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  • The Project Gutenberg EBook of The Poetical Works of Oliver Wendell
  • Holmes, Complete, by Oliver Wendell Holmes, Sr.
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  • Title: The Poetical Works of Oliver Wendell Holmes, Complete
  • Author: Oliver Wendell Holmes, Sr.
  • Release Date: October 27, 2006 [EBook #7400]
  • Language: English
  • *** START OF THIS PROJECT GUTENBERG EBOOK POETICAL WORKS OF HOLMES ***
  • Produced by David Widger
  • THE POETICAL WORKS
  • OF
  • OLIVER WENDELL HOLMES
  • [1893 three volume set]
  • CONTENTS:
  • TO MY READERS
  • EARLIER POEMS (1830-1836).
  • OLD IRONSIDES
  • THE LAST LEAF
  • THE CAMBRIDGE CHURCHYARD
  • TO AN INSECT
  • THE DILEMMA
  • MY AUNT
  • REFLECTIONS OF A PROUD PEDESTRIAN
  • DAILY TRIALS, BY A SENSITIVE MAN
  • EVENING, BY A TAILOR
  • THE DORCHESTER GIANT
  • TO THE PORTRAIT OF "A LADY"
  • THE COMET
  • THE Music-GRINDERS
  • THE TREADMILL SONG
  • THE SEPTEMBER GALE
  • THE HEIGHT OF THE RIDICULOUS
  • THE LAST READER
  • POETRY: A METRICAL ESSAY
  • ADDITIONAL POEMS (1837-1848):
  • THE PILGRIM'S VISION
  • THE STEAMBOAT
  • LEXINGTON
  • ON LENDING A PUNCH BOWL
  • A SONG FOR THE CENTENNIAL CELEBRATION OF HARVARD COLLEGE,
  • THE ISLAND HUNTING-SONG
  • DEPARTED DAYS
  • THE ONLY DAUGHTER
  • SONG WRITTEN FOR THE DINNER GIVEN TO CHARLES
  • DICKENS, BY THE YOUNG MEN OF BOSTON, FEBRUARY 1, 1842
  • LINES RECITED AT THE BERKSHIRE JUBILEE
  • NUX POSTCOENATICA
  • VERSES FOR AFTER-DINNER
  • A MODEST REQUEST, COMPLIED WITH AFTER THE
  • DINNER AT PRESIDENT EVERETT'S INAUGURATION
  • THE PARTING WORD
  • A SONG OF OTHER DAYS
  • SONG FOR A TEMPERANCE DINNER TO WHICH LADIES WERE INVITED
  • (NEW YORK MERCANTILE LIBRARY ASSOCIATION, NOVEMBER, 1842)
  • A SENTIMENT
  • A RHYMED LESSON (URANIA)
  • AN AFTER-DINNER POEM (TERPSICHORE)
  • MEDICAL POEMS:
  • THE MORNING VISIT
  • THE TWO ARMIES
  • THE STETHOSCOPE SONG
  • EXTRACTS FROM A MEDICAL POEM
  • A POEM FOR THE MEETING OF THE AMERICAN MEDICAL ASSOCIATION
  • AT NEW YORK, MAY 5, 1853
  • A SENTIMENT
  • RIP VAN WINKLE, M. D.
  • SONGS IN MANY KEYS (1849-1861)
  • PROLOGUE
  • AGNES
  • THE PLOUGHMAN
  • SPRING
  • THE STUDY
  • THE BELLS
  • NON-RESISTANCE
  • THE MORAL BULLY
  • THE MIND'S DIET
  • OUR LIMITATIONS
  • THE OLD PLAYER
  • A POEM DEDICATION OF THE PITTSFIELD CEMETERY, SEPTEMBER 9,1850
  • TO GOVERNOR SWAIN
  • TO AN ENGLISH FRIEND
  • AFTER A LECTURE ON WORDSWORTH
  • AFTER A LECTURE ON MOORE
  • AFTER A LECTURE ON KEATS
  • AFTER A LECTURE ON SHELLEY
  • AT THE CLOSE OF A COURSE OF LECTURES
  • THE HUDSON
  • THE NEW EDEN
  • SEMI-CENTENNIAL CELEBRATION OF THE NEW ENGLAND SOCIETY,
  • NEW YORK, DECEMBER 22,1855
  • FAREWELL TO J. R. LOWELL
  • FOR THE MEETING OF THE BURNS CLUB, 1856
  • ODE FOR WASHINGTON'S BIRTHDAY
  • BIRTHDAY OF DANIEL WEBSTER
  • THE VOICELESS
  • THE TWO STREAMS
  • THE PROMISE
  • AVIS
  • THE LIVING TEMPLE
  • AT A BIRTHDAY FESTIVAL: TO J. R. LOWELL
  • A BIRTHDAY TRIBUTE TO J. F. CLARKE
  • THE GRAY CHIEF
  • THE LAST LOOK: W. W. SWAIN
  • IN MEMORY OF CHARLES WENTWORTH UPHAM, JR.
  • MARTHA
  • MEETING OF THE ALUMNI OF HARVARD COLLEGE
  • THE PARTING SONG
  • FOR THE MEETING OF THE NATIONAL SANITARY ASSOCIATION
  • FOR THE BURNS CENTENNIAL CELEBRATION,
  • AT A MEETING OF FRIENDS
  • BOSTON COMMON: THREE PICTURES
  • THE OLD MAN OF THE SEA
  • INTERNATIONAL ODE
  • VIVE LA FRANCE
  • BROTHER JONATHAN'S LAMENT FOR SISTER CAROLINE
  • NOTES
  • [Volume 2 of the 1893 three volume set]
  • CONTENTS:
  • POEMS OF THE CLASS OF '29 (1851-1889)
  • BILL AND JOE
  • A SONG OF "TWENTY-NINE"
  • QUESTIONS AND ANSWERS
  • AN IMPROMPTU
  • THE OLD MAN DREAMS
  • REMEMBER--FORGET
  • OUR INDIAN SUMMER
  • MARE RUBRUM
  • THE Boys
  • LINES
  • A VOICE OF THE LOYAL NORTH
  • J. D. R.
  • VOYAGE OF THE GOOD SHIP UNION
  • "CHOOSE YOU THIS DAY WHOM YE WILL SERVE"
  • F. W. C.
  • THE LAST CHARGE
  • OUR OLDEST FRIEND
  • SHERMAN 'S IN SAVANNAH
  • MY ANNUAL
  • ALL HERE
  • ONCE MORE
  • THE OLD CRUISER
  • HYMN FOR THE CLASS-MEETING
  • EVEN-SONG
  • THE SMILING LISTENER
  • OUR SWEET SINGER: J. A.
  • H. C. M., H. S., J. K. W.
  • WHAT I HAVE COME FOR
  • OUR BANKER
  • FOR CLASS-MEETING
  • "AD AMICOS"
  • HOW NOT TO SETTLE IT
  • THE LAST SURVIVOR
  • THE ARCHBISHOP AND GIL BLAS
  • THE SHADOWS
  • BENJAMIN PEIRCE
  • IN THE TWILIGHT
  • A LOVING-CUP SONG
  • THE GIRDLE OF FRIENDSHIP
  • THE LYRE OF ANACREON
  • THE OLD TUNE
  • THE BROKEN CIRCLE
  • THE ANGEL-THIEF
  • AFTER THE CURFEW
  • POEMS FROM THE AUTOCRAT OF THE BREAKFAST-TABLE (1857-1858)
  • THE CHAMBERED NAUTILUS
  • SUN AND SHADOW
  • MUSA
  • A PARTING HEALTH: To J. L. MOTLEY
  • WHAT WE ALL THINK
  • SPRING HAS COME
  • PROLOGUE
  • LATTER-DAY WARNINGS
  • ALBUM VERSES
  • A GOOD TIME GOING!
  • THE LAST BLOSSOM
  • CONTENTMENT
  • AESTIVATION
  • THE DEACON'S MASTERPIECE; OR, THE WONDERFUL "ONE-HOSE SHAY"
  • PARSON TURELL'S LEGACY; OR, THE PRESIDENT'S OLD ARM-CHAIR
  • ODE FOR A SOCIAL MEETING, WITH SLIGHT ALTERATIONS BY A TEETOTALER
  • POEMS FROM THE PROFESSOR AT THE BREAKFAST-TABLE (1858-1859)
  • UNDER THE VIOLETS
  • HYMN OF TRUST
  • A SUN-DAY HYMN
  • THE CROOKED FOOTPATH
  • IRIS, HER BOOK
  • ROBINSON OF LEYDEN
  • ST ANTHONY THE REFORMER
  • THE OPENING OF THE PIANO
  • MIDSUMMER
  • DE SAUTY
  • POEMS FROM THE POET AT THE BREAKFAST-TABLE (1871-1872)
  • HOMESICK IN HEAVEN
  • FANTASIA
  • AUNT TABITHA
  • WIND-CLOUDS AND STAR-DRIFTS
  • EPILOGUE TO THE BREAKFAST-TABLE SERIES
  • SONGS OF MANY SEASONS (1862-1874)
  • OPENING THE WINDOW
  • PROGRAMME
  • IN THE QUIET DAYS
  • AN OLD-YEAR SONG
  • DOROTHY Q: A FAMILY PORTRAIT
  • THE ORGAN-BLOWER
  • AT THE PANTOMIME
  • AFTER THE FIRE
  • A BALLAD OF THE BOSTON TEA-PARTY
  • NEARING THE SNOW-LINE
  • IN WAR TIME
  • TO CANAAN: A PURITAN WAR-SONG
  • "THUS SAITH THE LORD, I OFFER THEE THREE THINGS"
  • NEVER OR NOW
  • ONE COUNTRY
  • GOD SAVE THE FLAG!
  • HYMN AFTER THE EMANCIPATION PROCLAMATION
  • HYMN FOR THE FAIR AT CHICAGO
  • UNDER THE WASHINGTON ELM, CAMBRIDGE
  • FREEDOM, OUR QUEEN
  • ARMY HYMN
  • PARTING HYMN
  • THE FLOWER OF LIBERTY
  • THE SWEET LITTLE MAN
  • UNION AND LIBERTY
  • SONGS OF WELCOME AND FAREWELL
  • AMERICA TO RUSSIA
  • WELCOME TO THE GRAND DUKE ALEXIS
  • AT THE BANQUET TO THE GRAND DUKE ALEXIS
  • AT THE BANQUET TO THE CHINESE EMBASSY
  • AT THE BANQUET TO THE JAPANESE EMBASSY
  • BRYANT'S SEVENTIETH BIRTHDAY
  • A FAREWELL TO AGASSIZ
  • AT A DINNER TO ADMIRAL FARRAGUT
  • AT A DINNER TO GENERAL GRANT
  • To H W LONGFELLOW
  • To CHRISTIAN GOTTFRIED EHRENBERG
  • A TOAST TO WILKIE COLLINS
  • MEMORIAL VERSES
  • FOR THE SERVICES IN MEMORY OF ABRAHAM LINCOLN, BOSTON, 1865
  • FOR THE COMMEMORATION SERVICES, CAMBRIDGE JULY 21, 1865
  • EDWARD EVERETT: JANUARY 30, 1865
  • SHAKESPEARE TERCENTENNIAL CELEBRATION, APRIL 23, 1864
  • IN MEMORY OF JOHN AND ROBERT WARE, MAY 25, 1864
  • HUMBOLDT'S BIRTHDAY: CENTENNIAL CELEBRATION, SEPTEMBER 14, 1869
  • POEM AT THE DEDICATION OF THE HALLECK MONUMENT, JULY 8, 1869
  • HYMN FOR THE CELEBRATION AT THE LAYING OF THE CORNER-STONE OF
  • HARVARD MEMORIAL HALL, CAMBRIDGE, OCTOBER 6, 1870
  • HYMN FOR THE DEDICATION OF MEMORIAL HALL AT CAMBRIDGE, 1874
  • HYMN AT THE FUNERAL SERVICES OF CHARLES SUMNER, APRIL 29, 1874
  • RHYMES OF AN HOUR
  • ADDRESS FOR THE OPENING OF THE FIFTH AVENUE THEATRE, N. Y. 1873
  • A SEA DIALOGUE
  • CHANSON WITHOUT MUSIC
  • FOR THE CENTENNIAL DINNER, PROPRIETORS OF BOSTON PIER, 1873
  • A POEM SERVED TO ORDER
  • THE FOUNTAIN OF YOUTH
  • No TIME LIKE THE OLD TIME
  • A HYMN OF PEACE, TO THE MUSIC OF KELLER'S "AMERICAN HYMN"
  • NOTES
  • [Volume 3 of the 1893 three volume set]
  • CONTENTS
  • BUNKER-HILL BATTLE AND OTHER POEMS
  • GRANDMOTHER'S STORY OF BUNKER-HILL BATTLE
  • AT THE "ATLANTIC" DINNER, DECEMBER 15, 1874
  • "LUCY." FOR HER GOLDEN WEDDING, OCTOBER 18, 1875
  • HYMN FOR THE INAUGURATION OF THE STATUE OF GOVERNOR ANDREW, HINGHAM,
  • OCTOBER 7, 1875
  • A MEMORIAL TRIBUTE TO DR. SAMUEL G. HOWE
  • JOSEPH WARREN, M. D.
  • OLD CAMBRIDGE, JULY 3, 1875
  • WELCOME TO THE NATIONS, PHILADELPHIA, JULY 4, 1876
  • A FAMILIAR LETTER
  • UNSATISFIED
  • HOW THE OLD HORSE WON THE BET
  • AN APPEAL FOR "THE OLD SOUTH"
  • THE FIRST FAN
  • To R. B. H.
  • THE SHIP OF STATE
  • A FAMILY RECORD
  • THE IRON GATE AND OTHER POEMS.
  • THE IRON GATE
  • VESTIGIA QUINQUE RETRORSUM
  • MY AVIARY
  • ON THE THRESHOLD
  • TO GEORGE PEABODY
  • AT THE PAPYRUS CLUB
  • FOR WHITTIER'S SEVENTIETH BIRTHDAY
  • TWO SONNETS: HARVARD
  • THE COMING ERA
  • IN RESPONSE
  • FOR THE MOORE CENTENNIAL CELEBRATION
  • TO JAMES FREEMAN CLARKE
  • WELCOME TO THE CHICAGO COMMERCIAL CLUB
  • AMERICAN ACADEMY CENTENNIAL CELEBRATION
  • THE SCHOOL-BOY
  • THE SILENT MELODY
  • OUR HOME--OUR COUNTRY
  • POEM AT THE CENTENNIAL ANNIVERSARY DINNER OF THE MASSACHUSETTS
  • MEDICAL SOCIETY
  • RHYMES OF A LIFE-TIME
  • BEFORE THE CURFEW
  • AT MY FIRESIDE
  • AT THE SATURDAY CLUB
  • OUR DEAD SINGER. H. W. L.
  • TWO POEMS TO HARRIET BEECHER STOWE ON HER SEVENTIETH BIRTHDAY.
  • I. AT THE SUMMIT
  • II. THE WORLD'S HOMAGE
  • A WELCOME TO DR. BENJAMIN APTHORP GOULD
  • TO FREDERICK HENRY HEDGE ON HIS EIGHTIETH BIRTHDAY
  • TO JAMES RUSSELL LOWELL
  • TO JOHN GREENLEAF WHITTIER ON HIS EIGHTIETH BIRTHDAY
  • PRELUDE TO A VOLUME PRINTED IN RAISED LETTERS
  • FOR THE BLIND
  • BOSTON TO FLORENCE
  • AT THE UNITARIAN FESTIVAL, MARCH 8, 1882
  • POEM FOR THE TWO HUNDRED AND FIFTIETH ANNIVERSARY OF THE FOUNDING OF
  • HARVARD COLLEGE
  • POST-PRANDIAL: PHI BETA KAPPA, 1881
  • THE FLANEUR: DURING THE TRANSIT OF VENUS, 1882
  • AVE
  • KING'S CHAPEL READ AT THE TWO HUNDREDTH ANNIVERSARY
  • HYMN FOR THE SAME OCCASION
  • HYMN.--THE WORD OF PROMISE
  • HYMN READ AT THE DEDICATION OF THE OLIVER WENDELL HOLMES HOSPITAL AT
  • HUDSON, WISCONSIN, JUNE 7, 1887
  • ON THE DEATH OF PRESIDENT GARFIELD
  • THE GOLDEN FLOWER
  • HAIL, COLUMBIA!
  • POEM FOR THE DEDICATION OF THE FOUNTAIN AT STRATFORD-ON-AVON,
  • PRESENTED
  • BY GEORGE CHILDS, OF PHILADELPHIA
  • TO THE POETS WHO ONLY READ AND LISTEN
  • FOR THE DEDICATION OF THE NEW CITY LIBRARY
  • FOR THE WINDOW IN ST. MARGARET'S
  • JAMES RUSSELL LO WELL: 1819-1891
  • POEMS FROM OVER THE TEACUPS.
  • TO THE ELEVEN LADIES WHO PRESENTED ME WITH A SILVER LOVING CUP
  • THE PEAU DE CHAGRIN OF STATE STREET
  • CACOETHES SCRIBENDI
  • THE ROSE AND THE FERN
  • I LIKE YOU AND I LOVE YOU
  • LA MAISON D'OR BAR HARBOR
  • TOO YOUNG FOR LOVE
  • THE BROOMSTICK TRAIN; OR, THE RETURN OF THE WITCHES
  • TARTARUS
  • AT THE TURN OF THE ROAD
  • INVITA MINERVA
  • READINGS OVER THE TEACUPS
  • TO MY OLD READERS
  • THE BANKER'S SECRET
  • THE EXILE'S SECRET
  • THE LOVER'S SECRET
  • THE STATESMAN'S SECRET
  • THE MOTHER'S SECRET
  • THE SECRET OF THE STARS
  • VERSES FROM THE OLDEST PORTFOLIO
  • FIRST VERSES: TRANSLATION FROM THE THE MEETING OF THE DRYADS
  • THE MYSTERIOUS VISITOR
  • THE TOADSTOOL
  • THE SPECTRE PIG
  • TO A CAGED LION
  • THE STAR AND THE WATER-LILY
  • ILLUSTRATION OF A PICTURE: "A SPANISH GIRL REVERIE"
  • A ROMAN AQUEDUCT
  • FROM A BACHELOR'S PRIVATE JOURNAL
  • LA GRISETTE
  • OUR YANKEE GIRLS
  • L'INCONNUE
  • STANZAS
  • LINES BY A CLERK
  • THE PHILOSOPHER TO HIS LOVE
  • THE POET'S LOT
  • TO A BLANK SHEET OF PAPER
  • TO THE PORTRAIT OF "A GENTLEMAN" IN THE ATHENAEUM GALLERY
  • THE BALLAD OF THE OYSTERMAN
  • A NOONTIDE LYRIC
  • THE HOT SEASON
  • A PORTRAIT
  • AN EVENING THOUGHT. WRITTEN AT SEA
  • THE WASP AND THE HORNET
  • "QUI VIVE?"
  • NOTES
  • TO MY READERS
  • NAY, blame me not; I might have spared
  • Your patience many a trivial verse,
  • Yet these my earlier welcome shared,
  • So, let the better shield the worse.
  • And some might say, "Those ruder songs
  • Had freshness which the new have lost;
  • To spring the opening leaf belongs,
  • The chestnut-burs await the frost."
  • When those I wrote, my locks were brown,
  • When these I write--ah, well a-day!
  • The autumn thistle's silvery down
  • Is not the purple bloom of May.
  • Go, little book, whose pages hold
  • Those garnered years in loving trust;
  • How long before your blue and gold
  • Shall fade and whiten in the dust?
  • O sexton of the alcoved tomb,
  • Where souls in leathern cerements lie,
  • Tell me each living poet's doom!
  • How long before his book shall die?
  • It matters little, soon or late,
  • A day, a month, a year, an age,--
  • I read oblivion in its date,
  • And Finis on its title-page.
  • Before we sighed, our griefs were told;
  • Before we smiled, our joys were sung;
  • And all our passions shaped of old
  • In accents lost to mortal tongue.
  • In vain a fresher mould we seek,--
  • Can all the varied phrases tell
  • That Babel's wandering children speak
  • How thrushes sing or lilacs smell?
  • Caged in the poet's lonely heart,
  • Love wastes unheard its tenderest tone;
  • The soul that sings must dwell apart,
  • Its inward melodies unknown.
  • Deal gently with us, ye who read
  • Our largest hope is unfulfilled,--
  • The promise still outruns the deed,--
  • The tower, but not the spire, we build.
  • Our whitest pearl we never find;
  • Our ripest fruit we never reach;
  • The flowering moments of the mind
  • Drop half their petals in our speech.
  • These are my blossoms; if they wear
  • One streak of morn or evening's glow,
  • Accept them; but to me more fair
  • The buds of song that never blow.
  • April 8, 1862.
  • EARLIER POEMS
  • 1830-1836 OLD IRONSIDES
  • This was the popular name by which the frigate Constitution
  • was known. The poem was first printed in the Boston Daily
  • Advertiser, at the time when it was proposed to break up the
  • old ship as unfit for service. I subjoin the paragraph which
  • led to the writing of the poem. It is from the Advertiser of
  • Tuesday, September 14, 1830:--
  • "Old Ironsides.--It has been affirmed upon good authority
  • that the Secretary of the Navy has recommended to the Board of
  • Navy Commissioners to dispose of the frigate Constitution. Since
  • it has been understood that such a step was in contemplation we
  • have heard but one opinion expressed, and that in decided
  • disapprobation of the measure. Such a national object of interest,
  • so endeared to our national pride as Old Ironsides is, should
  • never by any act of our government cease to belong to the Navy,
  • so long as our country is to be found upon the map of nations.
  • In England it was lately determined by the Admiralty to cut the
  • Victory, a one-hundred gun ship (which it will be recollected bore
  • the flag of Lord Nelson at the battle of Trafalgar,) down to a
  • seventy-four, but so loud were the lamentations of the people upon
  • the proposed measure that the intention was abandoned. We
  • confidently anticipate that the Secretary of the Navy will in like
  • manner consult the general wish in regard to the Constitution, and
  • either let her remain in ordinary or rebuild her whenever the
  • public service may require."--New York Journal of Commerce.
  • The poem was an impromptu outburst of feeling and was published
  • on the next day but one after reading the above paragraph.
  • AY, tear her tattered ensign down
  • Long has it waved on high,
  • And many an eye has danced to see
  • That banner in the sky;
  • Beneath it rung the battle shout,
  • And burst the cannon's roar;--
  • The meteor of the ocean air
  • Shall sweep the clouds no more.
  • Her deck, once red with heroes' blood,
  • Where knelt the vanquished foe,
  • When winds were hurrying o'er the flood,
  • And waves were white below,
  • No more shall feel the victor's tread,
  • Or know the conquered knee;--
  • The harpies of the shore shall pluck
  • The eagle of the sea!
  • Oh better that her shattered hulk
  • Should sink beneath the wave;
  • Her thunders shook the mighty deep,
  • And there should be her grave;
  • Nail to the mast her holy flag,
  • Set every threadbare sail,
  • And give her to the god of storms,
  • The lightning and the gale!
  • THE LAST LEAF
  • This poem was suggested by the appearance in one of our
  • streets of a venerable relic of the Revolution, said to be one
  • of the party who threw the tea overboard in Boston Harbor. He
  • was a fine monumental specimen in his cocked hat and knee
  • breeches, with his buckled shoes and his sturdy cane. The smile
  • with which I, as a young man, greeted him, meant no disrespect to
  • an honored fellow-citizen whose costume was out of date, but whose
  • patriotism never changed with years. I do not recall any earlier
  • example of this form of verse, which was commended by the fastidious
  • Edgar Allan Poe, who made a copy of the whole poem which I have
  • in his own handwriting. Good Abraham Lincoln had a great liking
  • for the poem, and repeated it from memory to Governor Andrew,
  • as the governor himself told me.
  • I SAW him once before,
  • As he passed by the door,
  • And again
  • The pavement stones resound,
  • As he totters o'er the ground
  • With his cane.
  • They say that in his prime,
  • Ere the pruning-knife of Time
  • Cut him down,
  • Not a better man was found
  • By the Crier on his round
  • Through the town.
  • But now he walks the streets,
  • And he looks at all he meets
  • Sad and wan,
  • And he shakes his feeble head,
  • That it seems as if he said,
  • "They are gone."
  • The mossy marbles rest
  • On the lips that he has prest
  • In their bloom,
  • And the names he loved to hear
  • Have been carved for many a year
  • On the tomb.
  • My grandmamma has said--
  • Poor old lady, she is dead
  • Long ago--
  • That he had a Roman nose,
  • And his cheek was like a rose
  • In the snow.
  • But now his nose is thin,
  • And it rests upon his chin
  • Like a staff,
  • And a crook is in his back,
  • And a melancholy crack
  • In his laugh.
  • I know it is a sin
  • For me to sit and grin
  • At him here;
  • But the old three-cornered hat,
  • And the breeches, and all that,
  • Are so queer!
  • And if I should live to be
  • The last leaf upon the tree
  • In the spring,
  • Let them smile, as I do now,
  • At the old forsaken bough
  • Where I cling.
  • THE CAMBRIDGE CHURCHYARD
  • OUR ancient church! its lowly tower,
  • Beneath the loftier spire,
  • Is shadowed when the sunset hour
  • Clothes the tall shaft in fire;
  • It sinks beyond the distant eye
  • Long ere the glittering vane,
  • High wheeling in the western sky,
  • Has faded o'er the plain.
  • Like Sentinel and Nun, they keep
  • Their vigil on the green;
  • One seems to guard, and one to weep,
  • The dead that lie between;
  • And both roll out, so full and near,
  • Their music's mingling waves,
  • They shake the grass, whose pennoned spear
  • Leans on the narrow graves.
  • The stranger parts the flaunting weeds,
  • Whose seeds the winds have strown
  • So thick, beneath the line he reads,
  • They shade the sculptured stone;
  • The child unveils his clustered brow,
  • And ponders for a while
  • The graven willow's pendent bough,
  • Or rudest cherub's smile.
  • But what to them the dirge, the knell?
  • These were the mourner's share,--
  • The sullen clang, whose heavy swell
  • Throbbed through the beating air;
  • The rattling cord, the rolling stone,
  • The shelving sand that slid,
  • And, far beneath, with hollow tone
  • Rung on the coffin's lid.
  • The slumberer's mound grows fresh and green,
  • Then slowly disappears;
  • The mosses creep, the gray stones lean,
  • Earth hides his date and years;
  • But, long before the once-loved name
  • Is sunk or worn away,
  • No lip the silent dust may claim,
  • That pressed the breathing clay.
  • Go where the ancient pathway guides,
  • See where our sires laid down
  • Their smiling babes, their cherished brides,
  • The patriarchs of the town;
  • Hast thou a tear for buried love?
  • A sigh for transient power?
  • All that a century left above,
  • Go, read it in an hour!
  • The Indian's shaft, the Briton's ball,
  • The sabre's thirsting edge,
  • The hot shell, shattering in its fall,
  • The bayonet's rending wedge,--
  • Here scattered death; yet, seek the spot,
  • No trace thine eye can see,
  • No altar,--and they need it not
  • Who leave their children free!
  • Look where the turbid rain-drops stand
  • In many a chiselled square;
  • The knightly crest, the shield, the brand
  • Of honored names were there;--
  • Alas! for every tear is dried
  • Those blazoned tablets knew,
  • Save when the icy marble's side
  • Drips with the evening dew.
  • Or gaze upon yon pillared stone,
  • The empty urn of pride;
  • There stand the Goblet and the Sun,--
  • What need of more beside?
  • Where lives the memory of the dead,
  • Who made their tomb a toy?
  • Whose ashes press that nameless bed?
  • Go, ask the village boy!
  • Lean o'er the slender western wall,
  • Ye ever-roaming girls;
  • The breath that bids the blossom fall
  • May lift your floating curls,
  • To sweep the simple lines that tell
  • An exile's date and doom;
  • And sigh, for where his daughters dwell,
  • They wreathe the stranger's tomb.
  • And one amid these shades was born,
  • Beneath this turf who lies,
  • Once beaming as the summer's morn,
  • That closed her gentle eyes;
  • If sinless angels love as we,
  • Who stood thy grave beside,
  • Three seraph welcomes waited thee,
  • The daughter, sister, bride.
  • I wandered to thy buried mound
  • When earth was hid below
  • The level of the glaring ground,
  • Choked to its gates with snow,
  • And when with summer's flowery waves
  • The lake of verdure rolled,
  • As if a Sultan's white-robed slaves
  • Had scattered pearls and gold.
  • Nay, the soft pinions of the air,
  • That lift this trembling tone,
  • Its breath of love may almost bear
  • To kiss thy funeral stone;
  • And, now thy smiles have passed away,
  • For all the joy they gave,
  • May sweetest dews and warmest ray
  • Lie on thine early grave!
  • When damps beneath and storms above
  • Have bowed these fragile towers,
  • Still o'er the graves yon locust grove
  • Shall swing its Orient flowers;
  • And I would ask no mouldering bust,
  • If e'er this humble line,
  • Which breathed a sigh o'er other's dust,
  • Might call a tear on mine.
  • TO AN INSECT
  • The Katydid is "a species of grasshopper found in the United
  • States, so called from the sound which it makes."--Worcester.
  • I used to hear this insect in Providence, Rhode Island, but I
  • do not remember hearing it in Cambridge, Massachusetts, where
  • I passed my boyhood. It is well known in other towns in the
  • neighborhood of Boston.
  • I LOVE to hear thine earnest voice,
  • Wherever thou art hid,
  • Thou testy little dogmatist,
  • Thou pretty Katydid
  • Thou mindest me of gentlefolks,--
  • Old gentlefolks are they,--
  • Thou say'st an undisputed thing
  • In such a solemn way.
  • Thou art a female, Katydid
  • I know it by the trill
  • That quivers through thy piercing notes,
  • So petulant and shrill;
  • I think there is a knot of you
  • Beneath the hollow tree,--
  • A knot of spinster Katydids,---
  • Do Katydids drink tea?
  • Oh tell me where did Katy live,
  • And what did Katy do?
  • And was she very fair and young,
  • And yet so wicked, too?
  • Did Katy love a naughty man,
  • Or kiss more cheeks than one?
  • I warrant Katy did no more
  • Than many a Kate has done.
  • Dear me! I'll tell you all about
  • My fuss with little Jane,
  • And Ann, with whom I used to walk
  • So often down the lane,
  • And all that tore their locks of black,
  • Or wet their eyes of blue,--
  • Pray tell me, sweetest Katydid,
  • What did poor Katy do?
  • Ah no! the living oak shall crash,
  • That stood for ages still,
  • The rock shall rend its mossy base
  • And thunder down the hill,
  • Before the little Katydid
  • Shall add one word, to tell
  • The mystic story of the maid
  • Whose name she knows so well.
  • Peace to the ever-murmuring race!
  • And when the latest one
  • Shall fold in death her feeble wings
  • Beneath the autumn sun,
  • Then shall she raise her fainting voice,
  • And lift her drooping lid,
  • And then the child of future years
  • Shall hear what Katy did.
  • THE DILEMMA
  • Now, by the blessed Paphian queen,
  • Who heaves the breast of sweet sixteen;
  • By every name I cut on bark
  • Before my morning star grew dark;
  • By Hymen's torch, by Cupid's dart,
  • By all that thrills the beating heart;
  • The bright black eye, the melting blue,--
  • I cannot choose between the two.
  • I had a vision in my dreams;--
  • I saw a row of twenty beams;
  • From every beam a rope was hung,
  • In every rope a lover swung;
  • I asked the hue of every eye
  • That bade each luckless lover die;
  • Ten shadowy lips said, heavenly blue,
  • And ten accused the darker hue.
  • I asked a matron which she deemed
  • With fairest light of beauty beamed;
  • She answered, some thought both were fair,--
  • Give her blue eyes and golden hair.
  • I might have liked her judgment well,
  • But, as she spoke, she rung the bell,
  • And all her girls, nor small nor few,
  • Came marching in,--their eyes were blue.
  • I asked a maiden; back she flung
  • The locks that round her forehead hung,
  • And turned her eye, a glorious one,
  • Bright as a diamond in the sun,
  • On me, until beneath its rays
  • I felt as if my hair would blaze;
  • She liked all eyes but eyes of green;
  • She looked at me; what could she mean?
  • Ah! many lids Love lurks between,
  • Nor heeds the coloring of his screen;
  • And when his random arrows fly,
  • The victim falls, but knows not why.
  • Gaze not upon his shield of jet,
  • The shaft upon the string is set;
  • Look not beneath his azure veil,
  • Though every limb were cased in mail.
  • Well, both might make a martyr break
  • The chain that bound him to the stake;
  • And both, with but a single ray,
  • Can melt our very hearts away;
  • And both, when balanced, hardly seem
  • To stir the scales, or rock the beam;
  • But that is dearest, all the while,
  • That wears for us the sweetest smile.
  • MY AUNT
  • MY aunt! my dear unmarried aunt!
  • Long years have o'er her flown;
  • Yet still she strains the aching clasp
  • That binds her virgin zone;
  • I know it hurts her,--though she looks
  • As cheerful as she can;
  • Her waist is ampler than her life,
  • For life is but a span.
  • My aunt! my poor deluded aunt!
  • Her hair is almost gray;
  • Why will she train that winter curl
  • In such a spring-like way?
  • How can she lay her glasses down,
  • And say she reads as well,
  • When through a double convex lens
  • She just makes out to spell?
  • Her father--grandpapa I forgive
  • This erring lip its smiles--
  • Vowed she should make the finest girl
  • Within a hundred miles;
  • He sent her to a stylish school;
  • 'T was in her thirteenth June;
  • And with her, as the rules required,
  • "Two towels and a spoon."
  • They braced my aunt against a board,
  • To make her straight and tall;
  • They laced her up, they starved her down,
  • To make her light and small;
  • They pinched her feet, they singed her hair,
  • They screwed it up with pins;--
  • Oh never mortal suffered more
  • In penance for her sins.
  • So, when my precious aunt was done,
  • My grandsire brought her back;
  • (By daylight, lest some rabid youth
  • Might follow on the track;)
  • "Ah!" said my grandsire, as he shook
  • Some powder in his pan,
  • "What could this lovely creature do
  • Against a desperate man!"
  • Alas! nor chariot, nor barouche,
  • Nor bandit cavalcade,
  • Tore from the trembling father's arms
  • His all-accomplished maid.
  • For her how happy had it been
  • And Heaven had spared to me
  • To see one sad, ungathered rose
  • On my ancestral tree.
  • REFLECTIONS OF A PROUD PEDESTRIAN
  • I SAW the curl of his waving lash,
  • And the glance of his knowing eye,
  • And I knew that he thought he was cutting a dash,
  • As his steed went thundering by.
  • And he may ride in the rattling gig,
  • Or flourish the Stanhope gay,
  • And dream that he looks exceeding big
  • To the people that walk in the way;
  • But he shall think, when the night is still,
  • On the stable-boy's gathering numbers,
  • And the ghost of many a veteran bill
  • Shall hover around his slumbers;
  • The ghastly dun shall worry his sleep,
  • And constables cluster around him,
  • And he shall creep from the wood-hole deep
  • Where their spectre eyes have found him!
  • Ay! gather your reins, and crack your thong,
  • And bid your steed go faster;
  • He does not know, as he scrambles along,
  • That he has a fool for his master;
  • And hurry away on your lonely ride,
  • Nor deign from the mire to save me;
  • I will paddle it stoutly at your side
  • With the tandem that nature gave me!
  • DAILY TRIALS
  • BY A SENSITIVE MAN
  • OH, there are times
  • When all this fret and tumult that we hear
  • Do seem more stale than to the sexton's ear
  • His own dull chimes.
  • Ding dong! ding dong!
  • The world is in a simmer like a sea
  • Over a pent volcano,--woe is me
  • All the day long!
  • From crib to shroud!
  • Nurse o'er our cradles screameth lullaby,
  • And friends in boots tramp round us as we die,
  • Snuffling aloud.
  • At morning's call
  • The small-voiced pug-dog welcomes in the sun,
  • And flea-bit mongrels, wakening one by one,
  • Give answer all.
  • When evening dim
  • Draws round us, then the lonely caterwaul,
  • Tart solo, sour duet, and general squall,--
  • These are our hymn.
  • Women, with tongues
  • Like polar needles, ever on the jar;
  • Men, plugless word-spouts, whose deep fountains are
  • Within their lungs.
  • Children, with drums
  • Strapped round them by the fond paternal ass;
  • Peripatetics with a blade of grass
  • Between their thumbs.
  • Vagrants, whose arts
  • Have caged some devil in their mad machine,
  • Which grinding, squeaks, with husky groans between,
  • Come out by starts.
  • Cockneys that kill
  • Thin horses of a Sunday,--men, with clams,
  • Hoarse as young bisons roaring for their dams
  • From hill to hill.
  • Soldiers, with guns,
  • Making a nuisance of the blessed air,
  • Child-crying bellmen, children in despair,
  • Screeching for buns.
  • Storms, thunders, waves!
  • Howl, crash, and bellow till ye get your fill;
  • Ye sometimes rest; men never can be still
  • But in their graves.
  • EVENING
  • BY A TAILOR
  • DAY hath put on his jacket, and around
  • His burning bosom buttoned it with stars.
  • Here will I lay me on the velvet grass,
  • That is like padding to earth's meagre ribs,
  • And hold communion with the things about me.
  • Ah me! how lovely is the golden braid
  • That binds the skirt of night's descending robe!
  • The thin leaves, quivering on their silken threads,
  • Do make a music like to rustling satin,
  • As the light breezes smooth their downy nap.
  • Ha! what is this that rises to my touch,
  • So like a cushion? Can it be a cabbage?
  • It is, it is that deeply injured flower,
  • Which boys do flout us with;--but yet I love thee,
  • Thou giant rose, wrapped in a green surtout.
  • Doubtless in Eden thou didst blush as bright
  • As these, thy puny brethren; and thy breath
  • Sweetened the fragrance of her spicy air;
  • But now thou seemest like a bankrupt beau,
  • Stripped of his gaudy hues and essences,
  • And growing portly in his sober garments.
  • Is that a swan that rides upon the water?
  • Oh no, it is that other gentle bird,
  • Which is the patron of our noble calling.
  • I well remember, in my early years,
  • When these young hands first closed upon a goose;
  • I have a scar upon my thimble finger,
  • Which chronicles the hour of young ambition.
  • My father was a tailor, and his father,
  • And my sire's grandsire, all of them were tailors;
  • They had an ancient goose,--it was an heirloom
  • From some remoter tailor of our race.
  • It happened I did see it on a time
  • When none was near, and I did deal with it,
  • And it did burn me,--oh, most fearfully!
  • It is a joy to straighten out one's limbs,
  • And leap elastic from the level counter,
  • Leaving the petty grievances of earth,
  • The breaking thread, the din of clashing shears,
  • And all the needles that do wound the spirit,
  • For such a pensive hour of soothing silence.
  • Kind Nature, shuffling in her loose undress,
  • Lays bare her shady bosom;--I can feel
  • With all around me;--I can hail the flowers
  • That sprig earth's mantle,--and yon quiet bird,
  • That rides the stream, is to me as a brother.
  • The vulgar know not all the hidden pockets,
  • Where Nature stows away her loveliness.
  • But this unnatural posture of the legs
  • Cramps my extended calves, and I must go
  • Where I can coil them in their wonted fashion.
  • THE DORCHESTER GIANT
  • The "pudding-stone" is a remarkable conglomerate found very
  • abundantly in the towns mentioned, all of which are in the neighborhood
  • of Boston. We used in those primitive days to ask friends to _ride_
  • with us when we meant to take them to _drive_ with us.
  • THERE was a giant in time of old,
  • A mighty one was he;
  • He had a wife, but she was a scold,
  • So he kept her shut in his mammoth fold;
  • And he had children three.
  • It happened to be an election day,
  • And the giants were choosing a king
  • The people were not democrats then,
  • They did not talk of the rights of men,
  • And all that sort of thing.
  • Then the giant took his children three,
  • And fastened them in the pen;
  • The children roared; quoth the giant, "Be still!"
  • And Dorchester Heights and Milton Hill
  • Rolled back the sound again.
  • Then he brought them a pudding stuffed with plums,
  • As big as the State-House dome;
  • Quoth he, "There 's something for you to eat;
  • So stop your mouths with your 'lection treat,
  • And wait till your dad comes home."
  • So the giant pulled him a chestnut stout,
  • And whittled the boughs away;
  • The boys and their mother set up a shout,
  • Said he, "You 're in, and you can't get out,
  • Bellow as loud as you may."
  • Off he went, and he growled a tune
  • As he strode the fields along;
  • 'T is said a buffalo fainted away,
  • And fell as cold as a lump of clay,
  • When he heard the giant's song.
  • But whether the story 's true or not,
  • It is n't for me to show;
  • There 's many a thing that 's twice as queer
  • In somebody's lectures that we hear,
  • And those are true, you know.
  • What are those lone ones doing now,
  • The wife and the children sad?
  • Oh, they are in a terrible rout,
  • Screaming, and throwing their pudding about,
  • Acting as they were mad.
  • They flung it over to Roxbury hills,
  • They flung it over the plain,
  • And all over Milton and Dorchester too
  • Great lumps of pudding the giants threw;
  • They tumbled as thick as rain.
  • Giant and mammoth have passed away,
  • For ages have floated by;
  • The suet is hard as a marrow-bone,
  • And every plum is turned to a stone,
  • But there the puddings lie.
  • And if, some pleasant afternoon,
  • You 'll ask me out to ride,
  • The whole of the story I will tell,
  • And you shall see where the puddings fell,
  • And pay for the punch beside.
  • TO THE PORTRAIT OF "A LADY"
  • IN THE ATHENAEUM GALLERY
  • WELL, Miss, I wonder where you live,
  • I wonder what's your name,
  • I wonder how you came to be
  • In such a stylish frame;
  • Perhaps you were a favorite child,
  • Perhaps an only one;
  • Perhaps your friends were not aware
  • You had your portrait done.
  • Yet you must be a harmless soul;
  • I cannot think that Sin
  • Would care to throw his loaded dice,
  • With such a stake to win;
  • I cannot think you would provoke
  • The poet's wicked pen,
  • Or make young women bite their lips,
  • Or ruin fine young men.
  • Pray, did you ever hear, my love,
  • Of boys that go about,
  • Who, for a very trifling sum,
  • Will snip one's picture out?
  • I'm not averse to red and white,
  • But all things have their place,
  • I think a profile cut in black
  • Would suit your style of face!
  • I love sweet features; I will own
  • That I should like myself
  • To see my portrait on a wall,
  • Or bust upon a shelf;
  • But nature sometimes makes one up
  • Of such sad odds and ends,
  • It really might be quite as well
  • Hushed up among one's friends!
  • THE COMET
  • THE Comet! He is on his way,
  • And singing as he flies;
  • The whizzing planets shrink before
  • The spectre of the skies;
  • Ah! well may regal orbs burn blue,
  • And satellites turn pale,
  • Ten million cubic miles of head,
  • Ten billion leagues of tail!
  • On, on by whistling spheres of light
  • He flashes and he flames;
  • He turns not to the left nor right,
  • He asks them not their names;
  • One spurn from his demoniac heel,--
  • Away, away they fly,
  • Where darkness might be bottled up
  • And sold for "Tyrian dye."
  • And what would happen to the land,
  • And how would look the sea,
  • If in the bearded devil's path
  • Our earth should chance to be?
  • Full hot and high the sea would boil,
  • Full red the forests gleam;
  • Methought I saw and heard it all
  • In a dyspeptic dream!
  • I saw a tutor take his tube
  • The Comet's course to spy;
  • I heard a scream,--the gathered rays
  • Had stewed the tutor's eye;
  • I saw a fort,--the soldiers all
  • Were armed with goggles green;
  • Pop cracked the guns! whiz flew the balls!
  • Bang went the magazine!
  • I saw a poet dip a scroll
  • Each moment in a tub,
  • I read upon the warping back,
  • "The Dream of Beelzebub;"
  • He could not see his verses burn,
  • Although his brain was fried,
  • And ever and anon he bent
  • To wet them as they dried.
  • I saw the scalding pitch roll down
  • The crackling, sweating pines,
  • And streams of smoke, like water-spouts,
  • Burst through the rumbling mines;
  • I asked the firemen why they made
  • Such noise about the town;
  • They answered not,--but all the while
  • The brakes went up and down.
  • I saw a roasting pullet sit
  • Upon a baking egg;
  • I saw a cripple scorch his hand
  • Extinguishing his leg;
  • I saw nine geese upon the wing
  • Towards the frozen pole,
  • And every mother's gosling fell
  • Crisped to a crackling coal.
  • I saw the ox that browsed the grass
  • Writhe in the blistering rays,
  • The herbage in his shrinking jaws
  • Was all a fiery blaze;
  • I saw huge fishes, boiled to rags,
  • Bob through the bubbling brine;
  • And thoughts of supper crossed my soul;
  • I had been rash at mine.
  • Strange sights! strange sounds! Oh fearful dream!
  • Its memory haunts me still,
  • The steaming sea, the crimson glare,
  • That wreathed each wooded hill;
  • Stranger! if through thy reeling brain
  • Such midnight visions sweep,
  • Spare, spare, oh, spare thine evening meal,
  • And sweet shall be thy sleep!
  • THE MUSIC-GRINDERS
  • THERE are three ways in which men take
  • One's money from his purse,
  • And very hard it is to tell
  • Which of the three is worse;
  • But all of them are bad enough
  • To make a body curse.
  • You're riding out some pleasant day,
  • And counting up your gains;
  • A fellow jumps from out a bush,
  • And takes your horse's reins,
  • Another hints some words about
  • A bullet in your brains.
  • It's hard to meet such pressing friends
  • In such a lonely spot;
  • It's very hard to lose your cash,
  • But harder to be shot;
  • And so you take your wallet out,
  • Though you would rather not.
  • Perhaps you're going out to dine,--
  • Some odious creature begs
  • You'll hear about the cannon-ball
  • That carried off his pegs,
  • And says it is a dreadful thing
  • For men to lose their legs.
  • He tells you of his starving wife,
  • His children to be fed,
  • Poor little, lovely innocents,
  • All clamorous for bread,--
  • And so you kindly help to put
  • A bachelor to bed.
  • You're sitting on your window-seat,
  • Beneath a cloudless moon;
  • You hear a sound, that seems to wear
  • The semblance of a tune,
  • As if a broken fife should strive
  • To drown a cracked bassoon.
  • And nearer, nearer still, the tide
  • Of music seems to come,
  • There's something like a human voice,
  • And something like a drum;
  • You sit in speechless agony,
  • Until your ear is numb.
  • Poor "home, sweet home" should seem to be
  • A very dismal place;
  • Your "auld acquaintance" all at once
  • Is altered in the face;
  • Their discords sting through Burns and Moore,
  • Like hedgehogs dressed in lace.
  • You think they are crusaders, sent
  • From some infernal clime,
  • To pluck the eyes of Sentiment,
  • And dock the tail of Rhyme,
  • To crack the voice of Melody,
  • And break the legs of Time.
  • But hark! the air again is still,
  • The music all is ground,
  • And silence, like a poultice, comes
  • To heal the blows of sound;
  • It cannot be,--it is,--it is,--
  • A hat is going round!
  • No! Pay the dentist when he leaves
  • A fracture in your jaw,
  • And pay the owner of the bear
  • That stunned you with his paw,
  • And buy the lobster that has had
  • Your knuckles in his claw;
  • But if you are a portly man,
  • Put on your fiercest frown,
  • And talk about a constable
  • To turn them out of town;
  • Then close your sentence with an oath,
  • And shut the window down!
  • And if you are a slender man,
  • Not big enough for that,
  • Or, if you cannot make a speech,
  • Because you are a flat,
  • Go very quietly and drop
  • A button in the hat!
  • THE TREADMILL SONG
  • THE stars are rolling in the sky,
  • The earth rolls on below,
  • And we can feel the rattling wheel
  • Revolving as we go.
  • Then tread away, my gallant boys,
  • And make the axle fly;
  • Why should not wheels go round about,
  • Like planets in the sky?
  • Wake up, wake up, my duck-legged man,
  • And stir your solid pegs
  • Arouse, arouse, my gawky friend,
  • And shake your spider legs;
  • What though you're awkward at the trade,
  • There's time enough to learn,--
  • So lean upon the rail, my lad,
  • And take another turn.
  • They've built us up a noble wall,
  • To keep the vulgar out;
  • We've nothing in the world to do
  • But just to walk about;
  • So faster, now, you middle men,
  • And try to beat the ends,--
  • It's pleasant work to ramble round
  • Among one's honest friends.
  • Here, tread upon the long man's toes,
  • He sha'n't be lazy here,--
  • And punch the little fellow's ribs,
  • And tweak that lubber's ear,--
  • He's lost them both,--don't pull his hair,
  • Because he wears a scratch,
  • But poke him in the further eye,
  • That is n't in the patch.
  • Hark! fellows, there 's the supper-bell,
  • And so our work is done;
  • It's pretty sport,--suppose we take
  • A round or two for fun!
  • If ever they should turn me out,
  • When I have better grown,
  • Now hang me, but I mean to have
  • A treadmill of my own!
  • THE SEPTEMBER GALE
  • This tremendous hurricane occurred on the 23d of September, 1815.
  • I remember it well, being then seven years old. A full account of
  • it was published, I think, in the records of the American Academy
  • of Arts and Sciences. Some of my recollections are given in The
  • Seasons, an article to be found in a book of mine entitled Pages
  • from an Old Volume of Life.
  • I'M not a chicken; I have seen
  • Full many a chill September,
  • And though I was a youngster then,
  • That gale I well remember;
  • The day before, my kite-string snapped,
  • And I, my kite pursuing,
  • The wind whisked off my palm-leaf hat;
  • For me two storms were brewing!
  • It came as quarrels sometimes do,
  • When married folks get clashing;
  • There was a heavy sigh or two,
  • Before the fire was flashing,--
  • A little stir among the clouds,
  • Before they rent asunder,--
  • A little rocking of the trees,
  • And then came on the thunder.
  • Lord! how the ponds and rivers boiled!
  • They seemed like bursting craters!
  • And oaks lay scattered on the ground
  • As if they were p'taters;
  • And all above was in a howl,
  • And all below a clatter,--
  • The earth was like a frying-pan,
  • Or some such hissing matter.
  • It chanced to be our washing-day,
  • And all our things were drying;
  • The storm came roaring through the lines,
  • And set them all a flying;
  • I saw the shirts and petticoats
  • Go riding off like witches;
  • I lost, ah! bitterly I wept,--
  • I lost my Sunday breeches!
  • I saw them straddling through the air,
  • Alas! too late to win them;
  • I saw them chase the clouds, as if
  • The devil had been in them;
  • They were my darlings and my pride,
  • My boyhood's only riches,--
  • "Farewell, farewell," I faintly cried,--
  • "My breeches! Oh my breeches!"
  • That night I saw them in my dreams,
  • How changed from what I knew them!
  • The dews had steeped their faded threads,
  • The winds had whistled through them
  • I saw the wide and ghastly rents
  • Where demon claws had torn them;
  • A hole was in their amplest part,
  • As if an imp had worn them.
  • I have had many happy years,
  • And tailors kind and clever,
  • But those young pantaloons have gone
  • Forever and forever!
  • And not till fate has cut the last
  • Of all my earthly stitches,
  • This aching heart shall cease to mourn
  • My loved, my long-lost breeches!
  • THE HEIGHT OF THE RIDICULOUS
  • I WROTE some lines once on a time
  • In wondrous merry mood,
  • And thought, as usual, men would say
  • They were exceeding good.
  • They were so queer, so very queer,
  • I laughed as I would die;
  • Albeit, in the general way,
  • A sober man am I.
  • I called my servant, and he came;
  • How kind it was of him
  • To mind a slender man like me,
  • He of the mighty limb.
  • "These to the printer," I exclaimed,
  • And, in my humorous way,
  • I added, (as a trifling jest,)
  • "There'll be the devil to pay."
  • He took the paper, and I watched,
  • And saw him peep within;
  • At the first line he read, his face
  • Was all upon the grin.
  • He read the next; the grin grew broad,
  • And shot from ear to ear;
  • He read the third; a chuckling noise
  • I now began to hear.
  • The fourth; he broke into a roar;
  • The fifth; his waistband split;
  • The sixth; he burst five buttons off,
  • And tumbled in a fit.
  • Ten days and nights, with sleepless eye,
  • I watched that wretched man,
  • And since, I never dare to write
  • As funny as I can.
  • THE LAST READER
  • I SOMETIMES sit beneath a tree
  • And read my own sweet songs;
  • Though naught they may to others be,
  • Each humble line prolongs
  • A tone that might have passed away
  • But for that scarce remembered lay.
  • I keep them like a lock or leaf
  • That some dear girl has given;
  • Frail record of an hour, as brief
  • As sunset clouds in heaven,
  • But spreading purple twilight still
  • High over memory's shadowed hill.
  • They lie upon my pathway bleak,
  • Those flowers that once ran wild,
  • As on a father's careworn cheek
  • The ringlets of his child;
  • The golden mingling with the gray,
  • And stealing half its snows away.
  • What care I though the dust is spread
  • Around these yellow leaves,
  • Or o'er them his sarcastic thread
  • Oblivion's insect weaves
  • Though weeds are tangled on the stream,
  • It still reflects my morning's beam.
  • And therefore love I such as smile
  • On these neglected songs,
  • Nor deem that flattery's needless wile
  • My opening bosom wrongs;
  • For who would trample, at my side,
  • A few pale buds, my garden's pride?
  • It may be that my scanty ore
  • Long years have washed away,
  • And where were golden sands before
  • Is naught but common clay;
  • Still something sparkles in the sun
  • For memory to look back upon.
  • And when my name no more is heard,
  • My lyre no more is known,
  • Still let me, like a winter's bird,
  • In silence and alone,
  • Fold over them the weary wing
  • Once flashing through the dews of spring.
  • Yes, let my fancy fondly wrap
  • My youth in its decline,
  • And riot in the rosy lap
  • Of thoughts that once were mine,
  • And give the worm my little store
  • When the last reader reads no more!
  • POETRY:
  • A METRICAL ESSAY, READ BEFORE THE PHI BETA KAPPA SOCIETY,
  • HARVARD UNIVERSITY, AUGUST, 1836
  • TO CHARLES WENTWORTH UPHAM, THE FOLLOWING METRICAL ESSAY IS
  • AFFECTIONATELY INSCRIBED.
  • This Academic Poem presents the simple and partial views of a young
  • person trained after the schools of classical English verse as
  • represented by Pope, Goldsmith, and Campbell, with whose lines his
  • memory was early stocked. It will be observed that it deals chiefly with
  • the constructive side of the poet's function. That which makes him a
  • poet is not the power of writing melodious rhymes, it is not the
  • possession of ordinary human sensibilities nor even of both these
  • qualities in connection with each other. I should rather say, if I were
  • now called upon to define it, it is the power of transfiguring the
  • experiences and shows of life into an aspect which comes from his
  • imagination and kindles that of others. Emotion is its stimulus and
  • language furnishes its expression; but these are not all, as some might
  • infer was the doctrine of the poem before the reader.
  • A common mistake made by young persons who suppose themselves to have
  • the poetical gift is that their own spiritual exaltation finds a true
  • expression in the conventional phrases which are borrowed from the
  • voices of the singers whose inspiration they think they share.
  • Looking at this poem as an expression of some aspects of the _ars
  • poetica_, with some passages which I can read even at this mature period
  • of life without blushing for them, it may stand as the most serious
  • representation of my early efforts. Intended as it was for public
  • delivery, many of its paragraphs may betray the fact by their somewhat
  • rhetorical and sonorous character.
  • SCENES of my youth! awake its slumbering fire!
  • Ye winds of Memory, sweep the silent lyre!
  • Ray of the past, if yet thou canst appear,
  • Break through the clouds of Fancy's waning year;
  • Chase from her breast the thin autumnal snow,
  • If leaf or blossom still is fresh below!
  • Long have I wandered; the returning tide
  • Brought back an exile to his cradle's side;
  • And as my bark her time-worn flag unrolled,
  • To greet the land-breeze with its faded fold,
  • So, in remembrance of my boyhood's time,
  • I lift these ensigns of neglected rhyme;
  • Oh, more than blest, that, all my wanderings through,
  • My anchor falls where first my pennons flew!
  • . . . . . . . . .
  • The morning light, which rains its quivering beams
  • Wide o'er the plains, the summits, and the streams,
  • In one broad blaze expands its golden glow
  • On all that answers to its glance below;
  • Yet, changed on earth, each far reflected ray
  • Braids with fresh hues the shining brow of day;
  • Now, clothed in blushes by the painted flowers,
  • Tracks on their cheeks the rosy-fingered hours;
  • Now, lost in shades, whose dark entangled leaves
  • Drip at the noontide from their pendent eaves,
  • Fades into gloom, or gleams in light again
  • From every dew-drop on the jewelled plain.
  • We, like the leaf, the summit, or the wave,
  • Reflect the light our common nature gave,
  • But every sunbeam, falling from her throne,
  • Wears on our hearts some coloring of our own
  • Chilled in the slave, and burning in the free,
  • Like the sealed cavern by the sparkling sea;
  • Lost, like the lightning in the sullen clod,
  • Or shedding radiance, like the smiles of God;
  • Pure, pale in Virtue, as the star above,
  • Or quivering roseate on the leaves of Love;
  • Glaring like noontide, where it glows upon
  • Ambition's sands,--the desert in the sun,--
  • Or soft suffusing o'er the varied scene
  • Life's common coloring,--intellectual green.
  • Thus Heaven, repeating its material plan,
  • Arched over all the rainbow mind of man;
  • But he who, blind to universal laws,
  • Sees but effects, unconscious of their cause,--
  • Believes each image in itself is bright,
  • Not robed in drapery of reflected light,--
  • Is like the rustic who, amidst his toil,
  • Has found some crystal in his meagre soil,
  • And, lost in rapture, thinks for him alone
  • Earth worked her wonders on the sparkling stone,
  • Nor dreams that Nature, with as nice a line,
  • Carved countless angles through the boundless mine.
  • Thus err the many, who, entranced to find
  • Unwonted lustre in some clearer mind,
  • Believe that Genius sets the laws at naught
  • Which chain the pinions of our wildest thought;
  • Untaught to measure, with the eye of art,
  • The wandering fancy or the wayward heart;
  • Who match the little only with the less,
  • And gaze in rapture at its slight excess,
  • Proud of a pebble, as the brightest gem
  • Whose light might crown an emperor's diadem.
  • And, most of all, the pure ethereal fire
  • Which seems to radiate from the poet's lyre
  • Is to the world a mystery and a charm,
  • An AEgis wielded on a mortal's arm,
  • While Reason turns her dazzled eye away,
  • And bows her sceptre to her subject's sway;
  • And thus the poet, clothed with godlike state,
  • Usurped his Maker's title--to create;
  • He, whose thoughts differing not in shape, but dress,
  • What others feel more fitly can express,
  • Sits like the maniac on his fancied throne,
  • Peeps through the bars, and calls the world his own.
  • There breathes no being but has some pretence
  • To that fine instinct called poetic sense
  • The rudest savage, roaming through the wild;
  • The simplest rustic, bending o'er his child;
  • The infant, listening to the warbling bird;
  • The mother, smiling at its half-formed word;
  • The boy uncaged, who tracks the fields at large;
  • The girl, turned matron to her babe-like charge;
  • The freeman, casting with unpurchased hand
  • The vote that shakes the turret of the land;
  • The slave, who, slumbering on his rusted chain,
  • Dreams of the palm-trees on his burning plain;
  • The hot-cheeked reveller, tossing down the wine,
  • To join the chorus pealing "Auld lang syne";
  • The gentle maid, whose azure eye grows dim,
  • While Heaven is listening to her evening hymn;
  • The jewelled beauty, when her steps draw near
  • The circling dance and dazzling chandelier;
  • E'en trembling age, when Spring's renewing air
  • Waves the thin ringlets of his silvered hair;--
  • All, all are glowing with the inward flame,
  • Whose wider halo wreathes the poet's name,
  • While, unenbalmed, the silent dreamer dies,
  • His memory passing with his smiles and sighs!
  • If glorious visions, born for all mankind,
  • The bright auroras of our twilight mind;
  • If fancies, varying as the shapes that lie
  • Stained on the windows of the sunset sky;
  • If hopes, that beckon with delusive gleams,
  • Till the eye dances in the void of dreams;
  • If passions, following with the winds that urge
  • Earth's wildest wanderer to her farthest verge;--
  • If these on all some transient hours bestow
  • Of rapture tingling with its hectic glow,
  • Then all are poets; and if earth had rolled
  • Her myriad centuries, and her doom were told,
  • Each moaning billow of her shoreless wave
  • Would wail its requiem o'er a poet's grave!
  • If to embody in a breathing word
  • Tones that the spirit trembled when it heard;
  • To fix the image all unveiled and warm,
  • And carve in language its ethereal form,
  • So pure, so perfect, that the lines express
  • No meagre shrinking, no unlaced excess;
  • To feel that art, in living truth, has taught
  • Ourselves, reflected in the sculptured thought;--
  • If this alone bestow the right to claim
  • The deathless garland and the sacred name,
  • Then none are poets save the saints on high,
  • Whose harps can murmur all that words deny!
  • But though to none is granted to reveal
  • In perfect semblance all that each may feel,
  • As withered flowers recall forgotten love,
  • So, warmed to life, our faded passions move
  • In every line, where kindling fancy throws
  • The gleam of pleasures or the shade of woes.
  • When, schooled by time, the stately queen of art
  • Had smoothed the pathways leading to the heart,
  • Assumed her measured tread, her solemn tone,
  • And round her courts the clouds of fable thrown,
  • The wreaths of heaven descended on her shrine,
  • And wondering earth proclaimed the Muse divine.
  • Yet if her votaries had but dared profane
  • The mystic symbols of her sacred reign,
  • How had they smiled beneath the veil to find
  • What slender threads can chain the mighty mind!
  • Poets, like painters, their machinery claim,
  • And verse bestows the varnish and the frame;
  • Our grating English, whose Teutonic jar
  • Shakes the racked axle of Art's rattling car,
  • Fits like mosaic in the lines that gird
  • Fast in its place each many-angled word;
  • From Saxon lips Anacreon's numbers glide,
  • As once they melted on the Teian tide,
  • And, fresh transfused, the Iliad thrills again
  • From Albion's cliffs as o'er Achaia's plain
  • The proud heroic, with, its pulse-like beat,
  • Rings like the cymbals clashing as they meet;
  • The sweet Spenserian, gathering as it flows,
  • Sweeps gently onward to its dying close,
  • Where waves on waves in long succession pour,
  • Till the ninth billow melts along the shore;
  • The lonely spirit of the mournful lay,
  • Which lives immortal as the verse of Gray,
  • In sable plumage slowly drifts along,
  • On eagle pinion, through the air of song;
  • The glittering lyric bounds elastic by,
  • With flashing ringlets and exulting eye,
  • While every image, in her airy whirl,
  • Gleams like a diamond on a dancing girl!
  • Born with mankind, with man's expanded range
  • And varying fates the poet's numbers change;
  • Thus in his history may we hope to find
  • Some clearer epochs of the poet's mind,
  • As from the cradle of its birth we trace,
  • Slow wandering forth, the patriarchal race.
  • I.
  • When the green earth, beneath the zephyr's wing,
  • Wears on her breast the varnished buds of Spring;
  • When the loosed current, as its folds uncoil,
  • Slides in the channels of the mellowed soil;
  • When the young hyacinth returns to seek
  • The air and sunshine with her emerald beak;
  • When the light snowdrops, starting from their cells,
  • Hang each pagoda with its silver bells;
  • When the frail willow twines her trailing bow
  • With pallid leaves that sweep the soil below;
  • When the broad elm, sole empress of the plain,
  • Whose circling shadow speaks a century's reign,
  • Wreathes in the clouds her regal diadem,--
  • A forest waving on a single stem;--
  • Then mark the poet; though to him unknown
  • The quaint-mouthed titles, such as scholars own,
  • See how his eye in ecstasy pursues
  • The steps of Nature tracked in radiant hues;
  • Nay, in thyself, whate'er may be thy fate,
  • Pallid with toil or surfeited with state,
  • Mark how thy fancies, with the vernal rose,
  • Awake, all sweetness, from their long repose;
  • Then turn to ponder o'er the classic page,
  • Traced with the idyls of a greener age,
  • And learn the instinct which arose to warm
  • Art's earliest essay and her simplest form.
  • To themes like these her narrow path confined
  • The first-born impulse moving in the mind;
  • In vales unshaken by the trumpet's sound,
  • Where peaceful Labor tills his fertile ground,
  • The silent changes of the rolling years,
  • Marked on the soil or dialled on the spheres,
  • The crested forests and the colored flowers,
  • The dewy grottos and the blushing bowers,--
  • These, and their guardians, who, with liquid names,
  • Strephons and Chloes, melt in mutual flames,
  • Woo the young Muses from their mountain shade,
  • To make Arcadias in the lonely glade.
  • Nor think they visit only with their smiles
  • The fabled valleys and Elysian isles;
  • He who is wearied of his village plain
  • May roam the Edens of the world in vain.
  • 'T is not the star-crowned cliff, the cataract's flow,
  • The softer foliage or the greener glow,
  • The lake of sapphire or the spar-hung cave,
  • The brighter sunset or the broader wave,
  • Can warm his heart whom every wind has blown
  • To every shore, forgetful of his own.
  • Home of our childhood! how affection clings
  • And hovers round thee with her seraph wings!
  • Dearer thy hills, though clad in autumn brown,
  • Than fairest summits which the cedars crown!
  • Sweeter the fragrance of thy summer breeze
  • Than all Arabia breathes along the seas!
  • The stranger's gale wafts home the exile's sigh,
  • For the heart's temple is its own blue sky!
  • Oh happiest they, whose early love unchanged,
  • Hopes undissolved, and friendship unestranged,
  • Tired of their wanderings, still can deign to see
  • Love, hopes, and friendship, centring all in thee!
  • And thou, my village! as again I tread
  • Amidst thy living and above thy dead;
  • Though some fair playmates guard with charter fears
  • Their cheeks, grown holy with the lapse of years;
  • Though with the dust some reverend locks may blend,
  • Where life's last mile-stone marks the journey's end;
  • On every bud the changing year recalls,
  • The brightening glance of morning memory falls,
  • Still following onward as the months unclose
  • The balmy lilac or the bridal rose;
  • And still shall follow, till they sink once more
  • Beneath the snow-drifts of the frozen shore,
  • As when my bark, long tossing in the gale,
  • Furled in her port her tempest-rended sail!
  • What shall I give thee? Can a simple lay,
  • Flung on thy bosom like a girl's bouquet,
  • Do more than deck thee for an idle hour,
  • Then fall unheeded, fading like the flower?
  • Yet, when I trod, with footsteps wild and free,
  • The crackling leaves beneath yon linden-tree,
  • Panting from play or dripping from the stream,
  • How bright the visions of my boyish dream
  • Or, modest Charles, along thy broken edge,
  • Black with soft ooze and fringed with arrowy sedge,
  • As once I wandered in the morning sun,
  • With reeking sandal and superfluous gun,
  • How oft, as Fancy whispered in the gale,
  • Thou wast the Avon of her flattering tale!
  • Ye hills, whose foliage, fretted on the skies,
  • Prints shadowy arches on their evening dyes,
  • How should my song with holiest charm invest
  • Each dark ravine and forest-lifting crest!
  • How clothe in beauty each familiar scene,
  • Till all was classic on my native green!
  • As the drained fountain, filled with autumn leaves,
  • The field swept naked of its garnered sheaves,
  • So wastes at noon the promise of our dawn,
  • The springs all choking, and the harvest gone.
  • Yet hear the lay of one whose natal star
  • Still seemed the brightest when it shone afar;
  • Whose cheek, grown pallid with ungracious toil,
  • Glows in the welcome of his parent soil;
  • And ask no garlands sought beyond the tide,
  • But take the leaflets gathered at your side.
  • II.
  • But times were changed; the torch of terror came,
  • To light the summits with the beacon's flame;
  • The streams ran crimson, the tall mountain pines
  • Rose a new forest o'er embattled lines;
  • The bloodless sickle lent the warrior's steel,
  • The harvest bowed beneath his chariot wheel;
  • Where late the wood-dove sheltered her repose
  • The raven waited for the conflict's close;
  • The cuirassed sentry walked his sleepless round
  • Where Daphne smiled or Amaryllis frowned;
  • Where timid minstrels sung their blushing charms,
  • Some wild Tyrtaeus called aloud, "To arms!"
  • When Glory wakes, when fiery spirits leap,
  • Roused by her accents from their tranquil sleep,
  • The ray that flashes from the soldier's crest
  • Lights, as it glances, in the poet's breast;--
  • Not in pale dreamers, whose fantastic lay
  • Toys with smooth trifles like a child at play,
  • But men, who act the passions they inspire,
  • Who wave the sabre as they sweep the lyre!
  • Ye mild enthusiasts, whose pacific frowns
  • Are lost like dew-drops caught in burning towns,
  • Pluck as ye will the radiant plumes of fame,
  • Break Caesar's bust to make yourselves a name;
  • But if your country bares the avenger's blade
  • For wrongs unpunished or for debts unpaid,
  • When the roused nation bids her armies form,
  • And screams her eagle through the gathering storm,
  • When from your ports the bannered frigate rides,
  • Her black bows scowling to the crested tides,
  • Your hour has past; in vain your feeble cry
  • As the babe's wailings to the thundering sky!
  • Scourge of mankind! with all the dread array
  • That wraps in wrath thy desolating way,
  • As the wild tempest wakes the slumbering sea,
  • Thou only teachest all that man can be.
  • Alike thy tocsin has the power to charm
  • The toil-knit sinews of the rustic's arm,
  • Or swell the pulses in the poet's veins,
  • And bid the nations tremble at his strains.
  • The city slept beneath the moonbeam's glance,
  • Her white walls gleaming through the vines of France,
  • And all was hushed, save where the footsteps fell,
  • On some high tower, of midnight sentinel.
  • But one still watched; no self-encircled woes
  • Chased from his lids the angel of repose;
  • He watched, he wept, for thoughts of bitter years
  • Bowed his dark lashes, wet with burning tears
  • His country's sufferings and her children's shame
  • Streamed o'er his memory like a forest's flame;
  • Each treasured insult, each remembered wrong,
  • Rolled through his heart and kindled into song.
  • His taper faded; and the morning gales
  • Swept through the world the war-song of Marseilles!
  • Now, while around the smiles of Peace expand,
  • And Plenty's wreaths festoon the laughing land;
  • While France ships outward her reluctant ore,
  • And half our navy basks upon the shore;
  • From ruder themes our meek-eyed Muses turn
  • To crown with roses their enamelled urn.
  • If e'er again return those awful days
  • Whose clouds were crimsoned with the beacon's blaze,
  • Whose grass was trampled by the soldier's heel,
  • Whose tides were reddened round the rushing keel,
  • God grant some lyre may wake a nobler strain
  • To rend the silence of our tented plain!
  • When Gallia's flag its triple fold displays,
  • Her marshalled legions peal the Marseillaise;
  • When round the German close the war-clouds dim,
  • Far through their shadows floats his battle-hymn;
  • When, crowned with joy, the camps' of England ring,
  • A thousand voices shout, "God save the King!"
  • When victory follows with our eagle's glance,
  • Our nation's anthem pipes a country dance!
  • Some prouder Muse, when comes the hour at last,
  • May shake our hillsides with her bugle-blast;
  • Not ours the task; but since the lyric dress
  • Relieves the statelier with its sprightliness,
  • Hear an old song, which some, perchance, have seen
  • In stale gazette or cobwebbed magazine.
  • There was an hour when patriots dared profane
  • The mast that Britain strove to bow in vain;
  • And one, who listened to the tale of shame,
  • Whose heart still answered to that sacred name,
  • Whose eye still followed o'er his country's tides
  • Thy glorious flag, our brave Old Ironsides
  • From yon lone attic, on a smiling morn,
  • Thus mocked the spoilers with his school-boy scorn.
  • III.
  • When florid Peace resumed her golden reign,
  • And arts revived, and valleys bloomed again,
  • While War still panted on his-broken blade,
  • Once more the Muse her heavenly wing essayed.
  • Rude was the song: some ballad, stern and wild,
  • Lulled the light slumbers of the soldier's child;
  • Or young romancer, with his threatening glance
  • And fearful fables of his bloodless lance,
  • Scared the soft fancy of the clinging girls,
  • Whose snowy fingers smoothed his raven curls.
  • But when long years the stately form had bent,
  • And faithless Memory her illusions lent,
  • So vast the outlines of Tradition grew
  • That History wondered at the shapes she drew,
  • And veiled at length their too ambitious hues
  • Beneath the pinions of the Epic Muse.
  • Far swept her wing; for stormier days had brought
  • With darker passions deeper tides of thought.
  • The camp's harsh tumult and the conflict's glow,
  • The thrill of triumph and the gasp of woe,
  • The tender parting and the glad return,
  • The festal banquet and the funeral urn,
  • And all the drama which at once uprears
  • Its spectral shadows through the clash of spears,
  • From camp and field to echoing verse transferred,
  • Swelled the proud song that listening nations heard.
  • Why floats the amaranth in eternal bloom
  • O'er Ilium's turrets and Achilles' tomb?
  • Why lingers fancy where the sunbeams smile
  • On Circe's gardens and Calypso's isle?
  • Why follows memory to the gate of Troy
  • Her plumed defender and his trembling boy?
  • Lo! the blind dreamer, kneeling on the sand
  • To trace these records with his doubtful hand;
  • In fabled tones his own emotion flows,
  • And other lips repeat his silent woes;
  • In Hector's infant see the babes that shun
  • Those deathlike eyes, unconscious of the sun,
  • Or in his hero hear himself implore,
  • "Give me to see, and Ajax asks no more!"
  • Thus live undying through the lapse of time
  • The solemn legends of the warrior's clime;
  • Like Egypt's pyramid or Paestum's fane,
  • They stand the heralds of the voiceless plain.
  • Yet not like them, for Time, by slow degrees,
  • Saps the gray stone and wears the embroidered frieze,
  • And Isis sleeps beneath her subject Nile,
  • And crumbled Neptune strews his Dorian pile;
  • But Art's fair fabric, strengthening as it rears
  • Its laurelled columns through the mist of years,
  • As the blue arches of the bending skies
  • Still gird the torrent, following as it flies,
  • Spreads, with the surges bearing on mankind,
  • Its starred pavilion o'er the tides of mind!
  • In vain the patriot asks some lofty lay
  • To dress in state our wars of yesterday.
  • The classic days, those mothers of romance,
  • That roused a nation for a woman's glance;
  • The age of mystery, with its hoarded power,
  • That girt the tyrant in his storied tower,
  • Have passed and faded like a dream of youth,
  • And riper eras ask for history's truth.
  • On other shores, above their mouldering towns,
  • In sullen pomp the tall cathedral frowns,
  • Pride in its aisles and paupers at the door,
  • Which feeds the beggars whom it fleeced of yore.
  • Simple and frail, our lowly temples throw
  • Their slender shadows on the paths below;
  • Scarce steal the winds, that sweep his woodland tracks,
  • The larch's perfume from the settler's axe,
  • Ere, like a vision of the morning air,
  • His slight--framed steeple marks the house of prayer;
  • Its planks all reeking and its paint undried,
  • Its rafters sprouting on the shady side,
  • It sheds the raindrops from its shingled eaves
  • Ere its green brothers once have changed their leaves.
  • Yet Faith's pure hymn, beneath its shelter rude,
  • Breathes out as sweetly to the tangled wood
  • As where the rays through pictured glories pour
  • On marble shaft and tessellated floor;--
  • Heaven asks no surplice round the heart that feels,
  • And all is holy where devotion kneels.
  • Thus on the soil the patriot's knee should bend
  • Which holds the dust once living to defend;
  • Where'er the hireling shrinks before the free,
  • Each pass becomes "a new Thermopylae"!
  • Where'er the battles of the brave are won,
  • There every mountain "looks on Marathon"!
  • Our fathers live; they guard in glory still
  • The grass-grown bastions of the fortressed hill;
  • Still ring the echoes of the trampled gorge,
  • With _God and Freedom. England and Saint George_!
  • The royal cipher on the captured gun
  • Mocks the sharp night-dews and the blistering sun;
  • The red-cross banner shades its captor's bust,
  • Its folds still loaded with the conflict's dust;
  • The drum, suspended by its tattered marge,
  • Once rolled and rattled to the Hessian's charge;
  • The stars have floated from Britannia's mast,
  • The redcoat's trumpets blown the rebel's blast.
  • Point to the summits where the brave have bled,
  • Where every village claims its glorious dead;
  • Say, when their bosoms met the bayonet's shock,
  • Their only corselet was the rustic frock;
  • Say, when they mustered to the gathering horn,
  • The titled chieftain curled his lip in scorn,
  • Yet, when their leader bade his lines advance,
  • No musket wavered in the lion's glance;
  • Say, when they fainted in the forced retreat,
  • They tracked the snow-drifts with their bleeding feet,
  • Yet still their banners, tossing in the blast,
  • Bore Ever Ready, faithful to the last,
  • Through storm and battle, till they waved again
  • On Yorktown's hills and Saratoga's plain.
  • Then, if so fierce the insatiate patriot's flame,
  • Truth looks too pale and history seems too tame,
  • Bid him await some new Columbiad's page,
  • To gild the tablets of an iron age,
  • And save his tears, which yet may fall upon
  • Some fabled field, some fancied Washington!
  • IV.
  • But once again, from their AEolian cave,
  • The winds of Genius wandered on the wave.
  • Tired of the scenes the timid pencil drew,
  • Sick of the notes the sounding clarion blew,
  • Sated with heroes who had worn so long
  • The shadowy plumage of historic song,
  • The new-born poet left the beaten course,
  • To track the passions to their living source.
  • Then rose the Drama;--and the world admired
  • Her varied page with deeper thought inspired
  • Bound to no clime, for Passion's throb is one
  • In Greenland's twilight or in India's sun;
  • Born for no age, for all the thoughts that roll
  • In the dark vortex of the stormy soul,
  • Unchained in song, no freezing years can tame;
  • God gave them birth, and man is still the same.
  • So full on life her magic mirror shone,
  • Her sister Arts paid tribute to her throne;
  • One reared her temple, one her canvas warmed,
  • And Music thrilled, while Eloquence informed.
  • The weary rustic left his stinted task
  • For smiles and tears, the dagger and the mask;
  • The sage, turned scholar, half forgot his lore,
  • To be the woman he despised before.
  • O'er sense and thought she threw her golden chain,
  • And Time, the anarch, spares her deathless reign.
  • Thus lives Medea, in our tamer age,
  • As when her buskin pressed the Grecian stage;
  • Not in the cells where frigid learning delves
  • In Aldine folios mouldering on their shelves,
  • But breathing, burning in the glittering throng,
  • Whose thousand bravoes roll untired along,
  • Circling and spreading through the gilded halls,
  • From London's galleries to San Carlo's walls!
  • Thus shall he live whose more than mortal name
  • Mocks with its ray the pallid torch of Fame;
  • So proudly lifted that it seems afar
  • No earthly Pharos, but a heavenly star,
  • Who, unconfined to Art's diurnal bound,
  • Girds her whole zodiac in his flaming round,
  • And leads the passions, like the orb that guides,
  • From pole to pole, the palpitating tides!
  • V.
  • Though round the Muse the robe of song is thrown,
  • Think not the poet lives in verse alone.
  • Long ere the chisel of the sculptor taught
  • The lifeless stone to mock the living thought;
  • Long ere the painter bade the canvas glow
  • With every line the forms of beauty know;
  • Long ere the iris of the Muses threw
  • On every leaf its own celestial hue,
  • In fable's dress the breath of genius poured,
  • And warmed the shapes that later times adored.
  • Untaught by Science how to forge the keys
  • That loose the gates of Nature's mysteries;
  • Unschooled by Faith, who, with her angel tread,
  • Leads through the labyrinth with a single thread,
  • His fancy, hovering round her guarded tower,
  • Rained through its bars like Danae's golden shower.
  • He spoke; the sea-nymph answered from her cave
  • He called; the naiad left her mountain wave
  • He dreamed of beauty; lo, amidst his dream,
  • Narcissus, mirrored in the breathless stream;
  • And night's chaste empress, in her bridal play,
  • Laughed through the foliage where Endymion lay;
  • And ocean dimpled, as the languid swell
  • Kissed the red lip of Cytherea's shell.
  • Of power,--Bellona swept the crimson field,
  • And blue-eyed Pallas shook her Gorgon shield;
  • O'er the hushed waves their mightier monarch drove,
  • And Ida trembled to the tread of Jove!
  • So every grace that plastic language knows
  • To nameless poets its perfection owes.
  • The rough-hewn words to simplest thoughts confined
  • Were cut and polished in their nicer mind;
  • Caught on their edge, imagination's ray
  • Splits into rainbows, shooting far away;--
  • From sense to soul, from soul to sense, it flies,
  • And through all nature links analogies;
  • He who reads right will rarely look upon
  • A better poet than his lexicon!
  • There is a race which cold, ungenial skies
  • Breed from decay, as fungous growths arise;
  • Though dying fast, yet springing fast again,
  • Which still usurps an unsubstantial reign,
  • With frames too languid for the charms of sense,
  • And minds worn down with action too intense;
  • Tired of a world whose joys they never knew,
  • Themselves deceived, yet thinking all untrue;
  • Scarce men without, and less than girls within,
  • Sick of their life before its cares begin;--
  • The dull disease, which drains their feeble hearts,
  • To life's decay some hectic thrill's imparts,
  • And lends a force which, like the maniac's power,
  • Pays with blank years the frenzy of an hour.
  • And this is Genius! Say, does Heaven degrade
  • The manly frame, for health, for action made?
  • Break down the sinews, rack the brow with pains,
  • Blanch the right cheek and drain the purple veins,
  • To clothe the mind with more extended sway,
  • Thus faintly struggling in degenerate clay?
  • No! gentle maid, too ready to admire,
  • Though false its notes, the pale enthusiast's lyre;
  • If this be genius, though its bitter springs
  • Glowed like the morn beneath Aurora's wings,
  • Seek not the source whose sullen bosom feeds
  • But fruitless flowers and dark, envenomed weeds.
  • But, if so bright the dear illusion seems,
  • Thou wouldst be partner of thy poet's dreams,
  • And hang in rapture on his bloodless charms,
  • Or die, like Raphael, in his angel arms,
  • Go and enjoy thy blessed lot,--to share
  • In Cowper's gloom or Chatterton's despair!
  • Not such were they whom, wandering o'er the waves,
  • I looked to meet, but only found their graves;
  • If friendship's smile, the better part of fame,
  • Should lend my song the only wreath I claim,
  • Whose voice would greet me with a sweeter tone,
  • Whose living hand more kindly press my own,
  • Than theirs,--could Memory, as her silent tread
  • Prints the pale flowers that blossom o'er the dead,
  • Those breathless lips, now closed in peace, restore,
  • Or wake those pulses hushed to beat no more?
  • Thou calm, chaste scholar! I can see thee now,
  • The first young laurels on thy pallid brow,
  • O'er thy slight figure floating lightly down
  • In graceful folds the academic gown,
  • On thy curled lip the classic lines that taught
  • How nice the mind that sculptured them with thought,
  • And triumph glistening in the clear blue eye,
  • Too bright to live,--but oh, too fair to die!
  • And thou, dear friend, whom Science still deplores,
  • And Love still mourns, on ocean-severed shores,
  • Though the bleak forest twice has bowed with snow
  • Since thou wast laid its budding leaves below,
  • Thine image mingles with my closing strain,
  • As when we wandered by the turbid Seine,
  • Both blessed with hopes, which revelled, bright and free,
  • On all we longed or all we dreamed to be;
  • To thee the amaranth and the cypress fell,--
  • And I was spared to breathe this last farewell!
  • But lived there one in unremembered days,
  • Or lives there still, who spurns the poet's bays,
  • Whose fingers, dewy from Castalia's springs,
  • Rest on the lyre, yet scorn to touch the strings?
  • Who shakes the senate with the silver tone
  • The groves of Pindus might have sighed to own?
  • Have such e'er been? Remember Canning's name!
  • Do such still live? Let "Alaric's Dirge" proclaim!
  • Immortal Art! where'er the rounded sky
  • Bends o'er the cradle where thy children lie,
  • Their home is earth, their herald every tongue
  • Whose accents echo to the voice that sung.
  • One leap of Ocean scatters on the sand
  • The quarried bulwarks of the loosening land;
  • One thrill of earth dissolves a century's toil
  • Strewed like the leaves that vanish in the soil;
  • One hill o'erflows, and cities sink below,
  • Their marbles splintering in the lava's glow;
  • But one sweet tone, scarce whispered to the air,
  • From shore to shore the blasts of ages bear;
  • One humble name, which oft, perchance, has borne
  • The tyrant's mockery and the courtier's scorn,
  • Towers o'er the dust of earth's forgotten graves,
  • As once, emerging through the waste of waves,
  • The rocky Titan, round whose shattered spear
  • Coiled the last whirlpool of the drowning sphere!
  • ADDITIONAL POEMS
  • 1837-1848
  • THE PILGRIM'S VISION
  • IN the hour of twilight shadows
  • The Pilgrim sire looked out;
  • He thought of the "bloudy Salvages"
  • That lurked all round about,
  • Of Wituwamet's pictured knife
  • And Pecksuot's whooping shout;
  • For the baby's limbs were feeble,
  • Though his father's arms were stout.
  • His home was a freezing cabin,
  • Too bare for the hungry rat;
  • Its roof was thatched with ragged grass,
  • And bald enough of that;
  • The hole that served for casement
  • Was glazed with an ancient hat,
  • And the ice was gently thawing
  • From the log whereon he sat.
  • Along the dreary landscape
  • His eyes went to and fro,
  • The trees all clad in icicles,
  • The streams that did not flow;
  • A sudden thought flashed o'er him,--
  • A dream of long ago,--
  • He smote his leathern jerkin,
  • And murmured, "Even so!"
  • "Come hither, God-be-Glorified,
  • And sit upon my knee;
  • Behold the dream unfolding,
  • Whereof I spake to thee
  • By the winter's hearth in Leyden
  • And on the stormy sea.
  • True is the dream's beginning,--
  • So may its ending be!
  • "I saw in the naked forest
  • Our scattered remnant cast,
  • A screen of shivering branches
  • Between them and the blast;
  • The snow was falling round them,
  • The dying fell as fast;
  • I looked to see them perish,
  • When lo, the vision passed.
  • "Again mine eyes were opened;--
  • The feeble had waxed strong,
  • The babes had grown to sturdy men,
  • The remnant was a throng;
  • By shadowed lake and winding stream,
  • And all the shores along,
  • The howling demons quaked to hear
  • The Christian's godly song.
  • "They slept, the village fathers,
  • By river, lake, and shore,
  • When far adown the steep of Time
  • The vision rose once more
  • I saw along the winter snow
  • A spectral column pour,
  • And high above their broken ranks
  • A tattered flag they bore.
  • "Their Leader rode before them,
  • Of bearing calm and high,
  • The light of Heaven's own kindling
  • Throned in his awful eye;
  • These were a Nation's champions
  • Her dread appeal to try.
  • God for the right! I faltered,
  • And lo, the train passed by.
  • "Once more;--the strife is ended,
  • The solemn issue tried,
  • The Lord of Hosts, his mighty arm
  • Has helped our Israel's side;
  • Gray stone and grassy hillock
  • Tell where our martyrs died,
  • But peaceful smiles the harvest,
  • And stainless flows the tide.
  • "A crash, as when some swollen cloud
  • Cracks o'er the tangled trees
  • With side to side, and spar to spar,
  • Whose smoking decks are these?
  • I know Saint George's blood-red cross,
  • Thou Mistress of the Seas,
  • But what is she whose streaming bars
  • Roll out before the breeze?
  • "Ah, well her iron ribs are knit,
  • Whose thunders strive to quell
  • The bellowing throats, the blazing lips,
  • That pealed the Armada's knell!
  • The mist was cleared,--a wreath of stars
  • Rose o'er the crimsoned swell,
  • And, wavering from its haughty peak,
  • The cross of England fell!
  • "O trembling Faith! though dark the morn,
  • A heavenly torch is thine;
  • While feebler races melt away,
  • And paler orbs decline,
  • Still shall the fiery pillar's ray
  • Along thy pathway shine,
  • To light the chosen tribe that sought
  • This Western Palestine.
  • "I see the living tide roll on;
  • It crowns with flaming towers
  • The icy capes of Labrador,
  • The Spaniard's 'land of flowers'!
  • It streams beyond the splintered ridge
  • That parts the northern showers;
  • From eastern rock to sunset wave
  • The Continent is ours!"
  • He ceased, the grim old soldier-saint,
  • Then softly bent to cheer
  • The Pilgrim-child, whose wasting face
  • Was meekly turned to hear;
  • And drew his toil-worn sleeve across
  • To brush the manly tear
  • From cheeks that never changed in woe,
  • And never blanched in fear.
  • The weary Pilgrim slumbers,
  • His resting-place unknown;
  • His hands were crossed, his lips were closed,
  • The dust was o'er him strown;
  • The drifting soil, the mouldering leaf,
  • Along the sod were blown;
  • His mound has melted into earth,
  • His memory lives alone.
  • So let it live unfading,
  • The memory of the dead,
  • Long as the pale anemone
  • Springs where their tears were shed,
  • Or, raining in the summer's wind
  • In flakes of burning red,
  • The wild rose sprinkles with its leaves
  • The turf where once they bled!
  • Yea, when the frowning bulwarks
  • That guard this holy strand
  • Have sunk beneath the trampling surge
  • In beds of sparkling sand,
  • While in the waste of ocean
  • One hoary rock shall stand,
  • Be this its latest legend,--
  • HERE WAS THE PILGRIM'S LAND!
  • THE STEAMBOAT
  • SEE how yon flaming herald treads
  • The ridged and rolling waves,
  • As, crashing o'er their crested heads,
  • She bows her surly slaves!
  • With foam before and fire behind,
  • She rends the clinging sea,
  • That flies before the roaring wind,
  • Beneath her hissing lee.
  • The morning spray, like sea-born flowers,
  • With heaped and glistening bells,
  • Falls round her fast, in ringing showers,
  • With every wave that swells;
  • And, burning o'er the midnight deep,
  • In lurid fringes thrown,
  • The living gems of ocean sweep
  • Along her flashing zone.
  • With clashing wheel and lifting keel,
  • And smoking torch on high,
  • When winds are loud and billows reel,
  • She thunders foaming by;
  • When seas are silent and serene,
  • With even beam she glides,
  • The sunshine glimmering through the green
  • That skirts her gleaming sides.
  • Now, like a wild, nymph, far apart
  • She veils her shadowy form,
  • The beating of her restless heart
  • Still sounding through the storm;
  • Now answers, like a courtly dame,
  • The reddening surges o'er,
  • With flying scarf of spangled flame,
  • The Pharos of the shore.
  • To-night yon pilot shall not sleep,
  • Who trims his narrowed sail;
  • To-night yon frigate scarce shall keep
  • Her broad breast to the gale;
  • And many a foresail, scooped and strained,
  • Shall break from yard and stay,
  • Before this smoky wreath has stained
  • The rising mist of day.
  • Hark! hark! I hear yon whistling shroud,
  • I see yon quivering mast;
  • The black throat of the hunted cloud
  • Is panting forth the blast!
  • An hour, and, whirled like winnowing chaff,
  • The giant surge shall fling
  • His tresses o'er yon pennon staff,
  • White as the sea-bird's wing.
  • Yet rest, ye wanderers of the deep;
  • Nor wind nor wave shall tire
  • Those fleshless arms, whose pulses leap
  • With floods of living fire;
  • Sleep on, and, when the morning light
  • Streams o'er the shining bay,
  • Oh think of those for whom the night
  • Shall never wake in day.
  • LEXINGTON
  • SLOWLY the mist o'er the meadow was creeping,
  • Bright on the dewy buds glistened the sun,
  • When from his couch, while his children were sleeping,
  • Rose the bold rebel and shouldered his gun.
  • Waving her golden veil
  • Over the silent dale,
  • Blithe looked the morning on cottage and spire;
  • Hushed was his parting sigh,
  • While from his noble eye
  • Flashed the last sparkle of liberty's fire.
  • On the smooth green where the fresh leaf is springing
  • Calmly the first-born of glory have met;
  • Hark! the death-volley around them is ringing!
  • Look! with their life-blood the young grass is wet
  • Faint is the feeble breath,
  • Murmuring low in death,
  • "Tell to our sons how their fathers have died;"
  • Nerveless the iron hand,
  • Raised for its native land,
  • Lies by the weapon that gleams at its side.
  • Over the hillsides the wild knell is tolling,
  • From their far hamlets the yeomanry come;
  • As through the storm-clouds the thunder-burst rolling,
  • Circles the beat of the mustering drum.
  • Fast on the soldier's path
  • Darken the waves of wrath,--
  • Long have they gathered and loud shall they fall;
  • Red glares the musket's flash,
  • Sharp rings the rifle's crash,
  • Blazing and clanging from thicket and wall.
  • Gayly the plume of the horseman was dancing,
  • Never to shadow his cold brow again;
  • Proudly at morning the war-steed was prancing,
  • Reeking and panting he droops on the rein;
  • Pale is the lip of scorn,
  • Voiceless the trumpet horn,
  • Torn is the silken-fringed red cross on high;
  • Many a belted breast
  • Low on the turf shall rest
  • Ere the dark hunters the herd have passed by.
  • Snow-girdled crags where the hoarse wind is raving,
  • Rocks where the weary floods murmur and wail,
  • Wilds where the fern by the furrow is waving,
  • Reeled with the echoes that rode on the gale;
  • Far as the tempest thrills
  • Over the darkened hills,
  • Far as the sunshine streams over the plain,
  • Roused by the tyrant band,
  • Woke all the mighty land,
  • Girded for battle, from mountain to main.
  • Green be the graves where her martyrs are lying!
  • Shroudless and tombless they sunk to their rest,
  • While o'er their ashes the starry fold flying
  • Wraps the proud eagle they roused from his nest.
  • Borne on her Northern pine,
  • Long o'er the foaming brine
  • Spread her broad banner to storm and to sun;
  • Heaven keep her ever free,
  • Wide as o'er land and sea
  • Floats the fair emblem her heroes have won.
  • ON LENDING A PUNCH-BOWL
  • This "punch-bowl" was, according to old family tradition, a caudle-cup.
  • It is a massive piece of silver, its cherubs and other ornaments of
  • coarse repousse work, and has two handles like a loving-cup, by which
  • it was held, or passed from guest to guest.
  • THIS ancient silver bowl of mine, it tells of good old times,
  • Of joyous days and jolly nights, and merry Christmas times;
  • They were a free and jovial race, but honest, brave, and true,
  • Who dipped their ladle in the punch when this old bowl was new.
  • A Spanish galleon brought the bar,--so runs the ancient tale;
  • 'T was hammered by an Antwerp smith, whose arm was like a flail;
  • And now and then between the strokes, for fear his strength should fail,
  • He wiped his brow and quaffed a cup of good old Flemish ale.
  • 'T was purchased by an English squire to please his loving dame,
  • Who saw the cherubs, and conceived a longing for the same;
  • And oft as on the ancient stock another twig was found,
  • 'T was filled with candle spiced and hot, and handed smoking round.
  • But, changing hands, it reached at length a Puritan divine,
  • Who used to follow Timothy, and take a little wine,
  • But hated punch and prelacy; and so it was, perhaps,
  • He went to Leyden, where he found conventicles and schnapps.
  • And then, of course, you know what's next: it left the Dutchman's shore
  • With those that in the Mayflower came,--a hundred souls and more,--
  • Along with all the furniture, to fill their new abodes,--
  • To judge by what is still on hand, at least a hundred loads.
  • 'T was on a dreary winter's eve, the night was closing, dim,
  • When brave Miles Standish took the bowl, and filled it to the brim;
  • The little Captain stood and stirred the posset with his sword,
  • And all his sturdy men-at-arms were ranged about the board.
  • He poured the fiery Hollands in,--the man that never feared,--
  • He took a long and solemn draught, and wiped his yellow beard;
  • And one by one the musketeers--the men that fought and prayed--
  • All drank as 't were their mother's milk, and not a man afraid.
  • That night, affrighted from his nest, the screaming eagle flew,
  • He heard the Pequot's ringing whoop, the soldier's wild halloo;
  • And there the sachem learned the rule he taught to kith and kin,
  • Run from the white man when you find he smells of "Hollands gin!"
  • A hundred years, and fifty more, had spread their leaves and snows,
  • A thousand rubs had flattened down each little cherub's nose,
  • When once again the bowl was filled, but not in mirth or joy,--
  • 'T was mingled by a mother's hand to cheer her parting boy.
  • Drink, John, she said, 't will do you good,--poor child,
  • you'll never bear
  • This working in the dismal trench, out in the midnight air;
  • And if--God bless me!--you were hurt, 't would keep away the chill.
  • So John did drink,--and well he wrought that night at Bunker's Hill!
  • I tell you, there was generous warmth in good old English cheer;
  • I tell you, 't was a pleasant thought to bring its symbol here.
  • 'T is but the fool that loves excess; hast thou a drunken soul?
  • Thy bane is in thy shallow skull, not in my silver bowl!
  • I love the memory of the past,--its pressed yet fragrant flowers,--
  • The moss that clothes its broken walls, the ivy on its towers;
  • Nay, this poor bauble it bequeathed,--my eyes grow moist and dim,
  • To think of all the vanished joys that danced around its brim.
  • Then fill a fair and honest cup, and bear it straight to me;
  • The goblet hallows all it holds, whate'er the liquid be;
  • And may the cherubs on its face protect me from the sin
  • That dooms one to those dreadful words,--"My dear, where HAVE you been?"
  • A SONG
  • FOR THE CENTENNIAL CELEBRATION OF HARVARD COLLEGE, 1836
  • This song, which I had the temerity to sing myself (_felix auda-cia_,
  • Mr. Franklin Dexter had the goodness to call it), was sent in a little
  • too late to be printed with the official account of the celebration. It
  • was written at the suggestion of Dr. Jacob Bigelow, who thought the
  • popular tune "The Poacher's Song" would be a good model for a lively
  • ballad or ditty. He himself wrote the admirable Latin song to be found
  • in the record of the meeting.
  • WHEN the Puritans came over
  • Our hills and swamps to clear,
  • The woods were full of catamounts,
  • And Indians red as deer,
  • With tomahawks and scalping-knives,
  • That make folks' heads look queer;
  • Oh the ship from England used to bring
  • A hundred wigs a year!
  • The crows came cawing through the air
  • To pluck the Pilgrims' corn,
  • The bears came snuffing round the door
  • Whene'er a babe was born,
  • The rattlesnakes were bigger round
  • Than the but of the old rams horn
  • The deacon blew at meeting time
  • On every "Sabbath" morn.
  • But soon they knocked the wigwams down,
  • And pine-tree trunk and limb
  • Began to sprout among the leaves
  • In shape of steeples slim;
  • And out the little wharves were stretched
  • Along the ocean's rim,
  • And up the little school-house shot
  • To keep the boys in trim.
  • And when at length the College rose,
  • The sachem cocked his eye
  • At every tutor's meagre ribs
  • Whose coat-tails whistled by
  • But when the Greek and Hebrew words
  • Came tumbling from his jaws,
  • The copper-colored children all
  • Ran screaming to the squaws.
  • And who was on the Catalogue
  • When college was begun?
  • Two nephews of the President,
  • And the Professor's son;
  • (They turned a little Indian by,
  • As brown as any bun;)
  • Lord! how the seniors knocked about
  • The freshman class of one!
  • They had not then the dainty things
  • That commons now afford,
  • But succotash and hominy
  • Were smoking on the board;
  • They did not rattle round in gigs,
  • Or dash in long-tailed blues,
  • But always on Commencement days
  • The tutors blacked their shoes.
  • God bless the ancient Puritans!
  • Their lot was hard enough;
  • But honest hearts make iron arms,
  • And tender maids are tough;
  • So love and faith have formed and fed
  • Our true-born Yankee stuff,
  • And keep the kernel in the shell
  • The British found so rough!
  • THE ISLAND HUNTING-SONG
  • The island referred to is a domain of princely proportions, which has
  • long been the seat of a generous hospitality. Naushon is its old Indian
  • name. William Swain, Esq., commonly known as "the Governor," was the
  • proprietor of it at the time when this song was written. Mr. John M.
  • Forbes is his worthy successor in territorial rights and as a hospitable
  • entertainer. The Island Book has been the recipient of many poems from
  • visitors and friends of the owners of the old mansion.
  • No more the summer floweret charms,
  • The leaves will soon be sere,
  • And Autumn folds his jewelled arms
  • Around the dying year;
  • So, ere the waning seasons claim
  • Our leafless groves awhile,
  • With golden wine and glowing flame
  • We 'll crown our lonely isle.
  • Once more the merry voices sound
  • Within the antlered hall,
  • And long and loud the baying hounds
  • Return the hunter's call;
  • And through the woods, and o'er the hill,
  • And far along the bay,
  • The driver's horn is sounding shrill,--
  • Up, sportsmen, and away!
  • No bars of steel or walls of stone
  • Our little empire bound,
  • But, circling with his azure zone,
  • The sea runs foaming round;
  • The whitening wave, the purpled skies,
  • The blue and lifted shore,
  • Braid with their dim and blending dyes
  • Our wide horizon o'er.
  • And who will leave the grave debate
  • That shakes the smoky town,
  • To rule amid our island-state,
  • And wear our oak-leaf crown?
  • And who will be awhile content
  • To hunt our woodland game,
  • And leave the vulgar pack that scent
  • The reeking track of fame?
  • Ah, who that shares in toils like these
  • Will sigh not to prolong
  • Our days beneath the broad-leaved trees,
  • Our nights of mirth and song?
  • Then leave the dust of noisy streets,
  • Ye outlaws of the wood,
  • And follow through his green retreats
  • Your noble Robin Hood.
  • DEPARTED DAYS
  • YES, dear departed, cherished days,
  • Could Memory's hand restore
  • Your morning light, your evening rays,
  • From Time's gray urn once more,
  • Then might this restless heart be still,
  • This straining eye might close,
  • And Hope her fainting pinions fold,
  • While the fair phantoms rose.
  • But, like a child in ocean's arms,
  • We strive against the stream,
  • Each moment farther from the shore
  • Where life's young fountains gleam;
  • Each moment fainter wave the fields,
  • And wider rolls the sea;
  • The mist grows dark,--the sun goes down,--
  • Day breaks,--and where are we?
  • THE ONLY DAUGHTER
  • ILLUSTRATION OF A PICTURE
  • THEY bid me strike the idle strings,
  • As if my summer days
  • Had shaken sunbeams from their wings
  • To warm my autumn lays;
  • They bring to me their painted urn,
  • As if it were not time
  • To lift my gauntlet and to spurn
  • The lists of boyish rhyme;
  • And were it not that I have still
  • Some weakness in my heart
  • That clings around my stronger will
  • And pleads for gentler art,
  • Perchance I had not turned away
  • The thoughts grown tame with toil,
  • To cheat this lone and pallid ray,
  • That wastes the midnight oil.
  • Alas! with every year I feel
  • Some roses leave my brow;
  • Too young for wisdom's tardy seal,
  • Too old for garlands now.
  • Yet, while the dewy breath of spring
  • Steals o'er the tingling air,
  • And spreads and fans each emerald wing
  • The forest soon shall wear.
  • How bright the opening year would seem,
  • Had I one look like thine
  • To meet me when the morning beam
  • Unseals these lids of mine!
  • Too long I bear this lonely lot,
  • That bids my heart run wild
  • To press the lips that love me not,
  • To clasp the stranger's child.
  • How oft beyond the dashing seas,
  • Amidst those royal bowers,
  • Where danced the lilacs in the breeze,
  • And swung the chestnut-flowers,
  • I wandered like a wearied slave
  • Whose morning task is done,
  • To watch the little hands that gave
  • Their whiteness to the sun;
  • To revel in the bright young eyes,
  • Whose lustre sparkled through
  • The sable fringe of Southern skies
  • Or gleamed in Saxon blue!
  • How oft I heard another's name
  • Called in some truant's tone;
  • Sweet accents! which I longed to claim,
  • To learn and lisp my own!
  • Too soon the gentle hands, that pressed
  • The ringlets of the child,
  • Are folded on the faithful breast
  • Where first he breathed and smiled;
  • Too oft the clinging arms untwine,
  • The melting lips forget,
  • And darkness veils the bridal shrine
  • Where wreaths and torches met;
  • If Heaven but leaves a single thread
  • Of Hope's dissolving chain,
  • Even when her parting plumes are spread,
  • It bids them fold again;
  • The cradle rocks beside the tomb;
  • The cheek now changed and chill
  • Smiles on us in the morning bloom
  • Of one that loves us still.
  • Sweet image! I have done thee wrong
  • To claim this destined lay;
  • The leaf that asked an idle song
  • Must bear my tears away.
  • Yet, in thy memory shouldst thou keep
  • This else forgotten strain,
  • Till years have taught thine eyes to weep,
  • And flattery's voice is vain;
  • Oh then, thou fledgling of the nest,
  • Like the long-wandering dove,
  • Thy weary heart may faint for rest,
  • As mine, on changeless love;
  • And while these sculptured lines retrace
  • The hours now dancing by,
  • This vision of thy girlish grace
  • May cost thee, too, a sigh.
  • SONG
  • WRITTEN FOR THE DINNER GIVEN TO CHARLES DICKENS
  • BY THE YOUNG MEN OF BOSTON, FEBRUARY 1, 1842
  • THE stars their early vigils keep,
  • The silent hours are near,
  • When drooping eyes forget to weep,--
  • Yet still we linger here;
  • And what--the passing churl may ask--
  • Can claim such wondrous power,
  • That Toil forgets his wonted task,
  • And Love his promised hour?
  • The Irish harp no longer thrills,
  • Or breathes a fainter tone;
  • The clarion blast from Scotland's hills,
  • Alas! no more is blown;
  • And Passion's burning lip bewails
  • Her Harold's wasted fire,
  • Still lingering o'er the dust that veils
  • The Lord of England's lyre.
  • But grieve not o'er its broken strings,
  • Nor think its soul hath died,
  • While yet the lark at heaven's gate sings,
  • As once o'er Avon's side;
  • While gentle summer sheds her bloom,
  • And dewy blossoms wave,
  • Alike o'er Juliet's storied tomb
  • And Nelly's nameless grave.
  • Thou glorious island of the sea!
  • Though wide the wasting flood
  • That parts our distant land from thee,
  • We claim thy generous blood;
  • Nor o'er thy far horizon springs
  • One hallowed star of fame,
  • But kindles, like an angel's wings,
  • Our western skies in flame!
  • LINES
  • RECITED AT THE BERKSHIRE JUBILEE,
  • PITTSFIELD, MASS., AUGUST 23, 1844
  • COME back to your mother, ye children, for shame,
  • Who have wandered like truants for riches or fame!
  • With a smile on her face, and a sprig in her cap,
  • She calls you to feast from her bountiful lap.
  • Come out from your alleys, your courts, and your lanes,
  • And breathe, like young eagles, the air of our plains;
  • Take a whiff from our fields, and your excellent wives
  • Will declare it 's all nonsense insuring your lives.
  • Come you of the law, who can talk, if you please,
  • Till the man in the moon will allow it's a cheese,
  • And leave "the old lady, that never tells lies,"
  • To sleep with her handkerchief over her eyes.
  • Ye healers of men, for a moment decline
  • Your feats in the rhubarb and ipecac line;
  • While you shut up your turnpike, your neighbors can go
  • The old roundabout road to the regions below.
  • You clerk, on whose ears are a couple of pens,
  • And whose head is an ant-hill of units and tens,
  • Though Plato denies you, we welcome you still
  • As a featherless biped, in spite of your quill.
  • Poor drudge of the city! how happy he feels,
  • With the burs on his legs and the grass at his heels
  • No dodger behind, his bandannas to share,
  • No constable grumbling, "You must n't walk there!"
  • In yonder green meadow, to memory dear,
  • He slaps a mosquito and brushes a tear;
  • The dew-drops hang round him on blossoms and shoots,
  • He breathes but one sigh for his youth and his boots.
  • There stands the old school-house, hard by the old church;
  • That tree at its side had the flavor of birch;
  • Oh, sweet were the days of his juvenile tricks,
  • Though the prairie of youth had so many "big licks."
  • By the side of yon river he weeps and he slumps,
  • The boots fill with water, as if they were pumps,
  • Till, sated with rapture, he steals to his bed,
  • With a glow in his heart and a cold in his head.
  • 'T is past,--he is dreaming,--I see him again;
  • The ledger returns as by legerdemain;
  • His neckcloth is damp with an easterly flaw,
  • And he holds in his fingers an omnibus straw.
  • He dreams the chill gust is a blossomy gale,
  • That the straw is a rose from his dear native vale;
  • And murmurs, unconscious of space and of time,
  • "A 1. Extra super. Ah, is n't it PRIME!"
  • Oh, what are the prizes we perish to win
  • To the first little "shiner" we caught with a pin!
  • No soil upon earth is so dear to our eyes
  • As the soil we first stirred in terrestrial pies!
  • Then come from all parties and parts to our feast;
  • Though not at the "Astor," we'll give you at least
  • A bite at an apple, a seat on the grass,
  • And the best of old--water--at nothing a glass.
  • NUX POSTCOENATICA
  • I WAS sitting with my microscope, upon my parlor rug,
  • With a very heavy quarto and a very lively bug;
  • The true bug had been organized with only two antennae,
  • But the humbug in the copperplate would have them twice as many.
  • And I thought, like Dr. Faustus, of the emptiness of art,
  • How we take a fragment for the whole, and call the whole a part,
  • When I heard a heavy footstep that was loud enough for two,
  • And a man of forty entered, exclaiming, "How d' ye do?"
  • He was not a ghost, my visitor, but solid flesh and bone;
  • He wore a Palo Alto hat, his weight was twenty stone;
  • (It's odd how hats expand their brims as riper years invade,
  • As if when life had reached its noon it wanted them for shade!)
  • I lost my focus,--dropped my book,--the bug, who was a flea,
  • At once exploded, and commenced experiments on me.
  • They have a certain heartiness that frequently appalls,--
  • Those mediaeval gentlemen in semilunar smalls!
  • "My boy," he said, (colloquial ways,--the vast, broad-hatted man,)
  • "Come dine with us on Thursday next,--you must, you know you can;
  • We're going to have a roaring time, with lots of fun and noise,
  • Distinguished guests, et cetera, the JUDGE, and all the boys."
  • Not so,--I said,--my temporal bones are showing pretty clear.
  • It 's time to stop,--just look and see that hair above this ear;
  • My golden days are more than spent,--and, what is very strange,
  • If these are real silver hairs, I'm getting lots of change.
  • Besides--my prospects--don't you know that people won't employ
  • A man that wrongs his manliness by laughing like a boy?
  • And suspect the azure blossom that unfolds upon a shoot,
  • As if wisdom's old potato could not flourish at its root?
  • It's a very fine reflection, when you 're etching out a smile
  • On a copperplate of faces that would stretch at least a mile,
  • That, what with sneers from enemies and cheapening shrugs of friends,
  • It will cost you all the earnings that a month of labor lends!
  • It's a vastly pleasing prospect, when you're screwing out a laugh,
  • That your very next year's income is diminished by a half,
  • And a little boy trips barefoot that Pegasus may go,
  • And the baby's milk is watered that your Helicon may flow!
  • No;--the joke has been a good one,--but I'm getting fond of quiet,
  • And I don't like deviations from my customary diet;
  • So I think I will not go with you to hear the toasts and speeches,
  • But stick to old Montgomery Place, and have some pig and peaches.
  • The fat man answered: Shut your mouth, and hear the genuine creed;
  • The true essentials of a feast are only fun and feed;
  • The force that wheels the planets round delights in spinning tops,
  • And that young earthquake t' other day was great at shaking props.
  • I tell you what, philosopher, if all the longest heads
  • That ever knocked their sinciputs in stretching on their beds
  • Were round one great mahogany, I'd beat those fine old folks
  • With twenty dishes, twenty fools, and twenty clever jokes!
  • Why, if Columbus should be there, the company would beg
  • He'd show that little trick of his of balancing the egg!
  • Milton to Stilton would give in, and Solomon to Salmon,
  • And Roger Bacon be a bore, and Francis Bacon gammon!
  • And as for all the "patronage" of all the clowns and boors
  • That squint their little narrow eyes at any freak of yours,
  • Do leave them to your prosier friends,--such fellows ought to die
  • When rhubarb is so very scarce and ipecac so high!
  • And so I come,--like Lochinvar, to tread a single measure,--
  • To purchase with a loaf of bread a sugar-plum of pleasure,
  • To enter for the cup of glass that's run for after dinner,
  • Which yields a single sparkling draught,
  • then breaks and cuts the winner.
  • Ah, that's the way delusion comes,--a glass of old Madeira,
  • A pair of visual diaphragms revolved by Jane or Sarah,
  • And down go vows and promises without the slightest question
  • If eating words won't compromise the organs of digestion!
  • And yet, among my native shades, beside my nursing mother,
  • Where every stranger seems a friend, and every friend a brother,
  • I feel the old convivial glow (unaided) o'er me stealing,--
  • The warm, champagny, the old-particular brandy-punchy feeling.
  • We're all alike;--Vesuvius flings the scoriae from his fountain,
  • But down they come in volleying rain back to the burning mountain;
  • We leave, like those volcanic stones, our precious Alma Mater,
  • But will keep dropping in again to see the dear old crater.
  • VERSES FOR AFTER-DINNER
  • PHI BETA KAPPA SOCIETY, 1844
  • I WAS thinking last night, as I sat in the cars,
  • With the charmingest prospect of cinders and stars,
  • Next Thursday is--bless me!--how hard it will be,
  • If that cannibal president calls upon me!
  • There is nothing on earth that he will not devour,
  • From a tutor in seed to a freshman in flower;
  • No sage is too gray, and no youth is too green,
  • And you can't be too plump, though you're never too lean.
  • While others enlarge on the boiled and the roast,
  • He serves a raw clergyman up with a toast,
  • Or catches some doctor, quite tender and young,
  • And basely insists on a bit of his tongue.
  • Poor victim, prepared for his classical spit,
  • With a stuffing of praise and a basting of wit,
  • You may twitch at your collar and wrinkle your brow,
  • But you're up on your legs, and you're in for it now.
  • Oh think of your friends,--they are waiting to hear
  • Those jokes that are thought so remarkably queer;
  • And all the Jack Horners of metrical buns
  • Are prying and fingering to pick out the puns.
  • Those thoughts which, like chickens, will always thrive best
  • When reared by the heat of the natural nest,
  • Will perish if hatched from their embryo dream
  • In the mist and the glow of convivial steam.
  • Oh pardon me, then, if I meekly retire,
  • With a very small flash of ethereal fire;
  • No rubbing will kindle your Lucifer match,
  • If the fiz does not follow the primitive scratch.
  • Dear friends, who are listening so sweetly the while,
  • With your lips double--reefed in a snug little smile,
  • I leave you two fables, both drawn from the deep,--
  • The shells you can drop, but the pearls you may keep.
  • . . . . . . . . . . .
  • The fish called the FLOUNDER, perhaps you may know,
  • Has one side for use and another for show;
  • One side for the public, a delicate brown,
  • And one that is white, which he always keeps down.
  • A very young flounder, the flattest of flats,
  • (And they 're none of them thicker than opera hats,)
  • Was speaking more freely than charity taught
  • Of a friend and relation that just had been caught.
  • "My! what an exposure! just see what a sight!
  • I blush for my race,--he is showing his white
  • Such spinning and wriggling,--why, what does he wish?
  • How painfully small to respectable fish!"
  • Then said an Old SCULPIN,--"My freedom excuse,
  • You're playing the cobbler with holes in your shoes;
  • Your brown side is up,--but just wait till you're tried
  • And you'll find that all flounders are white on one side."
  • . . . . . . . . . .
  • There's a slice near the PICKEREL'S pectoral fins,
  • Where the thorax leaves off and the venter begins,
  • Which his brother, survivor of fish-hooks and lines,
  • Though fond of his family, never declines.
  • He loves his relations; he feels they'll be missed;
  • But that one little tidbit he cannot resist;
  • So your bait may be swallowed, no matter how fast,
  • For you catch your next fish with a piece of the last.
  • And thus, O survivor, whose merciless fate
  • Is to take the next hook with the president's bait,
  • You are lost while you snatch from the end of his line
  • The morsel he rent from this bosom of mine!
  • A MODEST REQUEST
  • COMPLIED WITH AFTER THE DINNER AT
  • PRESIDENT EVERETT'S INAUGURATION
  • SCENE,--a back parlor in a certain square,
  • Or court, or lane,--in short, no matter where;
  • Time,--early morning, dear to simple souls
  • Who love its sunshine and its fresh-baked rolls;
  • Persons,--take pity on this telltale blush,
  • That, like the AEthiop, whispers, "Hush, oh hush!"
  • Delightful scene! where smiling comfort broods,
  • Nor business frets, nor anxious care intrudes;
  • _O si sic omnia_ I were it ever so!
  • But what is stable in this world below?
  • _Medio e fonte_,--Virtue has her faults,--
  • The clearest fountains taste of Epsom salts;
  • We snatch the cup and lift to drain it dry,--
  • Its central dimple holds a drowning fly
  • Strong is the pine by Maine's ambrosial streams,
  • But stronger augers pierce its thickest beams;
  • No iron gate, no spiked and panelled door,
  • Can keep out death, the postman, or the bore.
  • Oh for a world where peace and silence reign,
  • And blunted dulness verebrates in vain!
  • --The door-bell jingles,--enter Richard Fox,
  • And takes this letter from his leathern box.
  • "Dear Sir,--
  • In writing on a former day,
  • One little matter I forgot to say;
  • I now inform you in a single line,
  • On Thursday next our purpose is to dine.
  • The act of feeding, as you understand,
  • Is but a fraction of the work in hand;
  • Its nobler half is that ethereal meat
  • The papers call 'the intellectual treat;'
  • Songs, speeches, toasts, around the festive board
  • Drowned in the juice the College pumps afford;
  • For only water flanks our knives and forks,
  • So, sink or float, we swim without the corks.
  • Yours is the art, by native genius taught,
  • To clothe in eloquence the naked thought;
  • Yours is the skill its music to prolong
  • Through the sweet effluence of mellifluous song;
  • Yours the quaint trick to cram the pithy line
  • That cracks so crisply over bubbling wine;
  • And since success your various gifts attends,
  • We--that is, I and all your numerous friends--
  • Expect from you--your single self a host--
  • A speech, a song, excuse me, and a toast;
  • Nay, not to haggle on so small a claim,
  • A few of each, or several of the same.
  • (Signed), Yours, most truly, ________"
  • No! my sight must fail,--
  • If that ain't Judas on the largest scale!
  • Well, this is modest;--nothing else than that?
  • My coat? my boots? my pantaloons? my hat?
  • My stick? my gloves? as well as all my wits,
  • Learning and linen,--everything that fits!
  • Jack, said my lady, is it grog you'll try,
  • Or punch, or toddy, if perhaps you're dry?
  • Ah, said the sailor, though I can't refuse,
  • You know, my lady, 't ain't for me to choose;
  • I'll take the grog to finish off my lunch,
  • And drink the toddy while you mix the punch.
  • . . . . . . . .
  • THE SPEECH. (The speaker, rising to be seen,
  • Looks very red, because so very green.)
  • I rise--I rise--with unaffected fear,
  • (Louder!--speak louder!--who the deuce can hear?)
  • I rise--I said--with undisguised dismay
  • --Such are my feelings as I rise, I say
  • Quite unprepared to face this learned throng,
  • Already gorged with eloquence and song;
  • Around my view are ranged on either hand
  • The genius, wisdom, virtue of the land;
  • "Hands that the rod of empire might have swayed"
  • Close at my elbow stir their lemonade;
  • Would you like Homer learn to write and speak,
  • That bench is groaning with its weight of Greek;
  • Behold the naturalist who in his teens
  • Found six new species in a dish of greens;
  • And lo, the master in a statelier walk,
  • Whose annual ciphering takes a ton of chalk;
  • And there the linguist, who by common roots
  • Thro' all their nurseries tracks old Noah's shoots,--
  • How Shem's proud children reared the Assyrian piles,
  • While Ham's were scattered through the Sandwich Isles!
