we
  • will meet her in the dining-room; that is our reception-place, thou
  • knowest."
  • So the three went into the dining-room.
  • II.
  • They had not been there long, when Pierre, who had been pacing up and
  • down, suddenly paused, as if struck by some laggard thought, which had
  • just occurred to him at the eleventh hour. First he looked toward Delly,
  • as if about to bid her quit the apartment, while he should say something
  • private to Isabel; but as if, on a second thought, holding the contrary
  • of this procedure most advisable, he, without preface, at once addressed
  • Isabel, in his ordinary conversational tone, so that Delly could not but
  • plainly hear him, whether she would or no.
  • "My dear Isabel, though, as I said to thee before, my cousin, Miss
  • Tartan, that strange, and willful, nun-like girl, is at all hazards,
  • mystically resolved to come and live with us, yet it must be quite
  • impossible that her friends can approve in her such a singular step; a
  • step even more singular, Isabel, than thou, in thy unsophisticatedness,
  • can'st at all imagine. I shall be immensely deceived if they do not, to
  • their very utmost, strive against it. Now what I am going to add may be
  • quite unnecessary, but I can not avoid speaking it, for all that."
  • Isabel with empty hands sat silent, but intently and expectantly eying
  • him; while behind her chair, Delly was bending her face low over her
  • knitting--which she had seized so soon as Pierre had begun speaking--and
  • with trembling fingers was nervously twitching the points of her long
  • needles. It was plain that she awaited Pierre's accents with hardly much
  • less eagerness than Isabel. Marking well this expression in Delly, and
  • apparently not unpleased with it, Pierre continued; but by no slightest
  • outward tone or look seemed addressing his remarks to any one but
  • Isabel.
  • "Now what I mean, dear Isabel, is this: if that very probable hostility
  • on the part of Miss Tartan's friends to her fulfilling her strange
  • resolution--if any of that hostility should chance to be manifested
  • under thine eye, then thou certainly wilt know how to account for it;
  • and as certainly wilt draw no inference from it in the minutest
  • conceivable degree involving any thing sinister in me. No, I am sure
  • thou wilt not, my dearest Isabel. For, understand me, regarding this
  • strange mood in my cousin as a thing wholly above my comprehension, and
  • indeed regarding my poor cousin herself as a rapt enthusiast in some
  • wild mystery utterly unknown to me; and unwilling ignorantly to
  • interfere in what almost seems some supernatural thing, I shall not
  • repulse her coming, however violently her friends may seek to stay it. I
  • shall not repulse, as certainly as I have not invited. But a neutral
  • attitude sometimes seems a suspicious one. Now what I mean is this: let
  • all such vague suspicions of me, if any, be confined to Lucy's friends;
  • but let not such absurd misgivings come near my dearest Isabel, to give
  • the least uneasiness. Isabel! tell me; have I not now said enough to
  • make plain what I mean? Or, indeed, is not all I have said wholly
  • unnecessary; seeing that when one feels deeply conscientious, one is
  • often apt to seem superfluously, and indeed unpleasantly and
  • unbeseemingly scrupulous? Speak, my own Isabel,"--and he stept nearer to
  • her, reaching forth his arm.
  • "Thy hand is the caster's ladle, Pierre, which holds me entirely fluid.
  • Into thy forms and slightest moods of thought, thou pourest me; and I
  • there solidify to that form, and take it on, and thenceforth wear it,
  • till once more thou moldest me anew. If what thou tellest me be thy
  • thought, then how can I help its being mine, my Pierre?"
  • "The gods made thee of a holyday, when all the common world was done,
  • and shaped thee leisurely in elaborate hours, thou paragon!"
  • So saying, in a burst of admiring love and wonder, Pierre paced the
  • room; while Isabel sat silent, leaning on her hand, and half-vailed with
  • her hair. Delly's nervous stitches became less convulsive. She seemed
  • soothed; some dark and vague conceit seemed driven out of her by
  • something either directly expressed by Pierre, or inferred from his
  • expressions.
  • III.
  • "Pierre! Pierre!--Quick! Quick!--They are dragging me back!--oh, quick,
  • dear Pierre!"
  • "What is that?" swiftly cried Isabel, rising to her feet, and amazedly
  • glancing toward the door leading into the corridor.
  • But Pierre darted from the room, prohibiting any one from following him.
  • Half-way down the stairs, a slight, airy, almost unearthly figure was
  • clinging to the balluster; and two young men, one in naval uniform, were
  • vainly seeking to remove the two thin white hands without hurting them.
  • They were Glen Stanly, and Frederic, the elder brother of Lucy.
  • In a moment, Pierre's hands were among the rest.
  • "Villain!--Damn thee!" cried Frederic; and letting go the hand of his
  • sister, he struck fiercely at Pierre.
  • But the blow was intercepted by Pierre.
  • "Thou hast bewitched, thou damned juggler, the sweetest angel! Defend
  • thyself!"
  • "Nay, nay," cried Glen, catching the drawn rapier of the frantic
  • brother, and holding him in his powerful grasp; "he is unarmed; this is
  • no time or place to settle our feud with him. Thy sister,--sweet
  • Lucy--let us save her first, and then what thou wilt. Pierre
  • Glendinning--if thou art but the little finger of a man--begone with
  • thee from hence! Thy depravity, thy pollutedness, is that of a
  • fiend!--Thou canst not desire this thing:--the sweet girl is mad!"
  • Pierre stepped back a little, and looked palely and haggardly at all
  • three.
  • "I render no accounts: I am what I am. This sweet girl--this angel whom
  • ye two defile by your touches--she is of age by the law:--she is her own
  • mistress by the law. And now, I swear she shall have her will! Unhand
  • the girl! Let her stand alone. See; she will faint; let her go, I say!"
  • And again his hands were among them.
  • Suddenly, as they all, for the one instant vaguely struggled, the pale
  • girl drooped, and fell sideways toward Pierre; and, unprepared for this,
  • the two opposite champions, unconsciously relinquished their hold,
  • tripped, and stumbled against each other, and both fell on the stairs.
  • Snatching Lucy in his arms, Pierre darted from them; gained the door;
  • drove before him Isabel and Delly,--who, affrighted, had been lingering
  • there;--and bursting into the prepared chamber, laid Lucy on her cot;
  • then swiftly turned out of the room, and locked them all three in: and
  • so swiftly--like lightning--was this whole thing done, that not till the
  • lock clicked, did he find Glen and Frederic fiercely fronting him.
  • "Gentlemen, it is all over. This door is locked. She is in women's
  • hands.--Stand back!"
  • As the two infuriated young men now caught at him to hurl him aside,
  • several of the Apostles rapidly entered, having been attracted by the
  • noise.
  • "Drag them off from me!" cried Pierre. "They are trespassers! drag them
  • off!"
  • Immediately Glen and Frederic were pinioned by twenty hands; and, in
  • obedience to a sign from Pierre, were dragged out of the room, and
  • dragged down stairs; and given into the custody of a passing officer, as
  • two disorderly youths invading the sanctuary of a private retreat.
  • In vain they fiercely expostulated; but at last, as if now aware that
  • nothing farther could be done without some previous legal action, they
  • most reluctantly and chafingly declared themselves ready to depart.
  • Accordingly they were let go; but not without a terrible menace of swift
  • retribution directed to Pierre.
  • IV.
  • Happy is the dumb man in the hour of passion. He makes no impulsive
  • threats, and therefore seldom falsifies himself in the transition from
  • choler to calm.
  • Proceeding into the thoroughfare, after leaving the Apostles', it was
  • not very long ere Glen and Frederic concluded between themselves, that
  • Lucy could not so easily be rescued by threat or force. The pale,
  • inscrutable determinateness, and flinchless intrepidity of Pierre, now
  • began to domineer upon them; for any social unusualness or greatness is
  • sometimes most impressive in the retrospect. What Pierre had said
  • concerning Lucy's being her own mistress in the eye of the law; this now
  • recurred to them. After much tribulation of thought, the more collected
  • Glen proposed, that Frederic's mother should visit the rooms of Pierre;
  • he imagined, that though insensible to their own united intimidations,
  • Lucy might not prove deaf to the maternal prayers. Had Mrs. Tartan been
  • a different woman than she was; had she indeed any disinterested agonies
  • of a generous heart, and not mere match-making mortifications, however
  • poignant; then the hope of Frederic and Glen might have had more
  • likelihood in it. Nevertheless, the experiment was tried, but signally
  • failed.
  • In the combined presence of her mother, Pierre, Isabel, and Delly; and
  • addressing Pierre and Isabel as Mr. and Mrs. Glendinning; Lucy took the
  • most solemn vows upon herself, to reside with her present host and
  • hostess until they should cast her off. In vain her by turns suppliant,
  • and exasperated mother went down on her knees to her, or seemed almost
  • on the point of smiting her; in vain she painted all the scorn and the
  • loathing; sideways hinted of the handsome and gallant Glen; threatened
  • her that in case she persisted, her entire family would renounce her;
  • and though she should be starving, would not bestow one morsel upon such
  • a recreant, and infinitely worse than dishonorable girl.
  • To all this, Lucy--now entirely unmenaced in person--replied in the
  • gentlest and most heavenly manner; yet with a collectedness, and
  • steadfastness, from which there was nothing to hope. What she was doing
  • was not of herself; she had been moved to it by all-encompassing
  • influences above, around, and beneath. She felt no pain for her own
  • condition; her only suffering was sympathetic. She looked for no reward;
  • the essence of well-doing was the consciousness of having done well
  • without the least hope of reward. Concerning the loss of worldly wealth
  • and sumptuousness, and all the brocaded applauses of drawing-rooms;
  • these were no loss to her, for they had always been valueless. Nothing
  • was she now renouncing; but in acting upon her present inspiration she
  • was inheriting every thing. Indifferent to scorn, she craved no pity. As
  • to the question of her sanity, that matter she referred to the verdict
  • of angels, and not to the sordid opinions of man. If any one protested
  • that she was defying the sacred counsels of her mother, she had nothing
  • to answer but this: that her mother possessed all her daughterly
  • deference, but her unconditional obedience was elsewhere due. Let all
  • hope of moving her be immediately, and once for all, abandoned. One only
  • thing could move her; and that would only move her, to make her forever
  • immovable;--that thing was death.
  • Such wonderful strength in such wonderful sweetness; such inflexibility
  • in one so fragile, would have been matter for marvel to any observer.
  • But to her mother it was very much more; for, like many other
  • superficial observers, forming her previous opinion of Lucy upon the
  • slightness of her person, and the dulcetness of her temper, Mrs. Tartan
  • had always imagined that her daughter was quite incapable of any such
  • daring act. As if sterling heavenliness were incompatible with
  • heroicness. These two are never found apart. Nor, though Pierre knew
  • more of Lucy than any one else, did this most singular behavior in her
  • fail to amaze him. Seldom even had the mystery of Isabel fascinated him
  • more, with a fascination partaking of the terrible. The mere bodily
  • aspect of Lucy, as changed by her more recent life, filled him with the
  • most powerful and novel emotions. That unsullied complexion of bloom was
  • now entirely gone, without being any way replaced by sallowness, as is
  • usual in similar instances. And as if her body indeed were the temple
  • of God, and marble indeed were the only fit material for so holy a
  • shrine, a brilliant, supernatural whiteness now gleamed in her cheek.
  • Her head sat on her shoulders as a chiseled statue's head; and the soft,
  • firm light in her eye seemed as much a prodigy, as though a chiseled
  • statue should give token of vision and intelligence.
