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  • Henley
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  • Title: Hawthorn and Lavender
  • with Other Verses
  • Author: William Ernest Henley
  • Release Date: June 1, 2007 [eBook #21662]
  • Language: English
  • Character set encoding: ISO-646-US (US-ASCII)
  • ***START OF THE PROJECT GUTENBERG EBOOK HAWTHORN AND LAVENDER***
  • Transcribed from the 1901 David Nutt edition by David Price, email
  • ccx074@pglaf.org
  • HAWTHORN
  • AND LAVENDER
  • _With Other Verses_, _by_
  • WILLIAM ERNEST HENLEY
  • _O_, _how shall summer's honey breath hold out_
  • _Against the wrackful siege of battering days_?
  • SHAKESPEARE
  • LONDON
  • _Published by DAVID NUTT_
  • at the Sign of the Phoenix
  • IN LONG ACRE
  • 1901
  • _First Edition printed October_ 1901
  • _Second Edition printed November_ 1901
  • Edinburgh: T. and A. CONSTABLE, (late) Printers to Her Majesty
  • Dedication
  • _Ask me not how they came_,
  • _These songs of love and death_,
  • _These dreams of a futile stage_,
  • _These thumb-nails seen in the street_:
  • _Ask me not how nor why_,
  • _But take them for your own_,
  • _Dear Wife of twenty years_,
  • _Knowing_--_O_, _who so well_?--
  • _You it was made the man_
  • _That made these songs of love_,
  • _Death_, _and the trivial rest_:
  • _So that_, _your love elsewhere_,
  • _These songs_, _or bad or good_--
  • _How should they ever have been_?
  • WORTHING, _July_ 31, 1901.
  • PROLOGUE
  • These to the glory and praise of the green land
  • That bred my women, and that holds my dead,
  • _ENGLAND_, and with her the strong broods that stand
  • Wherever her fighting lines are thrust or spread!
  • They call us proud?--Look at our English Rose!
  • Shedders of blood?--Where hath our own been spared?
  • Shopkeepers?--Our accompt the high _GOD_ knows.
  • Close?--In our bounty half the world hath shared.
  • They hate us, and they envy? Envy and hate
  • Should drive them to the _PIT'S_ edge?--Be it so!
  • That race is damned which misesteems its fate;
  • And this, in _GOD'S_ good time, they all shall know,
  • And know you too, you good green _ENGLAND_, then--
  • Mother of mothering girls and governing men!
  • 1. HAWTHORN AND LAVENDER
  • ENVOY
  • _My songs were once of the sunrise_:
  • _They shouted it over the bar_;
  • _First-footing the dawns_, _they flourished_,
  • _And flamed with the morning star_.
  • _My songs are now of the sunset_:
  • _Their brows are touched with light_,
  • _But their feet are lost in the shadows_
  • _And wet with the dews of night_.
  • _Yet for the joy in their making_
  • _Take them_, _O fond and true_,
  • _And for his sake who made them_
  • _Let them be dear to You_.
  • PRAELUDIUM
  • _Largo espressivo_
  • In sumptuous chords, and strange,
  • Through rich yet poignant harmonies:
  • Subtle and strong browns, reds
  • Magnificent with death and the pride of death,
  • Thin, clamant greens
  • And delicate yellows that exhaust
  • The exquisite chromatics of decay:
  • From ruining gardens, from reluctant woods--
  • Dear, multitudinously reluctant woods!--
  • And sering margents, forced
  • To be lean and bare and perished grace by grace,
  • And flower by flower discharmed,
  • Comes, to a purpose none,
  • Not even the Scorner, which is the Fool, can blink,
  • The dead-march of the year.
  • Dead things and dying! Now the long-laboured soul
  • Listens, and pines. But never a note of hope
  • Sounds: whether in those high,
  • Transcending unisons of resignation
  • That speed the sovran sun,
  • As he goes southing, weakening, minishing,
  • Almighty in obedience; or in those
  • Small, sorrowful colloquies
  • Of bronze and russet and gold,
  • Colour with colour, dying things with dead,
  • That break along this visual orchestra:
  • As in that other one, the audible,
  • Horn answers horn, hautboy and violin
  • Talk, and the 'cello calls the clarionet
  • And flute, and the poor heart is glad.
  • There is no hope in these--only despair.
  • Then, destiny in act, ensues
  • That most tremendous passage in the score:
  • When hangman rains and winds have wrought
  • Their worst, and, the brave lights gone down,
  • The low strings, the brute brass, the sullen drums
  • Sob, grovel, and curse themselves
  • Silent. . . .
  • But on the spirit of Man
  • And on the heart of the World there falls
  • A strange, half-desperate peace:
  • A war-worn, militant, gray jubilance
  • In the unkind, implacable tyranny
  • Of Winter, the obscene,
  • Old, crapulous Regent, who in his loins--
  • O, who but feels he carries in his loins
  • The wild, sweet-blooded, wonderful harlot, Spring?
  • I.
  • Low--low
  • Over a perishing after-glow,
  • A thin, red shred of moon
  • Trailed. In the windless air
  • The poplars all ranked lean and chill.
  • The smell of winter loitered there,
  • And the Year's heart felt still.
  • Yet not so far away
  • Seemed the mad Spring,
  • But that, as lovers will,
  • I let my laughing heart go play,
  • As it had been a fond maid's frolicking;
  • And, turning thrice the gold I'd got,
  • In the good gloom
  • Solemnly wished me--what?
  • What, and with whom?
  • II
  • Moon of half-candied meres
  • And flurrying, fading snows;
  • Moon of unkindly rains,
  • Wild skies, and troubled vanes;
  • When the Norther snarls and bites,
  • And the lone moon walks a-cold,
  • And the lawns grizzle o' nights,
  • And wet fogs search the fold:
  • Here in this heart of mine
  • A dream that warms like wine,
  • A dream one other knows,
  • Moon of the roaring weirs
  • And the sip-sopping close,
  • February Fill-Dyke,
  • Shapes like a royal rose--
  • A red, red rose!
  • O, but the distance clears!
  • O, but the daylight grows!
  • Soon shall the pied wind-flowers
  • Babble of greening hours,
  • Primrose and daffodil
  • Yearn to a fathering sun,
  • The lark have all his will,
  • The thrush be never done,
  • And April, May, and June
  • Go to the same blythe tune
  • As this blythe dream of mine!
  • Moon when the crocus peers,
  • Moon when the violet blows,
  • February Fair-Maid,
  • Haste, and let come the rose--
  • Let come the rose!
  • III
  • The night dislimns, and breaks
  • Like snows slow thawn;
  • An evil wind awakes
  • On lea and lawn;
  • The low East quakes; and hark!
  • Out of the kindless dark,
  • A fierce, protesting lark,
  • High in the horror of dawn!
  • A shivering streak of light,
  • A scurry of rain:
  • Bleak day from bleaker night
  • Creeps pinched and fain;
  • The old gloom thins and dies,
  • And in the wretched skies
  • A new gloom, sick to rise,
  • Sprawls, like a thing in pain.
  • And yet, what matter--say!--
  • The shuddering trees,
  • The Easter-stricken day,
  • The sodden leas?
  • The good bird, wing and wing
  • With Time, finds heart to sing,
  • As he were hastening
  • The swallow o'er the seas.
  • IV
  • It came with the year's first crocus
  • In a world of winds and snows--
  • Because it would, because it must,
  • Because of life and time and lust;
  • And a year's first crocus served my turn
  • As well as the year's first rose.
  • The March rack hurries and hectors,
  • The March dust heaps and blows;
  • But the primrose flouts the daffodil,
  • And here's the patient violet still;
  • And the year's first crocus brought me luck,
  • So hey for the year's first rose!
  • V
  • The good South-West on sea-worn wings
  • Comes shepherding the good rain;
  • The brave Sea breaks, and glooms, and swings,
  • A weltering, glittering plain.