  • --Fired at the thought of all the present shows,
  • My kindling fancy down the future flows:
  • I see the glory of the coming days
  • O'er Time's horizon shoot its streaming rays;
  • Near and more near the radiant morning draws
  • In living lustre (rapturous applause);
  • From east to west the blazing heralds run,
  • Loosed from the chariot of the ascending sun,
  • Through the long vista of uncounted years
  • In cloudless splendor (three tremendous cheers).
  • My eye prophetic, as the depths unfold,
  • Sees a new advent of the age of gold;
  • While o'er the scene new generations press,
  • New heroes rise the coming time to bless,--
  • Not such as Homer's, who, we read in Pope,
  • Dined without forks and never heard of soap,--
  • Not such as May to Marlborough Chapel brings,
  • Lean, hungry, savage, anti-everythings,
  • Copies of Luther in the pasteboard style,--
  • But genuine articles, the true Carlyle;
  • While far on high the blazing orb shall shed
  • Its central light on Harvard's holy head,
  • And learning's ensigns ever float unfurled
  • Here in the focus of the new-born world
  • The speaker stops, and, trampling down the pause,
  • Roars through the hall the thunder of applause,
  • One stormy gust of long-suspended Ahs!
  • One whirlwind chaos of insane hurrahs!
  • . . . . . . . .
  • THE SONG. But this demands a briefer line,--
  • A shorter muse, and not the old long Nine;
  • Long metre answers for a common song,
  • Though common metre does not answer long.
  • She came beneath the forest dome
  • To seek its peaceful shade,
  • An exile from her ancient home,
  • A poor, forsaken maid;
  • No banner, flaunting high above,
  • No blazoned cross, she bore;
  • One holy book of light and love
  • Was all her worldly store.
  • The dark brown shadows passed away,
  • And wider spread the green,
  • And where the savage used to stray
  • The rising mart was seen;
  • So, when the laden winds had brought
  • Their showers of golden rain,
  • Her lap some precious gleanings caught,
  • Like Ruth's amid the grain.
  • But wrath soon gathered uncontrolled
  • Among the baser churls,
  • To see her ankles red with gold,
  • Her forehead white with pearls.
  • "Who gave to thee the glittering bands
  • That lace thine azure veins?
  • Who bade thee lift those snow-white hands
  • We bound in gilded chains?"
  • "These are the gems my children gave,"
  • The stately dame replied;
  • "The wise, the gentle, and the brave,
  • I nurtured at my side.
  • If envy still your bosom stings,
  • Take back their rims of gold;
  • My sons will melt their wedding-rings,
  • And give a hundred-fold!"
  • . . . . . . . .
  • THE TOAST. Oh tell me, ye who thoughtless ask
  • Exhausted nature for a threefold task,
  • In wit or pathos if one share remains,
  • A safe investment for an ounce of brains!
  • Hard is the job to launch the desperate pun,
  • A pun-job dangerous as the Indian one.
  • Turned by the current of some stronger wit
  • Back from the object that you mean to hit,
  • Like the strange missile which the Australian throws,
  • Your verbal boomerang slaps you on the nose.
  • One vague inflection spoils the whole with doubt,
  • One trivial letter ruins all, left out;
  • A knot can choke a felon into clay,
  • A not will save him, spelt without the k;
  • The smallest word has some unguarded spot,
  • And danger lurks in i without a dot.
  • Thus great Achilles, who had shown his zeal
  • In healing wounds, died of a wounded heel;
  • Unhappy chief, who, when in childhood doused,
  • Had saved his bacon had his feet been soused
  • Accursed heel that killed a hero stout
  • Oh, had your mother known that you were out,
  • Death had not entered at the trifling part
  • That still defies the small chirurgeon's art
  • With corns and bunions,--not the glorious John,
  • Who wrote the book we all have pondered on,
  • But other bunions, bound in fleecy hose,
  • To "Pilgrim's Progress" unrelenting foes!
  • . . . . . . . .
  • A HEALTH, unmingled with the reveller's wine,
  • To him whose title is indeed divine;
  • Truth's sleepless watchman on her midnight tower,
  • Whose lamp burns brightest when the tempests lower.
  • Oh, who can tell with what a leaden flight
  • Drag the long watches of his weary night,
  • While at his feet the hoarse and blinding gale
  • Strews the torn wreck and bursts the fragile sail,
  • When stars have faded, when the wave is dark,
  • When rocks and sands embrace the foundering bark!
  • But still he pleads with unavailing cry,
  • Behold the light, O wanderer, look or die!
  • A health, fair Themis! Would the enchanted vine
  • Wreathed its green tendrils round this cup of thine!
  • If Learning's radiance fill thy modern court,
  • Its glorious sunshine streams through Blackstone's port.
  • Lawyers are thirsty, and their clients too,
  • Witness at least, if memory serve me true,
  • Those old tribunals, famed for dusty suits,
  • Where men sought justice ere they brushed their boots;
  • And what can match, to solve a learned doubt,
  • The warmth within that comes from "cold with-out"?
  • Health to the art whose glory is to give
  • The crowning boon that makes it life to live.
  • Ask not her home;--the rock where nature flings
  • Her arctic lichen, last of living things;
  • The gardens, fragrant with the orient's balm,
  • From the low jasmine to the star-like palm,
  • Hail her as mistress o'er the distant waves,
  • And yield their tribute to her wandering slaves.
  • Wherever, moistening the ungrateful soil,
  • The tear of suffering tracks the path of toil,
  • There, in the anguish of his fevered hours,
  • Her gracious finger points to healing flowers;
  • Where the lost felon steals away to die,
  • Her soft hand waves before his closing eye;
  • Where hunted misery finds his darkest lair,
  • The midnight taper shows her kneeling there!
  • VIRTUE,--the guide that men and nations own;
  • And LAW,--the bulwark that protects her throne;
  • And HEALTH,--to all its happiest charm that lends;
  • These and their servants, man's untiring friends
  • Pour the bright lymph that Heaven itself lets fall,
  • In one fair bumper let us toast them all!
  • THE PARTING WORD
  • I MUST leave thee, lady sweet
  • Months shall waste before we meet;
  • Winds are fair and sails are spread,
  • Anchors leave their ocean bed;
  • Ere this shining day grow dark,
  • Skies shall gird my shoreless bark.
  • Through thy tears, O lady mine,
  • Read thy lover's parting line.
  • When the first sad sun shall set,
  • Thou shalt tear thy locks of jet;
  • When the morning star shall rise,
  • Thou shalt wake with weeping eyes;
  • When the second sun goes down,
  • Thou more tranquil shalt be grown,
  • Taught too well that wild despair
  • Dims thine eyes and spoils thy hair.
  • All the first unquiet week
  • Thou shalt wear a smileless cheek;
  • In the first month's second half
  • Thou shalt once attempt to laugh;
  • Then in Pickwick thou shalt dip,
  • Slightly puckering round the lip,
  • Till at last, in sorrow's spite,
  • Samuel makes thee laugh outright.
  • While the first seven mornings last,
  • Round thy chamber bolted fast
  • Many a youth shall fume and pout,
  • "Hang the girl, she's always out!"
  • While the second week goes round,
  • Vainly shall they ring and pound;
  • When the third week shall begin,
  • "Martha, let the creature in."
  • Now once more the flattering throng
  • Round thee flock with smile and song,
  • But thy lips, unweaned as yet,
  • Lisp, "Oh, how can I forget!"
  • Men and devils both contrive
  • Traps for catching girls alive;
  • Eve was duped, and Helen kissed,--
  • How, oh how can you resist?
  • First be careful of your fan,
  • Trust it not to youth or man;
  • Love has filled a pirate's sail
  • Often with its perfumed gale.
  • Mind your kerchief most of all,
  • Fingers touch when kerchiefs fall;
  • Shorter ell than mercers clip
  • Is the space from hand to lip.
  • Trust not such as talk in tropes,
  • Full of pistols, daggers, ropes;
  • All the hemp that Russia bears
  • Scarce would answer lovers' prayers;
  • Never thread was spun so fine,
  • Never spider stretched the line,
  • Would not hold the lovers true
  • That would really swing for you.
  • Fiercely some shall storm and swear,
  • Beating breasts in black despair;
  • Others murmur with a sigh,
  • You must melt, or they will die:
  • Painted words on empty lies,
  • Grubs with wings like butterflies;
  • Let them die, and welcome, too;
  • Pray what better could they do?
  • Fare thee well: if years efface
  • From thy heart love's burning trace,
  • Keep, oh keep that hallowed seat
  • From the tread of vulgar feet;
  • If the blue lips of the sea
  • Wait with icy kiss for me,
  • Let not thine forget the vow,
  • Sealed how often, Love, as now.
  • A SONG OF OTHER DAYS
  • As o'er the glacier's frozen sheet
  • Breathes soft the Alpine rose,
  • So through life's desert springing sweet
  • The flower of friendship grows;
  • And as where'er the roses grow
  • Some rain or dew descends,
  • 'T is nature's law that wine should flow
  • To wet the lips of friends.
  • Then once again, before we part,
  • My empty glass shall ring;
  • And he that has the warmest heart
  • Shall loudest laugh and sing.
  • They say we were not born to eat;
  • But gray-haired sages think
  • It means, Be moderate in your meat,
  • And partly live to drink.
  • For baser tribes the rivers flow
  • That know not wine or song;
  • Man wants but little drink below,
  • But wants that little strong.
  • Then once again, etc.
  • If one bright drop is like the gem
  • That decks a monarch's crown,
  • One goblet holds a diadem
  • Of rubies melted down!
  • A fig for Caesar's blazing brow,
  • But, like the Egyptian queen,
  • Bid each dissolving jewel glow
  • My thirsty lips between.
  • Then once again, etc.
  • The Grecian's mound, the Roman's urn,
  • Are silent when we call,
  • Yet still the purple grapes return
  • To cluster on the wall;
  • It was a bright Immortal's head
  • They circled with the vine,
  • And o'er their best and bravest dead
  • They poured the dark-red wine.
  • Then once again, etc.
  • Methinks o'er every sparkling glass
  • Young Eros waves his wings,
  • And echoes o'er its dimples pass
  • From dead Anacreon's strings;
  • And, tossing round its beaded brim
  • Their locks of floating gold,
  • With bacchant dance and choral hymn
  • Return the nymphs of old.
  • Then once again, etc.
  • A welcome then to joy and mirth,
  • From hearts as fresh as ours,
  • To scatter o'er the dust of earth
  • Their sweetly mingled flowers;
  • 'T is Wisdom's self the cup that fills
  • In spite of Folly's frown,
  • And Nature, from her vine-clad hills,
  • That rains her life-blood down!
  • Then once again, before we part,
  • My empty glass shall ring;
  • And he that has the warmest heart
  • Shall loudest laugh and sing.
  • SONG
  • FOR A TEMPERANCE DINNER TO WHICH LADIES WERE
  • INVITED (NEW YORK MERCANTILE LIBRARY ASSOCIATION,
  • NOVEMBER, 1842)
  • A HEALTH to dear woman! She bids us untwine,
  • From the cup it encircles, the fast-clinging vine;
  • But her cheek in its crystal with pleasure will glow,
  • And mirror its bloom in the bright wave below.
  • A health to sweet woman! The days are no more
  • When she watched for her lord till the revel was o'er,
  • And smoothed the white pillow, and blushed when he came,
  • As she pressed her cold lips on his forehead of flame.
  • Alas for the loved one! too spotless and fair
  • The joys of his banquet to chasten and share;
  • Her eye lost its light that his goblet might shine,
  • And the rose of her cheek was dissolved in his wine.
  • Joy smiles in the fountain, health flows in the rills,
  • As their ribbons of silver unwind from the hills;
  • They breathe not the mist of the bacchanal's dream,
  • But the lilies of innocence float on their stream.
  • Then a health and a welcome to woman once more!
  • She brings us a passport that laughs at our door;
  • It is written on crimson,--its letters are pearls,--
  • It is countersigned Nature.--So, room for the Girls!
  • A SENTIMENT
  • THE pledge of Friendship! it is still divine,
  • Though watery floods have quenched its burning wine;
  • Whatever vase the sacred drops may hold,
  • The gourd, the shell, the cup of beaten gold,
  • Around its brim the hand of Nature throws
  • A garland sweeter than the banquet's rose.
  • Bright are the blushes of the vine-wreathed bowl,
  • Warm with the sunshine of Anacreon's soul,
  • But dearer memories gild the tasteless wave
  • That fainting Sidney perished as he gave.
  • 'T is the heart's current lends the cup its glow,
  • Whate'er the fountain whence the draught may flow,--
  • The diamond dew-drops sparkling through the sand,
  • Scooped by the Arab in his sunburnt hand,
  • Or the dark streamlet oozing from the snow,
  • Where creep and crouch the shuddering Esquimaux;
  • Ay, in the stream that, ere again we meet,
  • Shall burst the pavement, glistening at our feet,
  • And, stealing silent from its leafy hills,
  • Thread all our alleys with its thousand rills,--
  • In each pale draught if generous feeling blend,
  • And o'er the goblet friend shall smile on friend,
  • Even cold Cochituate every heart shall warm,
  • And genial Nature still defy reform!
  • A RHYMED LESSON (URANIA)
  • This poem was delivered before the Boston Mercantile Library
  • Association, October 14, 1846.
  • YES, dear Enchantress,--wandering far and long,
  • In realms unperfumed by the breath of song,
  • Where flowers ill-flavored shed their sweets around,
  • And bitterest roots invade the ungenial ground,
  • Whose gems are crystals from the Epsom mine,
  • Whose vineyards flow with antimonial wine,
  • Whose gates admit no mirthful feature in,
  • Save one gaunt mocker, the Sardonic grin,
  • Whose pangs are real, not the woes of rhyme
  • That blue-eyed misses warble out of time;--
  • Truant, not recreant to thy sacred claim,
  • Older by reckoning, but in heart the same,
  • Freed for a moment from the chains of toil,
  • I tread once more thy consecrated soil;
  • Here at thy feet my old allegiance own,
  • Thy subject still, and loyal to thy throne!
  • My dazzled glance explores the crowded hall;
  • Alas, how vain to hope the smiles of all!
  • I know my audience. All the gay and young
  • Love the light antics of a playful tongue;
  • And these, remembering some expansive line
  • My lips let loose among the nuts and wine,
  • Are all impatience till the opening pun
  • Proclaims the witty shamfight is begun.
  • Two fifths at least, if not the total half,
  • Have come infuriate for an earthquake laugh;
  • I know full well what alderman has tied
  • His red bandanna tight about his side;
  • I see the mother, who, aware that boys
  • Perform their laughter with superfluous noise,
  • Beside her kerchief brought an extra one
  • To stop the explosions of her bursting son;
  • I know a tailor, once a friend of mine,
  • Expects great doings in the button line,--
  • For mirth's concussions rip the outward case,
  • And plant the stitches in a tenderer place.
  • I know my audience,--these shall have their due;
  • A smile awaits them ere my song is through!
  • I know myself. Not servile for applause,
  • My Muse permits no deprecating clause;
  • Modest or vain, she will not be denied
  • One bold confession due to honest pride;
  • And well she knows the drooping veil of song
  • Shall save her boldness from the caviller's wrong.
  • Her sweeter voice the Heavenly Maid imparts
  • To tell the secrets of our aching hearts
  • For this, a suppliant, captive, prostrate, bound,
  • She kneels imploring at the feet of sound;
  • For this, convulsed in thought's maternal pains,
  • She loads her arms with rhyme's resounding chains;
  • Faint though the music of her fetters be,
  • It lends one charm,--her lips are ever free!
  • Think not I come, in manhood's fiery noon,
  • To steal his laurels from the stage buffoon;
  • His sword of lath the harlequin may wield;
  • Behold the star upon my lifted shield
  • Though the just critic pass my humble name,
  • And sweeter lips have drained the cup of fame,
  • While my gay stanza pleased the banquet's lords,
  • The soul within was tuned to deeper chords!
  • Say, shall my arms, in other conflicts taught
  • To swing aloft the ponderous mace of thought,
  • Lift, in obedience to a school-girl's law,
  • Mirth's tinsel wand or laughter's tickling straw?
  • Say, shall I wound with satire's rankling spear
  • The pure, warm hearts that bid me welcome here?
  • No! while I wander through the land of dreams,
  • To strive with great and play with trifling themes,
  • Let some kind meaning fill the varied line.
  • You have your judgment; will you trust to mine?
  • . . . . . . . . . .
  • Between two breaths what crowded mysteries lie,--
  • The first short gasp, the last and long-drawn sigh!
  • Like phantoms painted on the magic slide,
  • Forth from the darkness of the past we glide,
  • As living shadows for a moment seen
  • In airy pageant on the eternal screen,
  • Traced by a ray from one unchanging flame,
  • Then seek the dust and stillness whence we came.
  • But whence and why, our trembling souls inquire,
  • Caught these dim visions their awakening fire?
  • Oh, who forgets when first the piercing thought
  • Through childhood's musings found its way unsought?
  • I AM;--I LIVE. The mystery and the fear
  • When the dread question, WHAT HAS BROUGHT ME HERE?
  • Burst through life's twilight, as before the sun
  • Roll the deep thunders of the morning gun!
  • Are angel faces, silent and serene,
  • Bent on the conflicts of this little scene,
  • Whose dream-like efforts, whose unreal strife,
  • Are but the preludes to a larger life?
  • Or does life's summer see the end of all,
  • These leaves of being mouldering as they fall,
  • As the old poet vaguely used to deem,
  • As WESLEY questioned in his youthful dream?
  • Oh, could such mockery reach our souls indeed,
  • Give back the Pharaohs' or the Athenian's creed;
  • Better than this a Heaven of man's device,--
  • The Indian's sports, the Moslem's paradise!
  • Or is our being's only end and aim
  • To add new glories to our Maker's name,
  • As the poor insect, shrivelling in the blaze,
  • Lends a faint sparkle to its streaming rays?
  • Does earth send upward to the Eternal's ear
  • The mingled discords of her jarring sphere
  • To swell his anthem, while creation rings
  • With notes of anguish from its shattered strings?
  • Is it for this the immortal Artist means
  • These conscious, throbbing, agonized machines?
  • Dark is the soul whose sullen creed can bind
  • In chains like these the all-embracing Mind;
  • No! two-faced bigot, thou dost ill reprove
  • The sensual, selfish, yet benignant Jove,
  • And praise a tyrant throned in lonely pride,
  • Who loves himself, and cares for naught beside;
  • Who gave thee, summoned from primeval night,
  • A thousand laws, and not a single right,--
  • A heart to feel, and quivering nerves to thrill,
  • The sense of wrong, the death-defying will;
  • Who girt thy senses with this goodly frame,
  • Its earthly glories and its orbs of flame,
  • Not for thyself, unworthy of a thought,
  • Poor helpless victim of a life unsought,
  • But all for him, unchanging and supreme,
  • The heartless centre of thy frozen scheme.
  • Trust not the teacher with his lying scroll,
  • Who tears the charter of thy shuddering soul;
  • The God of love, who gave the breath that warms
  • All living dust in all its varied forms,
  • Asks not the tribute of a world like this
  • To fill the measure of his perfect bliss.
  • Though winged with life through all its radiant shores,
  • Creation flowed with unexhausted stores
  • Cherub and seraph had not yet enjoyed;
  • For this he called thee from the quickening void!
  • Nor this alone; a larger gift was thine,
  • A mightier purpose swelled his vast design
  • Thought,--conscience,--will,--to make them all thine own,
  • He rent a pillar from the eternal throne!
  • Made in his image, thou must nobly dare
  • The thorny crown of sovereignty to share.
  • With eye uplifted, it is thine to view,
  • From thine own centre, Heaven's o'erarching blue;
  • So round thy heart a beaming circle lies
  • No fiend can blot, no hypocrite disguise;
  • From all its orbs one cheering voice is heard,
  • Full to thine ear it bears the Father's word,
  • Now, as in Eden where his first-born trod
  • "Seek thine own welfare, true to man and God!"
  • Think not too meanly of thy low estate;
  • Thou hast a choice; to choose is to create!
  • Remember whose the sacred lips that tell,
  • Angels approve thee when thy choice is well;
  • Remember, One, a judge of righteous men,
  • Swore to spare Sodom if she held but ten!
  • Use well the freedom which thy Master gave,
  • (Think'st thou that Heaven can tolerate a slave?)
  • And He who made thee to be just and true
  • Will bless thee, love thee,--ay, respect thee too!
  • Nature has placed thee on a changeful tide,
  • To breast its waves, but not without a guide;
  • Yet, as the needle will forget its aim,
  • Jarred by the fury of the electric flame,
  • As the true current it will falsely feel,
  • Warped from its axis by a freight of steel;
  • So will thy CONSCIENCE lose its balanced truth
  • If passion's lightning fall upon thy youth,
  • So the pure effluence quit its sacred hold
  • Girt round too deeply with magnetic gold.
  • Go to yon tower, where busy science plies
  • Her vast antennae, feeling through the skies
  • That little vernier on whose slender lines
  • The midnight taper trembles as it shines,
  • A silent index, tracks the planets' march
  • In all their wanderings through the ethereal arch;
  • Tells through the mist where dazzled Mercury burns,
  • And marks the spot where Uranus returns.
  • So, till by wrong or negligence effaced,
  • The living index which thy Maker traced
  • Repeats the line each starry Virtue draws
  • Through the wide circuit of creation's laws;
  • Still tracks unchanged the everlasting ray
  • Where the dark shadows of temptation stray,
  • But, once defaced, forgets the orbs of light,
  • And leaves thee wandering o'er the expanse of night.
  • "What is thy creed?" a hundred lips inquire;
  • "Thou seekest God beneath what Christian spire?"
  • Nor ask they idly, for uncounted lies
  • Float upward on the smoke of sacrifice;
  • When man's first incense rose above the plain,
  • Of earth's two altars one was built by Cain!
  • Uncursed by doubt, our earliest creed we take;
  • We love the precepts for the teacher's sake;
  • The simple lessons which the nursery taught
  • Fell soft and stainless on the buds of thought,
  • And the full blossom owes its fairest hue
  • To those sweet tear-drops of affection's dew.
  • Too oft the light that led our earlier hours
  • Fades with the perfume of our cradle flowers;
  • The clear, cold question chills to frozen doubt;
  • Tired of beliefs, we dread to live without
  • Oh then, if Reason waver at thy side,
  • Let humbler Memory be thy gentle guide;
  • Go to thy birthplace, and, if faith was there,
  • Repeat thy father's creed, thy mother's prayer!
  • Faith loves to lean on Time's destroying arm,
  • And age, like distance, lends a double charm;
  • In dim cathedrals, dark with vaulted gloom,
  • What holy awe invests the saintly tomb!
  • There pride will bow, and anxious care expand,
  • And creeping avarice come with open hand;
  • The gay can weep, the impious can adore,
  • From morn's first glimmerings on the chancel floor
  • Till dying sunset sheds his crimson stains
  • Through the faint halos of the irised panes.
  • Yet there are graves, whose rudely-shapen sod
  • Bears the fresh footprints where the sexton trod;
  • Graves where the verdure has not dared to shoot,
  • Where the chance wild-flower has not fixed its root,
  • Whose slumbering tenants, dead without a name,
  • The eternal record shall at length proclaim
  • Pure as the holiest in the long array
  • Of hooded, mitred, or tiaraed clay!
  • Come, seek the air; some pictures we may gain
  • Whose passing shadows shall not be in vain;
  • Not from the scenes that crowd the stranger's soil,
  • Not from our own amidst the stir of toil,
  • But when the Sabbath brings its kind release,
  • And Care lies slumbering on the lap of Peace.
  • The air is hushed, the street is holy ground;
  • Hark! The sweet bells renew their welcome sound
  • As one by one awakes each silent tongue,
  • It tells the turret whence its voice is flung.
  • The Chapel, last of sublunary things
  • That stirs our echoes with the name of Kings,
  • Whose bell, just glistening from the font and forge,
  • Rolled its proud requiem for the second George,
  • Solemn and swelling, as of old it rang,
  • Flings to the wind its deep, sonorous clang;
  • The simpler pile, that, mindful of the hour
  • When Howe's artillery shook its half-built tower,
  • Wears on its bosom, as a bride might do,
  • The iron breastpin which the "Rebels" threw,
  • Wakes the sharp echoes with the quivering thrill
  • Of keen vibrations, tremulous and shrill;
  • Aloft, suspended in the morning's fire,
  • Crash the vast cymbals from the Southern spire;
  • The Giant, standing by the elm-clad green,
  • His white lance lifted o'er the silent scene,
  • Whirling in air his brazen goblet round,
  • Swings from its brim the swollen floods of sound;
  • While, sad with memories of the olden time,
  • Throbs from his tower the Northern Minstrel's chime,--
  • Faint, single tones, that spell their ancient song,
  • But tears still follow as they breathe along.
  • Child of the soil, whom fortune sends to range
  • Where man and nature, faith and customs change,
  • Borne in thy memory, each familiar tone
  • Mourns on the winds that sigh in every zone.
  • When Ceylon sweeps thee with her perfumed breeze
  • Through the warm billows of the Indian seas;
  • When--ship and shadow blended both in one--
  • Flames o'er thy mast the equatorial sun,
  • From sparkling midnight to refulgent noon
  • Thy canvas swelling with the still monsoon;
  • When through thy shrouds the wild tornado sings,
  • And thy poor sea-bird folds her tattered wings,--
  • Oft will delusion o'er thy senses steal,
  • And airy echoes ring the Sabbath peal
  • Then, dim with grateful tears, in long array
  • Rise the fair town, the island-studded bay,
  • Home, with its smiling board, its cheering fire,
  • The half-choked welcome of the expecting sire,
  • The mother's kiss, and, still if aught remain,
  • Our whispering hearts shall aid the silent strain.
  • Ah, let the dreamer o'er the taffrail lean
  • To muse unheeded, and to weep unseen;
  • Fear not the tropic's dews, the evening's chills,
  • His heart lies warm among his triple hills!
  • Turned from her path by this deceitful gleam,
  • My wayward fancy half forgets her theme.
  • See through the streets that slumbered in repose
  • The living current of devotion flows,
  • Its varied forms in one harmonious band
  • Age leading childhood by its dimpled hand;
  • Want, in the robe whose faded edges fall
  • To tell of rags beneath the tartan shawl;
  • And wealth, in silks that, fluttering to appear,
  • Lift the deep borders of the proud cashmere.
  • See, but glance briefly, sorrow-worn and pale,
  • Those sunken cheeks beneath the widow's veil;
  • Alone she wanders where with HIM she trod,
  • No arm to stay her, but she leans on God.
  • While other doublets deviate here and there,
  • What secret handcuff binds that pretty pair?
  • Compactest couple! pressing side to side,--
  • Ah, the white bonnet that reveals the bride!
  • By the white neckcloth, with its straitened tie,
  • The sober hat, the Sabbath-speaking eye,
  • Severe and smileless, he that runs may read
  • The stern disciple of Geneva's creed
  • Decent and slow, behold his solemn march;
  • Silent he enters through yon crowded arch.
  • A livelier bearing of the outward man,
  • The light-hued gloves, the undevout rattan,
  • Now smartly raised or half profanely twirled,--
  • A bright, fresh twinkle from the week-day world,--
  • Tell their plain story; yes, thine eyes behold
  • A cheerful Christian from the liberal fold.
  • Down the chill street that curves in gloomiest shade
  • What marks betray yon solitary maid?
  • The cheek's red rose that speaks of balmier air,
  • The Celtic hue that shades her braided hair,
  • The gilded missal in her kerchief tied,--
  • Poor Nora, exile from Killarney's side!
  • Sister in toil, though blanched by colder skies,
  • That left their azure in her downcast eyes,
  • See pallid Margaret, Labor's patient child,
  • Scarce weaned from home, the nursling of the wild,
  • Where white Katahdin o'er the horizon shines,
  • And broad Penobscot dashes through the pines.
  • Still, as she hastes, her careful fingers hold
  • The unfailing hymn-book in its cambric fold.
  • Six days at drudgery's heavy wheel she stands,
  • The seventh sweet morning folds her weary hands.
  • Yes, child of suffering, thou mayst well be sure
  • He who ordained the Sabbath loves the poor!
  • This weekly picture faithful Memory draws,
  • Nor claims the noisy tribute of applause;
  • Faint is the glow such barren hopes can lend,
  • And frail the line that asks no loftier end.
  • Trust me, kind listener, I will yet beguile
  • Thy saddened features of the promised smile.
  • This magic mantle thou must well divide,
  • It has its sable and its ermine side;
  • Yet, ere the lining of the robe appears,
  • Take thou in silence what I give in tears.
  • Dear listening soul, this transitory scene
  • Of murmuring stillness, busily serene,--
  • This solemn pause, the breathing-space of man,
  • The halt of toil's exhausted caravan,--
  • Comes sweet with music to thy wearied ear;
  • Rise with its anthems to a holier sphere!
  • Deal meekly, gently, with the hopes that guide
  • The lowliest brother straying from thy side
  • If right, they bid thee tremble for thine own;
  • If wrong, the verdict is for God alone.
  • What though the champions of thy faith esteem
  • The sprinkled fountain or baptismal stream;
  • Shall jealous passions in unseemly strife
  • Cross their dark weapons o'er the waves of life?
  • Let my free soul, expanding as it can,
  • Leave to his scheme the thoughtful Puritan;
  • But Calvin's dogma shall my lips deride?
  • In that stern faith my angel Mary died;
  • Or ask if mercy's milder creed can save,
  • Sweet sister, risen from thy new-made grave?
  • True, the harsh founders of thy church reviled
  • That ancient faith, the trust of Erin's child;
  • Must thou be raking in the crumbled past
  • For racks and fagots in her teeth to cast?
  • See from the ashes of Helvetia's pile
  • The whitened skull of old Servetus smile!
  • Round her young heart thy "Romish Upas" threw
  • Its firm, deep fibres, strengthening as she grew;
  • Thy sneering voice may call them "Popish tricks,"
  • Her Latin prayers, her dangling crucifix,
  • But De Profundis blessed her father's grave,
  • That "idol" cross her dying mother gave!
  • What if some angel looks with equal eyes
  • On her and thee, the simple and the wise,
  • Writes each dark fault against thy brighter creed,
  • And drops a tear with every foolish bead!
  • Grieve, as thou must, o'er history's reeking page;
  • Blush for the wrongs that stain thy happier age;
  • Strive with the wanderer from the better path,
  • Bearing thy message meekly, not in wrath;
  • Weep for the frail that err, the weak that fall,
  • Have thine own faith,--but hope and pray for all!
  • Faith; Conscience; Love. A meaner task remains,
  • And humbler thoughts must creep in lowlier strains.
  • Shalt thou be honest? Ask the worldly schools,
  • And all will tell thee knaves are busier fools;
  • Prudent? Industrious? Let not modern pens
  • Instruct "Poor Richard's" fellow-citizens.
  • Be firm! One constant element in luck
  • Is genuine solid old Teutonic pluck.
  • See yon tall shaft; it felt the earthquake's thrill,
  • Clung to its base, and greets the sunrise still.
  • Stick to your aim: the mongrel's hold will slip,
  • But only crowbars loose the bulldog's grip;
  • Small as he looks, the jaw that never yields
  • Drags down the bellowing monarch of the fields!
  • Yet in opinions look not always back,--
  • Your wake is nothing, mind the coming track;
  • Leave what you've done for what you have to do;
  • Don't be "consistent," but be simply true.
  • Don't catch the fidgets; you have found your place
  • Just in the focus of a nervous race,
  • Fretful to change and rabid to discuss,
  • Full of excitements, always in a fuss.
  • Think of the patriarchs; then compare as men
  • These lean-cheeked maniacs of the tongue and pen!
  • Run, if you like, but try to keep your breath;
  • Work like a man, but don't be worked to death;
  • And with new notions,--let me change the rule,--
  • Don't strike the iron till it 's slightly cool.
  • Choose well your set; our feeble nature seeks
  • The aid of clubs, the countenance of cliques;
  • And with this object settle first of all
  • Your weight of metal and your size of ball.
  • Track not the steps of such as hold you cheap,
  • Too mean to prize, though good enough to keep;
  • The "real, genuine, no-mistake Tom Thumbs"
  • Are little people fed on great men's crumbs.
  • Yet keep no followers of that hateful brood
  • That basely mingles with its wholesome food
  • The tumid reptile, which, the poet said,
  • Doth wear a precious jewel in his head.
  • If the wild filly, "Progress," thou wouldst ride,
  • Have young companions ever at thy side;
  • But wouldst thou stride the stanch old mare, "Success,"
  • Go with thine elders, though they please thee less.
  • Shun such as lounge through afternoons and eves,
  • And on thy dial write, "Beware of thieves!"
  • Felon of minutes, never taught to feel
  • The worth of treasures which thy fingers steal,
  • Pick my left pocket of its silver dime,
  • But spare the right,--it holds my golden time!
  • Does praise delight thee? Choose some _ultra_ side,--
  • A sure old recipe, and often tried;
  • Be its apostle, congressman, or bard,
  • Spokesman or jokesman, only drive it hard;
  • But know the forfeit which thy choice abides,
  • For on two wheels the poor reformer rides,--
  • One black with epithets the _anti_ throws,
  • One white with flattery painted by the pros.
  • Though books on MANNERS are not out of print,
  • An honest tongue may drop a harmless hint.
  • Stop not, unthinking, every friend you meet,
  • To spin your wordy fabric in the street;
  • While you are emptying your colloquial pack,
  • The fiend Lumbago jumps upon his back.
  • Nor cloud his features with the unwelcome tale
  • Of how he looks, if haply thin and pale;
  • Health is a subject for his child, his wife,
  • And the rude office that insures his life.
  • Look in his face, to meet thy neighbor's soul,
  • Not on his garments, to detect a hole;
  • "How to observe" is what thy pages show,
  • Pride of thy sex, Miss Harriet Martineau!
  • Oh, what a precious book the one would be
  • That taught observers what they 're NOT to see!
  • I tell in verse--'t were better done in prose--
  • One curious trick that everybody knows;
  • Once form this habit, and it's very strange
  • How long it sticks, how hard it is to change.
  • Two friendly people, both disposed to smile,
  • Who meet, like others, every little while,
  • Instead of passing with a pleasant bow,
  • And "How d' ye do?" or "How 's your uncle now?"
  • Impelled by feelings in their nature kind,
  • But slightly weak and somewhat undefined,
  • Rush at each other, make a sudden stand,
  • Begin to talk, expatiate, and expand;
  • Each looks quite radiant, seems extremely struck,
  • Their meeting so was such a piece of luck;
  • Each thinks the other thinks he 's greatly pleased
  • To screw the vice in which they both are squeezed;
  • So there they talk, in dust, or mud, or snow,
  • Both bored to death, and both afraid to go!
  • Your hat once lifted, do not hang your fire,
  • Nor, like slow Ajax, fighting still, retire;
  • When your old castor on your crown you clap,
  • Go off; you've mounted your percussion cap.
  • Some words on LANGUAGE may be well applied,
  • And take them kindly, though they touch your pride.
  • Words lead to things; a scale is more precise,--
  • Coarse speech, bad grammar, swearing, drinking, vice.
  • Our cold Northeaster's icy fetter clips
  • The native freedom of the Saxon lips;
  • See the brown peasant of the plastic South,
  • How all his passions play about his mouth!
  • With us, the feature that transmits the soul,
  • A frozen, passive, palsied breathing-hole.
  • The crampy shackles of the ploughboy's walk
  • Tie the small muscles when he strives to talk;
  • Not all the pumice of the polished town
  • Can smooth this roughness of the barnyard down;
  • Rich, honored, titled, he betrays his race
  • By this one mark,--he's awkward in the face;--
  • Nature's rude impress, long before he knew
  • The sunny street that holds the sifted few.
  • It can't be helped, though, if we're taken young,
  • We gain some freedom of the lips and tongue;
  • But school and college often try in vain
  • To break the padlock of our boyhood's chain
  • One stubborn word will prove this axiom true,--
  • No quondam rustic can enunciate view.
  • A few brief stanzas may be well employed
  • To speak of errors we can all avoid.
  • Learning condemns beyond the reach of hope
  • The careless lips that speak of so'ap for soap;
  • Her edict exiles from her fair abode
  • The clownish voice that utters ro'ad for road
  • Less stern to him who calls his coat a co'at,
  • And steers his boat, believing it a bo'at,
  • She pardoned one, our classic city's boast,
  • Who said at Cambridge mo'st instead of most,
  • But knit her brows and stamped her angry foot
  • To hear a Teacher call a root a ro'ot.
  • Once more: speak clearly, if you speak at all;
  • Carve every word before you let it fall;
  • Don't, like a lecturer or dramatic star,
  • Try over-hard to roll the British R;
  • Do put your accents in the proper spot;
  • Don't,--let me beg you,--don't say "How?" for "What?"
  • And when you stick on conversation's burs,
  • Don't strew your pathway with those dreadful _urs_.
  • From little matters let us pass to less,
  • And lightly touch the mysteries of DRESS;
  • The outward forms the inner man reveal,--
  • We guess the pulp before we cut the peel.
  • I leave the broadcloth,--coats and all the rest,--
  • The dangerous waistcoat, called by cockneys "vest,"
  • The things named "pants" in certain documents,
  • A word not made for gentlemen, but "gents;"
  • One single precept might the whole condense
  • Be sure your tailor is a man of sense;
  • But add a little care, a decent pride,
  • And always err upon the sober side.
  • Three pairs of boots one pair of feet demands,
  • If polished daily by the owner's hands;
  • If the dark menial's visit save from this,
  • Have twice the number,--for he 'll sometimes miss.
  • One pair for critics of the nicer sex,
  • Close in the instep's clinging circumflex,
  • Long, narrow, light; the Gallic boot of love,
  • A kind of cross between a boot and glove.
  • Compact, but easy, strong, substantial, square,
  • Let native art compile the medium pair.
  • The third remains, and let your tasteful skill
  • Here show some relics of affection still;
  • Let no stiff cowhide, reeking from the tan,
  • No rough caoutchoue, no deformed brogan,
  • Disgrace the tapering outline of your feet,
  • Though yellow torrents gurgle through the street.
  • Wear seemly gloves; not black, nor yet too light,
  • And least of all the pair that once was white;
  • Let the dead party where you told your loves
  • Bury in peace its dead bouquets and gloves;
  • Shave like the goat, if so your fancy bids,
  • But be a parent,--don't neglect your kids.
  • Have a good hat; the secret of your looks
  • Lives with the beaver in Canadian brooks;
  • Virtue may flourish in an old cravat,
  • But man and nature scorn the shocking hat.
  • Does beauty slight you from her gay abodes?
  • Like bright Apollo, you must take to Rhoades,--
  • Mount the new castor,--ice itself will melt;
  • Boots, gloves, may fail; the hat is always felt.
  • Be shy of breastpins; plain, well-ironed white,
  • With small pearl buttons,--two of them in sight,--
  • Is always genuine, while your gems may pass,
  • Though real diamonds, for ignoble glass.
  • But spurn those paltry Cisatlantic lies
  • That round his breast the shabby rustic ties;
  • Breathe not the name profaned to hallow things
  • The indignant laundress blushes when she brings!
  • Our freeborn race, averse to every check,
  • Has tossed the yoke of Europe from its _neck_;
  • From the green prairie to the sea-girt town,
  • The whole wide nation turns its collars down.
  • The stately neck is manhood's manliest part;
  • It takes the life-blood freshest from the heart.
  • With short, curled ringlets close around it spread,
  • How light and strong it lifts the Grecian head!
  • Thine, fair Erechtheus of Minerva's wall;
  • Or thine, young athlete of the Louvre's hall,
  • Smooth as the pillar flashing in the sun
  • That filled the arena where thy wreaths were won,
  • Firm as the band that clasps the antlered spoil
  • Strained in the winding anaconda's coil
  • I spare the contrast; it were only kind
  • To be a little, nay, intensely blind.
  • Choose for yourself: I know it cuts your ear;
  • I know the points will sometimes interfere;
  • I know that often, like the filial John,
  • Whom sleep surprised with half his drapery on,
  • You show your features to the astonished town
  • With one side standing and the other down;--
  • But, O, my friend! my favorite fellow-man!
  • If Nature made you on her modern plan,
  • Sooner than wander with your windpipe bare,--
  • The fruit of Eden ripening in the air,--
  • With that lean head-stalk, that protruding chin,
  • Wear standing collars, were they made of tin!
  • And have a neckcloth--by the throat of Jove!--
  • Cut from the funnel of a rusty stove!
  • The long-drawn lesson narrows to its close,
  • Chill, slender, slow, the dwindled current flows;
  • Tired of the ripples on its feeble springs,
  • Once more the Muse unfolds her upward wings.
  • Land of my birth, with this unhallowed tongue,
  • Thy hopes, thy dangers, I perchance had sung;
  • But who shall sing, in brutal disregard
  • Of all the essentials of the "native bard"?
  • Lake, sea, shore, prairie, forest, mountain, fall,
  • His eye omnivorous must devour them all;
  • The tallest summits and the broadest tides
  • His foot must compass with its giant strides,
  • Where Ocean thunders, where Missouri rolls,
  • And tread at once the tropics and the poles;
  • His food all forms of earth, fire, water, air,
  • His home all space, his birthplace everywhere.
  • Some grave compatriot, having seen perhaps
  • The pictured page that goes in Worcester's Maps,
  • And, read in earnest what was said in jest,
  • "Who drives fat oxen"--please to add the rest,--
  • Sprung the odd notion that the poet's dreams
  • Grow in the ratio of his hills and streams;
  • And hence insisted that the aforesaid "bard,"
  • Pink of the future, fancy's pattern-card,
  • The babe of nature in the "giant West,"
  • Must be of course her biggest and her best.
  • Oh! when at length the expected bard shall come,
  • Land of our pride, to strike thine echoes dumb,
  • (And many a voice exclaims in prose and rhyme,
  • It's getting late, and he's behind his time,)
  • When all thy mountains clap their hands in joy,
  • And all thy cataracts thunder, "That 's the boy,"--
  • Say if with him the reign of song shall end,
  • And Heaven declare its final dividend!
  • Becalm, dear brother! whose impassioned strain
  • Comes from an alley watered by a drain;
  • The little Mincio, dribbling to the Po,
  • Beats all the epics of the Hoang Ho;
  • If loved in earnest by the tuneful maid,
  • Don't mind their nonsense,--never be afraid!
  • The nurse of poets feeds her winged brood
  • By common firesides, on familiar food;
  • In a low hamlet, by a narrow stream,
  • Where bovine rustics used to doze and dream,
  • She filled young William's fiery fancy full,
  • While old John Shakespeare talked of beeves and wool!
  • No Alpine needle, with its climbing spire,
  • Brings down for mortals the Promethean fire,
  • If careless nature have forgot to frame
  • An altar worthy of the sacred flame.
  • Unblest by any save the goatherd's lines,
  • Mont Blanc rose soaring through his "sea of pines;"
  • In vain the rivers from their ice-caves flash;
  • No hymn salutes them but the Ranz des Vaches,
  • Till lazy Coleridge, by the morning's light,
  • Gazed for a moment on the fields of white,
  • And lo! the glaciers found at length a tongue,
  • Mont Blanc was vocal, and Chamouni sung!
  • Children of wealth or want, to each is given
  • One spot of green, and all the blue of heaven!
  • Enough if these their outward shows impart;
  • The rest is thine,--the scenery of the heart.
  • If passion's hectic in thy stanzas glow,
  • Thy heart's best life-blood ebbing as they flow;
  • If with thy verse thy strength and bloom distil,
  • Drained by the pulses of the fevered thrill;
  • If sound's sweet effluence polarize thy brain,
  • And thoughts turn crystals in thy fluid strain,--
  • Nor rolling ocean, nor the prairie's bloom,
  • Nor streaming cliffs, nor rayless cavern's gloom,
  • Need'st thou, young poet, to inform thy line;
  • Thy own broad signet stamps thy song divine!
  • Let others gaze where silvery streams are rolled,
  • And chase the rainbow for its cup of gold;
  • To thee all landscapes wear a heavenly dye,
  • Changed in the glance of thy prismatic eye;
  • Nature evoked thee in sublimer throes,
  • For thee her inmost Arethusa flows,--
  • The mighty mother's living depths are stirred,--
  • Thou art the starred Osiris of the herd!
  • A few brief lines; they touch on solemn chords,
  • And hearts may leap to hear their honest words;
  • Yet, ere the jarring bugle-blast is blown,
  • The softer lyre shall breathe its soothing tone.
  • New England! proudly may thy children claim
  • Their honored birthright by its humblest name
  • Cold are thy skies, but, ever fresh and clear,
  • No rank malaria stains thine atmosphere;
  • No fungous weeds invade thy scanty soil,
  • Scarred by the ploughshares of unslumbering toil.
  • Long may the doctrines by thy sages taught,
  • Raised from the quarries where their sires have wrought,
  • Be like the granite of thy rock-ribbed land,--
  • As slow to rear, as obdurate to stand;
  • And as the ice that leaves thy crystal mine
  • Chills the fierce alcohol in the Creole's wine,
  • So may the doctrines of thy sober school
  • Keep the hot theories of thy neighbors cool!
  • If ever, trampling on her ancient path,
  • Cankered by treachery or inflamed by wrath,
  • With smooth "Resolves" or with discordant cries,
  • The mad Briareus of disunion rise,
  • Chiefs of New England! by your sires' renown,
  • Dash the red torches of the rebel down!
  • Flood his black hearthstone till its flames expire,
  • Though your old Sachem fanned his council-fire!
  • But if at last, her fading cycle run,
  • The tongue must forfeit what the arm has won,
  • Then rise, wild Ocean! roll thy surging shock
  • Full on old Plymouth's desecrated rock!
  • Scale the proud shaft degenerate hands have hewn,
  • Where bleeding Valor stained the flowers of June!
  • Sweep in one tide her spires and turrets down,
  • And howl her dirge above Monadnock's crown!
  • List not the tale; the Pilgrim's hallowed shore,
  • Though strewn with weeds, is granite at the core;
  • Oh, rather trust that He who made her free
  • Will keep her true as long as faith shall be!
  • Farewell! yet lingering through the destined hour,
  • Leave, sweet Enchantress, one memorial flower!
  • An Angel, floating o'er the waste of snow
  • That clad our Western desert, long ago,
  • (The same fair spirit who, unseen by day,
  • Shone as a star along the Mayflower's way,)--
  • Sent, the first herald of the Heavenly plan,
  • To choose on earth a resting-place for man,--
  • Tired with his flight along the unvaried field,
  • Turned to soar upwards, when his glance revealed
  • A calm, bright bay enclosed in rocky bounds,
  • And at its entrance stood three sister mounds.
  • The Angel spake: "This threefold hill shall be
  • The home of Arts, the nurse of Liberty!
  • One stately summit from its shaft shall pour
  • Its deep-red blaze along the darkened shore;
  • Emblem of thoughts that, kindling far and wide,
  • In danger's night shall be a nation's guide.
  • One swelling crest the citadel shall crown,
  • Its slanted bastions black with battle's frown,
  • And bid the sons that tread its scowling heights
  • Bare their strong arms for man and all his rights!
  • One silent steep along the northern wave
  • Shall hold the patriarch's and the hero's grave;
  • When fades the torch, when o'er the peaceful scene
  • The embattled fortress smiles in living green,
  • The cross of Faith, the anchor staff of Hope,
  • Shall stand eternal on its grassy slope;
  • There through all time shall faithful Memory tell,
  • 'Here Virtue toiled, and Patriot Valor fell;
  • Thy free, proud fathers slumber at thy side;
  • Live as they lived, or perish as they died!'"
  • AN AFTER-DINNER POEM
  • (TERPSICHORE)
  • Read at the Annual Dinner of the Phi Beta Kappa Society, at
  • Cambridge, August 24, 1843.
  • IN narrowest girdle, O reluctant Muse,
  • In closest frock and Cinderella shoes,
  • Bound to the foot-lights for thy brief display,
  • One zephyr step, and then dissolve away!
  • . . . . . . . . . .
  • Short is the space that gods and men can spare
  • To Song's twin brother when she is not there.
  • Let others water every lusty line,
  • As Homer's heroes did their purple wine;
  • Pierian revellers! Know in strains like these
  • The native juice, the real honest squeeze,---
  • Strains that, diluted to the twentieth power,
  • In yon grave temple might have filled an hour.
  • Small room for Fancy's many-chorded lyre,
  • For Wit's bright rockets with their trains of fire,
  • For Pathos, struggling vainly to surprise
  • The iron tutor's tear-denying eyes,
  • For Mirth, whose finger with delusive wile
  • Turns the grim key of many a rusty smile,
  • For Satire, emptying his corrosive flood
  • On hissing Folly's gas-exhaling brood,
  • The pun, the fun, the moral, and the joke,
  • The hit, the thrust, the pugilistic poke,--
  • Small space for these, so pressed by niggard Time,
  • Like that false matron, known to nursery rhyme,--
  • Insidious Morey,--scarce her tale begun,
  • Ere listening infants weep the story done.
  • Oh, had we room to rip the mighty bags
  • That Time, the harlequin, has stuffed with rags!
  • Grant us one moment to unloose the strings,
  • While the old graybeard shuts his leather wings.
  • But what a heap of motley trash appears
  • Crammed in the bundles of successive years!
  • As the lost rustic on some festal day
  • Stares through the concourse in its vast array,--
  • Where in one cake a throng of faces runs,
  • All stuck together like a sheet of buns,--
  • And throws the bait of some unheeded name,
  • Or shoots a wink with most uncertain aim,
  • So roams my vision, wandering over all,
  • And strives to choose, but knows not where to fall.
  • Skins of flayed authors, husks of dead reviews,
  • The turn-coat's clothes, the office-seeker's shoes,
  • Scraps from cold feasts, where conversation runs
  • Through mouldy toasts to oxidated puns,
  • And grating songs a listening crowd endures,
  • Rasped from the throats of bellowing amateurs;
  • Sermons, whose writers played such dangerous tricks
  • Their own heresiarchs called them heretics,
  • (Strange that one term such distant poles should link,
  • The Priestleyan's copper and the Puseyan's zinc);
  • Poems that shuffle with superfluous legs
  • A blindfold minuet over addled eggs,
  • Where all the syllables that end in ed,
  • Like old dragoons, have cuts across the head;
  • Essays so dark Champollion might despair
  • To guess what mummy of a thought was there,
  • Where our poor English, striped with foreign phrase,
  • Looks like a zebra in a parson's chaise;
  • Lectures that cut our dinners down to roots,
  • Or prove (by monkeys) men should stick to fruits,--
  • Delusive error, as at trifling charge
  • Professor Gripes will certify at large;
  • Mesmeric pamphlets, which to facts appeal,
  • Each fact as slippery as a fresh-caught eel;
  • And figured heads, whose hieroglyphs invite
  • To wandering knaves that discount fools at sight:
  • Such things as these, with heaps of unpaid bills,
  • And candy puffs and homoeopathic pills,
  • And ancient bell-crowns with contracted rim,
  • And bonnets hideous with expanded brim,
  • And coats whose memory turns the sartor pale,
  • Their sequels tapering like a lizard's tale,--
  • How might we spread them to the smiling day,
  • And toss them, fluttering like the new-mown hay,
  • To laughter's light or sorrow's pitying shower,
  • Were these brief minutes lengthened to an hour.
  • The narrow moments fit like Sunday shoes,--
  • How vast the heap, how quickly must we choose!
  • A few small scraps from out his mountain mass
  • We snatch in haste, and let the vagrant pass.
  • This shrunken CRUST that Cerberus could not bite,
  • Stamped (in one corner) "Pickwick copyright,"
  • Kneaded by youngsters, raised by flattery's yeast,
  • Was once a loaf, and helped to make a feast.
  • He for whose sake the glittering show appears
  • Has sown the world with laughter and with tears,
  • And they whose welcome wets the bumper's brim
  • Have wit and wisdom,--for they all quote him.
  • So, many a tongue the evening hour prolongs
  • With spangled speeches,--let alone the songs;
  • Statesmen grow merry, lean attorneys laugh,
  • And weak teetotals warm to half and half,
  • And beardless Tullys, new to festive scenes,
  • Cut their first crop of youth's precocious greens,
  • And wits stand ready for impromptu claps,
  • With loaded barrels and percussion caps,
  • And Pathos, cantering through the minor keys,
  • Waves all her onions to the trembling breeze;
  • While the great Feasted views with silent glee
  • His scattered limbs in Yankee fricassee.
  • Sweet is the scene where genial friendship plays
  • The pleasing game of interchanging praise.
  • Self-love, grimalkin of the human heart,
  • Is ever pliant to the master's art;
  • Soothed with a word, she peacefully withdraws
  • And sheathes in velvet her obnoxious claws,
  • And thrills the hand that smooths her glossy fur
  • With the light tremor of her grateful purr.
  • But what sad music fills the quiet hall,
  • If on her back a feline rival fall!
  • And oh, what noises shake the tranquil house
  • If old Self-interest cheats her of a mouse.
  • Thou, O my country, hast thy foolish ways,
  • Too apt to purr at every stranger's praise;
  • But if the stranger touch thy modes or laws,
  • Off goes the velvet and out come the claws!
  • And thou, Illustrious! but too poorly paid
  • In toasts from Pickwick for thy great crusade,
  • Though, while the echoes labored with thy name,
  • The public trap denied thy little game,
  • Let other lips our jealous laws revile,--
  • The marble Talfourd or the rude Carlyle,--
  • But on thy lids, which Heaven forbids to close
  • Where'er the light of kindly nature glows,
  • Let not the dollars that a churl denies
  • Weigh like the shillings on a dead man's eyes!
  • Or, if thou wilt, be more discreetly blind,
  • Nor ask to see all wide extremes combined.
  • Not in our wastes the dainty blossoms smile
  • That crowd the gardens of thy scanty isle.
  • There white-cheeked Luxury weaves a thousand charms;
  • Here sun-browned Labor swings his naked arms.
  • Long are the furrows he must trace between
  • The ocean's azure and the prairie's green;
  • Full many a blank his destined realm displays,
  • Yet sees the promise of his riper days
  • Far through yon depths the panting engine moves,
  • His chariots ringing in their steel-shod grooves;
  • And Erie's naiad flings her diamond wave
  • O'er the wild sea-nymph in her distant cave!
  • While tasks like these employ his anxious hours,
  • What if his cornfields are not edged with flowers?
  • Though bright as silver the meridian beams
  • Shine through the crystal of thine English streams,
  • Turbid and dark the mighty wave is whirled
  • That drains our Andes and divides a world!
  • But lo! a PARCHMENT! Surely it would seem
  • The sculptured impress speaks of power supreme;
  • Some grave design the solemn page must claim
  • That shows so broadly an emblazoned name.
  • A sovereign's promise! Look, the lines afford
  • All Honor gives when Caution asks his word:
  • There sacred Faith has laid her snow-white hands,
  • And awful Justice knit her iron bands;
  • Yet every leaf is stained with treachery's dye,
  • And every letter crusted with a lie.
  • Alas! no treason has degraded yet
  • The Arab's salt, the Indian's calumet;
  • A simple rite, that bears the wanderer's pledge,
  • Blunts the keen shaft and turns the dagger's edge;
  • While jockeying senates stop to sign and seal,
  • And freeborn statesmen legislate to steal.
  • Rise, Europe, tottering with thine Atlas load,
  • Turn thy proud eye to Freedom's blest abode,
  • And round her forehead, wreathed with heavenly flame,
  • Bind the dark garland of her daughter's shame!
  • Ye ocean clouds, that wrap the angry blast,
  • Coil her stained ensign round its haughty mast,
  • Or tear the fold that wears so foul a scar,
  • And drive a bolt through every blackened star!
  • Once more,--once only,--- we must stop so soon:
  • What have we here? A GERMAN-SILVER SPOON;
  • A cheap utensil, which we often see
  • Used by the dabblers in aesthetic tea,
  • Of slender fabric, somewhat light and thin,
  • Made of mixed metal, chiefly lead and tin;
  • The bowl is shallow, and the handle small,
  • Marked in large letters with the name JEAN PAUL.
  • Small as it is, its powers are passing strange,
  • For all who use it show a wondrous change;
  • And first, a fact to make the barbers stare,
  • It beats Macassar for the growth of hair.
  • See those small youngsters whose expansive ears
  • Maternal kindness grazed with frequent shears;
  • Each bristling crop a dangling mass becomes,
  • And all the spoonies turn to Absaloms
  • Nor this alone its magic power displays,
  • It alters strangely all their works and ways;
  • With uncouth words they tire their tender lungs,
  • The same bald phrases on their hundred tongues
  • "Ever" "The Ages" in their page appear,
  • "Alway" the bedlamite is called a "Seer;"
  • On every leaf the "earnest" sage may scan,
  • Portentous bore! their "many-sided" man,--
  • A weak eclectic, groping vague and dim,
  • Whose every angle is a half-starved whim,
  • Blind as a mole and curious as a lynx,
  • Who rides a beetle, which he calls a "Sphinx."
  • And oh, what questions asked in clubfoot rhyme
  • Of Earth the tongueless and the deaf-mute Time!
  • Here babbling "Insight" shouts in Nature's ears
  • His last conundrum on the orbs and spheres;
  • There Self-inspection sucks its little thumb,
  • With "Whence am I?" and "Wherefore did I come?"
  • Deluded infants! will they ever know
  • Some doubts must darken o'er the world below,
  • Though all the Platos of the nursery trail
  • Their "clouds of glory" at the go-cart's tail?
  • Oh might these couplets their attention claim
  • That gain their author the Philistine's name
  • (A stubborn race, that, spurning foreign law,
  • Was much belabored with an ass's jaw.)
  • Melodious Laura! From the sad retreats
  • That hold thee, smothered with excess of sweets,
  • Shade of a shadow, spectre of a dream,
  • Glance thy wan eye across the Stygian stream!
  • The slipshod dreamer treads thy fragrant halls,
  • The sophist's cobwebs hang thy roseate walls,
  • And o'er the crotchets of thy jingling tunes
  • The bard of mystery scrawls his crooked "runes."
  • Yes, thou art gone, with all the tuneful hordes
  • That candied thoughts in amber-colored words,
  • And in the precincts of thy late abodes
  • The clattering verse-wright hammers Orphic odes.
  • Thou, soft as zephyr, wast content to fly
  • On the gilt pinions of a balmy sigh;
  • He, vast as Phoebus on his burning wheels,
  • Would stride through ether at Orion's heels.
  • Thy emblem, Laura, was a perfume-jar,
  • And thine, young Orpheus, is a pewter star.
  • The balance trembles,--be its verdict told
  • When the new jargon slumbers with the old!
  • . . . . . . . .
  • Cease, playful goddess! From thine airy bound
  • Drop like a feather softly to the ground;
  • This light bolero grows a ticklish dance,
  • And there is mischief in thy kindling glance.
  • To-morrow bids thee, with rebuking frown,
  • Change thy gauze tunic for a home-made gown,
  • Too blest by fortune if the passing day
  • Adorn thy bosom with its frail bouquet,
  • But oh, still happier if the next forgets
  • Thy daring steps and dangerous pirouettes!
  • MEDICAL POEMS
  • THE MORNING VISIT
  • A sick man's chamber, though it often boast
  • The grateful presence of a literal toast,
  • Can hardly claim, amidst its various wealth,
  • The right unchallenged to propose a health;
  • Yet though its tenant is denied the feast,
  • Friendship must launch his sentiment at least,
  • As prisoned damsels, locked from lovers' lips,
  • Toss them a kiss from off their fingers' tips.
  • The morning visit,--not till sickness falls
  • In the charmed circles of your own safe walls;
  • Till fever's throb and pain's relentless rack
  • Stretch you all helpless on your aching back;
  • Not till you play the patient in your turn,
  • The morning visit's mystery shall you learn.
  • 'T is a small matter in your neighbor's case,
  • To charge your fee for showing him your face;
  • You skip up-stairs, inquire, inspect, and touch,
  • Prescribe, take leave, and off to twenty such.
  • But when at length, by fate's transferred decree,
  • The visitor becomes the visitee,
  • Oh, then, indeed, it pulls another string;
  • Your ox is gored, and that's a different thing!
  • Your friend is sick: phlegmatic as a Turk,
  • You write your recipe and let it work;
  • Not yours to stand the shiver and the frown,
  • And sometimes worse, with which your draught goes down.
  • Calm as a clock your knowing hand directs,
  • _Rhei, jalapae ana grana sex_,
  • Or traces on some tender missive's back,
  • _Scrupulos duos pulveris ipecac_;
  • And leaves your patient to his qualms and gripes,
  • Cool as a sportsman banging at his snipes.
  • But change the time, the person, and the place,
  • And be yourself "the interesting case,"
  • You'll gain some knowledge which it's well to learn;
  • In future practice it may serve your turn.
  • Leeches, for instance,--pleasing creatures quite;
  • Try them,--and bless you,--don't you find they bite?
  • You raise a blister for the smallest cause,
  • But be yourself the sitter whom it draws,
  • And trust my statement, you will not deny
  • The worst of draughtsmen is your Spanish fly!
  • It's mighty easy ordering when you please,
  • _Infusi sennae capiat uncias tres_;
  • It's mighty different when you quackle down
  • Your own three ounces of the liquid brown.
  • _Pilula, pulvis_,--pleasant words enough,
  • When other throats receive the shocking stuff;
  • But oh, what flattery can disguise the groan
  • That meets the gulp which sends it through your own!
  • Be gentle, then, though Art's unsparing rules
  • Give you the handling of her sharpest tools;
  • Use them not rashly,--sickness is enough;
  • Be always "ready," but be never "rough."
  • Of all the ills that suffering man endures,
  • The largest fraction liberal Nature cures;
  • Of those remaining, 't is the smallest part
  • Yields to the efforts of judicious Art;
  • But simple _Kindness_, kneeling by the bed
  • To shift the pillow for the sick man's head,
  • Give the fresh draught to cool the lips that burn,
  • Fan the hot brow, the weary frame to turn,--
  • Kindness, untutored by our grave M. D.'s,
  • But Nature's graduate, when she schools to please,
  • Wins back more sufferers with her voice and smile
  • Than all the trumpery in the druggist's pile.
  • Once more, be quiet: coming up the stair,
  • Don't be a plantigrade, a human bear,
  • But, stealing softly on the silent toe,
  • Reach the sick chamber ere you're heard below.
  • Whatever changes there may greet your eyes,
  • Let not your looks proclaim the least surprise;
  • It's not your business by your face to show
  • All that your patient does not want to know;
  • Nay, use your optics with considerate care,
  • And don't abuse your privilege to stare.
  • But if your eyes may probe him overmuch,
  • Beware still further how you rudely touch;
  • Don't clutch his carpus in your icy fist,
  • But warm your fingers ere you take the wrist.
  • If the poor victim needs must be percussed,
  • Don't make an anvil of his aching bust;
  • (Doctors exist within a hundred miles
  • Who thump a thorax as they'd hammer piles;)
  • If you must listen to his doubtful chest,
  • Catch the essentials, and ignore the rest.
  • Spare him; the sufferer wants of you and art
  • A track to steer by, not a finished chart.
  • So of your questions: don't in mercy try
  • To pump your patient absolutely dry;
  • He's not a mollusk squirming in a dish,
  • You're not Agassiz; and he's not a fish.
  • And last, not least, in each perplexing case,
  • Learn the sweet magic of a cheerful face;
  • Not always smiling, but at least serene,
  • When grief and anguish cloud the anxious scene.
  • Each look, each movement, every word and tone,
  • Should tell your patient you are all his own;
  • Not the mere artist, purchased to attend,
  • But the warm, ready, self-forgetting friend,
  • Whose genial visit in itself combines
  • The best of cordials, tonics, anodynes.
  • Such is the _visit_ that from day to day
  • Sheds o'er my chamber its benignant ray.
  • I give his health, who never cared to claim
  • Her babbling homage from the tongue of Fame;
  • Unmoved by praise, he stands by all confest,
  • The truest, noblest, wisest, kindest, best.
  • 1849.
  • THE TWO ARMIES
  • As Life's unending column pours,
  • Two marshalled hosts are seen,--
  • Two armies on the trampled shores
  • That Death flows black between.
  • One marches to the drum-beat's roll,
  • The wide-mouthed clarion's bray,
  • And bears upon a crimson scroll,
  • "Our glory is to slay."
  • One moves in silence by the stream,
  • With sad, yet watchful eyes,
  • Calm as the patient planet's gleam
  • That walks the clouded skies.
  • Along its front no sabres shine,
  • No blood-red pennons wave;
  • Its banner bears the single line,
  • "Our duty is to save."
  • For those no death-bed's lingering shade;
  • At Honor's trumpet-call,
  • With knitted brow and lifted blade
  • In Glory's arms they fall.
  • For these no clashing falchions bright,
  • No stirring battle-cry;
  • The bloodless stabber calls by night,--
  • Each answers, "Here am I!"
  • For those the sculptor's laurelled bust,
  • The builder's marble piles,
  • The anthems pealing o'er their dust
  • Through long cathedral aisles.
  • For these the blossom-sprinkled turf
  • That floods the lonely graves
  • When Spring rolls in her sea-green surf
  • In flowery-foaming waves.
  • Two paths lead upward from below,
  • And angels wait above,
  • Who count each burning life-drop's flow,
  • Each falling tear of Love.
  • Though from the Hero's bleeding breast
  • Her pulses Freedom drew,
  • Though the white lilies in her crest
  • Sprang from that scarlet dew,--
  • While Valor's haughty champions wait
  • Till all their scars are shown,
  • Love walks unchallenged through the gate,
  • To sit beside the Throne.
  • THE STETHOSCOPE SONG
  • A PROFESSIONAL BALLAD
  • THERE was a young man in Boston town,
  • He bought him a stethoscope nice and new,
  • All mounted and finished and polished down,
  • With an ivory cap and a stopper too.
  • It happened a spider within did crawl,
  • And spun him a web of ample size,
  • Wherein there chanced one day to fall
  • A couple of very imprudent flies.
  • The first was a bottle-fly, big and blue,
  • The second was smaller, and thin and long;
  • So there was a concert between the two,
  • Like an octave flute and a tavern gong.
  • Now being from Paris but recently,
  • This fine young man would show his skill;
  • And so they gave him, his hand to try,
  • A hospital patient extremely ill.
  • Some said that his liver was short of bile,
  • And some that his heart was over size,
  • While some kept arguing, all the while,
  • He was crammed with tubercles up to his eyes.
  • This fine young man then up stepped he,
  • And all the doctors made a pause;
  • Said he, The man must die, you see,
  • By the fifty-seventh of Louis's laws.
  • But since the case is a desperate one,
  • To explore his chest it may be well;
  • For if he should die and it were not done,
  • You know the autopsy would not tell.
  • Then out his stethoscope he took,
  • And on it placed his curious ear;
  • Mon Dieu! said he, with a knowing look,
  • Why, here is a sound that 's mighty queer.
  • The bourdonnement is very clear,--
  • Amphoric buzzing, as I'm alive
  • Five doctors took their turn to hear;
  • Amphoric buzzing, said all the five.
  • There's empyema beyond a doubt;
  • We'll plunge a trocar in his side.
  • The diagnosis was made out,--
  • They tapped the patient; so he died.
  • Now such as hate new-fashioned toys
  • Began to look extremely glum;
  • They said that rattles were made for boys,
  • And vowed that his buzzing was all a hum.
  • There was an old lady had long been sick,
  • And what was the matter none did know
  • Her pulse was slow, though her tongue was quick;
  • To her this knowing youth must go.
  • So there the nice old lady sat,
  • With phials and boxes all in a row;
  • She asked the young doctor what he was at,
  • To thump her and tumble her ruffles so.
  • Now, when the stethoscope came out,
  • The flies began to buzz and whiz
  • Oh ho! the matter is clear, no doubt;
  • An aneurism there plainly is.
  • The bruit de rape and the bruit de scie
  • And the bruit de diable are all combined;
  • How happy Bouillaud would be,
  • If he a case like this could find!
  • Now, when the neighboring doctors found
  • A case so rare had been descried,
  • They every day her ribs did pound
  • In squads of twenty; so she died.
  • Then six young damsels, slight and frail,
  • Received this kind young doctor's cares;
  • They all were getting slim and pale,
  • And short of breath on mounting stairs.
  • They all made rhymes with "sighs" and "skies,"
  • And loathed their puddings and buttered rolls,
  • And dieted, much to their friends' surprise,
  • On pickles and pencils and chalk and coals.
  • So fast their little hearts did bound,
  • The frightened insects buzzed the more;
  • So over all their chests he found
  • The rale sifflant and the rale sonore.
  • He shook his head. There's grave disease,--
  • I greatly fear you all must die;
  • A slight post-mortem, if you please,
  • Surviving friends would gratify.
  • The six young damsels wept aloud,
  • Which so prevailed on six young men
  • That each his honest love avowed,
  • Whereat they all got well again.
  • This poor young man was all aghast;
  • The price of stethoscopes came down;
  • And so he was reduced at last
  • To practise in a country town.
  • The doctors being very sore,
  • A stethoscope they did devise
  • That had a rammer to clear the bore,
  • With a knob at the end to kill the flies.
  • Now use your ears, all you that can,
  • But don't forget to mind your eyes,
  • Or you may be cheated, like this young man,
  • By a couple of silly, abnormal flies.
  • EXTRACTS FROM A MEDICAL POEM
  • THE STABILITY OF SCIENCE
  • THE feeble sea-birds, blinded in the storms,
  • On some tall lighthouse dash their little forms,
  • And the rude granite scatters for their pains
  • Those small deposits that were meant for brains.
  • Yet the proud fabric in the morning's sun
  • Stands all unconscious of the mischief done;
  • Still the red beacon pours its evening rays
  • For the lost pilot with as full a blaze,--
  • Nay, shines, all radiance, o'er the scattered fleet
  • Of gulls and boobies brainless at its feet.
  • I tell their fate, though courtesy disclaims
  • To call our kind by such ungentle names;
  • Yet, if your rashness bid you vainly dare,
  • Think of their doom, ye simple, and beware.
  • See where aloft its hoary forehead rears
  • The towering pride of twice a thousand years!
  • Far, far below the vast incumbent pile
  • Sleeps the gray rock from art's AEgean isle
  • Its massive courses, circling as they rise,
  • Swell from the waves to mingle with the skies;
  • There every quarry lends its marble spoil,
  • And clustering ages blend their common toil;
  • The Greek, the Roman, reared its ancient walls,
  • The silent Arab arched its mystic halls;
  • In that fair niche, by countless billows laved,
  • Trace the deep lines that Sydenham engraved;
  • On yon broad front that breasts the changing swell,
  • Mark where the ponderous sledge of Hunter fell;
  • By that square buttress look where Louis stands,
  • The stone yet warm from his uplifted hands;
  • And say, O Science, shall thy life-blood freeze,
  • When fluttering folly flaps on walls like these?
  • A PORTRAIT
  • Thoughtful in youth, but not austere in age;
  • Calm, but not cold, and cheerful though a sage;
  • Too true to flatter and too kind to sneer,
  • And only just when seemingly severe;
  • So gently blending courtesy and art
  • That wisdom's lips seemed borrowing friendship's heart.
  • Taught by the sorrows that his age had known
  • In others' trials to forget his own,
  • As hour by hour his lengthened day declined,
  • A sweeter radiance lingered o'er his mind.
  • Cold were the lips that spoke his early praise,
  • And hushed the voices of his morning days,
  • Yet the same accents dwelt on every tongue,
  • And love renewing kept him ever young.
  • A SENTIMENT
  • _O Bios Bpaxus_,--life is but a song;
  • _H rexvn uakpn_,--art is wondrous long;
  • Yet to the wise her paths are ever fair,
  • And Patience smiles, though Genius may despair.
  • Give us but knowledge, though by slow degrees,
  • And blend our toil with moments bright as these;
  • Let Friendship's accents cheer our doubtful way,
  • And Love's pure planet lend its guiding ray,--
  • Our tardy Art shall wear an angel's wings,
  • And life shall lengthen with the joy it brings!
  • A POEM
  • FOR THE MEETING OF THE AMERICAN MEDICAL ASSOCIATION
  • AT NEW YORK, MAY 5, 1853
  • I HOLD a letter in my hand,--
  • A flattering letter, more's the pity,--
  • By some contriving junto planned,
  • And signed _per order of Committee_.
  • It touches every tenderest spot,--
  • My patriotic predilections,
  • My well-known-something--don't ask what,--
  • My poor old songs, my kind affections.
  • They make a feast on Thursday next,
  • And hope to make the feasters merry;
  • They own they're something more perplexed
  • For poets than for port and sherry.
  • They want the men of--(word torn out);
  • Our friends will come with anxious faces,
  • (To see our blankets off, no doubt,
  • And trot us out and show our paces.)
  • They hint that papers by the score
  • Are rather musty kind of rations,--
  • They don't exactly mean a bore,
  • But only trying to the patience;
  • That such as--you know who I mean--
  • Distinguished for their--what d' ye call 'em--
  • Should bring the dews of Hippocrene
  • To sprinkle on the faces solemn.
  • --The same old story: that's the chaff
  • To catch the birds that sing the ditties;
  • Upon my soul, it makes me laugh
  • To read these letters from Committees!
  • They're all so loving and so fair,--
  • All for your sake such kind compunction;
  • 'T would save your carriage half its wear
  • To touch its wheels with such an unction!
  • Why, who am I, to lift me here
  • And beg such learned folk to listen,
  • To ask a smile, or coax a tear
  • Beneath these stoic lids to glisten?
  • As well might some arterial thread
  • Ask the whole frame to feel it gushing,
  • While throbbing fierce from heel to head
  • The vast aortic tide was rushing.
  • As well some hair-like nerve might strain
  • To set its special streamlet going,
  • While through the myriad-channelled brain
  • The burning flood of thought was flowing;
  • Or trembling fibre strive to keep
  • The springing haunches gathered shorter,
  • While the scourged racer, leap on leap,
  • Was stretching through the last hot quarter!
  • Ah me! you take the bud that came
  • Self-sown in your poor garden's borders,
  • And hand it to the stately dame
  • That florists breed for, all she orders.
  • She thanks you,--it was kindly meant,--
  • (A pale afair, not worth the keeping,)--
  • Good morning; and your bud is sent
  • To join the tea-leaves used for sweeping.
  • Not always so, kind hearts and true,--
  • For such I know are round me beating;
  • Is not the bud I offer you,
  • Fresh gathered for the hour of meeting,
  • Pale though its outer leaves may be,
  • Rose-red in all its inner petals?--
  • Where the warm life we cannot see--
  • The life of love that gave it--settles.
  • We meet from regions far away,
  • Like rills from distant mountains streaming;
  • The sun is on Francisco's bay,
  • O'er Chesapeake the lighthouse gleaming;
  • While summer girds the still bayou
  • In chains of bloom, her bridal token,
  • Monadnock sees the sky grow blue,
  • His crystal bracelet yet unbroken.
  • Yet Nature bears the selfsame heart
  • Beneath her russet-mantled bosom
  • As where, with burning lips apart,
  • She breathes and white magnolias blossom;
  • The selfsame founts her chalice fill
  • With showery sunlight running over,
  • On fiery plain and frozen hill,
  • On myrtle-beds and fields of clover.
  • I give you Home! its crossing lines
  • United in one golden suture,
  • And showing every day that shines
  • The present growing to the future,--
  • A flag that bears a hundred stars
  • In one bright ring, with love for centre,
  • Fenced round with white and crimson bars
  • No prowling treason dares to enter!
  • O brothers, home may be a word
  • To make affection's living treasure,
  • The wave an angel might have stirred,
  • A stagnant pool of selfish pleasure;
  • HOME! It is where the day-star springs
  • And where the evening sun reposes,
  • Where'er the eagle spreads his wings,
  • From northern pines to southern roses!
  • A SENTIMENT
  • A TRIPLE health to Friendship, Science, Art,
  • From heads and hands that own a common heart!
  • Each in its turn the others' willing slave,
  • Each in its season strong to heal and save.
  • Friendship's blind service, in the hour of need,
  • Wipes the pale face, and lets the victim bleed.
  • Science must stop to reason and explain;
  • ART claps his finger on the streaming vein.
  • But Art's brief memory fails the hand at last;
  • Then SCIENCE lifts the flambeau of the past.
  • When both their equal impotence deplore,
  • When Learning sighs, and Skill can do no more,
  • The tear of FRIENDSHIP pours its heavenly balm,
  • And soothes the pang no anodyne may calm
  • May 1, 1855.
  • RIP VAN WINKLE, M. D.
  • AN AFTER-DINNER PRESCRIPTION TAKEN BY THE MASSACHUSETTS
  • MEDICAL SOCIETY, AT THEIR MEETING HELD MAY 25, 1870
  • CANTO FIRST
  • OLD Rip Van Winkle had a grandson, Rip,
  • Of the paternal block a genuine chip,--
  • A lazy, sleepy, curious kind of chap;
  • He, like his grandsire, took a mighty nap,
  • Whereof the story I propose to tell
  • In two brief cantos, if you listen well.
  • The times were hard when Rip to manhood grew;
  • They always will be when there's work to do.
  • He tried at farming,--found it rather slow,--
  • And then at teaching--what he did n't know;
  • Then took to hanging round the tavern bars,
  • To frequent toddies and long-nine cigars,
  • Till Dame Van Winkle, out of patience, vexed
  • With preaching homilies, having for their text
  • A mop, a broomstick, aught that might avail
  • To point a moral or adorn a tale,
  • Exclaimed, "I have it! Now, then, Mr. V.
  • He's good for something,--make him an M. D.!"
  • The die was cast; the youngster was content;
  • They packed his shirts and stockings, and he went.
  • How hard he studied it were vain to tell;
  • He drowsed through Wistar, nodded over Bell,
  • Slept sound with Cooper, snored aloud on Good;
  • Heard heaps of lectures,--doubtless understood,--
  • A constant listener, for he did not fail
  • To carve his name on every bench and rail.
  • Months grew to years; at last he counted three,
  • And Rip Van Winkle found himself M. D.
  • Illustrious title! in a gilded frame
  • He set the sheepskin with his Latin name,
  • RIPUM VAN WINKLUM, QUEM we--SCIMUS--know
  • IDONEUM ESSE--to do so and so.
  • He hired an office; soon its walls displayed
  • His new diploma and his stock in trade,
  • A mighty arsenal to subdue disease,
  • Of various names, whereof I mention these
  • Lancets and bougies, great and little squirt,
  • Rhubarb and Senna, Snakeroot, Thoroughwort,
  • Ant. Tart., Vin. Colch., Pil. Cochiae, and Black Drop,
  • Tinctures of Opium, Gentian, Henbane, Hop,
  • Pulv. Ipecacuanhae, which for lack
  • Of breath to utter men call Ipecac,
  • Camphor and Kino, Turpentine, Tolu,
  • Cubebs, "Copeevy," Vitriol,--white and blue,--
  • Fennel and Flaxseed, Slippery Elm and Squill,
  • And roots of Sassafras, and "Sassaf'rill,"
  • Brandy,--for colics,--Pinkroot, death on worms,--
  • Valerian, calmer of hysteric squirms,
  • Musk, Assafoetida, the resinous gum
  • Named from its odor,--well, it does smell some,--
  • Jalap, that works not wisely, but too well,
  • Ten pounds of Bark and six of Calomel.
  • For outward griefs he had an ample store,
  • Some twenty jars and gallipots, or more:
  • _Ceratum simplex_--housewives oft compile
  • The same at home, and call it "wax and ile;"
  • _Unguentum resinosum_--change its name,
  • The "drawing salve" of many an ancient dame;
  • _Argenti Nitras_, also Spanish flies,
  • Whose virtue makes the water-bladders rise--
  • (Some say that spread upon a toper's skin
  • They draw no water, only rum or gin);
  • Leeches, sweet vermin! don't they charm the sick?
  • And Sticking-plaster--how it hates to stick
  • _Emplastrum Ferri_--ditto _Picis_, Pitch;
  • Washes and Powders, Brimstone for the--which,
  • _Scabies_ or _Psora_, is thy chosen name
  • Since Hahnemann's goose-quill scratched thee into fame,
  • Proved thee the source of every nameless ill,
  • Whose sole specific is a moonshine pill,
  • Till saucy Science, with a quiet grin,
  • Held up the Acarus, crawling on a pin?
  • --Mountains have labored and have brought forth mice
  • The Dutchman's theory hatched a brood of--twice
  • I've well-nigh said them--words unfitting quite
  • For these fair precincts and for ears polite.
  • The surest foot may chance at last to slip,
  • And so at length it proved with Doctor Rip.
  • One full-sized bottle stood upon the shelf,
  • Which held the medicine that he took himself;
  • Whate'er the reason, it must be confessed
  • He filled that bottle oftener than the rest;
  • What drug it held I don't presume to know--
  • The gilded label said "Elixir Pro."
  • One day the Doctor found the bottle full,
  • And, being thirsty, took a vigorous pull,
  • Put back the "Elixir" where 't was always found,
  • And had old Dobbin saddled and brought round.
  • --You know those old-time rhubarb-colored nags
  • That carried Doctors and their saddle-bags;
  • Sagacious beasts! they stopped at every place
  • Where blinds were shut--knew every patient's case--
  • Looked up and thought--The baby's in a fit--
  • That won't last long--he'll soon be through with it;
  • But shook their heads before the knockered door
  • Where some old lady told the story o'er
  • Whose endless stream of tribulation flows
  • For gastric griefs and peristaltic woes.
  • What jack-o'-lantern led him from his way,
  • And where it led him, it were hard to say;
  • Enough that wandering many a weary mile
  • Through paths the mountain sheep trod single file,
  • O'ercome by feelings such as patients know
  • Who dose too freely with "Elixir Pro.,"
  • He tumbl--dismounted, slightly in a heap,
  • And lay, promiscuous, lapped in balmy sleep.
  • Night followed night, and day succeeded day,
  • But snoring still the slumbering Doctor lay.
  • Poor Dobbin, starving, thought upon his stall,
  • And straggled homeward, saddle-bags and all.
  • The village people hunted all around,
  • But Rip was missing,--never could be found.
  • "Drownded," they guessed;--for more than half a year
  • The pouts and eels did taste uncommon queer;
  • Some said of apple-brandy--other some
  • Found a strong flavor of New England rum.
  • Why can't a fellow hear the fine things said
  • About a fellow when a fellow's dead?
  • The best of doctors--so the press declared--
  • A public blessing while his life was spared,
  • True to his country, bounteous to the poor,
  • In all things temperate, sober, just, and pure;
  • The best of husbands! echoed Mrs. Van,
  • And set her cap to catch another man.
  • So ends this Canto--if it's quantum suff.,
  • We'll just stop here and say we've had enough,
  • And leave poor Rip to sleep for thirty years;
  • I grind the organ--if you lend your ears
  • To hear my second Canto, after that
  • We 'll send around the monkey with the hat.
  • CANTO SECOND
  • So thirty years had passed--but not a word
  • In all that time of Rip was ever heard;
  • The world wagged on--it never does go back--
  • The widow Van was now the widow Mac----
  • France was an Empire--Andrew J. was dead,
  • And Abraham L. was reigning in his stead.
  • Four murderous years had passed in savage strife,
  • Yet still the rebel held his bloody knife.
  • --At last one morning--who forgets the day
  • When the black cloud of war dissolved away
  • The joyous tidings spread o'er land and sea,
  • Rebellion done for! Grant has captured Lee!
  • Up every flagstaff sprang the Stars and Stripes--
  • Out rushed the Extras wild with mammoth types--
  • Down went the laborer's hod, the school-boy's book--
  • "Hooraw!" he cried, "the rebel army's took!"
  • Ah! what a time! the folks all mad with joy
  • Each fond, pale mother thinking of her boy;
  • Old gray-haired fathers meeting--"Have--you--heard?"
  • And then a choke--and not another word;
  • Sisters all smiling--maidens, not less dear,
  • In trembling poise between a smile and tear;
  • Poor Bridget thinking how she 'll stuff the plums
  • In that big cake for Johnny when he comes;
  • Cripples afoot; rheumatics on the jump;
  • Old girls so loving they could hug the pump;
  • Guns going bang! from every fort and ship;
  • They banged so loud at last they wakened Rip.
  • I spare the picture, how a man appears
  • Who's been asleep a score or two of years;
  • You all have seen it to perfection done
  • By Joe Van Wink--I mean Rip Jefferson.
  • Well, so it was; old Rip at last came back,
  • Claimed his old wife--the present widow Mac----
  • Had his old sign regilded, and began
  • To practise physic on the same old plan.
  • Some weeks went by--it was not long to wait--
  • And "please to call" grew frequent on the slate.
  • He had, in fact, an ancient, mildewed air,
  • A long gray beard, a plenteous lack of hair,--
  • The musty look that always recommends
  • Your good old Doctor to his ailing friends.
  • --Talk of your science! after all is said
  • There's nothing like a bare and shiny head;
  • Age lends the graces that are sure to please;
  • Folks want their Doctors mouldy, like their cheese.
  • So Rip began to look at people's tongues
  • And thump their briskets (called it "sound their lungs"),
  • Brushed up his knowledge smartly as he could,
  • Read in old Cullen and in Doctor Good.
  • The town was healthy; for a month or two
  • He gave the sexton little work to do.
  • About the time when dog-day heats begin,
  • The summer's usual maladies set in;
  • With autumn evenings dysentery came,
  • And dusky typhoid lit his smouldering flame;
  • The blacksmith ailed, the carpenter was down,
  • And half the children sickened in the town.
  • The sexton's face grew shorter than before--
  • The sexton's wife a brand-new bonnet wore--
  • Things looked quite serious--Death had got a grip
  • On old and young, in spite of Doctor Rip.
  • And now the Squire was taken with a chill--
  • Wife gave "hot-drops"--at night an Indian pill;
  • Next morning, feverish--bedtime, getting worse--
  • Out of his head--began to rave and curse;
  • The Doctor sent for--double quick he came
  • _Ant. Tart. gran. duo_, and repeat the same
  • If no et cetera. Third day--nothing new;
  • Percussed his thorax till 't was black and blue--
  • Lung-fever threatening--something of the sort--
  • Out with the lancet--let him bleed--a quart--
  • Ten leeches next--then blisters to his side;
  • Ten grains of calomel; just then he died.
  • The Deacon next required the Doctor's care--
  • Took cold by sitting in a draught of air--
  • Pains in the back, but what the matter is
  • Not quite so clear,--wife calls it "rheumatiz."
  • Rubs back with flannel--gives him something hot--
  • "Ah!" says the Deacon, "that goes nigh the spot."
  • Next day a rigor--"Run, my little man,
  • And say the Deacon sends for Doctor Van."
  • The Doctor came--percussion as before,
  • Thumping and banging till his ribs were sore--
  • "Right side the flattest"--then more vigorous raps--
  • "Fever--that's certain--pleurisy, perhaps.
  • A quart of blood will ease the pain, no doubt,
  • Ten leeches next will help to suck it out,
  • Then clap a blister on the painful part--
  • But first two grains of _Antimonium Tart_.
  • Last with a dose of cleansing calomel
  • Unload the portal system--(that sounds well!)"
  • But when the selfsame remedies were tried,
  • As all the village knew, the Squire had died;
  • The neighbors hinted. "This will never do;
  • He's killed the Squire--he'll kill the Deacon too."
  • Now when a doctor's patients are perplexed,
  • A consultation comes in order next--
  • You know what that is? In a certain place
  • Meet certain doctors to discuss a case
  • And other matters, such as weather, crops,
  • Potatoes, pumpkins, lager-beer, and hops.
  • For what's the use?--there 's little to be said,
  • Nine times in ten your man's as good as dead;
  • At best a talk (the secret to disclose)
  • Where three men guess and sometimes one man knows.
  • The counsel summoned came without delay--
  • Young Doctor Green and shrewd old Doctor Gray--
  • They heard the story--"Bleed!" says Doctor Green,
  • "That's downright murder! cut his throat, you mean
  • Leeches! the reptiles! Why, for pity's sake,
  • Not try an adder or a rattlesnake?
  • Blisters! Why bless you, they 're against the law--
  • It's rank assault and battery if they draw
  • Tartrate of Antimony! shade of Luke,
  • Stomachs turn pale at thought of such rebuke!
  • The portal system! What's the man about?
  • Unload your nonsense! Calomel's played out!
  • You've been asleep--you'd better sleep away
  • Till some one calls you."
  • "Stop!" says Doctor Gray--
  • "The story is you slept for thirty years;
  • With brother Green, I own that it appears
  • You must have slumbered most amazing sound;
  • But sleep once more till thirty years come round,
  • You'll find the lancet in its honored place,
  • Leeches and blisters rescued from disgrace,
  • Your drugs redeemed from fashion's passing scorn,
  • And counted safe to give to babes unborn."
  • Poor sleepy Rip, M. M. S. S., M. D.,
  • A puzzled, serious, saddened man was he;
  • Home from the Deacon's house he plodded slow
  • And filled one bumper of "Elixir Pro."
  • "Good-by," he faltered, "Mrs. Van, my dear!
  • I'm going to sleep, but wake me once a year;
  • I don't like bleaching in the frost and dew,
  • I'll take the barn, if all the same to you.
  • Just once a year--remember! no mistake!
  • Cry, 'Rip Van Winkle! time for you to wake!'
  • Watch for the week in May when laylocks blow,
  • For then the Doctors meet, and I must go."
  • Just once a year the Doctor's worthy dame
  • Goes to the barn and shouts her husband's name;
  • "Come, Rip Van Winkle!" (giving him a shake)
  • "Rip! Rip Van Winkle! time for you to wake!
  • Laylocks in blossom! 't is the month of May--
  • The Doctors' meeting is this blessed day,
  • And come what will, you know I heard you swear
  • You'd never miss it, but be always there!"
  • And so it is, as every year comes round
  • Old Rip Van Winkle here is always found.
  • You'll quickly know him by his mildewed air,
  • The hayseed sprinkled through his scanty hair,
  • The lichens growing on his rusty suit--
  • I've seen a toadstool sprouting on his boot--
  • Who says I lie? Does any man presume?--
  • Toadstool? No matter--call it a mushroom.
  • Where is his seat? He moves it every year;
  • But look, you'll find him,--he is always here,--
  • Perhaps you'll track him by a whiff you know--
  • A certain flavor of "Elixir Pro."
  • Now, then, I give you--as you seem to think
  • We can give toasts without a drop to drink--
  • Health to the mighty sleeper,--long live he!
  • Our brother Rip, M. M. S. S., M. D.!
  • SONGS IN MANY KEYS
  • 1849-1861
  • THE piping of our slender, peaceful reeds
  • Whispers uncared for while the trumpets bray;
  • Song is thin air; our hearts' exulting play
  • Beats time but to the tread of marching deeds,
  • Following the mighty van that Freedom leads,
  • Her glorious standard flaming to the day!
  • The crimsoned pavement where a hero bleeds
  • Breathes nobler lessons than the poet's lay.
  • Strong arms, broad breasts, brave hearts, are better worth
  • Than strains that sing the ravished echoes dumb.
  • Hark! 't is the loud reverberating drum
  • Rolls o'er the prairied West, the rock-bound North
  • The myriad-handed Future stretches forth
  • Its shadowy palms. Behold, we come,--we come!
  • Turn o'er these idle leaves. Such toys as these
  • Were not unsought for, as, in languid dreams,
  • We lay beside our lotus-feeding streams,
  • And nursed our fancies in forgetful ease.
  • It matters little if they pall or please,
  • Dropping untimely, while the sudden gleams
  • Glare from the mustering clouds whose blackness seems
  • Too swollen to hold its lightning from the trees.
  • Yet, in some lull of passion, when at last
  • These calm revolving moons that come and go--
  • Turning our months to years, they creep so slow--
  • Have brought us rest, the not unwelcome past
  • May flutter to thee through these leaflets, cast
  • On the wild winds that all around us blow.
  • May 1, 1861.
  • AGNES
  • The story of Sir Harry Frankland and Agnes Surriage is told in the
  • ballad with a very strict adhesion to the facts. These were obtained
  • from information afforded me by the Rev. Mr. Webster, of Hopkinton, in
  • company with whom I visited the Frankland Mansion in that town, then
  • standing; from a very interesting Memoir, by the Rev. Elias Nason, of
  • Medford; and from the manuscript diary of Sir Harry, or more properly
  • Sir Charles Henry Frankland, now in the library of the Massachusetts
  • Historical Society.
  • At the time of the visit referred to, old Julia was living, and on our
  • return we called at the house where she resided.--[She was living June
  • 10, 1861, when this ballad was published]--Her account is little more
  • than paraphrased in the poem. If the incidents are treated with a
  • certain liberality at the close of the fifth part, the essential fact
  • that Agnes rescued Sir Harry from the ruins after the earthquake, and
  • their subsequent marriage as related, may be accepted as literal truth.
  • So with regard to most of the trifling details which are given; they are
  • taken from the record. It is greatly to be regretted that the Frankland
  • Mansion no longer exists. It was accidentally burned on the 23d of
  • January, 1858, a year or two after the first sketch of this ballad was
  • written. A visit to it was like stepping out of the century into the
  • years before the Revolution. A new house, similar in plan and
  • arrangements to the old one, has been built upon its site, and the
  • terraces, the clump of box, and the lilacs doubtless remain to bear
  • witness to the truth of this story.
  • The story, which I have told literally in rhyme, has been made
  • the subject of a carefully studied and interesting romance by Mr.
  • E. L. Bynner.
  • PART FIRST
  • THE KNIGHT
  • THE tale I tell is gospel true,
  • As all the bookmen know,
  • And pilgrims who have strayed to view
  • The wrecks still left to show.
  • The old, old story,--fair, and young,
  • And fond,--and not too wise,--
  • That matrons tell, with sharpened tongue,
  • To maids with downcast eyes.
  • Ah! maidens err and matrons warn
  • Beneath the coldest sky;
  • Love lurks amid the tasselled corn
  • As in the bearded rye!
  • But who would dream our sober sires
  • Had learned the old world's ways,
  • And warmed their hearths with lawless fires
  • In Shirley's homespun days?
  • 'T is like some poet's pictured trance
  • His idle rhymes recite,--
  • This old New England-born romance
  • Of Agnes and the Knight;
  • Yet, known to all the country round,
  • Their home is standing still,
  • Between Wachusett's lonely mound
  • And Shawmut's threefold hill.
  • One hour we rumble on the rail,
  • One half-hour guide the rein,
  • We reach at last, o'er hill and dale,
  • The village on the plain.
  • With blackening wall and mossy roof,
  • With stained and warping floor,
  • A stately mansion stands aloof
  • And bars its haughty door.
  • This lowlier portal may be tried,
  • That breaks the gable wall;
  • And lo! with arches opening wide,
  • Sir Harry Frankland's hall!
  • 'T was in the second George's day
  • They sought the forest shade,
  • The knotted trunks they cleared away,
  • The massive beams they laid,
  • They piled the rock-hewn chimney tall,
  • They smoothed the terraced ground,
  • They reared the marble-pillared wall
  • That fenced the mansion round.
  • Far stretched beyond the village bound
  • The Master's broad domain;
  • With page and valet, horse and hound,
  • He kept a goodly train.
  • And, all the midland county through,
  • The ploughman stopped to gaze
  • Whene'er his chariot swept in view
  • Behind the shining bays,
  • With mute obeisance, grave and slow,
  • Repaid by nod polite,--
  • For such the way with high and low
  • Till after Concord fight.
  • Nor less to courtly circles known
  • That graced the three-hilled town
  • With far-off splendors of the Throne,
  • And glimmerings from the Crown;
  • Wise Phipps, who held the seals of state
  • For Shirley over sea;
  • Brave Knowles, whose press-gang moved of late
  • The King Street mob's decree;
  • And judges grave, and colonels grand,
  • Fair dames and stately men,
  • The mighty people of the land,
  • The "World" of there and then.
  • 'T was strange no Chloe's "beauteous Form,"
  • And "Eyes' celestial Blew,"
  • This Strephon of the West could warm,
  • No Nymph his Heart subdue.
  • Perchance he wooed as gallants use,
  • Whom fleeting loves enchain,
  • But still unfettered, free to choose,
  • Would brook no bridle-rein.
  • He saw the fairest of the fair,
  • But smiled alike on all;
  • No band his roving foot might snare,
  • No ring his hand enthrall.
  • PART SECOND
  • THE MAIDEN
  • Why seeks the knight that rocky cape
  • Beyond the Bay of Lynn?
  • What chance his wayward course may shape
  • To reach its village inn?
  • No story tells; whate'er we guess,
  • The past lies deaf and still,
  • But Fate, who rules to blight or bless,
  • Can lead us where she will.
  • Make way! Sir Harry's coach and four,
  • And liveried grooms that ride!
  • They cross the ferry, touch the shore
  • On Winnisimmet's side.
  • They hear the wash on Chelsea Beach,--
  • The level marsh they pass,
  • Where miles on miles the desert reach
  • Is rough with bitter grass.
  • The shining horses foam and pant,
  • And now the smells begin
  • Of fishy Swampscott, salt Nahant,
  • And leather-scented Lynn.
  • Next, on their left, the slender spires
  • And glittering vanes that crown
  • The home of Salem's frugal sires,
  • The old, witch-haunted town.
  • So onward, o'er the rugged way
  • That runs through rocks and sand,
  • Showered by the tempest-driven spray,
  • From bays on either hand,
  • That shut between their outstretched arms
  • The crews of Marblehead,
  • The lords of ocean's watery farms,
  • Who plough the waves for bread.
  • At last the ancient inn appears,
  • The spreading elm below,
  • Whose flapping sign these fifty years
  • Has seesawed to and fro.
  • How fair the azure fields in sight
  • Before the low-browed inn
  • The tumbling billows fringe with light
  • The crescent shore of Lynn;
  • Nahant thrusts outward through the waves
  • Her arm of yellow sand,
  • And breaks the roaring surge that braves
  • The gauntlet on her hand;
  • With eddying whirl the waters lock
  • Yon treeless mound forlorn,
  • The sharp-winged sea-fowl's breeding-rock,
  • That fronts the Spouting Horn;
  • Then free the white-sailed shallops glide,
  • And wide the ocean smiles,
  • Till, shoreward bent, his streams divide
  • The two bare Misery Isles.
  • The master's silent signal stays
  • The wearied cavalcade;
  • The coachman reins his smoking bays
  • Beneath the elm-tree's shade.
  • A gathering on the village green!
  • The cocked-hats crowd to see,
  • On legs in ancient velveteen,
  • With buckles at the knee.
  • A clustering round the tavern-door
  • Of square-toed village boys,
  • Still wearing, as their grandsires wore,
  • The old-world corduroys!
  • A scampering at the "Fountain" inn,---
  • A rush of great and small,--
  • With hurrying servants' mingled din
  • And screaming matron's call.
  • Poor Agnes! with her work half done
  • They caught her unaware;
  • As, humbly, like a praying nun,
  • She knelt upon the stair;
  • Bent o'er the steps, with lowliest mien
  • She knelt, but not to pray,--
  • Her little hands must keep them clean,
  • And wash their stains away.
  • A foot, an ankle, bare and white,
  • Her girlish shapes betrayed,--
  • "Ha! Nymphs and Graces!" spoke the Knight;
  • "Look up, my beauteous Maid!"
  • She turned,--a reddening rose in bud,
  • Its calyx half withdrawn,--
  • Her cheek on fire with damasked blood
  • Of girlhood's glowing dawn!
  • He searched her features through and through,
  • As royal lovers look
  • On lowly maidens, when they woo
  • Without the ring and book.
  • "Come hither, Fair one! Here, my Sweet!
  • Nay, prithee, look not down!
  • Take this to shoe those little feet,"--
  • He tossed a silver crown.
  • A sudden paleness struck her brow,--
  • A swifter blush succeeds;
  • It burns her cheek; it kindles now
  • Beneath her golden beads.
  • She flitted, but the glittering eye
  • Still sought the lovely face.
  • Who was she? What, and whence? and why
  • Doomed to such menial place?
  • A skipper's daughter,--so they said,--
  • Left orphan by the gale
  • That cost the fleet of Marblehead
  • And Gloucester thirty sail.
  • Ah! many a lonely home is found
  • Along the Essex shore,
  • That cheered its goodman outward bound,
  • And sees his face no more!
  • "Not so," the matron whispered,--"sure
  • No orphan girl is she,--
  • The Surriage folk are deadly poor
  • Since Edward left the sea,
  • "And Mary, with her growing brood,
  • Has work enough to do
  • To find the children clothes and food
  • With Thomas, John, and Hugh.
  • "This girl of Mary's, growing tall,--
  • (Just turned her sixteenth year,)--
  • To earn her bread and help them all,
  • Would work as housemaid here."
  • So Agnes, with her golden beads,
  • And naught beside as dower,
  • Grew at the wayside with the weeds,
  • Herself a garden-flower.
  • 'T was strange, 't was sad,--so fresh, so fair!
  • Thus Pity's voice began.
  • Such grace! an angel's shape and air!
  • The half-heard whisper ran.
  • For eyes could see in George's time,
  • As now in later days,
  • And lips could shape, in prose and rhyme,
  • The honeyed breath of praise.
  • No time to woo! The train must go
  • Long ere the sun is down,
  • To reach, before the night-winds blow,
  • The many-steepled town.
  • 'T is midnight,--street and square are still;
  • Dark roll the whispering waves
  • That lap the piers beneath the hill
  • Ridged thick with ancient graves.
  • Ah, gentle sleep! thy hand will smooth
  • The weary couch of pain,
  • When all thy poppies fail to soothe
  • The lover's throbbing brain!
  • 'T is morn,--the orange-mantled sun
  • Breaks through the fading gray,
  • And long and loud the Castle gun
  • Peals o'er the glistening bay.
  • "Thank God 't is day!" With eager eye
  • He hails the morning shine:--
  • "If art can win, or gold can buy,
  • The maiden shall be mine!"
  • PART THIRD
  • THE CONQUEST
  • "Who saw this hussy when she came?
  • What is the wench, and who?"
  • They whisper. "Agnes--is her name?
  • Pray what has she to do?"
  • The housemaids parley at the gate,
  • The scullions on the stair,
  • And in the footmen's grave debate
  • The butler deigns to share.
  • Black Dinah, stolen when a child,
  • And sold on Boston pier,
  • Grown up in service, petted, spoiled,
  • Speaks in the coachman's ear:
  • "What, all this household at his will?
  • And all are yet too few?
  • More servants, and more servants still,--
  • This pert young madam too!"
  • "_Servant!_ fine servant!" laughed aloud
  • The man of coach and steeds;
  • "She looks too fair, she steps too proud,
  • This girl with golden beads!
  • "I tell you, you may fret and frown,
  • And call her what you choose,
  • You 'll find my Lady in her gown,
  • Your Mistress in her shoes!"
  • Ah, gentle maidens, free from blame,
  • God grant you never know
  • The little whisper, loud with shame,
  • That makes the world your foe!
  • Why tell the lordly flatterer's art,
  • That won the maiden's ear,--
  • The fluttering of the frightened heart,
  • The blush, the smile, the tear?
  • Alas! it were the saddening tale
  • That every language knows,--
  • The wooing wind, the yielding sail,
  • The sunbeam and the rose.
  • And now the gown of sober stuff
  • Has changed to fair brocade,
  • With broidered hem, and hanging cuff,
  • And flower of silken braid;
  • And clasped around her blanching wrist
  • A jewelled bracelet shines,
  • Her flowing tresses' massive twist
  • A glittering net confines;
  • And mingling with their truant wave
  • A fretted chain is hung;
  • But ah! the gift her mother gave,--
  • Its beads are all unstrung!
  • Her place is at the master's board,
  • Where none disputes her claim;
  • She walks beside the mansion's lord,
  • His bride in all but name.
  • The busy tongues have ceased to talk,
  • Or speak in softened tone,
  • So gracious in her daily walk
  • The angel light has shown.
  • No want that kindness may relieve
  • Assails her heart in vain,
  • The lifting of a ragged sleeve
  • Will check her palfrey's rein.
  • A thoughtful calm, a quiet grace
  • In every movement shown,
  • Reveal her moulded for the place
  • She may not call her own.
  • And, save that on her youthful brow
  • There broods a shadowy care,
  • No matron sealed with holy vow
  • In all the land so fair.
  • PART FOURTH
  • THE RESCUE
  • A ship comes foaming up the bay,
  • Along the pier she glides;
  • Before her furrow melts away,
  • A courier mounts and rides.
  • "Haste, Haste, post Haste!" the letters bear;
  • "Sir Harry Frankland, These."
  • Sad news to tell the loving pair!
  • The knight must cross the seas.
  • "Alas! we part!"--the lips that spoke
  • Lost all their rosy red,
  • As when a crystal cup is broke,
  • And all its wine is shed.
  • "Nay, droop not thus,--where'er," he cried,
  • "I go by land or sea,
  • My love, my life, my joy, my pride,
  • Thy place is still by me!"
  • Through town and city, far and wide,
  • Their wandering feet have strayed,
  • From Alpine lake to ocean tide,
  • And cold Sierra's shade.
  • At length they see the waters gleam
  • Amid the fragrant bowers
  • Where Lisbon mirrors in the stream
  • Her belt of ancient towers.
  • Red is the orange on its bough,
  • To-morrow's sun shall fling
  • O'er Cintra's hazel-shaded brow
  • The flush of April's wing.
  • The streets are loud with noisy mirth,
  • They dance on every green;
  • The morning's dial marks the birth
  • Of proud Braganza's queen.
  • At eve beneath their pictured dome
  • The gilded courtiers throng;
  • The broad moidores have cheated Rome
  • Of all her lords of song.
  • AH! Lisbon dreams not of the day--
  • Pleased with her painted scenes--
  • When all her towers shall slide away
  • As now these canvas screens!
  • The spring has passed, the summer fled,
  • And yet they linger still,
  • Though autumn's rustling leaves have spread
  • The flank of Cintra's hill.
  • The town has learned their Saxon name,
  • And touched their English gold,
  • Nor tale of doubt nor hint of blame
  • From over sea is told.
  • Three hours the first November dawn
  • Has climbed with feeble ray
  • Through mists like heavy curtains drawn
  • Before the darkened day.
  • How still the muffled echoes sleep!
  • Hark! hark! a hollow sound,--
  • A noise like chariots rumbling deep
  • Beneath the solid ground.
  • The channel lifts, the water slides
  • And bares its bar of sand,
  • Anon a mountain billow strides
  • And crashes o'er the land.
  • The turrets lean, the steeples reel
  • Like masts on ocean's swell,
  • And clash a long discordant peal,
  • The death-doomed city's knell.
  • The pavement bursts, the earth upheaves
  • Beneath the staggering town!
  • The turrets crack--the castle cleaves--
  • The spires come rushing down.
  • Around, the lurid mountains glow
  • With strange unearthly gleams;
  • While black abysses gape below,
  • Then close in jagged seams.
  • And all is over. Street and square
  • In ruined heaps are piled;
  • Ah! where is she, so frail, so fair,
  • Amid the tumult wild?
  • Unscathed, she treads the wreck-piled street,
  • Whose narrow gaps afford
  • A pathway for her bleeding feet,
  • To seek her absent lord.
  • A temple's broken walls arrest
  • Her wild and wandering eyes;
  • Beneath its shattered portal pressed,
  • Her lord unconscious lies.
  • The power that living hearts obey
  • Shall lifeless blocks withstand?
  • Love led her footsteps where he lay,--
  • Love nerves her woman's hand.
  • One cry,--the marble shaft she grasps,--
  • Up heaves the ponderous stone:--
  • He breathes,--her fainting form he clasps,--
  • Her life has bought his own!
  • PART FIFTH
  • THE REWARD
  • How like the starless night of death
  • Our being's brief eclipse,
  • When faltering heart and failing breath
  • Have bleached the fading lips!
  • The earth has folded like a wave,
  • And thrice a thousand score,
  • Clasped, shroudless, in their closing grave,
  • The sun shall see no more!
  • She lives! What guerdon shall repay
  • His debt of ransomed life?
  • One word can charm all wrongs away,--
  • The sacred name of WIFE!
  • The love that won her girlish charms
  • Must shield her matron fame,
  • And write beneath the Frankland arms
  • The village beauty's name.
  • Go, call the priest! no vain delay
  • Shall dim the sacred ring!
  • Who knows what change the passing day,
  • The fleeting hour, may bring?
  • Before the holy altar bent,
  • There kneels a goodly pair;
  • A stately man, of high descent,
  • A woman, passing fair.
  • No jewels lend the blinding sheen
  • That meaner beauty needs,
  • But on her bosom heaves unseen
  • A string of golden beads.
  • The vow is spoke,--the prayer is said,--
  • And with a gentle pride
  • The Lady Agnes lifts her head,
  • Sir Harry Frankland's bride.
  • No more her faithful heart shall bear
  • Those griefs so meekly borne,--
  • The passing sneer, the freezing stare,
  • The icy look of scorn;
  • No more the blue-eyed English dames
  • Their haughty lips shall curl,
  • Whene'er a hissing whisper names
  • The poor New England girl.
  • But stay!--his mother's haughty brow,--
  • The pride of ancient race,--
  • Will plighted faith, and holy vow,
  • Win back her fond embrace?
  • Too well she knew the saddening tale
  • Of love no vow had blest,
  • That turned his blushing honors pale
  • And stained his knightly crest.
  • They seek his Northern home,--alas
  • He goes alone before;--
  • His own dear Agnes may not pass
  • The proud, ancestral door.
  • He stood before the stately dame;
  • He spoke; she calmly heard,
  • But not to pity, nor to blame;
  • She breathed no single word.
  • He told his love,--her faith betrayed;
  • She heard with tearless eyes;
  • Could she forgive the erring maid?
  • She stared in cold surprise.
  • How fond her heart, he told,--how true;
  • The haughty eyelids fell;--
  • The kindly deeds she loved to do;
  • She murmured, "It is well."
  • But when he told that fearful day,
  • And how her feet were led
  • To where entombed in life he lay,
  • The breathing with the dead,
  • And how she bruised her tender breasts
  • Against the crushing stone,
  • That still the strong-armed clown protests
  • No man can lift alone,--
  • Oh! then the frozen spring was broke;
  • By turns she wept and smiled;--
  • "Sweet Agnes!" so the mother spoke,
  • "God bless my angel child.
  • "She saved thee from the jaws of death,--
  • 'T is thine to right her wrongs;
  • I tell thee,--I, who gave thee breath,--
  • To her thy life belongs!"
  • Thus Agnes won her noble name,
  • Her lawless lover's hand;
  • The lowly maiden so became
  • A lady in the land!
  • PART SIXTH
  • CONCLUSION
  • The tale is done; it little needs
  • To track their after ways,
  • And string again the golden beads
  • Of love's uncounted days.
  • They leave the fair ancestral isle
  • For bleak New England's shore;
  • How gracious is the courtly smile
  • Of all who frowned before!
  • Again through Lisbon's orange bowers
  • They watch the river's gleam,
  • And shudder as her shadowy towers
  • Shake in the trembling stream.
  • Fate parts at length the fondest pair;
  • His cheek, alas! grows pale;
  • The breast that trampling death could spare
  • His noiseless shafts assail.
  • He longs to change the heaven of blue
  • For England's clouded sky,--
  • To breathe the air his boyhood knew;
  • He seeks then but to die.
  • Hard by the terraced hillside town,
  • Where healing streamlets run,
  • Still sparkling with their old renown,--
  • The "Waters of the Sun,"--
  • The Lady Agnes raised the stone
  • That marks his honored grave,
  • And there Sir Harry sleeps alone
  • By Wiltshire Avon's wave.
  • The home of early love was dear;
  • She sought its peaceful shade,
  • And kept her state for many a year,
  • With none to make afraid.
  • At last the evil days were come
  • That saw the red cross fall;
  • She hears the rebels' rattling drum,--
  • Farewell to Frankland Hall!
  • I tell you, as my tale began,
  • The hall is standing still;
  • And you, kind listener, maid or man,
  • May see it if you will.
  • The box is glistening huge and green,
  • Like trees the lilacs grow,
  • Three elms high-arching still are seen,
  • And one lies stretched below.
  • The hangings, rough with velvet flowers,
  • Flap on the latticed wall;
  • And o'er the mossy ridge-pole towers
  • The rock-hewn chimney tall.
  • The doors on mighty hinges clash
  • With massive bolt and bar,
  • The heavy English-moulded sash
  • Scarce can the night-winds jar.
  • Behold the chosen room he sought
  • Alone, to fast and pray,
  • Each year, as chill November brought
  • The dismal earthquake day.
  • There hung the rapier blade he wore,
  • Bent in its flattened sheath;
  • The coat the shrieking woman tore
  • Caught in her clenching teeth;--
  • The coat with tarnished silver lace
  • She snapped at as she slid,
  • And down upon her death-white face
  • Crashed the huge coffin's lid.
  • A graded terrace yet remains;
  • If on its turf you stand
  • And look along the wooded plains
  • That stretch on either hand,
  • The broken forest walls define
  • A dim, receding view,
  • Where, on the far horizon's line,
  • He cut his vista through.
  • If further story you shall crave,
  • Or ask for living proof,
  • Go see old Julia, born a slave
  • Beneath Sir Harry's roof.
  • She told me half that I have told,
  • And she remembers well
  • The mansion as it looked of old
  • Before its glories fell;--
  • The box, when round the terraced square
  • Its glossy wall was drawn;
  • The climbing vines, the snow-balls fair,
  • The roses on the lawn.
  • And Julia says, with truthful look
  • Stamped on her wrinkled face,
  • That in her own black hands she took
  • The coat with silver lace.
  • And you may hold the story light,
  • Or, if you like, believe;
  • But there it was, the woman's bite,--
  • A mouthful from the sleeve.
  • Now go your ways;--I need not tell
  • The moral of my rhyme;
  • But, youths and maidens, ponder well
  • This tale of olden time!
  • THE PLOUGHMAN
  • ANNIVERSARY OF THE BERKSHIRE AGRICULTURAL SOCIETY,
  • OCTOBER 4, 1849
  • CLEAR the brown path, to meet his coulter's gleam!
  • Lo! on he comes, behind his smoking team,
  • With toil's bright dew-drops on his sunburnt brow,
  • The lord of earth, the hero of the plough!
  • First in the field before the reddening sun,
  • Last in the shadows when the day is done,
  • Line after line, along the bursting sod,
  • Marks the broad acres where his feet have trod;
  • Still, where he treads, the stubborn clods divide,
  • The smooth, fresh furrow opens deep and wide;
  • Matted and dense the tangled turf upheaves,
  • Mellow and dark the ridgy cornfield cleaves;
  • Up the steep hillside, where the laboring train
  • Slants the long track that scores the level plain;
  • Through the moist valley, clogged with oozing clay,
  • The patient convoy breaks its destined way;
  • At every turn the loosening chains resound,
  • The swinging ploughshare circles glistening round,
  • Till the wide field one billowy waste appears,
  • And wearied hands unbind the panting steers.
  • These are the hands whose sturdy labor brings
  • The peasant's food, the golden pomp of kings;
  • This is the page, whose letters shall be seen
  • Changed by the sun to words of living green;
  • This is the scholar, whose immortal pen
  • Spells the first lesson hunger taught to men;
  • These are the lines which heaven-commanded Toil
  • Shows on his deed,--the charter of the soil.
  • O gracious Mother, whose benignant breast
  • Wakes us to life, and lulls us all to rest,
  • How thy sweet features, kind to every clime,
  • Mock with their smile the wrinkled front of time
  • We stain thy flowers,--they blossom o'er the dead;
  • We rend thy bosom, and it gives us bread;
  • O'er the red field that trampling strife has torn,
  • Waves the green plumage of thy tasselled corn;
  • Our maddening conflicts sear thy fairest plain,
  • Still thy soft answer is the growing grain.
  • Yet, O our Mother, while uncounted charms
  • Steal round our hearts in thine embracing arms,
  • Let not our virtues in thy love decay,
  • And thy fond sweetness waste our strength away.
  • No! by these hills, whose banners now displayed
  • In blazing cohorts Autumn has arrayed;
  • By yon twin summits, on whose splintery crests
  • The tossing hemlocks hold the eagles' nests;
  • By these fair plains the mountain circle screens,
  • And feeds with streamlets from its dark ravines,
  • True to their home, these faithful arms shall toil
  • To crown with peace their own untainted soil;
  • And, true to God, to freedom, to mankind,
  • If her chained bandogs Faction shall unbind,
  • These stately forms, that bending even now
  • Bowed their strong manhood to the humble plough,
  • Shall rise erect, the guardians of the land,
  • The same stern iron in the same right hand,
  • Till o'er their hills the shouts of triumph run,
  • The sword has rescued what the ploughshare won!
  • SPRING
  • WINTER is past; the heart of Nature warms
  • Beneath the wrecks of unresisted storms;
  • Doubtful at first, suspected more than seen,
  • The southern slopes are fringed with tender green;
  • On sheltered banks, beneath the dripping eaves,
  • Spring's earliest nurslings spread their glowing leaves,
  • Bright with the hues from wider pictures won,
  • White, azure, golden,--drift, or sky, or sun,--
  • The snowdrop, bearing on her patient breast
  • The frozen trophy torn from Winter's crest;
  • The violet, gazing on the arch of blue
  • Till her own iris wears its deepened hue;
  • The spendthrift crocus, bursting through the mould
  • Naked and shivering with his cup of gold.
  • Swelled with new life, the darkening elm on high
  • Prints her thick buds against the spotted sky
  • On all her boughs the stately chestnut cleaves
  • The gummy shroud that wraps her embryo leaves;
  • The house-fly, stealing from his narrow grave,
  • Drugged with the opiate that November gave,
  • Beats with faint wing against the sunny pane,
  • Or crawls, tenacious, o'er its lucid plain;
  • From shaded chinks of lichen-crusted walls,
  • In languid curves, the gliding serpent crawls;
  • The bog's green harper, thawing from his sleep,
  • Twangs a hoarse note and tries a shortened leap;
  • On floating rails that face the softening noons
  • The still shy turtles range their dark platoons,
  • Or, toiling aimless o'er the mellowing fields,
  • Trail through the grass their tessellated shields.
  • At last young April, ever frail and fair,
  • Wooed by her playmate with the golden hair,
  • Chased to the margin of receding floods
  • O'er the soft meadows starred with opening buds,
  • In tears and blushes sighs herself away,
  • And hides her cheek beneath the flowers of May.
  • Then the proud tulip lights her beacon blaze,
  • Her clustering curls the hyacinth displays;
  • O'er her tall blades the crested fleur-de-lis,
  • Like blue-eyed Pallas, towers erect and free;
  • With yellower flames the lengthened sunshine glows,
  • And love lays bare the passion-breathing rose;
  • Queen of the lake, along its reedy verge
  • The rival lily hastens to emerge,
  • Her snowy shoulders glistening as she strips,
  • Till morn is sultan of her parted lips.
  • Then bursts the song from every leafy glade,
  • The yielding season's bridal serenade;
  • Then flash the wings returning Summer calls
  • Through the deep arches of her forest halls,--
  • The bluebird, breathing from his azure plumes
  • The fragrance borrowed where the myrtle blooms;
  • The thrush, poor wanderer, dropping meekly down,
  • Clad in his remnant of autumnal brown;
  • The oriole, drifting like a flake of fire
  • Rent by a whirlwind from a blazing spire.
  • The robin, jerking his spasmodic throat,
  • Repeats, imperious, his staccato note;
  • The crack-brained bobolink courts his crazy mate,
  • Poised on a bulrush tipsy with his weight;
  • Nay, in his cage the lone canary sings,
  • Feels the soft air, and spreads his idle wings.
  • Why dream I here within these caging walls,
  • Deaf to her voice, while blooming Nature calls;
  • Peering and gazing with insatiate looks
  • Through blinding lenses, or in wearying books?
  • Off, gloomy spectres of the shrivelled past!
  • Fly with the leaves that fill the autumn blast
  • Ye imps of Science, whose relentless chains
  • Lock the warm tides within these living veins,
  • Close your dim cavern, while its captive strays
  • Dazzled and giddy in the morning's blaze!
  • THE STUDY
  • YET in the darksome crypt I left so late,
  • Whose only altar is its rusted grate,--
  • Sepulchral, rayless, joyless as it seems,
  • Shamed by the glare of May's refulgent beams,--
  • While the dim seasons dragged their shrouded train,
  • Its paler splendors were not quite in vain.
  • From these dull bars the cheerful firelight's glow
  • Streamed through the casement o'er the spectral snow;
  • Here, while the night-wind wreaked its frantic will
  • On the loose ocean and the rock-bound hill,
  • Rent the cracked topsail from its quivering yard,
  • And rived the oak a thousand storms had scarred,
  • Fenced by these walls the peaceful taper shone,
  • Nor felt a breath to slant its trembling cone.
  • Not all unblest the mild interior scene
  • When the red curtain spread its falling screen;
  • O'er some light task the lonely hours were past,
  • And the long evening only flew too fast;
  • Or the wide chair its leathern arms would lend
  • In genial welcome to some easy friend,
  • Stretched on its bosom with relaxing nerves,
  • Slow moulding, plastic, to its hollow curves;
  • Perchance indulging, if of generous creed,
  • In brave Sir Walter's dream-compelling weed.