  • Isabel also was most strangely moved by this sweet unearthliness in the
  • aspect of Lucy. But it did not so much persuade her by any common
  • appeals to her heart, as irrespectively commend her by the very signet
  • of heaven. In the deference with which she ministered to Lucy's little
  • occasional wants, there was more of blank spontaneousness than
  • compassionate voluntariness. And when it so chanced, that--owing perhaps
  • to some momentary jarring of the distant and lonely guitar--as Lucy was
  • so mildly speaking in the presence of her mother, a sudden, just
  • audible, submissively answering musical, stringed tone, came through the
  • open door from the adjoining chamber; then Isabel, as if seized by some
  • spiritual awe, fell on her knees before Lucy, and made a rapid gesture
  • of homage; yet still, somehow, as it were, without evidence of voluntary
  • will.
  • Finding all her most ardent efforts ineffectual, Mrs. Tartan now
  • distressedly motioned to Pierre and Isabel to quit the chamber, that she
  • might urge her entreaties and menaces in private. But Lucy gently waved
  • them to stay; and then turned to her mother. Henceforth she had no
  • secrets but those which would also be secrets in heaven. Whatever was
  • publicly known in heaven, should be publicly known on earth. There was
  • no slightest secret between her and her mother.
  • Wholly confounded by this inscrutableness of her so alienated and
  • infatuated daughter, Mrs. Tartan turned inflamedly upon Pierre, and bade
  • him follow her forth. But again Lucy said nay, there were no secrets
  • between her mother and Pierre. She would anticipate every thing there.
  • Calling for pen and paper, and a book to hold on her knee and write,
  • she traced the following lines, and reached them to her mother:
  • "I am Lucy Tartan. I have come to dwell during their pleasure with Mr.
  • and Mrs. Pierre Glendinning, of my own unsolicited free-will. If they
  • desire it, I shall go; but no other power shall remove me, except by
  • violence; and against any violence I have the ordinary appeal to the
  • law."
  • "Read this, madam," said Mrs. Tartan, tremblingly handing it to Isabel,
  • and eying her with a passionate and disdainful significance.
  • "I have read it," said Isabel, quietly, after a glance, and handing it
  • to Pierre, as if by that act to show, that she had no separate decision
  • in the matter.
  • "And do you, sir, too, indirectly connive?" said Mrs. Tartan to Pierre,
  • when he had read it.
  • "I render no accounts, madam. This seems to be the written and final
  • calm will of your daughter. As such, you had best respect it, and
  • depart."
  • Mrs. Tartan glanced despairingly and incensedly about her; then fixing
  • her eyes on her daughter, spoke.
  • "Girl! here where I stand, I forever cast thee off. Never more shalt
  • thou be vexed by my maternal entreaties. I shall instruct thy brothers
  • to disown thee; I shall instruct Glen Stanly to banish thy worthless
  • image from his heart, if banished thence it be not already by thine own
  • incredible folly and depravity. For thee, Mr. Monster! the judgment of
  • God will overtake thee for this. And for thee, madam, I have no words
  • for the woman who will connivingly permit her own husband's paramour to
  • dwell beneath her roof. For thee, frail one," (to Delly), "thou needest
  • no amplification.--A nest of vileness! And now, surely, whom God himself
  • hath abandoned forever, a mother may quit, never more to revisit."
  • This parting maternal malediction seemed to work no visibly
  • corresponding effect upon Lucy; already she was so marble-white, that
  • fear could no more blanch her, if indeed fear was then at all within her
  • heart. For as the highest, and purest, and thinnest ether remains
  • unvexed by all the tumults of the inferior air; so that transparent
  • ether of her cheek, that clear mild azure of her eye, showed no sign of
  • passion, as her terrestrial mother stormed below. Helpings she had from
  • unstirring arms; glimpses she caught of aid invisible; sustained she was
  • by those high powers of immortal Love, that once siding with the weakest
  • reed which the utmost tempest tosses; then that utmost tempest shall be
  • broken down before the irresistible resistings of that weakest reed.
  • BOOK XXV.
  • LUCY, ISABEL, AND PIERRE. PIERRE AT HIS BOOK. ENCELADUS.
  • I.
  • A day or two after the arrival of Lucy, when she had quite recovered
  • from any possible ill-effects of recent events,--events conveying such a
  • shock to both Pierre and Isabel,--though to each in a quite different
  • way,--but not, apparently, at least, moving Lucy so intensely--as they
  • were all three sitting at coffee, Lucy expressed her intention to
  • practice her crayon art professionally. It would be so pleasant an
  • employment for her, besides contributing to their common fund. Pierre
  • well knew her expertness in catching likenesses, and judiciously and
  • truthfully beautifying them; not by altering the features so much, as by
  • steeping them in a beautifying atmosphere. For even so, said Lucy,
  • thrown into the Lagoon, and there beheld--as I have heard--the roughest
  • stones, without transformation, put on the softest aspects. If Pierre
  • would only take a little trouble to bring sitters to her room, she
  • doubted not a fine harvest of heads might easily be secured. Certainly,
  • among the numerous inmates of the old Church, Pierre must know many who
  • would have no objections to being sketched. Moreover, though as yet she
  • had had small opportunity to see them; yet among such a remarkable
  • company of poets, philosophers, and mystics of all sorts, there must be
  • some striking heads. In conclusion, she expressed her satisfaction at
  • the chamber prepared for her, inasmuch as having been formerly the
  • studio of an artist, one window had been considerably elevated, while by
  • a singular arrangement of the interior shutters, the light could in any
  • direction be thrown about at will.
  • Already Pierre had anticipated something of this sort; the first sight
  • of the easel having suggested it to him. His reply was therefore not
  • wholly unconsidered. He said, that so far as she herself was concerned,
  • the systematic practice of her art at present would certainly be a great
  • advantage in supplying her with a very delightful occupation. But since
  • she could hardly hope for any patronage from her mother's fashionable
  • and wealthy associates; indeed, as such a thing must be very far from
  • her own desires; and as it was only from the Apostles she could--for
  • some time to come, at least--reasonably anticipate sitters; and as those
  • Apostles were almost universally a very forlorn and penniless
  • set--though in truth there were some wonderfully rich-looking heads
  • among them--therefore, Lucy must not look for much immediate pecuniary
  • emolument. Ere long she might indeed do something very handsome; but at
  • the outset, it was well to be moderate in her expectations. This
  • admonishment came, modifiedly, from that certain stoic, dogged mood of
  • Pierre, born of his recent life, which taught him never to expect any
  • good from any thing; but always to anticipate ill; however not in
  • unreadiness to meet the contrary; and then, if good came, so much the
  • better. He added that he would that very morning go among the rooms and
  • corridors of the Apostles, familiarly announcing that his cousin, a
  • lady-artist in crayons, occupied a room adjoining his, where she would
  • be very happy to receive any sitters.
  • "And now, Lucy, what shall be the terms? That is a very important point,
  • thou knowest."
  • "I suppose, Pierre, they must be very low," said Lucy, looking at him
  • meditatively.
  • "Very low, Lucy; very low, indeed."
  • "Well, ten dollars, then."
  • "Ten Banks of England, Lucy!" exclaimed Pierre. "Why, Lucy, that were
  • almost a quarter's income for some of the Apostles!"
  • "Four dollars, Pierre."
  • "I will tell thee now, Lucy--but first, how long does it take to
  • complete one portrait?"
  • "Two sittings; and two mornings' work by myself, Pierre."
  • "And let me see; what are thy materials? They are not very costly, I
  • believe. 'Tis not like cutting glass,--thy tools must not be pointed
  • with diamonds, Lucy?"
  • "See, Pierre!" said Lucy, holding out her little palm, "see; this
  • handful of charcoal, a bit of bread, a crayon or two, and a square of
  • paper:--that is all."
  • "Well, then, thou shalt charge one-seventy-five for a portrait."
  • "Only one-seventy-five, Pierre?"
  • "I am half afraid now we have set it far too high, Lucy. Thou must not
  • be extravagant. Look: if thy terms were ten dollars, and thou didst
  • crayon on trust; then thou wouldst have plenty of sitters, but small
  • returns. But if thou puttest thy terms right-down, and also sayest thou
  • must have thy cash right-down too--don't start so at that _cash_--then
  • not so many sitters to be sure, but more returns. Thou understandest."
  • "It shall be just as thou say'st, Pierre."
  • "Well, then, I will write a card for thee, stating thy terms; and put it
  • up conspicuously in thy room, so that every Apostle may know what he has
  • to expect."
  • "Thank thee, thank thee, cousin Pierre," said Lucy, rising. "I rejoice
  • at thy pleasant and not entirely unhopeful view of my poor little plan.
  • But I must be doing something; I must be earning money. See, I have
  • eaten ever so much bread this morning, but have not earned one penny."
  • With a humorous sadness Pierre measured the large remainder of the one
  • only piece she had touched, and then would have spoken banteringly to
  • her; but she had slid away into her own room.
  • He was presently roused from the strange revery into which the
  • conclusion of this scene had thrown him, by the touch of Isabel's hand
  • upon his knee, and her large expressive glance upon his face. During all
  • the foregoing colloquy, she had remained entirely silent; but an
  • unoccupied observer would perhaps have noticed, that some new and very
  • strong emotions were restrainedly stirring within her.
  • "Pierre!" she said, intently bending over toward him.
  • "Well, well, Isabel," stammeringly replied Pierre; while a mysterious
  • color suffused itself over his whole face, neck, and brow; and
  • involuntarily he started a little back from her self-proffering form.
  • Arrested by this movement Isabel eyed him fixedly; then slowly rose, and
  • with immense mournful stateliness, drew herself up, and said: "If thy
  • sister can ever come too nigh to thee, Pierre, tell thy sister so,
  • beforehand; for the September sun draws not up the valley-vapor more
  • jealously from the disdainful earth, than my secret god shall draw me up
  • from thee, if ever I can come too nigh to thee."
  • Thus speaking, one hand was on her bosom, as if resolutely feeling of
  • something deadly there concealed; but, riveted by her general manner
  • more than by her particular gesture, Pierre, at the instant, did not so
  • particularly note the all-significant movement of the hand upon her
  • bosom, though afterward he recalled it, and darkly and thoroughly
  • comprehended its meaning.
  • "Too nigh to me, Isabel? Sun or dew, thou fertilizest me! Can sunbeams
  • or drops of dew come too nigh the thing they warm and water? Then sit
  • down by me, Isabel, and sit close; wind in within my ribs,--if so thou
  • canst,--that my one frame may be the continent of two."
  • "Fine feathers make fine birds, so I have heard," said Isabel, most
  • bitterly--"but do fine sayings always make fine deeds? Pierre, thou
  • didst but just now draw away from me!"
  • "When we would most dearly embrace, we first throw back our arms,
  • Isabel; I but drew away, to draw so much the closer to thee."
  • "Well; all words are arrant skirmishers; deeds are the army's self! be
  • it as thou sayest. I yet trust to thee.--Pierre."
  • "My breath waits thine; what is it, Isabel?"
  • "I have been more blockish than a block; I am mad to think of it! More
  • mad, that her great sweetness should first remind me of mine own
  • stupidity. But she shall not get the start of me! Pierre, some way I
  • must work for thee! See, I will sell this hair; have these teeth pulled
  • out; but some way I will earn money for thee!"
  • Pierre now eyed her startledly. Touches of a determinate meaning shone
  • in her; some hidden thing was deeply wounded in her. An affectionate
  • soothing syllable was on his tongue; his arm was out; when shifting his
  • expression, he whisperingly and alarmedly exclaimed--"Hark! she is
  • coming.--Be still."
