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  • Title: Don Juan
  • Author: Lord Byron
  • Release Date: June 6, 2007 [EBook #21700]
  • [Last updated: August 3, 2012]
  • Language: English
  • *** START OF THIS PROJECT GUTENBERG EBOOK DON JUAN ***
  • Produced by David Widger
  • DON JUAN
  • By Lord Byron
  • [Illustration: Frontispiece]
  • [Illustration: Titlepage]
  • [Illustration: Dedication]
  • [Note: Stanza and Line numbers have not been included.]
  • DEDICATION
  • Bob Southey! You're a poet, poet laureate,
  • And representative of all the race.
  • Although 'tis true that you turned out a Tory at
  • Last, yours has lately been a common case.
  • And now my epic renegade, what are ye at
  • With all the lakers, in and out of place?
  • A nest of tuneful persons, to my eye
  • Like four and twenty blackbirds in a pye,
  • Which pye being opened they began to sing'
  • (This old song and new simile holds good),
  • 'A dainty dish to set before the King'
  • Or Regent, who admires such kind of food.
  • And Coleridge too has lately taken wing,
  • But like a hawk encumbered with his hood,
  • Explaining metaphysics to the nation.
  • I wish he would explain his explanation.
  • You, Bob, are rather insolent, you know,
  • At being disappointed in your wish
  • To supersede all warblers here below,
  • And be the only blackbird in the dish.
  • And then you overstrain yourself, or so,
  • And tumble downward like the flying fish
  • Gasping on deck, because you soar too high,
  • Bob, And fall for lack of moisture quite a dry Bob.
  • And Wordsworth in a rather long Excursion
  • (I think the quarto holds five hundred pages)
  • Has given a sample from the vasty version
  • Of his new system to perplex the sages.
  • 'Tis poetry, at least by his assertion,
  • And may appear so when the Dog Star rages,
  • And he who understands it would be able
  • To add a story to the tower of Babel.
  • You gentlemen, by dint of long seclusion
  • From better company, have kept your own
  • At Keswick, and through still continued fusion
  • Of one another's minds at last have grown
  • To deem, as a most logical conclusion,
  • That poesy has wreaths for you alone.
  • There is a narrowness in such a notion,
  • Which makes me wish you'd change your lakes for ocean.
  • I would not imitate the petty thought,
  • Nor coin my self-love to so base a vice,
  • For all the glory your conversion brought,
  • Since gold alone should not have been its price.
  • You have your salary; was't for that you wrought?
  • And Wordsworth has his place in the Excise.
  • You're shabby fellows--true--but poets still
  • And duly seated on the immortal hill.
  • Your bays may hide the baldness of your brows,
  • Perhaps some virtuous blushes; let them go.
  • To you I envy neither fruit nor boughs,
  • And for the fame you would engross below,
  • The field is universal and allows
  • Scope to all such as feel the inherent glow.
  • Scott, Rogers, Campbell, Moore, and Crabbe will try
  • 'Gainst you the question with posterity.
  • For me, who, wandering with pedestrian Muses,
  • Contend not with you on the winged' steed,
  • I wish your fate may yield ye, when she chooses,
  • The fame you envy and the skill you need.
  • And recollect a poet nothing loses
  • In giving to his brethren their full meed
  • Of merit, and complaint of present days
  • Is not the certain path to future praise.
  • He that reserves his laurels for posterity
  • (Who does not often claim the bright reversion)
  • Has generally no great crop to spare it, he
  • Being only injured by his own assertion.
  • And although here and there some glorious rarity
  • Arise like Titan from the sea's immersion,
  • The major part of such appellants go
  • To--God knows where--for no one else can know.
  • If fallen in evil days on evil tongues,
  • Milton appealed to the avenger, Time,
  • If Time, the avenger, execrates his wrongs
  • And makes the word Miltonic mean sublime,
  • He deigned not to belie his soul in songs,
  • Nor turn his very talent to a crime.
  • He did not loathe the sire to laud the son,
  • But closed the tyrant-hater he begun.
  • Think'st thou, could he, the blind old man, arise
  • Like Samuel from the grave to freeze once more
  • The blood of monarchs with his prophecies,
  • Or be alive again--again all hoar
  • With time and trials, and those helpless eyes
  • And heartless daughters--worn and pale and poor,
  • Would he adore a sultan? He obey
  • The intellectual eunuch Castlereagh?
  • Cold-blooded, smooth-faced, placid miscreant!
  • Dabbling its sleek young hands in Erin's gore,
  • And thus for wider carnage taught to pant,
  • Transferred to gorge upon a sister shore,
  • The vulgarest tool that tyranny could want,
  • With just enough of talent and no more,
  • To lengthen fetters by another fixed
  • And offer poison long already mixed.
  • An orator of such set trash of phrase,
  • Ineffably, legitimately vile,
  • That even its grossest flatterers dare not praise,
  • Nor foes--all nations--condescend to smile.
  • Not even a sprightly blunder's spark can blaze
  • From that Ixion grindstone's ceaseless toil,
  • That turns and turns to give the world a notion
  • Of endless torments and perpetual motion.
  • A bungler even in its disgusting trade,
  • And botching, patching, leaving still behind
  • Something of which its masters are afraid,
  • States to be curbed and thoughts to be confined,
  • Conspiracy or congress to be made,
  • Cobbling at manacles for all mankind,
  • A tinkering slave-maker, who mends old chains,
  • With God and man's abhorrence for its gains.
  • If we may judge of matter by the mind,
  • Emasculated to the marrow, it
  • Hath but two objects, how to serve and bind,
  • Deeming the chain it wears even men may fit,
  • Eutropius of its many masters, blind
  • To worth as freedom, wisdom as to wit,
  • Fearless, because no feeling dwells in ice;
  • Its very courage stagnates to a vice.
  • Where shall I turn me not to view its bonds,
  • For I will never feel them. Italy,
  • Thy late reviving Roman soul desponds
  • Beneath the lie this state-thing breathed o'er thee.
  • Thy clanking chain and Erin's yet green wounds
  • Have voices, tongues to cry aloud for me.
  • Europe has slaves, allies, kings, armies still,
  • And Southey lives to sing them very ill.
  • Meantime, Sir Laureate, I proceed to dedicate
  • In honest simple verse this song to you.
  • And if in flattering strains I do not predicate,
  • 'Tis that I still retain my buff and blue;
  • My politics as yet are all to educate.
  • Apostasy's so fashionable too,
  • To keep one creed's a task grown quite
  • Herculean Is it not so, my Tory, ultra-Julian?
  • CANTO THE FIRST
  • I want a hero: an uncommon want,
  • When every year and month sends forth a new one,
  • Till, after cloying the gazettes with cant,
  • The age discovers he is not the true one;
  • Of such as these I should not care to vaunt,
  • I 'll therefore take our ancient friend Don Juan--
  • We all have seen him, in the pantomime,
  • Sent to the devil somewhat ere his time.
  • Vernon, the butcher Cumberland, Wolfe, Hawke,
  • Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
  • Evil and good, have had their tithe of talk,
  • And fill'd their sign posts then, like Wellesley now;
  • Each in their turn like Banquo's monarchs stalk,
  • Followers of fame, 'nine farrow' of that sow:
  • France, too, had Buonaparte and Dumourier
  • Recorded in the Moniteur and Courier.
  • Barnave, Brissot, Condorcet, Mirabeau,
  • Petion, Clootz, Danton, Marat, La Fayette,
  • Were French, and famous people, as we know:
  • And there were others, scarce forgotten yet,
  • Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
  • With many of the military set,
  • Exceedingly remarkable at times,
  • But not at all adapted to my rhymes.
  • Nelson was once Britannia's god of war,
  • And still should be so, but the tide is turn'd;
  • There 's no more to be said of Trafalgar,
  • 'T is with our hero quietly inurn'd;
  • Because the army 's grown more popular,
  • At which the naval people are concern'd;
  • Besides, the prince is all for the land-service,
  • Forgetting Duncan, Nelson, Howe, and Jervis.
  • Brave men were living before Agamemnon
  • And since, exceeding valorous and sage,
  • A good deal like him too, though quite the same none;
  • But then they shone not on the poet's page,
  • And so have been forgotten:--I condemn none,
  • But can't find any in the present age
  • Fit for my poem (that is, for my new one);
  • So, as I said, I 'll take my friend Don Juan.
  • Most epic poets plunge 'in medias res'
  • (Horace makes this the heroic turnpike road),
  • And then your hero tells, whene'er you please,
  • What went before--by way of episode,
  • While seated after dinner at his ease,
  • Beside his mistress in some soft abode,
  • Palace, or garden, paradise, or cavern,
  • Which serves the happy couple for a tavern.
  • That is the usual method, but not mine--
  • My way is to begin with the beginning;
  • The regularity of my design
  • Forbids all wandering as the worst of sinning,
  • And therefore I shall open with a line
  • (Although it cost me half an hour in spinning)
  • Narrating somewhat of Don Juan's father,
  • And also of his mother, if you 'd rather.
  • In Seville was he born, a pleasant city,
  • Famous for oranges and women--he
  • Who has not seen it will be much to pity,
  • So says the proverb--and I quite agree;
  • Of all the Spanish towns is none more pretty,
  • Cadiz perhaps--but that you soon may see;
  • Don Juan's parents lived beside the river,
  • A noble stream, and call'd the Guadalquivir.
  • His father's name was Jose--Don, of course,--
  • A true Hidalgo, free from every stain
  • Of Moor or Hebrew blood, he traced his source
  • Through the most Gothic gentlemen of Spain;
  • A better cavalier ne'er mounted horse,
  • Or, being mounted, e'er got down again,
  • Than Jose, who begot our hero, who
  • Begot--but that 's to come--Well, to renew:
  • His mother was a learned lady, famed
  • For every branch of every science known
  • In every Christian language ever named,
  • With virtues equall'd by her wit alone,
  • She made the cleverest people quite ashamed,
  • And even the good with inward envy groan,
  • Finding themselves so very much exceeded
  • In their own way by all the things that she did.
  • Her memory was a mine: she knew by heart
  • All Calderon and greater part of Lope,
  • So that if any actor miss'd his part
  • She could have served him for the prompter's copy;
  • For her Feinagle's were an useless art,
  • And he himself obliged to shut up shop--he
  • Could never make a memory so fine as
  • That which adorn'd the brain of Donna Inez.
  • Her favourite science was the mathematical,
  • Her noblest virtue was her magnanimity,
  • Her wit (she sometimes tried at wit) was Attic all,
  • Her serious sayings darken'd to sublimity;
  • In short, in all things she was fairly what I call
  • A prodigy--her morning dress was dimity,
  • Her evening silk, or, in the summer, muslin,
  • And other stuffs, with which I won't stay puzzling.
  • She knew the Latin--that is, 'the Lord's prayer,'
  • And Greek--the alphabet--I 'm nearly sure;
  • She read some French romances here and there,
  • Although her mode of speaking was not pure;
  • For native Spanish she had no great care,
  • At least her conversation was obscure;
  • Her thoughts were theorems, her words a problem,
  • As if she deem'd that mystery would ennoble 'em.
  • She liked the English and the Hebrew tongue,
  • And said there was analogy between 'em;
  • She proved it somehow out of sacred song,
  • But I must leave the proofs to those who 've seen 'em;
  • But this I heard her say, and can't be wrong
  • And all may think which way their judgments lean 'em,
  • ''T is strange--the Hebrew noun which means "I am,"
  • The English always use to govern d--n.'
  • Some women use their tongues--she look'd a lecture,
  • Each eye a sermon, and her brow a homily,
  • An all-in-all sufficient self-director,
  • Like the lamented late Sir Samuel Romilly,
  • The Law's expounder, and the State's corrector,
  • Whose suicide was almost an anomaly--
  • One sad example more, that 'All is vanity'
  • (The jury brought their verdict in 'Insanity').
  • In short, she was a walking calculation,
  • Miss Edgeworth's novels stepping from their covers,
  • Or Mrs. Trimmer's books on education,
  • Or 'Coelebs' Wife' set out in quest of lovers,
  • Morality's prim personification,
  • In which not Envy's self a flaw discovers;
  • To others' share let 'female errors fall,'
  • For she had not even one--the worst of all.
  • O! she was perfect past all parallel--
  • Of any modern female saint's comparison;
  • So far above the cunning powers of hell,
  • Her guardian angel had given up his garrison;
  • Even her minutest motions went as well
  • As those of the best time-piece made by Harrison:
  • In virtues nothing earthly could surpass her,
  • Save thine 'incomparable oil,' Macassar!
  • Perfect she was, but as perfection is
  • Insipid in this naughty world of ours,
  • Where our first parents never learn'd to kiss
  • Till they were exiled from their earlier bowers,
  • Where all was peace, and innocence, and bliss
  • (I wonder how they got through the twelve hours),
  • Don Jose, like a lineal son of Eve,
  • Went plucking various fruit without her leave.
  • He was a mortal of the careless kind,
  • With no great love for learning, or the learn'd,
  • Who chose to go where'er he had a mind,
  • And never dream'd his lady was concern'd;
  • The world, as usual, wickedly inclined
  • To see a kingdom or a house o'erturn'd,
  • Whisper'd he had a mistress, some said two--
  • But for domestic quarrels one will do.
  • Now Donna Inez had, with all her merit,
  • A great opinion of her own good qualities;
  • Neglect, indeed, requires a saint to bear it,
  • And such, indeed, she was in her moralities;
  • But then she had a devil of a spirit,
  • And sometimes mix'd up fancies with realities,
  • And let few opportunities escape
  • Of getting her liege lord into a scrape.
  • This was an easy matter with a man
  • Oft in the wrong, and never on his guard;
  • And even the wisest, do the best they can,
  • Have moments, hours, and days, so unprepared,
  • That you might 'brain them with their lady's fan;'
  • And sometimes ladies hit exceeding hard,
  • And fans turn into falchions in fair hands,
  • And why and wherefore no one understands.
  • 'T is pity learned virgins ever wed
  • With persons of no sort of education,
  • Or gentlemen, who, though well born and bred,
  • Grow tired of scientific conversation:
  • I don't choose to say much upon this head,
  • I 'm a plain man, and in a single station,
  • But--Oh! ye lords of ladies intellectual,
  • Inform us truly, have they not hen-peck'd you all?
  • Don Jose and his lady quarrell'd--why,
  • Not any of the many could divine,
  • Though several thousand people chose to try,
  • 'T was surely no concern of theirs nor mine;
  • I loathe that low vice--curiosity;
  • But if there 's anything in which I shine,
  • 'T is in arranging all my friends' affairs,
  • Not having of my own domestic cares.
  • And so I interfered, and with the best
  • Intentions, but their treatment was not kind;
  • I think the foolish people were possess'd,
  • For neither of them could I ever find,
  • Although their porter afterwards confess'd--
  • But that 's no matter, and the worst 's behind,
  • For little Juan o'er me threw, down stairs,
  • A pail of housemaid's water unawares.
  • A little curly-headed, good-for-nothing,
  • And mischief-making monkey from his birth;
  • His parents ne'er agreed except in doting
  • Upon the most unquiet imp on earth;
  • Instead of quarrelling, had they been but both in
  • Their senses, they 'd have sent young master forth
  • To school, or had him soundly whipp'd at home,
  • To teach him manners for the time to come.
  • Don Jose and the Donna Inez led
  • For some time an unhappy sort of life,
  • Wishing each other, not divorced, but dead;
  • They lived respectably as man and wife,
  • Their conduct was exceedingly well-bred,
  • And gave no outward signs of inward strife,
  • Until at length the smother'd fire broke out,
  • And put the business past all kind of doubt.
  • For Inez call'd some druggists and physicians,
  • And tried to prove her loving lord was mad;
  • But as he had some lucid intermissions,
  • She next decided he was only bad;
  • Yet when they ask'd her for her depositions,
  • No sort of explanation could be had,
  • Save that her duty both to man and God
  • Required this conduct--which seem'd very odd.
  • She kept a journal, where his faults were noted,
  • And open'd certain trunks of books and letters,
  • All which might, if occasion served, be quoted;
  • And then she had all Seville for abettors,
  • Besides her good old grandmother (who doted);
  • The hearers of her case became repeaters,
  • Then advocates, inquisitors, and judges,
  • Some for amusement, others for old grudges.
  • And then this best and weakest woman bore
  • With such serenity her husband's woes,
  • Just as the Spartan ladies did of yore,
  • Who saw their spouses kill'd, and nobly chose
  • Never to say a word about them more--
  • Calmly she heard each calumny that rose,
  • And saw his agonies with such sublimity,
  • That all the world exclaim'd, 'What magnanimity!'
  • No doubt this patience, when the world is damning us,
  • Is philosophic in our former friends;
  • 'T is also pleasant to be deem'd magnanimous,
  • The more so in obtaining our own ends;
  • And what the lawyers call a 'malus animus'
  • Conduct like this by no means comprehends;
  • Revenge in person 's certainly no virtue,
  • But then 't is not my fault, if others hurt you.
  • And if your quarrels should rip up old stories,
  • And help them with a lie or two additional,
  • I 'm not to blame, as you well know--no more is
  • Any one else--they were become traditional;
  • Besides, their resurrection aids our glories
  • By contrast, which is what we just were wishing all:
  • And science profits by this resurrection--
  • Dead scandals form good subjects for dissection.
  • Their friends had tried at reconciliation,
  • Then their relations, who made matters worse.
  • ('T were hard to tell upon a like occasion
  • To whom it may be best to have recourse--
  • I can't say much for friend or yet relation):
  • The lawyers did their utmost for divorce,
  • But scarce a fee was paid on either side
  • Before, unluckily, Don Jose died.
  • He died: and most unluckily, because,
  • According to all hints I could collect
  • From counsel learned in those kinds of laws
  • (Although their talk 's obscure and circumspect),
  • His death contrived to spoil a charming cause;
  • A thousand pities also with respect
  • To public feeling, which on this occasion
  • Was manifested in a great sensation.
  • But, ah! he died; and buried with him lay
  • The public feeling and the lawyers' fees:
  • His house was sold, his servants sent away,
  • A Jew took one of his two mistresses,
  • A priest the other--at least so they say:
  • I ask'd the doctors after his disease--
  • He died of the slow fever call'd the tertian,
  • And left his widow to her own aversion.
  • Yet Jose was an honourable man,
  • That I must say who knew him very well;
  • Therefore his frailties I 'll no further scan
  • Indeed there were not many more to tell;
  • And if his passions now and then outran
  • Discretion, and were not so peaceable
  • As Numa's (who was also named Pompilius),
  • He had been ill brought up, and was born bilious.
  • Whate'er might be his worthlessness or worth,
  • Poor fellow! he had many things to wound him.
  • Let 's own--since it can do no good on earth--
  • It was a trying moment that which found him
  • Standing alone beside his desolate hearth,
  • Where all his household gods lay shiver'd round him:
  • No choice was left his feelings or his pride,
  • Save death or Doctors' Commons--so he died.
  • Dying intestate, Juan was sole heir
  • To a chancery suit, and messuages, and lands,
  • Which, with a long minority and care,
  • Promised to turn out well in proper hands:
  • Inez became sole guardian, which was fair,
  • And answer'd but to nature's just demands;
  • An only son left with an only mother
  • Is brought up much more wisely than another.
  • Sagest of women, even of widows, she
  • Resolved that Juan should be quite a paragon,
  • And worthy of the noblest pedigree
  • (His sire was of Castile, his dam from Aragon):
  • Then for accomplishments of chivalry,
  • In case our lord the king should go to war again,
  • He learn'd the arts of riding, fencing, gunnery,
  • And how to scale a fortress--or a nunnery.
  • But that which Donna Inez most desired,
  • And saw into herself each day before all
  • The learned tutors whom for him she hired,
  • Was, that his breeding should be strictly moral;
  • Much into all his studies she inquired,
  • And so they were submitted first to her, all,
  • Arts, sciences, no branch was made a mystery
  • To Juan's eyes, excepting natural history.
  • The languages, especially the dead,
  • The sciences, and most of all the abstruse,
  • The arts, at least all such as could be said
  • To be the most remote from common use,
  • In all these he was much and deeply read;
  • But not a page of any thing that 's loose,
  • Or hints continuation of the species,
  • Was ever suffer'd, lest he should grow vicious.
  • His classic studies made a little puzzle,
  • Because of filthy loves of gods and goddesses,
  • Who in the earlier ages raised a bustle,
  • But never put on pantaloons or bodices;
  • His reverend tutors had at times a tussle,
  • And for their AEneids, Iliads, and Odysseys,
  • Were forced to make an odd sort! of apology,
  • For Donna Inez dreaded the Mythology.
  • Ovid 's a rake, as half his verses show him,
  • Anacreon's morals are a still worse sample,
  • Catullus scarcely has a decent poem,
  • I don't think Sappho's Ode a good example,
  • Although Longinus tells us there is no hymn
  • Where the sublime soars forth on wings more ample:
  • But Virgil's songs are pure, except that horrid one
  • Beginning with 'Formosum Pastor Corydon.'
  • Lucretius' irreligion is too strong,
  • For early stomachs, to prove wholesome food;
  • I can't help thinking Juvenal was wrong,
  • Although no doubt his real intent was good,
  • For speaking out so plainly in his song,
  • So much indeed as to be downright rude;
  • And then what proper person can be partial
  • To all those nauseous epigrams of Martial?
  • Juan was taught from out the best edition,
  • Expurgated by learned men, who place
  • Judiciously, from out the schoolboy's vision,
  • The grosser parts; but, fearful to deface
  • Too much their modest bard by this omission,
  • And pitying sore his mutilated case,
  • They only add them all in an appendix,
  • Which saves, in fact, the trouble of an index;
  • For there we have them all 'at one fell swoop,'
  • Instead of being scatter'd through the Pages;
  • They stand forth marshall'd in a handsome troop,
  • To meet the ingenuous youth of future ages,
  • Till some less rigid editor shall stoop
  • To call them back into their separate cages,
  • Instead of standing staring all together,
  • Like garden gods--and not so decent either.
  • The Missal too (it was the family Missal)
  • Was ornamented in a sort of way
  • Which ancient mass-books often are, and this all
  • Kinds of grotesques illumined; and how they,
  • Who saw those figures on the margin kiss all,
  • Could turn their optics to the text and pray,
  • Is more than I know--But Don Juan's mother
  • Kept this herself, and gave her son another.
  • Sermons he read, and lectures he endured,
  • And homilies, and lives of all the saints;
  • To Jerome and to Chrysostom inured,
  • He did not take such studies for restraints;
  • But how faith is acquired, and then ensured,
  • So well not one of the aforesaid paints
  • As Saint Augustine in his fine Confessions,
  • Which make the reader envy his transgressions.
  • This, too, was a seal'd book to little Juan--
  • I can't but say that his mamma was right,
  • If such an education was the true one.
  • She scarcely trusted him from out her sight;
  • Her maids were old, and if she took a new one,
  • You might be sure she was a perfect fright;
  • She did this during even her husband's life--
  • I recommend as much to every wife.
  • Young Juan wax'd in goodliness and grace;
  • At six a charming child, and at eleven
  • With all the promise of as fine a face
  • As e'er to man's maturer growth was given:
  • He studied steadily, and grew apace,
  • And seem'd, at least, in the right road to heaven,
  • For half his days were pass'd at church, the other
  • Between his tutors, confessor, and mother.
  • At six, I said, he was a charming child,
  • At twelve he was a fine, but quiet boy;
  • Although in infancy a little wild,
  • They tamed him down amongst them: to destroy
  • His natural spirit not in vain they toil'd,
  • At least it seem'd so; and his mother's joy
  • Was to declare how sage, and still, and steady,
  • Her young philosopher was grown already.
  • I had my doubts, perhaps I have them still,
  • But what I say is neither here nor there:
  • I knew his father well, and have some skill
  • In character--but it would not be fair
  • From sire to son to augur good or ill:
  • He and his wife were an ill-sorted pair--
  • But scandal 's my aversion--I protest
  • Against all evil speaking, even in jest.
  • For my part I say nothing--nothing--but
  • This I will say--my reasons are my own--
  • That if I had an only son to put
  • To school (as God be praised that I have none),
  • 'T is not with Donna Inez I would shut
  • Him up to learn his catechism alone,
  • No--no--I 'd send him out betimes to college,
  • For there it was I pick'd up my own knowledge.
  • For there one learns--'t is not for me to boast,
  • Though I acquired--but I pass over that,
  • As well as all the Greek I since have lost:
  • I say that there 's the place--but 'Verbum sat.'
  • I think I pick'd up too, as well as most,
  • Knowledge of matters--but no matter what--
  • I never married--but, I think, I know
  • That sons should not be educated so.
  • Young Juan now was sixteen years of age,
  • Tall, handsome, slender, but well knit: he seem'd
  • Active, though not so sprightly, as a page;
  • And everybody but his mother deem'd
  • Him almost man; but she flew in a rage
  • And bit her lips (for else she might have scream'd)
  • If any said so, for to be precocious
  • Was in her eyes a thing the most atrocious.
  • Amongst her numerous acquaintance, all
  • Selected for discretion and devotion,
  • There was the Donna Julia, whom to call
  • Pretty were but to give a feeble notion
  • Of many charms in her as natural
  • As sweetness to the flower, or salt to ocean,
  • Her zone to Venus, or his bow to Cupid
  • (But this last simile is trite and stupid).
  • The darkness of her Oriental eye
  • Accorded with her Moorish origin
  • (Her blood was not all Spanish, by the by;
  • In Spain, you know, this is a sort of sin);
  • When proud Granada fell, and, forced to fly,
  • Boabdil wept, of Donna Julia's kin
  • Some went to Africa, some stay'd in Spain,
  • Her great-great-grandmamma chose to remain.
  • She married (I forget the pedigree)
  • With an Hidalgo, who transmitted down
  • His blood less noble than such blood should be;
  • At such alliances his sires would frown,
  • In that point so precise in each degree
  • That they bred in and in, as might be shown,
  • Marrying their cousins--nay, their aunts, and nieces,
  • Which always spoils the breed, if it increases.
  • This heathenish cross restored the breed again,
  • Ruin'd its blood, but much improved its flesh;
  • For from a root the ugliest in Old Spain
  • Sprung up a branch as beautiful as fresh;
  • The sons no more were short, the daughters plain:
  • But there 's a rumour which I fain would hush,
  • 'T is said that Donna Julia's grandmamma
  • Produced her Don more heirs at love than law.
  • However this might be, the race went on
  • Improving still through every generation,
  • Until it centred in an only son,
  • Who left an only daughter; my narration
  • May have suggested that this single one
  • Could be but Julia (whom on this occasion
  • I shall have much to speak about), and she
  • Was married, charming, chaste, and twenty-three.
  • Her eye (I 'm very fond of handsome eyes)
  • Was large and dark, suppressing half its fire
  • Until she spoke, then through its soft disguise
  • Flash'd an expression more of pride than ire,
  • And love than either; and there would arise
  • A something in them which was not desire,
  • But would have been, perhaps, but for the soul
  • Which struggled through and chasten'd down the whole.
  • Her glossy hair was cluster'd o'er a brow
  • Bright with intelligence, and fair, and smooth;
  • Her eyebrow's shape was like th' aerial bow,
  • Her cheek all purple with the beam of youth,
  • Mounting at times to a transparent glow,
  • As if her veins ran lightning; she, in sooth,
  • Possess'd an air and grace by no means common:
  • Her stature tall--I hate a dumpy woman.
  • Wedded she was some years, and to a man
  • Of fifty, and such husbands are in plenty;
  • And yet, I think, instead of such a ONE
  • 'T were better to have TWO of five-and-twenty,
  • Especially in countries near the sun:
  • And now I think on 't, 'mi vien in mente,'
  • Ladies even of the most uneasy virtue
  • Prefer a spouse whose age is short of thirty.
  • 'T is a sad thing, I cannot choose but say,
  • And all the fault of that indecent sun,
  • Who cannot leave alone our helpless clay,
  • But will keep baking, broiling, burning on,
  • That howsoever people fast and pray,
  • The flesh is frail, and so the soul undone:
  • What men call gallantry, and gods adultery,
  • Is much more common where the climate 's sultry.
  • Happy the nations of the moral North!
  • Where all is virtue, and the winter season
  • Sends sin, without a rag on, shivering forth
  • ('T was snow that brought St. Anthony to reason);
  • Where juries cast up what a wife is worth,
  • By laying whate'er sum in mulct they please on
  • The lover, who must pay a handsome price,
  • Because it is a marketable vice.
  • Alfonso was the name of Julia's lord,
  • A man well looking for his years, and who
  • Was neither much beloved nor yet abhorr'd:
  • They lived together, as most people do,
  • Suffering each other's foibles by accord,
  • And not exactly either one or two;
  • Yet he was jealous, though he did not show it,
  • For jealousy dislikes the world to know it.
  • Julia was--yet I never could see why--
  • With Donna Inez quite a favourite friend;
  • Between their tastes there was small sympathy,
  • For not a line had Julia ever penn'd:
  • Some people whisper but no doubt they lie,
  • For malice still imputes some private end,
  • That Inez had, ere Don Alfonso's marriage,
  • Forgot with him her very prudent carriage;
  • And that still keeping up the old connection,
  • Which time had lately render'd much more chaste,
  • She took his lady also in affection,
  • And certainly this course was much the best:
  • She flatter'd Julia with her sage protection,
  • And complimented Don Alfonso's taste;
  • And if she could not (who can?) silence scandal,
  • At least she left it a more slender handle.
  • I can't tell whether Julia saw the affair
  • With other people's eyes, or if her own
  • Discoveries made, but none could be aware
  • Of this, at least no symptom e'er was shown;
  • Perhaps she did not know, or did not care,
  • Indifferent from the first or callous grown:
  • I 'm really puzzled what to think or say,
  • She kept her counsel in so close a way.
  • Juan she saw, and, as a pretty child,
  • Caress'd him often--such a thing might be
  • Quite innocently done, and harmless styled,
  • When she had twenty years, and thirteen he;
  • But I am not so sure I should have smiled
  • When he was sixteen, Julia twenty-three;
  • These few short years make wondrous alterations,
  • Particularly amongst sun-burnt nations.
  • Whate'er the cause might be, they had become
  • Changed; for the dame grew distant, the youth shy,
  • Their looks cast down, their greetings almost dumb,
  • And much embarrassment in either eye;
  • There surely will be little doubt with some
  • That Donna Julia knew the reason why,
  • But as for Juan, he had no more notion
  • Than he who never saw the sea of ocean.
  • Yet Julia's very coldness still was kind,
  • And tremulously gentle her small hand
  • Withdrew itself from his, but left behind
  • A little pressure, thrilling, and so bland
  • And slight, so very slight, that to the mind
  • 'T was but a doubt; but ne'er magician's wand
  • Wrought change with all Armida's fairy art
  • Like what this light touch left on Juan's heart.
  • And if she met him, though she smiled no more,
  • She look'd a sadness sweeter than her smile,
  • As if her heart had deeper thoughts in store
  • She must not own, but cherish'd more the while
  • For that compression in its burning core;
  • Even innocence itself has many a wile,
  • And will not dare to trust itself with truth,
  • And love is taught hypocrisy from youth.
  • But passion most dissembles, yet betrays
  • Even by its darkness; as the blackest sky
  • Foretells the heaviest tempest, it displays
  • Its workings through the vainly guarded eye,
  • And in whatever aspect it arrays
  • Itself, 't is still the same hypocrisy;
  • Coldness or anger, even disdain or hate,
  • Are masks it often wears, and still too late.
  • Then there were sighs, the deeper for suppression,
  • And stolen glances, sweeter for the theft,
  • And burning blushes, though for no transgression,
  • Tremblings when met, and restlessness when left;
  • All these are little preludes to possession,
  • Of which young passion cannot be bereft,
  • And merely tend to show how greatly love is
  • Embarrass'd at first starting with a novice.
  • Poor Julia's heart was in an awkward state;
  • She felt it going, and resolved to make
  • The noblest efforts for herself and mate,
  • For honour's, pride's, religion's, virtue's sake;
  • Her resolutions were most truly great,
  • And almost might have made a Tarquin quake:
  • She pray'd the Virgin Mary for her grace,
  • As being the best judge of a lady's case.
  • She vow'd she never would see Juan more,
  • And next day paid a visit to his mother,
  • And look'd extremely at the opening door,
  • Which, by the Virgin's grace, let in another;
  • Grateful she was, and yet a little sore--
  • Again it opens, it can be no other,
  • 'T is surely Juan now--No! I 'm afraid
  • That night the Virgin was no further pray'd.
  • She now determined that a virtuous woman
  • Should rather face and overcome temptation,
  • That flight was base and dastardly, and no man
  • Should ever give her heart the least sensation;
  • That is to say, a thought beyond the common
  • Preference, that we must feel upon occasion
  • For people who are pleasanter than others,
  • But then they only seem so many brothers.
  • And even if by chance--and who can tell?
  • The devil 's so very sly--she should discover
  • That all within was not so very well,
  • And, if still free, that such or such a lover
  • Might please perhaps, a virtuous wife can quell
  • Such thoughts, and be the better when they 're over;
  • And if the man should ask, 't is but denial:
  • I recommend young ladies to make trial.
  • And then there are such things as love divine,
  • Bright and immaculate, unmix'd and pure,
  • Such as the angels think so very fine,
  • And matrons who would be no less secure,
  • Platonic, perfect, 'just such love as mine;'
  • Thus Julia said--and thought so, to be sure;
  • And so I 'd have her think, were I the man
  • On whom her reveries celestial ran.
  • Such love is innocent, and may exist
  • Between young persons without any danger.
  • A hand may first, and then a lip be kist;
  • For my part, to such doings I 'm a stranger,
  • But hear these freedoms form the utmost list
  • Of all o'er which such love may be a ranger:
  • If people go beyond, 't is quite a crime,
  • But not my fault--I tell them all in time.
  • Love, then, but love within its proper limits,
  • Was Julia's innocent determination
  • In young Don Juan's favour, and to him its
  • Exertion might be useful on occasion;
  • And, lighted at too pure a shrine to dim its
  • Ethereal lustre, with what sweet persuasion
  • He might be taught, by love and her together--
  • I really don't know what, nor Julia either.
  • Fraught with this fine intention, and well fenced
  • In mail of proof--her purity of soul--
  • She, for the future of her strength convinced.
  • And that her honour was a rock, or mole,
  • Exceeding sagely from that hour dispensed
  • With any kind of troublesome control;
  • But whether Julia to the task was equal
  • Is that which must be mention'd in the sequel.
  • Her plan she deem'd both innocent and feasible,
  • And, surely, with a stripling of sixteen
  • Not scandal's fangs could fix on much that 's seizable,
  • Or if they did so, satisfied to mean
  • Nothing but what was good, her breast was peaceable--
  • A quiet conscience makes one so serene!
  • Christians have burnt each other, quite persuaded
  • That all the Apostles would have done as they did.
  • And if in the mean time her husband died,
  • But Heaven forbid that such a thought should cross
  • Her brain, though in a dream! (and then she sigh'd)
  • Never could she survive that common loss;
  • But just suppose that moment should betide,
  • I only say suppose it--inter nos.
  • (This should be entre nous, for Julia thought
  • In French, but then the rhyme would go for naught.)
  • I only say suppose this supposition:
  • Juan being then grown up to man's estate
  • Would fully suit a widow of condition,
  • Even seven years hence it would not be too late;
  • And in the interim (to pursue this vision)
  • The mischief, after all, could not be great,
  • For he would learn the rudiments of love,
  • I mean the seraph way of those above.
  • So much for Julia. Now we 'll turn to Juan.
  • Poor little fellow! he had no idea
  • Of his own case, and never hit the true one;
  • In feelings quick as Ovid's Miss Medea,
  • He puzzled over what he found a new one,
  • But not as yet imagined it could be
  • Thing quite in course, and not at all alarming,
  • Which, with a little patience, might grow charming.
  • Silent and pensive, idle, restless, slow,
  • His home deserted for the lonely wood,
  • Tormented with a wound he could not know,
  • His, like all deep grief, plunged in solitude:
  • I 'm fond myself of solitude or so,
  • But then, I beg it may be understood,
  • By solitude I mean a sultan's, not
  • A hermit's, with a haram for a grot.
  • 'Oh Love! in such a wilderness as this,
  • Where transport and security entwine,
  • Here is the empire of thy perfect bliss,
  • And here thou art a god indeed divine.'
  • The bard I quote from does not sing amiss,
  • With the exception of the second line,
  • For that same twining 'transport and security'
  • Are twisted to a phrase of some obscurity.
  • The poet meant, no doubt, and thus appeals
  • To the good sense and senses of mankind,
  • The very thing which every body feels,
  • As all have found on trial, or may find,
  • That no one likes to be disturb'd at meals
  • Or love.--I won't say more about 'entwined'
  • Or 'transport,' as we knew all that before,
  • But beg 'Security' will bolt the door.
  • Young Juan wander'd by the glassy brooks,
  • Thinking unutterable things; he threw
  • Himself at length within the leafy nooks
  • Where the wild branch of the cork forest grew;
  • There poets find materials for their books,
  • And every now and then we read them through,
  • So that their plan and prosody are eligible,
  • Unless, like Wordsworth, they prove unintelligible.
  • He, Juan (and not Wordsworth), so pursued
  • His self-communion with his own high soul,
  • Until his mighty heart, in its great mood,
  • Had mitigated part, though not the whole
  • Of its disease; he did the best he could
  • With things not very subject to control,
  • And turn'd, without perceiving his condition,
  • Like Coleridge, into a metaphysician.
  • He thought about himself, and the whole earth
  • Of man the wonderful, and of the stars,
  • And how the deuce they ever could have birth;
  • And then he thought of earthquakes, and of wars,
  • How many miles the moon might have in girth,
  • Of air-balloons, and of the many bars
  • To perfect knowledge of the boundless skies;--
  • And then he thought of Donna Julia's eyes.
  • In thoughts like these true wisdom may discern
  • Longings sublime, and aspirations high,
  • Which some are born with, but the most part learn
  • To plague themselves withal, they know not why:
  • 'T was strange that one so young should thus concern
  • His brain about the action of the sky;
  • If you think 't was philosophy that this did,
  • I can't help thinking puberty assisted.
  • He pored upon the leaves, and on the flowers,
  • And heard a voice in all the winds; and then
  • He thought of wood-nymphs and immortal bowers,
  • And how the goddesses came down to men:
  • He miss'd the pathway, he forgot the hours,
  • And when he look'd upon his watch again,
  • He found how much old Time had been a winner--
  • He also found that he had lost his dinner.
  • Sometimes he turn'd to gaze upon his book,
  • Boscan, or Garcilasso;--by the wind
  • Even as the page is rustled while we look,
  • So by the poesy of his own mind
  • Over the mystic leaf his soul was shook,
  • As if 't were one whereon magicians bind
  • Their spells, and give them to the passing gale,
  • According to some good old woman's tale.
  • Thus would he while his lonely hours away
  • Dissatisfied, nor knowing what he wanted;
  • Nor glowing reverie, nor poet's lay,
  • Could yield his spirit that for which it panted,
  • A bosom whereon he his head might lay,
  • And hear the heart beat with the love it granted,
  • With--several other things, which I forget,
  • Or which, at least, I need not mention yet.
  • Those lonely walks, and lengthening reveries,
  • Could not escape the gentle Julia's eyes;
  • She saw that Juan was not at his ease;
  • But that which chiefly may, and must surprise,
  • Is, that the Donna Inez did not tease
  • Her only son with question or surmise:
  • Whether it was she did not see, or would not,
  • Or, like all very clever people, could not.
  • This may seem strange, but yet 't is very common;
  • For instance--gentlemen, whose ladies take
  • Leave to o'erstep the written rights of woman,
  • And break the--Which commandment is 't they break?
  • (I have forgot the number, and think no man
  • Should rashly quote, for fear of a mistake.)
  • I say, when these same gentlemen are jealous,
  • They make some blunder, which their ladies tell us.
  • A real husband always is suspicious,
  • But still no less suspects in the wrong place,
  • Jealous of some one who had no such wishes,
  • Or pandering blindly to his own disgrace,
  • By harbouring some dear friend extremely vicious;
  • The last indeed 's infallibly the case:
  • And when the spouse and friend are gone off wholly,
  • He wonders at their vice, and not his folly.
  • Thus parents also are at times short-sighted;
  • Though watchful as the lynx, they ne'er discover,
  • The while the wicked world beholds delighted,
  • Young Hopeful's mistress, or Miss Fanny's lover,
  • Till some confounded escapade has blighted
  • The plan of twenty years, and all is over;
  • And then the mother cries, the father swears,
  • And wonders why the devil he got heirs.
  • But Inez was so anxious, and so clear
  • Of sight, that I must think, on this occasion,
  • She had some other motive much more near
  • For leaving Juan to this new temptation;
  • But what that motive was, I sha'n't say here;
  • Perhaps to finish Juan's education,
  • Perhaps to open Don Alfonso's eyes,
  • In case he thought his wife too great a prize.
  • It was upon a day, a summer's day;-
  • Summer's indeed a very dangerous season,
  • And so is spring about the end of May;
  • The sun, no doubt, is the prevailing reason;
  • But whatsoe'er the cause is, one may say,
  • And stand convicted of more truth than treason,
  • That there are months which nature grows more merry in,--
  • March has its hares, and May must have its heroine.
  • 'T was on a summer's day--the sixth of June:--
  • I like to be particular in dates,
  • Not only of the age, and year, but moon;
  • They are a sort of post-house, where the Fates
  • Change horses, making history change its tune,
  • Then spur away o'er empires and o'er states,
  • Leaving at last not much besides chronology,
  • Excepting the post-obits of theology.
  • 'T was on the sixth of June, about the hour
  • Of half-past six--perhaps still nearer seven--
  • When Julia sate within as pretty a bower
  • As e'er held houri in that heathenish heaven
  • Described by Mahomet, and Anacreon Moore,
  • To whom the lyre and laurels have been given,
  • With all the trophies of triumphant song--
  • He won them well, and may he wear them long!
  • She sate, but not alone; I know not well
  • How this same interview had taken place,
  • And even if I knew, I should not tell--
  • People should hold their tongues in any case;
  • No matter how or why the thing befell,
  • But there were she and Juan, face to face--
  • When two such faces are so, 't would be wise,
  • But very difficult, to shut their eyes.
  • How beautiful she look'd! her conscious heart
  • Glow'd in her cheek, and yet she felt no wrong.
  • O Love! how perfect is thy mystic art,
  • Strengthening the weak, and trampling on the strong,
  • How self-deceitful is the sagest part
  • Of mortals whom thy lure hath led along--
  • The precipice she stood on was immense,
  • So was her creed in her own innocence.
  • She thought of her own strength, and Juan's youth,
  • And of the folly of all prudish fears,
  • Victorious virtue, and domestic truth,
  • And then of Don Alfonso's fifty years:
  • I wish these last had not occurr'd, in sooth,
  • Because that number rarely much endears,
  • And through all climes, the snowy and the sunny,
  • Sounds ill in love, whate'er it may in money.
  • When people say, 'I've told you fifty times,'
  • They mean to scold, and very often do;
  • When poets say, 'I've written fifty rhymes,'
  • They make you dread that they 'll recite them too;
  • In gangs of fifty, thieves commit their crimes;
  • At fifty love for love is rare, 't is true,
  • But then, no doubt, it equally as true is,
  • A good deal may be bought for fifty Louis.
  • Julia had honour, virtue, truth, and love,
  • For Don Alfonso; and she inly swore,
  • By all the vows below to powers above,
  • She never would disgrace the ring she wore,
  • Nor leave a wish which wisdom might reprove;
  • And while she ponder'd this, besides much more,
  • One hand on Juan's carelessly was thrown,
  • Quite by mistake--she thought it was her own;
  • Unconsciously she lean'd upon the other,
  • Which play'd within the tangles of her hair:
  • And to contend with thoughts she could not smother
  • She seem'd by the distraction of her air.
  • 'T was surely very wrong in Juan's mother
  • To leave together this imprudent pair,
  • She who for many years had watch'd her son so--
  • I 'm very certain mine would not have done so.
  • The hand which still held Juan's, by degrees
  • Gently, but palpably confirm'd its grasp,
  • As if it said, 'Detain me, if you please;'
  • Yet there 's no doubt she only meant to clasp
  • His fingers with a pure Platonic squeeze:
  • She would have shrunk as from a toad, or asp,
  • Had she imagined such a thing could rouse
  • A feeling dangerous to a prudent spouse.
  • I cannot know what Juan thought of this,
  • But what he did, is much what you would do;
  • His young lip thank'd it with a grateful kiss,
  • And then, abash'd at its own joy, withdrew
  • In deep despair, lest he had done amiss,--
  • Love is so very timid when 't is new:
  • She blush'd, and frown'd not, but she strove to speak,
  • And held her tongue, her voice was grown so weak.
  • The sun set, and up rose the yellow moon:
  • The devil 's in the moon for mischief; they
  • Who call'd her CHASTE, methinks, began too soon
  • Their nomenclature; there is not a day,
  • The longest, not the twenty-first of June,
  • Sees half the business in a wicked way
  • On which three single hours of moonshine smile--
  • And then she looks so modest all the while.
  • There is a dangerous silence in that hour,
  • A stillness, which leaves room for the full soul
  • To open all itself, without the power
  • Of calling wholly back its self-control;
  • The silver light which, hallowing tree and tower,
  • Sheds beauty and deep softness o'er the whole,
  • Breathes also to the heart, and o'er it throws
  • A loving languor, which is not repose.
  • And Julia sate with Juan, half embraced
  • And half retiring from the glowing arm,
  • Which trembled like the bosom where 't was placed;
  • Yet still she must have thought there was no harm,
  • Or else 't were easy to withdraw her waist;
  • But then the situation had its charm,
  • And then--God knows what next--I can't go on;
  • I 'm almost sorry that I e'er begun.
  • O Plato! Plato! you have paved the way,
  • With your confounded fantasies, to more
  • Immoral conduct by the fancied sway
  • Your system feigns o'er the controulless core
  • Of human hearts, than all the long array
  • Of poets and romancers:--You 're a bore,
  • A charlatan, a coxcomb--and have been,
  • At best, no better than a go-between.
  • And Julia's voice was lost, except in sighs,
  • Until too late for useful conversation;
  • The tears were gushing from her gentle eyes,
  • I wish indeed they had not had occasion,
  • But who, alas! can love, and then be wise?
  • Not that remorse did not oppose temptation;
  • A little still she strove, and much repented
  • And whispering 'I will ne'er consent'--consented.
  • 'T is said that Xerxes offer'd a reward
  • To those who could invent him a new pleasure:
  • Methinks the requisition 's rather hard,
  • And must have cost his majesty a treasure:
  • For my part, I 'm a moderate-minded bard,
  • Fond of a little love (which I call leisure);
  • I care not for new pleasures, as the old
  • Are quite enough for me, so they but hold.
  • O Pleasure! you are indeed a pleasant thing,
  • Although one must be damn'd for you, no doubt:
  • I make a resolution every spring
  • Of reformation, ere the year run out,
  • But somehow, this my vestal vow takes wing,
  • Yet still, I trust it may be kept throughout:
  • I 'm very sorry, very much ashamed,
  • And mean, next winter, to be quite reclaim'd.
  • Here my chaste Muse a liberty must take--
  • Start not! still chaster reader--she 'll be nice hence--
  • Forward, and there is no great cause to quake;
  • This liberty is a poetic licence,
  • Which some irregularity may make
  • In the design, and as I have a high sense
  • Of Aristotle and the Rules, 't is fit
  • To beg his pardon when I err a bit.
  • This licence is to hope the reader will
  • Suppose from June the sixth (the fatal day,
  • Without whose epoch my poetic skill
  • For want of facts would all be thrown away),
  • But keeping Julia and Don Juan still
  • In sight, that several months have pass'd; we 'll say
  • 'T was in November, but I 'm not so sure
  • About the day--the era 's more obscure.
  • We 'll talk of that anon.--'T is sweet to hear
  • At midnight on the blue and moonlit deep
  • The song and oar of Adria's gondolier,
  • By distance mellow'd, o'er the waters sweep;
  • 'T is sweet to see the evening star appear;
  • 'T is sweet to listen as the night-winds creep
  • From leaf to leaf; 't is sweet to view on high
  • The rainbow, based on ocean, span the sky.
  • 'T is sweet to hear the watch-dog's honest bark
  • Bay deep-mouth'd welcome as we draw near home;
  • 'T is sweet to know there is an eye will mark
  • Our coming, and look brighter when we come;
  • 'T is sweet to be awaken'd by the lark,
  • Or lull'd by falling waters; sweet the hum
  • Of bees, the voice of girls, the song of birds,
  • The lisp of children, and their earliest words.
  • Sweet is the vintage, when the showering grapes
  • In Bacchanal profusion reel to earth,
  • Purple and gushing: sweet are our escapes
  • From civic revelry to rural mirth;
  • Sweet to the miser are his glittering heaps,
  • Sweet to the father is his first-born's birth,
  • Sweet is revenge--especially to women,
  • Pillage to soldiers, prize-money to seamen.
  • Sweet is a legacy, and passing sweet
  • The unexpected death of some old lady
  • Or gentleman of seventy years complete,
  • Who 've made 'us youth' wait too--too long already
  • For an estate, or cash, or country seat,
  • Still breaking, but with stamina so steady
  • That all the Israelites are fit to mob its
  • Next owner for their double-damn'd post-obits.
  • 'T is sweet to win, no matter how, one's laurels,
  • By blood or ink; 't is sweet to put an end
  • To strife; 't is sometimes sweet to have our quarrels,
  • Particularly with a tiresome friend:
  • Sweet is old wine in bottles, ale in barrels;
  • Dear is the helpless creature we defend
  • Against the world; and dear the schoolboy spot
  • We ne'er forget, though there we are forgot.
  • But sweeter still than this, than these, than all,
  • Is first and passionate love--it stands alone,
  • Like Adam's recollection of his fall;
  • The tree of knowledge has been pluck'd--all 's known--
  • And life yields nothing further to recall
  • Worthy of this ambrosial sin, so shown,
  • No doubt in fable, as the unforgiven
  • Fire which Prometheus filch'd for us from heaven.
  • Man 's a strange animal, and makes strange use
  • Of his own nature, and the various arts,
  • And likes particularly to produce
  • Some new experiment to show his parts;
  • This is the age of oddities let loose,
  • Where different talents find their different marts;
  • You 'd best begin with truth, and when you 've lost your
  • Labour, there 's a sure market for imposture.
  • What opposite discoveries we have seen!
  • (Signs of true genius, and of empty pockets.)
  • One makes new noses, one a guillotine,
  • One breaks your bones, one sets them in their sockets;
  • But vaccination certainly has been
  • A kind antithesis to Congreve's rockets,
  • With which the Doctor paid off an old pox,
  • By borrowing a new one from an ox.
  • Bread has been made (indifferent) from potatoes;
  • And galvanism has set some corpses grinning,
  • But has not answer'd like the apparatus
  • Of the Humane Society's beginning
  • By which men are unsuffocated gratis:
  • What wondrous new machines have late been spinning!
  • I said the small-pox has gone out of late;
  • Perhaps it may be follow'd by the great.
  • 'T is said the great came from America;
  • Perhaps it may set out on its return,--
  • The population there so spreads, they say
  • 'T is grown high time to thin it in its turn,
  • With war, or plague, or famine, any way,
  • So that civilisation they may learn;
  • And which in ravage the more loathsome evil is--
  • Their real lues, or our pseudo-syphilis?
  • This is the patent-age of new inventions
  • For killing bodies, and for saving souls,
  • All propagated with the best intentions;
  • Sir Humphry Davy's lantern, by which coals
  • Are safely mined for in the mode he mentions,
  • Tombuctoo travels, voyages to the Poles,
  • Are ways to benefit mankind, as true,
  • Perhaps, as shooting them at Waterloo.
  • Man 's a phenomenon, one knows not what,
  • And wonderful beyond all wondrous measure;
  • 'T is pity though, in this sublime world, that
  • Pleasure 's a sin, and sometimes sin 's a pleasure;
  • Few mortals know what end they would be at,
  • But whether glory, power, or love, or treasure,
  • The path is through perplexing ways, and when
  • The goal is gain'd, we die, you know--and then--
  • What then?--I do not know, no more do you--
  • And so good night.--Return we to our story:
  • 'T was in November, when fine days are few,
  • And the far mountains wax a little hoary,
  • And clap a white cape on their mantles blue;
  • And the sea dashes round the promontory,
  • And the loud breaker boils against the rock,
  • And sober suns must set at five o'clock.
  • 'T was, as the watchmen say, a cloudy night;
  • No moon, no stars, the wind was low or loud
  • By gusts, and many a sparkling hearth was bright
  • With the piled wood, round which the family crowd;
  • There 's something cheerful in that sort of light,
  • Even as a summer sky 's without a cloud:
  • I 'm fond of fire, and crickets, and all that,
  • A lobster salad, and champagne, and chat.
  • 'T was midnight--Donna Julia was in bed,
  • Sleeping, most probably,--when at her door
  • Arose a clatter might awake the dead,
  • If they had never been awoke before,
  • And that they have been so we all have read,
  • And are to be so, at the least, once more;--
  • The door was fasten'd, but with voice and fist
  • First knocks were heard, then 'Madam--Madam--hist!
  • 'For God's sake, Madam--Madam--here 's my master,
  • With more than half the city at his back--
  • Was ever heard of such a curst disaster!
  • 'T is not my fault--I kept good watch--Alack!
  • Do pray undo the bolt a little faster--
  • They 're on the stair just now, and in a crack
  • Will all be here; perhaps he yet may fly--
  • Surely the window 's not so very high!'
  • By this time Don Alfonso was arrived,
  • With torches, friends, and servants in great number;
  • The major part of them had long been wived,
  • And therefore paused not to disturb the slumber
  • Of any wicked woman, who contrived
  • By stealth her husband's temples to encumber:
  • Examples of this kind are so contagious,
  • Were one not punish'd, all would be outrageous.
  • I can't tell how, or why, or what suspicion
  • Could enter into Don Alfonso's head;
  • But for a cavalier of his condition
  • It surely was exceedingly ill-bred,
  • Without a word of previous admonition,
  • To hold a levee round his lady's bed,
  • And summon lackeys, arm'd with fire and sword,
  • To prove himself the thing he most abhorr'd.
  • Poor Donna Julia, starting as from sleep
  • (Mind--that I do not say--she had not slept),
  • Began at once to scream, and yawn, and weep;
  • Her maid Antonia, who was an adept,
  • Contrived to fling the bed-clothes in a heap,
  • As if she had just now from out them crept:
  • I can't tell why she should take all this trouble
  • To prove her mistress had been sleeping double.
  • But Julia mistress, and Antonia maid,
  • Appear'd like two poor harmless women, who
  • Of goblins, but still more of men afraid,
  • Had thought one man might be deterr'd by two,
  • And therefore side by side were gently laid,
  • Until the hours of absence should run through,
  • And truant husband should return, and say,
  • 'My dear, I was the first who came away.'
  • Now Julia found at length a voice, and cried,
  • 'In heaven's name, Don Alfonso, what d' ye mean?
  • Has madness seized you? would that I had died
  • Ere such a monster's victim I had been!
  • What may this midnight violence betide,
  • A sudden fit of drunkenness or spleen?
  • Dare you suspect me, whom the thought would kill?
  • Search, then, the room!'--Alfonso said, 'I will.'
  • He search'd, they search'd, and rummaged everywhere,
  • Closet and clothes' press, chest and window-seat,
  • And found much linen, lace, and several pair
  • Of stockings, slippers, brushes, combs, complete,
  • With other articles of ladies fair,
  • To keep them beautiful, or leave them neat:
  • Arras they prick'd and curtains with their swords,
  • And wounded several shutters, and some boards.
  • Under the bed they search'd, and there they found--
  • No matter what--it was not that they sought;
  • They open'd windows, gazing if the ground
  • Had signs or footmarks, but the earth said nought;
  • And then they stared each other's faces round:
  • 'T is odd, not one of all these seekers thought,
  • And seems to me almost a sort of blunder,
  • Of looking in the bed as well as under.
  • During this inquisition, Julia's tongue
  • Was not asleep--'Yes, search and search,' she cried,
  • 'Insult on insult heap, and wrong on wrong!
  • It was for this that I became a bride!
  • For this in silence I have suffer'd long
  • A husband like Alfonso at my side;
  • But now I 'll bear no more, nor here remain,
  • If there be law or lawyers in all Spain.
  • 'Yes, Don Alfonso! husband now no more,
  • If ever you indeed deserved the name,
  • Is 't worthy of your years?--you have threescore--
  • Fifty, or sixty, it is all the same--
  • Is 't wise or fitting, causeless to explore
  • For facts against a virtuous woman's fame?