  • Or, happier still, the evening hour would bring
  • To the round table its expected ring,
  • And while the punch-bowl's sounding depths were stirred,--
  • Its silver cherubs smiling as they heard,--
  • Our hearts would open, as at evening's hour
  • The close-sealed primrose frees its hidden flower.
  • Such the warm life this dim retreat has known,
  • Not quite deserted when its guests were flown;
  • Nay, filled with friends, an unobtrusive set,
  • Guiltless of calls and cards and etiquette,
  • Ready to answer, never known to ask,
  • Claiming no service, prompt for every task.
  • On those dark shelves no housewife hand profanes,
  • O'er his mute files the monarch folio reigns;
  • A mingled race, the wreck of chance and time,
  • That talk all tongues and breathe of every clime,
  • Each knows his place, and each may claim his part
  • In some quaint corner of his master's heart.
  • This old Decretal, won from Moss's hoards,
  • Thick-leaved, brass-cornered, ribbed with oaken boards,
  • Stands the gray patriarch of the graver rows,
  • Its fourth ripe century narrowing to its close;
  • Not daily conned, but glorious still to view,
  • With glistening letters wrought in red and blue.
  • There towers Stagira's all-embracing sage,
  • The Aldine anchor on his opening page;
  • There sleep the births of Plato's heavenly mind,
  • In yon dark tomb by jealous clasps confused,
  • "Olim e libris" (dare I call it mine?)
  • Of Yale's grave Head and Killingworth's divine!
  • In those square sheets the songs of Maro fill
  • The silvery types of smooth-leaved Baskerville;
  • High over all, in close, compact array,
  • Their classic wealth the Elzevirs display.
  • In lower regions of the sacred space
  • Range the dense volumes of a humbler race;
  • There grim chirurgeons all their mysteries teach,
  • In spectral pictures, or in crabbed speech;
  • Harvey and Haller, fresh from Nature's page,
  • Shoulder the dreamers of an earlier age,
  • Lully and Geber, and the learned crew
  • That loved to talk of all they could not do.
  • Why count the rest,--those names of later days
  • That many love, and all agree to praise,--
  • Or point the titles, where a glance may read
  • The dangerous lines of party or of creed?
  • Too well, perchance, the chosen list would show
  • What few may care and none can claim to know.
  • Each has his features, whose exterior seal
  • A brush may copy, or a sunbeam steal;
  • Go to his study,--on the nearest shelf
  • Stands the mosaic portrait of himself.
  • What though for months the tranquil dust descends,
  • Whitening the heads of these mine ancient friends,
  • While the damp offspring of the modern press
  • Flaunts on my table with its pictured dress;
  • Not less I love each dull familiar face,
  • Nor less should miss it from the appointed place;
  • I snatch the book, along whose burning leaves
  • His scarlet web our wild romancer weaves,
  • Yet, while proud Hester's fiery pangs I share,
  • My old MAGNALIA must be standing _there_!
  • THE BELLS
  • WHEN o'er the street the morning peal is flung
  • From yon tall belfry with the brazen tongue,
  • Its wide vibrations, wafted by the gale,
  • To each far listener tell a different tale.
  • The sexton, stooping to the quivering floor
  • Till the great caldron spills its brassy roar,
  • Whirls the hot axle, counting, one by one,
  • Each dull concussion, till his task is done.
  • Toil's patient daughter, when the welcome note
  • Clangs through the silence from the steeple's throat,
  • Streams, a white unit, to the checkered street,
  • Demure, but guessing whom she soon shall meet;
  • The bell, responsive to her secret flame,
  • With every note repeats her lover's name.
  • The lover, tenant of the neighboring lane,
  • Sighing, and fearing lest he sigh in vain,
  • Hears the stern accents, as they come and go,
  • Their only burden one despairing No!
  • Ocean's rough child, whom many a shore has known
  • Ere homeward breezes swept him to his own,
  • Starts at the echo as it circles round,
  • A thousand memories kindling with the sound;
  • The early favorite's unforgotten charms,
  • Whose blue initials stain his tawny arms;
  • His first farewell, the flapping canvas spread,
  • The seaward streamers crackling overhead,
  • His kind, pale mother, not ashamed to weep
  • Her first-born's bridal with the haggard deep,
  • While the brave father stood with tearless eye,
  • Smiling and choking with his last good-by.
  • 'T is but a wave, whose spreading circle beats,
  • With the same impulse, every nerve it meets,
  • Yet who shall count the varied shapes that ride
  • On the round surge of that aerial tide!
  • O child of earth! If floating sounds like these
  • Steal from thyself their power to wound or please,
  • If here or there thy changing will inclines,
  • As the bright zodiac shifts its rolling signs,
  • Look at thy heart, and when its depths are known,
  • Then try thy brother's, judging by thine own,
  • But keep thy wisdom to the narrower range,
  • While its own standards are the sport of change,
  • Nor count us rebels when we disobey
  • The passing breath that holds thy passion's sway.
  • NON-RESISTANCE
  • PERHAPS too far in these considerate days
  • Has patience carried her submissive ways;
  • Wisdom has taught us to be calm and meek,
  • To take one blow, and turn the other cheek;
  • It is not written what a man shall do,
  • If the rude caitiff smite the other too!
  • Land of our fathers, in thine hour of need
  • God help thee, guarded by the passive creed!
  • As the lone pilgrim trusts to beads and cowl,
  • When through the forest rings the gray wolf's howl;
  • As the deep galleon trusts her gilded prow
  • When the black corsair slants athwart her bow;
  • As the poor pheasant, with his peaceful mien,
  • Trusts to his feathers, shining golden-green,
  • When the dark plumage with the crimson beak
  • Has rustled shadowy from its splintered peak,--
  • So trust thy friends, whose babbling tongues would charm
  • The lifted sabre from thy foeman's arm,
  • Thy torches ready for the answering peal
  • From bellowing fort and thunder-freighted keel!
  • THE MORAL BULLY
  • YON whey-faced brother, who delights to wear
  • A weedy flux of ill-conditioned hair,
  • Seems of the sort that in a crowded place
  • One elbows freely into smallest space;
  • A timid creature, lax of knee and hip,
  • Whom small disturbance whitens round the lip;
  • One of those harmless spectacled machines,
  • The Holy-Week of Protestants convenes;
  • Whom school-boys question if their walk transcends
  • The last advices of maternal friends;
  • Whom John, obedient to his master's sign,
  • Conducts, laborious, up to ninety-nine,
  • While Peter, glistening with luxurious scorn,
  • Husks his white ivories like an ear of corn;
  • Dark in the brow and bilious in the cheek,
  • Whose yellowish linen flowers but once a week,
  • Conspicuous, annual, in their threadbare suits,
  • And the laced high-lows which they call their boots,
  • Well mayst thou shun that dingy front severe,
  • But him, O stranger, him thou canst not _fear_.
  • Be slow to judge, and slower to despise,
  • Man of broad shoulders and heroic size
  • The tiger, writhing from the boa's rings,
  • Drops at the fountain where the cobra stings.
  • In that lean phantom, whose extended glove
  • Points to the text of universal love,
  • Behold the master that can tame thee down
  • To crouch, the vassal of his Sunday frown;
  • His velvet throat against thy corded wrist,
  • His loosened tongue against thy doubled fist.
  • The MORAL BULLY, though he never swears,
  • Nor kicks intruders down his entry stairs,
  • Though meekness plants his backward-sloping hat,
  • And non-resistance ties his white cravat,
  • Though his black broadcloth glories to be seen
  • In the same plight with Shylock's gaberdine,
  • Hugs the same passion to his narrow breast
  • That heaves the cuirass on the trooper's chest,
  • Hears the same hell-hounds yelling in his rear
  • That chase from port the maddened buccaneer,
  • Feels the same comfort while his acrid words
  • Turn the sweet milk of kindness into curds,
  • Or with grim logic prove, beyond debate,
  • That all we love is worthiest of our hate,
  • As the scarred ruffian of the pirate's deck,
  • When his long swivel rakes the staggering wreck!
  • Heaven keep us all! Is every rascal clown
  • Whose arm is stronger free to knock us down?
  • Has every scarecrow, whose cachectic soul
  • Seems fresh from Bedlam, airing on parole,
  • Who, though he carries but a doubtful trace
  • Of angel visits on his hungry face,
  • From lack of marrow or the coins to pay,
  • Has dodged some vices in a shabby way,
  • The right to stick us with his cutthroat terms,
  • And bait his homilies with his brother worms?
  • THE MIND'S DIET
  • No life worth naming ever comes to good
  • If always nourished on the selfsame food;
  • The creeping mite may live so if he please,
  • And feed on Stilton till he turns to cheese,
  • But cool Magendie proves beyond a doubt,
  • If mammals try it, that their eyes drop out.
  • No reasoning natures find it safe to feed,
  • For their sole diet, on a single creed;
  • It spoils their eyeballs while it spares their tongues,
  • And starves the heart to feed the noisy lungs.
  • When the first larvae on the elm are seen,
  • The crawling wretches, like its leaves, are green;
  • Ere chill October shakes the latest down,
  • They, like the foliage, change their tint to brown;
  • On the blue flower a bluer flower you spy,
  • You stretch to pluck it--'tis a butterfly;
  • The flattened tree-toads so resemble bark,
  • They're hard to find as Ethiops in the dark;
  • The woodcock, stiffening to fictitious mud,
  • Cheats the young sportsman thirsting for his blood;
  • So by long living on a single lie,
  • Nay, on one truth, will creatures get its dye;
  • Red, yellow, green, they take their subject's hue,--
  • Except when squabbling turns them black and blue!
  • OUR LIMITATIONS
  • WE trust and fear, we question and believe,
  • From life's dark threads a trembling faith to weave,
  • Frail as the web that misty night has spun,
  • Whose dew-gemmed awnings glitter in the sun.
  • While the calm centuries spell their lessons out,
  • Each truth we conquer spreads the realm of doubt;
  • When Sinai's summit was Jehovah's throne,
  • The chosen Prophet knew his voice alone;
  • When Pilate's hall that awful question heard,
  • The Heavenly Captive answered not a word.
  • Eternal Truth! beyond our hopes and fears
  • Sweep the vast orbits of thy myriad spheres!
  • From age to age, while History carves sublime
  • On her waste rock the flaming curves of time,
  • How the wild swayings of our planet show
  • That worlds unseen surround the world we know.
  • THE OLD PLAYER
  • THE curtain rose; in thunders long and loud
  • The galleries rung; the veteran actor bowed.
  • In flaming line the telltales of the stage
  • Showed on his brow the autograph of age;
  • Pale, hueless waves amid his clustered hair,
  • And umbered shadows, prints of toil and care;
  • Round the wide circle glanced his vacant eye,--
  • He strove to speak,--his voice was but a sigh.
  • Year after year had seen its short-lived race
  • Flit past the scenes and others take their place;
  • Yet the old prompter watched his accents still,
  • His name still flaunted on the evening's bill.
  • Heroes, the monarchs of the scenic floor,
  • Had died in earnest and were heard no more;
  • Beauties, whose cheeks such roseate bloom o'er-spread
  • They faced the footlights in unborrowed red,
  • Had faded slowly through successive shades
  • To gray duennas, foils of younger maids;
  • Sweet voices lost the melting tones that start
  • With Southern throbs the sturdy Saxon heart,
  • While fresh sopranos shook the painted sky
  • With their long, breathless, quivering locust-cry.
  • Yet there he stood,--the man of other days,
  • In the clear present's full, unsparing blaze,
  • As on the oak a faded leaf that clings
  • While a new April spreads its burnished wings.
  • How bright yon rows that soared in triple tier,
  • Their central sun the flashing chandelier!
  • How dim the eye that sought with doubtful aim
  • Some friendly smile it still might dare to claim
  • How fresh these hearts! his own how worn and cold!
  • Such the sad thoughts that long-drawn sigh had told.
  • No word yet faltered on his trembling tongue;
  • Again, again, the crashing galleries rung.
  • As the old guardsman at the bugle's blast
  • Hears in its strain the echoes of the past,
  • So, as the plaudits rolled and thundered round,
  • A life of memories startled at the sound.
  • He lived again,--the page of earliest days,--
  • Days of small fee and parsimonious praise;
  • Then lithe young Romeo--hark that silvered tone,
  • From those smooth lips--alas! they were his own.
  • Then the bronzed Moor, with all his love and woe,
  • Told his strange tale of midnight melting snow;
  • And dark--plumed Hamlet, with his cloak and blade,
  • Looked on the royal ghost, himself a shade.
  • All in one flash, his youthful memories came,
  • Traced in bright hues of evanescent flame,
  • As the spent swimmer's in the lifelong dream,
  • While the last bubble rises through the stream.
  • Call him not old, whose visionary brain
  • Holds o'er the past its undivided reign.
  • For him in vain the envious seasons roll
  • Who bears eternal summer in his soul.
  • If yet the minstrel's song, the poet's lay,
  • Spring with her birds, or children at their play,
  • Or maiden's smile, or heavenly dream of art,
  • Stir the few life-drops creeping round his heart,
  • Turn to the record where his years are told,--
  • Count his gray hairs,--they cannot make him old!
  • What magic power has changed the faded mime?
  • One breath of memory on the dust of time.
  • As the last window in the buttressed wall
  • Of some gray minster tottering to its fall,
  • Though to the passing crowd its hues are spread,
  • A dull mosaic, yellow, green, and red,
  • Viewed from within, a radiant glory shows
  • When through its pictured screen the sunlight flows,
  • And kneeling pilgrims on its storied pane
  • See angels glow in every shapeless stain;
  • So streamed the vision through his sunken eye,
  • Clad in the splendors of his morning sky.
  • All the wild hopes his eager boyhood knew,
  • All the young fancies riper years proved true,
  • The sweet, low-whispered words, the winning glance
  • From queens of song, from Houris of the dance,
  • Wealth's lavish gift, and Flattery's soothing phrase,
  • And Beauty's silence when her blush was praise,
  • And melting Pride, her lashes wet with tears,
  • Triumphs and banquets, wreaths and crowns and cheers,
  • Pangs of wild joy that perish on the tongue,
  • And all that poets dream, but leave unsung!
  • In every heart some viewless founts are fed
  • From far-off hillsides where the dews were shed;
  • On the worn features of the weariest face
  • Some youthful memory leaves its hidden trace,
  • As in old gardens left by exiled kings
  • The marble basins tell of hidden springs,
  • But, gray with dust, and overgrown with weeds,
  • Their choking jets the passer little heeds,
  • Till time's revenges break their seals away,
  • And, clad in rainbow light, the waters play.
  • Good night, fond dreamer! let the curtain fall
  • The world's a stage, and we are players all.
  • A strange rehearsal! Kings without their crowns,
  • And threadbare lords, and jewel-wearing clowns,
  • Speak the vain words that mock their throbbing hearts,
  • As Want, stern prompter! spells them out their parts.
  • The tinselled hero whom we praise and pay
  • Is twice an actor in a twofold play.
  • We smile at children when a painted screen
  • Seems to their simple eyes a real scene;
  • Ask the poor hireling, who has left his throne
  • To seek the cheerless home he calls his own,
  • Which of his double lives most real seems,
  • The world of solid fact or scenic dreams?
  • Canvas, or clouds,--the footlights, or the spheres,--
  • The play of two short hours, or seventy years?
  • Dream on! Though Heaven may woo our open eyes,
  • Through their closed lids we look on fairer skies;
  • Truth is for other worlds, and hope for this;
  • The cheating future lends the present's bliss;
  • Life is a running shade, with fettered hands,
  • That chases phantoms over shifting sands;
  • Death a still spectre on a marble seat,
  • With ever clutching palms and shackled feet;
  • The airy shapes that mock life's slender chain,
  • The flying joys he strives to clasp in vain,
  • Death only grasps; to live is to pursue,--
  • Dream on! there 's nothing but illusion true!
  • A POEM
  • DEDICATION OF THE PITTSFIELD CEMETERY,
  • SEPTEMBER 9,1850
  • ANGEL of Death! extend thy silent reign!
  • Stretch thy dark sceptre o'er this new domain
  • No sable car along the winding road
  • Has borne to earth its unresisting load;
  • No sudden mound has risen yet to show
  • Where the pale slumberer folds his arms below;
  • No marble gleams to bid his memory live
  • In the brief lines that hurrying Time can give;
  • Yet, O Destroyer! from thy shrouded throne
  • Look on our gift; this realm is all thine own!
  • Fair is the scene; its sweetness oft beguiled
  • From their dim paths the children of the wild;
  • The dark-haired maiden loved its grassy dells,
  • The feathered warrior claimed its wooded swells,
  • Still on its slopes the ploughman's ridges show
  • The pointed flints that left his fatal bow,
  • Chipped with rough art and slow barbarian toil,--
  • Last of his wrecks that strews the alien soil!
  • Here spread the fields that heaped their ripened store
  • Till the brown arms of Labor held no more;
  • The scythe's broad meadow with its dusky blush;
  • The sickle's harvest with its velvet flush;
  • The green-haired maize, her silken tresses laid,
  • In soft luxuriance, on her harsh brocade;
  • The gourd that swells beneath her tossing plume;
  • The coarser wheat that rolls in lakes of bloom,--
  • Its coral stems and milk-white flowers alive
  • With the wide murmurs of the scattered hive;
  • Here glowed the apple with the pencilled streak
  • Of morning painted on its southern cheek;
  • The pear's long necklace strung with golden drops,
  • Arched, like the banian, o'er its pillared props;
  • Here crept the growths that paid the laborer's care
  • With the cheap luxuries wealth consents to spare;
  • Here sprang the healing herbs which could not save
  • The hand that reared them from the neighboring grave.
  • Yet all its varied charms, forever free
  • From task and tribute, Labor yields to thee
  • No more, when April sheds her fitful rain,
  • The sower's hand shall cast its flying grain;
  • No more, when Autumn strews the flaming leaves,
  • The reaper's band shall gird its yellow sheaves;
  • For thee alike the circling seasons flow
  • Till the first blossoms heave the latest snow.
  • In the stiff clod below the whirling drifts,
  • In the loose soil the springing herbage lifts,
  • In the hot dust beneath the parching weeds,
  • Life's withering flower shall drop its shrivelled seeds;
  • Its germ entranced in thy unbreathing sleep
  • Till what thou sowest mightier angels reap!
  • Spirit of Beauty! let thy graces blend
  • With loveliest Nature all that Art can lend.
  • Come from the bowers where Summer's life-blood flows
  • Through the red lips of June's half-open rose,
  • Dressed in bright hues, the loving sunshine's dower;
  • For tranquil Nature owns no mourning flower.
  • Come from the forest where the beech's screen
  • Bars the fierce moonbeam with its flakes of green;
  • Stay the rude axe that bares the shadowy plains,
  • Stanch the deep wound That dries the maple's veins.
  • Come with the stream whose silver-braided rills
  • Fling their unclasping bracelets from the hills,
  • Till in one gleam, beneath the forest's wings,
  • Melts the white glitter of a hundred springs.
  • Come from the steeps where look majestic forth
  • From their twin thrones the Giants of the North
  • On the huge shapes, that, crouching at their knees,
  • Stretch their broad shoulders, rough with shaggy trees.
  • Through the wide waste of ether, not in vain,
  • Their softened gaze shall reach our distant plain;
  • There, while the mourner turns his aching eyes
  • On the blue mounds that print the bluer skies,
  • Nature shall whisper that the fading view
  • Of mightiest grief may wear a heavenly hue.
  • Cherub of Wisdom! let thy marble page
  • Leave its sad lesson, new to every age;
  • Teach us to live, not grudging every breath
  • To the chill winds that waft us on to death,
  • But ruling calmly every pulse it warms,
  • And tempering gently every word it forms.
  • Seraph of Love! in heaven's adoring zone,
  • Nearest of all around the central throne,
  • While with soft hands the pillowed turf we spread
  • That soon shall hold us in its dreamless bed,
  • With the low whisper,--Who shall first be laid
  • In the dark chamber's yet unbroken shade?--
  • Let thy sweet radiance shine rekindled here,
  • And all we cherish grow more truly dear.
  • Here in the gates of Death's o'erhanging vault,
  • Oh, teach us kindness for our brother's fault
  • Lay all our wrongs beneath this peaceful sod,
  • And lead our hearts to Mercy and its God.
  • FATHER of all! in Death's relentless claim
  • We read thy mercy by its sterner name;
  • In the bright flower that decks the solemn bier,
  • We see thy glory in its narrowed sphere;
  • In the deep lessons that affliction draws,
  • We trace the curves of thy encircling laws;
  • In the long sigh that sets our spirits free,
  • We own the love that calls us back to Thee!
  • Through the hushed street, along the silent plain,
  • The spectral future leads its mourning train,
  • Dark with the shadows of uncounted bands,
  • Where man's white lips and woman's wringing hands
  • Track the still burden, rolling slow before,
  • That love and kindness can protect no more;
  • The smiling babe that, called to mortal strife,
  • Shuts its meek eyes and drops its little life;
  • The drooping child who prays in vain to live,
  • And pleads for help its parent cannot give;
  • The pride of beauty stricken in its flower;
  • The strength of manhood broken in an hour;
  • Age in its weakness, bowed by toil and care,
  • Traced in sad lines beneath its silvered hair.
  • The sun shall set, and heaven's resplendent spheres
  • Gild the smooth turf unhallowed yet by tears,
  • But ah! how soon the evening stars will shed
  • Their sleepless light around the slumbering dead!
  • Take them, O Father, in immortal trust!
  • Ashes to ashes, dust to kindred dust,
  • Till the last angel rolls the stone away,
  • And a new morning brings eternal day!
  • TO GOVERNOR SWAIN
  • DEAR GOVERNOR, if my skiff might brave
  • The winds that lift the ocean wave,
  • The mountain stream that loops and swerves
  • Through my broad meadow's channelled curves
  • Should waft me on from bound to bound
  • To where the River weds the Sound,
  • The Sound should give me to the Sea,
  • That to the Bay, the Bay to thee.
  • It may not be; too long the track
  • To follow down or struggle back.
  • The sun has set on fair Naushon
  • Long ere my western blaze is gone;
  • The ocean disk is rolling dark
  • In shadows round your swinging bark,
  • While yet the yellow sunset fills
  • The stream that scarfs my spruce-clad hills;
  • The day-star wakes your island deer
  • Long ere my barnyard chanticleer;
  • Your mists are soaring in the blue
  • While mine are sparks of glittering dew.
  • It may not be; oh, would it might,
  • Could I live o'er that glowing night!
  • What golden hours would come to life,
  • What goodly feats of peaceful strife,--
  • Such jests, that, drained of every joke,
  • The very bank of language broke,--
  • Such deeds, that Laughter nearly died
  • With stitches in his belted side;
  • While Time, caught fast in pleasure's chain,
  • His double goblet snapped in twain,
  • And stood with half in either hand,--
  • Both brimming full,--but not of sand!
  • It may not be; I strive in vain
  • To break my slender household chain,--
  • Three pairs of little clasping hands,
  • One voice, that whispers, not commands.
  • Even while my spirit flies away,
  • My gentle jailers murmur nay;
  • All shapes of elemental wrath
  • They raise along my threatened path;
  • The storm grows black, the waters rise,
  • The mountains mingle with the skies,
  • The mad tornado scoops the ground,
  • The midnight robber prowls around,--
  • Thus, kissing every limb they tie,
  • They draw a knot and heave a sigh,
  • Till, fairly netted in the toil,
  • My feet are rooted to the soil.
  • Only the soaring wish is free!--
  • And that, dear Governor, flies to thee!
  • PITTSFIELD, 1851.
  • TO AN ENGLISH FRIEND
  • THE seed that wasteful autumn cast
  • To waver on its stormy blast,
  • Long o'er the wintry desert tost,
  • Its living germ has never lost.
  • Dropped by the weary tempest's wing,
  • It feels the kindling ray of spring,
  • And, starting from its dream of death,
  • Pours on the air its perfumed breath.
  • So, parted by the rolling flood,
  • The love that springs from common blood
  • Needs but a single sunlit hour
  • Of mingling smiles to bud and flower;
  • Unharmed its slumbering life has flown,
  • From shore to shore, from zone to zone,
  • Where summer's falling roses stain
  • The tepid waves of Pontchartrain,
  • Or where the lichen creeps below
  • Katahdin's wreaths of whirling snow.
  • Though fiery sun and stiffening cold
  • May change the fair ancestral mould,
  • No winter chills, no summer drains
  • The life-blood drawn from English veins,
  • Still bearing wheresoe'er it flows
  • The love that with its fountain rose,
  • Unchanged by space, unwronged by time,
  • From age to age, from clime to clime!
  • 1852.
  • AFTER A LECTURE ON WORDSWORTH
  • COME, spread your wings, as I spread mine,
  • And leave the crowded hall
  • For where the eyes of twilight shine
  • O'er evening's western wall.
  • These are the pleasant Berkshire hills,
  • Each with its leafy crown;
  • Hark! from their sides a thousand rills
  • Come singing sweetly down.
  • A thousand rills; they leap and shine,
  • Strained through the shadowy nooks,
  • Till, clasped in many a gathering twine,
  • They swell a hundred brooks.
  • A hundred brooks, and still they run
  • With ripple, shade, and gleam,
  • Till, clustering all their braids in one,
  • They flow a single stream.
  • A bracelet spun from mountain mist,
  • A silvery sash unwound,
  • With ox-bow curve and sinuous twist
  • It writhes to reach the Sound.
  • This is my bark,--a pygmy's ship;
  • Beneath a child it rolls;
  • Fear not,--one body makes it dip,
  • But not a thousand souls.
  • Float we the grassy banks between;
  • Without an oar we glide;
  • The meadows, drest in living green,
  • Unroll on either side.
  • Come, take the book we love so well,
  • And let us read and dream
  • We see whate'er its pages tell,
  • And sail an English stream.
  • Up to the clouds the lark has sprung,
  • Still trilling as he flies;
  • The linnet sings as there he sung;
  • The unseen cuckoo cries,
  • And daisies strew the banks along,
  • And yellow kingcups shine,
  • With cowslips, and a primrose throng,
  • And humble celandine.
  • Ah foolish dream! when Nature nursed
  • Her daughter in the West,
  • The fount was drained that opened first;
  • She bared her other breast.
  • On the young planet's orient shore
  • Her morning hand she tried;
  • Then turned the broad medallion o'er
  • And stamped the sunset side.
  • Take what she gives, her pine's tall stem,
  • Her elm with hanging spray;
  • She wears her mountain diadem
  • Still in her own proud way.
  • Look on the forests' ancient kings,
  • The hemlock's towering pride
  • Yon trunk had thrice a hundred rings,
  • And fell before it died.
  • Nor think that Nature saves her bloom
  • And slights our grassy plain;
  • For us she wears her court costume,--
  • Look on its broidered train;
  • The lily with the sprinkled dots,
  • Brands of the noontide beam;
  • The cardinal, and the blood-red spots,
  • Its double in the stream,
  • As if some wounded eagle's breast,
  • Slow throbbing o'er the plain,
  • Had left its airy path impressed
  • In drops of scarlet rain.
  • And hark! and hark! the woodland rings;
  • There thrilled the thrush's soul;
  • And look! that flash of flamy wings,--
  • The fire-plumed oriole!
  • Above, the hen-hawk swims and swoops,
  • Flung from the bright, blue sky;
  • Below, the robin hops, and whoops
  • His piercing, Indian cry.
  • Beauty runs virgin in the woods
  • Robed in her rustic green,
  • And oft a longing thought intrudes,
  • As if we might have seen.
  • Her every finger's every joint
  • Ringed with some golden line,
  • Poet whom Nature did anoint
  • Had our wild home been thine.
  • Yet think not so; Old England's blood
  • Runs warm in English veins;
  • But wafted o'er the icy flood
  • Its better life remains.
  • Our children know each wildwood smell,
  • The bayberry and the fern,
  • The man who does not know them well
  • Is all too old to learn.
  • Be patient! On the breathing page
  • Still pants our hurried past;
  • Pilgrim and soldier, saint and sage,
  • The poet comes the last!
  • Though still the lark-voiced matins ring
  • The world has known so long;
  • The wood-thrush of the West shall sing
  • Earth's last sweet even-song!
  • AFTER A LECTURE ON MOORE
  • SHINE soft, ye trembling tears of light
  • That strew the mourning skies;
  • Hushed in the silent dews of night
  • The harp of Erin lies.
  • What though her thousand years have past
  • Of poets, saints, and kings,--
  • Her echoes only hear the last
  • That swept those golden strings.
  • Fling o'er his mound, ye star-lit bowers,
  • The balmiest wreaths ye wear,
  • Whose breath has lent your earth-born flowers
  • Heaven's own ambrosial air.
  • Breathe, bird of night, thy softest tone,
  • By shadowy grove and rill;
  • Thy song will soothe us while we own
  • That his was sweeter still.
  • Stay, pitying Time, thy foot for him
  • Who gave thee swifter wings,
  • Nor let thine envious shadow dim
  • The light his glory flings.
  • If in his cheek unholy blood
  • Burned for one youthful hour,
  • 'T was but the flushing of the bud
  • That blooms a milk-white flower.
  • Take him, kind mother, to thy breast,
  • Who loved thy smiles so well,
  • And spread thy mantle o'er his rest
  • Of rose and asphodel.
  • The bark has sailed the midnight sea,
  • The sea without a shore,
  • That waved its parting sign to thee,--
  • "A health to thee, Tom Moore!"
  • And thine, long lingering on the strand,
  • Its bright-hued streamers furled,
  • Was loosed by age, with trembling hand,
  • To seek the silent world.
  • Not silent! no, the radiant stars
  • Still singing as they shine,
  • Unheard through earth's imprisoning bars,
  • Have voices sweet as thine.
  • Wake, then, in happier realms above,
  • The songs of bygone years,
  • Till angels learn those airs of love
  • That ravished mortal ears!
  • AFTER A LECTURE ON KEATS
  • "Purpureos spargam flores."
  • THE wreath that star-crowned Shelley gave
  • Is lying on thy Roman grave,
  • Yet on its turf young April sets
  • Her store of slender violets;
  • Though all the Gods their garlands shower,
  • I too may bring one purple flower.
  • Alas! what blossom shall I bring,
  • That opens in my Northern spring?
  • The garden beds have all run wild,
  • So trim when I was yet a child;
  • Flat plantains and unseemly stalks
  • Have crept across the gravel walks;
  • The vines are dead, long, long ago,
  • The almond buds no longer blow.
  • No more upon its mound I see
  • The azure, plume-bound fleur-de-lis;
  • Where once the tulips used to show,
  • In straggling tufts the pansies grow;
  • The grass has quenched my white-rayed gem,
  • The flowering "Star of Bethlehem,"
  • Though its long blade of glossy green
  • And pallid stripe may still be seen.
  • Nature, who treads her nobles down,
  • And gives their birthright to the clown,
  • Has sown her base-born weedy things
  • Above the garden's queens and kings.
  • Yet one sweet flower of ancient race
  • Springs in the old familiar place.
  • When snows were melting down the vale,
  • And Earth unlaced her icy mail,
  • And March his stormy trumpet blew,
  • And tender green came peeping through,
  • I loved the earliest one to seek
  • That broke the soil with emerald beak,
  • And watch the trembling bells so blue
  • Spread on the column as it grew.
  • Meek child of earth! thou wilt not shame
  • The sweet, dead poet's holy name;
  • The God of music gave thee birth,
  • Called from the crimson-spotted earth,
  • Where, sobbing his young life away,
  • His own fair Hyacinthus lay.
  • The hyacinth my garden gave
  • Shall lie upon that Roman grave!
  • AFTER A LECTURE ON SHELLEY
  • ONE broad, white sail in Spezzia's treacherous bay
  • On comes the blast; too daring bark, beware I
  • The cloud has clasped her; to! it melts away;
  • The wide, waste waters, but no sail is there.
  • Morning: a woman looking on the sea;
  • Midnight: with lamps the long veranda burns;
  • Come, wandering sail, they watch, they burn for thee!
  • Suns come and go, alas! no bark returns.
  • And feet are thronging on the pebbly sands,
  • And torches flaring in the weedy caves,
  • Where'er the waters lay with icy hands
  • The shapes uplifted from their coral graves.
  • Vainly they seek; the idle quest is o'er;
  • The coarse, dark women, with their hanging locks,
  • And lean, wild children gather from the shore
  • To the black hovels bedded in the rocks.
  • But Love still prayed, with agonizing wail,
  • "One, one last look, ye heaving waters, yield!"
  • Till Ocean, clashing in his jointed mail,
  • Raised the pale burden on his level shield.
  • Slow from the shore the sullen waves retire;
  • His form a nobler element shall claim;
  • Nature baptized him in ethereal fire,
  • And Death shall crown him with a wreath of flame.
  • Fade, mortal semblance, never to return;
  • Swift is the change within thy crimson shroud;
  • Seal the white ashes in the peaceful urn;
  • All else has risen in yon silvery cloud.
  • Sleep where thy gentle Adonais lies,
  • Whose open page lay on thy dying heart,
  • Both in the smile of those blue-vaulted skies,
  • Earth's fairest dome of all divinest art.
  • Breathe for his wandering soul one passing sigh,
  • O happier Christian, while thine eye grows dim,--
  • In all the mansions of the house on high,
  • Say not that Mercy has not one for him!
  • AT THE CLOSE OF A COURSE OF LECTURES
  • As the voice of the watch to the mariner's dream,
  • As the footstep of Spring on the ice-girdled stream,
  • There comes a soft footstep, a whisper, to me,--
  • The vision is over,--the rivulet free.
  • We have trod from the threshold of turbulent March,
  • Till the green scarf of April is hung on the larch,
  • And down the bright hillside that welcomes the day,
  • We hear the warm panting of beautiful May.
  • We will part before Summer has opened her wing,
  • And the bosom of June swells the bodice of Spring,
  • While the hope of the season lies fresh in the bud,
  • And the young life of Nature runs warm in our blood.
  • It is but a word, and the chain is unbound,
  • The bracelet of steel drops unclasped to the ground;
  • No hand shall replace it,--it rests where it fell,---
  • It is but one word that we all know too well.
  • Yet the hawk with the wildness untamed in his eye,
  • If you free him, stares round ere he springs to the sky;
  • The slave whom no longer his fetters restrain
  • Will turn for a moment and look at his chain.
  • Our parting is not as the friendship of years,
  • That chokes with the blessing it speaks through its tears;
  • We have walked in a garden, and, looking around,
  • Have plucked a few leaves from the myrtles we found.
  • But now at the gate of the garden we stand,
  • And the moment has come for unclasping the hand;
  • Will you drop it like lead, and in silence retreat
  • Like the twenty crushed forms from an omnibus seat?
  • Nay! hold it one moment,--the last we may share,--
  • I stretch it in kindness, and not for my fare;
  • You may pass through the doorway in rank or in file,
  • If your ticket from Nature is stamped with a smile.
  • For the sweetest of smiles is the smile as we part,
  • When the light round the lips is a ray from the heart;
  • And lest a stray tear from its fountain might swell,
  • We will seal the bright spring with a quiet farewell.
  • THE HUDSON
  • AFTER A LECTURE AT ALBANY
  • 'T WAS a vision of childhood that came with its dawn,
  • Ere the curtain that covered life's day-star was drawn;
  • The nurse told the tale when the shadows grew long,
  • And the mother's soft lullaby breathed it in song.
  • "There flows a fair stream by the hills of the West,"--
  • She sang to her boy as he lay on her breast;
  • "Along its smooth margin thy fathers have played;
  • Beside its deep waters their ashes are laid."
  • I wandered afar from the land of my birth,
  • I saw the old rivers, renowned upon earth,
  • But fancy still painted that wide-flowing stream
  • With the many-hued pencil of infancy's dream.
  • I saw the green banks of the castle-crowned Rhine,
  • Where the grapes drink the moonlight and change it to wine;
  • I stood by the Avon, whose waves as they glide
  • Still whisper his glory who sleeps at their side.
  • But my heart would still yearn for the sound of the waves
  • That sing as they flow by my forefathers' graves;
  • If manhood yet honors my cheek with a tear,
  • I care not who sees it,--no blush for it here!
  • Farewell to the deep-bosomed stream of the West!
  • I fling this loose blossom to float on its breast;
  • Nor let the dear love of its children grow cold,
  • Till the channel is dry where its waters have rolled!
  • December, 1854.
  • THE NEW EDEN
  • MEETING OF THE BERKSHIRE HORTICULTURAL SOCIETY,
  • AT STOCKBRIDGE, SEPTEMBER 13,1854
  • SCARCE could the parting ocean close,
  • Seamed by the Mayflower's cleaving bow,
  • When o'er the rugged desert rose
  • The waves that tracked the Pilgrim's plough.
  • Then sprang from many a rock-strewn field
  • The rippling grass, the nodding grain,
  • Such growths as English meadows yield
  • To scanty sun and frequent rain.
  • But when the fiery days were done,
  • And Autumn brought his purple haze,
  • Then, kindling in the slanted sun,
  • The hillsides gleamed with golden maize.
  • The food was scant, the fruits were few
  • A red-streak glistening here and there;
  • Perchance in statelier precincts grew
  • Some stern old Puritanic pear.
  • Austere in taste, and tough at core,
  • Its unrelenting bulk was shed,
  • To ripen in the Pilgrim's store
  • When all the summer sweets were fled.
  • Such was his lot, to front the storm
  • With iron heart and marble brow,
  • Nor ripen till his earthly form
  • Was cast from life's autumnal bough.
  • But ever on the bleakest rock
  • We bid the brightest beacon glow,
  • And still upon the thorniest stock
  • The sweetest roses love to blow.
  • So on our rude and wintry soil
  • We feed the kindling flame of art,
  • And steal the tropic's blushing spoil
  • To bloom on Nature's ice-clad heart.
  • See how the softening Mother's breast
  • Warms to her children's patient wiles,
  • Her lips by loving Labor pressed
  • Break in a thousand dimpling smiles,
  • From when the flushing bud of June
  • Dawns with its first auroral hue,
  • Till shines the rounded harvest-moon,
  • And velvet dahlias drink the dew.
  • Nor these the only gifts she brings;
  • Look where the laboring orchard groans,
  • And yields its beryl-threaded strings
  • For chestnut burs and hemlock cones.
  • Dear though the shadowy maple be,
  • And dearer still the whispering pine,
  • Dearest yon russet-laden tree
  • Browned by the heavy rubbing kine!
  • There childhood flung its rustling stone,
  • There venturous boyhood learned to climb,--
  • How well the early graft was known
  • Whose fruit was ripe ere harvest-time!
  • Nor be the Fleming's pride forgot,
  • With swinging drops and drooping bells,
  • Freckled and splashed with streak and spot,
  • On the warm-breasted, sloping swells;
  • Nor Persia's painted garden-queen,--
  • Frail Houri of the trellised wall,--
  • Her deep-cleft bosom scarfed with green,--
  • Fairest to see, and first to fall.
  • . . . . . . . . . . . . .
  • When man provoked his mortal doom,
  • And Eden trembled as he fell,
  • When blossoms sighed their last perfume,
  • And branches waved their long farewell,
  • One sucker crept beneath the gate,
  • One seed was wafted o'er the wall,
  • One bough sustained his trembling weight;
  • These left the garden,--these were all.
  • And far o'er many a distant zone
  • These wrecks of Eden still are flung
  • The fruits that Paradise hath known
  • Are still in earthly gardens hung.
  • Yes, by our own unstoried stream
  • The pink-white apple-blossoms burst
  • That saw the young Euphrates gleam,--
  • That Gihon's circling waters nursed.
  • For us the ambrosial pear--displays
  • The wealth its arching branches hold,
  • Bathed by a hundred summery days
  • In floods of mingling fire and gold.
  • And here, where beauty's cheek of flame
  • With morning's earliest beam is fed,
  • The sunset-painted peach may claim
  • To rival its celestial red.
  • . . . . . . . . . . .
  • What though in some unmoistened vale
  • The summer leaf grow brown and sere,
  • Say, shall our star of promise fail
  • That circles half the rolling sphere,
  • From beaches salt with bitter spray,
  • O'er prairies green with softest rain,
  • And ridges bright with evening's ray,
  • To rocks that shade the stormless main?
  • If by our slender-threaded streams
  • The blade and leaf and blossom die,
  • If, drained by noontide's parching beams,
  • The milky veins of Nature dry,
  • See, with her swelling bosom bare,
  • Yon wild-eyed Sister in the West,--
  • The ring of Empire round her hair,
  • The Indian's wampum on her breast!
  • We saw the August sun descend,
  • Day after day, with blood-red stain,
  • And the blue mountains dimly blend
  • With smoke-wreaths from the burning plain;
  • Beneath the hot Sirocco's wings
  • We sat and told the withering hours,
  • Till Heaven unsealed its hoarded springs,
  • And bade them leap in flashing showers.
  • Yet in our Ishmael's thirst we knew
  • The mercy of the Sovereign hand
  • Would pour the fountain's quickening dew
  • To feed some harvest of the land.
  • No flaming swords of wrath surround
  • Our second Garden of the Blest;
  • It spreads beyond its rocky bound,
  • It climbs Nevada's glittering crest.
  • God keep the tempter from its gate!
  • God shield the children, lest they fall
  • From their stern fathers' free estate,--
  • Till Ocean is its only wall!
  • SEMI-CENTENNIAL CELEBRATION OF THE NEW ENGLAND SOCIETY
  • NEW YORK, DECEMBER 22, 1855
  • NEW ENGLAND, we love thee; no time can erase
  • From the hearts of thy children the smile on thy face.
  • 'T is the mother's fond look of affection and pride,
  • As she gives her fair son to the arms of his bride.
  • His bride may be fresher in beauty's young flower;
  • She may blaze in the jewels she brings with her dower.
  • But passion must chill in Time's pitiless blast;
  • The one that first loved us will love to the last.
  • You have left the dear land of the lake and the hill,
  • But its winds and its waters will talk with you still.
  • "Forget not," they whisper, "your love is our debt,"
  • And echo breathes softly, "We never forget."
  • The banquet's gay splendors are gleaming around,
  • But your hearts have flown back o'er the waves of the Sound;
  • They have found the brown home where their pulses were born;
  • They are throbbing their way through the trees and the corn.
  • There are roofs you remember,--their glory is fled;
  • There are mounds in the churchyard,--one sigh for the dead.
  • There are wrecks, there are ruins, all scattered around;
  • But Earth has no spot like that corner of ground.
  • Come, let us be cheerful,--remember last night,
  • How they cheered us, and--never mind--meant it all right;
  • To-night, we harm nothing,--we love in the lump;
  • Here's a bumper to Maine, in the juice of the pump!
  • Here 's to all the good people, wherever they be,
  • Who have grown in the shade of the liberty-tree;
  • We all love its leaves, and its blossoms and fruit,
  • But pray have a care of the fence round its root.
  • We should like to talk big; it's a kind of a right,
  • When the tongue has got loose and the waistband grown tight;
  • But, as pretty Miss Prudence remarked to her beau,
  • On its own heap of compost no biddy should crow.
  • Enough! There are gentlemen waiting to talk,
  • Whose words are to mine as the flower to the stalk.
  • Stand by your old mother whatever befall;
  • God bless all her children! Good night to you all!
  • FAREWELL
  • TO J. R. LOWELL
  • FAREWELL, for the bark has her breast to the tide,
  • And the rough arms of Ocean are stretched for his bride;
  • The winds from the mountain stream over the bay;
  • One clasp of the hand, then away and away!
  • I see the tall mast as it rocks by the shore;
  • The sun is declining, I see it once more;
  • To-day like the blade in a thick-waving field,
  • To-morrow the spike on a Highlander's shield.
  • Alone, while the cloud pours its treacherous breath,
  • With the blue lips all round her whose kisses are death;
  • Ah, think not the breeze that is urging her sail
  • Has left her unaided to strive with the gale.
  • There are hopes that play round her, like fires on the mast,
  • That will light the dark hour till its danger has past;
  • There are prayers that will plead with the storm when it raves,
  • And whisper "Be still!" to the turbulent waves.
  • Nay, think not that Friendship has called us in vain
  • To join the fair ring ere we break it again;
  • There is strength in its circle,--you lose the bright star,
  • But its sisters still chain it, though shining afar.
  • I give you one health in the juice of the vine,
  • The blood of the vineyard shall mingle with mine;
  • Thus, thus let us drain the last dew-drops of gold,
  • As we empty our hearts of the blessings they hold.
  • April 29, 1855.
  • FOR THE MEETING OF THE BURNS CLUB
  • THE mountains glitter in the snow
  • A thousand leagues asunder;
  • Yet here, amid the banquet's glow,
  • I hear their voice of thunder;
  • Each giant's ice-bound goblet clinks;
  • A flowing stream is summoned;
  • Wachusett to Ben Nevis drinks;
  • Monadnock to Ben Lomond!
  • Though years have clipped the eagle's plume
  • That crowned the chieftain's bonnet,
  • The sun still sees the heather bloom,
  • The silver mists lie on it;
  • With tartan kilt and philibeg,
  • What stride was ever bolder
  • Than his who showed the naked leg
  • Beneath the plaided shoulder?
  • The echoes sleep on Cheviot's hills,
  • That heard the bugles blowing
  • When down their sides the crimson rills
  • With mingled blood were flowing;
  • The hunts where gallant hearts were game,
  • The slashing on the border,
  • The raid that swooped with sword and flame,
  • Give place to "law and order."
  • Not while the rocking steeples reel
  • With midnight tocsins ringing,
  • Not while the crashing war-notes peal,
  • God sets his poets singing;
  • The bird is silent in the night,
  • Or shrieks a cry of warning
  • While fluttering round the beacon-light,--
  • But hear him greet the morning!
  • The lark of Scotia's morning sky!
  • Whose voice may sing his praises?
  • With Heaven's own sunlight in his eye,
  • He walked among the daisies,
  • Till through the cloud of fortune's wrong
  • He soared to fields of glory;
  • But left his land her sweetest song
  • And earth her saddest story.
  • 'T is not the forts the builder piles
  • That chain the earth together;
  • The wedded crowns, the sister isles,
  • Would laugh at such a tether;
  • The kindling thought, the throbbing words,
  • That set the pulses beating,
  • Are stronger than the myriad swords
  • Of mighty armies meeting.
  • Thus while within the banquet glows,
  • Without, the wild winds whistle,
  • We drink a triple health,--the Rose,
  • The Shamrock, and the Thistle
  • Their blended hues shall never fade
  • Till War has hushed his cannon,--
  • Close-twined as ocean-currents braid
  • The Thames, the Clyde, the Shannon!
  • ODE FOR WASHINGTON'S BIRTHDAY
  • CELEBRATION OF THE MERCANTILE LIBRARY ASSOCIATION,
  • FEBRUARY 22, 1856
  • WELCOME to the day returning,
  • Dearer still as ages flow,
  • While the torch of Faith is burning,
  • Long as Freedom's altars glow!
  • See the hero whom it gave us
  • Slumbering on a mother's breast;
  • For the arm he stretched to save us,
  • Be its morn forever blest!
  • Hear the tale of youthful glory,
  • While of Britain's rescued band
  • Friend and foe repeat the story,
  • Spread his fame o'er sea and land,
  • Where the red cross, proudly streaming,
  • Flaps above the frigate's deck,
  • Where the golden lilies, gleaming,
  • Star the watch-towers of Quebec.
  • Look! The shadow on the dial
  • Marks the hour of deadlier strife;
  • Days of terror, years of trial,
  • Scourge a nation into life.
  • Lo, the youth, become her leader
  • All her baffled tyrants yield;
  • Through his arm the Lord hath freed her;
  • Crown him on the tented field!
  • Vain is Empire's mad temptation
  • Not for him an earthly crown
  • He whose sword hath freed a nation
  • Strikes the offered sceptre down.
  • See the throneless Conqueror seated,
  • Ruler by a people's choice;
  • See the Patriot's task completed;
  • Hear the Father's dying voice!
  • "By the name that you inherit,
  • By the sufferings you recall,
  • Cherish the fraternal spirit;
  • Love your country first of all!
  • Listen not to idle questions
  • If its bands maybe untied;
  • Doubt the patriot whose suggestions
  • Strive a nation to divide!"
  • Father! We, whose ears have tingled
  • With the discord-notes of shame,--
  • We, whose sires their blood have mingled
  • In the battle's thunder-flame,--
  • Gathering, while this holy morning
  • Lights the land from sea to sea,
  • Hear thy counsel, heed thy warning;
  • Trust us, while we honor thee!
  • BIRTHDAY OF DANIEL WEBSTER
  • JANUARY 18, 1856
  • WHEN life hath run its largest round
  • Of toil and triumph, joy and woe,
  • How brief a storied page is found
  • To compass all its outward show!
  • The world-tried sailor tires and droops;
  • His flag is rent, his keel forgot;
  • His farthest voyages seem but loops
  • That float from life's entangled knot.
  • But when within the narrow space
  • Some larger soul hath lived and wrought,
  • Whose sight was open to embrace
  • The boundless realms of deed and thought,--
  • When, stricken by the freezing blast,
  • A nation's living pillars fall,
  • How rich the storied page, how vast,
  • A word, a whisper, can recall!
  • No medal lifts its fretted face,
  • Nor speaking marble cheats your eye,
  • Yet, while these pictured lines I trace,
  • A living image passes by:
  • A roof beneath the mountain pines;
  • The cloisters of a hill-girt plain;
  • The front of life's embattled lines;
  • A mound beside the heaving main.
  • These are the scenes: a boy appears;
  • Set life's round dial in the sun,
  • Count the swift arc of seventy years,
  • His frame is dust; his task is done.
  • Yet pause upon the noontide hour,
  • Ere the declining sun has laid
  • His bleaching rays on manhood's power,
  • And look upon the mighty shade.
  • No gloom that stately shape can hide,
  • No change uncrown its brow; behold I
  • Dark, calm, large-fronted, lightning-eyed,
  • Earth has no double from its mould.
  • Ere from the fields by valor won
  • The battle-smoke had rolled away,
  • And bared the blood-red setting sun,
  • His eyes were opened on the day.
  • His land was but a shelving strip
  • Black with the strife that made it free
  • He lived to see its banners dip
  • Their fringes in the Western sea.
  • The boundless prairies learned his name,
  • His words the mountain echoes knew,
  • The Northern breezes swept his fame
  • From icy lake to warm bayou.
  • In toil he lived; in peace he died;
  • When life's full cycle was complete,
  • Put off his robes of power and pride,
  • And laid them at his Master's feet.
  • His rest is by the storm-swept waves
  • Whom life's wild tempests roughly trie
  • Whose heart was like the streaming eaves
  • Of ocean, throbbing at his side.
  • Death's cold white hand is like the snow
  • Laid softly on the furrowed hill,
  • It hides the broken seams below,
  • And leaves the summit brighter still.
  • In vain the envious tongue upbraids;
  • His name a nation's heart shall keep
  • Till morning's latest sunlight fades
  • On the blue tablet of the deep.
  • THE VOICELESS
  • WE count the broken lyres that rest
  • Where the sweet wailing singers slumber,
  • But o'er their silent sister's breast
  • The wild-flowers who will stoop to number?
  • A few can touch the magic string,
  • And noisy Fame is proud to win them:--
  • Alas for those that never sing,
  • But die with all their music in them!
  • Nay, grieve not for the dead alone
  • Whose song has told their hearts' sad story,--
  • Weep for the voiceless, who have known
  • The cross without the crown of glory
  • Not where Leucadian breezes sweep
  • O'er Sappho's memory-haunted billow,
  • But where the glistening night-dews weep
  • On nameless sorrow's churchyard pillow.
  • O hearts that break and give no sign
  • Save whitening lip and fading tresses,
  • Till Death pours out his longed-for wine
  • Slow-dropped from Misery's crushing presses,--
  • If singing breath or echoing chord
  • To every hidden pang were given,
  • What endless melodies were poured,
  • As sad as earth, as sweet as heaven!
  • THE TWO STREAMS
  • BEHOLD the rocky wall
  • That down its sloping sides
  • Pours the swift rain-drops, blending, as they fall,
  • In rushing river-tides!
  • Yon stream, whose sources run
  • Turned by a pebble's edge,
  • Is Athabasca, rolling toward the sun
  • Through the cleft mountain-ledge.
  • The slender rill had strayed,
  • But for the slanting stone,
  • To evening's ocean, with the tangled braid
  • Of foam-flecked Oregon.
  • So from the heights of Will
  • Life's parting stream descends,
  • And, as a moment turns its slender rill,
  • Each widening torrent bends,--
  • From the same cradle's side,
  • From the same mother's knee,--
  • One to long darkness and the frozen tide,
  • One to the Peaceful Sea!
  • THE PROMISE
  • NOT charity we ask,
  • Nor yet thy gift refuse;
  • Please thy light fancy with the easy task
  • Only to look and choose.
  • The little-heeded toy
  • That wins thy treasured gold
  • May be the dearest memory, holiest joy,
  • Of coming years untold.
  • Heaven rains on every heart,
  • But there its showers divide,
  • The drops of mercy choosing, as they part,
  • The dark or glowing side.
  • One kindly deed may turn
  • The fountain of thy soul
  • To love's sweet day-star, that shall o'er thee burn
  • Long as its currents roll.
  • The pleasures thou hast planned,--
  • Where shall their memory be
  • When the white angel with the freezing hand
  • Shall sit and watch by thee?
  • Living, thou dost not live,
  • If mercy's spring run dry;
  • What Heaven has lent thee wilt thou freely give,
  • Dying, thou shalt not die.
  • HE promised even so!
  • To thee his lips repeat,--
  • Behold, the tears that soothed thy sister's woe
  • Have washed thy Master's feet!
  • March 20, 1859.
  • AVIS
  • I MAY not rightly call thy name,--
  • Alas! thy forehead never knew
  • The kiss that happier children claim,
  • Nor glistened with baptismal dew.
  • Daughter of want and wrong and woe,
  • I saw thee with thy sister-band,
  • Snatched from the whirlpool's narrowing flow
  • By Mercy's strong yet trembling hand.
  • "Avis!"--With Saxon eye and cheek,
  • At once a woman and a child,
  • The saint uncrowned I came to seek
  • Drew near to greet us,--spoke, and smiled.
  • God gave that sweet sad smile she wore
  • All wrong to shame, all souls to win,--
  • A heavenly sunbeam sent before
  • Her footsteps through a world of sin.
  • "And who is Avis?"--Hear the tale
  • The calm-voiced matrons gravely tell,--
  • The story known through all the vale
  • Where Avis and her sisters dwell.
  • With the lost children running wild,
  • Strayed from the hand of human care,
  • They find one little refuse child
  • Left helpless in its poisoned lair.
  • The primal mark is on her face,--
  • The chattel-stamp,--the pariah-stain
  • That follows still her hunted race,--
  • The curse without the crime of Cain.
  • How shall our smooth-turned phrase relate
  • The little suffering outcast's ail?
  • Not Lazarus at the rich man's gate
  • So turned the rose-wreathed revellers pale.
  • Ah, veil the living death from sight
  • That wounds our beauty-loving eye!
  • The children turn in selfish fright,
  • The white-lipped nurses hurry by.
  • Take her, dread Angel! Break in love
  • This bruised reed and make it thine!--
  • No voice descended from above,
  • But Avis answered, "She is mine."
  • The task that dainty menials spurn
  • The fair young girl has made her own;
  • Her heart shall teach, her hand shall learn
  • The toils, the duties yet unknown.
  • So Love and Death in lingering strife
  • Stand face to face from day to day,
  • Still battling for the spoil of Life
  • While the slow seasons creep away.
  • Love conquers Death; the prize is won;
  • See to her joyous bosom pressed
  • The dusky daughter of the sun,--
  • The bronze against the marble breast!
  • Her task is done; no voice divine
  • Has crowned her deeds with saintly fame.
  • No eye can see the aureole shine
  • That rings her brow with heavenly flame.
  • Yet what has holy page more sweet,
  • Or what had woman's love more fair,
  • When Mary clasped her Saviour's feet
  • With flowing eyes and streaming hair?
  • Meek child of sorrow, walk unknown,
  • The Angel of that earthly throng,
  • And let thine image live alone
  • To hallow this unstudied song!
  • THE LIVING TEMPLE
  • NOT in the world of light alone,
  • Where God has built his blazing throne,
  • Nor yet alone in earth below,
  • With belted seas that come and go,
  • And endless isles of sunlit green,
  • Is all thy Maker's glory seen:
  • Look in upon thy wondrous frame,--
  • Eternal wisdom still the same!
  • The smooth, soft air with pulse-like waves
  • Flows murmuring through its hidden caves,
  • Whose streams of brightening purple rush,
  • Fired with a new and livelier blush,
  • While all their burden of decay
  • The ebbing current steals away,
  • And red with Nature's flame they start
  • From the warm fountains of the heart.
  • No rest that throbbing slave may ask,
  • Forever quivering o'er his task,
  • While far and wide a crimson jet
  • Leaps forth to fill the woven net
  • Which in unnumbered crossing tides
  • The flood of burning life divides,
  • Then, kindling each decaying part,
  • Creeps back to find the throbbing heart.
  • But warmed with that unchanging flame
  • Behold the outward moving frame,
  • Its living marbles jointed strong
  • With glistening band and silvery thong,
  • And linked to reason's guiding reins
  • By myriad rings in trembling chains,
  • Each graven with the threaded zone
  • Which claims it as the master's own.
  • See how yon beam of seeming white
  • Is braided out of seven-hued light,
  • Yet in those lucid globes no ray
  • By any chance shall break astray.
  • Hark how the rolling surge of sound,
  • Arches and spirals circling round,
  • Wakes the hushed spirit through thine ear
  • With music it is heaven to hear.
  • Then mark the cloven sphere that holds
  • All thought in its mysterious folds;
  • That feels sensation's faintest thrill,
  • And flashes forth the sovereign will;
  • Think on the stormy world that dwells
  • Locked in its dim and clustering cells!
  • The lightning gleams of power it sheds
  • Along its hollow glassy threads!
  • O Father! grant thy love divine
  • To make these mystic temples thine!
  • When wasting age and wearying strife
  • Have sapped the leaning walls of life,
  • When darkness gathers over all,
  • And the last tottering pillars fall,
  • Take the poor dust thy mercy warms,
  • And mould it into heavenly forms!
  • AT A BIRTHDAY FESTIVAL
  • TO J. R. LOWELL
  • WE will not speak of years to-night,--
  • For what have years to bring
  • But larger floods of love and light,
  • And sweeter songs to sing?
  • We will not drown in wordy praise
  • The kindly thoughts that rise;
  • If Friendship own one tender phrase,
  • He reads it in our eyes.
  • We need not waste our school-boy art
  • To gild this notch of Time;--
  • Forgive me if my wayward heart
  • Has throbbed in artless rhyme.
  • Enough for him the silent grasp
  • That knits us hand in hand,
  • And he the bracelet's radiant clasp
  • That locks our circling band.
  • Strength to his hours of manly toil!
  • Peace to his starlit dreams!
  • Who loves alike the furrowed soil,
  • The music-haunted streams!
  • Sweet smiles to keep forever bright
  • The sunshine on his lips,
  • And faith that sees the ring of light
  • Round nature's last eclipse!
  • February 22, 1859.
  • A BIRTHDAY TRIBUTE
  • TO J. F. CLARKE
  • WHO is the shepherd sent to lead,
  • Through pastures green, the Master's sheep?
  • What guileless "Israelite indeed"
  • The folded flock may watch and keep?
  • He who with manliest spirit joins
  • The heart of gentlest human mould,
  • With burning light and girded loins,
  • To guide the flock, or watch the fold;
  • True to all Truth the world denies,
  • Not tongue-tied for its gilded sin;
  • Not always right in all men's eyes,
  • But faithful to the light within;
  • Who asks no meed of earthly fame,
  • Who knows no earthly master's call,
  • Who hopes for man, through guilt and shame,
  • Still answering, "God is over all";
  • Who makes another's grief his own,
  • Whose smile lends joy a double cheer;
  • Where lives the saint, if such be known?--
  • Speak softly,--such an one is here!
  • O faithful shepherd! thou hast borne
  • The heat and burden of the clay;
  • Yet, o'er thee, bright with beams unshorn,
  • The sun still shows thine onward way.
  • To thee our fragrant love we bring,
  • In buds that April half displays,
  • Sweet first-born angels of the spring,
  • Caught in their opening hymn of praise.
  • What though our faltering accents fail,
  • Our captives know their message well,
  • Our words unbreathed their lips exhale,
  • And sigh more love than ours can tell.
  • April 4, 1860.
  • THE GRAY CHIEF
  • FOR THE MEETING OF THE MASSACHUSETTS
  • MEDICAL SOCIETY, 1859
  • 'T is sweet to fight our battles o'er,
  • And crown with honest praise
  • The gray old chief, who strikes no more
  • The blow of better days.
  • Before the true and trusted sage
  • With willing hearts we bend,
  • When years have touched with hallowing age
  • Our Master, Guide, and Friend.
  • For all his manhood's labor past,
  • For love and faith long tried,
  • His age is honored to the last,
  • Though strength and will have died.
  • But when, untamed by toil and strife,
  • Full in our front he stands,
  • The torch of light, the shield of life,
  • Still lifted in his hands,
  • No temple, though its walls resound
  • With bursts of ringing cheers,
  • Can hold the honors that surround
  • His manhood's twice-told years!
  • THE LAST LOOK
  • W. W. SWAIN
  • BEHOLD--not him we knew!
  • This was the prison which his soul looked through,
  • Tender, and brave, and true.
  • His voice no more is heard;
  • And his dead name--that dear familiar word--
  • Lies on our lips unstirred.
  • He spake with poet's tongue;
  • Living, for him the minstrel's lyre was strung:
  • He shall not die unsung.
  • Grief tried his love, and pain;
  • And the long bondage of his martyr-chain
  • Vexed his sweet soul,--in vain!
  • It felt life's surges break,
  • As, girt with stormy seas, his island lake,
  • Smiling while tempests wake.
  • How can we sorrow more?
  • Grieve not for him whose heart had gone before
  • To that untrodden shore!
  • Lo, through its leafy screen,
  • A gleam of sunlight on a ring of green,
  • Untrodden, half unseen!
  • Here let his body rest,
  • Where the calm shadows that his soul loved best
  • May slide above his breast.
  • Smooth his uncurtained bed;
  • And if some natural tears are softly shed,
  • It is not for the dead.
  • Fold the green turf aright
  • For the long hours before the morning's light,
  • And say the last Good Night!
  • And plant a clear white stone
  • Close by those mounds which hold his loved, his own,--
  • Lonely, but not alone.
  • Here let him sleeping lie,
  • Till Heaven's bright watchers slumber in the sky
  • And Death himself shall die!
  • Naushon, September 22, 1858.
  • IN MEMORY OF CHARLES WENTWORTH UPHAM, JR.
  • HE was all sunshine; in his face
  • The very soul of sweetness shone;
  • Fairest and gentlest of his race;
  • None like him we can call our own.
  • Something there was of one that died
  • In her fresh spring-time long ago,
  • Our first dear Mary, angel-eyed,
  • Whose smile it was a bliss to know.
  • Something of her whose love imparts
  • Such radiance to her day's decline,
  • We feel its twilight in our hearts
  • Bright as the earliest morning-shine.
  • Yet richer strains our eye could trace
  • That made our plainer mould more fair,
  • That curved the lip with happier grace,
  • That waved the soft and silken hair.
  • Dust unto dust! the lips are still
  • That only spoke to cheer and bless;
  • The folded hands lie white and chill
  • Unclasped from sorrow's last caress.
  • Leave him in peace; he will not heed
  • These idle tears we vainly pour,
  • Give back to earth the fading weed
  • Of mortal shape his spirit wore.
  • "Shall I not weep my heartstrings torn,
  • My flower of love that falls half blown,
  • My youth uncrowned, my life forlorn,
  • A thorny path to walk alone?"
  • O Mary! one who bore thy name,
  • Whose Friend and Master was divine,
  • Sat waiting silent till He came,
  • Bowed down in speechless grief like thine.
  • "Where have ye laid him?" "Come," they say,
  • Pointing to where the loved one slept;
  • Weeping, the sister led the way,--
  • And, seeing Mary, "Jesus wept."
  • He weeps with thee, with all that mourn,
  • And He shall wipe thy streaming eyes
  • Who knew all sorrows, woman-born,--
  • Trust in his word; thy dead shall rise!
  • April 15, 1860.
  • MARTHA
  • DIED JANUARY 7, 1861
  • SEXTON! Martha's dead and gone;
  • Toll the bell! toll the bell!
  • Her weary hands their labor cease;
  • Good night, poor Martha,--sleep in peace!
  • Toll the bell!
  • Sexton! Martha's dead and gone;
  • Toll the bell! toll the bell!
  • For many a year has Martha said,
  • "I'm old and poor,--would I were dead!"
  • Toll the bell!
  • Sexton! Martha's dead and gone;
  • Toll the bell! toll the bell!
  • She'll bring no more, by day or night,
  • Her basket full of linen white.
  • Toll the bell!
  • Sexton! Martha's dead and gone;
  • Toll the bell! toll the bell!
  • 'T is fitting she should lie below
  • A pure white sheet of drifted snow.
  • Toll the bell!
  • Sexton! Martha's dead and gone;
  • Toll the bell! toll the bell!
  • Sleep, Martha, sleep, to wake in light,
  • Where all the robes are stainless white.
  • Toll the bell!
  • MEETING OF THE ALUMNI OF HARVARD COLLEGE
  • 1857
  • I THANK you, MR. PRESIDENT, you've kindly broke the ice;
  • Virtue should always be the first,--I 'm only SECOND VICE--
  • (A vice is something with a screw that's made to hold its jaw
  • Till some old file has played away upon an ancient saw).
  • Sweet brothers by the Mother's side, the babes of days gone by,
  • All nurslings of her Juno breasts whose milk is never dry,
  • We come again, like half-grown boys, and gather at her beck
  • About her knees, and on her lap, and clinging round her neck.
  • We find her at her stately door, and in her ancient chair,
  • Dressed in the robes of red and green she always loved to wear.
  • Her eye has all its radiant youth, her cheek its morning flame;
  • We drop our roses as we go, hers flourish still the same.
  • We have been playing many an hour, and far away we've strayed,
  • Some laughing in the cheerful sun, some lingering in the shade;
  • And some have tired, and laid them down where darker shadows fall,
  • Dear as her loving voice may be, they cannot hear its call.
  • What miles we 've travelled since we shook the dew-drops from our shoes
  • We gathered on this classic green, so famed for heavy dues!
  • How many boys have joined the game, how many slipped away,
  • Since we've been running up and down, and having out our play!
  • One boy at work with book and brief, and one with gown and band,
  • One sailing vessels on the pool, one digging sand,
  • One flying paper kites on change, one planting little pills,--
  • The seeds of certain annual flowers well known as little bills.
  • What maidens met us on our way, and clasped us hand in hand!
  • What cherubs,--not the legless kind, that fly, but never stand!
  • How many a youthful head we've seen put on its silver crown
  • What sudden changes back again to youth's empurpled brown!
  • But fairer sights have met our eyes, and broader lights have shone,
  • Since others lit their midnight lamps where once we trimmed our own;
  • A thousand trains that flap the sky with flags of rushing fire,
  • And, throbbing in the Thunderer's hand, Thought's million-chorded lyre.
  • We've seen the sparks of Empire fly beyond the mountain bars,
  • Till, glittering o'er the Western wave, they joined the setting stars;
  • And ocean trodden into paths that trampling giants ford,
  • To find the planet's vertebrae and sink its spinal cord.
  • We've tried reform,--and chloroform,--and both have turned our brain;
  • When France called up the photograph, we roused the foe to pain;
  • Just so those earlier sages shared the chaplet of renown,--
  • Hers sent a bladder to the clouds, ours brought their lightning down.
  • We've seen the little tricks of life, its varnish and veneer,
  • Its stucco-fronts of character flake off and disappear,
  • We 've learned that oft the brownest hands will heap the biggest pile,
  • And met with many a "perfect brick" beneath a rimless "tile."
  • What dreams we 've had of deathless name, as scholars, statesmen, bards,
  • While Fame, the lady with the trump, held up her picture cards!
  • Till, having nearly played our game, she gayly whispered, "Ah!
  • I said you should be something grand,--you'll soon be grandpapa."
  • Well, well, the old have had their day, the young must take their turn;
  • There's something always to forget, and something still to learn;
  • But how to tell what's old or young, the tap-root from the sprigs,
  • Since Florida revealed her fount to Ponce de Leon Twiggs?
  • The wisest was a Freshman once, just freed from bar and bolt,
  • As noisy as a kettle-drum, as leggy as a colt;
  • Don't be too savage with the boys,--the Primer does not say
  • The kitten ought to go to church because the cat doth prey.
  • The law of merit and of age is not the rule of three;
  • Non constat that A. M. must prove as busy as A. B.
  • When Wise the father tracked the son, ballooning through the skies,
  • He taught a lesson to the old,--go thou and do like Wise!
  • Now then, old boys, and reverend youth, of high or low degree,
  • Remember how we only get one annual out of three,
  • And such as dare to simmer down three dinners into one
  • Must cut their salads mighty short, and pepper well with fun.
  • I've passed my zenith long ago, it's time for me to set;
  • A dozen planets wait to shine, and I am lingering yet,
  • As sometimes in the blaze of day a milk-and-watery moon
  • Stains with its dim and fading ray the lustrous blue of noon.
  • Farewell! yet let one echo rise to shake our ancient hall;
  • God save the Queen,--whose throne is here,--the Mother of us all
  • Till dawns the great commencement-day on every shore and sea,
  • And "Expectantur" all mankind, to take their last Degree!
  • THE PARTING SONG
  • FESTIVAL OF THE ALUMNI, 1857
  • THE noon of summer sheds its ray
  • On Harvard's holy ground;
  • The Matron calls, the sons obey,
  • And gather smiling round.
  • CHORUS.
  • Then old and young together stand,
  • The sunshine and the snow,
  • As heart to heart, and hand in hand,
  • We sing before we go!
  • Her hundred opening doors have swung
  • Through every storied hall
  • The pealing echoes loud have rung,
  • "Thrice welcome one and all!"
  • Then old and young, etc.
  • We floated through her peaceful bay,
  • To sail life's stormy seas
  • But left our anchor where it lay
  • Beneath her green old trees.
  • Then old and young, etc.
  • As now we lift its lengthening chain,
  • That held us fast of old,
  • The rusted rings grow bright again,--
  • Their iron turns to gold.
  • Then old and young, etc.
  • Though scattered ere the setting sun,
  • As leaves when wild winds blow,
  • Our home is here, our hearts are one,
  • Till Charles forgets to flow.
  • Then old and young, etc.
  • FOR THE MEETING OF THE NATIONAL
  • SANITARY ASSOCIATION
  • 1860
  • WHAT makes the Healing Art divine?
  • The bitter drug we buy and sell,
  • The brands that scorch, the blades that shine,
  • The scars we leave, the "cures" we tell?
  • Are these thy glories, holiest Art,--
  • The trophies that adorn thee best,--
  • Or but thy triumph's meanest part,--
  • Where mortal weakness stands confessed?
  • We take the arms that Heaven supplies
  • For Life's long battle with Disease,
  • Taught by our various need to prize
  • Our frailest weapons, even these.
  • But ah! when Science drops her shield--
  • Its peaceful shelter proved in vain--
  • And bares her snow-white arm to wield
  • The sad, stern ministry of pain;
  • When shuddering o'er the fount of life,
  • She folds her heaven-anointed wings,
  • To lift unmoved the glittering knife
  • That searches all its crimson springs;
  • When, faithful to her ancient lore,
  • She thrusts aside her fragrant balm
  • For blistering juice, or cankering ore,
  • And tames them till they cure or calm;
  • When in her gracious hand are seen
  • The dregs and scum of earth and seas,
  • Her kindness counting all things clean
  • That lend the sighing sufferer ease;
  • Though on the field that Death has won,
  • She save some stragglers in retreat;--
  • These single acts of mercy done
  • Are but confessions of defeat.
  • What though our tempered poisons save
  • Some wrecks of life from aches and ails;
  • Those grand specifics Nature gave
  • Were never poised by weights or scales!
  • God lent his creatures light and air,
  • And waters open to the skies;
  • Man locks him in a stifling lair,
  • And wonders why his brother dies!
  • In vain our pitying tears are shed,
  • In vain we rear the sheltering pile
  • Where Art weeds out from bed to bed
  • The plagues we planted by the mile!
  • Be that the glory of the past;
  • With these our sacred toils begin
  • So flies in tatters from its mast
  • The yellow flag of sloth and sin,
  • And lo! the starry folds reveal
  • The blazoned truth we hold so dear
  • To guard is better than to heal,--
  • The shield is nobler than the spear!
  • FOR THE BURNS CENTENNIAL CELEBRATION
  • JANUARY 25, 1859
  • His birthday.--Nay, we need not speak
  • The name each heart is beating,--
  • Each glistening eye and flushing cheek
  • In light and flame repeating!
  • We come in one tumultuous tide,--
  • One surge of wild emotion,--
  • As crowding through the Frith of Clyde
  • Rolls in the Western Ocean;
  • As when yon cloudless, quartered moon
  • Hangs o'er each storied river,
  • The swelling breasts of Ayr and Doon
  • With sea green wavelets quiver.
  • The century shrivels like a scroll,--
  • The past becomes the present,--
  • And face to face, and soul to soul,
  • We greet the monarch-peasant.
  • While Shenstone strained in feeble flights
  • With Corydon and Phillis,--
  • While Wolfe was climbing Abraham's heights
  • To snatch the Bourbon lilies,--
  • Who heard the wailing infant's cry,
  • The babe beneath the sheeliug,
  • Whose song to-night in every sky
  • Will shake earth's starry ceiling,--
  • Whose passion-breathing voice ascends
  • And floats like incense o'er us,
  • Whose ringing lay of friendship blends
  • With labor's anvil chorus?
  • We love him, not for sweetest song,
  • Though never tone so tender;
  • We love him, even in his wrong,--
  • His wasteful self-surrender.
  • We praise him, not for gifts divine,--
  • His Muse was born of woman,--
  • His manhood breathes in every line,--
  • Was ever heart more human?
  • We love him, praise him, just for this
  • In every form and feature,
  • Through wealth and want, through woe and bliss,
  • He saw his fellow-creature!
  • No soul could sink beneath his love,--
  • Not even angel blasted;
  • No mortal power could soar above
  • The pride that all outlasted!
  • Ay! Heaven had set one living man
  • Beyond the pedant's tether,--
  • His virtues, frailties, HE may scan,
  • Who weighs them all together!
  • I fling my pebble on the cairn
  • Of him, though dead, undying;
  • Sweet Nature's nursling, bonniest bairn
  • Beneath her daisies lying.
  • The waning suns, the wasting globe,
  • Shall spare the minstrel's story,--
  • The centuries weave his purple robe,
  • The mountain-mist of glory!
  • AT A MEETING OF FRIENDS
  • AUGUST 29, 1859
  • I REMEMBER--why, yes! God bless me! and was it so long ago?
  • I fear I'm growing forgetful, as old folks do, you know;
  • It must have been in 'forty--I would say 'thirty-nine--
  • We talked this matter over, I and a friend of mine.
  • He said, "Well now, old fellow, I'm thinking that you and I,
  • If we act like other people, shall be older by and by;
  • What though the bright blue ocean is smooth as a pond can be,
  • There is always a line of breakers to fringe the broadest sea.
  • "We're taking it mighty easy, but that is nothing strange,
  • For up to the age of thirty we spend our years like Change;
  • But creeping up towards the forties, as fast as the old years fill,
  • And Time steps in for payment, we seem to change a bill."
  • "I know it," I said, "old fellow; you speak the solemn truth;
  • A man can't live to a hundred and likewise keep his youth;
  • But what if the ten years coming shall silver-streak my hair,
  • You know I shall then be forty; of course I shall not care.
  • "At forty a man grows heavy and tired of fun and noise;
  • Leaves dress to the five-and-twenties and love to the silly boys;
  • No foppish tricks at forty, no pinching of waists and toes,
  • But high-low shoes and flannels and good thick worsted hose."
  • But one fine August morning I found myself awake
  • My birthday:--By Jove, I'm forty! Yes, forty, and no mistake!
  • Why, this is the very milestone, I think I used to hold,
  • That when a fellow had come to, a fellow would then be old!
  • But that is the young folks' nonsense; they're full of their
  • foolish stuff;
  • A man's in his prime at forty,--I see that plain enough;
  • At fifty a man is wrinkled, and may be bald or gray;
  • I call men old at fifty, in spite of all they say.
  • At last comes another August with mist and rain and shine;
  • Its mornings are slowly counted and creep to twenty-nine,
  • And when on the western summits the fading light appears,
  • It touches with rosy fingers the last of my fifty years.
  • There have been both men and women whose hearts were firm and bold,
  • But there never was one of fifty that loved to say "I'm old";
  • So any elderly person that strives to shirk his years,
  • Make him stand up at a table and try him by his peers.
  • Now here I stand at fifty, my jury gathered round;
  • Sprinkled with dust of silver, but not yet silver-crowned,
  • Ready to meet your verdict, waiting to hear it told;
  • Guilty of fifty summers; speak! Is the verdict _old_.
  • No! say that his hearing fails him; say that his sight grows dim;
  • Say that he's getting wrinkled and weak in back and limb,
  • Losing his wits and temper, but pleading, to make amends,
  • The youth of his fifty summers he finds in his twenty friends.
  • FOR THE FAIR IN AID OF THE FUND TO PROCURE
  • BALL'S STATUE OF WASHINGTON
  • 1630
  • ALL overgrown with bush and fern,
  • And straggling clumps of tangled trees,
  • With trunks that lean and boughs that turn,
  • Bent eastward by the mastering breeze,--
  • With spongy bogs that drip and fill
  • A yellow pond with muddy rain,
  • Beneath the shaggy southern hill
  • Lies wet and low the Shawinut plain.
  • And hark! the trodden branches crack;
  • A crow flaps off with startled scream;
  • A straying woodchuck canters back;
  • A bittern rises from the stream;
  • Leaps from his lair a frightened deer;
  • An otter plunges in the pool;--
  • Here comes old Shawmut's pioneer,
  • The parson on his brindled bull!
  • 1774
  • The streets are thronged with trampling feet,
  • The northern hill is ridged with graves,
  • But night and morn the drum is beat
  • To frighten down the "rebel knaves."
  • The stones of King Street still are red,
  • And yet the bloody red-coats come
  • I hear their pacing sentry's tread,
  • The click of steel, the tap of drum,
  • And over all the open green,
  • Where grazed of late the harmless kine,
  • The cannon's deepening ruts are seen,
  • The war-horse stamps, the bayonets shine.
  • The clouds are dark with crimson rain
  • Above the murderous hirelings' den,
  • And soon their whistling showers shall stain
  • The pipe-clayed belts of Gage's men.
  • 186-
  • Around the green, in morning light,
  • The spired and palaced summits blaze,
  • And, sunlike, from her Beacon-height
  • The dome-crowned city spreads her rays;
  • They span the waves, they belt the plains,
  • They skirt the roads with bands of white,
  • Till with a flash of gilded panes
  • Yon farthest hillside bounds the sight.
  • Peace, Freedom, Wealth! no fairer view,
  • Though with the wild-bird's restless wings
  • We sailed beneath the noontide's blue
  • Or chased the moonlight's endless rings!
  • Here, fitly raised by grateful hands
  • His holiest memory to recall,
  • The Hero's, Patriot's image stands;
  • He led our sires who won them all!
  • November 14, 1859.
  • THE OLD MAN OF THE SEA
  • A NIGHTMARE DREAM BY DAYLIGHT
  • Do you know the Old Man of the Sea, of the Sea?
  • Have you met with that dreadful old man?
  • If you have n't been caught, you will be, you will be;
  • For catch you he must and he can.
  • He does n't hold on by your throat, by your throat,
  • As of old in the terrible tale;
  • But he grapples you tight by the coat, by the coat,
  • Till its buttons and button-holes fail.
  • There's the charm of a snake in his eye, in his eye,
  • And a polypus-grip in his hands;
  • You cannot go back, nor get by, nor get by,
  • If you look at the spot where he stands.
  • Oh, you're grabbed! See his claw on your sleeve, on your sleeve!
  • It is Sinbad's Old Man of the Sea!
  • You're a Christian, no doubt you believe, you believe
  • You're a martyr, whatever you be!
  • Is the breakfast-hour past? They must wait, they must wait,
  • While the coffee boils sullenly down,
  • While the Johnny-cake burns on the grate, on the grate,
  • And the toast is done frightfully brown.
  • Yes, your dinner will keep; let it cool, let it cool,
  • And Madam may worry and fret,
  • And children half-starved go to school, go to school;
  • He can't think of sparing you yet.
  • Hark! the bell for the train! "Come along! Come along!
  • For there is n't a second to lose."
  • "ALL ABOARD!" (He holds on.) "Fsht I ding-dong! Fsht! ding-dong!"--
  • You can follow on foot, if you choose.
  • There's a maid with a cheek like a peach, like a peach,
  • That is waiting for you in the church;--
  • But he clings to your side like a leech, like a leech,
  • And you leave your lost bride in the lurch.
  • There's a babe in a fit,--hurry quick! hurry quick!
  • To the doctor's as fast as you can!
  • The baby is off, while you stick, while you stick,
  • In the grip of the dreadful Old Man!
  • I have looked on the face of the Bore, of the Bore;
  • The voice of the Simple I know;
  • I have welcomed the Flat at my door, at my door;
  • I have sat by the side of the Slow;
  • I have walked like a lamb by the friend, by the friend,
  • That stuck to my skirts like a bur;
  • I have borne the stale talk without end, without end,
  • Of the sitter whom nothing could stir.
  • But my hamstrings grow loose, and I shake, and I shake,
  • At the sight of the dreadful Old Man;
  • Yea, I quiver and quake, and I take, and I take,
  • To my legs with what vigor I can!
  • Oh the dreadful Old Man of the Sea, of the Sea
  • He's come back like the Wandering Jew!
  • He has had his cold claw upon me, upon me,--
  • And be sure that he 'll have it on you!
  • INTERNATIONAL ODE
  • OUR FATHERS' LAND
  • GOD bless our Fathers' Land!
  • Keep her in heart and hand
  • One with our own!
  • From all her foes defend,
  • Be her brave People's Friend,
  • On all her realms descend,
  • Protect her Throne!
  • Father, with loving care
  • Guard Thou her kingdom's Heir,
  • Guide all his ways
  • Thine arm his shelter be,
  • From him by land and sea
  • Bid storm and danger flee,
  • Prolong his days!
  • Lord, let War's tempest cease,
  • Fold the whole Earth in peace
  • Under thy wings
  • Make all thy nations one,
  • All hearts beneath the sun,
  • Till Thou shalt reign alone,
  • Great King of kings!
  • A SENTIMENT OFFERED AT THE DINNER TO H. I. H.
  • THE PRINCE NAPOLEON, AT THE REVERE HOUSE,
  • SEPTEMBER 25,1861
  • THE land of sunshine and of song!
  • Her name your hearts divine;
  • To her the banquet's vows belong
  • Whose breasts have poured its wine;
  • Our trusty friend, our true ally
  • Through varied change and chance
  • So, fill your flashing goblets high,--
  • I give you, VIVE LA FRANCE!
  • Above our hosts in triple folds
  • The selfsame colors spread,
  • Where Valor's faithful arm upholds
  • The blue, the white, the red;
  • Alike each nation's glittering crest
  • Reflects the morning's glance,--
  • Twin eagles, soaring east and west
  • Once more, then, VIVE LA FRANCE!
  • Sister in trial! who shall count
  • Thy generous friendship's claim,
  • Whose blood ran mingling in the fount
  • That gave our land its name,
  • Till Yorktown saw in blended line
  • Our conquering arms advance,
  • And victory's double garlands twine
  • Our banners? VIVE LA FRANCE!
  • O land of heroes! in our need
  • One gift from Heaven we crave
  • To stanch these wounds that vainly bleed,--
  • The wise to lead the brave!
  • Call back one Captain of thy past
  • From glory's marble trance,
  • Whose name shall be a bugle-blast
  • To rouse us! VIVE LA FRANCE!
  • Pluck Conde's baton from the trench,
  • Wake up stout Charles Martel,
  • Or find some woman's hand to clench
  • The sword of La Pucelle!
  • Give us one hour of old Turenne,--
  • One lift of Bayard's lance,--
  • Nay, call Marengo's Chief again
  • To lead us! VIVE LA FRANCE!
  • Ah, hush! our welcome Guest shall hear
  • But sounds of peace and joy;
  • No angry echo vex thine ear,
  • Fair Daughter of Savoy
  • Once more! the land of arms and arts,
  • Of glory, grace, romance;
  • Her love lies warm in all our hearts
  • God bless her! VIVE LA FRANCE!
  • BROTHER JONATHAN'S LAMENT FOR SISTER CAROLINE
  • SHE has gone,--she has left us in passion and pride,--
  • Our stormy-browed sister, so long at our side!
  • She has torn her own star from our firmament's glow,
  • And turned on her brother the face of a foe!
  • Oh, Caroline, Caroline, child of the sun,
  • We can never forget that our hearts have been one,--
  • Our foreheads both sprinkled in Liberty's name,
  • From the fountain of blood with the finger of flame!
  • You were always too ready to fire at a touch;
  • But we said, "She is hasty,--she does not mean much."
  • We have scowled, when you uttered some turbulent threat;
  • But Friendship still whispered, "Forgive and forget!"
  • Has our love all died out? Have its altars grown cold?
  • Has the curse come at last which the fathers foretold?
  • Then Nature must teach us the strength of the chain
  • That her petulant children would sever in vain.
  • They may fight till the buzzards are gorged with their spoil,
  • Till the harvest grows black as it rots in the soil,
  • Till the wolves and the catamounts troop from their eaves,
  • And the shark tracks the pirate, the lord of the waves:
  • In vain is the strife! When its fury is past,
  • Their fortunes must flow in one channel at last,
  • As the torrents that rush from the mountains of snow
  • Roll mingled in peace through the valleys below.
  • Our Union is river, lake, ocean, and sky
  • Man breaks not the medal, when God cuts the die!
  • Though darkened with sulphur, though cloven with steel,
  • The blue arch will brighten, the waters will heal!
  • Oh, Caroline, Caroline, child of the sun,
  • There are battles with Fate that can never be won!
  • The star-flowering banner must never be furled,
  • For its blossoms of light are the hope of the world!
  • Go, then, our rash sister! afar and aloof,
  • Run wild in the sunshine away from our roof;
  • But when your heart aches and your feet have grown sore,
  • Remember the pathway that leads to our door!
  • March 25, 1861.
  • NOTES: (For original print volume one)
  • [There stand the Goblet and the Sun.]
  • The Goblet and the Sun (Vas-Sol), sculptured on a free-stone slab
  • supported by five pillars, are the only designation of the family tomb
  • of the Vassalls.
  • [Thus mocked the spoilers with his school-boy scorn.]
  • See "Old Ironsides," of this volume.
  • [On other shores, above their mouldering towns.]
  • Daniel Webster quoted several of the verses which follow, in his address
  • at the laying of the corner-stone of the addition to the Capitol at
  • Washington, July 4, 1851.
  • [Thou calm, chaste scholar.]
  • Charles Chauncy Emerson; died May 9, 1836.
  • [And thou, dear friend, whom Science still deplores.]
  • James Jackson, Jr., M. D.; died March 28, 1834.
  • [THE STEAMBOAT.]
  • Mr. Emerson has quoted some lines from this poem, but
  • somewhat disguised as he recalled them. It is never safe to
  • quote poetry without referring to the original.
  • [Hark! The sweet bells renew their welcome sound.]
  • The churches referred to in the lines which follow are,--
  • 1. King's Chapel, the foundation of which was laid by Governor Shirley
  • in 1749.
  • 2. Brattle Street Church, consecrated in 1773. The completion of this
  • edifice, the design of which included a spire, was prevented by the
  • troubles of the Revolution, and its plain, square tower presented
  • nothing more attractive than a massive simplicity. In the front of this
  • tower, till the church was demolished in 1872, there was to be seen,
  • half imbedded in the brick-work, a cannon-ball, which was thrown from
  • the American fortifications at Cambridge, during the bombard-ment of the
  • city, then occupied by the British troops.
  • 3. The Old South, first occupied for public worship in 1730.
  • 4. Park Street Church, built in 1809, the tall white steeple of which is
  • the most conspicuous of all the Boston spires.
  • 5. Christ Church, opened for public worship in 1723, and containing a
  • set of eight bells, long the only chime in Boston.
  • [INTERNATIONAL ODE.]
  • This ode was sung in unison by twelve hundred children of the public
  • schools, to the air of "God save the Queen," at the visit of the Prince
  • of Wales to Boston, October 18, 1860.
  • THE POETICAL WORKS
  • OF
  • OLIVER WENDELL HOLMES
  • [Volume 2 or the 1893 three volume set]
  • CONTENTS:
  • POEMS OF THE CLASS OF '29 (1851-1889)
  • BILL AND JOE
  • A SONG OF "TWENTY-NINE"
  • QUESTIONS AND ANSWERS
  • AN IMPROMPTU
  • THE OLD MAN DREAMS
  • REMEMBER--FORGET
  • OUR INDIAN SUMMER
  • MARE RUBRUM
  • THE Boys
  • LINES
  • A VOICE OF THE LOYAL NORTH
  • J. D. R.
  • VOYAGE OF THE GOOD SHIP UNION
  • "CHOOSE YOU THIS DAY WHOM YE WILL SERVE"
  • F. W. C.
  • THE LAST CHARGE
  • OUR OLDEST FRIEND
  • SHERMAN 'S IN SAVANNAH
  • MY ANNUAL
  • ALL HERE
  • ONCE MORE
  • THE OLD CRUISER
  • HYMN FOR THE CLASS-MEETING
  • EVEN-SONG
  • THE SMILING LISTENER
  • OUR SWEET SINGER: J. A.
  • H. C. M., H. S., J. K. W.
  • WHAT I HAVE COME FOR
  • OUR BANKER
  • FOR CLASS-MEETING
  • "AD AMICOS"
  • HOW NOT TO SETTLE IT
  • THE LAST SURVIVOR
  • THE ARCHBISHOP AND GIL BLAS
  • THE SHADOWS
  • BENJAMIN PEIRCE
  • IN THE TWILIGHT
  • A LOVING-CUP SONG
  • THE GIRDLE OF FRIENDSHIP
  • THE LYRE OF ANACREON
  • THE OLD TUNE
  • THE BROKEN CIRCLE
  • THE ANGEL-THIEF
  • AFTER THE CURFEW
  • POEMS FROM THE AUTOCRAT OF THE BREAKFAST-TABLE (1857-1858)
  • THE CHAMBERED NAUTILUS
  • SUN AND SHADOW
  • MUSA
  • A PARTING HEALTH: To J. L. MOTLEY
  • WHAT WE ALL THINK
  • SPRING HAS COME
  • PROLOGUE
  • LATTER-DAY WARNINGS
  • ALBUM VERSES
  • A GOOD TIME GOING!
  • THE LAST BLOSSOM
  • CONTENTMENT
  • AESTIVATION
  • THE DEACON'S MASTERPIECE; OR, THE WONDERFUL "ONE-HOSE SHAY"
  • PARSON TURELL'S LEGACY; OR, THE PRESIDENT'S OLD ARM-CHAIR
  • ODE FOR A SOCIAL MEETING, WITH SLIGHT ALTERATIONS BY A TEETOTALER
  • POEMS FROM THE PROFESSOR AT THE BREAKFAST-TABLE (1858-1859)
  • UNDER THE VIOLETS
  • HYMN OF TRUST
  • A SUN-DAY HYMN
  • THE CROOKED FOOTPATH
  • IRIS, HER BOOK
  • ROBINSON OF LEYDEN
  • ST ANTHONY THE REFORMER
  • THE OPENING OF THE PIANO
  • MIDSUMMER
  • DE SAUTY
  • POEMS FROM THE POET AT THE BREAKFAST-TABLE (1871-1872)
  • HOMESICK IN HEAVEN
  • FANTASIA
  • AUNT TABITHA
  • WIND-CLOUDS AND STAR-DRIFTS
  • EPILOGUE TO THE BREAKFAST-TABLE SERIES
  • SONGS OF MANY SEASONS (1862-1874)
  • OPENING THE WINDOW
  • PROGRAMME
  • IN THE QUIET DAYS
  • AN OLD-YEAR SONG
  • DOROTHY Q: A FAMILY PORTRAIT
  • THE ORGAN-BLOWER
  • AT THE PANTOMIME
  • AFTER THE FIRE
  • A BALLAD OF THE BOSTON TEA-PARTY
  • NEARING THE SNOW-LINE
  • IN WAR TIME
  • TO CANAAN: A PURITAN WAR-SONG
  • "THUS SAITH THE LORD, I OFFER THEE THREE THINGS"
  • NEVER OR NOW
  • ONE COUNTRY
  • GOD SAVE THE FLAG!
  • HYMN AFTER THE EMANCIPATION PROCLAMATION
  • HYMN FOR THE FAIR AT CHICAGO
  • UNDER THE WASHINGTON ELM, CAMBRIDGE
  • FREEDOM, OUR QUEEN
  • ARMY HYMN
  • PARTING HYMN
  • THE FLOWER OF LIBERTY
  • THE SWEET LITTLE MAN
  • UNION AND LIBERTY
  • SONGS OF WELCOME AND FAREWELL
  • AMERICA TO RUSSIA
  • WELCOME TO THE GRAND DUKE ALEXIS
  • AT THE BANQUET TO THE GRAND DUKE ALEXIS
  • AT THE BANQUET TO THE CHINESE EMBASSY
  • AT THE BANQUET TO THE JAPANESE EMBASSY
  • BRYANT'S SEVENTIETH BIRTHDAY
  • A FAREWELL TO AGASSIZ
  • AT A DINNER TO ADMIRAL FARRAGUT
  • AT A DINNER TO GENERAL GRANT
  • To H W LONGFELLOW
  • To CHRISTIAN GOTTFRIED EHRENBERG
  • A TOAST TO WILKIE COLLINS
  • MEMORIAL VERSES
  • FOR THE SERVICES IN MEMORY OF ABRAHAM LINCOLN, BOSTON, 1865
  • FOR THE COMMEMORATION SERVICES, CAMBRIDGE JULY 21, 1865
  • EDWARD EVERETT: JANUARY 30, 1865
  • SHAKESPEARE TERCENTENNIAL CELEBRATION, APRIL 23, 1864
  • IN MEMORY OF JOHN AND ROBERT WARE, MAY 25, 1864
  • HUMBOLDT'S BIRTHDAY: CENTENNIAL CELEBRATION, SEPTEMBER 14, 1869
  • POEM AT THE DEDICATION OF THE HALLECK MONUMENT, JULY 8, 1869
  • HYMN FOR THE CELEBRATION AT THE LAYING OF THE CORNER-STONE OF
  • HARVARD MEMORIAL HALL, CAMBRIDGE, OCTOBER 6, 1870
  • HYMN FOR THE DEDICATION OF MEMORIAL HALL AT CAMBRIDGE, 1874
  • HYMN AT THE FUNERAL SERVICES OF CHARLES SUMNER, APRIL 29, 1874
  • RHYMES OF AN HOUR
  • ADDRESS FOR THE OPENING OF THE FIFTH AVENUE THEATRE, N. Y. 1873
  • A SEA DIALOGUE
  • CHANSON WITHOUT MUSIC
  • FOR THE CENTENNIAL DINNER, PROPRIETORS OF BOSTON PIER, 1873
  • A POEM SERVED TO ORDER
  • THE FOUNTAIN OF YOUTH
  • No TIME LIKE THE OLD TIME
  • A HYMN OF PEACE, TO THE MUSIC OF KELLER'S "AMERICAN HYMN"
  • NOTES
  • POEMS OF THE CLASS OF '29
  • 1851-1889
  • BILL AND JOE
  • COME, dear old comrade, you and I
  • Will steal an hour from days gone by,
  • The shining days when life was new,
  • And all was bright with morning dew,
  • The lusty days of long ago,
  • When you were Bill and I was Joe.
  • Your name may flaunt a titled trail
  • Proud as a cockerel's rainbow tail,
  • And mine as brief appendix wear
  • As Tam O'Shanter's luckless mare;
  • To-day, old friend, remember still
  • That I am Joe and you are Bill.
  • You've won the great world's envied prize,
  • And grand you look in people's eyes,
  • With H O N. and L L. D.
  • In big brave letters, fair to see,--
  • Your fist, old fellow! off they go!--
  • How are you, Bill? How are you, Joe?
  • You've worn the judge's ermined robe;
  • You 've taught your name to half the globe;
  • You've sung mankind a deathless strain;
  • You've made the dead past live again
  • The world may call you what it will,
  • But you and I are Joe and Bill.
  • The chaffing young folks stare and say
  • "See those old buffers, bent and gray,--
  • They talk like fellows in their teens!
  • Mad, poor old boys! That's what it means,"--
  • And shake their heads; they little know
  • The throbbing hearts of Bill and Joe!--
  • How Bill forgets his hour of pride,
  • While Joe sits smiling at his side;
  • How Joe, in spite of time's disguise,
  • Finds the old schoolmate in his eyes,--
  • Those calm, stern eyes that melt and fill
  • As Joe looks fondly up at Bill.
  • Ah, pensive scholar, what is fame?
  • A fitful tongue of leaping flame;
  • A giddy whirlwind's fickle gust,
  • That lifts a pinch of mortal dust;
  • A few swift years, and who can show
  • Which dust was Bill and which was Joe?
  • The weary idol takes his stand,
  • Holds out his bruised and aching hand,
  • While gaping thousands come and go,--
  • How vain it seems, this empty show!
  • Till all at once his pulses thrill;--
  • 'T is poor old Joe's "God bless you, Bill!"
  • And shall we breathe in happier spheres
  • The names that pleased our mortal ears;
  • In some sweet lull of harp and song
  • For earth-born spirits none too long,
  • Just whispering of the world below
  • Where this was Bill and that was Joe?
  • No matter; while our home is here
  • No sounding name is half so dear;
  • When fades at length our lingering day,
  • Who cares what pompous tombstones say?
  • Read on the hearts that love us still,
  • _Hic jacet_ Joe. _Hic jacet_ Bill.
  • A SONG OF "TWENTY-NINE"
  • 1851
  • THE summer dawn is breaking
  • On Auburn's tangled bowers,
  • The golden light is waking
  • On Harvard's ancient towers;
  • The sun is in the sky
  • That must see us do or die,
  • Ere it shine on the line
  • Of the CLASS OF '29.
  • At last the day is ended,
  • The tutor screws no more,
  • By doubt and fear attended
  • Each hovers round the door,
  • Till the good old Praeses cries,
  • While the tears stand in his eyes,
  • "You have passed, and are classed
  • With the Boys of '29."
  • Not long are they in making
  • The college halls their own,
  • Instead of standing shaking,
  • Too bashful to be known;
  • But they kick the Seniors' shins
  • Ere the second week begins,
  • When they stray in the way
  • Of the BOYS OF '29.
  • If a jolly set is trolling
  • The last _Der Freischutz_ airs,
  • Or a "cannon bullet" rolling
  • Comes bouncing down the stairs,
  • The tutors, looking out,
  • Sigh, "Alas! there is no doubt,
  • 'T is the noise of the Boys
  • Of the CLASS OF '29."
  • Four happy years together,
  • By storm and sunshine tried,
  • In changing wind and weather,
  • They rough it side by side,
  • Till they hear their Mother cry,
  • "You are fledged, and you must fly,"
  • And the bell tolls the knell
  • Of the days of '29.
  • Since then, in peace or trouble,
  • Full many a year has rolled,
  • And life has counted double
  • The days that then we told;
  • Yet we'll end as we've begun,
  • For though scattered, we are one,
  • While each year sees us here,
  • Round the board of '29.
  • Though fate may throw between us
  • The mountains or the sea,
  • No time shall ever wean us,
  • No distance set us free;
  • But around the yearly board,
  • When the flaming pledge is poured,
  • It shall claim every name
  • On the roll of '29.
  • To yonder peaceful ocean
  • That glows with sunset fires,
  • Shall reach the warm emotion
  • This welcome day inspires,
  • Beyond the ridges cold
  • Where a brother toils for gold,
  • Till it shine through the mine
  • Round the Boy of '29.
  • If one whom fate has broken
  • Shall lift a moistened eye,
  • We'll say, before he 's spoken--
  • "Old Classmate, don't you cry!
  • Here, take the purse I hold,
  • There 's a tear upon the gold--
  • It was mine-it is thine--
  • A'n't we BOYS OF '29?"
  • As nearer still and nearer
  • The fatal stars appear,
  • The living shall be dearer
  • With each encircling year,
  • Till a few old men shall say,
  • "We remember 't is the day--
  • Let it pass with a glass
  • For the CLASS OF '29."
  • As one by one is falling
  • Beneath the leaves or snows,
  • Each memory still recalling,
  • The broken ring shall close,
  • Till the nightwinds softly pass
  • O'er the green and growing grass,
  • Where it waves on the graves
  • Of the BOYS OF '29!
  • QUESTIONS AND ANSWERS
  • 1852
  • WHERE, oh where are the visions of morning,
  • Fresh as the dews of our prime?
  • Gone, like tenants that quit without warning,
  • Down the back entry of time.
  • Where, oh where are life's lilies and roses,
  • Nursed in the golden dawn's smile?
  • Dead as the bulrushes round little Moses,
  • On the old banks of the Nile.
  • Where are the Marys, and Anns, and Elizas,
  • Loving and lovely of yore?
  • Look in the columns of old Advertisers,--
  • Married and dead by the score.
  • Where the gray colts and the ten-year-old fillies,
  • Saturday's triumph and joy?
  • Gone, like our friend (--Greek--) Achilles,
  • Homer's ferocious old boy.
  • Die-away dreams of ecstatic emotion,
  • Hopes like young eagles at play,
  • Vows of unheard-of and endless devotion,
  • How ye have faded away!
  • Yet, through the ebbing of Time's mighty river
  • Leave our young blossoms to die,
  • Let him roll smooth in his current forever,
  • Till the last pebble is dry.
  • AN IMPROMPTU
  • Not premeditated
  • 1853
  • THE clock has struck noon; ere it thrice tell the hours
  • We shall meet round the table that blushes with flowers,
  • And I shall blush deeper with shame-driven blood
  • That I came to the banquet and brought not a bud.
  • Who cares that his verse is a beggar in art
  • If you see through its rags the full throb of his heart?
  • Who asks if his comrade is battered and tanned
  • When he feels his warm soul in the clasp of his hand?
  • No! be it an epic, or be it a line,
  • The Boys will all love it because it is mine;
  • I sung their last song on the morn of the day
  • That tore from their lives the last blossom of May.
  • It is not the sunset that glows in the wine,
  • But the smile that beams over it, makes it divine;
  • I scatter these drops, and behold, as they fall,
  • The day-star of memory shines through them all!
  • And these are the last; they are drops that I stole
  • From a wine-press that crushes the life from the soul,
  • But they ran through my heart and they sprang to my brain
  • Till our twentieth sweet summer was smiling again!
  • THE OLD MAN DREAMS
  • 1854
  • OH for one hour of youthful joy!
  • Give back my twentieth spring!
  • I'd rather laugh, a bright-haired boy,
  • Than reign, a gray-beard king.
  • Off with the spoils of wrinkled age!
  • Away with Learning's crown!
  • Tear out life's Wisdom-written page,
  • And dash its trophies down!
  • One moment let my life-blood stream
  • From boyhood's fount of flame!
  • Give me one giddy, reeling dream
  • Of life all love and fame.
  • My listening angel heard the prayer,
  • And, calmly smiling, said,
  • "If I but touch thy silvered hair
  • Thy hasty wish hath sped.
  • "But is there nothing in thy track,
  • To bid thee fondly stay,
  • While the swift seasons hurry back
  • To find the wished-for day?"
  • "Ah, truest soul of womankind!
  • Without thee what were life?
  • One bliss I cannot leave behind:
  • I'll take--my--precious--wife!"
  • The angel took a sapphire pen
  • And wrote in rainbow dew,
  • _The man would be a boy again,
  • And be a husband too!_
  • "And is there nothing yet unsaid,
  • Before the change appears?
  • Remember, all their gifts have fled
  • With those dissolving years."
  • "Why, yes;" for memory would recall
  • My fond paternal joys;
  • "I could not bear to leave them all
  • I'll take--my--girl--and--boys."
  • The smiling angel dropped his pen,--
  • "Why, this will never do;
  • The man would be a boy again,
  • And be a father too!"
  • And so I laughed,--my laughter woke
  • The household with its noise,--
  • And wrote my dream, when morning broke,
  • To please the gray-haired boys.
  • REMEMBER--FORGET
  • 1855
  • AND what shall be the song to-night,
  • If song there needs must be?
  • If every year that brings us here
  • Must steal an hour from me?
  • Say, shall it ring a merry peal,
  • Or heave a mourning sigh
  • O'er shadows cast, by years long past,
  • On moments flitting by?
  • Nay, take the first unbidden line
  • The idle hour may send,
  • No studied grace can mend the face
  • That smiles as friend on friend;
  • The balsam oozes from the pine,
  • The sweetness from the rose,
  • And so, unsought, a kindly thought
  • Finds language as it flows.
  • The years rush by in sounding flight,
  • I hear their ceaseless wings;
  • Their songs I hear, some far, some near,
  • And thus the burden rings
  • "The morn has fled, the noon has past,
  • The sun will soon be set,
  • The twilight fade to midnight shade;
  • Remember-and Forget!"
  • Remember all that time has brought--
  • The starry hope on high,
  • The strength attained, the courage gained,
  • The love that cannot die.
  • Forget the bitter, brooding thought,--
  • The word too harshly said,
  • The living blame love hates to name,
  • The frailties of the dead!
  • We have been younger, so they say,
  • But let the seasons roll,
  • He doth not lack an almanac
  • Whose youth is in his soul.
  • The snows may clog life's iron track,
  • But does the axle tire,
  • While bearing swift through bank and drift
  • The engine's heart of fire?
  • I lift a goblet in my hand;
  • If good old wine it hold,
  • An ancient skin to keep it in
  • Is just the thing, we 're told.
  • We 're grayer than the dusty flask,--
  • We 're older than our wine;
  • Our corks reveal the "white top" seal,
  • The stamp of '29.
  • Ah, Boys! we clustered in the dawn,
  • To sever in the dark;
  • A merry crew, with loud halloo,
  • We climbed our painted bark;
  • We sailed her through the four years' cruise,
  • We 'll sail her to the last,
  • Our dear old flag, though but a rag,
  • Still flying on her mast.
  • So gliding on, each winter's gale
  • Shall pipe us all on deck,
  • Till, faint and few, the gathering crew
  • Creep o'er the parting wreck,
  • Her sails and streamers spread aloft
  • To fortune's rain or shine,
  • Till storm or sun shall all be one,
  • And down goes TWENTY-NINE!
  • OUR INDIAN SUMMER
  • 1856
  • You 'll believe me, dear boys, 't is a pleasure to rise,
  • With a welcome like this in your darling old eyes;
  • To meet the same smiles and to hear the same tone
  • Which have greeted me oft in the years that have flown.
  • Were I gray as the grayest old rat in the wall,
  • My locks would turn brown at the sight of you all;
  • If my heart were as dry as the shell on the sand,
  • It would fill like the goblet I hold in my hand.
  • There are noontides of autumn when summer returns.
  • Though the leaves are all garnered and sealed in their urns,
  • And the bird on his perch, that was silent so long,
  • Believes the sweet sunshine and breaks into song.
  • We have caged the young birds of our beautiful June;
  • Their plumes are still bright and their voices in tune;
  • One moment of sunshine from faces like these
  • And they sing as they sung in the green-growing trees.
  • The voices of morning! how sweet is their thrill
  • When the shadows have turned, and the evening grows still!
  • The text of our lives may get wiser with age,
  • But the print was so fair on its twentieth page!
  • Look off from your goblet and up from your plate,
  • Come, take the last journal, and glance at its date:
  • Then think what we fellows should say and should do,
  • If the 6 were a 9 and the 5 were a 2.
  • Ah, no! for the shapes that would meet with as here,
  • From the far land of shadows, are ever too dear!
  • Though youth flung around us its pride and its charms,
  • We should see but the comrades we clasped in our arms.
  • A health to our future--a sigh for our past,
  • We love, we remember, we hope to the last;
  • And for all the base lies that the almanacs hold,
  • While we've youth in our hearts we can never grow old!
  • MARE RUBRUM
  • 1858
  • FLASH out a stream of blood-red wine,
  • For I would drink to other days,
  • And brighter shall their memory shine,
  • Seen flaming through its crimson blaze!
  • The roses die, the summers fade,
  • But every ghost of boyhood's dream
  • By nature's magic power is laid
  • To sleep beneath this blood-red stream!
  • It filled the purple grapes that lay,
  • And drank the splendors of the sun,
  • Where the long summer's cloudless day
  • Is mirrored in the broad Garonne;
  • It pictures still the bacchant shapes
  • That saw their hoarded sunlight shed,--
  • The maidens dancing on the grapes,--
  • Their milk-white ankles splashed with red.
  • Beneath these waves of crimson lie,
  • In rosy fetters prisoned fast,
  • Those flitting shapes that never die,--
  • The swift-winged visions of the past.
  • Kiss but the crystal's mystic rim,
  • Each shadow rends its flowery chain,
  • Springs in a bubble from its brim,
  • And walks the chambers of the brain.
  • Poor beauty! Time and fortune's wrong
  • No shape nor feature may withstand;
  • Thy wrecks are scattered all along,
  • Like emptied sea-shells on the sand;
  • Yet, sprinkled with this blushing rain,
  • The dust restores each blooming girl,
  • As if the sea-shells moved again
  • Their glistening lips of pink and pearl.
  • Here lies the home of school-boy life,
  • With creaking stair and wind-swept hall,
  • And, scarred by many a truant knife,
  • Our old initials on the wall;
  • Here rest, their keen vibrations mute,
  • The shout of voices known so well,
  • The ringing laugh, the wailing flute,
  • The chiding of the sharp-tongued bell.
  • Here, clad in burning robes, are laid
  • Life's blossomed joys, untimely shed,
  • And here those cherished forms have strayed
  • We miss awhile, and call them dead.
  • What wizard fills the wondrous glass?
  • What soil the enchanted clusters grew?
  • That buried passions wake and pass
  • In beaded drops of fiery dew?
  • Nay, take the cup of blood-red wine,--
  • Our hearts can boast a warmer glow,
  • Filled from a vintage more divine,
  • Calmed, but not chilled, by winter's snow!
  • To-night the palest wave we sip
  • Rich as the priceless draught shall be
  • That wet the bride of Cana's lip,--
  • The wedding wine of Galilee!
  • THE BOYS
  • 1859
  • HAS there any old fellow got mixed with the boys?
  • If there has, take him out, without making a noise.
  • Hang the Almanac's cheat and the Catalogue's spite!
  • Old Time is a liar! We're twenty to-night!
  • We're twenty! We're twenty! Who says we are more?
  • He's tipsy,--young jackanapes!--show him the door!
  • "Gray temples at twenty?"--Yes! white if we please;
  • Where the snow-flakes fall thickest there's nothing can freeze!
  • Was it snowing I spoke of? Excuse the mistake!
  • Look close,--you will see not a sign of a flake!
  • We want some new garlands for those we have shed,--
  • And these are white roses in place of the red.
  • We've a trick, we young fellows, you may have been told,
  • Of talking (in public) as if we were old:--
  • That boy we call "Doctor," and this we call "Judge;"
  • It 's a neat little fiction,--of course it 's all fudge.
  • That fellow's the "Speaker,"--the one on the right;
  • "Mr. Mayor," my young one, how are you to-night?
  • That's our "Member of Congress," we say when we chaff;
  • There's the "Reverend" What's his name?--don't make me laugh.
  • That boy with the grave mathematical look
  • Made believe he had written a wonderful book,
  • And the ROYAL SOCIETY thought it was _true_!
  • So they chose him right in; a good joke it was, too!
  • There's a boy, we pretend, with a three-decker brain,
  • That could harness a team with a logical chain;
  • When he spoke for our manhood in syllabled fire,
  • We called him "The Justice," but now he's "The Squire."
  • And there's a nice youngster of excellent pith,--
  • Fate tried to conceal him by naming him Smith;
  • But he shouted a song for the brave and the free,--
  • Just read on his medal, "My country," "of thee!"
  • You hear that boy laughing?--You think he's all fun;
  • But the angels laugh, too, at the good he has done;
  • The children laugh loud as they troop to his call,
  • And the poor man that knows him laughs loudest of all!
  • Yes, we 're boys,--always playing with tongue or with pen,--
  • And I sometimes have asked,--Shall we ever be men?
  • Shall we always be youthful, and laughing, and gay,
  • Till the last dear companion drops smiling away?
  • Then here's to our boyhood, its gold and its gray!
  • The stars of its winter, the dews of its May!
  • And when we have done with our life-lasting toys,
  • Dear Father, take care of thy children, THE BOYS!
  • LINES
  • 1860
  • I 'm ashamed,--that 's the fact,--it 's a pitiful case,--
  • Won't any kind classmate get up in my place?
  • Just remember how often I've risen before,--
  • I blush as I straighten my legs on the floor!
  • There are stories, once pleasing, too many times told,--
  • There are beauties once charming, too fearfully old,--
  • There are voices we've heard till we know them so well,
  • Though they talked for an hour they'd have nothing to tell.
  • Yet, Classmates! Friends! Brothers! Dear blessed old boys!
  • Made one by a lifetime of sorrows and joys,
  • What lips have such sounds as the poorest of these,
  • Though honeyed, like Plato's, by musical bees?
  • What voice is so sweet and what greeting so dear
  • As the simple, warm welcome that waits for us here?
  • The love of our boyhood still breathes in its tone,
  • And our hearts throb the answer, "He's one of our own!"
  • Nay! count not our numbers; some sixty we know,
  • But these are above, and those under the snow;
  • And thoughts are still mingled wherever we meet
  • For those we remember with those that we greet.
  • We have rolled on life's journey,--how fast and how far!
  • One round of humanity's many-wheeled car,
  • But up-hill and down-hill, through rattle and rub,
  • Old, true Twenty-niners! we've stuck to our hub!
  • While a brain lives to think, or a bosom to feel,
  • We will cling to it still like the spokes of a wheel!
  • And age, as it chills us, shall fasten the tire
  • That youth fitted round in his circle of fire!
  • A VOICE OF THE LOYAL NORTH
  • 1861
  • JANUARY THIRD
  • WE sing "Our Country's" song to-night
  • With saddened voice and eye;
  • Her banner droops in clouded light
  • Beneath the wintry sky.
  • We'll pledge her once in golden wine
  • Before her stars have set
  • Though dim one reddening orb may shine,
  • We have a Country yet.
  • 'T were vain to sigh o'er errors past,
  • The fault of sires or sons;
  • Our soldier heard the threatening blast,
  • And spiked his useless guns;
  • He saw the star-wreathed ensign fall,
  • By mad invaders torn;
  • But saw it from the bastioned wall
  • That laughed their rage to scorn!
  • What though their angry cry is flung
  • Across the howling wave,--
  • They smite the air with idle tongue
  • The gathering storm who brave;
  • Enough of speech! the trumpet rings;
  • Be silent, patient, calm,--
  • God help them if the tempest swings
  • The pine against the palm!
  • Our toilsome years have made us tame;
  • Our strength has slept unfelt;
  • The furnace-fire is slow to flame
  • That bids our ploughshares melt;
  • 'T is hard to lose the bread they win
  • In spite of Nature's frowns,--
  • To drop the iron threads we spin
  • That weave our web of towns,
  • To see the rusting turbines stand
  • Before the emptied flumes,
  • To fold the arms that flood the land
  • With rivers from their looms,--
  • But harder still for those who learn
  • The truth forgot so long;
  • When once their slumbering passions burn,
  • The peaceful are the strong!
  • The Lord have mercy on the weak,
  • And calm their frenzied ire,
  • And save our brothers ere they shriek,
  • "We played with Northern fire!"
  • The eagle hold his mountain height,--
  • The tiger pace his den
  • Give all their country, each his right!
  • God keep us all! Amen!
  • J. D. R.
  • 1862
  • THE friends that are, and friends that were,
  • What shallow waves divide!
  • I miss the form for many a year
  • Still seated at my side.
  • I miss him, yet I feel him still
  • Amidst our faithful band,
  • As if not death itself could chill
  • The warmth of friendship's hand.
  • His story other lips may tell,--
  • For me the veil is drawn;
  • I only knew he loved me well,
  • He loved me--and is gone!
  • VOYAGE OF THE GOOD SHIP UNION
  • 1862
  • 'T is midnight: through my troubled dream
  • Loud wails the tempest's cry;
  • Before the gale, with tattered sail,
  • A ship goes plunging by.
  • What name? Where bound?--The rocks around
  • Repeat the loud halloo.
  • --The good ship Union, Southward bound:
  • God help her and her crew!
  • And is the old flag flying still
  • That o'er your fathers flew,
  • With bands of white and rosy light,
  • And field of starry blue?
  • --Ay! look aloft! its folds full oft
  • Have braved the roaring blast,
  • And still shall fly when from the sky
  • This black typhoon has past!
  • Speak, pilot of the storm-tost bark!
  • May I thy peril share?
  • --O landsman, there are fearful seas
  • The brave alone may dare!
  • --Nay, ruler of the rebel deep,
  • What matters wind or wave?
  • The rocks that wreck your reeling deck
  • Will leave me naught to save!
  • O landsman, art thou false or true?
  • What sign hast thou to show?
  • --The crimson stains from loyal veins
  • That hold my heart-blood's flow
  • --Enough! what more shall honor claim?
  • I know the sacred sign;
  • Above thy head our flag shall spread,
  • Our ocean path be thine!
  • The bark sails on; the Pilgrim's Cape
  • Lies low along her lee,
  • Whose headland crooks its anchor-flukes
  • To lock the shore and sea.
  • No treason here! it cost too dear
  • To win this barren realm
  • And true and free the hands must be
  • That hold the whaler's helm!
  • Still on! Manhattan's narrowing bay
  • No rebel cruiser scars;
  • Her waters feel no pirate's keel
  • That flaunts the fallen stars!
  • --But watch the light on yonder height,--
  • Ay, pilot, have a care!
  • Some lingering cloud in mist may shroud
  • The capes of Delaware!
  • Say, pilot, what this fort may be,
  • Whose sentinels look down
  • From moated walls that show the sea
  • Their deep embrasures' frown?
  • The Rebel host claims all the coast,
  • But these are friends, we know,
  • Whose footprints spoil the "sacred soil,"
  • And this is?--Fort Monroe!
  • The breakers roar,--how bears the shore?
  • --The traitorous wreckers' hands
  • Have quenched the blaze that poured its rays
  • Along the Hatteras sands.
  • --Ha! say not so! I see its glow!
  • Again the shoals display
  • The beacon light that shines by night,
  • The Union Stars by day!
  • The good ship flies to milder skies,
  • The wave more gently flows,
  • The softening breeze wafts o'er the seas
  • The breath of Beaufort's rose.
  • What fold is this the sweet winds kiss,
  • Fair-striped and many-starred,
  • Whose shadow palls these orphaned walls,
  • The twins of Beauregard?
  • What! heard you not Port Royal's doom?
  • How the black war-ships came
  • And turned the Beaufort roses' bloom
  • To redder wreaths of flame?
  • How from Rebellion's broken reed
  • We saw his emblem fall,
  • As soon his cursed poison-weed
  • Shall drop from Sumter's wall?
  • On! on! Pulaski's iron hail
  • Falls harmless on Tybee!
  • The good ship feels the freshening gales,
  • She strikes the open sea;
  • She rounds the point, she threads the keys
  • That guard the Land of Flowers,
  • And rides at last where firm and fast
  • Her own Gibraltar towers!
  • The good ship Union's voyage is o'er,
  • At anchor safe she swings,
  • And loud and clear with cheer on cheer
  • Her joyous welcome rings:
  • Hurrah! Hurrah! it shakes the wave,
  • It thunders on the shore,--
  • One flag, one land, one heart, one hand,
  • One Nation, evermore!
  • "CHOOSE YOU THIS DAY WHOM YE WILL SERVE"
  • 1863
  • YES, tyrants, you hate us, and fear while you hate
  • The self-ruling, chain-breaking, throne-shaking State!
  • The night-birds dread morning,--your instinct is true,--
  • The day-star of Freedom brings midnight for you!
  • Why plead with the deaf for the cause of mankind?
  • The owl hoots at noon that the eagle is blind!