  • But rising boldly, Isabel threw open the connecting door, exclaiming
  • half-hysterically--"Look, Lucy; here is the strangest husband; fearful
  • of being caught speaking to his wife!"
  • With an artist's little box before her--whose rattling, perhaps, had
  • startled Pierre--Lucy was sitting midway in her room, opposite the
  • opened door; so that at that moment, both Pierre and Isabel were plainly
  • visible to her. The singular tone of Isabel's voice instantly caused her
  • to look up intently. At once, a sudden irradiation of some subtile
  • intelligence--but whether welcome to her, or otherwise, could not be
  • determined--shot over her whole aspect. She murmured some vague random
  • reply; and then bent low over her box, saying she was very busy.
  • Isabel closed the door, and sat down again by Pierre. Her countenance
  • wore a mixed and writhing, impatient look. She seemed as one in whom the
  • most powerful emotion of life is caught in inextricable toils of
  • circumstances, and while longing to disengage itself, still knows that
  • all struggles will prove worse than vain; and so, for the moment, grows
  • madly reckless and defiant of all obstacles. Pierre trembled as he gazed
  • upon her. But soon the mood passed from her; her old, sweet mournfulness
  • returned; again the clear unfathomableness was in her mystic eye.
  • "Pierre, ere now,--ere I ever knew thee--I have done mad things, which I
  • have never been conscious of, but in the dim recalling. I hold such
  • things no things of mine. What I now remember, as just now done, was one
  • of them."
  • "Thou hast done nothing but shown thy strength, while I have shown my
  • weakness, Isabel;--yes, to the whole world thou art my wife--to her,
  • too, thou art my wife. Have I not told her so, myself? I was weaker than
  • a kitten, Isabel; and thou, strong as those high things angelical, from
  • which utmost beauty takes not strength."
  • "Pierre, once such syllables from thee, were all refreshing, and
  • bedewing to me; now, though they drop as warmly and as fluidly from
  • thee, yet falling through another and an intercepting zone, they freeze
  • on the way, and clatter on my heart like hail, Pierre.---- Thou didst
  • not speak thus to her!"
  • "She is not Isabel."
  • The girl gazed at him with a quick and piercing scrutiny; then looked
  • quite calm, and spoke. "My guitar, Pierre: thou know'st how complete a
  • mistress I am of it; now, before thou gettest sitters for the
  • portrait-sketcher, thou shalt get pupils for the music-teacher. Wilt
  • thou?" and she looked at him with a persuasiveness and touchingness,
  • which to Pierre, seemed more than mortal.
  • "My poor poor, Isabel!" cried Pierre; "thou art the mistress of the
  • natural sweetness of the guitar, not of its invented regulated
  • artifices; and these are all that the silly pupil will pay for learning.
  • And what thou hast can not be taught. Ah, thy sweet ignorance is all
  • transporting to me! my sweet, my sweet!--dear, divine girl!" And
  • impulsively he caught her in his arms.
  • While the first fire of his feeling plainly glowed upon him, but ere he
  • had yet caught her to him, Isabel had backward glided close to the
  • connecting door; which, at the instant of his embrace, suddenly opened,
  • as by its own volition.
  • Before the eyes of seated Lucy, Pierre and Isabel stood locked; Pierre's
  • lips upon her cheek.
  • II.
  • Notwithstanding the maternal visit of Mrs. Tartan, and the
  • peremptoriness with which it had been closed by her declared departure
  • never to return, and her vow to teach all Lucy's relatives and friends,
  • and Lucy's own brothers, and her suitor, to disown her, and forget her;
  • yet Pierre fancied that he knew too much in general of the human heart,
  • and too much in particular of the character of both Glen and Frederic,
  • to remain entirely untouched by disquietude, concerning what those two
  • fiery youths might now be plotting against him, as the imagined monster,
  • by whose infernal tricks Lucy Tartan was supposed to have been seduced
  • from every earthly seemliness. Not happily, but only so much the more
  • gloomily, did he augur from the fact, that Mrs. Tartan had come to Lucy
  • unattended; and that Glen and Frederic had let eight-and-forty hours and
  • more go by, without giving the slightest hostile or neutral sign. At
  • first he thought, that bridling their impulsive fierceness, they were
  • resolved to take the slower, but perhaps the surer method, to wrest Lucy
  • back to them, by instituting some legal process. But this idea was
  • repulsed by more than one consideration.
  • Not only was Frederic of that sort of temper, peculiar to military men,
  • which would prompt him, in so closely personal and intensely private and
  • family a matter, to scorn the hireling publicity of the law's lingering
  • arm; and impel him, as by the furiousness of fire, to be his own righter
  • and avenger; for, in him, it was perhaps quite as much the feeling of an
  • outrageous family affront to himself, through Lucy, as her own presumed
  • separate wrong, however black, which stung him to the quick: not only
  • were these things so respecting Frederic; but concerning Glen, Pierre
  • well knew, that be Glen heartless as he might, to do a deed of love,
  • Glen was not heartless to do a deed of hate; that though, on that
  • memorable night of his arrival in the city, Glen had heartlessly closed
  • his door upon him, yet now Glen might heartfully burst Pierre's open, if
  • by that he at all believed, that permanent success would crown the fray.
  • Besides, Pierre knew this;--that so invincible is the natural,
  • untamable, latent spirit of a courageous manliness in man, that though
  • now socially educated for thousands of years in an arbitrary homage to
  • the Law, as the one only appointed redress for every injured person; yet
  • immemorially and universally, among all gentlemen of spirit, once to
  • have uttered independent personal threats of personal vengeance against
  • your foe, and then, after that, to fall back slinking into a court, and
  • hire with sops a pack of yelping pettifoggers to fight the battle so
  • valiantly proclaimed; this, on the surface, is ever deemed very
  • decorous, and very prudent--a most wise second thought; but, at bottom,
  • a miserably ignoble thing. Frederic was not the watery man for
  • that,--Glen had more grapey blood in him.
  • Moreover, it seemed quite clear to Pierre, that only by making out Lucy
  • absolutely mad, and striving to prove it by a thousand despicable little
  • particulars, could the law succeed in tearing her from the refuge she
  • had voluntarily sought; a course equally abhorrent to all the parties
  • possibly to be concerned on either side.
  • What then would those two boiling bloods do? Perhaps they would patrol
  • the streets; and at the first glimpse of lonely Lucy, kidnap her home.
  • Or if Pierre were with her, then, smite him down by hook or crook, fair
  • play or foul; and then, away with Lucy! Or if Lucy systematically kept
  • her room, then fall on Pierre in the most public way, fell him, and
  • cover him from all decent recognition beneath heaps on heaps of hate and
  • insult; so that broken on the wheel of such dishonor, Pierre might feel
  • himself unstrung, and basely yield the prize.
  • Not the gibbering of ghosts in any old haunted house; no sulphurous and
  • portentous sign at night beheld in heaven, will so make the hair to
  • stand, as when a proud and honorable man is revolving in his soul the
  • possibilities of some gross public and corporeal disgrace. It is not
  • fear; it is a pride-horror, which is more terrible than any fear. Then,
  • by tremendous imagery, the murderer's mark of Cain is felt burning on
  • the brow, and the already acquitted knife blood-rusts in the clutch of
  • the anticipating hand.
  • Certain that those two youths must be plotting something furious against
  • him; with the echoes of their scorning curses on the stairs still
  • ringing in his ears--curses, whose swift responses from himself, he, at
  • the time, had had much ado to check;--thoroughly alive to the
  • supernaturalism of that mad frothing hate which a spirited brother forks
  • forth at the insulter of a sister's honor--beyond doubt the most
  • uncompromising of all the social passions known to man--and not blind to
  • the anomalous fact, that if such a brother stab his foe at his own
  • mother's table, all people and all juries would bear him out, accounting
  • every thing allowable to a noble soul made mad by a sweet sister's shame
  • caused by a damned seducer;--imagining to himself his own feelings, if
  • he were actually in the position which Frederic so vividly fancied to
  • be his; remembering that in love matters jealousy is as an adder, and
  • that the jealousy of Glen was double-addered by the extraordinary malice
  • of the apparent circumstances under which Lucy had spurned Glen's arms,
  • and fled to his always successful and now married rival, as if wantonly
  • and shamelessly to nestle there;--remembering all these intense
  • incitements of both those foes of his, Pierre could not but look forward
  • to wild work very soon to come. Nor was the storm of passion in his soul
  • unratified by the decision of his coolest possible hour. Storm and calm
  • both said to him,--Look to thyself, oh Pierre!
  • Murders are done by maniacs; but the earnest thoughts of murder, these
  • are the collected desperadoes. Pierre was such; fate, or what you will,
  • had made him such. But such he was. And when these things now swam
  • before him; when he thought of all the ambiguities which hemmed him in;
  • the stony walls all round that he could not overleap; the million
  • aggravations of his most malicious lot; the last lingering hope of
  • happiness licked up from him as by flames of fire, and his one only
  • prospect a black, bottomless gulf of guilt, upon whose verge he
  • imminently teetered every hour;--then the utmost hate of Glen and
  • Frederic were jubilantly welcome to him; and murder, done in the act of
  • warding off their ignominious public blow, seemed the one only congenial
  • sequel to such a desperate career.
  • III.
  • As a statue, planted on a revolving pedestal, shows now this limb, now
  • that; now front, now back, now side; continually changing, too, its
  • general profile; so does the pivoted, statued soul of man, when turned
  • by the hand of Truth. Lies only never vary; look for no invariableness
  • in Pierre. Nor does any canting showman here stand by to announce his
  • phases as he revolves. Catch his phases as your insight may.
  • Another day passed on; Glen and Frederic still absenting themselves, and
  • Pierre and Isabel and Lucy all dwelling together. The domestic presence
  • of Lucy had begun to produce a remarkable effect upon Pierre. Sometimes,
  • to the covertly watchful eye of Isabel, he would seem to look upon Lucy
  • with an expression illy befitting their singular and so-supposed merely
  • cousinly relation; and yet again, with another expression still more
  • unaccountable to her,--one of fear and awe, not unmixed with impatience.
  • But his general detailed manner toward Lucy was that of the most
  • delicate and affectionate considerateness--nothing more. He was never
  • alone with her; though, as before, at times alone with Isabel.
  • Lucy seemed entirely undesirous of usurping any place about him;
  • manifested no slightest unwelcome curiosity as to Pierre, and no painful
  • embarrassment as to Isabel. Nevertheless, more and more did she seem,
  • hour by hour, to be somehow inexplicably sliding between them, without
  • touching them. Pierre felt that some strange heavenly influence was near
  • him, to keep him from some uttermost harm; Isabel was alive to some
  • untraceable displacing agency. Though when all three were together, the
  • marvelous serenity, and sweetness, and utter unsuspectingness of Lucy
  • obviated any thing like a common embarrassment: yet if there was any
  • embarrassment at all beneath that roof, it was sometimes when Pierre was
  • alone with Isabel, after Lucy would innocently quit them.
  • Meantime Pierre was still going on with his book; every moment becoming
  • still the more sensible of the intensely inauspicious circumstances of
  • all sorts under which that labor was proceeding. And as the now
  • advancing and concentring enterprise demanded more and more compacted
  • vigor from him, he felt that he was having less and less to bring to it.
  • For not only was it the signal misery of Pierre, to be
  • invisibly--though but accidentally--goaded, in the hour of mental
  • immaturity, to the attempt at a mature work,--a circumstance
  • sufficiently lamentable in itself; but also, in the hour of his
  • clamorous pennilessness, he was additionally goaded into an enterprise
  • long and protracted in the execution, and of all things least calculated
  • for pecuniary profit in the end. How these things were so, whence they
  • originated, might be thoroughly and very beneficially explained; but
  • space and time here forbid.