  • Sound, Sea of England, sound and shine,
  • Blow, English Wind, amain,
  • Till in this old, gray heart of mine
  • The Spring need wake again!
  • VI
  • In the red April dawn,
  • In the wild April weather,
  • From brake and thicket and lawn
  • The birds sing all together.
  • The look of the hoyden Spring
  • Is pinched and shrewish and cold;
  • But all together they sing
  • Of a world that can never be old:
  • Of a world still young--still young!--
  • Whose last word won't be said,
  • Nor her last song dreamed and sung,
  • Till her last true lover's dead!
  • VII
  • The April sky sags low and drear,
  • The April winds blow cold,
  • The April rains fall gray and sheer,
  • And yeanlings keep the fold.
  • But the rook has built, and the song-birds quire,
  • And over the faded lea
  • The lark soars glorying, gyre on gyre,
  • And he is the bird for me!
  • For he sings as if from his watchman's height
  • He saw, this blighting day,
  • The far vales break into colour and light
  • From the banners and arms of May.
  • VIII
  • Shadow and gleam on the Downland
  • Under the low Spring sky,
  • Shadow and gleam in my spirit--
  • Why?
  • A bird, in his nest rejoicing,
  • Cheers and flatters and woos:
  • A fresh voice flutters my fancy--
  • Whose?
  • And the humour of April frolics
  • And bickers in blade and bough--
  • O, to meet for the primal kindness
  • Now!
  • IX
  • The wind on the wold,
  • With sea-scents and sea-dreams attended,
  • Is wine!
  • The air is as gold
  • In elixir--it takes so the splendid
  • Sunshine!
  • O, the larks in the blue!
  • How the song of them glitters, and glances,
  • And gleams!
  • The old music sounds new--
  • And it's O, the wild Spring, and his chances
  • And dreams!
  • There's a lift in the blood--
  • O, this gracious, and thirsting, and aching
  • Unrest!
  • All life's at the bud,
  • And my heart, full of April, is breaking
  • My breast.
  • X
  • Deep in my gathering garden
  • A gallant thrush has built;
  • And his quaverings on the stillness
  • Like light made song are spilt.
  • They gleam, they glint, they sparkle,
  • They glitter along the air,
  • Like the song of a sunbeam netted
  • In a tangle of red-gold hair.
  • And I long, as I laugh and listen,
  • For the angel-hour that shall bring
  • My part, pre-ordained and appointed,
  • In the miracle of Spring.
  • XI
  • What doth the blackbird in the boughs
  • Sing all day to his nested spouse?
  • What but the song of his old Mother-Earth,
  • In her mighty humour of lust and mirth?
  • 'Love and God's will go wing and wing,
  • And as for death, is there any such thing?'--
  • In the shadow of death,
  • So, at the beck of the wizard Spring
  • The dear bird saith--
  • So the bird saith!
  • Caught with us all in the nets of fate,
  • So the sweet wretch sings early and late;
  • And, O my fairest, after all,
  • The heart of the World's in his innocent call.
  • The will of the World's with him wing and wing:--
  • 'Life--life--life! 'Tis the sole great thing
  • This side of death,
  • Heart on heart in the wonder of Spring!'
  • So the bird saith--
  • The wise bird saith!
  • XII
  • This world, all hoary
  • With song and story,
  • Rolls in a glory
  • Of youth and mirth;
  • Above and under
  • Clothed on with wonder.
  • Sunrise and thunder,
  • And death and birth.
  • His broods befriending
  • With grace unending
  • And gifts transcending
  • A god's at play,
  • Yet do his meetness
  • And sovran sweetness
  • Hold in the jocund purpose of May.
  • So take your pleasure,
  • And in full measure
  • Use of your treasure,
  • When birds sing best!
  • For when heaven's bluest,
  • And earth feels newest,
  • And love longs truest,
  • And takes not rest:
  • When winds blow cleanest,
  • And seas roll sheenest,
  • And lawns lie greenest:
  • Then, night and day,
  • Dear life counts dearest,
  • And God walks nearest
  • To them that praise Him, praising His May.
  • XIII
  • _I talked one midnight with the jolly ghost_
  • _Of a gray ancestor_, _TOM HEYWOOD hight_;
  • _And_, '_Here's_,' _says he_, _his old heart liquor-lifted_--
  • '_Here's how we did when GLORIANA shone_:'
  • All in a garden green
  • Thrushes were singing;
  • Red rose and white between,
  • Lilies were springing;
  • It was the merry May;
  • Yet sang my Lady:--
  • 'Nay, Sweet, now nay, now nay!
  • I am not ready.'
  • Then to a pleasant shade
  • I did invite her:
  • All things a concert made,
  • For to delight her;
  • Under, the grass was gay;
  • Yet sang my Lady:--
  • 'Nay, Sweet, now nay, now nay!
  • I am not ready.'
  • XIV
  • Why do you linger and loiter, O most sweet?
  • Why do you falter and delay,
  • Now that the insolent, high-blooded May
  • Comes greeting and to greet?
  • Comes with her instant summonings to stray
  • Down the green, antient way--
  • The leafy, still, rose-haunted, eye-proof street!--
  • Where true lovers each other may entreat,
  • Ere the gold hair turn gray?
  • Entreat, and fleet
  • Life gaudily, and so play out their play,
  • Even with the triumphing May--
  • The young-eyed, smiling, irresistible May!
  • Why do you loiter and linger, O most dear?
  • Why do you dream and palter and stay,
  • When every dawn, that rushes up the bay,
  • Brings nearer, and more near,
  • The Terror, the Discomforter, whose prey,
  • Beloved, we must be? Nor prayer, nor tear,
  • Lets his arraignment; but we disappear,
  • What time the gold turns gray,
  • Into the sheer,
  • Blind gulfs unglutted of mere Yesterday,
  • With the unlingering May--
  • The good, fulfilling, irresponsible May!
  • XV
  • _Come where my Lady lies_,
  • _Sleeping down the golden hours_!
  • _Cover her with flowers_.
  • Bluebells from the clearings,
  • Flag-flowers from the rills,
  • Wildings from the lush hedgerows,
  • Delicate daffodils,
  • Sweetlings from the formal plots,
  • Bloomkins from the bowers--
  • Heap them round her where she sleeps,
  • _Cover her with flowers_!
  • Sweet-pea and pansy,
  • Red hawthorn and white;
  • Gilliflowers--like praising souls;
  • Lilies--lamps of light:
  • Nurselings of what happy winds,
  • Suns, and stars, and showers!
  • Joylets good to see and smell--
  • _Cover her with flowers_!
  • Like to sky-born shadows
  • Mirrored on a stream,
  • Let their odours meet and mix
  • And waver through her dream!
  • Last, the crowded sweetness
  • Slumber overpowers,
  • And she feels the lips she loves
  • _Craving through the flowers_!
  • XVI
  • The west a glory of green and red and gold,
  • The magical drifts to north and eastward rolled,
  • The shining sands, the still, transfigured sea,
  • The wind so light it scarce begins to be,
  • As these long days unfold a flower, unfold
  • Life's rose in me.
  • Life's rose--life's rose! Red at my heart it glows--
  • Glows and is glad, as in some quiet close
  • The sun's spoiled darlings their gay life renew!
  • Only, the clement rain, the mothering dew,
  • Daytide and night, all things that make the rose,
  • Are you, dear--you!
  • XVII
  • Look down, dear eyes, look down,
  • Lest you betray her gladness.
  • Dear brows, do naught but frown,
  • Lest men miscall my madness.
  • Come not, dear hands, so near,
  • Lest all besides come nearer.
  • Dear heart, hold me less dear,
  • Lest time hold nothing dearer.
  • Keep me, dear lips, O, keep
  • The great last word unspoken,
  • Lest other eyes go weep,
  • And other lives lie broken!