  • We ask not your reasons,--'t were wasting our time,--
  • Our life is a menace, our welfare a crime!
  • We have battles to fight, we have foes to subdue,--
  • Time waits not for us, and we wait not for you!
  • The mower mows on, though the adder may writhe
  • And the copper-head coil round the blade of his
  • scythe!
  • "No sides in this quarrel," your statesmen may urge,
  • Of school-house and wages with slave-pen scourge!--
  • No sides in the quarrel! proclaim it as well
  • To the angels that fight with the legions of hell!
  • They kneel in God's temple, the North and the South,
  • With blood on each weapon and prayers in each mouth.
  • Whose cry shall be answered? Ye Heavens, attend
  • The lords of the lash as their voices ascend!
  • "O Lord, we are shaped in the image of Thee,--
  • Smite down the base millions that claim to be free,
  • And lend thy strong arm to the soft-handed race
  • Who eat not their bread in the sweat of their face!"
  • So pleads the proud planter. What echoes are these?
  • The bay of his bloodhound is borne on the breeze,
  • And, lost in the shriek of his victim's despair,
  • His voice dies unheard.--Hear the Puritan's prayer!
  • "O Lord, that didst smother mankind in thy flood,
  • The sun is as sackcloth, the moon is as blood,
  • The stars fall to earth as untimely are cast
  • The figs from the fig-tree that shakes in the blast!
  • "All nations, all tribes in whose nostrils is breath
  • Stand gazing at Sin as she travails with Death!
  • Lord, strangle the monster that struggles to birth,
  • Or mock us no more with thy 'Kingdom on Earth!'
  • "If Ammon and Moab must reign in the land
  • Thou gavest thine Israel, fresh from thy hand,
  • Call Baal and Ashtaroth out of their graves
  • To be the new gods for the empire of slaves!"
  • Whose God will ye serve, O ye rulers of men?
  • Will ye build you new shrines in the slave-breeder's den?
  • Or bow with the children of light, as they call
  • On the Judge of the Earth and the Father of All?
  • Choose wisely, choose quickly, for time moves apace,--
  • Each day is an age in the life of our race!
  • Lord, lead them in love, ere they hasten in fear
  • From the fast-rising flood that shall girdle the sphere!
  • F. W. C.
  • 1864
  • FAST as the rolling seasons bring
  • The hour of fate to those we love,
  • Each pearl that leaves the broken string
  • Is set in Friendship's crown above.
  • As narrower grows the earthly chain,
  • The circle widens in the sky;
  • These are our treasures that remain,
  • But those are stars that beam on high.
  • We miss--oh, how we miss!--his face,--
  • With trembling accents speak his name.
  • Earth cannot fill his shadowed place
  • From all her rolls of pride and fame;
  • Our song has lost the silvery thread
  • That carolled through his jocund lips;
  • Our laugh is mute, our smile is fled,
  • And all our sunshine in eclipse.
  • And what and whence the wondrous charm
  • That kept his manhood boylike still,--
  • That life's hard censors could disarm
  • And lead them captive at his will?
  • His heart was shaped of rosier clay,--
  • His veins were filled with ruddier fire,--
  • Time could not chill him, fortune sway,
  • Nor toil with all its burdens tire.
  • His speech burst throbbing from its fount
  • And set our colder thoughts aglow,
  • As the hot leaping geysers mount
  • And falling melt the Iceland snow.
  • Some word, perchance, we counted rash,--
  • Some phrase our calmness might disclaim,
  • Yet 't was the sunset's lightning's flash,
  • No angry bolt, but harmless flame.
  • Man judges all, God knoweth each;
  • We read the rule, He sees the law;
  • How oft his laughing children teach
  • The truths his prophets never saw
  • O friend, whose wisdom flowered in mirth,
  • Our hearts are sad, our eyes are dim;
  • He gave thy smiles to brighten earth,--
  • We trust thy joyous soul to Him!
  • Alas!--our weakness Heaven forgive!
  • We murmur, even while we trust,
  • "How long earth's breathing burdens live,
  • Whose hearts, before they die, are dust!"
  • But thou!--through grief's untimely tears
  • We ask with half-reproachful sigh--
  • "Couldst thou not watch a few brief years
  • Till Friendship faltered, 'Thou mayst die'?"
  • Who loved our boyish years so well?
  • Who knew so well their pleasant tales,
  • And all those livelier freaks could tell
  • Whose oft-told story never fails?
  • In vain we turn our aching eyes,--
  • In vain we stretch our eager hands,--
  • Cold in his wintry shroud he lies
  • Beneath the dreary drifting sands!
  • Ah, speak not thus! _He_ lies not there!
  • We see him, hear him as of old!
  • He comes! He claims his wonted chair;
  • His beaming face we still behold!
  • His voice rings clear in all our songs,
  • And loud his mirthful accents rise;
  • To us our brother's life belongs,--
  • Dear friends, a classmate never dies!
  • THE LAST CHARGE
  • 1864
  • Now, men of the North! will you join in the strife
  • For country, for freedom, for honor, for life?
  • The giant grows blind in his fury and spite,--
  • One blow on his forehead will settle the fight!
  • Flash full in his eyes the blue lightning of steel,
  • And stun him with cannon-bolts, peal upon peal!
  • Mount, troopers, and follow your game to its lair,
  • As the hound tracks the wolf and the beagle the hare!
  • Blow, trumpets, your summons, till sluggards awake!
  • Beat, drums, till the roofs of the faint-hearted shake!
  • Yet, yet, ere the signet is stamped on the scroll,
  • Their names may be traced on the blood-sprinkled roll!
  • Trust not the false herald that painted your shield
  • True honor to-day must be sought on the field!
  • Her scutcheon shows white with a blazon of red,--
  • The life-drops of crimson for liberty shed.
  • The hour is at hand, and the moment draws nigh;
  • The dog-star of treason grows dim in the sky;
  • Shine forth from the battle-cloud, light of the morn,
  • Call back the bright hour when the Nation was born!
  • The rivers of peace through our valleys shall run,
  • As the glaciers of tyranny melt in the sun;
  • Smite, smite the proud parricide down from his throne,--
  • His sceptre once broken, the world is our own!
  • OUR OLDEST FRIEND
  • 1865
  • I GIVE you the health of the oldest friend
  • That, short of eternity, earth can lend,--
  • A friend so faithful and tried and true
  • That nothing can wean him from me and you.
  • When first we screeched in the sudden blaze
  • Of the daylight's blinding and blasting rays,
  • And gulped at the gaseous, groggy air,
  • This old, old friend stood waiting there.
  • And when, with a kind of mortal strife,
  • We had gasped and choked into breathing life,
  • He watched by the cradle, day and night,
  • And held our hands till we stood upright.
  • From gristle and pulp our frames have grown
  • To stringy muscle and solid bone;
  • While we were changing, he altered not;
  • We might forget, but he never forgot.
  • He came with us to the college class,--
  • Little cared he for the steward's pass!
  • All the rest must pay their fee,
  • Put the grim old dead-head entered free.
  • He stayed with us while we counted o'er
  • Four times each of the seasons four;
  • And with every season, from year to year,
  • The dear name Classmate he made more dear.
  • He never leaves us,--he never will,
  • Till our hands are cold and our hearts are still;
  • On birthdays, and Christmas, and New-Year's too,
  • He always remembers both me and you.
  • Every year this faithful friend
  • His little present is sure to send;
  • Every year, wheresoe'er we be,
  • He wants a keepsake from you and me.
  • How he loves us! he pats our heads,
  • And, lo! they are gleaming with silver threads;
  • And he 's always begging one lock of hair,
  • Till our shining crowns have nothing to wear.
  • At length he will tell us, one by one,
  • "My child, your labor on earth is done;
  • And now you must journey afar to see
  • My elder brother,--Eternity!"
  • And so, when long, long years have passed,
  • Some dear old fellow will be the last,--
  • Never a boy alive but he
  • Of all our goodly company!
  • When he lies down, but not till then,
  • Our kind Class-Angel will drop the pen
  • That writes in the day-book kept above
  • Our lifelong record of faith and love.
  • So here's a health in homely rhyme
  • To our oldest classmate, Father Time!
  • May our last survivor live to be
  • As bald and as wise and as tough as he!
  • SHERMAN 'S IN SAVANNAH
  • A HALF-RHYMED IMPROMPTU
  • 1865
  • LIKE the tribes of Israel,
  • Fed on quails and manna,
  • Sherman and his glorious band
  • Journeyed through the rebel land,
  • Fed from Heaven's all-bounteous hand,
  • Marching on Savannah!
  • As the moving pillar shone,
  • Streamed the starry banner
  • All day long in rosy light,
  • Flaming splendor all the night,
  • Till it swooped in eagle flight
  • Down on doomed Savannah!
  • Glory be to God on high!
  • Shout the loud Hosanna!
  • Treason's wilderness is past,
  • Canaan's shore is won at last,
  • Peal a nation's trumpet-blast,--
  • Sherman 's in Savannah!
  • Soon shall Richmond's tough old hide
  • Find a tough old tanner!
  • Soon from every rebel wall
  • Shall the rag of treason fall,
  • Till our banner flaps o'er all
  • As it crowns Savannah!
  • MY ANNUAL
  • 1866
  • How long will this harp which you once loved to hear
  • Cheat your lips of a smile or your eyes of a tear?
  • How long stir the echoes it wakened of old,
  • While its strings were unbroken, untarnished its gold?
  • Dear friends of my boyhood, my words do you wrong;
  • The heart, the heart only, shall throb in my song;
  • It reads the kind answer that looks from your eyes,--
  • "We will bid our old harper play on till he dies."
  • Though Youth, the fair angel that looked o'er the strings,
  • Has lost the bright glory that gleamed on his wings,
  • Though the freshness of morning has passed from its tone
  • It is still the old harp that was always your own.
  • I claim not its music,--each note it affords
  • I strike from your heart-strings, that lend me its chords;
  • I know you will listen and love to the last,
  • For it trembles and thrills with the voice of your past.
  • Ah, brothers! dear brothers! the harp that I hold
  • No craftsman could string and no artisan mould;
  • He shaped it, He strung it, who fashioned the lyres
  • That ring with the hymns of the seraphim choirs.
  • Not mine are the visions of beauty it brings,
  • Not mine the faint fragrance around it that clings;
  • Those shapes are the phantoms of years that are fled,
  • Those sweets breathe from roses your summers have shed.
  • Each hour of the past lends its tribute to this,
  • Till it blooms like a bower in the Garden of Bliss;
  • The thorn and the thistle may grow as they will,
  • Where Friendship unfolds there is Paradise still.
  • The bird wanders careless while summer is green,
  • The leaf-hidden cradle that rocked him unseen;
  • When Autumn's rude fingers the woods have undressed,
  • The boughs may look bare, but they show him his nest.
  • Too precious these moments! the lustre they fling
  • Is the light of our year, is the gem of its ring,
  • So brimming with sunshine, we almost forget
  • The rays it has lost, and its border of jet.
  • While round us the many-hued halo is shed,
  • How dear are the living, how near are the dead!
  • One circle, scarce broken, these waiting below,
  • Those walking the shores where the asphodels blow!
  • Not life shall enlarge it nor death shall divide,--
  • No brother new-born finds his place at my side;
  • No titles shall freeze us, no grandeurs infest,
  • His Honor, His Worship, are boys like the rest.
  • Some won the world's homage, their names we hold dear,--
  • But Friendship, not Fame, is the countersign here;
  • Make room by the conqueror crowned in the strife
  • For the comrade that limps from the battle of life!
  • What tongue talks of battle? Too long we have heard
  • In sorrow, in anguish, that terrible word;
  • It reddened the sunshine, it crimsoned the wave,
  • It sprinkled our doors with the blood of our brave.
  • Peace, Peace comes at last, with her garland of white;
  • Peace broods in all hearts as we gather to-night;
  • The blazon of Union spreads full in the sun;
  • We echo its words,--We are one! We are one!
  • ALL HERE
  • 1867
  • IT is not what we say or sing,
  • That keeps our charm so long unbroken,
  • Though every lightest leaf we bring
  • May touch the heart as friendship's token;
  • Not what we sing or what we say
  • Can make us dearer to each other;
  • We love the singer and his lay,
  • But love as well the silent brother.
  • Yet bring whate'er your garden grows,
  • Thrice welcome to our smiles and praises;
  • Thanks for the myrtle and the rose,
  • Thanks for the marigolds and daisies;
  • One flower erelong we all shall claim,
  • Alas! unloved of Amaryllis--
  • Nature's last blossom-need I name
  • The wreath of threescore's silver lilies?
  • How many, brothers, meet to-night
  • Around our boyhood's covered embers?
  • Go read the treasured names aright
  • The old triennial list remembers;
  • Though twenty wear the starry sign
  • That tells a life has broke its tether,
  • The fifty-eight of 'twenty-nine--
  • God bless THE Boys!--are all together!
  • These come with joyous look and word,
  • With friendly grasp and cheerful greeting,--
  • Those smile unseen, and move unheard,
  • The angel guests of every meeting;
  • They cast no shadow in the flame
  • That flushes from the gilded lustre,
  • But count us--we are still the same;
  • One earthly band, one heavenly cluster!
  • Love dies not when he bows his head
  • To pass beyond the narrow portals,--
  • The light these glowing moments shed
  • Wakes from their sleep our lost immortals;
  • They come as in their joyous prime,
  • Before their morning days were numbered,--
  • Death stays the envious hand of Time,--
  • The eyes have not grown dim that slumbered!
  • The paths that loving souls have trod
  • Arch o'er the dust where worldlings grovel
  • High as the zenith o'er the sod,--
  • The cross above the sexton's shovel!
  • We rise beyond the realms of day;
  • They seem to stoop from spheres of glory
  • With us one happy hour to stray,
  • While youth comes back in song and story.
  • Ah! ours is friendship true as steel
  • That war has tried in edge and temper;
  • It writes upon its sacred seal
  • The priest's _ubique--omnes--semper_!
  • It lends the sky a fairer sun
  • That cheers our lives with rays as steady
  • As if our footsteps had begun
  • To print the golden streets already!
  • The tangling years have clinched its knot
  • Too fast for mortal strength to sunder;
  • The lightning bolts of noon are shot;
  • No fear of evening's idle thunder!
  • Too late! too late!--no graceless hand
  • Shall stretch its cords in vain endeavor
  • To rive the close encircling band
  • That made and keeps us one forever!
  • So when upon the fated scroll
  • The falling stars have all descended,
  • And, blotted from the breathing roll,
  • Our little page of life is ended,
  • We ask but one memorial line
  • Traced on thy tablet, Gracious Mother
  • "My children. Boys of '29.
  • In pace. How they loved each other!"
  • ONCE MORE
  • ONCE MORE
  • 1868
  • "Will I come?" That is pleasant! I beg to inquire
  • If the gun that I carry has ever missed fire?
  • And which was the muster-roll-mention but one--
  • That missed your old comrade who carries the gun?
  • You see me as always, my hand on the lock,
  • The cap on the nipple, the hammer full cock;
  • It is rusty, some tell me; I heed not the scoff;
  • It is battered and bruised, but it always goes off!
  • "Is it loaded?" I'll bet you! What doesn't it hold?
  • Rammed full to the muzzle with memories untold;
  • Why, it scares me to fire, lest the pieces should fly
  • Like the cannons that burst on the Fourth of July.
  • One charge is a remnant of College-day dreams
  • (Its wadding is made of forensics and themes);
  • Ah, visions of fame! what a flash in the pan
  • As the trigger was pulled by each clever young man!
  • And love! Bless my stars, what a cartridge is there!
  • With a wadding of rose-leaves and ribbons and hair,--
  • All crammed in one verse to go off at a shot!
  • "Were there ever such sweethearts?" Of course there were not!
  • And next,--what a load! it wall split the old gun,--
  • Three fingers,--four fingers,--five fingers of fun!
  • Come tell me, gray sages, for mischief and noise
  • Was there ever a lot like us fellows, "The Boys"?
  • Bump I bump! down the staircase the cannon-ball goes,--
  • Aha, old Professor! Look out for your toes!
  • Don't think, my poor Tutor, to sleep in your bed,--
  • Two "Boys"--'twenty-niners-room over your head!
  • Remember the nights when the tar-barrel blazed!
  • From red "Massachusetts" the war-cry was raised;
  • And "Hollis" and "Stoughton" reechoed the call;
  • Till P----- poked his head out of Holworthy Hall!
  • Old P----, as we called him,--at fifty or so,--
  • Not exactly a bud, but not quite in full blow;
  • In ripening manhood, suppose we should say,
  • Just nearing his prime, as we boys are to-day!
  • Oh say, can you look through the vista of age
  • To the time when old Morse drove the regular stage?
  • When Lyon told tales of the long-vanished years,
  • And Lenox crept round with the rings in his ears?
  • And dost thou, my brother, remember indeed
  • The days of our dealings with Willard and Read?
  • When "Dolly" was kicking and running away,
  • And punch came up smoking on Fillebrown's tray?
  • But where are the Tutors, my brother, oh tell!--
  • And where the Professors, remembered so well?
  • The sturdy old Grecian of Holworthy Hall,
  • And Latin, and Logic, and Hebrew, and all?
  • "They are dead, the old fellows" (we called them so then,
  • Though we since have found out they were lusty young men).
  • They are dead, do you tell me?--but how do you know?
  • You've filled once too often. I doubt if it's so.
  • I'm thinking. I'm thinking. Is this 'sixty-eight?
  • It's not quite so clear. It admits of debate.
  • I may have been dreaming. I rather incline
  • To think--yes, I'm certain--it is 'twenty-nine!
  • "By Zhorzhe!"--as friend Sales is accustomed to cry,--
  • You tell me they're dead, but I know it's a lie!
  • Is Jackson not President?--What was 't you said?
  • It can't be; you're joking; what,--all of 'em dead?
  • Jim,--Harry,--Fred,--Isaac,--all gone from our side?
  • They could n't have left us,--no, not if they tried.
  • Look,--there 's our old Prises,--he can't find his text;
  • See,--P----- rubs his leg, as he growls out "The next!"
  • I told you 't was nonsense. Joe, give us a song!
  • Go harness up "Dolly," and fetch her along!--
  • Dead! Dead! You false graybeard, I swear they are not!
  • Hurrah for Old Hickory!--Oh, I forgot!
  • Well, _one_ we have with us (how could he contrive
  • To deal with us youngsters and still to survive?)
  • Who wore for our guidance authority's robe,--
  • No wonder he took to the study of Job!
  • And now, as my load was uncommonly large,
  • Let me taper it off with a classical charge;
  • When that has gone off, I shall drop my old gun--
  • And then stand at ease, for my service is done.
  • _Bibamus ad Classem vocatam_ "The Boys"
  • _Et eorum Tutorem cui nomen est "Noyes";_
  • _Et floreant, valeant, vigeant tam,_
  • _Non Peircius ipse enumeret quam!_
  • THE OLD CRUISER
  • 1869
  • HERE 's the old cruiser, 'Twenty-nine,
  • Forty times she 's crossed the line;
  • Same old masts and sails and crew,
  • Tight and tough and as good as new.
  • Into the harbor she bravely steers
  • Just as she 's done for these forty years,
  • Over her anchor goes, splash and clang!
  • Down her sails drop, rattle and bang!
  • Comes a vessel out of the dock
  • Fresh and spry as a fighting-cock,
  • Feathered with sails and spurred with steam,
  • Heading out of the classic stream.
  • Crew of a hundred all aboard,
  • Every man as fine as a lord.
  • Gay they look and proud they feel,
  • Bowling along on even keel.
  • On they float with wind and tide,--
  • Gain at last the old ship's side;
  • Every man looks down in turn,--
  • Reads the name that's on her stern.
  • "Twenty-nine!--Diable you say!
  • That was in Skipper Kirkland's day!
  • What was the Flying Dutchman's name?
  • This old rover must be the same.
  • "Ho! you Boatswain that walks the deck,
  • How does it happen you're not a wreck?
  • One and another have come to grief,
  • How have you dodged by rock and reef?"
  • Boatswain, lifting one knowing lid,
  • Hitches his breeches and shifts his quid
  • "Hey? What is it? Who 's come to grief
  • Louder, young swab, I 'm a little deaf."
  • "I say, old fellow, what keeps your boat
  • With all you jolly old boys afloat,
  • When scores of vessels as good as she
  • Have swallowed the salt of the bitter sea?
  • "Many a crew from many a craft
  • Goes drifting by on a broken raft
  • Pieced from a vessel that clove the brine
  • Taller and prouder than 'Twenty-nine.
  • "Some capsized in an angry breeze,
  • Some were lost in the narrow seas,
  • Some on snags and some on sands
  • Struck and perished and lost their hands.
  • "Tell us young ones, you gray old man,
  • What is your secret, if you can.
  • We have a ship as good as you,
  • Show us how to keep our crew."
  • So in his ear the youngster cries;
  • Then the gray Boatswain straight replies:--
  • "All your crew be sure you know,--
  • Never let one of your shipmates go.
  • "If he leaves you, change your tack,
  • Follow him close and fetch him back;
  • When you've hauled him in at last,
  • Grapple his flipper and hold him fast.
  • "If you've wronged him, speak him fair,
  • Say you're sorry and make it square;
  • If he's wronged you, wink so tight
  • None of you see what 's plain in sight.
  • "When the world goes hard and wrong,
  • Lend a hand to help him along;
  • When his stockings have holes to darn,
  • Don't you grudge him your ball of yarn.
  • "Once in a twelvemonth, come what may,
  • Anchor your ship in a quiet bay,
  • Call all hands and read the log,
  • And give 'em a taste of grub and grog.
  • "Stick to each other through thick and thin;
  • All the closer as age leaks in;
  • Squalls will blow and clouds will frown,
  • But stay by your ship till you all go down!"
  • ADDED FOR THE ALUMNI MEETING, JUNE 29,
  • 1869.
  • So the gray Boatswain of 'Twenty-nine
  • Piped to "The Boys" as they crossed the line;
  • Round the cabin sat thirty guests,
  • Babes of the nurse with a thousand breasts.
  • There were the judges, grave and grand,
  • Flanked by the priests on either hand;
  • There was the lord of wealth untold,
  • And the dear good fellow in broadcloth old.
  • Thirty men, from twenty towns,
  • Sires and grandsires with silvered crowns,--
  • Thirty school-boys all in a row,--
  • Bens and Georges and Bill and Joe.
  • In thirty goblets the wine was poured,
  • But threescore gathered around the board,--
  • For lo! at the side of every chair
  • A shadow hovered--we all were there!
  • HYMN FOR THE CLASS-MEETING
  • 1869
  • THOU Gracious Power, whose mercy lends
  • The light of home, the smile of friends,
  • Our gathered flock thine arms infold
  • As in the peaceful days of old.
  • Wilt thou not hear us while we raise,
  • In sweet accord of solemn praise,
  • The voices that have mingled long
  • In joyous flow of mirth and song?
  • For all the blessings life has brought,
  • For all its sorrowing hours have taught,
  • For all we mourn, for all we keep,
  • The hands we clasp, the loved that sleep;
  • The noontide sunshine of the past,
  • These brief, bright moments fading fast,
  • The stars that gild our darkening years,
  • The twilight ray from holier spheres;
  • We thank thee, Father! let thy grace
  • Our narrowing circle still embrace,
  • Thy mercy shed its heavenly store,
  • Thy peace be with us evermore!
  • EVEN-SONG.
  • 1870
  • IT may be, yes, it must be, Time that brings
  • An end to mortal things,
  • That sends the beggar Winter in the train
  • Of Autumn's burdened wain,--
  • Time, that is heir of all our earthly state,
  • And knoweth well to wait
  • Till sea hath turned to shore and shore to sea,
  • If so it need must be,
  • Ere he make good his claim and call his own
  • Old empires overthrown,--
  • Time, who can find no heavenly orb too large
  • To hold its fee in charge,
  • Nor any motes that fill its beam so small,
  • But he shall care for all,--
  • It may be, must be,--yes, he soon shall tire
  • This hand that holds the lyre.
  • Then ye who listened in that earlier day
  • When to my careless lay
  • I matched its chords and stole their first-born thrill,
  • With untaught rudest skill
  • Vexing a treble from the slender strings
  • Thin as the locust sings
  • When the shrill-crying child of summer's heat
  • Pipes from its leafy seat,
  • The dim pavilion of embowering green
  • Beneath whose shadowy screen
  • The small sopranist tries his single note
  • Against the song-bird's throat,
  • And all the echoes listen, but in vain;
  • They hear no answering strain,--
  • Then ye who listened in that earlier day
  • Shall sadly turn away,
  • Saying, "The fire burns low, the hearth is cold
  • That warmed our blood of old;
  • Cover its embers and its half-burnt brands,
  • And let us stretch our hands
  • Over a brighter and fresh-kindled flame;
  • Lo, this is not the same,
  • The joyous singer of our morning time,
  • Flushed high with lusty rhyme!
  • Speak kindly, for he bears a human heart,
  • But whisper him apart,--
  • Tell him the woods their autumn robes have shed
  • And all their birds have fled,
  • And shouting winds unbuild the naked nests
  • They warmed with patient breasts;
  • Tell him the sky is dark, the summer o'er,
  • And bid him sing no more!"
  • Ah, welladay! if words so cruel-kind
  • A listening ear might find!
  • But who that hears the music in his soul
  • Of rhythmic waves that roll
  • Crested with gleams of fire, and as they flow
  • Stir all the deeps below
  • Till the great pearls no calm might ever reach
  • Leap glistening on the beach,--
  • Who that has known the passion and the pain,
  • The rush through heart and brain,
  • The joy so like a pang his hand is pressed
  • Hard on his throbbing breast,
  • When thou, whose smile is life and bliss and fame
  • Hast set his pulse aflame,
  • Muse of the lyre! can say farewell to thee?
  • Alas! and must it be?
  • In many a clime, in many a stately tongue,
  • The mighty bards have sung;
  • To these the immemorial thrones belong
  • And purple robes of song;
  • Yet the slight minstrel loves the slender tone
  • His lips may call his own,
  • And finds the measure of the verse more sweet,
  • Timed by his pulse's beat,
  • Than all the hymnings of the laurelled throng.
  • Say not I do him wrong,
  • For Nature spoils her warblers,--them she feeds
  • In lotus-growing meads
  • And pours them subtle draughts from haunted streams
  • That fill their souls with dreams.
  • Full well I know the gracious mother's wiles
  • And dear delusive smiles!
  • No callow fledgling of her singing brood
  • But tastes that witching food,
  • And hearing overhead the eagle's wing,
  • And how the thrushes sing,
  • Vents his exiguous chirp, and from his nest
  • Flaps forth--we know the rest.
  • I own the weakness of the tuneful kind,--
  • Are not all harpers blind?
  • I sang too early, must I sing too late?
  • The lengthening shadows wait
  • The first pale stars of twilight,--yet how sweet
  • The flattering whisper's cheat,--
  • "Thou hast the fire no evening chill can tame,
  • Whose coals outlast its flame!"
  • Farewell, ye carols of the laughing morn,
  • Of earliest sunshine born!
  • The sower flings the seed and looks not back
  • Along his furrowed track;
  • The reaper leaves the stalks for other hands
  • To gird with circling bands;
  • The wind, earth's careless servant, truant-born,
  • Blows clean the beaten corn
  • And quits the thresher's floor, and goes his way
  • To sport with ocean's spray;
  • The headlong-stumbling rivulet scrambling down
  • To wash the sea-girt town,
  • Still babbling of the green and billowy waste
  • Whose salt he longs to taste,
  • Ere his warm wave its chilling clasp may feel
  • Has twirled the miller's wheel.
  • The song has done its task that makes us bold
  • With secrets else untold,--
  • And mine has run its errand; through the dews
  • I tracked the flying Muse;
  • The daughter of the morning touched my lips
  • With roseate finger-tips;
  • Whether I would or would not, I must sing
  • With the new choirs of spring;
  • Now, as I watch the fading autumn day
  • And trill my softened lay,
  • I think of all that listened, and of one
  • For whom a brighter sun
  • Dawned at high summer's noon. Ah, comrades dear,
  • Are not all gathered here?
  • Our hearts have answered.--Yes! they hear our call:
  • All gathered here! all! all!
  • THE SMILING LISTENER
  • 1871
  • PRECISELY. I see it. You all want to say
  • That a tear is too sad and a laugh is too gay;
  • You could stand a faint smile, you could manage a sigh,
  • But you value your ribs, and you don't want to cry.
  • And why at our feast of the clasping of hands
  • Need we turn on the stream of our lachrymal glands?
  • Though we see the white breakers of age on our bow,
  • Let us take a good pull in the jolly-boat now!
  • It's hard if a fellow cannot feel content
  • When a banquet like this does n't cost him a cent,
  • When his goblet and plate he may empty at will,
  • And our kind Class Committee will settle the bill.
  • And here's your old friend, the identical bard
  • Who has rhymed and recited you verse by the yard
  • Since the days of the empire of Andrew the First
  • Till you 're full to the brim and feel ready to burst.
  • It's awful to think of,--how year after year
  • With his piece in his pocket he waits for you here;
  • No matter who's missing, there always is one
  • To lug out his manuscript, sure as a gun.
  • "Why won't he stop writing?" Humanity cries
  • The answer is briefly, "He can't if he tries;
  • He has played with his foolish old feather so long,
  • That the goose-quill in spite of him cackles in song."
  • You have watched him with patience from morning to dusk
  • Since the tassel was bright o'er the green of the husk,
  • And now--it 's too bad--it 's a pitiful job--
  • He has shelled the ripe ear till he's come to the cob.
  • I see one face beaming--it listens so well
  • There must be some music yet left in my shell--
  • The wine of my soul is not thick on the lees;
  • One string is unbroken, one friend I can please!
  • Dear comrade, the sunshine of seasons gone by
  • Looks out from your tender and tear-moistened eye,
  • A pharos of love on an ice-girdled coast,--
  • Kind soul!--Don't you hear me?--He's deaf as a post!
  • Can it be one of Nature's benevolent tricks
  • That you grow hard of hearing as I grow prolix?
  • And that look of delight which would angels beguile
  • Is the deaf man's prolonged unintelligent smile?
  • Ah! the ear may grow dull, and the eye may wax dim,
  • But they still know a classmate--they can't mistake him;
  • There is something to tell us, "That's one of our band,"
  • Though we groped in the dark for a touch of his hand.
  • Well, Time with his snuffers is prowling about
  • And his shaky old fingers will soon snuff us out;
  • There's a hint for us all in each pendulum tick,
  • For we're low in the tallow and long in the wick.
  • You remember Rossini--you 've been at the play?
  • How his overture-endings keep crashing away
  • Till you think, "It 's all over--it can't but stop now--
  • That 's the screech and the bang of the final bow-wow."
  • And you find you 're mistaken; there 's lots more to come,
  • More banging, more screeching of fiddle and drum,
  • Till when the last ending is finished and done,
  • You feel like a horse when the winning-post 's won.
  • So I, who have sung to you, merry or sad,
  • Since the days when they called me a promising lad,
  • Though I 've made you more rhymes than a tutor could scan,
  • Have a few more still left, like the razor-strop man.
  • Now pray don't be frightened--I 'm ready to stop
  • My galloping anapests' clatter and pop--
  • In fact, if you say so, retire from to-day
  • To the garret I left, on a poet's half-pay.
  • And yet--I can't help it--perhaps--who can tell?
  • You might miss the poor singer you treated so well,
  • And confess you could stand him five minutes or so,
  • "It was so like old times we remember, you know."
  • 'T is not that the music can signify much,
  • But then there are chords that awake with a touch,--
  • And our hearts can find echoes of sorrow and joy
  • To the winch of the minstrel who hails from Savoy.
  • So this hand-organ tune that I cheerfully grind
  • May bring the old places and faces to mind,
  • And seen in the light of the past we recall
  • The flowers that have faded bloom fairest of all!
  • OUR SWEET SINGER
  • J. A.
  • 1872
  • ONE memory trembles on our lips;
  • It throbs in every breast;
  • In tear-dimmed eyes, in mirth's eclipse,
  • The shadow stands confessed.
  • O silent voice, that cheered so long
  • Our manhood's marching day,
  • Without thy breath of heavenly song,
  • How weary seems the way!
  • Vain every pictured phrase to tell
  • Our sorrowing heart's desire,--
  • The shattered harp, the broken shell,
  • The silent unstrung lyre;
  • For youth was round us while he sang;
  • It glowed in every tone;
  • With bridal chimes the echoes rang,
  • And made the past our own.
  • Oh blissful dream! Our nursery joys
  • We know must have an end,
  • But love and friendship's broken toys
  • May God's good angels mend!
  • The cheering smile, the voice of mirth
  • And laughter's gay surprise
  • That please the children born of earth.
  • Why deem that Heaven denies?
  • Methinks in that refulgent sphere
  • That knows not sun or moon,
  • An earth-born saint might long to hear
  • One verse of "Bonny Doon";
  • Or walking through the streets of gold
  • In heaven's unclouded light,
  • His lips recall the song of old
  • And hum "The sky is bright."
  • And can we smile when thou art dead?
  • Ah, brothers, even so!
  • The rose of summer will be red,
  • In spite of winter's snow.
  • Thou wouldst not leave us all in gloom
  • Because thy song is still,
  • Nor blight the banquet-garland's bloom
  • With grief's untimely chill.
  • The sighing wintry winds complain,--
  • The singing bird has flown,--
  • Hark! heard I not that ringing strain,
  • That clear celestial tone?
  • How poor these pallid phrases seem,
  • How weak this tinkling line,
  • As warbles through my waking dream
  • That angel voice of thine!
  • Thy requiem asks a sweeter lay;
  • It falters on my tongue;
  • For all we vainly strive to say,
  • Thou shouldst thyself have sung!
  • H. C. M. H. S. J. K. W.
  • 1873
  • THE dirge is played, the throbbing death-peal rung,
  • The sad-voiced requiem sung;
  • On each white urn where memory dwells
  • The wreath of rustling immortelles
  • Our loving hands have hung,
  • And balmiest leaves have strown and tenderest blossoms flung.
  • The birds that filled the air with songs have flown,
  • The wintry blasts have blown,
  • And these for whom the voice of spring
  • Bade the sweet choirs their carols sing
  • Sleep in those chambers lone
  • Where snows untrodden lie, unheard the night-winds moan.
  • We clasp them all in memory, as the vine
  • Whose running stems intwine
  • The marble shaft, and steal around
  • The lowly stone, the nameless mound;
  • With sorrowing hearts resign
  • Our brothers true and tried, and close our broken line.
  • How fast the lamps of life grow dim and die
  • Beneath our sunset sky!
  • Still fading, as along our track
  • We cast our saddened glances back,
  • And while we vainly sigh
  • The shadowy day recedes, the starry night draws nigh.
  • As when from pier to pier across the tide
  • With even keel we glide,
  • The lights we left along the shore
  • Grow less and less, while more, yet more
  • New vistas open wide
  • Of fair illumined streets and casements golden-eyed.
  • Each closing circle of our sunlit sphere
  • Seems to bring heaven more near
  • Can we not dream that those we love
  • Are listening in the world above
  • And smiling as they hear
  • The voices known so well of friends that still are dear?
  • Does all that made us human fade away
  • With this dissolving clay?
  • Nay, rather deem the blessed isles
  • Are bright and gay with joyous smiles,
  • That angels have their play,
  • And saints that tire of song may claim their holiday.
  • All else of earth may perish; love alone
  • Not heaven shall find outgrown!
  • Are they not here, our spirit guests,
  • With love still throbbing in their breasts?
  • Once more let flowers be strown.
  • Welcome, ye shadowy forms, we count you still our own!
  • WHAT I HAVE COME FOR
  • 1873
  • I HAVE come with my verses--I think I may claim
  • It is not the first time I have tried on the same.
  • They were puckered in rhyme, they were wrinkled in wit;
  • But your hearts were so large that they made them a fit.
  • I have come--not to tease you with more of my rhyme,
  • But to feel as I did in the blessed old time;
  • I want to hear him with the Brobdingnag laugh--
  • We count him at least as three men and a half.
  • I have come to meet judges so wise and so grand
  • That I shake in my shoes while they're shaking my hand;
  • And the prince among merchants who put back the crown
  • When they tried to enthrone him the King of the Town.
  • I have come to see George--Yes, I think there are four,
  • If they all were like these I could wish there were more.
  • I have come to see one whom we used to call "Jim,"
  • I want to see--oh, don't I want to see him?
  • I have come to grow young--on my word I declare
  • I have thought I detected a change in my hair!
  • One hour with "The Boys" will restore it to brown--
  • And a wrinkle or two I expect to rub down.
  • Yes, that's what I've come for, as all of us come;
  • When I meet the dear Boys I could wish I were dumb.
  • You asked me, you know, but it's spoiling the fun;
  • I have told what I came for; my ditty is done.
  • OUR BANKER
  • 1874
  • OLD TIME, in whose bank we deposit our notes,
  • Is a miser who always wants guineas for groats;
  • He keeps all his customers still in arrears
  • By lending them minutes and charging them years.
  • The twelvemonth rolls round and we never forget
  • On the counter before us to pay him our debt.
  • We reckon the marks he has chalked on the door,
  • Pay up and shake hands and begin a new score.
  • How long he will lend us, how much we may owe,
  • No angel will tell us, no mortal may know.
  • At fivescore, at fourscore, at threescore and ten,
  • He may close the account with a stroke of his pen.
  • This only we know,--amid sorrows and joys
  • Old Time has been easy and kind with "The Boys."
  • Though he must have and will have and does have his pay,
  • We have found him good-natured enough in his way.
  • He never forgets us, as others will do,--
  • I am sure he knows me, and I think he knows you,
  • For I see on your foreheads a mark that he lends
  • As a sign he remembers to visit his friends.
  • In the shape of a classmate (a wig on his crown,--
  • His day-book and ledger laid carefully down)
  • He has welcomed us yearly, a glass in his hand,
  • And pledged the good health of our brotherly band.
  • He 's a thief, we must own, but how many there be
  • That rob us less gently and fairly than he
  • He has stripped the green leaves that were over us all,
  • But they let in the sunshine as fast as they fall.
  • Young beauties may ravish the world with a glance
  • As they languish in song, as they float in the dance,--
  • They are grandmothers now we remember as girls,
  • And the comely white cap takes the place of the curls.
  • But the sighing and moaning and groaning are o'er,
  • We are pining and moping and sleepless no more,
  • And the hearts that were thumping like ships on the rocks
  • Beat as quiet and steady as meeting-house clocks.
  • The trump of ambition, loud sounding and shrill,
  • May blow its long blast, but the echoes are still,
  • The spring-tides are past, but no billow may reach
  • The spoils they have landed far up on the beach.
  • We see that Time robs us, we know that he cheats,
  • But we still find a charm in his pleasant deceits,
  • While he leaves the remembrance of all that was best,
  • Love, friendship, and hope, and the promise of rest.
  • Sweet shadows of twilight! how calm their repose,
  • While the dewdrops fall soft in the breast of the rose!
  • How blest to the toiler his hour of release
  • When the vesper is heard with its whisper of peace!
  • Then here's to the wrinkled old miser, our friend;
  • May he send us his bills to the century's end,
  • And lend us the moments no sorrow alloys,
  • Till he squares his account with the last of "The Boys."
  • FOR CLASS MEETING
  • 1875
  • IT is a pity and a shame--alas! alas! I know it is,
  • To tread the trodden grapes again, but so it has been,
  • so it is;
  • The purple vintage long is past, with ripened
  • clusters bursting so
  • They filled the wine-vats to the brim,-'t is strange
  • you will be thirsting so!
  • Too well our faithful memory tells what might be
  • rhymed or sung about,
  • For all have sighed and some have wept since last
  • year's snows were flung about;
  • The beacon flame that fired the sky, the modest
  • ray that gladdened us,
  • A little breath has quenched their light, and
  • deepening shades have saddened us.
  • No more our brother's life is ours for cheering or
  • for grieving us,
  • One only sadness they bequeathed, the sorrow of
  • their leaving us;
  • Farewell! Farewell!--I turn the leaf I read my
  • chiming measure in;
  • Who knows but something still is there a friend
  • may find a pleasure in?
  • For who can tell by what he likes what other
  • people's fancies are?
  • How all men think the best of wives their own
  • particular Nancies are?
  • If what I sing you brings a smile, you will not stop
  • to catechise,
  • Nor read Bceotia's lumbering line with nicely
  • scanning Attic eyes.
  • Perhaps the alabaster box that Mary broke so
  • lovingly,
  • While Judas looked so sternly on, the Master so
  • approvingly,
  • Was not so fairly wrought as those that Pilate's
  • wife and daughters had,
  • Or many a dame of Judah's line that drank of
  • Jordan's waters had.
  • Perhaps the balm that cost so dear, as some
  • remarked officiously,
  • The precious nard that filled the room with
  • fragrance so deliciously,
  • So oft recalled in storied page and sung in verse
  • melodious,
  • The dancing girl had thought too cheap,--that
  • daughter of Herodias.
  • Where now are all the mighty deeds that Herod
  • boasted loudest of?
  • Where now the flashing jewelry the tetrarch's wife
  • was proudest of?
  • Yet still to hear how Mary loved, all tribes of men
  • are listening,
  • And still the sinful woman's tears like stars
  • heaven are glistening.
  • 'T is not the gift our hands have brought, the love
  • it is we bring with it,--
  • The minstrel's lips may shape the song, his heart
  • in tune must sing with it;
  • And so we love the simple lays, and wish we might
  • have more of them,
  • Our poet brothers sing for us,--there must be half
  • a score of them.
  • It may be that of fame and name our voices once
  • were emulous,--
  • With deeper thoughts, with tenderer throbs their
  • softening tones are tremulous;
  • The dead seem listening as of old, ere friendship
  • was bereft of them;
  • The living wear a kinder smile, the remnant that
  • is left of them.
  • Though on the once unfurrowed brows the harrow-
  • teeth of Time may show,
  • Though all the strain of crippling years the halting
  • feet of rhyme may show,
  • We look and hear with melting hearts, for what
  • we all remember is
  • The morn of Spring, nor heed how chill the sky of
  • gray November is.
  • Thanks to the gracious powers above from all mankind
  • that singled us,
  • And dropped the pearl of friendship in the cup they
  • kindly mingled us,
  • And bound us in a wreath of flowers with hoops of
  • steel knit under it;--
  • Nor time, nor space, nor chance, nor change, nor
  • death himself shall sunder it!
  • "AD AMICOS"
  • 1876
  • "Dumque virent genua
  • Et decet, obducta solvatur fonte senectus."
  • THE muse of boyhood's fervid hour
  • Grows tame as skies get chill and hazy;
  • Where once she sought a passion-flower,
  • She only hopes to find a daisy.
  • Well, who the changing world bewails?
  • Who asks to have it stay unaltered?
  • Shall grown-up kittens chase their tails?
  • Shall colts be never shod or haltered?
  • Are we "The Boys" that used to make
  • The tables ring with noisy follies?
  • Whose deep-lunged laughter oft would shake
  • The ceiling with its thunder-volleys?
  • Are we the youths with lips unshorn,
  • At beauty's feet unwrinkled suitors,
  • Whose memories reach tradition's morn,--
  • The days of prehistoric tutors?
  • "The Boys" we knew,--but who are these
  • Whose heads might serve for Plutarch's sages,
  • Or Fox's martyrs, if you please,
  • Or hermits of the dismal ages?
  • "The Boys" we knew--can these be those?
  • Their cheeks with morning's blush were painted;--
  • Where are the Harrys, Jims, and Joes
  • With whom we once were well acquainted?
  • If we are they, we're not the same;
  • If they are we, why then they're masking;
  • Do tell us, neighbor What 's--your--name,
  • Who are you?--What's the use of asking?
  • You once were George, or Bill, or Ben;
  • There's you, yourself--there 's you, that other--
  • I know you now--I knew you then--
  • You used to be your younger brother!
  • You both are all our own to-day,--
  • But ah! I hear a warning whisper;
  • Yon roseate hour that flits away
  • Repeats the Roman's sad _paulisper_.
  • Come back! come back! we've need of you
  • To pay you for your word of warning;
  • We'll bathe your wings in brighter dew
  • Than ever wet the lids of morning!
  • Behold this cup; its mystic wine
  • No alien's lip has ever tasted;
  • The blood of friendship's clinging vine,
  • Still flowing, flowing, yet unwasted
  • Old Time forgot his running sand
  • And laid his hour-glass down to fill it,
  • And Death himself with gentle hand
  • Has touched the chalice, not to spill it.
  • Each bubble rounding at the brim
  • Is rainbowed with its magic story;
  • The shining days with age grown dim
  • Are dressed again in robes of glory;
  • In all its freshness spring returns
  • With song of birds and blossoms tender;
  • Once more the torch of passion burns,
  • And youth is here in all its splendor!
  • Hope swings her anchor like a toy,
  • Love laughs and shows the silver arrow
  • We knew so well as man and boy,--
  • The shaft that stings through bone and marrow;
  • Again our kindling pulses beat,
  • With tangled curls our fingers dally,
  • And bygone beauties smile as sweet
  • As fresh-blown lilies of the valley.
  • O blessed hour! we may forget
  • Its wreaths, its rhymes, its songs, its laughter,
  • But not the loving eyes we met,
  • Whose light shall gild the dim hereafter.
  • How every heart to each grows warm!
  • Is one in sunshine's ray? We share it.
  • Is one in sorrow's blinding storm?
  • A look, a word, shall help him bear it.
  • "The Boys" we were, "The Boys" we 'll be
  • As long as three, as two, are creeping;
  • Then here 's to him--ah! which is he?--
  • Who lives till all the rest are sleeping;
  • A life with tranquil comfort blest,
  • The young man's health, the rich man's plenty,
  • All earth can give that earth has best,
  • And heaven at fourscore years and twenty.
  • HOW NOT TO SETTLE IT
  • 1877
  • I LIKE, at times, to hear the steeples' chimes
  • With sober thoughts impressively that mingle;
  • But sometimes, too, I rather like--don't you?--
  • To hear the music of the sleigh bells' jingle.
  • I like full well the deep resounding swell
  • Of mighty symphonies with chords inwoven;
  • But sometimes, too, a song of Burns--don't you?
  • After a solemn storm-blast of Beethoven.
  • Good to the heels the well-worn slipper feels
  • When the tired player shuffles off the buskin;
  • A page of Hood may do a fellow good
  • After a scolding from Carlyle or Ruskin.
  • Some works I find,--say Watts upon the Mind,--
  • No matter though at first they seemed amusing,
  • Not quite the same, but just a little tame
  • After some five or six times' reperusing.
  • So, too, at times when melancholy rhymes
  • Or solemn speeches sober down a dinner,
  • I've seen it 's true, quite often,--have n't you?--
  • The best-fed guests perceptibly grow thinner.
  • Better some jest (in proper terms expressed)
  • Or story (strictly moral) even if musty,
  • Or song we sung when these old throats were young,--
  • Something to keep our souls from getting rusty.
  • The poorest scrap from memory's ragged lap
  • Comes like an heirloom from a dear dead mother--
  • Hush! there's a tear that has no business here,
  • A half-formed sigh that ere its birth we smother.
  • We cry, we laugh; ah, life is half and half,
  • Now bright and joyous as a song of Herrick's,
  • Then chill and bare as funeral-minded Blair;
  • As fickle as a female in hysterics.
  • If I could make you cry I would n't try;
  • If you have hidden smiles I'd like to find them,
  • And that although, as well I ought to know,
  • The lips of laughter have a skull behind them.
  • Yet when I think we may be on the brink
  • Of having Freedom's banner to dispose of,
  • All crimson-hued, because the Nation would
  • Insist on cutting its own precious nose off,
  • I feel indeed as if we rather need
  • A sermon such as preachers tie a text on.
  • If Freedom dies because a ballot lies,
  • She earns her grave; 't is time to call the sexton!
  • But if a fight can make the matter right,
  • Here are we, classmates, thirty men of mettle;
  • We're strong and tough, we've lived nigh long enough,--
  • What if the Nation gave it us to settle?
  • The tale would read like that illustrious deed
  • When Curtius took the leap the gap that filled in,
  • Thus: "Fivescore years, good friends, as it appears,
  • At last this people split on Hayes and Tilden.
  • "One half cried, 'See! the choice is S. J. T.!'
  • And one half swore as stoutly it was t' other;
  • Both drew the knife to save the Nation's life
  • By wholesale vivisection of each other.
  • "Then rose in mass that monumental Class,--
  • 'Hold! hold!' they cried, 'give us, give us the daggers!'
  • 'Content! content!' exclaimed with one consent
  • The gaunt ex-rebels and the carpet-baggers.
  • "Fifteen each side, the combatants divide,
  • So nicely balanced are their predilections;
  • And first of all a tear-drop each lets fall,
  • A tribute to their obsolete affections.
  • "Man facing man, the sanguine strife began,
  • Jack, Jim and Joe against Tom, Dick and Harry,
  • Each several pair its own account to square,
  • Till both were down or one stood solitary.
  • "And the great fight raged furious all the night
  • Till every integer was made a fraction;
  • Reader, wouldst know what history has to show
  • As net result of the above transaction?
  • "Whole coat-tails, four; stray fragments, several score;
  • A heap of spectacles; a deaf man's trumpet;
  • Six lawyers' briefs; seven pocket-handkerchiefs;
  • Twelve canes wherewith the owners used to stump it;
  • "Odd rubber-shoes; old gloves of different hues;
  • Tax--bills,--unpaid,--and several empty purses;
  • And, saved from harm by some protecting charm,
  • A printed page with Smith's immortal verses;
  • "Trifles that claim no very special name,--
  • Some useful, others chiefly ornamental;
  • Pins, buttons, rings, and other trivial things,
  • With various wrecks, capillary and dental.
  • "Also, one flag,--'t was nothing but a rag,
  • And what device it bore it little matters;
  • Red, white, and blue, but rent all through and through,
  • 'Union forever' torn to shreds and tatters.
  • "They fought so well not one was left to tell
  • Which got the largest share of cuts and slashes;
  • When heroes meet, both sides are bound to beat;
  • They telescoped like cars in railroad smashes.
  • "So the great split that baffled human wit
  • And might have cost the lives of twenty millions,
  • As all may see that know the rule of three,
  • Was settled just as well by these civilians.
  • "As well. Just so. Not worse, not better. No,
  • Next morning found the Nation still divided;
  • Since all were slain, the inference is plain
  • They left the point they fought for undecided."
  • If not quite true, as I have told it you,
  • This tale of mutual extermination,
  • To minds perplexed with threats of what comes next,
  • Perhaps may furnish food for contemplation.
  • To cut men's throats to help them count their votes
  • Is asinine--nay, worse--ascidian folly;
  • Blindness like that would scare the mole and bat,
  • And make the liveliest monkey melancholy.
  • I say once more, as I have said before,
  • If voting for our Tildens and our Hayeses
  • Means only fight, then, Liberty, good night!
  • Pack up your ballot-box and go to blazes.
  • Unfurl your blood-red flags, you murderous hags,
  • You petroleuses of Paris, fierce and foamy;
  • We'll sell our stock in Plymouth's blasted rock,
  • Pull up our stakes and migrate to Dahomey!
  • THE LAST SURVIVOR
  • 1878
  • YES! the vacant chairs tell sadly we are going, going fast,
  • And the thought comes strangely o'er me, who will live to be the last?
  • When the twentieth century's sunbeams climb the far-off eastern hill,
  • With his ninety winters burdened, will he greet the morning still?
  • Will he stand with Harvard's nurslings when they hear their mother's call
  • And the old and young are gathered in the many alcoved hall?
  • Will he answer to the summons when they range themselves in line
  • And the young mustachioed marshal calls out "Class of '29 "?
  • Methinks I see the column as its lengthened ranks appear
  • In the sunshine of the morrow of the nineteen hundredth year;
  • Through the yard 't is creeping, winding, by the walls of dusky red,--
  • What shape is that which totters at the long procession's head?
  • Who knows this ancient graduate of fourscore years and ten,--
  • What place he held, what name he bore among the sons of men?
  • So speeds the curious question; its answer travels slow;
  • "'T is the last of sixty classmates of seventy years ago."
  • His figure shows but dimly, his face I scarce can see,--
  • There's something that reminds me,--it looks like--is it he?
  • He? Who? No voice may whisper what wrinkled brow shall claim
  • The wreath of stars that circles our last survivor's name.
  • Will he be some veteran minstrel, left to pipe in feeble rhyme
  • All the stories and the glories of our gay and golden time?
  • Or some quiet, voiceless brother in whose lonely,loving breast
  • Fond memory broods in silence, like a dove upon her nest?
  • Will it be some old Emeritus, who taught so long ago
  • The boys that heard him lecture have heads as white as snow?
  • Or a pious, painful preacher, holding forth from year to year
  • Till his colleague got a colleague whom the young folks flocked to hear?
  • Will it be a rich old merchant in a square-tied white cravat,
  • Or select-man of a village in a pre-historic hat?
  • Will his dwelling be a mansion in a marble-fronted row,
  • Or a homestead by a hillside where the huckleberries grow?
  • I can see our one survivor, sitting lonely by himself,--
  • All his college text-books round him, ranged in order on their shelf;
  • There are classic "interliners" filled with learning's choicest pith,
  • Each _cum notis variorum, quas recensuit doctus_ Smith;
  • Physics, metaphysics, logic, mathematics--all the lot
  • Every wisdom--crammed octavo he has mastered and forgot,
  • With the ghosts of dead professors standing guard beside them all;
  • And the room is fall of shadows which their lettered backs recall.
  • How the past spreads out in vision with its far receding train,
  • Like a long embroidered arras in the chambers of the brain,
  • From opening manhood's morning when first we learned to grieve
  • To the fond regretful moments of our sorrow-saddened eve!
  • What early shadows darkened our idle summer's joy
  • When death snatched roughly from us that lovely bright-eyed boy!
  • The years move swiftly onwards; the deadly shafts fall fast,--
  • Till all have dropped around him--lo, there he stands,--the last!
  • Their faces flit before him, some rosy-hued and fair,
  • Some strong in iron manhood, some worn with toil and care;
  • Their smiles no more shall greet him on cheeks with pleasure flushed!
  • The friendly hands are folded, the pleasant voices hushed!
  • My picture sets me dreaming; alas! and can it be
  • Those two familiar faces we never more may see?
  • In every entering footfall I think them drawing near,
  • With every door that opens I say, "At last they 're here!"
  • The willow bends unbroken when angry tempests blow,
  • The stately oak is levelled and all its strength laid low;
  • So fell that tower of manhood, undaunted, patient, strong,
  • White with the gathering snowflakes, who faced the storm so long.
  • And he,--what subtle phrases their varying light must blend
  • To paint as each remembers our many-featured friend!
  • His wit a flash auroral that laughed in every look,
  • His talk a sunbeam broken on the ripples of a brook,
  • Or, fed from thousand sources, a fountain's glittering jet,
  • Or careless handfuls scattered of diamond sparks unset;
  • Ah, sketch him, paint him, mould him in every shape you will,
  • He was himself--the only--the one unpictured still!
  • Farewell! our skies are darkened and--yet the stars will shine,
  • We 'll close our ranks together and still fall into line
  • Till one is left, one only, to mourn for all the rest;
  • And Heaven bequeath their memories to him who loves us best!
  • THE ARCHBISHOP AND GIL BLAS
  • A MODERNIZED VERSION
  • 1879
  • I DON'T think I feel much older; I'm aware I'm rather gray,
  • But so are many young folks; I meet 'em every day.
  • I confess I 'm more particular in what I eat and drink,
  • But one's taste improves with culture; that is all it means, I think.
  • _Can you read as once you used to?_ Well, the printing is so bad,
  • No young folks' eyes can read it like the books that once we had.
  • _Are you quite as quick of hearing?_ Please to say that once again.
  • _Don't I use plain words, your Reverence?_ Yes, I often use a cane,
  • But it's not because I need it,--no, I always liked a stick;
  • And as one might lean upon it, 't is as well it should be thick.
  • Oh, I'm smart, I'm spry, I'm lively,--I can walk, yes, that I can,
  • On the days I feel like walking, just as well as you, young man!
  • _Don't you get a little sleepy after dinner every day?_
  • Well, I doze a little, sometimes, but that always was my way.
  • _Don't you cry a little easier than some twenty years ago?_
  • Well, my heart is very tender, but I think 't was always so.
  • _Don't you find it sometimes happens that you can't recall a name?_
  • Yes, I know such lots of people,--but my memory 's not to blame.
  • What! You think my memory's failing! Why, it's just as bright and clear,
  • I remember my great-grandma! She's been dead these sixty year!
  • _Is your voice a little trembly?_ Well, it may be, now and then,
  • But I write as well as ever with a good old-fashioned pen;
  • It 's the Gillotts make the trouble,--not at all my finger-ends,--
  • That is why my hand looks shaky when I sign for dividends.
  • _Don't you stoop a little, walking?_ It 's a way I 've always had,
  • I have always been round-shouldered, ever since I was a lad.
  • _Don't you hate to tie your shoe-strings?_ Yes, I own it--that is true.
  • _Don't you tell old stories over?_ I am not aware I do.
  • _Don't you stay at home of evenings? Don't you love a cushioned seat_
  • _In a corner, by the fireside, with your slippers on your feet?_
  • _Don't you wear warm fleecy flannels? Don't you muffle up your throat_
  • _Don't you like to have one help you when you're putting on your coat?_
  • _Don't you like old books you've dogs-eared, you can't remember when?_
  • _Don't you call it late at nine o'clock and go to bed at ten?_
  • _How many cronies can you count of all you used to know_
  • _Who called you by your Christian name some fifty years ago?_
  • _How look the prizes to you that used to fire your brain?_
  • _You've reared your mound-how high is it above the level plain?_
  • _You 've drained the brimming golden cup that made your fancy reel,_
  • _You've slept the giddy potion off,--now tell us how you feel!_
  • _You've watched the harvest ripening till every stem was cropped,_
  • _You 've seen the rose of beauty fade till every petal dropped,_
  • _You've told your thought, you 've done your task, you've tracked your
  • dial round,_
  • --I backing down! Thank Heaven, not yet! I'm hale and brisk and sound,
  • And good for many a tussle, as you shall live to see;
  • My shoes are not quite ready yet,--don't think you're rid of me!
  • Old Parr was in his lusty prime when he was older far,
  • And where will you be if I live to beat old Thomas Parr?
  • _Ah well,--I know,--at every age life has a certain charm,_--
  • _You're going? Come, permit me, please, I beg you'll take my arm._
  • I take your arm! Why take your arm? I 'd thank you to be told
  • I 'm old enough to walk alone, but not so _very_ old!
  • THE SHADOWS
  • 1880
  • "How many have gone?" was the question of old
  • Ere Time our bright ring of its jewels bereft;
  • Alas! for too often the death-bell has tolled,
  • And the question we ask is, "How many are left?"
  • Bright sparkled the wine; there were fifty that quaffed;
  • For a decade had slipped and had taken but three.
  • How they frolicked and sung, how they shouted and laughed,
  • Like a school full of boys from their benches set free!
  • There were speeches and toasts, there were stories and rhymes,
  • The hall shook its sides with their merriment's noise;
  • As they talked and lived over the college-day times,--
  • No wonder they kept their old name of "The Boys"!
  • The seasons moved on in their rhythmical flow
  • With mornings like maidens that pouted or smiled,
  • With the bud and the leaf and the fruit and the snow,
  • And the year-books of Time in his alcoves were piled.
  • There were forty that gathered where fifty had met;
  • Some locks had got silvered, some lives had grown sere,
  • But the laugh of the laughers was lusty as yet,
  • And the song of the singers rose ringing and clear.
  • Still flitted the years; there were thirty that came;
  • "The Boys" they were still, and they answered their call;
  • There were foreheads of care, but the smiles were the same,
  • And the chorus rang loud through the garlanded hall.
  • The hour-hand moved on, and they gathered again;
  • There were twenty that joined in the hymn that was sung;
  • But ah! for our song-bird we listened in vain,--
  • The crystalline tones like a seraph's that rung!
  • How narrow the circle that holds us to-night!
  • How many the loved ones that greet us no more,
  • As we meet like the stragglers that come from the fight,
  • Like the mariners flung from a wreck on the shore!
  • We look through the twilight for those we have lost;
  • The stream rolls between us, and yet they seem near;
  • Already outnumbered by those who have crossed,
  • Our band is transplanted, its home is not here!
  • They smile on us still--is it only a dream?--
  • While fondly or proudly their names we recall;
  • They beckon--they come--they are crossing the stream--
  • Lo! the Shadows! the Shadows! room--room for them all!
  • BENJAMIN PEIRCE
  • ASTRONOMER, MATHEMATICIAN. 1809-1890
  • 1881
  • FOR him the Architect of all
  • Unroofed our planet's starlit hall;
  • Through voids unknown to worlds unseen
  • His clearer vision rose serene.
  • With us on earth he walked by day,
  • His midnight path how far away!
  • We knew him not so well who knew
  • The patient eyes his soul looked through;
  • For who his untrod realm could share
  • Of us that breathe this mortal air,
  • Or camp in that celestial tent
  • Whose fringes gild our firmament?
  • How vast the workroom where he brought
  • The viewless implements of thought!
  • The wit how subtle, how profound,
  • That Nature's tangled webs unwound;
  • That through the clouded matrix saw
  • The crystal planes of shaping law,
  • Through these the sovereign skill that planned,--
  • The Father's care, the Master's hand!
  • To him the wandering stars revealed
  • The secrets in their cradle sealed
  • The far-off, frozen sphere that swings
  • Through ether, zoned with lucid rings;
  • The orb that rolls in dim eclipse
  • Wide wheeling round its long ellipse,--
  • His name Urania writes with these
  • And stamps it on her Pleiades.
  • We knew him not? Ah, well we knew
  • The manly soul, so brave, so true,
  • The cheerful heart that conquered age,
  • The childlike silver-bearded sage.
  • No more his tireless thought explores
  • The azure sea with golden shores;
  • Rest, wearied frame I the stars shall keep
  • A loving watch where thou shalt sleep.
  • Farewell! the spirit needs must rise,
  • So long a tenant of the skies,--
  • Rise to that home all worlds above
  • Whose sun is God, whose light is love.
  • IN THE TWILIGHT
  • 1882
  • NOT bed-time yet! The night-winds blow,
  • The stars are out,--full well we know
  • The nurse is on the stair,
  • With hand of ice and cheek of snow,
  • And frozen lips that whisper low,
  • "Come, children, it is time to go
  • My peaceful couch to share."
  • No years a wakeful heart can tire;
  • Not bed-time yet! Come, stir the fire
  • And warm your dear old hands;
  • Kind Mother Earth we love so well
  • Has pleasant stories yet to tell
  • Before we hear the curfew bell;
  • Still glow the burning brands.
  • Not bed-time yet! We long to know
  • What wonders time has yet to show,
  • What unborn years shall bring;
  • What ship the Arctic pole shall reach,
  • What lessons Science waits to teach,
  • What sermons there are left to preach.
  • What poems yet to sing.
  • What next? we ask; and is it true
  • The sunshine falls on nothing new,
  • As Israel's king declared?
  • Was ocean ploughed with harnessed fire?
  • Were nations coupled with a wire?
  • Did Tarshish telegraph to Tyre?
  • How Hiram would have stared!
  • And what if Sheba's curious queen,
  • Who came to see,--and to be seen,--
  • Or something new to seek,
  • And swooned, as ladies sometimes do,
  • At sights that thrilled her through and through,
  • Had heard, as she was "coming to,"
  • A locomotive's shriek,
  • And seen a rushing railway train
  • As she looked out along the plain
  • From David's lofty tower,--
  • A mile of smoke that blots the sky
  • And blinds the eagles as they fly
  • Behind the cars that thunder by
  • A score of leagues an hour!
  • See to my _fiat lux_ respond
  • This little slumbering fire-tipped wand,--
  • One touch,--it bursts in flame!
  • Steal me a portrait from the sun,--
  • One look,--and to! the picture done!
  • Are these old tricks, King Solomon,
  • We lying moderns claim?
  • Could you have spectroscoped a star?
  • If both those mothers at your bar,
  • The cruel and the mild,
  • The young and tender, old and tough,
  • Had said, "Divide,--you're right, though rough,"--
  • Did old Judea know enough
  • To etherize the child?
  • These births of time our eyes have seen,
  • With but a few brief years between;
  • What wonder if the text,
  • For other ages doubtless true,
  • For coming years will never do,--
  • Whereof we all should like a few,
  • If but to see what next.
  • If such things have been, such may be;
  • Who would not like to live and see--
  • If Heaven may so ordain--
  • What waifs undreamed of, yet in store,
  • The waves that roll forevermore
  • On life's long beach may east ashore
  • From out the mist-clad main?
  • Will Earth to pagan dreams return
  • To find from misery's painted urn
  • That all save hope has flown,--
  • Of Book and Church and Priest bereft,
  • The Rock of Ages vainly cleft,
  • Life's compass gone, its anchor left,
  • Left,--lost,--in depths unknown?
  • Shall Faith the trodden path pursue
  • The _crux ansata_ wearers knew
  • Who sleep with folded hands,
  • Where, like a naked, lidless eye,
  • The staring Nile rolls wandering by
  • Those mountain slopes that climb the sky
  • Above the drifting sands?
  • Or shall a nobler Faith return,
  • Its fanes a purer gospel learn,
  • With holier anthems ring,
  • And teach us that our transient creeds
  • Were but the perishable seeds
  • Of harvests sown for larger needs,
  • That ripening years shall bring?
  • Well, let the present do its best,
  • We trust our Maker for the rest,
  • As on our way we plod;
  • Our souls, full dressed in fleshly suits,
  • Love air and sunshine, flowers and fruits,
  • The daisies better than their roots
  • Beneath the grassy sod.
  • Not bed-time yet! The full-blown flower
  • Of all the year--this evening hour--
  • With friendship's flame is bright;
  • Life still is sweet, the heavens are fair,
  • Though fields are brown and woods are bare,
  • And many a joy is left to share
  • Before we say Good-night!
  • And when, our cheerful evening past,
  • The nurse, long waiting, comes at last,
  • Ere on her lap we lie
  • In wearied nature's sweet repose,
  • At peace with all her waking foes,
  • Our lips shall murmur, ere they close,
  • Good-night! and not Good-by!
  • A LOVING-CUP SONG
  • 1883
  • COME, heap the fagots! Ere we go
  • Again the cheerful hearth shall glow;
  • We 'll have another blaze, my boys!
  • When clouds are black and snows are white,
  • Then Christmas logs lend ruddy light
  • They stole from summer days, my boys,
  • They stole from summer days.
  • And let the Loving-Cup go round,
  • The Cup with blessed memories crowned,
  • That flows whene'er we meet, my boys;
  • No draught will hold a drop of sin
  • If love is only well stirred in
  • To keep it sound and sweet, my boys,
  • To keep it sound and sweet.
  • Give me, to pin upon my breast,
  • The blossoms twain I love the best,
  • A rosebud and a pink, my boys;
  • Their leaves shall nestle next my heart,
  • Their perfumed breath shall own its part
  • In every health we drink, my boys,
  • In every health we drink.
  • The breathing blossoms stir my blood,
  • Methinks I see the lilacs bud
  • And hear the bluebirds sing, my boys;
  • Why not? Yon lusty oak has seen
  • Full tenscore years, yet leaflets green
  • Peep out with every spring, my boys,
  • Peep out with every spring.
  • Old Time his rusty scythe may whet,
  • The unmowed grass is glowing yet
  • Beneath the sheltering snow, my boys;
  • And if the crazy dotard ask,
  • Is love worn out? Is life a task?
  • We'll bravely answer No! my boys,
  • We 'll bravely answer No!
  • For life's bright taper is the same
  • Love tipped of old with rosy flame
  • That heaven's own altar lent, my boys,
  • To glow in every cup we fill
  • Till lips are mute and hearts are still,
  • Till life and love are spent, my boys,
  • Till life and love are spent.
  • THE GIRDLE OF FRIENDSHIP
  • 1884
  • SHE gathered at her slender waist
  • The beauteous robe she wore;
  • Its folds a golden belt embraced,
  • One rose-hued gem it bore.
  • The girdle shrank; its lessening round
  • Still kept the shining gem,
  • But now her flowing locks it bound,
  • A lustrous diadem.
  • And narrower still the circlet grew;
  • Behold! a glittering band,
  • Its roseate diamond set anew,
  • Her neck's white column spanned.
  • Suns rise and set; the straining clasp
  • The shortened links resist,
  • Yet flashes in a bracelet's grasp
  • The diamond, on her wrist.
  • At length, the round of changes past
  • The thieving years could bring,
  • The jewel, glittering to the last,
  • Still sparkles in a ring.
  • So, link by link, our friendships part,
  • So loosen, break, and fall,
  • A narrowing zone; the loving heart
  • Lives changeless through them all.
  • THE LYRE OF ANACREON
  • 1885
  • THE minstrel of the classic lay
  • Of love and wine who sings
  • Still found the fingers run astray
  • That touched the rebel strings.
  • Of Cadmus he would fain have sung,
  • Of Atreus and his line;
  • But all the jocund echoes rung
  • With songs of love and wine.
  • Ah, brothers! I would fain have caught
  • Some fresher fancy's gleam;
  • My truant accents find, unsought,
  • The old familiar theme.
  • Love, Love! but not the sportive child
  • With shaft and twanging bow,
  • Whose random arrows drove us wild
  • Some threescore years ago;
  • Not Eros, with his joyous laugh,
  • The urchin blind and bare,
  • But Love, with spectacles and staff,
  • And scanty, silvered hair.
  • Our heads with frosted locks are white,
  • Our roofs are thatched with snow,
  • But red, in chilling winter's spite,
  • Our hearts and hearthstones glow.
  • Our old acquaintance, Time, drops in,
  • And while the running sands
  • Their golden thread unheeded spin,
  • He warms his frozen hands.
  • Stay, winged hours, too swift, too sweet,
  • And waft this message o'er
  • To all we miss, from all we meet
  • On life's fast-crumbling shore:
  • Say that, to old affection true,
  • We hug the narrowing chain
  • That binds our hearts,--alas, how few
  • The links that yet remain!
  • The fatal touch awaits them all
  • That turns the rocks to dust;
  • From year to year they break and fall,--
  • They break, but never rust.
  • Say if one note of happier strain
  • This worn-out harp afford,--
  • One throb that trembles, not in vain,--
  • Their memory lent its chord.
  • Say that when Fancy closed her wings
  • And Passion quenched his fire,
  • Love, Love, still echoed from the strings
  • As from Anacreon's lyre!
  • THE OLD TUNE
  • THIRTY-SIXTH VARIATION
  • 1886
  • THIS shred of song you bid me bring
  • Is snatched from fancy's embers;
  • Ah, when the lips forget to sing,
  • The faithful heart remembers!
  • Too swift the wings of envious Time
  • To wait for dallying phrases,
  • Or woven strands of labored rhyme
  • To thread their cunning mazes.
  • A word, a sigh, and lo, how plain
  • Its magic breath discloses
  • Our life's long vista through a lane
  • Of threescore summers' roses!
  • One language years alone can teach
  • Its roots are young affections
  • That feel their way to simplest speech
  • Through silent recollections.
  • That tongue is ours. How few the words
  • We need to know a brother!
  • As simple are the notes of birds,
  • Yet well they know each other.
  • This freezing month of ice and snow
  • That brings our lives together
  • Lends to our year a living glow
  • That warms its wintry weather.
  • So let us meet as eve draws nigh,
  • And life matures and mellows,
  • Till Nature whispers with a sigh,
  • "Good-night, my dear old fellows!"
  • THE BROKEN CIRCLE
  • 1887
  • I STOOD On Sarum's treeless plain,
  • The waste that careless Nature owns;
  • Lone tenants of her bleak domain,
  • Loomed huge and gray the Druid stones.
  • Upheaved in many a billowy mound
  • The sea-like, naked turf arose,
  • Where wandering flocks went nibbling round
  • The mingled graves of friends and foes.
  • The Briton, Roman, Saxon, Dane,
  • This windy desert roamed in turn;
  • Unmoved these mighty blocks remain
  • Whose story none that lives may learn.
  • Erect, half buried, slant or prone,
  • These awful listeners, blind and dumb,
  • Hear the strange tongues of tribes unknown,
  • As wave on wave they go and come.
  • "Who are you, giants, whence and why?"
  • I stand and ask in blank amaze;
  • My soul accepts their mute reply
  • "A mystery, as are you that gaze.
  • "A silent Orpheus wrought the charm
  • From riven rocks their spoils to bring;
  • A nameless Titan lent his arm
  • To range us in our magic ring.
  • "But Time with still and stealthy stride,
  • That climbs and treads and levels all,
  • That bids the loosening keystone slide,
  • And topples down the crumbling wall,--
  • "Time, that unbuilds the quarried past,
  • Leans on these wrecks that press the sod;
  • They slant, they stoop, they fall at last,
  • And strew the turf their priests have trod.
  • "No more our altar's wreath of smoke
  • Floats up with morning's fragrant dew;
  • The fires are dead, the ring is broke,
  • Where stood the many stand the few."
  • My thoughts had wandered far away,
  • Borne off on Memory's outspread wing,
  • To where in deepening twilight lay
  • The wrecks of friendship's broken ring.
  • Ah me! of all our goodly train
  • How few will find our banquet hall!
  • Yet why with coward lips complain
  • That this must lean, and that must fall?
  • Cold is the Druid's altar-stone,
  • Its vanished flame no more returns;
  • But ours no chilling damp has known,--
  • Unchanged, unchanging, still it burns.
  • So let our broken circle stand
  • A wreck, a remnant, yet the same,
  • While one last, loving, faithful hand
  • Still lives to feed its altar-flame!
  • THE ANGEL-THIEF
  • 1888
  • TIME is a thief who leaves his tools behind him;
  • He comes by night, he vanishes at dawn;
  • We track his footsteps, but we never find him
  • Strong locks are broken, massive bolts are drawn,
  • And all around are left the bars and borers,
  • The splitting wedges and the prying keys,
  • Such aids as serve the soft-shod vault-explorers
  • To crack, wrench open, rifle as they please.
  • Ah, these are tools which Heaven in mercy lends us
  • When gathering rust has clenched our shackles fast,
  • Time is the angel-thief that Nature sends us
  • To break the cramping fetters of our past.
  • Mourn as we may for treasures he has taken,
  • Poor as we feel of hoarded wealth bereft,
  • More precious are those implements forsaken,
  • Found in the wreck his ruthless hands have left.
  • Some lever that a casket's hinge has broken
  • Pries off a bolt, and lo! our souls are free;
  • Each year some Open Sesame is spoken,
  • And every decade drops its master-key.
  • So as from year to year we count our treasure,
  • Our loss seems less, and larger look our gains;
  • Time's wrongs repaid in more than even measure,--
  • We lose our jewels, but we break our chains.
  • AFTER THE CURFEW
  • 1889
  • THE Play is over. While the light
  • Yet lingers in the darkening hall,
  • I come to say a last Good-night
  • Before the final _Exeunt all_.
  • We gathered once, a joyous throng:
  • The jovial toasts went gayly round;
  • With jest, and laugh, and shout, and song,
  • We made the floors and walls resound.
  • We come with feeble steps and slow,
  • A little band of four or five,
  • Left from the wrecks of long ago,
  • Still pleased to find ourselves alive.
  • Alive! How living, too, are they
  • Whose memories it is ours to share!
  • Spread the long table's full array,--
  • There sits a ghost in every chair!
  • One breathing form no more, alas!
  • Amid our slender group we see;
  • With him we still remained "The Class,"--
  • Without his presence what are we?
  • The hand we ever loved to clasp,--
  • That tireless hand which knew no rest,--
  • Loosed from affection's clinging grasp,
  • Lies nerveless on the peaceful breast.
  • The beaming eye, the cheering voice,
  • That lent to life a generous glow,
  • Whose every meaning said "Rejoice,"
  • We see, we hear, no more below.
  • The air seems darkened by his loss,
  • Earth's shadowed features look less fair,
  • And heavier weighs the daily cross
  • His willing shoulders helped us bear.
  • Why mourn that we, the favored few
  • Whom grasping Time so long has spared
  • Life's sweet illusions to pursue,
  • The common lot of age have shared?
  • In every pulse of Friendship's heart
  • There breeds unfelt a throb of pain,--
  • One hour must rend its links apart,
  • Though years on years have forged the chain.
  • . . . . . . . . . . . .
  • So ends "The Boys,"--a lifelong play.
  • We too must hear the Prompter's call
  • To fairer scenes and brighter day
  • Farewell! I let the curtain fall.
  • POEMS FROM THE AUTOCRAT OF THE BREAKFAST-TABLE
  • 1857-1858
  • THE CHAMBERED NAUTILUS
  • THIS is the ship of pearl, which, poets feign,
  • Sails the unshadowed main,--
  • The venturous bark that flings
  • On the sweet summer wind its purpled wings
  • In gulfs enchanted, where the Siren sings,
  • And coral reefs lie bare,
  • Where the cold sea-maids rise to sun their streaming hair.
  • Its webs of living gauze no more unfurl;
  • Wrecked is the ship of pearl!
  • And every chambered cell,
  • Where its dim dreaming life was wont to dwell,
  • As the frail tenant shaped his growing shell,
  • Before thee lies revealed,--
  • Its irised ceiling rent, its sunless crypt unsealed!
  • Year after year beheld the silent toil
  • That spread his lustrous coil;
  • Still, as the spiral grew,
  • He left the past year's dwelling for the new,
  • Stole with soft step its shining archway through,
  • Built up its idle door,
  • Stretched in his last-found home, and knew the old no more.
  • Thanks for the heavenly message brought by thee,
  • Child of the wandering sea,
  • Cast from her lap, forlorn!
  • From thy dead lips a clearer note is born
  • Than ever Triton blew from wreathed horn
  • While on mine ear it rings,
  • Through the deep caves of thought I hear a voice that sings:--
  • Build thee more stately mansions, O my soul,
  • As the swift seasons roll!
  • Leave thy low-vaulted past!
  • Let each new temple, nobler than the last,
  • Shut thee from heaven with a dome more vast,
  • Till thou at length art free,
  • Leaving thine outgrown shell by life's unresting sea!
  • SUN AND SHADOW
  • As I look from the isle, o'er its billows of green,
  • To the billows of foam-crested blue,
  • Yon bark, that afar in the distance is seen,
  • Half dreaming, my eyes will pursue
  • Now dark in the shadow, she scatters the spray
  • As the chaff in the stroke of the flail;
  • Now white as the sea-gull, she flies on her way,
  • The sun gleaming bright on her sail.
  • Yet her pilot is thinking of dangers to shun,--
  • Of breakers that whiten and roar;
  • How little he cares, if in shadow or sun
  • They see him who gaze from the shore!
  • He looks to the beacon that looms from the reef,
  • To the rock that is under his lee,
  • As he drifts on the blast, like a wind-wafted leaf,
  • O'er the gulfs of the desolate sea.
  • Thus drifting afar to the dim-vaulted caves
  • Where life and its ventures are laid,
  • The dreamers who gaze while we battle the waves
  • May see us in sunshine or shade;
  • Yet true to our course, though the shadows grow dark,
  • We'll trim our broad sail as before,
  • And stand by the rudder that governs the bark,
  • Nor ask how we look from the shore!
  • MUSA
  • O MY lost beauty!--hast thou folded quite
  • Thy wings of morning light
  • Beyond those iron gates
  • Where Life crowds hurrying to the haggard Fates,
  • And Age upon his mound of ashes waits
  • To chill our fiery dreams,
  • Hot from the heart of youth plunged in his icy streams?
  • Leave me not fading in these weeds of care,
  • Whose flowers are silvered hair!
  • Have I not loved thee long,
  • Though my young lips have often done thee wrong,
  • And vexed thy heaven-tuned ear with careless song?
  • Ah, wilt thou yet return,
  • Bearing thy rose-hued torch, and bid thine altar burn?
  • Come to me!--I will flood thy silent shrine
  • With my soul's sacred wine,
  • And heap thy marble floors
  • As the wild spice-trees waste their fragrant stores,
  • In leafy islands walled with madrepores
  • And lapped in Orient seas,
  • When all their feathery palms toss, plume-like, in the breeze.
  • Come to me!--thou shalt feed on honeyed words,
  • Sweeter than song of birds;--
  • No wailing bulbul's throat,
  • No melting dulcimer's melodious note
  • When o'er the midnight wave its murmurs float,
  • Thy ravished sense might soothe
  • With flow so liquid-soft, with strain so velvet-smooth.
  • Thou shalt be decked with jewels, like a queen,
  • Sought in those bowers of green
  • Where loop the clustered vines
  • And the close-clinging dulcamara twines,--
  • Pure pearls of Maydew where the moonlight shines,
  • And Summer's fruited gems,
  • And coral pendants shorn from Autumn's berried stems.
  • Sit by me drifting on the sleepy waves,--
  • Or stretched by grass-grown graves,
  • Whose gray, high-shouldered stones,
  • Carved with old names Life's time-worn roll disowns,
  • Lean, lichen-spotted, o'er the crumbled bones
  • Still slumbering where they lay
  • While the sad Pilgrim watched to scare the wolf away.
  • Spread o'er my couch thy visionary wing!
  • Still let me dream and sing,--
  • Dream of that winding shore
  • Where scarlet cardinals bloom-for me no more,--
  • The stream with heaven beneath its liquid floor,
  • And clustering nenuphars
  • Sprinkling its mirrored blue like golden-chaliced stars!
  • Come while their balms the linden-blossoms shed!--
  • Come while the rose is red,--
  • While blue-eyed Summer smiles
  • On the green ripples round yon sunken piles
  • Washed by the moon-wave warm from Indian isles,
  • And on the sultry air
  • The chestnuts spread their palms like holy men in prayer!
  • Oh for thy burning lips to fire my brain
  • With thrills of wild, sweet pain!--
  • On life's autumnal blast,
  • Like shrivelled leaves, youth's passion-flowers are cast,--
  • Once loving thee, we love thee to the last!--
  • Behold thy new-decked shrine,
  • And hear once more the voice that breathed "Forever thine!"
  • A PARTING HEALTH
  • TO J. L. MOTLEY
  • YES, we knew we must lose him,--though friendship may claim
  • To blend her green leaves with the laurels of fame;
  • Though fondly, at parting, we call him our own,
  • 'T is the whisper of love when the bugle has blown.
  • As the rider that rests with the spur on his heel,
  • As the guardsman that sleeps in his corselet of steel,
  • As the archer that stands with his shaft on the string,
  • He stoops from his toil to the garland we bring.
  • What pictures yet slumber unborn in his loom,
  • Till their warriors shall breathe and their beauties shall bloom,
  • While the tapestry lengthens the life-glowing dyes
  • That caught from our sunsets the stain of their skies!
  • In the alcoves of death, in the charnels of timid,
  • Where flit the gaunt spectres of passion and crime,
  • There are triumphs untold, there are martyrs unsung,
  • There are heroes yet silent to speak with his tongue!
  • Let us hear the proud story which time has bequeathed!
  • From lips that are warm with the freedom they breathed!
  • Let him summon its tyrants, and tell us their doom,
  • Though he sweep the black past like Van Tromp with his broom!
  • . . . . . . . . . . . . . . .
  • The dream flashes by, for the west-winds awake
  • On pampas, on prairie, o'er mountain and lake,
  • To bathe the swift bark, like a sea-girdled shrine,
  • With incense they stole from the rose and the pine.
  • So fill a bright cup with the sunlight that gushed
  • When the dead summer's jewels were trampled and crushed:
  • THE TRUE KNIGHT OF LEARNING,--the world holds him dear,--
  • Love bless him, Joy crown him, God speed his career!
  • 1857.
  • WHAT WE ALL THINK
  • THAT age was older once than now,
  • In spite of locks untimely shed,
  • Or silvered on the youthful brow;
  • That babes make love and children wed.
  • That sunshine had a heavenly glow,
  • Which faded with those "good old days"
  • When winters came with deeper snow,
  • And autumns with a softer haze.
  • That--mother, sister, wife, or child--
  • The "best of women" each has known.
  • Were school-boys ever half so wild?
  • How young the grandpapas have grown!
  • That but for this our souls were free,
  • And but for that our lives were blest;
  • That in some season yet to be
  • Our cares will leave us time to rest.
  • Whene'er we groan with ache or pain,--
  • Some common ailment of the race,--
  • Though doctors think the matter plain,--
  • That ours is "a peculiar case."
  • That when like babes with fingers burned
  • We count one bitter maxim more,
  • Our lesson all the world has learned,
  • And men are wiser than before.
  • That when we sob o'er fancied woes,
  • The angels hovering overhead
  • Count every pitying drop that flows,
  • And love us for the tears we shed.
  • That when we stand with tearless eye
  • And turn the beggar from our door,
  • They still approve us when we sigh,
  • "Ah, had I but one thousand more!"
  • Though temples crowd the crumbled brink
  • O'erhanging truth's eternal flow,
  • Their tablets bold with what we think,
  • Their echoes dumb to what we know;
  • That one unquestioned text we read,
  • All doubt beyond, all fear above,
  • Nor crackling pile nor cursing creed
  • Can burn or blot it: GOD IS LOVE!
  • SPRING HAS COME
  • INTRA MUROS
  • THE sunbeams, lost for half a year,
  • Slant through my pane their morning rays;
  • For dry northwesters cold and clear,
  • The east blows in its thin blue haze.
  • And first the snowdrop's bells are seen,
  • Then close against the sheltering wall
  • The tulip's horn of dusky green,
  • The peony's dark unfolding ball.
  • The golden-chaliced crocus burns;
  • The long narcissus-blades appear;
  • The cone-beaked hyacinth returns
  • To light her blue-flamed chandelier.
  • The willow's whistling lashes, wrung
  • By the wild winds of gusty March,
  • With sallow leaflets lightly strung,
  • Are swaying by the tufted larch.
  • The elms have robed their slender spray
  • With full-blown flower and embryo leaf;
  • Wide o'er the clasping arch of day
  • Soars like a cloud their hoary chief.
  • See the proud tulip's flaunting cup,
  • That flames in glory for an hour,--
  • Behold it withering,--then look up,--
  • How meek the forest monarch's flower!
  • When wake the violets, Winter dies;
  • When sprout the elm-buds, Spring is near:
  • When lilacs blossom, Summer cries,
  • "Bud, little roses! Spring is here!"
  • The windows blush with fresh bouquets,
  • Cut with the May-dew on their lips;
  • The radish all its bloom displays,
  • Pink as Aurora's finger-tips.
  • Nor less the flood of light that showers
  • On beauty's changed corolla-shades,--
  • The walks are gay as bridal bowers
  • With rows of many-petalled maids.
  • The scarlet shell-fish click and clash
  • In the blue barrow where they slide;
  • The horseman, proud of streak and splash,
  • Creeps homeward from his morning ride.
  • Here comes the dealer's awkward string,
  • With neck in rope and tail in knot,--
  • Rough colts, with careless country-swing,
  • In lazy walk or slouching trot.
  • . . . . . . . . . . . . . .
  • Wild filly from the mountain-side,
  • Doomed to the close and chafing thills,
  • Lend me thy long, untiring stride
  • To seek with thee thy western hills!
  • I hear the whispering voice of Spring,
  • The thrush's trill, the robin's cry,
  • Like some poor bird with prisoned wing
  • That sits and sings, but longs to fly.
  • Oh for one spot of living greed,--
  • One little spot where leaves can grow,--
  • To love unblamed, to walk unseen,
  • To dream above, to sleep below!
  • PROLOGUE
  • A PROLOGUE? Well, of course the ladies know,--
  • I have my doubts. No matter,--here we go!
  • What is a Prologue? Let our Tutor teach:
  • Pro means beforehand; logos stands for speech.
  • 'T is like the harper's prelude on the strings,
  • The prima donna's courtesy ere she sings;
  • Prologues in metre are to other pros
  • As worsted stockings are to engine-hose.
  • "The world's a stage,"--as Shakespeare said, one day;
  • The stage a world--was what he meant to say.
  • The outside world's a blunder, that is clear;
  • The real world that Nature meant is here.
  • Here every foundling finds its lost mamma;
  • Each rogue, repentant, melts his stern papa;
  • Misers relent, the spendthrift's debts are paid,
  • The cheats are taken in the traps they laid;
  • One after one the troubles all are past
  • Till the fifth act comes right side up at last,
  • When the young couple, old folks, rogues, and all,
  • Join hands, so happy at the curtain's fall.
  • Here suffering virtue ever finds relief,
  • And black-browed ruffians always come to grief.
  • When the lorn damsel, with a frantic screech,
  • And cheeks as hueless as a brandy-peach,
  • Cries, "Help, kyind Heaven!" and drops upon her knees
  • On the green--baize,--beneath the (canvas) trees,--
  • See to her side avenging Valor fly:--
  • "Ha! Villain! Draw! Now, Terraitorr, yield or die!"
  • When the poor hero flounders in despair,
  • Some dear lost uncle turns up millionaire,
  • Clasps the young scapegrace with paternal joy,
  • Sobs on his neck, "My boy! MY BOY!! _MY BOY_!!!"
  • Ours, then, sweet friends, the real world to-night,
  • Of love that conquers in disaster's spite.
  • Ladies, attend! While woful cares and doubt
  • Wrong the soft passion in the world without,
  • Though fortune scowl, though prudence interfere,
  • One thing is certain: Love will triumph here!
  • Lords of creation, whom your ladies rule,--
  • The world's great masters, when you 're out of school,--
  • Learn the brief moral of our evening's play
  • Man has his will,--but woman has her way!
  • While man's dull spirit toils in smoke and fire,
  • Woman's swift instinct threads the electric wire,--
  • The magic bracelet stretched beneath the waves
  • Beats the black giant with his score of slaves.
  • All earthly powers confess your sovereign art
  • But that one rebel,--woman's wilful heart.
  • All foes you master, but a woman's wit
  • Lets daylight through you ere you know you 're hit.
  • So, just to picture what her art can do,
  • Hear an old story, made as good as new.
  • Rudolph, professor of the headsman's trade,
  • Alike was famous for his arm and blade.
  • One day a prisoner Justice had to kill
  • Knelt at the block to test the artist's skill.
  • Bare-armed, swart-visaged, gaunt, and shaggy-browed,
  • Rudolph the headsman rose above the crowd.
  • His falchion lighted with a sudden gleam,
  • As the pike's armor flashes in the stream.
  • He sheathed his blade; he turned as if to go;
  • The victim knelt, still waiting for the blow.
  • "Why strikest not? Perform thy murderous act,"
  • The prisoner said. (His voice was slightly cracked.)
  • "Friend, I have struck," the artist straight replied;
  • "Wait but one moment, and yourself decide."
  • He held his snuff-box,--"Now then, if you please!"
  • The prisoner sniffed, and, with a crashing sneeze,
  • Off his head tumbled,--bowled along the floor,--
  • Bounced down the steps;--the prisoner said no more!
  • Woman! thy falchion is a glittering eye;
  • If death lurk in it, oh how sweet to die!
  • Thou takest hearts as Rudolph took the head;
  • We die with love, and never dream we're dead!
  • LATTER-DAY WARNINGS
  • WHEN legislators keep the law,
  • When banks dispense with bolts and looks,
  • When berries--whortle, rasp, and straw--
  • Grow bigger downwards through the box,--
  • When he that selleth house or land
  • Shows leak in roof or flaw in right,--
  • When haberdashers choose the stand
  • Whose window hath the broadest light,--
  • When preachers tell us all they think,
  • And party leaders all they mean,--
  • When what we pay for, that we drink,
  • From real grape and coffee-bean,--
  • When lawyers take what they would give,
  • And doctors give what they would take,--
  • When city fathers eat to live,
  • Save when they fast for conscience' sake,--
  • When one that hath a horse on sale
  • Shall bring his merit to the proof,
  • Without a lie for every nail
  • That holds the iron on the hoof,--
  • When in the usual place for rips
  • Our gloves are stitched with special care,
  • And guarded well the whalebone tips
  • Where first umbrellas need repair,--
  • When Cuba's weeds have quite forgot
  • The power of suction to resist,
  • And claret-bottles harbor not
  • Such dimples as would hold your fist,--
  • When publishers no longer steal,
  • And pay for what they stole before,--
  • When the first locomotive's wheel
  • Rolls through the Hoosac Tunnel's bore;--
  • Till then let Cumming blaze away,
  • And Miller's saints blow up the globe;
  • But when you see that blessed day,
  • Then order your ascension robe.
  • ALBUM VERSES
  • WHEN Eve had led her lord away,
  • And Cain had killed his brother,
  • The stars and flowers, the poets say,
  • Agreed with one another.
  • To cheat the cunning tempter's art,
  • And teach the race its duty,
  • By keeping on its wicked heart
  • Their eyes of light and beauty.
  • A million sleepless lids, they say,
  • Will be at least a warning;
  • And so the flowers would watch by day,
  • The stars from eve to morning.
  • On hill and prairie, field and lawn,
  • Their dewy eyes upturning,
  • The flowers still watch from reddening dawn
  • Till western skies are burning.
  • Alas! each hour of daylight tells
  • A tale of shame so crushing,
  • That some turn white as sea-bleached shells,
  • And some are always blushing.
  • But when the patient stars look down
  • On all their light discovers,
  • The traitor's smile, the murderer's frown,
  • The lips of lying lovers,
  • They try to shut their saddening eyes,
  • And in the vain endeavor
  • We see them twinkling in the skies,
  • And so they wink forever.
  • A GOOD TIME GOING!
  • BRAVE singer of the coming time,
  • Sweet minstrel of the joyous present,
  • Crowned with the noblest wreath of rhyme,
  • The holly-leaf of Ayrshire's peasant,
  • Good by! Good by!--Our hearts and hands,
  • Our lips in honest Saxon phrases,
  • Cry, God be with him, till he stands
  • His feet among the English daisies!
  • 'T is here we part;--for other eyes
  • The busy deck, the fluttering streamer,
  • The dripping arms that plunge and rise,
  • The waves in foam, the ship in tremor,
  • The kerchiefs waving from the pier,
  • The cloudy pillar gliding o'er him,
  • The deep blue desert, lone and drear,
  • With heaven above and home before him!
  • His home!--the Western giant smiles,
  • And twirls the spotty globe to find it;
  • This little speck the British Isles?
  • 'T is but a freckle,--never mind it!
  • He laughs, and all his prairies roll,
  • Each gurgling cataract roars and chuckles,
  • And ridges stretched from pole to pole
  • Heave till they crack their iron knuckles!
  • But Memory blushes at the sneer,
  • And Honor turns with frown defiant,
  • And Freedom, leaning on her spear,
  • Laughs louder than the laughing giant
  • "An islet is a world," she said,
  • "When glory with its dust has blended,
  • And Britain keeps her noble dead
  • Till earth and seas and skies are rended!"
  • Beneath each swinging forest-bough
  • Some arm as stout in death reposes,--
  • From wave-washed foot to heaven-kissed brow
  • Her valor's life-blood runs in roses;
  • Nay, let our brothers of the West
  • Write smiling in their florid pages,
  • One half her soil has walked the rest
  • In poets, heroes, martyrs, sages!
  • Hugged in the clinging billow's clasp,
  • From sea-weed fringe to mountain heather,
  • The British oak with rooted grasp
  • Her slender handful holds together;--
  • With cliffs of white and bowers of green,
  • And Ocean narrowing to caress her,
  • And hills and threaded streams between,--
  • Our little mother isle, God bless her!
  • In earth's broad temple where we stand,
  • Fanned by the eastern gales that brought us,
  • We hold the missal in our hand,
  • Bright with the lines our Mother taught us.
  • Where'er its blazoned page betrays
  • The glistening links of gilded fetters,
  • Behold, the half-turned leaf displays
  • Her rubric stained in crimson letters!
  • Enough! To speed a parting friend
  • 'T is vain alike to speak and listen;--
  • Yet stay,--these feeble accents blend
  • With rays of light from eyes that glisten.
  • Good by! once more,--and kindly tell
  • In words of peace the young world's story,--
  • And say, besides, we love too well
  • Our mothers' soil, our fathers' glory.
  • THE LAST BLOSSOM
  • THOUGH young no more, we still would dream
  • Of beauty's dear deluding wiles;
  • The leagues of life to graybeards seem
  • Shorter than boyhood's lingering miles.
  • Who knows a woman's wild caprice?
  • 'It played with Goethe's silvered hair,
  • And many a Holy Father's "niece"
  • Has softly smoothed the papal chair.
  • When sixty bids us sigh in vain
  • To melt the heart of sweet sixteen,
  • We think upon those ladies twain
  • Who loved so well the tough old Dean.
  • We see the Patriarch's wintry face,
  • The maid of Egypt's dusky glow,
  • And dream that Youth and Age embrace,
  • As April violets fill with snow.
  • Tranced in her lord's Olympian smile
  • His lotus-loving Memphian lies,--
  • The musky daughter of the Nile,
  • With plaited hair and almond eyes.
  • Might we but share one wild caress
  • Ere life's autumnal blossoms fall,
  • And Earth's brown, clinging lips impress
  • The long cold kiss that waits us all!
  • My bosom heaves, remembering yet
  • The morning of that blissful day,
  • When Rose, the flower of spring, I met,
  • And gave my raptured soul away.
  • Flung from her eyes of purest blue,
  • A lasso, with its leaping chain,
  • Light as a loop of larkspurs, flew
  • O'er sense and spirit, heart and brain.
  • Thou com'st to cheer my waning age,
  • Sweet vision, waited for so long!
  • Dove that would seek the poet's cage
  • Lured by the magic breath of song!
  • She blushes! Ah, reluctant maid,
  • Love's drapeau rouge the truth has told!
  • O' er girlhood's yielding barricade
  • Floats the great Leveller's crimson fold!
  • Come to my arms!--love heeds not years;
  • No frost the bud of passion knows.
  • Ha! what is this my frenzy hears?
  • A voice behind me uttered,--Rose!
  • Sweet was her smile,--but not for me;
  • Alas! when woman looks too kind,
  • Just turn your foolish head and see,--
  • Some youth is walking close behind!
  • CONTENTMENT
  • "Man wants but little here below"
  • LITTLE I ask; my wants are few;
  • I only wish a hut of stone,
  • (A _very plain_ brown stone will do,)
  • That I may call my own;--
  • And close at hand is such a one,
  • In yonder street that fronts the sun.
  • Plain food is quite enough for me;
  • Three courses are as good as ten;--
  • If Nature can subsist on three,
  • Thank Heaven for three. Amen
  • I always thought cold victual nice;--
  • My _choice_ would be vanilla-ice.
  • I care not much for gold or land;--
  • Give me a mortgage here and there,--
  • Some good bank-stock, some note of hand,
  • Or trifling railroad share,--
  • I only ask that Fortune send
  • A _little_ more than I shall spend.
  • Honors are silly toys, I know,
  • And titles are but empty names;
  • I would, _perhaps_, be Plenipo,--
  • But only near St. James;
  • I'm very sure I should not care
  • To fill our Gubernator's chair.
  • Jewels are baubles; 't is a sin
  • To care for such unfruitful things;--
  • One good-sized diamond in a pin,--
  • Some, not so large, in rings,--
  • A ruby, and a pearl, or so,
  • Will do for me;--I laugh at show.
  • My dame should dress in cheap attire;
  • (Good, heavy silks are never dear;)--
  • I own perhaps I might desire
  • Some shawls of true Cashmere,--
  • Some marrowy crapes of China silk,
  • Like wrinkled skins on scalded milk.
  • I would not have the horse I drive
  • So fast that folks must stop and stare;
  • An easy gait--two, forty-five--
  • Suits me; I do not care;--
  • Perhaps, for just a _single spurt_,
  • Some seconds less would do no hurt.
  • Of pictures, I should like to own
  • Titians and Raphaels three or four,--
  • I love so much their style and tone,
  • One Turner, and no more,
  • (A landscape,--foreground golden dirt,--
  • The sunshine painted with a squirt.)
  • Of books but few,--some fifty score
  • For daily use, and bound for wear;
  • The rest upon an upper floor;--
  • Some _little_ luxury _there_
  • Of red morocco's gilded gleam
  • And vellum rich as country cream.
  • Busts, cameos, gems,--such things as these,
  • Which others often show for pride,
  • I value for their power to please,
  • And selfish churls deride;--
  • _One_ Stradivarius, I confess,
  • _Two_ Meerschaums, I would fain possess.
  • Wealth's wasteful tricks I will not learn,
  • Nor ape the glittering upstart fool;--
  • Shall not carved tables serve my turn,
  • But _all_ must be of buhl?
  • Give grasping pomp its double share,--
  • I ask but _one_ recumbent chair.
  • Thus humble let me live and die,
  • Nor long for Midas' golden touch;
  • If Heaven more generous gifts deny,
  • I shall not miss them much,--
  • Too grateful for the blessing lent
  • Of simple tastes and mind content!
  • AESTIVATION
  • AN UNPUBLISHED POEM, BY MY LATE LATIN TUTOR
  • IN candent ire the solar splendor flames;
  • The foles, langueseent, pend from arid rames;
  • His humid front the Give, anheling, wipes,
  • And dreams of erring on ventiferous riper.
  • How dulce to vive occult to mortal eyes,
  • Dorm on the herb with none to supervise,
  • Carp the suave berries from the crescent vine,
  • And bibe the flow from longicaudate kine!
  • To me, alas! no verdurous visions come,
  • Save yon exiguous pool's conferva-scum,--
  • No concave vast repeats the tender hue
  • That laves my milk-jug with celestial blue!
  • Me wretched! Let me curr to quercine shades!
  • Effund your albid hausts, lactiferous maids!
  • Oh, might I vole to some umbrageous clump,--
  • Depart,--be off,--excede,--evade,--erump!
  • THE DEACON'S MASTERPIECE
  • OR, THE WONDERFUL "ONE-HOSS SHAY"
  • A LOGICAL STORY
  • HAVE you heard of the wonderful one-hoss shay,
  • That was built in such a logical way
  • It ran a hundred years to a day,
  • And then, of a sudden, it--ah, but stay,
  • I 'll tell you what happened without delay,
  • Scaring the parson into fits,
  • Frightening people out of their wits,--
  • Have you ever heard of that, I say?
  • Seventeen hundred and fifty-five.
  • _Georgius Secundus_ was then alive,--
  • Snuffy old drone from the German hive.
  • That was the year when Lisbon-town
  • Saw the earth open and gulp her down,
  • And Braddock's army was done so brown,
  • Left without a scalp to its crown.
  • It was on the terrible Earthquake-day
  • That the Deacon finished the one-hoss shay.
  • Now in building of chaises, I tell you what,
  • There is always _somewhere_ a weakest spot,--
  • In hub, tire, felloe, in spring or thill,
  • In panel, or crossbar, or floor, or sill,
  • In screw, bolt, thoroughbrace,--lurking still,
  • Find it somewhere you must and will,--
  • Above or below, or within or without,--
  • And that 's the reason, beyond a doubt,
  • That a chaise breaks down, but does n't wear out.
  • But the Deacon swore (as Deacons do,
  • With an "I dew vum," or an "I tell yeou ")
  • He would build one shay to beat the taown
  • 'n' the keounty 'n' all the kentry raoun';
  • It should be so built that it couldn' break daown
  • "Fur," said the Deacon, "'t 's mighty plain
  • Thut the weakes' place mus' stan' the strain;
  • 'n' the way t' fix it, uz I maintain,
  • Is only jest
  • T' make that place uz strong uz the rest."
  • So the Deacon inquired of the village folk
  • Where he could find the strongest oak,
  • That couldn't be split nor bent nor broke,--
  • That was for spokes and floor and sills;
  • He sent for lancewood to make the thills;
  • The crossbars were ash, from the straightest trees,
  • The panels of white-wood, that cuts like cheese,
  • But lasts like iron for things like these;
  • The hubs of logs from the "Settler's ellum,"--
  • Last of its timber,--they could n't sell 'em,
  • Never an axe had seen their chips,
  • And the wedges flew from between their lips,
  • Their blunt ends frizzled like celery-tips;
  • Step and prop-iron, bolt and screw,
  • Spring, tire, axle, and linchpin too,
  • Steel of the finest, bright and blue;
  • Thoroughbrace bison-skin, thick and wide;
  • Boot, top, dasher, from tough old hide
  • Found in the pit when the tanner died.
  • That was the way he "put her through."
  • "There!" said the Deacon, "naow she 'll dew!"
  • Do! I tell you, I rather guess
  • She was a wonder, and nothing less!
  • Colts grew horses, beards turned gray,
  • Deacon and deaconess dropped away,
  • Children and grandchildren--where were they?
  • But there stood the stout old one-hoss shay
  • As fresh as on Lisbon-earthquake-day!
  • EIGHTEEN HUNDRED;--it came and found
  • The Deacon's masterpiece strong and sound.
  • Eighteen hundred increased by ten;--
  • "Hahnsum kerridge" they called it then.
  • Eighteen hundred and twenty came;--
  • Running as usual; much the same.
  • Thirty and forty at last arrive,
  • And then come fifty, and FIFTY-FIVE.
  • First of November, 'Fifty-five!
  • This morning the parson takes a drive.
  • Now, small boys, get out of the way!
  • Here comes the wonderful one-hoss shay,
  • Little of all we value here
  • Wakes on the morn of its hundredth year
  • Without both feeling and looking queer.
  • In fact, there 's nothing that keeps its youth,
  • So far as I know, but a tree and truth.
  • (This is a moral that runs at large;
  • Take it.--You 're welcome.--No extra charge.)
  • FIRST OF NOVEMBER,--the Earthquake-day,--
  • There are traces of age in the one-hoss shay,
  • A general flavor of mild decay,
  • But nothing local, as one may say.
  • There couldn't be,--for the Deacon's art
  • Had made it so like in every part
  • That there was n't a chance for one to start.
  • For the wheels were just as strong as the thills,
  • And the floor was just as strong as the sills,
  • And the panels just as strong as the floor,
  • And the whipple-tree neither less nor more,
  • And the back-crossbar as strong as the fore,
  • And spring and axle and hub encore.
  • And yet, as a whole, it is past a doubt
  • In another hour it will be worn out!
  • Drawn by a rat-tailed, ewe-necked bay.
  • "Huddup!" said the parson.--Off went they.
  • The parson was working his Sunday's text,--
  • Had got to fifthly, and stopped perplexed
  • At what the--Moses--was coming next.
  • All at once the horse stood still,
  • Close by the meet'n'-house on the hill.
  • First a shiver, and then a thrill,
  • Then something decidedly like a spill,--
  • And the parson was sitting upon a rock,
  • At half past nine by the meet'n'-house clock,--
  • Just the hour of the Earthquake shock!
  • What do you think the parson found,
  • When he got up and stared around?
  • The poor old chaise in a heap or mound,
  • As if it had been to the mill and ground!
  • You see, of course, if you 're not a dunce,
  • How it went to pieces all at once,--
  • All at once, and nothing first,--
  • Just as bubbles do when they burst.
  • End of the wonderful one-hoss shay.
  • Logic is logic. That's all I say.
  • PARSON TURELL'S LEGACY
  • OR, THE PRESIDENT'S OLD ARM-CHAIR
  • A MATHEMATICAL STORY
  • FACTS respecting an old arm-chair.
  • At Cambridge. Is kept in the College there.
  • Seems but little the worse for wear.
  • That 's remarkable when I say
  • It was old in President Holyoke's day.
  • (One of his boys, perhaps you know,
  • Died, _at one hundred_, years ago.)
  • He took lodgings for rain or shine
  • Under green bed-clothes in '69.
  • Know old Cambridge? Hope you do.--
  • Born there? Don't say so! I was, too.
  • (Born in a house with a gambrel-roof,--
  • Standing still, if you must have proof.--
  • "Gambrel?--Gambrel?"--Let me beg
  • You'll look at a horse's hinder leg,--
  • First great angle above the hoof,--
  • That 's the gambrel; hence gambrel-roof.)
  • Nicest place that ever was seen,--
  • Colleges red and Common green,
  • Sidewalks brownish with trees between.
  • Sweetest spot beneath the skies
  • When the canker-worms don't rise,--
  • When the dust, that sometimes flies
  • Into your mouth and ears and eyes,
  • In a quiet slumber lies,
  • _Not_ in the shape of umbaked pies
  • Such as barefoot children prize.
  • A kind of harbor it seems to be,
  • Facing the flow of a boundless sea.
  • Rows of gray old Tutors stand
  • Ranged like rocks above the sand;
  • Rolling beneath them, soft and green,
  • Breaks the tide of bright sixteen,--
  • One wave, two waves, three waves, four,--
  • Sliding up the sparkling floor.
  • Then it ebbs to flow no more,
  • Wandering off from shore to shore
  • With its freight of golden ore!
  • Pleasant place for boys to play;--
  • Better keep your girls away;
  • Hearts get rolled as pebbles do
  • Which countless fingering waves pursue,
  • And every classic beach is strown
  • With heart-shaped pebbles of blood-red stone.
  • But this is neither here nor there;
  • I'm talking about an old arm-chair.
  • You 've heard, no doubt, of PARSON TURELL?
  • Over at Medford he used to dwell;
  • Married one of the Mathers' folk;
  • Got with his wife a chair of oak,--
  • Funny old chair with seat like wedge,
  • Sharp behind and broad front edge,--
  • One of the oddest of human things,
  • Turned all over with knobs and rings,--
  • But heavy, and wide, and deep, and grand,--
  • Fit for the worthies of the land,--
  • Chief Justice Sewall a cause to try in,
  • Or Cotton Mather to sit--and lie--in.
  • Parson Turell bequeathed the same
  • To a certain student,--SMITH by name;
  • These were the terms, as we are told:
  • "Saide Smith saide Chaire to have and holde;
  • When he doth graduate, then to passe
  • To ye oldest Youth in ye Senior Classe.
  • On payment of "--(naming a certain sum)--
  • "By him to whom ye Chaire shall come;
  • He to ye oldest Senior next,
  • And soe forever,"--(thus runs the text,)--
  • "But one Crown lesse then he gave to claime,
  • That being his Debte for use of same."
  • Smith transferred it to one of the BROWNS,
  • And took his money,--five silver crowns.
  • Brown delivered it up to MOORE,
  • Who paid, it is plain, not five, but four.
  • Moore made over the chair to LEE,
  • Who gave him crowns of silver three.
  • Lee conveyed it unto DREW,
  • And now the payment, of course, was two.
  • Drew gave up the chair to DUNN,--
  • All he got, as you see, was one.
  • Dunn released the chair to HALL,
  • And got by the bargain no crown at all.
  • And now it passed to a second BROWN,
  • Who took it and likewise claimed a crown.
  • When Brown conveyed it unto WARE,
  • Having had one crown, to make it fair,
  • He paid him two crowns to take the chair;
  • And Ware, being honest, (as all Wares be,)
  • He paid one POTTER, who took it, three.
  • Four got ROBINSON; five got Dix;
  • JOHNSON primus demanded six;
  • And so the sum kept gathering still
  • Till after the battle of Bunker's Hill.
  • When paper money became so cheap,
  • Folks would n't count it, but said "a heap,"
  • A certain RICHARDS,--the books declare,--
  • (A. M. in '90? I've looked with care
  • Through the Triennial,--name not there,)--
  • This person, Richards, was offered then
  • Eightscore pounds, but would have ten;
  • Nine, I think, was the sum he took,--
  • Not quite certain,--but see the book.
  • By and by the wars were still,
  • But nothing had altered the Parson's will.
  • The old arm-chair was solid yet,
  • But saddled with such a monstrous debt!
  • Things grew quite too bad to bear,
  • Paying such sums to get rid of the chair
  • But dead men's fingers hold awful tight,
  • And there was the will in black and white,
  • Plain enough for a child to spell.
  • What should be done no man could tell,
  • For the chair was a kind of nightmare curse,
  • And every season but made it worse.
  • As a last resort, to clear the doubt,
  • They got old GOVERNOR HANCOCK out.
  • The Governor came with his Lighthorse Troop
  • And his mounted truckmen, all cock-a-hoop;
  • Halberds glittered and colors flew,
  • French horns whinnied and trumpets blew,
  • The yellow fifes whistled between their teeth,
  • And the bumble-bee bass-drums boomed beneath;
  • So he rode with all his band,
  • Till the President met him, cap in hand.
  • The Governor "hefted" the crowns, and said,--
  • "A will is a will, and the Parson's dead."
  • The Governor hefted the crowns. Said he,--
  • "There is your p'int. And here 's my fee.
  • "These are the terms you must fulfil,--
  • On such conditions I BREAK THE WILL!"
  • The Governor mentioned what these should be.
  • (Just wait a minute and then you 'll see.)
  • The President prayed. Then all was still,
  • And the Governor rose and BROKE THE WILL!
  • "About those conditions?" Well, now you go
  • And do as I tell you, and then you'll know.
  • Once a year, on Commencement day,
  • If you 'll only take the pains to stay,
  • You'll see the President in the CHAIR,
  • Likewise the Governor sitting there.
  • The President rises; both old and young
  • May hear his speech in a foreign tongue,
  • The meaning whereof, as lawyers swear,
  • Is this: Can I keep this old arm-chair?
  • And then his Excellency bows,
  • As much as to say that he allows.
  • The Vice-Gub. next is called by name;
  • He bows like t' other, which means the same.
  • And all the officers round 'em bow,
  • As much as to say that they allow.
  • And a lot of parchments about the chair
  • Are handed to witnesses then and there,
  • And then the lawyers hold it clear
  • That the chair is safe for another year.
  • God bless you, Gentlemen! Learn to give
  • Money to colleges while you live.
  • Don't be silly and think you'll try
  • To bother the colleges, when you die,
  • With codicil this, and codicil that,
  • That Knowledge may starve while Law grows fat;
  • For there never was pitcher that wouldn't spill,
  • And there's always a flaw in a donkey's will!
  • ODE FOR A SOCIAL MEETING
  • WITH SLIGHT ALTERATIONS BY A TEETOTALER--(...)
  • COME! fill a fresh bumper, for why should we go
  • While the nectar (logwood) still reddens our cups as they flow?
  • Pour out the rich juices (decoction) still bright with the sun,
  • Till o'er the brimmed crystal the rubies (dye-stuff) shall run.
  • The purple-globed clusters (half-ripened apples) their life-dews have
  • bled;
  • How sweet is the breath (taste) of the fragrance they shed!(sugar of
  • lead)
  • For summer's last roses (rank poisons) lie hid in the wines (wines!!!)
  • That were garnered by maidens who laughed through the vines (stable-boys
  • smoking long-nines)
  • Then a smile (scowl) and a glass (howl) and a toast (scoff) and a cheer
  • (sneer);
  • For all the good wine, and we 've some of it here! (strychnine and
  • whiskey, and ratsbane and beer!)
  • In cellar, in pantry, in attic, in hall,
  • Long live the gay servant that laughs for us all! (Down, down with the
  • tyrant that masters us all!)
  • POEMS FROM THE PROFESSOR AT THE BREAKFAST-TABLE
  • 1858-1859
  • UNDER THE VIOLETS
  • HER hands are cold; her face is white;
  • No more her pulses come and go;
  • Her eyes are shut to life and light;--
  • Fold the white vesture, snow on snow,
  • And lay her where the violets blow.
  • But not beneath a graven stone,
  • To plead for tears with alien eyes;
  • A slender cross of wood alone
  • Shall say, that here a maiden lies
  • In peace beneath the peaceful skies.
  • And gray old trees of hugest limb
  • Shall wheel their circling shadows round
  • To make the scorching sunlight dim
  • That drinks the greenness from the ground,
  • And drop their dead leaves on her mound.
  • When o'er their boughs the squirrels run,
  • And through their leaves the robins call,
  • And, ripening in the autumn sun,
  • The acorns and the chestnuts fall,
  • Doubt not that she will heed them all.
  • For her the morning choir shall sing
  • Its matins from the branches high,
  • And every minstrel-voice of Spring,
  • That trills beneath the April sky,
  • Shall greet her with its earliest cry.
  • When, turning round their dial-track,
  • Eastward the lengthening shadows pass,
  • Her little mourners, clad in black,
  • The crickets, sliding through the grass,
  • Shall pipe for her an evening mass.
  • At last the rootlets of the trees
  • Shall find the prison where she lies,
  • And bear the buried dust they seize
  • In leaves and blossoms to the skies.
  • So may the soul that warmed it rise!
  • If any, born of kindlier blood,
  • Should ask, What maiden lies below?
  • Say only this: A tender bud,
  • That tried to blossom in the snow,
  • Lies withered where the violets blow.
  • HYMN OF TRUST
  • O Love Divine, that stooped to share
  • Our sharpest pang, our bitterest tear,
  • On Thee we cast each earth-born care,
  • We smile at pain while Thou art near!
  • Though long the weary way we tread,
  • And sorrow crown each lingering year,
  • No path we shun, no darkness dread,
  • Our hearts still whispering, Thou art near!
  • When drooping pleasure turns to grief,
  • And trembling faith is changed to fear,
  • The murmuring wind, the quivering leaf,
  • Shall softly tell us, Thou art near!
  • On Thee we fling our burdening woe,
  • O Love Divine, forever dear,
  • Content to suffer while we know,
  • Living and dying, Thou art near!
  • A SUN-DAY HYMN
  • LORD of all being! throned afar,
  • Thy glory flames from sun and star;
  • Centre and soul of every sphere,
  • Yet to each loving heart how near!
  • Sun of our life, thy quickening ray
  • Sheds on our path the glow of day;
  • Star of our hope, thy softened light
  • Cheers the long watches of the night.
  • Our midnight is thy smile withdrawn;
  • Our noontide is thy gracious dawn;
  • Our rainbow arch thy mercy's sign;
  • All, save the clouds of sin, are thin!
  • Lord of all life, below, above,
  • Whose light is truth, whose warmth is love,
  • Before thy ever-blazing throne
  • We ask no lustre of our own.
  • Grant us thy truth to make us free,
  • And kindling hearts that burn for thee,
  • Till all thy living altars claim
  • One holy light, one heavenly flame!
  • THE CROOKED FOOTPATH
  • AH, here it is! the sliding rail
  • That marks the old remembered spot,--
  • The gap that struck our school-boy trail,--
  • The crooked path across the lot.
  • It left the road by school and church,
  • A pencilled shadow, nothing more,
  • That parted from the silver-birch
  • And ended at the farm-house door.
  • No line or compass traced its plan;
  • With frequent bends to left or right,
  • In aimless, wayward curves it ran,
  • But always kept the door in sight.
  • The gabled porch, with woodbine green,--
  • The broken millstone at the sill,--
  • Though many a rood might stretch between,
  • The truant child could see them still.
  • No rocks across the pathway lie,--
  • No fallen trunk is o'er it thrown,--
  • And yet it winds, we know not why,
  • And turns as if for tree or stone.
  • Perhaps some lover trod the way
  • With shaking knees and leaping heart,--
  • And so it often runs astray
  • With sinuous sweep or sudden start.
  • Or one, perchance, with clouded brain
  • From some unholy banquet reeled,--
  • And since, our devious steps maintain
  • His track across the trodden field.
  • Nay, deem not thus,--no earthborn will
  • Could ever trace a faultless line;
  • Our truest steps are human still,--
  • To walk unswerving were divine!
  • Truants from love, we dream of wrath;
  • Oh, rather let us trust the more!
  • Through all the wanderings of the path,
  • We still can see our Father's door!
  • IRIS, HER BOOK
  • I PRAY thee by the soul of her that bore thee,
  • By thine own sister's spirit I implore thee,
  • Deal gently with the leaves that lie before thee!
  • For Iris had no mother to infold her,
  • Nor ever leaned upon a sister's shoulder,
  • Telling the twilight thoughts that Nature told her.
  • She had not learned the mystery of awaking
  • Those chorded keys that soothe a sorrow's aching,
  • Giving the dumb heart voice, that else were breaking.
  • Yet lived, wrought, suffered. Lo, the pictured token
  • Why should her fleeting day-dreams fade unspoken,
  • Like daffodils that die with sheaths unbroken?
  • She knew not love, yet lived in maiden fancies,--
  • Walked simply clad, a queen of high romances,
  • And talked strange tongues with angels in her trances.
  • Twin-souled she seemed, a twofold nature wearing:
  • Sometimes a flashing falcon in her daring,
  • Then a poor mateless dove that droops despairing.
  • Questioning all things: Why her Lord had sent her?
  • What were these torturing gifts, and wherefore lent her?
  • Scornful as spirit fallen, its own tormentor.
  • And then all tears and anguish: Queen of Heaven,
  • Sweet Saints, and Thou by mortal sorrows riven,
  • Save me! Oh, save me! Shall I die forgiven?
  • And then--Ah, God! But nay, it little matters:
  • Look at the wasted seeds that autumn scatters,
  • The myriad germs that Nature shapes and shatters!
  • If she had--Well! She longed, and knew not wherefore.
  • Had the world nothing she might live to care for?
  • No second self to say her evening prayer for?