  • At length, domestic matters--rent and bread--had come to such a pass
  • with him, that whether or no, the first pages must go to the printer;
  • and thus was added still another tribulation; because the printed pages
  • now dictated to the following manuscript, and said to all subsequent
  • thoughts and inventions of Pierre--_Thus and thus_; _so and so_; _else
  • an ill match_. Therefore, was his book already limited, bound over, and
  • committed to imperfection, even before it had come to any confirmed form
  • or conclusion at all. Oh, who shall reveal the horrors of poverty in
  • authorship that is high? While the silly Millthorpe was railing against
  • his delay of a few weeks and months; how bitterly did unreplying Pierre
  • feel in his heart, that to most of the great works of humanity, their
  • authors had given, not weeks and months, not years and years, but their
  • wholly surrendered and dedicated lives. On either hand clung to by a
  • girl who would have laid down her life for him; Pierre, nevertheless, in
  • his deepest, highest part, was utterly without sympathy from any thing
  • divine, human, brute, or vegetable. One in a city of hundreds of
  • thousands of human beings, Pierre was solitary as at the Pole.
  • And the great woe of all was this: that all these things were
  • unsuspected without, and undivulgible from within; the very daggers that
  • stabbed him were joked at by Imbecility, Ignorance, Blockheadedness,
  • Self-Complacency, and the universal Blearedness and Besottedness around
  • him. Now he began to feel that in him, the thews of a Titan were
  • forestallingly cut by the scissors of Fate. He felt as a moose,
  • hamstrung. All things that think, or move, or lie still, seemed as
  • created to mock and torment him. He seemed gifted with loftiness, merely
  • that it might be dragged down to the mud. Still, the profound
  • willfulness in him would not give up. Against the breaking heart, and
  • the bursting head; against all the dismal lassitude, and deathful
  • faintness and sleeplessness, and whirlingness, and craziness, still he
  • like a demigod bore up. His soul's ship foresaw the inevitable rocks,
  • but resolved to sail on, and make a courageous wreck. Now he gave jeer
  • for jeer, and taunted the apes that jibed him. With the soul of an
  • Atheist, he wrote down the godliest things; with the feeling of misery
  • and death in him, he created forms of gladness and life. For the pangs
  • in his heart, he put down hoots on the paper. And every thing else he
  • disguised under the so conveniently adjustable drapery of
  • all-stretchable Philosophy. For the more and the more that he wrote, and
  • the deeper and the deeper that he dived, Pierre saw the everlasting
  • elusiveness of Truth; the universal lurking insincerity of even the
  • greatest and purest written thoughts. Like knavish cards, the leaves of
  • all great books were covertly packed. He was but packing one set the
  • more; and that a very poor jaded set and pack indeed. So that there was
  • nothing he more spurned, than his own aspirations; nothing he more
  • abhorred than the loftiest part of himself. The brightest success, now
  • seemed intolerable to him, since he so plainly saw, that the brightest
  • success could not be the sole offspring of Merit; but of Merit for the
  • one thousandth part, and nine hundred and ninety-nine combining and
  • dove-tailing accidents for the rest. So beforehand he despised those
  • laurels which in the very nature of things, can never be impartially
  • bestowed. But while thus all the earth was depopulated of ambition for
  • him; still circumstances had put him in the attitude of an eager
  • contender for renown. So beforehand he felt the unrevealable sting of
  • receiving either plaudits or censures, equally unsought for, and
  • equally loathed ere given. So, beforehand he felt the pyramidical scorn
  • of the genuine loftiness for the whole infinite company of infinitesimal
  • critics. His was the scorn which thinks it not worth the while to be
  • scornful. Those he most scorned, never knew it. In that lonely little
  • closet of his, Pierre foretasted all that this world hath either of
  • praise or dispraise; and thus foretasting both goblets, anticipatingly
  • hurled them both in its teeth. All panegyric, all denunciation, all
  • criticism of any sort, would come too late for Pierre.
  • But man does never give himself up thus, a doorless and shutterless
  • house for the four loosened winds of heaven to howl through, without
  • still additional dilapidations. Much oftener than before, Pierre laid
  • back in his chair with the deadly feeling of faintness. Much oftener
  • than before, came staggering home from his evening walk, and from sheer
  • bodily exhaustion economized the breath that answered the anxious
  • inquiries as to what might be done for him. And as if all the leagued
  • spiritual inveteracies and malices, combined with his general bodily
  • exhaustion, were not enough, a special corporeal affliction now
  • descended like a sky-hawk upon him. His incessant application told upon
  • his eyes. They became so affected, that some days he wrote with the lids
  • nearly closed, fearful of opening them wide to the light. Through the
  • lashes he peered upon the paper, which so seemed fretted with wires.
  • Sometimes he blindly wrote with his eyes turned away from the
  • paper;--thus unconsciously symbolizing the hostile necessity and
  • distaste, the former whereof made of him this most unwilling
  • states-prisoner of letters.
  • As every evening, after his day's writing was done, the proofs of the
  • beginning of his work came home for correction, Isabel would read them
  • to him. They were replete with errors; but preoccupied by the thronging,
  • and undiluted, pure imaginings of things, he became impatient of such
  • minute, gnat-like torments; he randomly corrected the worst, and let
  • the rest go; jeering with himself at the rich harvest thus furnished to
  • the entomological critics.
  • But at last he received a tremendous interior intimation, to hold
  • off--to be still from his unnatural struggle.
  • In the earlier progress of his book, he had found some relief in making
  • his regular evening walk through the greatest thoroughfare of the city;
  • that so, the utter isolation of his soul, might feel itself the more
  • intensely from the incessant jogglings of his body against the bodies of
  • the hurrying thousands. Then he began to be sensible of more fancying
  • stormy nights, than pleasant ones; for then, the great thoroughfares
  • were less thronged, and the innumerable shop-awnings flapped and beat
  • like schooners' broad sails in a gale, and the shutters banged like
  • lashed bulwarks; and the slates fell hurtling like displaced ship's
  • blocks from aloft. Stemming such tempests through the deserted streets,
  • Pierre felt a dark, triumphant joy; that while others had crawled in
  • fear to their kennels, he alone defied the storm-admiral, whose most
  • vindictive peltings of hail-stones,--striking his iron-framed fiery
  • furnace of a body,--melted into soft dew, and so, harmlessly trickled
  • from off him.
  • By-and-by, of such howling, pelting nights, he began to bend his steps
  • down the dark, narrow side-streets, in quest of the more secluded and
  • mysterious tap-rooms. There he would feel a singular satisfaction, in
  • sitting down all dripping in a chair, ordering his half-pint of ale
  • before him, and drawing over his cap to protect his eyes from the light,
  • eye the varied faces of the social castaways, who here had their haunts
  • from the bitterest midnights.
  • But at last he began to feel a distaste for even these; and now nothing
  • but the utter night-desolation of the obscurest warehousing lanes would
  • content him, or be at all sufferable to him. Among these he had now been
  • accustomed to wind in and out every evening; till one night as he paused
  • a moment previous to turning about for home, a sudden, unwonted, and
  • all-pervading sensation seized him. He knew not where he was; he did not
  • have any ordinary life-feeling at all. He could not see; though
  • instinctively putting his hand to his eyes, he seemed to feel that the
  • lids were open. Then he was sensible of a combined blindness, and
  • vertigo, and staggering; before his eyes a million green meteors danced;
  • he felt his foot tottering upon the curb, he put out his hands, and knew
  • no more for the time. When he came to himself he found that he was lying
  • crosswise in the gutter, dabbled with mud and slime. He raised himself
  • to try if he could stand; but the fit was entirely gone. Immediately he
  • quickened his steps homeward, forbearing to rest or pause at all on the
  • way, lest that rush of blood to his head, consequent upon his sudden
  • cessation from walking, should again smite him down. This circumstance
  • warned him away from those desolate streets, lest the repetition of the
  • fit should leave him there to perish by night in unknown and unsuspected
  • loneliness. But if that terrible vertigo had been also intended for
  • another and deeper warning, he regarded such added warning not at all;
  • but again plied heart and brain as before.
  • But now at last since the very blood in his body had in vain rebelled
  • against his Titanic soul; now the only visible outward symbols of that
  • soul--his eyes--did also turn downright traitors to him, and with more
  • success than the rebellious blood. He had abused them so recklessly,
  • that now they absolutely refused to look on paper. He turned them on
  • paper, and they blinked and shut. The pupils of his eyes rolled away
  • from him in their own orbits. He put his hand up to them, and sat back
  • in his seat. Then, without saying one word, he continued there for his
  • usual term, suspended, motionless, blank.
  • But next morning--it was some few days after the arrival of Lucy--still
  • feeling that a certain downright infatuation, and no less, is both
  • unavoidable and indispensable in the composition of any great, deep
  • book, or even any wholly unsuccessful attempt at any great, deep book;
  • next morning he returned to the charge. But again the pupils of his eyes
  • rolled away from him in their orbits: and now a general and nameless
  • torpor--some horrible foretaste of death itself--seemed stealing upon
  • him.
  • IV.
  • During this state of semi-unconsciousness, or rather trance, a
  • remarkable dream or vision came to him. The actual artificial objects
  • around him slid from him, and were replaced by a baseless yet most
  • imposing spectacle of natural scenery. But though a baseless vision in
  • itself, this airy spectacle assumed very familiar features to Pierre. It
  • was the phantasmagoria of the Mount of the Titans, a singular height
  • standing quite detached in a wide solitude not far from the grand range
  • of dark blue hills encircling his ancestral manor.
  • Say what some poets will, Nature is not so much her own ever-sweet
  • interpreter, as the mere supplier of that cunning alphabet, whereby
  • selecting and combining as he pleases, each man reads his own peculiar
  • lesson according to his own peculiar mind and mood. Thus a
  • high-aspiring, but most moody, disappointed bard, chancing once to visit
  • the Meadows and beholding that fine eminence, christened it by the name
  • it ever after bore; completely extinguishing its former title--The
  • Delectable Mountain--one long ago bestowed by an old Baptist farmer, an
  • hereditary admirer of Bunyan and his most marvelous book. From the spell
  • of that name the mountain never afterward escaped; for now, gazing upon
  • it by the light of those suggestive syllables, no poetical observer
  • could resist the apparent felicity of the title. For as if indeed the
  • immemorial mount would fain adapt itself to its so recent name, some
  • people said that it had insensibly changed its pervading aspect within a
  • score or two of winters. Nor was this strange conceit entirely without
  • foundation, seeing that the annual displacements of huge rocks and
  • gigantic trees were continually modifying its whole front and general
  • contour.
  • On the north side, where it fronted the old Manor-house, some fifteen
  • miles distant, the height, viewed from the piazza of a soft
  • haze-canopied summer's noon, presented a long and beautiful, but not
  • entirely inaccessible-looking purple precipice, some two thousand feet
  • in air, and on each hand sideways sloping down to lofty terraces of
  • pastures.
  • Those hill-side pastures, be it said, were thickly sown with a small
  • white amaranthine flower, which, being irreconcilably distasteful to the
  • cattle, and wholly rejected by them, and yet, continually multiplying on
  • every hand, did by no means contribute to the agricultural value of
  • those elevated lands. Insomuch, that for this cause, the disheartened
  • dairy tenants of that part of the Manor, had petitioned their
  • lady-landlord for some abatement in their annual tribute of upland
  • grasses, in the Juny-load; rolls of butter in the October crock; and
  • steers and heifers on the October hoof; with turkeys in the Christmas
  • sleigh.