  • XVIII
  • Poplar and lime and chestnut
  • Meet in a living screen;
  • And there the winds and the sunbeams keep
  • A revel of gold and green.
  • O, the green dreams and the golden,
  • The golden thoughts and green,
  • This green and golden end of May
  • My lover and me between!
  • XIX
  • Hither, this solemn eventide,
  • All flushed and mystical and blue,
  • When the late bird sings
  • And sweet-breathed garden-ghosts walk sudden and wide,
  • Hesper, that bringeth all good things,
  • Brings me a dream of you.
  • And in my heart, dear heart, it comes and goes,
  • Even as the south wind lingers and falls and blows,
  • Even as the south wind sighs and tarries and streams,
  • Among the living leaves about and round;
  • With a still, soothing sound,
  • As of a multitude of dreams
  • Of love, and the longing of love, and love's delight,
  • Thronging, ten thousand deep,
  • Into the uncreating Night,
  • With semblances and shadows to fulfil,
  • Amaze, and thrill
  • The strange, dispeopled silences of Sleep.
  • XX
  • After the grim daylight,
  • Night--
  • Night and the stars and the sea!
  • Only the sea, and the stars
  • And the star-shown sails and spars--
  • Naught else in the night for me!
  • Over the northern height,
  • Light--
  • Light and the dawn of a day
  • With nothing for me but a breast
  • Laboured with love's unrest,
  • And the irk of an idle May!
  • XXI
  • Love, which is lust, is the Lamp in the Tomb.
  • Love, which is lust, is the Call from the Gloom.
  • Love, which is lust, is the Main of Desire.
  • Love, which is lust, is the Centric Fire.
  • So man and woman will keep their trust,
  • Till the very Springs of the Sea run dust.
  • Yea, each with the other will lose and win,
  • Till the very Sides of the Grave fall in.
  • For the strife of Love's the abysmal strife,
  • And the word of Love is the Word of Life.
  • And they that go with the Word unsaid,
  • Though they seem of the living, are damned and dead.
  • XXII
  • Between the dusk of a summer night
  • And the dawn of a summer day,
  • We caught at a mood as it passed in flight,
  • And we bade it stoop and stay.
  • And what with the dawn of night began
  • With the dusk of day was done;
  • For that is the way of woman and man,
  • When a hazard has made them one.
  • Arc upon arc, from shade to shine,
  • The World went thundering free;
  • And what was his errand but hers and mine--
  • The lords of him, I and she?
  • O, it's die we must, but it's live we can,
  • And the marvel of earth and sun
  • Is all for the joy of woman and man
  • And the longing that makes them one.
  • XXIII
  • I took a hansom on to-day
  • For a round I used to know--
  • That I used to take for a woman's sake
  • In a fever of to-and-fro.
  • There were the landmarks one and all--
  • What did they stand to show?
  • Street and square and river were there--
  • Where was the antient woe?
  • Never a hint of a challenging hope
  • Nor a hope laid sick and low,
  • But a longing dead as its kindred sped
  • A thousand years ago!
  • XXIV
  • Only a freakish wisp of hair?--
  • Nay, but its wildest, its most frolic whorl
  • Stands for a slim, enamoured, sweet-fleshed girl!
  • And so, a tangle of dream and charm and fun,
  • Its every crook a promise and a snare,
  • Its every dowle, or genially gadding
  • Or crisply curled,
  • Heartening and madding,
  • Empales a novel and peculiar world
  • Of right, essential fantasies,
  • And shining acts as yet undone,
  • But in these wonder-working days
  • Soon, soon to ask our sovran Lord, the Sun,
  • For countenance and praise,
  • As of the best his storying eye hath seen,
  • And his vast memory can parallel,
  • Among the darling victories--
  • Beneficent, beautiful, inexpressible--
  • Of life on time!--
  • Yet have they flashed and been
  • In millions, since 'twas his to bring
  • The heaven-creating Spring,
  • An angel of adventure and delight,
  • In all her beauty and all her strength and worth,
  • With her great guerdons of romance and spright,
  • And those high needs that fill the flesh with might,
  • Home to the citizens of this good, green earth.
  • Poor souls--they have but time and place
  • To play their transient little play
  • And sing their singular little song,
  • Ere they are rushed away
  • Into the antient, undisclosing Night;
  • And none is left to tell of the clear eyes
  • That filled them with God's grace,
  • And turned the iron skies to skies of gold!
  • None; but the sweetest She herself grows old--
  • Grows old, and dies;
  • And, but for such a lovely snatch of hair
  • As this, none--none could guess, or know
  • That She was kind and fair,
  • And he had nights and days beyond compare--
  • How many dusty and silent years ago!
  • XXV
  • This is the moon of roses,
  • The lovely and flowerful time;
  • And, as white roses climb the wall,
  • Your dreams about me climb.
  • This is the moon of roses,
  • Glad and golden and blue;
  • And, as red roses drink of the sun,
  • My dreams they drink of you.
  • This is the moon of roses!
  • The cherishing South-West blows,
  • And life, dear heart, for me and you,
  • O, life's a rejoicing rose.
  • XXVI
  • June, and a warm, sweet rain;
  • June, and the call of a bird:
  • To a lover in pain
  • What lovelier word?
  • Two of each other fain
  • Happily heart on heart:
  • So in the wind and rain
  • Spring bears his part!
  • O, to be heart on heart
  • One with the warm June rain,
  • God with us from the start,
  • And no more pain!
  • XXVII
  • It was a bowl of roses:
  • There in the light they lay,
  • Languishing, glorying, glowing
  • Their life away.
  • And the soul of them rose like a presence,
  • Into me crept and grew,
  • And filled me with something--some one--
  • O, was it you?
  • XXVIII
  • Your feet as glad
  • And light as a dove's homing wings, you came--
  • Came with your sweets to fill my hands,
  • My sense with your perfume.
  • We closed with lips
  • Grown weary and fain with longing from afar,
  • The while your grave, enamoured eyes
  • Drank down the dream in mine.
  • Till the great need
  • So lovely and so instant grew, it seemed
  • The embodied Spirit of the Spring
  • Hung at me, heart on heart.
  • XXIX
  • A world of leafage murmurous and a-twinkle;
  • The green, delicious plenitude of June;
  • Love and laughter and song
  • The blue day long
  • Going to the same glad, golden tune--
  • The same glad tune!
  • Clouds on the dim, delighting skies a-sprinkle;
  • Poplars black in the wake of a setting moon;
  • Love and languor and sleep
  • And the star-sown deep
  • Going to the same good, golden tune--
  • The same good tune!
  • XXX
  • I send you roses--red, like love,
  • And white, like death, sweet friend:
  • Born in your bosom to rejoice,
  • Languish, and droop, and end.
  • If the white roses tell of death,
  • Let the red roses mend
  • The talk with true stories of love
  • Unchanging till the end.
  • Red and white roses, love and death--
  • What else is left to send?
  • For what is life but love, the means,
  • And death, true Wife, the end?
  • XXXI
  • These glad, these great, these goodly days
  • Bewildering hope, outrunning praise,
  • The Earth, renewed by the great Sun's longing,
  • Utters her joy in a million ways!
  • What is there left, sweet Soul and true--
  • What, for us and our dream to do?
  • What but to take this mighty Summer
  • As it were made for me and you?
  • Take it and live it beam by beam,
  • Motes of light on a gleaming stream,
  • Glare by glare and glory on glory
  • Through to the ash of this flaming dream!
  • XXXII
  • The downs, like uplands in Eden,
  • Gleam in an afterglow
  • Like a rose-world ruining earthwards--
  • Mystical, wistful, slow!
  • Near and afar in the leafage,
  • That last glad call to the nest!
  • And the thought of you hangs and triumphs
  • With Hesper low in the west!