  • Ungrateful, perjured, barbarous Don Alfonso,
  • How dare you think your lady would go on so?
  • 'Is it for this I have disdain'd to hold
  • The common privileges of my sex?
  • That I have chosen a confessor so old
  • And deaf, that any other it would vex,
  • And never once he has had cause to scold,
  • But found my very innocence perplex
  • So much, he always doubted I was married--
  • How sorry you will be when I 've miscarried!
  • 'Was it for this that no Cortejo e'er
  • I yet have chosen from out the youth of Seville?
  • Is it for this I scarce went anywhere,
  • Except to bull-fights, mass, play, rout, and revel?
  • Is it for this, whate'er my suitors were,
  • I favor'd none--nay, was almost uncivil?
  • Is it for this that General Count O'Reilly,
  • Who took Algiers, declares I used him vilely?
  • 'Did not the Italian Musico Cazzani
  • Sing at my heart six months at least in vain?
  • Did not his countryman, Count Corniani,
  • Call me the only virtuous wife in Spain?
  • Were there not also Russians, English, many?
  • The Count Strongstroganoff I put in pain,
  • And Lord Mount Coffeehouse, the Irish peer,
  • Who kill'd himself for love (with wine) last year.
  • 'Have I not had two bishops at my feet,
  • The Duke of Ichar, and Don Fernan Nunez?
  • And is it thus a faithful wife you treat?
  • I wonder in what quarter now the moon is:
  • I praise your vast forbearance not to beat
  • Me also, since the time so opportune is--
  • O, valiant man! with sword drawn and cock'd trigger,
  • Now, tell me, don't you cut a pretty figure?
  • 'Was it for this you took your sudden journey.
  • Under pretence of business indispensable
  • With that sublime of rascals your attorney,
  • Whom I see standing there, and looking sensible
  • Of having play'd the fool? though both I spurn, he
  • Deserves the worst, his conduct 's less defensible,
  • Because, no doubt, 't was for his dirty fee,
  • And not from any love to you nor me.
  • 'If he comes here to take a deposition,
  • By all means let the gentleman proceed;
  • You 've made the apartment in a fit condition:
  • There 's pen and ink for you, sir, when you need--
  • Let every thing be noted with precision,
  • I would not you for nothing should be fee'd--
  • But, as my maid 's undrest, pray turn your spies out.'
  • 'Oh!' sobb'd Antonia, 'I could tear their eyes out.'
  • 'There is the closet, there the toilet, there
  • The antechamber--search them under, over;
  • There is the sofa, there the great arm-chair,
  • The chimney--which would really hold a lover.
  • I wish to sleep, and beg you will take care
  • And make no further noise, till you discover
  • The secret cavern of this lurking treasure--
  • And when 't is found, let me, too, have that pleasure.
  • 'And now, Hidalgo! now that you have thrown
  • Doubt upon me, confusion over all,
  • Pray have the courtesy to make it known
  • Who is the man you search for? how d' ye cal
  • Him? what 's his lineage? let him but be shown--
  • I hope he 's young and handsome--is he tall?
  • Tell me--and be assured, that since you stain
  • My honour thus, it shall not be in vain.
  • 'At least, perhaps, he has not sixty years,
  • At that age he would be too old for slaughter,
  • Or for so young a husband's jealous fears
  • (Antonia! let me have a glass of water).
  • I am ashamed of having shed these tears,
  • They are unworthy of my father's daughter;
  • My mother dream'd not in my natal hour
  • That I should fall into a monster's power.
  • 'Perhaps 't is of Antonia you are jealous,
  • You saw that she was sleeping by my side
  • When you broke in upon us with your fellows:
  • Look where you please--we 've nothing, sir, to hide;
  • Only another time, I trust, you 'll tell us,
  • Or for the sake of decency abide
  • A moment at the door, that we may be
  • Drest to receive so much good company.
  • 'And now, sir, I have done, and say no more;
  • The little I have said may serve to show
  • The guileless heart in silence may grieve o'er
  • The wrongs to whose exposure it is slow:
  • I leave you to your conscience as before,
  • 'T will one day ask you why you used me so?
  • God grant you feel not then the bitterest grief!-
  • Antonia! where 's my pocket-handkerchief?'
  • She ceased, and turn'd upon her pillow; pale
  • She lay, her dark eyes flashing through their tears,
  • Like skies that rain and lighten; as a veil,
  • Waved and o'ershading her wan cheek, appears
  • Her streaming hair; the black curls strive, but fail,
  • To hide the glossy shoulder, which uprears
  • Its snow through all;--her soft lips lie apart,
  • And louder than her breathing beats her heart.
  • The Senhor Don Alfonso stood confused;
  • Antonia bustled round the ransack'd room,
  • And, turning up her nose, with looks abused
  • Her master and his myrmidons, of whom
  • Not one, except the attorney, was amused;
  • He, like Achates, faithful to the tomb,
  • So there were quarrels, cared not for the cause,
  • Knowing they must be settled by the laws.
  • With prying snub-nose, and small eyes, he stood,
  • Following Antonia's motions here and there,
  • With much suspicion in his attitude;
  • For reputations he had little care;
  • So that a suit or action were made good,
  • Small pity had he for the young and fair,
  • And ne'er believed in negatives, till these
  • Were proved by competent false witnesses.
  • But Don Alfonso stood with downcast looks,
  • And, truth to say, he made a foolish figure;
  • When, after searching in five hundred nooks,
  • And treating a young wife with so much rigour,
  • He gain'd no point, except some self-rebukes,
  • Added to those his lady with such vigour
  • Had pour'd upon him for the last half-hour,
  • Quick, thick, and heavy--as a thunder-shower.
  • At first he tried to hammer an excuse,
  • To which the sole reply was tears and sobs,
  • And indications of hysterics, whose
  • Prologue is always certain throes, and throbs,
  • Gasps, and whatever else the owners choose:
  • Alfonso saw his wife, and thought of Job's;
  • He saw too, in perspective, her relations,
  • And then he tried to muster all his patience.
  • He stood in act to speak, or rather stammer,
  • But sage Antonia cut him short before
  • The anvil of his speech received the hammer,
  • With 'Pray, sir, leave the room, and say no more,
  • Or madam dies.'--Alfonso mutter'd, 'D--n her,'
  • But nothing else, the time of words was o'er;
  • He cast a rueful look or two, and did,
  • He knew not wherefore, that which he was bid.
  • With him retired his 'posse comitatus,'
  • The attorney last, who linger'd near the door
  • Reluctantly, still tarrying there as late as
  • Antonia let him--not a little sore
  • At this most strange and unexplain'd 'hiatus'
  • In Don Alfonso's facts, which just now wore
  • An awkward look; as he revolved the case,
  • The door was fasten'd in his legal face.
  • No sooner was it bolted, than--Oh shame!
  • O sin! Oh sorrow! and oh womankind!
  • How can you do such things and keep your fame,
  • Unless this world, and t' other too, be blind?
  • Nothing so dear as an unfilch'd good name!
  • But to proceed--for there is more behind:
  • With much heartfelt reluctance be it said,
  • Young Juan slipp'd half-smother'd, from the bed.
  • He had been hid--I don't pretend to say
  • How, nor can I indeed describe the where--
  • Young, slender, and pack'd easily, he lay,
  • No doubt, in little compass, round or square;
  • But pity him I neither must nor may
  • His suffocation by that pretty pair;
  • 'T were better, sure, to die so, than be shut
  • With maudlin Clarence in his Malmsey butt.
  • And, secondly, I pity not, because
  • He had no business to commit a sin,
  • Forbid by heavenly, fined by human laws,
  • At least 't was rather early to begin;
  • But at sixteen the conscience rarely gnaws
  • So much as when we call our old debts in
  • At sixty years, and draw the accompts of evil,
  • And find a deuced balance with the devil.
  • Of his position I can give no notion:
  • 'T is written in the Hebrew Chronicle,
  • How the physicians, leaving pill and potion,
  • Prescribed, by way of blister, a young belle,
  • When old King David's blood grew dull in motion,
  • And that the medicine answer'd very well;
  • Perhaps 't was in a different way applied,
  • For David lived, but Juan nearly died.
  • What 's to be done? Alfonso will be back
  • The moment he has sent his fools away.
  • Antonia's skill was put upon the rack,
  • But no device could be brought into play--
  • And how to parry the renew'd attack?
  • Besides, it wanted but few hours of day:
  • Antonia puzzled; Julia did not speak,
  • But press'd her bloodless lip to Juan's cheek.
  • He turn'd his lip to hers, and with his hand
  • Call'd back the tangles of her wandering hair;
  • Even then their love they could not all command,
  • And half forgot their danger and despair:
  • Antonia's patience now was at a stand--
  • 'Come, come, 't is no time now for fooling there,'
  • She whisper'd, in great wrath--'I must deposit
  • This pretty gentleman within the closet:
  • 'Pray, keep your nonsense for some luckier night--
  • Who can have put my master in this mood?
  • What will become on 't--I 'm in such a fright,
  • The devil 's in the urchin, and no good--
  • Is this a time for giggling? this a plight?
  • Why, don't you know that it may end in blood?
  • You 'll lose your life, and I shall lose my place,
  • My mistress all, for that half-girlish face.
  • 'Had it but been for a stout cavalier
  • Of twenty-five or thirty (come, make haste)--
  • But for a child, what piece of work is here!
  • I really, madam, wonder at your taste
  • (Come, sir, get in)--my master must be near:
  • There, for the present, at the least, he's fast,
  • And if we can but till the morning keep
  • Our counsel--(Juan, mind, you must not sleep).'
  • Now, Don Alfonso entering, but alone,
  • Closed the oration of the trusty maid:
  • She loiter'd, and he told her to be gone,
  • An order somewhat sullenly obey'd;
  • However, present remedy was none,
  • And no great good seem'd answer'd if she stay'd:
  • Regarding both with slow and sidelong view,
  • She snuff'd the candle, curtsied, and withdrew.
  • Alfonso paused a minute--then begun
  • Some strange excuses for his late proceeding;
  • He would not justify what he had done,
  • To say the best, it was extreme ill-breeding;
  • But there were ample reasons for it, none
  • Of which he specified in this his pleading:
  • His speech was a fine sample, on the whole,
  • Of rhetoric, which the learn'd call 'rigmarole.'
  • Julia said nought; though all the while there rose
  • A ready answer, which at once enables
  • A matron, who her husband's foible knows,
  • By a few timely words to turn the tables,
  • Which, if it does not silence, still must pose,--
  • Even if it should comprise a pack of fables;
  • 'T is to retort with firmness, and when he
  • Suspects with one, do you reproach with three.
  • Julia, in fact, had tolerable grounds,--
  • Alfonso's loves with Inez were well known,
  • But whether 't was that one's own guilt confounds--
  • But that can't be, as has been often shown,
  • A lady with apologies abounds;--
  • It might be that her silence sprang alone
  • From delicacy to Don Juan's ear,
  • To whom she knew his mother's fame was dear.
  • There might be one more motive, which makes two;
  • Alfonso ne'er to Juan had alluded,--
  • Mention'd his jealousy but never who
  • Had been the happy lover, he concluded,
  • Conceal'd amongst his premises; 't is true,
  • His mind the more o'er this its mystery brooded;
  • To speak of Inez now were, one may say,
  • Like throwing Juan in Alfonso's way.
  • A hint, in tender cases, is enough;
  • Silence is best, besides there is a tact
  • (That modern phrase appears to me sad stuff,
  • But it will serve to keep my verse compact)-
  • Which keeps, when push'd by questions rather rough,
  • A lady always distant from the fact:
  • The charming creatures lie with such a grace,
  • There 's nothing so becoming to the face.
  • They blush, and we believe them; at least I
  • Have always done so; 't is of no great use,
  • In any case, attempting a reply,
  • For then their eloquence grows quite profuse;
  • And when at length they 're out of breath, they sigh,
  • And cast their languid eyes down, and let loose
  • A tear or two, and then we make it up;
  • And then--and then--and then--sit down and sup.
  • Alfonso closed his speech, and begg'd her pardon,
  • Which Julia half withheld, and then half granted,
  • And laid conditions he thought very hard on,
  • Denying several little things he wanted:
  • He stood like Adam lingering near his garden,
  • With useless penitence perplex'd and haunted,
  • Beseeching she no further would refuse,
  • When, lo! he stumbled o'er a pair of shoes.
  • A pair of shoes!--what then? not much, if they
  • Are such as fit with ladies' feet, but these
  • (No one can tell how much I grieve to say)
  • Were masculine; to see them, and to seize,
  • Was but a moment's act.--Ah! well-a-day!
  • My teeth begin to chatter, my veins freeze--
  • Alfonso first examined well their fashion,
  • And then flew out into another passion.
  • He left the room for his relinquish'd sword,
  • And Julia instant to the closet flew.
  • 'Fly, Juan, fly! for heaven's sake--not a word--
  • The door is open--you may yet slip through
  • The passage you so often have explored--
  • Here is the garden-key--Fly--fly--Adieu!
  • Haste--haste! I hear Alfonso's hurrying feet--
  • Day has not broke--there 's no one in the street:
  • None can say that this was not good advice,
  • The only mischief was, it came too late;
  • Of all experience 't is the usual price,
  • A sort of income-tax laid on by fate:
  • Juan had reach'd the room-door in a. trice,
  • And might have done so by the garden-gate,
  • But met Alfonso in his dressing-gown,
  • Who threaten'd death--so Juan knock'd him down.
  • Dire was the scuffle, and out went the light;
  • Antonia cried out 'Rape!' and Julia 'Fire!'
  • But not a servant stirr'd to aid the fight.
  • Alfonso, pommell'd to his heart's desire,
  • Swore lustily he'd be revenged this night;
  • And Juan, too, blasphemed an octave higher;
  • His blood was up: though young, he was a Tartar,
  • And not at all disposed to prove a martyr.
  • Alfonso's sword had dropp'd ere he could draw it,
  • And they continued battling hand to hand,
  • For Juan very luckily ne'er saw it;
  • His temper not being under great command,
  • If at that moment he had chanced to claw it,
  • Alfonso's days had not been in the land
  • Much longer.--Think of husbands', lovers' lives!
  • And how ye may be doubly widows--wives!
  • Alfonso grappled to detain the foe,
  • And Juan throttled him to get away,
  • And blood ('t was from the nose) began to flow;
  • At last, as they more faintly wrestling lay,
  • Juan contrived to give an awkward blow,
  • And then his only garment quite gave way;
  • He fled, like Joseph, leaving it; but there,
  • I doubt, all likeness ends between the pair.
  • Lights came at length, and men, and maids, who found
  • An awkward spectacle their eyes before;
  • Antonia in hysterics, Julia swoon'd,
  • Alfonso leaning, breathless, by the door;
  • Some half-torn drapery scatter'd on the ground,
  • Some blood, and several footsteps, but no more:
  • Juan the gate gain'd, turn'd the key about,
  • And liking not the inside, lock'd the out.
  • Here ends this canto.--Need I sing, or say,
  • How Juan naked, favour'd by the night,
  • Who favours what she should not, found his way,
  • And reach'd his home in an unseemly plight?
  • The pleasant scandal which arose next day,
  • The nine days' wonder which was brought to light,
  • And how Alfonso sued for a divorce,
  • Were in the English newspapers, of course.
  • If you would like to see the whole proceedings,
  • The depositions, and the cause at full,
  • The names of all the witnesses, the pleadings
  • Of counsel to nonsuit, or to annul,
  • There 's more than one edition, and the readings
  • Are various, but they none of them are dull;
  • The best is that in short-hand ta'en by Gurney,
  • Who to Madrid on purpose made a journey.
  • But Donna Inez, to divert the train
  • Of one of the most circulating scandals
  • That had for centuries been known in Spain,
  • At least since the retirement of the Vandals,
  • First vow'd (and never had she vow'd in vain)
  • To Virgin Mary several pounds of candles;
  • And then, by the advice of some old ladies,
  • She sent her son to be shipp'd off from Cadiz.
  • She had resolved that he should travel through
  • All European climes, by land or sea,
  • To mend his former morals, and get new,
  • Especially in France and Italy
  • (At least this is the thing most people do).
  • Julia was sent into a convent: she
  • Grieved, but, perhaps, her feelings may be better
  • Shown in the following copy of her Letter:--
  • 'They tell me 't is decided; you depart:
  • 'T is wise--'t is well, but not the less a pain;
  • I have no further claim on your young heart,
  • Mine is the victim, and would be again;
  • To love too much has been the only art
  • I used;--I write in haste, and if a stain
  • Be on this sheet, 't is not what it appears;
  • My eyeballs burn and throb, but have no tears.
  • 'I loved, I love you, for this love have lost
  • State, station, heaven, mankind's, my own esteem,
  • And yet can not regret what it hath cost,
  • So dear is still the memory of that dream;
  • Yet, if I name my guilt, 't is not to boast,
  • None can deem harshlier of me than I deem:
  • I trace this scrawl because I cannot rest--
  • I 've nothing to reproach, or to request.
  • 'Man's love is of man's life a thing apart,
  • 'T is woman's whole existence; man may range
  • The court, camp, church, the vessel, and the mart;
  • Sword, gown, gain, glory, offer in exchange
  • Pride, fame, ambition, to fill up his heart,
  • And few there are whom these cannot estrange;
  • Men have all these resources, we but one,
  • To love again, and be again undone.
  • 'You will proceed in pleasure, and in pride,
  • Beloved and loving many; all is o'er
  • For me on earth, except some years to hide
  • My shame and sorrow deep in my heart's core;
  • These I could bear, but cannot cast aside
  • The passion which still rages as before--
  • And so farewell--forgive me, love me--No,
  • That word is idle now--but let it go.
  • 'My breast has been all weakness, is so yet;
  • But still I think I can collect my mind;
  • My blood still rushes where my spirit 's set,
  • As roll the waves before the settled wind;
  • My heart is feminine, nor can forget--
  • To all, except one image, madly blind;
  • So shakes the needle, and so stands the pole,
  • As vibrates my fond heart to my fix'd soul.
  • 'I have no more to say, but linger still,
  • And dare not set my seal upon this sheet,
  • And yet I may as well the task fulfil,
  • My misery can scarce be more complete:
  • I had not lived till now, could sorrow kill;
  • Death shuns the wretch who fain the blow would meet,
  • And I must even survive this last adieu,
  • And bear with life, to love and pray for you!'
  • This note was written upon gilt-edged paper
  • With a neat little crow-quill, slight and new:
  • Her small white hand could hardly reach the taper,
  • It trembled as magnetic needles do,
  • And yet she did not let one tear escape her;
  • The seal a sun-flower; 'Elle vous suit partout,'
  • The motto cut upon a white cornelian;
  • The wax was superfine, its hue vermilion.
  • This was Don Juan's earliest scrape; but whether
  • I shall proceed with his adventures is
  • Dependent on the public altogether;
  • We 'll see, however, what they say to this:
  • Their favour in an author's cap 's a feather,
  • And no great mischief 's done by their caprice;
  • And if their approbation we experience,
  • Perhaps they 'll have some more about a year hence.
  • My poem 's epic, and is meant to be
  • Divided in twelve books; each book containing,
  • With love, and war, a heavy gale at sea,
  • A list of ships, and captains, and kings reigning,
  • New characters; the episodes are three:
  • A panoramic view of hell 's in training,
  • After the style of Virgil and of Homer,
  • So that my name of Epic 's no misnomer.
  • All these things will be specified in time,
  • With strict regard to Aristotle's rules,
  • The Vade Mecum of the true sublime,
  • Which makes so many poets, and some fools:
  • Prose poets like blank-verse, I 'm fond of rhyme,
  • Good workmen never quarrel with their tools;
  • I 've got new mythological machinery,
  • And very handsome supernatural scenery.
  • There 's only one slight difference between
  • Me and my epic brethren gone before,
  • And here the advantage is my own, I ween
  • (Not that I have not several merits more,
  • But this will more peculiarly be seen);
  • They so embellish, that 't is quite a bore
  • Their labyrinth of fables to thread through,
  • Whereas this story 's actually true.
  • If any person doubt it, I appeal
  • To history, tradition, and to facts,
  • To newspapers, whose truth all know and feel,
  • To plays in five, and operas in three acts;
  • All these confirm my statement a good deal,
  • But that which more completely faith exacts
  • Is that myself, and several now in Seville,
  • Saw Juan's last elopement with the devil.
  • If ever I should condescend to prose,
  • I 'll write poetical commandments, which
  • Shall supersede beyond all doubt all those
  • That went before; in these I shall enrich
  • My text with many things that no one knows,
  • And carry precept to the highest pitch:
  • I 'll call the work 'Longinus o'er a Bottle,
  • Or, Every Poet his own Aristotle.'
  • Thou shalt believe in Milton, Dryden, Pope;
  • Thou shalt not set up Wordsworth, Coleridge, Southey;
  • Because the first is crazed beyond all hope,
  • The second drunk, the third so quaint and mouthy:
  • With Crabbe it may be difficult to cope,
  • And Campbell's Hippocrene is somewhat drouthy:
  • Thou shalt not steal from Samuel Rogers, nor
  • Commit--flirtation with the muse of Moore.
  • Thou shalt not covet Mr. Sotheby's Muse,
  • His Pegasus, nor anything that 's his;
  • Thou shalt not bear false witness like 'the Blues'
  • (There 's one, at least, is very fond of this);
  • Thou shalt not write, in short, but what I choose:
  • This is true criticism, and you may kiss--
  • Exactly as you please, or not,--the rod;
  • If any person should presume to assert
  • This story is not moral, first, I pray,
  • That they will not cry out before they 're hurt,
  • Then that they 'll read it o'er again, and say
  • (But, doubtless, nobody will be so pert)
  • That this is not a moral tale, though gay;
  • Besides, in Canto Twelfth, I mean to show
  • The very place where wicked people go.
  • If, after all, there should be some so blind
  • To their own good this warning to despise,
  • Led by some tortuosity of mind,
  • Not to believe my verse and their own eyes,
  • And cry that they 'the moral cannot find,'
  • I tell him, if a clergyman, he lies;
  • Should captains the remark, or critics, make,
  • They also lie too--under a mistake.
  • The public approbation I expect,
  • And beg they 'll take my word about the moral,
  • Which I with their amusement will connect
  • (So children cutting teeth receive a coral);
  • Meantime, they 'll doubtless please to recollect
  • My epical pretensions to the laurel:
  • For fear some prudish readers should grow skittish,
  • I 've bribed my grandmother's review--the British.
  • I sent it in a letter to the Editor,
  • Who thank'd me duly by return of post--
  • I 'm for a handsome article his creditor;
  • Yet, if my gentle Muse he please to roast,
  • And break a promise after having made it her,
  • Denying the receipt of what it cost,
  • And smear his page with gall instead of honey,
  • All I can say is--that he had the money.
  • I think that with this holy new alliance
  • I may ensure the public, and defy
  • All other magazines of art or science,
  • Daily, or monthly, or three monthly; I
  • Have not essay'd to multiply their clients,
  • Because they tell me 't were in vain to try,
  • And that the Edinburgh Review and Quarterly
  • Treat a dissenting author very martyrly.
  • 'Non ego hoc ferrem calida juventa
  • Consule Planco,' Horace said, and so
  • Say I; by which quotation there is meant a
  • Hint that some six or seven good years ago
  • (Long ere I dreamt of dating from the Brenta)
  • I was most ready to return a blow,
  • And would not brook at all this sort of thing
  • In my hot youth--when George the Third was King.
  • But now at thirty years my hair is grey
  • (I wonder what it will be like at forty?
  • I thought of a peruke the other day)--
  • My heart is not much greener; and, in short, I
  • Have squander'd my whole summer while 't was May,
  • And feel no more the spirit to retort; I
  • Have spent my life, both interest and principal,
  • And deem not, what I deem'd, my soul invincible.
  • No more--no more--Oh! never more on me
  • The freshness of the heart can fall like dew,
  • Which out of all the lovely things we see
  • Extracts emotions beautiful and new,
  • Hived in our bosoms like the bag o' the bee:
  • Think'st thou the honey with those objects grew?
  • Alas! 't was not in them, but in thy power
  • To double even the sweetness of a flower.
  • No more--no more--Oh! never more, my heart,
  • Canst thou be my sole world, my universe!
  • Once all in all, but now a thing apart,
  • Thou canst not be my blessing or my curse:
  • The illusion 's gone for ever, and thou art
  • Insensible, I trust, but none the worse,
  • And in thy stead I 've got a deal of judgment,
  • Though heaven knows how it ever found a lodgment.
  • My days of love are over; me no more
  • The charms of maid, wife, and still less of widow,
  • Can make the fool of which they made before,--
  • In short, I must not lead the life I did do;
  • The credulous hope of mutual minds is o'er,
  • The copious use of claret is forbid too,
  • So for a good old-gentlemanly vice,
  • I think I must take up with avarice.
  • Ambition was my idol, which was broken
  • Before the shrines of Sorrow, and of Pleasure;
  • And the two last have left me many a token
  • O'er which reflection may be made at leisure:
  • Now, like Friar Bacon's brazen head, I 've spoken,
  • 'Time is, Time was, Time 's past:'--a chymic treasure
  • Is glittering youth, which I have spent betimes--
  • My heart in passion, and my head on rhymes.
  • What is the end of Fame? 't is but to fill
  • A certain portion of uncertain paper:
  • Some liken it to climbing up a hill,
  • Whose summit, like all hills, is lost in vapour;
  • For this men write, speak, preach, and heroes kill,
  • And bards burn what they call their 'midnight taper,'
  • To have, when the original is dust,
  • A name, a wretched picture, and worse bust.
  • What are the hopes of man? Old Egypt's King
  • Cheops erected the first pyramid
  • And largest, thinking it was just the thing
  • To keep his memory whole, and mummy hid;
  • But somebody or other rummaging,
  • Burglariously broke his coffin's lid:
  • Let not a monument give you or me hopes,
  • Since not a pinch of dust remains of Cheops.
  • But I being fond of true philosophy,
  • Say very often to myself, 'Alas!
  • All things that have been born were born to die,
  • And flesh (which Death mows down to hay) is grass;
  • You 've pass'd your youth not so unpleasantly,
  • And if you had it o'er again--'t would pass--
  • So thank your stars that matters are no worse,
  • And read your Bible, sir, and mind your purse.'
  • But for the present, gentle reader! and
  • Still gentler purchaser! the bard--that 's I--
  • Must, with permission, shake you by the hand,
  • And so 'Your humble servant, and good-b'ye!'
  • We meet again, if we should understand
  • Each other; and if not, I shall not try
  • Your patience further than by this short sample--
  • 'T were well if others follow'd my example.
  • 'Go, little book, from this my solitude!
  • I cast thee on the waters--go thy ways!
  • And if, as I believe, thy vein be good,
  • The world will find thee after many days.'
  • When Southey's read, and Wordsworth understood,
  • I can't help putting in my claim to praise--
  • The four first rhymes are Southey's every line:
  • For God's sake, reader! take them not for mine.
  • [Illustration: Canto 2]
  • CANTO THE SECOND.
  • O ye! who teach the ingenuous youth of nations,
  • Holland, France, England, Germany, or Spain,
  • I pray ye flog them upon all occasions,
  • It mends their morals, never mind the pain:
  • The best of mothers and of educations
  • In Juan's case were but employ'd in vain,
  • Since, in a way that 's rather of the oddest, he
  • Became divested of his native modesty.
  • Had he but been placed at a public school,
  • In the third form, or even in the fourth,
  • His daily task had kept his fancy cool,
  • At least, had he been nurtured in the north;
  • Spain may prove an exception to the rule,
  • But then exceptions always prove its worth--
  • A lad of sixteen causing a divorce
  • Puzzled his tutors very much, of course.
  • I can't say that it puzzles me at all,
  • If all things be consider'd: first, there was
  • His lady--mother, mathematical,
  • A--never mind; his tutor, an old ass;
  • A pretty woman (that 's quite natural,
  • Or else the thing had hardly come to pass);
  • A husband rather old, not much in unity
  • With his young wife--a time, and opportunity.
  • Well--well, the world must turn upon its axis,
  • And all mankind turn with it, heads or tails,
  • And live and die, make love and pay our taxes,
  • And as the veering wind shifts, shift our sails;
  • The king commands us, and the doctor quacks us,
  • The priest instructs, and so our life exhales,
  • A little breath, love, wine, ambition, fame,
  • Fighting, devotion, dust,--perhaps a name.
  • I said that Juan had been sent to Cadiz--
  • A pretty town, I recollect it well--
  • 'T is there the mart of the colonial trade is
  • (Or was, before Peru learn'd to rebel),
  • And such sweet girls--I mean, such graceful ladies,
  • Their very walk would make your bosom swell;
  • I can't describe it, though so much it strike,
  • Nor liken it--I never saw the like:
  • An Arab horse, a stately stag, a barb
  • New broke, a cameleopard, a gazelle,
  • No--none of these will do;--and then their garb!
  • Their veil and petticoat--Alas! to dwell
  • Upon such things would very near absorb
  • A canto--then their feet and ankles,--well,
  • Thank Heaven I 've got no metaphor quite ready
  • (And so, my sober Muse--come, let 's be steady--
  • Chaste Muse!--well, if you must, you must)--the veil
  • Thrown back a moment with the glancing hand,
  • While the o'erpowering eye, that turns you pale,
  • Flashes into the heart:--All sunny land
  • Of love! when I forget you, may I fail
  • To--say my prayers--but never was there plann'd
  • A dress through which the eyes give such a volley,
  • Excepting the Venetian Fazzioli.
  • But to our tale: the Donna Inez sent
  • Her son to Cadiz only to embark;
  • To stay there had not answer'd her intent,
  • But why?--we leave the reader in the dark--
  • 'T was for a voyage that the young man was meant,
  • As if a Spanish ship were Noah's ark,
  • To wean him from the wickedness of earth,
  • And send him like a dove of promise forth.
  • Don Juan bade his valet pack his things
  • According to direction, then received
  • A lecture and some money: for four springs
  • He was to travel; and though Inez grieved
  • (As every kind of parting has its stings),
  • She hoped he would improve--perhaps believed:
  • A letter, too, she gave (he never read it)
  • Of good advice--and two or three of credit.
  • In the mean time, to pass her hours away,
  • Brave Inez now set up a Sunday school
  • For naughty children, who would rather play
  • (Like truant rogues) the devil, or the fool;
  • Infants of three years old were taught that day,
  • Dunces were whipt, or set upon a stool:
  • The great success of Juan's education,
  • Spurr'd her to teach another generation.
  • Juan embark'd--the ship got under way,
  • The wind was fair, the water passing rough:
  • A devil of a sea rolls in that bay,
  • As I, who 've cross'd it oft, know well enough;
  • And, standing upon deck, the dashing spray
  • Flies in one's face, and makes it weather-tough:
  • And there he stood to take, and take again,
  • His first--perhaps his last--farewell of Spain.
  • I can't but say it is an awkward sight
  • To see one's native land receding through
  • The growing waters; it unmans one quite,
  • Especially when life is rather new:
  • I recollect Great Britain's coast looks white,
  • But almost every other country 's blue,
  • When gazing on them, mystified by distance,
  • We enter on our nautical existence.
  • So Juan stood, bewilder'd on the deck:
  • The wind sung, cordage strain'd, and sailors swore,
  • And the ship creak'd, the town became a speck,
  • From which away so fair and fast they bore.
  • The best of remedies is a beef-steak
  • Against sea-sickness: try it, sir, before
  • You sneer, and I assure you this is true,
  • For I have found it answer--so may you.
  • Don Juan stood, and, gazing from the stern,
  • Beheld his native Spain receding far:
  • First partings form a lesson hard to learn,
  • Even nations feel this when they go to war;
  • There is a sort of unexprest concern,
  • A kind of shock that sets one's heart ajar:
  • At leaving even the most unpleasant people
  • And places, one keeps looking at the steeple.
  • But Juan had got many things to leave,
  • His mother, and a mistress, and no wife,
  • So that he had much better cause to grieve
  • Than many persons more advanced in life;
  • And if we now and then a sigh must heave
  • At quitting even those we quit in strife,
  • No doubt we weep for those the heart endears--
  • That is, till deeper griefs congeal our tears.
  • So Juan wept, as wept the captive Jews
  • By Babel's waters, still remembering Sion:
  • I 'd weep,--but mine is not a weeping Muse,
  • And such light griefs are not a thing to die on;
  • Young men should travel, if but to amuse
  • Themselves; and the next time their servants tie on
  • Behind their carriages their new portmanteau,
  • Perhaps it may be lined with this my canto.
  • And Juan wept, and much he sigh'd and thought,
  • While his salt tears dropp'd into the salt sea,
  • 'Sweets to the sweet' (I like so much to quote;
  • You must excuse this extract, 't is where she,
  • The Queen of Denmark, for Ophelia brought
  • Flowers to the grave); and, sobbing often, he
  • Reflected on his present situation,
  • And seriously resolved on reformation.
  • 'Farewell, my Spain! a long farewell!' he cried,
  • 'Perhaps I may revisit thee no more,
  • But die, as many an exiled heart hath died,
  • Of its own thirst to see again thy shore:
  • Farewell, where Guadalquivir's waters glide!
  • Farewell, my mother! and, since all is o'er,
  • Farewell, too, dearest Julia!--(Here he drew
  • Her letter out again, and read it through.)
  • 'And, oh! if e'er I should forget, I swear--
  • But that 's impossible, and cannot be--
  • Sooner shall this blue ocean melt to air,
  • Sooner shall earth resolve itself to sea,
  • Than I resign thine image, oh, my fair!
  • Or think of any thing excepting thee;
  • A mind diseased no remedy can physic
  • (Here the ship gave a lurch, and he grew sea-sick).
  • 'Sooner shall heaven kiss earth (here he fell sicker),
  • O, Julia! what is every other wo?
  • (For God's sake let me have a glass of liquor;
  • Pedro, Battista, help me down below.)
  • Julia, my love! (you rascal, Pedro, quicker)--
  • O, Julia! (this curst vessel pitches so)--
  • Beloved Julia, hear me still beseeching!'
  • (Here he grew inarticulate with retching.)
  • He felt that chilling heaviness of heart,
  • Or rather stomach, which, alas! attends,
  • Beyond the best apothecary's art,
  • The loss of love, the treachery of friends,
  • Or death of those we dote on, when a part
  • Of us dies with them as each fond hope ends:
  • No doubt he would have been much more pathetic,
  • But the sea acted as a strong emetic. I
  • Love 's a capricious power: I 've known it hold
  • Out through a fever caused by its own heat,
  • But be much puzzled by a cough and cold,
  • And find a quincy very hard to treat;
  • Against all noble maladies he 's bold,
  • But vulgar illnesses don't like to meet,
  • Nor that a sneeze should interrupt his sigh,
  • Nor inflammations redden his blind eye.
  • But worst of all is nausea, or a pain
  • About the lower region of the bowels;
  • Love, who heroically breathes a vein,
  • Shrinks from the application of hot towels,
  • And purgatives are dangerous to his reign,
  • Sea-sickness death: his love was perfect, how else
  • Could Juan's passion, while the billows roar,
  • Resist his stomach, ne'er at sea before?
  • The ship, call'd the most holy 'Trinidada,'
  • Was steering duly for the port Leghorn;
  • For there the Spanish family Moncada
  • Were settled long ere Juan's sire was born:
  • They were relations, and for them he had a
  • Letter of introduction, which the morn
  • Of his departure had been sent him by
  • His Spanish friends for those in Italy.
  • His suite consisted of three servants and
  • A tutor, the licentiate Pedrillo,
  • Who several languages did understand,
  • But now lay sick and speechless on his pillow,
  • And rocking in his hammock, long'd for land,
  • His headache being increased by every billow;
  • And the waves oozing through the port-hole made
  • His berth a little damp, and him afraid.
  • 'T was not without some reason, for the wind
  • Increased at night, until it blew a gale;
  • And though 't was not much to a naval mind,
  • Some landsmen would have look'd a little pale,
  • For sailors are, in fact, a different kind:
  • At sunset they began to take in sail,
  • For the sky show'd it would come on to blow,
  • And carry away, perhaps, a mast or so.
  • At one o'clock the wind with sudden shift
  • Threw the ship right into the trough of the sea,
  • Which struck her aft, and made an awkward rift,
  • Started the stern-post, also shatter'd the
  • Whole of her stern-frame, and, ere she could lift
  • Herself from out her present jeopardy,
  • The rudder tore away: 't was time to sound
  • The pumps, and there were four feet water found.
  • One gang of people instantly was put
  • Upon the pumps and the remainder set
  • To get up part of the cargo, and what not;
  • But they could not come at the leak as yet;
  • At last they did get at it really, but
  • Still their salvation was an even bet:
  • The water rush'd through in a way quite puzzling,
  • While they thrust sheets, shirts, jackets, bales of muslin,
  • Into the opening; but all such ingredients
  • Would have been vain, and they must have gone down,
  • Despite of all their efforts and expedients,
  • But for the pumps: I 'm glad to make them known
  • To all the brother tars who may have need hence,
  • For fifty tons of water were upthrown
  • By them per hour, and they had all been undone,
  • But for the maker, Mr. Mann, of London.
  • As day advanced the weather seem'd to abate,
  • And then the leak they reckon'd to reduce,
  • And keep the ship afloat, though three feet yet
  • Kept two hand and one chain-pump still in use.
  • The wind blew fresh again: as it grew late
  • A squall came on, and while some guns broke loose,
  • A gust--which all descriptive power transcends--
  • Laid with one blast the ship on her beam ends.
  • There she lay motionless, and seem'd upset;
  • The water left the hold, and wash'd the decks,
  • And made a scene men do not soon forget;
  • For they remember battles, fires, and wrecks,
  • Or any other thing that brings regret,
  • Or breaks their hopes, or hearts, or heads, or necks:
  • Thus drownings are much talk'd of by the divers,
  • And swimmers, who may chance to be survivors.
  • Immediately the masts were cut away,
  • Both main and mizen; first the mizen went,
  • The main-mast follow'd: but the ship still lay
  • Like a mere log, and baffled our intent.
  • Foremast and bowsprit were cut down, and they
  • Eased her at last (although we never meant
  • To part with all till every hope was blighted),
  • And then with violence the old ship righted.
  • It may be easily supposed, while this
  • Was going on, some people were unquiet,
  • That passengers would find it much amiss
  • To lose their lives, as well as spoil their diet;
  • That even the able seaman, deeming his
  • Days nearly o'er, might be disposed to riot,
  • As upon such occasions tars will ask
  • For grog, and sometimes drink rum from the cask.
  • There 's nought, no doubt, so much the spirit calms
  • As rum and true religion: thus it was,
  • Some plunder'd, some drank spirits, some sung psalms,
  • The high wind made the treble, and as bas
  • The hoarse harsh waves kept time; fright cured the qualms
  • Of all the luckless landsmen's sea-sick maws:
  • Strange sounds of wailing, blasphemy, devotion,
  • Clamour'd in chorus to the roaring ocean.
  • Perhaps more mischief had been done, but for
  • Our Juan, who, with sense beyond his years,
  • Got to the spirit-room, and stood before
  • It with a pair of pistols; and their fears,
  • As if Death were more dreadful by his door
  • Of fire than water, spite of oaths and tears,
  • Kept still aloof the crew, who, ere they sunk,
  • Thought it would be becoming to die drunk.
  • 'Give us more grog,' they cried, 'for it will be
  • All one an hour hence.' Juan answer'd, 'No!
  • 'T is true that death awaits both you and me,
  • But let us die like men, not sink below
  • Like brutes;'--and thus his dangerous post kept he,
  • And none liked to anticipate the blow;
  • And even Pedrillo, his most reverend tutor,
  • Was for some rum a disappointed suitor.
  • The good old gentleman was quite aghast,
  • And made a loud and pious lamentation;
  • Repented all his sins, and made a last
  • Irrevocable vow of reformation;
  • Nothing should tempt him more (this peril past)
  • To quit his academic occupation,
  • In cloisters of the classic Salamanca,
  • To follow Juan's wake, like Sancho Panca.
  • But now there came a flash of hope once more;
  • Day broke, and the wind lull'd: the masts were gone,
  • The leak increased; shoals round her, but no shore,
  • The vessel swam, yet still she held her own.
  • They tried the pumps again, and though before
  • Their desperate efforts seem'd all useless grown,
  • A glimpse of sunshine set some hands to bale--
  • The stronger pump'd, the weaker thrumm'd a sail.
  • Under the vessel's keel the sail was past,
  • And for the moment it had some effect;
  • But with a leak, and not a stick of mast,
  • Nor rag of canvas, what could they expect?
  • But still 't is best to struggle to the last,
  • 'T is never too late to be wholly wreck'd:
  • And though 't is true that man can only die once,
  • 'T is not so pleasant in the Gulf of Lyons.
  • There winds and waves had hurl'd them, and from thence,
  • Without their will, they carried them away;
  • For they were forced with steering to dispense,
  • And never had as yet a quiet day
  • On which they might repose, or even commence
  • A jurymast or rudder, or could say
  • The ship would swim an hour, which, by good luck,
  • Still swam--though not exactly like a duck.
  • The wind, in fact, perhaps was rather less,
  • But the ship labour'd so, they scarce could hope
  • To weather out much longer; the distress
  • Was also great with which they had to cope
  • For want of water, and their solid mess
  • Was scant enough: in vain the telescope
  • Was used--nor sail nor shore appear'd in sight,
  • Nought but the heavy sea, and coming night.
  • Again the weather threaten'd,--again blew
  • A gale, and in the fore and after hold
  • Water appear'd; yet, though the people knew
  • All this, the most were patient, and some bold,
  • Until the chains and leathers were worn through
  • Of all our pumps:--a wreck complete she roll'd,
  • At mercy of the waves, whose mercies are
  • Like human beings during civil war.
  • Then came the carpenter, at last, with tears
  • In his rough eyes, and told the captain he
  • Could do no more: he was a man in years,
  • And long had voyaged through many a stormy sea,
  • And if he wept at length, they were not fears
  • That made his eyelids as a woman's be,
  • But he, poor fellow, had a wife and children,--
  • Two things for dying people quite bewildering.
  • The ship was evidently settling now
  • Fast by the head; and, all distinction gone,
  • Some went to prayers again, and made a vow
  • Of candles to their saints--but there were none
  • To pay them with; and some look'd o'er the bow;
  • Some hoisted out the boats; and there was one
  • That begg'd Pedrillo for an absolution,
  • Who told him to be damn'd--in his confusion.
  • Some lash'd them in their hammocks; some put on
  • Their best clothes, as if going to a fair;
  • Some cursed the day on which they saw the sun,
  • And gnash'd their teeth, and, howling, tore their hair;
  • And others went on as they had begun,
  • Getting the boats out, being well aware
  • That a tight boat will live in a rough sea,
  • Unless with breakers close beneath her lee.
  • The worst of all was, that in their condition,
  • Having been several days in great distress,
  • 'T was difficult to get out such provision
  • As now might render their long suffering less:
  • Men, even when dying, dislike inanition;
  • Their stock was damaged by the weather's stress:
  • Two casks of biscuit and a keg of butter
  • Were all that could be thrown into the cutter.
  • But in the long-boat they contrived to stow
  • Some pounds of bread, though injured by the wet;
  • Water, a twenty-gallon cask or so;
  • Six flasks of wine; and they contrived to get
  • A portion of their beef up from below,
  • And with a piece of pork, moreover, met,
  • But scarce enough to serve them for a luncheon--
  • Then there was rum, eight gallons in a puncheon.
  • The other boats, the yawl and pinnace, had
  • Been stove in the beginning of the gale;
  • And the long-boat's condition was but bad,
  • As there were but two blankets for a sail,
  • And one oar for a mast, which a young lad
  • Threw in by good luck over the ship's rail;
  • And two boats could not hold, far less be stored,
  • To save one half the people then on board.
  • 'T was twilight, and the sunless day went down
  • Over the waste of waters; like a veil,
  • Which, if withdrawn, would but disclose the frown
  • Of one whose hate is mask'd but to assail,
  • Thus to their hopeless eyes the night was shown,
  • And grimly darkled o'er the faces pale,
  • And the dim desolate deep: twelve days had Fear
  • Been their familiar, and now Death was here.
  • Some trial had been making at a raft,
  • With little hope in such a rolling sea,
  • A sort of thing at which one would have laugh'd,
  • If any laughter at such times could be,
  • Unless with people who too much have quaff'd,
  • And have a kind of wild and horrid glee,
  • Half epileptical and half hysterical:--
  • Their preservation would have been a miracle.
  • At half-past eight o'clock, booms, hencoops, spars,
  • And all things, for a chance, had been cast loose,
  • That still could keep afloat the struggling tars,
  • For yet they strove, although of no great use:
  • There was no light in heaven but a few stars,
  • The boats put off o'ercrowded with their crews;
  • She gave a heel, and then a lurch to port,
  • And, going down head foremost--sunk, in short.
  • Then rose from sea to sky the wild farewell--
  • Then shriek'd the timid, and stood still the brave,
  • Then some leap'd overboard with dreadful yell,
  • As eager to anticipate their grave;
  • And the sea yawn'd around her like a hell,
  • And down she suck'd with her the whirling wave,
  • Like one who grapples with his enemy,
  • And strives to strangle him before he die.
  • And first one universal shriek there rush'd,
  • Louder than the loud ocean, like a crash
  • Of echoing thunder; and then all was hush'd,
  • Save the wild wind and the remorseless dash
  • Of billows; but at intervals there gush'd,
  • Accompanied with a convulsive splash,
  • A solitary shriek, the bubbling cry
  • Of some strong swimmer in his agony.
  • The boats, as stated, had got off before,
  • And in them crowded several of the crew;
  • And yet their present hope was hardly more
  • Than what it had been, for so strong it blew
  • There was slight chance of reaching any shore;
  • And then they were too many, though so few--
  • Nine in the cutter, thirty in the boat,
  • Were counted in them when they got afloat.
  • All the rest perish'd; near two hundred souls
  • Had left their bodies; and what 's worse, alas!
  • When over Catholics the ocean rolls,
  • They must wait several weeks before a mass
  • Takes off one peck of purgatorial coals,
  • Because, till people know what 's come to pass,
  • They won't lay out their money on the dead--
  • It costs three francs for every mass that 's said.
  • Juan got into the long-boat, and there
  • Contrived to help Pedrillo to a place;
  • It seem'd as if they had exchanged their care,
  • For Juan wore the magisterial face
  • Which courage gives, while poor Pedrillo's pair
  • Of eyes were crying for their owner's case:
  • Battista; though (a name call'd shortly Tita),
  • Was lost by getting at some aqua-vita.
  • Pedro, his valet, too, he tried to save,
  • But the same cause, conducive to his loss,
  • Left him so drunk, he jump'd into the wave
  • As o'er the cutter's edge he tried to cross,
  • And so he found a wine-and-watery grave;
  • They could not rescue him although so close,
  • Because the sea ran higher every minute,
  • And for the boat--the crew kept crowding in it.
  • A small old spaniel,--which had been Don Jose's,
  • His father's, whom he loved, as ye may think,
  • For on such things the memory reposes
  • With tenderness--stood howling on the brink,
  • Knowing (dogs have such intellectual noses!),
  • No doubt, the vessel was about to sink;
  • And Juan caught him up, and ere he stepp'd
  • Off, threw him in, then after him he leap'd.
  • He also stuff'd his money where he could
  • About his person, and Pedrillo's too,
  • Who let him do, in fact, whate'er he would,
  • Not knowing what himself to say, or do,
  • As every rising wave his dread renew'd;
  • But Juan, trusting they might still get through,
  • And deeming there were remedies for any ill,
  • Thus re-embark'd his tutor and his spaniel.
  • 'T was a rough night, and blew so stiffly yet,
  • That the sail was becalm'd between the seas,
  • Though on the wave's high top too much to set,
  • They dared not take it in for all the breeze:
  • Each sea curl'd o'er the stern, and kept them wet,
  • And made them bale without a moment's ease,
  • So that themselves as well as hopes were damp'd,
  • And the poor little cutter quickly swamp'd.
  • Nine souls more went in her: the long-boat still
  • Kept above water, with an oar for mast,
  • Two blankets stitch'd together, answering ill
  • Instead of sail, were to the oar made fast:
  • Though every wave roll'd menacing to fill,
  • And present peril all before surpass'd,
  • They grieved for those who perish'd with the cutter,
  • And also for the biscuit-casks and butter.
  • The sun rose red and fiery, a sure sign
  • Of the continuance of the gale: to run
  • Before the sea until it should grow fine,
  • Was all that for the present could be done:
  • A few tea-spoonfuls of their rum and wine
  • Were served out to the people, who begun
  • To faint, and damaged bread wet through the bags,
  • And most of them had little clothes but rags.
  • They counted thirty, crowded in a space
  • Which left scarce room for motion or exertion;
  • They did their best to modify their case,
  • One half sate up, though numb'd with the immersion,
  • While t'other half were laid down in their place
  • At watch and watch; thus, shivering like the tertian
  • Ague in its cold fit, they fill'd their boat,
  • With nothing but the sky for a great coat.
  • 'T is very certain the desire of life
  • Prolongs it: this is obvious to physicians,
  • When patients, neither plagued with friends nor wife,
  • Survive through very desperate conditions,
  • Because they still can hope, nor shines the knife
  • Nor shears of Atropos before their visions:
  • Despair of all recovery spoils longevity,
  • And makes men miseries miseries of alarming brevity.
  • 'T is said that persons living on annuities
  • Are longer lived than others,--God knows why,
  • Unless to plague the grantors,--yet so true it is,
  • That some, I really think, do never die;
  • Of any creditors the worst a Jew it is,
  • And that 's their mode of furnishing supply:
  • In my young days they lent me cash that way,
  • Which I found very troublesome to pay.
  • 'T is thus with people in an open boat,
  • They live upon the love of life, and bear
  • More than can be believed, or even thought,
  • And stand like rocks the tempest's wear and tear;
  • And hardship still has been the sailor's lot,
  • Since Noah's ark went cruising here and there;
  • She had a curious crew as well as cargo,
  • Like the first old Greek privateer, the Argo.
  • But man is a carnivorous production,
  • And must have meals, at least one meal a day;
  • He cannot live, like woodcocks, upon suction,
  • But, like the shark and tiger, must have prey;
  • Although his anatomical construction
  • Bears vegetables, in a grumbling way,
  • Your labouring people think beyond all question,
  • Beef, veal, and mutton, better for digestion.
  • And thus it was with this our hapless crew;
  • For on the third day there came on a calm,
  • And though at first their strength it might renew,
  • And lying on their weariness like balm,
  • Lull'd them like turtles sleeping on the blue
  • Of ocean, when they woke they felt a qualm,
  • And fell all ravenously on their provision,
  • Instead of hoarding it with due precision.
  • The consequence was easily foreseen--
  • They ate up all they had, and drank their wine,
  • In spite of all remonstrances, and then
  • On what, in fact, next day were they to dine?
  • They hoped the wind would rise, these foolish men!
  • And carry them to shore; these hopes were fine,
  • But as they had but one oar, and that brittle,
  • It would have been more wise to save their victual.
  • The fourth day came, but not a breath of air,
  • And Ocean slumber'd like an unwean'd child:
  • The fifth day, and their boat lay floating there,
  • The sea and sky were blue, and clear, and mild--
  • With their one oar (I wish they had had a pair)
  • What could they do? and hunger's rage grew wild:
  • So Juan's spaniel, spite of his entreating,
  • Was kill'd and portion'd out for present eating.
  • On the sixth day they fed upon his hide,
  • And Juan, who had still refused, because
  • The creature was his father's dog that died,
  • Now feeling all the vulture in his jaws,
  • With some remorse received (though first denied)
  • As a great favour one of the fore-paws,
  • Which he divided with Pedrillo, who
  • Devour'd it, longing for the other too.
  • The seventh day, and no wind--the burning sun
  • Blister'd and scorch'd, and, stagnant on the sea,
  • They lay like carcasses; and hope was none,
  • Save in the breeze that came not; savagely
  • They glared upon each other--all was done,
  • Water, and wine, and food,--and you might see
  • The longings of the cannibal arise
  • (Although they spoke not) in their wolfish eyes.
  • At length one whisper'd his companion, who
  • Whisper'd another, and thus it went round,
  • And then into a hoarser murmur grew,
  • An ominous, and wild, and desperate sound;
  • And when his comrade's thought each sufferer knew,
  • 'T was but his own, suppress'd till now, he found:
  • And out they spoke of lots for flesh and blood,
  • And who should die to be his fellow's food.
  • But ere they came to this, they that day shared
  • Some leathern caps, and what remain'd of shoes;
  • And then they look'd around them and despair'd,
  • And none to be the sacrifice would choose;
  • At length the lots were torn up, and prepared,
  • But of materials that much shock the Muse--
  • Having no paper, for the want of better,
  • They took by force from Juan Julia's letter.
  • The lots were made, and mark'd, and mix'd, and handed,
  • In silent horror, and their distribution
  • Lull'd even the savage hunger which demanded,
  • Like the Promethean vulture, this pollution;
  • None in particular had sought or plann'd it,
  • 'T was nature gnaw'd them to this resolution,
  • By which none were permitted to be neuter--
  • And the lot fell on Juan's luckless tutor.
  • He but requested to be bled to death:
  • The surgeon had his instruments, and bled
  • Pedrillo, and so gently ebb'd his breath,
  • You hardly could perceive when he was dead.
  • He died as born, a Catholic in faith,
  • Like most in the belief in which they 're bred,
  • And first a little crucifix he kiss'd,
  • And then held out his jugular and wrist.
  • The surgeon, as there was no other fee,
  • Had his first choice of morsels for his pains;
  • But being thirstiest at the moment, he
  • Preferr'd a draught from the fast-flowing veins:
  • Part was divided, part thrown in the sea,
  • And such things as the entrails and the brains
  • Regaled two sharks, who follow'd o'er the billow--
  • The sailors ate the rest of poor Pedrillo.
  • The sailors ate him, all save three or four,
  • Who were not quite so fond of animal food;
  • To these was added Juan, who, before
  • Refusing his own spaniel, hardly could
  • Feel now his appetite increased much more;
  • 'T was not to be expected that he should,
  • Even in extremity of their disaster,
  • Dine with them on his pastor and his master.
  • 'T was better that he did not; for, in fact,
  • The consequence was awful in the extreme;
  • For they, who were most ravenous in the act,
  • Went raging mad--Lord! how they did blaspheme!
  • And foam and roll, with strange convulsions rack'd,
  • Drinking salt water like a mountain-stream,
  • Tearing, and grinning, howling, screeching, swearing,
  • And, with hyaena-laughter, died despairing.
  • Their numbers were much thinn'd by this infliction,
  • And all the rest were thin enough, Heaven knows;
  • And some of them had lost their recollection,
  • Happier than they who still perceived their woes;
  • But others ponder'd on a new dissection,
  • As if not warn'd sufficiently by those
  • Who had already perish'd, suffering madly,
  • For having used their appetites so sadly.
  • And next they thought upon the master's mate,
  • As fattest; but he saved himself, because,
  • Besides being much averse from such a fate,
  • There were some other reasons: the first was,
  • He had been rather indisposed of late;
  • And that which chiefly proved his saving clause
  • Was a small present made to him at Cadiz,
  • By general subscription of the ladies.
  • Of poor Pedrillo something still remain'd,
  • But was used sparingly,--some were afraid,
  • And others still their appetites constrain'd,
  • Or but at times a little supper made;
  • All except Juan, who throughout abstain'd,
  • Chewing a piece of bamboo and some lead:
  • At length they caught two boobies and a noddy,
  • And then they left off eating the dead body.
  • And if Pedrillo's fate should shocking be,
  • Remember Ugolino condescends
  • To eat the head of his arch-enemy
  • The moment after he politely ends
  • His tale: if foes be food in hell, at sea
  • 'T is surely fair to dine upon our friends,
  • When shipwreck's short allowance grows too scanty,
  • Without being much more horrible than Dante.
  • And the same night there fell a shower of rain,
  • For which their mouths gaped, like the cracks of earth
  • When dried to summer dust; till taught by pain
  • Men really know not what good water 's worth;
  • If you had been in Turkey or in Spain,
  • Or with a famish'd boat's-crew had your berth,
  • Or in the desert heard the camel's bell,
  • You 'd wish yourself where Truth is--in a well.
  • It pour'd down torrents, but they were no richer
  • Until they found a ragged piece of sheet,
  • Which served them as a sort of spongy pitcher,
  • And when they deem'd its moisture was complete
  • They wrung it out, and though a thirsty ditcher
  • Might not have thought the scanty draught so sweet
  • As a full pot of porter, to their thinking
  • They ne'er till now had known the joys of drinking.