  • "The small white flower, it is our bane!" the imploring tenants cried.
  • "The aspiring amaranth, every year it climbs and adds new terraces to
  • its sway! The immortal amaranth, it will not die, but last year's
  • flowers survive to this! The terraced pastures grow glittering white,
  • and in warm June still show like banks of snow:--fit token of the
  • sterileness the amaranth begets! Then free us from the amaranth, good
  • lady, or be pleased to abate our rent!"
  • Now, on a somewhat nearer approach, the precipice did not belie its
  • purple promise from the manorial piazza--that sweet imposing purple
  • promise, which seemed fully to vindicate the Bunyanish old title
  • originally bestowed;--but showed the profuse aerial foliage of a hanging
  • forest. Nevertheless, coming still more nigh, long and frequent rents
  • among the mass of leaves revealed horrible glimpses of dark-dripping
  • rocks, and mysterious mouths of wolfish caves. Struck by this most
  • unanticipated view, the tourist now quickened his impulsive steps to
  • verify the change by coming into direct contact with so chameleon a
  • height. As he would now speed on, the lower ground, which from the
  • manor-house piazza seemed all a grassy level, suddenly merged into a
  • very long and weary acclivity, slowly rising close up to the precipice's
  • base; so that the efflorescent grasses rippled against it, as the
  • efflorescent waves of some great swell or long rolling billow ripple
  • against the water-line of a steep gigantic war-ship on the sea. And, as
  • among the rolling sea-like sands of Egypt, disordered rows of broken
  • Sphinxes lead to the Cheopian pyramid itself; so this long acclivity was
  • thickly strewn with enormous rocky masses, grotesque in shape, and with
  • wonderful features on them, which seemed to express that slumbering
  • intelligence visible in some recumbent beasts--beasts whose intelligence
  • seems struck dumb in them by some sorrowful and inexplicable spell.
  • Nevertheless, round and round those still enchanted rocks, hard by their
  • utmost rims, and in among their cunning crevices, the misanthropic
  • hill-scaling goat nibbled his sweetest food; for the rocks, so barren in
  • themselves, distilled a subtile moisture, which fed with greenness all
  • things that grew about their igneous marge.
  • Quitting those recumbent rocks, you still ascended toward the hanging
  • forest, and piercing within its lowermost fringe, then suddenly you
  • stood transfixed, as a marching soldier confounded at the sight of an
  • impregnable redoubt, where he had fancied it a practicable vault to his
  • courageous thews. Cunningly masked hitherto, by the green tapestry of
  • the interlacing leaves, a terrific towering palisade of dark mossy
  • massiness confronted you; and, trickling with unevaporable moisture,
  • distilled upon you from its beetling brow slow thunder-showers of
  • water-drops, chill as the last dews of death. Now you stood and shivered
  • in that twilight, though it were high noon and burning August down the
  • meads. All round and round, the grim scarred rocks rallied and
  • re-rallied themselves; shot up, protruded, stretched, swelled, and
  • eagerly reached forth; on every side bristlingly radiating with a
  • hideous repellingness. Tossed, and piled, and indiscriminate among
  • these, like bridging rifts of logs up-jammed in alluvial-rushing streams
  • of far Arkansas: or, like great masts and yards of overwhelmed fleets
  • hurled high and dashed amain, all splintering together, on hovering
  • ridges of the Atlantic sea,--you saw the melancholy trophies which the
  • North Wind, championing the unquenchable quarrel of the Winter, had
  • wrested from the forests, and dismembered them on their own chosen
  • battle-ground, in barbarous disdain. 'Mid this spectacle of wide and
  • wanton spoil, insular noises of falling rocks would boomingly explode
  • upon the silence and fright all the echoes, which ran shrieking in and
  • out among the caves, as wailing women and children in some assaulted
  • town.
  • Stark desolation; ruin, merciless and ceaseless; chills and gloom,--all
  • here lived a hidden life, curtained by that cunning purpleness, which,
  • from the piazza of the manor house, so beautifully invested the mountain
  • once called Delectable, but now styled Titanic.
  • Beaten off by such undreamed-of glooms and steeps, you now sadly
  • retraced your steps, and, mayhap, went skirting the inferior sideway
  • terraces of pastures; where the multiple and most sterile inodorous
  • immortalness of the small, white flower furnished no aliment for the
  • mild cow's meditative cud. But here and there you still might smell from
  • far the sweet aromaticness of clumps of catnip, that dear farm-house
  • herb. Soon you would see the modest verdure of the plant itself; and
  • wheresoever you saw that sight, old foundation stones and rotting
  • timbers of log-houses long extinct would also meet your eye; their
  • desolation illy hid by the green solicitudes of the unemigrating herb.
  • Most fitly named the catnip; since, like the unrunagate cat, though all
  • that's human forsake the place, that plant will long abide, long bask
  • and bloom on the abandoned hearth. Illy hid; for every spring the
  • amaranthine and celestial flower gained on the mortal household herb;
  • for every autumn the catnip died, but never an autumn made the amaranth
  • to wane. The catnip and the amaranth!--man's earthly household peace,
  • and the ever-encroaching appetite for God.
  • No more now you sideways followed the sad pasture's skirt, but took your
  • way adown the long declivity, fronting the mystic height. In mid field
  • again you paused among the recumbent sphinx-like shapes thrown off from
  • the rocky steep. You paused; fixed by a form defiant, a form of
  • awfulness. You saw Enceladus the Titan, the most potent of all the
  • giants, writhing from out the imprisoning earth;--turbaned with upborn
  • moss he writhed; still, though armless, resisting with his whole
  • striving trunk, the Pelion and the Ossa hurled back at him;--turbaned
  • with upborn moss he writhed; still turning his unconquerable front
  • toward that majestic mount eternally in vain assailed by him, and which,
  • when it had stormed him off, had heaved his undoffable incubus upon him,
  • and deridingly left him there to bay out his ineffectual howl.
  • To Pierre this wondrous shape had always been a thing of interest,
  • though hitherto all its latent significance had never fully and
  • intelligibly smitten him. In his earlier boyhood a strolling company of
  • young collegian pedestrians had chanced to light upon the rock; and,
  • struck with its remarkableness, had brought a score of picks and spades,
  • and dug round it to unearth it, and find whether indeed it were a
  • demoniac freak of nature, or some stern thing of antediluvian art.
  • Accompanying this eager party, Pierre first beheld that deathless son of
  • Terra. At that time, in its untouched natural state, the statue
  • presented nothing but the turbaned head of igneous rock rising from out
  • the soil, with its unabasable face turned upward toward the mountain,
  • and the bull-like neck clearly defined. With distorted features, scarred
  • and broken, and a black brow mocked by the upborn moss, Enceladus there
  • subterraneously stood, fast frozen into the earth at the junction of the
  • neck. Spades and picks soon heaved part of his Ossa from him, till at
  • last a circular well was opened round him to the depth of some thirteen
  • feet. At that point the wearied young collegians gave over their
  • enterprise in despair. With all their toil, they had not yet come to the
  • girdle of Enceladus. But they had bared good part of his mighty chest,
  • and exposed his mutilated shoulders, and the stumps of his once
  • audacious arms. Thus far uncovering his shame, in that cruel plight they
  • had abandoned him, leaving stark naked his in vain indignant chest to
  • the defilements of the birds, which for untold ages had cast their
  • foulness on his vanquished crest.
  • Not unworthy to be compared with that leaden Titan, wherewith the art of
  • Marsy and the broad-flung pride of Bourbon enriched the enchanted
  • gardens of Versailles;--and from whose still twisted mouth for sixty
  • feet the waters yet upgush, in elemental rivalry with those Etna flames,
  • of old asserted to be the malicious breath of the borne-down giant;--not
  • unworthy to be compared with that leaden demi-god--piled with costly
  • rocks, and with one bent wrenching knee protruding from the broken
  • bronze;--not unworthy to be compared with that bold trophy of high art,
  • this American Enceladus, wrought by the vigorous hand of Nature's self,
  • it did go further than compare;--it did far surpass that fine figure
  • molded by the inferior skill of man. Marsy gave arms to the eternally
  • defenseless; but Nature, more truthful, performed an amputation, and
  • left the impotent Titan without one serviceable ball-and-socket above
  • the thigh.
  • Such was the wild scenery--the Mount of Titans, and the repulsed group
  • of heaven-assaulters, with Enceladus in their midst shamefully recumbent
  • at its base;--such was the wild scenery, which now to Pierre, in his
  • strange vision, displaced the four blank walls, the desk, and camp-bed,
  • and domineered upon his trance. But no longer petrified in all their
  • ignominious attitudes, the herded Titans now sprung to their feet; flung
  • themselves up the slope; and anew battered at the precipice's
  • unresounding wall. Foremost among them all, he saw a moss-turbaned,
  • armless giant, who despairing of any other mode of wreaking his
  • immitigable hate, turned his vast trunk into a battering-ram, and hurled
  • his own arched-out ribs again and yet again against the invulnerable
  • steep.
  • "Enceladus! it is Enceladus!"--Pierre cried out in his sleep. That
  • moment the phantom faced him; and Pierre saw Enceladus no more; but on
  • the Titan's armless trunk, his own duplicate face and features
  • magnifiedly gleamed upon him with prophetic discomfiture and woe. With
  • trembling frame he started from his chair, and woke from that ideal
  • horror to all his actual grief.
  • V.
  • Nor did Pierre's random knowledge of the ancient fables fail still
  • further to elucidate the vision which so strangely had supplied a tongue
  • to muteness. But that elucidation was most repulsively fateful and
  • foreboding; possibly because Pierre did not leap the final barrier of
  • gloom; possibly because Pierre did not willfully wrest some final
  • comfort from the fable; did not flog this stubborn rock as Moses his,
  • and force even aridity itself to quench his painful thirst.
  • Thus smitten, the Mount of Titans seems to yield this following
  • stream:--
  • Old Titan's self was the son of incestuous Coelus and Terra, the son
  • of incestuous Heaven and Earth. And Titan married his mother Terra,
  • another and accumulatively incestuous match. And thereof Enceladus was
  • one issue. So Enceladus was both the son and grandson of an incest; and
  • even thus, there had been born from the organic blended heavenliness and
  • earthliness of Pierre, another mixed, uncertain, heaven-aspiring, but
  • still not wholly earth-emancipated mood; which again, by its terrestrial
  • taint held down to its terrestrial mother, generated there the present
  • doubly incestuous Enceladus within him; so that the present mood of
  • Pierre--that reckless sky-assaulting mood of his, was nevertheless on
  • one side the grandson of the sky. For it is according to eternal
  • fitness, that the precipitated Titan should still seek to regain his
  • paternal birthright even by fierce escalade. Wherefore whoso storms the
  • sky gives best proof he came from thither! But whatso crawls contented
  • in the moat before that crystal fort, shows it was born within that
  • slime, and there forever will abide.
  • Recovered somewhat from the after-spell of this wild vision folded in
  • his trance, Pierre composed his front as best he might, and straightway
  • left his fatal closet. Concentrating all the remaining stuff in him, he
  • resolved by an entire and violent change, and by a willful act against
  • his own most habitual inclinations, to wrestle with the strange malady
  • of his eyes, this new death-fiend of the trance, and this Inferno of his
  • Titanic vision.