  • Till the song and the light and the colour,
  • The passion of earth and sky,
  • Are blent in a rapture of boding
  • Of the death we should one day die.
  • XXXIII
  • The time of the silence
  • Of birds is upon us:
  • Rust in the chestnut leaf,
  • Dust in the stubble:
  • The turn of the Year
  • And the call to decay.
  • Stately and splendid,
  • The Summer passes:
  • Sad with satiety,
  • Sick with fulfilment;
  • Spent and consumed,
  • But august till the end.
  • By wilting hedgerows
  • And white-hot highways,
  • Bearing its memories
  • Even as a burden,
  • The tired heart plods
  • For a place of rest.
  • XXXIV
  • There was no kiss that day?
  • No intimate Yea-and-Nay,
  • No sweets in hand, no tender, lingering touch?
  • None of those desperate, exquisite caresses,
  • So instant--O, so brief!--and yet so much,
  • The thought of the swiftest lifts and blesses?
  • Nor any one of those great royal words,
  • Those sovran privacies of speech,
  • Frank as the call of April birds,
  • That, whispered, live a life of gold
  • Among the heart's still sainted memories,
  • And irk, and thrill, and ravish, and beseech,
  • Even when the dream of dreams in death's a-cold?
  • No, there was none of these,
  • Dear one, and yet--
  • O, eyes on eyes! O, voices breaking still,
  • For all the watchful will,
  • Into a kinder kindness than seemed due
  • From you to me, and me to you!
  • And that hot-eyed, close-throated, blind regret
  • Of woman and man baulked and debarred the blue!--
  • No kiss--no kiss that day?
  • Nay, rather, though we seemed to wear the rue,
  • Sweet friend, how many, and how goodly--say!
  • XXXV
  • Sing to me, sing, and sing again,
  • My glad, great-throated nightingale:
  • Sing, as the good sun through the rain--
  • Sing, as the home-wind in the sail!
  • Sing to me life, and toil, and time,
  • O bugle of dawn, O flute of rest!
  • Sing, and once more, as in the prime,
  • There shall be naught but seems the best.
  • And sing me at the last of love:
  • Sing that old magic of the May,
  • That makes the great world laugh and move
  • As lightly as our dream to-day!
  • XXXVI
  • _We sat late_, _late_--_talking of many things_.
  • _He told me of his grief_, _and_, _in the telling_,
  • _The gist of his tale showed to me_, _rhymed_, _like this_.
  • It came, the news, like a fire in the night,
  • That life and its best were done;
  • And there was never so dazed a wretch
  • In the beat of the living sun.
  • I read the news, and the terms of the news
  • Reeled random round my brain
  • Like the senseless, tedious buzzle and boom
  • Of a bluefly in the pane.
  • So I went for the news to the house of the news,
  • But the words were left unsaid,
  • For the face of the house was blank with blinds,
  • And I knew that she was dead.
  • XXXVII
  • 'Twas in a world of living leaves
  • That we two reaped and bound our sheaves:
  • They were of white roses and red,
  • And in the scything they were dead.
  • Now the high Autumn flames afield,
  • And what is all his golden yield
  • To that we took, and sheaved, and bound
  • In the green dusk that gladdened round?
  • Yet must the memory grieve and ache
  • Of that we did for dear love's sake,
  • But may no more under the sun,
  • Being, like our summer, spent and done.
  • XXXVIII
  • Since those we love and those we hate,
  • With all things mean and all things great,
  • Pass in a desperate disarray
  • _Over the hills and far away_:
  • It must be, Dear, that, late or soon,
  • Out of the ken of the watching moon,
  • We shall abscond with Yesterday
  • _Over the hills and far away_.
  • What does it matter? As I deem,
  • We shall but follow as brave a dream
  • As ever smiled a wanton May
  • _Over the hills and far away_.
  • We shall remember, and, in pride,
  • Fare forth, fulfilled and satisfied,
  • Into the land of Ever-and-Aye,
  • _Over the hills and far away_.
  • XXXIX
  • These were the woods of wonder
  • We found so close and boon,
  • When the bride-month in her beauty
  • Lay mouth to mouth with June.
  • November, the old, lean widow,
  • Sniffs, and snivels, and shrills,
  • And the bowers are all dismantled,
  • And the long grass wets and chills;
  • And I hate these dismal dawnings,
  • These miserable even-ends,
  • These orts, and rags, and heeltaps--
  • This dream of being merely friends.
  • XL
  • 'Dearest, when I am dead,
  • Make one last song for me:
  • Sing what I would have said--
  • Righting life's wrong for me.
  • 'Tell them how, early and late,
  • Glad ran the days with me,
  • Seeing how goodly and great,
  • Love, were your ways with me.'
  • XLI
  • Dear hands, so many times so much
  • When the spent year was green and prime,
  • Come, take your fill, and touch
  • This one poor time.
  • Dear lips, that could not leave unsaid
  • One sweet-souled syllable of delight,
  • Once more--and be as dead
  • In the dead night.
  • Dear eyes, so fond to read in mine
  • The message of our counted years,
  • Look your proud last, nor shine
  • Through tears--through tears.
  • XLII
  • When, in what other life,
  • Where in what old, spent star,
  • Systems ago, dead vastitudes afar,
  • Were we two bird and bough, or man and wife?
  • Or wave and spar?
  • Or I the beating sea, and you the bar
  • On which it breaks? I know not, I!
  • But this, O this, my Very Dear, I know:
  • Your voice awakes old echoes in my heart;
  • And things I say to you now are said once more;
  • And, Sweet, when we two part,
  • I feel I have seen you falter and linger so,
  • So hesitate, and turn, and cling--yet go,
  • As once in some immemorable Before,
  • Once on some fortunate yet thrice-blasted shore.
  • Was it for good?
  • O, these poor eyes are wet;
  • And yet, O, yet,
  • Now that we know, I would not, if I could,
  • Forget.
  • XLIII
  • The rain and the wind, the wind and the rain--
  • They are with us like a disease:
  • They worry the heart, they work the brain,
  • As they shoulder and clutch at the shrieking pane,
  • And savage the helpless trees.
  • What does it profit a man to know
  • These tattered and tumbling skies
  • A million stately stars will show,
  • And the ruining grace of the after-glow
  • And the rush of the wild sunrise?
  • Ever the rain--the rain and the wind!
  • Come, hunch with me over the fire,
  • Dream of the dreams that leered and grinned,
  • Ere the blood of the Year got chilled and thinned,
  • And the death came on desire!
  • XLIV
  • _He made this gracious Earth a hell_
  • _With Love and Drink_. _I cannot tell_
  • _Of which he died_. _But Death was well_.
  • Will I die of drink?
  • Why not?
  • Won't I pause and think?
  • --What?
  • Why in seeming wise
  • Waste your breath?
  • Everybody dies--
  • And of death!
  • Youth--if you find it's youth
  • Too late?
  • Truth--and the back of truth?
  • Straight,
  • Be it love or liquor,
  • What's the odds,
  • So it slide you quicker
  • To the gods?
  • XLV
  • O, these long nights of days!
  • All the year's baseness in the ways,
  • All the year's wretchedness in the skies;
  • While on the blind, disheartened sea
  • A tramp-wind plies
  • Cringingly and dejectedly!
  • And rain and darkness, mist and mud,
  • They cling, they close, they sneak into the blood,
  • They crawl and crowd upon the brain:
  • Till in a dull, dense monotone of pain
  • The past is found a kind of maze,
  • At whose every coign and crook,
  • Broad angle and privy nook,
  • There waits a hooded Memory,
  • Sad, yet with strange, bright, unreproaching eyes.