  • And their baked lips, with many a bloody crack,
  • Suck'd in the moisture, which like nectar stream'd;
  • Their throats were ovens, their swoln tongues were black,
  • As the rich man's in hell, who vainly scream'd
  • To beg the beggar, who could not rain back
  • A drop of dew, when every drop had seem'd
  • To taste of heaven--If this be true, indeed
  • Some Christians have a comfortable creed.
  • There were two fathers in this ghastly crew,
  • And with them their two sons, of whom the one
  • Was more robust and hardy to the view,
  • But he died early; and when he was gone,
  • His nearest messmate told his sire, who threw
  • One glance at him, and said, 'Heaven's will be done!
  • I can do nothing,' and he saw him thrown
  • Into the deep without a tear or groan.
  • The other father had a weaklier child,
  • Of a soft cheek and aspect delicate;
  • But the boy bore up long, and with a mild
  • And patient spirit held aloof his fate;
  • Little he said, and now and then he smiled,
  • As if to win a part from off the weight
  • He saw increasing on his father's heart,
  • With the deep deadly thought that they must part.
  • And o'er him bent his sire, and never raised
  • His eyes from off his face, but wiped the foam
  • From his pale lips, and ever on him gazed,
  • And when the wish'd-for shower at length was come,
  • And the boy's eyes, which the dull film half glazed,
  • Brighten'd, and for a moment seem'd to roam,
  • He squeezed from out a rag some drops of rain
  • Into his dying child's mouth--but in vain.
  • The boy expired--the father held the clay,
  • And look'd upon it long, and when at last
  • Death left no doubt, and the dead burthen lay
  • Stiff on his heart, and pulse and hope were past,
  • He watch'd it wistfully, until away
  • 'T was borne by the rude wave wherein 't was cast;
  • Then he himself sunk down all dumb and shivering,
  • And gave no sign of life, save his limbs quivering.
  • Now overhead a rainbow, bursting through
  • The scattering clouds, shone, spanning the dark sea,
  • Resting its bright base on the quivering blue;
  • And all within its arch appear'd to be
  • Clearer than that without, and its wide hue
  • Wax'd broad and waving, like a banner free,
  • Then changed like to a bow that 's bent, and then
  • Forsook the dim eyes of these shipwreck'd men.
  • It changed, of course; a heavenly chameleon,
  • The airy child of vapour and the sun,
  • Brought forth in purple, cradled in vermilion,
  • Baptized in molten gold, and swathed in dun,
  • Glittering like crescents o'er a Turk's pavilion,
  • And blending every colour into one,
  • Just like a black eye in a recent scuffle
  • (For sometimes we must box without the muffle).
  • Our shipwreck'd seamen thought it a good omen--
  • It is as well to think so, now and then;
  • 'T was an old custom of the Greek and Roman,
  • And may become of great advantage when
  • Folks are discouraged; and most surely no men
  • Had greater need to nerve themselves again
  • Than these, and so this rainbow look'd like hope--
  • Quite a celestial kaleidoscope.
  • About this time a beautiful white bird,
  • Webfooted, not unlike a dove in size
  • And plumage (probably it might have err'd
  • Upon its course), pass'd oft before their eyes,
  • And tried to perch, although it saw and heard
  • The men within the boat, and in this guise
  • It came and went, and flutter'd round them till
  • Night fell: this seem'd a better omen still.
  • But in this case I also must remark,
  • 'T was well this bird of promise did not perch,
  • Because the tackle of our shatter'd bark
  • Was not so safe for roosting as a church;
  • And had it been the dove from Noah's ark,
  • Returning there from her successful search,
  • Which in their way that moment chanced to fall,
  • They would have eat her, olive-branch and all.
  • With twilight it again came on to blow,
  • But not with violence; the stars shone out,
  • The boat made way; yet now they were so low,
  • They knew not where nor what they were about;
  • Some fancied they saw land, and some said 'No!'
  • The frequent fog-banks gave them cause to doubt--
  • Some swore that they heard breakers, others guns,
  • And all mistook about the latter once.
  • As morning broke, the light wind died away,
  • When he who had the watch sung out and swore,
  • If 't was not land that rose with the sun's ray,
  • He wish'd that land he never might see more;
  • And the rest rubb'd their eyes and saw a bay,
  • Or thought they saw, and shaped their course for shore;
  • For shore it was, and gradually grew
  • Distinct, and high, and palpable to view.
  • And then of these some part burst into tears,
  • And others, looking with a stupid stare,
  • Could not yet separate their hopes from fears,
  • And seem'd as if they had no further care;
  • While a few pray'd (the first time for some years)--
  • And at the bottom of the boat three were
  • Asleep: they shook them by the hand and head,
  • And tried to awaken them, but found them dead.
  • The day before, fast sleeping on the water,
  • They found a turtle of the hawk's-bill kind,
  • And by good fortune, gliding softly, caught her,
  • Which yielded a day's life, and to their mind
  • Proved even still a more nutritious matter,
  • Because it left encouragement behind:
  • They thought that in such perils, more than chance
  • Had sent them this for their deliverance.
  • The land appear'd a high and rocky coast,
  • And higher grew the mountains as they drew,
  • Set by a current, toward it: they were lost
  • In various conjectures, for none knew
  • To what part of the earth they had been tost,
  • So changeable had been the winds that blew;
  • Some thought it was Mount AEtna, some the highlands,
  • Of Candia, Cyprus, Rhodes, or other islands.
  • Meantime the current, with a rising gale,
  • Still set them onwards to the welcome shore,
  • Like Charon's bark of spectres, dull and pale:
  • Their living freight was now reduced to four,
  • And three dead, whom their strength could not avail
  • To heave into the deep with those before,
  • Though the two sharks still follow'd them, and dash'd
  • The spray into their faces as they splash'd.
  • Famine, despair, cold, thirst, and heat, had done
  • Their work on them by turns, and thinn'd them to
  • Such things a mother had not known her son
  • Amidst the skeletons of that gaunt crew;
  • By night chill'd, by day scorch'd, thus one by one
  • They perish'd, until wither'd to these few,
  • But chiefly by a species of self-slaughter,
  • In washing down Pedrillo with salt water.
  • As they drew nigh the land, which now was seen
  • Unequal in its aspect here and there,
  • They felt the freshness of its growing green,
  • That waved in forest-tops, and smooth'd the air,
  • And fell upon their glazed eyes like a screen
  • From glistening waves, and skies so hot and bare--
  • Lovely seem'd any object that should sweep
  • Away the vast, salt, dread, eternal deep.
  • The shore look'd wild, without a trace of man,
  • And girt by formidable waves; but they
  • Were mad for land, and thus their course they ran,
  • Though right ahead the roaring breakers lay:
  • A reef between them also now began
  • To show its boiling surf and bounding spray,
  • But finding no place for their landing better,
  • They ran the boat for shore,--and overset her.
  • But in his native stream, the Guadalquivir,
  • Juan to lave his youthful limbs was wont;
  • And having learnt to swim in that sweet river,
  • Had often turn'd the art to some account:
  • A better swimmer you could scarce see ever,
  • He could, perhaps, have pass'd the Hellespont,
  • As once (a feat on which ourselves we prided)
  • Leander, Mr. Ekenhead, and I did.
  • So here, though faint, emaciated, and stark,
  • He buoy'd his boyish limbs, and strove to ply
  • With the quick wave, and gain, ere it was dark,
  • The beach which lay before him, high and dry:
  • The greatest danger here was from a shark,
  • That carried off his neighbour by the thigh;
  • As for the other two, they could not swim,
  • So nobody arrived on shore but him.
  • Nor yet had he arrived but for the oar,
  • Which, providentially for him, was wash'd
  • Just as his feeble arms could strike no more,
  • And the hard wave o'erwhelm'd him as 't was dash'd
  • Within his grasp; he clung to it, and sore
  • The waters beat while he thereto was lash'd;
  • At last, with swimming, wading, scrambling, he
  • Roll'd on the beach, half-senseless, from the sea:
  • There, breathless, with his digging nails he clung
  • Fast to the sand, lest the returning wave,
  • From whose reluctant roar his life he wrung,
  • Should suck him back to her insatiate grave:
  • And there he lay, full length, where he was flung,
  • Before the entrance of a cliff-worn cave,
  • With just enough of life to feel its pain,
  • And deem that it was saved, perhaps in vain.
  • With slow and staggering effort he arose,
  • But sunk again upon his bleeding knee
  • And quivering hand; and then he look'd for those
  • Who long had been his mates upon the sea;
  • But none of them appear'd to share his woes,
  • Save one, a corpse, from out the famish'd three,
  • Who died two days before, and now had found
  • An unknown barren beach for burial ground.
  • And as he gazed, his dizzy brain spun fast,
  • And down he sunk; and as he sunk, the sand
  • Swam round and round, and all his senses pass'd:
  • He fell upon his side, and his stretch'd hand
  • Droop'd dripping on the oar (their jurymast),
  • And, like a wither'd lily, on the land
  • His slender frame and pallid aspect lay,
  • As fair a thing as e'er was form'd of clay.
  • How long in his damp trance young Juan lay
  • He knew not, for the earth was gone for him,
  • And Time had nothing more of night nor day
  • For his congealing blood, and senses dim;
  • And how this heavy faintness pass'd away
  • He knew not, till each painful pulse and limb,
  • And tingling vein, seem'd throbbing back to life,
  • For Death, though vanquish'd, still retired with strife.
  • His eyes he open'd, shut, again unclosed,
  • For all was doubt and dizziness; he thought
  • He still was in the boat and had but dozed,
  • And felt again with his despair o'erwrought,
  • And wish'd it death in which he had reposed;
  • And then once more his feelings back were brought,
  • And slowly by his swimming eyes was seen
  • A lovely female face of seventeen.
  • 'T was bending dose o'er his, and the small mouth
  • Seem'd almost prying into his for breath;
  • And chafing him, the soft warm hand of youth
  • Recall'd his answering spirits back from death;
  • And, bathing his chill temples, tried to soothe
  • Each pulse to animation, till beneath
  • Its gentle touch and trembling care, a sigh
  • To these kind efforts made a low reply.
  • Then was the cordial pour'd, and mantle flung
  • Around his scarce-clad limbs; and the fair arm
  • Raised higher the faint head which o'er it hung;
  • And her transparent cheek, all pure and warm,
  • Pillow'd his death-like forehead; then she wrung
  • His dewy curls, long drench'd by every storm;
  • And watch'd with eagerness each throb that drew
  • A sigh from his heaved bosom--and hers, too.
  • And lifting him with care into the cave,
  • The gentle girl and her attendant,--one
  • Young, yet her elder, and of brow less grave,
  • And more robust of figure,--then begun
  • To kindle fire, and as the new flames gave
  • Light to the rocks that roof'd them, which the sun
  • Had never seen, the maid, or whatsoe'er
  • She was, appear'd distinct, and tall, and fair.
  • Her brow was overhung with coins of gold,
  • That sparkled o'er the auburn of her hair--
  • Her clustering hair, whose longer locks were roll'd
  • In braids behind; and though her stature were
  • Even of the highest for a female mould,
  • They nearly reach'd her heel; and in her air
  • There was a something which bespoke command,
  • As one who was a lady in the land.
  • Her hair, I said, was auburn; but her eyes
  • Were black as death, their lashes the same hue,
  • Of downcast length, in whose silk shadow lies
  • Deepest attraction; for when to the view
  • Forth from its raven fringe the full glance flies,
  • Ne'er with such force the swiftest arrow flew;
  • 'T is as the snake late coil'd, who pours his length,
  • And hurls at once his venom and his strength.
  • Her brow was white and low, her cheek's pure dye
  • Like twilight rosy still with the set sun;
  • Short upper lip--sweet lips! that make us sigh
  • Ever to have seen such; for she was one
  • Fit for the model of a statuary
  • (A race of mere impostors, when all 's done--
  • I 've seen much finer women, ripe and real,
  • Than all the nonsense of their stone ideal).
  • I 'll tell you why I say so, for 't is just
  • One should not rail without a decent cause:
  • There was an Irish lady, to whose bust
  • I ne'er saw justice done, and yet she was
  • A frequent model; and if e'er she must
  • Yield to stern Time and Nature's wrinkling laws,
  • They will destroy a face which mortal thought
  • Ne'er compass'd, nor less mortal chisel wrought.
  • And such was she, the lady of the cave:
  • Her dress was very different from the Spanish,
  • Simpler, and yet of colours not so grave;
  • For, as you know, the Spanish women banish
  • Bright hues when out of doors, and yet, while wave
  • Around them (what I hope will never vanish)
  • The basquina and the mantilla, they
  • Seem at the same time mystical and gay.
  • But with our damsel this was not the case:
  • Her dress was many-colour'd, finely spun;
  • Her locks curl'd negligently round her face,
  • But through them gold and gems profusely shone:
  • Her girdle sparkled, and the richest lace
  • Flow'd in her veil, and many a precious stone
  • Flash'd on her little hand; but, what was shocking,
  • Her small snow feet had slippers, but no stocking.
  • The other female's dress was not unlike,
  • But of inferior materials: she
  • Had not so many ornaments to strike,
  • Her hair had silver only, bound to be
  • Her dowry; and her veil, in form alike,
  • Was coarser; and her air, though firm, less free;
  • Her hair was thicker, but less long; her eyes
  • As black, but quicker, and of smaller size.
  • And these two tended him, and cheer'd him both
  • With food and raiment, and those soft attentions,
  • Which are (as I must own) of female growth,
  • And have ten thousand delicate inventions:
  • They made a most superior mess of broth,
  • A thing which poesy but seldom mentions,
  • But the best dish that e'er was cook'd since Homer's
  • Achilles ordered dinner for new comers.
  • I 'll tell you who they were, this female pair,
  • Lest they should seem princesses in disguise;
  • Besides, I hate all mystery, and that air
  • Of clap-trap which your recent poets prize;
  • And so, in short, the girls they really were
  • They shall appear before your curious eyes,
  • Mistress and maid; the first was only daughter
  • Of an old man who lived upon the water.
  • A fisherman he had been in his youth,
  • And still a sort of fisherman was he;
  • But other speculations were, in sooth,
  • Added to his connection with the sea,
  • Perhaps not so respectable, in truth:
  • A little smuggling, and some piracy,
  • Left him, at last, the sole of many masters
  • Of an ill-gotten million of piastres.
  • A fisher, therefore, was he,--though of men,
  • Like Peter the Apostle,--and he fish'd
  • For wandering merchant-vessels, now and then,
  • And sometimes caught as many as he wish'd;
  • The cargoes he confiscated, and gain
  • He sought in the slave-market too, and dish'd
  • Full many a morsel for that Turkish trade,
  • By which, no doubt, a good deal may be made.
  • He was a Greek, and on his isle had built
  • (One of the wild and smaller Cyclades)
  • A very handsome house from out his guilt,
  • And there he lived exceedingly at ease;
  • Heaven knows what cash he got or blood he spilt,
  • A sad old fellow was he, if you please;
  • But this I know, it was a spacious building,
  • Full of barbaric carving, paint, and gilding.
  • He had an only daughter, call'd Haidee,
  • The greatest heiress of the Eastern Isles;
  • Besides, so very beautiful was she,
  • Her dowry was as nothing to her smiles:
  • Still in her teens, and like a lovely tree
  • She grew to womanhood, and between whiles
  • Rejected several suitors, just to learn
  • How to accept a better in his turn.
  • And walking out upon the beach, below
  • The cliff, towards sunset, on that day she found,
  • Insensible,--not dead, but nearly so,--
  • Don Juan, almost famish'd, and half drown'd;
  • But being naked, she was shock'd, you know,
  • Yet deem'd herself in common pity bound,
  • As far as in her lay, 'to take him in,
  • A stranger' dying, with so white a skin.
  • But taking him into her father's house
  • Was not exactly the best way to save,
  • But like conveying to the cat the mouse,
  • Or people in a trance into their grave;
  • Because the good old man had so much 'nous,'
  • Unlike the honest Arab thieves so brave,
  • He would have hospitably cured the stranger,
  • And sold him instantly when out of danger.
  • And therefore, with her maid, she thought it best
  • (A virgin always on her maid relies)
  • To place him in the cave for present rest:
  • And when, at last, he open'd his black eyes,
  • Their charity increased about their guest;
  • And their compassion grew to such a size,
  • It open'd half the turnpike-gates to heaven
  • (St. Paul says, 't is the toll which must be given).
  • They made a fire,--but such a fire as they
  • Upon the moment could contrive with such
  • Materials as were cast up round the bay,--
  • Some broken planks, and oars, that to the touch
  • Were nearly tinder, since so long they lay
  • A mast was almost crumbled to a crutch;
  • But, by God's grace, here wrecks were in such plenty,
  • That there was fuel to have furnish'd twenty.
  • He had a bed of furs, and a pelisse,
  • For Haidee stripped her sables off to make
  • His couch; and, that he might be more at ease,
  • And warm, in case by chance he should awake,
  • They also gave a petticoat apiece,
  • She and her maid--and promised by daybreak
  • To pay him a fresh visit, with a dish
  • For breakfast, of eggs, coffee, bread, and fish.
  • And thus they left him to his lone repose:
  • Juan slept like a top, or like the dead,
  • Who sleep at last, perhaps (God only knows),
  • Just for the present; and in his lull'd head
  • Not even a vision of his former woes
  • Throbb'd in accursed dreams, which sometimes spread
  • Unwelcome visions of our former years,
  • Till the eye, cheated, opens thick with tears.
  • Young Juan slept all dreamless:--but the maid,
  • Who smooth'd his pillow, as she left the den
  • Look'd back upon him, and a moment stay'd,
  • And turn'd, believing that he call'd again.
  • He slumber'd; yet she thought, at least she said
  • (The heart will slip, even as the tongue and pen),
  • He had pronounced her name--but she forgot
  • That at this moment Juan knew it not.
  • And pensive to her father's house she went,
  • Enjoining silence strict to Zoe, who
  • Better than her knew what, in fact, she meant,
  • She being wiser by a year or two:
  • A year or two 's an age when rightly spent,
  • And Zoe spent hers, as most women do,
  • In gaining all that useful sort of knowledge
  • Which is acquired in Nature's good old college.
  • The morn broke, and found Juan slumbering still
  • Fast in his cave, and nothing clash'd upon
  • His rest; the rushing of the neighbouring rill,
  • And the young beams of the excluded sun,
  • Troubled him not, and he might sleep his fill;
  • And need he had of slumber yet, for none
  • Had suffer'd more--his hardships were comparative
  • To those related in my grand-dad's 'Narrative.'
  • Not so Haidee: she sadly toss'd and tumbled,
  • And started from her sleep, and, turning o'er
  • Dream'd of a thousand wrecks, o'er which she stumbled,
  • And handsome corpses strew'd upon the shore;
  • And woke her maid so early that she grumbled,
  • And call'd her father's old slaves up, who swore
  • In several oaths--Armenian, Turk, and Greek--
  • They knew not what to think of such a freak.
  • But up she got, and up she made them get,
  • With some pretence about the sun, that makes
  • Sweet skies just when he rises, or is set;
  • And 't is, no doubt, a sight to see when breaks
  • Bright Phoebus, while the mountains still are wet
  • With mist, and every bird with him awakes,
  • And night is flung off like a mourning suit
  • Worn for a husband,--or some other brute.
  • I say, the sun is a most glorious sight,
  • I 've seen him rise full oft, indeed of late
  • I have sat up on purpose all the night,
  • Which hastens, as physicians say, one's fate;
  • And so all ye, who would be in the right
  • In health and purse, begin your day to date
  • From daybreak, and when coffin'd at fourscore,
  • Engrave upon the plate, you rose at four.
  • And Haidee met the morning face to face;
  • Her own was freshest, though a feverish flush
  • Had dyed it with the headlong blood, whose race
  • From heart to cheek is curb'd into a blush,
  • Like to a torrent which a mountain's base,
  • That overpowers some Alpine river's rush,
  • Checks to a lake, whose waves in circles spread;
  • Or the Red Sea--but the sea is not red.
  • And down the cliff the island virgin came,
  • And near the cave her quick light footsteps drew,
  • While the sun smiled on her with his first flame,
  • And young Aurora kiss'd her lips with dew,
  • Taking her for a sister; just the same
  • Mistake you would have made on seeing the two,
  • Although the mortal, quite as fresh and fair,
  • Had all the advantage, too, of not being air.
  • And when into the cavern Haidee stepp'd
  • All timidly, yet rapidly, she saw
  • That like an infant Juan sweetly slept;
  • And then she stopp'd, and stood as if in awe
  • (For sleep is awful), and on tiptoe crept
  • And wrapt him closer, lest the air, too raw,
  • Should reach his blood, then o'er him still as death
  • Bent with hush'd lips, that drank his scarce-drawn breath.
  • And thus like to an angel o'er the dying
  • Who die in righteousness, she lean'd; and there
  • All tranquilly the shipwreck'd boy was lying,
  • As o'er him the calm and stirless air:
  • But Zoe the meantime some eggs was frying,
  • Since, after all, no doubt the youthful pair
  • Must breakfast--and betimes, lest they should ask it,
  • She drew out her provision from the basket.
  • She knew that the best feelings must have victual,
  • And that a shipwreck'd youth would hungry be;
  • Besides, being less in love, she yawn'd a little,
  • And felt her veins chill'd by the neighbouring sea;
  • And so, she cook'd their breakfast to a tittle;
  • I can't say that she gave them any tea,
  • But there were eggs, fruit, coffee, bread, fish, honey,
  • With Scio wine,--and all for love, not money.
  • And Zoe, when the eggs were ready, and
  • The coffee made, would fain have waken'd Juan;
  • But Haidee stopp'd her with her quick small hand,
  • And without word, a sign her finger drew on
  • Her lip, which Zoe needs must understand;
  • And, the first breakfast spoilt, prepared a new one,
  • Because her mistress would not let her break
  • That sleep which seem'd as it would ne'er awake.
  • For still he lay, and on his thin worn cheek
  • A purple hectic play'd like dying day
  • On the snow-tops of distant hills; the streak
  • Of sufferance yet upon his forehead lay,
  • Where the blue veins look'd shadowy, shrunk, and weak;
  • And his black curls were dewy with the spray,
  • Which weigh'd upon them yet, all damp and salt,
  • Mix'd with the stony vapours of the vault.
  • And she bent o'er him, and he lay beneath,
  • Hush'd as the babe upon its mother's breast,
  • Droop'd as the willow when no winds can breathe,
  • Lull'd like the depth of ocean when at rest,
  • Fair as the crowning rose of the whole wreath,
  • Soft as the callow cygnet in its nest;
  • In short, he was a very pretty fellow,
  • Although his woes had turn'd him rather yellow.
  • He woke and gazed, and would have slept again,
  • But the fair face which met his eyes forbade
  • Those eyes to close, though weariness and pain
  • Had further sleep a further pleasure made;
  • For woman's face was never form'd in vain
  • For Juan, so that even when he pray'd
  • He turn'd from grisly saints, and martyrs hairy,
  • To the sweet portraits of the Virgin Mary.
  • And thus upon his elbow he arose,
  • And look'd upon the lady, in whose cheek
  • The pale contended with the purple rose,
  • As with an effort she began to speak;
  • Her eyes were eloquent, her words would pose,
  • Although she told him, in good modern Greek,
  • With an Ionian accent, low and sweet,
  • That he was faint, and must not talk, but eat.
  • Now Juan could not understand a word,
  • Being no Grecian; but he had an ear,
  • And her voice was the warble of a bird,
  • So soft, so sweet, so delicately clear,
  • That finer, simpler music ne'er was heard;
  • The sort of sound we echo with a tear,
  • Without knowing why--an overpowering tone,
  • Whence Melody descends as from a throne.
  • And Juan gazed as one who is awoke
  • By a distant organ, doubting if he be
  • Not yet a dreamer, till the spell is broke
  • By the watchman, or some such reality,
  • Or by one's early valet's cursed knock;
  • At least it is a heavy sound to me,
  • Who like a morning slumber--for the night
  • Shows stars and women in a better light.
  • And Juan, too, was help'd out from his dream,
  • Or sleep, or whatso'er it was, by feeling
  • A most prodigious appetite: the steam
  • Of Zoe's cookery no doubt was stealing
  • Upon his senses, and the kindling beam
  • Of the new fire, which Zoe kept up, kneeling
  • To stir her viands, made him quite awake
  • And long for food, but chiefly a beef-steak.
  • But beef is rare within these oxless isles;
  • Goat's flesh there is, no doubt, and kid, and mutton;
  • And, when a holiday upon them smiles,
  • A joint upon their barbarous spits they put on:
  • But this occurs but seldom, between whiles,
  • For some of these are rocks with scarce a hut on;
  • Others are fair and fertile, among which
  • This, though not large, was one of the most rich.
  • I say that beef is rare, and can't help thinking
  • That the old fable of the Minotaur--
  • From which our modern morals rightly shrinking
  • Condemn the royal lady's taste who wore
  • A cow's shape for a mask--was only (sinking
  • The allegory) a mere type, no more,
  • That Pasiphae promoted breeding cattle,
  • To make the Cretans bloodier in battle.
  • For we all know that English people are
  • Fed upon beef--I won't say much of beer,
  • Because 't is liquor only, and being far
  • From this my subject, has no business here;
  • We know, too, they very fond of war,
  • A pleasure--like all pleasures--rather dear;
  • So were the Cretans--from which I infer
  • That beef and battles both were owing to her.
  • But to resume. The languid Juan raised
  • His head upon his elbow, and he saw
  • A sight on which he had not lately gazed,
  • As all his latter meals had been quite raw,
  • Three or four things, for which the Lord he praised,
  • And, feeling still the famish'd vulture gnaw,
  • He fell upon whate'er was offer'd, like
  • A priest, a shark, an alderman, or pike.
  • He ate, and he was well supplied: and she,
  • Who watch'd him like a mother, would have fed
  • Him past all bounds, because she smiled to see
  • Such appetite in one she had deem'd dead;
  • But Zoe, being older than Haidee,
  • Knew (by tradition, for she ne'er had read)
  • That famish'd people must be slowly nurst,
  • And fed by spoonfuls, else they always burst.
  • And so she took the liberty to state,
  • Rather by deeds than words, because the case
  • Was urgent, that the gentleman, whose fate
  • Had made her mistress quit her bed to trace
  • The sea-shore at this hour, must leave his plate,
  • Unless he wish'd to die upon the place--
  • She snatch'd it, and refused another morsel,
  • Saying, he had gorged enough to make a horse ill.
  • Next they--he being naked, save a tatter'd
  • Pair of scarce decent trowsers--went to work,
  • And in the fire his recent rags they scatter'd,
  • And dress'd him, for the present, like a Turk,
  • Or Greek--that is, although it not much matter'd,
  • Omitting turban, slippers, pistols, dirk,--
  • They furnish'd him, entire, except some stitches,
  • With a clean shirt, and very spacious breeches.
  • And then fair Haidee tried her tongue at speaking,
  • But not a word could Juan comprehend,
  • Although he listen'd so that the young Greek in
  • Her earnestness would ne'er have made an end;
  • And, as he interrupted not, went eking
  • Her speech out to her protege and friend,
  • Till pausing at the last her breath to take,
  • She saw he did not understand Romaic.
  • And then she had recourse to nods, and signs,
  • And smiles, and sparkles of the speaking eye,
  • And read (the only book she could) the lines
  • Of his fair face, and found, by sympathy,
  • The answer eloquent, where soul shines
  • And darts in one quick glance a long reply;
  • And thus in every look she saw exprest
  • A world of words, and things at which she guess'd.
  • And now, by dint of fingers and of eyes,
  • And words repeated after her, he took
  • A lesson in her tongue; but by surmise,
  • No doubt, less of her language than her look:
  • As he who studies fervently the skies
  • Turns oftener to the stars than to his book,
  • Thus Juan learn'd his alpha beta better
  • From Haidee's glance than any graven letter.
  • 'T is pleasing to be school'd in a strange tongue
  • By female lips and eyes--that is, I mean,
  • When both the teacher and the taught are young,
  • As was the case, at least, where I have been;
  • They smile so when one 's right, and when one 's wrong
  • They smile still more, and then there intervene
  • Pressure of hands, perhaps even a chaste kiss;--
  • I learn'd the little that I know by this:
  • That is, some words of Spanish, Turk, and Greek,
  • Italian not at all, having no teachers;
  • Much English I cannot pretend to speak,
  • Learning that language chiefly from its preachers,
  • Barrow, South, Tillotson, whom every week
  • I study, also Blair, the highest reachers
  • Of eloquence in piety and prose--
  • I hate your poets, so read none of those.
  • As for the ladies, I have nought to say,
  • A wanderer from the British world of fashion,
  • Where I, like other 'dogs, have had my day,'
  • Like other men, too, may have had my passion--
  • But that, like other things, has pass'd away,
  • And all her fools whom I could lay the lash on:
  • Foes, friends, men, women, now are nought to me
  • But dreams of what has been, no more to be.
  • Return we to Don Juan. He begun
  • To hear new words, and to repeat them; but
  • Some feelings, universal as the sun,
  • Were such as could not in his breast be shut
  • More than within the bosom of a nun:
  • He was in love,--as you would be, no doubt,
  • With a young benefactress,--so was she,
  • Just in the way we very often see.
  • And every day by daybreak--rather early
  • For Juan, who was somewhat fond of rest--
  • She came into the cave, but it was merely
  • To see her bird reposing in his nest;
  • And she would softly stir his locks so curly,
  • Without disturbing her yet slumbering guest,
  • Breathing all gently o'er his cheek and mouth,
  • As o'er a bed of roses the sweet south.
  • And every morn his colour freshlier came,
  • And every day help'd on his convalescence;
  • 'T was well, because health in the human frame
  • Is pleasant, besides being true love's essence,
  • For health and idleness to passion's flame
  • Are oil and gunpowder; and some good lessons
  • Are also learnt from Ceres and from Bacchus,
  • Without whom Venus will not long attack us.
  • While Venus fills the heart (without heart really
  • Love, though good always, is not quite so good),
  • Ceres presents a plate of vermicelli,--
  • For love must be sustain'd like flesh and blood,--
  • While Bacchus pours out wine, or hands a jelly:
  • Eggs, oysters, too, are amatory food;
  • But who is their purveyor from above
  • Heaven knows,--it may be Neptune, Pan, or Jove.
  • When Juan woke he found some good things ready,
  • A bath, a breakfast, and the finest eyes
  • That ever made a youthful heart less steady,
  • Besides her maid's as pretty for their size;
  • But I have spoken of all this already--
  • And repetition 's tiresome and unwise,--
  • Well--Juan, after bathing in the sea,
  • Came always back to coffee and Haidee.
  • Both were so young, and one so innocent,
  • That bathing pass'd for nothing; Juan seem'd
  • To her, as 'twere, the kind of being sent,
  • Of whom these two years she had nightly dream'd,
  • A something to be loved, a creature meant
  • To be her happiness, and whom she deem'd
  • To render happy; all who joy would win
  • Must share it,--Happiness was born a twin.
  • It was such pleasure to behold him, such
  • Enlargement of existence to partake
  • Nature with him, to thrill beneath his touch,
  • To watch him slumbering, and to see him wake:
  • To live with him forever were too much;
  • But then the thought of parting made her quake;
  • He was her own, her ocean-treasure, cast
  • Like a rich wreck--her first love, and her last.
  • And thus a moon roll'd on, and fair Haidee
  • Paid daily visits to her boy, and took
  • Such plentiful precautions, that still he
  • Remain'd unknown within his craggy nook;
  • At last her father's prows put out to sea
  • For certain merchantmen upon the look,
  • Not as of yore to carry off an Io,
  • But three Ragusan vessels, bound for Scio.
  • Then came her freedom, for she had no mother,
  • So that, her father being at sea, she was
  • Free as a married woman, or such other
  • Female, as where she likes may freely pass,
  • Without even the incumbrance of a brother,
  • The freest she that ever gazed on glass;
  • I speak of Christian lands in this comparison,
  • Where wives, at least, are seldom kept in garrison.
  • Now she prolong'd her visits and her talk
  • (For they must talk), and he had learnt to say
  • So much as to propose to take a walk,--
  • For little had he wander'd since the day
  • On which, like a young flower snapp'd from the stalk,
  • Drooping and dewy on the beach he lay,--
  • And thus they walk'd out in the afternoon,
  • And saw the sun set opposite the moon.
  • It was a wild and breaker-beaten coast,
  • With cliffs above, and a broad sandy shore,
  • Guarded by shoals and rocks as by an host,
  • With here and there a creek, whose aspect wore
  • A better welcome to the tempest-tost;
  • And rarely ceased the haughty billow's roar,
  • Save on the dead long summer days, which make
  • The outstretch'd ocean glitter like a lake.
  • And the small ripple spilt upon the beach
  • Scarcely o'erpass'd the cream of your champagne,
  • When o'er the brim the sparkling bumpers reach,
  • That spring-dew of the spirit! the heart's rain!
  • Few things surpass old wine; and they may preach
  • Who please,--the more because they preach in vain,--
  • Let us have wine and women, mirth and laughter,
  • Sermons and soda-water the day after.
  • Man, being reasonable, must get drunk;
  • The best of life is but intoxication:
  • Glory, the grape, love, gold, in these are sunk
  • The hopes of all men, and of every nation;
  • Without their sap, how branchless were the trunk
  • Of life's strange tree, so fruitful on occasion:
  • But to return,--Get very drunk; and when
  • You wake with headache, you shall see what then.
  • Ring for your valet--bid him quickly bring
  • Some hock and soda-water, then you 'll know
  • A pleasure worthy Xerxes the great king;
  • For not the bless'd sherbet, sublimed with snow,
  • Nor the first sparkle of the desert-spring,
  • Nor Burgundy in all its sunset glow,
  • After long travel, ennui, love, or slaughter,
  • Vie with that draught of hock and soda-water.
  • The coast--I think it was the coast that
  • Was just describing--Yes, it was the coast--
  • Lay at this period quiet as the sky,
  • The sands untumbled, the blue waves untost,
  • And all was stillness, save the sea-bird's cry,
  • And dolphin's leap, and little billow crost
  • By some low rock or shelve, that made it fret
  • Against the boundary it scarcely wet.
  • And forth they wander'd, her sire being gone,
  • As I have said, upon an expedition;
  • And mother, brother, guardian, she had none,
  • Save Zoe, who, although with due precision
  • She waited on her lady with the sun,
  • Thought daily service was her only mission,
  • Bringing warm water, wreathing her long tresses,
  • And asking now and then for cast-off dresses.
  • It was the cooling hour, just when the rounded
  • Red sun sinks down behind the azure hill,
  • Which then seems as if the whole earth it bounded,
  • Circling all nature, hush'd, and dim, and still,
  • With the far mountain-crescent half surrounded
  • On one side, and the deep sea calm and chill
  • Upon the other, and the rosy sky,
  • With one star sparkling through it like an eye.
  • And thus they wander'd forth, and hand in hand,
  • Over the shining pebbles and the shells,
  • Glided along the smooth and harden'd sand,
  • And in the worn and wild receptacles
  • Work'd by the storms, yet work'd as it were plann'd,
  • In hollow halls, with sparry roofs and cells,
  • They turn'd to rest; and, each clasp'd by an arm,
  • Yielded to the deep twilight's purple charm.
  • They look'd up to the sky, whose floating glow
  • Spread like a rosy ocean, vast and bright;
  • They gazed upon the glittering sea below,
  • Whence the broad moon rose circling into sight;
  • They heard the wave's splash, and the wind so low,
  • And saw each other's dark eyes darting light
  • Into each other--and, beholding this,
  • Their lips drew near, and clung into a kiss;
  • A long, long kiss, a kiss of youth, and love,
  • And beauty, all concentrating like rays
  • Into one focus, kindled from above;
  • Such kisses as belong to early days,
  • Where heart, and soul, and sense, in concert move,
  • And the blood 's lava, and the pulse a blaze,
  • Each kiss a heart-quake,--for a kiss's strength,
  • I think, it must be reckon'd by its length.
  • By length I mean duration; theirs endured
  • Heaven knows how long--no doubt they never reckon'd;
  • And if they had, they could not have secured
  • The sum of their sensations to a second:
  • They had not spoken; but they felt allured,
  • As if their souls and lips each other beckon'd,
  • Which, being join'd, like swarming bees they clung--
  • Their hearts the flowers from whence the honey sprung.
  • They were alone, but not alone as they
  • Who shut in chambers think it loneliness;
  • The silent ocean, and the starlight bay,
  • The twilight glow which momently grew less,
  • The voiceless sands and dropping caves, that lay
  • Around them, made them to each other press,
  • As if there were no life beneath the sky
  • Save theirs, and that their life could never die.
  • They fear'd no eyes nor ears on that lone beach,
  • They felt no terrors from the night, they were
  • All in all to each other: though their speech
  • Was broken words, they thought a language there,--
  • And all the burning tongues the passions teach
  • Found in one sigh the best interpreter
  • Of nature's oracle--first love,--that all
  • Which Eve has left her daughters since her fall.
  • Haidde spoke not of scruples, ask'd no vows,
  • Nor offer'd any; she had never heard
  • Of plight and promises to be a spouse,
  • Or perils by a loving maid incurr'd;
  • She was all which pure ignorance allows,
  • And flew to her young mate like a young bird;
  • And, never having dreamt of falsehood, she
  • Had not one word to say of constancy.
  • She loved, and was beloved--she adored,
  • And she was worshipp'd; after nature's fashion,
  • Their intense souls, into each other pour'd,
  • If souls could die, had perish'd in that passion,--
  • But by degrees their senses were restored,
  • Again to be o'ercome, again to dash on;
  • And, beating 'gainst his bosom, Haidee's heart
  • Felt as if never more to beat apart.
  • Alas! they were so young, so beautiful,
  • So lonely, loving, helpless, and the hour
  • Was that in which the heart is always full,
  • And, having o'er itself no further power,
  • Prompts deeds eternity can not annul,
  • But pays off moments in an endless shower
  • Of hell-fire--all prepared for people giving
  • Pleasure or pain to one another living.
  • Alas! for Juan and Haidee! they were
  • So loving and so lovely--till then never,
  • Excepting our first parents, such a pair
  • Had run the risk of being damn'd for ever;
  • And Haidee, being devout as well as fair,
  • Had, doubtless, heard about the Stygian river,
  • And hell and purgatory--but forgot
  • Just in the very crisis she should not.
  • They look upon each other, and their eyes
  • Gleam in the moonlight; and her white arm clasps
  • Round Juan's head, and his around her lies
  • Half buried in the tresses which it grasps;
  • She sits upon his knee, and drinks his sighs,
  • He hers, until they end in broken gasps;
  • And thus they form a group that 's quite antique,
  • Half naked, loving, natural, and Greek.
  • And when those deep and burning moments pass'd,
  • And Juan sunk to sleep within her arms,
  • She slept not, but all tenderly, though fast,
  • Sustain'd his head upon her bosom's charms;
  • And now and then her eye to heaven is cast,
  • And then on the pale cheek her breast now warms,
  • Pillow'd on her o'erflowing heart, which pants
  • With all it granted, and with all it grants.
  • An infant when it gazes on a light,
  • A child the moment when it drains the breast,
  • A devotee when soars the Host in sight,
  • An Arab with a stranger for a guest,
  • A sailor when the prize has struck in fight,
  • A miser filling his most hoarded chest,
  • Feel rapture; but not such true joy are reaping
  • As they who watch o'er what they love while sleeping.
  • For there it lies so tranquil, so beloved,
  • All that it hath of life with us is living;
  • So gentle, stirless, helpless, and unmoved,
  • And all unconscious of the joy 't is giving;
  • All it hath felt, inflicted, pass'd, and proved,
  • Hush'd into depths beyond the watcher's diving:
  • There lies the thing we love with all its errors
  • And all its charms, like death without its terrors.
  • The lady watch'd her lover--and that hour
  • Of Love's, and Night's, and Ocean's solitude,
  • O'erflow'd her soul with their united power;
  • Amidst the barren sand and rocks so rude
  • She and her wave-worn love had made their bower,
  • Where nought upon their passion could intrude,
  • And all the stars that crowded the blue space
  • Saw nothing happier than her glowing face.
  • Alas! the love of women! it is known
  • To be a lovely and a fearful thing;
  • For all of theirs upon that die is thrown,
  • And if 't is lost, life hath no more to bring
  • To them but mockeries of the past alone,
  • And their revenge is as the tiger's spring,
  • Deadly, and quick, and crushing; yet, as real
  • Torture is theirs, what they inflict they feel.
  • They are right; for man, to man so oft unjust,
  • Is always so to women; one sole bond
  • Awaits them, treachery is all their trust;
  • Taught to conceal, their bursting hearts despond
  • Over their idol, till some wealthier lust
  • Buys them in marriage--and what rests beyond?
  • A thankless husband, next a faithless lover,
  • Then dressing, nursing, praying, and all 's over.
  • Some take a lover, some take drams or prayers,
  • Some mind their household, others dissipation,
  • Some run away, and but exchange their cares,
  • Losing the advantage of a virtuous station;
  • Few changes e'er can better their affairs,
  • Theirs being an unnatural situation,
  • From the dull palace to the dirty hovel:
  • Some play the devil, and then write a novel.
  • Haidee was Nature's bride, and knew not this;
  • Haidee was Passion's child, born where the sun
  • Showers triple light, and scorches even the kiss
  • Of his gazelle-eyed daughters; she was one
  • Made but to love, to feel that she was his
  • Who was her chosen: what was said or done
  • Elsewhere was nothing. She had naught to fear,
  • Hope, care, nor love, beyond, her heart beat here.
  • And oh! that quickening of the heart, that beat!
  • How much it costs us! yet each rising throb
  • Is in its cause as its effect so sweet,
  • That Wisdom, ever on the watch to rob
  • Joy of its alchymy, and to repeat
  • Fine truths; even Conscience, too, has a tough job
  • To make us understand each good old maxim,
  • So good--I wonder Castlereagh don't tax 'em.
  • And now 't was done--on the lone shore were plighted
  • Their hearts; the stars, their nuptial torches, shed
  • Beauty upon the beautiful they lighted:
  • Ocean their witness, and the cave their bed,
  • By their own feelings hallow'd and united,
  • Their priest was Solitude, and they were wed:
  • And they were happy, for to their young eyes
  • Each was an angel, and earth paradise.
  • O, Love! of whom great Caesar was the suitor,
  • Titus the master, Antony the slave,
  • Horace, Catullus, scholars, Ovid tutor,
  • Sappho the sage blue-stocking, in whose grave
  • All those may leap who rather would be neuter
  • (Leucadia's rock still overlooks the wave)--
  • O, Love! thou art the very god of evil,
  • For, after all, we cannot call thee devil.
  • Thou mak'st the chaste connubial state precarious,
  • And jestest with the brows of mightiest men:
  • Caesar and Pompey, Mahomet, Belisarius,
  • Have much employ'd the muse of history's pen;
  • Their lives and fortunes were extremely various,
  • Such worthies Time will never see again;
  • Yet to these four in three things the same luck holds,
  • They all were heroes, conquerors, and cuckolds.
  • Thou mak'st philosophers; there 's Epicurus
  • And Aristippus, a material crew!
  • Who to immoral courses would allure us
  • By theories quite practicable too;
  • If only from the devil they would insure us,
  • How pleasant were the maxim (not quite new),
  • 'Eat, drink, and love, what can the rest avail us?'
  • So said the royal sage Sardanapalus.
  • But Juan! had he quite forgotten Julia?
  • And should he have forgotten her so soon?
  • I can't but say it seems to me most truly
  • Perplexing question; but, no doubt, the moon
  • Does these things for us, and whenever newly
  • Strong palpitation rises, 't is her boon,
  • Else how the devil is it that fresh features
  • Have such a charm for us poor human creatures?
  • I hate inconstancy--I loathe, detest,
  • Abhor, condemn, abjure the mortal made
  • Of such quicksilver clay that in his breast
  • No permanent foundation can be laid;
  • Love, constant love, has been my constant guest,
  • And yet last night, being at a masquerade,
  • I saw the prettiest creature, fresh from Milan,
  • Which gave me some sensations like a villain.
  • But soon Philosophy came to my aid,
  • And whisper'd, 'Think of every sacred tie!'
  • 'I will, my dear Philosophy!' I said,
  • 'But then her teeth, and then, oh, Heaven! her eye!
  • I'll just inquire if she be wife or maid,
  • Or neither--out of curiosity.'
  • 'Stop!' cried Philosophy, with air so Grecian
  • (Though she was masqued then as a fair Venetian);
  • 'Stop!' so I stopp'd.--But to return: that which
  • Men call inconstancy is nothing more
  • Than admiration due where nature's rich
  • Profusion with young beauty covers o'er
  • Some favour'd object; and as in the niche
  • A lovely statue we almost adore,
  • This sort of adoration of the real
  • Is but a heightening of the 'beau ideal.'
  • 'T is the perception of the beautiful,
  • A fine extension of the faculties,
  • Platonic, universal, wonderful,
  • Drawn from the stars, and filter'd through the skies,
  • Without which life would be extremely dull;
  • In short, it is the use of our own eyes,
  • With one or two small senses added, just
  • To hint that flesh is form'd of fiery dust.
  • Yet 't is a painful feeling, and unwilling,
  • For surely if we always could perceive
  • In the same object graces quite as killing
  • As when she rose upon us like an Eve,
  • 'T would save us many a heartache, many a shilling
  • (For we must get them any how or grieve),
  • Whereas if one sole lady pleased for ever,
  • How pleasant for the heart as well as liver!
  • The heart is like the sky, a part of heaven,
  • But changes night and day, too, like the sky;
  • Now o'er it clouds and thunder must be driven,
  • And darkness and destruction as on high:
  • But when it hath been scorch'd, and pierced, and riven,
  • Its storms expire in water-drops; the eye
  • Pours forth at last the heart's blood turn'd to tears,
  • Which make the English climate of our years.
  • The liver is the lazaret of bile,
  • But very rarely executes its function,
  • For the first passion stays there such a while,
  • That all the rest creep in and form a junction,
  • Life knots of vipers on a dunghill's soil,--
  • Rage, fear, hate, jealousy, revenge, compunction,--
  • So that all mischiefs spring up from this entrail,
  • Like earthquakes from the hidden fire call'd 'central,'
  • In the mean time, without proceeding more
  • In this anatomy, I 've finish'd now
  • Two hundred and odd stanzas as before,
  • That being about the number I 'll allow
  • Each canto of the twelve, or twenty-four;
  • And, laying down my pen, I make my bow,
  • Leaving Don Juan and Haidee to plead
  • For them and theirs with all who deign to read.
  • [Illustration: Canto 3]
  • CANTO THE THIRD.
  • Hail, Muse! et cetera.--We left Juan sleeping,
  • Pillow'd upon a fair and happy breast,
  • And watch'd by eyes that never yet knew weeping,
  • And loved by a young heart, too deeply blest
  • To feel the poison through her spirit creeping,
  • Or know who rested there, a foe to rest,
  • Had soil'd the current of her sinless years,
  • And turn'd her pure heart's purest blood to tears!
  • O, Love! what is it in this world of ours
  • Which makes it fatal to be loved? Ah, why
  • With cypress branches hast thou Wreathed thy bowers,
  • And made thy best interpreter a sigh?
  • As those who dote on odours pluck the flowers,
  • And place them on their breast--but place to die--
  • Thus the frail beings we would fondly cherish
  • Are laid within our bosoms but to perish.
  • In her first passion woman loves her lover,
  • In all the others all she loves is love,
  • Which grows a habit she can ne'er get over,
  • And fits her loosely--like an easy glove,
  • As you may find, whene'er you like to prove her:
  • One man alone at first her heart can move;
  • She then prefers him in the plural number,
  • Not finding that the additions much encumber.
  • I know not if the fault be men's or theirs;
  • But one thing 's pretty sure; a woman planted
  • (Unless at once she plunge for life in prayers)
  • After a decent time must be gallanted;
  • Although, no doubt, her first of love affairs
  • Is that to which her heart is wholly granted;
  • Yet there are some, they say, who have had none,
  • But those who have ne'er end with only one.
  • 'T is melancholy, and a fearful sign
  • Of human frailty, folly, also crime,
  • That love and marriage rarely can combine,
  • Although they both are born in the same clime;
  • Marriage from love, like vinegar from wine--
  • A sad, sour, sober beverage--by time
  • Is sharpen'd from its high celestial flavour
  • Down to a very homely household savour.
  • There 's something of antipathy, as 't were,
  • Between their present and their future state;
  • A kind of flattery that 's hardly fair
  • Is used until the truth arrives too late--
  • Yet what can people do, except despair?
  • The same things change their names at such a rate;
  • For instance--passion in a lover 's glorious,
  • But in a husband is pronounced uxorious.
  • Men grow ashamed of being so very fond;
  • They sometimes also get a little tired
  • (But that, of course, is rare), and then despond:
  • The same things cannot always be admired,
  • Yet 't is 'so nominated in the bond,'
  • That both are tied till one shall have expired.
  • Sad thought! to lose the spouse that was adorning
  • Our days, and put one's servants into mourning.
  • There 's doubtless something in domestic doings
  • Which forms, in fact, true love's antithesis;
  • Romances paint at full length people's wooings,
  • But only give a bust of marriages;
  • For no one cares for matrimonial cooings,
  • There 's nothing wrong in a connubial kiss:
  • Think you, if Laura had been Petrarch's wife,
  • He would have written sonnets all his life?
  • All tragedies are finish'd by a death,
  • All comedies are ended by a marriage;
  • The future states of both are left to faith,
  • For authors fear description might disparage
  • The worlds to come of both, or fall beneath,
  • And then both worlds would punish their miscarriage;
  • So leaving each their priest and prayer-book ready,
  • They say no more of Death or of the Lady.
  • The only two that in my recollection
  • Have sung of heaven and hell, or marriage, are
  • Dante and Milton, and of both the affection
  • Was hapless in their nuptials, for some bar
  • Of fault or temper ruin'd the connection
  • (Such things, in fact, it don't ask much to mar):
  • But Dante's Beatrice and Milton's Eve
  • Were not drawn from their spouses, you conceive.
  • Some persons say that Dante meant theology
  • By Beatrice, and not a mistress--I,
  • Although my opinion may require apology,
  • Deem this a commentator's fantasy,
  • Unless indeed it was from his own knowledge he
  • Decided thus, and show'd good reason why;
  • I think that Dante's more abstruse ecstatics
  • Meant to personify the mathematics.
  • Haidee and Juan were not married, but
  • The fault was theirs, not mine; it is not fair,
  • Chaste reader, then, in any way to put
  • The blame on me, unless you wish they were;
  • Then if you 'd have them wedded, please to shut
  • The book which treats of this erroneous pair,
  • Before the consequences grow too awful;
  • 'T is dangerous to read of loves unlawful.
  • Yet they were happy,--happy in the illicit
  • Indulgence of their innocent desires;
  • But more imprudent grown with every visit,
  • Haidee forgot the island was her sire's;
  • When we have what we like, 't is hard to miss it,
  • At least in the beginning, ere one tires;
  • Thus she came often, not a moment losing,
  • Whilst her piratical papa was cruising.
  • Let not his mode of raising cash seem strange,
  • Although he fleeced the flags of every nation,
  • For into a prime minister but change
  • His title, and 't is nothing but taxation;
  • But he, more modest, took an humbler range
  • Of life, and in an honester vocation
  • Pursued o'er the high seas his watery journey,
  • And merely practised as a sea-attorney.
  • The good old gentleman had been detain'd
  • By winds and waves, and some important captures;
  • And, in the hope of more, at sea remain'd,
  • Although a squall or two had damp'd his raptures,
  • By swamping one of the prizes; he had chain'd
  • His prisoners, dividing them like chapters
  • In number'd lots; they all had cuffs and collars,
  • And averaged each from ten to a hundred dollars.
  • Some he disposed of off Cape Matapan,
  • Among his friends the Mainots; some he sold
  • To his Tunis correspondents, save one man
  • Toss'd overboard unsaleable (being old);
  • The rest--save here and there some richer one,
  • Reserved for future ransom--in the hold
  • Were link'd alike, as for the common people he
  • Had a large order from the Dey of Tripoli.
  • The merchandise was served in the same way,
  • Pieced out for different marts in the Levant;
  • Except some certain portions of the prey,
  • Light classic articles of female want,
  • French stuffs, lace, tweezers, toothpicks, teapot, tray,
  • Guitars and castanets from Alicant,
  • All which selected from the spoil he gathers,
  • Robb'd for his daughter by the best of fathers.
  • A monkey, a Dutch mastiff, a mackaw,
  • Two parrots, with a Persian cat and kittens,
  • He chose from several animals he saw--
  • A terrier, too, which once had been a Briton's,
  • Who dying on the coast of Ithaca,
  • The peasants gave the poor dumb thing a pittance;
  • These to secure in this strong blowing weather,
  • He caged in one huge hamper altogether.
  • Then having settled his marine affairs,
  • Despatching single cruisers here and there,
  • His vessel having need of some repairs,
  • He shaped his course to where his daughter fair
  • Continued still her hospitable cares;
  • But that part of the coast being shoal and bare,
  • And rough with reefs which ran out many a mile,
  • His port lay on the other side o' the isle.
  • And there he went ashore without delay,
  • Having no custom-house nor quarantine
  • To ask him awkward questions on the way
  • About the time and place where he had been:
  • He left his ship to be hove down next day,
  • With orders to the people to careen;
  • So that all hands were busy beyond measure,
  • In getting out goods, ballast, guns, and treasure.
  • Arriving at the summit of a hill
  • Which overlook'd the white walls of his home,
  • He stopp'd.--What singular emotions fill
  • Their bosoms who have been induced to roam!
  • With fluttering doubts if all be well or ill--
  • With love for many, and with fears for some;
  • All feelings which o'erleap the years long lost,
  • And bring our hearts back to their starting-post.
  • The approach of home to husbands and to sires,
  • After long travelling by land or water,
  • Most naturally some small doubt inspires--
  • A female family 's a serious matter
  • (None trusts the sex more, or so much admires--
  • But they hate flattery, so I never flatter);
  • Wives in their husbands' absences grow subtler,
  • And daughters sometimes run off with the butler.
  • An honest gentleman at his return
  • May not have the good fortune of Ulysses;
  • Not all lone matrons for their husbands mourn,
  • Or show the same dislike to suitors' kisses;
  • The odds are that he finds a handsome urn
  • To his memory--and two or three young misses
  • Born to some friend, who holds his wife and riches,--
  • And that his Argus--bites him by the breeches.
  • If single, probably his plighted fair
  • Has in his absence wedded some rich miser;
  • But all the better, for the happy pair
  • May quarrel, and the lady growing wiser,
  • He may resume his amatory care
  • As cavalier servente, or despise her;
  • And that his sorrow may not be a dumb one,
  • Write odes on the Inconstancy of Woman.
  • And oh! ye gentlemen who have already
  • Some chaste liaison of the kind--I mean
  • An honest friendship with a married lady--
  • The only thing of this sort ever seen
  • To last--of all connections the most steady,
  • And the true Hymen (the first 's but a screen)--
  • Yet for all that keep not too long away,
  • I 've known the absent wrong'd four times a day.
  • Lambro, our sea-solicitor, who had
  • Much less experience of dry land than ocean,
  • On seeing his own chimney-smoke, felt glad;
  • But not knowing metaphysics, had no notion
  • Of the true reason of his not being sad,
  • Or that of any other strong emotion;
  • He loved his child, and would have wept the loss of her,
  • But knew the cause no more than a philosopher.
  • He saw his white walls shining in the sun,
  • His garden trees all shadowy and green;
  • He heard his rivulet's light bubbling run,
  • The distant dog-bark; and perceived between
  • The umbrage of the wood so cool and dun
  • The moving figures, and the sparkling sheen
  • Of arms (in the East all arm)--and various dyes
  • Of colour'd garbs, as bright as butterflies.
  • And as the spot where they appear he nears,
  • Surprised at these unwonted signs of idling,
  • He hears--alas! no music of the spheres,
  • But an unhallow'd, earthly sound of fiddling!
  • A melody which made him doubt his ears,
  • The cause being past his guessing or unriddling;
  • A pipe, too, and a drum, and shortly after,
  • A most unoriental roar of laughter.
  • And still more nearly to the place advancing,
  • Descending rather quickly the declivity,
  • Through the waved branches o'er the greensward glancing,
  • 'Midst other indications of festivity,
  • Seeing a troop of his domestics dancing
  • Like dervises, who turn as on a pivot, he
  • Perceived it was the Pyrrhic dance so martial,
  • To which the Levantines are very partial.