  • She knew the marble shapes that set men dreaming,
  • Yet with her shoulders bare and tresses streaming
  • Showed not unlovely to her simple seeming.
  • Vain? Let it be so! Nature was her teacher.
  • What if a lonely and unsistered creature
  • Loved her own harmless gift of pleasing feature,
  • Saying, unsaddened,--This shall soon be faded,
  • And double-hued the shining tresses braided,
  • And all the sunlight of the morning shaded?
  • This her poor book is full of saddest follies,
  • Of tearful smiles and laughing melancholies,
  • With summer roses twined and wintry hollies.
  • In the strange crossing of uncertain chances,
  • Somewhere, beneath some maiden's tear-dimmed glances
  • May fall her little book of dreams and fancies.
  • Sweet sister! Iris, who shall never name thee,
  • Trembling for fear her open heart may shame thee,
  • Speaks from this vision-haunted page to claim thee.
  • Spare her, I pray thee! If the maid is sleeping,
  • Peace with her! she has had her hour of weeping.
  • No more! She leaves her memory in thy keeping.
  • ROBINSON OF LEYDEN
  • HE sleeps not here; in hope and prayer
  • His wandering flock had gone before,
  • But he, the shepherd, might not share
  • Their sorrows on the wintry shore.
  • Before the Speedwell's anchor swung,
  • Ere yet the Mayflower's sail was spread,
  • While round his feet the Pilgrims clung,
  • The pastor spake, and thus he said:--
  • "Men, brethren, sisters, children dear!
  • God calls you hence from over sea;
  • Ye may not build by Haerlem Meer,
  • Nor yet along the Zuyder-Zee.
  • "Ye go to bear the saving word
  • To tribes unnamed and shores untrod;
  • Heed well the lessons ye have heard
  • From those old teachers taught of God.
  • "Yet think not unto them was lent
  • All light for all the coming days,
  • And Heaven's eternal wisdom spent
  • In making straight the ancient ways;
  • "The living fountain overflows
  • For every flock, for every lamb,
  • Nor heeds, though angry creeds oppose
  • With Luther's dike or Calvin's dam."
  • He spake; with lingering, long embrace,
  • With tears of love and partings fond,
  • They floated down the creeping Maas,
  • Along the isle of Ysselmond.
  • They passed the frowning towers of Briel,
  • The "Hook of Holland's" shelf of sand,
  • And grated soon with lifting keel
  • The sullen shores of Fatherland.
  • No home for these!--too well they knew
  • The mitred king behind the throne;--
  • The sails were set, the pennons flew,
  • And westward ho! for worlds unknown.
  • And these were they who gave us birth,
  • The Pilgrims of the sunset wave,
  • Who won for us this virgin earth,
  • And freedom with the soil they gave.
  • The pastor slumbers by the Rhine,--
  • In alien earth the exiles lie,--
  • Their nameless graves our holiest shrine,
  • His words our noblest battle-cry!
  • Still cry them, and the world shall hear,
  • Ye dwellers by the storm-swept sea!
  • Ye _have_ not built by Haerlem Meer,
  • Nor on the land-locked Zuyder-Zee!
  • ST. ANTHONY THE REFORMER
  • HIS TEMPTATION
  • No fear lest praise should make us proud!
  • We know how cheaply that is won;
  • The idle homage of the crowd
  • Is proof of tasks as idly done.
  • A surface-smile may pay the toil
  • That follows still the conquering Right,
  • With soft, white hands to dress the spoil
  • That sun-browned valor clutched in fight.
  • Sing the sweet song of other days,
  • Serenely placid, safely true,
  • And o'er the present's parching ways
  • The verse distils like evening dew.
  • But speak in words of living power,--
  • They fall like drops of scalding rain
  • That plashed before the burning shower
  • Swept o' er the cities of the plain!
  • Then scowling Hate turns deadly pale,--
  • Then Passion's half-coiled adders spring,
  • And, smitten through their leprous mail,
  • Strike right and left in hope to sting.
  • If thou, unmoved by poisoning wrath,
  • Thy feet on earth, thy heart above,
  • Canst walk in peace thy kingly path,
  • Unchanged in trust, unchilled in love,--
  • Too kind for bitter words to grieve,
  • Too firm for clamor to dismay,
  • When Faith forbids thee to believe,
  • And Meekness calls to disobey,--
  • Ah, then beware of mortal pride!
  • The smiling pride that calmly scorns
  • Those foolish fingers, crimson dyed
  • In laboring on thy crown of thorns!
  • THE OPENING OF THE PIANO
  • IN the little southern parlor of the house you may have seen
  • With the gambrel-roof, and the gable looking westward to the green,
  • At the side toward the sunset, with the window on its right,
  • Stood the London-made piano I am dreaming of to-night!
  • Ah me I how I remember the evening when it came!
  • What a cry of eager voices, what a group of cheeks in flame,
  • When the wondrous box was opened that had come from over seas,
  • With its smell of mastic-varnish and its flash of ivory keys!
  • Then the children all grew fretful in the restlessness of joy,
  • For the boy would push his sister, and the sister crowd the boy,
  • Till the father asked for quiet in his grave paternal way,
  • But the mother hushed the tumult with the words, "Now, Mary, play."
  • For the dear soul knew that music was a very sovereign balm;
  • She had sprinkled it over Sorrow and seen its brow grow calm,
  • In the days of slender harpsichords with tapping tinkling quills,
  • Or carolling to her spinet with its thin metallic thrills.
  • So Mary, the household minstrel, who always loved to please,
  • Sat down to the new "Clementi," and struck the glittering keys.
  • Hushed were the children's voices, and every eye grew dim,
  • As, floating from lip and finger, arose the "Vesper Hymn."
  • Catharine, child of a neighbor, curly and rosy-red,
  • (Wedded since, and a widow,--something like ten years dead,)
  • Hearing a gush of music such as none before,
  • Steals from her mother's chamber and peeps at the open door.
  • Just as the "Jubilate" in threaded whisper dies,
  • "Open it! open it, lady!" the little maiden cries,
  • (For she thought 't was a singing creature caged in a box she heard,)
  • "Open it! open it, lady! and let me see the _bird!_"
  • MIDSUMMER
  • HERE! sweep these foolish leaves away,
  • I will not crush my brains to-day!
  • Look! are the southern curtains drawn?
  • Fetch me a fan, and so begone!
  • Not that,--the palm-tree's rustling leaf
  • Brought from a parching coral-reef
  • Its breath is heated;--I would swing
  • The broad gray plumes,--the eagle's wing.
  • I hate these roses' feverish blood!
  • Pluck me a half-blown lily-bud,
  • A long-stemmed lily from the lake,
  • Cold as a coiling water-snake.
  • Rain me sweet odors on the air,
  • And wheel me up my Indian chair,
  • And spread some book not overwise
  • Flat out before my sleepy eyes.
  • Who knows it not,--this dead recoil
  • Of weary fibres stretched with toil,--
  • The pulse that flutters faint and low
  • When Summer's seething breezes blow!
  • O Nature! bare thy loving breast,
  • And give thy child one hour of rest,--
  • One little hour to lie unseen
  • Beneath thy scarf of leafy green!
  • So, curtained by a singing pine,
  • Its murmuring voice shall blend with mine,
  • Till, lost in dreams, my faltering lay
  • In sweeter music dies away.
  • DE SAUTY
  • AN ELECTRO-CHEMICAL ECLOGUE
  • The first messages received through the submarine cable
  • were sent by an electrical expert, a mysterious personage
  • who signed himself De Sauty.
  • Professor Blue-Nose
  • PROFESSOR
  • TELL me, O Provincial! speak, Ceruleo-Nasal!
  • Lives there one De Sauty extant now among you,
  • Whispering Boanerges, son of silent thunder,
  • Holding talk with nations?
  • Is there a De Sauty ambulant on Tellus,
  • Bifid-cleft like mortals, dormient in nightcap,
  • Having sight, smell, hearing, food-receiving feature
  • Three times daily patent?
  • Breathes there such a being, O Ceruleo-Nasal?
  • Or is he a _mythus_,--ancient word for "humbug"--
  • Such as Livy told about the wolf that wet-nursed
  • Romulus and Remus?
  • Was he born of woman, this alleged De Sauty?
  • Or a living product of galvanic action,
  • Like the acarus bred in Crosse's flint-solution?
  • Speak, thou Cyano-Rhinal!
  • BLUE-NOSE
  • Many things thou askest, jackknife-bearing stranger,
  • Much-conjecturing mortal, pork-and-treacle-waster!
  • Pretermit thy whittling, wheel thine ear-flap toward me,
  • Thou shall hear them answered.
  • When the charge galvanic tingled through the cable,
  • At the polar focus of the wire electric
  • Suddenly appeared a white-faced man among us
  • Called himself "DE SAUTY."
  • As the small opossum held in pouch maternal
  • Grasps the nutrient organ whence the term mammalia,
  • So the unknown stranger held the wire electric,
  • Sucking in the current.
  • When the current strengthened, bloomed the pale-faced stranger,--
  • Took no drink nor victual, yet grew fat and rosy,--
  • And from time to time, in sharp articulation,
  • Said, "All right! DE SAUTY."
  • From the lonely station passed the utterance, spreading
  • Through the pines and hemlocks to the groves of steeples,
  • Till the land was filled with loud reverberations
  • Of "_All right_ DE SAUTY."
  • When the current slackened, drooped the mystic stranger,--
  • Faded, faded, faded, as the stream grew weaker,--
  • Wasted to a shadow, with a hartshorn odor
  • Of disintegration.
  • Drops of deliquescence glistened on his forehead,
  • Whitened round his feet the dust of efflorescence,
  • Till one Monday morning, when the flow suspended,
  • There was no De Sauty.
  • Nothing but a cloud of elements organic,
  • C. O. H. N. Ferrum, Chlor. Flu. Sil. Potassa,
  • Cale. Sod. Phosph. Mag. Sulphur, Mang. (?)
  • Alumin. (?) Cuprum, (?)
  • Such as man is made of.
  • Born of stream galvanic, with it he had perished!
  • There is no De Sauty now there is no current!
  • Give us a new cable, then again we'll hear him
  • Cry, "All right! DE SAUTY."
  • POEMS FROM THE POET AT THE BREAKFAST-TABLE
  • 1871-1872
  • HOMESICK IN HEAVEN
  • THE DIVINE VOICE
  • Go seek thine earth-born sisters,--thus the Voice
  • That all obey,--the sad and silent three;
  • These only, while the hosts of Heaven rejoice,
  • Smile never; ask them what their sorrows be;
  • And when the secret of their griefs they tell,
  • Look on them with thy mild, half-human eyes;
  • Say what thou wast on earth; thou knowest well;
  • So shall they cease from unavailing sighs.
  • THE ANGEL
  • Why thus, apart,--the swift-winged herald spake,--
  • Sit ye with silent lips and unstrung lyres
  • While the trisagion's blending chords awake
  • In shouts of joy from all the heavenly choirs?
  • FIRST SPIRIT
  • Chide not thy sisters,--thus the answer came;--
  • Children of earth, our half-weaned nature clings
  • To earth's fond memories, and her whispered name
  • Untunes our quivering lips, our saddened strings;
  • For there we loved, and where we love is home,
  • Home that our feet may leave, but not our hearts,
  • Though o'er us shine the jasper-lighted dome:--
  • The chain may lengthen, but it never parts!
  • Sometimes a sunlit sphere comes rolling by,
  • And then we softly whisper,--can it be?
  • And leaning toward the silvery orb, we try
  • To hear the music of its murmuring sea;
  • To catch, perchance, some flashing glimpse of green,
  • Or breathe some wild-wood fragrance, wafted through
  • The opening gates of pearl, that fold between
  • The blinding splendors and the changeless blue.
  • THE ANGEL
  • Nay, sister, nay! a single healing leaf
  • Plucked from the bough of yon twelve-fruited tree
  • Would soothe such anguish,--deeper stabbing grief
  • Has pierced thy throbbing heart--
  • THE FIRST SPIRIT
  • Ah, woe is me! I from my clinging babe was rudely torn;
  • His tender lips a loveless bosom pressed;
  • Can I forget him in my life new born?
  • Oh that my darling lay upon my breast!
  • THE ANGEL
  • And thou?--
  • THE SECOND SPIRIT
  • I was a fair and youthful bride,
  • The kiss of love still burns upon my cheek,
  • He whom I worshipped, ever at my side,--
  • Him through the spirit realm in vain I seek.
  • Sweet faces turn their beaming eyes on mine;
  • Ah! not in these the wished-for look I read;
  • Still for that one dear human smile I pine;
  • _Thou and none other!_--is the lover's creed.
  • THE ANGEL
  • And whence thy sadness in a world of bliss
  • Where never parting comes, nor mourner's tear?
  • Art thou, too, dreaming of a mortal's kiss
  • Amid the seraphs of the heavenly sphere?
  • THE THIRD SPIRIT
  • Nay, tax not me with passion's wasting fire;
  • When the swift message set my spirit free,
  • Blind, helpless, lone, I left my gray-haired sire;
  • My friends were many, he had none save me.
  • I left him, orphaned, in the starless night;
  • Alas, for him no cheerful morning's dawn
  • I wear the ransomed spirit's robe of white,
  • Yet still I hear him moaning, _She is gone!_
  • THE ANGEL
  • Ye know me not, sweet sisters?--All in vain
  • Ye seek your lost ones in the shapes they wore;
  • The flower once opened may not bud again,
  • The fruit once fallen finds the stem no more.
  • Child, lover, sire,--yea, all things loved below,--
  • Fair pictures damasked on a vapor's fold,--
  • Fade like the roseate flush, the golden glow,
  • When the bright curtain of the day is rolled.
  • I was the babe that slumbered on thy breast.
  • And, sister, mine the lips that called thee bride.
  • Mine were the silvered locks thy hand caressed,
  • That faithful hand, my faltering footstep's guide!
  • Each changing form, frail vesture of decay,
  • The soul unclad forgets it once hath worn,
  • Stained with the travel of the weary day,
  • And shamed with rents from every wayside
  • thorn.
  • To lie, an infant, in thy fond embrace,--
  • To come with love's warm kisses back to thee,--
  • To show thine eyes thy gray-haired father's face,
  • Not Heaven itself could grant; this may not be!
  • Then spread your folded wings, and leave to earth
  • The dust once breathing ye have mourned so long,
  • Till Love, new risen, owns his heavenly birth,
  • And sorrow's discords sweeten into song!
  • FANTASIA
  • THE YOUNG GIRL'S POEM
  • KISS mine eyelids, beauteous Morn,
  • Blushing into life new-born!
  • Lend me violets for my hair,
  • And thy russet robe to wear,
  • And thy ring of rosiest hue
  • Set in drops of diamond dew!
  • Kiss my cheek, thou noontide ray,
  • From my Love so far away
  • Let thy splendor streaming down
  • Turn its pallid lilies brown,
  • Till its darkening shades reveal
  • Where his passion pressed its seal!
  • Kiss my lips, thou Lord of light,
  • Kiss my lips a soft good-night!
  • Westward sinks thy golden car;
  • Leave me but the evening star,
  • And my solace that shall be,
  • Borrowing all its light from thee!
  • AUNT TABITHA
  • THE YOUNG GIRL'S POEM
  • WHATEVER I do, and whatever I say,
  • Aunt Tabitha tells me that is n't the way;
  • When she was a girl (forty summers ago)
  • Aunt Tabitha tells me they never did so.
  • Dear aunt! If I only would take her advice!
  • But I like my own way, and I find it so nice
  • And besides, I forget half the things I am told;
  • But they all will come back to me--when I am old.
  • If a youth passes by, it may happen, no doubt,
  • He may chance to look in as I chance to look out;
  • She would never endure an impertinent stare,--
  • It is horrid, she says, and I must n't sit there.
  • A walk in the moonlight has pleasures, I own,
  • But it is n't quite safe to be walking alone;
  • So I take a lad's arm,--just for safety, you know,--
  • But Aunt Tabitha tells me they did n't do so.
  • How wicked we are, and how good they were then!
  • They kept at arm's length those detestable men;
  • What an era of virtue she lived in!--But stay--
  • Were the men all such rogues in Aunt Tabitha's day?
  • If the men were so wicked, I 'll ask my papa
  • How he dared to propose to my darling mamma;
  • Was he like the rest of them? Goodness! Who knows?
  • And what shall I say, if a wretch should propose?
  • I am thinking if Aunt knew so little of sin,
  • What a wonder Aunt Tabitha's aunt must have been!
  • And her grand-aunt--it scares me--how shockingly sad
  • That we girls of to-day are so frightfully bad!
  • A martyr will save us, and nothing else can;
  • Let me perish--to rescue some wretched young man!
  • Though when to the altar a victim I go,
  • Aunt Tabitha 'll tell me she never did so.
  • WIND-CLOUDS AND STAR-DRIFTS
  • FROM THE YOUNG ASTRONOMER'S POEM
  • I.
  • AMBITION
  • ANOTHER clouded night; the stars are hid,
  • The orb that waits my search is hid with them.
  • Patience! Why grudge an hour, a month, a year,
  • To plant my ladder and to gain the round
  • That leads my footsteps to the heaven of fame,
  • Where waits the wreath my sleepless midnights won?
  • Not the stained laurel such as heroes wear
  • That withers when some stronger conqueror's heel
  • Treads down their shrivelling trophies in the dust;
  • But the fair garland whose undying green
  • Not time can change, nor wrath of gods or men!
  • With quickened heart-beats I shall hear tongues
  • That speak my praise; but better far the sense
  • That in the unshaped ages, buried deep
  • In the dark mines of unaccomplished time
  • Yet to be stamped with morning's royal die
  • And coined in golden days,--in those dim years
  • I shall be reckoned with the undying dead,
  • My name emblazoned on the fiery arch,
  • Unfading till the stars themselves shall fade.
  • Then, as they call the roll of shining worlds,
  • Sages of race unborn in accents new
  • Shall count me with the Olympian ones of old,
  • Whose glories kindle through the midnight sky
  • Here glows the God of Battles; this recalls
  • The Lord of Ocean, and yon far-off sphere
  • The Sire of Him who gave his ancient name
  • To the dim planet with the wondrous rings;
  • Here flames the Queen of Beauty's silver lamp,
  • And there the moon-girt orb of mighty Jove;
  • But this, unseen through all earth's ions past,
  • A youth who watched beneath the western star
  • Sought in the darkness, found, and shewed to men;
  • Linked with his name thenceforth and evermore
  • So shall that name be syllabled anew
  • In all the tongues of all the tribes of men:
  • I that have been through immemorial years
  • Dust in the dust of my forgotten time
  • Shall live in accents shaped of blood-warm breath,
  • Yea, rise in mortal semblance, newly born
  • In shining stone, in undecaying bronze,
  • And stand on high, and look serenely down
  • On the new race that calls the earth its own.
  • Is this a cloud, that, blown athwart my soul,
  • Wears a false seeming of the pearly stain
  • Where worlds beyond the world their mingling rays
  • Blend in soft white,--a cloud that, born of earth,
  • Would cheat the soul that looks for light from heaven?
  • Must every coral-insect leave his sign
  • On each poor grain he lent to build the reef,
  • As Babel's builders stamped their sunburnt clay,
  • Or deem his patient service all in vain?
  • What if another sit beneath the shade
  • Of the broad elm I planted by the way,--
  • What if another heed the beacon light
  • I set upon the rock that wrecked my keel,--
  • Have I not done my task and served my kind?
  • Nay, rather act thy part, unnamed, unknown,
  • And let Fame blow her trumpet through the world
  • With noisy wind to swell a fool's renown,
  • Joined with some truth he stumbled blindly o'er,
  • Or coupled with some single shining deed
  • That in the great account of all his days
  • Will stand alone upon the bankrupt sheet
  • His pitying angel shows the clerk of Heaven.
  • The noblest service comes from nameless hands,
  • And the best servant does his work unseen.
  • Who found the seeds of fire and made them shoot,
  • Fed by his breath, in buds and flowers of flame?
  • Who forged in roaring flames the ponderous stone,
  • And shaped the moulded metal to his need?
  • Who gave the dragging car its rolling wheel,
  • And tamed the steed that whirls its circling round?
  • All these have left their work and not their names,--
  • Why should I murmur at a fate like theirs?
  • This is the heavenly light; the pearly stain
  • Was but a wind-cloud drifting o'er the stars!
  • II.
  • REGRETS
  • BRIEF glimpses of the bright celestial spheres,
  • False lights, false shadows, vague, uncertain gleams,
  • Pale vaporous mists, wan streaks of lurid flame,
  • The climbing of the upward-sailing cloud,
  • The sinking of the downward-falling star,--
  • All these are pictures of the changing moods
  • Borne through the midnight stillness of my soul.
  • Here am I, bound upon this pillared rock,
  • Prey to the vulture of a vast desire
  • That feeds upon my life. I burst my bands
  • And steal a moment's freedom from the beak,
  • The clinging talons and the shadowing plumes;
  • Then comes the false enchantress, with her song;
  • "Thou wouldst not lay thy forehead in the dust
  • Like the base herd that feeds and breeds and dies
  • Lo, the fair garlands that I weave for thee,
  • Unchanging as the belt Orion wears,
  • Bright as the jewels of the seven-starred Crown,
  • The spangled stream of Berenice's hair!"
  • And so she twines the fetters with the flowers
  • Around my yielding limbs, and the fierce bird
  • Stoops to his quarry,--then to feed his rage
  • Of ravening hunger I must drain my blood
  • And let the dew-drenched, poison-breeding night
  • Steal all the freshness from my fading cheek,
  • And leave its shadows round my caverned eyes.
  • All for a line in some unheeded scroll;
  • All for a stone that tells to gaping clowns,
  • "Here lies a restless wretch beneath a clod
  • Where squats the jealous nightmare men call
  • Fame!"
  • I marvel not at him who scorns his kind
  • And thinks not sadly of the time foretold
  • When the old hulk we tread shall be a wreck,
  • A slag, a cinder drifting through the sky
  • Without its crew of fools! We live too long,
  • And even so are not content to die,
  • But load the mould that covers up our bones
  • With stones that stand like beggars by the road
  • And show death's grievous wound and ask for tears;
  • Write our great books to teach men who we are,
  • Sing our fine songs that tell in artful phrase
  • The secrets of our lives, and plead and pray
  • For alms of memory with the after time,
  • Those few swift seasons while the earth shall wear
  • Its leafy summers, ere its core grows cold
  • And the moist life of all that breathes shall die;
  • Or as the new-born seer, perchance more wise,
  • Would have us deem, before its growing mass,
  • Pelted with star-dust, stoned with meteor-balls,
  • Heats like a hammered anvil, till at last
  • Man and his works and all that stirred itself
  • Of its own motion, in the fiery glow
  • Turns to a flaming vapor, and our orb
  • Shines a new sun for earths that shall be born.
  • I am as old as Egypt to myself,
  • Brother to them that squared the pyramids
  • By the same stars I watch. I read the page
  • Where every letter is a glittering world,
  • With them who looked from Shinar's clay-built towers,
  • Ere yet the wanderer of the Midland sea
  • Had missed the fallen sister of the seven.
  • I dwell in spaces vague, remote, unknown,
  • Save to the silent few, who, leaving earth,
  • Quit all communion with their living time.
  • I lose myself in that ethereal void,
  • Till I have tired my wings and long to fill
  • My breast with denser air, to stand, to walk
  • With eyes not raised above my fellow-men.
  • Sick of my unwalled, solitary realm,
  • I ask to change the myriad lifeless worlds
  • I visit as mine own for one poor patch
  • Of this dull spheroid and a little breath
  • To shape in word or deed to serve my kind.
  • Was ever giant's dungeon dug so deep,
  • Was ever tyrant's fetter forged so strong,
  • Was e'er such deadly poison in the draught
  • The false wife mingles for the trusting fool,
  • As he whose willing victim is himself,
  • Digs, forges, mingles, for his captive soul?
  • III.
  • SYMPATHIES
  • THE snows that glittered on the disk of Mars
  • Have melted, and the planet's fiery orb
  • Rolls in the crimson summer of its year;
  • But what to me the summer or the snow
  • Of worlds that throb with life in forms unknown,
  • If life indeed be theirs; I heed not these.
  • My heart is simply human; all my care
  • For them whose dust is fashioned like mine own;
  • These ache with cold and hunger, live in pain,
  • And shake with fear of worlds more full of woe;
  • There may be others worthier of my love,
  • But such I know not save through these I know.
  • There are two veils of language, hid beneath
  • Whose sheltering folds, we dare to be ourselves;
  • And not that other self which nods and smiles
  • And babbles in our name; the one is Prayer,
  • Lending its licensed freedom to the tongue
  • That tells our sorrows and our sins to Heaven;
  • The other, Verse, that throws its spangled web
  • Around our naked speech and makes it bold.
  • I, whose best prayer is silence; sitting dumb
  • In the great temple where I nightly serve
  • Him who is throned in light, have dared to claim
  • The poet's franchise, though I may not hope
  • To wear his garland; hear me while I tell
  • My story in such form as poets use,
  • But breathed in fitful whispers, as the wind
  • Sighs and then slumbers, wakes and sighs again.
  • Thou Vision, floating in the breathless air
  • Between me and the fairest of the stars,
  • I tell my lonely thoughts as unto thee.
  • Look not for marvels of the scholar's pen
  • In my rude measure; I can only show
  • A slender-margined, unillumined page,
  • And trust its meaning to the flattering eye
  • That reads it in the gracious light of love.
  • Ah, wouldst thou clothe thyself in breathing shape
  • And nestle at my side, my voice should lend
  • Whate'er my verse may lack of tender rhythm
  • To make thee listen.
  • I have stood entranced
  • When, with her fingers wandering o'er the keys,
  • The white enchantress with the golden hair
  • Breathed all her soul through some unvalued rhyme;
  • Some flower of song that long had lost its bloom;
  • Lo! its dead summer kindled as she sang!
  • The sweet contralto, like the ringdove's coo,
  • Thrilled it with brooding, fond, caressing tones,
  • And the pale minstrel's passion lived again,
  • Tearful and trembling as a dewy rose
  • The wind has shaken till it fills the air
  • With light and fragrance. Such the wondrous charm
  • A song can borrow when the bosom throbs
  • That lends it breath.
  • So from the poet's lips
  • His verse sounds doubly sweet, for none like him
  • Feels every cadence of its wave-like flow;
  • He lives the passion over, while he reads,
  • That shook him as he sang his lofty strain,
  • And pours his life through each resounding line,
  • As ocean, when the stormy winds are hushed,
  • Still rolls and thunders through his billowy caves.
  • IV.
  • MASTER AND SCHOLAR
  • LET me retrace the record of the years
  • That made me what I am. A man most wise,
  • But overworn with toil and bent with age,
  • Sought me to be his scholar,-me, run wild
  • From books and teachers,-kindled in my soul
  • The love of knowledge; led me to his tower,
  • Showed me the wonders of the midnight realm
  • His hollow sceptre ruled, or seemed to rule,
  • Taught me the mighty secrets of the spheres,
  • Trained me to find the glimmering specks of light
  • Beyond the unaided sense, and on my chart
  • To string them one by one, in order due,
  • As on a rosary a saint his beads.
  • I was his only scholar; I became
  • The echo to his thought; whate'er he knew
  • Was mine for asking; so from year to year
  • W e wrought together, till there came a time
  • When I, the learner, was the master half
  • Of the twinned being in the dome-crowned tower.
  • Minds roll in paths like planets; they revolve,
  • This in a larger, that a narrower ring,
  • But round they come at last to that same phase,
  • That selfsame light and shade they showed before.
  • I learned his annual and his monthly tale,
  • His weekly axiom and his daily phrase,
  • I felt them coming in the laden air,
  • And watched them laboring up to vocal breath,
  • Even as the first-born at his father's board
  • Knows ere he speaks the too familiar jest
  • Is on its way, by some mysterious sign
  • Forewarned, the click before the striking bell.
  • He shrivelled as I spread my growing leaves,
  • Till trust and reverence changed to pitying care;
  • He lived for me in what he once had been,
  • But I for him, a shadow, a defence,
  • The guardian of his fame, his guide, his staff,
  • Leaned on so long he fell if left alone.
  • I was his eye, his ear, his cunning hand,
  • Love was my spur and longing after fame,
  • But his the goading thorn of sleepless age
  • That sees its shortening span, its lengthening shades,
  • That clutches what it may with eager grasp,
  • And drops at last with empty, outstretched hands.
  • All this he dreamed not. He would sit him down
  • Thinking to work his problems as of old,
  • And find the star he thought so plain a blur,
  • The columned figures labyrinthine wilds
  • Without my comment, blind and senseless scrawls
  • That vexed him with their riddles; he would strive
  • And struggle for a while, and then his eye
  • Would lose its light, and over all his mind
  • The cold gray mist would settle; and erelong
  • The darkness fell, and I was left alone.
  • V.
  • ALONE
  • ALONE! no climber of an Alpine cliff,
  • No Arctic venturer on the waveless sea,
  • Feels the dread stillness round him as it chills
  • The heart of him who leaves the slumbering earth
  • To watch the silent worlds that crowd the sky.
  • Alone! And as the shepherd leaves his flock
  • To feed upon the hillside, he meanwhile
  • Finds converse in the warblings of the pipe
  • Himself has fashioned for his vacant hour,
  • So have I grown companion to myself,
  • And to the wandering spirits of the air
  • That smile and whisper round us in our dreams.
  • Thus have I learned to search if I may know
  • The whence and why of all beneath the stars
  • And all beyond them, and to weigh my life
  • As in a balance,--poising good and ill
  • Against each other,--asking of the Power
  • That flung me forth among the whirling worlds,
  • If I am heir to any inborn right,
  • Or only as an atom of the dust
  • That every wind may blow where'er it will.
  • VI.
  • QUESTIONING
  • I AM not humble; I was shown my place,
  • Clad in such robes as Nature had at hand;
  • Took what she gave, not chose; I know no shame,
  • No fear for being simply what I am.
  • I am not proud, I hold my every breath
  • At Nature's mercy. I am as a babe
  • Borne in a giant's arms, he knows not where;
  • Each several heart-beat, counted like the coin
  • A miser reckons, is a special gift
  • As from an unseen hand; if that withhold
  • Its bounty for a moment, I am left
  • A clod upon the earth to which I fall.
  • Something I find in me that well might claim
  • The love of beings in a sphere above
  • This doubtful twilight world of right and wrong;
  • Something that shows me of the self-same clay
  • That creeps or swims or flies in humblest form.
  • Had I been asked, before I left my bed
  • Of shapeless dust, what clothing I would wear,
  • I would have said, More angel and less worm;
  • But for their sake who are even such as I,
  • Of the same mingled blood, I would not choose
  • To hate that meaner portion of myself
  • Which makes me brother to the least of men.
  • I dare not be a coward with my lips
  • Who dare to question all things in my soul;
  • Some men may find their wisdom on their knees,
  • Some prone and grovelling in the dust like slaves;
  • Let the meek glowworm glisten in the dew;
  • I ask to lift my taper to the sky
  • As they who hold their lamps above their heads,
  • Trusting the larger currents up aloft,
  • Rather than crossing eddies round their breast,
  • Threatening with every puff the flickering blaze.
  • My life shall be a challenge, not a truce!
  • This is my homage to the mightier powers,
  • To ask my boldest question, undismayed
  • By muttered threats that some hysteric sense
  • Of wrong or insult will convulse the throne
  • Where wisdom reigns supreme; and if I err,
  • They all must err who have to feel their way
  • As bats that fly at noon; for what are we
  • But creatures of the night, dragged forth by day,
  • Who needs must stumble, and with stammering steps
  • Spell out their paths in syllables of pain?
  • Thou wilt not hold in scorn the child who dares
  • Look up to Thee, the Father,--dares to ask
  • More than thy wisdom answers. From thy hand
  • The worlds were cast; yet every leaflet claims
  • From that same hand its little shining sphere
  • Of star-lit dew; thine image, the great sun,
  • Girt with his mantle of tempestuous flame,
  • Glares in mid-heaven; but to his noon-tide blaze
  • The slender violet lifts its lidless eye,
  • And from his splendor steals its fairest hue,
  • Its sweetest perfume from his scorching fire.
  • VII.
  • WORSHIP
  • FROM my lone turret as I look around
  • O'er the green meadows to the ring of blue,
  • From slope, from summit, and from half-hid vale
  • The sky is stabbed with dagger-pointed spires,
  • Their gilded symbols whirling in the wind,
  • Their brazen tongues proclaiming to the world,
  • "Here truth is sold, the only genuine ware;
  • See that it has our trade-mark! You will buy
  • Poison instead of food across the way,
  • The lies of -----" this or that, each several name
  • The standard's blazon and the battle-cry
  • Of some true-gospel faction, and again
  • The token of the Beast to all beside.
  • And grouped round each I see a huddling crowd
  • Alike in all things save the words they use;
  • In love, in longing, hate and fear the same.
  • Whom do we trust and serve? We speak of one
  • And bow to many; Athens still would find
  • The shrines of all she worshipped safe within
  • Our tall barbarian temples, and the thrones
  • That crowned Olympus mighty as of old.
  • The god of music rules the Sabbath choir;
  • The lyric muse must leave the sacred nine
  • To help us please the dilettante's ear;
  • Plutus limps homeward with us, as we leave
  • The portals of the temple where we knelt
  • And listened while the god of eloquence
  • (Hermes of ancient days, but now disguised
  • In sable vestments) with that other god
  • Somnus, the son of Erebus and Nox,
  • Fights in unequal contest for our souls;
  • The dreadful sovereign of the under world
  • Still shakes his sceptre at us, and we hear
  • The baying of the triple-throated hound;
  • Eros is young as ever, and as fair
  • The lovely Goddess born of ocean's foam.
  • These be thy gods, O Israel! Who is he,
  • The one ye name and tell us that ye serve,
  • Whom ye would call me from my lonely tower
  • To worship with the many-headed throng?
  • Is it the God that walked in Eden's grove
  • In the cool hour to seek our guilty sire?
  • The God who dealt with Abraham as the sons
  • Of that old patriarch deal with other men?
  • The jealous God of Moses, one who feels
  • An image as an insult, and is wroth
  • With him who made it and his child unborn?
  • The God who plagued his people for the sin
  • Of their adulterous king, beloved of him,--
  • The same who offers to a chosen few
  • The right to praise him in eternal song
  • While a vast shrieking world of endless woe
  • Blends its dread chorus with their rapturous hymn?
  • Is this the God ye mean, or is it he
  • Who heeds the sparrow's fall, whose loving heart
  • Is as the pitying father's to his child,
  • Whose lesson to his children is "Forgive,"
  • Whose plea for all, "They know not what they do"?
  • VIII.
  • MANHOOD
  • I CLAIM the right of knowing whom I serve,
  • Else is my service idle; He that asks
  • My homage asks it from a reasoning soul.
  • To crawl is not to worship; we have learned
  • A drill of eyelids, bended neck and knee,
  • Hanging our prayers on hinges, till we ape
  • The flexures of the many-jointed worm.
  • Asia has taught her Allahs and salaams
  • To the world's children,-we have grown to men!
  • We who have rolled the sphere beneath our feet
  • To find a virgin forest, as we lay
  • The beams of our rude temple, first of all
  • Must frame its doorway high enough for man
  • To pass unstooping; knowing as we do
  • That He who shaped us last of living forms
  • Has long enough been served by creeping things,
  • Reptiles that left their footprints in the sand
  • Of old sea-margins that have turned to stone,
  • And men who learned their ritual; we demand
  • To know Him first, then trust Him and then love
  • When we have found Him worthy of our love,
  • Tried by our own poor hearts and not before;
  • He must be truer than the truest friend,
  • He must be tenderer than a woman's love,
  • A father better than the best of sires;
  • Kinder than she who bore us, though we sin
  • Oftener than did the brother we are told
  • We--poor ill-tempered mortals--must forgive,
  • Though seven times sinning threescore times and
  • ten.
  • This is the new world's gospel: Be ye men!
  • Try well the legends of the children's time;
  • Ye are the chosen people, God has led
  • Your steps across the desert of the deep
  • As now across the desert of the shore;
  • Mountains are cleft before you as the sea
  • Before the wandering tribe of Israel's sons;
  • Still onward rolls the thunderous caravan,
  • Its coming printed on the western sky,
  • A cloud by day, by night a pillared flame;
  • Your prophets are a hundred unto one
  • Of them of old who cried, "Thus saith the Lord;"
  • They told of cities that should fall in heaps,
  • But yours of mightier cities that shall rise
  • Where yet the lonely fishers spread their nets,
  • Where hides the fox and hoots the midnight owl;
  • The tree of knowledge in your garden grows
  • Not single, but at every humble door;
  • Its branches lend you their immortal food,
  • That fills you with the sense of what ye are,
  • No servants of an altar hewed and carved
  • From senseless stone by craft of human hands,
  • Rabbi, or dervish, brahmin, bishop, bonze,
  • But masters of the charm with which they work
  • To keep your hands from that forbidden tree!
  • Ye that have tasted that divinest fruit,
  • Look on this world of yours with opened eyes!
  • Y e are as gods! Nay, makers of your gods,--
  • Each day ye break an image in your shrine
  • And plant a fairer image where it stood
  • Where is the Moloch of your fathers' creed,
  • Whose fires of torment burned for span--long babes?
  • Fit object for a tender mother's love!
  • Why not? It was a bargain duly made
  • For these same infants through the surety's act
  • Intrusted with their all for earth and heaven,
  • By Him who chose their guardian, knowing well
  • His fitness for the task,--this, even this,
  • Was the true doctrine only yesterday
  • As thoughts are reckoned,--and to--day you hear
  • In words that sound as if from human tongues
  • Those monstrous, uncouth horrors of the past
  • That blot the blue of heaven and shame the earth
  • As would the saurians of the age of slime,
  • Awaking from their stony sepulchres
  • And wallowing hateful in the eye of day!
  • IX.
  • RIGHTS
  • WHAT am I but the creature Thou hast made?
  • What have I save the blessings Thou hast lent?
  • What hope I but thy mercy and thy love?
  • Who but myself shall cloud my soul with fear?
  • Whose hand protect me from myself but thine?
  • I claim the rights of weakness, I, the babe,
  • Call on my sire to shield me from the ills
  • That still beset my path, not trying me
  • With snares beyond my wisdom or my strength,
  • He knowing I shall use them to my harm,
  • And find a tenfold misery in the sense
  • That in my childlike folly I have sprung
  • The trap upon myself as vermin use,
  • Drawn by the cunning bait to certain doom.
  • Who wrought the wondrous charm that leads us on
  • To sweet perdition, but the selfsame power
  • That set the fearful engine to destroy
  • His wretched offspring (as the Rabbis tell),
  • And hid its yawning jaws and treacherous springs
  • In such a show of innocent sweet flowers
  • It lured the sinless angels and they fell?
  • Ah! He who prayed the prayer of all mankind
  • Summed in those few brief words the mightiest plea
  • For erring souls before the courts of heaven,--
  • _Save us from being tempted_,--lest we fall!
  • If we are only as the potter's clay
  • Made to be fashioned as the artist wills,
  • And broken into shards if we offend
  • The eye of Him who made us, it is well;
  • Such love as the insensate lump of clay
  • That spins upon the swift-revolving wheel
  • Bears to the hand that shapes its growing form,--
  • Such love, no more, will be our hearts' return
  • To the great Master-workman for his care,--
  • Or would be, save that this, our breathing clay,
  • Is intertwined with fine innumerous threads
  • That make it conscious in its framer's hand;
  • And this He must remember who has filled
  • These vessels with the deadly draught of life,--
  • Life, that means death to all it claims. Our love
  • Must kindle in the ray that streams from heaven,
  • A faint reflection of the light divine;
  • The sun must warm the earth before the rose
  • Can show her inmost heart-leaves to the sun.
  • He yields some fraction of the Maker's right
  • Who gives the quivering nerve its sense of pain;
  • Is there not something in the pleading eye
  • Of the poor brute that suffers, which arraigns
  • The law that bids it suffer? Has it not
  • A claim for some remembrance in the book
  • That fills its pages with the idle words
  • Spoken of men? Or is it only clay,
  • Bleeding and aching in the potter's hand,
  • Yet all his own to treat it as He will
  • And when He will to cast it at his feet,
  • Shattered, dishonored, lost forevermore?
  • My dog loves me, but could he look beyond
  • His earthly master, would his love extend
  • To Him who--Hush! I will not doubt that He
  • Is better than our fears, and will not wrong
  • The least, the meanest of created things!
  • He would not trust me with the smallest orb
  • That circles through the sky; He would not give
  • A meteor to my guidance; would not leave
  • The coloring of a cloudlet to my hand;
  • He locks my beating heart beneath its bars
  • And keeps the key himself; He measures out
  • The draughts of vital breath that warm my blood,
  • Winds up the springs of instinct which uncoil,
  • Each in its season; ties me to my home,
  • My race, my time, my nation, and my creed
  • So closely that if I but slip my wrist
  • Out of the band that cuts it to the bone,
  • Men say, "He hath a devil;" He has lent
  • All that I hold in trust, as unto one
  • By reason of his weakness and his years
  • Not fit to hold the smallest shred in fee
  • Of those most common things he calls his own,--
  • And yet--my Rabbi tells me--He has left
  • The care of that to which a million worlds
  • Filled with unconscious life were less than naught,
  • Has left that mighty universe, the Soul,
  • To the weak guidance of our baby hands,
  • Let the foul fiends have access at their will,
  • Taking the shape of angels, to our hearts,--
  • Our hearts already poisoned through and through
  • With the fierce virus of ancestral sin;
  • Turned us adrift with our immortal charge,
  • To wreck ourselves in gulfs of endless woe.
  • If what my Rabbi tells me is the truth
  • Why did the choir of angels sing for joy?
  • Heaven must be compassed in a narrow space,
  • And offer more than room enough for all
  • That pass its portals; but the under-world,
  • The godless realm, the place where demons forge
  • Their fiery darts and adamantine chains,
  • Must swarm with ghosts that for a little while
  • Had worn the garb of flesh, and being heirs
  • Of all the dulness of their stolid sires,
  • And all the erring instincts of their tribe,
  • Nature's own teaching, rudiments of "sin,"
  • Fell headlong in the snare that could not fail
  • To trap the wretched creatures shaped of clay
  • And cursed with sense enough to lose their souls!
  • Brother, thy heart is troubled at my word;
  • Sister, I see the cloud is on thy brow.
  • He will not blame me, He who sends not peace,
  • But sends a sword, and bids us strike amain
  • At Error's gilded crest, where in the van
  • Of earth's great army, mingling with the best
  • And bravest of its leaders, shouting loud
  • The battle-cries that yesterday have led
  • The host of Truth to victory, but to-day
  • Are watchwords of the laggard and the slave,
  • He leads his dazzled cohorts. God has made
  • This world a strife of atoms and of spheres;
  • With every breath I sigh myself away
  • And take my tribute from the wandering wind
  • To fan the flame of life's consuming fire;
  • So, while my thought has life, it needs must burn,
  • And, burning, set the stubble-fields ablaze,
  • Where all the harvest long ago was reaped
  • And safely garnered in the ancient barns.
  • But still the gleaners, groping for their food,
  • Go blindly feeling through the close-shorn straw,
  • While the young reapers flash, their glittering steel
  • Where later suns have ripened nobler grain!
  • X.
  • TRUTHS
  • THE time is racked with birth-pangs; every hour
  • Brings forth some gasping truth, and truth newborn
  • Looks a misshapen and untimely growth,
  • The terror of the household and its shame,
  • A monster coiling in its nurse's lap
  • That some would strangle, some would only starve;
  • But still it breathes, and passed from hand to hand,
  • And suckled at a hundred half-clad breasts,
  • Comes slowly to its stature and its form,
  • Calms the rough ridges of its dragon-scales,
  • Changes to shining locks its snaky hair,
  • And moves transfigured into angel guise,
  • Welcomed by all that cursed its hour of birth,
  • And folded in the same encircling arms
  • That cast it like a serpent from their hold!
  • If thou wouldst live in honor, die in peace,
  • Have the fine words the marble-workers learn
  • To carve so well, upon thy funeral-stone,
  • And earn a fair obituary, dressed
  • In all the many-colored robes of praise,
  • Be deafer than the adder to the cry
  • Of that same foundling truth, until it grows
  • To seemly favor, and at length has won
  • The smiles of hard-mouthed men and light-lipped dames;
  • Then snatch it from its meagre nurse's breast,
  • Fold it in silk and give it food from gold;
  • So shalt thou share its glory when at last
  • It drops its mortal vesture, and, revealed
  • In all the splendor of its heavenly form,
  • Spreads on the startled air its mighty wings!
  • Alas! how much that seemed immortal truth
  • That heroes fought for, martyrs died to save,
  • Reveals its earth-born lineage, growing old
  • And limping in its march, its wings unplumed,
  • Its heavenly semblance faded like a dream!
  • Here in this painted casket, just unsealed,
  • Lies what was once a breathing shape like thine,
  • Once loved as thou art loved; there beamed the eyes
  • That looked on Memphis in its hour of pride,
  • That saw the walls of hundred-gated Thebes,
  • And all the mirrored glories of the Nile.
  • See how they toiled that all-consuming time
  • Might leave the frame immortal in its tomb;
  • Filled it with fragrant balms and odorous gums
  • That still diffuse their sweetness through the air,
  • And wound and wound with patient fold on fold
  • The flaxen bands thy hand has rudely torn!
  • Perchance thou yet canst see the faded stain
  • Of the sad mourner's tear.
  • XI.
  • IDOLS
  • BUT what is this?
  • The sacred beetle, bound upon the breast
  • Of the blind heathen! Snatch the curious prize,
  • Give it a place among thy treasured spoils,
  • Fossil and relic,--corals, encrinites,
  • The fly in amber and the fish in stone,
  • The twisted circlet of Etruscan gold,
  • Medal, intaglio, poniard, poison-ring,--
  • Place for the Memphian beetle with thine hoard!
  • AM longer than thy creed has blest the world
  • This toy, thus ravished from thy brother's breast,
  • Was to the heart of Mizraim as divine,
  • As holy, as the symbol that we lay
  • On the still bosom of our white-robed dead,
  • And raise above their dust that all may know
  • Here sleeps an heir of glory. Loving friends,
  • With tears of trembling faith and choking sobs,
  • And prayers to those who judge of mortal deeds,
  • Wrapped this poor image in the cerement's fold
  • That Isis and Osiris, friends of man,
  • Might know their own and claim the ransomed soul.
  • An idol? Man was born to worship such!
  • An idol is an image of his thought;
  • Sometimes he carves it out of gleaming stone,
  • And sometimes moulds it out of glittering gold,
  • Or rounds it in a mighty frescoed dome,
  • Or lifts it heavenward in a lofty spire,
  • Or shapes it in a cunning frame of words,
  • Or pays his priest to make it day by day;
  • For sense must have its god as well as soul;
  • A new-born Dian calls for silver shrines,
  • And Egypt's holiest symbol is our own,
  • The sign we worship as did they of old
  • When Isis and Osiris ruled the world.
  • Let us be true to our most subtle selves,
  • We long to have our idols like the rest.
  • Think! when the men of Israel had their God
  • Encamped among them, talking with their chief,
  • Leading them in the pillar of the cloud
  • And watching o'er them in the shaft of fire,
  • They still must have an image; still they longed
  • For somewhat of substantial, solid form
  • Whereon to hang their garlands, and to fix
  • Their wandering thoughts and gain a stronger hold
  • For their uncertain faith, not yet assured
  • If those same meteors of the day and night
  • Were not mere exhalations of the soil.
  • Are we less earthly than the chosen race?
  • Are we more neighbors of the living God
  • Than they who gathered manna every morn,
  • Reaping where none had sown, and heard the voice
  • Of him who met the Highest in the mount,
  • And brought them tables, graven with His hand?
  • Yet these must have their idol, brought their gold,
  • That star-browed Apis might be god again;
  • Yea, from their ears the women brake the rings
  • That lent such splendors to the gypsy brown
  • Of sunburnt cheeks,--what more could woman do
  • To show her pious zeal? They went astray,
  • But nature led them as it leads us all.
  • We too, who mock at Israel's golden calf
  • And scoff at Egypt's sacred scarabee,
  • Would have our amulets to clasp and kiss,
  • And flood with rapturous tears, and bear with us
  • To be our dear companions in the dust;
  • Such magic works an image in our souls.
  • Man is an embryo; see at twenty years
  • His bones, the columns that uphold his frame
  • Not yet cemented, shaft and capital,
  • Mere fragments of the temple incomplete.
  • At twoscore, threescore, is he then full grown?
  • Nay, still a child, and as the little maids
  • Dress and undress their puppets, so he tries
  • To dress a lifeless creed, as if it lived,
  • And change its raiment when the world cries shame!
  • We smile to see our little ones at play
  • So grave, so thoughtful, with maternal care
  • Nursing the wisps of rags they call their babes;--
  • Does He not smile who sees us with the toys
  • We call by sacred names, and idly feign
  • To be what we have called them? He is still
  • The Father of this helpless nursery-brood,
  • Whose second childhood joins so close its first,
  • That in the crowding, hurrying years between
  • We scarce have trained our senses to their task
  • Before the gathering mist has dimmed our eyes,
  • And with our hollowed palm we help our ear,
  • And trace with trembling hand our wrinkled names,
  • And then begin to tell our stories o'er,
  • And see--not hear--the whispering lips that say,
  • "You know? Your father knew him.--This is he,
  • Tottering and leaning on the hireling's arm,"--
  • And so, at length, disrobed of all that clad
  • The simple life we share with weed and worm,
  • Go to our cradles, naked as we came.
  • XII.
  • LOVE
  • WHAT if a soul redeemed, a spirit that loved
  • While yet on earth and was beloved in turn,
  • And still remembered every look and tone
  • Of that dear earthly sister who was left
  • Among the unwise virgins at the gate,--
  • Itself admitted with the bridegroom's train,--
  • What if this spirit redeemed, amid the host
  • Of chanting angels, in some transient lull
  • Of the eternal anthem, heard the cry
  • Of its lost darling, whom in evil hour
  • Some wilder pulse of nature led astray
  • And left an outcast in a world of fire,
  • Condemned to be the sport of cruel fiends,
  • Sleepless, unpitying, masters of the skill
  • To wring the maddest ecstasies of pain
  • From worn-out souls that only ask to die,--
  • Would it not long to leave the bliss of heaven,--
  • Bearing a little water in its hand
  • To moisten those poor lips that plead in vain
  • With Him we call our Father? Or is all
  • So changed in such as taste celestial joy
  • They hear unmoved the endless wail of woe;
  • The daughter in the same dear tones that hushed
  • Her cradle slumbers; she who once had held
  • A babe upon her bosom from its voice
  • Hoarse with its cry of anguish, yet the same?
  • No! not in ages when the Dreadful Bird
  • Stamped his huge footprints, and the Fearful Beast
  • Strode with the flesh about those fossil bones
  • We build to mimic life with pygmy hands,--
  • Not in those earliest days when men ran wild
  • And gashed each other with their knives of stone,
  • When their low foreheads bulged in ridgy brows
  • And their flat hands were callous in the palm
  • With walking in the fashion of their sires,
  • Grope as they might to find a cruel god
  • To work their will on such as human wrath
  • Had wrought its worst to torture, and had left
  • With rage unsated, white and stark and cold,
  • Could hate have shaped a demon more malign
  • Than him the dead men mummied in their creed
  • And taught their trembling children to adore!
  • Made in his image! Sweet and gracious souls
  • Dear to my heart by nature's fondest names,
  • Is not your memory still the precious mould
  • That lends its form to Him who hears my prayer?
  • Thus only I behold Him, like to them,
  • Long-suffering, gentle, ever slow to wrath,
  • If wrath it be that only wounds to heal,
  • Ready to meet the wanderer ere he reach
  • The door he seeks, forgetful of his sin,
  • Longing to clasp him in a father's arms,
  • And seal his pardon with a pitying tear!
  • Four gospels tell their story to mankind,
  • And none so full of soft, caressing words
  • That bring the Maid of Bethlehem and her Babe
  • Before our tear-dimmed eyes, as his who learned
  • In the meek service of his gracious art
  • The tones which, like the medicinal balms
  • That calm the sufferer's anguish, soothe our souls.
  • Oh that the loving woman, she who sat
  • So long a listener at her Master's feet,
  • Had left us Mary's Gospel,--all she heard
  • Too sweet, too subtle for the ear of man!
  • Mark how the tender-hearted mothers read
  • The messages of love between the lines
  • Of the same page that loads the bitter tongue
  • Of him who deals in terror as his trade
  • With threatening words of wrath that scorch like flame
  • They tell of angels whispering round the bed
  • Of the sweet infant smiling in its dream,
  • Of lambs enfolded in the Shepherd's arms,
  • Of Him who blessed the children; of the land
  • Where crystal rivers feed unfading flowers,
  • Of cities golden-paved with streets of pearl,
  • Of the white robes the winged creatures wear,
  • The crowns and harps from whose melodious strings
  • One long, sweet anthem flows forevermore!
  • We too had human mothers, even as Thou,
  • Whom we have learned to worship as remote
  • From mortal kindred, wast a cradled babe.
  • The milk of woman filled our branching veins,
  • She lulled us with her tender nursery-song,
  • And folded round us her untiring arms,
  • While the first unremembered twilight yeas
  • Shaped us to conscious being; still we feel
  • Her pulses in our own,--too faintly feel;
  • Would that the heart of woman warmed our creeds!
  • Not from the sad-eyed hermit's lonely cell,
  • Not from the conclave where the holy men
  • Glare on each other, as with angry eyes
  • They battle for God's glory and their own,
  • Till, sick of wordy strife, a show of hands
  • Fixes the faith of ages yet unborn,--
  • Ah, not from these the listening soul can hear
  • The Father's voice that speaks itself divine!
  • Love must be still our Master; till we learn
  • What he can teach us of a woman's heart,
  • We know not His whose love embraces all.
  • EPILOGUE TO THE BREAKFAST-TABLE SERIES
  • AUTOCRAT-PROFESSOR-POET
  • AT A BOOKSTORE
  • Anno Domini 1972
  • A CRAZY bookcase, placed before
  • A low-price dealer's open door;
  • Therein arrayed in broken rows
  • A ragged crew of rhyme and prose,
  • The homeless vagrants, waifs, and strays
  • Whose low estate this line betrays
  • (Set forth the lesser birds to lime)
  • YOUR CHOICE AMONG THESE BOORS 1 DIME!
  • Ho! dealer; for its motto's sake
  • This scarecrow from the shelf I take;
  • Three starveling volumes bound in one,
  • Its covers warping in the sun.
  • Methinks it hath a musty smell,
  • I like its flavor none too well,
  • But Yorick's brain was far from dull,
  • Though Hamlet pah!'d, and dropped his skull.
  • Why, here comes rain! The sky grows dark,--
  • Was that the roll of thunder? Hark!
  • The shop affords a safe retreat,
  • A chair extends its welcome seat,
  • The tradesman has a civil look
  • (I 've paid, impromptu, for my book),
  • The clouds portend a sudden shower,--
  • I 'll read my purchase for an hour.
  • What have I rescued from the shelf?
  • A Boswell, writing out himself!
  • For though he changes dress and name,
  • The man beneath is still the same,
  • Laughing or sad, by fits and starts,
  • One actor in a dozen parts,
  • And whatsoe'er the mask may be,
  • The voice assures us, This is he.
  • I say not this to cry him down;
  • I find my Shakespeare in his clown,
  • His rogues the selfsame parent own;
  • Nay! Satan talks in Milton's tone!
  • Where'er the ocean inlet strays,
  • The salt sea wave its source betrays;
  • Where'er the queen of summer blows,
  • She tells the zephyr, "I'm the rose!"
  • And his is not the playwright's page;
  • His table does not ape the stage;
  • What matter if the figures seen
  • Are only shadows on a screen,
  • He finds in them his lurking thought,
  • And on their lips the words he sought,
  • Like one who sits before the keys
  • And plays a tune himself to please.
  • And was he noted in his day?
  • Read, flattered, honored? Who shall say?
  • Poor wreck of time the wave has cast
  • To find a peaceful shore at last,
  • Once glorying in thy gilded name
  • And freighted deep with hopes of fame,
  • Thy leaf is moistened with a tear,
  • The first for many a long, long year.
  • For be it more or less of art
  • That veils the lowliest human heart
  • Where passion throbs, where friendship glows,
  • Where pity's tender tribute flows,
  • Where love has lit its fragrant fire,
  • And sorrow quenched its vain desire,
  • For me the altar is divine,
  • Its flame, its ashes,--all are mine!
  • And thou, my brother, as I look
  • And see thee pictured in thy book,
  • Thy years on every page confessed
  • In shadows lengthening from the west,
  • Thy glance that wanders, as it sought
  • Some freshly opening flower of thought,
  • Thy hopeful nature, light and free,
  • I start to find myself in thee!
  • . . . . . . . . . . .
  • Come, vagrant, outcast, wretch forlorn
  • In leather jerkin stained and torn,
  • Whose talk has filled my idle hour
  • And made me half forget the shower,
  • I'll do at least as much for you,
  • Your coat I'll patch, your gilt renew,
  • Read you--perhaps--some other time.
  • Not bad, my bargain! Price one dime!
  • SONGS OF MANY SEASONS
  • 1862-1874
  • OPENING THE WINDOW
  • THUS I lift the sash, so long
  • Shut against the flight of song;
  • All too late for vain excuse,--
  • Lo, my captive rhymes are loose.
  • Rhymes that, flitting through my brain,
  • Beat against my window-pane,
  • Some with gayly colored wings,
  • Some, alas! with venomed stings.
  • Shall they bask in sunny rays?
  • Shall they feed on sugared praise?
  • Shall they stick with tangled feet
  • On the critic's poisoned sheet?
  • Are the outside winds too rough?
  • Is the world not wide enough?
  • Go, my winged verse, and try,--
  • Go, like Uncle Toby's fly!
  • PROGRAMME
  • READER--gentle--if so be
  • Such still live, and live for me,
  • Will it please you to be told
  • What my tenscore pages hold?
  • Here are verses that in spite
  • Of myself I needs must write,
  • Like the wine that oozes first
  • When the unsqueezed grapes have burst.
  • Here are angry lines, "too hard!"
  • Says the soldier, battle-scarred.
  • Could I smile his scars away
  • I would blot the bitter lay,
  • Written with a knitted brow,
  • Read with placid wonder now.
  • Throbbed such passion in my heart?
  • Did his wounds once really smart?
  • Here are varied strains that sing
  • All the changes life can bring,
  • Songs when joyous friends have met,
  • Songs the mourner's tears have wet.
  • See the banquet's dead bouquet,
  • Fair and fragrant in its day;
  • Do they read the selfsame lines,--
  • He that fasts and he that dines?
  • Year by year, like milestones placed,
  • Mark the record Friendship traced.
  • Prisoned in the walls of time
  • Life has notched itself in rhyme.
  • As its seasons slid along,
  • Every year a notch of song,
  • From the June of long ago,
  • When the rose was full in blow,
  • Till the scarlet sage has come
  • And the cold chrysanthemum.
  • Read, but not to praise or blame;
  • Are not all our hearts the same?
  • For the rest, they take their chance,--
  • Some may pay a passing glance;
  • Others,-well, they served a turn,--
  • Wherefore written, would you learn?
  • Not for glory, not for pelf,
  • Not, be sure, to please myself,
  • Not for any meaner ends,--
  • Always "by request of friends."
  • Here's the cousin of a king,--
  • Would I do the civil thing?
  • Here 's the first-born of a queen;
  • Here 's a slant-eyed Mandarin.
  • Would I polish off Japan?
  • Would I greet this famous man,
  • Prince or Prelate, Sheik or Shah?--
  • Figaro gi and Figaro la!
  • Would I just this once comply?--
  • So they teased and teased till I
  • (Be the truth at once confessed)
  • Wavered--yielded--did my best.
  • Turn my pages,--never mind
  • If you like not all you find;
  • Think not all the grains are gold
  • Sacramento's sand-banks hold.
  • Every kernel has its shell,
  • Every chime its harshest bell,
  • Every face its weariest look,
  • Every shelf its emptiest book,
  • Every field its leanest sheaf,
  • Every book its dullest leaf,
  • Every leaf its weakest line,--
  • Shall it not be so with mine?
  • Best for worst shall make amends,
  • Find us, keep us, leave us friends
  • Till, perchance, we meet again.
  • Benedicite.--Amen!
  • October 7, 1874.
  • IN THE QUIET DAYS
  • AN OLD-YEAR SONG
  • As through the forest, disarrayed
  • By chill November, late I strayed,
  • A lonely minstrel of the wood
  • Was singing to the solitude
  • I loved thy music, thus I said,
  • When o'er thy perch the leaves were spread
  • Sweet was thy song, but sweeter now
  • Thy carol on the leafless bough.
  • Sing, little bird! thy note shall cheer
  • The sadness of the dying year.
  • When violets pranked the turf with blue
  • And morning filled their cups with dew,
  • Thy slender voice with rippling trill
  • The budding April bowers would fill,
  • Nor passed its joyous tones away
  • When April rounded into May:
  • Thy life shall hail no second dawn,--
  • Sing, little bird! the spring is gone.
  • And I remember--well-a-day!--
  • Thy full-blown summer roundelay,
  • As when behind a broidered screen
  • Some holy maiden sings unseen
  • With answering notes the woodland rung,
  • And every tree-top found a tongue.
  • How deep the shade! the groves how fair!
  • Sing, little bird! the woods are bare.
  • The summer's throbbing chant is done
  • And mute the choral antiphon;
  • The birds have left the shivering pines
  • To flit among the trellised vines,
  • Or fan the air with scented plumes
  • Amid the love-sick orange-blooms,
  • And thou art here alone,--alone,--
  • Sing, little bird! the rest have flown.
  • The snow has capped yon distant hill,
  • At morn the running brook was still,
  • From driven herds the clouds that rise
  • Are like the smoke of sacrifice;
  • Erelong the frozen sod shall mock
  • The ploughshare, changed to stubborn rock,
  • The brawling streams shall soon be dumb,--
  • Sing, little bird! the frosts have come.
  • Fast, fast the lengthening shadows creep,
  • The songless fowls are half asleep,
  • The air grows chill, the setting sun
  • May leave thee ere thy song is done,
  • The pulse that warms thy breast grow cold,
  • Thy secret die with thee, untold
  • The lingering sunset still is bright,--
  • Sing, little bird! 't will soon be night.
  • 1874.
  • DOROTHY Q.
  • A FAMILY PORTRAIT
  • I cannot tell the story of Dorothy Q. more simply in prose than I have
  • told it in verse, but I can add something to it. Dorothy was the daughter
  • of Judge Edmund Quincy, and the niece of Josiah Quincy, junior, the young
  • patriot and orator who died just before the American Revolution, of which
  • he was one of the most eloquent and effective promoters. The son of the
  • latter, Josiah Quincy, the first mayor of Boston bearing that name, lived
  • to a great age, one of the most useful and honored citizens of his time.
  • The canvas of the painting was so much decayed that it had to be replaced
  • by a new one, in doing which the rapier thrust was of course filled up.
  • GRANDMOTHER'S mother: her age, I guess,
  • Thirteen summers, or something less;
  • Girlish bust, but womanly air;
  • Smooth, square forehead with uprolled hair;
  • Lips that lover has never kissed;
  • Taper fingers and slender wrist;
  • Hanging sleeves of stiff brocade;
  • So they painted the little maid.
  • On her hand a parrot green
  • Sits unmoving and broods serene.
  • Hold up the canvas full in view,--
  • Look! there's a rent the light shines through,
  • Dark with a century's fringe of dust,--
  • That was a Red-Coat's rapier-thrust!
  • Such is the tale the lady old,
  • Dorothy's daughter's daughter, told.
  • Who the painter was none may tell,--
  • One whose best was not over well;
  • Hard and dry, it must be confessed,
  • Flat as a rose that has long been pressed;
  • Yet in her cheek the hues are bright,
  • Dainty colors of red and white,
  • And in her slender shape are seen
  • Hint and promise of stately mien.
  • Look not on her with eyes of scorn,--
  • Dorothy Q. was a lady born!
  • Ay! since the galloping Normans came,
  • England's annals have known her name;
  • And still to the three-billed rebel town
  • Dear is that ancient name's renown,
  • For many a civic wreath they won,
  • The youthful sire and the gray-haired son.
  • O Damsel Dorothy! Dorothy Q.!
  • Strange is the gift that I owe to you;
  • Such a gift as never a king
  • Save to daughter or son might bring,--
  • All my tenure of heart and hand,
  • All my title to house and land;
  • Mother and sister and child and wife
  • And joy and sorrow and death and life!
  • What if a hundred years ago
  • Those close-shut lips had answered No,
  • When forth the tremulous question came
  • That cost the maiden her Norman name,
  • And under the folds that look so still
  • The bodice swelled with the bosom's thrill?
  • Should I be I, or would it be
  • One tenth another, to nine tenths me?
  • Soft is the breath of a maiden's YES
  • Not the light gossamer stirs with less;
  • But never a cable that holds so fast
  • Through all the battles of wave and blast,
  • And never an echo of speech or song
  • That lives in the babbling air so long!
  • There were tones in the voice that whispered then
  • You may hear to-day in a hundred men.
  • O lady and lover, how faint and far
  • Your images hover,--and here we are,
  • Solid and stirring in flesh and bone,--
  • Edward's and Dorothy's--all their own,--
  • A goodly record for Time to show
  • Of a syllable spoken so long ago!--
  • Shall I bless you, Dorothy, or forgive
  • For the tender whisper that bade me live?
  • It shall be a blessing, my little maid!
  • I will heal the stab of the Red-Coat's blade,
  • And freshen the gold of the tarnished frame,
  • And gild with a rhyme your household name;
  • So you shall smile on us brave and bright
  • As first you greeted the morning's light,
  • And live untroubled by woes and fears
  • Through a second youth of a hundred years.
  • 1871.
  • THE ORGAN-BLOWER
  • DEVOUTEST of My Sunday friends,
  • The patient Organ-blower bends;
  • I see his figure sink and rise,
  • (Forgive me, Heaven, my wandering eyes!)
  • A moment lost, the next half seen,
  • His head above the scanty screen,
  • Still measuring out his deep salaams
  • Through quavering hymns and panting psalms.
  • No priest that prays in gilded stole,
  • To save a rich man's mortgaged soul;
  • No sister, fresh from holy vows,
  • So humbly stoops, so meekly bows;
  • His large obeisance puts to shame
  • The proudest genuflecting dame,
  • Whose Easter bonnet low descends
  • With all the grace devotion lends.
  • O brother with the supple spine,
  • How much we owe those bows of thine
  • Without thine arm to lend the breeze,
  • How vain the finger on the keys!
  • Though all unmatched the player's skill,
  • Those thousand throats were dumb and still:
  • Another's art may shape the tone,
  • The breath that fills it is thine own.
  • Six days the silent Memnon waits
  • Behind his temple's folded gates;
  • But when the seventh day's sunshine falls
  • Through rainbowed windows on the walls,
  • He breathes, he sings, he shouts, he fills
  • The quivering air with rapturous thrills;
  • The roof resounds, the pillars shake,
  • And all the slumbering echoes wake!
  • The Preacher from the Bible-text
  • With weary words my soul has vexed
  • (Some stranger, fumbling far astray
  • To find the lesson for the day);
  • He tells us truths too plainly true,
  • And reads the service all askew,--
  • Why, why the--mischief--can't he look
  • Beforehand in the service-book?
  • But thou, with decent mien and face,
  • Art always ready in thy place;
  • Thy strenuous blast, whate'er the tune,
  • As steady as the strong monsoon;
  • Thy only dread a leathery creak,
  • Or small residual extra squeak,
  • To send along the shadowy aisles
  • A sunlit wave of dimpled smiles.
  • Not all the preaching, O my friend,
  • Comes from the church's pulpit end!
  • Not all that bend the knee and bow
  • Yield service half so true as thou!
  • One simple task performed aright,
  • With slender skill, but all thy might,
  • Where honest labor does its best,
  • And leaves the player all the rest.
  • This many-diapasoned maze,
  • Through which the breath of being strays,
  • Whose music makes our earth divine,
  • Has work for mortal hands like mine.
  • My duty lies before me. Lo,
  • The lever there! Take hold and blow
  • And He whose hand is on the keys
  • Will play the tune as He shall please.
  • 1812.
  • AT THE PANTOMIME
  • THE house was crammed from roof to floor,
  • Heads piled on heads at every door;
  • Half dead with August's seething heat
  • I crowded on and found my seat,
  • My patience slightly out of joint,
  • My temper short of boiling-point,
  • Not quite at _Hate mankind as such_,
  • Nor yet at _Love them overmuch_.
  • Amidst the throng the pageant drew
  • Were gathered Hebrews not a few,
  • Black-bearded, swarthy,--at their side
  • Dark, jewelled women, orient-eyed:
  • If scarce a Christian hopes for grace
  • Who crowds one in his narrow place,
  • What will the savage victim do
  • Whose ribs are kneaded by a Jew?
  • Next on my left a breathing form
  • Wedged up against me, close and warm;
  • The beak that crowned the bistred face
  • Betrayed the mould of Abraham's race,--
  • That coal-black hair, that smoke-brown hue,--
  • Ah, cursed, unbelieving Jew
  • I started, shuddering, to the right,
  • And squeezed--a second Israelite.
  • Then woke the evil brood of rage
  • That slumber, tongueless, in their cage;
  • I stabbed in turn with silent oaths
  • The hook-nosed kite of carrion clothes,
  • The snaky usurer, him that crawls
  • And cheats beneath the golden balls,
  • Moses and Levi, all the horde,
  • Spawn of the race that slew its Lord.
  • Up came their murderous deeds of old,
  • The grisly story Chaucer told,
  • And many an ugly tale beside
  • Of children caught and crucified;
  • I heard the ducat-sweating thieves
  • Beneath the Ghetto's slouching eaves,
  • And, thrust beyond the tented green,
  • The lepers cry, "Unclean! Unclean!"
  • The show went on, but, ill at ease,
  • My sullen eye it could not please,
  • In vain my conscience whispered, "Shame!
  • Who but their Maker is to blame?"
  • I thought of Judas and his bribe,
  • And steeled my soul against their tribe
  • My neighbors stirred; I looked again
  • Full on the younger of the twain.
  • A fresh young cheek whose olive hue
  • The mantling blood shows faintly through;
  • Locks dark as midnight, that divide
  • And shade the neck on either side;
  • Soft, gentle, loving eyes that gleam
  • Clear as a starlit mountain stream;--
  • So looked that other child of Shem,
  • The Maiden's Boy of Bethlehem!
  • And thou couldst scorn the peerless blood
  • That flows immingled from the Flood,--
  • Thy scutcheon spotted with the stains
  • Of Norman thieves and pirate Danes!
  • The New World's foundling, in thy pride
  • Scowl on the Hebrew at thy side,
  • And lo! the very semblance there
  • The Lord of Glory deigned to wear!
  • I see that radiant image rise,
  • The flowing hair, the pitying eyes,
  • The faintly crimsoned cheek that shows
  • The blush of Sharon's opening rose,--
  • Thy hands would clasp his hallowed feet
  • Whose brethren soil thy Christian seat,
  • Thy lips would press his garment's hem
  • That curl in wrathful scorn for them!
  • A sudden mist, a watery screen,
  • Dropped like a veil before the scene;
  • The shadow floated from my soul,
  • And to my lips a whisper stole,--
  • "Thy prophets caught the Spirit's flame,
  • From thee the Son of Mary came,
  • With thee the Father deigned to dwell,--
  • Peace be upon thee, Israel!"
  • 18--. Rewritten 1874.
  • AFTER THE FIRE
  • WHILE far along the eastern sky
  • I saw the flags of Havoc fly,
  • As if his forces would assault
  • The sovereign of the starry vault
  • And hurl Him back the burning rain
  • That seared the cities of the plain,
  • I read as on a crimson page
  • The words of Israel's sceptred sage:--
  • _For riches make them wings, and they
  • Do as an eagle fly away_.
  • O vision of that sleepless night,
  • What hue shall paint the mocking light
  • That burned and stained the orient skies
  • Where peaceful morning loves to rise,
  • As if the sun had lost his way
  • And dawned to make a second day,--
  • Above how red with fiery glow,
  • How dark to those it woke below!
  • On roof and wall, on dome and spire,
  • Flashed the false jewels of the fire;
  • Girt with her belt of glittering panes,
  • And crowned with starry-gleaming vanes,
  • Our northern queen in glory shone
  • With new-born splendors not her own,
  • And stood, transfigured in our eyes,
  • A victim decked for sacrifice!
  • The cloud still hovers overhead,
  • And still the midnight sky is red;
  • As the lost wanderer strays alone
  • To seek the place he called his own,
  • His devious footprints sadly tell
  • How changed the pathways known so well;
  • The scene, how new! The tale, how old
  • Ere yet the ashes have grown cold!
  • Again I read the words that came
  • Writ in the rubric of the flame
  • Howe'r we trust to mortal things,
  • Each hath its pair of folded wings;
  • Though long their terrors rest unspread
  • Their fatal plumes are never shed;
  • At last, at last they spread in flight,
  • And blot the day and blast then night!
  • Hope, only Hope, of all that clings
  • Around us, never spreads her wings;
  • Love, though he break his earthly chain,
  • Still whispers he will come again;
  • But Faith that soars to seek the sky
  • Shall teach our half-fledged souls to fly,
  • And find, beyond the smoke and flame,
  • The cloudless azure whence they came!
  • 1872.
  • A BALLAD OF THE BOSTON TEA-PARTY
  • Read at a meeting of the Massachusetts Historical Society.
  • No! never such a draught was poured
  • Since Hebe served with nectar
  • The bright Olympians and their Lord,
  • Her over-kind protector,--
  • Since Father Noah squeezed the grape
  • And took to such behaving
  • As would have shamed our grandsire ape
  • Before the days of shaving,--
  • No! ne'er was mingled such a draught
  • In palace, hall, or arbor,
  • As freemen brewed and tyrants quaffed
  • That night in Boston Harbor!
  • The Western war-cloud's crimson stained
  • The Thames, the Clyde, the Shannon;
  • Full many a six-foot grenadier
  • The flattened grass had measured,
  • And many a mother many a year
  • Her tearful memories treasured;
  • Fast spread the tempest's darkening pall,
  • The mighty realms were troubled,
  • The storm broke loose, but first of all
  • The Boston teapot bubbled!
  • An evening party,--only that,
  • No formal invitation,
  • No gold-laced coat, no stiff cravat,
  • No feast in contemplation,
  • No silk-robed dames, no fiddling band,
  • No flowers, no songs, no dancing,--
  • A tribe of red men, axe in hand,--
  • Behold the guests advancing!
  • How fast the stragglers join the throng,
  • From stall and workshop gathered!
  • The lively barber skips along
  • And leaves a chin half-lathered;
  • The smith has flung his hammer down,
  • The horseshoe still is glowing;
  • The truant tapster at the Crown
  • Has left a beer-cask flowing;
  • The cooper's boys have dropped the adze,
  • And trot behind their master;
  • Up run the tarry ship-yard lads,--
  • The crowd is hurrying faster,--
  • Out from the Millpond's purlieus gush
  • The streams of white-faced millers,
  • And down their slippery alleys rush
  • The lusty young Fort-Hillers--
  • The ropewalk lends its 'prentice crew,--
  • The tories seize the omen:
  • "Ay, boys, you'll soon have work to do
  • For England's rebel foemen,
  • 'King Hancock,' Adams, and their gang,
  • That fire the mob with treason,--
  • When these we shoot and those we hang
  • The town will come to reason."
  • On--on to where the tea-ships ride!
  • And now their ranks are forming,--
  • A rush, and up the Dartmouth's side
  • The Mohawk band is swarming!
  • See the fierce natives! What a glimpse
  • Of paint and fur and feather,
  • As all at once the full-grown imps
  • Light on the deck together!
  • A scarf the pigtail's secret keeps,
  • A blanket hides the breeches,--
  • And out the cursed cargo leaps,
  • And overboard it pitches!
  • O woman, at the evening board
  • So gracious, sweet, and purring,
  • So happy while the tea is poured,
  • So blest while spoons are stirring,
  • What martyr can compare with thee,
  • The mother, wife, or daughter,
  • That night, instead of best Bohea,
  • Condemned to milk and water!
  • Ah, little dreams the quiet dame
  • Who plies with' rock and spindle
  • The patient flax, how great a flame
  • Yon little spark shall kindle!
  • The lurid morning shall reveal
  • A fire no king can smother
  • Where British flint and Boston steel
  • Have clashed against each other!
  • Old charters shrivel in its track,
  • His Worship's bench has crumbled,
  • It climbs and clasps the union-jack,
  • Its blazoned pomp is humbled,
  • The flags go down on land and sea
  • Like corn before the reapers;
  • So burned the fire that brewed the tea
  • That Boston served her keepers!
  • The waves that wrought a century's wreck
  • Have rolled o'er whig and tory;
  • The Mohawks on the Dartmouth's deck
  • Still live in song and story;
  • The waters in the rebel bay
  • Have kept the tea-leaf savor;
  • Our old North-Enders in their spray
  • Still taste a Hyson flavor;
  • And Freedom's teacup still o'erflows
  • With ever fresh libations,
  • To cheat of slumber all her foes
  • And cheer the wakening nations.
  • 1874.
  • NEARING THE SNOW-LINE
  • SLOW toiling upward from' the misty vale,
  • I leave the bright enamelled zones below;
  • No more for me their beauteous bloom shall glow,
  • Their lingering sweetness load the morning gale;
  • Few are the slender flowerets, scentless, pale,
  • That on their ice-clad stems all trembling blow
  • Along the margin of unmelting snow;
  • Yet with unsaddened voice thy verge I hail,
  • White realm of peace above the flowering line;
  • Welcome thy frozen domes, thy rocky spires!
  • O'er thee undimmed the moon-girt planets shine,
  • On thy majestic altars fade the fires
  • That filled the air with smoke of vain desires,
  • And all the unclouded blue of heaven is thine!
  • 1870.
  • IN WARTIME
  • TO CANAAN
  • A PURITAN WAR SONG
  • This poem, published anonymously in the Boston Evening Transcript, was
  • claimed by several persons, three, if I remember correctly, whose names I
  • have or have had, but never thought it worth while to publish.
  • WHERE are you going, soldiers,
  • With banner, gun, and sword?
  • We 're marching South to Canaan
  • To battle for the Lord
  • What Captain leads your armies
  • Along the rebel coasts?
  • The Mighty One of Israel,
  • His name is Lord of Hosts!
  • To Canaan, to Canaan
  • The Lord has led us forth,
  • To blow before the heathen walls
  • The trumpets of the North!
  • What flag is this you carry
  • Along the sea and shore?
  • The same our grandsires lifted up,--
  • The same our fathers bore
  • In many a battle's tempest
  • It shed the crimson rain,--
  • What God has woven in his loom
  • Let no man rend in twain!
  • To Canaan, to Canaan
  • The Lord has led us forth,
  • To plant upon the rebel towers
  • The banners of the North!
  • What troop is this that follows,
  • All armed with picks and spades?
  • These are the swarthy bondsmen,--
  • The iron-skin brigades!
  • They'll pile up Freedom's breastwork,
  • They 'LL scoop out rebels' graves;
  • Who then will be their owner
  • And march them off for slaves?
  • To Canaan, to Canaan
  • The Lord has led us forth,
  • To strike upon the captive's chain
  • The hammers of the North!
  • What song is this you're singing?
  • The same that Israel sung
  • When Moses led the mighty choir,
  • And Miriam's timbrel rung!
  • To Canaan! To Canaan!
  • The priests and maidens cried:
  • To Canaan! To Canaan!
  • The people's voice replied.
  • To Canaan, to Canaan
  • The Lord has led us forth,
  • To thunder through its adder dens
  • The anthems of the North.
  • When Canaan's hosts are scattered,
  • And all her walls lie flat,
  • What follows next in order?
  • The Lord will see to that
  • We'll break the tyrant's sceptre,--
  • We 'll build the people's throne,--
  • When half the world is Freedom's,
  • Then all the world's our own
  • To Canaan, to Canaan
  • The Lord has led us forth,
  • To sweep the rebel threshing-floors,
  • A whirlwind from the North.
  • August 12, 1862.
  • "THUS SAITH THE LORD, I OFFER THEE THREE THINGS."
  • IN poisonous dens, where traitors hide
  • Like bats that fear the day,
  • While all the land our charters claim
  • Is sweating blood and breathing flame,
  • Dead to their country's woe and shame,
  • The recreants whisper STAY!
  • In peaceful homes, where patriot fires
  • On Love's own altars glow,
  • The mother hides her trembling fear,
  • The wife, the sister, checks a tear,
  • To breathe the parting word of cheer,
  • Soldier of Freedom, Go!
  • In halls where Luxury lies at ease,
  • And Mammon keeps his state,
  • Where flatterers fawn and menials crouch,
  • The dreamer, startled from his couch,
  • Wrings a few counters from his pouch,
  • And murmurs faintly WAIT!
  • In weary camps, on trampled plains
  • That ring with fife and drum,
  • The battling host, whose harness gleams
  • Along the crimson-flowing streams,
  • Calls, like a warning voice in dreams,
  • We want you, Brother! COME!
  • Choose ye whose bidding ye will do,--
  • To go, to wait, to stay!
  • Sons of the Freedom-loving town,
  • Heirs of the Fathers' old renown,
  • The servile yoke, the civic crown,
  • Await your choice To-DAY!
  • The stake is laid! O gallant youth
  • With yet unsilvered brow,
  • If Heaven should lose and Hell should win,
  • On whom shall lie the mortal sin,
  • That cries aloud, It might have been?
  • God calls you--answer NOW.
  • 1862.
  • NEVER OR NOW
  • AN APPEAL
  • LISTEN, young heroes! your country is calling!
  • Time strikes the hour for the brave and the true!
  • Now, while the foremost are fighting and falling,
  • Fill up the ranks that have opened for you!
  • You whom the fathers made free and defended,
  • Stain not the scroll that emblazons their fame
  • You whose fair heritage spotless descended,
  • Leave not your children a birthright of shame!
  • Stay not for questions while Freedom stands gasping!
  • Wait not till Honor lies wrapped in his pall!
  • Brief the lips' meeting be, swift the hands' clasping,--
  • "Off for the wars!" is enough for them all!
  • Break from the arms that would fondly caress you!
  • Hark! 't is the bugle-blast, sabres are drawn!
  • Mothers shall pray for you, fathers shall bless you,
  • Maidens shall weep for you when you are gone!
  • Never or now! cries the blood of a nation,
  • Poured on the turf where the red rose should bloom;
  • Now is the day and the hour of salvation,--
  • Never or now! peals the trumpet of doom!
  • Never or now! roars the hoarse-throated cannon
  • Through the black canopy blotting the skies;
  • Never or now! flaps the shell-blasted pennon
  • O'er the deep ooze where the Cumberland lies!
  • From the foul dens where our brothers are dying,
  • Aliens and foes in the land of their birth,--
  • From the rank swamps where our martyrs are lying
  • Pleading in vain for a handful of earth,--
  • From the hot plains where they perish outnumbered,
  • Furrowed and ridged by the battle-field's plough,
  • Comes the loud summons; too long you have slumbered,
  • Hear the last Angel-trump,--Never or Now!
  • 1862.
  • ONE COUNTRY
  • ONE country! Treason's writhing asp
  • Struck madly at her girdle's clasp,
  • And Hatred wrenched with might and main
  • To rend its welded links in twain,
  • While Mammon hugged his golden calf
  • Content to take one broken half,
  • While thankless churls stood idly by
  • And heard unmoved a nation's cry!
  • One country! "Nay,"--the tyrant crew
  • Shrieked from their dens,--"it shall be two!
  • Ill bodes to us this monstrous birth,
  • That scowls on all the thrones of earth,
  • Too broad yon starry cluster shines,
  • Too proudly tower the New-World pines,
  • Tear down the 'banner of the free,'
  • And cleave their land from sea to sea!"
  • One country still, though foe and "friend"
  • Our seamless empire strove to rend;
  • Safe! safe' though all the fiends of hell
  • Join the red murderers' battle-yell!
  • What though the lifted sabres gleam,
  • The cannons frown by shore and stream,--
  • The sabres clash, the cannons thrill,
  • In wild accord, One country still!
  • One country! in her stress and strain
  • We heard the breaking of a chain!
  • Look where the conquering Nation swings
  • Her iron flail,--its shivered rings!
  • Forged by the rebels' crimson hand,
  • That bolt of wrath shall scourge the land
  • Till Peace proclaims on sea and shore
  • One Country now and evermore!
  • 1865.
  • GOD SAVE THE FLAG
  • WASHED in the blood of the brave and the blooming,
  • Snatched from the altars of insolent foes,
  • Burning with star-fires, but never consuming,
  • Flash its broad ribbons of lily and rose.
  • Vainly the prophets of Baal would rend it,
  • Vainly his worshippers pray for its fall;
  • Thousands have died for it, millions defend it,
  • Emblem of justice and mercy to all:
  • Justice that reddens the sky with her terrors,
  • Mercy that comes with her white-handed train,
  • Soothing all passions, redeeming all errors,
  • 'Sheathing the sabre and breaking the chain.
  • Borne on the deluge of old usurpations,
  • Drifted our Ark o'er the desolate seas,
  • Bearing the rainbow of hope to the nations,
  • Torn from the storm-cloud and flung to the breeze!
  • God bless the Flag and its loyal defenders,
  • While its broad folds o'er the battle-field wave,
  • Till the dim star-wreath rekindle its splendors,
  • Washed from its stains in the blood of the brave!
  • 1865.
  • HYMN AFTER THE EMANCIPATION PROCLAMATION
  • GIVER of all that crowns our days,
  • With grateful hearts we sing thy praise;
  • Through deep and desert led by Thee,
  • Our promised land at last we see.
  • Ruler of Nations, judge our cause!
  • If we have kept thy holy laws,
  • The sons of Belial curse in vain
  • The day that rends the captive's chain.
  • Thou God of vengeance! Israel's Lord!
  • Break in their grasp the shield and sword,
  • And make thy righteous judgments known
  • Till all thy foes are overthrown!
  • Then, Father, lay thy healing hand
  • In mercy on our stricken land;
  • Lead all its wanderers to the fold,
  • And be their Shepherd as of old.
  • So shall one Nation's song ascend
  • To Thee, our Ruler, Father, Friend,
  • While Heaven's wide arch resounds again
  • With Peace on earth, good-will to men!
  • 1865.
  • HYMN FOR THE FAIR AT CHICAGO
  • O GOD! in danger's darkest hour,
  • In battle's deadliest field,
  • Thy name has been our Nation's tower,
  • Thy truth her help and shield.
  • Our lips should fill the air with praise,
  • Nor pay the debt we owe,
  • So high above the songs we raise
  • The floods of mercy flow.
  • Yet Thou wilt hear the prayer we speak,
  • The song of praise we sing,--
  • Thy children, who thine altar seek
  • Their grateful gifts to bring.
  • Thine altar is the sufferer's bed,
  • The home of woe and pain,
  • The soldier's turfy pillow, red
  • With battle's crimson rain.
  • No smoke of burning stains the air,
  • No incense-clouds arise;
  • Thy peaceful servants, Lord, prepare
  • A bloodless sacrifice.
  • Lo! for our wounded brothers' need,
  • We bear the wine and oil;
  • For us they faint, for us they bleed,
  • For them our gracious toil!
  • O Father, bless the gifts we bring!
  • Cause Thou thy face to shine,
  • Till every nation owns her King,
  • And all the earth is thine.
  • 1865.
  • UNDER THE WASHINGTON ELM, CAMBRIDGE
  • APRIL 27,1861
  • EIGHTY years have passed, and more,
  • Since under the brave old tree
  • Our fathers gathered in arms, and swore
  • They would follow the sign their banners bore,
  • And fight till the land was free.
  • Half of their work was done,
  • Half is left to do,--
  • Cambridge, and Concord, and Lexington!
  • When the battle is fought and won,
  • What shall be told of you?
  • Hark!--'t is the south-wind moans,--
  • Who are the martyrs down?
  • Ah, the marrow was true in your children's bones
  • That sprinkled with blood the cursed stones
  • Of the murder-haunted town!
  • What if the storm-clouds blow?
  • What if the green leaves fall?
  • Better the crashing tempest's throe
  • Than the army of worms that gnawed below;
  • Trample them one and all!
  • Then, when the battle is won,
  • And the land from traitors free,
  • Our children shall tell of the strife begun
  • When Liberty's second April sun
  • Was bright on our brave old tree!
  • FREEDOM, OUR QUEEN
  • LAND where the banners wave last in the sun,
  • Blazoned with star-clusters, many in one,
  • Floating o'er prairie and mountain and sea;
  • Hark! 't is the voice of thy children to thee!
  • Here at thine altar our vows we renew
  • Still in thy cause to be loyal and true,--
  • True to thy flag on the field and the wave,
  • Living to honor it, dying to save!
  • Mother of heroes! if perfidy's blight
  • Fall on a star in thy garland of light,
  • Sound but one bugle-blast! Lo! at the sign
  • Armies all panoplied wheel into line!
  • Hope of the world! thou'hast broken its chains,--
  • Wear thy bright arms while a tyrant remains,
  • Stand for the right till the nations shall own
  • Freedom their sovereign, with Law for her throne!
  • Freedom! sweet Freedom! our voices resound,
  • Queen by God's blessing, unsceptred, uncrowned!
  • Freedom, sweet Freedom, our pulses repeat,
  • Warm with her life-blood, as long as they beat!
  • Fold the broad banner-stripes over her breast,--
  • Crown her with star-jewels Queen of the West!
  • Earth for her heritage, God for her friend,
  • She shall reign over us, world without end!
  • ARMY HYMN
  • "OLD HUNDRED"
  • O LORD of Hosts! Almighty King!
  • Behold the sacrifice we bring
  • To every arm thy strength impart,
  • Thy spirit shed through every heart!
  • Wake in our breasts the living fires,
  • The holy faith that warmed our sires;
  • Thy hand hath made our Nation free;
  • To die for her is serving Thee.
  • Be Thou a pillared flame to show
  • The midnight snare, the silent foe;
  • And when the battle thunders loud,
  • Still guide us in its moving cloud.
  • God of all Nations! Sovereign Lord
  • In thy dread name we draw the sword,
  • We lift the starry flag on high
  • That fills with light our stormy sky.
  • From treason's rent, from murder's stain,
  • Guard Thou its folds till Peace shall reign,--
  • Till fort and field, till shore and sea,
  • Join our loud anthem, PRAISE TO THEE!
  • PARTING HYMN
  • "DUNDEE"
  • FATHER of Mercies, Heavenly Friend,
  • We seek thy gracious throne;
  • To Thee our faltering prayers ascend,
  • Our fainting hearts are known.
  • From blasts that chill, from suns that smite,
  • From every plague that harms;
  • In camp and march, in siege and fight,
  • Protect our men-at-arms.
  • Though from our darkened lives they take
  • What makes our life most dear,
  • We yield them for their country's sake
  • With no relenting tear.
  • Our blood their flowing veins will shed,
  • Their wounds our breasts will share;
  • Oh, save us from the woes we dread,
  • Or grant us strength to bear!
  • Let each unhallowed cause that brings
  • The stern destroyer cease,
  • Thy flaming angel fold his wings,
  • And seraphs whisper Peace!
  • Thine are the sceptre and the sword,
  • Stretch forth thy mighty hand,--
  • Reign Thou our kingless nation's Lord,
  • Rule Thou our throneless land!
  • THE FLOWER OF LIBERTY
  • WHAT flower is this that greets the morn,
  • Its hues from Heaven so freshly born?
  • With burning star and flaming band
  • It kindles all the sunset land
  • Oh tell us what its name may be,--
  • Is this the Flower of Liberty?
  • It is the banner of the free,
  • The starry Flower of Liberty!
  • In savage Nature's far abode
  • Its tender seed our fathers sowed;
  • The storm-winds rocked its swelling bud,
  • Its opening leaves were streaked with blood,
  • Till Lo! earth's tyrants shook to see
  • The full-blown Flower of Liberty
  • Then hail the banner of the free,
  • The starry Flower of Liberty!
  • Behold its streaming rays unite,
  • One mingling flood of braided light,--
  • The red that fires the Southern rose,
  • With spotless white from Northern snows,
  • And, spangled o'er its azure, see
  • The sister Stars of Liberty!
  • Then hail the banner of the free,
  • The starry Flower of Liberty!
  • The blades of heroes fence it round,
  • Where'er it springs is holy ground;
  • From tower and dome its glories spread;
  • It waves where lonely sentries tread;
  • It makes the land as ocean free,
  • And plants an empire on the sea!
  • Then hail the banner of the free,
  • The starry Flower of Liberty!
  • Thy sacred leaves, fair Freedom's flower,
  • Shall ever float on dome and tower,
  • To all their heavenly colors true,
  • In blackening frost or crimson dew,--
  • And God love us as we love thee,
  • Thrice holy Flower of Liberty!
  • Then hail the banner of the free,
  • The starry FLOWER OF LIBERTY!
  • THE SWEET LITTLE MAN
  • DEDICATED TO THE STAY-AT-HOME RANGERS
  • Now, while our soldiers are fighting our battles,
  • Each at his post to do all that he can,
  • Down among rebels and contraband chattels,
  • What are you doing, my sweet little man?
  • All the brave boys under canvas are sleeping,
  • All of them pressing to march with the van,
  • Far from the home where their sweethearts are weeping;
  • What are you waiting for, sweet little man?
  • You with the terrible warlike mustaches,
  • Fit for a colonel or chief of a clan,
  • You with the waist made for sword-belts and sashes,
  • Where are your shoulder-straps, sweet little man?
  • Bring him the buttonless garment of woman!
  • Cover his face lest it freckle and tan;
  • Muster the Apron-String Guards on the Common,
  • That is the corps for the sweet little man!
  • Give him for escort a file of young misses,
  • Each of them armed with a deadly rattan;
  • They shall defend him from laughter and hisses,
  • Aimed by low boys at the sweet little man.
  • All the fair maidens about him shall cluster,
  • Pluck the white feathers from bonnet and fan,
  • Make him a plume like a turkey-wing duster,--
  • That is the crest for the sweet little man!
  • Oh, but the Apron-String Guards are the fellows
  • Drilling each day since our troubles began,--
  • "Handle your walking-sticks!" "Shoulder umbrellas!"
  • That is the style for the sweet little man!
  • Have we a nation to save? In the first place
  • Saving ourselves is the sensible plan,--
  • Surely the spot where there's shooting's the worst place
  • Where I can stand, says the sweet little man.
  • Catch me confiding my person with strangers!
  • Think how the cowardly Bull-Runners ran!
  • In the brigade of the Stay-at-Home Rangers
  • Marches my corps, says the sweet little man.
  • Such was the stuff of the Malakoff-takers,
  • Such were the soldiers that scaled the Redan;
  • Truculent housemaids and bloodthirsty Quakers,
  • Brave not the wrath of the sweet little man!
  • Yield him the sidewalk, ye nursery maidens!
  • _Sauve qui peut_! Bridget, and right about! Ann;--
  • Fierce as a shark in a school of menhadens,
  • See him advancing, the sweet little man!
  • When the red flails of the battle-field's threshers
  • Beat out the continent's wheat from its bran,
  • While the wind scatters the chaffy seceshers,
  • What will become of our sweet little man?
  • When the brown soldiers come back from the borders,
  • How will he look while his features they scan?
  • How will he feel when he gets marching orders,
  • Signed by his lady love? sweet little man!
  • Fear not for him, though the rebels expect him,--
  • Life is too precious to shorten its span;
  • Woman her broomstick shall raise to protect him,
  • Will she not fight for the sweet little man?
  • Now then, nine cheers for the Stay-at-Home Ranger!
  • Blow the great fish-horn and beat the big pan!
  • First in the field that is farthest from danger,
  • Take your white-feather plume, sweet little man!
  • UNION AND LIBERTY
  • FLAG of the heroes who left us their glory,
  • Borne through their battle-fields' thunder and flame,
  • Blazoned in song and illumined in story,
  • Wave o'er us all who inherit their fame!
  • Up with our banner bright,
  • Sprinkled with starry light,
  • Spread its fair emblems from mountain to shore,
  • While through the sounding sky
  • Loud rings the Nation's cry,--
  • UNION AND LIBERTY! ONE EVERMORE!
  • Light of our firmament, guide of our Nation,
  • Pride of her children, and honored afar,
  • Let the wide beams of thy full constellation
  • Scatter each cloud that would darken a star
  • Up with our banner bright, etc.
  • Empire unsceptred! what foe shall assail thee,
  • Bearing the standard of Liberty's van?
  • Think not the God of thy fathers shall fail thee,
  • Striving with men for the birthright of man!
  • Up with our banner bright, etc.
  • Yet if, by madness and treachery blighted,
  • Dawns the dark hour when the sword thou must draw,
  • Then with the arms of thy millions united,
  • Smite the bold traitors to Freedom and Law!
  • Up with our banner bright, etc.
  • Lord of the Universe! shield us and guide us,
  • Trusting Thee always, through shadow and sun!
  • Thou hast united us, who shall divide us?
  • Keep us, oh keep us the MANY IN ONE!
  • Up with our banner bright,
  • Sprinkled with starry light,
  • Spread its fair emblems from mountain to shore,
  • While through the sounding sky
  • Loud rings the Nation's cry,--
  • UNION AND LIBERTY! ONE EVERMORE!
  • SONGS OF WELCOME AND FAREWELL
  • AMERICA TO RUSSIA
  • AUGUST 5, 1866
  • Read by Hon. G. V. Fox at a dinner given to the Mission from the United
  • States, St. Petersburg.
  • THOUGH watery deserts hold apart
  • The worlds of East and West,
  • Still beats the selfsame human heart
  • In each proud Nation's breast.
  • Our floating turret tempts the main
  • And dares the howling blast
  • To clasp more close the golden chain
  • That long has bound them fast.
  • In vain the gales of ocean sweep,
  • In vain the billows roar
  • That chafe the wild and stormy steep
  • Of storied Elsinore.
  • She comes! She comes! her banners dip
  • In Neva's flashing tide,
  • With greetings on her cannon's lip,
  • The storm-god's iron bride!
  • Peace garlands with the olive-bough
  • Her thunder-bearing tower,
  • And plants before her cleaving prow
  • The sea-foam's milk-white flower.
  • No prairies heaped their garnered store
  • To fill her sunless hold,
  • Not rich Nevada's gleaming ore
  • Its hidden caves infold,
  • But lightly as the sea-bird swings
  • She floats the depths above,
  • A breath of flame to lend her wings,
  • Her freight a people's love!
  • When darkness hid the starry skies
  • In war's long winter night,
  • One ray still cheered our straining eyes,
  • The far-off Northern light.
  • And now the friendly rays return
  • From lights that glow afar,
  • Those clustered lamps of Heaven that burn
  • Around the Western Star.
  • A nation's love in tears and smiles
  • We bear across the sea,
  • O Neva of the banded isles,
  • We moor our hearts in thee!
  • WELCOME TO THE GRAND DUKE ALEXIS
  • MUSIC HALL, DECEMBER 6, 1871
  • Sung to the Russian national air by the children of the public schools.
  • SHADOWED so long by the storm-cloud of danger,
  • Thou whom the prayers of an empire defend,
  • Welcome, thrice welcome! but not as a stranger,
  • Come to the nation that calls thee its friend!
  • Bleak are our shores with the blasts of December,
  • Fettered and chill is the rivulet's flow;
  • Throbbing and warm are the hearts that remember
  • Who was our friend when the world was our foe.
  • Look on the lips that are smiling to greet thee,
  • See the fresh flowers that a people has strewn
  • Count them thy sisters and brothers that meet thee;
  • Guest of the Nation, her heart is thine own!
  • Fires of the North, in eternal communion,
  • Blend your broad flashes with evening's bright star!
  • God bless the Empire that loves the Great Union;
  • Strength to her people! Long life to the Czar!
  • AT THE BANQUET TO THE GRAND DUKE ALEXIS
  • DECEMBER 9, 1871
  • ONE word to the guest we have gathered to greet!
  • The echoes are longing that word to repeat,--
  • It springs to the lips that are waiting to part,
  • For its syllables spell themselves first in the heart.
  • Its accents may vary, its sound may be strange,
  • But it bears a kind message that nothing can change;
  • The dwellers by Neva its meaning can tell,
  • For the smile, its interpreter, shows it full well.
  • That word! How it gladdened the Pilgrim yore,
  • As he stood in the snow on the desolate shore!
  • When the shout of the sagamore startled his ear
  • In the phrase of the Saxon, 't was music to hear!
  • Ah, little could Samoset offer our sire,--
  • The cabin, the corn-cake, the seat by the fire;
  • He had nothing to give,--the poor lord of the land,--
  • But he gave him a WELCOME,--his heart in his hand!
  • The tribe of the sachem has melted away,
  • But the word that he spoke is remembered to-day,
  • And the page that is red with the record of shame
  • The tear-drops have whitened round Samoset's name.
  • The word that he spoke to the Pilgrim of old
  • May sound like a tale that has often been told;
  • But the welcome we speak is as fresh as the dew,--
  • As the kiss of a lover, that always is new!
  • Ay, Guest of the Nation! each roof is thine own
  • Through all the broad continent's star-bannered zone;
  • From the shore where the curtain of morn is uprolled,
  • To the billows that flow through the gateway of gold.
  • The snow-crested mountains are calling aloud;
  • Nevada to Ural speaks out of the cloud,
  • And Shasta shouts forth, from his throne in the sky,
  • To the storm-splintered summits, the peaks of Altai!
  • You must leave him, they say, till the summer is green!
  • Both shores are his home, though the waves roll between;
  • And then we'll return him, with thanks for the same,
  • As fresh and as smiling and tall as he came.
  • But ours is the region of arctic delight;
  • We can show him auroras and pole-stars by night;
  • There's a Muscovy sting in the ice-tempered air,
  • And our firesides are warm and our maidens are fair.
  • The flowers are full-blown in the garlanded hall,--
  • They will bloom round his footsteps wherever they fall;
  • For the splendors of youth and the sunshine they bring
  • Make the roses believe 't is the summons of Spring.
  • One word of our language he needs must know well,
  • But another remains that is harder to spell;
  • We shall speak it so ill, if he wishes to learn
  • How we utter Farewell, he will have to return!
  • AT THE BANQUET TO THE CHINESE EMBASSY
  • AUGUST 21, 1868
  • BROTHERS, whom we may not reach
  • Through the veil of alien speech,
  • Welcome! welcome! eyes can tell
  • What the lips in vain would spell,--
  • Words that hearts can understand,
  • Brothers from the Flowery Land!
  • We, the evening's latest born,
  • Hail the children of the morn!
  • We, the new creation's birth,
  • Greet the lords of ancient earth,
  • From their storied walls and towers
  • Wandering to these tents of ours!
  • Land of wonders, fair Cathay,
  • Who long hast shunned the staring day,
  • Hid in mists of poet's dreams
  • By thy blue and yellow streams,--
  • Let us thy shadowed form behold,--
  • Teach us as thou didst of old.
  • Knowledge dwells with length of days;
  • Wisdom walks in ancient ways;
  • Thine the compass that could guide
  • A nation o'er the stormy tide,
  • Scourged by passions, doubts, and fears,
  • Safe through thrice a thousand years!
  • Looking from thy turrets gray
  • Thou hast seen the world's decay,--
  • Egypt drowning in her sands,--
  • Athens rent by robbers' hands,--
  • Rome, the wild barbarian's prey,
  • Like a storm-cloud swept away:
  • Looking from thy turrets gray
  • Still we see thee. Where are they?
  • And to I a new-born nation waits,
  • Sitting at the golden gates
  • That glitter by the sunset sea,--
  • Waits with outspread arms for thee!
  • Open wide, ye gates of gold,
  • To the Dragon's banner-fold!
  • Builders of the mighty wall,
  • Bid your mountain barriers fall!
  • So may the girdle of the sun.
  • Bind the East and West in one,
  • Till Mount Shasta's breezes fan
  • The snowy peaks of Ta Sieue-Shan,--
  • Till Erie blends its waters blue
  • With the waves of Tung-Ting-Hu,--
  • Till deep Missouri lends its flow
  • To swell the rushing Hoang-Ho!
  • AT THE BANQUET TO THE JAPANESE EMBASSY
  • AUGUST 2, 1872
  • WE welcome you, Lords of the Land of the Sun!
  • The voice of the many sounds feebly through one;
  • Ah! would 't were a voice of more musical tone,
  • But the dog-star is here, and the song-birds have flown.
  • And what shall I sing that can cheat you of smiles,
  • Ye heralds of peace from the Orient isles?
  • If only the Jubilee--Why did you wait?
  • You are welcome, but oh! you're a little too late!
  • We have greeted our brothers of Ireland and France,
  • Round the fiddle of Strauss we have joined in the dance,
  • We have lagered Herr Saro, that fine-looking man,
  • And glorified Godfrey, whose name it is Dan.
  • What a pity! we've missed it and you've missed it too,
  • We had a day ready and waiting for you;
  • We'd have shown you--provided, of course, you had come--
  • You 'd have heard--no, you would n't, because it was dumb.
  • And then the great organ! The chorus's shout
  • Like the mixture teetotalers call "Cold without"--
  • A mingling of elements, strong, but not sweet;
  • And the drum, just referred to, that "couldn't be beat."
  • The shrines of our pilgrims are not like your own,
  • Where white Fusiyama lifts proudly its cone,
  • (The snow-mantled mountain we see on the fan
  • That cools our hot cheeks with a breeze from Japan.)
  • But ours the wide temple where worship is free
  • As the wind of the prairie, the wave of the sea;
  • You may build your own altar wherever you will,
  • For the roof of that temple is over you still.
  • One dome overarches the star-bannered shore;
  • You may enter the Pope's or the Puritan's door,
  • Or pass with the Buddhist his gateway of bronze,
  • For a priest is but Man, be he bishop or bonze.
  • And the lesson we teach with the sword and the pen
  • Is to all of God's children, "We also are men!
  • If you wrong us we smart, if you prick us we bleed,
  • If you love us, no quarrel with color or creed!"
  • You'll find us a well-meaning, free-spoken crowd,
  • Good-natured enough, but a little too loud,--
  • To be sure, there is always a bit of a row
  • When we choose our Tycoon, and especially now.
  • You'll take it all calmly,--we want you to see
  • What a peaceable fight such a contest can be,
  • And of one thing be certain, however it ends,
  • You will find that our voters have chosen your friends.
  • If the horse that stands saddled is first in the race,
  • You will greet your old friend with the weed in his face;
  • And if the white hat and the White House agree,
  • You'll find H. G. really as loving as he.
  • But oh, what a pity--once more I must say--
  • That we could not have joined in a "Japanese day"!
  • Such greeting we give you to-night as we can;
  • Long life to our brothers and friends of Japan!
  • The Lord of the mountain looks down from his crest
  • As the banner of morning unfurls in the West;
  • The Eagle was always the friend of the Sun;
  • You are welcome!--The song of the cage-bird is done.
  • BRYANT'S SEVENTIETH BIRTHDAY
  • NOVEMBER 3, 1864
  • O EVEN-HANDED Nature! we confess
  • This life that men so honor, love, and bless
  • Has filled thine olden measure. Not the less.
  • We count the precious seasons that remain;
  • Strike not the level of the golden grain,
  • But heap it high with years, that earth may gain.
  • What heaven can lose,--for heaven is rich in song
  • Do not all poets, dying, still prolong
  • Their broken chants amid the seraph throng,
  • Where, blind no more, Ionia's bard is seen,
  • And England's heavenly minstrel sits between
  • The Mantuan and the wan-cheeked Florentine?
  • This was the first sweet singer in the cage
  • Of our close-woven life. A new-born age
  • Claims in his vesper song its heritage.
  • Spare us, oh spare us long our heart's desire!
  • Moloch, who calls our children through the fire,
  • Leaves us the gentle master of the lyre.
  • We count not on the dial of the sun
  • The hours, the minutes, that his sands have run;
  • Rather, as on those flowers that one by one.
  • From earliest dawn their ordered bloom display
  • Till evening's planet with her guiding ray
  • Leads in the blind old mother of the day,
  • We reckon by his songs, each song a flower,
  • The long, long daylight, numbering hour by hour,
  • Each breathing sweetness like a bridal bower.
  • His morning glory shall we e'er forget?
  • His noontide's full-blown lily coronet?
  • His evening primrose has not opened yet;
  • Nay, even if creeping Time should hide the skies
  • In midnight from his century-laden eyes,
  • Darkened like his who sang of Paradise,
  • Would not some hidden song-bud open bright
  • As the resplendent cactus of the night
  • That floods the gloom with fragrance and with
  • light?
  • How can we praise the verse whose music flows
  • With solemn cadence and majestic close,
  • Pure as the dew that filters through the rose?
  • How shall we thank him that in evil days
  • He faltered never,--nor for blame, nor praise,
  • Nor hire, nor party, shamed his earlier lays?
  • But as his boyhood was of manliest hue,
  • So to his youth his manly years were true,
  • All dyed in royal purple through and through!
  • He for whose touch the lyre of Heaven is strung
  • Needs not the flattering toil of mortal tongue
  • Let not the singer grieve to die unsung!
  • Marbles forget their message to mankind:
  • In his own verse the poet still we find,
  • In his own page his memory lives enshrined,
  • As in their amber sweets the smothered bees,--
  • As the fair cedar, fallen before the breeze,
  • Lies self-embalmed amidst the mouldering trees.
  • Poets, like youngest children, never grow
  • Out of their mother's fondness. Nature so
  • Holds their soft hands, and will not let them go,
  • Till at the last they track with even feet
  • Her rhythmic footsteps, and their pulses beat
  • Twinned with her pulses, and their lips repeat.
  • The secrets she has told them, as their own
  • Thus is the inmost soul of Nature known,
  • And the rapt minstrel shares her awful throne!
  • O lover of her mountains and her woods,
  • Her bridal chamber's leafy solitudes,
  • Where Love himself with tremulous step intrudes,
  • Her snows fall harmless on thy sacred fire
  • Far be the day that claims thy sounding lyre
  • To join the music of the angel choir!
  • Yet, since life's amplest measure must be filled,
  • Since throbbing hearts must be forever stilled,
  • And all must fade that evening sunsets gild,
  • Grant, Father, ere he close the mortal eyes
  • That see a Nation's reeking sacrifice,
  • Its smoke may vanish from these blackened skies!
  • Then, when his summons comes, since come it must,
  • And, looking heavenward with unfaltering trust,
  • He wraps his drapery round him for the dust,
  • His last fond glance will show him o'er his head
  • The Northern fires beyond the zenith spread
  • In lambent glory, blue and white and red,--
  • The Southern cross without its bleeding load,
  • The milky way of peace all freshly strowed,
  • And every white-throned star fixed in its lost
  • abode!
  • A FAREWELL TO AGASSIZ
  • How the mountains talked together,
  • Looking down upon the weather,
  • When they heard our friend had planned his
  • Little trip among the Andes!
  • How they'll bare their snowy scalps
  • To the climber of the Alps
  • When the cry goes through their passes,
  • "Here comes the great Agassiz!"
  • "Yes, I'm tall," says Chimborazo,
  • "But I wait for him to say so,--
  • That's the only thing that lacks,--he
  • Must see me, Cotopaxi!"
  • "Ay! ay!" the fire-peak thunders,
  • "And he must view my wonders!
  • I'm but a lonely crater
  • Till I have him for spectator!"
  • The mountain hearts are yearning,
  • The lava-torches burning,
  • The rivers bend to meet him,
  • The forests bow to greet him,
  • It thrills the spinal column
  • Of fossil fishes solemn,
  • And glaciers crawl the faster
  • To the feet of their old master!
  • Heaven keep him well and hearty,
  • Both him and all his party!
  • From the sun that broils and smites,
  • From the centipede that bites,
  • From the hail-storm and the thunder,
  • From the vampire and the condor,
  • From the gust upon the river,
  • From the sudden earthquake shiver,
  • From the trip of mule or donkey,
  • From the midnight howling monkey,
  • From the stroke of knife or dagger,
  • From the puma and the jaguar,
  • From the horrid boa-constrictor
  • That has scared us in the pictur',
  • From the Indians of the Pampas
  • Who would dine upon their grampas,
  • From every beast and vermin
  • That to think of sets us squirmin',
  • From every snake that tries on
  • The traveller his p'ison,
  • From every pest of Natur',
  • Likewise the alligator,
  • And from two things left behind him,--
  • (Be sure they'll try to find him,)
  • The tax-bill and assessor,--
  • Heaven keep the great Professor
  • May he find, with his apostles,
  • That the land is full of fossils,
  • That the waters swarm with fishes
  • Shaped according to his wishes,
  • That every pool is fertile
  • In fancy kinds of turtle,
  • New birds around him singing,
  • New insects, never stinging,
  • With a million novel data
  • About the articulata,
  • And facts that strip off all husks
  • From the history of mollusks.
  • And when, with loud Te Deum,
  • He returns to his Museum,
  • May he find the monstrous reptile
  • That so long the land has kept ill
  • By Grant and Sherman throttled,
  • And by Father Abraham bottled,
  • (All specked and streaked and mottled
  • With the scars of murderous battles,
  • Where he clashed the iron rattles
  • That gods and men he shook at,)
  • For all the world to look at.
  • God bless the great Professor!
  • And Madam, too, God bless her!
  • Bless him and all his band,
  • On the sea and on the land,
  • Bless them head and heart and hand,
  • Till their glorious raid is o'er,
  • And they touch our ransomed shore!
  • Then the welcome of a nation,
  • With its shout of exultation,
  • Shall awake the dumb creation,
  • And the shapes of buried aeons
  • Join the living creatures' poeans,
  • Till the fossil echoes roar;
  • While the mighty megalosaurus
  • Leads the palaeozoic chorus,--
  • God bless the great Professor,
  • And the land his proud possessor,--
  • Bless them now and evermore!
  • 1865.
  • AT A DINNER TO ADMIRAL FARRAGUT
  • JULY 6, 1865
  • Now, smiling friends and shipmates all,
  • Since half our battle 's won,
  • A broadside for our Admiral!
  • Load every crystal gun
  • Stand ready till I give the word,--
  • You won't have time to tire,--
  • And when that glorious name is heard,
  • Then hip! hurrah! and fire!
  • Bow foremost sinks the rebel craft,--
  • Our eyes not sadly turn
  • And see the pirates huddling aft
  • To drop their raft astern;
  • Soon o'er the sea-worm's destined prey
  • The lifted wave shall close,--
  • So perish from the face of day
  • All Freedom's banded foes!
  • But ah! what splendors fire the sky
  • What glories greet the morn!
  • The storm-tost banner streams on high,
  • Its heavenly hues new-born!
  • Its red fresh dyed in heroes' blood,
  • Its peaceful white more pure,
  • To float unstained o'er field and flood
  • While earth and seas endure!
  • All shapes before the driving blast
  • Must glide from mortal view;
  • Black roll the billows of the past
  • Behind the present's blue,
  • Fast, fast, are lessening in the light
  • The names of high renown,--
  • Van Tromp's proud besom fades from sight,
  • And Nelson's half hull down!
  • Scarce one tall frigate walks the sea
  • Or skirts the safer shores
  • Of all that bore to victory
  • Our stout old commodores;
  • Hull, Bainbridge, Porter,--where are they?
  • The waves their answer roll,
  • "Still bright in memory's sunset ray,--
  • God rest each gallant soul!"
  • A brighter name must dim their light
  • With more than noontide ray,
  • The Sea-King of the "River Fight,"
  • The Conqueror of the Bay,--
  • Now then the broadside! cheer on cheer
  • To greet him safe on shore!
  • Health, peace, and many a bloodless year
  • To fight his battles o'er!
  • AT A DINNER TO GENERAL GRANT
  • JULY 31, 1865
  • WHEN treason first began the strife
  • That crimsoned sea and shore,
  • The Nation poured her hoarded life
  • On Freedom's threshing-floor;
  • From field and prairie, east and west,
  • From coast and hill and plain,
  • The sheaves of ripening manhood pressed
  • Thick as the bearded grain.
  • Rich was the harvest; souls as true
  • As ever battle tried;
  • But fiercer still the conflict grew,
  • The floor of death more wide;
  • Ah, who forgets that dreadful day
  • Whose blot of grief and shame
  • Four bitter years scarce wash away
  • In seas of blood and flame?
  • Vain, vain the Nation's lofty boasts,--
  • Vain all her sacrifice!
  • "Give me a man to lead my hosts,
  • O God in heaven!" she cries.
  • While Battle whirls his crushing flail,
  • And plies his winnowing fan,--
  • Thick flies the chaff on every gale,--
  • She cannot find her man!
  • Bravely they fought who failed to win,--
  • Our leaders battle-scarred,--
  • Fighting the hosts of hell and sin,
  • But devils die always hard!
  • Blame not the broken tools of God
  • That helped our sorest needs;
  • Through paths that martyr feet have trod
  • The conqueror's steps He leads.
  • But now the heavens grow black with doubt,
  • The ravens fill the sky,
  • "Friends" plot within, foes storm without,
  • Hark,--that despairing cry,
  • "Where is the heart, the hand, the brain
  • To dare, to do, to plan?"
  • The bleeding Nation shrieks in vain,--
  • She has not found her man!
  • A little echo stirs the air,--
  • Some tale, whate'er it be,
  • Of rebels routed in their lair
  • Along the Tennessee.
  • The little echo spreads and grows,
  • And soon the trump of Fame
  • Has taught the Nation's friends and foes
  • The "man on horseback"'s name.
  • So well his warlike wooing sped,
  • No fortress might resist
  • His billets-doux of lisping lead,
  • The bayonets in his fist,--
  • With kisses from his cannons' mouth
  • He made his passion known
  • Till Vicksburg, vestal of the South,
  • Unbound her virgin zone.
  • And still where'er his banners led
  • He conquered as he came,
  • The trembling hosts of treason fled
  • Before his breath of flame,
  • And Fame's still gathering echoes grew
  • Till high o'er Richmond's towers
  • The starry fold of Freedom flew,
  • And all the land was ours.
  • Welcome from fields where valor fought
  • To feasts where pleasure waits;
  • A Nation gives you smiles unbought
  • At all her opening gates!
  • Forgive us when we press your hand,--
  • Your war-worn features scan,--
  • God sent you to a bleeding land;
  • Our Nation found its man!
  • TO H. W. LONGFELLOW
  • BEFORE HIS DEPARTURE FOR EUROPE, MAY 27, 1868
  • OUR Poet, who has taught the Western breeze
  • To waft his songs before him o'er the seas,
  • Will find them wheresoe'er his wanderings reach
  • Borne on the spreading tide of English speech
  • Twin with the rhythmic waves that kiss the farthest beach.
  • Where shall the singing bird a stranger be
  • That finds a nest for him in every tree?
  • How shall he travel who can never go
  • Where his own voice the echoes do not know,
  • Where his own garden flowers no longer learn to grow?
  • Ah! gentlest soul! how gracious, how benign
  • Breathes through our troubled life that voice of thine,
  • Filled with a sweetness born of happier spheres,
  • That wins and warms, that kindles, softens, cheers,
  • That calms the wildest woe and stays the bitterest tears!
  • Forgive the simple words that sound like praise;
  • The mist before me dims my gilded phrase;
  • Our speech at best is half alive and cold,
  • And save that tenderer moments make us bold
  • Our whitening lips would close, their truest truth untold.
  • We who behold our autumn sun below
  • The Scorpion's sign, against the Archer's bow,
  • Know well what parting means of friend from friend;
  • After the snows no freshening dews descend,
  • And what the frost has marred, the sunshine will not mend.
  • So we all count the months, the weeks, the days,
  • That keep thee from us in unwonted ways,
  • Grudging to alien hearths our widowed time;
  • And one has shaped a breath in artless rhyme
  • That sighs, "We track thee still through each remotest clime."
  • What wishes, longings, blessings, prayers shall be
  • The more than golden freight that floats with thee!
  • And know, whatever welcome thou shalt find,--
  • Thou who hast won the hearts of half mankind,--
  • The proudest, fondest love thou leavest still behind!
  • TO CHRISTIAN GOTTFRIED EHRENBERG
  • FOR HIS "JUBILAEUM" AT BERLIN, NOVEMBER 5, 1868
  • This poem was written at the suggestion of Mr. George Bancroft, the
  • historian.
  • THOU who hast taught the teachers of mankind
  • How from the least of things the mightiest grow,
  • What marvel jealous Nature made thee blind,
  • Lest man should learn what angels long to know?