  • XLVI
  • In Shoreham River, hurrying down
  • To the live sea,
  • By working, marrying, breeding Shoreham Town,
  • Breaking the sunset's wistful and solemn dream,
  • An old, black rotter of a boat
  • Past service to the labouring, tumbling flote,
  • Lay stranded in mid-stream:
  • With a horrid list, a frightening lapse from the line,
  • That made me think of legs and a broken spine:
  • Soon, all-too soon,
  • Ungainly and forlorn to lie
  • Full in the eye
  • Of the cynical, discomfortable moon
  • That, as I looked, stared from the fading sky,
  • A clown's face flour'd for work. And by and by
  • The wide-winged sunset wanned and waned;
  • The lean night-wind crept westward, chilling and sighing;
  • The poor old hulk remained,
  • Stuck helpless in mid-ebb. And I knew why--
  • Why, as I looked, my heart felt crying. {63}
  • For, as I looked, the good green earth seemed dying--
  • Dying or dead;
  • And, as I looked on the old boat, I said:--
  • '_Dear God_, _it's I_!'
  • XLVII
  • Come by my bed,
  • What time the gray ghost shrieks and flies;
  • Take in your hands my head,
  • And look, O look, into my failing eyes;
  • And, by God's grace,
  • Even as He sunders body and breath,
  • The shadow of your face
  • Shall pass with me into the run
  • Of the Beyond, and I shall keep and save
  • Your beauty, as it used to be,
  • An absolute part of me,
  • Lying there, dead and done,
  • Far from the sovran bounty of the sun,
  • Down in the grisly colonies of the Grave.
  • XLVIII
  • Gray hills, gray skies, gray lights,
  • And still, gray sea--
  • O fond, O fair,
  • The Mays that were,
  • When the wild days and wilder nights
  • Made it like heaven to be!
  • Gray head, gray heart, gray dreams--
  • O, breath by breath,
  • Night-tide and day
  • Lapse gentle and gray,
  • As to a murmur of tired streams,
  • Into the haze of death.
  • XLIX
  • Silence, loneliness, darkness--
  • These, and of these my fill,
  • While God in the rush of the Maytide
  • Without is working His will.
  • Without are the wind and the wall-flowers,
  • The leaves and the nests and the rain,
  • And in all of them God is making
  • His beautiful purpose plain.
  • But I wait in a horror of strangeness--
  • A tool on His workshop floor,
  • Worn to the butt, and banished
  • His hand for evermore.
  • L
  • So let me hence as one
  • Whose part in the world has been dreamed out and done:
  • One that hath fairly earned and spent
  • In pride of heart and jubilance of blood
  • Such wages, be they counted bad or good,
  • As Time, the old taskmaster, was moved to pay;
  • And, having warred and suffered, and passed on
  • Those gifts the Arbiters preferred and gave,
  • Fare, grateful and content,
  • Down the dim way
  • Whereby races innumerable have gone,
  • Into the silent universe of the grave.
  • Grateful for what hath been--
  • For what my hand hath done, mine eyes have seen,
  • My heart been privileged to know;
  • With all my lips in love have brought
  • To lips that yearned in love to them, and wrought
  • In the way of wrath, and pity, and sport, and song:
  • Content, this miracle of being alive
  • Dwindling, that I, thrice weary of worst and best,
  • May shed my duds, and go
  • From right and wrong,
  • And, ceasing to regret, and long, and strive,
  • Accept the past, and be for ever at rest.
  • FINALE
  • _Schizzando ma con sentimento_
  • A sigh sent wrong,
  • A kiss that goes astray,
  • A sorrow the years endlong--
  • So they say.
  • So let it be--
  • Come the sorrow, the kiss, the sigh!
  • They are life, dear life, all three,
  • And we die.
  • WORTHING, 1899-1901.
  • LONDON TYPES
  • (_To_ S. S. P.)
  • I. BUS-DRIVER
  • He's called _The General_ from the brazen craft
  • And dash with which he _sneaks a bit of road_
  • And all its fares; challenged, or chafed, or chaffed,
  • _Back-answers_ of the newest he'll explode;
  • He reins his horses with an air; he treats
  • With scoffing calm whatever powers there be;
  • He _gets it straight_, puts _a bit on_, and meets
  • His losses with both _lip_ and _pounds s. d._;
  • He arrogates a special taste in _short_;
  • Is loftily grateful for a flagrant _smoke_;
  • At all the smarter housemaids winks his court,
  • And taps them for half-crowns; being _stoney-broke_,
  • Lives lustily; is ever _on the make_;
  • And hath, I fear, none other gods but _Fake_.
  • II. LIFE-GUARDSMAN
  • Joy of the Milliner, Envy of the Line,
  • Star of the Parks, jack-booted, sworded, helmed,
  • He sits between his holsters, solid of spine;
  • Nor, as it seems, though _WESTMINSTER_ were whelmed,
  • With the great globe, in earthquake and eclipse,
  • Would he and his charger cease from mounting guard,
  • This Private in the Blues, nor would his lips
  • Move, though his gorge with throttled oaths were charred!
  • He wears his inches weightily, as he wears
  • His old-world armours; and with his port and pride,
  • His sturdy graces and enormous airs,
  • He towers, in speech his Colonel countrified,
  • A triumph, waxing statelier year by year,
  • Of British blood, and bone, and beef, and beer.
  • III. HAWKER
  • Far out of bounds he's figured--in a race
  • Of West-End traffic pitching to his loss.
  • But if you'd see him in his proper place,
  • Making the _browns_ for _bub_ and _grub_ and _doss_,
  • Go East among the merchants and their men,
  • And where the press is noisiest, and the tides
  • Of trade run highest and widest, there and then
  • You shall behold him, edging with equal strides
  • Along the kerb; hawking in either hand
  • Some artful nothing made of twine and tin,
  • Cardboard and foil and bits of rubber band:
  • Some penn'orth of wit-in-fact that, with a grin,
  • The careful City marvels at, and buys
  • For nurselings in the Suburbs to despise!
  • IV. BEEF-EATER
  • His beat lies knee-high through a dust of story--
  • A dust of terror and torture, grief and crime;
  • Ghosts that are _ENGLAND'S_ wonder, and shame, and glory
  • Throng where he walks, an antic of old time;
  • A sense of long immedicable tears
  • Were ever with him, could his ears but heed;
  • The stern _Hic Jacets_ of our bloodiest years
  • Are for his reading, had he eyes to read,
  • But here, where _CROOKBACK_ raged, and _CRANMER_ trimmed,
  • And _MORE_ and _STRAFFORD_ faced the axe's proving,
  • He shows that Crown the desperate Colonel nimmed,
  • Or simply keeps the Country Cousin moving,
  • Or stays such Cockney pencillers as would shame
  • The wall where some dead Queen hath traced her name.
  • V. SANDWICH-MAN
  • An ill March noon; the flagstones gray with dust;
  • An all-round east wind volleying straws and grit;
  • _ST. MARTIN'S STEPS_, where every venomous gust
  • Lingers to buffet, or sneap, the passing cit;
  • And in the gutter, squelching a rotten boot,
  • Draped in a wrap that, modish ten-year syne,
  • Partners, obscene with sweat and grease and soot,
  • A horrible hat, that once was just as fine;
  • The drunkard's mouth a-wash for something drinkable,
  • The drunkard's eye alert for casual _toppers_,
  • The drunkard's neck stooped to a lot scarce thinkable,
  • A living, crawling blazoning of Hot-Coppers,
  • He trails his mildews towards a Kingdom-Come
  • Compact of _sausage-and-mash_ and _two-o'-rum_!
  • VI. 'LIZA
  • _'LIZA'S old man_'s perhaps a little _shady_,
  • _'LIZA'S old woman_'s prone to _booze_ and cringe;
  • But _'LIZA_ deems herself _a perfect lady_,
  • And proves it in her feathers and her fringe.
  • For _'LIZA_ has a _bloke_ her heart to cheer,
  • With _pearlies_ and a _barrer_ and a _jack_,
  • So all the vegetables of the year
  • Are duly represented on her back.