  • And further on a group of Grecian girls,
  • The first and tallest her white kerchief waving,
  • Were strung together like a row of pearls,
  • Link'd hand in hand, and dancing; each too having
  • Down her white neck long floating auburn curls
  • (The least of which would set ten poets raving);
  • Their leader sang--and bounded to her song,
  • With choral step and voice, the virgin throng.
  • And here, assembled cross-legg'd round their trays,
  • Small social parties just begun to dine;
  • Pilaus and meats of all sorts met the gaze,
  • And flasks of Samian and of Chian wine,
  • And sherbet cooling in the porous vase;
  • Above them their dessert grew on its vine,
  • The orange and pomegranate nodding o'er
  • Dropp'd in their laps, scarce pluck'd, their mellow store.
  • A band of children, round a snow-white ram,
  • There wreathe his venerable horns with flowers;
  • While peaceful as if still an unwean'd lamb,
  • The patriarch of the flock all gently cowers
  • His sober head, majestically tame,
  • Or eats from out the palm, or playful lowers
  • His brow, as if in act to butt, and then
  • Yielding to their small hands, draws back again.
  • Their classical profiles, and glittering dresses,
  • Their large black eyes, and soft seraphic cheeks,
  • Crimson as cleft pomegranates, their long tresses,
  • The gesture which enchants, the eye that speaks,
  • The innocence which happy childhood blesses,
  • Made quite a picture of these little Greeks;
  • So that the philosophical beholder
  • Sigh'd for their sakes--that they should e'er grow older.
  • Afar, a dwarf buffoon stood telling tales
  • To a sedate grey circle of old smokers,
  • Of secret treasures found in hidden vales,
  • Of wonderful replies from Arab jokers,
  • Of charms to make good gold and cure bad ails,
  • Of rocks bewitch'd that open to the knockers,
  • Of magic ladies who, by one sole act,
  • Transform'd their lords to beasts (but that 's a fact).
  • Here was no lack of innocent diversion
  • For the imagination or the senses,
  • Song, dance, wine, music, stories from the Persian,
  • All pretty pastimes in which no offence is;
  • But Lambro saw all these things with aversion,
  • Perceiving in his absence such expenses,
  • Dreading that climax of all human ills,
  • The inflammation of his weekly bills.
  • Ah! what is man? what perils still environ
  • The happiest mortals even after dinner--
  • A day of gold from out an age of iron
  • Is all that life allows the luckiest sinner;
  • Pleasure (whene'er she sings, at least) 's a siren,
  • That lures, to flay alive, the young beginner;
  • Lambro's reception at his people's banquet
  • Was such as fire accords to a wet blanket.
  • He--being a man who seldom used a word
  • Too much, and wishing gladly to surprise
  • (In general he surprised men with the sword)
  • His daughter--had not sent before to advise
  • Of his arrival, so that no one stirr'd;
  • And long he paused to re-assure his eyes
  • In fact much more astonish'd than delighted,
  • To find so much good company invited.
  • He did not know (alas! how men will lie)
  • That a report (especially the Greeks)
  • Avouch'd his death (such people never die),
  • And put his house in mourning several weeks,--
  • But now their eyes and also lips were dry;
  • The bloom, too, had return'd to Haidee's cheeks,
  • Her tears, too, being return'd into their fount,
  • She now kept house upon her own account.
  • Hence all this rice, meat, dancing, wine, and fiddling,
  • Which turn'd the isle into a place of pleasure;
  • The servants all were getting drunk or idling,
  • A life which made them happy beyond measure.
  • Her father's hospitality seem'd middling,
  • Compared with what Haidee did with his treasure;
  • 'T was wonderful how things went on improving,
  • While she had not one hour to spare from loving.
  • Perhaps you think in stumbling on this feast
  • He flew into a passion, and in fact
  • There was no mighty reason to be pleased;
  • Perhaps you prophesy some sudden act,
  • The whip, the rack, or dungeon at the least,
  • To teach his people to be more exact,
  • And that, proceeding at a very high rate,
  • He show'd the royal penchants of a pirate.
  • You 're wrong.--He was the mildest manner'd man
  • That ever scuttled ship or cut a throat:
  • With such true breeding of a gentleman,
  • You never could divine his real thought;
  • No courtier could, and scarcely woman can
  • Gird more deceit within a petticoat;
  • Pity he loved adventurous life's variety,
  • He was so great a loss to good society.
  • Advancing to the nearest dinner tray,
  • Tapping the shoulder of the nighest guest,
  • With a peculiar smile, which, by the way,
  • Boded no good, whatever it express'd,
  • He ask'd the meaning of this holiday;
  • The vinous Greek to whom he had address'd
  • His question, much too merry to divine
  • The questioner, fill'd up a glass of wine,
  • And without turning his facetious head,
  • Over his shoulder, with a Bacchant air,
  • Presented the o'erflowing cup, and said,
  • 'Talking 's dry work, I have no time to spare.'
  • A second hiccup'd, 'Our old master 's dead,
  • You 'd better ask our mistress who 's his heir.'
  • 'Our mistress!' quoth a third: 'Our mistress!--pooh!-
  • You mean our master--not the old, but new.'
  • These rascals, being new comers, knew not whom
  • They thus address'd--and Lambro's visage fell--
  • And o'er his eye a momentary gloom
  • Pass'd, but he strove quite courteously to quell
  • The expression, and endeavouring to resume
  • His smile, requested one of them to tell
  • The name and quality of his new patron,
  • Who seem'd to have turn'd Haidee into a matron.
  • 'I know not,' quoth the fellow, 'who or what
  • He is, nor whence he came--and little care;
  • But this I know, that this roast capon 's fat,
  • And that good wine ne'er wash'd down better fare;
  • And if you are not satisfied with that,
  • Direct your questions to my neighbour there;
  • He 'll answer all for better or for worse,
  • For none likes more to hear himself converse.'
  • I said that Lambro was a man of patience,
  • And certainly he show'd the best of breeding,
  • Which scarce even France, the paragon of nations,
  • E'er saw her most polite of sons exceeding;
  • He bore these sneers against his near relations,
  • His own anxiety, his heart, too, bleeding,
  • The insults, too, of every servile glutton,
  • Who all the time was eating up his mutton.
  • Now in a person used to much command--
  • To bid men come, and go, and come again--
  • To see his orders done, too, out of hand--
  • Whether the word was death, or but the chain--
  • It may seem strange to find his manners bland;
  • Yet such things are, which I can not explain,
  • Though doubtless he who can command himself
  • Is good to govern--almost as a Guelf.
  • Not that he was not sometimes rash or so,
  • But never in his real and serious mood;
  • Then calm, concentrated, and still, and slow,
  • He lay coil'd like the boa in the wood;
  • With him it never was a word and blow,
  • His angry word once o'er, he shed no blood,
  • But in his silence there was much to rue,
  • And his one blow left little work for two.
  • He ask'd no further questions, and proceeded
  • On to the house, but by a private way,
  • So that the few who met him hardly heeded,
  • So little they expected him that day;
  • If love paternal in his bosom pleaded
  • For Haidee's sake, is more than I can say,
  • But certainly to one deem'd dead, returning,
  • This revel seem'd a curious mode of mourning.
  • If all the dead could now return to life
  • (Which God forbid!) or some, or a great many,
  • For instance, if a husband or his wife
  • (Nuptial examples are as good as any),
  • No doubt whate'er might be their former strife,
  • The present weather would be much more rainy--
  • Tears shed into the grave of the connection
  • Would share most probably its resurrection.
  • He enter'd in the house no more his home,
  • A thing to human feelings the most trying,
  • And harder for the heart to overcome,
  • Perhaps, than even the mental pangs of dying;
  • To find our hearthstone turn'd into a tomb,
  • And round its once warm precincts palely lying
  • The ashes of our hopes, is a deep grief,
  • Beyond a single gentleman's belief.
  • He enter'd in the house--his home no more,
  • For without hearts there is no home; and felt
  • The solitude of passing his own door
  • Without a welcome; there he long had dwelt,
  • There his few peaceful days Time had swept o'er,
  • There his worn bosom and keen eye would melt
  • Over the innocence of that sweet child,
  • His only shrine of feelings undefiled.
  • He was a man of a strange temperament,
  • Of mild demeanour though of savage mood,
  • Moderate in all his habits, and content
  • With temperance in pleasure, as in food,
  • Quick to perceive, and strong to bear, and meant
  • For something better, if not wholly good;
  • His country's wrongs and his despair to save her
  • Had stung him from a slave to an enslaver.
  • The love of power, and rapid gain of gold,
  • The hardness by long habitude produced,
  • The dangerous life in which he had grown old,
  • The mercy he had granted oft abused,
  • The sights he was accustom'd to behold,
  • The wild seas, and wild men with whom he cruised,
  • Had cost his enemies a long repentance,
  • And made him a good friend, but bad acquaintance.
  • But something of the spirit of old Greece
  • Flash'd o'er his soul a few heroic rays,
  • Such as lit onward to the Golden Fleece
  • His predecessors in the Colchian days;
  • T is true he had no ardent love for peace--
  • Alas! his country show'd no path to praise:
  • Hate to the world and war with every nation
  • He waged, in vengeance of her degradation.
  • Still o'er his mind the influence of the clime
  • Shed its Ionian elegance, which show'd
  • Its power unconsciously full many a time,--
  • A taste seen in the choice of his abode,
  • A love of music and of scenes sublime,
  • A pleasure in the gentle stream that flow'd
  • Past him in crystal, and a joy in flowers,
  • Bedew'd his spirit in his calmer hours.
  • But whatsoe'er he had of love reposed
  • On that beloved daughter; she had been
  • The only thing which kept his heart unclosed
  • Amidst the savage deeds he had done and seen;
  • A lonely pure affection unopposed:
  • There wanted but the loss of this to wean
  • His feelings from all milk of human kindness,
  • And turn him like the Cyclops mad with blindness.
  • The cubless tigress in her jungle raging
  • Is dreadful to the shepherd and the flock;
  • The ocean when its yeasty war is waging
  • Is awful to the vessel near the rock;
  • But violent things will sooner bear assuaging,
  • Their fury being spent by its own shock,
  • Than the stern, single, deep, and wordless ire
  • Of a strong human heart, and in a sire.
  • It is a hard although a common case
  • To find our children running restive--they
  • In whom our brightest days we would retrace,
  • Our little selves re-form'd in finer clay,
  • Just as old age is creeping on apace,
  • And clouds come o'er the sunset of our day,
  • They kindly leave us, though not quite alone,
  • But in good company--the gout or stone.
  • Yet a fine family is a fine thing
  • (Provided they don't come in after dinner);
  • 'T is beautiful to see a matron bring
  • Her children up (if nursing them don't thin her);
  • Like cherubs round an altar-piece they cling
  • To the fire-side (a sight to touch a sinner).
  • A lady with her daughters or her nieces
  • Shines like a guinea and seven-shilling pieces.
  • Old Lambro pass'd unseen a private gate,
  • And stood within his hall at eventide;
  • Meantime the lady and her lover sate
  • At wassail in their beauty and their pride:
  • An ivory inlaid table spread with state
  • Before them, and fair slaves on every side;
  • Gems, gold, and silver, form'd the service mostly,
  • Mother of pearl and coral the less costly.
  • The dinner made about a hundred dishes;
  • Lamb and pistachio nuts--in short, all meats,
  • And saffron soups, and sweetbreads; and the fishes
  • Were of the finest that e'er flounced in nets,
  • Drest to a Sybarite's most pamper'd wishes;
  • The beverage was various sherbets
  • Of raisin, orange, and pomegranate juice,
  • Squeezed through the rind, which makes it best for use.
  • These were ranged round, each in its crystal ewer,
  • And fruits, and date-bread loaves closed the repast,
  • And Mocha's berry, from Arabia pure,
  • In small fine China cups, came in at last;
  • Gold cups of filigree made to secure
  • The hand from burning underneath them placed,
  • Cloves, cinnamon, and saffron too were boil'd
  • Up with the coffee, which (I think) they spoil'd.
  • The hangings of the room were tapestry, made
  • Of velvet panels, each of different hue,
  • And thick with damask flowers of silk inlaid;
  • And round them ran a yellow border too;
  • The upper border, richly wrought, display'd,
  • Embroider'd delicately o'er with blue,
  • Soft Persian sentences, in lilac letters,
  • From poets, or the moralists their betters.
  • These Oriental writings on the wall,
  • Quite common in those countries, are a kind
  • Of monitors adapted to recall,
  • Like skulls at Memphian banquets, to the mind
  • The words which shook Belshazzar in his hall,
  • And took his kingdom from him: You will find,
  • Though sages may pour out their wisdom's treasure,
  • There is no sterner moralist than Pleasure.
  • A beauty at the season's close grown hectic,
  • A genius who has drunk himself to death,
  • A rake turn'd methodistic, or Eclectic
  • (For that 's the name they like to pray beneath)--
  • But most, an alderman struck apoplectic,
  • Are things that really take away the breath,--
  • And show that late hours, wine, and love are able
  • To do not much less damage than the table.
  • Haidee and Juan carpeted their feet
  • On crimson satin, border'd with pale blue;
  • Their sofa occupied three parts complete
  • Of the apartment--and appear'd quite new;
  • The velvet cushions (for a throne more meet)
  • Were scarlet, from whose glowing centre grew
  • A sun emboss'd in gold, whose rays of tissue,
  • Meridian-like, were seen all light to issue.
  • Crystal and marble, plate and porcelain,
  • Had done their work of splendour; Indian mats
  • And Persian carpets, which the heart bled to stain,
  • Over the floors were spread; gazelles and cats,
  • And dwarfs and blacks, and such like things, that gain
  • Their bread as ministers and favourites (that 's
  • To say, by degradation) mingled there
  • As plentiful as in a court, or fair.
  • There was no want of lofty mirrors, and
  • The tables, most of ebony inlaid
  • With mother of pearl or ivory, stood at hand,
  • Or were of tortoise-shell or rare woods made,
  • Fretted with gold or silver:--by command,
  • The greater part of these were ready spread
  • With viands and sherbets in ice--and wine--
  • Kept for all comers at all hours to dine.
  • Of all the dresses I select Haidee's:
  • She wore two jelicks--one was of pale yellow;
  • Of azure, pink, and white was her chemise--
  • 'Neath which her breast heaved like a little billow;
  • With buttons form'd of pearls as large as peas,
  • All gold and crimson shone her jelick's fellow,
  • And the striped white gauze baracan that bound her,
  • Like fleecy clouds about the moon, flow'd round her.
  • One large gold bracelet clasp'd each lovely arm,
  • Lockless--so pliable from the pure gold
  • That the hand stretch'd and shut it without harm,
  • The limb which it adorn'd its only mould;
  • So beautiful--its very shape would charm;
  • And, clinging as if loath to lose its hold,
  • The purest ore enclosed the whitest skin
  • That e'er by precious metal was held in.
  • Around, as princess of her father's land,
  • A like gold bar above her instep roll'd
  • Announced her rank; twelve rings were on her hand;
  • Her hair was starr'd with gems; her veil's fine fold
  • Below her breast was fasten'd with a band
  • Of lavish pearls, whose worth could scarce be told;
  • Her orange silk full Turkish trousers furl'd
  • About the prettiest ankle in the world.
  • Her hair's long auburn waves down to her heel
  • Flow'd like an Alpine torrent which the sun
  • Dyes with his morning light,--and would conceal
  • Her person if allow'd at large to run,
  • And still they seem resentfully to feel
  • The silken fillet's curb, and sought to shun
  • Their bonds whene'er some Zephyr caught began
  • To offer his young pinion as her fan.
  • Round her she made an atmosphere of life,
  • The very air seem'd lighter from her eyes,
  • They were so soft and beautiful, and rife
  • With all we can imagine of the skies,
  • And pure as Psyche ere she grew a wife--
  • Too pure even for the purest human ties;
  • Her overpowering presence made you feel
  • It would not be idolatry to kneel.
  • Her eyelashes, though dark as night, were tinged
  • (It is the country's custom), but in vain;
  • For those large black eyes were so blackly fringed,
  • The glossy rebels mock'd the jetty stain,
  • And in their native beauty stood avenged:
  • Her nails were touch'd with henna; but again
  • The power of art was turn'd to nothing, for
  • They could not look more rosy than before.
  • The henna should be deeply dyed to make
  • The skin relieved appear more fairly fair;
  • She had no need of this, day ne'er will break
  • On mountain tops more heavenly white than her:
  • The eye might doubt if it were well awake,
  • She was so like a vision; I might err,
  • But Shakspeare also says, 't is very silly
  • 'To gild refined gold, or paint the lily'
  • Juan had on a shawl of black and gold,
  • But a white baracan, and so transparent
  • The sparkling gems beneath you might behold,
  • Like small stars through the milky way apparent;
  • His turban, furl'd in many a graceful fold,
  • An emerald aigrette with Haidee's hair in 't
  • Surmounted as its clasp--a glowing crescent,
  • Whose rays shone ever trembling, but incessant.
  • And now they were diverted by their suite,
  • Dwarfs, dancing girls, black eunuchs, and a poet,
  • Which made their new establishment complete;
  • The last was of great fame, and liked to show it:
  • His verses rarely wanted their due feet;
  • And for his theme--he seldom sung below it,
  • He being paid to satirize or flatter,
  • As the psalm says, 'inditing a good matter.'
  • He praised the present, and abused the past,
  • Reversing the good custom of old days,
  • An Eastern anti-jacobin at last
  • He turn'd, preferring pudding to no praise--
  • For some few years his lot had been o'ercast
  • By his seeming independent in his lays,
  • But now he sung the Sultan and the Pacha
  • With truth like Southey, and with verse like Crashaw.
  • He was a man who had seen many changes,
  • And always changed as true as any needle;
  • His polar star being one which rather ranges,
  • And not the fix'd--he knew the way to wheedle:
  • So vile he 'scaped the doom which oft avenges;
  • And being fluent (save indeed when fee'd ill),
  • He lied with such a fervour of intention--
  • There was no doubt he earn'd his laureate pension.
  • But he had genius,--when a turncoat has it,
  • The 'Vates irritabilis' takes care
  • That without notice few full moons shall pass it;
  • Even good men like to make the public stare:--
  • But to my subject--let me see--what was it?-
  • O!--the third canto--and the pretty pair--
  • Their loves, and feasts, and house, and dress, and mode
  • Of living in their insular abode.
  • Their poet, a sad trimmer, but no less
  • In company a very pleasant fellow,
  • Had been the favourite of full many a mess
  • Of men, and made them speeches when half mellow;
  • And though his meaning they could rarely guess,
  • Yet still they deign'd to hiccup or to bellow
  • The glorious meed of popular applause,
  • Of which the first ne'er knows the second cause.
  • But now being lifted into high society,
  • And having pick'd up several odds and ends
  • Of free thoughts in his travels for variety,
  • He deem'd, being in a lone isle, among friends,
  • That, without any danger of a riot, he
  • Might for long lying make himself amends;
  • And, singing as he sung in his warm youth,
  • Agree to a short armistice with truth.
  • He had travell'd 'mongst the Arabs, Turks, and Franks,
  • And knew the self-loves of the different nations;
  • And having lived with people of all ranks,
  • Had something ready upon most occasions--
  • Which got him a few presents and some thanks.
  • He varied with some skill his adulations;
  • To 'do at Rome as Romans do,' a piece
  • Of conduct was which he observed in Greece.
  • Thus, usually, when he was ask'd to sing,
  • He gave the different nations something national;
  • 'T was all the same to him--'God save the king,'
  • Or 'Ca ira,' according to the fashion all:
  • His muse made increment of any thing,
  • From the high lyric down to the low rational:
  • If Pindar sang horse-races, what should hinder
  • Himself from being as pliable as Pindar?
  • In France, for instance, he would write a chanson;
  • In England a six canto quarto tale;
  • In Spain, he'd make a ballad or romance on
  • The last war--much the same in Portugal;
  • In Germany, the Pegasus he 'd prance on
  • Would be old Goethe's (see what says De Stael);
  • In Italy he 'd ape the 'Trecentisti;'
  • In Greece, he sing some sort of hymn like this t' ye:
  • THE ISLES OF GREECE.
  • The isles of Greece, the Isles of Greece!
  • Where burning Sappho loved and sung,
  • Where grew the arts of war and peace,
  • Where Delos rose, and Phoebus sprung!
  • Eternal summer gilds them yet,
  • But all, except their sun, is set.
  • The Scian and the Teian muse,
  • The hero's harp, the lover's lute,
  • Have found the fame your shores refuse;
  • Their place of birth alone is mute
  • To sounds which echo further west
  • Than your sires' 'Islands of the Blest.'
  • The mountains look on Marathon--
  • And Marathon looks on the sea;
  • And musing there an hour alone,
  • I dream'd that Greece might still be free;
  • For standing on the Persians' grave,
  • I could not deem myself a slave.
  • A king sate on the rocky brow
  • Which looks o'er sea-born Salamis;
  • And ships, by thousands, lay below,
  • And men in nations;--all were his!
  • He counted them at break of day--
  • And when the sun set where were they?
  • And where are they? and where art thou,
  • My country? On thy voiceless shore
  • The heroic lay is tuneless now--
  • The heroic bosom beats no more!
  • And must thy lyre, so long divine,
  • Degenerate into hands like mine?
  • 'T is something, in the dearth of fame,
  • Though link'd among a fetter'd race,
  • To feel at least a patriot's shame,
  • Even as I sing, suffuse my face;
  • For what is left the poet here?
  • For Greeks a blush--for Greece a tear.
  • Must we but weep o'er days more blest?
  • Must we but blush?--Our fathers bled.
  • Earth! render back from out thy breast
  • A remnant of our Spartan dead!
  • Of the three hundred grant but three,
  • To make a new Thermopylae!
  • What, silent still? and silent all?
  • Ah! no;--the voices of the dead
  • Sound like a distant torrent's fall,
  • And answer, 'Let one living head,
  • But one arise,--we come, we come!'
  • 'T is but the living who are dumb.
  • In vain--in vain: strike other chords;
  • Fill high the cup with Samian wine!
  • Leave battles to the Turkish hordes,
  • And shed the blood of Scio's vine!
  • Hark! rising to the ignoble call--
  • How answers each bold Bacchanal!
  • You have the Pyrrhic dance as yet,
  • Where is the Pyrrhic phalanx gone?
  • Of two such lessons, why forget
  • The nobler and the manlier one?
  • You have the letters Cadmus gave--
  • Think ye he meant them for a slave?
  • Fill high the bowl with Samian wine!
  • We will not think of themes like these!
  • It made Anacreon's song divine:
  • He served--but served Polycrates--
  • A tyrant; but our masters then
  • Were still, at least, our countrymen.
  • The tyrant of the Chersonese
  • Was freedom's best and bravest friend;
  • That tyrant was Miltiades!
  • O! that the present hour would lend
  • Another despot of the kind!
  • Such chains as his were sure to bind.
  • Fill high the bowl with Samian wine!
  • On Suli's rock, and Parga's shore,
  • Exists the remnant of a line
  • Such as the Doric mothers bore;
  • And there, perhaps, some seed is sown,
  • The Heracleidan blood might own.
  • Trust not for freedom to the Franks--
  • They have a king who buys and sells;
  • In native swords, and native ranks,
  • The only hope of courage dwells;
  • But Turkish force, and Latin fraud,
  • Would break your shield, however broad.
  • Fill high the bowl with Samian wine!
  • Our virgins dance beneath the shade--
  • I see their glorious black eyes shine;
  • But gazing on each glowing maid,
  • My own the burning tear-drop laves,
  • To think such breasts must suckle slaves
  • Place me on Sunium's marbled steep,
  • Where nothing, save the waves and I,
  • May hear our mutual murmurs sweep;
  • There, swan-like, let me sing and die:
  • A land of slaves shall ne'er be mine--
  • Dash down yon cup of Samian wine!
  • Thus sung, or would, or could, or should have sung,
  • The modern Greek, in tolerable verse;
  • If not like Orpheus quite, when Greece was young,
  • Yet in these times he might have done much worse:
  • His strain display'd some feeling--right or wrong;
  • And feeling, in a poet, is the source
  • Of others' feeling; but they are such liars,
  • And take all colours--like the hands of dyers.
  • But words are things, and a small drop of ink,
  • Falling like dew, upon a thought, produces
  • That which makes thousands, perhaps millions, think;
  • 'T is strange, the shortest letter which man uses
  • Instead of speech, may form a lasting link
  • Of ages; to what straits old Time reduces
  • Frail man, when paper--even a rag like this,
  • Survives himself, his tomb, and all that 's his.
  • And when his bones are dust, his grave a blank,
  • His station, generation, even his nation,
  • Become a thing, or nothing, save to rank
  • In chronological commemoration,
  • Some dull MS. oblivion long has sank,
  • Or graven stone found in a barrack's station
  • In digging the foundation of a closet,
  • May turn his name up, as a rare deposit.
  • And glory long has made the sages smile;
  • 'T is something, nothing, words, illusion, wind--
  • Depending more upon the historian's style
  • Than on the name a person leaves behind:
  • Troy owes to Homer what whist owes to Hoyle:
  • The present century was growing blind
  • To the great Marlborough's skill in giving knocks,
  • Until his late life by Archdeacon Coxe.
  • Milton 's the prince of poets--so we say;
  • A little heavy, but no less divine:
  • An independent being in his day--
  • Learn'd, pious, temperate in love and wine;
  • But, his life falling into Johnson's way,
  • We 're told this great high priest of all the Nine
  • Was whipt at college--a harsh sire--odd spouse,
  • For the first Mrs. Milton left his house.
  • All these are, certes, entertaining facts,
  • Like Shakspeare's stealing deer, Lord Bacon's bribes;
  • Like Titus' youth, and Caesar's earliest acts;
  • Like Burns (whom Doctor Currie well describes);
  • Like Cromwell's pranks;--but although truth exacts
  • These amiable descriptions from the scribes,
  • As most essential to their hero's story,
  • They do not much contribute to his glory.
  • All are not moralists, like Southey, when
  • He prated to the world of 'Pantisocracy;'
  • Or Wordsworth unexcised, unhired, who then
  • Season'd his pedlar poems with democracy;
  • Or Coleridge, long before his flighty pen
  • Let to the Morning Post its aristocracy;
  • When he and Southey, following the same path,
  • Espoused two partners (milliners of Bath).
  • Such names at present cut a convict figure,
  • The very Botany Bay in moral geography;
  • Their loyal treason, renegado rigour,
  • Are good manure for their more bare biography.
  • Wordsworth's last quarto, by the way, is bigger
  • Than any since the birthday of typography;
  • A drowsy frowzy poem, call'd the 'Excursion.'
  • Writ in a manner which is my aversion.
  • He there builds up a formidable dyke
  • Between his own and others' intellect;
  • But Wordsworth's poem, and his followers, like
  • Joanna Southcote's Shiloh, and her sect,
  • Are things which in this century don't strike
  • The public mind,--so few are the elect;
  • And the new births of both their stale virginities
  • Have proved but dropsies, taken for divinities.
  • But let me to my story: I must own,
  • If I have any fault, it is digression--
  • Leaving my people to proceed alone,
  • While I soliloquize beyond expression;
  • But these are my addresses from the throne,
  • Which put off business to the ensuing session:
  • Forgetting each omission is a loss to
  • The world, not quite so great as Ariosto.
  • I know that what our neighbours call 'longueurs'
  • (We 've not so good a word, but have the thing
  • In that complete perfection which ensures
  • An epic from Bob Southey every spring),
  • Form not the true temptation which allures
  • The reader; but 't would not be hard to bring
  • Some fine examples of the epopee,
  • To prove its grand ingredient is ennui.
  • We learn from Horace, 'Homer sometimes sleeps;'
  • We feel without him, Wordsworth sometimes wakes,--
  • To show with what complacency he creeps,
  • With his dear 'Waggoners,' around his lakes.
  • He wishes for 'a boat' to sail the deeps--
  • Of ocean?--No, of air; and then he makes
  • Another outcry for 'a little boat,'
  • And drivels seas to set it well afloat.
  • If he must fain sweep o'er the ethereal plain,
  • And Pegasus runs restive in his 'Waggon,'
  • Could he not beg the loan of Charles's Wain?
  • Or pray Medea for a single dragon?
  • Or if, too classic for his vulgar brain,
  • He fear'd his neck to venture such a nag on,
  • And he must needs mount nearer to the moon,
  • Could not the blockhead ask for a balloon?
  • 'Pedlars,' and 'Boats,' and 'Waggons!' Oh! ye shades
  • Of Pope and Dryden, are we come to this?
  • That trash of such sort not alone evades
  • Contempt, but from the bathos' vast abyss
  • Floats scumlike uppermost, and these Jack Cades
  • Of sense and song above your graves may hiss--
  • The 'little boatman' and his 'Peter Bell'
  • Can sneer at him who drew 'Achitophel'!
  • T' our tale.--The feast was over, the slaves gone,
  • The dwarfs and dancing girls had all retired;
  • The Arab lore and poet's song were done,
  • And every sound of revelry expired;
  • The lady and her lover, left alone,
  • The rosy flood of twilight's sky admired;--
  • Ave Maria! o'er the earth and sea,
  • That heavenliest hour of Heaven is worthiest thee!
  • Ave Maria! blessed be the hour!
  • The time, the clime, the spot, where I so oft
  • Have felt that moment in its fullest power
  • Sink o'er the earth so beautiful and soft,
  • While swung the deep bell in the distant tower,
  • Or the faint dying day-hymn stole aloft,
  • And not a breath crept through the rosy air,
  • And yet the forest leaves seem'd stirr'd with prayer.
  • Ave Maria! 't is the hour of prayer!
  • Ave Maria! 't is the hour of love!
  • Ave Maria! may our spirits dare
  • Look up to thine and to thy Son's above!
  • Ave Maria! oh that face so fair!
  • Those downcast eyes beneath the Almighty dove--
  • What though 't is but a pictured image?--strike--
  • That painting is no idol,--'t is too like.
  • Some kinder casuists are pleased to say,
  • In nameless print--that I have no devotion;
  • But set those persons down with me to pray,
  • And you shall see who has the properest notion
  • Of getting into heaven the shortest way;
  • My altars are the mountains and the ocean,
  • Earth, air, stars,--all that springs from the great Whole,
  • Who hath produced, and will receive the soul.
  • Sweet hour of twilight!--in the solitude
  • Of the pine forest, and the silent shore
  • Which bounds Ravenna's immemorial wood,
  • Rooted where once the Adrian wave flow'd o'er,
  • To where the last Caesarean fortress stood,
  • Evergreen forest! which Boccaccio's lore
  • And Dryden's lay made haunted ground to me,
  • How have I loved the twilight hour and thee!
  • The shrill cicadas, people of the pine,
  • Making their summer lives one ceaseless song,
  • Were the sole echoes, save my steed's and mine,
  • And vesper bell's that rose the boughs along;
  • The spectre huntsman of Onesti's line,
  • His hell-dogs, and their chase, and the fair throng
  • Which learn'd from this example not to fly
  • From a true lover,--shadow'd my mind's eye.
  • O, Hesperus! thou bringest all good things--
  • Home to the weary, to the hungry cheer,
  • To the young bird the parent's brooding wings,
  • The welcome stall to the o'erlabour'd steer;
  • Whate'er of peace about our hearthstone clings,
  • Whate'er our household gods protect of dear,
  • Are gather'd round us by thy look of rest;
  • Thou bring'st the child, too, to the mother's breast.
  • Soft hour! which wakes the wish and melts the heart
  • Of those who sail the seas, on the first day
  • When they from their sweet friends are torn apart;
  • Or fills with love the pilgrim on his way
  • As the far bell of vesper makes him start,
  • Seeming to weep the dying day's decay;
  • Is this a fancy which our reason scorns?
  • Ah! surely nothing dies but something mourns!
  • When Nero perish'd by the justest doom
  • Which ever the destroyer yet destroy'd,
  • Amidst the roar of liberated Rome,
  • Of nations freed, and the world overjoy'd,
  • Some hands unseen strew'd flowers upon his tomb:
  • Perhaps the weakness of a heart not void
  • Of feeling for some kindness done, when power
  • Had left the wretch an uncorrupted hour.
  • But I 'm digressing; what on earth has Nero,
  • Or any such like sovereign buffoons,
  • To do with the transactions of my hero,
  • More than such madmen's fellow man--the moon's?
  • Sure my invention must be down at zero,
  • And I grown one of many 'wooden spoons'
  • Of verse (the name with which we Cantabs please
  • To dub the last of honours in degrees).
  • I feel this tediousness will never do--
  • 'T is being too epic, and I must cut down
  • (In copying) this long canto into two;
  • They 'll never find it out, unless I own
  • The fact, excepting some experienced few;
  • And then as an improvement 't will be shown:
  • I 'll prove that such the opinion of the critic is
  • From Aristotle passim.--See poietikes.
  • CANTO THE FOURTH.
  • Nothing so difficult as a beginning
  • In poesy, unless perhaps the end;
  • For oftentimes when Pegasus seems winning
  • The race, he sprains a wing, and down we tend,
  • Like Lucifer when hurl'd from heaven for sinning;
  • Our sin the same, and hard as his to mend,
  • Being pride, which leads the mind to soar too far,
  • Till our own weakness shows us what we are.
  • But Time, which brings all beings to their level,
  • And sharp Adversity, will teach at last
  • Man,--and, as we would hope,--perhaps the devil,
  • That neither of their intellects are vast:
  • While youth's hot wishes in our red veins revel,
  • We know not this--the blood flows on too fast;
  • But as the torrent widens towards the ocean,
  • We ponder deeply on each past emotion.
  • As boy, I thought myself a clever fellow,
  • And wish'd that others held the same opinion;
  • They took it up when my days grew more mellow,
  • And other minds acknowledged my dominion:
  • Now my sere fancy 'falls into the yellow
  • Leaf,' and Imagination droops her pinion,
  • And the sad truth which hovers o'er my desk
  • Turns what was once romantic to burlesque.
  • And if I laugh at any mortal thing,
  • 'T is that I may not weep; and if I weep,
  • 'T is that our nature cannot always bring
  • Itself to apathy, for we must steep
  • Our hearts first in the depths of Lethe's spring,
  • Ere what we least wish to behold will sleep:
  • Thetis baptized her mortal son in Styx;
  • A mortal mother would on Lethe fix.
  • Some have accused me of a strange design
  • Against the creed and morals of the land,
  • And trace it in this poem every line:
  • I don't pretend that I quite understand
  • My own meaning when I would be very fine;
  • But the fact is that I have nothing plann'd,
  • Unless it were to be a moment merry,
  • A novel word in my vocabulary.
  • To the kind reader of our sober clime
  • This way of writing will appear exotic;
  • Pulci was sire of the half-serious rhyme,
  • Who sang when chivalry was more Quixotic,
  • And revell'd in the fancies of the time,
  • True knights, chaste dames, huge giants, kings despotic:
  • But all these, save the last, being obsolete,
  • I chose a modern subject as more meet.
  • How I have treated it, I do not know;
  • Perhaps no better than they have treated me
  • Who have imputed such designs as show
  • Not what they saw, but what they wish'd to see:
  • But if it gives them pleasure, be it so;
  • This is a liberal age, and thoughts are free:
  • Meantime Apollo plucks me by the ear,
  • And tells me to resume my story here.
  • Young Juan and his lady-love were left
  • To their own hearts' most sweet society;
  • Even Time the pitiless in sorrow cleft
  • With his rude scythe such gentle bosoms; he
  • Sigh'd to behold them of their hours bereft,
  • Though foe to love; and yet they could not be
  • Meant to grow old, but die in happy spring,
  • Before one charm or hope had taken wing.
  • Their faces were not made for wrinkles, their
  • Pure blood to stagnate, their great hearts to fail;
  • The blank grey was not made to blast their hair,
  • But like the climes that know nor snow nor hail
  • They were all summer: lightning might assail
  • And shiver them to ashes, but to trail
  • A long and snake-like life of dull decay
  • Was not for them--they had too little day.
  • They were alone once more; for them to be
  • Thus was another Eden; they were never
  • Weary, unless when separate: the tree
  • Cut from its forest root of years--the river
  • Damm'd from its fountain--the child from the knee
  • And breast maternal wean'd at once for ever,--
  • Would wither less than these two torn apart;
  • Alas! there is no instinct like the heart--
  • The heart--which may be broken: happy they!
  • Thrice fortunate! who of that fragile mould,
  • The precious porcelain of human clay,
  • Break with the first fall: they can ne'er behold
  • The long year link'd with heavy day on day,
  • And all which must be borne, and never told;
  • While life's strange principle will often lie
  • Deepest in those who long the most to die.
  • 'Whom the gods love die young,' was said of yore,
  • And many deaths do they escape by this:
  • The death of friends, and that which slays even more--
  • The death of friendship, love, youth, all that is,
  • Except mere breath; and since the silent shore
  • Awaits at last even those who longest miss
  • The old archer's shafts, perhaps the early grave
  • Which men weep over may be meant to save.
  • Haidee and Juan thought not of the dead--
  • The heavens, and earth, and air, seem'd made for them:
  • They found no fault with Time, save that he fled;
  • They saw not in themselves aught to condemn:
  • Each was the other's mirror, and but read
  • Joy sparkling in their dark eyes like a gem,
  • And knew such brightness was but the reflection
  • Of their exchanging glances of affection.
  • The gentle pressure, and the thrilling touch,
  • The least glance better understood than words,
  • Which still said all, and ne'er could say too much;
  • A language, too, but like to that of birds,
  • Known but to them, at least appearing such
  • As but to lovers a true sense affords;
  • Sweet playful phrases, which would seem absurd
  • To those who have ceased to hear such, or ne'er heard,--
  • All these were theirs, for they were children still,
  • And children still they should have ever been;
  • They were not made in the real world to fill
  • A busy character in the dull scene,
  • But like two beings born from out a rill,
  • A nymph and her beloved, all unseen
  • To pass their lives in fountains and on flowers,
  • And never know the weight of human hours.
  • Moons changing had roll'd on, and changeless found
  • Those their bright rise had lighted to such joys
  • As rarely they beheld throughout their round;
  • And these were not of the vain kind which cloys,
  • For theirs were buoyant spirits, never bound
  • By the mere senses; and that which destroys
  • Most love, possession, unto them appear'd
  • A thing which each endearment more endear'd.
  • O beautiful! and rare as beautiful
  • But theirs was love in which the mind delights
  • To lose itself when the old world grows dull,
  • And we are sick of its hack sounds and sights,
  • Intrigues, adventures of the common school,
  • Its petty passions, marriages, and flights,
  • Where Hymen's torch but brands one strumpet more,
  • Whose husband only knows her not a wh--re.
  • Hard words; harsh truth; a truth which many know.
  • Enough.--The faithful and the fairy pair,
  • Who never found a single hour too slow,
  • What was it made them thus exempt from care?
  • Young innate feelings all have felt below,
  • Which perish in the rest, but in them were
  • Inherent--what we mortals call romantic,
  • And always envy, though we deem it frantic.
  • This is in others a factitious state,
  • An opium dream of too much youth and reading,
  • But was in them their nature or their fate:
  • No novels e'er had set their young hearts bleeding,
  • For Haidee's knowledge was by no means great,
  • And Juan was a boy of saintly breeding;
  • So that there was no reason for their loves
  • More than for those of nightingales or doves.
  • They gazed upon the sunset; 't is an hour
  • Dear unto all, but dearest to their eyes,
  • For it had made them what they were: the power
  • Of love had first o'erwhelm'd them from such skies,
  • When happiness had been their only dower,
  • And twilight saw them link'd in passion's ties;
  • Charm'd with each other, all things charm'd that brought
  • The past still welcome as the present thought.
  • I know not why, but in that hour to-night,
  • Even as they gazed, a sudden tremor came,
  • And swept, as 't were, across their hearts' delight,
  • Like the wind o'er a harp-string, or a flame,
  • When one is shook in sound, and one in sight;
  • And thus some boding flash'd through either frame,
  • And call'd from Juan's breast a faint low sigh,
  • While one new tear arose in Haidee's eye.
  • That large black prophet eye seem'd to dilate
  • And follow far the disappearing sun,
  • As if their last day! of a happy date
  • With his broad, bright, and dropping orb were gone;
  • Juan gazed on her as to ask his fate--
  • He felt a grief, but knowing cause for none,
  • His glance inquired of hers for some excuse
  • For feelings causeless, or at least abstruse.
  • She turn'd to him, and smiled, but in that sort
  • Which makes not others smile; then turn'd aside:
  • Whatever feeling shook her, it seem'd short,
  • And master'd by her wisdom or her pride;
  • When Juan spoke, too--it might be in sport--
  • Of this their mutual feeling, she replied--
  • 'If it should be so,--but--it cannot be--
  • Or I at least shall not survive to see.'
  • Juan would question further, but she press'd
  • His lip to hers, and silenced him with this,
  • And then dismiss'd the omen from her breast,
  • Defying augury with that fond kiss;
  • And no doubt of all methods 't is the best:
  • Some people prefer wine--'t is not amiss;
  • I have tried both; so those who would a part take
  • May choose between the headache and the heartache.
  • One of the two, according to your choice,
  • Woman or wine, you 'll have to undergo;
  • Both maladies are taxes on our joys:
  • But which to choose, I really hardly know;
  • And if I had to give a casting voice,
  • For both sides I could many reasons show,
  • And then decide, without great wrong to either,
  • It were much better to have both than neither.
  • Juan and Haidee gazed upon each other
  • With swimming looks of speechless tenderness,
  • Which mix'd all feelings, friend, child, lover, brother,
  • All that the best can mingle and express
  • When two pure hearts are pour'd in one another,
  • And love too much, and yet can not love less;
  • But almost sanctify the sweet excess
  • By the immortal wish and power to bless.
  • Mix'd in each other's arms, and heart in heart,
  • Why did they not then die?--they had lived too long
  • Should an hour come to bid them breathe apart;
  • Years could but bring them cruel things or wrong;
  • The world was not for them, nor the world's art
  • For beings passionate as Sappho's song;
  • Love was born with them, in them, so intense,
  • It was their very spirit--not a sense.
  • They should have lived together deep in woods,
  • Unseen as sings the nightingale; they were
  • Unfit to mix in these thick solitudes
  • Call'd social, haunts of Hate, and Vice, and Care:
  • How lonely every freeborn creature broods!
  • The sweetest song-birds nestle in a pair;
  • The eagle soars alone; the gull and crow
  • Flock o'er their carrion, just like men below.
  • Now pillow'd cheek to cheek, in loving sleep,
  • Haidee and Juan their siesta took,
  • A gentle slumber, but it was not deep,
  • For ever and anon a something shook
  • Juan, and shuddering o'er his frame would creep;
  • And Haidee's sweet lips murmur'd like a brook
  • A wordless music, and her face so fair
  • Stirr'd with her dream, as rose-leaves with the air.
  • Or as the stirring of a deep dear stream
  • Within an Alpine hollow, when the wind
  • Walks o'er it, was she shaken by the dream,
  • The mystical usurper of the mind--
  • O'erpowering us to be whate'er may seem
  • Good to the soul which we no more can bind;
  • Strange state of being! (for 't is still to be)
  • Senseless to feel, and with seal'd eyes to see.
  • She dream'd of being alone on the sea-shore,
  • Chain'd to a rock; she knew not how, but stir
  • She could not from the spot, and the loud roar
  • Grew, and each wave rose roughly, threatening her;
  • And o'er her upper lip they seem'd to pour,
  • Until she sobb'd for breath, and soon they were
  • Foaming o'er her lone head, so fierce and high--
  • Each broke to drown her, yet she could not die.
  • Anon--she was released, and then she stray'd
  • O'er the sharp shingles with her bleeding feet,
  • And stumbled almost every step she made;
  • And something roll'd before her in a sheet,
  • Which she must still pursue howe'er afraid:
  • 'T was white and indistinct, nor stopp'd to meet
  • Her glance nor grasp, for still she gazed, and grasp'd,
  • And ran, but it escaped her as she clasp'd.
  • The dream changed:--in a cave she stood, its walls
  • Were hung with marble icicles, the work
  • Of ages on its water-fretted halls,
  • Where waves might wash, and seals might breed and lurk;
  • Her hair was dripping, and the very balls
  • Of her black eyes seem'd turn'd to tears, and mirk
  • The sharp rocks look'd below each drop they caught,
  • Which froze to marble as it fell,--she thought.
  • And wet, and cold, and lifeless at her feet,
  • Pale as the foam that froth'd on his dead brow,
  • Which she essay'd in vain to clear (how sweet
  • Were once her cares, how idle seem'd they now!),
  • Lay Juan, nor could aught renew the beat
  • Of his quench'd heart; and the sea dirges low
  • Rang in her sad ears like a mermaid's song,
  • And that brief dream appear'd a life too long.
  • And gazing on the dead, she thought his face
  • Faded, or alter'd into something new--
  • Like to her father's features, till each trace--
  • More like and like to Lambro's aspect grew--
  • With all his keen worn look and Grecian grace;
  • And starting, she awoke, and what to view?
  • O! Powers of Heaven! what dark eye meets she there?
  • 'T is--'t is her father's--fix'd upon the pair!
  • Then shrieking, she arose, and shrieking fell,
  • With joy and sorrow, hope and fear, to see
  • Him whom she deem'd a habitant where dwell
  • The ocean-buried, risen from death, to be
  • Perchance the death of one she loved too well:
  • Dear as her father had been to Haidee,
  • It was a moment of that awful kind--
  • I have seen such--but must not call to mind.
  • Up Juan sprung to Haidee's bitter shriek,
  • And caught her falling, and from off the wall
  • Snatch'd down his sabre, in hot haste to wreak
  • Vengeance on him who was the cause of all:
  • Then Lambro, who till now forbore to speak,
  • Smiled scornfully, and said, 'Within my call,
  • A thousand scimitars await the word;
  • Put up, young man, put up your silly sword.'
  • And Haidee clung around him; 'Juan, 't is--
  • 'T is Lambro--'t is my father! Kneel with me--
  • He will forgive us--yes--it must be--yes.
  • O! dearest father, in this agony
  • Of pleasure and of pain--even while I kiss
  • Thy garment's hem with transport, can it be
  • That doubt should mingle with my filial joy?
  • Deal with me as thou wilt, but spare this boy.'
  • High and inscrutable the old man stood,
  • Calm in his voice, and calm within his eye--
  • Not always signs with him of calmest mood:
  • He look'd upon her, but gave no reply;
  • Then turn'd to Juan, in whose cheek the blood
  • Oft came and went, as there resolved to die;
  • In arms, at least, he stood, in act to spring
  • On the first foe whom Lambro's call might bring.
  • 'Young man, your sword;' so Lambro once more said:
  • Juan replied, 'Not while this arm is free.'
  • The old man's cheek grew pale, but not with dread,
  • And drawing from his belt a pistol, he
  • Replied, 'Your blood be then on your own head.'
  • Then look'd dose at the flint, as if to see
  • 'T was fresh--for he had lately used the lock--
  • And next proceeded quietly to cock.
  • It has a strange quick jar upon the ear,
  • That cocking of a pistol, when you know
  • A moment more will bring the sight to bear
  • Upon your person, twelve yards off, or so;
  • A gentlemanly distance, not too near,
  • If you have got a former friend for foe;
  • But after being fired at once or twice,
  • The ear becomes more Irish, and less nice.
  • Lambro presented, and one instant more
  • Had stopp'd this Canto, and Don Juan's breath,
  • When Haidee threw herself her boy before;
  • Stern as her sire: 'On me,' she cried, 'let death
  • Descend--the fault is mine; this fatal shore
  • He found--but sought not. I have pledged my faith;
  • I love him--I will die with him: I knew
  • Your nature's firmness--know your daughter's too.'
  • A minute past, and she had been all tears,
  • And tenderness, and infancy; but now
  • She stood as one who champion'd human fears--
  • Pale, statue-like, and stern, she woo'd the blow;
  • And tall beyond her sex, and their compeers,
  • She drew up to her height, as if to show
  • A fairer mark; and with a fix'd eye scann'd
  • Her father's face--but never stopp'd his hand.
  • He gazed on her, and she on him; 't was strange
  • How like they look'd! the expression was the same;
  • Serenely savage, with a little change
  • In the large dark eye's mutual-darted flame;
  • For she, too, was as one who could avenge,
  • If cause should be--a lioness, though tame.
  • Her father's blood before her father's face
  • Boil'd up, and proved her truly of his race.
  • I said they were alike, their features and
  • Their stature, differing but in sex and years;
  • Even to the delicacy of their hand
  • There was resemblance, such as true blood wears;
  • And now to see them, thus divided, stand
  • In fix'd ferocity, when joyous tears
  • And sweet sensations should have welcomed both,
  • Show what the passions are in their full growth.
  • The father paused a moment, then withdrew
  • His weapon, and replaced it; but stood still,
  • And looking on her, as to look her through,
  • 'Not I,' he said, 'have sought this stranger's ill;
  • Not I have made this desolation: few
  • Would bear such outrage, and forbear to kill;
  • But I must do my duty--how thou hast
  • Done thine, the present vouches for the past.
  • 'Let him disarm; or, by my father's head,
  • His own shall roll before you like a ball!'
  • He raised his whistle, as the word he said,
  • And blew; another answer'd to the call,
  • And rushing in disorderly, though led,
  • And arm'd from boot to turban, one and all,
  • Some twenty of his train came, rank on rank;
  • He gave the word,--'Arrest or slay the Frank.'
  • Then, with a sudden movement, he withdrew
  • His daughter; while compress'd within his clasp,
  • 'Twixt her and Juan interposed the crew;
  • In vain she struggled in her father's grasp--
  • His arms were like a serpent's coil: then flew
  • Upon their prey, as darts an angry asp,
  • The file of pirates; save the foremost, who
  • Had fallen, with his right shoulder half cut through.
  • The second had his cheek laid open; but
  • The third, a wary, cool old sworder, took
  • The blows upon his cutlass, and then put
  • His own well in; so well, ere you could look,
  • His man was floor'd, and helpless at his foot,
  • With the blood running like a little brook
  • From two smart sabre gashes, deep and red--
  • One on the arm, the other on the head.
  • And then they bound him where he fell, and bore
  • Juan from the apartment: with a sign
  • Old Lambro bade them take him to the shore,
  • Where lay some ships which were to sail at nine.
  • They laid him in a boat, and plied the oar
  • Until they reach'd some galliots, placed in line;
  • On board of one of these, and under hatches,
  • They stow'd him, with strict orders to the watches.
  • The world is full of strange vicissitudes,
  • And here was one exceedingly unpleasant:
  • A gentleman so rich in the world's goods,
  • Handsome and young, enjoying all the present,
  • Just at the very time when he least broods
  • On such a thing is suddenly to sea sent,
  • Wounded and chain'd, so that he cannot move,
  • And all because a lady fell in love.
  • Here I must leave him, for I grow pathetic,
  • Moved by the Chinese nymph of tears, green tea!
  • Than whom Cassandra was not more prophetic;
  • For if my pure libations exceed three,
  • I feel my heart become so sympathetic,
  • That I must have recourse to black Bohea:
  • 'T is pity wine should be so deleterious,
  • For tea and coffee leave us much more serious,
  • Unless when qualified with thee, Cogniac!
  • Sweet Naiad of the Phlegethontic rill!
  • Ah! why the liver wilt thou thus attack,
  • And make, like other nymphs, thy lovers ill?
  • I would take refuge in weak punch, but rack
  • (In each sense of the word), whene'er I fill
  • My mild and midnight beakers to the brim,
  • Wakes me next morning with its synonym.
  • I leave Don Juan for the present, safe--
  • Not sound, poor fellow, but severely wounded;
  • Yet could his corporal pangs amount to half
  • Of those with which his Haidee's bosom bounded?
  • She was not one to weep, and rave, and chafe,
  • And then give way, subdued because surrounded;
  • Her mother was a Moorish maid, from Fez,
  • Where all is Eden, or a wilderness.
  • There the large olive rains its amber store
  • In marble fonts; there grain, and flower, and fruit,
  • Gush from the earth until the land runs o'er;
  • But there, too, many a poison-tree has root,
  • And midnight listens to the lion's roar,
  • And long, long deserts scorch the camel's foot,
  • Or heaving whelm the helpless caravan;
  • And as the soil is, so the heart of man.
  • Afric is all the sun's, and as her earth
  • Her human day is kindled; full of power
  • For good or evil, burning from its birth,
  • The Moorish blood partakes the planet's hour,
  • And like the soil beneath it will bring forth:
  • Beauty and love were Haidee's mother's dower;
  • But her large dark eye show'd deep Passion's force,
  • Though sleeping like a lion near a source.
  • Her daughter, temper'd with a milder ray,
  • Like summer clouds all silvery, smooth, and fair,
  • Till slowly charged with thunder they display
  • Terror to earth, and tempest to the air,
  • Had held till now her soft and milky way;
  • But overwrought with passion and despair,
  • The fire burst forth from her Numidian veins,
  • Even as the Simoom sweeps the blasted plains.
  • The last sight which she saw was Juan's gore,
  • And he himself o'ermaster'd and cut down;
  • His blood was running on the very floor
  • Where late he trod, her beautiful, her own;
  • Thus much she view'd an instant and no more,--
  • Her struggles ceased with one convulsive groan;
  • On her sire's arm, which until now scarce held
  • Her writhing, fell she like a cedar fell'd.
  • A vein had burst, and her sweet lips' pure dyes
  • Were dabbled with the deep blood which ran o'er;
  • And her head droop'd as when the lily lies
  • O'ercharged with rain: her summon'd handmaids bore
  • Their lady to her couch with gushing eyes;
  • Of herbs and cordials they produced their store,
  • But she defied all means they could employ,
  • Like one life could not hold, nor death destroy.
  • Days lay she in that state unchanged, though chill--
  • With nothing livid, still her lips were red;
  • She had no pulse, but death seem'd absent still;
  • No hideous sign proclaim'd her surely dead;
  • Corruption came not in each mind to kill
  • All hope; to look upon her sweet face bred
  • New thoughts of life, for it seem'd full of soul--
  • She had so much, earth could not claim the whole.
  • The ruling passion, such as marble shows
  • When exquisitely chisell'd, still lay there,
  • But fix'd as marble's unchanged aspect throws
  • O'er the fair Venus, but for ever fair;
  • O'er the Laocoon's all eternal throes,
  • And ever-dying Gladiator's air,
  • Their energy like life forms all their fame,
  • Yet looks not life, for they are still the same.
  • She woke at length, but not as sleepers wake,
  • Rather the dead, for life seem'd something new,
  • A strange sensation which she must partake
  • Perforce, since whatsoever met her view
  • Struck not on memory, though a heavy ache
  • Lay at her heart, whose earliest beat still true
  • Brought back the sense of pain without the cause,
  • For, for a while, the furies made a pause.
  • She look'd on many a face with vacant eye,
  • On many a token without knowing what;
  • She saw them watch her without asking why,
  • And reck'd not who around her pillow sat;
  • Not speechless, though she spoke not; not a sigh
  • Relieved her thoughts; dull silence and quick chat
  • Were tried in vain by those who served; she gave
  • No sign, save breath, of having left the grave.
  • Her handmaids tended, but she heeded not;
  • Her father watch'd, she turn'd her eyes away;
  • She recognized no being, and no spot,
  • However dear or cherish'd in their day;
  • They changed from room to room--but all forgot--
  • Gentle, but without memory she lay;
  • At length those eyes, which they would fain be weaning
  • Back to old thoughts, wax'd full of fearful meaning.
  • And then a slave bethought her of a harp;
  • The harper came, and tuned his instrument;
  • At the first notes, irregular and sharp,
  • On him her flashing eyes a moment bent,
  • Then to the wall she turn'd as if to warp
  • Her thoughts from sorrow through her heart re-sent;
  • And he begun a long low island song
  • Of ancient days, ere tyranny grew strong.
  • Anon her thin wan fingers beat the wall
  • In time to his old tune; he changed the theme,
  • And sung of love; the fierce name struck through all
  • Her recollection; on her flash'd the dream
  • Of what she was, and is, if ye could call
  • To be so being; in a gushing stream
  • The tears rush'd forth from her o'erclouded brain,
  • Like mountain mists at length dissolved in rain.
  • Short solace, vain relief!--thought came too quick,
  • And whirl'd her brain to madness; she arose
  • As one who ne'er had dwelt among the sick,
  • And flew at all she met, as on her foes;
  • But no one ever heard her speak or shriek,
  • Although her paroxysm drew towards its dose;--
  • Hers was a phrensy which disdain'd to rave,
  • Even when they smote her, in the hope to save.