  • Thou in the flinty rock, the river's flow,
  • In the thick-moted sunbeam's sifted light
  • Hast trained thy downward-pointed tube to show
  • Worlds within worlds unveiled to mortal sight,
  • Even as the patient watchers of the night,--
  • The cyclope gleaners of the fruitful skies,--
  • Show the wide misty way where heaven is white
  • All paved with suns that daze our wondering eyes.
  • Far o'er the stormy deep an empire lies,
  • Beyond the storied islands of the blest,
  • That waits to see the lingering day-star rise;
  • The forest-tinctured Eden of the West;
  • Whose queen, fair Freedom, twines her iron crest
  • With leaves from every wreath that mortals wear,
  • But loves the sober garland ever best
  • That science lends the sage's silvered hair;--
  • Science, who makes life's heritage more fair,
  • Forging for every lock its mastering key,
  • Filling with life and hope the stagnant air,
  • Pouring the light of Heaven o'er land and sea!
  • From her unsceptred realm we come to thee,
  • Bearing our slender tribute in our hands;
  • Deem it not worthless, humble though it be,
  • Set by the larger gifts of older lands
  • The smallest fibres weave the strongest bands,--
  • In narrowest tubes the sovereign nerves are spun,--
  • A little cord along the deep sea-sands
  • Makes the live thought of severed nations one
  • Thy fame has journeyed westering with the sun,
  • Prairies and lone sierras know thy name
  • And the long day of service nobly done
  • That crowns thy darkened evening with its flame!
  • One with the grateful world, we own thy claim,--
  • Nay, rather claim our right to join the throng
  • Who come with varied tongues, but hearts the same,
  • To hail thy festal morn with smiles and song;
  • Ah, happy they to whom the joys belong
  • Of peaceful triumphs that can never die
  • From History's record,--not of gilded wrong,
  • But golden truths that, while the world goes by
  • With all its empty pageant, blazoned high
  • Around the Master's name forever shine
  • So shines thy name illumined in the sky,--
  • Such joys, such triumphs, such remembrance thine!
  • A TOAST TO WILKIE COLLINS
  • FEBRUARY 16, 1874
  • THE painter's and the poet's fame
  • Shed their twinned lustre round his name,
  • To gild our story-teller's art,
  • Where each in turn must play his part.
  • What scenes from Wilkie's pencil sprung,
  • The minstrel saw but left unsung!
  • What shapes the pen of Collins drew,
  • No painter clad in living hue!
  • But on our artist's shadowy screen
  • A stranger miracle is seen
  • Than priest unveils or pilgrim seeks,--
  • The poem breathes, the picture speaks!
  • And so his double name comes true,
  • They christened better than they knew,
  • And Art proclaims him twice her son,--
  • Painter and poet, both in one!
  • MEMORIAL VERSES
  • FOR THE SERVICES IN MEMORY OF
  • ABRAHAM LINCOLN
  • CITY OF BOSTON, JUNE 1, 1865
  • CHORAL: "LUTHER'S JUDGMENT HYMN."
  • O THOU of soul and sense and breath
  • The ever-present Giver,
  • Unto thy mighty Angel, Death,
  • All flesh thou dost deliver;
  • What most we cherish we resign,
  • For life and death alike are thine,
  • Who reignest Lord forever!
  • Our hearts lie buried in the dust
  • With him so true and tender,
  • The patriot's stay, the people's trust,
  • The shield of the offender;
  • Yet every murmuring voice is still,
  • As, bowing to thy sovereign will,
  • Our best-loved we surrender.
  • Dear Lord, with pitying eye behold
  • This martyr generation,
  • Which thou, through trials manifold,
  • Art showing thy salvation
  • Oh let the blood by murder spilt
  • Wash out thy stricken children's guilt
  • And sanctify our nation!
  • Be thou thy orphaned Israel's friend,
  • Forsake thy people never,
  • In One our broken Many blend,
  • That none again may sever!
  • Hear us, O Father, while we raise
  • With trembling lips our song of praise,
  • And bless thy name forever!
  • FOR THE COMMEMORATION SERVICES
  • CAMBRIDGE, JULY 21, 1865
  • FOUR summers coined their golden light in leaves,
  • Four wasteful autumns flung them to the gale,
  • Four winters wore the shroud the tempest weaves,
  • The fourth wan April weeps o'er hill and vale;
  • And still the war-clouds scowl on sea and land,
  • With the red gleams of battle staining through,
  • When lo! as parted by an angel's hand,
  • They open, and the heavens again are blue!
  • Which is the dream, the present or the past?
  • The night of anguish or the joyous morn?
  • The long, long years with horrors overcast,
  • Or the sweet promise of the day new-born?
  • Tell us, O father, as thine arms infold
  • Thy belted first-born in their fast embrace,
  • Murmuring the prayer the patriarch breathed of old,--
  • "Now let me die, for I have seen thy face!"
  • Tell us, O mother,--nay, thou canst not speak,
  • But thy fond eyes shall answer, brimmed with joy,--
  • Press thy mute lips against the sunbrowned cheek,
  • Is this a phantom,--thy returning boy?
  • Tell us, O maiden,--ah, what canst thou tell
  • That Nature's record is not first to teach,--
  • The open volume all can read so well,
  • With its twin rose-hued pages full of speech?
  • And ye who mourn your dead,--how sternly true
  • The crushing hour that wrenched their lives away,
  • Shadowed with sorrow's midnight veil for you,
  • For them the dawning of immortal day!
  • Dream-like these years of conflict, not a dream!
  • Death, ruin, ashes tell the awful tale,
  • Read by the flaming war-track's lurid gleam
  • No dream, but truth that turns the nations pale.
  • For on the pillar raised by martyr hands
  • Burns the rekindled beacon of the right,
  • Sowing its seeds of fire o'er all the lands,--
  • Thrones look a century older in its light!
  • Rome had her triumphs; round the conqueror's car
  • The ensigns waved, the brazen clarions blew,
  • And o'er the reeking spoils of bandit war
  • With outspread wings the cruel eagles flew;
  • Arms, treasures, captives, kings in clanking chains
  • Urged on by trampling cohorts bronzed and scarred,
  • And wild-eyed wonders snared on Lybian plains,
  • Lion and ostrich and camelopard.
  • Vain all that praetors clutched, that consuls brought
  • When Rome's returning legions crowned their lord;
  • Less than the least brave deed these hands have wrought,
  • We clasp, unclinching from the bloody sword.
  • Theirs was the mighty work that seers foretold;
  • They know not half their glorious toil has won,
  • For this is Heaven's same battle,-joined of old
  • When Athens fought for us at Marathon!
  • Behold a vision none hath understood!
  • The breaking of the Apocalyptic seal;
  • Twice rings the summons.--Hail and fire and blood!
  • Then the third angel blows his trumpet-peal.
  • Loud wail the dwellers on the myrtled coasts,
  • The green savannas swell the maddened cry,
  • And with a yell from all the demon hosts
  • Falls the great star called Wormwood from the sky!
  • Bitter it mingles with the poisoned flow
  • Of the warm rivers winding to the shore,
  • Thousands must drink the waves of death and woe,
  • But the star Wormwood stains the heavens no more!
  • Peace smiles at last; the Nation calls her sons
  • To sheathe the sword; her battle-flag she furls,
  • Speaks in glad thunders from unspotted guns,
  • No terror shrouded in the smoke-wreath's curls.
  • O ye that fought for Freedom, living, dead,
  • One sacred host of God's anointed Queen,
  • For every holy, drop your veins have shed
  • We breathe a welcome to our bowers of green!
  • Welcome, ye living! from the foeman's gripe
  • Your country's banner it was yours to wrest,--
  • Ah, many a forehead shows the banner-stripe,
  • And stars, once crimson, hallow many a breast.
  • And ye, pale heroes, who from glory's bed
  • Mark when your old battalions form in line,
  • Move in their marching ranks with noiseless tread,
  • And shape unheard the evening countersign,
  • Come with your comrades, the returning brave;
  • Shoulder to shoulder they await you here;
  • These lent the life their martyr-brothers gave,--
  • Living and dead alike forever dear!
  • EDWARD EVERETT
  • "OUR FIRST CITIZEN"
  • Read at the meeting of the Massachusetts Historical Society,
  • January 30, 1865.
  • WINTER'S cold drift lies glistening o'er his breast;
  • For him no spring shall bid the leaf unfold
  • What Love could speak, by sudden grief oppressed,
  • What swiftly summoned Memory tell, is told.
  • Even as the bells, in one consenting chime,
  • Filled with their sweet vibrations all the air,
  • So joined all voices, in that mournful time,
  • His genius, wisdom, virtues, to declare.
  • What place is left for words of measured praise,
  • Till calm-eyed History, with her iron pen,
  • Grooves in the unchanging rock the final phrase
  • That shapes his image in the souls of men?
  • Yet while the echoes still repeat his name,
  • While countless tongues his full-orbed life rehearse,
  • Love, by his beating pulses taught, will claim
  • The breath of song, the tuneful throb of verse,--
  • Verse that, in ever-changing ebb and flow,
  • Moves, like the laboring heart, with rush and rest,
  • Or swings in solemn cadence, sad and slow,
  • Like the tired heaving of a grief-worn breast.
  • This was a mind so rounded, so complete,
  • No partial gift of Nature in excess,
  • That, like a single stream where many meet,
  • Each separate talent counted something less.
  • A little hillock, if it lonely stand,
  • Holds o'er the fields an undisputed reign;
  • While the broad summit of the table-land
  • Seems with its belt of clouds a level plain.
  • Servant of all his powers, that faithful slave,
  • Unsleeping Memory, strengthening with his toils,
  • To every ruder task his shoulder gave,
  • And loaded every day with golden spoils.
  • Order, the law of Heaven, was throned supreme
  • O'er action, instinct, impulse, feeling, thought;
  • True as the dial's shadow to the beam,
  • Each hour was equal to the charge it brought.
  • Too large his compass for the nicer skill
  • That weighs the world of science grain by grain;
  • All realms of knowledge owned the mastering will
  • That claimed the franchise of its whole domain.
  • Earth, air, sea, sky, the elemental fire,
  • Art, history, song,--what meanings lie in each
  • Found in his cunning hand a stringless lyre,
  • And poured their mingling music through his speech.
  • Thence flowed those anthems of our festal days,
  • Whose ravishing division held apart
  • The lips of listening throngs in sweet amaze,
  • Moved in all breasts the selfsame human heart.
  • Subdued his accents, as of one who tries
  • To press some care, some haunting sadness down;
  • His smile half shadow; and to stranger eyes
  • The kingly forehead wore an iron crown.
  • He was not armed to wrestle with the storm,
  • To fight for homely truth with vulgar power;
  • Grace looked from every feature, shaped his form,
  • The rose of Academe,--the perfect flower!
  • Such was the stately scholar whom we knew
  • In those ill days of soul-enslaving calm,
  • Before the blast of Northern vengeance blew
  • Her snow-wreathed pine against the Southern palm.
  • Ah, God forgive us! did we hold too cheap
  • The heart we might have known, but would not see,
  • And look to find the nation's friend asleep
  • Through the dread hour of her Gethsemane?
  • That wrong is past; we gave him up to Death
  • With all a hero's honors round his name;
  • As martyrs coin their blood, he coined his breath,
  • And dimmed the scholar's in the patriot's fame.
  • So shall we blazon on the shaft we raise,--
  • Telling our grief, our pride, to unborn years,--
  • "He who had lived the mark of all men's praise
  • Died with the tribute of a Nation's tears."
  • SHAKESPEARE
  • TERCENTENNIAL CELEBRATION
  • APRIL 23, 1864
  • "Who claims our Shakespeare from that realm unknown,
  • Beyond the storm-vexed islands of the deep,
  • Where Genoa's roving mariner was blown?
  • Her twofold Saint's-day let our England keep;
  • Shall warring aliens share her holy task?"
  • The Old World echoes ask.
  • O land of Shakespeare! ours with all thy past,
  • Till these last years that make the sea so wide;
  • Think not the jar of battle's trumpet-blast
  • Has dulled our aching sense to joyous pride
  • In every noble word thy sons bequeathed
  • The air our fathers breathed!
  • War-wasted, haggard, panting from the strife,
  • We turn to other days and far-off lands,
  • Live o'er in dreams the Poet's faded life,
  • Come with fresh lilies in our fevered hands
  • To wreathe his bust, and scatter purple flowers,--
  • Not his the need, but ours!
  • We call those poets who are first to mark
  • Through earth's dull mist the coming of the dawn,--
  • Who see in twilight's gloom the first pale spark,
  • While others only note that day is gone;
  • For him the Lord of light the curtain rent
  • That veils the firmament.
  • The greatest for its greatness is half known,
  • Stretching beyond our narrow quadrant-lines,--
  • As in that world of Nature all outgrown
  • Where Calaveras lifts his awful pines,
  • And cast from Mariposa's mountain-wall
  • Nevada's cataracts fall.
  • Yet heaven's remotest orb is partly ours,
  • Throbbing its radiance like a beating heart;
  • In the wide compass of angelic powers
  • The instinct of the blindworm has its part;
  • So in God's kingliest creature we behold
  • The flower our buds infold.
  • With no vain praise we mock the stone-carved name
  • Stamped once on dust that moved with pulse and breath,
  • As thinking to enlarge that amplest fame
  • Whose undimmed glories gild the night of death:
  • We praise not star or sun; in these we see
  • Thee, Father, only thee!
  • Thy gifts are beauty, wisdom, power, and love:
  • We read, we reverence on this human soul,--
  • Earth's clearest mirror of the light above,--
  • Plain as the record on thy prophet's scroll,
  • When o'er his page the effluent splendors poured,
  • Thine own "Thus saith the Lord!"
  • This player was a prophet from on high,
  • Thine own elected. Statesman, poet, sage,
  • For him thy sovereign pleasure passed them by;
  • Sidney's fair youth, and Raleigh's ripened age,
  • Spenser's chaste soul, and his imperial mind
  • Who taught and shamed mankind.
  • Therefore we bid our hearts' Te Deum rise,
  • Nor fear to make thy worship less divine,
  • And hear the shouted choral shake the skies,
  • Counting all glory, power, and wisdom thine;
  • For thy great gift thy greater name adore,
  • And praise thee evermore!
  • In this dread hour of Nature's utmost need,
  • Thanks for these unstained drops of freshening dew!
  • Oh, while our martyrs fall, our heroes bleed,
  • Keep us to every sweet remembrance true,
  • Till from this blood-red sunset springs new-born
  • Our Nation's second morn!
  • IN MEMORY OF JOHN AND ROBERT WARE
  • Read at the annual meeting of the Massachusetts Medical Society,
  • May 25, 1864.
  • No mystic charm, no mortal art,
  • Can bid our loved companions stay;
  • The bands that clasp them to our heart
  • Snap in death's frost and fall apart;
  • Like shadows fading with the day,
  • They pass away.
  • The young are stricken in their pride,
  • The old, long tottering, faint and fall;
  • Master and scholar, side by side,
  • Through the dark portals silent glide,
  • That open in life's mouldering wall
  • And close on all.
  • Our friend's, our teacher's task was done,
  • When Mercy called him from on high;
  • A little cloud had dimmed the sun,
  • The saddening hours had just begun,
  • And darker days were drawing nigh:
  • 'T was time to die.
  • A whiter soul, a fairer mind,
  • A life with purer course and aim,
  • A gentler eye, a voice more kind,
  • We may not look on earth to find.
  • The love that lingers o'er his name
  • Is more than fame.
  • These blood-red summers ripen fast;
  • The sons are older than the sires;
  • Ere yet the tree to earth is cast,
  • The sapling falls before the blast;
  • Life's ashes keep their covered fires,--
  • Its flame expires.
  • Struck by the noiseless, viewless foe,
  • Whose deadlier breath than shot or shell
  • Has laid the best and bravest low,
  • His boy, all bright in morning's glow,
  • That high-souled youth he loved so well,
  • Untimely fell.
  • Yet still he wore his placid smile,
  • And, trustful in the cheering creed
  • That strives all sorrow to beguile,
  • Walked calmly on his way awhile
  • Ah, breast that leans on breaking reed
  • Must ever bleed!
  • So they both left us, sire and son,
  • With opening leaf, with laden bough
  • The youth whose race was just begun,
  • The wearied man whose course was run,
  • Its record written on his brow,
  • Are brothers now.
  • Brothers!--The music of the sound
  • Breathes softly through my closing strain;
  • The floor we tread is holy ground,
  • Those gentle spirits hovering round,
  • While our fair circle joins again
  • Its broken chain.
  • 1864.
  • HUMBOLDT'S BIRTHDAY
  • CENTENNIAL CELEBRATION, SEPTEMBER 14, 1869
  • BONAPARTE, AUGUST 15, 1769.-HUMBOLDT, SEPTEMBER 14, 1769
  • ERE yet the warning chimes of midnight sound,
  • Set back the flaming index of the year,
  • Track the swift-shifting seasons in their round
  • Through fivescore circles of the swinging sphere!
  • Lo, in yon islet of the midland sea
  • That cleaves the storm-cloud with its snowy crest,
  • The embryo-heir of Empires yet to be,
  • A month-old babe upon his mother's breast.
  • Those little hands that soon shall grow so strong
  • In their rude grasp great thrones shall rock and fall,
  • Press her soft bosom, while a nursery song
  • Holds the world's master in its slender thrall.
  • Look! a new crescent bends its silver bow;
  • A new-lit star has fired the eastern sky;
  • Hark! by the river where the lindens blow
  • A waiting household hears an infant's cry.
  • This, too, a conqueror! His the vast domain,
  • Wider than widest sceptre-shadowed lands;
  • Earth and the weltering kingdom of the main
  • Laid their broad charters in his royal hands.
  • His was no taper lit in cloistered cage,
  • Its glimmer borrowed from the grove or porch;
  • He read the record of the planet's page
  • By Etna's glare and Cotopaxi's torch.
  • He heard the voices of the pathless woods;
  • On the salt steppes he saw the starlight shine;
  • He scaled the mountain's windy solitudes,
  • And trod the galleries of the breathless mine.
  • For him no fingering of the love-strung lyre,
  • No problem vague, by torturing schoolmen vexed;
  • He fed no broken altar's dying fire,
  • Nor skulked and scowled behind a Rabbi's text.
  • For God's new truth he claimed the kingly robe
  • That priestly shoulders counted all their own,
  • Unrolled the gospel of the storied globe
  • And led young Science to her empty throne.
  • While the round planet on its axle spins
  • One fruitful year shall boast its double birth,
  • And show the cradles of its mighty twins,
  • Master and Servant of the sons of earth.
  • Which wears the garland that shall never fade,
  • Sweet with fair memories that can never die?
  • Ask not the marbles where their bones are laid,
  • But bow thine ear to hear thy brothers' cry:--
  • "Tear up the despot's laurels by the root,
  • Like mandrakes, shrieking as they quit the soil!
  • Feed us no more upon the blood-red fruit
  • That sucks its crimson from the heart of Toil!
  • "We claim the food that fixed our mortal fate,--
  • Bend to our reach the long-forbidden tree!
  • The angel frowned at Eden's eastern gate,--
  • Its western portal is forever free!
  • "Bring the white blossoms of the waning year,
  • Heap with full hands the peaceful conqueror's shrine
  • Whose bloodless triumphs cost no sufferer's tear!
  • Hero of knowledge, be our tribute thine!"
  • POEM
  • AT THE DEDICATION OF THE HALLECK MONUMENT, JULY 8, 1869
  • SAY not the Poet dies!
  • Though in the dust he lies,
  • He cannot forfeit his melodious breath,
  • Unsphered by envious death!
  • Life drops the voiceless myriads from its roll;
  • Their fate he cannot share,
  • Who, in the enchanted air
  • Sweet with the lingering strains that Echo stole,
  • Has left his dearer self, the music of his soul!
  • We o'er his turf may raise
  • Our notes of feeble praise,
  • And carve with pious care for after eyes
  • The stone with "Here he lies;"
  • He for himself has built a nobler shrine,
  • Whose walls of stately rhyme
  • Roll back the tides of time,
  • While o'er their gates the gleaming tablets shine
  • That wear his name inwrought with many a golden line!
  • Call not our Poet dead,
  • Though on his turf we tread!
  • Green is the wreath their brows so long have worn,--
  • The minstrels of the morn,
  • Who, while the Orient burned with new-born flame,
  • Caught that celestial fire
  • And struck a Nation's lyre
  • These taught the western winds the poet's name;
  • Theirs the first opening buds, the maiden flowers of fame!
  • Count not our Poet dead!
  • The stars shall watch his bed,
  • The rose of June its fragrant life renew
  • His blushing mound to strew,
  • And all the tuneful throats of summer swell
  • With trills as crystal-clear
  • As when he wooed the ear
  • Of the young muse that haunts each wooded dell,
  • With songs of that "rough land" he loved so long and well!
  • He sleeps; he cannot die!
  • As evening's long-drawn sigh,
  • Lifting the rose-leaves on his peaceful mound,
  • Spreads all their sweets around,
  • So, laden with his song, the breezes blow
  • From where the rustling sedge
  • Frets our rude ocean's edge
  • To the smooth sea beyond the peaks of snow.
  • His soul the air enshrines and leaves but dust below!
  • HYMN
  • FOR THE CELEBRATION AT THE LAYING OF THE CORNERSTONE
  • OF HARVARD MEMORIAL HALL, CAMBRIDGE,
  • OCTOBER 6, 1870
  • NOT with the anguish of hearts that are breaking
  • Come we as mourners to weep for our dead;
  • Grief in our breasts has grown weary of aching,
  • Green is the turf where our tears we have shed.
  • While o'er their marbles the mosses are creeping,
  • Stealing each name and its legend away,
  • Give their proud story to Memory's keeping,
  • Shrined in the temple we hallow to-day.
  • Hushed are their battle-fields, ended their marches,
  • Deaf are their ears to the drum-beat of morn,--
  • Rise from the sod, ye fair columns and arches
  • Tell their bright deeds to the ages unborn!
  • Emblem and legend may fade from the portal,
  • Keystone may crumble and pillar may fall;
  • They were the builders whose work is immortal,
  • Crowned with the dome that is over us all!
  • HYMN
  • FOR THE DEDICATION OF MEMORIAL HALL AT CAMBRIDGE,
  • JUNE 23, 1874
  • WHERE, girt around by savage foes,
  • Our nurturing Mother's shelter rose,
  • Behold, the lofty temple stands,
  • Reared by her children's grateful hands!
  • Firm are the pillars that defy
  • The volleyed thunders of the sky;
  • Sweet are the summer wreaths that twine
  • With bud and flower our martyrs' shrine.
  • The hues their tattered colors bore
  • Fall mingling on the sunlit floor
  • Till evening spreads her spangled pall,
  • And wraps in shade the storied hall.
  • Firm were their hearts in danger's hour,
  • Sweet was their manhood's morning flower,
  • Their hopes with rainbow hues were bright,--
  • How swiftly winged the sudden night!
  • O Mother! on thy marble page
  • Thy children read, from age to age,
  • The mighty word that upward leads
  • Through noble thought to nobler deeds.
  • TRUTH, heaven-born TRUTH, their fearless guide,
  • Thy saints have lived, thy heroes died;
  • Our love has reared their earthly shrine,
  • Their glory be forever thine!
  • HYMN
  • AT THE FUNERAL SERVICES OF CHARLES SUMNER,
  • APRIL 29, 1874
  • SUNG BY MALE VOICES TO A NATIONAL AIR OF HOLLAND
  • ONCE more, ye sacred towers,
  • Your solemn dirges sound;
  • Strew, loving hands, the April flowers,
  • Once more to deck his mound.
  • A nation mourns its dead,
  • Its sorrowing voices one,
  • As Israel's monarch bowed his head
  • And cried, "My son! My son!"
  • Why mourn for him?--For him
  • The welcome angel came
  • Ere yet his eye with age was dim
  • Or bent his stately frame;
  • His weapon still was bright,
  • His shield was lifted high
  • To slay the wrong, to save the right,--
  • What happier hour to die?
  • Thou orderest all things well;
  • Thy servant's work was done;
  • He lived to hear Oppression's knell,
  • The shouts for Freedom won.
  • Hark!! from the opening skies
  • The anthem's echoing swell,--
  • "O mourning Land, lift up thine eyes!
  • God reigneth. All is well!"
  • RHYMES OF AN HOUR
  • ADDRESS
  • FOR THE OPENING OF THE FIFTH AVENUE THEATRE,
  • NEW YORK, DECEMBER 3, 1873
  • HANG out our banners on the stately tower
  • It dawns at last--the long-expected hour I
  • The steep is climbed, the star-lit summit won,
  • The builder's task, the artist's labor done;
  • Before the finished work the herald stands,
  • And asks the verdict of your lips and hands!
  • Shall rosy daybreak make us all forget
  • The golden sun that yester-evening set?
  • Fair was the fabric doomed to pass away
  • Ere the last headaches born of New Year's Day;
  • With blasting breath the fierce destroyer came
  • And wrapped the victim in his robes of flame;
  • The pictured sky with redder morning blushed,
  • With scorching streams the naiad's fountain gushed,
  • With kindling mountains glowed the funeral pyre,
  • Forests ablaze and rivers all on fire,--
  • The scenes dissolved, the shrivelling curtain fell,--
  • Art spread her wings and sighed a long farewell!
  • Mourn o'er the Player's melancholy plight,--
  • Falstaff in tears, Othello deadly white,--
  • Poor Romeo reckoning what his doublet cost,
  • And Juliet whimpering for her dresses lost,--
  • Their wardrobes burned, their salaries all undrawn,
  • Their cues cut short, their occupation gone!
  • "Lie there in dust," the red-winged demon cried,
  • "Wreck of the lordly city's hope and pride!"
  • Silent they stand, and stare with vacant gaze,
  • While o'er the embers leaps the fitful blaze;
  • When, to! a hand, before the startled train,
  • Writes in the ashes, "It shall rise again,--
  • Rise and confront its elemental foes!"
  • The word was spoken, and the walls arose,
  • And ere the seasons round their brief career
  • The new-born temple waits the unborn year.
  • Ours was the toil of many a weary day
  • Your smiles, your plaudits, only can repay;
  • We are the monarchs of the painted scenes,
  • You, you alone the real Kings and Queens!
  • Lords of the little kingdom where we meet,
  • We lay our gilded sceptres at your feet,
  • Place in your grasp our portal's silvered keys
  • With one brief utterance: We have tried to please.
  • Tell us, ye sovereigns of the new domain,
  • Are you content-or have we toiled in vain?
  • With no irreverent glances look around
  • The realm you rule, for this is haunted ground!
  • Here stalks the Sorcerer, here the Fairy trips,
  • Here limps the Witch with malice-working lips,
  • The Graces here their snowy arms entwine,
  • Here dwell the fairest sisters of the Nine,--
  • She who, with jocund voice and twinkling eye,
  • Laughs at the brood of follies as they fly;
  • She of the dagger and the deadly bowl,
  • Whose charming horrors thrill the trembling soul;
  • She who, a truant from celestial spheres,
  • In mortal semblance now and then appears,
  • Stealing the fairest earthly shape she can--
  • Sontag or Nilsson, Lind or Malibran;
  • With these the spangled houri of the dance,--
  • What shaft so dangerous as her melting glance,
  • As poised in air she spurns the earth below,
  • And points aloft her heavenly-minded toe!
  • What were our life, with all its rents and seams,
  • Stripped of its purple robes, our waking dreams?
  • The poet's song, the bright romancer's page,
  • The tinselled shows that cheat us on the stage
  • Lead all our fancies captive at their will;
  • Three years or threescore, we are children still.
  • The little listener on his father's knee,
  • With wandering Sindbad ploughs the stormy sea,
  • With Gotham's sages hears the billows roll
  • (Illustrious trio of the venturous bowl,
  • Too early shipwrecked, for they died too soon
  • To see their offspring launch the great balloon);
  • Tracks the dark brigand to his mountain lair,
  • Slays the grim giant, saves the lady fair,
  • Fights all his country's battles o'er again
  • From Bunker's blazing height to Lundy's Lane;
  • Floats with the mighty captains as they sailed,
  • Before whose flag the flaming red-cross paled,
  • And claims the oft-told story of the scars
  • Scarce yet grown white, that saved the stripes and
  • stars!
  • Children of later growth, we love the PLAY,
  • We love its heroes, be they grave or gay,
  • From squeaking, peppery, devil-defying Punch
  • To roaring Richard with his camel-hunch;
  • Adore its heroines, those immortal dames,
  • Time's only rivals, whom he never tames,
  • Whose youth, unchanging, lives while thrones decay
  • (Age spares the Pyramids-and Dejazet);
  • The saucy-aproned, razor-tongued soubrette,
  • The blond-haired beauty with the eyes of jet,
  • The gorgeous Beings whom the viewless wires
  • Lift to the skies in strontian-crimsoned fires,
  • And all the wealth of splendor that awaits
  • The throng that enters those Elysian gates.
  • See where the hurrying crowd impatient pours,
  • With noise of trampling feet and flapping doors,
  • Streams to the numbered seat each pasteboard fits
  • And smooths its caudal plumage as it sits;
  • Waits while the slow musicians saunter in,
  • Till the bald leader taps his violin;
  • Till the old overture we know so well,
  • Zampa or Magic Flute or William Tell,
  • Has done its worst-then hark! the tinkling bell!
  • The crash is o'er--the crinkling curtain furled,
  • And to! the glories of that brighter world!
  • Behold the offspring of the Thespian cart,
  • This full-grown temple of the magic art,
  • Where all the conjurers of illusion meet,
  • And please us all the more, the more they cheat.
  • These are the wizards and the witches too
  • Who win their honest bread by cheating you
  • With cheeks that drown in artificial tears
  • And lying skull-caps white with seventy years,
  • Sweet-tempered matrons changed to scolding Kates,
  • Maids mild as moonbeams crazed with murderous hates,
  • Kind, simple souls that stab and slash and slay
  • And stick at nothing, if it 's in the play!
  • Would all the world told half as harmless lies!
  • Would all its real fools were half as wise
  • As he who blinks through dull Dundreary's eyes I
  • Would all the unhanged bandits of the age
  • Were like the peaceful ruffians of the stage!
  • Would all the cankers wasting town and state,
  • The mob of rascals, little thieves and great,
  • Dealers in watered milk and watered stocks,
  • Who lead us lambs to pasture on the rocks,--
  • Shepherds--Jack Sheppards--of their city flocks,--
  • The rings of rogues that rob the luckless town,
  • Those evil angels creeping up and down
  • The Jacob's ladder of the treasury stairs,--
  • Not stage, but real Turpins and Macaires,--
  • Could doff, like us, their knavery with their clothes,
  • And find it easy as forgetting oaths!
  • Welcome, thrice welcome to our virgin dome,
  • The Muses' shrine, the Drama's new-found home
  • Here shall the Statesman rest his weary brain,
  • The worn-out Artist find his wits again;
  • Here Trade forget his ledger and his cares,
  • And sweet communion mingle Bulls and Bears;
  • Here shall the youthful Lover, nestling near
  • The shrinking maiden, her he holds most dear,
  • Gaze on the mimic moonlight as it falls
  • On painted groves, on sliding canvas walls,
  • And sigh, "My angel! What a life of bliss
  • We two could live in such a world as this!"
  • Here shall the timid pedants of the schools,
  • The gilded boors, the labor-scorning fools,
  • The grass-green rustic and the smoke-dried cit,
  • Feel each in turn the stinging lash of wit,
  • And as it tingles on some tender part
  • Each find a balsam in his neighbor's smart;
  • So every folly prove a fresh delight
  • As in the picture of our play to-night.
  • Farewell! The Players wait the Prompter's call;
  • Friends, lovers, listeners! Welcome one and all!
  • A SEA DIALOGUE
  • Cabin Passenger. Man at Wheel.
  • CABIN PASSENGER.
  • FRIEND, you seem thoughtful. I not wonder much
  • That he who sails the ocean should be sad.
  • I am myself reflective. When I think
  • Of all this wallowing beast, the Sea, has sucked
  • Between his sharp, thin lips, the wedgy waves,
  • What heaps of diamonds, rubies, emeralds, pearls;
  • What piles of shekels, talents, ducats, crowns,
  • What bales of Tyrian mantles, Indian shawls,
  • Of laces that have blanked the weavers' eyes,
  • Of silken tissues, wrought by worm and man,
  • The half-starved workman, and the well-fed worm;
  • What marbles, bronzes, pictures, parchments, books;
  • What many-lobuled, thought-engendering brains;
  • Lie with the gaping sea-shells in his maw,--
  • I, too, am silent; for all language seems
  • A mockery, and the speech of man is vain.
  • O mariner, we look upon the waves
  • And they rebuke our babbling. "Peace!" they say,--
  • "Mortal, be still!" My noisy tongue is hushed,
  • And with my trembling finger on my lips
  • My soul exclaims in ecstasy--
  • MAN AT WHEEL.
  • Belay!
  • CABIN PASSENGER.
  • Ah yes! "Delay,"--it calls, "nor haste to break
  • The charm of stillness with an idle word!"
  • O mariner, I love thee, for thy thought
  • Strides even with my own, nay, flies before.
  • Thou art a brother to the wind and wave;
  • Have they not music for thine ear as mine,
  • When the wild tempest makes thy ship his lyre,
  • Smiting a cavernous basso from the shrouds
  • And climbing up his gamut through the stays,
  • Through buntlines, bowlines, ratlines, till it shrills
  • An alto keener than the locust sings,
  • And all the great Aeolian orchestra
  • Storms out its mad sonata in the gale?
  • Is not the scene a wondrous and--
  • MAN AT WHEEL.
  • A vast!
  • CABIN PASSENGER.
  • Ah yes, a vast, a vast and wondrous scene!
  • I see thy soul is open as the day
  • That holds the sunshine in its azure bowl
  • To all the solemn glories of the deep.
  • Tell me, O mariner, dost thou never feel
  • The grandeur of thine office,--to control
  • The keel that cuts the ocean like a knife
  • And leaves a wake behind it like a seam
  • In the great shining garment of the world?
  • MAN AT WHEEL.
  • Belay y'r jaw, y' swab! y' hoss-marine!
  • (To the Captain.)
  • Ay, ay, Sir! Stiddy, Sir! Sou'wes' b' sou'!
  • November 10, 1864.
  • CHANSON WITHOUT MUSIC
  • BY THE PROFESSOR EMERITUS OF DEAD AND LIVE LANGUAGES
  • PHI BETA KAPPA.--CAMBRIDGE, 1867
  • You bid me sing,--can I forget
  • The classic ode of days gone by,--
  • How belle Fifine and jeune Lisette
  • Exclaimed, "Anacreon, geron ei"?
  • "Regardez done," those ladies said,--
  • "You're getting bald and wrinkled too
  • When summer's roses all are shed,
  • Love 's nullum ite, voyez-vous!"
  • In vain ce brave Anacreon's cry,
  • "Of Love alone my banjo sings"
  • (Erota mounon). "Etiam si,--
  • Eh b'en?" replied the saucy things,--
  • "Go find a maid whose hair is gray,
  • And strike your lyre,--we sha'n't complain;
  • But parce nobis, s'il vous plait,--
  • Voila Adolphe! Voila Eugene!"
  • Ah, jeune Lisette! Ah, belle Fifine!
  • Anacreon's lesson all must learn;
  • O kairos oxiis; Spring is green,
  • But Acer Hyems waits his turn
  • I hear you whispering from the dust,
  • "Tiens, mon cher, c'est toujours so,--
  • The brightest blade grows dim with rust,
  • The fairest meadow white with snow!"
  • You do not mean it! _Not_ encore?
  • Another string of playday rhymes?
  • You 've heard me--nonne est?-before,
  • Multoties,-more than twenty times;
  • Non possum,--vraiment,--pas du tout,
  • I cannot! I am loath to shirk;
  • But who will listen if I do,
  • My memory makes such shocking work?
  • Ginosko. Scio. Yes, I 'm told
  • Some ancients like my rusty lay,
  • As Grandpa Noah loved the old
  • Red-sandstone march of Jubal's day.
  • I used to carol like the birds,
  • But time my wits has quite unfixed,
  • Et quoad verba,--for my words,--
  • Ciel! Eheu! Whe-ew!--how they're mixed!
  • Mehercle! Zeu! Diable! how
  • My thoughts were dressed when I was young,
  • But tempus fugit! see them now
  • Half clad in rags of every tongue!
  • O philoi, fratres, chers amis
  • I dare not court the youthful Muse,
  • For fear her sharp response should be,
  • "Papa Anacreon, please excuse!"
  • Adieu! I 've trod my annual track
  • How long!--let others count the miles,--
  • And peddled out my rhyming pack
  • To friends who always paid in smiles.
  • So, laissez-moi! some youthful wit
  • No doubt has wares he wants to show;
  • And I am asking, "Let me sit,"
  • Dum ille clamat, "Dos pou sto!"
  • FOR THE CENTENNIAL DINNER
  • OF THE PROPRIETORS OF BOSTON PIER, OR THE LONG WHARF,
  • APRIL 16, 1873
  • DEAR friends, we are strangers; we never before
  • Have suspected what love to each other we bore;
  • But each of us all to his neighbor is dear,
  • Whose heart has a throb for our time-honored pier.
  • As I look on each brother proprietor's face,
  • I could open my arms in a loving embrace;
  • What wonder that feelings, undreamed of so long,
  • Should burst all at once in a blossom of song!
  • While I turn my fond glance on the monarch of piers,
  • Whose throne has stood firm through his eightscore of years,
  • My thought travels backward and reaches the day
  • When they drove the first pile on the edge of the bay.
  • See! The joiner, the shipwright, the smith from his forge,
  • The redcoat, who shoulders his gun for King George,
  • The shopman, the 'prentice, the boys from the lane,
  • The parson, the doctor with gold-headed cane,
  • Come trooping down King Street, where now may be seen
  • The pulleys and ropes of a mighty machine;
  • The weight rises slowly; it drops with a thud;
  • And, to! the great timber sinks deep in the mud!
  • They are gone, the stout craftsmen that hammered the piles,
  • And the square-toed old boys in the three-cornered tiles;
  • The breeches, the buckles, have faded from view,
  • And the parson's white wig and the ribbon-tied queue.
  • The redcoats have vanished; the last grenadier
  • Stepped into the boat from the end of our pier;
  • They found that our hills were not easy to climb,
  • And the order came, "Countermarch, double-quick time!"
  • They are gone, friend and foe,--anchored fast at the pier,
  • Whence no vessel brings back its pale passengers here;
  • But our wharf, like a lily, still floats on the flood,
  • Its breast in the sunshine, its roots in the mud.
  • Who--who that has loved it so long and so well--
  • The flower of his birthright would barter or sell?
  • No: pride of the bay, while its ripples shall run,
  • You shall pass, as an heirloom, from father to son!
  • Let me part with the acres my grandfather bought,
  • With the bonds that my uncle's kind legacy brought,
  • With my bank-shares,--old "Union," whose ten per cent stock
  • Stands stiff through the storms as the Eddystone rock;
  • With my rights (or my wrongs) in the "Erie,"--alas!
  • With my claims on the mournful and "Mutual Mass.;"
  • With my "Phil. Wil. and Balt.," with my "C. B. and Q.;"
  • But I never, no never, will sell out of you.
  • We drink to thy past and thy future to-day,
  • Strong right arm of Boston, stretched out o'er the bay.
  • May the winds waft the wealth of all nations to thee,
  • And thy dividends flow like the waves of the sea!
  • A POEM SERVED TO ORDER
  • PHI BETA KAPPA, JUNE 26, 1873
  • THE Caliph ordered up his cook,
  • And, scowling with a fearful look
  • That meant,--We stand no gammon,--
  • "To-morrow, just at two," he said,
  • "Hassan, our cook, will lose his head,
  • Or serve us up a salmon."
  • "Great sire," the trembling chef replied,
  • "Lord of the Earth and all beside,
  • Sun, Moon, and Stars, and so on
  • (Look in Eothen,-there you'll find
  • A list of titles. Never mind;
  • I have n't time to go on:)
  • "Great sire," and so forth, thus he spoke,
  • "Your Highness must intend a joke;
  • It doesn't stand to reason
  • For one to order salmon brought,
  • Unless that fish is sometimes caught,
  • And also is in season.
  • "Our luck of late is shocking bad,
  • In fact, the latest catch we had
  • (We kept the matter shady),
  • But, hauling in our nets,--alack!
  • We found no salmon, but a sack
  • That held your honored Lady!"
  • "Allah is great!" the Caliph said,
  • "My poor Zuleika, you are dead,
  • I once took interest in you."
  • "Perhaps, my Lord, you'd like to know
  • We cut the lines and let her go."
  • "Allah be praised! Continue."
  • "It is n't hard one's hook to bait,
  • And, squatting down, to watch and wait,
  • To see the cork go under;
  • At last suppose you've got your bite,
  • You twitch away with all your might,--
  • You've hooked an eel, by thunder!"
  • The Caliph patted Hassan's head
  • "Slave, thou hast spoken well," he said,
  • "And won thy master's favor.
  • Yes; since what happened t' other morn
  • The salmon of the Golden Horn
  • Might have a doubtful flavor.
  • "That last remark about the eel
  • Has also justice that we feel
  • Quite to our satisfaction.
  • To-morrow we dispense with fish,
  • And, for the present, if you wish,
  • You'll keep your bulbous fraction."
  • "Thanks! thanks!" the grateful chef replied,
  • His nutrient feature showing wide
  • The gleam of arches dental:
  • "To cut my head off wouldn't pay,
  • I find it useful every day,
  • As well as ornamental."
  • . . . . . . . . . . . . .
  • Brothers, I hope you will not fail
  • To see the moral of my tale
  • And kindly to receive it.
  • You know your anniversary pie
  • Must have its crust, though hard and dry,
  • And some prefer to leave it.
  • How oft before these youths were born
  • I've fished in Fancy's Golden Horn
  • For what the Muse might send me!
  • How gayly then I cast the line,
  • When all the morning sky was mine,
  • And Hope her flies would lend me!
  • And now I hear our despot's call,
  • And come, like Hassan, to the hall,--
  • If there's a slave, I am one,--
  • My bait no longer flies, but worms!
  • I 've caught--Lord bless me! how he squirms!
  • An eel, and not a salmon!
  • THE FOUNTAIN OF YOUTH
  • READ AT THE MEETING OF THE HARVARD ALUMNI
  • ASSOCIATION, JUNE 25, 1873
  • THE fount the Spaniard sought in vain
  • Through all the land of flowers
  • Leaps glittering from the sandy plain
  • Our classic grove embowers;
  • Here youth, unchanging, blooms and smiles,
  • Here dwells eternal spring,
  • And warm from Hope's elysian isles
  • The winds their perfume bring.
  • Here every leaf is in the bud,
  • Each singing throat in tune,
  • And bright o'er evening's silver flood
  • Shines the young crescent moon.
  • What wonder Age forgets his staff
  • And lays his glasses down,
  • And gray-haired grandsires look and laugh
  • As when their locks were brown!
  • With ears grown dull and eyes grown dim
  • They greet the joyous day
  • That calls them to the fountain's brim
  • To wash their years away.
  • What change has clothed the ancient sire
  • In sudden youth? For, to!
  • The Judge, the Doctor, and the Squire
  • Are Jack and Bill and Joe!
  • And be his titles what they will,
  • In spite of manhood's claim
  • The graybeard is a school-boy still
  • And loves his school-boy name;
  • It calms the ruler's stormy breast
  • Whom hurrying care pursues,
  • And brings a sense of peace and rest,
  • Like slippers after shoes.--
  • And what are all the prizes won
  • To youth's enchanted view?
  • And what is all the man has done
  • To what the boy may do?
  • O blessed fount, whose waters flow
  • Alike for sire and son,
  • That melts our winter's frost and snow
  • And makes all ages one!
  • I pledge the sparkling fountain's tide,
  • That flings its golden shower
  • With age to fill and youth to guide,
  • Still fresh in morning flower
  • Flow on with ever-widening stream,
  • In ever-brightening morn,--
  • Our story's pride, our future's dream,
  • The hope of times unborn!
  • NO TIME LIKE THE OLD TIME
  • THERE is no time like the old time, when you and I were young,
  • When the buds of April blossomed, and the birds of spring-time sung!
  • The garden's brightest glories by summer suns are nursed,
  • But oh, the sweet, sweet violets, the flowers that opened first!
  • There is no place like the old place, where you and I were born,
  • Where we lifted first our eyelids on the splendors of the morn
  • From the milk-white breast that warmed us, from the clinging arms that
  • bore,
  • Where the dear eyes glistened o'er us that will look on us no more!
  • There is no friend like the old friend, who has shared our morning days,
  • No greeting like his welcome, no homage like his praise
  • Fame is the scentless sunflower, with gaudy crown of gold;
  • But friendship is the breathing rose, with sweets in every fold.
  • There is no love like the old love, that we courted in our pride;
  • Though our leaves are falling, falling, and we're fading side by side,
  • There are blossoms all around us with the colors of our dawn,
  • And we live in borrowed sunshine when the day-star is withdrawn.
  • There are no times like the old times,--they shall never be forgot!
  • There is no place like the old place,--keep green the dear old spot!
  • There are no friends like our old friends,--may Heaven prolong their
  • lives
  • There are no loves like our old loves,--God bless our loving wives!
  • 1865.
  • A HYMN OF PEACE
  • SUNG AT THE "JUBILEE," JUNE 15, 1869,
  • TO THE MUSIC OF SELLER'S "AMERICAN HYMN"
  • ANGEL of Peace, thou hast wandered too long!
  • Spread thy white wings to the sunshine of love!
  • Come while our voices are blended in song,--
  • Fly to our ark like the storm-beaten dove!
  • Fly to our ark on the wings of the dove,--
  • Speed o'er the far-sounding billows of song,
  • Crowned with thine olive-leaf garland of love,--
  • Angel of Peace, thou hast waited too long!
  • Joyous we meet, on this altar of thine
  • Mingling the gifts we have gathered for thee,
  • Sweet with the odors of myrtle and pine,
  • Breeze of the prairie and breath of the sea,--
  • Meadow and mountain and forest and sea!
  • Sweet is the fragrance of myrtle and pine,
  • Sweeter the incense we offer to thee,
  • Brothers once more round this altar of thine!
  • Angels of Bethlehem, answer the strain!
  • Hark! a new birth-song is filling the sky!--
  • Loud as the storm-wind that tumbles the main
  • Bid the full breath of the organ reply,--
  • Let the loud tempest of voices reply,--
  • Roll its long surge like the-earth-shaking main!
  • Swell the vast song till it mounts to the sky!
  • Angels of Bethlehem, echo the strain!
  • NOTES.
  • THE BOYS.
  • The members of the Harvard College class of 1829 referred to in this poem
  • are: "Doctor," Francis Thomas; "Judge," G. T. Bigelow, Chief Justice of
  • the Supreme Court of Massachusetts; "O Speaker," Hon. Francis B.
  • Crowninshield, Speaker of the Massachusetts House of Representatives;
  • "Mr. Mayor," G. W. Richardson, of Worcester,Mass.; "Member of Congress,"
  • Hon. George T. Davis; "Reverend," James Freeman Clarke; "boy with the
  • grave mathematical look," Benjamin Peirce; "boy with a three-decker
  • brain," Judge Benjamin R. Curtis, of the Supreme Court of the United
  • States; "nice youngster of excellent pith," S. F. Smith, author of "My
  • Country, 't is of Thee."
  • "That lovely, bright-eyed boy." William Sturgis.
  • "Who faced the storm so long." Francis B. Crowninshield.
  • "Our many featured friend." George T. Davis.
  • "The close-clinging dulcamara." The "bitter-sweet" of New England is the
  • _Celastrus scandens_, "bourreau des arbres" of the Canadian French.
  • "All armed with picks and spades." The captured slaves were at this time
  • organized as pioneers.
  • THE POETICAL WORKS
  • OF
  • OLIVER WENDELL HOLMES
  • VOL. III
  • CONTENTS
  • BUNKER-HILL BATTLE AND OTHER POEMS
  • GRANDMOTHER'S STORY OF BUNKER-HILL BATTLE
  • AT THE "ATLANTIC" DINNER, DECEMBER 15, 1874
  • "LUCY." FOR HER GOLDEN WEDDING, OCTOBER 18, 1875
  • HYMN FOR THE INAUGURATION OF THE STATUE OF GOVERNOR ANDREW, HINGHAM,
  • OCTOBER 7, 1875
  • A MEMORIAL TRIBUTE TO DR. SAMUEL G. HOWE
  • JOSEPH WARREN, M. D.
  • OLD CAMBRIDGE, JULY 3, 1875
  • WELCOME TO THE NATIONS, PHILADELPHIA, JULY 4, 1876
  • A FAMILIAR LETTER
  • UNSATISFIED
  • HOW THE OLD HORSE WON THE BET
  • AN APPEAL FOR "THE OLD SOUTH"
  • THE FIRST FAN
  • To R. B. H.
  • THE SHIP OF STATE
  • A FAMILY RECORD
  • THE IRON GATE AND OTHER POEMS.
  • THE IRON GATE
  • VESTIGIA QUINQUE RETRORSUM
  • MY AVIARY
  • ON THE THRESHOLD
  • TO GEORGE PEABODY
  • AT THE PAPYRUS CLUB
  • FOR WHITTIER'S SEVENTIETH BIRTHDAY
  • TWO SONNETS: HARVARD
  • THE COMING ERA
  • IN RESPONSE
  • FOR THE MOORE CENTENNIAL CELEBRATION
  • TO JAMES FREEMAN CLARKE
  • WELCOME TO THE CHICAGO COMMERCIAL CLUB
  • AMERICAN ACADEMY CENTENNIAL CELEBRATION
  • THE SCHOOL-BOY
  • THE SILENT MELODY
  • OUR HOME--OUR COUNTRY
  • POEM AT THE CENTENNIAL ANNIVERSARY DINNER OF THE MASSACHUSETTS
  • MEDICAL SOCIETY
  • RHYMES OF A LIFE-TIME
  • BEFORE THE CURFEW
  • AT MY FIRESIDE
  • AT THE SATURDAY CLUB
  • OUR DEAD SINGER. H. W. L.
  • TWO POEMS TO HARRIET BEECHER STOWE ON HER SEVENTIETH BIRTHDAY.
  • I. AT THE SUMMIT
  • II. THE WORLD'S HOMAGE
  • A WELCOME TO DR. BENJAMIN APTHORP GOULD
  • TO FREDERICK HENRY HEDGE ON HIS EIGHTIETH BIRTHDAY
  • TO JAMES RUSSELL LOWELL
  • TO JOHN GREENLEAF WHITTIER ON HIS EIGHTIETH BIRTHDAY
  • PRELUDE TO A VOLUME PRINTED IN RAISED LETTERS
  • FOR THE BLIND
  • BOSTON TO FLORENCE
  • AT THE UNITARIAN FESTIVAL, MARCH 8, 1882
  • POEM FOR THE TWO HUNDRED AND FIFTIETH ANNIVERSARY OF THE FOUNDING OF
  • HARVARD COLLEGE
  • POST-PRANDIAL: PHI BETA KAPPA, 1881
  • THE FLANEUR: DURING THE TRANSIT OF VENUS, 1882
  • AVE
  • KING'S CHAPEL READ AT THE TWO HUNDREDTH ANNIVERSARY
  • HYMN FOR THE SAME OCCASION
  • HYMN.--THE WORD OF PROMISE
  • HYMN READ AT THE DEDICATION OF THE OLIVER WENDELL HOLMES HOSPITAL AT
  • HUDSON, WISCONSIN, JUNE 7, 1887
  • ON THE DEATH OF PRESIDENT GARFIELD
  • THE GOLDEN FLOWER
  • HAIL, COLUMBIA!
  • POEM FOR THE DEDICATION OF THE FOUNTAIN AT STRATFORD-ON-AVON,
  • PRESENTED
  • BY GEORGE CHILDS, OF PHILADELPHIA
  • TO THE POETS WHO ONLY READ AND LISTEN
  • FOR THE DEDICATION OF THE NEW CITY LIBRARY
  • FOR THE WINDOW IN ST. MARGARET'S
  • JAMES RUSSELL LO WELL: 1819-1891
  • POEMS FROM OVER THE TEACUPS.
  • TO THE ELEVEN LADIES WHO PRESENTED ME WITH A SILVER LOVING CUP
  • THE PEAU DE CHAGRIN OF STATE STREET
  • CACOETHES SCRIBENDI
  • THE ROSE AND THE FERN
  • I LIKE YOU AND I LOVE YOU
  • LA MAISON D'OR BAR HARBOR
  • TOO YOUNG FOR LOVE
  • THE BROOMSTICK TRAIN; OR, THE RETURN OF THE WITCHES
  • TARTARUS
  • AT THE TURN OF THE ROAD
  • INVITA MINERVA
  • READINGS OVER THE TEACUPS
  • TO MY OLD READERS
  • THE BANKER'S SECRET
  • THE EXILE'S SECRET
  • THE LOVER'S SECRET
  • THE STATESMAN'S SECRET
  • THE MOTHER'S SECRET
  • THE SECRET OF THE STARS
  • VERSES FROM THE OLDEST PORTFOLIO
  • FIRST VERSES: TRANSLATION FROM THE THE MEETING OF THE DRYADS
  • THE MYSTERIOUS VISITOR
  • THE TOADSTOOL
  • THE SPECTRE PIG
  • TO A CAGED LION
  • THE STAR AND THE WATER-LILY
  • ILLUSTRATION OF A PICTURE: "A SPANISH GIRL REVERIE"
  • A ROMAN AQUEDUCT
  • FROM A BACHELOR'S PRIVATE JOURNAL
  • LA GRISETTE
  • OUR YANKEE GIRLS
  • L'INCONNUE
  • STANZAS
  • LINES BY A CLERK
  • THE PHILOSOPHER TO HIS LOVE
  • THE POET'S LOT
  • TO A BLANK SHEET OF PAPER
  • TO THE PORTRAIT OF "A GENTLEMAN" IN THE ATHENAEUM GALLERY
  • THE BALLAD OF THE OYSTERMAN
  • A NOONTIDE LYRIC
  • THE HOT SEASON
  • A PORTRAIT
  • AN EVENING THOUGHT. WRITTEN AT SEA
  • THE WASP AND THE HORNET
  • "QUI VIVE?"
  • NOTES
  • BUNKER-HILL BATTLE
  • AND OTHER POEMS
  • 1874-1877
  • GRANDMOTHER'S STORY OF BUNKER-HILL BATTLE
  • AS SHE SAW IT FROM THE BELFRY
  • 'T is like stirring living embers when, at eighty, one remembers
  • All the achings and the quakings of "the times that tried men's souls";
  • When I talk of Whig and Tory, when I tell the Rebel story,
  • To you the words are ashes, but to me they're burning coals.
  • I had heard the muskets' rattle of the April running battle;
  • Lord Percy's hunted soldiers, I can see their red-coats still;
  • But a deadly chill comes o'er me, as the day looms up before me,
  • When a thousand men lay bleeding on the slopes of Bunker's Hill.
  • 'T was a peaceful summer's morning, when the first thing gave us warning
  • Was the booming of the cannon from the river and the shore:
  • "Child," says grandma, "what 's the matter, what is all this noise and
  • clatter?
  • Have those scalping Indian devils come to murder us once more?"
  • Poor old soul! my sides were shaking in the midst of all my quaking,
  • To hear her talk of Indians when the guns began to roar:
  • She had seen the burning village, and the slaughter and the pillage,
  • When the Mohawks killed her father with their bullets through his door.
  • Then I said, "Now, dear old granny, don't you fret and worry any,
  • For I'll soon come back and tell you whether this is work or play;
  • There can't be mischief in it, so I won't be gone a minute"--
  • For a minute then I started. I was gone the live-long day.
  • No time for bodice-lacing or for looking-glass grimacing;
  • Down my hair went as I hurried, tumbling half-way to my heels;
  • God forbid your ever knowing, when there's blood around her flowing,
  • How the lonely, helpless daughter of a quiet house-hold feels!
  • In the street I heard a thumping; and I knew it was the stumping
  • Of the Corporal, our old neighbor, on that wooden leg he wore,
  • With a knot of women round him,-it was lucky I had found him,
  • So I followed with the others, and the Corporal marched before.
  • They were making for the steeple,--the old soldier and his people;
  • The pigeons circled round us as we climbed the creaking stair.
  • Just across the narrow river--oh, so close it made me shiver!--
  • Stood a fortress on the hill-top that but yesterday was bare.
  • Not slow our eyes to find it; well we knew who stood behind it,
  • Though the earthwork hid them from us, and the stubborn walls were dumb
  • Here were sister, wife, and mother, looking wild upon each other,
  • And their lips were white with terror as they said, THE HOUR HAS COME!
  • The morning slowly wasted, not a morsel had we tasted,
  • And our heads were almost splitting with the cannons' deafening thrill,
  • When a figure tall and stately round the rampart strode sedately;
  • It was PRESCOTT, one since told me; he commanded on the hill.
  • Every woman's heart grew bigger when we saw his manly figure,
  • With the banyan buckled round it, standing up so straight and tall;
  • Like a gentleman of leisure who is strolling out for pleasure,
  • Through the storm of shells and cannon-shot he walked around the wall.
  • At eleven the streets were swarming, for the red-coats' ranks were
  • forming;
  • At noon in marching order they were moving to the piers;
  • How the bayonets gleamed and glistened, as we looked far down, and
  • listened
  • To the trampling and the drum-beat of the belted grenadiers!
  • At length the men have started, with a cheer (it seemed faint-hearted),
  • In their scarlet regimentals, with their knapsacks on their backs,
  • And the reddening, rippling water, as after a sea-fight's slaughter,
  • Round the barges gliding onward blushed like blood along their tracks.
  • So they crossed to the other border, and again they formed in order;
  • And the boats came back for soldiers, came for soldiers, soldiers still:
  • The time seemed everlasting to us women faint and fasting,--
  • At last they're moving, marching, marching proudly up the hill.
  • We can see the bright steel glancing all along the lines advancing,--
  • Now the front rank fires a volley,--they have thrown away their shot;
  • For behind their earthwork lying, all the balls above them flying,
  • Our people need not hurry; so they wait and answer not.
  • Then the Corporal, our old cripple (he would swear sometimes and tipple),
  • He had heard the bullets whistle (in the old French war) before,--
  • Calls out in words of jeering, just as if they all were hearing,--
  • And his wooden leg thumps fiercely on the dusty belfry floor:--
  • "Oh! fire away, ye villains, and earn King George's shillin's,
  • But ye 'll waste a ton of powder afore a 'rebel' falls;
  • You may bang the dirt and welcome, they're as safe as Dan'l Malcolm
  • Ten foot beneath the gravestone that you've splintered with your balls!"
  • In the hush of expectation, in the awe and trepidation
  • Of the dread approaching moment, we are well-nigh breathless all;
  • Though the rotten bars are failing on the rickety belfry railing,
  • We are crowding up against them like the waves against a wall.
  • Just a glimpse (the air is clearer), they are nearer,--nearer,--nearer,
  • When a flash--a curling smoke-wreath--then a crash--the steeple shakes--
  • The deadly truce is ended; the tempest's shroud is rended;
  • Like a morning mist it gathered, like a thunder-cloud it breaks!
  • Oh the sight our eyes discover as the blue-black smoke blows over!
  • The red-coats stretched in windrows as a mower rakes his hay;
  • Here a scarlet heap is lying, there a headlong crowd is flying
  • Like a billow that has broken and is shivered into spray.
  • Then we cried, "The troops are routed! they are beat--it can't be
  • doubted!
  • God be thanked, the fight is over!"--Ah! the grim old soldier's smile!
  • "Tell us, tell us why you look so?" (we could hardly speak, we shook so),
  • "Are they beaten? Are they beaten? ARE they beaten?"--"Wait a while."
  • Oh the trembling and the terror! for too soon we saw our error:
  • They are baffled, not defeated; we have driven them back in vain;
  • And the columns that were scattered, round the colors that were tattered,
  • Toward the sullen, silent fortress turn their belted breasts again.
  • All at once, as we are gazing, lo the roofs of Charlestown blazing!
  • They have fired the harmless village; in an hour it will be down!
  • The Lord in heaven confound them, rain his fire and brimstone round them,
  • The robbing, murdering red-coats, that would burn a peaceful town!
  • They are marching, stern and solemn; we can see each massive column
  • As they near the naked earth-mound with the slanting walls so steep.
  • Have our soldiers got faint-hearted, and in noiseless haste departed?
  • Are they panic-struck and helpless? Are they palsied or asleep?
  • Now! the walls they're almost under! scarce a rod the foes asunder!
  • Not a firelock flashed against them! up the earth-work they will swarm!
  • But the words have scarce been spoken, when the ominous calm is broken,
  • And a bellowing crash has emptied all the vengeance of the storm!
  • So again, with murderous slaughter, pelted backwards to the water,
  • Fly Pigot's running heroes and the frightened braves of Howe;
  • And we shout, "At last they're done for, it's their barges they have run
  • for:
  • They are beaten, beaten, beaten; and the battle 's over now!"
  • And we looked, poor timid creatures, on the rough old soldier's features,
  • Our lips afraid to question, but he knew what we would ask:
  • "Not sure," he said; "keep quiet,--once more, I guess, they 'll try it--
  • Here's damnation to the cut-throats!"--then he handed me his flask,
  • Saying, "Gal, you're looking shaky; have a drop of old Jamaiky;
  • I 'm afeard there 'll be more trouble afore the job is done";
  • So I took one scorching swallow; dreadful faint I felt and hollow,
  • Standing there from early morning when the firing was begun.
  • All through those hours of trial I had watched a calm clock dial,
  • As the hands kept creeping, creeping,--they were creeping round to four,
  • When the old man said, "They're forming with their bagonets fixed for
  • storming:
  • It 's the death-grip that's a coming,--they will try the works once
  • more."
  • With brazen trumpets blaring, the flames behind them glaring,
  • The deadly wall before them, in close array they come;
  • Still onward, upward toiling, like a dragon's fold uncoiling,--
  • Like the rattlesnake's shrill warning the reverberating drum.
  • Over heaps all torn and gory--shall I tell the fearful story,
  • How they surged above the breastwork, as a sea breaks over a deck;
  • How, driven, yet scarce defeated, our worn-out men retreated,
  • With their powder-horns all emptied, like the swimmers from a wreck?
  • It has all been told and painted; as for me, they say I fainted,
  • And the wooden-legged old Corporal stumped with me down the stair:
  • When I woke from dreams affrighted the evening lamps were lighted,--
  • On the floor a youth was lying; his bleeding breast was bare.
  • And I heard through all the flurry, "Send for WARREN! hurry! hurry!
  • Tell him here's a soldier bleeding, and he 'll come and dress his
  • wound!"
  • Ah, we knew not till the morrow told its tale of death and sorrow,
  • How the starlight found him stiffened on the dark and bloody ground.
  • Who the youth was, what his name was, where the place from which he came
  • was,
  • Who had brought him from the battle, and had left him at our door,
  • He could not speak to tell us; but 't was one of our brave fellows,
  • As the homespun plainly showed us which the dying soldier wore.
  • For they all thought he was dying, as they gathered round him crying,--
  • And they said, "Oh, how they'll miss him!" and, "What will his mother
  • do?"
  • Then, his eyelids just unclosing like a child's that has been dozing,
  • He faintly murmured, "Mother!"--and--I saw his eyes were blue.
  • "Why, grandma, how you 're winking!" Ah, my child, it sets me thinking
  • Of a story not like this one. Well, he somehow lived along;
  • So we came to know each other, and I nursed him like a--mother,
  • Till at last he stood before me, tall, and rosy-checked, and strong.
  • And we sometimes walked together in the pleasant summer weather,--
  • "Please to tell us what his name was?" Just your own, my little dear,--
  • There's his picture Copley painted: we became so well acquainted,
  • That--in short, that's why I 'm grandma, and you children all are here!
  • AT THE "ATLANTIC" DINNER
  • DECEMBER 15, 1874
  • I SUPPOSE it's myself that you're making allusion to
  • And bringing the sense of dismay and confusion to.
  • Of course some must speak,--they are always selected to,
  • But pray what's the reason that I am expected to?
  • I'm not fond of wasting my breath as those fellows do;
  • That want to be blowing forever as bellows do;
  • Their legs are uneasy, but why will you jog any
  • That long to stay quiet beneath the mahogany?
  • Why, why call me up with your battery of flatteries?
  • You say "He writes poetry,"--that 's what the matter is
  • "It costs him no trouble--a pen full of ink or two
  • And the poem is done in the time of a wink or two;
  • As for thoughts--never mind--take the ones that lie uppermost,
  • And the rhymes used by Milton and Byron and Tupper most;
  • The lines come so easy! at one end he jingles 'em,
  • At the other with capital letters he shingles 'em,--
  • Why, the thing writes itself, and before he's half done with it
  • He hates to stop writing, he has such good fun with it!"
  • Ah, that is the way in which simple ones go about
  • And draw a fine picture of things they don't know about!
  • We all know a kitten, but come to a catamount
  • The beast is a stranger when grown up to that amount,
  • (A stranger we rather prefer should n't visit us,
  • A _felis_ whose advent is far from felicitous.)
  • The boy who can boast that his trap has just got a mouse
  • Must n't draw it and write underneath "hippopotamus";
  • Or say unveraciously, "This is an elephant,"--
  • Don't think, let me beg, these examples irrelevant,--
  • What they mean is just this--that a thing to be painted well
  • Should always be something with which we're acquainted well.
  • You call on your victim for "things he has plenty of,--
  • Those copies of verses no doubt at least twenty of;
  • His desk is crammed full, for he always keeps writing 'em
  • And reading to friends as his way of delighting 'em!"
  • I tell you this writing of verses means business,--
  • It makes the brain whirl in a vortex of dizziness
  • You think they are scrawled in the languor of laziness--
  • I tell you they're squeezed by a spasm of craziness,
  • A fit half as bad as the staggering vertigos
  • That seize a poor fellow and down in the dirt he goes!
  • And therefore it chimes with the word's etytology
  • That the sons of Apollo are great on apology,
  • For the writing of verse is a struggle mysterious
  • And the gayest of rhymes is a matter that's serious.
  • For myself, I'm relied on by friends in extremities,
  • And I don't mind so much if a comfort to them it is;
  • 'T is a pleasure to please, and the straw that can tickle us
  • Is a source of enjoyment though slightly ridiculous.
  • I am up for a--something--and since I 've begun with it,
  • I must give you a toast now before I have done with it.
  • Let me pump at my wits as they pumped the Cochituate
  • That moistened--it may be--the very last bit you ate:
  • Success to our publishers, authors and editors
  • To our debtors good luck,--pleasant dreams to our creditors;
  • May the monthly grow yearly, till all we are groping for
  • Has reached the fulfilment we're all of us hoping for;
  • Till the bore through the tunnel--it makes me let off a sigh
  • To think it may possibly ruin my prophecy--
  • Has been punned on so often 't will never provoke again
  • One mild adolescent to make the old joke again;
  • Till abstinent, all-go-to-meeting society
  • Has forgotten the sense of the word inebriety;
  • Till the work that poor Hannah and Bridget and Phillis do
  • The humanized, civilized female gorillas do;
  • Till the roughs, as we call them, grown loving and dutiful,
  • Shall worship the true and the pure and the beautiful,
  • And, preying no longer as tiger and vulture do,
  • All read the "Atlantic" as persons of culture do!
  • "LUCY"
  • FOR HER GOLDEN WEDDING, OCTOBER 18, 1875
  • "Lucy."--The old familiar name
  • Is now, as always, pleasant,
  • Its liquid melody the same
  • Alike in past or present;
  • Let others call you what they will,
  • I know you'll let me use it;
  • To me your name is Lucy still,
  • I cannot bear to lose it.
  • What visions of the past return
  • With Lucy's image blended!
  • What memories from the silent urn
  • Of gentle lives long ended!
  • What dreams of childhood's fleeting morn,
  • What starry aspirations,
  • That filled the misty days unborn
  • With fancy's coruscations!
  • Ah, Lucy, life has swiftly sped
  • From April to November;
  • The summer blossoms all are shed
  • That you and I remember;
  • But while the vanished years we share
  • With mingling recollections,
  • How all their shadowy features wear
  • The hue of old affections!
  • Love called you. He who stole your heart
  • Of sunshine half bereft us;
  • Our household's garland fell apart
  • The morning that you left us;
  • The tears of tender girlhood streamed
  • Through sorrow's opening sluices;
  • Less sweet our garden's roses seemed,
  • Less blue its flower-de-luces.
  • That old regret is turned to smiles,
  • That parting sigh to greeting;
  • I send my heart-throb fifty miles
  • Through every line 't is beating;
  • God grant you many and happy years,
  • Till when the last has crowned you
  • The dawn of endless day appears,
  • And heaven is shining round you!
  • October 11, 1875.
  • HYMN
  • FOR THE INAUGURATION OF THE STATUE OF GOVERNOR
  • ANDREW, HINGHAM, OCTOBER 7, 1875
  • BEHOLD the shape our eyes have known!
  • It lives once more in changeless stone;
  • So looked in mortal face and form
  • Our guide through peril's deadly storm.
  • But hushed the beating heart we knew,
  • That heart so tender, brave, and true,
  • Firm as the rooted mountain rock,
  • Pure as the quarry's whitest block!
  • Not his beneath the blood-red star
  • To win the soldier's envied sear;
  • Unarmed he battled for the right,
  • In Duty's never-ending fight.
  • Unconquered will, unslumbering eye,
  • Faith such as bids the martyr die,
  • The prophet's glance, the master's hand
  • To mould the work his foresight planned,
  • These were his gifts; what Heaven had lent
  • For justice, mercy, truth, he spent,
  • First to avenge the traitorous blow,
  • And first to lift the vanquished foe.
  • Lo, thus he stood; in danger's strait
  • The pilot of the Pilgrim State!
  • Too large his fame for her alone,--
  • A nation claims him as her own!
  • A MEMORIAL TRIBUTE
  • READ AT THE MEETING HELD AT MUSIC HALL,
  • FEBRUARY 8, 1876, IN MEMORY OF DR. SAMUEL G. HOWE
  • I.
  • LEADER of armies, Israel's God,
  • Thy soldier's fight is won!
  • Master, whose lowly path he trod,
  • Thy servant's work is done!
  • No voice is heard from Sinai's steep
  • Our wandering feet to guide;
  • From Horeb's rock no waters leap;
  • No Jordan's waves divide;
  • No prophet cleaves our western sky
  • On wheels of whirling fire;
  • No shepherds hear the song on high
  • Of heaven's angelic choir.
  • Yet here as to the patriarch's tent
  • God's angel comes a guest;
  • He comes on heaven's high errand sent,
  • In earth's poor raiment drest.
  • We see no halo round his brow
  • Till love its own recalls,
  • And, like a leaf that quits the bough,
  • The mortal vesture falls.
  • In autumn's chill declining day,
  • Ere winter's killing frost,
  • The message came; so passed away
  • The friend our earth has lost.
  • Still, Father, in thy love we trust;
  • Forgive us if we mourn
  • The saddening hour that laid in dust
  • His robe of flesh outworn.
  • II.
  • How long the wreck-strewn journey seems
  • To reach the far-off past
  • That woke his youth from peaceful dreams
  • With Freedom's trumpet-blast.
  • Along her classic hillsides rung
  • The Paynim's battle-cry,
  • And like a red-cross knight he sprung
  • For her to live or die.
  • No trustier service claimed the wreath
  • For Sparta's bravest son;
  • No truer soldier sleeps beneath
  • The mound of Marathon;
  • Yet not for him the warrior's grave
  • In front of angry foes;
  • To lift, to shield, to help, to save,
  • The holier task he chose.
  • He touched the eyelids of the blind,
  • And lo! the veil withdrawn,
  • As o'er the midnight of the mind
  • He led the light of dawn.
  • He asked not whence the fountains roll
  • No traveller's foot has found,
  • But mapped the desert of the soul
  • Untracked by sight or sound.
  • What prayers have reached the sapphire throne,
  • By silent fingers spelt,
  • For him who first through depths unknown
  • His doubtful pathway felt,
  • Who sought the slumbering sense that lay
  • Close shut with bolt and bar,
  • And showed awakening thought the ray
  • Of reason's morning star.
  • Where'er he moved, his shadowy form
  • The sightless orbs would seek,
  • And smiles of welcome light and warm
  • The lips that could not speak.
  • No labored line, no sculptor's art,
  • Such hallowed memory needs;
  • His tablet is the human heart,
  • His record loving deeds.
  • III.
  • The rest that earth denied is thine,--
  • Ah, is it rest? we ask,
  • Or, traced by knowledge more divine,
  • Some larger, nobler task?
  • Had but those boundless fields of blue
  • One darkened sphere like this;
  • But what has heaven for thee to do
  • In realms of perfect bliss?
  • No cloud to lift, no mind to clear,
  • No rugged path to smooth,
  • No struggling soul to help and cheer,
  • No mortal grief to soothe!
  • Enough; is there a world of love,
  • No more we ask to know;
  • The hand will guide thy ways above
  • That shaped thy task below.
  • JOSEPH WARREN, M. D.
  • TRAINED in the holy art whose lifted shield
  • Wards off the darts a never-slumbering foe,
  • By hearth and wayside lurking, waits to throw,
  • Oppression taught his helpful arm to wield
  • The slayer's weapon: on the murderous field
  • The fiery bolt he challenged laid him low,
  • Seeking its noblest victim. Even so
  • The charter of a nation must be sealed!
  • The healer's brow the hero's honors crowned,
  • From lowliest duty called to loftiest deed.
  • Living, the oak-leaf wreath his temples bound;
  • Dying, the conqueror's laurel was his meed,
  • Last on the broken ramparts' turf to bleed
  • Where Freedom's victory in defeat was found.
  • June 11, 1875.
  • OLD CAMBRIDGE
  • JULY 3, 1875
  • AND can it be you've found a place
  • Within this consecrated space,
  • That makes so fine a show,
  • For one of Rip Van Winkle's race?
  • And is it really so?
  • Who wants an old receipted bill?
  • Who fishes in the Frog-pond still?
  • Who digs last year's potato hill?--
  • That's what he'd like to know!
  • And were it any spot on earth
  • Save this dear home that gave him birth
  • Some scores of years ago,
  • He had not come to spoil your mirth
  • And chill your festive glow;
  • But round his baby-nest he strays,
  • With tearful eye the scene surveys,
  • His heart unchanged by changing days,
  • That's what he'd have you know.
  • Can you whose eyes not yet are dim
  • Live o'er the buried past with him,
  • And see the roses blow
  • When white-haired men were Joe and Jim
  • Untouched by winter's snow?
  • Or roll the years back one by one
  • As Judah's monarch backed the sun,
  • And see the century just begun?--
  • That's what he'd like to know!
  • I come, but as the swallow dips,
  • Just touching with her feather-tips
  • The shining wave below,
  • To sit with pleasure-murmuring lips
  • And listen to the flow
  • Of Elmwood's sparkling Hippocrene,
  • To tread once more my native green,
  • To sigh unheard, to smile unseen,--
  • That's what I'd have you know.
  • But since the common lot I've shared
  • (We all are sitting "unprepared,"
  • Like culprits in a row,
  • Whose heads are down, whose necks are bared
  • To wait the headsman's blow),
  • I'd like to shift my task to you,
  • By asking just a thing or two
  • About the good old times I knew,--
  • Here's what I want to know.
  • The yellow meetin' house--can you tell
  • Just where it stood before it fell
  • Prey of the vandal foe,--
  • Our dear old temple, loved so well,
  • By ruthless hands laid low?
  • Where, tell me, was the Deacon's pew?
  • Whose hair was braided in a queue?
  • (For there were pig-tails not a few,)--
  • That's what I'd like to know.
  • The bell--can you recall its clang?
  • And how the seats would slam and bang?
  • The voices high and low?
  • The basso's trump before he sang?
  • The viol and its bow?
  • Where was it old Judge Winthrop sat?
  • Who wore the last three-cornered hat?
  • Was Israel Porter lean or fat?--
  • That's what I'd like to know.
  • Tell where the market used to be
  • That stood beside the murdered tree?
  • Whose dog to church would go?
  • Old Marcus Reemie, who was he?
  • Who were the brothers Snow?
  • Does not your memory slightly fail
  • About that great September gale?--
  • Whereof one told a moving tale,
  • As Cambridge boys should know.
  • When Cambridge was a simple town,
  • Say just when Deacon William Brown
  • (Last door in yonder row),
  • For honest silver counted down,
  • His groceries would bestow?--
  • For those were days when money meant
  • Something that jingled as you went,--
  • No hybrid like the nickel cent,
  • I'd have you all to know,
  • But quarter, ninepence, pistareen,
  • And fourpence hapennies in between,
  • All metal fit to show,
  • Instead of rags in stagnant green,
  • The scum of debts we owe;
  • How sad to think such stuff should be
  • Our Wendell's cure-all recipe,--
  • Not Wendell H., but Wendell P.,--
  • The one you all must know!
  • I question--but you answer not--
  • Dear me! and have I quite forgot
  • How fivescore years ago,
  • Just on this very blessed spot,
  • The summer leaves below,
  • Before his homespun ranks arrayed
  • In green New England's elmbough shade
  • The great Virginian drew the blade
  • King George full soon should know!
  • O George the Third! you found it true
  • Our George was more than double you,
  • For nature made him so.
  • Not much an empire's crown can do
  • If brains are scant and slow,--
  • Ah, not like that his laurel crown
  • Whose presence gilded with renown
  • Our brave old Academic town,
  • As all her children know!
  • So here we meet with loud acclaim
  • To tell mankind that here he came,
  • With hearts that throb and glow;
  • Ours is a portion of his fame
  • Our trumpets needs must blow!
  • On yonder hill the Lion fell,
  • But here was chipped the eagle's shell,--
  • That little hatchet did it well,
  • As all the world shall know!
  • WELCOME TO THE NATIONS
  • PHILADELPHIA, JULY 4, 1876
  • BRIGHT on the banners of lily and rose
  • Lo! the last sun of our century sets!
  • Wreathe the black cannon that scowled on our foes,
  • All but her friendships the nation forgets
  • All but her friends and their welcome forgets!
  • These are around her; but where are her foes?
  • Lo, while the sun of her century sets,
  • Peace with her garlands of lily and rose!
  • Welcome! a shout like the war trumpet's swell
  • Wakes the wild echoes that slumber around
  • Welcome! it quivers from Liberty's bell;
  • Welcome! the walls of her temple resound!
  • Hark! the gray walls of her temple resound
  • Fade the far voices o'er hillside and dell;
  • Welcome! still whisper the echoes around;
  • Welcome I still trembles on Liberty's bell!
  • Thrones of the continents! isles of the sea
  • Yours are the garlands of peace we entwine;
  • Welcome, once more, to the land of the free,
  • Shadowed alike by the pahn and the pine;
  • Softly they murmur, the palm and the pine,
  • "Hushed is our strife, in the land of the free";
  • Over your children their branches entwine,
  • Thrones of the continents! isles of the sea!
  • A FAMILIAR LETTER
  • TO SEVERAL CORRESPONDENTS
  • YES, write, if you want to, there's nothing like trying;
  • Who knows what a treasure your casket may hold?
  • I'll show you that rhyming's as easy as lying,
  • If you'll listen to me while the art I unfold.
  • Here's a book full of words; one can choose as he fancies,
  • As a painter his tint, as a workman his tool;
  • Just think! all the poems and plays and romances
  • Were drawn out of this, like the fish from a pool!
  • You can wander at will through its syllabled mazes,
  • And take all you want,--not a copper they cost,--
  • What is there to hinder your picking out phrases
  • For an epic as clever as "Paradise Lost"?
  • Don't mind if the index of sense is at zero,
  • Use words that run smoothly, whatever they mean;
  • Leander and Lilian and Lillibullero
  • Are much the same thing in the rhyming machine.
  • There are words so delicious their sweetness will smother
  • That boarding-school flavor of which we 're afraid,--
  • There is "lush" is a good one, and "swirl" another,--
  • Put both in one stanza, its fortune is made.
  • With musical murmurs and rhythmical closes
  • You can cheat us of smiles when you've nothing to tell;
  • You hand us a nosegay of milliner's roses,
  • And we cry with delight, "Oh, how sweet they do smell!"
  • Perhaps you will answer all needful conditions
  • For winning the laurels to which you aspire,
  • By docking the tails of the two prepositions
  • I' the style o' the bards you so greatly admire.
  • As for subjects of verse, they are only too plenty
  • For ringing the changes on metrical chimes;
  • A maiden, a moonbeam, a lover of twenty
  • Have filled that great basket with bushels of rhymes.
  • Let me show you a picture--'tis far from irrelevant--
  • By a famous old hand in the arts of design;
  • 'T is only a photographed sketch of an elephant,--
  • The name of the draughtsman was Rembrandt of Rhine.
  • How easy! no troublesome colors to lay on,
  • It can't have fatigued him,--no, not in the least,--
  • A dash here and there with a hap-hazard crayon,
  • And there stands the wrinkled-skinned, baggy-limbed beast.
  • Just so with your verse,--'t is as easy as sketching,--
  • You--can reel off a song without knitting your brow,
  • As lightly as Rembrandt a drawing or etching;
  • It is nothing at all, if you only know how.
  • Well; imagine you've printed your volume of verses:
  • Your forehead is wreathed with the garland of fame,
  • Your poems the eloquent school-boy rehearses,
  • Her album the school-girl presents for your name;
  • Each morning the post brings you autograph letters;
  • You'll answer them promptly,--an hour is n't much
  • For the honor of sharing a page with your betters,
  • With magistrates, members of Congress, and such.
  • Of course you're delighted to serve the committees
  • That come with requests from the country all round,
  • You would grace the occasion with poems and ditties
  • When they've got a new schoolhouse, or poor-house, or pound.
  • With a hymn for the saints and a song for the sinners,
  • You go and are welcome wherever you please;
  • You're a privileged guest at all manner of dinners,
  • You've a seat on the platform among the grandees.
  • At length your mere presence becomes a sensation,
  • Your cup of enjoyment is filled to its brim
  • With the pleasure Horatian of digitmonstration,
  • As the whisper runs round of "That's he!" or "That Is him!"
  • But remember, O dealer in phrases sonorous,
  • So daintily chosen, so tunefully matched,
  • Though you soar with the wings of the cherubim o'er us,
  • The ovum was human from which you were hatched.
  • No will of your own with its puny compulsion
  • Can summon the spirit that quickens the lyre;
  • It comes, if at all, like the Sibyl's convulsion
  • And touches the brain with a finger of fire.
  • So perhaps, after all, it's as well to be quiet,
  • If you've nothing you think is worth saying in prose,
  • As to furnish a meal of their cannibal diet
  • To the critics, by publishing, as you propose.
  • But it's all of no use, and I 'm sorry I've written,--
  • I shall see your thin volume some day on my shelf;
  • For the rhyming tarantula surely has bitten,
  • And music must cure you, so pipe it yourself.
  • UNSATISFIED
  • "ONLY a housemaid!" She looked from the kitchen,--
  • Neat was the kitchen and tidy was she;
  • There at her window a sempstress sat stitching;
  • "Were I a sempstress, how happy I'd be!"
  • "Only a Queen!" She looked over the waters,--
  • Fair was her kingdom and mighty was she;
  • There sat an Empress, with Queens for her daughters;
  • "Were I an Empress, how happy I'd be!"
  • Still the old frailty they all of them trip in!
  • Eve in her daughters is ever the same;
  • Give her all Eden, she sighs for a pippin;
  • Give her an Empire, she pines for a name!
  • May 8, 1876.
  • HOW THE OLD HORSE WON THE BET
  • DEDICATED BY A CONTRIBUTOR TO THE COLLEGIAN,
  • 1830, TO THE EDITORS OF THE HARVARD ADVOCATE, 1876.
  • 'T WAS on the famous trotting-ground,
  • The betting men were gathered round
  • From far and near; the "cracks" were there
  • Whose deeds the sporting prints declare
  • The swift g. m., Old Hiram's nag,
  • The fleet s. h., Dan Pfeiffer's brag,
  • With these a third--and who is he
  • That stands beside his fast b. g.?
  • Budd Doble, whose catarrhal name
  • So fills the nasal trump of fame.
  • There too stood many a noted steed
  • Of Messenger and Morgan breed;
  • Green horses also, not a few;
  • Unknown as yet what they could do;
  • And all the hacks that know so well
  • The scourgings of the Sunday swell.
  • Blue are the skies of opening day;
  • The bordering turf is green with May;
  • The sunshine's golden gleam is thrown
  • On sorrel, chestnut, bay, and roan;
  • The horses paw and prance and neigh,
  • Fillies and colts like kittens play,
  • And dance and toss their rippled manes
  • Shining and soft as silken skeins;
  • Wagons and gigs are ranged about,
  • And fashion flaunts her gay turn-out;
  • Here stands--each youthful Jehu's dream
  • The jointed tandem, ticklish team!
  • And there in ampler breadth expand
  • The splendors of the four-in-hand;
  • On faultless ties and glossy tiles
  • The lovely bonnets beam their smiles;
  • (The style's the man, so books avow;
  • The style's the woman, anyhow);
  • From flounces frothed with creamy lace
  • Peeps out the pug-dog's smutty face,
  • Or spaniel rolls his liquid eye,
  • Or stares the wiry pet of Skye,--
  • O woman, in your hours of ease
  • So shy with us, so free with these!
  • "Come on! I 'll bet you two to one
  • I 'll make him do it!" "Will you? Done!"
  • What was it who was bound to do?
  • I did not hear and can't tell you,--
  • Pray listen till my story's through.
  • Scarce noticed, back behind the rest,
  • By cart and wagon rudely prest,
  • The parson's lean and bony bay
  • Stood harnessed in his one-horse shay--
  • Lent to his sexton for the day;
  • (A funeral--so the sexton said;
  • His mother's uncle's wife was dead.)
  • Like Lazarus bid to Dives' feast,
  • So looked the poor forlorn old beast;
  • His coat was rough, his tail was bare,
  • The gray was sprinkled in his hair;
  • Sportsmen and jockeys knew him not,
  • And yet they say he once could trot
  • Among the fleetest of the town,
  • Till something cracked and broke him down,--
  • The steed's, the statesman's, common lot!
  • "And are we then so soon forgot?"
  • Ah me! I doubt if one of you
  • Has ever heard the name "Old Blue,"
  • Whose fame through all this region rung
  • In those old days when I was young!
  • "Bring forth the horse!" Alas! he showed
  • Not like the one Mazeppa rode;
  • Scant-maned, sharp-backed, and shaky-kneed,
  • The wreck of what was once a steed,
  • Lips thin, eyes hollow, stiff in joints;
  • Yet not without his knowing points.
  • The sexton laughing in his sleeve,
  • As if 't were all a make-believe,
  • Led forth the horse, and as he laughed
  • Unhitched the breeching from a shaft,
  • Unclasped the rusty belt beneath,
  • Drew forth the snaffle from his teeth,
  • Slipped off his head-stall, set him free
  • From strap and rein,--a sight to see!
  • So worn, so lean in every limb,
  • It can't be they are saddling him!
  • It is! his back the pig-skin strides
  • And flaps his lank, rheumatic sides;
  • With look of mingled scorn and mirth
  • They buckle round the saddle-girth;
  • With horsey wink and saucy toss
  • A youngster throws his leg across,
  • And so, his rider on his back,
  • They lead him, limping, to the track,
  • Far up behind the starting-point,
  • To limber out each stiffened joint.
  • As through the jeering crowd he past,
  • One pitying look Old Hiram cast;
  • "Go it, ye cripple, while ye can!"
  • Cried out unsentimental Dan;
  • "A Fast-Day dinner for the crows!"
  • Budd Doble's scoffing shout arose.
  • Slowly, as when the walking-beam
  • First feels the gathering head of steam,
  • With warning cough and threatening wheeze
  • The stiff old charger crooks his knees;
  • At first with cautious step sedate,
  • As if he dragged a coach of state
  • He's not a colt; he knows full well
  • That time is weight and sure to tell;
  • No horse so sturdy but he fears
  • The handicap of twenty years.
  • As through the throng on either hand
  • The old horse nears the judges' stand,
  • Beneath his jockey's feather-weight
  • He warms a little to his gait,
  • And now and then a step is tried
  • That hints of something like a stride.
  • "Go!"--Through his ear the summons stung
  • As if a battle-trump had rung;
  • The slumbering instincts long unstirred
  • Start at the old familiar word;
  • It thrills like flame through every limb,--
  • What mean his twenty years to him?
  • The savage blow his rider dealt
  • Fell on his hollow flanks unfelt;
  • The spur that pricked his staring hide
  • Unheeded tore his bleeding side;
  • Alike to him are spur and rein,--
  • He steps a five-year-old again!
  • Before the quarter pole was past,
  • Old Hiram said, "He's going fast."
  • Long ere the quarter was a half,
  • The chuckling crowd had ceased to laugh;
  • Tighter his frightened jockey clung
  • As in a mighty stride he swung,
  • The gravel flying in his track,
  • His neck stretched out, his ears laid back,
  • His tail extended all the while
  • Behind him like a rat-tail file!
  • Off went a shoe,--away it spun,
  • Shot like a bullet from a gun;
  • The quaking jockey shapes a prayer
  • From scraps of oaths he used to swear;
  • He drops his whip, he drops his rein,
  • He clutches fiercely for a mane;
  • He'll lose his hold--he sways and reels--
  • He'll slide beneath those trampling heels!
  • The knees of many a horseman quake,
  • The flowers on many a bonnet shake,
  • And shouts arise from left and right,
  • "Stick on! Stick on!" "Hould tight! Hould tight!"
  • "Cling round his neck and don't let go--"
  • "That pace can't hold--there! steady! whoa!"
  • But like the sable steed that bore
  • The spectral lover of Lenore,
  • His nostrils snorting foam and fire,
  • No stretch his bony limbs can tire;
  • And now the stand he rushes by,
  • And "Stop him!--stop him!" is the cry.
  • Stand back! he 's only just begun--
  • He's having out three heats in one!
  • "Don't rush in front! he'll smash your brains;
  • But follow up and grab the reins!"
  • Old Hiram spoke. Dan Pfeiffer heard,
  • And sprang impatient at the word;
  • Budd Doble started on his bay,
  • Old Hiram followed on his gray,
  • And off they spring, and round they go,
  • The fast ones doing "all they know."
  • Look! twice they follow at his heels,
  • As round the circling course he wheels,
  • And whirls with him that clinging boy
  • Like Hector round the walls of Troy;
  • Still on, and on, the third time round
  • They're tailing off! they're losing ground!
  • Budd Doble's nag begins to fail!
  • Dan Pfeiffer's sorrel whisks his tail!
  • And see! in spite of whip and shout,
  • Old Hiram's mare is giving out!
  • Now for the finish! at the turn,
  • The old horse--all the rest astern--
  • Comes swinging in, with easy trot;
  • By Jove! he's distanced all the lot!
  • That trot no mortal could explain;
  • Some said, "Old Dutchman come again!"
  • Some took his time,--at least they tried,
  • But what it was could none decide;
  • One said he couldn't understand
  • What happened to his second hand;
  • One said 2.10; that could n't be--
  • More like two twenty-two or three;
  • Old Hiram settled it at last;
  • "The time was two--too dee-vel-ish fast!"
  • The parson's horse had won the bet;
  • It cost him something of a sweat;
  • Back in the one-horse shay he went;
  • The parson wondered what it meant,
  • And murmured, with a mild surprise
  • And pleasant twinkle of the eyes,
  • That funeral must have been a trick,
  • Or corpses drive at double-quick;
  • I should n't wonder, I declare,
  • If brother--Jehu--made the prayer!
  • And this is all I have to say
  • About that tough old trotting bay,
  • Huddup! Huddup! G'lang! Good day!
  • Moral for which this tale is told
  • A horse can trot, for all he 's old.
  • AN APPEAL FOR "THE OLD SOUTH"
  • "While stands the Coliseum, Rome shall stand;
  • When falls the Coliseum, Rome shall fall."
  • FULL sevenscore years our city's pride--
  • The comely Southern spire--
  • Has cast its shadow, and defied
  • The storm, the foe, the fire;
  • Sad is the sight our eyes behold;
  • Woe to the three-hilled town,
  • When through the land the tale is told--
  • "The brave 'Old South' is down!"
  • Let darkness blot the starless dawn
  • That hears our children tell,
  • "Here rose the walls, now wrecked and gone,
  • Our fathers loved so well;
  • Here, while his brethren stood aloof,
  • The herald's blast was blown
  • That shook St. Stephen's pillared roof
  • And rocked King George's throne!
  • "The home-bound wanderer of the main
  • Looked from his deck afar,
  • To where the gilded, glittering vane
  • Shone like the evening star,
  • And pilgrim feet from every clime
  • The floor with reverence trod,
  • Where holy memories made sublime
  • The shrine of Freedom's God!"
  • The darkened skies, alas! have seen
  • Our monarch tree laid low,
  • And spread in ruins o'er the green,
  • But Nature struck the blow;
  • No scheming thrift its downfall planned,
  • It felt no edge of steel,
  • No soulless hireling raised his hand
  • The deadly stroke to deal.
  • In bridal garlands, pale and mute,
  • Still pleads the storied tower;
  • These are the blossoms, but the fruit
  • Awaits the golden shower;
  • The spire still greets the morning sun,--
  • Say, shall it stand or fall?
  • Help, ere the spoiler has begun!
  • Help, each, and God help all!
  • THE FIRST FAN
  • READ AT A MEETING OF THE BOSTON BRIC-A-BRAC
  • CLUB, FEBRUARY 21, 1877
  • WHEN rose the cry "Great Pan is dead!"
  • And Jove's high palace closed its portal,
  • The fallen gods, before they fled,
  • Sold out their frippery to a mortal.
  • "To whom?" you ask. I ask of you.
  • The answer hardly needs suggestion;
  • Of course it was the Wandering Jew,--
  • How could you put me such a question?
  • A purple robe, a little worn,
  • The Thunderer deigned himself to offer;
  • The bearded wanderer laughed in scorn,--
  • You know he always was a scoffer.
  • "Vife shillins! 't is a monstrous price;
  • Say two and six and further talk shun."
  • "Take it," cried Jove; "we can't be nice,--
  • 'T would fetch twice that at Leonard's auction."
  • The ice was broken; up they came,
  • All sharp for bargains, god and goddess,
  • Each ready with the price to name
  • For robe or head-dress, scarf or bodice.
  • First Juno, out of temper, too,--
  • Her queenly forehead somewhat cloudy;
  • Then Pallas in her stockings blue,
  • Imposing, but a little dowdy.
  • The scowling queen of heaven unrolled
  • Before the Jew a threadbare turban
  • "Three shillings." "One. 'T will suit some old
  • Terrific feminine suburban."
  • But as for Pallas,--how to tell
  • In seemly phrase a fact so shocking?
  • She pointed,--pray excuse me,--well,
  • She pointed to her azure stocking.
  • And if the honest truth were told,
  • Its heel confessed the need of darning;
  • "Gods!" low-bred Vulcan cried, "behold!
  • There! that's what comes of too much larning!"
  • Pale Proserpine came groping round,
  • Her pupils dreadfully dilated
  • With too much living underground,--
  • A residence quite overrated;
  • This kerchief's what you want, I know,--
  • Don't cheat poor Venus of her cestus,--
  • You'll find it handy when you go
  • To--you know where; it's pure asbestus.
  • Then Phoebus of the silverr bow,
  • And Hebe, dimpled as a baby,
  • And Dian with the breast of snow,
  • Chaser and chased--and caught, it may be:
  • One took the quiver from her back,
  • One held the cap he spent the night in,
  • And one a bit of bric-a-brac,
  • Such as the gods themselves delight in.
  • Then Mars, the foe of human kind,
  • Strode up and showed his suit of armor;
  • So none at last was left behind
  • Save Venus, the celestial charmer.
  • Poor Venus! What had she to sell?
  • For all she looked so fresh and jaunty,
  • Her wardrobe, as I blush' to tell,
  • Already seemed but quite too scanty.
  • Her gems were sold, her sandals gone,--
  • She always would be rash and flighty,--
  • Her winter garments all in pawn,
  • Alas for charming Aphrodite.
  • The lady of a thousand loves,
  • The darling of the old religion,
  • Had only left of all the doves
  • That drew her car one fan-tailed pigeon.
  • How oft upon her finger-tips
  • He perched, afraid of Cupid's arrow,
  • Or kissed her on the rosebud lips,
  • Like Roman Lesbia's loving sparrow!
  • "My bird, I want your train," she cried;
  • "Come, don't let's have a fuss about it;
  • I'll make it beauty's pet and pride,
  • And you'll be better off without it.
  • "So vulgar! Have you noticed, pray,
  • An earthly belle or dashing bride walk,
  • And how her flounces track her way,
  • Like slimy serpents on the sidewalk?
  • "A lover's heart it quickly cools;
  • In mine it kindles up enough rage
  • To wring their necks. How can such fools
  • Ask men to vote for woman suffrage?"
  • The goddess spoke, and gently stripped
  • Her bird of every caudal feather;
  • A strand of gold-bright hair she clipped,
  • And bound the glossy plumes together,
  • And lo, the Fan! for beauty's hand,
  • The lovely queen of beauty made it;
  • The price she named was hard to stand,
  • But Venus smiled: the Hebrew paid it.
  • Jove, Juno, Venus, where are you?
  • Mars, Mercury, Phoebus, Neptune, Saturn?
  • But o'er the world the Wandering Jew
  • Has borne the Fan's celestial pattern.
  • So everywhere we find the Fan,--
  • In lonely isles of the Pacific,
  • In farthest China and Japan,--
  • Wherever suns are sudorific.
  • Nay, even the oily Esquimaux
  • In summer court its cooling breezes,--
  • In fact, in every clime 't is so,
  • No matter if it fries or freezes.
  • And since from Aphrodite's dove
  • The pattern of the fan was given,
  • No wonder that it breathes of love
  • And wafts the perfumed gales of heaven!
  • Before this new Pandora's gift
  • In slavery woman's tyrant kept her,
  • But now he kneels her glove to lift,--
  • The fan is mightier than the sceptre.
  • The tap it gives how arch and sly!
  • The breath it wakes how fresh and grateful!
  • Behind its shield how soft the sigh!
  • The whispered tale of shame how fateful!
  • Its empire shadows every throne
  • And every shore that man is tost on;
  • It rules the lords of every zone,
  • Nay, even the bluest blood of Boston!
  • But every one that swings to-night,
  • Of fairest shape, from farthest region,
  • May trace its pedigree aright
  • To Aphrodite's fan-tailed pigeon.
  • TO R. B. H.
  • AT THE DINNER TO THE PRESIDENT,
  • BOSTON, JUNE 26, 1877
  • How to address him? awkward, it is true
  • Call him "Great Father," as the Red Men do?
  • Borrow some title? this is not the place
  • That christens men Your Highness and Your Grace;
  • We tried such names as these awhile, you know,
  • But left them off a century ago.
  • His Majesty? We've had enough of that
  • Besides, that needs a crown; he wears a hat.
  • What if, to make the nicer ears content,
  • We say His Honesty, the President?
  • Sir, we believed you honest, truthful, brave,
  • When to your hands their precious trust we gave,
  • And we have found you better than we knew,
  • Braver, and not less honest, not less true!
  • So every heart has opened, every hand
  • Tingles with welcome, and through all the land
  • All voices greet you in one broad acclaim,
  • Healer of strife! Has earth a nobler name?
  • What phrases mean you do not need to learn;
  • We must be civil, and they serve our turn
  • "Your most obedient humble" means--means what?
  • Something the well-bred signer just is not.
  • Yet there are tokens, sir, you must believe;
  • There is one language never can deceive
  • The lover knew it when the maiden smiled;
  • The mother knows it when she clasps her child;
  • Voices may falter, trembling lips turn pale,
  • Words grope and stumble; this will tell their tale
  • Shorn of all rhetoric, bare of all pretence,
  • But radiant, warm, with Nature's eloquence.
  • Look in our eyes! Your welcome waits you there,--
  • North, South, East, West, from all and everywhere!
  • THE SHIP OF STATE
  • A SENTIMENT
  • This "sentiment" was read on the same occasion as the "Family Record,"
  • which immediately follows it. The latter poem is the dutiful tribute of a
  • son to his father and his father's ancestors, residents of Woodstock from
  • its first settlement.
  • THE Ship of State! above her skies are blue,
  • But still she rocks a little, it is true,
  • And there are passengers whose faces white
  • Show they don't feel as happy as they might;
  • Yet on the whole her crew are quite content,
  • Since its wild fury the typhoon has spent,
  • And willing, if her pilot thinks it best,
  • To head a little nearer south by west.
  • And this they feel: the ship came too near wreck,
  • In the long quarrel for the quarter-deck,
  • Now when she glides serenely on her way,--
  • The shallows past where dread explosives lay,--
  • The stiff obstructive's churlish game to try
  • Let sleeping dogs and still torpedoes lie!
  • And so I give you all the Ship of State;
  • Freedom's last venture is her priceless freight;
  • God speed her, keep her, bless her, while she steers
  • Amid the breakers of unsounded years;
  • Lead her through danger's paths with even keel,
  • And guide the honest hand that holds her wheel!
  • WOODSTOCK, CONN., July 4, 1877.
  • A FAMILY RECORD
  • WOODSTOCK, CONN., JULY 4, 1877
  • NOT to myself this breath of vesper song,
  • Not to these patient friends, this kindly throng,
  • Not to this hallowed morning, though it be
  • Our summer Christmas, Freedom's jubilee,
  • When every summit, topmast, steeple, tower,
  • That owns her empire spreads her starry flower,
  • Its blood-streaked leaves in heaven's benignant dew
  • Washed clean from every crimson stain they knew,--
  • No, not to these the passing thrills belong
  • That steal my breath to hush themselves with song.
  • These moments all are memory's; I have come
  • To speak with lips that rather should be dumb;
  • For what are words? At every step I tread
  • The dust that wore the footprints of the dead
  • But for whose life my life had never known
  • This faded vesture which it calls its own.
  • Here sleeps my father's sire, and they who gave
  • That earlier life here found their peaceful grave.
  • In days gone by I sought the hallowed ground;
  • Climbed yon long slope; the sacred spot I found
  • Where all unsullied lies the winter snow,
  • Where all ungathered spring's pale violets blow,
  • And tracked from stone to stone the Saxon name
  • That marks the blood I need not blush to claim,
  • Blood such as warmed the Pilgrim sons of toil,
  • Who held from God the charter of the soil.
  • I come an alien to your hills and plains,
  • Yet feel your birthright tingling in my veins;
  • Mine are this changing prospect's sun and shade,
  • In full-blown summer's bridal pomp arrayed;
  • Mine these fair hillsides and the vales between;
  • Mine the sweet streams that lend their brightening green;
  • I breathed your air--the sunlit landscape smiled;
  • I touch your soil--it knows its children's child;
  • Throned in my heart your heritage is mine;
  • I claim it all by memory's right divine
  • Waking, I dream. Before my vacant eyes
  • In long procession shadowy forms arise;
  • Far through the vista of the silent years
  • I see a venturous band; the pioneers,
  • Who let the sunlight through the forest's gloom,
  • Who bade the harvest wave, the garden bloom.
  • Hark! loud resounds the bare-armed settler's axe,
  • See where the stealthy panther left his tracks!
  • As fierce, as stealthy creeps the skulking foe
  • With stone-tipped shaft and sinew-corded bow;
  • Soon shall he vanish from his ancient reign,
  • Leave his last cornfield to the coming train,
  • Quit the green margin of the wave he drinks,
  • For haunts that hide the wild-cat and the lynx.
  • But who the Youth his glistening axe that swings
  • To smite the pine that shows a hundred rings?
  • His features?--something in his look I find
  • That calls the semblance of my race to mind.
  • His name?--my own; and that which goes before
  • The same that once the loved disciple bore.
  • Young, brave, discreet, the father of a line
  • Whose voiceless lives have found a voice in mine;
  • Thinned by unnumbered currents though they be,
  • Thanks for the ruddy drops I claim from thee!
  • The seasons pass; the roses come and go;
  • Snows fall and melt; the waters freeze and flow;
  • The boys are men; the girls, grown tall and fair,
  • Have found their mates; a gravestone here and there
  • Tells where the fathers lie; the silvered hair
  • Of some bent patriarch yet recalls the time
  • That saw his feet the northern hillside climb,
  • A pilgrim from the pilgrims far away,
  • The godly men, the dwellers by the bay.
  • On many a hearthstone burns the cheerful fire;
  • The schoolhouse porch, the heavenward pointing spire
  • Proclaim in letters every eye can read,
  • Knowledge and Faith, the new world's simple creed.
  • Hush! 't is the Sabbath's silence-stricken morn
  • No feet must wander through the tasselled corn;
  • No merry children laugh around the door,
  • No idle playthings strew the sanded floor;
  • The law of Moses lays its awful ban
  • On all that stirs; here comes the tithing-man
  • At last the solemn hour of worship calls;
  • Slowly they gather in the sacred walls;
  • Man in his strength and age with knotted staff,
  • And boyhood aching for its week-day laugh,
  • The toil-worn mother with the child she leads,
  • The maiden, lovely in her golden beads,--
  • The popish symbols round her neck she wears,
  • But on them counts her lovers, not her prayers,--
  • Those youths in homespun suits and ribboned queues,
  • Whose hearts are beating in the high-backed pews.
  • The pastor rises; looks along the seats
  • With searching eye; each wonted face he meets;
  • Asks heavenly guidance; finds the chapter's place
  • That tells some tale of Israel's stubborn race;
  • Gives out the sacred song; all voices join,
  • For no quartette extorts their scanty coin;
  • Then while both hands their black-gloved palms display,
  • Lifts his gray head, and murmurs, "Let us pray!"
  • And pray he does! as one that never fears
  • To plead unanswered by the God that hears;
  • What if he dwells on many a fact as though
  • Some things Heaven knew not which it ought to know,--
  • Thanks God for all his favors past, and yet,
  • Tells Him there's something He must not forget;
  • Such are the prayers his people love to hear,--
  • See how the Deacon slants his listening ear!
  • What! look once more! Nay, surely there I trace
  • The hinted outlines of a well-known face!
  • Not those the lips for laughter to beguile,
  • Yet round their corners lurks an embryo smile,
  • The same on other lips my childhood knew
  • That scarce the Sabbath's mastery could subdue.
  • Him too my lineage gives me leave to claim,--
  • The good, grave man that bears the Psalmist's name.
  • And still in ceaseless round the seasons passed;
  • Spring piped her carol; Autumn blew his blast;
  • Babes waxed to manhood; manhood shrunk to age;
  • Life's worn-out players tottered off the stage;
  • The few are many; boys have grown to men
  • Since Putnam dragged the wolf from Pomfret's den;
  • Our new-old Woodstock is a thriving town;
  • Brave are her children; faithful to the crown;
  • Her soldiers' steel the savage redskin knows;
  • Their blood has crimsoned his Canadian snows.
  • And now once more along the quiet vale
  • Rings the dread call that turns the mothers pale;
  • Full well they know the valorous heat that runs
  • In every pulse-beat of their loyal sons;
  • Who would not bleed in good King George's cause
  • When England's lion shows his teeth and claws?
  • With glittering firelocks on the village green
  • In proud array a martial band is seen;
  • You know what names those ancient rosters hold,--
  • Whose belts were buckled when the drum-beat rolled,--
  • But mark their Captain! tell us, who is he?
  • On his brown face that same old look I see
  • Yes! from the homestead's still retreat he came,
  • Whose peaceful owner bore the Psalmist's name;
  • The same his own. Well, Israel's glorious king
  • Who struck the harp could also whirl the sling,--
  • Breathe in his song a penitential sigh
  • And smite the sons of Amalek hip and thigh:
  • These shared their task; one deaconed out the psalm,
  • One slashed the scalping hell-hounds of calm;
  • The praying father's pious work is done,
  • Now sword in hand steps forth the fighting son.
  • On many a field he fought in wilds afar;
  • See on his swarthy cheek the bullet's scar!
  • There hangs a murderous tomahawk; beneath,
  • Without its blade, a knife's embroidered sheath;
  • Save for the stroke his trusty weapon dealt
  • His scalp had dangled at their owner's belt;
  • But not for him such fate; he lived to see
  • The bloodier strife that made our nation free,
  • To serve with willing toil, with skilful hand,
  • The war-worn saviors of the bleeding land.
  • His wasting life to others' needs he gave,--
  • Sought rest in home and found it in the grave.
  • See where the stones life's brief memorials keep,
  • The tablet telling where he "fell on sleep,"--
  • Watched by a winged cherub's rayless eye,--
  • A scroll above that says we all must die,--
  • Those saddening lines beneath, the "Night-Thoughts" lent:
  • So stands the Soldier's, Surgeon's monument.
  • Ah! at a glance my filial eye divines
  • The scholar son in those remembered lines.
  • The Scholar Son. His hand my footsteps led.
  • No more the dim unreal past I tread.
  • O thou whose breathing form was once so dear,
  • Whose cheering voice was music to my ear,
  • Art thou not with me as my feet pursue
  • The village paths so well thy boyhood knew,
  • Along the tangled margin of the stream
  • Whose murmurs blended with thine infant dream,
  • Or climb the hill, or thread the wooded vale,
  • Or seek the wave where gleams yon distant sail,
  • Or the old homestead's narrowed bounds explore,
  • Where sloped the roof that sheds the rains no more,
  • Where one last relic still remains to tell
  • Here stood thy home,--the memory-haunted well,
  • Whose waters quench a deeper thirst than thine,
  • Changed at my lips to sacramental wine,--
  • Art thou not with me, as I fondly trace
  • The scanty records of thine honored race,
  • Call up the forms that earlier years have known,
  • And spell the legend of each slanted stone?
  • With thoughts of thee my loving verse began,
  • Not for the critic's curious eye to scan,
  • Not for the many listeners, but the few
  • Whose fathers trod the paths my fathers knew;
  • Still in my heart thy loved remembrance burns;
  • Still to my lips thy cherished name returns;
  • Could I but feel thy gracious presence near
  • Amid the groves that once to thee were dear
  • Could but my trembling lips with mortal speech
  • Thy listening ear for one brief moment reach!
  • How vain the dream! The pallid voyager's track
  • No sign betrays; he sends no message back.
  • No word from thee since evening's shadow fell
  • On thy cold forehead with my long farewell,--
  • Now from the margin of the silent sea,
  • Take my last offering ere I cross to thee!
  • THE IRON GATE
  • AND OTHER POEMS
  • 1877-1881
  • THE IRON GATE
  • Read at the Breakfast given in honor of Dr. Holmes's Seventieth Birthday
  • by the publishers of the "Atlantic Monthly," Boston, December 3, 1879.
  • WHERE is this patriarch you are kindly greeting?
  • Not unfamiliar to my ear his name,
  • Nor yet unknown to many a joyous meeting
  • In days long vanished,--is he still the same,
  • Or changed by years, forgotten and forgetting,
  • Dull-eared, dim-sighted, slow of speech and thought,
  • Still o'er the sad, degenerate present fretting,
  • Where all goes wrong, and nothing as it ought?
  • Old age, the graybeard! Well, indeed, I know him,--
  • Shrunk, tottering, bent, of aches and ills the prey;
  • In sermon, story, fable, picture, poem,
  • Oft have I met him from my earliest day.
  • In my old AEsop, toiling with his bundle,--
  • His load of sticks,--politely asking Death,
  • Who comes when called for,--would he lug or trundle
  • His fagot for him?--he was scant of breath.
  • And sad "Ecclesiastes, or the Preacher,"--
  • Has he not stamped the image on my soul,
  • In that last chapter, where the worn-out Teacher
  • Sighs o'er the loosened cord, the broken bowl?
  • Yes, long, indeed, I've known him at a distance,
  • And now my lifted door-latch shows him here;
  • I take his shrivelled hand without resistance,
  • And find him smiling as his step draws near.
  • What though of gilded baubles he bereaves us,
  • Dear to the heart of youth, to manhood's prime;
  • Think of the calm he brings, the wealth he leaves us,
  • The hoarded spoils, the legacies of time!
  • Altars once flaming, still with incense fragrant,
  • Passion's uneasy nurslings rocked asleep,
  • Hope's anchor faster, wild desire less vagrant,
  • Life's flow less noisy, but the stream how deep!
  • Still as the silver cord gets worn and slender,
  • Its lightened task-work tugs with lessening strain,
  • Hands get more helpful, voices, grown more tender,
  • Soothe with their softened tones the slumberous brain.
  • Youth longs and manhood strives, but age remembers,
  • Sits by the raked-up ashes of the past,
  • Spreads its thin hands above the whitening embers
  • That warm its creeping life-blood till the last.
  • Dear to its heart is every loving token
  • That comes unbidden ere its pulse grows cold,
  • Ere the last lingering ties of life are broken,
  • Its labors ended and its story told.
  • Ah, while around us rosy youth rejoices,
  • For us the sorrow-laden breezes sigh,
  • And through the chorus of its jocund voices
  • Throbs the sharp note of misery's hopeless cry.
  • As on the gauzy wings of fancy flying
  • From some far orb I track our watery sphere,
  • Home of the struggling, suffering, doubting, dying,
  • The silvered globule seems a glistening tear.
  • But Nature lends her mirror of illusion
  • To win from saddening scenes our age-dimmed eyes,
  • And misty day-dreams blend in sweet confusion
  • The wintry landscape and the summer skies.
  • So when the iron portal shuts behind us,
  • And life forgets us in its noise and whirl,
  • Visions that shunned the glaring noonday find us,
  • And glimmering starlight shows the gates of pearl.
  • I come not here your morning hour to sadden,
  • A limping pilgrim, leaning on his staff,--
  • I, who have never deemed it sin to gladden
  • This vale of sorrows with a wholesome laugh.
  • If word of mine another's gloom has brightened,
  • Through my dumb lips the heaven-sent message came;
  • If hand of mine another's task has lightened,
  • It felt the guidance that it dares not claim.
  • But, O my gentle sisters, O my brothers,
  • These thick-sown snow-flakes hint of toil's release;
  • These feebler pulses bid me leave to others
  • The tasks once welcome; evening asks for peace.
  • Time claims his tribute; silence now is golden;
  • Let me not vex the too long suffering lyre;
  • Though to your love untiring still beholden,
  • The curfew tells me--cover up the fire.
  • And now with grateful smile and accents cheerful,
  • And warmer heart than look or word can tell,
  • In simplest phrase--these traitorous eyes are tearful--
  • Thanks, Brothers, Sisters,--Children,--and farewell!
  • VESTIGIA QUINQUE RETRORSUM
  • AN ACADEMIC POEM
  • 1829-1879
  • Read at the Commencement Dinner of the Alumni of Harvard
  • University, June 25, 1879.
  • WHILE fond, sad memories all around us throng,
  • Silence were sweeter than the sweetest song;
  • Yet when the leaves are green and heaven is blue,
  • The choral tribute of the grove is due,
  • And when the lengthening nights have chilled the skies,
  • We fain would hear the song-bird ere be flies,
  • And greet with kindly welcome, even as now,
  • The lonely minstrel on his leafless bough.
  • This is our golden year,--its golden day;
  • Its bridal memories soon must pass away;
  • Soon shall its dying music cease to ring,
  • And every year must loose some silver string,
  • Till the last trembling chords no longer thrill,--
  • Hands all at rest and hearts forever still.
  • A few gray heads have joined the forming line;
  • We hear our summons,--"Class of 'Twenty-Nine!"
  • Close on the foremost, and, alas, how few!
  • Are these "The Boys" our dear old Mother knew?
  • Sixty brave swimmers. Twenty--something more--
  • Have passed the stream and reached this frosty shore!
  • How near the banks these fifty years divide
  • When memory crosses with a single stride!
  • 'T is the first year of stern "Old Hickory" 's rule
  • When our good Mother lets us out of school,
  • Half glad, half sorrowing, it must be confessed,
  • To leave her quiet lap, her bounteous breast,
  • Armed with our dainty, ribbon-tied degrees,
  • Pleased and yet pensive, exiles and A. B.'s.
  • Look back, O comrades, with your faded eyes,
  • And see the phantoms as I bid them rise.
  • Whose smile is that? Its pattern Nature gave,
  • A sunbeam dancing in a dimpled wave;
  • KIRKLAND alone such grace from Heaven could win,
  • His features radiant as the soul within;
  • That smile would let him through Saint Peter's gate
  • While sad-eyed martyrs had to stand and wait.
  • Here flits mercurial _Farrar_; standing there,
  • See mild, benignant, cautious, learned _Ware_,
  • And sturdy, patient, faithful, honest _Hedge_,
  • Whose grinding logic gave our wits their edge;
  • _Ticknor_, with honeyed voice and courtly grace;
  • And _Willard_, larynxed like a double bass;
  • And _Channing_, with his bland, superior look,
  • Cool as a moonbeam on a frozen brook,
  • While the pale student, shivering in his shoes,
  • Sees from his theme the turgid rhetoric ooze;
  • And the born soldier, fate decreed to wreak
  • His martial manhood on a class in Greek,
  • _Popkin_! How that explosive name recalls
  • The grand old Busby of our ancient halls
  • Such faces looked from Skippon's grim platoons,
  • Such figures rode with Ireton's stout dragoons:
  • He gave his strength to learning's gentle charms,
  • But every accent sounded "Shoulder arms!"
  • Names,--empty names! Save only here and there
  • Some white-haired listener, dozing in his chair,
  • Starts at the sound he often used to hear,
  • And upward slants his Sunday-sermon ear.
  • And we--our blooming manhood we regain;
  • Smiling we join the long Commencement train,
  • One point first battled in discussion hot,--
  • Shall we wear gowns? and settled: We will not.
  • How strange the scene,--that noisy boy-debate
  • Where embryo-speakers learn to rule the State!
  • This broad-browed youth, sedate and sober-eyed,
  • Shall wear the ermined robe at Taney's side;
  • And he, the stripling, smooth of face and slight,
  • Whose slender form scarce intercepts the light,
  • Shall rule the Bench where Parsons gave the law,
  • And sphinx-like sat uncouth, majestic Shaw
  • Ah, many a star has shed its fatal ray
  • On names we loved--our brothers--where are they?
  • Nor these alone; our hearts in silence claim
  • Names not less dear, unsyllabled by fame.
  • How brief the space! and yet it sweeps us back
  • Far, far along our new-born history's track
  • Five strides like this;--the sachem rules the land;
  • The Indian wigwams cluster where we stand.
  • The second. Lo! a scene of deadly strife--
  • A nation struggling into infant life;
  • Not yet the fatal game at Yorktown won
  • Where failing Empire fired its sunset gun.
  • LANGDON sits restless in the ancient chair,--
  • Harvard's grave Head,--these echoes heard his prayer
  • When from yon mansion, dear to memory still,
  • The banded yeomen marched for Bunker's Hill.
  • Count on the grave triennial's thick-starred roll
  • What names were numbered on the lengthening scroll,--
  • Not unfamiliar in our ears they ring,--
  • Winthrop, Hale, Eliot, Everett, Dexter, Tyng.
  • Another stride. Once more at 'twenty-nine,--
  • GOD SAVE KING GEORGE, the Second of his line!
  • And is Sir Isaac living? Nay, not so,--
  • He followed Flainsteed two short years ago,--
  • And what about the little hump-backed man
  • Who pleased the bygone days of good Queen Anne?
  • What, Pope? another book he's just put out,--
  • "The Dunciad,"--witty, but profane, no doubt.
  • Where's Cotton Mather? he was always here.
  • And so he would be, but he died last year.
  • Who is this preacher our Northampton claims,
  • Whose rhetoric blazes with sulphureous flames
  • And torches stolen from Tartarean mines?
  • Edwards, the salamander of divines.
  • A deep, strong nature, pure and undefiled;
  • Faith, firm as his who stabbed his sleeping child;
  • Alas for him who blindly strays apart,
  • And seeking God has lost his human heart!
  • Fall where they might, no flying cinders caught
  • These sober halls where WADSWORTH ruled and
  • taught.
  • One footstep more; the fourth receding stride
  • Leaves the round century on the nearer side.
  • GOD SAVE KING CHARLES! God knows that pleasant knave
  • His grace will find it hard enough to save.
  • Ten years and more, and now the Plague, the Fire,
  • Talk of all tongues, at last begin to tire;
  • One fear prevails, all other frights forgot,--
  • White lips are whispering,--hark! The Popish Plot!
  • Happy New England, from such troubles free
  • In health and peace beyond the stormy sea!
  • No Romish daggers threat her children's throats,
  • No gibbering nightmare mutters "Titus Oates;"
  • Philip is slain, the Quaker graves are green,
  • Not yet the witch has entered on the scene;
  • Happy our Harvard; pleased her graduates four;
  • URIAN OAKES the name their parchments bore.