  • Her boots are sacrifices to her hats,
  • Which knock you speechless--_like a load of bricks_!
  • Her summer velvets dazzle _WANSTEAD FLATS_,
  • And cost, at times, a good eighteen-and-six.
  • Withal, outside the gay and giddy whirl,
  • _'LIZA'S_ a stupid, straight, hard-working girl.
  • VII. 'LADY'
  • Time, the old humourist, has a trick to-day
  • Of moving landmarks and of levelling down,
  • Till into Town the Suburbs edge their way,
  • And in the Suburbs you may scent the Town.
  • With _MOUNT ST._ thus approaching _MUSWELL HILL_,
  • And _CLAPHAM COMMON_ marching with the _MILE_,
  • You get a _HAMMERSMITH_ that _fills the bill_,
  • A _HAMPSTEAD_ with a serious sense of style.
  • So this fair creature, pictured in _THE ROW_,
  • As one of that 'gay adulterous world,' {79} whose round
  • Is by the _SERPENTINE_, as well would show,
  • And might, I deem, as readily be found
  • On _STREATHAM'S HILL_, or _WIMBLEDON'S_, or where
  • Brixtonian kitchens lard the late-dining air.
  • VIII. BLUECOAT BOY
  • So went our boys when _EDWARD SIXTH_, the King,
  • Chartered _CHRIST'S HOSPITAL_, and died. And so
  • Full fifteen generations in a string
  • Of heirs to his bequest have had to go.
  • Thus _CAMDEN_ showed, and _BARNES_, and _STILLING-FLEET_,
  • And _RICHARDSON_, that bade our _LOVELACE_ be;
  • The little _ELIA_ thus in _NEWGATE STREET_;
  • Thus to his _GENEVIEVE_ young _S. T. C._
  • With thousands else that, wandering up and down,
  • Quaint, privileged, liked and reputed well,
  • Made the great School a part of _LONDON TOWN_
  • Patent as _PAUL'S_ and vital as _BOW BELL_:
  • The old School nearing exile, day by day,
  • To certain clay-lands somewhere _HORSHAM_ way.
  • IX. MOUNTED POLICE
  • Army Reserve; a worshipper of _BOBS_,
  • With whom he stripped the smock from _CANDAHAR_;
  • Neat as his mount, that neatest among cobs;
  • Whenever pageants pass, or meetings are,
  • He moves conspicuous, vigilant, severe,
  • With his Light Cavalry hand and seat and look,
  • A living type of Order, in whose sphere
  • Is room for neither _Hooligan_ nor _Hook_.
  • For in his shadow, wheresoe'er he ride,
  • Paces, all eye and hardihood and grip,
  • The dreaded _Crusher_, might in his every stride
  • And right materialized girt at his hip;
  • And they, that shake to see these twain go by,
  • Feel that the _Tec_, that plain-clothes Terror, is nigh.
  • X. NEWS-BOY
  • Take any station, pavement, circus, corner,
  • Where men their styles of print may call or choose,
  • And there--ten times more _on it_ than _JACK HORNER_--
  • There shall you find him swathed in sheets of news.
  • Nothing can stay the placing of his wares--
  • Not bus, nor cab, nor dray! The very _Slop_,
  • That imp of power, is powerless! Ever he dares,
  • And, daring, lands his public neck and crop.
  • Even the many-tortured London ear,
  • The much-enduring, loathes his _Speeshul_ yell,
  • His shriek of _Winnur_! But his dart and leer
  • And poise are irresistible. _PALL MALL_
  • Joys in him, and _MILE END_; for his vocation
  • Is to purvey the stuff of conversation.
  • XI. DRUM-MAJOR
  • Who says _Drum-Major_ says a man of mould,
  • Shaking the meek earth with tremendous tread,
  • And pacing still, a triumph to behold,
  • Of his own spine at least two yards ahead!
  • Attorney, grocer, surgeon, broker, duke--
  • His calling may be anything, who comes
  • Into a room, his presence a rebuke
  • To the dejected, as the pipes and drums
  • Inspired his port!--who mounts his office stairs
  • As though he led great armies to the fight!
  • His bulk itself's pure genius, and he wears
  • His avoirdupois with so much fire and spright
  • That, though the creature stands but five feet five,
  • You take him for the tallest He alive.
  • XII. FLOWER-GIRL
  • There's never a delicate nurseling of the year
  • But our huge _LONDON_ hails it, and delights
  • To wear it on her breast or at her ear,
  • Her days to colour and make sweet her nights.
  • Crocus and daffodil and violet,
  • Pink, primrose, valley-lily, clove-carnation,
  • Red rose and white rose, wall-flower, mignonette,
  • The daisies all--these be her recreation,
  • Her gaudies these! And forth from _DRURY LANE_,
  • Trapesing in any of her whirl of weathers,
  • Her flower-girls foot it, honest and hoarse and vain,
  • All boot and little shawl and wilted feathers:
  • Of populous corners right advantage taking,
  • And, where they squat, endlessly posy-making.
  • XIII. BARMAID
  • Though, if you ask her name, she says _ELISE_,
  • Being plain _ELIZABETH_, e'en let it pass,
  • And own that, if her aspirates take their ease,
  • She ever makes a point, in washing glass,
  • Handling the engine, turning taps for _tots_,
  • And countering change, and scorning what men say,
  • Of posing as a dove among the pots,
  • Nor often gives her dignity away.
  • Her head's a work of art, and, if her eyes
  • Be tired and ignorant, she has a waist;
  • Cheaply the Mode she shadows; and she tries
  • From penny novels to amend her taste;
  • And, having mopped the zinc for certain years,
  • And faced the gas, she fades and disappears.
  • _The Artist muses at his ease_,
  • _Contented that his work is done_,
  • _And smiling_--_smiling_!--_as he sees_
  • _His crowd collecting_, _one by one_.
  • _Alas_! _his travail's but begun_!
  • _None_, _none can keep the years in line_,
  • _And what to Ninety-Eight is fun_
  • _May raise the gorge of Ninety-Nine_!
  • MUSWELL HILL, 1898.
  • III. THREE PROLOGUES
  • I. BEAU AUSTIN
  • _By W. E. Henley and R. L. Stevenson_,
  • _Haymarket Theatre_, _November_ 3, 1890.
  • Spoken by Mr. TREE in the character of Beau Austin.
  • 'To all and singular,' as _DRYDEN_ says,
  • We bring a fancy of those Georgian days,
  • Whose style still breathed a faint and fine perfume
  • Of old-world courtliness and old-world bloom:
  • When speech was elegant and talk was fit,
  • For slang had not been canonised as wit;
  • When manners reigned, when breeding had the wall,
  • And Women--yes!--were ladies first of all;
  • When Grace was conscious of its gracefulness,
  • And man--though Man!--was not ashamed to dress.
  • A brave formality, a measured ease
  • Were his--and hers--whose effort was to please.
  • And to excel in pleasing was to reign,
  • And, if you sighed, never to sigh in vain.
  • But then, as now--it may be, something more--
  • Woman and man were human to the core.
  • The hearts that throbbed behind that brave attire
  • Burned with a plenitude of essential fire.
  • They too could risk, they also could rebel:
  • They could love wisely--they could love too well.
  • In that great duel of Sex, that ancient strife
  • Which is the very central fact of life,
  • They could--and did--engage it breath for breath,
  • They could--and did--get wounded unto death.
  • As at all times since time for us began
  • Woman was truly woman, man was man,
  • And joy and sorrow were as much at home
  • In trifling _TUNBRIDGE_ as in mighty _ROME_.
  • Dead--dead and done with! Swift from shine to shade
  • The roaring generations flit and fade.
  • To this one, fading, flitting, like the rest,
  • We come to proffer--be it worst or best--
  • A sketch, a shadow, of one brave old time;
  • A hint of what it might have held sublime;
  • A dream, an idyll, call it what you will,
  • Of man still Man, and woman--Woman still!