  • Yet she betray'd at times a gleam of sense;
  • Nothing could make her meet her father's face,
  • Though on all other things with looks intense
  • She gazed, but none she ever could retrace;
  • Food she refused, and raiment; no pretence
  • Avail'd for either; neither change of place,
  • Nor time, nor skill, nor remedy, could give her
  • Senses to sleep--the power seem'd gone for ever.
  • Twelve days and nights she wither'd thus; at last,
  • Without a groan, or sigh, or glance, to show
  • A parting pang, the spirit from her past:
  • And they who watch'd her nearest could not know
  • The very instant, till the change that cast
  • Her sweet face into shadow, dull and slow,
  • Glazed o'er her eyes--the beautiful, the black--
  • O! to possess such lustre--and then lack!
  • She died, but not alone; she held within
  • A second principle of life, which might
  • Have dawn'd a fair and sinless child of sin;
  • But closed its little being without light,
  • And went down to the grave unborn, wherein
  • Blossom and bough lie wither'd with one blight;
  • In vain the dews of Heaven descend above
  • The bleeding flower and blasted fruit of love.
  • Thus lived--thus died she; never more on her
  • Shall sorrow light, or shame. She was not made
  • Through years or moons the inner weight to bear,
  • Which colder hearts endure till they are laid
  • By age in earth: her days and pleasures were
  • Brief, but delightful--such as had not staid
  • Long with her destiny; but she sleeps well
  • By the sea-shore, whereon she loved to dwell.
  • That isle is now all desolate and bare,
  • Its dwellings down, its tenants pass'd away;
  • None but her own and father's grave is there,
  • And nothing outward tells of human clay;
  • Ye could not know where lies a thing so fair,
  • No stone is there to show, no tongue to say
  • What was; no dirge, except the hollow sea's,
  • Mourns o'er the beauty of the Cyclades.
  • But many a Greek maid in a loving song
  • Sighs o'er her name; and many an islander
  • With her sire's story makes the night less long;
  • Valour was his, and beauty dwelt with her:
  • If she loved rashly, her life paid for wrong--
  • A heavy price must all pay who thus err,
  • In some shape; let none think to fly the danger,
  • For soon or late Love is his own avenger.
  • But let me change this theme which grows too sad,
  • And lay this sheet of sorrows on the shelf;
  • I don't much like describing people mad,
  • For fear of seeming rather touch'd myself--
  • Besides, I 've no more on this head to add;
  • And as my Muse is a capricious elf,
  • We 'll put about, and try another tack
  • With Juan, left half-kill'd some stanzas back.
  • Wounded and fetter'd, 'cabin'd, cribb'd, confined,'
  • Some days and nights elapsed before that he
  • Could altogether call the past to mind;
  • And when he did, he found himself at sea,
  • Sailing six knots an hour before the wind;
  • The shores of Ilion lay beneath their lee--
  • Another time he might have liked to see 'em,
  • But now was not much pleased with Cape Sigaeum.
  • There, on the green and village-cotted hill, is
  • (Flank'd by the Hellespont and by the sea)
  • Entomb'd the bravest of the brave, Achilles;
  • They say so (Bryant says the contrary):
  • And further downward, tall and towering still, is
  • The tumulus--of whom? Heaven knows! 't may be
  • Patroclus, Ajax, or Protesilaus--
  • All heroes, who if living still would slay us.
  • High barrows, without marble or a name,
  • A vast, untill'd, and mountain-skirted plain,
  • And Ida in the distance, still the same,
  • And old Scamander (if 't is he) remain;
  • The situation seems still form'd for fame--
  • A hundred thousand men might fight again
  • With case; but where I sought for Ilion's walls,
  • The quiet sheep feeds, and the tortoise crawls;
  • Troops of untended horses; here and there
  • Some little hamlets, with new names uncouth;
  • Some shepherds (unlike Paris) led to stare
  • A moment at the European youth
  • Whom to the spot their school-boy feelings bear;
  • A turk, with beads in hand and pipe in mouth,
  • Extremely taken with his own religion,
  • Are what I found there--but the devil a Phrygian.
  • Don Juan, here permitted to emerge
  • From his dull cabin, found himself a slave;
  • Forlorn, and gazing on the deep blue surge,
  • O'ershadow'd there by many a hero's grave;
  • Weak still with loss of blood, he scarce could urge
  • A few brief questions; and the answers gave
  • No very satisfactory information
  • About his past or present situation.
  • He saw some fellow captives, who appear'd
  • To be Italians, as they were in fact;
  • From them, at least, their destiny he heard,
  • Which was an odd one; a troop going to act
  • In Sicily (all singers, duly rear'd
  • In their vocation) had not been attack'd
  • In sailing from Livorno by the pirate,
  • But sold by the impresario at no high rate.
  • By one of these, the buffo of the party,
  • Juan was told about their curious case;
  • For although destined to the Turkish mart, he
  • Still kept his spirits up--at least his face;
  • The little fellow really look'd quite hearty,
  • And bore him with some gaiety and grace,
  • Showing a much more reconciled demeanour,
  • Than did the prima donna and the tenor.
  • In a few words he told their hapless story,
  • Saying, 'Our Machiavellian impresario,
  • Making a signal off some promontory,
  • Hail'd a strange brig--Corpo di Caio Mario!
  • We were transferr'd on board her in a hurry,
  • Without a Single scudo of salario;
  • But if the Sultan has a taste for song,
  • We will revive our fortunes before long.
  • 'The prima donna, though a little old,
  • And haggard with a dissipated life,
  • And subject, when the house is thin, to cold,
  • Has some good notes; and then the tenor's wife,
  • With no great voice, is pleasing to behold;
  • Last carnival she made a deal of strife
  • By carrying off Count Cesare Cicogna
  • From an old Roman princess at Bologna.
  • 'And then there are the dancers; there 's the Nini,
  • With more than one profession, gains by all;
  • Then there 's that laughing slut the Pelegrini,
  • She, too, was fortunate last carnival,
  • And made at least five hundred good zecchini,
  • But spends so fast, she has not now a paul;
  • And then there 's the Grotesca--such a dancer!
  • Where men have souls or bodies she must answer.
  • 'As for the figuranti, they are like
  • The rest of all that tribe; with here and there
  • A pretty person, which perhaps may strike,
  • The rest are hardly fitted for a fair;
  • There 's one, though tall and stiffer than a pike,
  • Yet has a sentimental kind of air
  • Which might go far, but she don't dance with vigour;
  • The more 's the pity, with her face and figure.
  • 'As for the men, they are a middling set;
  • The musico is but a crack'd old basin,
  • But being qualified in one way yet,
  • May the seraglio do to set his face in,
  • And as a servant some preferment get;
  • His singing I no further trust can place in:
  • From all the Pope makes yearly 't would perplex
  • To find three perfect pipes of the third sex.
  • 'The tenor's voice is spoilt by affectation,
  • And for the bass, the beast can only bellow;
  • In fact, he had no singing education,
  • An ignorant, noteless, timeless, tuneless fellow;
  • But being the prima donna's near relation,
  • Who swore his voice was very rich and mellow,
  • They hired him, though to hear him you 'd believe
  • An ass was practising recitative.
  • ''T would not become myself to dwell upon
  • My own merits, and though young--I see, Sir--you
  • Have got a travell'd air, which speaks you one
  • To whom the opera is by no means new:
  • You 've heard of Raucocanti?--I 'm the man;
  • The time may come when you may hear me too;
  • You was not last year at the fair of Lugo,
  • But next, when I 'm engaged to sing there--do go.
  • 'Our baritone I almost had forgot,
  • A pretty lad, but bursting with conceit;
  • With graceful action, science not a jot,
  • A voice of no great compass, and not sweet,
  • He always is complaining of his lot,
  • Forsooth, scarce fit for ballads in the street;
  • In lovers' parts his passion more to breathe,
  • Having no heart to show, he shows his teeth.'
  • Here Raucocanti's eloquent recital
  • Was interrupted by the pirate crew,
  • Who came at stated moments to invite all
  • The captives back to their sad berths; each threw
  • A rueful glance upon the waves (which bright all
  • From the blue skies derived a double blue,
  • Dancing all free and happy in the sun),
  • And then went down the hatchway one by one.
  • They heard next day--that in the Dardanelles,
  • Waiting for his Sublimity's firman,
  • The most imperative of sovereign spells,
  • Which every body does without who can,
  • More to secure them in their naval cells,
  • Lady to lady, well as man to man,
  • Were to be chain'd and lotted out per couple,
  • For the slave market of Constantinople.
  • It seems when this allotment was made out,
  • There chanced to be an odd male, and odd female,
  • Who (after some discussion and some doubt,
  • If the soprano might be deem'd to be male,
  • They placed him o'er the women as a scout)
  • Were link'd together, and it happen'd the male
  • Was Juan,--who, an awkward thing at his age,
  • Pair'd off with a Bacchante blooming visage.
  • With Raucocanti lucklessly was chain'd
  • The tenor; these two hated with a hate
  • Found only on the stage, and each more pain'd
  • With this his tuneful neighbour than his fate;
  • Sad strife arose, for they were so cross-grain'd,
  • Instead of bearing up without debate,
  • That each pull'd different ways with many an oath,
  • 'Arcades ambo,' id est--blackguards both.
  • Juan's companion was a Romagnole,
  • But bred within the March of old Ancona,
  • With eyes that look'd into the very soul
  • (And other chief points of a 'bella donna'),
  • Bright--and as black and burning as a coal;
  • And through her dear brunette complexion shone
  • Great wish to please--a most attractive dower,
  • Especially when added to the power.
  • But all that power was wasted upon him,
  • For sorrow o'er each sense held stern command;
  • Her eye might flash on his, but found it dim;
  • And though thus chain'd, as natural her hand
  • Touch'd his, nor that--nor any handsome limb
  • (And she had some not easy to withstand)
  • Could stir his pulse, or make his faith feel brittle;
  • Perhaps his recent wounds might help a little.
  • No matter; we should ne'er too much enquire,
  • But facts are facts: no knight could be more true,
  • And firmer faith no ladye--love desire;
  • We will omit the proofs, save one or two:
  • 'T is said no one in hand 'can hold a fire
  • By thought of frosty Caucasus;' but few,
  • I really think; yet Juan's then ordeal
  • Was more triumphant, and not much less real.
  • Here I might enter on a chaste description,
  • Having withstood temptation in my youth,
  • But hear that several people take exception
  • At the first two books having too much truth;
  • Therefore I 'll make Don Juan leave the ship soon,
  • Because the publisher declares, in sooth,
  • Through needles' eyes it easier for the camel is
  • To pass, than those two cantos into families.
  • 'T is all the same to me; I 'm fond of yielding,
  • And therefore leave them to the purer page
  • Of Smollett, Prior, Ariosto, Fielding,
  • Who say strange things for so correct an age;
  • I once had great alacrity in wielding
  • My pen, and liked poetic war to wage,
  • And recollect the time when all this cant
  • Would have provoked remarks which now it shan't.
  • As boys love rows, my boyhood liked a squabble;
  • But at this hour I wish to part in peace,
  • Leaving such to the literary rabble:
  • Whether my verse's fame be doom'd to cease
  • While the right hand which wrote it still is able,
  • Or of some centuries to take a lease,
  • The grass upon my grave will grow as long,
  • And sigh to midnight winds, but not to song.
  • Of poets who come down to us through distance
  • Of time and tongues, the foster-babes of Fame,
  • Life seems the smallest portion of existence;
  • Where twenty ages gather o'er a name,
  • 'T is as a snowball which derives assistance
  • From every flake, and yet rolls on the same,
  • Even till an iceberg it may chance to grow;
  • But, after all, 't is nothing but cold snow.
  • And so great names are nothing more than nominal,
  • And love of glory 's but an airy lust,
  • Too often in its fury overcoming all
  • Who would as 't were identify their dust
  • From out the wide destruction, which, entombing all,
  • Leaves nothing till 'the coming of the just'-
  • Save change: I 've stood upon Achilles' tomb,
  • And heard Troy doubted; time will doubt of Rome.
  • The very generations of the dead
  • Are swept away, and tomb inherits tomb,
  • Until the memory of an age is fled,
  • And, buried, sinks beneath its offspring's doom:
  • Where are the epitaphs our fathers read?
  • Save a few glean'd from the sepulchral gloom
  • Which once-named myriads nameless lie beneath,
  • And lose their own in universal death.
  • I canter by the spot each afternoon
  • Where perish'd in his fame the hero-boy,
  • Who lived too long for men, but died too soon
  • For human vanity, the young De Foix!
  • A broken pillar, not uncouthly hewn,
  • But which neglect is hastening to destroy,
  • Records Ravenna's carnage on its face,
  • While weeds and ordure rankle round the base.
  • I pass each day where Dante's bones are laid:
  • A little cupola, more neat than solemn,
  • Protects his dust, but reverence here is paid
  • To the bard's tomb, and not the warrior's column.
  • The time must come, when both alike decay'd,
  • The chieftain's trophy, and the poet's volume,
  • Will sink where lie the songs and wars of earth,
  • Before Pelides' death, or Homer's birth.
  • With human blood that column was cemented,
  • With human filth that column is defiled,
  • As if the peasant's coarse contempt were vented
  • To show his loathing of the spot he soil'd:
  • Thus is the trophy used, and thus lamented
  • Should ever be those blood-hounds, from whose wild
  • Instinct of gore and glory earth has known
  • Those sufferings Dante saw in hell alone.
  • Yet there will still be bards: though fame is smoke,
  • Its fumes are frankincense to human thought;
  • And the unquiet feelings, which first woke
  • Song in the world, will seek what then they sought;
  • As on the beach the waves at last are broke,
  • Thus to their extreme verge the passions brought
  • Dash into poetry, which is but passion,
  • Or at least was so ere it grew a fashion.
  • If in the course of such a life as was
  • At once adventurous and contemplative,
  • Men, who partake all passions as they pass,
  • Acquire the deep and bitter power to give
  • Their images again as in a glass,
  • And in such colours that they seem to live;
  • You may do right forbidding them to show 'em,
  • But spoil (I think) a very pretty poem.
  • O! ye, who make the fortunes of all books!
  • Benign Ceruleans of the second sex!
  • Who advertise new poems by your looks,
  • Your 'imprimatur' will ye not annex?
  • What! must I go to the oblivious cooks,
  • Those Cornish plunderers of Parnassian wrecks?
  • Ah! must I then the only minstrel be,
  • Proscribed from tasting your Castalian tea!
  • What! can I prove 'a lion' then no more?
  • A ball-room bard, a foolscap, hot-press darling?
  • To bear the compliments of many a bore,
  • And sigh, 'I can't get out,' like Yorick's starling;
  • Why then I 'll swear, as poet Wordy swore
  • (Because the world won't read him, always snarling),
  • That taste is gone, that fame is but a lottery,
  • Drawn by the blue-coat misses of a coterie.
  • O! 'darkly, deeply, beautifully blue,'
  • As some one somewhere sings about the sky,
  • And I, ye learned ladies, say of you;
  • They say your stockings are so (Heaven knows why,
  • I have examined few pair of that hue);
  • Blue as the garters which serenely lie
  • Round the Patrician left-legs, which adorn
  • The festal midnight, and the levee morn.
  • Yet some of you are most seraphic creatures--
  • But times are alter'd since, a rhyming lover,
  • You read my stanzas, and I read your features:
  • And--but no matter, all those things are over;
  • Still I have no dislike to learned natures,
  • For sometimes such a world of virtues cover;
  • I knew one woman of that purple school,
  • The loveliest, chastest, best, but--quite a fool.
  • Humboldt, 'the first of travellers,' but not
  • The last, if late accounts be accurate,
  • Invented, by some name I have forgot,
  • As well as the sublime discovery's date,
  • An airy instrument, with which he sought
  • To ascertain the atmospheric state,
  • By measuring 'the intensity of blue:'
  • O, Lady Daphne! let me measure you!
  • But to the narrative:--The vessel bound
  • With slaves to sell off in the capital,
  • After the usual process, might be found
  • At anchor under the seraglio wall;
  • Her cargo, from the plague being safe and sound,
  • Were landed in the market, one and all,
  • And there with Georgians, Russians, and Circassians,
  • Bought up for different purposes and passions.
  • Some went off dearly; fifteen hundred dollars
  • For one Circassian, a sweet girl, were given,
  • Warranted virgin; beauty's brightest colours
  • Had deck'd her out in all the hues of heaven:
  • Her sale sent home some disappointed bawlers,
  • Who bade on till the hundreds reach'd eleven;
  • But when the offer went beyond, they knew
  • 'T was for the Sultan, and at once withdrew.
  • Twelve negresses from Nubia brought a price
  • Which the West Indian market scarce would bring;
  • Though Wilberforce, at last, has made it twice
  • What 't was ere Abolition; and the thing
  • Need not seem very wonderful, for vice
  • Is always much more splendid than a king:
  • The virtues, even the most exalted, Charity,
  • Are saving--vice spares nothing for a rarity.
  • But for the destiny of this young troop,
  • How some were bought by pachas, some by Jews,
  • How some to burdens were obliged to stoop,
  • And others rose to the command of crews
  • As renegadoes; while in hapless group,
  • Hoping no very old vizier might choose,
  • The females stood, as one by one they pick'd 'em,
  • To make a mistress, or fourth wife, or victim:
  • All this must be reserved for further song;
  • Also our hero's lot, howe'er unpleasant
  • (Because this Canto has become too long),
  • Must be postponed discreetly for the present;
  • I 'm sensible redundancy is wrong,
  • But could not for the muse of me put less in 't:
  • And now delay the progress of Don Juan,
  • Till what is call'd in Ossian the fifth Juan.
  • [Illustration: Canto 5]
  • CANTO THE FIFTH.
  • When amatory poets sing their loves
  • In liquid lines mellifluously bland,
  • And pair their rhymes as Venus yokes her doves,
  • They little think what mischief is in hand;
  • The greater their success the worse it proves,
  • As Ovid's verse may give to understand;
  • Even Petrarch's self, if judged with due severity,
  • Is the Platonic pimp of all posterity.
  • I therefore do denounce all amorous writing,
  • Except in such a way as not to attract;
  • Plain--simple--short, and by no means inviting,
  • But with a moral to each error tack'd,
  • Form'd rather for instructing than delighting,
  • And with all passions in their turn attack'd;
  • Now, if my Pegasus should not be shod ill,
  • This poem will become a moral model.
  • The European with the Asian shore
  • Sprinkled with palaces; the ocean stream
  • Here and there studded with a seventy-four;
  • Sophia's cupola with golden gleam;
  • The cypress groves; Olympus high and hoar;
  • The twelve isles, and the more than I could dream,
  • Far less describe, present the very view
  • Which charm'd the charming Mary Montagu.
  • I have a passion for the name of 'Mary,'
  • For once it was a magic sound to me;
  • And still it half calls up the realms of fairy,
  • Where I beheld what never was to be;
  • All feelings changed, but this was last to vary,
  • A spell from which even yet I am not quite free:
  • But I grow sad--and let a tale grow cold,
  • Which must not be pathetically told.
  • The wind swept down the Euxine, and the wave
  • Broke foaming o'er the blue Symplegades;
  • 'T is a grand sight from off 'the Giant's Grave
  • To watch the progress of those rolling seas
  • Between the Bosphorus, as they lash and lave
  • Europe and Asia, you being quite at ease;
  • There 's not a sea the passenger e'er pukes in,
  • Turns up more dangerous breakers than the Euxine.
  • 'T was a raw day of Autumn's bleak beginning,
  • When nights are equal, but not so the days;
  • The Parcae then cut short the further spinning
  • Of seamen's fates, and the loud tempests raise
  • The waters, and repentance for past sinning
  • In all, who o'er the great deep take their ways:
  • They vow to amend their lives, and yet they don't;
  • Because if drown'd, they can't--if spared, they won't.
  • A crowd of shivering slaves of every nation,
  • And age, and sex, were in the market ranged;
  • Each bevy with the merchant in his station:
  • Poor creatures! their good looks were sadly changed.
  • All save the blacks seem'd jaded with vexation,
  • From friends, and home, and freedom far estranged;
  • The negroes more philosophy display'd,--
  • Used to it, no doubt, as eels are to be flay'd.
  • Juan was juvenile, and thus was full,
  • As most at his age are, of hope and health;
  • Yet I must own he looked a little dull,
  • And now and then a tear stole down by stealth;
  • Perhaps his recent loss of blood might pull
  • His spirit down; and then the loss of wealth,
  • A mistress, and such comfortable quarters,
  • To be put up for auction amongst Tartars,
  • Were things to shake a stoic; ne'ertheless,
  • Upon the whole his carriage was serene:
  • His figure, and the splendour of his dress,
  • Of which some gilded remnants still were seen,
  • Drew all eyes on him, giving them to guess
  • He was above the vulgar by his mien;
  • And then, though pale, he was so very handsome;
  • And then--they calculated on his ransom.
  • Like a backgammon board the place was dotted
  • With whites and blacks, in groups on show for sale,
  • Though rather more irregularly spotted:
  • Some bought the jet, while others chose the pale.
  • It chanced amongst the other people lotted,
  • A man of thirty rather stout and hale,
  • With resolution in his dark grey eye,
  • Next Juan stood, till some might choose to buy.
  • He had an English look; that is, was square
  • In make, of a complexion white and ruddy,
  • Good teeth, with curling rather dark brown hair,
  • And, it might be from thought or toil or study,
  • An open brow a little mark'd with care:
  • One arm had on a bandage rather bloody;
  • And there he stood with such sang-froid, that greater
  • Could scarce be shown even by a mere spectator.
  • But seeing at his elbow a mere lad,
  • Of a high spirit evidently, though
  • At present weigh'd down by a doom which had
  • O'erthrown even men, he soon began to show
  • A kind of blunt compassion for the sad
  • Lot of so young a partner in the woe,
  • Which for himself he seem'd to deem no worse
  • Than any other scrape, a thing of course.
  • 'My boy!' said he, 'amidst this motley crew
  • Of Georgians, Russians, Nubians, and what not,
  • All ragamuffins differing but in hue,
  • With whom it is our luck to cast our lot,
  • The only gentlemen seem I and you;
  • So let us be acquainted, as we ought:
  • If I could yield you any consolation,
  • 'T would give me pleasure.--Pray, what is your nation?'
  • When Juan answer'd--'Spanish!' he replied,
  • 'I thought, in fact, you could not be a Greek;
  • Those servile dogs are not so proudly eyed:
  • Fortune has play'd you here a pretty freak,
  • But that 's her way with all men, till they 're tried;
  • But never mind,--she 'll turn, perhaps, next week;
  • She has served me also much the same as you,
  • Except that I have found it nothing new.'
  • 'Pray, sir,' said Juan, 'if I may presume,
  • What brought you here?'--'Oh! nothing very rare--
  • Six Tartars and a drag-chain.'--'To this doom
  • But what conducted, if the question's fair,
  • Is that which I would learn.'--'I served for some
  • Months with the Russian army here and there,
  • And taking lately, by Suwarrow's bidding,
  • A town, was ta'en myself instead of Widdin.'
  • 'Have you no friends?'--'I had--but, by God's blessing,
  • Have not been troubled with them lately. Now
  • I have answer'd all your questions without pressing,
  • And you an equal courtesy should show.'
  • 'Alas!' said Juan, ''t were a tale distressing,
  • And long besides.'--'Oh! if 't is really so,
  • You 're right on both accounts to hold your tongue;
  • A sad tale saddens doubly, when 't is long.
  • 'But droop not: Fortune at your time of life,
  • Although a female moderately fickle,
  • Will hardly leave you (as she 's not your wife)
  • For any length of days in such a pickle.
  • To strive, too, with our fate were such a strife
  • As if the corn-sheaf should oppose the sickle:
  • Men are the sport of circumstances, when
  • The circumstances seem the sport of men.'
  • ''T is not,' said Juan, 'for my present doom
  • I mourn, but for the past;--I loved a maid:'-
  • He paused, and his dark eye grew full of gloom;
  • A single tear upon his eyelash staid
  • A moment, and then dropp'd; 'but to resume,
  • 'T is not my present lot, as I have said,
  • Which I deplore so much; for I have borne
  • Hardships which have the hardiest overworn,
  • 'On the rough deep. But this last blow-' and here
  • He stopp'd again, and turn'd away his face.
  • 'Ay,' quoth his friend, 'I thought it would appear
  • That there had been a lady in the case;
  • And these are things which ask a tender tear,
  • Such as I, too, would shed if in your place:
  • I cried upon my first wife's dying day,
  • And also when my second ran away:
  • 'My third-'--'Your third!' quoth Juan, turning round;
  • 'You scarcely can be thirty: have you three?'
  • 'No--only two at present above ground:
  • Surely 't is nothing wonderful to see
  • One person thrice in holy wedlock bound!'
  • 'Well, then, your third,' said Juan; 'what did she?
  • She did not run away, too,--did she, sir?'
  • 'No, faith.'--'What then?'--'I ran away from her.'
  • 'You take things coolly, sir,' said Juan. 'Why,'
  • Replied the other, 'what can a man do?
  • There still are many rainbows in your sky,
  • But mine have vanish'd. All, when life is new,
  • Commence with feelings warm, and prospects high;
  • But time strips our illusions of their hue,
  • And one by one in turn, some grand mistake
  • Casts off its bright skin yearly like the snake.
  • ''T is true, it gets another bright and fresh,
  • Or fresher, brighter; but the year gone through,
  • This skin must go the way, too, of all flesh,
  • Or sometimes only wear a week or two;--
  • Love 's the first net which spreads its deadly mesh;
  • Ambition, Avarice, Vengeance, Glory, glue
  • The glittering lime-twigs of our latter days,
  • Where still we flutter on for pence or praise.'
  • 'All this is very fine, and may be true,'
  • Said Juan; 'but I really don't see how
  • It betters present times with me or you.'
  • 'No?' quoth the other; 'yet you will allow
  • By setting things in their right point of view,
  • Knowledge, at least, is gain'd; for instance, now,
  • We know what slavery is, and our disasters
  • May teach us better to behave when masters.'
  • 'Would we were masters now, if but to try
  • Their present lessons on our Pagan friends here,'
  • Said Juan,--swallowing a heart-burning sigh:
  • 'Heaven help the scholar whom his fortune sends here!'
  • 'Perhaps we shall be one day, by and by,'
  • Rejoin'd the other, when our bad luck mends here;
  • Meantime (yon old black eunuch seems to eye us)
  • 'But after all, what is our present state?
  • 'T is bad, and may be better--all men's lot:
  • Most men are slaves, none more so than the great,
  • To their own whims and passions, and what not;
  • Society itself, which should create
  • Kindness, destroys what little we had got:
  • To feel for none is the true social art
  • Of the world's stoics--men without a heart.'
  • Just now a black old neutral personage
  • Of the third sex stept up, and peering over
  • The captives, seem'd to mark their looks and age,
  • And capabilities, as to discover
  • If they were fitted for the purposed cage:
  • No lady e'er is ogled by a lover,
  • Horse by a blackleg, broadcloth by a tailor,
  • Fee by a counsel, felon by a jailor,
  • As is a slave by his intended bidder.
  • 'T is pleasant purchasing our fellow-creatures;
  • And all are to be sold, if you consider
  • Their passions, and are dext'rous; some by features
  • Are bought up, others by a warlike leader,
  • Some by a place--as tend their years or natures;
  • The most by ready cash--but all have prices,
  • From crowns to kicks, according to their vices.
  • The eunuch, having eyed them o'er with care,
  • Turn'd to the merchant, and begun to bid
  • First but for one, and after for the pair;
  • They haggled, wrangled, swore, too--so they did!
  • As though they were in a mere Christian fair
  • Cheapening an ox, an ass, a lamb, or kid;
  • So that their bargain sounded like a battle
  • For this superior yoke of human cattle.
  • At last they settled into simple grumbling,
  • And pulling out reluctant purses, and
  • Turning each piece of silver o'er, and tumbling
  • Some down, and weighing others in their hand,
  • And by mistake sequins with paras jumbling,
  • Until the sum was accurately scann'd,
  • And then the merchant giving change, and signing
  • Receipts in full, began to think of dining.
  • I wonder if his appetite was good?
  • Or, if it were, if also his digestion?
  • Methinks at meals some odd thoughts might intrude,
  • And conscience ask a curious sort of question,
  • About the right divine how far we should
  • Sell flesh and blood. When dinner has opprest one,
  • I think it is perhaps the gloomiest hour
  • Which turns up out of the sad twenty-four.
  • Voltaire says 'No:' he tells you that Candide
  • Found life most tolerable after meals;
  • He 's wrong--unless man were a pig, indeed,
  • Repletion rather adds to what he feels,
  • Unless he 's drunk, and then no doubt he 's freed
  • From his own brain's oppression while it reels.
  • Of food I think with Philip's son, or rather
  • Ammon's (ill pleased with one world and one father);
  • I think with Alexander, that the act
  • Of eating, with another act or two,
  • Makes us feel our mortality in fact
  • Redoubled; when a roast and a ragout,
  • And fish, and soup, by some side dishes back'd,
  • Can give us either pain or pleasure, who
  • Would pique himself on intellects, whose use
  • Depends so much upon the gastric juice?
  • The other evening ('t was on Friday last)--
  • This is a fact and no poetic fable--
  • Just as my great coat was about me cast,
  • My hat and gloves still lying on the table,
  • I heard a shot--'t was eight o'clock scarce past--
  • And, running out as fast as I was able,
  • I found the military commandant
  • Stretch'd in the street, and able scarce to pant.
  • Poor fellow! for some reason, surely bad,
  • They had slain him with five slugs; and left him there
  • To perish on the pavement: so I had
  • Him borne into the house and up the stair,
  • And stripp'd and look'd to--But why should I ad
  • More circumstances? vain was every care;
  • The man was gone: in some Italian quarrel
  • Kill'd by five bullets from an old gun-barrel.
  • I gazed upon him, for I knew him well;
  • And though I have seen many corpses, never
  • Saw one, whom such an accident befell,
  • So calm; though pierced through stomach, heart, and liver,
  • He seem'd to sleep,--for you could scarcely tell
  • (As he bled inwardly, no hideous river
  • Of gore divulged the cause) that he was dead:
  • So as I gazed on him, I thought or said--
  • 'Can this be death? then what is life or death?
  • Speak!' but he spoke not: 'Wake!' but still he slept:--
  • 'But yesterday and who had mightier breath?
  • A thousand warriors by his word were kept
  • In awe: he said, as the centurion saith,
  • "Go," and he goeth; "come," and forth he stepp'd.
  • The trump and bugle till he spake were dumb--
  • And now nought left him but the muffled drum.'
  • And they who waited once and worshipp'd--they
  • With their rough faces throng'd about the bed
  • To gaze once more on the commanding clay
  • Which for the last, though not the first, time bled:
  • And such an end! that he who many a day
  • Had faced Napoleon's foes until they fled,--
  • The foremost in the charge or in the sally,
  • Should now be butcher'd in a civic alley.
  • The scars of his old wounds were near his new,
  • Those honourable scars which brought him fame;
  • And horrid was the contrast to the view--
  • But let me quit the theme; as such things claim
  • Perhaps even more attention than is due
  • From me: I gazed (as oft I have gazed the same)
  • To try if I could wrench aught out of death
  • Which should confirm, or shake, or make a faith;
  • But it was all a mystery. Here we are,
  • And there we go:--but where? five bits of lead,
  • Or three, or two, or one, send very far!
  • And is this blood, then, form'd but to be shed?
  • Can every element our elements mar?
  • And air--earth--water--fire live--and we dead?
  • We whose minds comprehend all things? No more;
  • But let us to the story as before.
  • The purchaser of Juan and acquaintance
  • Bore off his bargains to a gilded boat,
  • Embark'd himself and them, and off they went thence
  • As fast as oars could pull and water float;
  • They look'd like persons being led to sentence,
  • Wondering what next, till the caique was brought
  • Up in a little creek below a wall
  • O'ertopp'd with cypresses, dark-green and tall.
  • Here their conductor tapping at the wicket
  • Of a small iron door, 't was open'd, and
  • He led them onward, first through a low thicket
  • Flank'd by large groves, which tower'd on either hand:
  • They almost lost their way, and had to pick it--
  • For night was dosing ere they came to land.
  • The eunuch made a sign to those on board,
  • Who row'd off, leaving them without a word.
  • As they were plodding on their winding way
  • Through orange bowers, and jasmine, and so forth
  • (Of which I might have a good deal to say,
  • There being no such profusion in the North
  • Of oriental plants, 'et cetera,'
  • But that of late your scribblers think it worth
  • Their while to rear whole hotbeds in their works
  • Because one poet travell'd 'mongst the Turks)--
  • As they were threading on their way, there came
  • Into Don Juan's head a thought, which he
  • Whisper'd to his companion:--'t was the same
  • Which might have then occurr'd to you or me.
  • 'Methinks,' said he, 'it would be no great shame
  • If we should strike a stroke to set us free;
  • Let 's knock that old black fellow on the head,
  • And march away--'t were easier done than said.'
  • 'Yes,' said the other, 'and when done, what then?
  • How get out? how the devil got we in?
  • And when we once were fairly out, and when
  • From Saint Bartholomew we have saved our skin,
  • To-morrow 'd see us in some other den,
  • And worse off than we hitherto have been;
  • Besides, I 'm hungry, and just now would take,
  • Like Esau, for my birthright a beef-steak.
  • 'We must be near some place of man's abode;--
  • For the old negro's confidence in creeping,
  • With his two captives, by so queer a road,
  • Shows that he thinks his friends have not been sleeping;
  • A single cry would bring them all abroad:
  • 'T is therefore better looking before leaping--
  • And there, you see, this turn has brought us through,
  • By Jove, a noble palace!--lighted too.'
  • It was indeed a wide extensive building
  • Which open'd on their view, and o'er the front
  • There seem'd to be besprent a deal of gilding
  • And various hues, as is the Turkish wont,--
  • A gaudy taste; for they are little skill'd in
  • The arts of which these lands were once the font:
  • Each villa on the Bosphorus looks a screen
  • New painted, or a pretty opera-scene.
  • And nearer as they came, a genial savour
  • Of certain stews, and roast-meats, and pilaus,
  • Things which in hungry mortals' eyes find favour,
  • Made Juan in his harsh intentions pause,
  • And put himself upon his good behaviour:
  • His friend, too, adding a new saving clause,
  • Said, 'In Heaven's name let's get some supper now,
  • And then I 'm with you, if you 're for a row.'
  • Some talk of an appeal unto some passion,
  • Some to men's feelings, others to their reason;
  • The last of these was never much the fashion,
  • For reason thinks all reasoning out of season.
  • Some speakers whine, and others lay the lash on,
  • But more or less continue still to tease on,
  • With arguments according to their 'forte;'
  • But no one dreams of ever being short.-
  • But I digress: of all appeals,--although
  • I grant the power of pathos, and of gold,
  • Of beauty, flattery, threats, a shilling,--no
  • Method 's more sure at moments to take hold
  • Of the best feelings of mankind, which grow
  • More tender, as we every day behold,
  • Than that all-softening, overpowering knell,
  • The tocsin of the soul--the dinner-bell.
  • Turkey contains no bells, and yet men dine;
  • And Juan and his friend, albeit they heard
  • No Christian knoll to table, saw no line
  • Of lackeys usher to the feast prepared,
  • Yet smelt roast-meat, beheld a huge fire shine,
  • And cooks in motion with their clean arms bared,
  • And gazed around them to the left and right
  • With the prophetic eye of appetite.
  • And giving up all notions of resistance,
  • They follow'd close behind their sable guide,
  • Who little thought that his own crack'd existence
  • Was on the point of being set aside:
  • He motion'd them to stop at some small distance,
  • And knocking at the gate, 't was open'd wide,
  • And a magnificent large hall display'd
  • The Asian pomp of Ottoman parade.
  • I won't describe; description is my forte,
  • But every fool describes in these bright days
  • His wondrous journey to some foreign court,
  • And spawns his quarto, and demands your praise--
  • Death to his publisher, to him 't is sport;
  • While Nature, tortured twenty thousand ways,
  • Resigns herself with exemplary patience
  • To guide-books, rhymes, tours, sketches, illustrations.
  • Along this hall, and up and down, some, squatted
  • Upon their hams, were occupied at chess;
  • Others in monosyllable talk chatted,
  • And some seem'd much in love with their own dress.
  • And divers smoked superb pipes decorated
  • With amber mouths of greater price or less;
  • And several strutted, others slept, and some
  • Prepared for supper with a glass of rum.
  • As the black eunuch enter'd with his brace
  • Of purchased Infidels, some raised their eyes
  • A moment without slackening from their pace;
  • But those who sate ne'er stirr'd in anywise:
  • One or two stared the captives in the face,
  • Just as one views a horse to guess his price;
  • Some nodded to the negro from their station,
  • But no one troubled him with conversation.
  • He leads them through the hall, and, without stopping,
  • On through a farther range of goodly rooms,
  • Splendid but silent, save in one, where, dropping,
  • A marble fountain echoes through the glooms
  • Of night which robe the chamber, or where popping
  • Some female head most curiously presumes
  • To thrust its black eyes through the door or lattice,
  • As wondering what the devil a noise that is.
  • Some faint lamps gleaming from the lofty walls
  • Gave light enough to hint their farther way,
  • But not enough to show the imperial halls,
  • In all the flashing of their full array;
  • Perhaps there 's nothing--I 'll not say appals,
  • But saddens more by night as well as day,
  • Than an enormous room without a soul
  • To break the lifeless splendour of the whole.
  • Two or three seem so little, one seems nothing:
  • In deserts, forests, crowds, or by the shore,
  • There solitude, we know, has her full growth in
  • The spots which were her realms for evermore;
  • But in a mighty hall or gallery, both in
  • More modern buildings and those built of yore,
  • A kind of death comes o'er us all alone,
  • Seeing what 's meant for many with but one.
  • A neat, snug study on a winter's night,
  • A book, friend, single lady, or a glass
  • Of claret, sandwich, and an appetite,
  • Are things which make an English evening pass;
  • Though certes by no means so grand a sight
  • As is a theatre lit up by gas.
  • I pass my evenings in long galleries solely,
  • And that 's the reason I 'm so melancholy.
  • Alas! man makes that great which makes him little:
  • I grant you in a church 't is very well:
  • What speaks of Heaven should by no means be brittle,
  • But strong and lasting, till no tongue can tell
  • Their names who rear'd it; but huge houses fit ill--
  • And huge tombs worse--mankind, since Adam fell:
  • Methinks the story of the tower of Babel
  • Might teach them this much better than I 'm able.
  • Babel was Nimrod's hunting-box, and then
  • A town of gardens, walls, and wealth amazing,
  • Where Nabuchadonosor, king of men,
  • Reign'd, till one summer's day he took to grazing,
  • And Daniel tamed the lions in their den,
  • The people's awe and admiration raising;
  • 'T was famous, too, for Thisbe and for Pyramus,
  • And the calumniated queen Semiramis.
  • That injured Queen by chroniclers so coarse
  • Has been accused (I doubt not by conspiracy)
  • Of an improper friendship for her horse
  • (Love, like religion, sometimes runs to heresy):
  • This monstrous tale had probably its source
  • (For such exaggerations here and there I see)
  • In writing 'Courser' by mistake for 'Courier:'
  • I wish the case could come before a jury here.
  • But to resume,--should there be (what may not
  • Be in these days?) some infidels, who don't,
  • Because they can't find out the very spot
  • Of that same Babel, or because they won't
  • (Though Claudius Rich, Esquire, some bricks has got,
  • And written lately two memoirs upon't),
  • Believe the Jews, those unbelievers, who
  • Must be believed, though they believe not you,
  • Yet let them think that Horace has exprest
  • Shortly and sweetly the masonic folly
  • Of those, forgetting the great place of rest,
  • Who give themselves to architecture wholly;
  • We know where things and men must end at best:
  • A moral (like all morals) melancholy,
  • And 'Et sepulchri immemor struis domos'
  • Shows that we build when we should but entomb us.
  • At last they reach'd a quarter most retired,
  • Where echo woke as if from a long slumber;
  • Though full of all things which could be desired,
  • One wonder'd what to do with such a number
  • Of articles which nobody required;
  • Here wealth had done its utmost to encumber
  • With furniture an exquisite apartment,
  • Which puzzled Nature much to know what Art meant.
  • It seem'd, however, but to open on
  • A range or suite of further chambers, which
  • Might lead to heaven knows where; but in this one
  • The movables were prodigally rich:
  • Sofas 't was half a sin to sit upon,
  • So costly were they; carpets every stitch
  • Of workmanship so rare, they made you wish
  • You could glide o'er them like a golden fish.
  • The black, however, without hardly deigning
  • A glance at that which wrapt the slaves in wonder,
  • Trampled what they scarce trod for fear of staining,
  • As if the milky way their feet was under
  • With all its stars; and with a stretch attaining
  • A certain press or cupboard niched in yonder--
  • In that remote recess which you may see--
  • Or if you don't the fault is not in me,--
  • I wish to be perspicuous; and the black,
  • I say, unlocking the recess, pull'd forth
  • A quantity of clothes fit for the back
  • Of any Mussulman, whate'er his worth;
  • And of variety there was no lack--
  • And yet, though I have said there was no dearth,
  • He chose himself to point out what he thought
  • Most proper for the Christians he had bought.
  • The suit he thought most suitable to each
  • Was, for the elder and the stouter, first
  • A Candiote cloak, which to the knee might reach,
  • And trousers not so tight that they would burst,
  • But such as fit an Asiatic breech;
  • A shawl, whose folds in Cashmire had been nurst,
  • Slippers of saffron, dagger rich and handy;
  • In short, all things which form a Turkish Dandy.
  • While he was dressing, Baba, their black friend,
  • Hinted the vast advantages which they
  • Might probably attain both in the end,
  • If they would but pursue the proper way
  • Which fortune plainly seem'd to recommend;
  • And then he added, that he needs must say,
  • ''T would greatly tend to better their condition,
  • If they would condescend to circumcision.
  • 'For his own part, he really should rejoice
  • To see them true believers, but no less
  • Would leave his proposition to their choice.'
  • The other, thanking him for this excess
  • Of goodness, in thus leaving them a voice
  • In such a trifle, scarcely could express
  • 'Sufficiently' (he said) 'his approbation
  • Of all the customs of this polish'd nation.
  • 'For his own share--he saw but small objection
  • To so respectable an ancient rite;
  • And, after swallowing down a slight refection,
  • For which he own'd a present appetite,
  • He doubted not a few hours of reflection
  • Would reconcile him to the business quite.'
  • 'Will it?' said Juan, sharply: 'Strike me dead,
  • But they as soon shall circumcise my head!
  • 'Cut off a thousand heads, before-'--'Now, pray,'
  • Replied the other, 'do not interrupt:
  • You put me out in what I had to say.
  • Sir!--as I said, as soon as I have supt,
  • I shall perpend if your proposal may
  • Be such as I can properly accept;
  • Provided always your great goodness still
  • Remits the matter to our own free-will.'
  • Baba eyed Juan, and said, 'Be so good
  • As dress yourself-' and pointed out a suit
  • In which a Princess with great pleasure would
  • Array her limbs; but Juan standing mute,
  • As not being in a masquerading mood,
  • Gave it a slight kick with his Christian foot;
  • And when the old negro told him to 'Get ready,'
  • Replied, 'Old gentleman, I 'm not a lady.'
  • 'What you may be, I neither know nor care,'
  • Said Baba; 'but pray do as I desire:
  • I have no more time nor many words to spare.'
  • 'At least,' said Juan, 'sure I may enquire
  • The cause of this odd travesty?'--'Forbear,'
  • Said Baba, 'to be curious; 't will transpire,
  • No doubt, in proper place, and time, and season:
  • I have no authority to tell the reason.'
  • 'Then if I do,' said Juan, 'I 'll be-'--'Hold!'
  • Rejoin'd the negro, 'pray be not provoking;
  • This spirit 's well, but it may wax too bold,
  • And you will find us not top fond of joking.'
  • 'What, sir!' said Juan, 'shall it e'er be told
  • That I unsex'd my dress?' But Baba, stroking
  • The things down, said, 'Incense me, and I call
  • Those who will leave you of no sex at all.
  • 'I offer you a handsome suit of clothes:
  • A woman's, true; but then there is a cause
  • Why you should wear them.'--'What, though my soul loathes
  • The effeminate garb?'--thus, after a short pause,
  • Sigh'd Juan, muttering also some slight oaths,
  • 'What the devil shall I do with all this gauze?'
  • Thus he profanely term'd the finest lace
  • Which e'er set off a marriage-morning face.
  • And then he swore; and, sighing, on he slipp'd
  • A pair of trousers of flesh-colour'd silk;
  • Next with a virgin zone he was equipp'd,
  • Which girt a slight chemise as white as milk;
  • But tugging on his petticoat, he tripp'd,
  • Which--as we say--or, as the Scotch say, whilk
  • (The rhyme obliges me to this; sometimes
  • Monarchs are less imperative than rhymes)--
  • Whilk, which (or what you please), was owing to
  • His garment's novelty, and his being awkward:
  • And yet at last he managed to get through
  • His toilet, though no doubt a little backward:
  • The negro Baba help'd a little too,
  • When some untoward part of raiment stuck hard;
  • And, wrestling both his arms into a gown,
  • He paused, and took a survey up and down.
  • One difficulty still remain'd--his hair
  • Was hardly long enough; but Baba found
  • So many false long tresses all to spare,
  • That soon his head was most completely crown'd,
  • After the manner then in fashion there;
  • And this addition with such gems was bound
  • As suited the ensemble of his toilet,
  • While Baba made him comb his head and oil it.
  • And now being femininely all array'd,
  • With some small aid from scissors, paint, and tweezers,
  • He look'd in almost all respects a maid,
  • And Baba smilingly exclaim'd, 'You see, sirs,
  • A perfect transformation here display'd;
  • And now, then, you must come along with me, sirs,
  • That is--the Lady:' clapping his hands twice,
  • Four blacks were at his elbow in a trice.
  • 'You, sir,' said Baba, nodding to the one,
  • 'Will please to accompany those gentlemen
  • To supper; but you, worthy Christian nun,
  • Will follow me: no trifling, sir; for when
  • I say a thing, it must at once be done.
  • What fear you? think you this a lion's den?
  • Why, 't is a palace; where the truly wise
  • Anticipate the Prophet's paradise.
  • 'You fool! I tell you no one means you harm.'
  • 'So much the better,' Juan said, 'for them;
  • Else they shall feel the weight of this my arm,
  • Which is not quite so light as you may deem.
  • I yield thus far; but soon will break the charm
  • If any take me for that which I seem:
  • So that I trust for everybody's sake,
  • That this disguise may lead to no mistake.'
  • 'Blockhead! come on, and see,' quoth Baba; while
  • Don Juan, turning to his comrade, who
  • Though somewhat grieved, could scarce forbear a smile
  • Upon the metamorphosis in view,--
  • 'Farewell!' they mutually exclaim'd: 'this soil
  • Seems fertile in adventures strange and new;
  • One 's turn'd half Mussulman, and one a maid,
  • By this old black enchanter's unsought aid.'
  • 'Farewell!' said Juan: 'should we meet no more,
  • I wish you a good appetite.'--'Farewell!'
  • Replied the other; 'though it grieves me sore;
  • When we next meet we 'll have a tale to tell:
  • We needs must follow when Fate puts from shore.
  • Keep your good name; though Eve herself once fell.'
  • 'Nay,' quoth the maid, 'the Sultan's self shan't carry me,
  • Unless his highness promises to marry me.
  • And thus they parted, each by separate doors;
  • Baba led Juan onward room by room
  • Through glittering galleries and o'er marble floors,
  • Till a gigantic portal through the gloom,
  • Haughty and huge, along the distance lowers;
  • And wafted far arose a rich perfume:
  • It seem'd as though they came upon a shrine,
  • For all was vast, still, fragrant, and divine.
  • The giant door was broad, and bright, and high,
  • Of gilded bronze, and carved in curious guise;
  • Warriors thereon were battling furiously;
  • Here stalks the victor, there the vanquish'd lies;
  • There captives led in triumph droop the eye,
  • And in perspective many a squadron flies:
  • It seems the work of times before the line
  • Of Rome transplanted fell with Constantine.
  • This massy portal stood at the wide close
  • Of a huge hall, and on its either side
  • Two little dwarfs, the least you could suppose,
  • Were sate, like ugly imps, as if allied
  • In mockery to the enormous gate which rose
  • O'er them in almost pyramidic pride:
  • The gate so splendid was in all its features,
  • You never thought about those little creatures,
  • Until you nearly trod on them, and then
  • You started back in horror to survey
  • The wondrous hideousness of those small men,
  • Whose colour was not black, nor white, nor grey,
  • But an extraneous mixture, which no pen
  • Can trace, although perhaps the pencil may;
  • They were mis-shapen pigmies, deaf and dumb--
  • Monsters, who cost a no less monstrous sum.
  • Their duty was--for they were strong, and though
  • They look'd so little, did strong things at times--
  • To ope this door, which they could really do,
  • The hinges being as smooth as Rogers' rhymes;
  • And now and then, with tough strings of the bow,
  • As is the custom of those Eastern climes,
  • To give some rebel Pacha a cravat;
  • For mutes are generally used for that.
  • They spoke by signs--that is, not spoke at all;
  • And looking like two incubi, they glared
  • As Baba with his fingers made them fall
  • To heaving back the portal folds: it scared
  • Juan a moment, as this pair so small
  • With shrinking serpent optics on him stared;
  • It was as if their little looks could poison
  • Or fascinate whome'er they fix'd their eyes on.
  • Before they enter'd, Baba paused to hint
  • To Juan some slight lessons as his guide:
  • 'If you could just contrive,' he said, 'to stint
  • That somewhat manly majesty of stride,
  • 'T would be as well, and (though there 's not much in 't)
  • To swing a little less from side to side,
  • Which has at times an aspect of the oddest;--
  • And also could you look a little modest,
  • ''T would be convenient; for these mutes have eyes
  • Like needles, which may pierce those petticoats;
  • And if they should discover your disguise,
  • You know how near us the deep Bosphorus floats;
  • And you and I may chance, ere morning rise,
  • To find our way to Marmora without boats,
  • Stitch'd up in sacks--a mode of navigation
  • A good deal practised here upon occasion.'
  • With this encouragement, he led the way
  • Into a room still nobler than the last;
  • A rich confusion form'd a disarray
  • In such sort, that the eye along it cast
  • Could hardly carry anything away,
  • Object on object flash'd so bright and fast;
  • A dazzling mass of gems, and gold, and glitter,
  • Magnificently mingled in a litter.
  • Wealth had done wonders--taste not much; such things
  • Occur in Orient palaces, and even
  • In the more chasten'd domes of Western kings
  • (Of which I have also seen some six or seven),
  • Where I can't say or gold or diamond flings
  • Great lustre, there is much to be forgiven;
  • Groups of bad statues, tables, chairs, and pictures,
  • On which I cannot pause to make my strictures.
  • In this imperial hall, at distance lay
  • Under a canopy, and there reclined
  • Quite in a confidential queenly way,
  • A lady; Baba stopp'd, and kneeling sign'd
  • To Juan, who though not much used to pray,
  • Knelt down by instinct, wondering in his mind,
  • What all this meant: while Baba bow'd and bended
  • His head, until the ceremony ended.
  • The lady rising up with such an air
  • As Venus rose with from the wave, on them
  • Bent like an antelope a Paphian pair
  • Of eyes, which put out each surrounding gem;
  • And raising up an arm as moonlight fair,
  • She sign'd to Baba, who first kiss'd the hem
  • Of her deep purple robe, and speaking low,
  • Pointed to Juan who remain'd below.
  • Her presence was as lofty as her state;
  • Her beauty of that overpowering kind,
  • Whose force description only would abate:
  • I 'd rather leave it much to your own mind,
  • Than lessen it by what I could relate
  • Of forms and features; it would strike you blind
  • Could I do justice to the full detail;
  • So, luckily for both, my phrases fail.
  • Thus much however I may add,--her years
  • Were ripe, they might make six-and-twenty springs;
  • But there are forms which Time to touch forbears,
  • And turns aside his scythe to vulgar things,
  • Such as was Mary's Queen of Scots; true--tears
  • And love destroy; and sapping sorrow wrings
  • Charms from the charmer, yet some never grow
  • Ugly; for instance--Ninon de l'Enclos.
  • She spake some words to her attendants, who
  • Composed a choir of girls, ten or a dozen,
  • And were all clad alike; like Juan, too,
  • Who wore their uniform, by Baba chosen;
  • They form'd a very nymph-like looking crew,
  • Which might have call'd Diana's chorus 'cousin,'
  • As far as outward show may correspond;
  • I won't be bail for anything beyond.
  • They bow'd obeisance and withdrew, retiring,
  • But not by the same door through which came in
  • Baba and Juan, which last stood admiring,
  • At some small distance, all he saw within
  • This strange saloon, much fitted for inspiring
  • Marvel and praise; for both or none things win;
  • And I must say, I ne'er could see the very
  • Great happiness of the 'Nil Admirari.'
  • 'Not to admire is all the art I know
  • (Plain truth, dear Murray, needs few flowers of speech)
  • To make men happy, or to keep them so'
  • (So take it in the very words of Creech)--
  • Thus Horace wrote we all know long ago;
  • And thus Pope quotes the precept to re-teach
  • From his translation; but had none admired,
  • Would Pope have sung, or Horace been inspired?
  • Baba, when all the damsels were withdrawn,
  • Motion'd to Juan to approach, and then
  • A second time desired him to kneel down,
  • And kiss the lady's foot; which maxim when
  • He heard repeated, Juan with a frown
  • Drew himself up to his full height again,
  • And said, 'It grieved him, but he could not stoop
  • To any shoe, unless it shod the Pope.'
  • Baba, indignant at this ill-timed pride,
  • Made fierce remonstrances, and then a threat
  • He mutter'd (but the last was given aside)
  • About a bow-string--quite in vain; not yet
  • Would Juan bend, though 't were to Mahomet's bride:
  • There 's nothing in the world like etiquette
  • In kingly chambers or imperial halls,
  • As also at the race and county balls.
  • He stood like Atlas, with a world of words
  • About his ears, and nathless would not bend:
  • The blood of all his line 's Castilian lords
  • Boil'd in his veins, and rather than descend
  • To stain his pedigree a thousand swords
  • A thousand times of him had made an end;
  • At length perceiving the 'foot' could not stand,
  • Baba proposed that he should kiss the hand.
  • Here was an honourable compromise,
  • A half-way house of diplomatic rest,
  • Where they might meet in much more peaceful guise;
  • And Juan now his willingness exprest
  • To use all fit and proper courtesies,
  • Adding, that this was commonest and best,
  • For through the South the custom still commands
  • The gentleman to kiss the lady's hands.
  • And he advanced, though with but a bad grace,
  • Though on more thorough-bred or fairer fingers
  • No lips e'er left their transitory trace;
  • On such as these the lip too fondly lingers,
  • And for one kiss would fain imprint a brace,
  • As you will see, if she you love shall bring hers
  • In contact; and sometimes even a fair stranger's
  • An almost twelvemonth's constancy endangers.
  • The lady eyed him o'er and o'er, and bade
  • Baba retire, which he obey'd in style,
  • As if well used to the retreating trade;
  • And taking hints in good part all the while,
  • He whisper'd Juan not to be afraid,
  • And looking on him with a sort of smile,
  • Took leave, with such a face of satisfaction
  • As good men wear who have done a virtuous action.
  • When he was gone, there was a sudden change:
  • I know not what might be the lady's thought,
  • But o'er her bright brow flash'd a tumult strange,
  • And into her dear cheek the blood was brought,
  • Blood-red as sunset summer clouds which range
  • The verge of Heaven; and in her large eyes wrought,
  • A mixture of sensations might be scann'd,
  • Of half voluptuousness and half command.
  • Her form had all the softness of her sex,
  • Her features all the sweetness of the devil,
  • When he put on the cherub to perplex
  • Eve, and paved (God knows how) the road to evil;
  • The sun himself was scarce more free from specks
  • Than she from aught at which the eye could cavil;
  • Yet, somehow, there was something somewhere wanting,
  • As if she rather order'd than was granting.
  • Something imperial, or imperious, threw
  • A chain o'er all she did; that is, a chain
  • Was thrown as 't were about the neck of you,--
  • And rapture's self will seem almost a pain
  • With aught which looks like despotism in view:
  • Our souls at least are free, and 't is in vain
  • We would against them make the flesh obey--
  • The spirit in the end will have its way.
  • Her very smile was haughty, though so sweet;
  • Her very nod was not an inclination;
  • There was a self-will even in her small feet,
  • As though they were quite conscious of her station--
  • They trod as upon necks; and to complete
  • Her state (it is the custom of her nation),
  • A poniard deck'd her girdle, as the sign
  • She was a sultan's bride (thank Heaven, not mine!).