  • Two centuries past, our hurried feet arrive
  • At the last footprint of the scanty five;
  • Take the fifth stride; our wandering eyes explore
  • A tangled forest on a trackless shore;
  • Here, where we stand, the savage sorcerer howls,
  • The wild cat snarls, the stealthy gray wolf prowls,
  • The slouching bear, perchance the trampling moose
  • Starts the brown squaw and scares her red pappoose;
  • At every step the lurking foe is near;
  • His Demons reign; God has no temple here!
  • Lift up your eyes! behold these pictured walls;
  • Look where the flood of western glory falls
  • Through the great sunflower disk of blazing panes
  • In ruby, saffron, azure, emerald stains;
  • With reverent step the marble pavement tread
  • Where our proud Mother's martyr-roll is read;
  • See the great halls that cluster, gathering round
  • This lofty shrine with holiest memories crowned;
  • See the fair Matron in her summer bower,
  • Fresh as a rose in bright perennial flower;
  • Read on her standard, always in the van,
  • "TRUTH,"--the one word that makes a slave a man;
  • Think whose the hands that fed her altar-fires,
  • Then count the debt we owe our scholar-sires!
  • Brothers, farewell! the fast declining ray
  • Fades to the twilight of our golden day;
  • Some lesson yet our wearied brains may learn,
  • Some leaves, perhaps, in life's thin volume turn.
  • How few they seem as in our waning age
  • We count them backwards to the title-page!
  • Oh let us trust with holy men of old
  • Not all the story here begun is told;
  • So the tired spirit, waiting to be freed,
  • On life's last leaf with tranquil eye shall read
  • By the pale glimmer of the torch reversed,
  • Not Finis, but _The End of Volume First_!
  • MY AVIARY
  • Through my north window, in the wintry weather,--
  • My airy oriel on the river shore,--
  • I watch the sea-fowl as they flock together
  • Where late the boatman flashed his dripping oar.
  • The gull, high floating, like a sloop unladen,
  • Lets the loose water waft him as it will;
  • The duck, round-breasted as a rustic maiden,
  • Paddles and plunges, busy, busy still.
  • I see the solemn gulls in council sitting
  • On some broad ice-floe pondering long and late,
  • While overhead the home-bound ducks are flitting,
  • And leave the tardy conclave in debate,
  • Those weighty questions in their breasts revolving
  • Whose deeper meaning science never learns,
  • Till at some reverend elder's look dissolving,
  • The speechless senate silently adjourns.
  • But when along the waves the shrill north-easter
  • Shrieks through the laboring coaster's shrouds "Beware!"
  • The pale bird, kindling like a Christmas feaster
  • When some wild chorus shakes the vinous air,
  • Flaps from the leaden wave in fierce rejoicing,
  • Feels heaven's dumb lightning thrill his torpid nerves,
  • Now on the blast his whistling plumage poising,
  • Now wheeling, whirling in fantastic curves.
  • Such is our gull; a gentleman of leisure,
  • Less fleshed than feathered; bagged you'll find him such;
  • His virtue silence; his employment pleasure;
  • Not bad to look at, and not good for much.
  • What of our duck? He has some high-bred cousins,--
  • His Grace the Canvas-back, My Lord the Brant,--
  • Anas and Anser,--both served up by dozens,
  • At Boston's Rocher, half-way to Nahant.
  • As for himself, he seems alert and thriving,--
  • Grubs up a living somehow--what, who knows?
  • Crabs? mussels? weeds?--Look quick! there 's one just diving!
  • Flop! Splash! his white breast glistens--down he goes!
  • And while he 's under--just about a minute--
  • I take advantage of the fact to say
  • His fishy carcase has no virtue in it
  • The gunning idiot's worthless hire to pay.
  • Shrewd is our bird; not easy to outwit him!
  • Sharp is the outlook of those pin-head eyes;
  • Still, he is mortal and a shot may hit him,
  • One cannot always miss him if he tries.
  • He knows you! "sportsmen" from suburban alleys,
  • Stretched under seaweed in the treacherous punt;
  • Knows every lazy, shiftless lout that sallies
  • Forth to waste powder--as he says, to "hunt."
  • I watch you with a patient satisfaction,
  • Well pleased to discount your predestined luck;
  • The float that figures in your sly transaction
  • Will carry back a goose, but not a duck.
  • Look! there's a young one, dreaming not of danger;
  • Sees a flat log come floating down the stream;
  • Stares undismayed upon the harmless stranger;
  • Ah! were all strangers harmless as they seem!
  • _Habet_! a leaden shower his breast has shattered;
  • Vainly he flutters, not again to rise;
  • His soft white plumes along the waves are scattered;
  • Helpless the wing that braved the tempest lies.
  • He sees his comrades high above him flying
  • To seek their nests among the island reeds;
  • Strong is their flight; all lonely he is lying
  • Washed by the crimsoned water as he bleeds.
  • O Thou who carest for the falling sparrow,
  • Canst Thou the sinless sufferer's pang forget?
  • Or is thy dread account-book's page so narrow
  • Its one long column scores thy creatures' debt?
  • Poor gentle guest, by nature kindly cherished,
  • A world grows dark with thee in blinding death;
  • One little gasp--thy universe has perished,
  • Wrecked by the idle thief who stole thy breath!
  • Is this the whole sad story of creation,
  • Lived by its breathing myriads o'er and o'er,--
  • One glimpse of day, then black annihilation,--
  • A sunlit passage to a sunless shore?
  • Give back our faith, ye mystery-solving lynxes!
  • Robe us once more in heaven-aspiring creeds
  • Happier was dreaming Egypt with her sphinxes,
  • The stony convent with its cross and beads!
  • How often gazing where a bird reposes,
  • Rocked on the wavelets, drifting with the tide,
  • I lose myself in strange metempsychosis
  • And float a sea-fowl at a sea-fowl's side;
  • From rain, hail, snow in feathery mantle muffled,
  • Clear-eyed, strong-limbed, with keenest sense to hear
  • My mate soft murmuring, who, with plumes unruffled,
  • Where'er I wander still is nestling near;
  • The great blue hollow like a garment o'er me;
  • Space all unmeasured, unrecorded time;
  • While seen with inward eye moves on before me
  • Thought's pictured train in wordless pantomime.
  • A voice recalls me.--From my window turning
  • I find myself a plumeless biped still;
  • No beak, no claws, no sign of wings discerning,--
  • In fact with nothing bird-like but my quill.
  • ON THE THRESHOLD
  • INTRODUCTION TO A COLLECTION OF POEMS BYDIFFERENT AUTHORS
  • AN usher standing at the door
  • I show my white rosette;
  • A smile of welcome, nothing more,
  • Will pay my trifling debt;
  • Why should I bid you idly wait
  • Like lovers at the swinging gate?
  • Can I forget the wedding guest?
  • The veteran of the sea?
  • In vain the listener smites his breast,--
  • "There was a ship," cries he!
  • Poor fasting victim, stunned and pale,
  • He needs must listen to the tale.
  • He sees the gilded throng within,
  • The sparkling goblets gleam,
  • The music and the merry din
  • Through every window stream,
  • But there he shivers in the cold
  • Till all the crazy dream is told.
  • Not mine the graybeard's glittering eye
  • That held his captive still
  • To hold my silent prisoners by
  • And let me have my will;
  • Nay, I were like the three-years' child,
  • To think you could be so beguiled!
  • My verse is but the curtain's fold
  • That hides the painted scene,
  • The mist by morning's ray unrolled
  • That veils the meadow's green,
  • The cloud that needs must drift away
  • To show the rose of opening day.
  • See, from the tinkling rill you hear
  • In hollowed palm I bring
  • These scanty drops, but ah, how near
  • The founts that heavenward spring!
  • Thus, open wide the gates are thrown
  • And founts and flowers are all your own!
  • TO GEORGE PEABODY
  • DANVERS, 1866
  • BANKRUPT! our pockets inside out!
  • Empty of words to speak his praises!
  • Worcester and Webster up the spout!
  • Dead broke of laudatory phrases!
  • Yet why with flowery speeches tease,
  • With vain superlatives distress him?
  • Has language better words than these?
  • THE FRIEND OF ALL HIS RACE, GOD BLESS HIM!
  • A simple prayer--but words more sweet
  • By human lips were never uttered,
  • Since Adam left the country seat
  • Where angel wings around him fluttered.
  • The old look on with tear-dimmed eyes,
  • The children cluster to caress him,
  • And every voice unbidden cries,
  • THE FRIEND OF ALL HIS RACE, GOD BLESS HIM!
  • AT THE PAPYRUS CLUB
  • A LOVELY show for eyes to see
  • I looked upon this morning,--
  • A bright-hued, feathered company
  • Of nature's own adorning;
  • But ah! those minstrels would not sing
  • A listening ear while I lent,--
  • The lark sat still and preened his wing,
  • The nightingale was silent;
  • I longed for what they gave me not--
  • Their warblings sweet and fluty,
  • But grateful still for all I got
  • I thanked them for their beauty.
  • A fairer vision meets my view
  • Of Claras, Margarets, Marys,
  • In silken robes of varied hue,
  • Like bluebirds and canaries;
  • The roses blush, the jewels gleam,
  • The silks and satins glisten,
  • The black eyes flash, the blue eyes beam,
  • We look--and then we listen
  • Behold the flock we cage to-night--
  • Was ever such a capture?
  • To see them is a pure delight;
  • To hear them--ah! what rapture!
  • Methinks I hear Delilah's laugh
  • At Samson bound in fetters;
  • "We captured!" shrieks each lovelier half,
  • "Men think themselves our betters!
  • We push the bolt, we turn the key
  • On warriors, poets, sages,
  • Too happy, all of them, to be
  • Locked in our golden cages!"
  • Beware! the boy with bandaged eyes
  • Has flung away his blinder;
  • He 's lost his mother--so he cries--
  • And here he knows he'll find her:
  • The rogue! 't is but a new device,--
  • Look out for flying arrows
  • Whene'er the birds of Paradise
  • Are perched amid the sparrows!
  • FOR WHITTIER'S SEVENTIETH BIRTHDAY
  • DECEMBER 17, 1877
  • I BELIEVE that the copies of verses I've spun,
  • Like Scheherezade's tales, are a thousand and one;
  • You remember the story,--those mornings in bed,--
  • 'T was the turn of a copper,--a tale or a head.
  • A doom like Scheherezade's falls upon me
  • In a mandate as stern as the Sultan's decree
  • I'm a florist in verse, and what would people say
  • If I came to a banquet without my bouquet?
  • It is trying, no doubt, when the company knows
  • Just the look and the smell of each lily and rose,
  • The green of each leaf in the sprigs that I bring,
  • And the shape of the bunch and the knot of the string.
  • Yes,--"the style is the man," and the nib of one's pen
  • Makes the same mark at twenty, and threescore and ten;
  • It is so in all matters, if truth may be told;
  • Let one look at the cast he can tell you the mould.
  • How we all know each other! no use in disguise;
  • Through the holes in the mask comes the flash of the eyes;
  • We can tell by his--somewhat--each one of our tribe,
  • As we know the old hat which we cannot describe.
  • Though in Hebrew, in Sanscrit, in Choctaw you write,
  • Sweet singer who gave us the Voices of Night,
  • Though in buskin or slipper your song may be shod;
  • Or the velvety verse that Evangeline trod,
  • We shall say, "You can't cheat us,--we know it is you,"
  • There is one voice like that, but there cannot be two,
  • Maestro, whose chant like the dulcimer rings
  • And the woods will be hushed while the nightingale sings.
  • And he, so serene, so majestic, so true,
  • Whose temple hypethral the planets shine through,
  • Let us catch but five words from that mystical pen,
  • We should know our one sage from all children of men.
  • And he whose bright image no distance can dim,
  • Through a hundred disguises we can't mistake him,
  • Whose play is all earnest, whose wit is the edge
  • (With a beetle behind) of a sham-splitting wedge.
  • Do you know whom we send you, Hidalgos of Spain?
  • Do you know your old friends when you see them again?
  • Hosea was Sancho! you Dons of Madrid,
  • But Sancho that wielded the lance of the Cid!
  • And the wood-thrush of Essex,--you know whom I mean,
  • Whose song echoes round us while he sits unseen,
  • Whose heart-throbs of verse through our memories thrill
  • Like a breath from the wood, like a breeze from the hill,
  • So fervid, so simple, so loving, so pure,
  • We hear but one strain and our verdict is sure,--
  • Thee cannot elude us,--no further we search,--
  • 'T is Holy George Herbert cut loose from his church!
  • We think it the voice of a seraph that sings,--
  • Alas! we remember that angels have wings,--
  • What story is this of the day of his birth?
  • Let him live to a hundred! we want him on earth!
  • One life has been paid him (in gold) by the sun;
  • One account has been squared and another begun;
  • But he never will die if he lingers below
  • Till we've paid him in love half the balance we owe!
  • TWO SONNETS: HARVARD
  • At the meeting of the New York Harvard Club,
  • February 21, 1878.
  • "CHRISTO ET ECCLESLE." 1700
  • To GOD'S ANOINTED AND HIS CHOSEN FLOCK
  • So ran the phrase the black-robed conclave chose
  • To guard the sacred cloisters that arose
  • Like David's altar on Moriah's rock.
  • Unshaken still those ancient arches mock
  • The ram's-horn summons of the windy foes
  • Who stand like Joshua's army while it blows
  • And wait to see them toppling with the shock.
  • Christ and the Church. Their church, whose narrow door
  • Shut out the many, who if overbold
  • Like hunted wolves were driven from the fold,
  • Bruised with the flails these godly zealots bore,
  • Mindful that Israel's altar stood of old
  • Where echoed once Araunah's threshing-floor.
  • 1643 "VERITAS." 1878
  • TRUTH: So the frontlet's older legend ran,
  • On the brief record's opening page displayed;
  • Not yet those clear-eyed scholars were afraid
  • Lest the fair fruit that wrought the woe of man
  • By far Euphrates--where our sire began
  • His search for truth, and, seeking, was betrayed--
  • Might work new treason in their forest shade,
  • Doubling the curse that brought life's shortened span.
  • Nurse of the future, daughter of the past,
  • That stern phylactery best becomes thee now
  • Lift to the morning star thy marble brow
  • Cast thy brave truth on every warring blast!
  • Stretch thy white hand to that forbidden bough,
  • And let thine earliest symbol be thy last!
  • THE COMING ERA
  • THEY tell us that the Muse is soon to fly hence,
  • Leaving the bowers of song that once were dear,
  • Her robes bequeathing to her sister, Science,
  • The groves of Pindus for the axe to clear.
  • Optics will claim the wandering eye of fancy,
  • Physics will grasp imagination's wings,
  • Plain fact exorcise fiction's necromancy,
  • The workshop hammer where the minstrel sings,
  • No more with laugher at Thalia's frolics
  • Our eyes shall twinkle till the tears run down,
  • But in her place the lecturer on hydraulics
  • Spout forth his watery science to the town.
  • No more our foolish passions and affections
  • The tragic Muse with mimic grief shall try,
  • But, nobler far, a course of vivisections
  • Teach what it costs a tortured brute to die.
  • The unearthed monad, long in buried rocks hid,
  • Shall tell the secret whence our being came;
  • The chemist show us death is life's black oxide,
  • Left when the breath no longer fans its flame.
  • Instead of crack-brained poets in their attics
  • Filling thin volumes with their flowery talk,
  • There shall be books of wholesome mathematics;
  • The tutor with his blackboard and his chalk.
  • No longer bards with madrigal and sonnet
  • Shall woo to moonlight walks the ribboned sex,
  • But side by side the beaver and the bonnet
  • Stroll, calmly pondering on some problem's x.
  • The sober bliss of serious calculation
  • Shall mock the trivial joys that fancy drew,
  • And, oh, the rapture of a solved equation,--
  • One self-same answer on the lips of two!
  • So speak in solemn tones our youthful sages,
  • Patient, severe, laborious, slow, exact,
  • As o'er creation's protoplasmic pages
  • They browse and munch the thistle crops of fact.
  • And yet we 've sometimes found it rather pleasant
  • To dream again the scenes that Shakespeare drew,--
  • To walk the hill-side with the Scottish peasant
  • Among the daisies wet with morning's dew;
  • To leave awhile the daylight of the real,
  • Led by the guidance of the master's hand,
  • For the strange radiance of the far ideal,--
  • "The light that never was on sea or land."
  • Well, Time alone can lift the future's curtain,--
  • Science may teach our children all she knows,
  • But Love will kindle fresh young hearts, 't is certain,
  • And June will not forget her blushing rose.
  • And so, in spite of all that Time is bringing,--
  • Treasures of truth and miracles of art,
  • Beauty and Love will keep the poet singing,
  • And song still live, the science of the heart.
  • IN RESPONSE
  • Breakfast at the Century Club, New York, May, 1879.
  • SUCH kindness! the scowl of a cynic would soften,
  • His pulse beat its way to some eloquent words,
  • Alas! my poor accents have echoed too often,
  • Like that Pinafore music you've some of you heard.
  • Do you know me, dear strangers--the hundredth time comer
  • At banquets and feasts since the days of my Spring?
  • Ah! would I could borrow one rose of my Summer,
  • But this is a leaf of my Autumn I bring.
  • I look at your faces,--I'm sure there are some from
  • The three-breasted mother I count as my own;
  • You think you remember the place you have come from,
  • But how it has changed in the years that have flown!
  • Unaltered, 't is true, is the hall we call "Funnel,"
  • Still fights the "Old South" in the battle for life,
  • But we've opened our door to the West through the tunnel,
  • And we've cut off Fort Hill with our Amazon knife.
  • You should see the new Westminster Boston has builded,--
  • Its mansions, its spires, its museums of arts,--
  • You should see the great dome we have gorgeously gilded,--
  • 'T is the light of our eyes, 't is the joy of our hearts.
  • When first in his path a young asteroid found it,
  • As he sailed through the skies with the stars in his wake,
  • He thought 't was the sun, and kept circling around it
  • Till Edison signalled, "You've made a mistake."
  • We are proud of our city,--her fast-growing figure,
  • The warp and the woof of her brain and her hands,--
  • But we're proudest of all that her heart has grown bigger,
  • And warms with fresh blood as her girdle expands.
  • One lesson the rubric of conflict has taught her
  • Though parted awhile by war's earth-rending shock,
  • The lines that divide us are written in water,
  • The love that unites us cut deep in the rock.
  • As well might the Judas of treason endeavor
  • To write his black name on the disk of the sun
  • As try the bright star-wreath that binds us to sever
  • And blot the fair legend of "Many in One."
  • We love You, tall sister, the stately, the splendid,--
  • The banner of empire floats high on your towers,
  • Yet ever in welcome your arms are extended,--
  • We share in your splendors, your glory is ours.
  • Yes, Queen of the Continent! All of us own thee,--
  • The gold-freighted argosies flock at thy call,
  • The naiads, the sea-nymphs have met to enthrone thee,
  • But the Broadway of one is the Highway of all!
  • I thank you. Three words that can hardly be mended,
  • Though phrases on phrases their eloquence pile,
  • If you hear the heart's throb with their eloquence blended,
  • And read all they mean in a sunshiny smile.
  • FOR THE MOORE CENTENNIAL CELEBRATION
  • MAY 28, 1879.
  • ENCHANTER of Erin, whose magic has bound us,
  • Thy wand for one moment we fondly would claim,
  • Entranced while it summons the phantoms around us
  • That blush into life at the sound of thy name.
  • The tell-tales of memory wake from their slumbers,--
  • I hear the old song with its tender refrain,--
  • What passion lies hid in those honey-voiced numbers
  • What perfume of youth in each exquisite strain!
  • The home of my childhood comes back as a vision,--
  • Hark! Hark! A soft chord from its song-haunted room,--
  • 'T is a morning of May, when the air is Elysian,--
  • The syringa in bud and the lilac in bloom,--
  • We are clustered around the "Clementi" piano,--
  • There were six of us then,--there are two of us now,--
  • She is singing--the girl with the silver soprano--
  • How "The Lord of the Valley" was false to his vow;
  • "Let Erin remember" the echoes are calling;
  • Through "The Vale of Avoca" the waters are rolled;
  • "The Exile" laments while the night-dews falling;
  • "The Morning of Life" dawns again as of old.
  • But ah! those warm love-songs of fresh adolescence!
  • Around us such raptures celestial they flung
  • That it seemed as if Paradise breathed its quintessence
  • Through the seraph-toned lips of the maiden that sung!
  • Long hushed are the chords that my boyhood enchanted
  • As when the smooth wave by the angel was stirred,
  • Yet still with their music is memory haunted,
  • And oft in my dreams are their melodies heard.
  • I feel like the priest to his altar returning,--
  • The crowd that was kneeling no longer is there,
  • The flame has died down, but the brands are still burning,
  • And sandal and cinnamon sweeten the air.
  • II.
  • The veil for her bridal young Summer is weaving
  • In her azure-domed hall with its tapestried floor,
  • And Spring the last tear-drop of May-dew is leaving
  • On the daisy of Burns and the shamrock of Moore.
  • How like, how unlike, as we view them together,
  • The song of the minstrels whose record we scan,--
  • One fresh as the breeze blowing over the heather,
  • One sweet as the breath from an odalisque's fan!
  • Ah, passion can glow mid a palace's splendor;
  • The cage does not alter the song of the bird;
  • And the curtain of silk has known whispers as tender
  • As ever the blossoming hawthorn has heard.
  • No fear lest the step of the soft-slippered Graces
  • Should fright the young Loves from their warm little nest,
  • For the heart of a queen, under jewels and laces,
  • Beats time with the pulse in the peasant girl's breast!
  • Thrice welcome each gift of kind Nature's bestowing!
  • Her fountain heeds little the goblet we hold;
  • Alike, when its musical waters are flowing,
  • The shell from the seaside, the chalice of gold.
  • The twins of the lyre to her voices had listened;
  • Both laid their best gifts upon Liberty's shrine;
  • For Coila's loved minstrel the holly-wreath glistened;
  • For Erin's the rose and the myrtle entwine.
  • And while the fresh blossoms of summer are braided
  • For the sea-girdled, stream-silvered, lake-jewelled isle,
  • While her mantle of verdure is woven unfaded,
  • While Shannon and Liffey shall dimple and smile,
  • The land where the staff of Saint Patrick was planted,
  • Where the shamrock grows green from the cliffs to the shore,
  • The land of fair maidens and heroes undaunted,
  • Shall wreathe her bright harp with the garlands of Moore!
  • TO JAMES FREEMAN CLARKE
  • APRIL 4, 1880
  • I BRING the simplest pledge of love,
  • Friend of my earlier days;
  • Mine is the hand without the glove,
  • The heart-beat, not the phrase.
  • How few still breathe this mortal air
  • We called by school-boy names!
  • You still, whatever robe you wear,
  • To me are always James.
  • That name the kind apostle bore
  • Who shames the sullen creeds,
  • Not trusting less, but loving more,
  • And showing faith by deeds.
  • What blending thoughts our memories share!
  • What visions yours and mine
  • Of May-days in whose morning air
  • The dews were golden wine,
  • Of vistas bright with opening day,
  • Whose all-awakening sun
  • Showed in life's landscape, far away,
  • The summits to be won!
  • The heights are gained. Ah, say not so
  • For him who smiles at time,
  • Leaves his tired comrades down below,
  • And only lives to climb!
  • His labors,--will they ever cease,--
  • With hand and tongue and pen?
  • Shall wearied Nature ask release
  • At threescore years and ten?
  • Our strength the clustered seasons tax,--
  • For him new life they mean;
  • Like rods around the lictor's axe
  • They keep him bright and keen.
  • The wise, the brave, the strong, we know,--
  • We mark them here or there,
  • But he,--we roll our eyes, and lo!
  • We find him everywhere!
  • With truth's bold cohorts, or alone,
  • He strides through error's field;
  • His lance is ever manhood's own,
  • His breast is woman's shield.
  • Count not his years while earth has need
  • Of souls that Heaven inflames
  • With sacred zeal to save, to lead,--
  • Long live our dear Saint James!
  • WELCOME TO THE CHICAGO COMMERCIAL CLUB
  • January 14, 1880
  • CHICAGO sounds rough to the maker of verse;
  • One comfort we have--Cincinnati sounds worse;
  • If we only were licensed to say Chicago!
  • But Worcester and Webster won't let us, you know.
  • No matter, we songsters must sing as we can;
  • We can make some nice couplets with Lake Michigan,
  • And what more resembles a nightingale's voice,
  • Than the oily trisyllable, sweet Illinois?
  • Your waters are fresh, while our harbor is salt,
  • But we know you can't help it--it is n't your fault;
  • Our city is old and your city is new,
  • But the railroad men tell us we're greener than you.
  • You have seen our gilt dome, and no doubt you've been told
  • That the orbs of the universe round it are rolled;
  • But I'll own it to you, and I ought to know best,
  • That this is n't quite true of all stars of the West.
  • You'll go to Mount Auburn,--we'll show you the track,--
  • And can stay there,--unless you prefer to come back;
  • And Bunker's tall shaft you can climb if you will,
  • But you'll puff like a paragraph praising a pill.
  • You must see--but you have seen--our old Faneuil Hall,
  • Our churches, our school-rooms, our sample-rooms, all;
  • And, perhaps, though the idiots must have their jokes,
  • You have found our good people much like other folks.
  • There are cities by rivers, by lakes, and by seas,
  • Each as full of itself as a cheese-mite of cheese;
  • And a city will brag as a game-cock will crow
  • Don't your cockerels at home--just a little, you know?
  • But we'll crow for you now--here's a health to the boys,
  • Men, maidens, and matrons of fair Illinois,
  • And the rainbow of friendship that arches its span
  • From the green of the sea to the blue Michigan!
  • AMERICAN ACADEMY CENTENNIAL CELEBRATION
  • MAY 26, 1880
  • SIRE, son, and grandson; so the century glides;
  • Three lives, three strides, three foot-prints in the sand;
  • Silent as midnight's falling meteor slides
  • Into the stillness of the far-off land;
  • How dim the space its little arc has spanned!
  • See on this opening page the names renowned
  • Tombed in these records on our dusty shelves,
  • Scarce on the scroll of living memory found,
  • Save where the wan-eyed antiquarian delves;
  • Shadows they seem; ab, what are we ourselves?
  • Pale ghosts of Bowdoin, Winthrop, Willard, West,
  • Sages of busy brain and wrinkled brow,
  • Searchers of Nature's secrets unconfessed,
  • Asking of all things Whence and Why and How--
  • What problems meet your larger vision now?
  • Has Gannett tracked the wild Aurora's path?
  • Has Bowdoin found his all-surrounding sphere?
  • What question puzzles ciphering Philomath?
  • Could Williams make the hidden causes clear
  • Of the Dark Day that filled the land with fear?
  • Dear ancient school-boys! Nature taught to them
  • The simple lessons of the star and flower,
  • Showed them strange sights; how on a single stem,--
  • Admire the marvels of Creative Power!--
  • Twin apples grew, one sweet, the other sour;
  • How from the hill-top where our eyes beheld
  • In even ranks the plumed and bannered maize
  • Range its long columns, in the days of old
  • The live volcano shot its angry blaze,--
  • Dead since the showers of Noah's watery days;
  • How, when the lightning split the mighty rock,
  • The spreading fury of the shaft was spent!
  • How the young scion joined the alien stock,
  • And when and where the homeless swallows went
  • To pass the winter of their discontent.
  • Scant were the gleanings in those years of dearth;
  • No Cuvier yet had clothed the fossil bones
  • That slumbered, waiting for their second birth;
  • No Lyell read the legend of the stones;
  • Science still pointed to her empty thrones.
  • Dreaming of orbs to eyes of earth unknown,
  • Herschel looked heavenwards in the starlight pale;
  • Lost in those awful depths he trod alone,
  • Laplace stood mute before the lifted veil;
  • While home-bred Humboldt trimmed his toy ship's sail.
  • No mortal feet these loftier heights had gained
  • Whence the wide realms of Nature we descry;
  • In vain their eyes our longing fathers strained
  • To scan with wondering gaze the summits high
  • That far beneath their children's footpaths lie.
  • Smile at their first small ventures as we may,
  • The school-boy's copy shapes the scholar's hand,
  • Their grateful memory fills our hearts to-day;
  • Brave, hopeful, wise, this bower of peace they planned,
  • While war's dread ploughshare scarred the suffering land.
  • Child of our children's children yet unborn,
  • When on this yellow page you turn your eyes,
  • Where the brief record of this May-day morn
  • In phrase antique and faded letters lies,
  • How vague, how pale our flitting ghosts will rise!
  • Yet in our veins the blood ran warm and red,
  • For us the fields were green, the skies were blue,
  • Though from our dust the spirit long has fled,
  • We lived, we loved, we toiled, we dreamed like you,
  • Smiled at our sires and thought how much we knew.
  • Oh might our spirits for one hour return,
  • When the next century rounds its hundredth ring,
  • All the strange secrets it shall teach to learn,
  • To hear the larger truths its years shall bring,
  • Its wiser sages talk, its sweeter minstrels sing!
  • THE SCHOOL-BOY
  • Read at the Centennial Celebration of the
  • foundation of Phillips Academy, Andover.
  • 1778-1878
  • THESE hallowed precincts, long to memory dear,
  • Smile with fresh welcome as our feet draw near;
  • With softer gales the opening leaves are fanned,
  • With fairer hues the kindling flowers expand,
  • The rose-bush reddens with the blush of June,
  • The groves are vocal with their minstrels' tune,
  • The mighty elm, beneath whose arching shade
  • The wandering children of the forest strayed,
  • Greets the bright morning in its bridal dress,
  • And spreads its arms the gladsome dawn to bless.
  • Is it an idle dream that nature shares
  • Our joys, our griefs, our pastimes, and our cares?
  • Is there no summons when, at morning's call,
  • The sable vestments of the darkness fall?
  • Does not meek evening's low-voiced Ave blend
  • With the soft vesper as its notes ascend?
  • Is there no whisper in the perfumed air
  • When the sweet bosom of the rose is bare?
  • Does not the sunshine call us to rejoice?
  • Is there no meaning in the storm-cloud's voice?
  • No silent message when from midnight skies
  • Heaven looks upon us with its myriad eyes?
  • Or shift the mirror; say our dreams diffuse
  • O'er life's pale landscape their celestial hues,
  • Lend heaven the rainbow it has never known,
  • And robe the earth in glories not its own,
  • Sing their own music in the summer breeze,
  • With fresher foliage clothe the stately trees,
  • Stain the June blossoms with a livelier dye
  • And spread a bluer azure on the sky,--
  • Blest be the power that works its lawless will
  • And finds the weediest patch an Eden still;
  • No walls so fair as those our fancies build,--
  • No views so bright as those our visions gild!
  • So ran my lines, as pen and paper met,
  • The truant goose-quill travelling like Planchette;
  • Too ready servant, whose deceitful ways
  • Full many a slipshod line, alas! betrays;
  • Hence of the rhyming thousand not a few
  • Have builded worse--a great deal--than they knew.
  • What need of idle fancy to adorn
  • Our mother's birthplace on her birthday morn?
  • Hers are the blossoms of eternal spring,
  • From these green boughs her new-fledged birds take wing,
  • These echoes hear their earliest carols sung,
  • In this old nest the brood is ever young.
  • If some tired wanderer, resting from his flight,
  • Amid the gay young choristers alight,
  • These gather round him, mark his faded plumes
  • That faintly still the far-off grove perfumes,
  • And listen, wondering if some feeble note
  • Yet lingers, quavering in his weary throat:--
  • I, whose fresh voice yon red-faced temple knew,
  • What tune is left me, fit to sing to you?
  • Ask not the grandeurs of a labored song,
  • But let my easy couplets slide along;
  • Much could I tell you that you know too well;
  • Much I remember, but I will not tell;
  • Age brings experience; graybeards oft are wise,
  • But oh! how sharp a youngster's ears and eyes!
  • My cheek was bare of adolescent down
  • When first I sought the academic town;
  • Slow rolls the coach along the dusty road,
  • Big with its filial and parental load;
  • The frequent hills, the lonely woods are past,
  • The school-boy's chosen home is reached at last.
  • I see it now, the same unchanging spot,
  • The swinging gate, the little garden plot,
  • The narrow yard, the rock that made its floor,
  • The flat, pale house, the knocker-garnished door,
  • The small, trim parlor, neat, decorous, chill,
  • The strange, new faces, kind, but grave and still;
  • Two, creased with age,--or what I then called age,--
  • Life's volume open at its fiftieth page;
  • One, a shy maiden's, pallid, placid, sweet
  • As the first snow-drop, which the sunbeams greet;
  • One, the last nursling's; slight she was, and fair,
  • Her smooth white forehead warmed with auburn hair;
  • Last came the virgin Hymen long had spared,
  • Whose daily cares the grateful household shared,
  • Strong, patient, humble; her substantial frame
  • Stretched the chaste draperies I forbear to name.
  • Brave, but with effort, had the school-boy come
  • To the cold comfort of a stranger's home;
  • How like a dagger to my sinking heart
  • Came the dry summons, "It is time to part;
  • Good-by!" "Goo-ood-by!" one fond maternal kiss. . . .
  • Homesick as death! Was ever pang like this?
  • Too young as yet with willing feet to stray
  • From the tame fireside, glad to get away,--
  • Too old to let my watery grief appear,--
  • And what so bitter as a swallowed tear!
  • One figure still my vagrant thoughts pursue;
  • First boy to greet me, Ariel, where are you?
  • Imp of all mischief, heaven alone knows how
  • You learned it all,--are you an angel now,
  • Or tottering gently down the slope of years,
  • Your face grown sober in the vale of tears?
  • Forgive my freedom if you are breathing still;
  • If in a happier world, I know you will.
  • You were a school-boy--what beneath the sun
  • So like a monkey? I was also one.
  • Strange, sure enough, to see what curious shoots
  • The nursery raises from the study's roots!
  • In those old days the very, very good
  • Took up more room--a little--than they should;
  • Something too much one's eyes encountered then
  • Of serious youth and funeral-visaged men;
  • The solemn elders saw life's mournful half,--
  • Heaven sent this boy, whose mission was to laugh,
  • Drollest of buffos, Nature's odd protest,
  • A catbird squealing in a blackbird's nest.
  • Kind, faithful Nature! While the sour-eyed Scot--
  • Her cheerful smiles forbidden or forgot--
  • Talks only of his preacher and his kirk,--
  • Hears five-hour sermons for his Sunday work,--
  • Praying and fasting till his meagre face
  • Gains its due length, the genuine sign of grace,--
  • An Ayrshire mother in the land of Knox
  • Her embryo poet in his cradle rocks;--
  • Nature, long shivering in her dim eclipse,
  • Steals in a sunbeam to those baby lips;
  • So to its home her banished smile returns,
  • And Scotland sweetens with the song of Burns!
  • The morning came; I reached the classic hall;
  • A clock-face eyed me, staring from the wall;
  • Beneath its hands a printed line I read
  • YOUTH IS LIFE'S SEED-TIME: so the clock-face said:
  • Some took its counsel, as the sequel showed,--
  • Sowed,--their wild oats,--and reaped as they had sowed.
  • How all comes back! the upward slanting floor,--
  • The masters' thrones that flank the central door,--
  • The long, outstretching alleys that divide
  • The rows of desks that stand on either side,--
  • The staring boys, a face to every desk,
  • Bright, dull, pale, blooming, common, picturesque.
  • Grave is the Master's look; his forehead wears
  • Thick rows of wrinkles, prints of worrying cares;
  • Uneasy lie the heads of all that rule,
  • His most of all whose kingdom is a school.
  • Supreme he sits; before the awful frown
  • That bends his brows the boldest eye goes down;
  • Not more submissive Israel heard and saw
  • At Sinai's foot the Giver of the Law.
  • Less stern he seems, who sits in equal Mate
  • On the twin throne and shares the empire's weight;
  • Around his lips the subtle life that plays
  • Steals quaintly forth in many a jesting phrase;
  • A lightsome nature, not so hard to chafe,
  • Pleasant when pleased; rough-handled, not so safe;
  • Some tingling memories vaguely I recall,
  • But to forgive him. God forgive us all!
  • One yet remains, whose well-remembered name
  • Pleads in my grateful heart its tender claim;
  • His was the charm magnetic, the bright look
  • That sheds its sunshine on the dreariest book;
  • A loving soul to every task he brought
  • That sweetly mingled with the lore he taught;
  • Sprung from a saintly race that never could
  • From youth to age be anything but good,
  • His few brief years in holiest labors spent,
  • Earth lost too soon the treasure heaven had lent.
  • Kindest of teachers, studious to divine
  • Some hint of promise in my earliest line,
  • These faint and faltering words thou canst not hear
  • Throb from a heart that holds thy memory dear.
  • As to the traveller's eye the varied plain
  • Shows through the window of the flying train,
  • A mingled landscape, rather felt than seen,
  • A gravelly bank, a sudden flash of green,
  • A tangled wood, a glittering stream that flows
  • Through the cleft summit where the cliff once rose,
  • All strangely blended in a hurried gleam,
  • Rock, wood, waste, meadow, village, hill-side, stream,--
  • So, as we look behind us, life appears,
  • Seen through the vista of our bygone years.
  • Yet in the dead past's shadow-filled domain,
  • Some vanished shapes the hues of life retain;
  • Unbidden, oft, before our dreaming eyes
  • From the vague mists in memory's path they rise.
  • So comes his blooming image to my view,
  • The friend of joyous days when life was new,
  • Hope yet untamed, the blood of youth unchilled,
  • No blank arrear of promise unfulfilled,
  • Life's flower yet hidden in its sheltering fold,
  • Its pictured canvas yet to be unrolled.
  • His the frank smile I vainly look to greet,
  • His the warm grasp my clasping hand should meet;
  • How would our lips renew their school-boy talk,
  • Our feet retrace the old familiar walk!
  • For thee no more earth's cheerful morning shines
  • Through the green fringes of the tented pines;
  • Ah me! is heaven so far thou canst not hear,
  • Or is thy viewless spirit hovering near,
  • A fair young presence, bright with morning's glow,
  • The fresh-cheeked boy of fifty years ago?
  • Yes, fifty years, with all their circling suns,
  • Behind them all my glance reverted runs;
  • Where now that time remote, its griefs, its joys,
  • Where are its gray-haired men, its bright-haired boys?
  • Where is the patriarch time could hardly tire,--
  • The good old, wrinkled, immemorial "squire "?
  • (An honest treasurer, like a black-plumed swan,
  • Not every day our eyes may look upon.)
  • Where the tough champion who, with Calvin's sword,
  • In wordy conflicts battled for the Lord?
  • Where the grave scholar, lonely, calm, austere,
  • Whose voice like music charmed the listening ear,
  • Whose light rekindled, like the morning star
  • Still shines upon us through the gates ajar?
  • Where the still, solemn, weary, sad-eyed man,
  • Whose care-worn face and wandering eyes would scan,--
  • His features wasted in the lingering strife
  • With the pale foe that drains the student's life?
  • Where my old friend, the scholar, teacher, saint,
  • Whose creed, some hinted, showed a speck of taint;
  • He broached his own opinion, which is not
  • Lightly to be forgiven or forgot;
  • Some riddle's point,--I scarce remember now,--
  • Homoi-, perhaps, where they said homo-ou.
  • (If the unlettered greatly wish to know
  • Where lies the difference betwixt oi and o,
  • Those of the curious who have time may search
  • Among the stale conundrums of their church.)
  • Beneath his roof his peaceful life I shared,
  • And for his modes of faith I little cared,--
  • I, taught to judge men's dogmas by their deeds,
  • Long ere the days of india-rubber creeds.
  • Why should we look one common faith to find,
  • Where one in every score is color-blind?
  • If here on earth they know not red from green,
  • Will they see better into things unseen!
  • Once more to time's old graveyard I return
  • And scrape the moss from memory's pictured urn.
  • Who, in these days when all things go by steam,
  • Recalls the stage-coach with its four-horse team?
  • Its sturdy driver,--who remembers him?
  • Or the old landlord, saturnine and grim,
  • Who left our hill-top for a new abode
  • And reared his sign-post farther down the road?
  • Still in the waters of the dark Shawshine
  • Do the young bathers splash and think they're clean?
  • Do pilgrims find their way to Indian Ridge,
  • Or journey onward to the far-off bridge,
  • And bring to younger ears the story back
  • Of the broad stream, the mighty Merrimac?
  • Are there still truant feet that stray beyond
  • These circling bounds to Pomp's or Haggett's Pond,
  • Or where the legendary name recalls
  • The forest's earlier tenant,--"Deerjump Falls"?
  • Yes, every nook these youthful feet explore,
  • Just as our sires and grand sires did of yore;
  • So all life's opening paths, where nature led
  • Their father's feet, the children's children tread.
  • Roll the round century's fivescore years away,
  • Call from our storied past that earliest day
  • When great Eliphalet (I can see him now,--
  • Big name, big frame, big voice, and beetling brow),
  • Then young Eliphalet,--ruled the rows of boys
  • In homespun gray or old-world corduroys,--
  • And save for fashion's whims, the benches show
  • The self-same youths, the very boys we know.
  • Time works strange marvels: since I trod the green
  • And swung the gates, what wonders I have seen!
  • But come what will,--the sky itself may fall,--
  • As things of course the boy accepts them all.
  • The prophet's chariot, drawn by steeds of flame,
  • For daily use our travelling millions claim;
  • The face we love a sunbeam makes our own;
  • No more the surgeon hears the sufferer's groan;
  • What unwrit histories wrapped in darkness lay
  • Till shovelling Schliemann bared them to the day!
  • Your Richelieu says, and says it well, my lord,
  • The pen is (sometimes) mightier than the sword;
  • Great is the goosequill, say we all; Amen!
  • Sometimes the spade is mightier than the pen;
  • It shows where Babel's terraced walls were raised,
  • The slabs that cracked when Nimrod's palace blazed,
  • Unearths Mycenee, rediscovers Troy,--
  • Calmly he listens, that immortal boy.
  • A new Prometheus tips our wands with fire,
  • A mightier Orpheus strains the whispering wire,
  • Whose lightning thrills the lazy winds outrun
  • And hold the hours as Joshua stayed the sun,--
  • So swift, in truth, we hardly find a place
  • For those dim fictions known as time and space.
  • Still a new miracle each year supplies,--
  • See at his work the chemist of the skies,
  • Who questions Sirius in his tortured rays
  • And steals the secret of the solar blaze;
  • Hush! while the window-rattling bugles play
  • The nation's airs a hundred miles away!
  • That wicked phonograph! hark! how it swears!
  • Turn it again and make it say its prayers!
  • And was it true, then, what the story said
  • Of Oxford's friar and his brazen head?
  • While wondering Science stands, herself perplexed
  • At each day's miracle, and asks "What next?"
  • The immortal boy, the coming heir of all,
  • Springs from his desk to "urge the flying ball,"
  • Cleaves with his bending oar the glassy waves,
  • With sinewy arm the dashing current braves,
  • The same bright creature in these haunts of ours
  • That Eton shadowed with her "antique towers."
  • Boy! Where is he? the long-limbed youth inquires,
  • Whom his rough chin with manly pride inspires;
  • Ah, when the ruddy cheek no longer glows,
  • When the bright hair is white as winter snows,
  • When the dim eye has lost its lambent flame,
  • Sweet to his ear will be his school-boy name
  • Nor think the difference mighty as it seems
  • Between life's morning and its evening dreams;
  • Fourscore, like twenty, has its tasks and toys;
  • In earth's wide school-house all are girls and boys.
  • Brothers, forgive my wayward fancy. Who
  • Can guess beforehand what his pen will do?
  • Too light my strain for listeners such as these,
  • Whom graver thoughts and soberer speech shall please.
  • Is he not here whose breath of holy song
  • Has raised the downcast eyes of Faith so long?
  • Are they not here, the strangers in your gates,
  • For whom the wearied ear impatient waits,--
  • The large-brained scholars whom their toils release,--
  • The bannered heralds of the Prince of Peace?
  • Such was the gentle friend whose youth unblamed
  • In years long past our student-benches claimed;
  • Whose name, illumined on the sacred page,
  • Lives in the labors of his riper age;
  • Such he whose record time's destroying march
  • Leaves uneffaced on Zion's springing arch
  • Not to the scanty phrase of measured song,
  • Cramped in its fetters, names like these belong;
  • One ray they lend to gild my slender line,--
  • Their praise I leave to sweeter lips than mine.
  • Homes of our sires, where Learning's temple rose,
  • While vet they struggled with their banded foes,
  • As in the West thy century's sun descends,
  • One parting gleam its dying radiance lends.
  • Darker and deeper though the shadows fall
  • From the gray towers on Doubting Castle's wall,
  • Though Pope and Pagan re-array their hosts,
  • And her new armor youthful Science boasts,
  • Truth, for whose altar rose this holy shrine,
  • Shall fly for refuge to these bowers of thine;
  • No past shall chain her with its rusted vow,
  • No Jew's phylactery bind her Christian brow,
  • But Faith shall smile to find her sister free,
  • And nobler manhood draw its life from thee.
  • Long as the arching skies above thee spread,
  • As on thy groves the dews of heaven are shed,
  • With currents widening still from year to year,
  • And deepening channels, calm, untroubled, clear,
  • Flow the twin streamlets from thy sacred hill--
  • Pieria's fount and Siloam's shaded rill!
  • THE SILENT MELODY
  • "BRING me my broken harp," he said;
  • "We both are wrecks,--but as ye will,--
  • Though all its ringing tones have fled,
  • Their echoes linger round it still;
  • It had some golden strings, I know,
  • But that was long--how long!--ago.
  • "I cannot see its tarnished gold,
  • I cannot hear its vanished tone,
  • Scarce can my trembling fingers hold
  • The pillared frame so long their own;
  • We both are wrecks,--a while ago
  • It had some silver strings, I know,
  • "But on them Time too long has played
  • The solemn strain that knows no change,
  • And where of old my fingers strayed
  • The chords they find are new and strange,--
  • Yes! iron strings,--I know,--I know,--
  • We both are wrecks of long ago.
  • "We both are wrecks,--a shattered pair,--
  • Strange to ourselves in time's disguise.
  • What say ye to the lovesick air
  • That brought the tears from Marian's eyes?
  • Ay! trust me,--under breasts of snow
  • Hearts could be melted long ago!
  • "Or will ye hear the storm-song's crash
  • That from his dreams the soldier woke,
  • And bade him face the lightning flash
  • When battle's cloud in thunder broke? . . .
  • Wrecks,--nought but wrecks!--the time was when
  • We two were worth a thousand men!"
  • And so the broken harp they bring
  • With pitying smiles that none could blame;
  • Alas! there's not a single string
  • Of all that filled the tarnished frame!
  • But see! like children overjoyed,
  • His fingers rambling through the void!
  • "I clasp thee! Ay . . . mine ancient lyre . . .
  • Nay, guide my wandering fingers. . . There
  • They love to dally with the wire
  • As Isaac played with Esau's hair.
  • Hush! ye shall hear the famous tune
  • That Marian called the Breath of June!"
  • And so they softly gather round
  • Rapt in his tuneful trance he seems
  • His fingers move: but not a sound!
  • A silence like the song of dreams. . . .
  • "There! ye have heard the air," he cries,
  • "That brought the tears from Marian's eyes!"
  • Ah, smile not at his fond conceit,
  • Nor deem his fancy wrought in vain;
  • To him the unreal sounds are sweet,--
  • No discord mars the silent strain
  • Scored on life's latest, starlit page--
  • The voiceless melody of age.
  • Sweet are the lips, of all that sing,
  • When Nature's music breathes unsought,
  • But never yet could voice or string
  • So truly shape our tenderest thought
  • As when by life's decaying fire
  • Our fingers sweep the stringless lyre!
  • OUR HOME--OUR COUNTRY
  • FOR THE SEMI-CENTENNIAL CELEBRATION OF THE
  • SETTLEMENT OF CAMBRIDGE, MASS., DECEMBER 28, 1880
  • YOUR home was mine,--kind Nature's gift;
  • My love no years can chill;
  • In vain their flakes the storm-winds sift,
  • The snow-drop hides beneath the drift,
  • A living blossom still.
  • Mute are a hundred long-famed lyres,
  • Hushed all their golden strings;
  • One lay the coldest bosom fires,
  • One song, one only, never tires
  • While sweet-voiced memory sings.
  • No spot so lone but echo knows
  • That dear familiar strain;
  • In tropic isles, on arctic snows,
  • Through burning lips its music flows
  • And rings its fond refrain.
  • From Pisa's tower my straining sight
  • Roamed wandering leagues away,
  • When lo! a frigate's banner bright,
  • The starry blue, the red, the white,
  • In far Livorno's bay.
  • Hot leaps the life-blood from my heart,
  • Forth springs the sudden tear;
  • The ship that rocks by yonder mart
  • Is of my land, my life, a part,--
  • Home, home, sweet home, is here!
  • Fades from my view the sunlit scene,--
  • My vision spans the waves;
  • I see the elm-encircled green,
  • The tower,--the steeple,--and, between,
  • The field of ancient graves.
  • There runs the path my feet would tread
  • When first they learned to stray;
  • There stands the gambrel roof that spread
  • Its quaint old angles o'er my head
  • When first I saw the day.
  • The sounds that met my boyish ear
  • My inward sense salute,--
  • The woodnotes wild I loved to hear,--
  • The robin's challenge, sharp and clear,--
  • The breath of evening's flute.
  • The faces loved from cradle days,--
  • Unseen, alas, how long!
  • As fond remembrance round them plays,
  • Touched with its softening moonlight rays,
  • Through fancy's portal throng.
  • And see! as if the opening skies
  • Some angel form had spared
  • Us wingless mortals to surprise,
  • The little maid with light-blue eyes,
  • White necked and golden haired!
  • . . . . . . . . . .
  • So rose the picture full in view
  • I paint in feebler song;
  • Such power the seamless banner knew
  • Of red and white and starry blue
  • For exiles banished long.
  • Oh, boys, dear boys, who wait as men
  • To guard its heaven-bright folds,
  • Blest are the eyes that see again
  • That banner, seamless now, as then,--
  • The fairest earth beholds!
  • Sweet was the Tuscan air and soft
  • In that unfading hour,
  • And fancy leads my footsteps oft
  • Up the round galleries, high aloft
  • On Pisa's threatening tower.
  • And still in Memory's holiest shrine
  • I read with pride and joy,
  • "For me those stars of empire shine;
  • That empire's dearest home is mine;
  • I am a Cambridge boy!"
  • POEM
  • AT THE CENTENNIAL ANNIVERSARY DINNER OF THE
  • MASSACHUSETTS MEDICAL SOCIETY, JUNE 8, 1881
  • THREE paths there be where Learning's favored sons,
  • Trained in the schools which hold her favored ones,
  • Follow their several stars with separate aim;
  • Each has its honors, each its special claim.
  • Bred in the fruitful cradle of the East,
  • First, as of oldest lineage, comes the Priest;
  • The Lawyer next, in wordy conflict strong,
  • Full armed to battle for the right,--or wrong;
  • Last, he whose calling finds its voice in deeds,
  • Frail Nature's helper in her sharpest needs.
  • Each has his gifts, his losses and his gains,
  • Each his own share of pleasures and of pains;
  • No life-long aim with steadfast eye pursued
  • Finds a smooth pathway all with roses strewed;
  • Trouble belongs to man of woman born,--
  • Tread where he may, his foot will find its thorn.
  • Of all the guests at life's perennial feast,
  • Who of her children sits above the Priest?
  • For him the broidered robe, the carven seat,
  • Pride at his beck, and beauty at his feet,
  • For him the incense fumes, the wine is poured,
  • Himself a God, adoring and adored!
  • His the first welcome when our hearts rejoice,
  • His in our dying ear the latest voice,
  • Font, altar, grave, his steps on all attend,
  • Our staff, our stay, our all but heavenly friend!
  • Where is the meddling hand that dares to probe
  • The secret grief beneath his sable robe?
  • How grave his port! how every gesture tells
  • Here truth abides, here peace forever dwells;
  • Vex not his lofty soul with comments vain;
  • Faith asks no questions; silence, ye profane!
  • Alas! too oft while all is calm without
  • The stormy spirit wars with endless doubt;
  • This is the mocking spectre, scarce concealed
  • Behind tradition's bruised and battered shield.
  • He sees the sleepless critic, age by age,
  • Scrawl his new readings on the hallowed page,
  • The wondrous deeds that priests and prophets saw
  • Dissolved in legend, crystallized in law,
  • And on the soil where saints and martyrs trod
  • Altars new builded to the Unknown God;
  • His shrines imperilled, his evangels torn,--
  • He dares not limp, but ah! how sharp his thorn!
  • Yet while God's herald questions as he reads
  • The outworn dogmas of his ancient creeds,
  • Drops from his ritual the exploded verse,
  • Blots from its page the Athanasian curse,
  • Though by the critic's dangerous art perplexed,
  • His holy life is Heaven's unquestioned text;
  • That shining guidance doubt can never mar,--
  • The pillar's flame, the light of Bethlehem's star!
  • Strong is the moral blister that will draw
  • Laid on the conscience of the Man of Law
  • Whom blindfold Justice lends her eyes to see
  • Truth in the scale that holds his promised fee.
  • What! Has not every lie its truthful side,
  • Its honest fraction, not to be denied?
  • Per contra,--ask the moralist,--in sooth
  • Has not a lie its share in every truth?
  • Then what forbids an honest man to try
  • To find the truth that lurks in every lie,
  • And just as fairly call on truth to yield
  • The lying fraction in its breast concealed?
  • So the worst rogue shall claim a ready friend
  • His modest virtues boldly to defend,
  • And he who shows the record of a saint
  • See himself blacker than the devil could paint.
  • What struggles to his captive soul belong
  • Who loves the right, yet combats for the wrong,
  • Who fights the battle he would fain refuse,
  • And wins, well knowing that he ought to lose,
  • Who speaks with glowing lips and look sincere
  • In spangled words that make the worse appear
  • The better reason; who, behind his mask,
  • Hides his true self and blushes at his task,--
  • What quips, what quillets cheat the inward scorn
  • That mocks such triumph? Has he not his thorn?
  • Yet stay thy judgment; were thy life the prize,
  • Thy death the forfeit, would thy cynic eyes
  • See fault in him who bravely dares defend
  • The cause forlorn, the wretch without a friend
  • Nay, though the rightful side is wisdom's choice,
  • Wrong has its rights and claims a champion's voice;
  • Let the strong arm be lifted for the weak,
  • For the dumb lips the fluent pleader speak;--
  • When with warm "rebel" blood our street was dyed
  • Who took, unawed, the hated hirelings' side?
  • No greener civic wreath can Adams claim,
  • No brighter page the youthful Quincy's name!
  • How blest is he who knows no meaner strife
  • Than Art's long battle with the foes of life!
  • No doubt assails him, doing still his best,
  • And trusting kindly Nature for the rest;
  • No mocking conscience tears the thin disguise
  • That wraps his breast, and tells him that he lies.
  • He comes: the languid sufferer lifts his head
  • And smiles a welcome from his weary bed;
  • He speaks: what music like the tones that tell,
  • "Past is the hour of danger,--all is well!"
  • How can he feel the petty stings of grief
  • Whose cheering presence always brings relief?
  • What ugly dreams can trouble his repose
  • Who yields himself to soothe another's woes?
  • Hour after hour the busy day has found
  • The good physician on his lonely round;
  • Mansion and hovel, low and lofty door,
  • He knows, his journeys every path explore,--
  • Where the cold blast has struck with deadly chill
  • The sturdy dweller on the storm-swept hill,
  • Where by the stagnant marsh the sickening gale
  • Has blanched the poisoned tenants of the vale,
  • Where crushed and maimed the bleeding victim lies,
  • Where madness raves, where melancholy sighs,
  • And where the solemn whisper tells too plain
  • That all his science, all his art, were vain.
  • How sweet his fireside when the day is done
  • And cares have vanished with the setting sun!
  • Evening at last its hour of respite brings
  • And on his couch his weary length he flings.
  • Soft be thy pillow, servant of mankind,
  • Lulled by an opiate Art could never find;
  • Sweet be thy slumber,--thou hast earned it well,--
  • Pleasant thy dreams! Clang! goes the midnight bell!
  • Darkness and storm! the home is far away
  • That waits his coming ere the break of day;
  • The snow-clad pines their wintry plumage toss,--
  • Doubtful the frozen stream his road must cross;
  • Deep lie the drifts, the slanted heaps have shut
  • The hardy woodman in his mountain hut,--
  • Why should thy softer frame the tempest brave?
  • Hast thou no life, no health, to lose or save?
  • Look! read the answer in his patient eyes,--
  • For him no other voice when suffering cries;
  • Deaf to the gale that all around him blows,
  • A feeble whisper calls him,--and he goes.
  • Or seek the crowded city,--summer's heat
  • Glares burning, blinding, in the narrow street,
  • Still, noisome, deadly, sleeps the envenomed air,
  • Unstirred the yellow flag that says "Beware!"
  • Tempt not thy fate,--one little moment's breath
  • Bears on its viewless wing the seeds of death;
  • Thou at whose door the gilded chariots stand,
  • Whose dear-bought skill unclasps the miser's hand,
  • Turn from thy fatal quest, nor cast away
  • That life so precious; let a meaner prey
  • Feed the destroyer's hunger; live to bless
  • Those happier homes that need thy care no less!
  • Smiling he listens; has he then a charm
  • Whose magic virtues peril can disarm?
  • No safeguard his; no amulet he wears,
  • Too well he knows that Nature never spares
  • Her truest servant, powerless to defend
  • From her own weapons her unshrinking friend.
  • He dares the fate the bravest well might shun,
  • Nor asks reward save only Heaven's "Well done!"
  • Such are the toils, the perils that he knows,
  • Days without rest and nights without repose,
  • Yet all unheeded for the love he bears
  • His art, his kind, whose every grief he shares.
  • Harder than these to know how small the part
  • Nature's proud empire yields to striving Art;
  • How, as the tide that rolls around the sphere
  • Laughs at the mounds that delving arms uprear,--
  • Spares some few roods of oozy earth, but still
  • Wastes and rebuilds the planet at its will,
  • Comes at its ordered season, night or noon,
  • Led by the silver magnet of the moon,--
  • So life's vast tide forever comes and goes,
  • Unchecked, resistless, as it ebbs and flows.
  • Hardest of all, when Art has done her best,
  • To find the cuckoo brooding in her nest;
  • The shrewd adventurer, fresh from parts unknown,
  • Kills off the patients Science thought her own;
  • Towns from a nostrum-vender get their name,
  • Fences and walls the cure-all drug proclaim,
  • Plasters and pads the willing world beguile,
  • Fair Lydia greets us with astringent smile,
  • Munchausen's fellow-countryman unlocks
  • His new Pandora's globule-holding box,
  • And as King George inquired, with puzzled grin,
  • "How--how the devil get the apple in?"
  • So we ask how,--with wonder-opening eyes,--
  • Such pygmy pills can hold such giant lies!
  • Yes, sharp the trials, stern the daily tasks
  • That suffering Nature from her servant asks;
  • His the kind office dainty menials scorn,
  • His path how hard,--at every step a thorn!
  • What does his saddening, restless slavery buy?
  • What save a right to live, a chance to die,--
  • To live companion of disease and pain,
  • To die by poisoned shafts untimely slain?
  • Answer from hoary eld, majestic shades,--
  • From Memphian courts, from Delphic colonnades,
  • Speak in the tones that Persia's despot heard
  • When nations treasured every golden word
  • The wandering echoes wafted o'er the seas,
  • From the far isle that held Hippocrates;
  • And thou, best gift that Pergamus could send
  • Imperial Rome, her noblest Caesar's friend,
  • Master of masters, whose unchallenged sway
  • Not bold Vesalius dared to disobey;
  • Ye who while prophets dreamed of dawning times
  • Taught your rude lessons in Salerno's rhymes,
  • And ye, the nearer sires, to whom we owe
  • The better share of all the best we know,
  • In every land an ever-growing train,
  • Since wakening Science broke her rusted chain,--
  • Speak from the past, and say what prize was sent
  • To crown the toiling years so freely spent!
  • List while they speak:
  • In life's uneven road
  • Our willing hands have eased our brothers' load;
  • One forehead smoothed, one pang of torture less,
  • One peaceful hour a sufferer's couch to bless,
  • The smile brought back to fever's parching lips,
  • The light restored to reason in eclipse,
  • Life's treasure rescued like a burning brand
  • Snatched from the dread destroyer's wasteful hand;
  • Such were our simple records day by day,
  • For gains like these we wore our lives away.
  • In toilsome paths our daily bread we sought,
  • But bread from heaven attending angels brought;
  • Pain was our teacher, speaking to the heart,
  • Mother of pity, nurse of pitying art;
  • Our lesson learned, we reached the peaceful shore
  • Where the pale sufferer asks our aid no more,--
  • These gracious words our welcome, our reward
  • Ye served your brothers; ye have served your Lord!
  • RHYMES OF A LIFE-TIME
  • FROM the first gleam of morning to the gray
  • Of peaceful evening, lo, a life unrolled!
  • In woven pictures all its changes told,
  • Its lights, its shadows, every flitting ray,
  • Till the long curtain, falling, dims the day,
  • Steals from the dial's disk the sunlight's gold,
  • And all the graven hours grow dark and cold
  • Where late the glowing blaze of noontide lay.
  • Ah! the warm blood runs wild in youthful veins,--
  • Let me no longer play with painted fire;
  • New songs for new-born days! I would not tire
  • The listening ears that wait for fresher strains
  • In phrase new-moulded, new-forged rhythmic chains,
  • With plaintive measures from a worn-out lyre.
  • August 2, 1881.
  • ===
  • BEFORE THE CURFEW
  • AT MY FIRESIDE
  • ALONE, beneath the darkened sky,
  • With saddened heart and unstrung lyre,
  • I heap the spoils of years gone by,
  • And leave them with a long-drawn sigh,
  • Like drift-wood brands that glimmering lie,
  • Before the ashes hide the fire.
  • Let not these slow declining days
  • The rosy light of dawn outlast;
  • Still round my lonely hearth it plays,
  • And gilds the east with borrowed rays,
  • While memory's mirrored sunset blaze
  • Flames on the windows of the past.
  • March 1, 1888.
  • AT THE SATURDAY CLUB
  • THIS is our place of meeting; opposite
  • That towered and pillared building: look at it;
  • King's Chapel in the Second George's day,
  • Rebellion stole its regal name away,--
  • Stone Chapel sounded better; but at last
  • The poisoned name of our provincial past
  • Had lost its ancient venom; then once more
  • Stone Chapel was King's Chapel as before.
  • (So let rechristened North Street, when it can,
  • Bring back the days of Marlborough and Queen Anne!)
  • Next the old church your wandering eye will meet--
  • A granite pile that stares upon the street--
  • Our civic temple; slanderous tongues have said
  • Its shape was modelled from St. Botolph's head,
  • Lofty, but narrow; jealous passers-by
  • Say Boston always held her head too high.
  • Turn half-way round, and let your look survey
  • The white facade that gleams across the way,--
  • The many-windowed building, tall and wide,
  • The palace-inn that shows its northern side
  • In grateful shadow when the sunbeams beat
  • The granite wall in summer's scorching heat.
  • This is the place; whether its name you spell
  • Tavern, or caravansera, or hotel.
  • Would I could steal its echoes! you should find
  • Such store of vanished pleasures brought to mind
  • Such feasts! the laughs of many a jocund hour
  • That shook the mortar from King George's tower;
  • Such guests! What famous names its record boasts,
  • Whose owners wander in the mob of ghosts!
  • Such stories! Every beam and plank is filled
  • With juicy wit the joyous talkers spilled,
  • Ready to ooze, as once the mountain pine
  • The floors are laid with oozed its turpentine!
  • A month had flitted since The Club had met;
  • The day came round; I found the table set,
  • The waiters lounging round the marble stairs,
  • Empty as yet the double row of chairs.
  • I was a full half hour before the rest,
  • Alone, the banquet-chamber's single guest.
  • So from the table's side a chair I took,
  • And having neither company nor book
  • To keep me waking, by degrees there crept
  • A torpor over me,--in short, I slept.
  • Loosed from its chain, along the wreck-strown track
  • Of the dead years my soul goes travelling back;
  • My ghosts take on their robes of flesh; it seems
  • Dreaming is life; nay, life less life than dreams,
  • So real are the shapes that meet my eyes.
  • They bring no sense of wonder, no surprise,
  • No hint of other than an earth-born source;
  • All seems plain daylight, everything of course.
  • How dim the colors are, how poor and faint
  • This palette of weak words with which I paint!
  • Here sit my friends; if I could fix them so
  • As to my eyes they seem, my page would glow
  • Like a queen's missal, warm as if the brush
  • Of Titian or Velasquez brought the flush
  • Of life into their features. Ay de mi!
  • If syllables were pigments, you should see
  • Such breathing portraitures as never man
  • Found in the Pitti or the Vatican.
  • Here sits our POET, Laureate, if you will.
  • Long has he worn the wreath, and wears it still.
  • Dead? Nay, not so; and yet they say his bust
  • Looks down on marbles covering royal dust,
  • Kings by the Grace of God, or Nature's grace;
  • Dead! No! Alive! I see him in his place,
  • Full-featured, with the bloom that heaven denies
  • Her children, pinched by cold New England skies,
  • Too often, while the nursery's happier few
  • Win from a summer cloud its roseate hue.
  • Kind, soft-voiced, gentle, in his eye there shines
  • The ray serene that filled Evangeline's.
  • Modest he seems, not shy; content to wait
  • Amid the noisy clamor of debate
  • The looked-for moment when a peaceful word
  • Smooths the rough ripples louder tongues have stirred.
  • In every tone I mark his tender grace
  • And all his poems hinted in his face;
  • What tranquil joy his friendly presence gives!
  • How could. I think him dead? He lives! He lives!
  • There, at the table's further end I see
  • In his old place our Poet's vis-a-vis,
  • The great PROFESSOR, strong, broad-shouldered, square,
  • In life's rich noontide, joyous, debonair.
  • His social hour no leaden care alloys,
  • His laugh rings loud and mirthful as a boy's,--
  • That lusty laugh the Puritan forgot,--
  • What ear has heard it and remembers not?
  • How often, halting at some wide crevasse
  • Amid the windings of his Alpine pass,
  • High up the cliffs, the climbing mountaineer,
  • Listening the far-off avalanche to hear,
  • Silent, and leaning on his steel-shod staff,
  • Has heard that cheery voice, that ringing laugh,
  • From the rude cabin whose nomadic walls
  • Creep with the moving glacier as it crawls
  • How does vast Nature lead her living train
  • In ordered sequence through that spacious brain,
  • As in the primal hour when Adam named
  • The new-born tribes that young creation claimed!--
  • How will her realm be darkened, losing thee,
  • Her darling, whom we call _our_ AGASSIZ!
  • But who is he whose massive frame belies
  • The maiden shyness of his downcast eyes?
  • Who broods in silence till, by questions pressed,
  • Some answer struggles from his laboring breast?
  • An artist Nature meant to dwell apart,
  • Locked in his studio with a human heart,
  • Tracking its eaverned passions to their lair,
  • And all its throbbing mysteries laying bare.
  • Count it no marvel that he broods alone
  • Over the heart he studies,--'t is his own;
  • So in his page, whatever shape it wear,
  • The Essex wizard's shadowed self is there,--
  • The great ROMANCER, hid beneath his veil
  • Like the stern preacher of his sombre tale;
  • Virile in strength, yet bashful as a girl,
  • Prouder than Hester, sensitive as Pearl.
  • From his mild throng of worshippers released,
  • Our Concord Delphi sends its chosen priest,
  • Prophet or poet, mystic, sage, or seer,
  • By every title always welcome here.
  • Why that ethereal spirit's frame describe?
  • You know the race-marks of the Brahmin tribe,
  • The spare, slight form, the sloping shoulders' droop,
  • The calm, scholastic mien, the clerkly stoop,
  • The lines of thought the sharpened features wear,
  • Carved by the edge of keen New England air.
  • List! for he speaks! As when a king would choose
  • The jewels for his bride, he might refuse
  • This diamond for its flaw,--find that less bright
  • Than those, its fellows, and a pearl less white
  • Than fits her snowy neck, and yet at last,
  • The fairest gems are chosen, and made fast
  • In golden fetters; so, with light delays
  • He seeks the fittest word to fill his phrase;
  • Nor vain nor idle his fastidious quest,
  • His chosen word is sure to prove the best.
  • Where in the realm of thought, whose air is song,
  • Does he, the Buddha of the West, belong?
  • He seems a winged Franklin, sweetly wise,
  • Born to unlock the secrets of the skies;
  • And which the nobler calling,--if 't is fair
  • Terrestrial with celestial to compare,--
  • To guide the storm-cloud's elemental flame,
  • Or walk the chambers whence the lightning came,
  • Amidst the sources of its subtile fire,
  • And steal their effluence for his lips and lyre?
  • If lost at times in vague aerial flights,
  • None treads with firmer footstep when he lights;
  • A soaring nature, ballasted with sense,
  • Wisdom without her wrinkles or pretence,
  • In every Bible he has faith to read,
  • And every altar helps to shape his creed.
  • Ask you what name this prisoned spirit bears
  • While with ourselves this fleeting breath it shares?
  • Till angels greet him with a sweeter one
  • In heaven, on earth we call him EMERSON.
  • I start; I wake; the vision is withdrawn;
  • Its figures fading like the stars at dawn;
  • Crossed from the roll of life their cherished names,
  • And memory's pictures fading in their frames;
  • Yet life is lovelier for these transient gleams
  • Of buried friendships; blest is he who dreams!
  • OUR DEAD SINGER
  • H. W. L.
  • PRIDE of the sister realm so long our own,
  • We claim with her that spotless fame of thine,
  • White as her snow and fragrant as her pine!
  • Ours was thy birthplace, but in every zone
  • Some wreath of song thy liberal hand has thrown
  • Breathes perfume from its blossoms, that entwine
  • Where'er the dewdrops fall, the sunbeams shine,
  • On life's long path with tangled cares o'ergrown.
  • Can Art thy truthful counterfeit command,--
  • The silver-haloed features, tranquil, mild,--
  • Soften the lips of bronze as when they smiled,
  • Give warmth and pressure to the marble hand?
  • Seek the lost rainbow in the sky it spanned
  • Farewell, sweet Singer! Heaven reclaims its child.
  • Carved from the block or cast in clinging mould,
  • Will grateful Memory fondly try her best
  • The mortal vesture from decay to wrest;
  • His look shall greet us, calm, but ah, how cold!
  • No breath can stir the brazen drapery's fold,
  • No throb can heave the statue's stony breast;
  • "He is not here, but risen," will stand confest
  • In all we miss, in all our eyes behold.
  • How Nature loved him! On his placid brow,
  • Thought's ample dome, she set the sacred sign
  • That marks the priesthood of her holiest shrine,
  • Nor asked a leaflet from the laurel's bough
  • That envious Time might clutch or disallow,
  • To prove her chosen minstrel's song divine.
  • On many a saddened hearth the evening fire
  • Burns paler as the children's hour draws near,--
  • That joyous hour his song made doubly dear,--
  • And tender memories touch the faltering choir.
  • He sings no more on earth; our vain desire
  • Aches for the voice we loved so long to hear
  • In Dorian flute-notes breathing soft and clear,--
  • The sweet contralto that could never tire.
  • Deafened with listening to a harsher strain,
  • The Maenad's scream, the stark barbarian's cry,
  • Still for those soothing, loving tones we sigh;
  • Oh, for our vanished Orpheus once again!
  • The shadowy silence hears us call in vain!
  • His lips are hushed; his song shall never die.
  • TWO POEMS TO HARRIET BEECHER STOWE
  • ON HER SEVENTIETH BIRTHDAY, JUNE 14, 1882
  • I. AT THE SUMMIT
  • SISTER, we bid you welcome,--we who stand
  • On the high table-land;
  • We who have climbed life's slippery Alpine slope,
  • And rest, still leaning on the staff of hope,
  • Looking along the silent Mer de Glace,
  • Leading our footsteps where the dark crevasse
  • Yawns in the frozen sea we all must pass,--
  • Sister, we clasp your hand!
  • Rest with us in the hour that Heaven has lent
  • Before the swift descent.
  • Look! the warm sunbeams kiss the glittering ice;
  • See! next the snow-drift blooms the edelweiss;
  • The mated eagles fan the frosty air;
  • Life, beauty, love, around us everywhere,
  • And, in their time, the darkening hours that bear
  • Sweet memories, peace, content.
  • Thrice welcome! shining names our missals show
  • Amid their rubrics' glow,
  • But search the blazoned record's starry line,
  • What halo's radiance fills the page like thine?
  • Thou who by some celestial clue couldst find
  • The way to all the hearts of all mankind,
  • On thee, already canonized, enshrined,
  • What more can Heaven bestow!
  • II. THE WORLD'S HOMAGE
  • IF every tongue that speaks her praise
  • For whom I shape my tinkling phrase
  • Were summoned to the table,
  • The vocal chorus that would meet
  • Of mingling accents harsh or sweet,
  • From every land and tribe, would beat
  • The polyglots at Babel.
  • Briton and Frenchman, Swede and Dane,
  • Turk, Spaniard, Tartar of Ukraine,
  • Hidalgo, Cossack, Cadi,
  • High Dutchman and Low Dutchman, too,
  • The Russian serf, the Polish Jew,
  • Arab, Armenian, and Mantchoo,
  • Would shout, "We know the lady!"
  • Know her! Who knows not Uncle Tom
  • And her he learned his gospel from
  • Has never heard of Moses;
  • Full well the brave black hand we know
  • That gave to freedom's grasp the hoe
  • That killed the weed that used to grow
  • Among the Southern roses.
  • When Archimedes, long ago,
  • Spoke out so grandly, "_dos pou sto_--
  • Give me a place to stand on,
  • I'll move your planet for you, now,"--
  • He little dreamed or fancied how
  • The _sto_ at last should find its _pou_
  • For woman's faith to land on.
  • Her lever was the wand of art,
  • Her fulcrum was the human heart,
  • Whence all unfailing aid is;
  • She moved the earth! Its thunders pealed,
  • Its mountains shook, its temples reeled,
  • The blood-red fountains were unsealed,
  • And Moloch sunk to Hades.
  • All through the conflict, up and down
  • Marched Uncle Tom and Old John Brown,
  • One ghost, one form ideal;
  • And which was false and which was true,
  • And which was mightier of the two,
  • The wisest sibyl never knew,
  • For both alike were real.
  • Sister, the holy maid does well
  • Who counts her beads in convent cell,
  • Where pale devotion lingers;
  • But she who serves the sufferer's needs,
  • Whose prayers are spelt in loving deeds,
  • May trust the Lord will count her beads
  • As well as human fingers.
  • When Truth herself was Slavery's slave,
  • Thy hand the prisoned suppliant gave
  • The rainbow wings of fiction.
  • And Truth who soared descends to-day
  • Bearing an angel's wreath away,
  • Its lilies at thy feet to lay
  • With Heaven's own benediction.
  • A WELCOME TO DR. BENJAMIN APTHORP GOULD
  • ON HIS RETURN FROM SOUTH AMERICA
  • AFTER FIFTEEN YEARS DEVOTED TO CATALOGUING THE
  • STARS OF THE SOUTHERN HEMISPHERE
  • Read at the Dinner given at the Hotel Vendome, May 6,1885.
  • ONCE more Orion and the sister Seven
  • Look on thee from the skies that hailed thy birth,--
  • How shall we welcome thee, whose home was heaven,
  • From thy celestial wanderings back to earth?
  • Science has kept her midnight taper burning
  • To greet thy coming with its vestal flame;
  • Friendship has murmured, "When art thou returning?"
  • "Not yet! Not yet!" the answering message came.
  • Thine was unstinted zeal, unchilled devotion,
  • While the blue realm had kingdoms to explore,--
  • Patience, like his who ploughed the unfurrowed ocean,
  • Till o'er its margin loomed San Salvador.
  • Through the long nights I see thee ever waking,
  • Thy footstool earth, thy roof the hemisphere,
  • While with thy griefs our weaker hearts are aching,
  • Firm as thine equatorial's rock-based pier.
  • The souls that voyaged the azure depths before thee
  • Watch with thy tireless vigils, all unseen,--
  • Tycho and Kepler bend benignant o'er thee,
  • And with his toy-like tube the Florentine,--
  • He at whose word the orb that bore him shivered
  • To find her central sovereignty disowned,
  • While the wan lips of priest and pontiff quivered,
  • Their jargon stilled, their Baal disenthroned.
  • Flamsteed and Newton look with brows unclouded,
  • Their strife forgotten with its faded scars,--
  • (Titans, who found the world of space too crowded
  • To walk in peace among its myriad stars.)
  • All cluster round thee,--seers of earliest ages,
  • Persians, Ionians, Mizraim's learned kings,
  • From the dim days of Shinar's hoary sages
  • To his who weighed the planet's fluid rings.
  • And we, for whom the northern heavens are lighted,
  • For whom the storm has passed, the sun has smiled,
  • Our clouds all scattered, all our stars united,
  • We claim thee, clasp thee, like a long-lost child.
  • Fresh from the spangled vault's o'er-arching splendor,
  • Thy lonely pillar, thy revolving dome,
  • In heartfelt accents, proud, rejoicing, tender,
  • We bid thee welcome to thine earthly home!
  • TO FREDERICK HENRY HEDGE
  • AT A DINNER GIVEN HIM ON HIS EIGHTIETH BIRTHDAY,
  • DECEMBER 12, 1885
  • With a bronze statuette of John of Bologna's Mercury,
  • presented by a few friends.
  • FIT emblem for the altar's side,
  • And him who serves its daily need,
  • The stay, the solace, and the guide
  • Of mortal men, whate'er his creed!
  • Flamen or Auspex, Priest or Bonze,
  • He feeds the upward-climbing fire,
  • Still teaching, like the deathless bronze,
  • Man's noblest lesson,--to aspire.
  • Hermes lies prone by fallen Jove,
  • Crushed are the wheels of Krishna's car,
  • And o'er Dodona's silent grove
  • Streams the white, ray from Bethlehem's star.
  • Yet snatched from Time's relentless clutch,
  • A godlike shape, that human hands
  • Have fired with Art's electric touch,
  • The herald of Olympus stands.
  • Ask not what ore the furnace knew;
  • Love mingled with the flowing mass,
  • And lends its own unchanging hue,
  • Like gold in Corinth's molten brass.
  • Take then our gift; this airy form
  • Whose bronze our benedictions gild,
  • The hearts of all its givers warm
  • With love by freezing years unchilled.
  • With eye undimmed, with strength unworn,
  • Still toiling in your Master's field,
  • Before you wave the growths unshorn,
  • Their ripened harvest yet to yield.
  • True servant of the Heavenly Sire,
  • To you our tried affection clings,
  • Bids you still labor, still aspire,
  • But clasps your feet and steals their wings.
  • TO JAMES RUSSELL LOWELL
  • THIS is your month, the month of "perfect days,"
  • Birds in full song and blossoms all ablaze.
  • Nature herself your earliest welcome breathes,
  • Spreads every leaflet, every bower inwreathes;
  • Carpets her paths for your returning feet,
  • Puts forth her best your coming steps to greet;
  • And Heaven must surely find the earth in tune
  • When Home, sweet Home, exhales the breath of June.
  • These blessed days are waning all too fast,
  • And June's bright visions mingling with the past;
  • Lilacs have bloomed and faded, and the rose
  • Has dropped its petals, but the clover blows,
  • And fills its slender tubes with honeyed sweets;
  • The fields are pearled with milk-white margarites;
  • The dandelion, which you sang of old,
  • Has lost its pride of place, its crown of gold,
  • But still displays its feathery-mantled globe,
  • Which children's breath, or wandering winds unrobe.
  • These were your humble friends; your opened eyes
  • Nature had trained her common gifts to prize;
  • Not Cam nor Isis taught you to despise
  • Charles, with his muddy margin and the harsh,
  • Plebeian grasses of the reeking marsh.
  • New England's home-bred scholar, well you knew
  • Her soil, her speech, her people, through and through,
  • And loved them ever with the love that holds
  • All sweet, fond memories in its fragrant folds.
  • Though far and wide your winged words have flown,
  • Your daily presence kept you all our own,
  • Till, with a sorrowing sigh, a thrill of pride,
  • We heard your summons, and you left our side
  • For larger duties and for tasks untried.
  • How pleased the Spaniards for a while to claim
  • This frank Hidalgo with the liquid name,
  • Who stored their classics on his crowded shelves
  • And loved their Calderon as they did themselves!
  • Before his eyes what changing pageants pass!
  • The bridal feast how near the funeral mass!
  • The death-stroke falls,--the Misereres wail;
  • The joy-bells ring,--the tear-stained cheeks unveil,
  • While, as the playwright shifts his pictured scene,
  • The royal mourner crowns his second queen.
  • From Spain to Britain is a goodly stride,--
  • Madrid and London long-stretched leagues divide.
  • What if I send him, "Uncle S., says he,"
  • To my good cousin whom he calls "J. B."?
  • A nation's servants go where they are sent,--
  • He heard his Uncle's orders, and he went.
  • By what enchantments, what alluring arts,
  • Our truthful James led captive British hearts,--
  • Whether his shrewdness made their statesmen halt,
  • Or if his learning found their Dons at fault,
  • Or if his virtue was a strange surprise,
  • Or if his wit flung star-dust in their eyes,--
  • Like honest Yankees we can simply guess;
  • But that he did it all must needs confess.
  • England herself without a blush may claim
  • Her only conqueror since the Norman came.
  • Eight years an exile! What a weary while
  • Since first our herald sought the mother isle!
  • His snow-white flag no churlish wrong has soiled,---
  • He left unchallenged, he returns unspoiled.
  • Here let us keep him, here he saw the light,--
  • His genius, wisdom, wit, are ours by right;
  • And if we lose him our lament will be
  • We have "five hundred"--_not_ "as good as he."
  • TO JOHN GREENLEAF WHITTIER
  • ON HIS EIGHTIETH BIRTHDAY
  • 1887
  • FRIEND, whom thy fourscore winters leave more dear
  • Than when life's roseate summer on thy cheek
  • Burned in the flush of manhood's manliest year,
  • Lonely, how lonely! is the snowy peak
  • Thy feet have reached, and mine have climbed so near!
  • Close on thy footsteps 'mid the landscape drear
  • I stretch my hand thine answering grasp to seek,
  • Warm with the love no rippling rhymes can speak!
  • Look backward! From thy lofty height survey
  • Thy years of toil, of peaceful victories won,
  • Of dreams made real, largest hopes outrun!
  • Look forward! Brighter than earth's morning ray
  • Streams the pure light of Heaven's unsetting sun,
  • The unclouded dawn of life's immortal day!
  • PRELUDE TO A VOLUME PRINTED IN
  • RAISED LETTERS FOR THE BLIND
  • DEAR friends, left darkling in the long eclipse
  • That veils the noonday,--you whose finger-tips
  • A meaning in these ridgy leaves can find
  • Where ours go stumbling, senseless, helpless, blind.
  • This wreath of verse how dare I offer you
  • To whom the garden's choicest gifts are due?
  • The hues of all its glowing beds are ours,
  • Shall you not claim its sweetest-smelling flowers?
  • Nay, those I have I bring you,--at their birth
  • Life's cheerful sunshine warmed the grateful earth;
  • If my rash boyhood dropped some idle seeds,
  • And here and there you light on saucy weeds
  • Among the fairer growths, remember still
  • Song comes of grace, and not of human will:
  • We get a jarring note when most we try,
  • Then strike the chord we know not how or why;
  • Our stately verse with too aspiring art
  • Oft overshoots and fails to reach the heart,
  • While the rude rhyme one human throb endears
  • Turns grief to smiles, and softens mirth to tears.
  • Kindest of critics, ye whose fingers read,
  • From Nature's lesson learn the poet's creed;
  • The queenly tulip flaunts in robes of flame,
  • The wayside seedling scarce a tint may claim,
  • Yet may the lowliest leaflets that unfold
  • A dewdrop fresh from heaven's own chalice hold.
  • BOSTON TO FLORENCE
  • Sent to "The Philological Circle" of Florence for its
  • meeting in commemoration of Dante, January 27, 1881,
  • the anniversary of his first condemnation.
  • PROUD of her clustering spires, her new-built towers,
  • Our Venice, stolen from the slumbering sea,
  • A sister's kindliest greeting wafts to thee,
  • Rose of Val d' Arno, queen of all its flowers!
  • Thine exile's shrine thy sorrowing love embowers,
  • Yet none with truer homage bends the knee,
  • Or stronger pledge of fealty brings, than we,
  • Whose poets make thy dead Immortal ours.
  • Lonely the height, but ah, to heaven how near!
  • Dante, whence flowed that solemn verse of thine
  • Like the stern river from its Apennine
  • Whose name the far-off Scythian thrilled with fear:
  • Now to all lands thy deep-toned voice is dear,
  • And every language knows the Song Divine!
  • AT THE UNITARIAN FESTIVAL
  • MARCH 8, 1882
  • THE waves unbuild the wasting shore;
  • Where mountains towered the billows sweep,
  • Yet still their borrowed spoils restore,
  • And build new empires from the deep.
  • So while the floods of thought lay waste
  • The proud domain of priestly creeds,
  • Its heaven-appointed tides will haste
  • To plant new homes for human needs.
  • Be ours to mark with hearts unchilled
  • The change an outworn church deplores;
  • The legend sinks, but Faith shall build
  • A fairer throne on new-found shores.
  • POEM
  • FOR THE TWO HUNDRED AND FIFTIETH ANNIVERSARY
  • OF THE FOUNDING OF HARVARD COLLEGE
  • TWICE had the mellowing sun of autumn crowned
  • The hundredth circle of his yearly round,
  • When, as we meet to-day, our fathers met:
  • That joyous gathering who can e'er forget,
  • When Harvard's nurslings, scattered far and wide,
  • Through mart and village, lake's and ocean's side,
  • Came, with one impulse, one fraternal throng,
  • And crowned the hours with banquet, speech, and song?
  • Once more revived in fancy's magic glass,
  • I see in state the long procession pass
  • Tall, courtly, leader as by right divine,
  • Winthrop, our Winthrop, rules the marshalled line,
  • Still seen in front, as on that far-off day
  • His ribboned baton showed the column's way.
  • Not all are gone who marched in manly pride
  • And waved their truncheons at their leader's side;
  • Gray, Lowell, Dixwell, who his empire shared,
  • These to be with us envious Time has spared.
  • Few are the faces, so familiar then,
  • Our eyes still meet amid the haunts of men;
  • Scarce one of all the living gathered there,
  • Whose unthinned locks betrayed a silver hair,
  • Greets us to-day, and yet we seem the same
  • As our own sires and grandsires, save in name.
  • There are the patriarchs, looking vaguely round
  • For classmates' faces, hardly known if found;
  • See the cold brow that rules the busy mart;
  • Close at its side the pallid son of art,
  • Whose purchased skill with borrowed meaning clothes,
  • And stolen hues, the smirking face he loathes.
  • Here is the patient scholar; in his looks
  • You read the titles of his learned books;
  • What classic lore those spidery crow's-feet speak!
  • What problems figure on that wrinkled cheek!
  • For never thought but left its stiffened trace,
  • Its fossil footprint, on the plastic face,
  • As the swift record of a raindrop stands,
  • Fixed on the tablet of the hardening sands.
  • On every face as on the written page
  • Each year renews the autograph of age;
  • One trait alone may wasting years defy,--
  • The fire still lingering in the poet's eye,
  • While Hope, the siren, sings her sweetest strain,--
  • _Non omnis moriar_ is its proud refrain.
  • Sadly we gaze upon the vacant chair;
  • He who should claim its honors is not there,--
  • Otis, whose lips the listening crowd enthrall
  • That press and pack the floor of Boston's hall.
  • But Kirkland smiles, released from toil and care
  • Since the silk mantle younger shoulders wear,--
  • Quincy's, whose spirit breathes the selfsame fire
  • That filled the bosom of his youthful sire,
  • Who for the altar bore the kindled torch
  • To freedom's temple, dying in its porch.
  • Three grave professions in their sons appear,
  • Whose words well studied all well pleased will hear
  • Palfrey, ordained in varied walks to shine,
  • Statesman, historian, critic, and divine;
  • Solid and square behold majestic Shaw,
  • A mass of wisdom and a mine of law;
  • Warren, whose arm the doughtiest warriors fear,
  • Asks of the startled crowd to lend its ear,--
  • Proud of his calling, him the world loves best,
  • Not as the coming, but the parting guest.
  • Look on that form,--with eye dilating scan
  • The stately mould of nature's kingliest man!
  • Tower-like he stands in life's unfaded prime;
  • Ask you his name? None asks a second time
  • He from the land his outward semblance takes,
  • Where storm-swept mountains watch o'er slumbering lakes.
  • See in the impress which the body wears
  • How its imperial might the soul declares
  • The forehead's large expansion, lofty, wide,
  • That locks unsilvered vainly strive to hide;
  • The lines of thought that plough the sober cheek;
  • Lips that betray their wisdom ere they speak
  • In tones like answers from Dodona's grove;
  • An eye like Juno's when she frowns on Jove.
  • I look and wonder; will he be content--
  • This man, this monarch, for the purple meant--
  • The meaner duties of his tribe to share,
  • Clad in the garb that common mortals wear?
  • Ah, wild Ambition, spread thy restless wings,
  • Beneath whose plumes the hidden cestrum stings;
  • Thou whose bold flight would leave earth's vulgar crowds,
  • And like the eagle soar above the clouds,
  • Must feel the pang that fallen angels know
  • When the red lightning strikes thee from below!
  • Less bronze, more silver, mingles in the mould
  • Of him whom next my roving eyes behold;
  • His, more the scholar's than the statesman's face,
  • Proclaims him born of academic race.
  • Weary his look, as if an aching brain
  • Left on his brow the frozen prints of pain;
  • His voice far-reaching, grave, sonorous, owns
  • A shade of sadness in its plaintive tones,
  • Yet when its breath some loftier thought inspires
  • Glows with a heat that every bosom fires.
  • Such Everett seems; no chance-sown wild flower knows
  • The full-blown charms of culture's double rose,--
  • Alas, how soon, by death's unsparing frost,
  • Its bloom is faded and its fragrance lost!
  • Two voices, only two, to earth belong,
  • Of all whose accents met the listening throng:
  • Winthrop, alike for speech and guidance framed,
  • On that proud day a twofold duty claimed;
  • One other yet,--remembered or forgot,--
  • Forgive my silence if I name him not.
  • Can I believe it? I, whose youthful voice
  • Claimed a brief gamut,--notes not over choice,
  • Stood undismayed before the solemn throng,
  • And _propria voce_ sung that saucy song
  • Which even in memory turns my soul aghast,--
  • _Felix audacia_ was the verdict cast.
  • What were the glory of these festal days
  • Shorn of their grand illumination's blaze?
  • Night comes at last with all her starry train
  • To find a light in every glittering pane.
  • From "Harvard's" windows see the sudden flash,--
  • Old "Massachusetts" glares through every sash;
  • From wall to wall the kindling splendors run
  • Till all is glorious as the noonday sun.
  • How to the scholar's mind each object brings
  • What some historian tells, some poet sings!
  • The good gray teacher whom we all revered--
  • Loved, honored, laughed at, and by freshmen feared,
  • As from old "Harvard," where its light began,
  • From hall to hall the clustering splendors ran--
  • Took down his well-worn Eschylus and read,
  • Lit by the rays a thousand tapers shed,
  • How the swift herald crossed the leagues between
  • Mycenae's monarch and his faithless queen;
  • And thus he read,--my verse but ill displays
  • The Attic picture, clad in modern phrase.
  • On Ida's summit flames the kindling pile,
  • And Lemnos answers from his rocky isle;
  • From Athos next it climbs the reddening skies,
  • Thence where the watch-towers of Macistus rise.
  • The sentries of Mesapius in their turn
  • Bid the dry heath in high piled masses burn,
  • Cithoeron's crag the crimson billows stain,
  • Far AEgiplanctus joins the fiery train.
  • Thus the swift courier through the pathless night
  • Has gained at length the Arachnoean height,
  • Whence the glad tidings, borne on wings offlame,
  • "Ilium has fallen!" reach the royal dame.
  • So ends the day; before the midnight stroke
  • The lights expiring cloud the air with smoke;
  • While these the toil of younger hands employ,
  • The slumbering Grecian dreams of smouldering Troy.
  • As to that hour with backward steps I turn,
  • Midway I pause; behold a funeral urn!
  • Ah, sad memorial! known but all too well
  • The tale which thus its golden letters tell:
  • This dust, once breathing, changed its joyous life
  • For toil and hunger, wounds and mortal strife;
  • Love, friendship, learning's all prevailing charms,
  • For the cold bivouac and the clash of arms.
  • The cause of freedom won, a race enslaved
  • Called back to manhood, and a nation saved,
  • These sons of Harvard, falling ere their prime,
  • Leave their proud memory to the coming time.
  • While in their still retreats our scholars turn
  • The mildewed pages of the past, to learn
  • With endless labor of the sleepless brain
  • What once has been and ne'er shall be again,
  • We reap the harvest of their ceaseless toil
  • And find a fragrance in their midnight oil.
  • But let a purblind mortal dare the task
  • The embryo future of itself to ask,
  • The world reminds him, with a scornful laugh,
  • That times have changed since Prospero broke his staff.
  • Could all the wisdom of the schools foretell
  • The dismal hour when Lisbon shook and fell,
  • Or name the shuddering night that toppled down
  • Our sister's pride, beneath whose mural crown
  • Scarce had the scowl forgot its angry lines,
  • When earth's blind prisoners fired their fatal mines?
  • New realms, new worlds, exulting Science claims,
  • Still the dim future unexplored remains;
  • Her trembling scales the far-off planet weigh,
  • Her torturing prisms its elements betray,--
  • We know what ores the fires of Sirius melt,
  • What vaporous metals gild Orion's belt;
  • Angels, archangels, may have yet to learn
  • Those hidden truths our heaven-taught eyes discern;
  • Yet vain is Knowledge, with her mystic wand,
  • To pierce the cloudy screen and read beyond;
  • Once to the silent stars the fates were known,
  • To us they tell no secrets but their own.
  • At Israel's altar still we humbly bow,
  • But where, oh where, are Israel's prophets now?
  • Where is the sibyl with her hoarded leaves?
  • Where is the charm the weird enchantress weaves?
  • No croaking raven turns the auspex pale,
  • No reeking altars tell the morrow's tale;
  • The measured footsteps of the Fates are dumb,
  • Unseen, unheard, unheralded, they come,
  • Prophet and priest and all their following fail.
  • Who then is left to rend the future's veil?
  • Who but the poet, he whose nicer sense
  • No film can baffle with its slight defence,
  • Whose finer vision marks the waves that stray,
  • Felt, but unseen, beyond the violet ray?--
  • Who, while the storm-wind waits its darkening shroud,
  • Foretells the tempest ere he sees the cloud,--
  • Stays not for time his secrets to reveal,
  • But reads his message ere he breaks the seal.
  • So Mantua's bard foretold the coming day
  • Ere Bethlehem's infant in the manger lay;
  • The promise trusted to a mortal tongue
  • Found listening ears before the angels sung.
  • So while his load the creeping pack-horse galled,
  • While inch by inch the dull canal-boat crawled,
  • Darwin beheld a Titan from "afar
  • Drag the slow barge or drive the rapid car,"
  • That panting giant fed by air and flame,
  • The mightiest forges task their strength to tame.
  • Happy the poet! him no tyrant fact
  • Holds in its clutches to be chained and racked;
  • Him shall no mouldy document convict,
  • No stern statistics gravely contradict;
  • No rival sceptre threats his airy throne;
  • He rules o'er shadows, but he reigns alone.
  • Shall I the poet's broad dominion claim
  • Because you bid me wear his sacred name
  • For these few moments? Shall I boldly clash
  • My flint and steel, and by the sudden flash
  • Read the fair vision which my soul descries
  • Through the wide pupils of its wondering eyes?
  • List then awhile; the fifty years have sped;
  • The third full century's opened scroll is spread,
  • Blank to all eyes save his who dimly sees
  • The shadowy future told in words like these.
  • How strange the prospect to my sight appears,
  • Changed by the busy hands of fifty years!
  • Full well I know our ocean-salted Charles,
  • Filling and emptying through the sands and marls
  • That wall his restless stream on either bank,
  • Not all unlovely when the sedges rank
  • Lend their coarse veil the sable ooze to hide
  • That bares its blackness with the ebbing tide.
  • In other shapes to my illumined eyes
  • Those ragged margins of our stream arise
  • Through walls of stone the sparkling waters flow,
  • In clearer depths the golden sunsets glow,
  • On purer waves the lamps of midnight gleam,
  • That silver o'er the unpolluted stream.
  • Along his shores what stately temples rise,
  • What spires, what turrets, print the shadowed skies!
  • Our smiling Mother sees her broad domain
  • Spread its tall roofs along the western plain;
  • Those blazoned windows' blushing glories tell
  • Of grateful hearts that loved her long and well;
  • Yon gilded dome that glitters in the sun
  • Was Dives' gift,--alas, his only one!
  • These buttressed walls enshrine a banker's name,
  • That hallowed chapel hides a miser's shame;
  • Their wealth they left,--their memory cannot fade
  • Though age shall crumble every stone they laid.
  • Great lord of millions,--let me call thee great,
  • Since countless servants at thy bidding wait,--
  • Richesse oblige: no mortal must be blind
  • To all but self, or look at human kind
  • Laboring and suffering,--all its want and woe,--
  • Through sheets of crystal, as a pleasing show
  • That makes life happier for the chosen few
  • Duty for whom is something not to do.
  • When thy last page of life at length is filled,
  • What shall thine heirs to keep thy memory build?
  • Will piles of stone in Auburn's mournful shade
  • Save from neglect the spot where thou art laid?
  • Nay, deem not thus; the sauntering stranger's eye
  • Will pass unmoved thy columned tombstone by,
  • No memory wakened, not a teardrop shed,
  • Thy name uncared for and thy date unread.
  • But if thy record thou indeed dost prize,
  • Bid from the soil some stately temple rise,--
  • Some hall of learning, some memorial shrine,
  • With names long honored to associate thine:
  • So shall thy fame outlive thy shattered bust
  • When all around thee slumber in the dust.
  • Thus England's Henry lives in Eton's towers,
  • Saved from the spoil oblivion's gulf devours;
  • Our later records with as fair a fame
  • Have wreathed each uncrowned benefactor's name;
  • The walls they reared the memories still retain
  • That churchyard marbles try to keep in vain.
  • In vain the delving antiquary tries
  • To find the tomb where generous Harvard lies
  • Here, here, his lasting monument is found,
  • Where every spot is consecrated ground!
  • O'er Stoughton's dust the crumbling stone decays,
  • Fast fade its lines of lapidary praise;
  • There the wild bramble weaves its ragged nets,
  • There the dry lichen spreads its gray rosettes;
  • Still in yon walls his memory lives unspent,
  • Nor asks a braver, nobler monument.
  • Thus Hollis lives, and Holden, honored, praised,
  • And good Sir Matthew, in the halls they raised;
  • Thus live the worthies of these later times,
  • Who shine in deeds, less brilliant, grouped in rhymes.
  • Say, shall the Muse with faltering steps retreat,
  • Or dare these names in rhythmic form repeat?
  • Why not as boldly as from Homer's lips
  • The long array, of Argive battle-ships?
  • When o'er our graves a thousand years have past
  • (If to such date our threatened globe shall last)
  • These classic precincts, myriad feet have pressed,
  • Will show on high, in beauteous garlands dressed,
  • Those honored names that grace our later day,--
  • Weld, Matthews, Sever, Thayer, Austin, Gray,
  • Sears, Phillips, Lawrence, Hemenway,--to the list
  • Add Sanders, Sibley,--all the Muse has missed.
  • Once more I turn to read the pictured page
  • Bright with the promise of the coming age.
  • Ye unborn sons of children yet unborn,
  • Whose youthful eyes shall greet that far-off morn,
  • Blest are those eyes that all undimmed behold
  • The sights so longed for by the wise of old.
  • From high-arched alcoves, through resounding halls,
  • Clad in full robes majestic Science calls,
  • Tireless, unsleeping, still at Nature's feet,
  • Whate'er she utters fearless to repeat,
  • Her lips at last from every cramp released
  • That Israel's prophet caught from Egypt's priest.
  • I see the statesman, firm, sagacious, bold,
  • For life's long conflict cast in amplest mould;
  • Not his to clamor with the senseless throng
  • That shouts unshamed, "Our party, right or wrong,"
  • But in the patriot's never-ending fight
  • To side with Truth, who changes wrong to right.
  • I see the scholar; in that wondrous time
  • Men, women, children, all can write in rhyme.
  • These four brief lines addressed to youth inclined
  • To idle rhyming in his notes I find:
  • Who writes in verse that should have writ in prose
  • Is like a traveller walking on his toes;
  • Happy the rhymester who in time has found
  • The heels he lifts were made to touch the ground.
  • I see gray teachers,--on their work intent,
  • Their lavished lives, in endless labor spent,
  • Had closed at last in age and penury wrecked,
  • Martyrs, not burned, but frozen in neglect,
  • Save for the generous hands that stretched in aid
  • Of worn-out servants left to die half paid.
  • Ah, many a year will pass, I thought, ere we
  • Such kindly forethought shall rejoice to see,--
  • Monarchs are mindful of the sacred debt
  • That cold republics hasten to forget.
  • I see the priest,--if such a name he bears
  • Who without pride his sacred vestment wears;
  • And while the symbols of his tribe I seek
  • Thus my first impulse bids me think and speak:
  • Let not the mitre England's prelate wears
  • Next to the crown whose regal pomp it shares,
  • Though low before it courtly Christians bow,
  • Leave its red mark on Younger England's brow.
  • We love, we honor, the maternal dame,
  • But let her priesthood wear a modest name,
  • While through the waters of the Pilgrim's bay
  • A new-born Mayflower shows her keels the way.
  • Too old grew Britain for her mother's beads,--
  • Must we be necklaced with her children's creeds?
  • Welcome alike in surplice or in gown
  • The loyal lieges of the Heavenly Crown!
  • We greet with cheerful, not submissive, mien
  • A sister church, but not a mitred Queen!
  • A few brief flutters, and the unwilling Muse,
  • Who feared the flight she hated to refuse,
  • Shall fold the wings whose gayer plumes are shed,
  • Here where at first her half-fledged pinions spread.
  • Well I remember in the long ago
  • How in the forest shades of Fontainebleau,
  • Strained through a fissure in a rocky cell,
  • One crystal drop with measured cadence fell.
  • Still, as of old, forever bright and clear,
  • The fissured cavern drops its wonted tear,
  • And wondrous virtue, simple folk aver,
  • Lies in that teardrop of la roche qui pleure.
  • Of old I wandered by the river's side
  • Between whose banks the mighty waters glide,
  • Where vast Niagara, hurrying to its fall,
  • Builds and unbuilds its ever-tumbling wall;
  • Oft in my dreams I hear the rush and roar
  • Of battling floods, and feel the trembling shore,
  • As the huge torrent, girded for its leap,
  • With bellowing thunders plunges down the steep.
  • Not less distinct, from memory's pictured urn,
  • The gray old rock, the leafy woods, return;
  • Robed in their pride the lofty oaks appear,
  • And once again with quickened sense I hear,
  • Through the low murmur of the leaves that stir,
  • The tinkling teardrop of _la roche qui pleure_.
  • So when the third ripe century stands complete,
  • As once again the sons of Harvard meet,
  • Rejoicing, numerous as the seashore sands,
  • Drawn from all quarters,--farthest distant lands,
  • Where through the reeds the scaly saurian steals,
  • Where cold Alaska feeds her floundering seals,
  • Where Plymouth, glorying, wears her iron crown,
  • Where Sacramento sees the suns go down;
  • Nay, from the cloisters whence the refluent tide
  • Wafts their pale students to our Mother's side,--
  • Mid all the tumult that the day shall bring,
  • While all the echoes shout, and roar, and ring,
  • These tinkling lines, oblivion's easy prey,
  • Once more emerging to the light of day,
  • Not all unpleasing to the listening ear
  • Shall wake the memories of this bygone year,
  • Heard as I hear the measured drops that flow
  • From the gray rock of wooded Fontainebleau.
  • Yet, ere I leave, one loving word for all
  • Those fresh young lives that wait our Mother's call:
  • One gift is yours, kind Nature's richest dower,--
  • Youth, the fair bud that holds life's opening flower,
  • Full of high hopes no coward doubts enchain,
  • With all the future throbbing in its brain,
  • And mightiest instincts which the beating heart
  • Fills with the fire its burning waves impart.
  • O joyous youth, whose glory is to dare,--
  • Thy foot firm planted on the lowest stair,
  • Thine eye uplifted to the loftiest height
  • Where Fame stands beckoning in the rosy light,
  • Thanks for thy flattering tales, thy fond deceits,
  • Thy loving lies, thy cheerful smiling cheats
  • Nature's rash promise every day is broke,--
  • A thousand acorns breed a single oak,
  • The myriad blooms that make the orchard gay
  • In barren beauty throw their lives away;
  • Yet shall we quarrel with the sap that yields
  • The painted blossoms which adorn the fields,
  • When the fair orchard wears its May-day suit
  • Of pink-white petals, for its scanty fruit?
  • Thrice happy hours, in hope's illusion dressed,
  • In fancy's cradle nurtured and caressed,
  • Though rich the spoils that ripening years may bring,
  • To thee the dewdrops of the Orient cling,--
  • Not all the dye-stuffs from the vats of truth
  • Can match the rainbow on the robes of youth!
  • Dear unborn children, to our Mother's trust
  • We leave you, fearless, when we lie in dust:
  • While o'er these walls the Christian banner waves
  • From hallowed lips shall flow the truth that saves;
  • While o'er those portals Veritas you read
  • No church shall bind you with its human creed.
  • Take from the past the best its toil has won,
  • But learn betimes its slavish ruts to shun.
  • Pass the old tree whose withered leaves are shed,
  • Quit the old paths that error loved to tread,
  • And a new wreath of living blossoms seek,
  • A narrower pathway up a loftier peak;
  • Lose not your reverence, but unmanly fear
  • Leave far behind you, all who enter here!
  • As once of old from Ida's lofty height
  • The flaming signal flashed across the night,
  • So Harvard's beacon sheds its unspent rays
  • Till every watch-tower shows its kindling blaze.
  • Caught from a spark and fanned by every gale,
  • A brighter radiance gilds the roofs of Yale;
  • Amherst and Williams bid their flambeaus shine,
  • And Bowdoin answers through her groves of pine;
  • O'er Princeton's sands the far reflections steal,
  • Where mighty Edwards stamped his iron heel;
  • Nay, on the hill where old beliefs were bound
  • Fast as if Styx had girt them nine times round,
  • Bursts such a light that trembling souls inquire
  • If the whole church of Calvin is on fire!
  • Well may they ask, for what so brightly burns
  • As a dry creed that nothing ever learns?
  • Thus link by link is knit the flaming chain
  • Lit by the torch of Harvard's hallowed plain.
  • Thy son, thy servant, dearest Mother mine,
  • Lays this poor offering on thy holy shrine,
  • An autumn leaflet to the wild winds tost,
  • Touched by the finger of November's frost,
  • With sweet, sad memories of that earlier day,
  • And all that listened to my first-born lay.
  • With grateful heart this glorious morn I see,--
  • Would that my tribute worthier were of thee!
  • POST-PRANDIAL
  • PHI BETA KAPPA
  • WENDELL PHILLIPS, ORATOR; CHARLES GODFREY LELAND, POET
  • 1881
  • "THE Dutch have taken Holland,"--so the schoolboys used to say;
  • The Dutch have taken Harvard,--no doubt of that to-day!
  • For the Wendells were low Dutchmen, and all their vrows were Vans;
  • And the Breitmanns are high Dutchmen, and here is honest Hans.
  • Mynheers, you both are welcome! Fair cousin Wendell P.,
  • Our ancestors were dwellers beside the Zuyder Zee;
  • Both Grotius and Erasmus were countrymen of we,
  • And Vondel was our namesake, though he spelt it with a V.
  • It is well old Evert Jansen sought a dwelling over sea
  • On the margin of the Hudson, where he sampled you and me
  • Through our grandsires and great-grandsires, for you would n't quite
  • agree
  • With the steady-going burghers along the Zuyder Zee.
  • Like our Motley's John of Barnveld, you have always been inclined
  • To speak,--well,--somewhat frankly,--to let us know your mind,
  • And the Mynheers would have told you to be cautious what you said,
  • Or else that silver tongue of yours might cost your precious head.
  • But we're very glad you've kept it; it was always Freedom's own,
  • And whenever Reason chose it she found a royal throne;
  • You have whacked us with your sceptre; our backs were little harmed,
  • And while we rubbed our bruises we owned we had been charmed.
  • And you, our quasi Dutchman, what welcome should be yours
  • For all the wise prescriptions that work your laughter-cures?
  • "Shake before taking"?--not a bit,--the bottle-cure's a sham;
  • Take before shaking, and you 'll find it shakes your diaphragm.
  • "Hans Breitmann gif a barty,--vhere is dot barty now?"
  • On every shelf where wit is stored to smooth the careworn brow
  • A health to stout Hans Breitmann! How long before we see
  • Another Hans as handsome,--as bright a man as he!
  • THE FLANEUR
  • BOSTON COMMON, DECEMBER 6, 1882
  • DURING THE TRANSIT OF VENUS
  • I LOVE all sights of earth and skies,
  • From flowers that glow to stars that shine;
  • The comet and the penny show,
  • All curious things, above, below,
  • Hold each in turn my wandering eyes:
  • I claim the Christian Pagan's line,
  • _Humani nihil_,--even so,--
  • And is not human life divine?
  • When soft the western breezes blow,
  • And strolling youths meet sauntering maids,
  • I love to watch the stirring trades
  • Beneath the Vallombrosa shades
  • Our much-enduring elms bestow;
  • The vender and his rhetoric's flow,
  • That lambent stream of liquid lies;
  • The bait he dangles from his line,
  • The gudgeon and his gold-washed prize.
  • I halt before the blazoned sign
  • That bids me linger to admire
  • The drama time can never tire,
  • The little hero of the hunch,
  • With iron arm and soul of fire,
  • And will that works his fierce desire,--
  • Untamed, unscared, unconquered Punch
  • My ear a pleasing torture finds
  • In tones the withered sibyl grinds,--
  • The dame sans merci's broken strain,
  • Whom I erewhile, perchance, have known,
  • When Orleans filled the Bourbon throne,
  • A siren singing by the Seine.
  • But most I love the tube that spies
  • The orbs celestial in their march;
  • That shows the comet as it whisks
  • Its tail across the planets' disks,
  • As if to blind their blood-shot eyes;
  • Or wheels so close against the sun
  • We tremble at the thought of risks
  • Our little spinning ball may run,
  • To pop like corn that children parch,
  • From summer something overdone,
  • And roll, a cinder, through the skies.
  • Grudge not to-day the scanty fee
  • To him who farms the firmament,
  • To whom the Milky Way is free;
  • Who holds the wondrous crystal key,
  • The silent Open Sesame
  • That Science to her sons has lent;
  • Who takes his toll, and lifts the bar
  • That shuts the road to sun and star.
  • If Venus only comes to time,
  • (And prophets say she must and shall,)
  • To-day will hear the tinkling chime
  • Of many a ringing silver dime,
  • For him whose optic glass supplies
  • The crowd with astronomic eyes,--
  • The Galileo of the Mall.
  • Dimly the transit morning broke;
  • The sun seemed doubting what to do,
  • As one who questions how to dress,
  • And takes his doublets from the press,
  • And halts between the old and new.
  • Please Heaven he wear his suit of blue,
  • Or don, at least, his ragged cloak,
  • With rents that show the azure through!
  • I go the patient crowd to join
  • That round the tube my eyes discern,
  • The last new-comer of the file,
  • And wait, and wait, a weary while,
  • And gape, and stretch, and shrug, and smile,
  • (For each his place must fairly earn,
  • Hindmost and foremost, in his turn,)
  • Till hitching onward, pace by pace,
  • I gain at last the envied place,
  • And pay the white exiguous coin:
  • The sun and I are face to face;
  • He glares at me, I stare at him;
  • And lo! my straining eye has found
  • A little spot that, black and round,
  • Lies near the crimsoned fire-orb's rim.
  • O blessed, beauteous evening star,
  • Well named for her whom earth adores,--
  • The Lady of the dove-drawn car,--
  • I know thee in thy white simar;
  • But veiled in black, a rayless spot,
  • Blank as a careless scribbler's blot,
  • Stripped of thy robe of silvery flame,--
  • The stolen robe that Night restores
  • When Day has shut his golden doors,--
  • I see thee, yet I know thee not;
  • And canst thou call thyself the same?
  • A black, round spot,--and that is all;
  • And such a speck our earth would be
  • If he who looks upon the stars
  • Through the red atmosphere of Mars
  • Could see our little creeping ball
  • Across the disk of crimson crawl
  • As I our sister planet see.
  • And art thou, then, a world like ours,
  • Flung from the orb that whirled our own
  • A molten pebble from its zone?
  • How must thy burning sands absorb
  • The fire-waves of the blazing orb,
  • Thy chain so short, thy path so near,
  • Thy flame-defying creatures hear
  • The maelstroms of the photosphere!
  • And is thy bosom decked with flowers
  • That steal their bloom from scalding showers?
  • And bast thou cities, domes, and towers,
  • And life, and love that makes it dear,
  • And death that fills thy tribes with fear?
  • Lost in my dream, my spirit soars
  • Through paths the wandering angels know;
  • My all-pervading thought explores
  • The azure ocean's lucent shores;
  • I leave my mortal self below,
  • As up the star-lit stairs I climb,
  • And still the widening view reveals
  • In endless rounds the circling wheels
  • That build the horologe of time.
  • New spheres, new suns, new systems gleam;
  • The voice no earth-born echo hears
  • Steals softly on my ravished ears
  • I hear them "singing as they shine"--
  • A mortal's voice dissolves my dream:
  • My patient neighbor, next in line,
  • Hints gently there are those who wait.
  • O guardian of the starry gate,
  • What coin shall pay this debt of mine?
  • Too slight thy claim, too small the fee
  • That bids thee turn the potent key.
  • The Tuscan's hand has placed in thine.
  • Forgive my own the small affront,
  • The insult of the proffered dime;
  • Take it, O friend, since this thy wont,
  • But still shall faithful memory be
  • A bankrupt debtor unto thee,
  • And pay thee with a grateful rhyme.
  • AVE
  • PRELUDE TO "ILLUSTRATED POEMS"
  • FULL well I know the frozen hand has come
  • That smites the songs of grove and garden dumb,
  • And chills sad autumn's last chrysanthemum;
  • Yet would I find one blossom, if I might,
  • Ere the dark loom that weaves the robe of white
  • Hides all the wrecks of summer out of sight.
  • Sometimes in dim November's narrowing day,
  • When all the season's pride has passed away,
  • As mid the blackened stems and leaves we stray,
  • We spy in sheltered nook or rocky cleft
  • A starry disk the hurrying winds have left,
  • Of all its blooming sisterhood bereft.
  • Some pansy, with its wondering baby eyes
  • Poor wayside nursling!--fixed in blank surprise
  • At the rough welcome of unfriendly skies;
  • Or golden daisy,--will it dare disclaim
  • The lion's tooth, to wear this gentler name?
  • Or blood-red salvia, with its lips aflame.
  • The storms have stripped the lily and the rose,
  • Still on its cheek the flush of summer glows,
  • And all its heart-leaves kindle as it blows.
  • So had I looked some bud of song to find
  • The careless winds of autumn left behind,
  • With these of earlier seasons' growth to bind.
  • Ah me! my skies are dark with sudden grief,
  • A flower lies faded on my garnered sheaf;
  • Yet let the sunshine gild this virgin leaf,
  • The joyous, blessed sunshine of the past,
  • Still with me, though the heavens are overcast,--
  • The light that shines while life and memory last.
  • Go, pictured rhymes, for loving readers meant;
  • Bring back the smiles your jocund morning lent,
  • And warm their hearts with sunbeams yet unspent!
  • BEVERLY FARMS, July 24, 1884.
  • KING'S CHAPEL
  • READ AT THE TWO HUNDREDTH ANNIVERSARY
  • Is it a weanling's weakness for the past
  • That in the stormy, rebel-breeding town,
  • Swept clean of relics by the levelling blast,
  • Still keeps our gray old chapel's name of "King's,"
  • Still to its outworn symbols fondly clings,--
  • Its unchurched mitres and its empty crown?
  • Poor harmless emblems! All has shrunk away
  • That made them gorgons in the patriot's eyes;
  • The priestly plaything harms us not to-day;
  • The gilded crown is but a pleasing show,
  • An old-world heirloom, left from long ago,
  • Wreck of the past that memory bids us prize,
  • Lightly we glance the fresh-cut marbles o'er;
  • Those two of earlier date our eyes enthrall:
  • The proud old Briton's by the western door,
  • And hers, the Lady of Colonial days,
  • Whose virtues live in long-drawn classic phrase,--
  • The fair Francesca of the southern wall.
  • Ay! those were goodly men that Reynolds drew,
  • And stately dames our Copley's canvas holds,
  • To their old Church, their Royal Master, true,
  • Proud of the claim their valiant sires had earned,
  • That "gentle blood," not lightly to be spurned,
  • Save by the churl ungenerous Nature moulds.
  • All vanished! It were idle to complain
  • That ere the fruits shall come the flowers must fall;
  • Yet somewhat we have lost amidst our gain,
  • Some rare ideals time may not restore,--
  • The charm of courtly breeding, seen no more,
  • And reverence, dearest ornament of all.
  • Thus musing, to the western wall I came,
  • Departing: lo! a tablet fresh and fair,
  • Where glistened many a youth's remembered name
  • In golden letters on the snow-white stone,--
  • Young lives these aisles and arches once have known,
  • Their country's bleeding altar might not spare.
  • These died that we might claim a soil unstained,
  • Save by the blood of heroes; their bequests
  • A realm unsevered and a race unchained.
  • Has purer blood through Norman veins come down
  • From the rough knights that clutched the Saxon's crown
  • Than warmed the pulses in these faithful breasts?
  • These, too, shall live in history's deathless page,
  • High on the slow-wrought pedestals of fame,
  • Ranged with the heroes of remoter age;
  • They could not die who left their nation free,
  • Firm as the rock, unfettered as the sea,
  • Its heaven unshadowed by the cloud of shame.
  • While on the storied past our memory dwells,
  • Our grateful tribute shall not be denied,--
  • The wreath, the cross of rustling immortelles;
  • And willing hands shall clear each darkening bust,
  • As year by year sifts down the clinging dust
  • On Shirley's beauty and on Vassall's pride.
  • But for our own, our loved and lost, we bring
  • With throbbing hearts and tears that still must flow,
  • In full-heaped hands, the opening flowers of spring,
  • Lilies half-blown, and budding roses, red
  • As their young cheeks, before the blood was shed
  • That lent their morning bloom its generous glow.
  • Ah, who shall count a rescued nation's debt,
  • Or sum in words our martyrs' silent claims?
  • Who shall our heroes' dread exchange forget,--
  • All life, youth, hope, could promise to allure
  • For all that soul could brave or flesh endure?
  • They shaped our future; we but carve their names.
  • HYMN
  • FOR THE SAME OCCASION
  • SUNG BY THE CONGREGATION TO THE TUNE OF
  • TALLIS'S EVENING HYMN
  • O'ERSHADOWED by the walls that climb,
  • Piled up in air by living hands,
  • A rock amid the waves of time,
  • Our gray old house of worship stands.
  • High o'er the pillared aisles we love
  • The symbols of the past look down;
  • Unharmed, unharming, throned above,
  • Behold the mitre and the crown!
  • Let not our younger faith forget
  • The loyal souls that held them dear;
  • The prayers we read their tears have wet,
  • The hymns we sing they loved to hear.
  • The memory of their earthly throne
  • Still to our holy temple clings,
  • But here the kneeling suppliants own
  • One only Lord, the King of kings.
  • Hark! while our hymn of grateful praise
  • The solemn echoing vaults prolong,
  • The far-off voice of earlier days
  • Blends with our own in hallowed song:
  • To Him who ever lives and reigns,
  • Whom all the hosts of heaven adore,
  • Who lent the life His breath sustains,
  • Be glory now and evermore!
  • HYMN.--THE WORD OF PROMISE
  • (by supposition)
  • An Hymn set forth to be sung by the Great Assembly
  • at Newtown, [Mass.] Mo. 12. 1. 1636.
  • [Written by OLIVER WENDELL HOLMES, eldest son of Rev.
  • ABIEL HOLMES, eighth Pastor of the First Church in
  • Cambridge, Massachusetts.]
  • LORD, Thou hast led us as of old
  • Thine Arm led forth the chosen Race
  • Through Foes that raged, through Floods that roll'd,
  • To Canaan's far-off Dwelling-Place.