  • And now, just as he crossed the threshold of the closet, he writhingly
  • strove to assume an expression intended to be not uncheerful--though how
  • indeed his countenance at all looked, he could not tell; for dreading
  • some insupportably dark revealments in his glass, he had of late wholly
  • abstained from appealing to it--and in his mind he rapidly conned over,
  • what indifferent, disguising, or light-hearted gamesome things he
  • should say, when proposing to his companions the little design he
  • cherished.
  • And even so, to grim Enceladus, the world the gods had chained for a
  • ball to drag at his o'erfreighted feet;--even so that globe put forth a
  • thousand flowers, whose fragile smiles disguised his ponderous load.
  • BOOK XXVI.
  • A WALK: A FOREIGN PORTRAIT: A SAIL: AND THE END.
  • I.
  • "Come, Isabel, come, Lucy; we have not had a single walk together yet.
  • It is cold, but clear; and once out of the city, we shall find it sunny.
  • Come: get ready now, and away for a stroll down to the wharf, and then
  • for some of the steamers on the bay. No doubt, Lucy, you will find in
  • the bay scenery some hints for that secret sketch you are so busily
  • occupied with--ere real living sitters do come--and which you so
  • devotedly work at, all alone and behind closed doors."
  • Upon this, Lucy's original look of pale-rippling pleasantness and
  • surprise--evoked by Pierre's unforeseen proposition to give himself some
  • relaxation--changed into one of infinite, mute, but unrenderable
  • meaning, while her swimming eyes gently, yet all-bewildered, fell to the
  • floor.
  • "It is finished, then," cried Isabel,--not unmindful of this by-scene,
  • and passionately stepping forward so as to intercept Pierre's momentary
  • rapt glance at the agitated Lucy,--"That vile book, it is
  • finished!--Thank Heaven!"
  • "Not so," said Pierre; and, displacing all disguisements, a hectic
  • unsummoned expression suddenly came to his face;--"but ere that vile
  • book be finished, I must get on some other element than earth. I have
  • sat on earth's saddle till I am weary; I must now vault over to the
  • other saddle awhile. Oh, seems to me, there should be two ceaseless
  • steeds for a bold man to ride,--the Land and the Sea; and like
  • circus-men we should never dismount, but only be steadied and rested by
  • leaping from one to the other, while still, side by side, they both race
  • round the sun. I have been on the Land steed so long, oh I am dizzy!"
  • "Thou wilt never listen to me, Pierre," said Lucy lowly; "there is no
  • need of this incessant straining. See, Isabel and I have both offered to
  • be thy amanuenses;--not in mere copying, but in the original writing; I
  • am sure that would greatly assist thee."
  • "Impossible! I fight a duel in which all seconds are forbid."
  • "Ah Pierre! Pierre!" cried Lucy, dropping the shawl in her hand, and
  • gazing at him with unspeakable longings of some unfathomable emotion.
  • Namelessly glancing at Lucy, Isabel slid near to him, seized his hand
  • and spoke.
  • "I would go blind for thee, Pierre; here, take out these eyes, and use
  • them for glasses." So saying, she looked with a strange momentary
  • haughtiness and defiance at Lucy.
  • A general half involuntary movement was now made, as if they were about
  • to depart.
  • "Ye are ready; go ye before"--said Lucy meekly; "I will follow."
  • "Nay, one on each arm"--said Pierre--"come!"
  • As they passed through the low arched vestibule into the street, a
  • cheek-burnt, gamesome sailor passing, exclaimed--"Steer small, my lad;
  • 'tis a narrow strait thou art in!"
  • "What says he?"--said Lucy gently. "Yes, it is a narrow strait of a
  • street indeed."
  • But Pierre felt a sudden tremble transferred to him from Isabel, who
  • whispered something inarticulate in his ear.
  • Gaining one of the thoroughfares, they drew near to a conspicuous
  • placard over a door, announcing that above stairs was a gallery of
  • paintings, recently imported from Europe, and now on free exhibition
  • preparatory to their sale by auction. Though this encounter had been
  • entirely unforeseen by Pierre, yet yielding to the sudden impulse, he at
  • once proposed their visiting the pictures. The girls assented, and they
  • ascended the stairs.
  • In the anteroom, a catalogue was put into his hand. He paused to give
  • one hurried, comprehensive glance at it. Among long columns of such
  • names as Rubens, Raphael, Angelo, Domenichino, Da Vinci, all shamelessly
  • prefaced with the words "undoubted," or "testified," Pierre met the
  • following brief line:--"_No. 99. A stranger's head, by an unknown
  • hand._"
  • It seemed plain that the whole must be a collection of those wretched
  • imported daubs, which with the incredible effrontery peculiar to some of
  • the foreign picture-dealers in America, were christened by the loftiest
  • names known to Art. But as the most mutilated torsoes of the perfections
  • of antiquity are not unworthy the student's attention, neither are the
  • most bungling modern incompletenesses: for both are torsoes; one of
  • perished perfections in the past; the other, by anticipation, of yet
  • unfulfilled perfections in the future. Still, as Pierre walked along by
  • the thickly hung walls, and seemed to detect the infatuated vanity which
  • must have prompted many of these utterly unknown artists in the
  • attempted execution by feeble hand of vigorous themes; he could not
  • repress the most melancholy foreboding concerning himself. All the walls
  • of the world seemed thickly hung with the empty and impotent scope of
  • pictures, grandly outlined, but miserably filled. The smaller and
  • humbler pictures, representing little familiar things, were by far the
  • best executed; but these, though touching him not unpleasingly, in one
  • restricted sense, awoke no dormant majesties in his soul, and therefore,
  • upon the whole, were contemptibly inadequate and unsatisfactory.
  • At last Pierre and Isabel came to that painting of which Pierre was
  • capriciously in search--No. 99.
  • "My God! see! see!" cried Isabel, under strong excitement, "only my
  • mirror has ever shown me that look before! See! see!"
  • By some mere hocus-pocus of chance, or subtly designing knavery, a real
  • Italian gem of art had found its way into this most hybrid collection of
  • impostures.
  • No one who has passed through the great galleries of Europe,
  • unbewildered by their wonderful multitudinousness of surpassing
  • excellence--a redundancy which neutralizes all discrimination or
  • individualizing capacity in most ordinary minds--no calm, penetrative
  • person can have victoriously run that painted gauntlet of the gods,
  • without certain very special emotions, called forth by some one or more
  • individual paintings, to which, however, both the catalogues and the
  • criticisms of the greatest connoisseurs deny any all-transcending merit,
  • at all answering to the effect thus casually produced. There is no time
  • now to show fully how this is; suffice it, that in such instances, it is
  • not the abstract excellence always, but often the accidental
  • congeniality, which occasions this wonderful emotion. Still, the
  • individual himself is apt to impute it to a different cause; hence, the
  • headlong enthusiastic admiration of some one or two men for things not
  • at all praised by--or at most, which are indifferent to--the rest of the
  • world;--a matter so often considered inexplicable.
  • But in this Stranger's Head by the Unknown Hand, the abstract general
  • excellence united with the all-surprising, accidental congeniality in
  • producing an accumulated impression of power upon both Pierre and
  • Isabel. Nor was the strangeness of this at all impaired by the apparent
  • uninterestedness of Lucy concerning that very picture. Indeed,
  • Lucy--who, owing to the occasional jolting of the crowd, had loosened
  • her arm from Pierre's, and so, gradually, had gone on along the pictured
  • hall in advance--Lucy had thus passed the strange painting, without the
  • least special pause, and had now wandered round to the precisely
  • opposite side of the hall; where, at this present time, she was standing
  • motionless before a very tolerable copy (the only other good thing in
  • the collection) of that sweetest, most touching, but most awful of all
  • feminine heads--The Cenci of Guido. The wonderfulness of which head
  • consists chiefly, perhaps, in a striking, suggested contrast,
  • half-identical with, and half-analogous to, that almost supernatural
  • one--sometimes visible in the maidens of tropical nations--namely, soft
  • and light blue eyes, with an extremely fair complexion; vailed by
  • funereally jetty hair. But with blue eyes and fair complexion, the
  • Cenci's hair is golden--physically, therefore, all is in strict, natural
  • keeping; which, nevertheless, still the more intensifies the suggested
  • fanciful anomaly of so sweetly and seraphically _blonde_ a being, being
  • double-hooded, as it were, by the black crape of the two most horrible
  • crimes (of one of which she is the object, and of the other the agent)
  • possible to civilized humanity--incest and parricide.
  • Now, this Cenci and "the Stranger" were hung at a good elevation in one
  • of the upper tiers; and, from the opposite walls, exactly faced each
  • other; so that in secret they seemed pantomimically talking over and
  • across the heads of the living spectators below.
  • With the aspect of the Cenci every one is familiar. "The Stranger" was a
  • dark, comely, youthful man's head, portentously looking out of a dark,
  • shaded ground, and ambiguously smiling. There was no discoverable
  • drapery; the dark head, with its crisp, curly, jetty hair, seemed just
  • disentangling itself from out of curtains and clouds. But to Isabel, in
  • the eye and on the brow, were certain shadowy traces of her own
  • unmistakable likeness; while to Pierre, this face was in part as the
  • resurrection of the one he had burnt at the Inn. Not that the separate
  • features were the same; but the pervading look of it, the subtler
  • interior keeping of the entirety, was almost identical; still, for all
  • this, there was an unequivocal aspect of foreignness, of Europeanism,
  • about both the face itself and the general painting.
  • "Is it? Is it? Can it be?" whispered Isabel, intensely.
  • Now, Isabel knew nothing of the painting which Pierre had destroyed. But
  • she solely referred to the living being who--under the designation of
  • her father--had visited her at the cheerful house to which she had been
  • removed during childhood from the large and unnamable one by the
  • pleasant woman in the coach. Without doubt--though indeed she might not
  • have been at all conscious of it in her own mystic mind--she must have
  • somehow vaguely fancied, that this being had always through life worn
  • the same aspect to every body else which he had to her, for so very
  • brief an interval of his possible existence. Solely knowing him--or
  • dreaming of him, it may have been--under that one aspect, she could not
  • conceive of him under any other. Whether or not these considerations
  • touching Isabel's ideas occurred to Pierre at this moment is very
  • improbable. At any rate, he said nothing to her, either to deceive or
  • undeceive, either to enlighten or obscure. For, indeed, he was too much
  • riveted by his own far-interior emotions to analyze now the cotemporary
  • ones of Isabel. So that there here came to pass a not unremarkable
  • thing: for though both were intensely excited by one object, yet their
  • two minds and memories were thereby directed to entirely different
  • contemplations; while still each, for the time--however
  • unreasonably--might have vaguely supposed the other occupied by one and
  • the same contemplation. Pierre was thinking of the chair-portrait:
  • Isabel, of the living face. Yet Isabel's fervid exclamations having
  • reference to the living face, were now, as it were, mechanically
  • responded to by Pierre, in syllables having reference to the
  • chair-portrait. Nevertheless, so subtile and spontaneous was it all,
  • that neither perhaps ever afterward discovered this contradiction; for,
  • events whirled them so rapidly and peremptorily after this, that they
  • had no time for those calm retrospective reveries indispensable perhaps
  • to such a discovery.
  • "Is it? is it? can it be?" was the intense whisper of Isabel.
  • "No, it can not be, it is not," replied Pierre; "one of the wonderful
  • coincidences, nothing more."
  • "Oh, by that word, Pierre, we but vainly seek to explain the
  • inexplicable. Tell me: it is! it must be! it is wonderful!"
  • "Let us begone; and let us keep eternal silence," said Pierre, quickly;
  • and, seeking Lucy, they abruptly left the place; as before, Pierre,
  • seemingly unwilling to be accosted by any one he knew, or who knew his
  • companions, unconsciously accelerating their steps while forced for a
  • space to tread the thoroughfares.