  • 'To hear and to obey' had been from birth
  • The law of all around her; to fulfill
  • All phantasies which yielded joy or mirth,
  • Had been her slaves' chief pleasure, as her will;
  • Her blood was high, her beauty scarce of earth:
  • Judge, then, if her caprices e'er stood still;
  • Had she but been a Christian, I 've a notion
  • We should have found out the 'perpetual motion.'
  • Whate'er she saw and coveted was brought;
  • Whate'er she did not see, if she supposed
  • It might be seen, with diligence was sought,
  • And when 't was found straightway the bargain closed;
  • There was no end unto the things she bought,
  • Nor to the trouble which her fancies caused;
  • Yet even her tyranny had such a grace,
  • The women pardon'd all except her face.
  • Juan, the latest of her whims, had caught
  • Her eye in passing on his way to sale;
  • She order'd him directly to be bought,
  • And Baba, who had ne'er been known to fail
  • In any kind of mischief to be wrought,
  • At all such auctions knew how to prevail:
  • She had no prudence, but he had; and this
  • Explains the garb which Juan took amiss.
  • His youth and features favour'd the disguise,
  • And, should you ask how she, a sultan's bride,
  • Could risk or compass such strange phantasies,
  • This I must leave sultanas to decide:
  • Emperors are only husbands in wives' eyes,
  • And kings and consorts oft are mystified,
  • As we may ascertain with due precision,
  • Some by experience, others by tradition.
  • But to the main point, where we have been tending:--
  • She now conceived all difficulties past,
  • And deem'd herself extremely condescending
  • When, being made her property at last,
  • Without more preface, in her blue eyes blending
  • Passion and power, a glance on him she cast,
  • And merely saying, 'Christian, canst thou love?'
  • Conceived that phrase was quite enough to move
  • And so it was, in proper time and place;
  • But Juan, who had still his mind o'erflowing
  • With Haidee's isle and soft Ionian face,
  • Felt the warm blood, which in his face was glowing,
  • Rush back upon his heart, which fill'd apace,
  • And left his cheeks as pale as snowdrops blowing;
  • These words went through his soul like Arab-spears,
  • So that he spoke not, but burst into tears.
  • She was a good deal shock'd; not shock'd at tears,
  • For women shed and use them at their liking;
  • But there is something when man's eye appears
  • Wet, still more disagreeable and striking;
  • A woman's tear-drop melts, a man's half sears,
  • Like molten lead, as if you thrust a pike in
  • His heart to force it out, for (to be shorter)
  • To them 't is a relief, to us a torture.
  • And she would have consoled, but knew not how:
  • Having no equals, nothing which had e'er
  • Infected her with sympathy till now,
  • And never having dreamt what 't was to bear
  • Aught of a serious, sorrowing kind, although
  • There might arise some pouting petty care
  • To cross her brow, she wonder'd how so near
  • Her eyes another's eye could shed a tear.
  • But nature teaches more than power can spoil,
  • And, when a strong although a strange sensation
  • Moves--female hearts are such a genial soil
  • For kinder feelings, whatsoe'er their nation,
  • They naturally pour the 'wine and oil,'
  • Samaritans in every situation;
  • And thus Gulbeyaz, though she knew not why,
  • Felt an odd glistening moisture in her eye.
  • But tears must stop like all things else; and soon
  • Juan, who for an instant had been moved
  • To such a sorrow by the intrusive tone
  • Of one who dared to ask if 'he had loved,'
  • Call'd back the stoic to his eyes, which shone
  • Bright with the very weakness he reproved;
  • And although sensitive to beauty, he
  • Felt most indignant still at not being free.
  • Gulbeyaz, for the first time in her days,
  • Was much embarrass'd, never having met
  • In all her life with aught save prayers and praise;
  • And as she also risk'd her life to get
  • Him whom she meant to tutor in love's ways
  • Into a comfortable tete-a-tete,
  • To lose the hour would make her quite a martyr,
  • And they had wasted now almost a quarter.
  • I also would suggest the fitting time
  • To gentlemen in any such like case,
  • That is to say in a meridian clime--
  • With us there is more law given to the chase,
  • But here a small delay forms a great crime:
  • So recollect that the extremest grace
  • Is just two minutes for your declaration--
  • A moment more would hurt your reputation.
  • Juan's was good; and might have been still better,
  • But he had got Haidee into his head:
  • However strange, he could not yet forget her,
  • Which made him seem exceedingly ill-bred.
  • Gulbeyaz, who look'd on him as her debtor
  • For having had him to her palace led,
  • Began to blush up to the eyes, and then
  • Grow deadly pale, and then blush back again.
  • At length, in an imperial way, she laid
  • Her hand on his, and bending on him eyes
  • Which needed not an empire to persuade,
  • Look'd into his for love, where none replies:
  • Her brow grew black, but she would not upbraid,
  • That being the last thing a proud woman tries;
  • She rose, and pausing one chaste moment, threw
  • Herself upon his breast, and there she grew.
  • This was an awkward test, as Juan found,
  • But he was steel'd by sorrow, wrath, and pride:
  • With gentle force her white arms he unwound,
  • And seated her all drooping by his side,
  • Then rising haughtily he glanced around,
  • And looking coldly in her face, he cried,
  • 'The prison'd eagle will not pair, nor
  • Serve a Sultana's sensual phantasy.
  • 'Thou ask'st if I can love? be this the proof
  • How much I have loved--that I love not thee!
  • In this vile garb, the distaff, web, and woof,
  • Were fitter for me: Love is for the free!
  • I am not dazzled by this splendid roof,
  • Whate'er thy power, and great it seems to be;
  • Heads bow, knees bend, eyes watch around a throne,
  • And hands obey--our hearts are still our own.'
  • This was a truth to us extremely trite;
  • Not so to her, who ne'er had heard such things:
  • She deem'd her least command must yield delight,
  • Earth being only made for queens and kings.
  • If hearts lay on the left side or the right
  • She hardly knew, to such perfection brings
  • Legitimacy its born votaries, when
  • Aware of their due royal rights o'er men.
  • Besides, as has been said, she was so fair
  • As even in a much humbler lot had made
  • A kingdom or confusion anywhere,
  • And also, as may be presumed, she laid
  • Some stress on charms, which seldom are, if e'er,
  • By their possessors thrown into the shade:
  • She thought hers gave a double 'right divine;'
  • And half of that opinion 's also mine.
  • Remember, or (if you can not) imagine,
  • Ye, who have kept your chastity when young,
  • While some more desperate dowager has been waging
  • Love with you, and been in the dog-days stung
  • By your refusal, recollect her raging!
  • Or recollect all that was said or sung
  • On such a subject; then suppose the face
  • Of a young downright beauty in this case.
  • Suppose,--but you already have supposed,
  • The spouse of Potiphar, the Lady Booby,
  • Phaedra, and all which story has disclosed
  • Of good examples; pity that so few by
  • Poets and private tutors are exposed,
  • To educate--ye youth of Europe--you by!
  • But when you have supposed the few we know,
  • You can't suppose Gulbeyaz' angry brow.
  • A tigress robb'd of young, a lioness,
  • Or any interesting beast of prey,
  • Are similes at hand for the distress
  • Of ladies who can not have their own way;
  • But though my turn will not be served with less,
  • These don't express one half what I should say:
  • For what is stealing young ones, few or many,
  • To cutting short their hopes of having any?
  • The love of offspring 's nature's general law,
  • From tigresses and cubs to ducks and ducklings;
  • There 's nothing whets the beak, or arms the claw
  • Like an invasion of their babes and sucklings;
  • And all who have seen a human nursery, saw
  • How mothers love their children's squalls and chucklings;
  • This strong extreme effect (to tire no longer
  • Your patience) shows the cause must still be stronger.
  • If I said fire flash'd from Gulbeyaz' eyes,
  • 'T were nothing--for her eyes flash'd always fire;
  • Or said her cheeks assumed the deepest dyes,
  • I should but bring disgrace upon the dyer,
  • So supernatural was her passion's rise;
  • For ne'er till now she knew a check'd desire:
  • Even ye who know what a check'd woman is
  • (Enough, God knows!) would much fall short of this.
  • Her rage was but a minute's, and 't was well--
  • A moment's more had slain her; but the while
  • It lasted 't was like a short glimpse of hell:
  • Nought 's more sublime than energetic bile,
  • Though horrible to see yet grand to tell,
  • Like ocean warring 'gainst a rocky isle;
  • And the deep passions flashing through her form
  • Made her a beautiful embodied storm.
  • A vulgar tempest 't were to a typhoon
  • To match a common fury with her rage,
  • And yet she did not want to reach the moon,
  • Like moderate Hotspur on the immortal page;
  • Her anger pitch'd into a lower tune,
  • Perhaps the fault of her soft sex and age--
  • Her wish was but to 'kill, kill, kill,' like Lear's,
  • And then her thirst of blood was quench'd in tears.
  • A storm it raged, and like the storm it pass'd,
  • Pass'd without words--in fact she could not speak;
  • And then her sex's shame broke in at last,
  • A sentiment till then in her but weak,
  • But now it flow'd in natural and fast,
  • As water through an unexpected leak;
  • For she felt humbled--and humiliation
  • Is sometimes good for people in her station
  • It teaches them that they are flesh and blood,
  • It also gently hints to them that others,
  • Although of clay, are yet not quite of mud;
  • That urns and pipkins are but fragile brothers,
  • And works of the same pottery, bad or good,
  • Though not all born of the same sires and mothers:
  • It teaches--Heaven knows only what it teaches,
  • But sometimes it may mend, and often reaches.
  • Her first thought was to cut off Juan's head;
  • Her second, to cut only his--acquaintance;
  • Her third, to ask him where he had been bred;
  • Her fourth, to rally him into repentance;
  • Her fifth, to call her maids and go to bed;
  • Her sixth, to stab herself; her seventh, to sentence
  • The lash to Baba:--but her grand resource
  • Was to sit down again, and cry of course.
  • She thought to stab herself, but then she had
  • The dagger close at hand, which made it awkward;
  • For Eastern stays are little made to pad,
  • So that a poniard pierces if 't is stuck hard:
  • She thought of killing Juan--but, poor lad!
  • Though he deserved it well for being so backward,
  • The cutting off his head was not the art
  • Most likely to attain her aim--his heart.
  • Juan was moved; he had made up his mind
  • To be impaled, or quarter'd as a dish
  • For dogs, or to be slain with pangs refined,
  • Or thrown to lions, or made baits for fish,
  • And thus heroically stood resign'd,
  • Rather than sin--except to his own wish:
  • But all his great preparatives for dying
  • Dissolved like snow before a woman crying.
  • As through his palms Bob Acres' valour oozed,
  • So Juan's virtue ebb'd, I know not how;
  • And first he wonder'd why he had refused;
  • And then, if matters could be made up now;
  • And next his savage virtue he accused,
  • Just as a friar may accuse his vow,
  • Or as a dame repents her of her oath,
  • Which mostly ends in some small breach of both.
  • So he began to stammer some excuses;
  • But words are not enough in such a matter,
  • Although you borrow'd all that e'er the muses
  • Have sung, or even a Dandy's dandiest chatter,
  • Or all the figures Castlereagh abuses;
  • Just as a languid smile began to flatter
  • His peace was making, but before he ventured
  • Further, old Baba rather briskly enter'd.
  • 'Bride of the Sun! and Sister of the Moon!'
  • ('T was thus he spake) 'and Empress of the Earth!
  • Whose frown would put the spheres all out of tune,
  • Whose smile makes all the planets dance with mirth,
  • Your slave brings tidings--he hopes not too soon--
  • Which your sublime attention may be worth:
  • The Sun himself has sent me like a ray,
  • To hint that he is coming up this way.'
  • 'Is it,' exclaim'd Gulbeyaz, 'as you say?
  • I wish to heaven he would not shine till morning!
  • But bid my women form the milky way.
  • Hence, my old comet! give the stars due warning--
  • And, Christian! mingle with them as you may,
  • And as you 'd have me pardon your past scorning-'
  • Here they were interrupted by a humming
  • Sound, and then by a cry, 'The Sultan 's coming!'
  • First came her damsels, a decorous file,
  • And then his Highness' eunuchs, black and white;
  • The train might reach a quarter of a mile:
  • His majesty was always so polite
  • As to announce his visits a long while
  • Before he came, especially at night;
  • For being the last wife of the Emperour,
  • She was of course the favorite of the four.
  • His Highness was a man of solemn port,
  • Shawl'd to the nose, and bearded to the eyes,
  • Snatch'd from a prison to preside at court,
  • His lately bowstrung brother caused his rise;
  • He was as good a sovereign of the sort
  • As any mention'd in the histories
  • Of Cantemir, or Knolles, where few shine
  • Save Solyman, the glory of their line.
  • He went to mosque in state, and said his prayers
  • With more than 'Oriental scrupulosity;'
  • He left to his vizier all state affairs,
  • And show'd but little royal curiosity:
  • I know not if he had domestic cares--
  • No process proved connubial animosity;
  • Four wives and twice five hundred maids, unseen,
  • Were ruled as calmly as a Christian queen.
  • If now and then there happen'd a slight slip,
  • Little was heard of criminal or crime;
  • The story scarcely pass'd a single lip--
  • The sack and sea had settled all in time,
  • From which the secret nobody could rip:
  • The Public knew no more than does this rhyme;
  • No scandals made the daily press a curse--
  • Morals were better, and the fish no worse.
  • He saw with his own eyes the moon was round,
  • Was also certain that the earth was square,
  • Because he had journey'd fifty miles, and found
  • No sign that it was circular anywhere;
  • His empire also was without a bound:
  • 'T is true, a little troubled here and there,
  • By rebel pachas, and encroaching giaours,
  • But then they never came to 'the Seven Towers;'
  • Except in shape of envoys, who were sent
  • To lodge there when a war broke out, according
  • To the true law of nations, which ne'er meant
  • Those scoundrels, who have never had a sword in
  • Their dirty diplomatic hands, to vent
  • Their spleen in making strife, and safely wording
  • Their lies, yclep'd despatches, without risk or
  • The singeing of a single inky whisker.
  • He had fifty daughters and four dozen sons,
  • Of whom all such as came of age were stow'd,
  • The former in a palace, where like nuns
  • They lived till some Bashaw was sent abroad,
  • When she, whose turn it was, was wed at once,
  • Sometimes at six years old--though it seems odd,
  • 'T is true; the reason is, that the Bashaw
  • Must make a present to his sire in law.
  • His sons were kept in prison, till they grew
  • Of years to fill a bowstring or the throne,
  • One or the other, but which of the two
  • Could yet be known unto the fates alone;
  • Meantime the education they went through
  • Was princely, as the proofs have always shown:
  • So that the heir apparent still was found
  • No less deserving to be hang'd than crown'd.
  • His majesty saluted his fourth spouse
  • With all the ceremonies of his rank,
  • Who clear'd her sparkling eyes and smooth'd her brows,
  • As suits a matron who has play'd a prank;
  • These must seem doubly mindful of their vows,
  • To save the credit of their breaking bank:
  • To no men are such cordial greetings given
  • As those whose wives have made them fit for heaven.
  • His Highness cast around his great black eyes,
  • And looking, as he always look'd, perceived
  • Juan amongst the damsels in disguise,
  • At which he seem'd no whit surprised nor grieved,
  • But just remark'd with air sedate and wise,
  • While still a fluttering sigh Gulbeyaz heaved,
  • 'I see you 've bought another girl; 't is pity
  • That a mere Christian should be half so pretty.'
  • This compliment, which drew all eyes upon
  • The new-bought virgin, made her blush and shake.
  • Her comrades, also, thought themselves undone:
  • O! Mahomet! that his majesty should take
  • Such notice of a giaour, while scarce to one
  • Of them his lips imperial ever spake!
  • There was a general whisper, toss, and wriggle,
  • But etiquette forbade them all to giggle.
  • The Turks do well to shut--at least, sometimes--
  • The women up, because, in sad reality,
  • Their chastity in these unhappy climes
  • Is not a thing of that astringent quality
  • Which in the North prevents precocious crimes,
  • And makes our snow less pure than our morality;
  • The sun, which yearly melts the polar ice,
  • Has quite the contrary effect on vice.
  • Thus in the East they are extremely strict,
  • And Wedlock and a Padlock mean the same;
  • Excepting only when the former 's pick'd
  • It ne'er can be replaced in proper frame;
  • Spoilt, as a pipe of claret is when prick'd:
  • But then their own Polygamy 's to blame;
  • Why don't they knead two virtuous souls for life
  • Into that moral centaur, man and wife?
  • Thus far our chronicle; and now we pause,
  • Though not for want of matter; but 't is time
  • According to the ancient epic laws,
  • To slacken sail, and anchor with our rhyme.
  • Let this fifth canto meet with due applause,
  • The sixth shall have a touch of the sublime;
  • Meanwhile, as Homer sometimes sleeps, perhaps
  • You 'll pardon to my muse a few short naps.
  • CANTO THE SIXTH.
  • 'There is a tide in the affairs of men
  • Which,--taken at the flood,'--you know the rest,
  • And most of us have found it now and then;
  • At least we think so, though but few have guess'd
  • The moment, till too late to come again.
  • But no doubt every thing is for the best--
  • Of which the surest sign is in the end:
  • When things are at the worst they sometimes mend.
  • There is a tide in the affairs of women
  • Which, taken at the flood, leads--God knows where:
  • Those navigators must be able seamen
  • Whose charts lay down its current to a hair;
  • Not all the reveries of Jacob Behmen
  • With its strange whirls and eddies can compare:
  • Men with their heads reflect on this and that--
  • But women with their hearts on heaven knows what!
  • And yet a headlong, headstrong, downright she,
  • Young, beautiful, and daring--who would risk
  • A throne, the world, the universe, to be
  • Beloved in her own way, and rather whisk
  • The stars from out the sky, than not be free
  • As are the billows when the breeze is brisk--
  • Though such a she 's a devil (if that there be one),
  • Yet she would make full many a Manichean.
  • Thrones, worlds, et cetera, are so oft upset
  • By commonest ambition, that when passion
  • O'erthrows the same, we readily forget,
  • Or at the least forgive, the loving rash one.
  • If Antony be well remember'd yet,
  • 'Tis not his conquests keep his name in fashion,
  • But Actium, lost for Cleopatra's eyes,
  • Outbalances all Caesar's victories.
  • He died at fifty for a queen of forty;
  • I wish their years had been fifteen and twenty,
  • For then wealth, kingdoms, worlds are but a sport--I
  • Remember when, though I had no great plenty
  • Of worlds to lose, yet still, to pay my court, I
  • Gave what I had--a heart: as the world went, I
  • Gave what was worth a world; for worlds could never
  • Restore me those pure feelings, gone forever.
  • 'Twas the boy's 'mite,' and, like the 'widow's,' may
  • Perhaps be weigh'd hereafter, if not now;
  • But whether such things do or do not weigh,
  • All who have loved, or love, will still allow
  • Life has nought like it. God is love, they say,
  • And Love 's a god, or was before the brow
  • Of earth was wrinkled by the sins and tears
  • Of--but Chronology best knows the years.
  • We left our hero and third heroine in
  • A kind of state more awkward than uncommon,
  • For gentlemen must sometimes risk their skin
  • For that sad tempter, a forbidden woman:
  • Sultans too much abhor this sort of sin,
  • And don't agree at all with the wise Roman,
  • Heroic, stoic Cato, the sententious,
  • Who lent his lady to his friend Hortensius.
  • I know Gulbeyaz was extremely wrong;
  • I own it, I deplore it, I condemn it;
  • But I detest all fiction even in song,
  • And so must tell the truth, howe'er you blame it.
  • Her reason being weak, her passions strong,
  • She thought that her lord's heart (even could she claim it)
  • Was scarce enough; for he had fifty-nine
  • Years, and a fifteen-hundredth concubine.
  • I am not, like Cassio, 'an arithmetician,'
  • But by 'the bookish theoric' it appears,
  • If 'tis summ'd up with feminine precision,
  • That, adding to the account his Highness' years,
  • The fair Sultana err'd from inanition;
  • For, were the Sultan just to all his dears,
  • She could but claim the fifteen-hundredth part
  • Of what should be monopoly--the heart.
  • It is observed that ladies are litigious
  • Upon all legal objects of possession,
  • And not the least so when they are religious,
  • Which doubles what they think of the transgression:
  • With suits and prosecutions they besiege us,
  • As the tribunals show through many a session,
  • When they suspect that any one goes shares
  • In that to which the law makes them sole heirs.
  • Now, if this holds good in a Christian land,
  • The heathen also, though with lesser latitude,
  • Are apt to carry things with a high hand,
  • And take what kings call 'an imposing attitude,'
  • And for their rights connubial make a stand,
  • When their liege husbands treat them with ingratitude:
  • And as four wives must have quadruple claims,
  • The Tigris hath its jealousies like Thames.
  • Gulbeyaz was the fourth, and (as I said)
  • The favourite; but what 's favour amongst four?
  • Polygamy may well be held in dread,
  • Not only as a sin, but as a bore:
  • Most wise men, with one moderate woman wed,
  • Will scarcely find philosophy for more;
  • And all (except Mahometans) forbear
  • To make the nuptial couch a 'Bed of Ware.'
  • His Highness, the sublimest of mankind,--
  • So styled according to the usual forms
  • Of every monarch, till they are consign'd
  • To those sad hungry jacobins the worms,
  • Who on the very loftiest kings have dined,--
  • His Highness gazed upon Gulbeyaz' charms,
  • Expecting all the welcome of a lover
  • (A 'Highland welcome' all the wide world over).
  • Now here we should distinguish; for howe'er
  • Kisses, sweet words, embraces, and all that,
  • May look like what is--neither here nor there,
  • They are put on as easily as a hat,
  • Or rather bonnet, which the fair sex wear,
  • Trimm'd either heads or hearts to decorate,
  • Which form an ornament, but no more part
  • Of heads, than their caresses of the heart.
  • A slight blush, a soft tremor, a calm kind
  • Of gentle feminine delight, and shown
  • More in the eyelids than the eyes, resign'd
  • Rather to hide what pleases most unknown,
  • Are the best tokens (to a modest mind)
  • Of love, when seated on his loveliest throne,
  • A sincere woman's breast,--for over-warm
  • Or over-cold annihilates the charm.
  • For over-warmth, if false, is worse than truth;
  • If true, 'tis no great lease of its own fire;
  • For no one, save in very early youth,
  • Would like (I think) to trust all to desire,
  • Which is but a precarious bond, in sooth,
  • And apt to be transferr'd to the first buyer
  • At a sad discount: while your over chilly
  • Women, on t' other hand, seem somewhat silly.
  • That is, we cannot pardon their bad taste,
  • For so it seems to lovers swift or slow,
  • Who fain would have a mutual flame confess'd,
  • And see a sentimental passion glow,
  • Even were St. Francis' paramour their guest,
  • In his monastic concubine of snow;--
  • In short, the maxim for the amorous tribe is
  • Horatian, 'Medio tu tutissimus ibis.'
  • The 'tu' 's too much,--but let it stand,--the verse
  • Requires it, that 's to say, the English rhyme,
  • And not the pink of old hexameters;
  • But, after all, there 's neither tune nor time
  • In the last line, which cannot well be worse,
  • And was thrust in to close the octave's chime:
  • I own no prosody can ever rate it
  • As a rule, but truth may, if you translate it.
  • If fair Gulbeyaz overdid her part,
  • I know not--it succeeded, and success
  • Is much in most things, not less in the heart
  • Than other articles of female dress.
  • Self-love in man, too, beats all female art;
  • They lie, we lie, all lie, but love no less;
  • And no one virtue yet, except starvation,
  • Could stop that worst of vices--propagation.
  • We leave this royal couple to repose:
  • A bed is not a throne, and they may sleep,
  • Whate'er their dreams be, if of joys or woes:
  • Yet disappointed joys are woes as deep
  • As any man's day mixture undergoes.
  • Our least of sorrows are such as we weep;
  • 'Tis the vile daily drop on drop which wears
  • The soul out (like the stone) with petty cares.
  • A scolding wife, a sullen son, a bill
  • To pay, unpaid, protested, or discounted
  • At a per-centage; a child cross, dog ill,
  • A favourite horse fallen lame just as he 's mounted,
  • A bad old woman making a worse will,
  • Which leaves you minus of the cash you counted
  • As certain;--these are paltry things, and yet
  • I 've rarely seen the man they did not fret.
  • I 'm a philosopher; confound them all!
  • Bills, beasts, and men, and--no! not womankind!
  • With one good hearty curse I vent my gall,
  • And then my stoicism leaves nought behind
  • Which it can either pain or evil call,
  • And I can give my whole soul up to mind;
  • Though what is soul or mind, their birth or growth,
  • Is more than I know--the deuce take them both!
  • As after reading Athanasius' curse,
  • Which doth your true believer so much please:
  • I doubt if any now could make it worse
  • O'er his worst enemy when at his knees,
  • 'Tis so sententious, positive, and terse,
  • And decorates the book of Common Prayer,
  • As doth a rainbow the just clearing air.
  • Gulbeyaz and her lord were sleeping, or
  • At least one of them!--Oh, the heavy night,
  • When wicked wives, who love some bachelor,
  • Lie down in dudgeon to sigh for the light
  • Of the gray morning, and look vainly for
  • Its twinkle through the lattice dusky quite--
  • To toss, to tumble, doze, revive, and quake
  • Lest their too lawful bed-fellow should wake!
  • These are beneath the canopy of heaven,
  • Also beneath the canopy of beds
  • Four-posted and silk curtain'd, which are given
  • For rich men and their brides to lay their heads
  • Upon, in sheets white as what bards call 'driven
  • Snow.' Well! 'tis all hap-hazard when one weds.
  • Gulbeyaz was an empress, but had been
  • Perhaps as wretched if a peasant's quean.
  • Don Juan in his feminine disguise,
  • With all the damsels in their long array,
  • Had bow'd themselves before th' imperial eyes,
  • And at the usual signal ta'en their way
  • Back to their chambers, those long galleries
  • In the seraglio, where the ladies lay
  • Their delicate limbs; a thousand bosoms there
  • Beating for love, as the caged bird's for air.
  • I love the sex, and sometimes would reverse
  • The tyrant's wish, 'that mankind only had
  • One neck, which he with one fell stroke might pierce:'
  • My wish is quite as wide, but not so bad,
  • And much more tender on the whole than fierce;
  • It being (not now, but only while a lad)
  • That womankind had but one rosy mouth,
  • To kiss them all at once from North to South.
  • O, enviable Briareus! with thy hands
  • And heads, if thou hadst all things multiplied
  • In such proportion!--But my Muse withstands
  • The giant thought of being a Titan's bride,
  • Or travelling in Patagonian lands;
  • So let us back to Lilliput, and guide
  • Our hero through the labyrinth of love
  • In which we left him several lines above.
  • He went forth with the lovely Odalisques,
  • At the given signal join'd to their array;
  • And though he certainly ran many risks,
  • Yet he could not at times keep, by the way
  • (Although the consequences of such frisks
  • Are worse than the worst damages men pay
  • In moral England, where the thing 's a tax),
  • From ogling all their charms from breasts to backs.
  • Still he forgot not his disguise:--along
  • The galleries from room to room they walk'd,
  • A virgin-like and edifying throng,
  • By eunuchs flank'd; while at their head there stalk'd
  • A dame who kept up discipline among
  • The female ranks, so that none stirr'd or talk'd
  • Without her sanction on their she-parades:
  • Her title was 'the Mother of the Maids.'
  • Whether she was a 'mother,' I know not,
  • Or whether they were 'maids' who call'd her mother;
  • But this is her seraglio title, got
  • I know not how, but good as any other;
  • So Cantemir can tell you, or De Tott:
  • Her office was to keep aloof or smother
  • All bad propensities in fifteen hundred
  • Young women, and correct them when they blunder'd.
  • A goodly sinecure, no doubt! but made
  • More easy by the absence of all men--
  • Except his majesty, who, with her aid,
  • And guards, and bolts, and walls, and now and then
  • A slight example, just to cast a shade
  • Along the rest, contrived to keep this den
  • Of beauties cool as an Italian convent,
  • Where all the passions have, alas! but one vent.
  • And what is that? Devotion, doubtless--how
  • Could you ask such a question?--but we will
  • Continue. As I said, this goodly row
  • Of ladies of all countries at the will
  • Of one good man, with stately march and slow,
  • Like water-lilies floating down a rill--
  • Or rather lake, for rills do not run slowly--
  • Paced on most maiden-like and melancholy.
  • But when they reach'd their own apartments, there,
  • Like birds, or boys, or bedlamites broke loose,
  • Waves at spring-tide, or women anywhere
  • When freed from bonds (which are of no great use
  • After all), or like Irish at a fair,
  • Their guards being gone, and as it were a truce
  • Establish'd between them and bondage, they
  • Began to sing, dance, chatter, smile, and play.
  • Their talk, of course, ran most on the new comer;
  • Her shape, her hair, her air, her everything:
  • Some thought her dress did not so much become her,
  • Or wonder'd at her ears without a ring;
  • Some said her years were getting nigh their summer,
  • Others contended they were but in spring;
  • Some thought her rather masculine in height,
  • While others wish'd that she had been so quite.
  • But no one doubted on the whole, that she
  • Was what her dress bespoke, a damsel fair,
  • And fresh, and 'beautiful exceedingly,'
  • Who with the brightest Georgians might compare:
  • They wonder'd how Gulbeyaz, too, could be
  • So silly as to buy slaves who might share
  • (If that his Highness wearied of his bride)
  • Her throne and power, and every thing beside.
  • But what was strangest in this virgin crew,
  • Although her beauty was enough to vex,
  • After the first investigating view,
  • They all found out as few, or fewer, specks
  • In the fair form of their companion new,
  • Than is the custom of the gentle sex,
  • When they survey, with Christian eyes or Heathen,
  • In a new face 'the ugliest creature breathing.'
  • And yet they had their little jealousies,
  • Like all the rest; but upon this occasion,
  • Whether there are such things as sympathies
  • Without our knowledge or our approbation,
  • Although they could not see through his disguise,
  • All felt a soft kind of concatenation,
  • Like magnetism, or devilism, or what
  • You please--we will not quarrel about that:
  • But certain 'tis they all felt for their new
  • Companion something newer still, as 'twere
  • A sentimental friendship through and through,
  • Extremely pure, which made them all concur
  • In wishing her their sister, save a few
  • Who wish'd they had a brother just like her,
  • Whom, if they were at home in sweet Circassia,
  • They would prefer to Padisha or Pacha.
  • Of those who had most genius for this sort
  • Of sentimental friendship, there were three,
  • Lolah, Katinka, and Dudu; in short
  • (To save description), fair as fair can be
  • Were they, according to the best report,
  • Though differing in stature and degree,
  • And clime and time, and country and complexion;
  • They all alike admired their new connection.
  • Lolah was dusk as India and as warm;
  • Katinka was a Georgian, white and red,
  • With great blue eyes, a lovely hand and arm,
  • And feet so small they scarce seem'd made to tread,
  • But rather skim the earth; while Dudu's form
  • Look'd more adapted to be put to bed,
  • Being somewhat large, and languishing, and lazy,
  • Yet of a beauty that would drive you crazy.
  • A kind of sleepy Venus seem'd Dudu,
  • Yet very fit to 'murder sleep' in those
  • Who gazed upon her cheek's transcendent hue,
  • Her Attic forehead, and her Phidian nose:
  • Few angles were there in her form, 'tis true,
  • Thinner she might have been, and yet scarce lose;
  • Yet, after all, 'twould puzzle to say where
  • It would not spoil some separate charm to pare.
  • She was not violently lively, but
  • Stole on your spirit like a May-day breaking;
  • Her eyes were not too sparkling, yet, half-shut,
  • They put beholders in a tender taking;
  • She look'd (this simile 's quite new) just cut
  • From marble, like Pygmalion's statue waking,
  • The mortal and the marble still at strife,
  • And timidly expanding into life.
  • Lolah demanded the new damsel's name--
  • 'Juanna.'--Well, a pretty name enough.
  • Katinka ask'd her also whence she came--
  • 'From Spain.'--'But where is Spain?'--'Don't ask such stuff,
  • Nor show your Georgian ignorance--for shame!'
  • Said Lolah, with an accent rather rough,
  • To poor Katinka: 'Spain 's an island near
  • Morocco, betwixt Egypt and Tangier.'
  • Dudu said nothing, but sat down beside
  • Juanna, playing with her veil or hair;
  • And looking at her steadfastly, she sigh'd,
  • As if she pitied her for being there,
  • A pretty stranger without friend or guide,
  • And all abash'd, too, at the general stare
  • Which welcomes hapless strangers in all places,
  • With kind remarks upon their mien and faces.
  • But here the Mother of the Maids drew near,
  • With, 'Ladies, it is time to go to rest.
  • I 'm puzzled what to do with you, my dear,'
  • She added to Juanna, their new guest:
  • 'Your coming has been unexpected here,
  • And every couch is occupied; you had best
  • Partake of mine; but by to-morrow early
  • We will have all things settled for you fairly.'
  • Here Lolah interposed--'Mamma, you know
  • You don't sleep soundly, and I cannot bear
  • That anybody should disturb you so;
  • I 'll take Juanna; we 're a slenderer pair
  • Than you would make the half of;--don't say no;
  • And I of your young charge will take due care.'
  • But here Katinka interfered, and said,
  • 'She also had compassion and a bed.
  • 'Besides, I hate to sleep alone,' quoth she.
  • The matron frown'd: 'Why so?'--'For fear of ghosts,'
  • Replied Katinka; 'I am sure I see
  • A phantom upon each of the four posts;
  • And then I have the worst dreams that can be,
  • Of Guebres, Giaours, and Ginns, and Gouls in hosts.'
  • The dame replied, 'Between your dreams and you,
  • I fear Juanna's dreams would be but few.
  • 'You, Lolah, must continue still to lie
  • Alone, for reasons which don't matter; you
  • The same, Katinka, until by and by;
  • And I shall place Juanna with Dudu,
  • Who 's quiet, inoffensive, silent, shy,
  • And will not toss and chatter the night through.
  • What say you, child?'--Dudu said nothing, as
  • Her talents were of the more silent class;
  • But she rose up, and kiss'd the matron's brow
  • Between the eyes, and Lolah on both cheeks,
  • Katinka, too; and with a gentle bow
  • (Curt'sies are neither used by Turks nor Greeks)
  • She took Juanna by the hand to show
  • Their place of rest, and left to both their piques,
  • The others pouting at the matron's preference
  • Of Dudu, though they held their tongues from deference.
  • It was a spacious chamber (Oda is
  • The Turkish title), and ranged round the wall
  • Were couches, toilets--and much more than this
  • I might describe, as I have seen it all,
  • But it suffices--little was amiss;
  • 'Twas on the whole a nobly furnish'd hall,
  • With all things ladies want, save one or two,
  • And even those were nearer than they knew.
  • Dudu, as has been said, was a sweet creature,
  • Not very dashing, but extremely winning,
  • With the most regulated charms of feature,
  • Which painters cannot catch like faces sinning
  • Against proportion--the wild strokes of nature
  • Which they hit off at once in the beginning,
  • Full of expression, right or wrong, that strike,
  • And pleasing or unpleasing, still are like.
  • But she was a soft landscape of mild earth,
  • Where all was harmony, and calm, and quiet,
  • Luxuriant, budding; cheerful without mirth,
  • Which, if not happiness, is much more nigh it
  • Than are your mighty passions and so forth,
  • Which some call 'the sublime:' I wish they 'd try it:
  • I 've seen your stormy seas and stormy women,
  • And pity lovers rather more than seamen.
  • But she was pensive more than melancholy,
  • And serious more than pensive, and serene,
  • It may be, more than either--not unholy
  • Her thoughts, at least till now, appear to have been.
  • The strangest thing was, beauteous, she was wholly
  • Unconscious, albeit turn'd of quick seventeen,
  • That she was fair, or dark, or short, or tall;
  • She never thought about herself at all.
  • And therefore was she kind and gentle as
  • The Age of Gold (when gold was yet unknown,
  • By which its nomenclature came to pass;
  • Thus most appropriately has been shown
  • 'Lucus a non lucendo,' not what was,
  • But what was not; a sort of style that 's grown
  • Extremely common in this age, whose metal
  • The devil may decompose, but never settle:
  • I think it may be of 'Corinthian Brass,'
  • Which was a mixture of all metals, but
  • The brazen uppermost). Kind reader! pass
  • This long parenthesis: I could not shut
  • It sooner for the soul of me, and class
  • My faults even with your own! which meaneth, Put
  • A kind construction upon them and me:
  • But that you won't--then don't--I am not less free.
  • 'Tis time we should return to plain narration,
  • And thus my narrative proceeds:--Dudu,
  • With every kindness short of ostentation,
  • Show'd Juan, or Juanna, through and through
  • This labyrinth of females, and each station
  • Described--what 's strange--in words extremely few:
  • I have but one simile, and that 's a blunder,
  • For wordless woman, which is silent thunder.
  • And next she gave her (I say her, because
  • The gender still was epicene, at least
  • In outward show, which is a saving clause)
  • An outline of the customs of the East,
  • With all their chaste integrity of laws,
  • By which the more a haram is increased,
  • The stricter doubtless grow the vestal duties
  • Of any supernumerary beauties.
  • And then she gave Juanna a chaste kiss:
  • Dudu was fond of kissing--which I 'm sure
  • That nobody can ever take amiss,
  • Because 'tis pleasant, so that it be pure,
  • And between females means no more than this--
  • That they have nothing better near, or newer.
  • 'Kiss' rhymes to 'bliss' in fact as well as verse--
  • I wish it never led to something worse.
  • In perfect innocence she then unmade
  • Her toilet, which cost little, for she was
  • A child of Nature, carelessly array'd:
  • If fond of a chance ogle at her glass,
  • 'Twas like the fawn, which, in the lake display'd,
  • Beholds her own shy, shadowy image pass,
  • When first she starts, and then returns to peep,
  • Admiring this new native of the deep.
  • And one by one her articles of dress
  • Were laid aside; but not before she offer'd
  • Her aid to fair Juanna, whose excess
  • Of modesty declined the assistance proffer'd:
  • Which pass'd well off--as she could do no less;
  • Though by this politesse she rather suffer'd,
  • Pricking her fingers with those cursed pins,
  • Which surely were invented for our sins,--
  • Making a woman like a porcupine,
  • Not to be rashly touch'd. But still more dread,
  • O ye! whose fate it is, as once 'twas mine,
  • In early youth, to turn a lady's maid;--
  • I did my very boyish best to shine
  • In tricking her out for a masquerade;
  • The pins were placed sufficiently, but not
  • Stuck all exactly in the proper spot.
  • But these are foolish things to all the wise,
  • And I love wisdom more than she loves me;
  • My tendency is to philosophise
  • On most things, from a tyrant to a tree;
  • But still the spouseless virgin Knowledge flies.
  • What are we? and whence came we? what shall be
  • Our ultimate existence? what 's our present?
  • Are questions answerless, and yet incessant.
  • There was deep silence in the chamber: dim
  • And distant from each other burn'd the lights,
  • And slumber hover'd o'er each lovely limb
  • Of the fair occupants: if there be sprites,
  • They should have walk'd there in their sprightliest trim,
  • By way of change from their sepulchral sites,
  • And shown themselves as ghosts of better taste
  • Than haunting some old ruin or wild waste.
  • Many and beautiful lay those around,
  • Like flowers of different hue, and dime, and root,
  • In some exotic garden sometimes found,
  • With cost, and care, and warmth induced to shoot.
  • One with her auburn tresses lightly bound,
  • And fair brows gently drooping, as the fruit
  • Nods from the tree, was slumbering with soft breath,
  • And lips apart, which show'd the pearls beneath.
  • One with her flush'd cheek laid on her white arm,
  • And raven ringlets gather'd in dark crowd
  • Above her brow, lay dreaming soft and warm;
  • And smiling through her dream, as through a cloud
  • The moon breaks, half unveil'd each further charm,
  • As, slightly stirring in her snowy shroud,
  • Her beauties seized the unconscious hour of night
  • All bashfully to struggle into light.
  • This is no bull, although it sounds so; for
  • 'Twas night, but there were lamps, as hath been said.
  • A third's all pallid aspect offer'd more
  • The traits of sleeping sorrow, and betray'd
  • Through the heaved breast the dream of some far shore
  • Beloved and deplored; while slowly stray'd
  • (As night-dew, on a cypress glittering, tinges
  • The black bough) tear-drops through her eyes' dark fringes.
  • A fourth as marble, statue-like and still,
  • Lay in a breathless, hush'd, and stony sleep;
  • White, cold, and pure, as looks a frozen rill,
  • Or the snow minaret on an Alpine steep,
  • Or Lot's wife done in salt,--or what you will;--
  • My similes are gather'd in a heap,
  • So pick and choose--perhaps you 'll be content
  • With a carved lady on a monument.
  • And lo! a fifth appears;--and what is she?
  • A lady of a 'certain age,' which means
  • Certainly aged--what her years might be
  • I know not, never counting past their teens;
  • But there she slept, not quite so fair to see,
  • As ere that awful period intervenes
  • Which lays both men and women on the shelf,
  • To meditate upon their sins and self.
  • But all this time how slept, or dream'd, Dudu?
  • With strict inquiry I could ne'er discover,
  • And scorn to add a syllable untrue;
  • But ere the middle watch was hardly over,
  • Just when the fading lamps waned dim and blue,
  • And phantoms hover'd, or might seem to hover,
  • To those who like their company, about
  • The apartment, on a sudden she scream'd out:
  • And that so loudly, that upstarted all
  • The Oda, in a general commotion:
  • Matron and maids, and those whom you may call
  • Neither, came crowding like the waves of ocean,
  • One on the other, throughout the whole hall,
  • All trembling, wondering, without the least notion
  • More than I have myself of what could make
  • The calm Dudu so turbulently wake.
  • But wide awake she was, and round her bed,
  • With floating draperies and with flying hair,
  • With eager eyes, and light but hurried tread,
  • And bosoms, arms, and ankles glancing bare,
  • And bright as any meteor ever bred
  • By the North Pole,--they sought her cause of care,
  • For she seem'd agitated, flush'd, and frighten'd,
  • Her eye dilated and her colour heighten'd.
  • But what was strange--and a strong proof how great
  • A blessing is sound sleep--Juanna lay
  • As fast as ever husband by his mate
  • In holy matrimony snores away.
  • Not all the clamour broke her happy state
  • Of slumber, ere they shook her,--so they say
  • At least,--and then she, too, unclosed her eyes,
  • And yawn'd a good deal with discreet surprise.
  • And now commenced a strict investigation,
  • Which, as all spoke at once and more than once,
  • Conjecturing, wondering, asking a narration,
  • Alike might puzzle either wit or dunce
  • To answer in a very clear oration.
  • Dudu had never pass'd for wanting sense,
  • But, being 'no orator as Brutus is,'
  • Could not at first expound what was amiss.
  • At length she said, that in a slumber sound
  • She dream'd a dream, of walking in a wood--
  • A 'wood obscure,' like that where Dante found
  • Himself in at the age when all grow good;
  • Life's half-way house, where dames with virtue crown'd
  • Run much less risk of lovers turning rude;
  • And that this wood was full of pleasant fruits,
  • And trees of goodly growth and spreading roots;
  • And in the midst a golden apple grew,--
  • A most prodigious pippin,--but it hung
  • Rather too high and distant; that she threw
  • Her glances on it, and then, longing, flung
  • Stones and whatever she could pick up, to
  • Bring down the fruit, which still perversely clung
  • To its own bough, and dangled yet in sight,
  • But always at a most provoking height;--
  • That on a sudden, when she least had hope,
  • It fell down of its own accord before
  • Her feet; that her first movement was to stoop
  • And pick it up, and bite it to the core;
  • That just as her young lip began to ope
  • Upon the golden fruit the vision bore,
  • A bee flew out and stung her to the heart,
  • And so--she awoke with a great scream and start.
  • All this she told with some confusion and
  • Dismay, the usual consequence of dreams
  • Of the unpleasant kind, with none at hand
  • To expound their vain and visionary gleams.
  • I 've known some odd ones which seem'd really plann'd
  • Prophetically, or that which one deems
  • A 'strange coincidence,' to use a phrase
  • By which such things are settled now-a-days.
  • The damsels, who had thoughts of some great harm,
  • Began, as is the consequence of fear,
  • To scold a little at the false alarm
  • That broke for nothing on their sleeping car.
  • The matron, too, was wroth to leave her warm
  • Bed for the dream she had been obliged to hear,
  • And chafed at poor Dudu, who only sigh'd,
  • And said that she was sorry she had cried.
  • 'I 've heard of stories of a cock and bull;
  • But visions of an apple and a bee,
  • To take us from our natural rest, and pull
  • The whole Oda from their beds at half-past three,
  • Would make us think the moon is at its full.
  • You surely are unwell, child! we must see,
  • To-morrow, what his Highness's physician
  • Will say to this hysteric of a vision.
  • 'And poor Juanna, too--the child's first night
  • Within these walls to be broke in upon
  • With such a clamour! I had thought it right
  • That the young stranger should not lie alone,
  • And, as the quietest of all, she might
  • With you, Dudu, a good night's rest have known;
  • But now I must transfer her to the charge
  • Of Lolah--though her couch is not so large.'
  • Lolah's eyes sparkled at the proposition;
  • But poor Dudu, with large drops in her own,
  • Resulting from the scolding or the vision,
  • Implored that present pardon might be shown
  • For this first fault, and that on no condition
  • (She added in a soft and piteous tone)
  • Juanna should be taken from her, and
  • Her future dreams should all be kept in hand.
  • She promised never more to have a dream,
  • At least to dream so loudly as just now;
  • She wonder'd at herself how she could scream--
  • 'Twas foolish, nervous, as she must allow,
  • A fond hallucination, and a theme
  • For laughter--but she felt her spirits low,
  • And begg'd they would excuse her; she 'd get over
  • This weakness in a few hours, and recover.
  • And here Juanna kindly interposed,
  • And said she felt herself extremely well
  • Where she then was, as her sound sleep disclosed
  • When all around rang like a tocsin bell:
  • She did not find herself the least disposed
  • To quit her gentle partner, and to dwell
  • Apart from one who had no sin to show,
  • Save that of dreaming once 'mal-a-propos.'
  • As thus Juanna spoke, Dudu turn'd round
  • And hid her face within Juanna's breast:
  • Her neck alone was seen, but that was found
  • The colour of a budding rose's crest.
  • I can't tell why she blush'd, nor can expound
  • The mystery of this rupture of their rest;
  • All that I know is, that the facts I state
  • Are true as truth has ever been of late.
  • And so good night to them,--or, if you will,
  • Good morrow--for the cock had crown, and light
  • Began to clothe each Asiatic hill,
  • And the mosque crescent struggled into sight
  • Of the long caravan, which in the chill
  • Of dewy dawn wound slowly round each height
  • That stretches to the stony belt, which girds
  • Asia, where Kaff looks down upon the Kurds.
  • With the first ray, or rather grey of morn,
  • Gulbeyaz rose from restlessness; and pale
  • As passion rises, with its bosom worn,
  • Array'd herself with mantle, gem, and veil.
  • The nightingale that sings with the deep thorn,
  • Which fable places in her breast of wail,
  • Is lighter far of heart and voice than those
  • Whose headlong passions form their proper woes.
  • And that 's the moral of this composition,
  • If people would but see its real drift;--
  • But that they will not do without suspicion,
  • Because all gentle readers have the gift
  • Of closing 'gainst the light their orbs of vision;
  • While gentle writers also love to lift
  • Their voices 'gainst each other, which is natural,
  • The numbers are too great for them to flatter all.
  • Rose the sultana from a bed of splendour,
  • Softer than the soft Sybarite's, who cried
  • Aloud because his feelings were too tender
  • To brook a ruffled rose-leaf by his side,--
  • So beautiful that art could little mend her,
  • Though pale with conflicts between love and pride;--
  • So agitated was she with her error,
  • She did not even look into the mirror.
  • Also arose about the self-same time,
  • Perhaps a little later, her great lord,
  • Master of thirty kingdoms so sublime,
  • And of a wife by whom he was abhorr'd;
  • A thing of much less import in that clime--
  • At least to those of incomes which afford
  • The filling up their whole connubial cargo--
  • Than where two wives are under an embargo.
  • He did not think much on the matter, nor
  • Indeed on any other: as a man
  • He liked to have a handsome paramour
  • At hand, as one may like to have a fan,
  • And therefore of Circassians had good store,
  • As an amusement after the Divan;
  • Though an unusual fit of love, or duty,
  • Had made him lately bask in his bride's beauty.
  • And now he rose; and after due ablutions
  • Exacted by the customs of the East,
  • And prayers and other pious evolutions,
  • He drank six cups of coffee at the least,
  • And then withdrew to hear about the Russians,
  • Whose victories had recently increased
  • In Catherine's reign, whom glory still adores,
  • But oh, thou grand legitimate Alexander!
  • Her son's son, let not this last phrase offend
  • Thine ear, if it should reach--and now rhymes wander
  • Almost as far as Petersburgh and lend
  • A dreadful impulse to each loud meander
  • Of murmuring Liberty's wide waves, which blend
  • Their roar even with the Baltic's--so you be
  • Your father's son, 'tis quite enough for me.
  • To call men love-begotten or proclaim
  • Their mothers as the antipodes of Timon,
  • That hater of mankind, would be a shame,
  • A libel, or whate'er you please to rhyme on:
  • But people's ancestors are history's game;
  • And if one lady's slip could leave a crime on
  • All generations, I should like to know
  • What pedigree the best would have to show?
  • Had Catherine and the sultan understood
  • Their own true interests, which kings rarely know
  • Until 'tis taught by lessons rather rude,
  • There was a way to end their strife, although
  • Perhaps precarious, had they but thought good,
  • Without the aid of prince or plenipo:
  • She to dismiss her guards and he his haram,
  • And for their other matters, meet and share 'em.
  • But as it was, his Highness had to hold
  • His daily council upon ways and means
  • How to encounter with this martial scold,
  • This modern Amazon and queen of queans;
  • And the perplexity could not be told
  • Of all the pillars of the state, which leans
  • Sometimes a little heavy on the backs
  • Of those who cannot lay on a new tax.
  • Meantime Gulbeyaz, when her king was gone,
  • Retired into her boudoir, a sweet place
  • For love or breakfast; private, pleasing, lone,
  • And rich with all contrivances which grace
  • Those gay recesses:--many a precious stone
  • Sparkled along its roof, and many a vase
  • Of porcelain held in the fetter'd flowers,
  • Those captive soothers of a captive's hours.
  • Mother of pearl, and porphyry, and marble,
  • Vied with each other on this costly spot;
  • And singing birds without were heard to warble;
  • And the stain'd glass which lighted this fair grot
  • Varied each ray;--but all descriptions garble
  • The true effect, and so we had better not
  • Be too minute; an outline is the best,--
  • A lively reader's fancy does the rest.
  • And here she summon'd Baba, and required
  • Don Juan at his hands, and information
  • Of what had pass'd since all the slaves retired,
  • And whether he had occupied their station;
  • If matters had been managed as desired,
  • And his disguise with due consideration
  • Kept up; and above all, the where and how
  • He had pass'd the night, was what she wish'd to know.
  • Baba, with some embarrassment, replied
  • To this long catechism of questions, ask'd
  • More easily than answer'd,--that he had tried
  • His best to obey in what he had been task'd;
  • But there seem'd something that he wish'd to hide,
  • Which hesitation more betray'd than mask'd;
  • He scratch'd his ear, the infallible resource
  • To which embarrass'd people have recourse.
  • Gulbeyaz was no model of true patience,
  • Nor much disposed to wait in word or deed;
  • She liked quick answers in all conversations;
  • And when she saw him stumbling like a steed
  • In his replies, she puzzled him for fresh ones;
  • And as his speech grew still more broken-kneed,
  • Her cheek began to flush, her eyes to sparkle,
  • And her proud brow's blue veins to swell and darkle.
  • When Baba saw these symptoms, which he knew
  • To bode him no great good, he deprecated
  • Her anger, and beseech'd she 'd hear him through--
  • He could not help the thing which he related:
  • Then out it came at length, that to Dudu
  • Juan was given in charge, as hath been stated;
  • But not by Baba's fault, he said, and swore on
  • The holy camel's hump, besides the Koran.
  • The chief dame of the Oda, upon whom
  • The discipline of the whole haram bore,
  • As soon as they re-enter'd their own room,
  • For Baba's function stopt short at the door,
  • Had settled all; nor could he then presume
  • (The aforesaid Baba) just then to do more,
  • Without exciting such suspicion as
  • Might make the matter still worse than it was.
  • He hoped, indeed he thought, he could be sure
  • Juan had not betray'd himself; in fact
  • 'Twas certain that his conduct had been pure,
  • Because a foolish or imprudent act
  • Would not alone have made him insecure,
  • But ended in his being found out and sack'd,
  • And thrown into the sea.--Thus Baba spoke
  • Of all save Dudu's dream, which was no joke.
  • This he discreetly kept in the background,
  • And talk'd away--and might have talk'd till now,
  • For any further answer that he found,
  • So deep an anguish wrung Gulbeyaz' brow:
  • Her cheek turn'd ashes, ears rung, brain whirl'd round,
  • As if she had received a sudden blow,
  • And the heart's dew of pain sprang fast and chilly
  • O'er her fair front, like Morning's on a lily.
  • Although she was not of the fainting sort,
  • Baba thought she would faint, but there he err'd--
  • It was but a convulsion, which though short
  • Can never be described; we all have heard,
  • And some of us have felt thus 'all amort,'
  • When things beyond the common have occurr'd;--
  • Gulbeyaz proved in that brief agony
  • What she could ne'er express--then how should I?
  • She stood a moment as a Pythones
  • Stands on her tripod, agonised, and full
  • Of inspiration gather'd from distress,
  • When all the heart-strings like wild horses pull
  • The heart asunder;--then, as more or lees
  • Their speed abated or their strength grew dull,
  • She sunk down on her seat by slow degrees,
  • And bow'd her throbbing head o'er trembling knees.
  • Her face declined and was unseen; her hair
  • Fell in long tresses like the weeping willow,
  • Sweeping the marble underneath her chair,
  • Or rather sofa (for it was all pillow,
  • A low soft ottoman), and black despair
  • Stirr'd up and down her bosom like a billow,
  • Which rushes to some shore whose shingles check
  • Its farther course, but must receive its wreck.
  • Her head hung down, and her long hair in stooping
  • Conceal'd her features better than a veil;
  • And one hand o'er the ottoman lay drooping,
  • White, waxen, and as alabaster pale:
  • Would that I were a painter! to be grouping
  • All that a poet drags into detail
  • O that my words were colours! but their tints
  • May serve perhaps as outlines or slight hints.
  • Baba, who knew by experience when to talk
  • And when to hold his tongue, now held it till
  • This passion might blow o'er, nor dared to balk
  • Gulbeyaz' taciturn or speaking will.
  • At length she rose up, and began to walk
  • Slowly along the room, but silent still,
  • And her brow clear'd, but not her troubled eye;
  • The wind was down, but still the sea ran high.
  • She stopp'd, and raised her head to speak--but paused,
  • And then moved on again with rapid pace;
  • Then slacken'd it, which is the march most caused
  • By deep emotion:--you may sometimes trace
  • A feeling in each footstep, as disclosed
  • By Sallust in his Catiline, who, chased
  • By all the demons of all passions, show'd
  • Their work even by the way in which he trode.
  • Gulbeyaz stopp'd and beckon'd Baba:--'Slave!
  • Bring the two slaves!' she said in a low tone,
  • But one which Baba did not like to brave,
  • And yet he shudder'd, and seem'd rather prone
  • To prove reluctant, and begg'd leave to crave
  • (Though he well knew the meaning) to be shown
  • What slaves her highness wish'd to indicate,
  • For fear of any error, like the late.
  • 'The Georgian and her paramour,' replied
  • The imperial bride--and added, 'Let the boat
  • Be ready by the secret portal's side:
  • You know the rest.' The words stuck in her throat,
  • Despite her injured love and fiery pride;
  • And of this Baba willingly took note,
  • And begg'd by every hair of Mahomet's beard,
  • She would revoke the order he had heard.
  • 'To hear is to obey,' he said; 'but still,
  • Sultana, think upon the consequence:
  • It is not that I shall not all fulfil
  • Your orders, even in their severest sense;
  • But such precipitation may end ill,
  • Even at your own imperative expense:
  • I do not mean destruction and exposure,
  • In case of any premature disclosure;
  • 'But your own feelings. Even should all the rest
  • Be hidden by the rolling waves, which hide
  • Already many a once love-beaten breast
  • Deep in the caverns of the deadly tide--
  • You love this boyish, new, seraglio guest,
  • And if this violent remedy be tried--
  • Excuse my freedom, when I here assure you,
  • That killing him is not the way to cure you.'