  • Here is Thy bounteous Table spread,
  • Thy Manna falls on every Field,
  • Thy Grace our hungering Souls hath fed,
  • Thy Might hath been our Spear and Shield.
  • Lift high Thy Buckler, Lord of Hosts!
  • Guard Thou Thy Servants, Sons and Sires,
  • While on the Godless heathen Coasts
  • They light Thine Israel's Altar-fires!
  • The salvage Wilderness remote
  • Shall hear Thy Works and Wonders sung;
  • So from the Rock that Moses smote
  • The Fountain of the Desart sprung.
  • Soon shall the slumbering Morn awake,
  • From wandering Stars of Errour freed,
  • When Christ the Bread of Heaven shall break
  • For Saints that own a common Creed.
  • The Walls that fence His Flocks apart
  • Shall crack and crumble in Decay,
  • And every Tongue and every Heart
  • Shall welcome in the new-born Day.
  • Then shall His glorious Church rejoice
  • His Word of Promise to recall,--
  • ONE SHELTERING FOLD, ONE SHEPHERD'S VOICE,
  • ONE GOD AND FATHER OVER ALL!
  • HYMN
  • READ AT THE DEDICATION OF THE OLIVER WENDELL HOLMES
  • HOSPITAL AT HUDSON, WISCONSIN
  • JUNE 7, 1877
  • ANGEL of love, for every grief
  • Its soothing balm thy mercy brings,
  • For every pang its healing leaf,
  • For homeless want, thine outspread, wings.
  • Enough for thee the pleading eye,
  • The knitted brow of silent pain;
  • The portals open to a sigh
  • Without the clank of bolt or chain.
  • Who is our brother? He that lies
  • Left at the wayside, bruised and sore
  • His need our open hand supplies,
  • His welcome waits him at our door.
  • Not ours to ask in freezing tones
  • His race, his calling, or his creed;
  • Each heart the tie of kinship owns,
  • When those are human veins that bleed.
  • Here stand the champions to defend
  • From every wound that flesh can feel;
  • Here science, patience, skill, shall blend
  • To save, to calm, to help, to heal.
  • Father of Mercies! Weak and frail,
  • Thy guiding hand Thy children ask;
  • Let not the Great Physician fail
  • To aid us in our holy task.
  • Source of all truth, and love, and light,
  • That warm and cheer our earthly days,
  • Be ours to serve Thy will aright,
  • Be Thine the glory and the praise!
  • ON THE DEATH OF PRESIDENT GARFIELD
  • I.
  • FALLEN with autumn's falling leaf
  • Ere yet his summer's noon was past,
  • Our friend, our guide, our trusted chief,--
  • What words can match a woe so vast!
  • And whose the chartered claim to speak
  • The sacred grief where all have part,
  • Where sorrow saddens every cheek
  • And broods in every aching heart?
  • Yet Nature prompts the burning phrase
  • That thrills the hushed and shrouded hall,
  • The loud lament, the sorrowing praise,
  • The silent tear that love lets fall.
  • In loftiest verse, in lowliest rhyme,
  • Shall strive unblamed the minstrel choir,---
  • The singers of the new-born time,
  • And trembling age with outworn lyre.
  • No room for pride, no place for blame,--
  • We fling our blossoms on the grave,
  • Pale,--scentless,--faded,--all we claim,
  • This only,--what we had we gave.
  • Ah, could the grief of all who mourn
  • Blend in one voice its bitter cry,
  • The wail to heaven's high arches borne
  • Would echo through the caverned sky.
  • II.
  • O happiest land, whose peaceful choice
  • Fills with a breath its empty throne!
  • God, speaking through thy people's voice,
  • Has made that voice for once His own.
  • No angry passion shakes the state
  • Whose weary servant seeks for rest;
  • And who could fear that scowling hate
  • Would strike at that unguarded breast?
  • He stands, unconscious of his doom,
  • In manly strength, erect, serene;
  • Around him Summer spreads her bloom;
  • He falls,--what horror clothes the scene!
  • How swift the sudden flash of woe
  • Where all was bright as childhood's dream!
  • As if from heaven's ethereal bow
  • Had leaped the lightning's arrowy gleam.
  • Blot the foul deed from history's page;
  • Let not the all-betraying sun
  • Blush for the day that stains an age
  • When murder's blackest wreath was won.
  • III.
  • Pale on his couch the sufferer lies,
  • The weary battle-ground of pain
  • Love tends his pillow; Science tries
  • Her every art, alas! in vain.
  • The strife endures how long! how long!
  • Life, death, seem balanced in the scale,
  • While round his bed a viewless throng
  • Await each morrow's changing tale.
  • In realms the desert ocean parts
  • What myriads watch with tear-filled eyes,
  • His pulse-beats echoing in their hearts,
  • His breathings counted with their sighs!
  • Slowly the stores of life are spent,
  • Yet hope still battles with despair;
  • Will Heaven not yield when knees are bent?
  • Answer, O thou that hearest prayer.
  • But silent is the brazen sky;
  • On sweeps the meteor's threatening train,
  • Unswerving Nature's mute reply,
  • Bound in her adamantine chain.
  • Not ours the verdict to decide
  • Whom death shall claim or skill shall save;
  • The hero's life though Heaven denied,
  • It gave our land a martyr's grave.
  • Nor count the teaching vainly sent
  • How human hearts their griefs may share,--
  • The lesson woman's love has lent,
  • What hope may do, what faith can bear!
  • Farewell! the leaf-strown earth enfolds
  • Our stay, our pride, our hopes, our fears,
  • And autumn's golden sun beholds
  • A nation bowed, a world in tears.
  • THE GOLDEN FLOWER
  • WHEN Advent dawns with lessening days,
  • While earth awaits the angels' hymn;
  • When bare as branching coral sways
  • In whistling winds each leafless limb;
  • When spring is but a spendthrift's dream,
  • And summer's wealth a wasted dower,
  • Nor dews nor sunshine may redeem,--
  • Then autumn coins his Golden Flower.
  • Soft was the violet's vernal hue,
  • Fresh was the rose's morning red,
  • Full-orbed the stately dahlia grew,--
  • All gone! their short-lived splendors shed.
  • The shadows, lengthening, stretch at noon;
  • The fields are stripped, the groves are dumb;
  • The frost-flowers greet the icy moon,--
  • Then blooms the bright chrysanthemum.
  • The stiffening turf is white with snow,
  • Yet still its radiant disks are seen
  • Where soon the hallowed morn will show
  • The wreath and cross of Christmas green;
  • As if in autumn's dying days
  • It heard the heavenly song afar,
  • And opened all its glowing rays,
  • The herald lamp of Bethlehem's star.
  • Orphan of summer, kindly sent
  • To cheer the fading year's decline,
  • In all that pitying Heaven has lent
  • No fairer pledge of hope than thine.
  • Yes! June lies hid beneath the snow,
  • And winter's unborn heir shall claim
  • For every seed that sleeps below
  • A spark that kindles into flame.
  • Thy smile the scowl of winter braves
  • Last of the bright-robed, flowery train,
  • Soft sighing o'er the garden graves,
  • "Farewell! farewell! we meet again!"
  • So may life's chill November bring
  • Hope's golden flower, the last of all,
  • Before we hear the angels sing
  • Where blossoms never fade and fall!
  • HAIL, COLUMBIA!
  • 1798
  • THE FIRST VERSE OF THE SONG
  • BY JOSEPH HOPKINSON
  • "HAIL, Columbia! Happy land!
  • Hail, ye heroes, heaven-born band,
  • Who fought and bled in Freedom's cause,
  • Who fought and bled in Freedom's cause,
  • And when the storm of war was gone
  • Enjoy'd the peace your valor won.
  • Let independence be our boast,
  • Ever mindful what it cost;
  • Ever grateful for the prize,
  • Let its altar reach the skies.
  • "Firm--united--let us be,
  • Rallying round our Liberty;
  • As a band of brothers join'd,
  • Peace and safety we shall find."
  • ADDITIONAL VERSES
  • WRITTEN AT THE REQUEST OF THE COMMITTEE FOR THE
  • CONSTITUTIONAL CENTENNIAL CELEBRATION AT PHILADELPHIA,
  • 1887
  • LOOK our ransomed shores around,
  • Peace and safety we have found!
  • Welcome, friends who once were foes!
  • Welcome, friends who once were foes,
  • To all the conquering years have gained,--
  • A nation's rights, a race unchained!
  • Children of the day new-born,
  • Mindful of its glorious morn,
  • Let the pledge our fathers signed
  • Heart to heart forever bind!
  • While the stars of heaven shall burn,
  • While the ocean tides return,
  • Ever may the circling sun
  • Find the Many still are One!
  • Graven deep with edge of steel,
  • Crowned with Victory's crimson seal,
  • All the world their names shall read!
  • All the world their names shall read,
  • Enrolled with his, the Chief that led
  • The hosts whose blood for us was shed.
  • Pay our sires their children's debt,
  • Love and honor, nor forget
  • Only Union's golden key
  • Guards the Ark of Liberty!
  • While the stars of heaven shall burn,
  • While the ocean tides return,
  • Ever may the circling sun
  • Find the Many still are One!
  • Hail, Columbia! strong and free,
  • Throned in hearts from sea to sea
  • Thy march triumphant still pursue!
  • Thy march triumphant still pursue
  • With peaceful stride from zone to zone,
  • Till Freedom finds the world her own.
  • Blest in Union's holy ties,
  • Let our grateful song arise,
  • Every voice its tribute lend,
  • All in loving chorus blend!
  • While the stars in heaven shall burn,
  • While the ocean tides return,
  • Ever shall the circling sun
  • Find the Many still are One!
  • POEM
  • FOR THE DEDICATION OF THE FOUNTAIN AT
  • STRATFORD-ON-AVON, PRESENTED BY
  • GEORGE W. CHILDS, OF PHILADELPHIA
  • WELCOME, thrice welcome is thy silvery gleam,
  • Thou long-imprisoned stream!
  • Welcome the tinkle of thy crystal beads
  • As plashing raindrops to the flowery meads,
  • As summer's breath to Avon's whispering reeds!
  • From rock-walled channels, drowned in rayless night,
  • Leap forth to life and light;
  • Wake from the darkness of thy troubled dream,
  • And greet with answering smile the morning's beam!
  • No purer lymph the white-limbed Naiad knows
  • Than from thy chalice flows;
  • Not the bright spring of Afric's sunny shores,
  • Starry with spangles washed from golden ores,
  • Nor glassy stream Bandusia's fountain pours,
  • Nor wave translucent where Sabrina fair
  • Braids her loose-flowing hair,
  • Nor the swift current, stainless as it rose
  • Where chill Arveiron steals from Alpine snows.
  • Here shall the traveller stay his weary feet
  • To seek thy calm retreat;
  • Here at high noon the brown-armed reaper rest;
  • Here, when the shadows, lengthening from the west,
  • Call the mute song-bird to his leafy nest,
  • Matron and maid shall chat the cares away
  • That brooded o'er the day,
  • While flocking round them troops of children meet,
  • And all the arches ring with laughter sweet.
  • Here shall the steed, his patient life who spends
  • In toil that never ends,
  • Hot from his thirsty tramp o'er hill and plain,
  • Plunge his red nostrils, while the torturing rein
  • Drops in loose loops beside his floating mane;
  • Nor the poor brute that shares his master's lot
  • Find his small needs forgot,--
  • Truest of humble, long-enduring friends,
  • Whose presence cheers, whose guardian care
  • defends!
  • Here lark and thrush and nightingale shall sip,
  • And skimming swallows dip,
  • And strange shy wanderers fold their lustrous plumes
  • Fragrant from bowers that lent their sweet perfumes
  • Where Paestum's rose or Persia's lilac blooms;
  • Here from his cloud the eagle stoop to drink
  • At the full basin's brink,
  • And whet his beak against its rounded lip,
  • His glossy feathers glistening as they drip.
  • Here shall the dreaming poet linger long,
  • Far from his listening throng,--
  • Nor lute nor lyre his trembling hand shall bring;
  • Here no frail Muse shall imp her crippled wing,
  • No faltering minstrel strain his throat to sing!
  • These hallowed echoes who shall dare to claim
  • Whose tuneless voice would shame,
  • Whose jangling chords with jarring notes would wrong
  • The nymphs that heard the Swan if Avon's song?
  • What visions greet the pilgrim's raptured eyes!
  • What ghosts made real rise!
  • The dead return,--they breathe,--they live again,
  • Joined by the host of Fancy's airy train,
  • Fresh from the springs of Shakespeare's quickening brain!
  • The stream that slakes the soul's diviner thirst
  • Here found the sunbeams first;
  • Rich with his fame, not less shall memory prize
  • The gracious gift that humbler wants supplies.
  • O'er the wide waters reached the hand that gave
  • To all this bounteous wave,
  • With health and strength and joyous beauty fraught;
  • Blest be the generous pledge of friendship, brought
  • From the far home of brothers' love, unbought!
  • Long may fair Avon's fountain flow, enrolled
  • With storied shrines of old,
  • Castalia's spring, Egeria's dewy cave,
  • And Horeb's rock the God of Israel slave!
  • Land of our fathers, ocean makes us two,
  • But heart to heart is true!
  • Proud is your towering daughter in the West,
  • Yet in her burning life-blood reign confest
  • Her mother's pulses beating in her breast.
  • This holy fount, whose rills from heaven descend,
  • Its gracious drops shall lend,--
  • Both foreheads bathed in that baptismal dew,
  • And love make one the old home and the new!
  • August 29, 1887.
  • TO THE POETS WHO ONLY
  • READ AND LISTEN
  • WHEN evening's shadowy fingers fold
  • The flowers of every hue,
  • Some shy, half-opened bud will hold
  • Its drop of morning's dew.
  • Sweeter with every sunlit hour
  • The trembling sphere has grown,
  • Till all the fragrance of the flower
  • Becomes at last its own.
  • We that have sung perchance may find
  • Our little meed of praise,
  • And round our pallid temples bind
  • The wreath of fading bays.
  • Ah, Poet, who hast never spent
  • Thy breath in idle strains,
  • For thee the dewdrop morning lent
  • Still in thy heart remains;
  • Unwasted, in its perfumed cell
  • It waits the evening gale;
  • Then to the azure whence it fell
  • Its lingering sweets exhale.
  • FOR THE DEDICATION OF THE
  • NEW CITY LIBRARY, BOSTON
  • PROUDLY, beneath her glittering dome,
  • Our three-hilled city greets the morn;
  • Here Freedom found her virgin home,--
  • The Bethlehem where her babe was born.
  • The lordly roofs of traffic rise
  • Amid the smoke of household fires;
  • High o'er them in the peaceful skies
  • Faith points to heaven her clustering spires.
  • Can Freedom breathe if ignorance reign?
  • Shall Commerce thrive where anarchs rule?
  • Will Faith her half-fledged brood retain
  • If darkening counsels cloud the school?
  • Let in the light! from every age
  • Some gleams of garnered wisdom pour,
  • And, fixed on thought's electric page,
  • Wait all their radiance to restore.
  • Let in the light! in diamond mines
  • Their gems invite the hand that delves;
  • So learning's treasured jewels shine
  • Ranged on the alcove's ordered shelves.
  • From history's scroll the splendor streams,
  • From science leaps the living ray;
  • Flashed from the poet's glowing dreams
  • The opal fires of fancy play.
  • Let in the light! these windowed walls
  • Shall brook no shadowing colonnades,
  • But day shall flood the silent halls
  • Till o'er yon hills the sunset fades.
  • Behind the ever open gate
  • No pikes shall fence a crumbling throne,
  • No lackeys cringe, no courtiers wait,
  • This palace is the people's own!
  • Heirs of our narrow-girdled past,
  • How fair the prospect we survey,
  • Where howled unheard the wintry blast,
  • And rolled unchecked the storm-swept bay!
  • These chosen precincts, set apart
  • For learned toil and holy shrines,
  • Yield willing homes to every art
  • That trains, or strengthens, or refines.
  • Here shall the sceptred mistress reign
  • Who heeds her meanest subject's call,
  • Sovereign of all their vast domain,
  • The queen, the handmaid of them all!
  • November 26, 1888.
  • FOR THE WINDOW IN ST. MARGARET'S
  • IN MEMORY OF A SON OF ARCHDEACON FARRAR
  • AFAR he sleeps whose name is graven here,
  • Where loving hearts his early doom deplore;
  • Youth, promise, virtue, all that made him dear
  • Heaven lent, earth borrowed, sorrowing to restore.
  • BOSTON, April 12, 1891.
  • JAMES RUSSELL LOWELL
  • 1819-1891
  • THOU shouldst have sung the swan-song for the choir
  • That filled our groves with music till the day
  • Lit the last hilltop with its reddening fire,
  • And evening listened for thy lingering lay.
  • But thou hast found thy voice in realms afar
  • Where strains celestial blend their notes with thine;
  • Some cloudless sphere beneath a happier star
  • Welcomes the bright-winged spirit we resign.
  • How Nature mourns thee in the still retreat
  • Where passed in peace thy love-enchanted hours!
  • Where shall she find an eye like thine to greet
  • Spring's earliest footprints on her opening flowers?
  • Have the pale wayside weeds no fond regret
  • For him who read the secrets they enfold?
  • Shall the proud spangles of the field forget
  • The verse that lent new glory to their gold?
  • And ye whose carols wooed his infant ear,
  • Whose chants with answering woodnotes he repaid,
  • Have ye no song his spirit still may hear
  • From Elmwood's vaults of overarching shade?
  • Friends of his studious hours, who thronged to teach
  • The deep-read scholar all your varied lore,
  • Shall he no longer seek your shelves to reach
  • The treasure missing from his world-wide store?
  • This singer whom we long have held so dear
  • Was Nature's darling, shapely, strong, and fair;
  • Of keenest wit, of judgment crystal-clear,
  • Easy of converse, courteous, debonair,
  • Fit for the loftiest or the lowliest lot,
  • Self-poised, imperial, yet of simplest ways;
  • At home alike in castle or in cot,
  • True to his aim, let others blame or praise.
  • Freedom he found an heirloom from his sires;
  • Song, letters, statecraft, shared his years in turn;
  • All went to feed the nation's altar-fires
  • Whose mourning children wreathe his funeral urn.
  • He loved New England,--people, language, soil,
  • Unweaned by exile from her arid breast.
  • Farewell awhile, white-handed son of toil,
  • Go with her brown-armed laborers to thy rest.
  • Peace to thy slumber in the forest shade!
  • Poet and patriot, every gift was thine;
  • Thy name shall live while summers bloom and fade,
  • And grateful Memory guard thy leafy shrine!
  • ===
  • POEMS FROM OVER THE TEACUPS
  • TO THE ELEVEN LADIES
  • WHO PRESENTED ME WITH A SILVER LOVING CUP
  • ON THE TWENTY-NINTH OF AUGUST, M DCCC LXXXIX
  • "WHO gave this cup?" The secret thou wouldst steal
  • Its brimming flood forbids it to reveal:
  • No mortal's eye shall read it till he first
  • Cool the red throat of thirst.
  • If on the golden floor one draught remain,
  • Trust me, thy careful search will be in vain;
  • Not till the bowl is emptied shalt thou know
  • The names enrolled below.
  • Deeper than Truth lies buried in her well
  • Those modest names the graven letters spell
  • Hide from the sight; but wait, and thou shalt see
  • Who the good angels be.
  • Whose bounty glistens in the beauteous gift
  • That friendly hands to loving lips shall lift
  • Turn the fair goblet when its floor is dry,--
  • Their names shall meet thine eye.
  • Count thou their number on the beads of Heaven
  • Alas! the clustered Pleiads are but seven;
  • Nay, the nine sister Muses are too few,--
  • The Graces must add two.
  • "For whom this gift?" For one who all too long
  • Clings to his bough among the groves of song;
  • Autumn's last leaf, that spreads its faded wing
  • To greet a second spring.
  • Dear friends, kind friends, whate'er the cup may hold,
  • Bathing its burnished depths, will change to gold
  • Its last bright drop let thirsty Maenads drain,
  • Its fragrance will remain.
  • Better love's perfume in the empty bowl
  • Than wine's nepenthe for the aching soul;
  • Sweeter than song that ever poet sung,
  • It makes an old heart young!
  • THE PEAU DE CHAGRIN OF STATE STREET
  • How beauteous is the bond
  • In the manifold array
  • Of its promises to pay,
  • While the eight per cent it gives
  • And the rate at which one lives
  • Correspond!
  • But at last the bough is bare
  • Where the coupons one by one
  • Through their ripening days have run,
  • And the bond, a beggar now,
  • Seeks investment anyhow,
  • Anywhere!
  • CACOETHES SCRIBENDI
  • IF all the trees in all the woods were men;
  • And each and every blade of grass a pen;
  • If every leaf on every shrub and tree
  • Turned to a sheet of foolscap; every sea
  • Were changed to ink, and all earth's living tribes
  • Had nothing else to do but act as scribes,
  • And for ten thousand ages, day and night,
  • The human race should write, and write, and write,
  • Till all the pens and paper were used up,
  • And the huge inkstand was an empty cup,
  • Still would the scribblers clustered round its brink
  • Call for more pens, more paper, and more ink.
  • THE ROSE AND THE FERN
  • LADY, life's sweetest lesson wouldst thou learn,
  • Come thou with me to Love's enchanted bower
  • High overhead the trellised roses burn;
  • Beneath thy feet behold the feathery fern,--
  • A leaf without a flower.
  • What though the rose leaves fall? They still are sweet,
  • And have been lovely in their beauteous prime,
  • While the bare frond seems ever to repeat,
  • "For us no bud, no blossom, wakes to greet
  • The joyous flowering time!"
  • Heed thou the lesson. Life has leaves to tread
  • And flowers to cherish; summer round thee glows;
  • Wait not till autumn's fading robes are shed,
  • But while its petals still are burning red
  • Gather life's full-blown rose!
  • I LIKE YOU AND I LOVE YOU
  • I LIKE YOU Met I LOVE You, face to face;
  • The path was narrow, and they could not pass.
  • I LIKE YOU smiled; I LOVE YOU cried, Alas!
  • And so they halted for a little space.
  • "Turn thou and go before," I LOVE YOU said,
  • "Down the green pathway, bright with many a flower;
  • Deep in the valley, lo! my bridal bower
  • Awaits thee." But I LIKE YOU shook his head.
  • Then while they lingered on the span-wide shelf
  • That shaped a pathway round the rocky ledge,
  • I LIKE You bared his icy dagger's edge,
  • And first he slew I LOVE You,--then himself.
  • LA MAISON D'OR
  • (BAR HARBOR)
  • FROM this fair home behold on either side
  • The restful mountains or the restless sea
  • So the warm sheltering walls of life divide
  • Time and its tides from still eternity.
  • Look on the waves: their stormy voices teach
  • That not on earth may toil and struggle cease.
  • Look on the mountains: better far than speech
  • Their silent promise of eternal peace.
  • TOO YOUNG FOR LOVE
  • Too young for love?
  • Ah, say not so!
  • Tell reddening rose-buds not to blow
  • Wait not for spring to pass away,--
  • Love's summer months begin with May!
  • Too young for love?
  • Ah, say not so!
  • Too young? Too young?
  • Ah, no! no! no!
  • Too young for love?
  • Ah, say not so,
  • To practise all love learned in May.
  • June soon will come with lengthened day
  • While daisies bloom and tulips glow!
  • Too young for love?
  • Ah, say not so!
  • Too young? Too young?
  • Ah, no! no! no!
  • THE BROOMSTICK TRAIN; OR,
  • THE RETURN OF THE WITCHES
  • LOOK out! Look out, boys! Clear the track!
  • The witches are here! They've all come back!
  • They hanged them high,--No use! No use!
  • What cares a witch for a hangman's noose?
  • They buried them deep, but they wouldn't lie still,
  • For cats and witches are hard to kill;
  • They swore they shouldn't and wouldn't die,--
  • Books said they did, but they lie! they lie!
  • A couple of hundred years, or so,
  • They had knocked about in the world below,
  • When an Essex Deacon dropped in to call,
  • And a homesick feeling seized them all;
  • For he came from a place they knew full well,
  • And many a tale he had to tell.
  • They longed to visit the haunts of men,
  • To see the old dwellings they knew again,
  • And ride on their broomsticks all around
  • Their wide domain of unhallowed ground.
  • In Essex county there's many a roof
  • Well known to him of the cloven hoof;
  • The small square windows are full in view
  • Which the midnight hags went sailing through,
  • On their well-trained broomsticks mounted high,
  • Seen like shadows against the sky;
  • Crossing the track of owls and bats,
  • Hugging before them their coal-black cats.
  • Well did they know, those gray old wives,
  • The sights we see in our daily drives
  • Shimmer of lake and shine of sea,
  • Browne's bare hill with its lonely tree,
  • (It was n't then as we see it now,
  • With one scant scalp-lock to shade its brow;)
  • Dusky nooks in the Essex woods,
  • Dark, dim, Dante-like solitudes,
  • Where the tree-toad watches the sinuous snake
  • Glide through his forests of fern and brake;
  • Ipswich River; its old stone bridge;
  • Far off Andover's Indian Ridge,
  • And many a scene where history tells
  • Some shadow of bygone terror dwells,--
  • Of "Norman's Woe" with its tale of dread,
  • Of the Screeching Woman of Marblehead,
  • (The fearful story that turns men pale
  • Don't bid me tell it,--my speech would fail.)
  • Who would not, will not, if he can,
  • Bathe in the breezes of fair Cape Ann,--
  • Rest in the bowers her bays enfold,
  • Loved by the sachems and squaws of old?
  • Home where the white magnolias bloom,
  • Sweet with the bayberry's chaste perfume,
  • Hugged by the woods and kissed by the sea!
  • Where is the Eden like to thee?
  • For that "couple of hundred years, or so,"
  • There had been no peace in the world below;
  • The witches still grumbling, "It is n't fair;
  • Come, give us a taste of the upper air!
  • We 've had enough of your sulphur springs,
  • And the evil odor that round them clings;
  • We long for a drink that is cool and nice,--
  • Great buckets of water with Wenham ice;
  • We've served you well up-stairs, you know;
  • You 're a good old--fellow--come, let us go!"
  • I don't feel sure of his being good,
  • But he happened to be in a pleasant mood,--
  • As fiends with their skins full sometimes are,--
  • (He'd been drinking with "roughs" at a Boston bar.)
  • So what does he do but up and shout
  • To a graybeard turnkey, "Let 'em out!"
  • To mind his orders was all he knew;
  • The gates swung open, and out they flew.
  • "Where are our broomsticks?" the beldams cried.
  • "Here are your broomsticks," an imp replied.
  • "They 've been in--the place you know--so long
  • They smell of brimstone uncommon strong;
  • But they've gained by being left alone,--
  • Just look, and you'll see how tall they've grown."
  • "And where is my cat?" a vixen squalled.
  • "Yes, where are our cats?" the witches bawled,
  • And began to call them all by name
  • As fast as they called the cats, they came
  • There was bob-tailed Tommy and long-tailed Tim,
  • And wall-eyed Jacky and green-eyed Jim,
  • And splay-foot Benny and slim-legged Beau,
  • And Skinny and Squally, and Jerry and Joe,
  • And many another that came at call,--
  • It would take too long to count them all.
  • All black,--one could hardly tell which was which,
  • But every cat knew his own old witch;
  • And she knew hers as hers knew her,--
  • Ah, didn't they curl their tails and purr!
  • No sooner the withered hags were free
  • Than out they swarmed for a midnight spree;
  • I couldn't tell all they did in rhymes,
  • But the Essex people had dreadful times.
  • The Swampscott fishermen still relate
  • How a strange sea-monster stole their bait;
  • How their nets were tangled in loops and knots,
  • And they found dead crabs in their lobster-pots.
  • Poor Danvers grieved for her blasted crops,
  • And Wilmington mourned over mildewed hops.
  • A blight played havoc with Beverly beans,--
  • It was all the work of those hateful queans!
  • A dreadful panic began at "Pride's,"
  • Where the witches stopped in their midnight rides,
  • And there rose strange rumors and vague alarms
  • 'Mid the peaceful dwellers at Beverly Farms.
  • Now when the Boss of the Beldams found
  • That without his leave they were ramping round,
  • He called,--they could hear him twenty miles,
  • From Chelsea beach to the Misery Isles;
  • The deafest old granny knew his tone
  • Without the trick of the telephone.
  • "Come here, you witches! Come here!" says he,--
  • "At your games of old, without asking me!
  • I'll give you a little job to do
  • That will keep you stirring, you godless crew!"
  • They came, of course, at their master's call,
  • The witches, the broomsticks, the cats, and all;
  • He led the hags to a railway train
  • The horses were trying to drag in vain.
  • "Now, then," says he, "you've had your fun,
  • And here are the cars you've got to run.
  • The driver may just unhitch his team,
  • We don't want horses, we don't want steam;
  • You may keep your old black cats to hug,
  • But the loaded train you've got to lug."
  • Since then on many a car you 'll see
  • A broomstick plain as plain can be;
  • On every stick there's a witch astride,--
  • The string you see to her leg is tied.
  • She will do a mischief if she can,
  • But the string is held by a careful man,
  • And whenever the evil-minded witch
  • Would cut some caper, he gives a twitch.
  • As for the hag, you can't see her,
  • But hark! you can hear her black cat's purr,
  • And now and then, as a car goes by,
  • You may catch a gleam from her wicked eye.
  • Often you've looked on a rushing train,
  • But just what moved it was not so plain.
  • It couldn't be those wires above,
  • For they could neither pull nor shove;
  • Where was the motor that made it go
  • You couldn't guess, but now you know.
  • Remember my rhymes when you ride again
  • On the rattling rail by the broomstick train!
  • TARTARUS
  • WHILE in my simple gospel creed
  • That "God is Love" so plain I read,
  • Shall dreams of heathen birth affright
  • My pathway through the coming night?
  • Ah, Lord of life, though spectres pale
  • Fill with their threats the shadowy vale,
  • With Thee my faltering steps to aid,
  • How can I dare to be afraid?
  • Shall mouldering page or fading scroll
  • Outface the charter of the soul?
  • Shall priesthood's palsied arm protect
  • The wrong our human hearts reject,
  • And smite the lips whose shuddering cry
  • Proclaims a cruel creed a lie?
  • The wizard's rope we disallow
  • Was justice once,--is murder now!
  • Is there a world of blank despair,
  • And dwells the Omnipresent there?
  • Does He behold with smile serene
  • The shows of that unending scene,
  • Where sleepless, hopeless anguish lies,
  • And, ever dying, never dies?
  • Say, does He hear the sufferer's groan,
  • And is that child of wrath his own?
  • O mortal, wavering in thy trust,
  • Lift thy pale forehead from the dust!
  • The mists that cloud thy darkened eyes
  • Fade ere they reach the o'erarching skies
  • When the blind heralds of despair
  • Would bid thee doubt a Father's care,
  • Look up from earth, and read above
  • On heaven's blue tablet, GOD IS LOVE!
  • AT THE TURN OF THE ROAD
  • THE glory has passed from the goldenrod's plume,
  • The purple-hued asters still linger in bloom
  • The birch is bright yellow, the sumachs are red,
  • The maples like torches aflame overhead.
  • But what if the joy of the summer is past,
  • And winter's wild herald is blowing his blast?
  • For me dull November is sweeter than May,
  • For my love is its sunshine,--she meets me to-day!
  • Will she come? Will the ring-dove return to her nest?
  • Will the needle swing back from the east or the west?
  • At the stroke of the hour she will be at her gate;
  • A friend may prove laggard,--love never comes late.
  • Do I see her afar in the distance? Not yet.
  • Too early! Too early! She could not forget!
  • When I cross the old bridge where the brook overflowed,
  • She will flash full in sight at the turn of the road.
  • I pass the low wall where the ivy entwines;
  • I tread the brown pathway that leads through the pines;
  • I haste by the boulder that lies in the field,
  • Where her promise at parting was lovingly sealed.
  • Will she come by the hillside or round through the wood?
  • Will she wear her brown dress or her mantle and hood?
  • The minute draws near,--but her watch may go wrong;
  • My heart will be asking, What keeps her so long?
  • Why doubt for a moment? More shame if I do!
  • Why question? Why tremble? Are angels more true?
  • She would come to the lover who calls her his own
  • Though she trod in the track of a whirling cyclone!
  • I crossed the old bridge ere the minute had passed.
  • I looked: lo! my Love stood before me at last.
  • Her eyes, how they sparkled, her cheeks, how they glowed,
  • As we met, face to face, at the turn of the road!
  • IN VITA MINERVA
  • VEX not the Muse with idle prayers,--
  • She will not hear thy call;
  • She steals upon thee unawares,
  • Or seeks thee not at all.
  • Soft as the moonbeams when they sought
  • Endymion's fragrant bower,
  • She parts the whispering leaves of thought
  • To show her full-blown flower.
  • For thee her wooing hour has passed,
  • The singing birds have flown,
  • And winter comes with icy blast
  • To chill thy buds unblown.
  • Yet, though the woods no longer thrill
  • As once their arches rung,
  • Sweet echoes hover round thee still
  • Of songs thy summer sung.
  • Live in thy past; await no more
  • The rush of heaven-sent wings;
  • Earth still has music left in store
  • While Memory sighs and sings.
  • READINGS OVER THE TEACUPS
  • FIVE STORIES AND A SEQUEL
  • TO MY OLD READERS
  • You know "The Teacups," that congenial set
  • Which round the Teapot you have often met;
  • The grave DICTATOR, him you knew of old,--
  • Knew as the shepherd of another fold
  • Grayer he looks, less youthful, but the same
  • As when you called him by a different name.
  • Near him the MISTRESS, whose experienced skill
  • Has taught her duly every cup to fill;
  • "Weak;" "strong;" "cool;" "lukewarm;" "hot as you can pour;"
  • "No sweetening;" "sugared;" "two lumps;" "one lump more."
  • Next, the PROFESSOR, whose scholastic phrase
  • At every turn the teacher's tongue betrays,
  • Trying so hard to make his speech precise
  • The captious listener finds it overnice.
  • Nor be forgotten our ANNEXES twain,
  • Nor HE, the owner of the squinting brain,
  • Which, while its curious fancies we pursue,
  • Oft makes us question, "Are we crack-brained too?"
  • Along the board our growing list extends,
  • As one by one we count our clustering friends,--
  • The youthful DOCTOR waiting for his share
  • Of fits and fevers when his crown gets bare;
  • In strong, dark lines our square-nibbed pen should draw
  • The lordly presence of the MAN OF LAW;
  • Our bashful TUTOR claims a humbler place,
  • A lighter touch, his slender form to trace.
  • Mark the fair lady he is seated by,--
  • Some say he is her lover,--some deny,--
  • Watch them together,--time alone can show
  • If dead-ripe friendship turns to love or no.
  • Where in my list of phrases shall I seek
  • The fitting words of NUMBER FIVE to speak?
  • Such task demands a readier pen than mine,--
  • What if I steal the Tutor's Valentine?
  • Why should I call her gracious, winning, fair?
  • Why with the loveliest of her sex compare?
  • Those varied charms have many a Muse inspired,--
  • At last their worn superlatives have tired;
  • Wit, beauty, sweetness, each alluring grace,
  • All these in honeyed verse have found their place;
  • I need them not,--two little words I find
  • Which hold them all in happiest form combined;
  • No more with baffled language will I strive,--
  • All in one breath I utter: Number Five!
  • Now count our teaspoons--if you care to learn
  • How many tinkling cups were served in turn,--
  • Add all together, you will find them ten,--
  • Our young MUSICIAN joined us now and then.
  • Our bright DELILAH you must needs recall,
  • The comely handmaid, youngest of us all;
  • Need I remind you how the little maid
  • Came at a pinch to our Professor's aid,--
  • Trimmed his long locks with unrelenting shears
  • And eased his looks of half a score of years?
  • Sometimes, at table, as you well must know,
  • The stream of talk will all at once run low,
  • The air seems smitten with a sudden chill,
  • The wit grows silent and the gossip still;
  • This was our poet's chance, the hour of need,
  • When rhymes and stories we were used to read.
  • One day a whisper round the teacups stole,--
  • "No scrap of paper in the silver bowl!"
  • (Our "poet's corner" may I not expect
  • My kindly reader still may recollect?)
  • "What! not a line to keep our souls alive?"
  • Spoke in her silvery accents Number Five.
  • "No matter, something we must find to read,--
  • Find it or make it,--yes, we must indeed!
  • Now I remember I have seen at times
  • Some curious stories in a book of rhymes,--
  • How certain secrets, long in silence sealed,
  • In after days were guessed at or revealed.
  • Those stories, doubtless, some of you must know,--
  • They all were written many a year ago;
  • But an old story, be it false or true,
  • Twice told, well told, is twice as good as new;
  • Wait but three sips and I will go myself,
  • And fetch the book of verses from its shelf."
  • No time was lost in finding what she sought,--
  • Gone but one moment,--lo! the book is brought.
  • "Now, then, Professor, fortune has decreed
  • That you, this evening, shall be first to read,--
  • Lucky for us that listen, for in fact
  • Who reads this poem must know how to _act_."
  • Right well she knew that in his greener age
  • He had a mighty hankering for the stage.
  • The patient audience had not long to wait;
  • Pleased with his chance, he smiled and took the bait;
  • Through his wild hair his coaxing fingers ran,--
  • He spread the page before him and began.
  • THE BANKER'S SECRET
  • THE Banker's dinner is the stateliest feast
  • The town has heard of for a year, at least;
  • The sparry lustres shed their broadest blaze,
  • Damask and silver catch and spread the rays;
  • The florist's triumphs crown the daintier spoil
  • Won from the sea, the forest, or the soil;
  • The steaming hot-house yields its largest pines,
  • The sunless vaults unearth their oldest wines;
  • With one admiring look the scene survey,
  • And turn a moment from the bright display.
  • Of all the joys of earthly pride or power,
  • What gives most life, worth living, in an hour?
  • When Victory settles on the doubtful fight
  • And the last foeman wheels in panting flight,
  • No thrill like this is felt beneath the sun;
  • Life's sovereign moment is a battle won.
  • But say what next? To shape a Senate's choice,
  • By the strong magic of the master's voice;
  • To ride the stormy tempest of debate
  • That whirls the wavering fortunes of the state.
  • Third in the list, the happy lover's prize
  • Is won by honeyed words from women's eyes.
  • If some would have it first instead of third,
  • So let it be,--I answer not a word.
  • The fourth,--sweet readers, let the thoughtless half
  • Have its small shrug and inoffensive laugh;
  • Let the grave quarter wear its virtuous frown,
  • The stern half-quarter try to scowl us down;
  • But the last eighth, the choice and sifted few,
  • Will hear my words, and, pleased, confess them true.
  • Among the great whom Heaven has made to shine,
  • How few have learned the art of arts,--to dine!
  • Nature, indulgent to our daily need,
  • Kind-hearted mother! taught us all to feed;
  • But the chief art,--how rarely Nature flings
  • This choicest gift among her social kings
  • Say, man of truth, has life a brighter hour
  • Than waits the chosen guest who knows his power?
  • He moves with ease, itself an angel charm,--
  • Lifts with light touch my lady's jewelled arm,
  • Slides to his seat, half leading and half led,
  • Smiling but quiet till the grace is said,
  • Then gently kindles, while by slow degrees
  • Creep softly out the little arts that please;
  • Bright looks, the cheerful language of the eye,
  • The neat, crisp question and the gay reply,--
  • Talk light and airy, such as well may pass
  • Between the rested fork and lifted glass;--
  • With play like this the earlier evening flies,
  • Till rustling silks proclaim the ladies rise.
  • His hour has come,--he looks along the chairs,
  • As the Great Duke surveyed his iron squares.
  • That's the young traveller,--is n't much to show,--
  • Fast on the road, but at the table slow.
  • Next him,--you see the author in his look,--
  • His forehead lined with wrinkles like a book,--
  • Wrote the great history of the ancient Huns,--
  • Holds back to fire among the heavy guns.
  • Oh, there's our poet seated at his side,
  • Beloved of ladies, soft, cerulean-eyed.
  • Poets are prosy in their common talk,
  • As the fast trotters, for the most part, walk.
  • And there's our well-dressed gentleman, who sits,
  • By right divine, no doubt, among the wits,
  • Who airs his tailor's patterns when he walks,
  • The man that often speaks, but never talks.
  • Why should he talk, whose presence lends a grace
  • To every table where he shows his face?
  • He knows the manual of the silver fork,
  • Can name his claret--if he sees the cork,--
  • Remark that "White-top" was considered fine,
  • But swear the "Juno" is the better wine;--
  • Is not this talking? Ask Quintilian's rules;
  • If they say No, the town has many fools.
  • Pause for a moment,--for our eyes behold
  • The plain unsceptred king, the man of gold,
  • The thrice illustrious threefold millionnaire;
  • Mark his slow-creeping, dead, metallic stare;
  • His eyes, dull glimmering, like the balance-pan
  • That weighs its guinea as he weighs his man.
  • Who's next? An artist in a satin tie
  • Whose ample folds defeat the curious eye.
  • And there 's the cousin,--must be asked, you know,--
  • Looks like a spinster at a baby-show.
  • Hope he is cool,--they set him next the door,--
  • And likes his place, between the gap and bore.
  • Next comes a Congressman, distinguished guest
  • We don't count him,--they asked him with the rest;
  • And then some white cravats, with well-shaped ties,
  • And heads above them which their owners prize.
  • Of all that cluster round the genial board,
  • Not one so radiant as the banquet's lord.
  • Some say they fancy, but they know not why,
  • A shade of trouble brooding in his eye,
  • Nothing, perhaps,--the rooms are overhot,--
  • Yet see his cheek,--the dull-red burning spot,--
  • Taste the brown sherry which he does not pass,--
  • Ha! That is brandy; see him fill his glass!
  • But not forgetful of his feasting friends,
  • To each in turn some lively word he sends;
  • See how he throws his baited lines about,
  • And plays his men as anglers play their trout.
  • A question drops among the listening crew
  • And hits the traveller, pat on Timbuctoo.
  • We're on the Niger, somewhere near its source,--
  • Not the least hurry, take the river's course
  • Through Kissi, Foota, Kankan, Bammakoo,
  • Bambarra, Sego, so to Timbuctoo,
  • Thence down to Youri;--stop him if we can,
  • We can't fare worse,--wake up the Congressman!
  • The Congressman, once on his talking legs,
  • Stirs up his knowledge to its thickest dregs;
  • Tremendous draught for dining men to quaff!
  • Nothing will choke him but a purpling laugh.
  • A word,--a shout,--a mighty roar,--'t is done;
  • Extinguished; lassoed by a treacherous pun.
  • A laugh is priming to the loaded soul;
  • The scattering shots become a steady roll,
  • Broke by sharp cracks that run along the line,
  • The light artillery of the talker's wine.
  • The kindling goblets flame with golden dews,
  • The hoarded flasks their tawny fire diffuse,
  • And the Rhine's breast-milk gushes cold and bright,
  • Pale as the moon and maddening as her light;
  • With crimson juice the thirsty southern sky
  • Sucks from the hills where buried armies lie,
  • So that the dreamy passion it imparts
  • Is drawn from heroes' bones and lovers' hearts.
  • But lulls will come; the flashing soul transmits
  • Its gleams of light in alternating fits.
  • The shower of talk that rattled down amain
  • Ends in small patterings like an April's rain;
  • With the dry sticks all bonfires are begun;
  • Bring the first fagot, proser number one
  • The voices halt; the game is at a stand;
  • Now for a solo from the master-hand
  • 'T is but a story,--quite a simple thing,--
  • An aria touched upon a single string,
  • But every accent comes with such a grace
  • The stupid servants listen in their place,
  • Each with his waiter in his lifted hands,
  • Still as a well-bred pointer when he stands.
  • A query checks him: "Is he quite exact?"
  • (This from a grizzled, square-jawed man of fact.)
  • The sparkling story leaves him to his fate,
  • Crushed by a witness, smothered with a date,
  • As a swift river, sown with many a star,
  • Runs brighter, rippling on a shallow bar.
  • The smooth divine suggests a graver doubt;
  • A neat quotation bowls the parson out;
  • Then, sliding gayly from his own display,
  • He laughs the learned dulness all away.
  • So, with the merry tale and jovial song,
  • The jocund evening whirls itself along,
  • Till the last chorus shrieks its loud encore,
  • And the white neckcloths vanish through the door.
  • One savage word!--The menials know its tone,
  • And slink away; the master stands alone.
  • "Well played, by ---"; breathe not what were best unheard;
  • His goblet shivers while he speaks the word,--
  • "If wine tells truth,--and so have said the wise,--
  • It makes me laugh to think how brandy lies!
  • Bankrupt to-morrow,--millionnaire to-day,--
  • The farce is over,--now begins the play!"
  • The spring he touches lets a panel glide;
  • An iron closet harks beneath the slide,
  • Bright with such treasures as a search might bring
  • From the deep pockets of a truant king.
  • Two diamonds, eyeballs of a god of bronze,
  • Bought from his faithful priest, a pious bonze;
  • A string of brilliants; rubies, three or four;
  • Bags of old coin and bars of virgin ore;
  • A jewelled poniard and a Turkish knife,
  • Noiseless and useful if we come to strife.
  • Gone! As a pirate flies before the wind,
  • And not one tear for all he leaves behind
  • From all the love his better years have known
  • Fled like a felon,--ah! but not alone!
  • The chariot flashes through a lantern's glare,--
  • Oh the wild eyes! the storm of sable hair!
  • Still to his side the broken heart will cling,--
  • The bride of shame, the wife without the ring
  • Hark, the deep oath,--the wail of frenzied woe,--
  • Lost! lost to hope of Heaven and peace below!
  • He kept his secret; but the seed of crime
  • Bursts of itself in God's appointed time.
  • The lives he wrecked were scattered far and wide;
  • One never blamed nor wept,--she only died.
  • None knew his lot, though idle tongues would say
  • He sought a lonely refuge far away,
  • And there, with borrowed name and altered mien,
  • He died unheeded, as he lived unseen.
  • The moral market had the usual chills
  • Of Virtue suffering from protested bills;
  • The White Cravats, to friendship's memory true,
  • Sighed for the past, surveyed the future too;
  • Their sorrow breathed in one expressive line,--
  • "Gave pleasant dinners; who has got his wine?"
  • . . . . . . . . . . . . . .
  • The reader paused,--the Teacups knew his ways,--
  • He, like the rest, was not averse to praise.
  • Voices and hands united; every one
  • Joined in approval: "Number Three, well done!"
  • "Now for the Exile's story; if my wits
  • Are not at fault, his curious record fits
  • Neatly as sequel to the tale we've heard;
  • Not wholly wild the fancy, nor absurd
  • That this our island hermit well might be
  • That story's hero, fled from over sea.
  • Come, Number Seven, we would not have you strain
  • The fertile powers of that inventive brain.
  • Read us 'The Exile's Secret'; there's enough
  • Of dream-like fiction and fantastic stuff
  • In the strange web of mystery that invests
  • The lonely isle where sea birds build their nests."
  • "Lies! naught but lies!" so Number Seven began,--
  • No harm was known of that secluded man.
  • He lived alone,--who would n't if he might,
  • And leave the rogues and idiots out of sight?
  • A foolish story,--still, I'll do my best,--
  • The house was real,--don't believe the rest.
  • How could a ruined dwelling last so long
  • Without its legends shaped in tale and song?
  • Who was this man of whom they tell the lies?
  • Perhaps--why not?--NAPOLEON! in disguise,--
  • So some said, kidnapped from his ocean coop,
  • Brought to this island in a coasting sloop,--
  • Meanwhile a sham Napoleon in his place
  • Played Nap. and saved Sir Hudson from disgrace.
  • Such was one story; others used to say,
  • "No,--not Napoleon,--it was Marshal Ney."
  • "Shot?" Yes, no doubt, but not with balls of lead,
  • But balls of pith that never shoot folks dead.
  • He wandered round, lived South for many a year,
  • At last came North and fixed his dwelling here.
  • Choose which you will of all the tales that pile
  • Their mingling fables on the tree-crowned isle.
  • Who wrote this modest version I suppose
  • That truthful Teacup, our Dictator, knows;
  • Made up of various legends, it would seem,
  • The sailor's yarn, the crazy poet's dream.
  • Such tales as this, by simple souls received,
  • At first are stared at and at last believed;
  • From threads like this the grave historians try
  • To weave their webs, and never know they lie.
  • Hear, then, the fables that have gathered round
  • The lonely home an exiled stranger found.
  • THE EXILE'S SECRET
  • YE that have faced the billows and the spray
  • Of good St. Botolph's island-studded bay,
  • As from the gliding bark your eye has scanned
  • The beaconed rocks, the wave-girt hills of sand,
  • Have ye not marked one elm-o'ershadowed isle,
  • Round as the dimple chased in beauty's smile,--
  • A stain of verdure on an azure field,
  • Set like a jewel in a battered shield?
  • Fixed in the narrow gorge of Ocean's path,
  • Peaceful it meets him in his hour of wrath;
  • When the mailed Titan, scourged by hissing gales,
  • Writhes in his glistening coat of clashing scales,
  • The storm-beat island spreads its tranquil green,
  • Calm as an emerald on an angry queen.
  • So fair when distant should be fairer near;
  • A boat shall waft us from the outstretched pier.
  • The breeze blows fresh; we reach the island's edge,
  • Our shallop rustling through the yielding sedge.
  • No welcome greets us on the desert isle;
  • Those elms, far-shadowing, hide no stately pile
  • Yet these green ridges mark an ancient road;
  • And to! the traces of a fair abode;
  • The long gray line that marks a garden-wall,
  • And heaps of fallen beams,--fire-branded all.
  • Who sees unmoved, a ruin at his feet,
  • The lowliest home where human hearts have beat?
  • Its hearthstone, shaded with the bistre stain
  • A century's showery torrents wash in vain;
  • Its starving orchard, where the thistle blows
  • And mossy trunks still mark the broken rows;
  • Its chimney-loving poplar, oftenest seen
  • Next an old roof, or where a roof has been;
  • Its knot-grass, plantain,--all the social weeds,
  • Man's mute companions, following where he leads;
  • Its dwarfed, pale flowers, that show their straggling heads,
  • Sown by the wind from grass-choked garden-beds;
  • Its woodbine, creeping where it used to climb;
  • Its roses, breathing of the olden time;
  • All the poor shows the curious idler sees,
  • As life's thin shadows waste by slow degrees,
  • Till naught remains, the saddening tale to tell,
  • Save home's last wrecks,--the cellar and the well?
  • And whose the home that strews in black decay
  • The one green-glowing island of the bay?
  • Some dark-browed pirate's, jealous of the fate
  • That seized the strangled wretch of "Nix's Mate"?
  • Some forger's, skulking in a borrowed name,
  • Whom Tyburn's dangling halter yet may claim?
  • Some wan-eyed exile's, wealth and sorrow's heir,
  • Who sought a lone retreat for tears and prayer?
  • Some brooding poet's, sure of deathless fame,
  • Had not his epic perished in the flame?
  • Or some gray wooer's, whom a girlish frown
  • Chased from his solid friends and sober town?
  • Or some plain tradesman's, fond of shade and ease,
  • Who sought them both beneath these quiet trees?
  • Why question mutes no question can unlock,
  • Dumb as the legend on the Dighton rock?
  • One thing at least these ruined heaps declare,--
  • They were a shelter once; a man lived there.
  • But where the charred and crumbling records fail,
  • Some breathing lips may piece the half-told tale;
  • No man may live with neighbors such as these,
  • Though girt with walls of rock and angry seas,
  • And shield his home, his children, or his wife,
  • His ways, his means, his vote, his creed, his life,
  • From the dread sovereignty of Ears and Eyes
  • And the small member that beneath them lies.
  • They told strange things of that mysterious man;
  • Believe who will, deny them such as can;
  • Why should we fret if every passing sail
  • Had its old seaman talking on the rail?
  • The deep-sunk schooner stuffed with Eastern lime,
  • Slow wedging on, as if the waves were slime;
  • The knife-edged clipper with her ruffled spars,
  • The pawing steamer with her inane of stars,
  • The bull-browed galliot butting through the stream,
  • The wide-sailed yacht that slipped along her beam,
  • The deck-piled sloops, the pinched chebacco-boats,
  • The frigate, black with thunder-freighted throats,
  • All had their talk about the lonely man;
  • And thus, in varying phrase, the story ran.
  • His name had cost him little care to seek,
  • Plain, honest, brief, a decent name to speak,
  • Common, not vulgar, just the kind that slips
  • With least suggestion from a stranger's lips.
  • His birthplace England, as his speech might show,
  • Or his hale cheek, that wore the red-streak's glow;
  • His mouth sharp-moulded; in its mirth or scorn
  • There came a flash as from the milky corn,
  • When from the ear you rip the rustling sheath,
  • And the white ridges show their even teeth.
  • His stature moderate, but his strength confessed,
  • In spite of broadcloth, by his ample breast;
  • Full-armed, thick-handed; one that had been strong,
  • And might be dangerous still, if things went wrong.
  • He lived at ease beneath his elm-trees' shade,
  • Did naught for gain, yet all his debts were paid;
  • Rich, so 't was thought, but careful of his store;
  • Had all he needed, claimed to have no more.
  • But some that lingered round the isle at night
  • Spoke of strange stealthy doings in their sight;
  • Of creeping lonely visits that he made
  • To nooks and corners, with a torch and spade.
  • Some said they saw the hollow of a cave;
  • One, given to fables, swore it was a grave;
  • Whereat some shuddered, others boldly cried,
  • Those prowling boatmen lied, and knew they lied.
  • They said his house was framed with curious cares,
  • Lest some old friend might enter unawares;
  • That on the platform at his chamber's door
  • Hinged a loose square that opened through the floor;
  • Touch the black silken tassel next the bell,
  • Down, with a crash, the flapping trap-door fell;
  • Three stories deep the falling wretch would strike,
  • To writhe at leisure on a boarder's pike.
  • By day armed always; double-armed at night,
  • His tools lay round him; wake him such as might.
  • A carbine hung beside his India fan,
  • His hand could reach a Turkish ataghan;
  • Pistols, with quaint-carved stocks and barrels gilt,
  • Crossed a long dagger with a jewelled hilt;
  • A slashing cutlass stretched along the bed;--
  • All this was what those lying boatmen said.
  • Then some were full of wondrous stories told
  • Of great oak chests and cupboards full of gold;
  • Of the wedged ingots and the silver bars
  • That cost old pirates ugly sabre-scars;
  • How his laced wallet often would disgorge
  • The fresh-faced guinea of an English George,
  • Or sweated ducat, palmed by Jews of yore,
  • Or double Joe, or Portuguese moidore;
  • And how his finger wore a rubied ring
  • Fit for the white-necked play-girl of a king.
  • But these fine legends, told with staring eyes,
  • Met with small credence from the old and wise.
  • Why tell each idle guess, each whisper vain?
  • Enough: the scorched and cindered beams remain.
  • He came, a silent pilgrim to the West,
  • Some old-world mystery throbbing in his breast;
  • Close to the thronging mart he dwelt alone;
  • He lived; he died. The rest is all unknown.
  • Stranger, whose eyes the shadowy isle survey,
  • As the black steamer dashes through the bay,
  • Why ask his buried secret to divine?
  • He was thy brother; speak, and tell us thine!
  • . . . . . . . . . . .
  • Silence at first, a kind of spell-bound pause;
  • Then all the Teacups tinkled their applause;
  • When that was hushed no sound the stillness broke
  • Till once again the soft-voiced lady spoke:
  • "The Lover's Secret,--surely that must need
  • The youngest voice our table holds to read.
  • Which of our two 'Annexes' shall we choose?
  • Either were charming, neither will refuse;
  • But choose we must,--what better can we do
  • Than take the younger of the youthful two?"
  • True to the primal instinct of her sex,
  • "Why, that means me," half whispered each Annex.
  • "What if it does?" the voiceless question came,
  • That set those pale New England cheeks aflame;
  • "Our old-world scholar may have ways to teach
  • Of Oxford English, Britain's purest speech,--
  • She shall be youngest,--youngest for _to-day_,--
  • Our dates we'll fix hereafter as we may;
  • _All rights reserved_,--the words we know so well,
  • That guard the claims of books which never sell."
  • The British maiden bowed a pleased assent,
  • Her two long ringlets swinging as she bent;
  • The glistening eyes her eager soul looked through
  • Betrayed her lineage in their Saxon blue.
  • Backward she flung each too obtrusive curl
  • And thus began,--the rose-lipped English girl.
  • THE LOVER'S SECRET
  • WHAT ailed young Lucius? Art had vainly tried
  • To guess his ill, and found herself defied.
  • The Augur plied his legendary skill;
  • Useless; the fair young Roman languished still.
  • His chariot took him every cloudless day
  • Along the Pincian Hill or Appian Way;
  • They rubbed his wasted limbs with sulphurous oil,
  • Oozed from the far-off Orient's heated soil;
  • They led him tottering down the steamy path
  • Where bubbling fountains filled the thermal bath;
  • Borne in his litter to Egeria's cave,
  • They washed him, shivering, in her icy wave.
  • They sought all curious herbs and costly stones,
  • They scraped the moss that grew on dead men's bones,
  • They tried all cures the votive tablets taught,
  • Scoured every place whence healing drugs were brought,
  • O'er Thracian hills his breathless couriers ran,
  • His slaves waylaid the Syrian caravan.
  • At last a servant heard a stranger speak
  • A new chirurgeon's name; a clever Greek,
  • Skilled in his art; from Pergamus he came
  • To Rome but lately; GALEN was the name.
  • The Greek was called: a man with piercing eyes,
  • Who must be cunning, and who might be wise.
  • He spoke but little,--if they pleased, he said,
  • He 'd wait awhile beside the sufferer's bed.
  • So by his side he sat, serene and calm,
  • His very accents soft as healing balm;
  • Not curious seemed, but every movement spied,
  • His sharp eyes searching where they seemed to glide;
  • Asked a few questions,--what he felt, and where?
  • "A pain just here," "A constant beating there."
  • Who ordered bathing for his aches and ails?
  • "Charmis, the water-doctor from Marseilles."
  • What was the last prescription in his case?
  • "A draught of wine with powdered chrysoprase."
  • Had he no secret grief he nursed alone?
  • A pause; a little tremor; answer,--"None."
  • Thoughtful, a moment, sat the cunning leech,
  • And muttered "Eros!" in his native speech.
  • In the broad atrium various friends await
  • The last new utterance from the lips of fate;
  • Men, matrons, maids, they talk the question o'er,
  • And, restless, pace the tessellated floor.
  • Not unobserved the youth so long had pined
  • By gentle-hearted dames and damsels kind;
  • One with the rest, a rich Patrician's pride,
  • The lady Hermia, called "the golden-eyed";
  • The same the old Proconsul fain must woo,
  • Whom, one dark night, a masked sicarius slew;
  • The same black Crassus over roughly pressed
  • To hear his suit,--the Tiber knows the rest.
  • (Crassus was missed next morning by his set;
  • Next week the fishers found him in their net.)
  • She with the others paced the ample hall,
  • Fairest, alas! and saddest of them all.
  • At length the Greek declared, with puzzled face,
  • Some strange enchantment mingled in the case,
  • And naught would serve to act as counter-charm
  • Save a warm bracelet from a maiden's arm.
  • Not every maiden's,--many might be tried;
  • Which not in vain, experience must decide.
  • Were there no damsels willing to attend
  • And do such service for a suffering friend?
  • The message passed among the waiting crowd,
  • First in a whisper, then proclaimed aloud.
  • Some wore no jewels; some were disinclined,
  • For reasons better guessed at than defined;
  • Though all were saints,--at least professed to be,--
  • The list all counted, there were named but three.
  • The leech, still seated by the patient's side,
  • Held his thin wrist, and watched him, eagle-eyed.
  • Aurelia first, a fair-haired Tuscan girl,
  • Slipped off her golden asp, with eyes of pearl.
  • His solemn head the grave physician shook;
  • The waxen features thanked her with a look.
  • Olympia next, a creature half divine,
  • Sprung from the blood of old Evander's line,
  • Held her white arm, that wore a twisted chain
  • Clasped with an opal-sheeny cymophane.
  • In vain, O daughter I said the baffled Greek.
  • The patient sighed the thanks he could not speak.
  • Last, Hermia entered; look, that sudden start!
  • The pallium heaves above his leaping heart;
  • The beating pulse, the cheek's rekindled flame,
  • Those quivering lips, the secret all proclaim.
  • The deep disease long throbbing in the breast,
  • The dread enchantment, all at once confessed!
  • The case was plain; the treatment was begun;
  • And Love soon cured the mischief he had done.
  • Young Love, too oft thy treacherous bandage slips
  • Down from the eyes it blinded to the lips!
  • Ask not the Gods, O youth, for clearer sight,
  • But the bold heart to plead thy cause aright.
  • And thou, fair maiden, when thy lovers sigh,
  • Suspect thy flattering ear, but trust thine eye;
  • And learn this secret from the tale of old
  • No love so true as love that dies untold.
  • . . . . . . . . . .
  • "Bravo, Annex!" they shouted, every one,--
  • "Not Mrs. Kemble's self had better done."
  • "Quite so," she stammered in her awkward way,--
  • Not just the thing, but something she must say.
  • The teaspoon chorus tinkled to its close
  • When from his chair the MAN OF LAW arose,
  • Called by her voice whose mandate all obeyed,
  • And took the open volume she displayed.
  • Tall, stately, strong, his form begins to own
  • Some slight exuberance in its central zone,--
  • That comely fulness of the growing girth
  • Which fifty summers lend the sons of earth.
  • A smooth, round disk about whose margin stray,
  • Above the temples, glistening threads of gray;
  • Strong, deep-cut grooves by toilsome decades wrought
  • On brow and mouth, the battle-fields of thought;
  • A voice that lingers in the listener's ear,
  • Grave, calm, far-reaching, every accent clear,--
  • (Those tones resistless many a foreman knew
  • That shaped their verdict ere the twelve withdrew;)
  • A statesman's forehead, athlete's throat and jaw,
  • Such the proud semblance of the Man of Law.
  • His eye just lighted on the printed leaf,
  • Held as a practised pleader holds his brief.
  • One whispered softly from behind his cup,
  • "He does not read,--his book is wrong side up!
  • He knows the story that it holds by heart,--
  • So like his own! How well he'll act his part!"
  • Then all were silent; not a rustling fan
  • Stirred the deep stillness as the voice began.
  • THE STATESMAN'S SECRET
  • WHO of all statesmen is his country's pride,
  • Her councils' prompter and her leaders' guide?
  • He speaks; the nation holds its breath to hear;
  • He nods, and shakes the sunset hemisphere.
  • Born where the primal fount of Nature springs
  • By the rude cradles of her throneless kings,
  • In his proud eye her royal signet flames,
  • By his own lips her Monarch she proclaims.
  • Why name his countless triumphs, whom to meet
  • Is to be famous, envied in defeat?
  • The keen debaters, trained to brawls and strife,
  • Who fire one shot, and finish with the knife,
  • Tried him but once, and, cowering in their shame,
  • Ground their hacked blades to strike at meaner game.
  • The lordly chief, his party's central stay,
  • Whose lightest word a hundred votes obey,
  • Found a new listener seated at his side,
  • Looked in his eye, and felt himself defied,
  • Flung his rash gauntlet on the startled floor,
  • Met the all-conquering, fought,--and ruled no more.
  • See where he moves, what eager crowds attend!
  • What shouts of thronging multitudes ascend!
  • If this is life,--to mark with every hour
  • The purple deepening in his robes of power,
  • To see the painted fruits of honor fall
  • Thick at his feet, and choose among them all,
  • To hear the sounds that shape his spreading name
  • Peal through the myriad organ-stops of fame,
  • Stamp the lone isle that spots the seaman's chart,
  • And crown the pillared glory of the mart,
  • To count as peers the few supremely wise
  • Who mark their planet in the angels' eyes,--
  • If this is life--
  • What savage man is he
  • Who strides alone beside the sounding sea?
  • Alone he wanders by the murmuring shore,
  • His thoughts as restless as the waves that roar;
  • Looks on the sullen sky as stormy-browed
  • As on the waves yon tempest-brooding cloud,
  • Heaves from his aching breast a wailing sigh,
  • Sad as the gust that sweeps the clouded sky.
  • Ask him his griefs; what midnight demons plough
  • The lines of torture on his lofty brow;
  • Unlock those marble lips, and bid them speak
  • The mystery freezing in his bloodless cheek.
  • His secret? Hid beneath a flimsy word;
  • One foolish whisper that ambition heard;
  • And thus it spake: "Behold yon gilded chair,
  • The world's one vacant throne,--thy plate is there!"
  • Ah, fatal dream! What warning spectres meet
  • In ghastly circle round its shadowy seat!
  • Yet still the Tempter murmurs in his ear
  • The maddening taunt he cannot choose but hear
  • "Meanest of slaves, by gods and men accurst,
  • He who is second when he might be first
  • Climb with bold front the ladder's topmost round,
  • Or chain thy creeping footsteps to the ground!"
  • Illustrious Dupe! Have those majestic eyes
  • Lost their proud fire for such a vulgar prize?
  • Art thou the last of all mankind to know
  • That party-fights are won by aiming low?
  • Thou, stamped by Nature with her royal sign,
  • That party-hirelings hate a look like thine?
  • Shake from thy sense the wild delusive dream
  • Without the purple, art thou not supreme?
  • And soothed by love unbought, thy heart shall own
  • A nation's homage nobler than its throne!
  • . . . . . . . . . .
  • Loud rang the plaudits; with them rose the thought,
  • "Would he had learned the lesson he has taught!"
  • Used to the tributes of the noisy crowd,
  • The stately speaker calmly smiled and bowed;
  • The fire within a flushing cheek betrayed,
  • And eyes that burned beneath their penthouse shade.
  • "The clock strikes ten, the hours are flying fast,--
  • Now, Number Five, we've kept you till the last!"
  • What music charms like those caressing tones
  • Whose magic influence every listener owns,--
  • Where all the woman finds herself expressed,
  • And Heaven's divinest effluence breathes confessed?
  • Such was the breath that wooed our ravished ears,
  • Sweet as the voice a dreaming vestal hears;
  • Soft as the murmur of a brooding dove,
  • It told the mystery of a mother's love.
  • THE MOTHER'S SECRET
  • How sweet the sacred legend--if unblamed
  • In my slight verse such holy things are named--
  • Of Mary's secret hours of hidden joy,
  • Silent, but pondering on her wondrous boy!
  • Ave, Maria! Pardon, if I wrong
  • Those heavenly words that shame my earthly song!
  • The choral host had closed the Angel's strain
  • Sung to the listening watch on Bethlehem's plain,
  • And now the shepherds, hastening on their way,
  • Sought the still hamlet where the Infant lay.
  • They passed the fields that gleaning Ruth toiled o'er,--
  • They saw afar the ruined threshing-floor
  • Where Moab's daughter, homeless and forlorn,
  • Found Boaz slumbering by his heaps of corn;
  • And some remembered how the holy scribe,
  • Skilled in the lore of every jealous tribe,
  • Traced the warm blood of Jesse's royal son
  • To that fair alien, bravely wooed and won.
  • So fared they on to seek the promised sign,
  • That marked the anointed heir of David's line.
  • At last, by forms of earthly semblance led,
  • They found the crowded inn, the oxen's shed.
  • No pomp was there, no glory shone around
  • On the coarse straw that strewed the reeking ground;
  • One dim retreat a flickering torch betrayed,--
  • In that poor cell the Lord of Life was laid
  • The wondering shepherds told their breathless tale
  • Of the bright choir that woke the sleeping vale;
  • Told how the skies with sudden glory flamed,
  • Told how the shining multitude proclaimed,
  • "Joy, joy to earth! Behold the hallowed morn
  • In David's city Christ the Lord is born!
  • 'Glory to God!' let angels shout on high,
  • 'Good-will to men!' the listening earth reply!"
  • They spoke with hurried words and accents wild;
  • Calm in his cradle slept the heavenly child.
  • No trembling word the mother's joy revealed,--
  • One sigh of rapture, and her lips were sealed;
  • Unmoved she saw the rustic train depart,
  • But kept their words to ponder in her heart.
  • Twelve years had passed; the boy was fair and tall,
  • Growing in wisdom, finding grace with all.
  • The maids of Nazareth, as they trooped to fill
  • Their balanced urns beside the mountain rill,
  • The gathered matrons, as they sat and spun,
  • Spoke in soft words of Joseph's quiet son.
  • No voice had reached the Galilean vale
  • Of star-led kings, or awe-struck shepherd's tale;
  • In the meek, studious child they only saw
  • The future Rabbi, learned in Israel's law.
  • Beyond the hills that girt the village green;
  • Save when at midnight, o'er the starlit sands,
  • Snatched from the steel of Herod's murdering bands,
  • A babe, close folded to his mother's breast,
  • Through Edom's wilds he sought the sheltering West.
  • Then Joseph spake: "Thy boy hath largely grown;
  • Weave him fine raiment, fitting to be shown;
  • Fair robes beseem the pilgrim, as the priest;
  • Goes he not with us to the holy feast?"
  • And Mary culled the flaxen fibres white;
  • Till eve she spun; she spun till morning light.
  • The thread was twined; its parting meshes through
  • From hand to hand her restless shuttle flew,
  • Till the full web was wound upon the beam;
  • Love's curious toil,--a vest without a seam!
  • They reach the Holy Place, fulfil the days
  • To solemn feasting given, and grateful praise.
  • At last they turn, and far Moriah's height
  • Melts in the southern sky and fades from sight.
  • All day the dusky caravan has flowed
  • In devious trails along the winding road;
  • (For many a step their homeward path attends,
  • And all the sons of Abraham are as friends.)
  • Evening has come,--the hour of rest and joy,--
  • Hush! Hush! That whisper,--"Where is Mary's boy?"
  • Oh, weary hour! Oh, aching days that passed
  • Filled with strange fears each wilder than the last,--
  • The soldier's lance, the fierce centurion's sword,
  • The crushing wheels that whirl some Roman lord,
  • The midnight crypt that sucks the captive's breath,
  • The blistering sun on Hinnom's vale of death!
  • Thrice on his cheek had rained the morning light;
  • Thrice on his lips the mildewed kiss of night,
  • Crouched by a sheltering column's shining plinth,
  • Or stretched beneath the odorous terebinth.
  • At last, in desperate mood, they sought once more
  • The Temple's porches, searched in vain before;
  • They found him seated with the ancient men,--
  • The grim old rufflers of the tongue and pen,--
  • Their bald heads glistening as they clustered near,
  • Their gray beards slanting as they turned to hear,
  • Lost in half-envious wonder and surprise
  • That lips so fresh should utter words so wise.
  • And Mary said,--as one who, tried too long,
  • Tells all her grief and half her sense of wrong,--
  • What is this thoughtless thing which thou hast done?
  • Lo, we have sought thee sorrowing, O my son!
  • Few words he spake, and scarce of filial tone,
  • Strange words, their sense a mystery yet unknown;
  • Then turned with them and left the holy hill,
  • To all their mild commands obedient still.
  • The tale was told to Nazareth's sober men,
  • And Nazareth's matrons told it oft again;
  • The maids retold it at the fountain's side,
  • The youthful shepherds doubted or denied;
  • It passed around among the listening friends,
  • With all that fancy adds and fiction lends,
  • Till newer marvels dimmed the young renown
  • Of Joseph's son, who talked the Rabbis down.
  • But Mary, faithful to its lightest word,
  • Kept in her heart the sayings she had heard,
  • Till the dread morning rent the Temple's veil,
  • And shuddering earth confirmed the wondrous tale.
  • Youth fades; love droops; the leaves of friendship fall
  • A mother's secret hope outlives them all.
  • . . . . . . . . . . .
  • Hushed was the voice, but still its accents thrilled
  • The throbbing hearts its lingering sweetness filled.
  • The simple story which a tear repays
  • Asks not to share the noisy breath of praise.
  • A trance-like stillness,--scarce a whisper heard,
  • No tinkling teaspoon in its saucer stirred;
  • A deep-drawn sigh that would not be suppressed,
  • A sob, a lifted kerchief told the rest.
  • "Come now, Dictator," so the lady spoke,
  • "You too must fit your shoulder to the yoke;
  • You'll find there's something, doubtless, if you look,
  • To serve your purpose,--so, now take the book."
  • "Ah, my dear lady, you must know full well,
  • 'Story, God bless you, I have none to tell.'
  • To those five stories which these pages hold
  • You all have listened,--every one is told.
  • There's nothing left to make you smile or weep,--
  • A few grave thoughts may work you off to sleep."
  • THE SECRET OF THE STARS
  • Is man's the only throbbing heart that hides
  • The silent spring that feeds its whispering tides?
  • Speak from thy caverns, mystery-breeding Earth,
  • Tell the half-hinted story of thy birth,
  • And calm the noisy champions who have thrown
  • The book of types against the book of stone!
  • Have ye not secrets, ye refulgent spheres,
  • No sleepless listener of the starlight hears?
  • In vain the sweeping equatorial pries
  • Through every world-sown corner of the skies,
  • To the far orb that so remotely strays
  • Our midnight darkness is its noonday blaze;
  • In vain the climbing soul of creeping man
  • Metes out the heavenly concave with a span,
  • Tracks into space the long-lost meteor's trail,
  • And weighs an unseen planet in the scale;
  • Still o'er their doubts the wan-eyed watchers sigh,
  • And Science lifts her still unanswered cry
  • "Are all these worlds, that speed their circling flight,
  • Dumb, vacant, soulless,--baubles of the night?
  • Warmed with God's smile and wafted by his breath,
  • To weave in ceaseless round the dance of Death?
  • Or rolls a sphere in each expanding zone,
  • Crowned with a life as varied as our own?"
  • Maker of earth and stars! If thou hast taught
  • By what thy voice hath spoke, thy hand hath wrought,
  • By all that Science proves, or guesses true,
  • More than thy poet dreamed, thy prophet knew,--
  • The heavens still bow in darkness at thy feet,
  • And shadows veil thy cloud-pavilioned seat!
  • Not for ourselves we ask thee to reveal
  • One awful word beneath the future's seal;
  • What thou shalt tell us, grant us strength to bear;
  • What thou withholdest is thy single care.
  • Not for ourselves; the present clings too fast,
  • Moored to the mighty anchors of the past;
  • But when, with angry snap, some cable parts,
  • The sound re-echoing in our startled hearts,--
  • When, through the wall that clasps the harbor round,
  • And shuts the raving ocean from its bound,
  • Shattered and rent by sacrilegious hands,
  • The first mad billow leaps upon the sands,--
  • Then to the Future's awful page we turn,
  • And what we question hardly dare to learn.
  • Still let us hope! for while we seem to tread
  • The time-worn pathway of the nations dead,
  • Though Sparta laughs at all our warlike deeds,
  • And buried Athens claims our stolen creeds,
  • Though Rome, a spectre on her broken throne,
  • Beholds our eagle and recalls her own,
  • Though England fling her pennons on the breeze
  • And reign before us Mistress of the seas,--
  • While calm-eyed History tracks us circling round
  • Fate's iron pillar where they all were bound,
  • Still in our path a larger curve she finds,
  • The spiral widening as the chain unwinds
  • Still sees new beacons crowned with brighter flame
  • Than the old watch-fires, like, but not the same
  • No shameless haste shall spot with bandit-crime
  • Our destined empire snatched before its time.
  • Wait,--wait, undoubting, for the winds have caught
  • From our bold speech the heritage of thought;
  • No marble form that sculptured truth can wear
  • Vies with the image shaped in viewless air;
  • And thought unfettered grows through speech to deeds,
  • As the broad forest marches in its seeds.
  • What though we perish ere the day is won?
  • Enough to see its glorious work begun!
  • The thistle falls before a trampling clown,
  • But who can chain the flying thistle-down?
  • Wait while the fiery seeds of freedom fly,
  • The prairie blazes when the grass is dry!
  • What arms might ravish, leave to peaceful arts,
  • Wisdom and love shall win the roughest hearts;
  • So shall the angel who has closed for man
  • The blissful garden since his woes began
  • Swing wide the golden portals of the West,
  • And Eden's secret stand at length confessed!
  • . . . . . . . . . . .
  • The reader paused; in truth he thought it time,--
  • Some threatening signs accused the drowsy rhyme.
  • The Mistress nodded, the Professor dozed,
  • The two Annexes sat with eyelids closed,--
  • Not sleeping,--no! But when one shuts one's eyes,
  • That one hears better no one, sure, denies.
  • The Doctor whispered in Delilah's ear,
  • Or seemed to whisper, for their heads drew near.
  • Not all the owner's efforts could restrain
  • The wild vagaries of the squinting brain,--
  • Last of the listeners Number Five alone
  • The patient reader still could call his own.
  • "Teacups, arouse!" 'T was thus the spell I broke;
  • The drowsy started and the slumberers woke.
  • "The sleep I promised you have now enjoyed,
  • Due to your hour of labor well employed.
  • Swiftly the busy moments have been passed;
  • This, our first 'Teacups,' must not be our last.
  • Here, on this spot, now consecrated ground,
  • The Order of 'The Teacups' let us found!
  • By winter's fireside and in summer's bower
  • Still shall it claim its ever-welcome hour,
  • In distant regions where our feet may roam
  • The magic teapot find or make a home;
  • Long may its floods their bright infusion pour,
  • Till time and teacups both shall be no more!"
  • VERSES FROM THE OLDEST PORTFOLIO
  • FROM THE "COLLEGIAN," 1830, ILLUSTRATED ANNUALS, ETC.
  • Nescit vox missa reverti.--Horat. Ars Poetica.
  • Ab lis qua non adjuvant quam mollissime oportet pedem referre.--
  • Quintillian, L. VI. C. 4.
  • These verses have always been printed in my collected poems, and as the
  • best of them may bear a single reading, I allow them to appear, but in a
  • less conspicuous position than the other productions. A chick, before
  • his shell is off his back, is hardly a fair subject for severe criticism.
  • If one has written anything worth preserving, his first efforts may be
  • objects of interest and curiosity. Other young authors may take
  • encouragement from seeing how tame, how feeble, how commonplace were the
  • rudimentary attempts of the half-fledged poet. If the boy or youth had
  • anything in him, there will probably be some sign of it in the midst of
  • his imitative mediocrities and ambitious failures. These "first verses"
  • of mine, written before I was sixteen, have little beyond a common
  • academy boy's ordinary performance. Yet a kindly critic said there was
  • one line which showed a poetical quality:--
  • "The boiling ocean trembled into calm."
  • One of these poems--the reader may guess which--won fair words from
  • Thackeray. The Spectre Pig was a wicked suggestion which came into my
  • head after reading Dana's Buccaneer. Nobody seemed to find it out, and
  • I never mentioned it to the venerable poet, who might not have been
  • pleased with the parody. This is enough to say of these unvalued copies
  • of verses.
  • FIRST VERSES
  • PHILLIPS ACADEMY, ANDOVER, MASS., 1824 OR 1825
  • TRANSLATION FROM THE ENEID, BOOK I.
  • THE god looked out upon the troubled deep
  • Waked into tumult from its placid sleep;
  • The flame of anger kindles in his eye
  • As the wild waves ascend the lowering sky;
  • He lifts his head above their awful height
  • And to the distant fleet directs his sight,
  • Now borne aloft upon the billow's crest,
  • Struck by the bolt or by the winds oppressed,
  • And well he knew that Juno's vengeful ire
  • Frowned from those clouds and sparkled in that fire.
  • On rapid pinions as they whistled by
  • He calls swift Zephyrus and Eurus nigh
  • Is this your glory in a noble line
  • To leave your confines and to ravage mine?
  • Whom I--but let these troubled waves subside--
  • Another tempest and I'll quell your pride!
  • Go--bear our message to your master's ear,
  • That wide as ocean I am despot here;
  • Let him sit monarch in his barren caves,
  • I wield the trident and control the waves
  • He said, and as the gathered vapors break
  • The swelling ocean seemed a peaceful lake;
  • To lift their ships the graceful nymphs essayed
  • And the strong trident lent its powerful aid;
  • The dangerous banks are sunk beneath the main,
  • And the light chariot skims the unruffled plain.
  • As when sedition fires the public mind,
  • And maddening fury leads the rabble blind,
  • The blazing torch lights up the dread alarm,
  • Rage points the steel and fury nerves the arm,
  • Then, if some reverend Sage appear in sight,
  • They stand--they gaze, and check their headlong flight,--
  • He turns the current of each wandering breast
  • And hushes every passion into rest,--
  • Thus by the power of his imperial arm
  • The boiling ocean trembled into calm;
  • With flowing reins the father sped his way
  • And smiled serene upon rekindled day.
  • THE MEETING OF THE DRYADS
  • Written after a general pruning of the trees around Harvard College.
  • A little poem, on a similar occasion, may be found in the works of Swift,
  • from which, perhaps, the idea was borrowed; although I was as much
  • surprised as amused to meet with it some time after writing the following
  • lines.
  • IT was not many centuries since,
  • When, gathered on the moonlit green,
  • Beneath the Tree of Liberty,
  • A ring of weeping sprites was seen.
  • The freshman's lamp had long been dim,
  • The voice of busy day was mute,
  • And tortured Melody had ceased
  • Her sufferings on the evening flute.
  • They met not as they once had met,
  • To laugh o'er many a jocund tale
  • But every pulse was beating low,
  • And every cheek was cold and pale.
  • There rose a fair but faded one,
  • Who oft had cheered them with her song;
  • She waved a mutilated arm,
  • And silence held the listening throng.
  • "Sweet friends," the gentle nymph began,
  • "From opening bud to withering leaf,
  • One common lot has bound us all,
  • In every change of joy and grief.
  • "While all around has felt decay,
  • We rose in ever-living prime,
  • With broader shade and fresher green,
  • Beneath the crumbling step of Time.
  • "When often by our feet has past
  • Some biped, Nature's walking whim,
  • Say, have we trimmed one awkward shape,
  • Or lopped away one crooked limb?
  • "Go on, fair Science; soon to thee
  • Shall. Nature yield her idle boast;
  • Her vulgar fingers formed a tree,
  • But thou halt trained it to a post.
  • "Go, paint the birch's silver rind,
  • And quilt the peach with softer down;
  • Up with the willow's trailing threads,
  • Off with the sunflower's radiant crown!
  • "Go, plant the lily on the shore,
  • And set the rose among the waves,
  • And bid the tropic bud unbind
  • Its silken zone in arctic caves;
  • "Bring bellows for the panting winds,
  • Hang up a lantern by the moon,
  • And give the nightingale a fife,
  • And lend the eagle a balloon!
  • "I cannot smile,--the tide of scorn,
  • That rolled through every bleeding vein,
  • Comes kindling fiercer as it flows
  • Back to its burning source again.
  • "Again in every quivering leaf
  • That moment's agony I feel,
  • When limbs, that spurned the northern blast,
  • Shrunk from the sacrilegious steel.
  • "A curse upon the wretch who dared
  • To crop us with his felon saw!
  • May every fruit his lip shall taste
  • Lie like a bullet in his maw.
  • "In every julep that he drinks,
  • May gout, and bile, and headache be;
  • And when he strives to calm his pain,
  • May colic mingle with his tea.
  • "May nightshade cluster round his path,
  • And thistles shoot, and brambles cling;
  • May blistering ivy scorch his veins,
  • And dogwood burn, and nettles sting.
  • "On him may never shadow fall,
  • When fever racks his throbbing brow,
  • And his last shilling buy a rope
  • To hang him on my highest bough!"
  • She spoke;--the morning's herald beam
  • Sprang from the bosom of the sea,
  • And every mangled sprite returned
  • In sadness to her wounded tree.
  • THE MYSTERIOUS VISITOR
  • THERE was a sound of hurrying feet,
  • A tramp on echoing stairs,
  • There was a rush along the aisles,--
  • It was the hour of prayers.
  • And on, like Ocean's midnight wave,
  • The current rolled along,
  • When, suddenly, a stranger form
  • Was seen amidst the throng.
  • He was a dark and swarthy man,
  • That uninvited guest;
  • A faded coat of bottle-green
  • Was buttoned round his breast.
  • There was not one among them all
  • Could say from whence he came;
  • Nor beardless boy, nor ancient man,
  • Could tell that stranger's name.
  • All silent as the sheeted dead,
  • In spite of sneer and frown,
  • Fast by a gray-haired senior's side
  • He sat him boldly down.
  • There was a look of horror flashed
  • From out the tutor's eyes;
  • When all around him rose to pray,
  • The stranger did not rise!
  • A murmur broke along the crowd,
  • The prayer was at an end;
  • With ringing heels and measured tread,
  • A hundred forms descend.
  • Through sounding aisle, o'er grating stair,
  • The long procession poured,
  • Till all were gathered on the seats
  • Around the Commons board.
  • That fearful stranger! down he sat,
  • Unasked, yet undismayed;
  • And on his lip a rising smile
  • Of scorn or pleasure played.
  • He took his hat and hung it up,
  • With slow but earnest air;
  • He stripped his coat from off his back,
  • And placed it on a chair.
  • Then from his nearest neighbor's side
  • A knife and plate he drew;
  • And, reaching out his hand again,
  • He took his teacup too.
  • How fled the sugar from the bowl
  • How sunk the azure cream!
  • They vanished like the shapes that float
  • Upon a summer's dream.
  • A long, long draught,--an outstretched hand,--
  • And crackers, toast, and tea,
  • They faded from the stranger's touch,
  • Like dew upon the sea.
  • Then clouds were dark on many a brow,
  • Fear sat upon their souls,
  • And, in a bitter agony,
  • They clasped their buttered rolls.
  • A whisper trembled through the crowd,
  • Who could the stranger be?
  • And some were silent, for they thought
  • A cannibal was he.
  • What if the creature should arise,--
  • For he was stout and tall,--
  • And swallow down a sophomore,
  • Coat, crow's-foot, cap, and all!
  • All sullenly the stranger rose;
  • They sat in mute despair;
  • He took his hat from off the peg,
  • His coat from off the chair.
  • Four freshmen fainted on the seat,
  • Six swooned upon the floor;
  • Yet on the fearful being passed,
  • And shut the chapel door.
  • There is full many a starving man,
  • That walks in bottle green,
  • But never more that hungry one
  • In Commons hall was seen.
  • Yet often at the sunset hour,
  • When tolls the evening bell,
  • The freshman lingers on the steps,
  • That frightful tale to tell.
  • THE TOADSTOOL
  • THERE 's a thing that grows by the fainting flower,
  • And springs in the shade of the lady's bower;
  • The lily shrinks, and the rose turns pale,
  • When they feel its breath in the summer gale,
  • And the tulip curls its leaves in pride,
  • And the blue-eyed violet starts aside;
  • But the lily may flaunt, and the tulip stare,
  • For what does the honest toadstool care?
  • She does not glow in a painted vest,
  • And she never blooms on the maiden's breast;
  • But she comes, as the saintly sisters do,
  • In a modest suit of a Quaker hue.
  • And, when the stars in the evening skies
  • Are weeping dew from their gentle eyes,
  • The toad comes out from his hermit cell,
  • The tale of his faithful love to tell.
  • Oh, there is light in her lover's glance,
  • That flies to her heart like a silver lance;
  • His breeches are made of spotted skin,
  • His jacket 'is tight, and his pumps are thin;
  • In a cloudless night you may hear his song,
  • As its pensive melody floats along,
  • And, if you will look by the moonlight fair,
  • The trembling form of the toad is there.
  • And he twines his arms round her slender stem,
  • In the shade of her velvet diadem;
  • But she turns away in her maiden shame,
  • And will not breathe on the kindling flame;
  • He sings at her feet through the live-long night,
  • And creeps to his cave at the break of light;
  • And whenever he comes to the air above,
  • His throat is swelling with baffled love.
  • THE SPECTRE PIG
  • A BALLAD
  • IT was the stalwart butcher man,
  • That knit his swarthy brow,
  • And said the gentle Pig must die,
  • And sealed it with a vow.
  • And oh! it was the gentle Pig
  • Lay stretched upon the ground,
  • And ah! it was the cruel knife
  • His little heart that found.
  • They took him then, those wicked men,
  • They trailed him all along;
  • They put a stick between his lips,
  • And through his heels a thong;
  • And round and round an oaken beam
  • A hempen cord they flung,
  • And, like a mighty pendulum,
  • All solemnly he swung!
  • Now say thy prayers, thou sinful man,
  • And think what thou hast done,
  • And read thy catechism well,
  • Thou bloody-minded one;
  • For if his sprite should walk by night,
  • It better were for thee,
  • That thou wert mouldering in the ground,
  • Or bleaching in the sea.
  • It was the savage butcher then,
  • That made a mock of sin,
  • And swore a very wicked oath,
  • He did not care a pin.
  • It was the butcher's youngest son,--
  • His voice was broke with sighs,
  • And with his pocket-handkerchief
  • He wiped his little eyes;
  • All young and ignorant was he,
  • But innocent and mild,
  • And, in his soft simplicity,
  • Out spoke the tender child:--
  • "Oh, father, father, list to me;
  • The Pig is deadly sick,
  • And men have hung him by his heels,
  • And fed him with a stick."
  • It was the bloody butcher then,
  • That laughed as he would die,
  • Yet did he soothe the sorrowing child,
  • And bid him not to cry;--
  • "Oh, Nathan, Nathan, what's a Pig,
  • That thou shouldst weep and wail?
  • Come, bear thee like a butcher's child,
  • And thou shalt have his tail!"
  • It was the butcher's daughter then,
  • So slender and so fair,
  • That sobbed as it her heart would break,
  • And tore her yellow hair;
  • And thus she spoke in thrilling tone,--
  • Fast fell the tear-drops big:--
  • "Ah! woe is me! Alas! Alas!
  • The Pig! The Pig! The Pig!"
  • Then did her wicked father's lips
  • Make merry with her woe,
  • And call her many a naughty name,
  • Because she whimpered so.
  • Ye need not weep, ye gentle ones,
  • In vain your tears are shed,
  • Ye cannot wash his crimson hand,
  • Ye cannot soothe the dead.
  • The bright sun folded on his breast
  • His robes of rosy flame,
  • And softly over all the west
  • The shades of evening came.
  • He slept, and troops of murdered Pigs
  • Were busy with his dreams;
  • Loud rang their wild, unearthly shrieks,
  • Wide yawned their mortal seams.
  • The clock struck twelve; the Dead hath heard;
  • He opened both his eyes,
  • And sullenly he shook his tail
  • To lash the feeding flies.
  • One quiver of the hempen cord,--
  • One struggle and one bound,--
  • With stiffened limb and leaden eye,
  • The Pig was on the ground.
  • And straight towards the sleeper's house
  • His fearful way he wended;
  • And hooting owl and hovering bat
  • On midnight wing attended.
  • Back flew the bolt, up rose the latch,
  • And open swung the door,
  • And little mincing feet were heard
  • Pat, pat along the floor.
  • Two hoofs upon the sanded floor,
  • And two upon the bed;
  • And they are breathing side by side,
  • The living and the dead!
  • "Now wake, now wake, thou butcher man!
  • What makes thy cheek so pale?
  • Take hold! take hold! thou dost not fear
  • To clasp a spectre's tail?"
  • Untwisted every winding coil;
  • The shuddering wretch took hold,
  • All like an icicle it seemed,
  • So tapering and so cold.
  • "Thou com'st with me, thou butcher man!"--
  • He strives to loose his grasp,
  • But, faster than the clinging vine,
  • Those twining spirals clasp;
  • And open, open swung the door,
  • And, fleeter than the wind,
  • The shadowy spectre swept before,
  • The butcher trailed behind.
  • Fast fled the darkness of the night,
  • And morn rose faint and dim;
  • They called full loud, they knocked full long,
  • They did not waken him.
  • Straight, straight towards that oaken beam,
  • A trampled pathway ran;
  • A ghastly shape was swinging there,--
  • It was the butcher man.
  • TO A CAGED LION
  • Poor conquered monarch! though that haughty glance
  • Still speaks thy courage unsubdued by time,
  • And in the grandeur of thy sullen tread
  • Lives the proud spirit of thy burning clime;--
  • Fettered by things that shudder at thy roar,
  • Torn from thy pathless wilds to pace this narrow floor!
  • Thou wast the victor, and all nature shrunk
  • Before the thunders of thine awful wrath;
  • The steel-armed hunter viewed thee from afar,
  • Fearless and trackless in thy lonely path!
  • The famished tiger closed his flaming eye,
  • And crouched and panted as thy step went by!
  • Thou art the vanquished, and insulting man
  • Bars thy broad bosom as a sparrow's wing;
  • His nerveless arms thine iron sinews bind,
  • And lead in chains the desert's fallen king;
  • Are these the beings that have dared to twine
  • Their feeble threads around those limbs of thine?
  • So must it be; the weaker, wiser race,
  • That wields the tempest and that rides the sea,
  • Even in the stillness of thy solitude
  • Must teach the lesson of its power to thee;
  • And thou, the terror of the trembling wild,
  • Must bow thy savage strength, the mockery of a child!
  • THE STAR AND THE WATER-LILY
  • THE sun stepped down from his golden throne.
  • And lay in the silent sea,
  • And the Lily had folded her satin leaves,
  • For a sleepy thing was she;
  • What is the Lily dreaming of?
  • Why crisp the waters blue?
  • See, see, she is lifting her varnished lid!
  • Her white leaves are glistening through!
  • The Rose is cooling his burning cheek
  • In the lap of the breathless tide;--
  • The Lily hath sisters fresh and fair,
  • That would lie by the Rose's side;
  • He would love her better than all the rest,
  • And he would be fond and true;--
  • But the Lily unfolded her weary lids,
  • And looked at the sky so blue.
  • Remember, remember, thou silly one,
  • How fast will thy summer glide,
  • And wilt thou wither a virgin pale,
  • Or flourish a blooming bride?
  • Oh, the Rose is old, and thorny, and cold,
  • "And he lives on earth," said she;
  • "But the Star is fair and he lives in the air,
  • And he shall my bridegroom be."
  • But what if the stormy cloud should come,
  • And ruffle the silver sea?
  • Would he turn his eye from the distant sky,
  • To smile on a thing like thee?
  • Oh no, fair Lily, he will not send
  • One ray from his far-off throne;
  • The winds shall blow and the waves shall flow,
  • And thou wilt be left alone.
  • There is not a leaf on the mountain-top,
  • Nor a drop of evening dew,
  • Nor a golden sand on the sparkling shore,
  • Nor a pearl in the waters blue,
  • That he has not cheered with his fickle smile,
  • And warmed with his faithless beam,--
  • And will he be true to a pallid flower,
  • That floats on the quiet stream?
  • Alas for the Lily! she would not heed,
  • But turned to the skies afar,
  • And bared her breast to the trembling ray
  • That shot from the rising star;
  • The cloud came over the darkened sky,
  • And over the waters wide
  • She looked in vain through the beating rain,
  • And sank in the stormy tide.
  • ILLUSTRATION OF A PICTURE
  • "A SPANISH GIRL IN REVERIE,"
  • SHE twirled the string of golden beads,
  • That round her neck was hung,---
  • My grandsire's gift; the good old man
  • Loved girls when he was young;
  • And, bending lightly o'er the cord,
  • And turning half away,
  • With something like a youthful sigh,
  • Thus spoke the maiden gray:--
  • "Well, one may trail her silken robe,
  • And bind her locks with pearls,
  • And one may wreathe the woodland rose
  • Among her floating curls;
  • And one may tread the dewy grass,
  • And one the marble floor,
  • Nor half-hid bosom heave the less,
  • Nor broidered corset more!
  • "Some years ago, a dark-eyed girl
  • Was sitting in the shade,--
  • There's something brings her to my mind
  • In that young dreaming maid,--
  • And in her hand she held a flower,
  • A flower, whose speaking hue
  • Said, in the language of the heart,
  • 'Believe the giver true.'
  • "And, as she looked upon its leaves,
  • The maiden made a vow
  • To wear it when the bridal wreath
  • Was woven for her brow;
  • She watched the flower, as, day by day,
  • The leaflets curled and died;
  • But he who gave it never came
  • To claim her for his bride.
  • "Oh, many a summer's morning glow
  • Has lent the rose its ray,
  • And many a winter's drifting snow
  • Has swept its bloom away;
  • But she has kept that faithless pledge
  • To this, her winter hour,
  • And keeps it still, herself alone,
  • And wasted like the flower."
  • Her pale lip quivered, and the light
  • Gleamed in her moistening eyes;--
  • I asked her how she liked the tints
  • In those Castilian skies?
  • "She thought them misty,--'t was perhaps
  • Because she stood too near;"
  • She turned away, and as she turned
  • I saw her wipe a tear.
  • A ROMAN AQUEDUCT
  • THE sun-browned girl, whose limbs recline
  • When noon her languid hand has laid
  • Hot on the green flakes of the pine,
  • Beneath its narrow disk of shade;
  • As, through the flickering noontide glare,
  • She gazes on the rainbow chain
  • Of arches, lifting once in air
  • The rivers of the Roman's plain;--
  • Say, does her wandering eye recall
  • The mountain-current's icy wave,--
  • Or for the dead one tear let fall,
  • Whose founts are broken by their grave?
  • From stone to stone the ivy weaves
  • Her braided tracery's winding veil,
  • And lacing stalks and tangled leaves
  • Nod heavy in the drowsy gale.
  • And lightly floats the pendent vine,
  • That swings beneath her slender bow,
  • Arch answering arch,--whose rounded line
  • Seems mirrored in the wreath below.
  • How patient Nature smiles at Fame!
  • The weeds, that strewed the victor's way,
  • Feed on his dust to shroud his name,
  • Green where his proudest towers decay.
  • See, through that channel, empty now,
  • The scanty rain its tribute pours,--
  • Which cooled the lip and laved the brow
  • Of conquerors from a hundred shores.
  • Thus bending o'er the nation's bier,
  • Whose wants the captive earth supplied,
  • The dew of Memory's passing tear
  • Falls on the arches of her pride!
  • FROM A BACHELOR'S PRIVATE JOURNAL
  • SWEET Mary, I have never breathed
  • The love it were in vain to name;
  • Though round my heart a serpent wreathed,
  • I smiled, or strove to smile, the same.
  • Once more the pulse of Nature glows
  • With faster throb and fresher fire,
  • While music round her pathway flows,
  • Like echoes from a hidden lyre.
  • And is there none with me to share
  • The glories of the earth and sky?
  • The eagle through the pathless air
  • Is followed by one burning eye.
  • Ah no! the cradled flowers may wake,
  • Again may flow the frozen sea,
  • From every cloud a star may break,--
  • There conies no second spring to me.
  • Go,--ere the painted toys of youth
  • Are crushed beneath the tread of years;
  • Ere visions have been chilled to truth,
  • And hopes are washed away in tears.
  • Go,--for I will not bid thee weep,--
  • Too soon my sorrows will be thine,
  • And evening's troubled air shall sweep
  • The incense from the broken shrine.
  • If Heaven can hear the dying tone
  • Of chords that soon will cease to thrill,
  • The prayer that Heaven has heard alone
  • May bless thee when those chords are still.
  • LA GRISETTE
  • As Clemence! when I saw thee last
  • Trip down the Rue de Seine,
  • And turning, when thy form had past,
  • I said, "We meet again,"--
  • I dreamed not in that idle glance
  • Thy latest image came,
  • And only left to memory's trance
  • A shadow and a name.
  • The few strange words my lips had taught
  • Thy timid voice to speak,
  • Their gentler signs, which often brought
  • Fresh roses to thy cheek,
  • The trailing of thy long loose hair
  • Bent o'er my couch of pain,
  • All, all returned, more sweet, more fair;
  • Oh, had we met again!
  • I walked where saint and virgin keep
  • The vigil lights of Heaven,
  • I knew that thou hadst woes to weep,
  • And sins to be forgiven;
  • I watched where Genevieve was laid,
  • I knelt by Mary's shrine,
  • Beside me low, soft voices prayed;
  • Alas! but where was thine?
  • And when the morning sun was bright,
  • When wind and wave were calm,
  • And flamed, in thousand-tinted light,
  • The rose of Notre Dame,
  • I wandered through the haunts of men,
  • From Boulevard to Quai,
  • Till, frowning o'er Saint Etienne,
  • The Pantheon's shadow lay.
  • In vain, in vain; we meet no more,
  • Nor dream what fates befall;
  • And long upon the stranger's shore
  • My voice on thee may call,
  • When years have clothed the line in moss
  • That tells thy name and days,
  • And withered, on thy simple cross,
  • The wreaths of Pere-la-Chaise!
  • OUR YANKEE GIRLS
  • LET greener lands and bluer skies,
  • If such the wide earth shows,
  • With fairer cheeks and brighter eyes,
  • Match us the star and rose;
  • The winds that lift the Georgian's veil,
  • Or wave Circassia's curls,
  • Waft to their shores the sultan's sail,--
  • Who buys our Yankee girls?
  • The gay grisette, whose fingers touch
  • Love's thousand chords so well;
  • The dark Italian, loving much,
  • But more than one can tell;
  • And England's fair-haired, blue-eyed dame,
  • Who binds her brow with pearls;--
  • Ye who have seen them, can they shame
  • Our own sweet Yankee girls?
  • And what if court or castle vaunt
  • Its children loftier born?--
  • Who heeds the silken tassel's flaunt
  • Beside the golden corn?
  • They ask not for the dainty toil
  • Of ribboned knights and earls,
  • The daughters of the virgin soil,
  • Our freeborn Yankee girls!
  • By every hill whose stately pines
  • Wave their dark arms above
  • The home where some fair being shines,
  • To warm the wilds with love,
  • From barest rock to bleakest shore
  • Where farthest sail unfurls,
  • That stars and stripes are streaming o'er,--
  • God bless our Yankee girls!
  • L'INCONNUE
  • Is thy name Mary, maiden fair?
  • Such should, methinks, its music be;
  • The sweetest name that mortals bear
  • Were best befitting thee;
  • And she to whom it once was given,
  • Was half of earth and half of heaven.
  • I hear thy voice, I see thy smile,
  • I look upon thy folded hair;
  • Ah! while we dream not they beguile,
  • Our hearts are in the snare;
  • And she who chains a wild bird's wing
  • Must start not if her captive sing.
  • So, lady, take the leaf that falls,
  • To all but thee unseen, unknown;
  • When evening shades thy silent walls,
  • Then read it all alone;
  • In stillness read, in darkness seal,
  • Forget, despise, but not reveal!
  • STANZAS
  • STRANGE! that one lightly whispered tone
  • Is far, far sweeter unto me,
  • Than all the sounds that kiss the earth,
  • Or breathe along the sea;
  • But, lady, when thy voice I greet,
  • Not heavenly music seems so sweet.
  • I look upon the fair blue skies,
  • And naught but empty air I see;
  • But when I turn me to thin eyes,
  • It seemeth unto me
  • Ten thousand angels spread their wings
  • Within those little azure rings.
  • The lily bath the softest leaf
  • That ever western breeze bath fanned,
  • But thou shalt have the tender flower,
  • So I may take thy hand;
  • That little hand to me doth yield
  • More joy than all the broidered field.
  • O lady! there be many things
  • That seem right fair, below, above;
  • But sure not one among them all
  • Is half so sweet as love;--
  • Let us not pay our vows alone,
  • But join two altars both in one.
  • LINES BY A CLERK
  • OH! I did love her dearly,
  • And gave her toys and rings,
  • And I thought she meant sincerely,
  • When she took my pretty things.
  • But her heart has grown as icy
  • As a fountain in the fall,
  • And her love, that was so spicy,
  • It did not last at all.
  • I gave her once a locket,
  • It was filled with my own hair,
  • And she put it in her pocket
  • With very special care.
  • But a jeweller has got it,--
  • He offered it to me,--
  • And another that is not it
  • Around her neck I see.
  • For my cooings and my billings
  • I do not now complain,
  • But my dollars and my shillings
  • Will never come again;
  • They were earned with toil and sorrow,
  • But I never told her that,
  • And now I have to borrow,
  • And want another hat.
  • Think, think, thou cruel Emma,
  • When thou shalt hear my woe,
  • And know my sad dilemma,
  • That thou hast made it so.
  • See, see my beaver rusty,
  • Look, look upon this hole,
  • This coat is dim and dusty;
  • Oh let it rend thy soul!
  • Before the gates of fashion
  • I daily bent my knee,
  • But I sought the shrine of passion,
  • And found my idol,--thee.
  • Though never love intenser
  • Had bowed a soul before it,
  • Thine eye was on the censer,
  • And not the hand that bore it.
  • THE PHILOSOPHER TO HIS LOVE
  • DEAREST, a look is but a ray
  • Reflected in a certain way;
  • A word, whatever tone it wear,
  • Is but a trembling wave of air;
  • A touch, obedience to a clause
  • In nature's pure material laws.
  • The very flowers that bend and meet,
  • In sweetening others, grow more sweet;
  • The clouds by day, the stars by night,
  • Inweave their floating locks of light;
  • The rainbow, Heaven's own forehead's braid,
  • Is but the embrace of sun and shade.
  • Oh! in the hour when I shall feel
  • Those shadows round my senses steal,
  • When gentle eyes are weeping o'er
  • The clay that feels their tears no more,
  • Then let thy spirit with me be,
  • Or some sweet angel, likest thee!
  • How few that love us have we found!
  • How wide the world that girds them round
  • Like mountain streams we meet and part,
  • Each living in the other's heart,
  • Our course unknown, our hope to be
  • Yet mingled in the distant sea.
  • But Ocean coils and heaves in vain,
  • Bound in the subtle moonbeam's chain;
  • And love and hope do but obey
  • Some cold, capricious planet's ray,
  • Which lights and leads the tide it charms
  • To Death's dark caves and icy arms.
  • Alas! one narrow line is drawn,
  • That links our sunset with our dawn;
  • In mist and shade life's morning rose,
  • And clouds are round it at its close;
  • But ah! no twilight beam ascends
  • To whisper where that evening ends.
  • THE POET'S LOT
  • WHAT is a poet's love?--
  • To write a girl a sonnet,
  • To get a ring, or some such thing,
  • And fustianize upon it.
  • What is a poet's fame?--
  • Sad hints about his reason,
  • And sadder praise from garreteers,
  • To be returned in season.
  • Where go the poet's lines?--
  • Answer, ye evening tapers!
  • Ye auburn locks, ye golden curls,
  • Speak from your folded papers!
  • Child of the ploughshare, smile;
  • Boy of the counter, grieve not,
  • Though muses round thy trundle-bed
  • Their broidered tissue weave not.
  • The poet's future holds
  • No civic wreath above him;
  • Nor slated roof, nor varnished chaise,
  • Nor wife nor child to love him.
  • Maid of the village inn,
  • Who workest woe on satin,
  • (The grass in black, the graves in green,
  • The epitaph in Latin,)
  • Trust not to them who say,
  • In stanzas, they adore thee;
  • Oh rather sleep in churchyard clay,
  • With urn and cherub o'er thee!
  • TO A BLANK SHEET OF PAPER
  • WAN-VISAGED thing! thy virgin leaf
  • To me looks more than deadly pale,
  • Unknowing what may stain thee yet,--
  • A poem or a tale.
  • Who can thy unborn meaning scan?
  • Can Seer or Sibyl read thee now?
  • No,--seek to trace the fate of man
  • Writ on his infant brow.
  • Love may light on thy snowy cheek,
  • And shake his Eden-breathing plumes;
  • Then shalt thou tell how Lelia smiles,
  • Or Angelina blooms.
  • Satire may lift his bearded lance,
  • Forestalling Time's slow-moving scythe,
  • And, scattered on thy little field,
  • Disjointed bards may writhe.
  • Perchance a vision of the night,
  • Some grizzled spectre, gaunt and thin,
  • Or sheeted corpse, may stalk along,
  • Or skeleton may grin.
  • If it should be in pensive hour
  • Some sorrow-moving theme I try,
  • Ah, maiden, how thy tears will fall,
  • For all I doom to die!
  • But if in merry mood I touch
  • Thy leaves, then shall the sight of thee
  • Sow smiles as thick on rosy lips
  • As ripples on the sea.
  • The Weekly press shall gladly stoop
  • To bind thee up among its sheaves;
  • The Daily steal thy shining ore,
  • To gild its leaden leaves.
  • Thou hast no tongue, yet thou canst speak,
  • Till distant shores shall hear the sound;
  • Thou hast no life, yet thou canst breathe
  • Fresh life on all around.
  • Thou art the arena of the wise,
  • The noiseless battle-ground of fame;
  • The sky where halos may be wreathed
  • Around the humblest name.
  • Take, then, this treasure to thy trust,
  • To win some idle reader's smile,
  • Then fade and moulder in the dust,
  • Or swell some bonfire's pile.
  • TO THE PORTRAIT OF "A GENTLEMAN"
  • IN THE ATHENIEUM GALLERY
  • IT may be so,--perhaps thou hast
  • A warm and loving heart;
  • I will not blame thee for thy face,
  • Poor devil as thou art.
  • That thing thou fondly deem'st a nose,
  • Unsightly though it be,--
  • In spite of all the cold world's scorn,
  • It may be much to thee.
  • Those eyes,--among thine elder friends
  • Perhaps they pass for blue,--
  • No matter,--if a man can see,
  • What more have eyes to do?
  • Thy mouth,--that fissure in thy face,
  • By something like a chin,--
  • May be a very useful place
  • To put thy victual in.
  • I know thou hast a wife at home,
  • I know thou hast a child,
  • By that subdued, domestic smile
  • Upon thy features mild.
  • That wife sits fearless by thy side,
  • That cherub on thy knee;
  • They do not shudder at thy looks,
  • They do not shrink from thee.
  • Above thy mantel is a hook,--
  • A portrait once was there;
  • It was thine only ornament,--
  • Alas! that hook is bare.
  • She begged thee not to let it go,
  • She begged thee all in vain;
  • She wept,--and breathed a trembling prayer
  • To meet it safe again.
  • It was a bitter sight to see
  • That picture torn away;
  • It was a solemn thought to think
  • What all her friends would say!
  • And often in her calmer hours,
  • And in her happy dreams,
  • Upon its long-deserted hook
  • The absent portrait seems.
  • Thy wretched infant turns his head
  • In melancholy wise,
  • And looks to meet the placid stare
  • Of those unbending eyes.
  • I never saw thee, lovely one,--
  • Perchance I never may;
  • It is not often that we cross
  • Such people in our way;
  • But if we meet in distant years,
  • Or on some foreign shore,
  • Sure I can take my Bible oath,
  • I've seen that face before.
  • THE BALLAD OF THE OYSTERMAN
  • IT was a tall young oysterman lived by the river-side,
  • His shop was just upon the bank, his boat was on the tide;
  • The daughter of a fisherman, that was so straight and slim,
  • Lived over on the other bank, right opposite to him.
  • It was the pensive oysterman that saw a lovely maid,
  • Upon a moonlight evening, a sitting in the shade;
  • He saw her wave her handkerchief, as much as if to say,
  • "I 'm wide awake, young oysterman, and all the folks away."
  • Then up arose the oysterman, and to himself said he,
  • "I guess I 'll leave the skiff at home, for fear that folks should see
  • I read it in the story-book, that, for to kiss his dear,
  • Leander swam the Hellespont,--and I will swim this here."
  • And he has leaped into the waves, and crossed the shining stream,
  • And he has clambered up the bank, all in the moonlight gleam;
  • Oh there were kisses sweet as dew, and words as soft as rain,--
  • But they have heard her father's step, and in he leaps again!
  • Out spoke the ancient fisherman,--"Oh, what was that, my daughter?"
  • "'T was nothing but a pebble, sir, I threw into the water."
  • "And what is that, pray tell me, love, that paddles off so fast?"
  • "It's nothing but a porpoise, sir, that 's been a swimming past."
  • Out spoke the ancient fisherman,--"Now bring me my harpoon!
  • I'll get into my fishing-boat, and fix the fellow soon."
  • Down fell that pretty innocent, as falls a snow-white lamb,
  • Her hair drooped round her pallid cheeks, like sea-weed on a clam.
  • Alas for those two loving ones! she waked not from her swound,
  • And he was taken with the cramp, and in the waves was drowned;
  • But Fate has metamorphosed them, in pity of their woe,
  • And now they keep an oyster-shop for mermaids down below.
  • A NOONTIDE LYRIC
  • THE dinner-bell, the dinner-bell
  • Is ringing loud and clear;
  • Through hill and plain, through street and lane,
  • It echoes far and near;
  • From curtained hall and whitewashed stall,
  • Wherever men can hide,
  • Like bursting waves from ocean caves,
  • They float upon the tide.
  • I smell the smell of roasted meat!
  • I hear the hissing fry
  • The beggars know where they can go,
  • But where, oh where shall I?
  • At twelve o'clock men took my hand,
  • At two they only stare,
  • And eye me with a fearful look,
  • As if I were a bear!
  • The poet lays his laurels down,
  • And hastens to his greens;
  • The happy tailor quits his goose,
  • To riot on his beans;
  • The weary cobbler snaps his thread,
  • The printer leaves his pi;
  • His very devil hath a home,
  • But what, oh what have I?
  • Methinks I hear an angel voice,
  • That softly seems to say
  • "Pale stranger, all may yet be well,
  • Then wipe thy tears away;
  • Erect thy head, and cock thy hat,
  • And follow me afar,
  • And thou shalt have a jolly meal,
  • And charge it at the bar."
  • I hear the voice! I go! I go!
  • Prepare your meat and wine!
  • They little heed their future need
  • Who pay not when they dine.
  • Give me to-day the rosy bowl,
  • Give me one golden dream,--
  • To-morrow kick away the stool,
  • And dangle from the beam!
  • THE HOT SEASON
  • THE folks, that on the first of May
  • Wore winter coats and hose,
  • Began to say, the first of June,
  • "Good Lord! how hot it grows!"
  • At last two Fahrenheits blew up,
  • And killed two children small,
  • And one barometer shot dead
  • A tutor with its ball!
  • Now all day long the locusts sang
  • Among the leafless trees;
  • Three new hotels warped inside out,
  • The pumps could only wheeze;
  • And ripe old wine, that twenty years
  • Had cobwebbed o'er in vain,
  • Came spouting through the rotten corks
  • Like Joly's best champagne.
  • The Worcester locomotives did
  • Their trip in half an hour;
  • The Lowell cars ran forty miles
  • Before they checked the power;
  • Roll brimstone soon became a drug,
  • And loco-focos fell;
  • All asked for ice, but everywhere
  • Saltpetre was to sell.
  • Plump men of mornings ordered tights,
  • But, ere the scorching noons,
  • Their candle-moulds had grown as loose
  • As Cossack pantaloons!
  • The dogs ran mad,--men could not try
  • If water they would choose;
  • A horse fell dead,--he only left
  • Four red-hot, rusty shoes!
  • But soon the people could not bear
  • The slightest hint of fire;
  • Allusions to caloric drew
  • A flood of savage ire;
  • The leaves on heat were all torn out
  • From every book at school,
  • And many blackguards kicked and caned,
  • Because they said, "Keep cool!"
  • The gas-light companies were mobbed,
  • The bakers all were shot,
  • The penny press began to talk
  • Of lynching Doctor Nott;
  • And all about the warehouse steps
  • Were angry men in droves,
  • Crashing and splintering through the doors
  • To smash the patent stoves!
  • The abolition men and maids
  • Were tanned to such a hue,
  • You scarce could tell them from their friends,
  • Unless their eyes were blue;
  • And, when I left, society
  • Had burst its ancient guards,
  • And Brattle Street and Temple Place
  • Were interchanging cards.
  • A PORTRAIT
  • A STILL, sweet, placid, moonlight face,
  • And slightly nonchalant,
  • Which seems to claim a middle place
  • Between one's love and aunt,
  • Where childhood's star has left a ray
  • In woman's sunniest sky,
  • As morning dew and blushing day
  • On fruit and blossom lie.
  • And yet,--and yet I cannot love
  • Those lovely lines on steel;
  • They beam too much of heaven above,
  • Earth's darker shades to feel;
  • Perchance some early weeds of care
  • Around my heart have grown,
  • And brows unfurrowed seem not fair,
  • Because they mock my own.
  • Alas! when Eden's gates were sealed,
  • How oft some sheltered flower
  • Breathed o'er the wanderers of the field,
  • Like their own bridal bower;
  • Yet, saddened by its loveliness,
  • And humbled by its pride,
  • Earth's fairest child they could not bless,
  • It mocked them when they sighed.
  • AN EVENING THOUGHT
  • WRITTEN AT SEA
  • IF sometimes in the dark blue eye,
  • Or in the deep red wine,
  • Or soothed by gentlest melody,
  • Still warms this heart of mine,
  • Yet something colder in the blood,
  • And calmer in the brain,
  • Have whispered that my youth's bright flood
  • Ebbs, not to flow again.
  • If by Helvetia's azure lake,
  • Or Arno's yellow stream,
  • Each star of memory could awake,
  • As in my first young dream,
  • I know that when mine eye shall greet
  • The hillsides bleak and bare,
  • That gird my home, it will not meet
  • My childhood's sunsets there.
  • Oh, when love's first, sweet, stolen kiss
  • Burned on my boyish brow,
  • Was that young forehead worn as this?
  • Was that flushed cheek as now?
  • Were that wild pulse and throbbing heart
  • Like these, which vainly strive,
  • In thankless strains of soulless art,
  • To dream themselves alive?
  • Alas! the morning dew is gone,
  • Gone ere the full of day;
  • Life's iron fetter still is on,
  • Its wreaths all torn away;
  • Happy if still some casual hour
  • Can warm the fading shrine,
  • Too soon to chill beyond the power
  • Of love, or song, or wine!
  • THE WASP AND THE HORNET
  • THE two proud sisters of the sea,
  • In glory and in doom!--
  • Well may the eternal waters be
  • Their broad, unsculptured tomb!
  • The wind that rings along the wave,
  • The clear, unshadowed sun,
  • Are torch and trumpet o'er the brave,
  • Whose last green wreath is won!
  • No stranger-hand their banners furled,
  • No victor's shout they heard;
  • Unseen, above them ocean curled,
  • Safe by his own pale bird;
  • The gnashing billows heaved and fell;
  • Wild shrieked the midnight gale;
  • Far, far beneath the morning swell
  • Were pennon, spar, and sail.
  • The land of Freedom! Sea and shore
  • Are guarded now, as when
  • Her ebbing waves to victory bore
  • Fair barks and gallant men;
  • Oh, many a ship of prouder name
  • May wave her starry fold,
  • Nor trail, with deeper light of fame,
  • The paths they swept of old!
  • "QUI VIVE?"
  • "Qui vive?" The sentry's musket rings,
  • The channelled bayonet gleams;
  • High o'er him, like a raven's wings
  • The broad tricolored banner flings
  • Its shadow, rustling as it swings
  • Pale in the moonlight beams;
  • Pass on! while steel-clad sentries keep
  • Their vigil o'er the monarch's sleep,
  • Thy bare, unguarded breast
  • Asks not the unbroken, bristling zone
  • That girds yon sceptred trembler's throne;--
  • Pass on, and take thy rest!
  • "Qui vive?" How oft the midnight air
  • That startling cry has borne!
  • How oft the evening breeze has fanned
  • The banner of this haughty land,
  • O'er mountain snow and desert sand,
  • Ere yet its folds were torn!
  • Through Jena's carnage flying red,
  • Or tossing o'er Marengo's dead,
  • Or curling on the towers
  • Where Austria's eagle quivers yet,
  • And suns the ruffled plumage, wet
  • With battle's crimson showers!
  • "Qui vive?" And is the sentry's cry,--
  • The sleepless soldier's hand,--
  • Are these--the painted folds that fly
  • And lift their emblems, printed high
  • On morning mist and sunset sky--
  • The guardians of a land?
  • No! If the patriot's pulses sleep,
  • How vain the watch that hirelings keep,
  • The idle flag that waves,
  • When Conquest, with his iron heel,
  • Treads down the standards and the steel
  • That belt the soil of slaves!
  • NOTES.
  • Page 6. "They're as safe as Dan'l Malcolm."
  • The following epitaph is still to be read on a tall grave-stone standing
  • as yet undisturbed among the transplanted monuments of the dead in Copp's
  • Hill Burial-Ground, one of the three city cemeteries which have been
  • desecrated and ruined within my own remembrance:--
  • "Here lies buried in a
  • Stone Grave 10 feet deep,
  • Cap' DANIEL MALCOLM Merch'
  • Who departed this Life
  • October 23d, 1769,
  • Aged 44 years,
  • a true son of Liberty,
  • a Friend to the Publick,
  • an Enemy to oppression,
  • and one of the foremost
  • in opposing the Revenue Acts
  • on America."
  • Page 62. This broad-browed youth.
  • Benjamin Robbins Curtis.
  • Page 62. The stripling smooth of face and slight.
  • George Tyler Bigelow.
  • End of the Project Gutenberg EBook of The Poetical Works of Oliver Wendell
  • Holmes, Complete, by Oliver Wendell Holmes, Sr.
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