  • II. RICHARD SAVAGE
  • _By J. M. Barrie and H. B. Marriott Watson_, _Criterion Theatre_, _April_
  • 16, 1891.
  • To other boards for pun and song and dance!
  • Our purpose is an essay in romance:
  • An old-world story where such old-world facts
  • As hate and love and death, through four swift acts--
  • Not without gleams and glances, hints and cues,
  • From the dear bright eyes of the Comic Muse!--
  • So shine and sound that, as we fondly deem,
  • They may persuade you to accept our dream:
  • Our own invention, mainly--though we take,
  • Somewhat for art but most for interest's sake
  • One for our hero who goes wandering still
  • In the long shadow of _PARNASSUS HILL_;
  • Scarce within eyeshot; but his tragic shade
  • Compels that recognition due be made,
  • When he comes knocking at the student's door,
  • Something as poet, if as blackguard more.
  • Poet and blackguard. Of the first--how much?
  • As to the second, in quite perfect touch
  • With folly and sorrow, even shame and crime,
  • He lived the grief and wonder of his time!
  • Marked for reproaches from his life's beginning;
  • Extremely sinned against as well as sinning;
  • Hack, spendthrift, starveling, duellist in turn;
  • Too cross to cherish yet too fierce to spurn;
  • Begrimed with ink or brave with wine and blood;
  • Spirit of fire and manikin of mud;
  • Now shining clear, now fain to starve and skulk;
  • Star of the cellar, pensioner of the bulk;
  • At once the child of passion and the slave;
  • Brawling his way to an unhonoured grave--
  • That was _DICK SAVAGE_! Yet, ere his ghost we raise
  • For these more decent and less desperate days,
  • It may be well and seemly to reflect
  • That, howbeit of so prodigal a sect,
  • Since it was his to call until the end
  • Our greatest, wisest Englishman his friend,
  • 'Twere all-too fatuous if we cursed and scorned
  • The strange, wild creature _JOHNSON_ loved and mourned.
  • Nature is but the oyster--Art's the pearl:
  • Our _DICK_ is neither sycophant nor churl.
  • Not as he was but as he might have been
  • Had the Unkind Gods been poets of the scene,
  • Fired with our fancy, shaped and tricked anew
  • To touch your hearts with love, your eyes with rue,
  • He stands or falls, ere he these boards depart,
  • Not as dead Nature but as living Art.
  • III. ADMIRAL GUINEA
  • _By W. E. Henley and R. L. Stevenson_,
  • _Avenue Theatre_, _Monday_, _November_ 29, 1897.
  • Spoken by Miss ELIZABETH ROBINS.
  • Once was an Age, an Age of blood and gold,
  • An Age of shipmen scoundrelly and bold--
  • _BLACKBEARD_ and _AVORY_, _SINGLETON_, _ROBERTS_, _KIDD_:
  • An Age which seemed, the while it rolled its quid,
  • Brave with adventure and doubloons and crime,
  • Rum and the Ebony Trade: when, time on time,
  • Real Pirates, right Sea-Highwaymen, could mock
  • The carrion strung at _EXECUTION DOCK_;
  • And the trim Slaver, with her raking rig,
  • Her cloud of sails, her spars superb and trig,
  • Held, in a villainous ecstasy of gain,
  • Her musky course from _BENIN_ to the _MAIN_,
  • And back again for niggers:
  • When, in fine,
  • Some thought that _EDEN_ bloomed across the Line,
  • And some, like _COWPER'S NEWTON_, lived to tell
  • That through those parallels ran the road to Hell.
  • Once was a pair of Friends, who loved to chance
  • Their feet in any by-way of Romance:
  • They, like two vagabond schoolboys, unafraid
  • Of stark impossibilities, essayed
  • To make these Penitent and Impenitent Thieves,
  • These _PEWS_ and _GAUNTS_, each man of them with his sheaves
  • Of humour, passion, cruelty, tyranny, life,
  • Fit shadows for the boards; till in the strife
  • Of dream with dream, their Slaver-Saint came true,
  • And their Blind Pirate, their resurgent _PEW_
  • (A figure of deadly farce in his new birth),
  • Tap-tapped his way from _ORCUS_ back to earth;
  • And so, their Lover and his Lass made one,
  • In their best prose this _Admiral_ here was done.
  • One of this Pair sleeps till the crack of doom
  • Where the great ocean-rollers plunge and boom:
  • The other waits and wonders what his Friend,
  • Dead now, and deaf, and silent, were the end
  • Revealed to his rare spirit, would find to say
  • If you, his lovers, loved him for this Play.
  • IV. EPICEDIA
  • TWO DAYS
  • (_February_ 15--_September_ 28, 1894)
  • _To_ V. G.
  • That day we brought our Beautiful One to lie
  • In the green peace within your gates, he came
  • To give us greeting, boyish and kind and shy,
  • And, stricken as we were, we blessed his name:
  • Yet, like the Creature of Light that had been ours,
  • Soon of the sweet Earth disinherited,
  • He too must join, even with the Year's old flowers,
  • The unanswering generations of the Dead.
  • So stand we friends for you, who stood our friend
  • Through him that day; for now through him you know
  • That though where love was, love is till the end,
  • Love, turned of death to longing, like a foe,
  • Strikes: when the ruined heart goes forth to crave
  • Mercy of the high, austere, unpitying Grave.
  • IN MEMORIAM
  • THOMAS EDWARD BROWN
  • (_Ob. October_ 30, 1897)
  • He looked half-parson and half-skipper: a quaint,
  • Beautiful blend, with blue eyes good to see,
  • And old-world whiskers. You found him cynic, saint,
  • Salt, humourist, Christian, poet; with a free,
  • Far-glancing, luminous utterance; and a heart
  • Large as _ST. FRANCIS'S_: withal a brain
  • Stored with experience, letters, fancy, art,
  • And scored with runes of human joy and pain.
  • Till six-and-sixty years he used his gift,
  • His gift unparalleled, of laughter and tears,
  • And left the world a high-piled, golden drift
  • Of verse: to grow more golden with the years,
  • Till the Great Silence fallen upon his ways
  • Break into song, and he that had Love have Praise.
  • IN MEMORIAM
  • GEORGE WARRINGTON STEEVENS
  • _London_, _December_ 10, 1869.
  • _Ladysmith_, _January_ 15, 1900.
  • We cheered you forth--brilliant and kind and brave.
  • Under your country's triumphing flag you fell.
  • It floats, true Heart, over no dearer grave--
  • Brave and brilliant and kind, hail and farewell!
  • LAST POST
  • The day's high work is over and done,
  • And these no more will need the sun:
  • Blow, you bugles of _ENGLAND_, blow!
  • These are gone whither all must go,
  • Mightily gone from the field they won.
  • So in the workaday wear of battle,
  • Touched to glory with _GOD'S_ own red,
  • Bear we our chosen to their bed.
  • Settle them lovingly where they fell,
  • In that good lap they loved so well;
  • And, their deliveries to the dear _LORD_ said,
  • And the last desperate volleys ranged and sped,
  • Blow, you bugles of _ENGLAND_, blow
  • Over the camps of her beaten foe--
  • Blow glory and pity to the victor Mother,
  • Sad, O, sad in her sacrificial dead!
  • Labour, and love, and strife, and mirth,
  • They gave their part in this goodly Earth--
  • Blow, you bugles of _ENGLAND_, blow!--
  • That her Name as a sun among stars might glow,
  • Till the dusk of Time, with honour and worth:
  • That, stung by the lust and the pain of battle,
  • The One Race ever might starkly spread,
  • And the One Flag eagle it overhead!