  • 'What dost thou know of love or feeling?--Wretch!
  • Begone!' she cried, with kindling eyes--'and do
  • My bidding!' Baba vanish'd, for to stretch
  • His own remonstrance further he well knew
  • Might end in acting as his own 'Jack Ketch;'
  • And though he wish'd extremely to get through
  • This awkward business without harm to others,
  • He still preferr'd his own neck to another's.
  • Away he went then upon his commission,
  • Growling and grumbling in good Turkish phrase
  • Against all women of whate'er condition,
  • Especially sultanas and their ways;
  • Their obstinacy, pride, and indecision,
  • Their never knowing their own mind two days,
  • The trouble that they gave, their immorality,
  • Which made him daily bless his own neutrality.
  • And then he call'd his brethren to his aid,
  • And sent one on a summons to the pair,
  • That they must instantly be well array'd,
  • And above all be comb'd even to a hair,
  • And brought before the empress, who had made
  • Inquiries after them with kindest care:
  • At which Dudu look'd strange, and Juan silly;
  • But go they must at once, and will I--nill I.
  • And here I leave them at their preparation
  • For the imperial presence, wherein whether
  • Gulbeyaz show'd them both commiseration,
  • Or got rid of the parties altogether,
  • Like other angry ladies of her nation,--
  • Are things the turning of a hair or feather
  • May settle; but far be 't from me to anticipate
  • In what way feminine caprice may dissipate.
  • I leave them for the present with good wishes,
  • Though doubts of their well doing, to arrange
  • Another part of history; for the dishes
  • Of this our banquet we must sometimes change;
  • And trusting Juan may escape the fishes,
  • Although his situation now seems strange
  • And scarce secure, as such digressions are fair,
  • The Muse will take a little touch at warfare.
  • [Illustration: Canto 7]
  • CANTO THE SEVENTH.
  • O Love! O Glory! what are ye who fly
  • Around us ever, rarely to alight?
  • There 's not a meteor in the polar sky
  • Of such transcendent and more fleeting flight.
  • Chill, and chain'd to cold earth, we lift on high
  • Our eyes in search of either lovely light;
  • A thousand and a thousand colours they
  • Assume, then leave us on our freezing way.
  • And such as they are, such my present tale is,
  • A non-descript and ever-varying rhyme,
  • A versified Aurora Borealis,
  • Which flashes o'er a waste and icy clime.
  • When we know what all are, we must bewail us,
  • But ne'ertheless I hope it is no crime
  • To laugh at all things--for I wish to know
  • What, after all, are all things--but a show?
  • They accuse me--Me--the present writer of
  • The present poem--of--I know not what--
  • A tendency to under-rate and scoff
  • At human power and virtue, and all that;
  • And this they say in language rather rough.
  • Good God! I wonder what they would be at!
  • I say no more than hath been said in Dante's
  • Verse, and by Solomon and by Cervantes;
  • By Swift, by Machiavel, by Rochefoucault,
  • By Fenelon, by Luther, and by Plato;
  • By Tillotson, and Wesley, and Rousseau,
  • Who knew this life was not worth a potato.
  • 'T is not their fault, nor mine, if this be so--
  • For my part, I pretend not to be Cato,
  • Nor even Diogenes.--We live and die,
  • But which is best, you know no more than I.
  • Socrates said, our only knowledge was
  • 'To know that nothing could be known;' a pleasant
  • Science enough, which levels to an ass
  • Each man of wisdom, future, past, or present.
  • Newton (that proverb of the mind), alas!
  • Declared, with all his grand discoveries recent,
  • That he himself felt only 'like a youth
  • Picking up shells by the great ocean--Truth.'
  • Ecclesiastes said, 'that all is vanity'-
  • Most modern preachers say the same, or show it
  • By their examples of true Christianity:
  • In short, all know, or very soon may know it;
  • And in this scene of all-confess'd inanity,
  • By saint, by sage, by preacher, and by poet,
  • Must I restrain me, through the fear of strife,
  • From holding up the nothingness of life?
  • Dogs, or men!--for I flatter you in saying
  • That ye are dogs--your betters far--ye may
  • Read, or read not, what I am now essaying
  • To show ye what ye are in every way.
  • As little as the moon stops for the baying
  • Of wolves, will the bright muse withdraw one ray
  • From out her skies--then howl your idle wrath!
  • While she still silvers o'er your gloomy path.
  • 'Fierce loves and faithless wars'--I am not sure
  • If this be the right reading--'t is no matter;
  • The fact 's about the same, I am secure;
  • I sing them both, and am about to batter
  • A town which did a famous siege endure,
  • And was beleaguer'd both by land and water
  • By Souvaroff, or Anglice Suwarrow,
  • Who loved blood as an alderman loves marrow.
  • The fortress is call'd Ismail, and is placed
  • Upon the Danube's left branch and left bank,
  • With buildings in the Oriental taste,
  • But still a fortress of the foremost rank,
  • Or was at least, unless 't is since defaced,
  • Which with your conquerors is a common prank:
  • It stands some eighty versts from the high sea,
  • And measures round of toises thousands three.
  • Within the extent of this fortification
  • A borough is comprised along the height
  • Upon the left, which from its loftier station
  • Commands the city, and upon its site
  • A Greek had raised around this elevation
  • A quantity of palisades upright,
  • So placed as to impede the fire of those
  • Who held the place, and to assist the foe's.
  • This circumstance may serve to give a notion
  • Of the high talents of this new Vauban:
  • But the town ditch below was deep as ocean,
  • The rampart higher than you 'd wish to hang:
  • But then there was a great want of precaution
  • (Prithee, excuse this engineering slang),
  • Nor work advanced, nor cover'd way was there,
  • To hint at least 'Here is no thoroughfare.'
  • But a stone bastion, with a narrow gorge,
  • And walls as thick as most skulls born as yet;
  • Two batteries, cap-a-pie, as our St. George,
  • Case-mated one, and t' other 'a barbette,'
  • Of Danube's bank took formidable charge;
  • While two and twenty cannon duly set
  • Rose over the town's right side, in bristling tier,
  • Forty feet high, upon a cavalier.
  • But from the river the town 's open quite,
  • Because the Turks could never be persuaded
  • A Russian vessel e'er would heave in sight;
  • And such their creed was, till they were invaded,
  • When it grew rather late to set things right.
  • But as the Danube could not well be waded,
  • They look'd upon the Muscovite flotilla,
  • And only shouted, 'Allah!' and 'Bis Millah!'
  • The Russians now were ready to attack:
  • But oh, ye goddesses of war and glory!
  • How shall I spell the name of each Cossacque
  • Who were immortal, could one tell their story?
  • Alas! what to their memory can lack?
  • Achilles' self was not more grim and gory
  • Than thousands of this new and polish'd nation,
  • Whose names want nothing but--pronunciation.
  • Still I 'll record a few, if but to increase
  • Our euphony: there was Strongenoff, and Strokonoff,
  • Meknop, Serge Lwow, Arsniew of modern Greece,
  • And Tschitsshakoff, and Roguenoff, and Chokenoff,
  • And others of twelve consonants apiece;
  • And more might be found out, if I could poke enough
  • Into gazettes; but Fame (capricious strumpet),
  • It seems, has got an ear as well as trumpet,
  • And cannot tune those discords of narration,
  • Which may be names at Moscow, into rhyme;
  • Yet there were several worth commemoration,
  • As e'er was virgin of a nuptial chime;
  • Soft words, too, fitted for the peroration
  • Of Londonderry drawling against time,
  • Ending in 'ischskin,' 'ousckin,' 'iffskchy,' 'ouski:
  • Of whom we can insert but Rousamouski,
  • Scherematoff and Chrematoff, Koklophti,
  • Koclobski, Kourakin, and Mouskin Pouskin,
  • All proper men of weapons, as e'er scoff'd high
  • Against a foe, or ran a sabre through skin:
  • Little cared they for Mahomet or Mufti,
  • Unless to make their kettle-drums a new skin
  • Out of their hides, if parchment had grown dear,
  • And no more handy substitute been near.
  • Then there were foreigners of much renown,
  • Of various nations, and all volunteers;
  • Not fighting for their country or its crown,
  • But wishing to be one day brigadiers;
  • Also to have the sacking of a town,--
  • A pleasant thing to young men at their years.
  • 'Mongst them were several Englishmen of pith,
  • Sixteen call'd Thomson, and nineteen named Smith.
  • Jack Thomson and Bill Thomson; all the rest
  • Had been call'd 'Jemmy,' after the great bard;
  • I don't know whether they had arms or crest,
  • But such a godfather 's as good a card.
  • Three of the Smiths were Peters; but the best
  • Amongst them all, hard blows to inflict or ward,
  • Was he, since so renown'd 'in country quarters
  • At Halifax;' but now he served the Tartars.
  • The rest were jacks and Gills and Wills and Bills;
  • But when I 've added that the elder jack Smith
  • Was born in Cumberland among the hills,
  • And that his father was an honest blacksmith,
  • I 've said all I know of a name that fills
  • Three lines of the despatch in taking 'Schmacksmith,'
  • A village of Moldavia's waste, wherein
  • He fell, immortal in a bulletin.
  • I wonder (although Mars no doubt 's a god
  • Praise) if a man's name in a bulletin
  • May make up for a bullet in his body?
  • I hope this little question is no sin,
  • Because, though I am but a simple noddy,
  • I think one Shakspeare puts the same thought in
  • The mouth of some one in his plays so doting,
  • Which many people pass for wits by quoting.
  • Then there were Frenchmen, gallant, young, and gay:
  • But I 'm too great a patriot to record
  • Their Gallic names upon a glorious day;
  • I 'd rather tell ten lies than say a word
  • Of truth;--such truths are treason; they betray
  • Their country; and as traitors are abhorr'd
  • Who name the French in English, save to show
  • How Peace should make John Bull the Frenchman's foe.
  • The Russians, having built two batteries on
  • An isle near Ismail, had two ends in view;
  • The first was to bombard it, and knock down
  • The public buildings and the private too,
  • No matter what poor souls might be undone.
  • The city's shape suggested this, 't is true;
  • Form'd like an amphitheatre, each dwelling
  • Presented a fine mark to throw a shell in.
  • The second object was to profit by
  • The moment of the general consternation,
  • To attack the Turk's flotilla, which lay nigh
  • Extremely tranquil, anchor'd at its station:
  • But a third motive was as probably
  • To frighten them into capitulation;
  • A phantasy which sometimes seizes warriors,
  • Unless they are game as bull-dogs and fox-terriers.
  • A habit rather blamable, which is
  • That of despising those we combat with,
  • Common in many cases, was in this
  • The cause of killing Tchitchitzkoff and Smith;
  • One of the valorous 'Smiths' whom we shall miss
  • Out of those nineteen who late rhymed to 'pith;'
  • But 't is a name so spread o'er 'Sir' and 'Madam,'
  • That one would think the first who bore it 'Adam.'
  • The Russian batteries were incomplete,
  • Because they were constructed in a hurry;
  • Thus the same cause which makes a verse want feet,
  • And throws a cloud o'er Longman and John Murray,
  • When the sale of new books is not so fleet
  • As they who print them think is necessary,
  • May likewise put off for a time what story
  • Sometimes calls 'murder,' and at others 'glory.'
  • Whether it was their engineer's stupidity,
  • Their haste, or waste, I neither know nor care,
  • Or some contractor's personal cupidity,
  • Saving his soul by cheating in the ware
  • Of homicide, but there was no solidity
  • In the new batteries erected there;
  • They either miss'd, or they were never miss'd,
  • And added greatly to the missing list.
  • A sad miscalculation about distance
  • Made all their naval matters incorrect;
  • Three fireships lost their amiable existence
  • Before they reach'd a spot to take effect:
  • The match was lit too soon, and no assistance
  • Could remedy this lubberly defect;
  • They blew up in the middle of the river,
  • While, though 't was dawn, the Turks slept fast as ever.
  • At seven they rose, however, and survey'd
  • The Russ flotilla getting under way;
  • 'T was nine, when still advancing undismay'd,
  • Within a cable's length their vessels lay
  • Off Ismail, and commenced a cannonade,
  • Which was return'd with interest, I may say,
  • And by a fire of musketry and grape,
  • And shells and shot of every size and shape.
  • For six hours bore they without intermission
  • The Turkish fire, and aided by their own
  • Land batteries, work'd their guns with great precision:
  • At length they found mere cannonade alone
  • By no means would produce the town's submission,
  • And made a signal to retreat at one.
  • One bark blew up, a second near the works
  • Running aground, was taken by the Turks.
  • The Moslem, too, had lost both ships and men;
  • But when they saw the enemy retire,
  • Their Delhis mann'd some boats, and sail'd again,
  • And gall'd the Russians with a heavy fire,
  • And tried to make a landing on the main;
  • But here the effect fell short of their desire:
  • Count Damas drove them back into the water
  • Pell-mell, and with a whole gazette of slaughter.
  • 'If' (says the historian here) 'I could report
  • All that the Russians did upon this day,
  • I think that several volumes would fall short,
  • And I should still have many things to say;'
  • And so he says no more--but pays his court
  • To some distinguish'd strangers in that fray;
  • The Prince de Ligne, and Langeron, and Damas,
  • Names great as any that the roll of Fame has.
  • This being the case, may show us what Fame is:
  • For out of these three 'preux Chevaliers,' how
  • Many of common readers give a guess
  • That such existed? (and they may live now
  • For aught we know.) Renown 's all hit or miss;
  • There 's fortune even in fame, we must allow.
  • 'T is true the Memoirs of the Prince de Ligne
  • Have half withdrawn from him oblivion's screen.
  • But here are men who fought in gallant actions
  • As gallantly as ever heroes fought,
  • But buried in the heap of such transactions
  • Their names are rarely found, nor often sought.
  • Thus even good fame may suffer sad contractions,
  • And is extinguish'd sooner than she ought:
  • Of all our modern battles, I will bet
  • You can't repeat nine names from each Gazette.
  • In short, this last attack, though rich in glory,
  • Show'd that somewhere, somehow, there was a fault,
  • And Admiral Ribas (known in Russian story)
  • Most strongly recommended an assault;
  • In which he was opposed by young and hoary,
  • Which made a long debate; but I must halt,
  • For if I wrote down every warrior's speech,
  • I doubt few readers e'er would mount the breach.
  • There was a man, if that he was a man,
  • Not that his manhood could be call'd in question,
  • For had he not been Hercules, his span
  • Had been as short in youth as indigestion
  • Made his last illness, when, all worn and wan,
  • He died beneath a tree, as much unblest on
  • The soil of the green province he had wasted,
  • As e'er was locust on the land it blasted.
  • This was Potemkin--a great thing in days
  • When homicide and harlotry made great;
  • If stars and titles could entail long praise,
  • His glory might half equal his estate.
  • This fellow, being six foot high, could raise
  • A kind of phantasy proportionate
  • In the then sovereign of the Russian people,
  • Who measured men as you would do a steeple.
  • While things were in abeyance, Ribas sent
  • A courier to the prince, and he succeeded
  • In ordering matters after his own bent;
  • I cannot tell the way in which he pleaded,
  • But shortly he had cause to be content.
  • In the mean time, the batteries proceeded,
  • And fourscore cannon on the Danube's border
  • Were briskly fired and answer'd in due order.
  • But on the thirteenth, when already part
  • Of the troops were embark'd, the siege to raise,
  • A courier on the spur inspired new heart
  • Into all panters for newspaper praise,
  • As well as dilettanti in war's art,
  • By his despatches couch'd in pithy phrase;
  • Announcing the appointment of that lover of
  • Battles to the command, Field-Marshal Souvaroff.
  • The letter of the prince to the same marshal
  • Was worthy of a Spartan, had the cause
  • Been one to which a good heart could be partial--
  • Defence of freedom, country, or of laws;
  • But as it was mere lust of power to o'er-arch all
  • With its proud brow, it merits slight applause,
  • Save for its style, which said, all in a trice,
  • 'You will take Ismail at whatever price.'
  • 'Let there be light! said God, and there was light!'
  • 'Let there be blood!' says man, and there 's a seal
  • The fiat of this spoil'd child of the Night
  • (For Day ne'er saw his merits) could decree
  • More evil in an hour, than thirty bright
  • Summers could renovate, though they should be
  • Lovely as those which ripen'd Eden's fruit;
  • For war cuts up not only branch, but root.
  • Our friends the Turks, who with loud 'Allahs' now
  • Began to signalise the Russ retreat,
  • Were damnably mistaken; few are slow
  • In thinking that their enemy is beat
  • (Or beaten, if you insist on grammar, though
  • I never think about it in a heat),
  • But here I say the Turks were much mistaken,
  • Who hating hogs, yet wish'd to save their bacon.
  • For, on the sixteenth, at full gallop, drew
  • In sight two horsemen, who were deem'd Cossacques
  • For some time, till they came in nearer view.
  • They had but little baggage at their backs,
  • For there were but three shirts between the two;
  • But on they rode upon two Ukraine hacks,
  • Till, in approaching, were at length descried
  • In this plain pair, Suwarrow and his guide.
  • 'Great joy to London now!' says some great fool,
  • When London had a grand illumination,
  • Which to that bottle-conjurer, John Bull,
  • Is of all dreams the first hallucination;
  • So that the streets of colour'd lamps are full,
  • That Sage (said john) surrenders at discretion
  • His purse, his soul, his sense, and even his nonsense,
  • To gratify, like a huge moth, this one sense.
  • 'T is strange that he should farther 'damn his eyes,'
  • For they are damn'd; that once all-famous oath
  • Is to the devil now no farther prize,
  • Since John has lately lost the use of both.
  • Debt he calls wealth, and taxes Paradise;
  • And Famine, with her gaunt and bony growth,
  • Which stare him in the face, he won't examine,
  • Or swears that Ceres hath begotten Famine.
  • But to the tale:--great joy unto the camp!
  • To Russian, Tartar, English, French, Cossacque,
  • O'er whom Suwarrow shone like a gas lamp,
  • Presaging a most luminous attack;
  • Or like a wisp along the marsh so damp,
  • Which leads beholders on a boggy walk,
  • He flitted to and fro a dancing light,
  • Which all who saw it follow'd, wrong or right.
  • But certes matters took a different face;
  • There was enthusiasm and much applause,
  • The fleet and camp saluted with great grace,
  • And all presaged good fortune to their cause.
  • Within a cannon-shot length of the place
  • They drew, constructed ladders, repair'd flaws
  • In former works, made new, prepared fascines,
  • And all kinds of benevolent machines.
  • 'T is thus the spirit of a single mind
  • Makes that of multitudes take one direction,
  • As roll the waters to the breathing wind,
  • Or roams the herd beneath the bull's protection;
  • Or as a little dog will lead the blind,
  • Or a bell-wether form the flock's connection
  • By tinkling sounds, when they go forth to victual;
  • Such is the sway of your great men o'er little.
  • The whole camp rung with joy; you would have thought
  • That they were going to a marriage feast
  • (This metaphor, I think, holds good as aught,
  • Since there is discord after both at least):
  • There was not now a luggage boy but sought
  • Danger and spoil with ardour much increased;
  • And why? because a little--odd--old man,
  • Stript to his shirt, was come to lead the van.
  • But so it was; and every preparation
  • Was made with all alacrity: the first
  • Detachment of three columns took its station,
  • And waited but the signal's voice to burst
  • Upon the foe: the second's ordination
  • Was also in three columns, with a thirst
  • For glory gaping o'er a sea of slaughter:
  • The third, in columns two, attack'd by water.
  • New batteries were erected, and was held
  • A general council, in which unanimity,
  • That stranger to most councils, here prevail'd,
  • As sometimes happens in a great extremity;
  • And every difficulty being dispell'd,
  • Glory began to dawn with due sublimity,
  • While Souvaroff, determined to obtain it,
  • Was teaching his recruits to use the bayonet
  • It is an actual fact, that he, commander
  • In chief, in proper person deign'd to drill
  • The awkward squad, and could afford to squander
  • His time, a corporal's duty to fulfil:
  • Just as you 'd break a sucking salamander
  • To swallow flame, and never take it ill:
  • He show'd them how to mount a ladder (which
  • Was not like Jacob's) or to cross a ditch.
  • Also he dress'd up, for the nonce, fascines
  • Like men with turbans, scimitars, and dirks,
  • And made them charge with bayonet these machines,
  • By way of lesson against actual Turks:
  • And when well practised in these mimic scenes,
  • He judged them proper to assail the works;
  • At which your wise men sneer'd in phrases witty:
  • He made no answer; but he took the city.
  • Most things were in this posture on the eve
  • Of the assault, and all the camp was in
  • A stern repose; which you would scarce conceive;
  • Yet men resolved to dash through thick and thin
  • Are very silent when they once believe
  • That all is settled:--there was little din,
  • For some were thinking of their home and friends,
  • And others of themselves and latter ends.
  • Suwarrow chiefly was on the alert,
  • Surveying, drilling, ordering, jesting, pondering;
  • For the man was, we safely may assert,
  • A thing to wonder at beyond most wondering;
  • Hero, buffoon, half-demon, and half-dirt,
  • Praying, instructing, desolating, plundering;
  • Now Mars, now Momus; and when bent to storm
  • A fortress, Harlequin in uniform.
  • The day before the assault, while upon drill--
  • For this great conqueror play'd the corporal--
  • Some Cossacques, hovering like hawks round a hill,
  • Had met a party towards the twilight's fall,
  • One of whom spoke their tongue--or well or ill,
  • 'T was much that he was understood at all;
  • But whether from his voice, or speech, or manner,
  • They found that he had fought beneath their banner.
  • Whereon immediately at his request
  • They brought him and his comrades to head-quarters;
  • Their dress was Moslem, but you might have guess'd
  • That these were merely masquerading Tartars,
  • And that beneath each Turkish-fashion'd vest
  • Lurk'd Christianity; which sometimes barters
  • Her inward grace for outward show, and makes
  • It difficult to shun some strange mistakes.
  • Suwarrow, who was standing in his shirt
  • Before a company of Calmucks, drilling,
  • Exclaiming, fooling, swearing at the inert,
  • And lecturing on the noble art of killing,--
  • For deeming human clay but common dirt,
  • This great philosopher was thus instilling
  • His maxims, which to martial comprehension
  • Proved death in battle equal to a pension;--
  • Suwarrow, when he saw this company
  • Of Cossacques and their prey, turn'd round and cast
  • Upon them his slow brow and piercing eye:--
  • 'Whence come ye?'--'From Constantinople last,
  • Captives just now escaped,' was the reply.
  • 'What are ye?'--'What you see us.' Briefly pass'd
  • This dialogue; for he who answer'd knew
  • To whom he spoke, and made his words but few.
  • 'Your names?'--'Mine 's Johnson, and my comrade 's Juan;
  • The other two are women, and the third
  • Is neither man nor woman.' The chief threw on
  • The party a slight glance, then said, 'I have heard
  • Your name before, the second is a new one:
  • To bring the other three here was absurd:
  • But let that pass:--I think I have heard your name
  • In the Nikolaiew regiment?'--'The same.'
  • 'You served at Widdin?'--'Yes.'--'You led the attack?'
  • 'I did.'--'What next?'--'I really hardly know.'
  • 'You were the first i' the breach?'--'I was not slack
  • At least to follow those who might be so.'
  • 'What follow'd?'--'A shot laid me on my back,
  • And I became a prisoner to the foe.'
  • 'You shall have vengeance, for the town surrounded
  • Is twice as strong as that where you were wounded.
  • 'Where will you serve?'--'Where'er you please.'--'I know
  • You like to be the hope of the forlorn,
  • And doubtless would be foremost on the foe
  • After the hardships you 've already borne.
  • And this young fellow--say what can he do?
  • He with the beardless chin and garments torn?'
  • 'Why, general, if he hath no greater fault
  • In war than love, he had better lead the assault.'
  • 'He shall if that he dare.' Here Juan bow'd
  • Low as the compliment deserved. Suwarrow
  • Continued: 'Your old regiment's allow'd,
  • By special providence, to lead to-morrow,
  • Or it may be to-night, the assault: I have vow'd
  • To several saints, that shortly plough or harrow
  • Shall pass o'er what was Ismail, and its tusk
  • Be unimpeded by the proudest mosque.
  • 'So now, my lads, for glory!'--Here he turn'd
  • And drill'd away in the most classic Russian,
  • Until each high, heroic bosom burn'd
  • For cash and conquest, as if from a cushion
  • A preacher had held forth (who nobly spurn'd
  • All earthly goods save tithes) and bade them push on
  • To slay the Pagans who resisted, battering
  • The armies of the Christian Empress Catherine.
  • Johnson, who knew by this long colloquy
  • Himself a favourite, ventured to address
  • Suwarrow, though engaged with accents high
  • In his resumed amusement. 'I confess
  • My debt in being thus allow'd to die
  • Among the foremost; but if you 'd express
  • Explicitly our several posts, my friend
  • And self would know what duty to attend.'
  • 'Right! I was busy, and forgot. Why, you
  • Will join your former regiment, which should be
  • Now under arms. Ho! Katskoff, take him to
  • (Here he call'd up a Polish orderly)
  • His post, I mean the regiment Nikolaiew:
  • The stranger stripling may remain with me;
  • He 's a fine boy. The women may be sent
  • To the other baggage, or to the sick tent.'
  • But here a sort of scene began to ensue:
  • The ladies,--who by no means had been bred
  • To be disposed of in a way so new,
  • Although their haram education led
  • Doubtless to that of doctrines the most true,
  • Passive obedience,--now raised up the head,
  • With flashing eyes and starting tears, and flung
  • Their arms, as hens their wings about their young,
  • O'er the promoted couple of brave men
  • Who were thus honour'd by the greatest chief
  • That ever peopled hell with heroes slain,
  • Or plunged a province or a realm in grief.
  • O, foolish mortals! Always taught in vain!
  • O, glorious laurel! since for one sole leaf
  • Of thine imaginary deathless tree,
  • Of blood and tears must flow the unebbing sea.
  • Suwarrow, who had small regard for tears,
  • And not much sympathy for blood, survey'd
  • The women with their hair about their ears
  • And natural agonies, with a slight shade
  • Of feeling: for however habit sears
  • Men's hearts against whole millions, when their trade
  • Is butchery, sometimes a single sorrow
  • Will touch even heroes--and such was Suwarrow.
  • He said,--and in the kindest Calmuck tone,--
  • 'Why, Johnson, what the devil do you mean
  • By bringing women here? They shall be shown
  • All the attention possible, and seen
  • In safety to the waggons, where alone
  • In fact they can be safe. You should have been
  • Aware this kind of baggage never thrives:
  • Save wed a year, I hate recruits with wives.'
  • 'May it please your excellency,' thus replied
  • Our British friend, 'these are the wives of others,
  • And not our own. I am too qualified
  • By service with my military brothers
  • To break the rules by bringing one's own bride
  • Into a camp: I know that nought so bothers
  • The hearts of the heroic on a charge,
  • As leaving a small family at large.
  • 'But these are but two Turkish ladies, who
  • With their attendant aided our escape,
  • And afterwards accompanied us through
  • A thousand perils in this dubious shape.
  • To me this kind of life is not so new;
  • To them, poor things, it is an awkward scrape.
  • I therefore, if you wish me to fight freely,
  • Request that they may both be used genteelly.'
  • Meantime these two poor girls, with swimming eyes,
  • Look'd on as if in doubt if they could trust
  • Their own protectors; nor was their surprise
  • Less than their grief (and truly not less just)
  • To see an old man, rather wild than wise
  • In aspect, plainly clad, besmear'd with dust,
  • Stript to his waistcoat, and that not too clean,
  • More fear'd than all the sultans ever seen.
  • For every thing seem'd resting on his nod,
  • As they could read in all eyes. Now to them,
  • Who were accustom'd, as a sort of god,
  • To see the sultan, rich in many a gem,
  • Like an imperial peacock stalk abroad
  • (That royal bird, whose tail 's a diadem),
  • With all the pomp of power, it was a doubt
  • How power could condescend to do without.
  • John Johnson, seeing their extreme dismay,
  • Though little versed in feelings oriental,
  • Suggested some slight comfort in his way:
  • Don Juan, who was much more sentimental,
  • Swore they should see him by the dawn of day,
  • Or that the Russian army should repent all:
  • And, strange to say, they found some consolation
  • In this--for females like exaggeration.
  • And then with tears, and sighs, and some slight kisses,
  • They parted for the present--these to await,
  • According to the artillery's hits or misses,
  • What sages call Chance, Providence, or Fate
  • (Uncertainty is one of many blisses,
  • A mortgage on Humanity's estate)--
  • While their beloved friends began to arm,
  • To burn a town which never did them harm.
  • Suwarrow,--who but saw things in the gross,
  • Being much too gross to see them in detail,
  • Who calculated life as so much dross,
  • And as the wind a widow'd nation's wail,
  • And cared as little for his army's loss
  • (So that their efforts should at length prevail)
  • As wife and friends did for the boils of job,--
  • What was 't to him to hear two women sob?
  • Nothing.--The work of glory still went on
  • In preparations for a cannonade
  • As terrible as that of Ilion,
  • If Homer had found mortars ready made;
  • But now, instead of slaying Priam's son,
  • We only can but talk of escalade,
  • Bombs, drums, guns, bastions, batteries, bayonets, bullets,--
  • Hard words, which stick in the soft Muses' gullets.
  • O, thou eternal Homer! who couldst charm
  • All cars, though long; all ages, though so short,
  • By merely wielding with poetic arm
  • Arms to which men will never more resort,
  • Unless gunpowder should be found to harm
  • Much less than is the hope of every court,
  • Which now is leagued young Freedom to annoy;
  • But they will not find Liberty a Troy:--
  • O, thou eternal Homer! I have now
  • To paint a siege, wherein more men were slain,
  • With deadlier engines and a speedier blow,
  • Than in thy Greek gazette of that campaign;
  • And yet, like all men else, I must allow,
  • To vie with thee would be about as vain
  • As for a brook to cope with ocean's flood;
  • But still we moderns equal you in blood;
  • If not in poetry, at least in fact;
  • And fact is truth, the grand desideratum!
  • Of which, howe'er the Muse describes each act,
  • There should be ne'ertheless a slight substratum.
  • But now the town is going to be attack'd;
  • Great deeds are doing--how shall I relate 'em?
  • Souls of immortal generals! Phoebus watches
  • To colour up his rays from your despatches.
  • O, ye great bulletins of Bonaparte!
  • O, ye less grand long lists of kill'd and wounded!
  • Shade of Leonidas, who fought so hearty,
  • When my poor Greece was once, as now, surrounded!
  • O, Caesar's Commentaries! now impart, ye
  • Shadows of glory! (lest I be confounded)
  • A portion of your fading twilight hues,
  • So beautiful, so fleeting, to the Muse.
  • When I call 'fading' martial immortality,
  • I mean, that every age and every year,
  • And almost every day, in sad reality,
  • Some sucking hero is compell'd to rear,
  • Who, when we come to sum up the totality
  • Of deeds to human happiness most dear,
  • Turns out to be a butcher in great business,
  • Afflicting young folks with a sort of dizziness.
  • Medals, rank, ribands, lace, embroidery, scarlet,
  • Are things immortal to immortal man,
  • As purple to the Babylonian harlot:
  • An uniform to boys is like a fan
  • To women; there is scarce a crimson varlet
  • But deems himself the first in Glory's van.
  • But Glory's glory; and if you would find
  • What that is--ask the pig who sees the wind!
  • At least he feels it, and some say he sees,
  • Because he runs before it like a pig;
  • Or, if that simple sentence should displease,
  • Say, that he scuds before it like a brig,
  • A schooner, or--but it is time to ease
  • This Canto, ere my Muse perceives fatigue.
  • The next shall ring a peal to shake all people,
  • Like a bob-major from a village steeple.
  • Hark! through the silence of the cold, dull night,
  • The hum of armies gathering rank on rank!
  • Lo! dusky masses steal in dubious sight
  • Along the leaguer'd wall and bristling bank
  • Of the arm'd river, while with straggling light
  • The stars peep through the vapours dim and dank,
  • Which curl in curious wreaths:--how soon the smoke
  • Of Hell shall pall them in a deeper cloak!
  • Here pause we for the present--as even then
  • That awful pause, dividing life from death,
  • Struck for an instant on the hearts of men,
  • Thousands of whom were drawing their last breath!
  • A moment--and all will be life again!
  • The march! the charge! the shouts of either faith!
  • Hurra! and Allah! and--one moment more,
  • The death-cry drowning in the battle's roar.
  • [Illustration: Canto 8]
  • CANTO THE EIGHTH.
  • O blood and thunder! and oh blood and wounds!
  • These are but vulgar oaths, as you may deem,
  • Too gentle reader! and most shocking sounds:
  • And so they are; yet thus is Glory's dream
  • Unriddled, and as my true Muse expounds
  • At present such things, since they are her theme,
  • So be they her inspirers! Call them Mars,
  • Bellona, what you will--they mean but wars.
  • All was prepared--the fire, the sword, the men
  • To wield them in their terrible array.
  • The army, like a lion from his den,
  • March'd forth with nerve and sinews bent to slay,--
  • A human Hydra, issuing from its fen
  • To breathe destruction on its winding way,
  • Whose heads were heroes, which cut off in vain
  • Immediately in others grew again.
  • History can only take things in the gross;
  • But could we know them in detail, perchance
  • In balancing the profit and the loss,
  • War's merit it by no means might enhance,
  • To waste so much gold for a little dross,
  • As hath been done, mere conquest to advance.
  • The drying up a single tear has more
  • Of honest fame, than shedding seas of gore.
  • And why?--because it brings self-approbation;
  • Whereas the other, after all its glare,
  • Shouts, bridges, arches, pensions from a nation,
  • Which (it may be) has not much left to spare,
  • A higher title, or a loftier station,
  • Though they may make Corruption gape or stare,
  • Yet, in the end, except in Freedom's battles,
  • Are nothing but a child of Murder's rattles.
  • And such they are--and such they will be found:
  • Not so Leonidas and Washington,
  • Whose every battle-field is holy ground,
  • Which breathes of nations saved, not worlds undone.
  • How sweetly on the ear such echoes sound!
  • While the mere victor's may appal or stun
  • The servile and the vain, such names will be
  • A watchword till the future shall be free.
  • The night was dark, and the thick mist allow'd
  • Nought to be seen save the artillery's flame,
  • Which arch'd the horizon like a fiery cloud,
  • And in the Danube's waters shone the same--
  • A mirror'd hell! the volleying roar, and loud
  • Long booming of each peal on peal, o'ercame
  • The ear far more than thunder; for Heaven's flashes
  • Spare, or smite rarely--man's make millions ashes!
  • The column order'd on the assault scarce pass'd
  • Beyond the Russian batteries a few toises,
  • When up the bristling Moslem rose at last,
  • Answering the Christian thunders with like voices:
  • Then one vast fire, air, earth, and stream embraced,
  • Which rock'd as 't were beneath the mighty noises;
  • While the whole rampart blazed like Etna, when
  • The restless Titan hiccups in his den.
  • And one enormous shout of 'Allah!' rose
  • In the same moment, loud as even the roar
  • Of war's most mortal engines, to their foes
  • Hurling defiance: city, stream, and shore
  • Resounded 'Allah!' and the clouds which close
  • With thick'ning canopy the conflict o'er,
  • Vibrate to the Eternal name. Hark! through
  • All sounds it pierceth 'Allah! Allah! Hu!'
  • The columns were in movement one and all,
  • But of the portion which attack'd by water,
  • Thicker than leaves the lives began to fall,
  • Though led by Arseniew, that great son of slaughter,
  • As brave as ever faced both bomb and ball.
  • 'Carnage' (so Wordsworth tells you) 'is God's daughter:'
  • If he speak truth, she is Christ's sister, and
  • Just now behaved as in the Holy Land.
  • The Prince de Ligne was wounded in the knee;
  • Count Chapeau-Bras, too, had a ball between
  • His cap and head, which proves the head to be
  • Aristocratic as was ever seen,
  • Because it then received no injury
  • More than the cap; in fact, the ball could mean
  • No harm unto a right legitimate head:
  • 'Ashes to ashes'--why not lead to lead?
  • Also the General Markow, Brigadier,
  • Insisting on removal of the prince
  • Amidst some groaning thousands dying near,--
  • All common fellows, who might writhe and wince,
  • And shriek for water into a deaf ear,--
  • The General Markow, who could thus evince
  • His sympathy for rank, by the same token,
  • To teach him greater, had his own leg broken.
  • Three hundred cannon threw up their emetic,
  • And thirty thousand muskets flung their pills
  • Like hail, to make a bloody diuretic.
  • Mortality! thou hast thy monthly bills;
  • Thy plagues, thy famines, thy physicians, yet tick,
  • Like the death-watch, within our ears the ills
  • Past, present, and to come;--but all may yield
  • To the true portrait of one battle-field.
  • There the still varying pangs, which multiply
  • Until their very number makes men hard
  • By the infinities of agony,
  • Which meet the gaze whate'er it may regard--
  • The groan, the roll in dust, the all-white eye
  • Turn'd back within its socket,--these reward
  • Your rank and file by thousands, while the rest
  • May win perhaps a riband at the breast!
  • Yet I love glory;--glory 's a great thing:--
  • Think what it is to be in your old age
  • Maintain'd at the expense of your good king:
  • A moderate pension shakes full many a sage,
  • And heroes are but made for bards to sing,
  • Which is still better; thus in verse to wage
  • Your wars eternally, besides enjoying
  • Half-pay for life, make mankind worth destroying.
  • The troops, already disembark'd, push'd on
  • To take a battery on the right; the others,
  • Who landed lower down, their landing done,
  • Had set to work as briskly as their brothers:
  • Being grenadiers, they mounted one by one,
  • Cheerful as children climb the breasts of mothers,
  • O'er the entrenchment and the palisade,
  • Quite orderly, as if upon parade.
  • And this was admirable; for so hot
  • The fire was, that were red Vesuvius loaded,
  • Besides its lava, with all sorts of shot
  • And shells or hells, it could not more have goaded.
  • Of officers a third fell on the spot,
  • A thing which victory by no means boded
  • To gentlemen engaged in the assault:
  • Hounds, when the huntsman tumbles, are at fault.
  • But here I leave the general concern,
  • To track our hero on his path of fame:
  • He must his laurels separately earn;
  • For fifty thousand heroes, name by name,
  • Though all deserving equally to turn
  • A couplet, or an elegy to claim,
  • Would form a lengthy lexicon of glory,
  • And what is worse still, a much longer story:
  • And therefore we must give the greater number
  • To the Gazette--which doubtless fairly dealt
  • By the deceased, who lie in famous slumber
  • In ditches, fields, or wheresoe'er they felt
  • Their clay for the last time their souls encumber;--
  • Thrice happy he whose name has been well spelt
  • In the despatch: I knew a man whose loss
  • Was printed Grove, although his name was Grose.
  • Juan and Johnson join'd a certain corps,
  • And fought away with might and main, not knowing
  • The way which they had never trod before,
  • And still less guessing where they might be going;
  • But on they march'd, dead bodies trampling o'er,
  • Firing, and thrusting, slashing, sweating, glowing,
  • But fighting thoughtlessly enough to win,
  • To their two selves, one whole bright bulletin.
  • Thus on they wallow'd in the bloody mire
  • Of dead and dying thousands,--sometimes gaining
  • A yard or two of ground, which brought them nigher
  • To some odd angle for which all were straining;
  • At other times, repulsed by the close fire,
  • Which really pour'd as if all hell were raining
  • Instead of heaven, they stumbled backwards o'er
  • A wounded comrade, sprawling in his gore.
  • Though 't was Don Juan's first of fields, and though
  • The nightly muster and the silent march
  • In the chill dark, when courage does not glow
  • So much as under a triumphal arch,
  • Perhaps might make him shiver, yawn, or throw
  • A glance on the dull clouds (as thick as starch,
  • Which stiffen'd heaven) as if he wish'd for day;--
  • Yet for all this he did not run away.
  • Indeed he could not. But what if he had?
  • There have been and are heroes who begun
  • With something not much better, or as bad:
  • Frederic the Great from Molwitz deign'd to run,
  • For the first and last time; for, like a pad,
  • Or hawk, or bride, most mortals after one
  • Warm bout are broken into their new tricks,
  • And fight like fiends for pay or politics.
  • He was what Erin calls, in her sublime
  • Old Erse or Irish, or it may be Punic
  • (The antiquarians who can settle time,
  • Which settles all things, Roman, Greek, or Runic,
  • Swear that Pat's language sprung from the same clime
  • With Hannibal, and wears the Tyrian tunic
  • Of Dido's alphabet; and this is rational
  • As any other notion, and not national);--
  • But Juan was quite 'a broth of a boy,'
  • A thing of impulse and a child of song;
  • Now swimming in the sentiment of joy,
  • Or the sensation (if that phrase seem wrong),
  • And afterward, if he must needs destroy,
  • In such good company as always throng
  • To battles, sieges, and that kind of pleasure,
  • No less delighted to employ his leisure;
  • But always without malice: if he warr'd
  • Or loved, it was with what we call 'the best
  • Intentions,' which form all mankind's trump card,
  • To be produced when brought up to the test.
  • The statesman, hero, harlot, lawyer--ward
  • Off each attack, when people are in quest
  • Of their designs, by saying they meant well;
  • 'T is pity 'that such meaning should pave hell.'
  • I almost lately have begun to doubt
  • Whether hell's pavement--if it be so paved--
  • Must not have latterly been quite worn out,
  • Not by the numbers good intent hath saved,
  • But by the mass who go below without
  • Those ancient good intentions, which once shaved
  • And smooth'd the brimstone of that street of hell
  • Which bears the greatest likeness to Pall Mall.
  • Juan, by some strange chance, which oft divides
  • Warrior from warrior in their grim career,
  • Like chastest wives from constant husbands' sides
  • Just at the close of the first bridal year,
  • By one of those odd turns of Fortune's tides,
  • Was on a sudden rather puzzled here,
  • When, after a good deal of heavy firing,
  • He found himself alone, and friends retiring.
  • I don't know how the thing occurr'd--it might
  • Be that the greater part were kill'd or wounded,
  • And that the rest had faced unto the right
  • About; a circumstance which has confounded
  • Caesar himself, who, in the very sight
  • Of his whole army, which so much abounded
  • In courage, was obliged to snatch a shield,
  • And rally back his Romans to the field.
  • Juan, who had no shield to snatch, and was
  • No Caesar, but a fine young lad, who fought
  • He knew not why, arriving at this pass,
  • Stopp'd for a minute, as perhaps he ought
  • For a much longer time; then, like an as
  • (Start not, kind reader; since great Homer thought
  • This simile enough for Ajax, Juan
  • Perhaps may find it better than a new one)--
  • Then, like an ass, he went upon his way,
  • And, what was stranger, never look'd behind;
  • But seeing, flashing forward, like the day
  • Over the hills, a fire enough to blind
  • Those who dislike to look upon a fray,
  • He stumbled on, to try if he could find
  • A path, to add his own slight arm and forces
  • To corps, the greater part of which were corses.
  • Perceiving then no more the commandant
  • Of his own corps, nor even the corps, which had
  • Quite disappear'd--the gods know howl (I can't
  • Account for every thing which may look bad
  • In history; but we at least may grant
  • It was not marvellous that a mere lad,
  • In search of glory, should look on before,
  • Nor care a pinch of snuff about his corps):--
  • Perceiving nor commander nor commanded,
  • And left at large, like a young heir, to make
  • His way to--where he knew not--single handed;
  • As travellers follow over bog and brake
  • An 'ignis fatuus;' or as sailors stranded
  • Unto the nearest hut themselves betake;
  • So Juan, following honour and his nose,
  • Rush'd where the thickest fire announced most foes.
  • He knew not where he was, nor greatly cared,
  • For he was dizzy, busy, and his veins
  • Fill'd as with lightning--for his spirit shared
  • The hour, as is the case with lively brains;
  • And where the hottest fire was seen and heard,
  • And the loud cannon peal'd his hoarsest strains,
  • He rush'd, while earth and air were sadly shaken
  • By thy humane discovery, Friar Bacon!
  • And as he rush'd along, it came to pass he
  • Fell in with what was late the second column,
  • Under the orders of the General Lascy,
  • But now reduced, as is a bulky volume
  • Into an elegant extract (much less massy)
  • Of heroism, and took his place with solemn
  • Air 'midst the rest, who kept their valiant faces
  • And levell'd weapons still against the glacis.
  • Just at this crisis up came Johnson too,
  • Who had 'retreated,' as the phrase is when
  • Men run away much rather than go through
  • Destruction's jaws into the devil's den;
  • But Johnson was a clever fellow, who
  • Knew when and how 'to cut and come again,'
  • And never ran away, except when running
  • Was nothing but a valorous kind of cunning.
  • And so, when all his corps were dead or dying,
  • Except Don Juan, a mere novice, whose
  • More virgin valour never dreamt of flying
  • From ignorance of danger, which indues
  • Its votaries, like innocence relying
  • On its own strength, with careless nerves and thews,--
  • Johnson retired a little, just to rally
  • Those who catch cold in 'shadows of Death's valley.'
  • And there, a little shelter'd from the shot,
  • Which rain'd from bastion, battery, parapet,
  • Rampart, wall, casement, house,--for there was not
  • In this extensive city, sore beset
  • By Christian soldiery, a single spot
  • Which did not combat like the devil, as yet,
  • He found a number of Chasseurs, all scatter'd
  • By the resistance of the chase they batter'd.
  • And these he call'd on; and, what 's strange, they came
  • Unto his call, unlike 'the spirits from
  • The vasty deep,' to whom you may exclaim,
  • Says Hotspur, long ere they will leave their home.
  • Their reasons were uncertainty, or shame
  • At shrinking from a bullet or a bomb,
  • And that odd impulse, which in wars or creeds
  • Makes men, like cattle, follow him who leads.
  • By Jove! he was a noble fellow, Johnson,
  • And though his name, than Ajax or Achilles,
  • Sounds less harmonious, underneath the sun soon
  • We shall not see his likeness: he could kill his
  • Man quite as quietly as blows the monsoon
  • Her steady breath (which some months the same still is):
  • Seldom he varied feature, hue, or muscle,
  • And could be very busy without bustle;
  • And therefore, when he ran away, he did so
  • Upon reflection, knowing that behind
  • He would find others who would fain be rid so
  • Of idle apprehensions, which like wind
  • Trouble heroic stomachs. Though their lids so
  • Oft are soon closed, all heroes are not blind,
  • But when they light upon immediate death,
  • Retire a little, merely to take breath.
  • But Johnson only ran off, to return
  • With many other warriors, as we said,
  • Unto that rather somewhat misty bourn,
  • Which Hamlet tells us is a pass of dread.
  • To Jack howe'er this gave but slight concern:
  • His soul (like galvanism upon the dead)
  • Acted upon the living as on wire,
  • And led them back into the heaviest fire.
  • Egad! they found the second time what they
  • The first time thought quite terrible enough
  • To fly from, malgre all which people say
  • Of glory, and all that immortal stuff
  • Which fills a regiment (besides their pay,
  • That daily shilling which makes warriors tough)--
  • They found on their return the self-same welcome,
  • Which made some think, and others know, a hell come.
  • They fell as thick as harvests beneath hail,
  • Grass before scythes, or corn below the sickle,
  • Proving that trite old truth, that life 's as frail
  • As any other boon for which men stickle.
  • The Turkish batteries thrash'd them like a flail,
  • Or a good boxer, into a sad pickle
  • Putting the very bravest, who were knock'd
  • Upon the head, before their guns were cock'd.
  • The Turks, behind the traverses and flanks
  • Of the next bastion, fired away like devils,
  • And swept, as gales sweep foam away, whole ranks:
  • However, Heaven knows how, the Fate who levels
  • Towns, nations, worlds, in her revolving pranks,
  • So order'd it, amidst these sulphury revels,
  • That Johnson and some few who had not scamper'd,
  • Reach'd the interior talus of the rampart.
  • First one or two, then five, six, and a dozen,
  • Came mounting quickly up, for it was now
  • All neck or nothing, as, like pitch or rosin,
  • Flame was shower'd forth above, as well 's below,
  • So that you scarce could say who best had chosen,
  • The gentlemen that were the first to show
  • Their martial faces on the parapet,
  • Or those who thought it brave to wait as yet.
  • But those who scaled, found out that their advance
  • Was favour'd by an accident or blunder:
  • The Greek or Turkish Cohorn's ignorance
  • Had palisado'd in a way you 'd wonder
  • To see in forts of Netherlands or France
  • (Though these to our Gibraltar must knock under)--
  • Right in the middle of the parapet
  • Just named, these palisades were primly set:
  • So that on either side some nine or ten
  • Paces were left, whereon you could contrive
  • To march; a great convenience to our men,
  • At least to all those who were left alive,
  • Who thus could form a line and fight again;
  • And that which farther aided them to strive
  • Was, that they could kick down the palisades,
  • Which scarcely rose much higher than grass blades.
  • Among the first,--I will not say the first,
  • For such precedence upon such occasions
  • Will oftentimes make deadly quarrels burst
  • Out between friends as well as allied nations:
  • The Briton must be bold who really durst
  • Put to such trial John Bull's partial patience,
  • As say that Wellington at Waterloo
  • Was beaten--though the Prussians say so too;--
  • And that if Blucher, Bulow, Gneisenau,
  • And God knows who besides in 'au' and 'ow,'
  • Had not come up in time to cast an awe
  • Into the hearts of those who fought till now
  • As tigers combat with an empty craw,
  • The Duke of Wellington had ceased to show
  • His orders, also to receive his pensions,
  • Which are the heaviest that our history mentions.
  • But never mind;--'God save the king!' and kings!
  • For if he don't, I doubt if men will longer--
  • I think I hear a little bird, who sings
  • The people by and by will be the stronger:
  • The veriest jade will wince whose harness wrings
  • So much into the raw as quite to wrong her
  • Beyond the rules of posting,--and the mob
  • At last fall sick of imitating Job.
  • At first it grumbles, then it swears, and then,
  • Like David, flings smooth pebbles 'gainst a giant;
  • At last it takes to weapons such as men
  • Snatch when despair makes human hearts less pliant.
  • Then comes 'the tug of war;'--'t will come again,
  • I rather doubt; and I would fain say 'fie on 't,'
  • If I had not perceived that revolution
  • Alone can save the earth from hell's pollution.
  • But to continue:--I say not the first,
  • But of the first, our little friend Don Juan
  • Walk'd o'er the walls of Ismail, as if nursed
  • Amidst such scenes--though this was quite a new one
  • To him, and I should hope to most. The thirst
  • Of glory, which so pierces through and through one,
  • Pervaded him--although a generous creature,
  • As warm in heart as feminine in feature.
  • And here he was--who upon woman's breast,
  • Even from a child, felt like a child; howe'er
  • The man in all the rest might be confest,
  • To him it was Elysium to be there;
  • And he could even withstand that awkward test
  • Which Rousseau points out to the dubious fair,
  • 'Observe your lover when he leaves your arms;'
  • But Juan never left them, while they had charms,
  • Unless compell'd by fate, or wave, or wind,
  • Or near relations, who are much the same.
  • But here he was!--where each tie that can bind
  • Humanity must yield to steel and flame:
  • And he whose very body was all mind,
  • Flung here by fate or circumstance, which tame
  • The loftiest, hurried by the time and place,
  • Dash'd on like a spurr'd blood-horse in a race.
  • So was his blood stirr'd while he found resistance,
  • As is the hunter's at the five-bar gate,
  • Or double post and rail, where the existence
  • Of Britain's youth depends upon their weight,
  • The lightest being the safest: at a distance
  • He hated cruelty, as all men hate
  • Blood, until heated--and even then his own
  • At times would curdle o'er some heavy groan.
  • The General Lascy, who had been hard press'd,
  • Seeing arrive an aid so opportune
  • As were some hundred youngsters all abreast,
  • Who came as if just dropp'd down from the moon,
  • To Juan, who was nearest him, address'd
  • His thanks, and hopes to take the city soon,
  • Not reckoning him to be a 'base Bezonian'
  • (As Pistol calls it), but a young Livonian.
  • Juan, to whom he spoke in German, knew
  • As much of German as of Sanscrit, and
  • In answer made an inclination to
  • The general who held him in command;
  • For seeing one with ribands, black and blue,
  • Stars, medals, and a bloody sword in hand,
  • Addressing him in tones which seem'd to thank,
  • He recognised an officer of rank.
  • Short speeches pass between two men who speak
  • No common language; and besides, in time
  • Of war and taking towns, when many a shriek
  • Rings o'er the dialogue, and many a crime
  • Is perpetrated ere a word can break
  • Upon the ear, and sounds of horror chime
  • In like church-bells, with sigh, howl, groan, yell, prayer,
  • There cannot be much conversation there.
  • And therefore all we have related in
  • Two long octaves, pass'd in a little minute;
  • But in the same small minute, every sin
  • Contrived to get itself comprised within it.
  • The very cannon, deafen'd by the din,
  • Grew dumb, for you might almost hear a linnet,
  • As soon as thunder, 'midst the general noise
  • Of human nature's agonising voice!
  • The town was enter'd. Oh eternity!-
  • 'God made the country and man made the town,'
  • So Cowper says--and I begin to be
  • Of his opinion, when I see cast down
  • Rome, Babylon, Tyre, Carthage, Nineveh,
  • All walls men know, and many never known;
  • And pondering on the present and the past,
  • To deem the woods shall be our home at last
  • Of all men, saving Sylla the man-slayer,
  • Who passes for in life and death most lucky,
  • Of the great names which in our faces stare,
  • The General Boon, back-woodsman of Kentucky,
  • Was happiest amongst mortals anywhere;
  • For killing nothing but a bear or buck, he
  • Enjoy'd the lonely, vigorous, harmless days
  • Of his old age in wilds of deepest maze.
  • Crime came not near him--she is not the child
  • Of solitude; Health shrank not from him--for
  • Her home is in the rarely trodden wild,
  • Where if men seek her not, and death be more
  • Their choice than life, forgive them, as beguiled
  • By habit to what their own hearts abhor--
  • In cities caged. The present case in point I
  • Cite is, that Boon lived hunting up to ninety;
  • And what 's still stranger, left behind a name
  • For which men vainly decimate the throng,
  • Not only famous, but of that good fame,
  • Without which glory 's but a tavern song--
  • Simple, serene, the antipodes of shame,
  • Which hate nor envy e'er could tinge with wrong;
  • An active hermit, even in age the child
  • Of Nature, or the man of Ross run wild.
  • 'T is true he shrank from men even of his nation,
  • When they built up unto his darling trees,--
  • He moved some hundred miles off, for a station
  • Where there were fewer houses and more ease;
  • The inconvenience of civilisation
  • Is, that you neither can be pleased nor please;
  • But where he met the individual man,
  • He show'd himself as kind as mortal can.
  • He was not all alone: around him grew
  • A sylvan tribe of children of the chase,
  • Whose young, unwaken'd world was ever new,
  • Nor sword nor sorrow yet had left a trace
  • On her unwrinkled brow, nor could you view
  • A frown on Nature's or on human face;
  • The free-born forest found and kept them free,
  • And fresh as is a torrent or a tree.
  • And tall, and strong, and swift of foot were they,
  • Beyond the dwarfing city's pale abortions,
  • Because their thoughts had never been the prey
  • Of care or gain: the green woods were their portions;
  • No sinking spirits told them they grew grey,
  • No fashion made them apes of her distortions;
  • Simple they were, not savage; and their rifles,
  • Though very true, were not yet used for trifles.
  • Motion was in their days, rest in their slumbers,
  • And cheerfulness the handmaid of their toil;
  • Nor yet too many nor too few their numbers;
  • Corruption could not make their hearts her soil;
  • The lust which stings, the splendour which encumbers,
  • With the free foresters divide no spoil;
  • Serene, not sullen, were the solitudes
  • Of this unsighing people of the woods.
  • So much for Nature:--by way of variety,
  • Now back to thy great joys, Civilisation!
  • And the sweet consequence of large society,
  • War, pestilence, the despot's desolation,
  • The kingly scourge, the lust of notoriety,
  • The millions slain by soldiers for their ration,
  • The scenes like Catherine's boudoir at threescore,
  • With Ismail's storm to soften it the more.