  • II.
  • As they hurried on, Pierre was silent; but wild thoughts were hurrying
  • and shouting in his heart. The most tremendous displacing and
  • revolutionizing thoughts were upheaving in him, with reference to
  • Isabel; nor--though at the time he was hardly conscious of such a
  • thing--were these thoughts wholly unwelcome to him.
  • How did he know that Isabel was his sister? Setting aside Aunt
  • Dorothea's nebulous legend, to which, in some shadowy points, here and
  • there Isabel's still more nebulous story seemed to fit on,--though but
  • uncertainly enough--and both of which thus blurredly conjoining
  • narrations, regarded in the unscrupulous light of real naked reason,
  • were any thing but legitimately conclusive; and setting aside his own
  • dim reminiscences of his wandering father's death-bed; (for though, in
  • one point of view, those reminiscences might have afforded some degree
  • of presumption as to his father's having been the parent of an
  • unacknowledged daughter, yet were they entirely inconclusive as to that
  • presumed daughter's identity; and the grand point now with Pierre was,
  • not the general question whether his father had had a daughter, but
  • whether, assuming that he had had, _Isabel_, rather than any other
  • living being, _was that daughter_;)--and setting aside all his own
  • manifold and inter-enfolding mystic and transcendental
  • persuasions,--originally born, as he now seemed to feel, purely of an
  • intense procreative enthusiasm:--an enthusiasm no longer so
  • all-potential with him as of yore; setting all these aside, and coming
  • to the plain, palpable facts,--how did he _know_ that Isabel was his
  • sister? Nothing that he saw in her face could he remember as having seen
  • in his father's. The chair-portrait, _that_ was the entire sum and
  • substance of all possible, rakable, downright presumptive evidence,
  • which peculiarly appealed to his own separate self. Yet here was another
  • portrait of a complete stranger--a European; a portrait imported from
  • across the seas, and to be sold at public auction, which was just as
  • strong an evidence as the other. Then, the original of this second
  • portrait was as much the father of Isabel as the original of the
  • chair-portrait. But perhaps there was no original at all to this second
  • portrait; it might have been a pure fancy piece; to which conceit,
  • indeed, the uncharacterizing style of the filling-up seemed to furnish
  • no small testimony.
  • With such bewildering meditations as these in him, running up like
  • clasping waves upon the strand of the most latent secrecies of his soul,
  • and with both Isabel and Lucy bodily touching his sides as he walked;
  • the feelings of Pierre were entirely untranslatable into any words that
  • can be used.
  • Of late to Pierre, much more vividly than ever before, the whole story
  • of Isabel had seemed an enigma, a mystery, an imaginative delirium;
  • especially since he had got so deep into the inventional mysteries of
  • his book. For he who is most practically and deeply conversant with
  • mysticisms and mysteries; he who professionally deals in mysticisms and
  • mysteries himself; often that man, more than any body else, is disposed
  • to regard such things in others as very deceptively bejuggling; and
  • likewise is apt to be rather materialistic in all his own merely
  • personal notions (as in their practical lives, with priests of
  • Eleusinian religions), and more than any other man, is often inclined,
  • at the bottom of his soul, to be uncompromisingly skeptical on all novel
  • visionary hypotheses of any kind. It is only the no-mystics, or the
  • half-mystics, who, properly speaking, are credulous. So that in Pierre,
  • was presented the apparent anomaly of a mind, which by becoming really
  • profound in itself, grew skeptical of all tendered profundities;
  • whereas, the contrary is generally supposed.
  • By some strange arts Isabel's wonderful story might have been, someway,
  • and for some cause, forged for her, in her childhood, and craftily
  • impressed upon her youthful mind; which so--like a slight mark in a
  • young tree--had now enlargingly grown with her growth, till it had
  • become this immense staring marvel. Tested by any thing real, practical,
  • and reasonable, what less probable, for instance, than that fancied
  • crossing of the sea in her childhood, when upon Pierre's subsequent
  • questioning of her, she did not even know that the sea was salt.
  • III.
  • In the midst of all these mental confusions they arrived at the wharf;
  • and selecting the most inviting of the various boats which lay about
  • them in three or four adjacent ferry-slips, and one which was bound for
  • a half-hour's sail across the wide beauty of that glorious bay; they
  • soon found themselves afloat and in swift gliding motion.
  • They stood leaning on the rail of the guard, as the sharp craft darted
  • out from among the lofty pine-forests of ships'-masts, and the tangled
  • underbrush and cane-brakes of the dwarfed sticks of sloops and scows.
  • Soon, the spires of stone on the land, blent with the masts of wood on
  • the water; the crotch of the twin-rivers pressed the great wedged city
  • almost out of sight. They swept by two little islets distant from the
  • shore; they wholly curved away from the domes of free-stone and marble,
  • and gained the great sublime dome of the bay's wide-open waters.
  • Small breeze had been felt in the pent city that day, but the fair
  • breeze of naked nature now blew in their faces. The waves began to
  • gather and roll; and just as they gained a point, where--still
  • beyond--between high promontories of fortresses, the wide bay visibly
  • sluiced into the Atlantic, Isabel convulsively grasped the arm of Pierre
  • and convulsively spoke.
  • "I feel it! I feel it! It is! It is!"
  • "What feelest thou?--what is it?"
  • "The motion! the motion!"
  • "Dost thou not understand, Pierre?" said Lucy, eying with concern and
  • wonder his pale, staring aspect--"The waves: it is the motion of the
  • waves that Isabel speaks of. Look, they are rolling, direct from the sea
  • now."
  • Again Pierre lapsed into a still stranger silence and revery.
  • It was impossible altogether to resist the force of this striking
  • corroboration of by far the most surprising and improbable thing in the
  • whole surprising and improbable story of Isabel. Well did he remember
  • her vague reminiscence of the teetering sea, that did not slope exactly
  • as the floors of the unknown, abandoned, old house among the French-like
  • mountains.
  • While plunged in these mutually neutralizing thoughts of the strange
  • picture and the last exclamations of Isabel, the boat arrived at its
  • destination--a little hamlet on the beach, not very far from the great
  • blue sluice-way into the ocean, which was now yet more distinctly
  • visible than before.
  • "Don't let us stop here"--cried Isabel. "Look, let us go through there!
  • Bell must go through there! See! see! out there upon the blue! yonder,
  • yonder! far away--out, out!--far, far away, and away, and away, out
  • there! where the two blues meet, and are nothing--Bell must go!"
  • "Why, Isabel," murmured Lucy, "that would be to go to far England or
  • France; thou wouldst find but few friends in far France, Isabel."
  • "Friends in far France? And what friends have I here?--Art thou my
  • friend? In thy secret heart dost thou wish me well? And for thee,
  • Pierre, what am I but a vile clog to thee; dragging thee back from all
  • thy felicity? Yes, I will go yonder--yonder; out there! I will, I will!
  • Unhand me! Let me plunge!"
  • For an instant, Lucy looked incoherently from one to the other. But both
  • she and Pierre now mechanically again seized Isabel's frantic arms, as
  • they were again thrown over the outer rail of the boat. They dragged her
  • back; they spoke to her; they soothed her; but though less vehement,
  • Isabel still looked deeply distrustfully at Lucy, and deeply
  • reproachfully at Pierre.
  • They did not leave the boat as intended; too glad were they all, when it
  • unloosed from its fastenings, and turned about upon the backward trip.
  • Stepping to shore, Pierre once more hurried his companions through the
  • unavoidable publicity of the thoroughfares; but less rapidly proceeded,
  • soon as they gained the more secluded streets.
  • IV.
  • Gaining the Apostles', and leaving his two companions to the privacy of
  • their chambers, Pierre sat silent and intent by the stove in the
  • dining-room for a time, and then was on the point of entering his closet
  • from the corridor, when Delly, suddenly following him, said to him, that
  • she had forgotten to mention it before, but he would find two letters in
  • his room, which had been separately left at the door during the absence
  • of the party.
  • He passed into the closet, and slowly shooting the bolt--which, for want
  • of something better, happened to be an old blunted dagger--walked, with
  • his cap yet unmoved, slowly up to the table, and beheld the letters.
  • They were lying with their sealed sides up; one in either hand, he
  • lifted them; and held them straight out sideways from him.
  • "I see not the writing; know not yet, by mine own eye, that they are
  • meant for me; yet, in these hands I feel that I now hold the final
  • poniards that shall stab me; and by stabbing me, make _me_ too a most
  • swift stabber in the recoil. Which point first?--this!"
  • He tore open the left-hand letter:--
  • "SIR:--You are a swindler. Upon the pretense of writing a popular
  • novel for us, you have been receiving cash advances from us, while
  • passing through our press the sheets of a blasphemous rhapsody,
  • filched from the vile Atheists, Lucian and Voltaire. Our great
  • press of publication has hitherto prevented our slightest
  • inspection of our reader's proofs of your book. Send not another
  • sheet to us. Our bill for printing thus far, and also for our cash
  • advances, swindled out of us by you, is now in the hands of our
  • lawyer, who is instructed to proceed with instant rigor.
  • (_Signed_) STEEL, FLINT & ASBESTOS."
  • He folded the left-hand letter, and put it beneath his left heel, and
  • stood upon it so; and then opened the right-hand letter.
  • "Thou, Pierre Glendinning, art a villainous and perjured liar. It
  • is the sole object of this letter imprintedly to convey the point
  • blank lie to thee; that taken in at thy heart, it may be thence
  • pulsed with thy blood, throughout thy system. We have let some
  • interval pass inactive, to confirm and solidify our hate.
  • Separately, and together, we brand thee, in thy every lung-cell, a
  • liar;--liar, because that is the scornfullest and loathsomest title
  • for a man; which in itself is the compend of all infamous things.
  • (_Signed_) GLENDINNING STANLY,
  • FREDERIC TARTAN."
  • He folded the right-hand letter, and put it beneath his right heel; then
  • folding his two arms, stood upon both the letters.
  • "These are most small circumstances; but happening just now to me,
  • become indices to all immensities. For now am I hate-shod! On these I
  • will skate to my acquittal! No longer do I hold terms with aught.
  • World's bread of life, and world's breath of honor, both are snatched
  • from me; but I defy all world's bread and breath. Here I step out before
  • the drawn-up worlds in widest space, and challenge one and all of them
  • to battle! Oh, Glen! oh, Fred! most fraternally do I leap to your
  • rib-crushing hugs! Oh, how I love ye two, that yet can make me lively
  • hate, in a world which elsewise only merits stagnant scorn!--Now, then,
  • where is this swindler's, this coiner's book? Here, on this vile
  • counter, over which the coiner thought to pass it to the world, here
  • will I nail it fast, for a detected cheat! And thus nailed fast now, do
  • I spit upon it, and so get the start of the wise world's worst abuse of
  • it! Now I go out to meet my fate, walking toward me in the street."
  • As with hat on, and Glen and Frederic's letter invisibly crumpled in his
  • hand, he--as it were somnambulously--passed into the room of Isabel, she
  • gave loose to a thin, long shriek, at his wondrous white and haggard
  • plight; and then, without the power to stir toward him, sat petrified
  • in her chair, as one embalmed and glazed with icy varnish.
  • He heeded her not, but passed straight on through both intervening
  • rooms, and without a knock unpremeditatedly entered Lucy's chamber. He
  • would have passed out of that, also, into the corridor, without one
  • word; but something stayed him.