  • In a rapture of wrath and faith and pride,
  • Thus they felt it, and thus they died;
  • So to the Maker of homes, to the Giver of bread,
  • For whose dear sake their triumphing souls they shed,
  • Blow, you bugles of _ENGLAND_, blow,
  • Though you break the heart of her beaten foe,
  • Glory and praise to the everlasting Mother,
  • Glory and peace to her lovely and faithful dead!
  • IN MEMORIAM
  • REGINAE DILECTISSIMAE VICTORIAE
  • (_May_ 24, 1819--_January_ 22, 1901)
  • _Sceptre and orb and crown_,
  • _High ensigns of a sovranty containing_
  • _The beauty and strength and state of half a World_,
  • _Pass from her_, _and she fades_
  • _Into the old_, _inviolable peace_.
  • I
  • She had been ours so long
  • She seemed a piece of _ENGLAND_: spirit and blood
  • And message _ENGLAND'S_ self,
  • Home-coloured, _ENGLAND_ in look and deed and dream;
  • Like the rich meadows and woods, the serene rivers,
  • And sea-charmed cliffs and beaches, that still bring
  • A rush of tender pride to the heart
  • That beats in _ENGLAND'S_ airs to _ENGLAND'S_ ends:
  • August, familiar, irremovable,
  • Like the good stars that shine
  • In the good skies that only _ENGLAND_ knows:
  • So that we held it sure
  • _GOD'S_ aim, _GOD'S_ will, _GOD'S_ way,
  • When Empire from her footstool, realm on realm,
  • Spread, even as from her notable womb
  • Sprang line on line of Kings;
  • For she was _ENGLAND_--_ENGLAND_ and our Queen.
  • II
  • O, she was ours! And she had aimed
  • And known and done the best
  • And highest in time: greatly rejoiced,
  • Ruled greatly, greatly endured. Love had been hers,
  • And widowhood, glory and grief, increase
  • In wisdom and power and pride,
  • Dominion, honour, children, reverence:
  • So that, in peace and war
  • Innumerably victorious, she lay down
  • To die in a world renewed,
  • Cleared, in her luminous umbrage beautified
  • For Man, and changing fast
  • Into so gracious an inheritance
  • As Man had never dared
  • Imagine. Think, when she passed,
  • Think what a pageant of immortal acts,
  • Done in the unapproachable face
  • Of Time by the high, transcending human mind,
  • Shone and acclaimed
  • And triumphed in her advent! Think of the ghosts,
  • Think of the mighty ghosts: soldiers and priests,
  • Artists and captains of discovery,
  • _GOD'S_ chosen, His adventurers up the heights
  • Of thought and deed--how many of them that led
  • The forlorn hopes of the World!--
  • Her peers and servants, made the air
  • Of her death-chamber glorious! Think how they thronged
  • About her bed, and with what pride
  • They took this sister-ghost
  • Tenderly into the night! O, think--
  • And, thinking, bow the head
  • In sorrow, but in the reverence that makes
  • The strong man stronger--this true maid,
  • True wife, true mother, tried and found
  • An hundred times true steel,
  • This unforgettable woman was your Queen!
  • III
  • Tears for her--tears! Tears and the mighty rites
  • Of an everlasting and immense farewell,
  • _ENGLAND_, green heart of the world, and you,
  • Dear demi-_ENGLANDS_, far-away isles of home,
  • Where the old speech is native, and the old flag
  • Floats, and the old irresistible call,
  • The watch-word of so many ages of years,
  • Makes men in love
  • With toil for the race, and pain, and peril, and death!
  • Tears, and the dread, tremendous dirge
  • Of her brooding battleships, and hosts
  • Processional, with trailing arms; the plaint--
  • Measured, enormous, terrible--of her guns;
  • The slow, heart-breaking throb
  • Of bells; the trouble of drums; the blare
  • Of mourning trumpets; the discomforting pomp
  • Of silent crowds, black streets, and banners-royal
  • Obsequious! Then, these high things done,
  • Rise, heartened of your passion! Rise to the height
  • Of her so lofty life! Kneel, if you must;
  • But, kneeling, win to those great altitudes
  • On which she sought and did
  • Her clear, supernal errand unperturbed!
  • Let the new memory
  • Be as the old, long love! So, when the hour
  • Strikes, as it must, for valour of heart,
  • Virtue, and patience, and unblenching hope,
  • And the inflexible resolve
  • That, come the World in arms,
  • This breeder of nations, _ENGLAND_, keeping the seas
  • Hers as from _GOD_, shall in the sight of _GOD_
  • Stand justified of herself
  • Wherever her unretreating bugles blow!
  • Remember that she lived
  • That this magnificent Power might still perdure--
  • Your friend, your passionate servant, counsellor, Queen.
  • IV
  • Be that your chief of mourning--that!--
  • _ENGLAND_, O Mother, and you,
  • The daughter Kingdoms born and reared
  • Of _ENGLAND'S_ travail and sweet blood;
  • And never will you lands,
  • The live Earth over and round,
  • Wherethrough for sixty royal and radiant years
  • Her drum-tap made the dawns
  • English--Never will you
  • So fittingly and well have paid your debt
  • Of grief and gratitude to the souls
  • That sink in _ENGLAND'S_ harness into the dream:
  • 'I die for _ENGLAND'S_ sake, and it is well':
  • As now to this valiant, wonderful piece of earth,
  • To which the assembling nations bare the head,
  • And bend the knee,
  • In absolute veneration--once your Queen.
  • _Sceptre and orb and crown_,
  • _High ensigns of a sovranty empaling_
  • _The glory and love and praise of a whole half-world_,
  • _Fall from her_, _and_, _preceding_, _she departs_
  • _Into the old_, _indissoluble Peace_.
  • EPILOGUE
  • Into a land
  • Storm-wrought, a place of quakes, all thunder-scarred,
  • Helpless, degraded, desolate,
  • Peace, the White Angel, comes.
  • Her eyes are as a mother's. Her good hands
  • Are comforting, and helping; and her voice
  • Falls on the heart, as, after Winter, Spring
  • Falls on the World, and there is no more pain.
  • And, in her influence, hope returns, and life,
  • And the passion of endeavour: so that, soon,
  • The idle ports are insolent with keels;
  • The stithies roar, and the mills thrum
  • With energy and achievement; weald and wold
  • Exult; the cottage-garden teems
  • With innocent hues and odours; boy and girl
  • Mate prosperously; there are sweet women to kiss;
  • There are good women to breed. In a golden fog,
  • A large, full-stomached faith in kindliness
  • All over the world, the nation, in a dream
  • Of money and love and sport, hangs at the paps
  • Of well-being, and so
  • Goes fattening, mellowing, dozing, rotting down
  • Into a rich deliquium of decay.
  • Then, if the Gods be good,
  • Then, if the Gods be other than mischievous,
  • Down from their footstools, down
  • With a million-throated shouting, swoops and storms
  • War, the Red Angel, the Awakener,
  • The Shaker of Souls and Thrones; and at her heel
  • Trail grief, and ruin, and shame!
  • The woman weeps her man, the mother her son,
  • The tenderling its father. In wild hours,
  • A people, haggard with defeat,
  • Asks if there be a God; yet sets its teeth,
  • Faces calamity, and goes into the fire
  • Another than it was. And in wild hours
  • A people, roaring ripe
  • With victory, rises, menaces, stands renewed,
  • Sheds its old piddling aims,
  • Approves its virtue, puts behind itself
  • The comfortable dream, and goes,
  • Armoured and militant,
  • New-pithed, new-souled, new-visioned, up the steeps
  • To those great altitudes, whereat the weak
  • Live not. But only the strong
  • Have leave to strive, and suffer, and achieve.
  • WORTHING, 1901.
  • Printed by T. and A. CONSTABLE, (late) Printers to Her Majesty at the
  • Edinburgh University Press
  • Footnotes:
  • {63} _At two years old_, _my child_, _being chidden_, _found this
  • striking phrase_.--_W. E. H._
  • {79} Wilfrid Blunt.
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