  • The marble girl sat before her easel; a small box of pointed charcoal,
  • and some pencils by her side; her painter's wand held out against the
  • frame; the charcoal-pencil suspended in two fingers, while with the same
  • hand, holding a crust of bread, she was lightly brushing the
  • portrait-paper, to efface some ill-considered stroke. The floor was
  • scattered with the bread-crumbs and charcoal-dust; he looked behind the
  • easel, and saw his own portrait, in the skeleton.
  • At the first glimpse of him, Lucy started not, nor stirred; but as if
  • her own wand had there enchanted her, sat tranced.
  • "Dead embers of departed fires lie by thee, thou pale girl; with dead
  • embers thou seekest to relume the flame of all extinguished love! Waste
  • not so that bread; eat it--in bitterness!"
  • He turned, and entered the corridor, and then, with outstretched arms,
  • paused between the two outer doors of Isabel and Lucy.
  • "For ye two, my most undiluted prayer is now, that from your here unseen
  • and frozen chairs ye may never stir alive;--the fool of Truth, the fool
  • of Virtue, the fool of Fate, now quits ye forever!"
  • As he now sped down the long winding passage, some one eagerly hailed
  • him from a stair.
  • "What, what, my boy? where now in such a squally hurry? Hallo, I say!"
  • But without heeding him at all, Pierre drove on. Millthorpe looked
  • anxiously and alarmedly after him a moment, then made a movement in
  • pursuit, but paused again.
  • "There was ever a black vein in this Glendinning; and now that vein is
  • swelled, as if it were just one peg above a tourniquet drawn over-tight.
  • I scarce durst dog him now; yet my heart misgives me that I
  • should.--Shall I go to his rooms and ask what black thing this is that
  • hath befallen him?--No; not yet;--might be thought officious--they say
  • I'm given to that. I'll wait; something may turn up soon. I'll into the
  • front street, and saunter some; and then--we'll see."
  • V.
  • Pierre passed on to a remote quarter of the building, and abruptly
  • entered the room of one of the Apostles whom he knew. There was no one
  • in it. He hesitated an instant; then walked up to a book-case, with a
  • chest of drawers in the lower part.
  • "Here I saw him put them:--this,--no--here--ay--we'll try this."
  • Wrenching open the locked drawer, a brace of pistols, a powder flask, a
  • bullet-bag, and a round green box of percussion-caps lay before him.
  • "Ha! what wondrous tools Prometheus used, who knows? but more wondrous
  • these, that in an instant, can unmake the topmost
  • three-score-years-and-ten of all Prometheus' makings. Come: here's two
  • tubes that'll outroar the thousand pipes of Harlem.--Is the music in
  • 'em?--No?--Well then, here's powder for the shrill treble; and wadding
  • for the tenor; and a lead bullet for the concluding bass!
  • And,--and,--and,--ay; for the top-wadding, I'll send 'em back their lie,
  • and plant it scorching in their brains!"
  • He tore off that part of Glen and Fred's letter, which more
  • particularly gave the lie; and halving it, rammed it home upon the
  • bullets.
  • He thrust a pistol into either breast of his coat; and taking the
  • rearward passages, went down into the back street; directing his rapid
  • steps toward the grand central thoroughfare of the city.
  • It was a cold, but clear, quiet, and slantingly sunny day; it was
  • between four and five of the afternoon; that hour, when the great
  • glaring avenue was most thronged with haughty-rolling carriages, and
  • proud-rustling promenaders, both men and women. But these last were
  • mostly confined to the one wide pavement to the West; the other pavement
  • was well nigh deserted, save by porters, waiters, and parcel-carriers of
  • the shops. On the west pave, up and down, for three long miles, two
  • streams of glossy, shawled, or broadcloth life unceasingly brushed by
  • each other, as long, resplendent, drooping trains of rival peacocks
  • brush.
  • Mixing with neither of these, Pierre stalked midway between. From his
  • wild and fatal aspect, one way the people took the wall, the other way
  • they took the curb. Unentangledly Pierre threaded all their host, though
  • in its inmost heart. Bent he was, on a straightforward, mathematical
  • intent. His eyes were all about him as he went; especially he glanced
  • over to the deserted pavement opposite; for that emptiness did not
  • deceive him; he himself had often walked that side, the better to scan
  • the pouring throng upon the other.
  • Just as he gained a large, open, triangular space, built round with the
  • stateliest public erections;--the very proscenium of the town;--he saw
  • Glen and Fred advancing, in the distance, on the other side. He
  • continued on; and soon he saw them crossing over to him obliquely, so as
  • to take him face-and-face. He continued on; when suddenly running ahead
  • of Fred, who now chafingly stood still (because Fred would not make two,
  • in the direct personal assault upon one) and shouting "Liar! Villain!"
  • Glen leaped toward Pierre from front, and with such lightning-like
  • ferocity, that the simultaneous blow of his cowhide smote Pierre across
  • the cheek, and left a half-livid and half-bloody brand.
  • For that one moment, the people fell back on all sides from them; and
  • left them--momentarily recoiled from each other--in a ring of panics.
  • But clapping both hands to his two breasts, Pierre, on both sides
  • shaking off the sudden white grasp of two rushing girls, tore out both
  • pistols, and rushed headlong upon Glen.
  • "For thy one blow, take here two deaths! 'Tis speechless sweet to murder
  • thee!"
  • Spatterings of his own kindred blood were upon the pavement; his own
  • hand had extinguished his house in slaughtering the only unoutlawed
  • human being by the name of Glendinning;--and Pierre was seized by a
  • hundred contending hands.
  • VI.
  • That sundown, Pierre stood solitary in a low dungeon of the city prison.
  • The cumbersome stone ceiling almost rested on his brow; so that the long
  • tiers of massive cell-galleries above seemed partly piled on him. His
  • immortal, immovable, bleached cheek was dry; but the stone cheeks of the
  • walls were trickling. The pent twilight of the contracted yard, coming
  • through the barred arrow-slit, fell in dim bars upon the granite floor.
  • "Here, then, is the untimely, timely end;--Life's last chapter well
  • stitched into the middle! Nor book, nor author of the book, hath any
  • sequel, though each hath its last lettering!--It is ambiguous still. Had
  • I been heartless now, disowned, and spurningly portioned off the girl
  • at Saddle Meadows, then had I been happy through a long life on earth,
  • and perchance through a long eternity in heaven! Now, 'tis merely hell
  • in both worlds. Well, be it hell. I will mold a trumpet of the flames,
  • and, with my breath of flame, breathe back my defiance! But give me
  • first another body! I long and long to die, to be rid of this dishonored
  • cheek. _Hung by the neck till thou be dead._--Not if I forestall you,
  • though!--Oh now to live is death, and now to die is life; now, to my
  • soul, were a sword my midwife!--Hark!--the hangman?--who comes?"
  • "Thy wife and cousin--so they say;--hope they may be; they may stay till
  • twelve;" wheezingly answered a turnkey, pushing the tottering girls into
  • the cell, and locking the door upon them.
  • "Ye two pale ghosts, were this the other world, ye were not welcome.
  • Away!--Good Angel and Bad Angel both!--For Pierre is neuter now!"
  • "Oh, ye stony roofs, and seven-fold stony skies!--not thou art the
  • murderer, but thy sister hath murdered thee, my brother, oh my brother!"
  • At these wailed words from Isabel, Lucy shrunk up like a scroll, and
  • noiselessly fell at the feet of Pierre.
  • He touched her heart.--"Dead!--Girl! wife or sister, saint or
  • fiend!"--seizing Isabel in his grasp--"in thy breasts, life for infants
  • lodgeth not, but death-milk for thee and me!--The drug!" and tearing her
  • bosom loose, he seized the secret vial nesting there.
  • VII.
  • At night the squat-framed, asthmatic turnkey tramped the dim-lit iron
  • gallery before one of the long honey-combed rows of cells.
  • "Mighty still there, in that hole, them two mice I let in;--humph!"
  • Suddenly, at the further end of the gallery, he discerned a shadowy
  • figure emerging from the archway there, and running on before an
  • officer, and impetuously approaching where the turnkey stood.
  • "More relations coming. These wind-broken chaps are always in before the
  • second death, seeing they always miss the first.--Humph! What a froth
  • the fellow's in?--Wheezes worse than me!"
  • "Where is she?" cried Fred Tartan, fiercely, to him; "she's not at the
  • murderer's rooms! I sought the sweet girl there, instant upon the blow;
  • but the lone dumb thing I found there only wrung her speechless hands
  • and pointed to the door;--both birds were flown! Where is she, turnkey?
  • I've searched all lengths and breadths but this. Hath any angel swept
  • adown and lighted in your granite hell?"
  • "Broken his wind, and broken loose, too, aint he?" wheezed the turnkey
  • to the officer who now came up.
  • "This gentleman seeks a young lady, his sister, someway innocently
  • connected with the prisoner last brought in. Have any females been here
  • to see him?"
  • "Oh, ay,--two of 'em in there now;" jerking his stumped thumb behind
  • him.
  • Fred darted toward the designated cell.
  • "Oh, easy, easy, young gentleman"--jingling at his huge bunch of
  • keys--"easy, easy, till I get the picks--I'm housewife here.--Hallo,
  • here comes another."
  • Hurrying through the same archway toward them, there now rapidly
  • advanced a second impetuous figure, running on in advance of a second
  • officer.
  • "Where is the cell?" demanded Millthorpe.
  • "He seeks an interview with the last prisoner," explained the second
  • officer.
  • "Kill 'em both with one stone, then," wheezed the turnkey, gratingly
  • throwing open the door of the cell. "There's his pretty parlor,
  • gentlemen; step in. Reg'lar mouse-hole, arn't it?--Might hear a rabbit
  • burrow on the world's t'other side;--are they all 'sleep?"
  • "I stumble!" cried Fred, from within; "Lucy! A light! a light!--Lucy!"
  • And he wildly groped about the cell, and blindly caught Millthorpe, who
  • was also wildly groping.
  • "Blister me not! take off thy bloody touch!--Ho, ho, the light!--Lucy!
  • Lucy!--she's fainted!"
  • Then both stumbled again, and fell from each other in the cell: and for
  • a moment all seemed still, as though all breaths were held.
  • As the light was now thrust in, Fred was seen on the floor holding his
  • sister in his arms; and Millthorpe kneeling by the side of Pierre, the
  • unresponsive hand in his; while Isabel, feebly moving, reclined between,
  • against the wall.
  • "Yes! Yes!--Dead! Dead! Dead!--without one visible wound--her sweet
  • plumage hides it.--Thou hellish carrion, this is thy hellish work! Thy
  • juggler's rifle brought down this heavenly bird! Oh, my God, my God!
  • Thou scalpest me with this sight!"
  • "The dark vein's burst, and here's the deluge-wreck--all stranded here!
  • Ah, Pierre! my old companion,
  • Pierre;--school-mate--play-mate--friend!--Our sweet boy's walks within
  • the woods!--Oh, I would have rallied thee, and banteringly warned thee
  • from thy too moody ways, but thou wouldst never heed! What scornful
  • innocence rests on thy lips, my friend!--Hand scorched with murderer's
  • powder, yet how woman-soft!--By heaven, these fingers move!--one
  • speechless clasp!--all's o'er!"
  • "All's o'er, and ye know him not!" came gasping from the wall; and from
  • the fingers of Isabel dropped an empty vial--as it had been a run-out
  • sand-glass--and shivered upon the floor; and her whole form sloped
  • sideways, and she fell upon Pierre's heart, and her long hair ran over
  • him, and arbored him in ebon vines.
  • FINIS.
  • End of Project Gutenberg's Pierre; or The Ambiguities, by Herman Melville
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