  • The town was enter'd: first one column made
  • Its sanguinary way good--then another;
  • The reeking bayonet and the flashing blade
  • Clash'd 'gainst the scimitar, and babe and mother
  • With distant shrieks were heard Heaven to upbraid:
  • Still closer sulphury clouds began to smother
  • The breath of morn and man, where foot by foot
  • The madden'd Turks their city still dispute.
  • Koutousow, he who afterward beat back
  • (With some assistance from the frost and snow)
  • Napoleon on his bold and bloody track,
  • It happen'd was himself beat back just now;
  • He was a jolly fellow, and could crack
  • His jest alike in face of friend or foe,
  • Though life, and death, and victory were at stake;
  • But here it seem'd his jokes had ceased to take:
  • For having thrown himself into a ditch,
  • Follow'd in haste by various grenadiers,
  • Whose blood the puddle greatly did enrich,
  • He climb'd to where the parapet appears;
  • But there his project reach'd its utmost pitch
  • ('Mongst other deaths the General Ribaupierre's
  • Was much regretted), for the Moslem men
  • Threw them all down into the ditch again.
  • And had it not been for some stray troops landing
  • They knew not where, being carried by the stream
  • To some spot, where they lost their understanding,
  • And wander'd up and down as in a dream,
  • Until they reach'd, as daybreak was expanding,
  • That which a portal to their eyes did seem,--
  • The great and gay Koutousow might have lain
  • Where three parts of his column yet remain.
  • And scrambling round the rampart, these same troops,
  • After the taking of the 'Cavalier,'
  • Just as Koutousow's most 'forlorn' of 'hopes'
  • Took like chameleons some slight tinge of fear,
  • Open'd the gate call'd 'Kilia,' to the groups
  • Of baffled heroes, who stood shyly near,
  • Sliding knee-deep in lately frozen mud,
  • Now thaw'd into a marsh of human blood.
  • The Kozacks, or, if so you please, Cossacques
  • (I don't much pique myself upon orthography,
  • So that I do not grossly err in facts,
  • Statistics, tactics, politics, and geography)--
  • Having been used to serve on horses' backs,
  • And no great dilettanti in topography
  • Of fortresses, but fighting where it pleases
  • Their chiefs to order,--were all cut to pieces.
  • Their column, though the Turkish batteries thunder'd
  • Upon them, ne'ertheless had reach'd the rampart,
  • And naturally thought they could have plunder'd
  • The city, without being farther hamper'd;
  • But as it happens to brave men, they blunder'd--
  • The Turks at first pretended to have scamper'd,
  • Only to draw them 'twixt two bastion corners,
  • From whence they sallied on those Christian scorners.
  • Then being taken by the tail--a taking
  • Fatal to bishops as to soldiers--these
  • Cossacques were all cut off as day was breaking,
  • And found their lives were let at a short lease--
  • But perish'd without shivering or shaking,
  • Leaving as ladders their heap'd carcasses,
  • O'er which Lieutenant-Colonel Yesouskoi
  • March'd with the brave battalion of Polouzki:--
  • This valiant man kill'd all the Turks he met,
  • But could not eat them, being in his turn
  • Slain by some Mussulmans, who would not yet,
  • Without resistance, see their city burn.
  • The walls were won, but 't was an even bet
  • Which of the armies would have cause to mourn:
  • 'T was blow for blow, disputing inch by inch,
  • For one would not retreat, nor t' other flinch.
  • Another column also suffer'd much:--
  • And here we may remark with the historian,
  • You should but give few cartridges to such
  • Troops as are meant to march with greatest glory on:
  • When matters must be carried by the touch
  • Of the bright bayonet, and they all should hurry on,
  • They sometimes, with a hankering for existence,
  • Keep merely firing at a foolish distance.
  • A junction of the General Meknop's men
  • (Without the General, who had fallen some time
  • Before, being badly seconded just then)
  • Was made at length with those who dared to climb
  • The death-disgorging rampart once again;
  • And though the Turk's resistance was sublime,
  • They took the bastion, which the Seraskier
  • Defended at a price extremely dear.
  • Juan and Johnson, and some volunteers,
  • Among the foremost, offer'd him good quarter,
  • A word which little suits with Seraskiers,
  • Or at least suited not this valiant Tartar.
  • He died, deserving well his country's tears,
  • A savage sort of military martyr.
  • An English naval officer, who wish'd
  • To make him prisoner, was also dish'd:
  • For all the answer to his proposition
  • Was from a pistol-shot that laid him dead;
  • On which the rest, without more intermission,
  • Began to lay about with steel and lead--
  • The pious metals most in requisition
  • On such occasions: not a single head
  • Was spared;--three thousand Moslems perish'd here,
  • And sixteen bayonets pierced the Seraskier.
  • The city 's taken--only part by part--
  • And death is drunk with gore: there 's not a street
  • Where fights not to the last some desperate heart
  • For those for whom it soon shall cease to beat.
  • Here War forgot his own destructive art
  • In more destroying Nature; and the heat
  • Of carnage, like the Nile's sun-sodden slime,
  • Engender'd monstrous shapes of every crime.
  • A Russian officer, in martial tread
  • Over a heap of bodies, felt his heel
  • Seized fast, as if 't were by the serpent's head
  • Whose fangs Eve taught her human seed to feel:
  • In vain he kick'd, and swore, and writhed, and bled,
  • And howl'd for help as wolves do for a meal--
  • The teeth still kept their gratifying hold,
  • As do the subtle snakes described of old.
  • A dying Moslem, who had felt the foot
  • Of a foe o'er him, snatch'd at it, and bit
  • The very tendon which is most acute
  • (That which some ancient Muse or modern wit
  • Named after thee, Achilles), and quite through 't
  • He made the teeth meet, nor relinquish'd it
  • Even with his life--for (but they lie) 't is said
  • To the live leg still clung the sever'd head.
  • However this may be, 't is pretty sure
  • The Russian officer for life was lamed,
  • For the Turk's teeth stuck faster than a skewer,
  • And left him 'midst the invalid and maim'd:
  • The regimental surgeon could not cure
  • His patient, and perhaps was to be blamed
  • More than the head of the inveterate foe,
  • Which was cut off, and scarce even then let go.
  • But then the fact 's a fact--and 't is the part
  • Of a true poet to escape from fiction
  • Whene'er he can; for there is little art
  • In leaving verse more free from the restriction
  • Of truth than prose, unless to suit the mart
  • For what is sometimes called poetic diction,
  • And that outrageous appetite for lies
  • Which Satan angles with for souls, like flies.
  • The city 's taken, but not render'd!--No!
  • There 's not a Moslem that hath yielded sword:
  • The blood may gush out, as the Danube's flow
  • Rolls by the city wall; but deed nor word
  • Acknowledge aught of dread of death or foe:
  • In vain the yell of victory is roar'd
  • By the advancing Muscovite--the groan
  • Of the last foe is echoed by his own.
  • The bayonet pierces and the sabre cleaves,
  • And human lives are lavish'd everywhere,
  • As the year closing whirls the scarlet leaves
  • When the stripp'd forest bows to the bleak air,
  • And groans; and thus the peopled city grieves,
  • Shorn of its best and loveliest, and left bare;
  • But still it falls in vast and awful splinters,
  • As oaks blown down with all their thousand winters.
  • It is an awful topic--but 't is not
  • My cue for any time to be terrific:
  • For checker'd as is seen our human lot
  • With good, and bad, and worse, alike prolific
  • Of melancholy merriment, to quote
  • Too much of one sort would be soporific;--
  • Without, or with, offence to friends or foes,
  • I sketch your world exactly as it goes.
  • And one good action in the midst of crimes
  • Is 'quite refreshing,' in the affected phrase
  • Of these ambrosial, Pharisaic times,
  • With all their pretty milk-and-water ways,
  • And may serve therefore to bedew these rhymes,
  • A little scorch'd at present with the blaze
  • Of conquest and its consequences, which
  • Make epic poesy so rare and rich.
  • Upon a taken bastion, where there lay
  • Thousands of slaughter'd men, a yet warm group
  • Of murder'd women, who had found their way
  • To this vain refuge, made the good heart droop
  • And shudder;--while, as beautiful as May,
  • A female child of ten years tried to stoop
  • And hide her little palpitating breast
  • Amidst the bodies lull'd in bloody rest.
  • Two villainous Cossacques pursued the child
  • With flashing eyes and weapons: match'd with them,
  • The rudest brute that roams Siberia's wild
  • Has feelings pure and polish'd as a gem,--
  • The bear is civilised, the wolf is mild;
  • And whom for this at last must we condemn?
  • Their natures? or their sovereigns, who employ
  • All arts to teach their subjects to destroy?
  • Their sabres glitter'd o'er her little head,
  • Whence her fair hair rose twining with affright,
  • Her hidden face was plunged amidst the dead:
  • When Juan caught a glimpse of this sad sight,
  • I shall not say exactly what he said,
  • Because it might not solace 'ears polite;'
  • But what he did, was to lay on their backs,
  • The readiest way of reasoning with Cossacques.
  • One's hip he slash'd, and split the other's shoulder,
  • And drove them with their brutal yells to seek
  • If there might be chirurgeons who could solder
  • The wounds they richly merited, and shriek
  • Their baffled rage and pain; while waxing colder
  • As he turn'd o'er each pale and gory cheek,
  • Don Juan raised his little captive from
  • The heap a moment more had made her tomb.
  • And she was chill as they, and on her face
  • A slender streak of blood announced how near
  • Her fate had been to that of all her race;
  • For the same blow which laid her mother here
  • Had scarr'd her brow, and left its crimson trace,
  • As the last link with all she had held dear;
  • But else unhurt, she open'd her large eyes,
  • And gazed on Juan with a wild surprise.
  • Just at this instant, while their eyes were fix'd
  • Upon each other, with dilated glance,
  • In Juan's look, pain, pleasure, hope, fear, mix'd
  • With joy to save, and dread of some mischance
  • Unto his protege; while hers, transfix'd
  • With infant terrors, glared as from a trance,
  • A pure, transparent, pale, yet radiant face,
  • Like to a lighted alabaster vase;--
  • Up came John Johnson (I will not say 'Jack,'
  • For that were vulgar, cold, and commonplace
  • On great occasions, such as an attack
  • On cities, as hath been the present case):
  • Up Johnson came, with hundreds at his back,
  • Exclaiming;--'Juan! Juan! On, boy! brace
  • Your arm, and I 'll bet Moscow to a dollar
  • That you and I will win St. George's collar.
  • 'The Seraskier is knock'd upon the head,
  • But the stone bastion still remains, wherein
  • The old Pacha sits among some hundreds dead,
  • Smoking his pipe quite calmly 'midst the din
  • Of our artillery and his own: 't is said
  • Our kill'd, already piled up to the chin,
  • Lie round the battery; but still it batters,
  • And grape in volleys, like a vineyard, scatters.
  • 'Then up with me!'--But Juan answer'd, 'Look
  • Upon this child--I saved her--must not leave
  • Her life to chance; but point me out some nook
  • Of safety, where she less may shrink and grieve,
  • And I am with you.'--Whereon Johnson took
  • A glance around--and shrugg'd--and twitch'd his sleeve
  • And black silk neckcloth--and replied, 'You 're right;
  • Poor thing! what 's to be done? I 'm puzzled quite.'
  • Said Juan: 'Whatsoever is to be
  • Done, I 'll not quit her till she seems secure
  • Of present life a good deal more than we.'
  • Quoth Johnson: 'Neither will I quite ensure;
  • But at the least you may die gloriously.'
  • Juan replied: 'At least I will endure
  • Whate'er is to be borne--but not resign
  • This child, who is parentless, and therefore mine.'
  • Johnson said: 'Juan, we 've no time to lose;
  • The child 's a pretty child--a very pretty--
  • I never saw such eyes--but hark! now choose
  • Between your fame and feelings, pride and pity;--
  • Hark! how the roar increases!--no excuse
  • Will serve when there is plunder in a city;--
  • I should be loth to march without you, but,
  • By God! we 'll be too late for the first cut.'
  • But Juan was immovable; until
  • Johnson, who really loved him in his way,
  • Pick'd out amongst his followers with some skill
  • Such as he thought the least given up to prey;
  • And swearing if the infant came to ill
  • That they should all be shot on the next day;
  • But if she were deliver'd safe and sound,
  • They should at least have fifty rubles round,
  • And all allowances besides of plunder
  • In fair proportion with their comrades;--then
  • Juan consented to march on through thunder,
  • Which thinn'd at every step their ranks of men:
  • And yet the rest rush'd eagerly--no wonder,
  • For they were heated by the hope of gain,
  • A thing which happens everywhere each day--
  • No hero trusteth wholly to half pay.
  • And such is victory, and such is man!
  • At least nine tenths of what we call so;--God
  • May have another name for half we scan
  • As human beings, or his ways are odd.
  • But to our subject: a brave Tartar khan--
  • Or 'sultan,' as the author (to whose nod
  • In prose I bend my humble verse) doth call
  • This chieftain--somehow would not yield at all:
  • But flank'd by five brave sons (such is polygamy,
  • That she spawns warriors by the score, where none
  • Are prosecuted for that false crime bigamy),
  • He never would believe the city won
  • While courage clung but to a single twig.--Am I
  • Describing Priam's, Peleus', or Jove's son?
  • Neither--but a good, plain, old, temperate man,
  • Who fought with his five children in the van.
  • To take him was the point. The truly brave,
  • When they behold the brave oppress'd with odds,
  • Are touch'd with a desire to shield and save;--
  • A mixture of wild beasts and demigods
  • Are they--now furious as the sweeping wave,
  • Now moved with pity: even as sometimes nods
  • The rugged tree unto the summer wind,
  • Compassion breathes along the savage mind.
  • But he would not be taken, and replied
  • To all the propositions of surrender
  • By mowing Christians down on every side,
  • As obstinate as Swedish Charles at Bender.
  • His five brave boys no less the foe defied;
  • Whereon the Russian pathos grew less tender,
  • As being a virtue, like terrestrial patience,
  • Apt to wear out on trifling provocations.
  • And spite of Johnson and of Juan, who
  • Expended all their Eastern phraseology
  • In begging him, for God's sake, just to show
  • So much less fight as might form an apology
  • For them in saving such a desperate foe--
  • He hew'd away, like doctors of theology
  • When they dispute with sceptics; and with curses
  • Struck at his friends, as babies beat their nurses.
  • Nay, he had wounded, though but slightly, both
  • Juan and Johnson; whereupon they fell,
  • The first with sighs, the second with an oath,
  • Upon his angry sultanship, pell-mell,
  • And all around were grown exceeding wroth
  • At such a pertinacious infidel,
  • And pour'd upon him and his sons like rain,
  • Which they resisted like a sandy plain
  • That drinks and still is dry. At last they perish'd--
  • His second son was levell'd by a shot;
  • His third was sabred; and the fourth, most cherish'd
  • Of all the five, on bayonets met his lot;
  • The fifth, who, by a Christian mother nourish'd,
  • Had been neglected, ill-used, and what not,
  • Because deform'd, yet died all game and bottom,
  • To save a sire who blush'd that he begot him.
  • The eldest was a true and tameless Tartar,
  • As great a scorner of the Nazarene
  • As ever Mahomet pick'd out for a martyr,
  • Who only saw the black-eyed girls in green,
  • Who make the beds of those who won't take quarter
  • On earth, in Paradise; and when once seen,
  • Those houris, like all other pretty creatures,
  • Do just whate'er they please, by dint of features.
  • And what they pleased to do with the young khan
  • In heaven I know not, nor pretend to guess;
  • But doubtless they prefer a fine young man
  • To tough old heroes, and can do no less;
  • And that 's the cause no doubt why, if we scan
  • A field of battle's ghastly wilderness,
  • For one rough, weather-beaten, veteran body,
  • You 'll find ten thousand handsome coxcombs bloody.
  • Your houris also have a natural pleasure
  • In lopping off your lately married men,
  • Before the bridal hours have danced their measure
  • And the sad, second moon grows dim again,
  • Or dull repentance hath had dreary leisure
  • To wish him back a bachelor now and then.
  • And thus your houri (it may be) disputes
  • Of these brief blossoms the immediate fruits.
  • Thus the young khan, with houris in his sight,
  • Thought not upon the charms of four young brides,
  • But bravely rush'd on his first heavenly night.
  • In short, howe'er our better faith derides,
  • These black-eyed virgins make the Moslems fight,
  • As though there were one heaven and none besides,--
  • Whereas, if all be true we hear of heaven
  • And hell, there must at least be six or seven.
  • So fully flash'd the phantom on his eyes,
  • That when the very lance was in his heart,
  • He shouted 'Allah!' and saw Paradise
  • With all its veil of mystery drawn apart,
  • And bright eternity without disguise
  • On his soul, like a ceaseless sunrise, dart:--
  • With prophets, houris, angels, saints, descried
  • In one voluptuous blaze,--and then he died,
  • But with a heavenly rapture on his face.
  • The good old khan, who long had ceased to see
  • Houris, or aught except his florid race
  • Who grew like cedars round him gloriously--
  • When he beheld his latest hero grace
  • The earth, which he became like a fell'd tree,
  • Paused for a moment, from the fight, and cast
  • A glance on that slain son, his first and last.
  • The soldiers, who beheld him drop his point,
  • Stopp'd as if once more willing to concede
  • Quarter, in case he bade them not 'aroynt!'
  • As he before had done. He did not heed
  • Their pause nor signs: his heart was out of joint,
  • And shook (till now unshaken) like a reed,
  • As he look'd down upon his children gone,
  • And felt--though done with life--he was alone
  • But 't was a transient tremor;--with a spring
  • Upon the Russian steel his breast he flung,
  • As carelessly as hurls the moth her wing
  • Against the light wherein she dies: he clung
  • Closer, that all the deadlier they might wring,
  • Unto the bayonets which had pierced his young;
  • And throwing back a dim look on his sons,
  • In one wide wound pour'd forth his soul at once.
  • 'T is strange enough--the rough, tough soldiers, who
  • Spared neither sex nor age in their career
  • Of carnage, when this old man was pierced through,
  • And lay before them with his children near,
  • Touch'd by the heroism of him they slew,
  • Were melted for a moment: though no tear
  • Flow'd from their bloodshot eyes, all red with strife,
  • They honour'd such determined scorn of life.
  • But the stone bastion still kept up its fire,
  • Where the chief pacha calmly held his post:
  • Some twenty times he made the Russ retire,
  • And baffled the assaults of all their host;
  • At length he condescended to inquire
  • If yet the city's rest were won or lost;
  • And being told the latter, sent a bey
  • To answer Ribas' summons to give way.
  • In the mean time, cross-legg'd, with great sang-froid,
  • Among the scorching ruins he sat smoking
  • Tobacco on a little carpet;--Troy
  • Saw nothing like the scene around:--yet looking
  • With martial stoicism, nought seem'd to annoy
  • His stern philosophy; but gently stroking
  • His beard, he puff'd his pipe's ambrosial gales,
  • As if he had three lives, as well as tails.
  • The town was taken--whether he might yield
  • Himself or bastion, little matter'd now:
  • His stubborn valour was no future shield.
  • Ismail 's no more! The crescent's silver bow
  • Sunk, and the crimson cross glared o'er the field,
  • But red with no redeeming gore: the glow
  • Of burning streets, like moonlight on the water,
  • Was imaged back in blood, the sea of slaughter.
  • All that the mind would shrink from of excesses;
  • All that the body perpetrates of bad;
  • All that we read, hear, dream, of man's distresses;
  • All that the devil would do if run stark mad;
  • All that defies the worst which pen expresses;
  • All by which hell is peopled, or as sad
  • As hell--mere mortals who their power abuse--
  • Was here (as heretofore and since) let loose.
  • If here and there some transient trait of pity
  • Was shown, and some more noble heart broke through
  • Its bloody bond, and saved perhaps some pretty
  • Child, or an aged, helpless man or two--
  • What 's this in one annihilated city,
  • Where thousand loves, and ties, and duties grew?
  • Cockneys of London! Muscadins of Paris!
  • Just ponder what a pious pastime war is.
  • Think how the joys of reading a Gazette
  • Are purchased by all agonies and crimes:
  • Or if these do not move you, don't forget
  • Such doom may be your own in aftertimes.
  • Meantime the Taxes, Castlereagh, and Debt,
  • Are hints as good as sermons, or as rhymes.
  • Read your own hearts and Ireland's present story,
  • Then feed her famine fat with Wellesley's glory.
  • But still there is unto a patriot nation,
  • Which loves so well its country and its king,
  • A subject of sublimest exultation--
  • Bear it, ye Muses, on your brightest wing!
  • Howe'er the mighty locust, Desolation,
  • Strip your green fields, and to your harvests cling,
  • Gaunt famine never shall approach the throne--
  • Though Ireland starve, great George weighs twenty stone.
  • But let me put an end unto my theme:
  • There was an end of Ismail--hapless town!
  • Far flash'd her burning towers o'er Danube's stream,
  • And redly ran his blushing waters down.
  • The horrid war-whoop and the shriller scream
  • Rose still; but fainter were the thunders grown:
  • Of forty thousand who had mann'd the wall,
  • Some hundreds breathed--the rest were silent all!
  • In one thing ne'ertheless 't is fit to praise
  • The Russian army upon this occasion,
  • A virtue much in fashion now-a-days,
  • And therefore worthy of commemoration:
  • The topic 's tender, so shall be my phrase--
  • Perhaps the season's chill, and their long station
  • In winter's depth, or want of rest and victual,
  • Had made them chaste;--they ravish'd very little.
  • Much did they slay, more plunder, and no less
  • Might here and there occur some violation
  • In the other line;--but not to such excess
  • As when the French, that dissipated nation,
  • Take towns by storm: no causes can I guess,
  • Except cold weather and commiseration;
  • But all the ladies, save some twenty score,
  • Were almost as much virgins as before.
  • Some odd mistakes, too, happen'd in the dark,
  • Which show'd a want of lanterns, or of taste--
  • Indeed the smoke was such they scarce could mark
  • Their friends from foes,--besides such things from haste
  • Occur, though rarely, when there is a spark
  • Of light to save the venerably chaste:
  • But six old damsels, each of seventy years,
  • Were all deflower'd by different grenadiers.
  • But on the whole their continence was great;
  • So that some disappointment there ensued
  • To those who had felt the inconvenient state
  • Of 'single blessedness,' and thought it good
  • (Since it was not their fault, but only fate,
  • To bear these crosses) for each waning prude
  • To make a Roman sort of Sabine wedding,
  • Without the expense and the suspense of bedding.
  • Some voices of the buxom middle-aged
  • Were also heard to wonder in the din
  • (Widows of forty were these birds long caged)
  • 'Wherefore the ravishing did not begin!'
  • But while the thirst for gore and plunder raged,
  • There was small leisure for superfluous sin;
  • But whether they escaped or no, lies hid
  • In darkness--I can only hope they did.
  • Suwarrow now was conqueror--a match
  • For Timour or for Zinghis in his trade.
  • While mosques and streets, beneath his eyes, like thatch
  • Blazed, and the cannon's roar was scarce allay'd,
  • With bloody hands he wrote his first despatch;
  • And here exactly follows what he said:--
  • 'Glory to God and to the Empress!' (Powers
  • Eternal! such names mingled!) 'Ismail 's ours.'
  • Methinks these are the most tremendous words,
  • Since 'Mene, Mene, Tekel,' and 'Upharsin,'
  • Which hands or pens have ever traced of swords.
  • Heaven help me! I 'm but little of a parson:
  • What Daniel read was short-hand of the Lord's,
  • Severe, sublime; the prophet wrote no farce on
  • The fate of nations;--but this Russ so witty
  • Could rhyme, like Nero, o'er a burning city.
  • He wrote this Polar melody, and set it,
  • Duly accompanied by shrieks and groans,
  • Which few will sing, I trust, but none forget it--
  • For I will teach, if possible, the stones
  • To rise against earth's tyrants. Never let it
  • Be said that we still truckle unto thrones;--
  • But ye--our children's children! think how we
  • Show'd what things were before the world was free!
  • That hour is not for us, but 't is for you:
  • And as, in the great joy of your millennium,
  • You hardly will believe such things were true
  • As now occur, I thought that I would pen you 'em;
  • But may their very memory perish too!-
  • Yet if perchance remember'd, still disdain you 'em
  • More than you scorn the savages of yore,
  • Who painted their bare limbs, but not with gore.
  • And when you hear historians talk of thrones,
  • And those that sate upon them, let it be
  • As we now gaze upon the mammoth's bones,
  • 'And wonder what old world such things could see,
  • Or hieroglyphics on Egyptian stones,
  • The pleasant riddles of futurity--
  • Guessing at what shall happily be hid,
  • As the real purpose of a pyramid.
  • Reader! I have kept my word,--at least so far
  • As the first Canto promised. You have now
  • Had sketches of love, tempest, travel, war--
  • All very accurate, you must allow,
  • And epic, if plain truth should prove no bar;
  • For I have drawn much less with a long bow
  • Than my forerunners. Carelessly I sing,
  • But Phoebus lends me now and then a string,
  • With which I still can harp, and carp, and fiddle.
  • What farther hath befallen or may befall
  • The hero of this grand poetic riddle,
  • I by and by may tell you, if at all:
  • But now I choose to break off in the middle,
  • Worn out with battering Ismail's stubborn wall,
  • While Juan is sent off with the despatch,
  • For which all Petersburgh is on the watch.
  • This special honour was conferr'd, because
  • He had behaved with courage and humanity--
  • Which last men like, when they have time to pause
  • From their ferocities produced by vanity.
  • His little captive gain'd him some applause
  • For saving her amidst the wild insanity
  • Of carnage,--and I think he was more glad in her
  • Safety, than his new order of St. Vladimir.
  • The Moslem orphan went with her protector,
  • For she was homeless, houseless, helpless; all
  • Her friends, like the sad family of Hector,
  • Had perish'd in the field or by the wall:
  • Her very place of birth was but a spectre
  • Of what it had been; there the Muezzin's cal
  • To prayer was heard no more!--and Juan wept,
  • And made a vow to shield her, which he kept.
  • [Illustration: Canto 9]
  • CANTO THE NINTH.
  • O, Wellington! (or 'Villainton'--for Fame
  • Sounds the heroic syllables both ways;
  • France could not even conquer your great name,
  • But punn'd it down to this facetious phrase--
  • Beating or beaten she will laugh the same),
  • You have obtain'd great pensions and much praise:
  • Glory like yours should any dare gainsay,
  • Humanity would rise, and thunder 'Nay!'
  • I don't think that you used Kinnaird quite well
  • In Marinet's affair--in fact, 't was shabby,
  • And like some other things won't do to tell
  • Upon your tomb in Westminster's old abbey.
  • Upon the rest 't is not worth while to dwell,
  • Such tales being for the tea-hours of some tabby;
  • But though your years as man tend fast to zero,
  • In fact your grace is still but a young hero.
  • Though Britain owes (and pays you too) so much,
  • Yet Europe doubtless owes you greatly more:
  • You have repair'd Legitimacy's crutch,
  • A prop not quite so certain as before:
  • The Spanish, and the French, as well as Dutch,
  • Have seen, and felt, how strongly you restore;
  • And Waterloo has made the world your debtor
  • (I wish your bards would sing it rather better).
  • You are 'the best of cut-throats:'--do not start;
  • The phrase is Shakspeare's, and not misapplied:
  • War 's a brain-spattering, windpipe-slitting art,
  • Unless her cause by right be sanctified.
  • If you have acted once a generous part,
  • The world, not the world's masters, will decide,
  • And I shall be delighted to learn who,
  • Save you and yours, have gain'd by Waterloo?
  • I am no flatterer--you 've supp'd full of flattery:
  • They say you like it too--'t is no great wonder.
  • He whose whole life has been assault and battery,
  • At last may get a little tired of thunder;
  • And swallowing eulogy much more than satire, he
  • May like being praised for every lucky blunder,
  • Call'd 'Saviour of the Nations'--not yet saved,
  • And 'Europe's Liberator'--still enslaved.
  • I 've done. Now go and dine from off the plate
  • Presented by the Prince of the Brazils,
  • And send the sentinel before your gate
  • A slice or two from your luxurious meals:
  • He fought, but has not fed so well of late.
  • Some hunger, too, they say the people feels:--
  • There is no doubt that you deserve your ration,
  • But pray give back a little to the nation.
  • I don't mean to reflect--a man so great as
  • You, my lord duke! is far above reflection:
  • The high Roman fashion, too, of Cincinnatus,
  • With modern history has but small connection:
  • Though as an Irishman you love potatoes,
  • You need not take them under your direction;
  • And half a million for your Sabine farm
  • Is rather dear!--I 'm sure I mean no harm.
  • Great men have always scorn'd great recompenses:
  • Epaminondas saved his Thebes, and died,
  • Not leaving even his funeral expenses:
  • George Washington had thanks and nought beside,
  • Except the all-cloudless glory which few men's is
  • To free his country: Pitt too had his pride,
  • And as a high-soul'd minister of state is
  • Renown'd for ruining Great Britain gratis.
  • Never had mortal man such opportunity,
  • Except Napoleon, or abused it more:
  • You might have freed fallen Europe from the unity
  • Of tyrants, and been blest from shore to shore:
  • And now--what is your fame? Shall the Muse tune it ye?
  • Now--that the rabble's first vain shouts are o'er?
  • Go! hear it in your famish'd country's cries!
  • Behold the world! and curse your victories!
  • As these new cantos touch on warlike feats,
  • To you the unflattering Muse deigns to inscribe
  • Truths, that you will not read in the Gazettes,
  • But which 't is time to teach the hireling tribe
  • Who fatten on their country's gore, and debts,
  • Must be recited, and--without a bribe.
  • You did great things; but not being great in mind,
  • Have left undone the greatest--and mankind.
  • Death laughs--Go ponder o'er the skeleton
  • With which men image out the unknown thing
  • That hides the past world, like to a set sun
  • Which still elsewhere may rouse a brighter spring--
  • Death laughs at all you weep for:--look upon
  • This hourly dread of all! whose threaten'd sting
  • Turns life to terror, even though in its sheath:
  • Mark how its lipless mouth grins without breath!
  • Mark how it laughs and scorns at all you are!
  • And yet was what you are: from ear to ear
  • It laughs not--there is now no fleshy bar
  • So call'd; the Antic long hath ceased to hear,
  • But still he smiles; and whether near or far,
  • He strips from man that mantle (far more dear
  • Than even the tailor's), his incarnate skin,
  • White, black, or copper--the dead bones will grin.
  • And thus Death laughs,--it is sad merriment,
  • But still it is so; and with such example
  • Why should not Life be equally content
  • With his superior, in a smile to trample
  • Upon the nothings which are daily spent
  • Like bubbles on an ocean much less ample
  • Than the eternal deluge, which devours
  • Suns as rays--worlds like atoms--years like hours?
  • 'To be, or not to be? that is the question,'
  • Says Shakspeare, who just now is much in fashion.
  • I am neither Alexander nor Hephaestion,
  • Nor ever had for abstract fame much passion;
  • But would much rather have a sound digestion
  • Than Buonaparte's cancer: could I dash on
  • Through fifty victories to shame or fame--
  • Without a stomach what were a good name?
  • 'O dura ilia messorum!'--'Oh
  • Ye rigid guts of reapers!' I translate
  • For the great benefit of those who know
  • What indigestion is--that inward fate
  • Which makes all Styx through one small liver flow.
  • A peasant's sweat is worth his lord's estate:
  • Let this one toil for bread--that rack for rent,
  • He who sleeps best may be the most content.
  • 'To be, or not to be?'--Ere I decide,
  • I should be glad to know that which is being?
  • 'T is true we speculate both far and wide,
  • And deem, because we see, we are all-seeing:
  • For my part, I 'll enlist on neither side,
  • Until I see both sides for once agreeing.
  • For me, I sometimes think that life is death,
  • Rather than life a mere affair of breath.
  • 'Que scais-je?' was the motto of Montaigne,
  • As also of the first academicians:
  • That all is dubious which man may attain,
  • Was one of their most favourite positions.
  • There 's no such thing as certainty, that 's plain
  • As any of Mortality's conditions;
  • So little do we know what we 're about in
  • This world, I doubt if doubt itself be doubting.
  • It is a pleasant voyage perhaps to float,
  • Like Pyrrho, on a sea of speculation;
  • But what if carrying sail capsize the boat?
  • Your wise men don't know much of navigation;
  • And swimming long in the abyss of thought
  • Is apt to tire: a calm and shallow station
  • Well nigh the shore, where one stoops down and gathers
  • Some pretty shell, is best for moderate bathers.
  • 'But heaven,' as Cassio says, 'is above all--
  • No more of this, then,--let us pray!' We have
  • Souls to save, since Eve's slip and Adam's fall,
  • Which tumbled all mankind into the grave,
  • Besides fish, beasts, and birds. 'The sparrow's fall
  • Is special providence,' though how it gave
  • Offence, we know not; probably it perch'd
  • Upon the tree which Eve so fondly search'd.
  • O, ye immortal gods! what is theogony?
  • O, thou too, mortal man! what is philanthropy?
  • O, world! which was and is, what is cosmogony?
  • Some people have accused me of misanthropy;
  • And yet I know no more than the mahogany
  • That forms this desk, of what they mean; lykanthropy
  • I comprehend, for without transformation
  • Men become wolves on any slight occasion.
  • But I, the mildest, meekest of mankind,
  • Like Moses, or Melancthon, who have ne'er
  • Done anything exceedingly unkind,--
  • And (though I could not now and then forbear
  • Following the bent of body or of mind)
  • Have always had a tendency to spare,--
  • Why do they call me misanthrope? Because
  • They hate me, not I them.--and here we 'll pause.
  • 'T is time we should proceed with our good poem,--
  • For I maintain that it is really good,
  • Not only in the body but the proem,
  • However little both are understood
  • Just now,--but by and by the Truth will show 'em
  • Herself in her sublimest attitude:
  • And till she doth, I fain must be content
  • To share her beauty and her banishment.
  • Our hero (and, I trust, kind reader, yours)
  • Was left upon his way to the chief city
  • Of the immortal Peter's polish'd boors
  • Who still have shown themselves more brave than witty.
  • I know its mighty empire now allures
  • Much flattery--even Voltaire's, and that 's a pity.
  • For me, I deem an absolute autocrat
  • Not a barbarian, but much worse than that.
  • And I will war, at least in words (and--should
  • My chance so happen--deeds), with all who war
  • With Thought;--and of Thought's foes by far most rude,
  • Tyrants and sycophants have been and are.
  • I know not who may conquer: if I could
  • Have such a prescience, it should be no bar
  • To this my plain, sworn, downright detestation
  • Of every depotism in every nation.
  • It is not that I adulate the people:
  • Without me, there are demagogues enough,
  • And infidels, to pull down every steeple,
  • And set up in their stead some proper stuff.
  • Whether they may sow scepticism to reap hell,
  • As is the Christian dogma rather rough,
  • I do not know;--I wish men to be free
  • As much from mobs as kings--from you as me.
  • The consequence is, being of no party,
  • I shall offend all parties: never mind!
  • My words, at least, are more sincere and hearty
  • Than if I sought to sail before the wind.
  • He who has nought to gain can have small art: he
  • Who neither wishes to be bound nor bind,
  • May still expatiate freely, as will I,
  • Nor give my voice to slavery's jackal cry.
  • That 's an appropriate simile, that jackal;--
  • I 've heard them in the Ephesian ruins howl
  • By night, as do that mercenary pack all,
  • Power's base purveyors, who for pickings prowl,
  • And scent the prey their masters would attack all.
  • However, the poor jackals are less foul
  • (As being the brave lions' keen providers)
  • Than human insects, catering for spiders.
  • Raise but an arm! 't will brush their web away,
  • And without that, their poison and their claws
  • Are useless. Mind, good people! what I say
  • (Or rather peoples)--go on without pause!
  • The web of these tarantulas each day
  • Increases, till you shall make common cause:
  • None, save the Spanish fly and Attic bee,
  • As yet are strongly stinging to be free.
  • Don Juan, who had shone in the late slaughter,
  • Was left upon his way with the despatch,
  • Where blood was talk'd of as we would of water;
  • And carcasses that lay as thick as thatch
  • O'er silenced cities, merely served to flatter
  • Fair Catherine's pastime--who look'd on the match
  • Between these nations as a main of cocks,
  • Wherein she liked her own to stand like rocks.
  • And there in a kibitka he roll'd on
  • (A cursed sort of carriage without springs,
  • Which on rough roads leaves scarcely a whole bone),
  • Pondering on glory, chivalry, and kings,
  • And orders, and on all that he had done--
  • And wishing that post-horses had the wings
  • Of Pegasus, or at the least post-chaises
  • Had feathers, when a traveller on deep ways is.
  • At every jolt--and they were many--still
  • He turn'd his eyes upon his little charge,
  • As if he wish'd that she should fare less ill
  • Than he, in these sad highways left at large
  • To ruts, and flints, and lovely Nature's skill,
  • Who is no paviour, nor admits a barge
  • On her canals, where God takes sea and land,
  • Fishery and farm, both into his own hand.
  • At least he pays no rent, and has best right
  • To be the first of what we used to call
  • 'Gentlemen farmer'--a race worn out quite,
  • Since lately there have been no rents at all,
  • And 'gentlemen' are in a piteous plight,
  • And 'farmers' can't raise Ceres from her fall:
  • She fell with Buonaparte--What strange thoughts
  • Arise, when we see emperors fall with oats!
  • But Juan turn'd his eyes on the sweet child
  • Whom he had saved from slaughter--what a trophy
  • O! ye who build up monuments, defiled
  • With gore, like Nadir Shah, that costive sophy,
  • Who, after leaving Hindostan a wild,
  • And scarce to the Mogul a cup of coffee
  • To soothe his woes withal, was slain, the sinner!
  • Because he could no more digest his dinner;--
  • O ye! or we! or he! or she! reflect,
  • That one life saved, especially if young
  • Or pretty, is a thing to recollect
  • Far sweeter than the greenest laurels sprung
  • From the manure of human clay, though deck'd
  • With all the praises ever said or sung:
  • Though hymn'd by every harp, unless within
  • Your heart joins chorus, Fame is but a din.
  • O! ye great authors luminous, voluminous!
  • Ye twice ten hundred thousand daily scribes!
  • Whose pamphlets, volumes, newspapers, illumine us!
  • Whether you 're paid by government in bribes,
  • To prove the public debt is not consuming us--
  • Or, roughly treading on the 'courtier's kibes'
  • With clownish heel, your popular circulation
  • Feeds you by printing half the realm's starvation;--
  • O, ye great authors!--'Apropos des bottes,'-
  • I have forgotten what I meant to say,
  • As sometimes have been greater sages' lots;
  • 'T was something calculated to allay
  • All wrath in barracks, palaces, or cots:
  • Certes it would have been but thrown away,
  • And that 's one comfort for my lost advice,
  • Although no doubt it was beyond all price.
  • But let it go:--it will one day be found
  • With other relics of 'a former world,'
  • When this world shall be former, underground,
  • Thrown topsy-turvy, twisted, crisp'd, and curl'd,
  • Baked, fried, or burnt, turn'd inside-out, or drown'd,
  • Like all the worlds before, which have been hurl'd
  • First out of, and then back again to chaos,
  • The superstratum which will overlay us.
  • So Cuvier says;--and then shall come again
  • Unto the new creation, rising out
  • From our old crash, some mystic, ancient strain
  • Of things destroy'd and left in airy doubt:
  • Like to the notions we now entertain
  • Of Titans, giants, fellows of about
  • Some hundred feet in height, not to say miles,
  • And mammoths, and your winged crocodiles.
  • Think if then George the Fourth should be dug up!
  • How the new worldlings of the then new East
  • Will wonder where such animals could sup!
  • (For they themselves will be but of the least:
  • Even worlds miscarry, when too oft they pup,
  • And every new creation hath decreased
  • In size, from overworking the material--
  • Men are but maggots of some huge Earth's burial.)
  • How will--to these young people, just thrust out
  • From some fresh Paradise, and set to plough,
  • And dig, and sweat, and turn themselves about,
  • And plant, and reap, and spin, and grind, and sow,
  • Till all the arts at length are brought about,
  • Especially of war and taxing,--how,
  • I say, will these great relics, when they see 'em,
  • Look like the monsters of a new museum?
  • But I am apt to grow too metaphysical:
  • 'The time is out of joint,'--and so am I;
  • I quite forget this poem 's merely quizzical,
  • And deviate into matters rather dry.
  • I ne'er decide what I shall say, and this I cal
  • Much too poetical: men should know why
  • They write, and for what end; but, note or text,
  • I never know the word which will come next.
  • So on I ramble, now and then narrating,
  • Now pondering:--it is time we should narrate.
  • I left Don Juan with his horses baiting--
  • Now we 'll get o'er the ground at a great rate.
  • I shall not be particular in stating
  • His journey, we 've so many tours of late:
  • Suppose him then at Petersburgh; suppose
  • That pleasant capital of painted snows;
  • Suppose him in a handsome uniform,--
  • A scarlet coat, black facings, a long plume,
  • Waving, like sails new shiver'd in a storm,
  • Over a cock'd hat in a crowded room,
  • And brilliant breeches, bright as a Cairn Gorme,
  • Of yellow casimere we may presume,
  • White stocking drawn uncurdled as new milk
  • O'er limbs whose symmetry set off the silk;
  • Suppose him sword by side, and hat in hand,
  • Made up by youth, fame, and an army tailor--
  • That great enchanter, at whose rod's command
  • Beauty springs forth, and Nature's self turns paler,
  • Seeing how Art can make her work more grand
  • (When she don't pin men's limbs in like a gaoler),--
  • Behold him placed as if upon a pillar! He
  • Seems Love turn'd a lieutenant of artillery:--
  • His bandage slipp'd down into a cravat;
  • His wings subdued to epaulettes; his quiver
  • Shrunk to a scabbard, with his arrows at
  • His side as a small sword, but sharp as ever;
  • His bow converted into a cock'd hat;
  • But still so like, that Psyche were more clever
  • Than some wives (who make blunders no less stupid),
  • If she had not mistaken him for Cupid.
  • The courtiers stared, the ladies whisper'd, and
  • The empress smiled: the reigning favourite frown'd--
  • I quite forget which of them was in hand
  • Just then; as they are rather numerous found,
  • Who took by turns that difficult command
  • Since first her majesty was singly crown'd:
  • But they were mostly nervous six-foot fellows,
  • All fit to make a Patagonian jealous.
  • Juan was none of these, but slight and slim,
  • Blushing and beardless; and yet ne'ertheless
  • There was a something in his turn of limb,
  • And still more in his eye, which seem'd to express,
  • That though he look'd one of the seraphim,
  • There lurk'd a man beneath the spirit's dress.
  • Besides, the empress sometimes liked a boy,
  • And had just buried the fair-faced Lanskoi.
  • No wonder then that Yermoloff, or Momonoff,
  • Or Scherbatoff, or any other off
  • Or on, might dread her majesty had not room enough
  • Within her bosom (which was not too tough)
  • For a new flame; a thought to cast of gloom enough
  • Along the aspect, whether smooth or rough,
  • Of him who, in the language of his station,
  • Then held that 'high official situation.'
  • O, gentle ladies! should you seek to know
  • The import of this diplomatic phrase,
  • Bid Ireland's Londonderry's Marquess show
  • His parts of speech; and in the strange displays
  • Of that odd string of words, all in a row,
  • Which none divine, and every one obeys,
  • Perhaps you may pick out some queer no meaning,
  • Of that weak wordy harvest the sole gleaning.
  • I think I can explain myself without
  • That sad inexplicable beast of prey--
  • That Sphinx, whose words would ever be a doubt,
  • Did not his deeds unriddle them each day--
  • That monstrous hieroglyphic--that long spout
  • Of blood and water, leaden Castlereagh!
  • And here I must an anecdote relate,
  • But luckily of no great length or weight.
  • An English lady ask'd of an Italian,
  • What were the actual and official duties
  • Of the strange thing some women set a value on,
  • Which hovers oft about some married beauties,
  • Called 'Cavalier servente?'--a Pygmalion
  • Whose statues warm (I fear, alas! too true 't is)
  • Beneath his art. The dame, press'd to disclose them,
  • Said--'Lady, I beseech you to suppose them.'
  • And thus I supplicate your supposition,
  • And mildest, matron-like interpretation,
  • Of the imperial favourite's condition.
  • 'T was a high place, the highest in the nation
  • In fact, if not in rank; and the suspicion
  • Of any one's attaining to his station,
  • No doubt gave pain, where each new pair of shoulders,
  • If rather broad, made stocks rise and their holders.
  • Juan, I said, was a most beauteous boy,
  • And had retain'd his boyish look beyond
  • The usual hirsute seasons which destroy,
  • With beards and whiskers, and the like, the fond
  • Parisian aspect which upset old Troy
  • And founded Doctors' Commons:--I have conn'd
  • The history of divorces, which, though chequer'd,
  • Calls Ilion's the first damages on record.
  • And Catherine, who loved all things (save her lord,
  • Who was gone to his place), and pass'd for much
  • Admiring those (by dainty dames abhorr'd)
  • Gigantic gentlemen, yet had a touch
  • Of sentiment; and he she most adored
  • Was the lamented Lanskoi, who was such
  • A lover as had cost her many a tear,
  • And yet but made a middling grenadier.
  • O thou 'teterrima causa' of all 'belli'-
  • Thou gate of life and death--thou nondescript!
  • Whence is our exit and our entrance,--well I
  • May pause in pondering how all souls are dipt
  • In thy perennial fountain:--how man fell I
  • Know not, since knowledge saw her branches stript
  • Of her first fruit; but how he falls and rises
  • Since, thou hast settled beyond all surmises.
  • Some call thee 'the worst cause of war,' but I
  • Maintain thou art the best: for after all
  • From thee we come, to thee we go, and why
  • To get at thee not batter down a wall,
  • Or waste a world? since no one can deny
  • Thou dost replenish worlds both great and small:
  • With, or without thee, all things at a stand
  • Are, or would be, thou sea of life's dry land!
  • Catherine, who was the grand epitome
  • Of that great cause of war, or peace, or what
  • You please (it causes all the things which be,
  • So you may take your choice of this or that)--
  • Catherine, I say, was very glad to see
  • The handsome herald, on whose plumage sat
  • Victory; and pausing as she saw him kneel
  • With his despatch, forgot to break the seal.
  • Then recollecting the whole empress, nor
  • forgetting quite the woman (which composed
  • At least three parts of this great whole), she tore
  • The letter open with an air which posed
  • The court, that watch'd each look her visage wore,
  • Until a royal smile at length disclosed
  • Fair weather for the day. Though rather spacious,
  • Her face was noble, her eyes fine, mouth gracious.
  • Great joy was hers, or rather joys: the first
  • Was a ta'en city, thirty thousand slain.
  • Glory and triumph o'er her aspect burst,
  • As an East Indian sunrise on the main.
  • These quench'd a moment her ambition's thirst--
  • So Arab deserts drink in summer's rain:
  • In vain!--As fall the dews on quenchless sands,
  • Blood only serves to wash Ambition's hands!
  • Her next amusement was more fanciful;
  • She smiled at mad Suwarrow's rhymes, who threw
  • Into a Russian couplet rather dull
  • The whole gazette of thousands whom he slew.
  • Her third was feminine enough to annul
  • The shudder which runs naturally through
  • Our veins, when things call'd sovereigns think it best
  • To kill, and generals turn it into jest.
  • The two first feelings ran their course complete,
  • And lighted first her eye, and then her mouth:
  • The whole court look'd immediately most sweet,
  • Like flowers well water'd after a long drouth.
  • But when on the lieutenant at her feet
  • Her majesty, who liked to gaze on youth
  • Almost as much as on a new despatch,
  • Glanced mildly, all the world was on the watch.
  • Though somewhat large, exuberant, and truculent,
  • When wroth--while pleased, she was as fine a figure
  • As those who like things rosy, ripe, and succulent,
  • Would wish to look on, while they are in vigour.
  • She could repay each amatory look you lent
  • With interest, and in turn was wont with rigour
  • To exact of Cupid's bills the full amount
  • At sight, nor would permit you to discount.
  • With her the latter, though at times convenient,
  • Was not so necessary; for they tell
  • That she was handsome, and though fierce look'd lenient,
  • And always used her favourites too well.
  • If once beyond her boudoir's precincts in ye went,
  • Your 'fortune' was in a fair way 'to swell
  • A man' (as Giles says); for though she would widow all
  • Nations, she liked man as an individual.
  • What a strange thing is man? and what a stranger
  • Is woman! What a whirlwind is her head,
  • And what a whirlpool full of depth and danger
  • Is all the rest about her! Whether wed
  • Or widow, maid or mother, she can change her
  • Mind like the wind: whatever she has said
  • Or done, is light to what she 'll say or do;--
  • The oldest thing on record, and yet new!
  • O Catherine! (for of all interjections,
  • To thee both oh! and ah! belong of right
  • In love and war) how odd are the connections
  • Of human thoughts, which jostle in their flight!
  • Just now yours were cut out in different sections:
  • First Ismail's capture caught your fancy quite;
  • Next of new knights, the fresh and glorious batch;
  • And thirdly he who brought you the despatch!
  • Shakspeare talks of 'the herald Mercury
  • New lighted on a heaven-kissing hill;'
  • And some such visions cross'd her majesty,
  • While her young herald knelt before her still.
  • 'T is very true the hill seem'd rather high,
  • For a lieutenant to climb up; but skill
  • Smooth'd even the Simplon's steep, and by God's blessing
  • With youth and health all kisses are 'heaven-kissing.'
  • Her majesty look'd down, the youth look'd up--
  • And so they fell in love;--she with his face,
  • His grace, his God-knows-what: for Cupid's cup
  • With the first draught intoxicates apace,
  • A quintessential laudanum or 'black drop,'
  • Which makes one drunk at once, without the base
  • Expedient of full bumpers; for the eye
  • In love drinks all life's fountains (save tears) dry.
  • He, on the other hand, if not in love,
  • Fell into that no less imperious passion,
  • Self-love--which, when some sort of thing above
  • Ourselves, a singer, dancer, much in fashion,
  • Or duchess, princess, empress, 'deigns to prove'
  • ('T is Pope's phrase) a great longing, though a rash one,
  • For one especial person out of many,
  • Makes us believe ourselves as good as any.
  • Besides, he was of that delighted age
  • Which makes all female ages equal--when
  • We don't much care with whom we may engage,
  • As bold as Daniel in the lion's den,
  • So that we can our native sun assuage
  • In the next ocean, which may flow just then,
  • To make a twilight in, just as Sol's heat is
  • Quench'd in the lap of the salt sea, or Thetis.
  • And Catherine (we must say thus much for Catherine),
  • Though bold and bloody, was the kind of thing
  • Whose temporary passion was quite flattering,
  • Because each lover look'd a sort of king,
  • Made up upon an amatory pattern,
  • A royal husband in all save the ring--
  • Which, being the damn'dest part of matrimony,
  • Seem'd taking out the sting to leave the honey.
  • And when you add to this, her womanhood
  • In its meridian, her blue eyes or gray
  • (The last, if they have soul, are quite as good,
  • Or better, as the best examples say:
  • Napoleon's, Mary's (queen of Scotland), should
  • Lend to that colour a transcendent ray;
  • And Pallas also sanctions the same hue,
  • Too wise to look through optics black or blue)--
  • Her sweet smile, and her then majestic figure,
  • Her plumpness, her imperial condescension,
  • Her preference of a boy to men much bigger
  • (Fellows whom Messalina's self would pension),
  • Her prime of life, just now in juicy vigour,
  • With other extras, which we need not mention,--
  • All these, or any one of these, explain
  • Enough to make a stripling very vain.
  • And that 's enough, for love is vanity,
  • Selfish in its beginning as its end,
  • Except where 't is a mere insanity,
  • A maddening spirit which would strive to blend
  • Itself with beauty's frail inanity,
  • On which the passion's self seems to depend:
  • And hence some heathenish philosophers
  • Make love the main spring of the universe.
  • Besides Platonic love, besides the love
  • Of God, the love of sentiment, the loving
  • Of faithful pairs (I needs must rhyme with dove,
  • That good old steam-boat which keeps verses moving
  • 'Gainst reason--Reason ne'er was hand-and-glove
  • With rhyme, but always leant less to improving
  • The sound than sense)--beside all these pretences
  • To love, there are those things which words name senses;
  • Those movements, those improvements in our bodies
  • Which make all bodies anxious to get out
  • Of their own sand-pits, to mix with a goddess,
  • For such all women are at first no doubt.
  • How beautiful that moment! and how odd is
  • That fever which precedes the languid rout
  • Of our sensations! What a curious way
  • The whole thing is of clothing souls in clay!
  • The noblest kind of love is love Platonical,
  • To end or to begin with; the next grand
  • Is that which may be christen'd love canonical,
  • Because the clergy take the thing in hand;
  • The third sort to be noted in our chronicle
  • As flourishing in every Christian land,
  • Is when chaste matrons to their other ties
  • Add what may be call'd marriage in disguise.
  • Well, we won't analyse--our story must
  • Tell for itself: the sovereign was smitten,
  • Juan much flatter'd by her love, or lust;--
  • I cannot stop to alter words once written,
  • And the two are so mix'd with human dust,
  • That he who names one, both perchance may hit on:
  • But in such matters Russia's mighty empress
  • Behaved no better than a common sempstress.
  • The whole court melted into one wide whisper,
  • And all lips were applied unto all ears!
  • The elder ladies' wrinkles curl'd much crisper
  • As they beheld; the younger cast some leers
  • On one another, and each lovely lisper
  • Smiled as she talk'd the matter o'er; but tears
  • Of rivalship rose in each clouded eye
  • Of all the standing army who stood by.
  • All the ambassadors of all the powers
  • Enquired, Who was this very new young man,
  • Who promised to be great in some few hours?
  • Which is full soon--though life is but a span.
  • Already they beheld the silver showers
  • Of rubles rain, as fast as specie can,
  • Upon his cabinet, besides the presents
  • Of several ribands, and some thousand peasants.
  • Catherine was generous,--all such ladies are:
  • Love, that great opener of the heart and all
  • The ways that lead there, be they near or far,
  • Above, below, by turnpikes great or small,--
  • Love (though she had a cursed taste for war,
  • And was not the best wife, unless we call
  • Such Clytemnestra, though perhaps 't is better
  • That one should die, than two drag on the fetter)--
  • Love had made Catherine make each lover's fortune,
  • Unlike our own half-chaste Elizabeth,
  • Whose avarice all disbursements did importune,
  • If history, the grand liar, ever saith
  • The truth; and though grief her old age might shorten,
  • Because she put a favourite to death,
  • Her vile, ambiguous method of flirtation,
  • And stinginess, disgrace her sex and station.
  • But when the levee rose, and all was bustle
  • In the dissolving circle, all the nations'
  • Ambassadors began as 't were to hustle
  • Round the young man with their congratulations.
  • Also the softer silks were heard to rustle
  • Of gentle dames, among whose recreations
  • It is to speculate on handsome faces,
  • Especially when such lead to high places.
  • Juan, who found himself, he knew not how,
  • A general object of attention, made
  • His answers with a very graceful bow,
  • As if born for the ministerial trade.
  • Though modest, on his unembarrass'd brow
  • Nature had written 'gentleman.' He said
  • Little, but to the purpose; and his manner
  • Flung hovering graces o'er him like a banner.
  • An order from her majesty consign'd
  • Our young lieutenant to the genial care
  • Of those in office: all the world look'd kind
  • (As it will look sometimes with the first stare,
  • Which youth would not act ill to keep in mind),
  • As also did Miss Protasoff then there,
  • Named from her mystic office 'l'Eprouveuse,'
  • A term inexplicable to the Muse.
  • With her then, as in humble duty bound,
  • Juan retired,--and so will I, until
  • My Pegasus shall tire of touching ground.
  • We have just lit on a 'heaven-kissing hill,'
  • So lofty that I feel my brain turn round,
  • And all my fancies whirling like a mill;
  • Which is a signal to my nerves and brain,
  • To take a quiet ride in some green Lane.
  • [Illustration: Canto 10]
  • CANTO THE TENTH.
  • When Newton saw an apple fall, he found
  • In that slight startle from his contemplation--
  • 'T is said (for I 'll not answer above ground
  • For any sage's creed or calculation)--
  • A mode of proving that the earth turn'd round
  • In a most natural whirl, called 'gravitation;'
  • And this is the sole mortal who could grapple,
  • Since Adam, with a fall or with an apple.
  • Man fell with apples, and with apples rose,
  • If this be true; for we must deem the mode
  • In which Sir Isaac Newton could disclose
  • Through the then unpaved stars the turnpike road,
  • A thing to counterbalance human woes:
  • For ever since immortal man hath glow'd
  • With all kinds of mechanics, and full soon
  • Steam-engines will conduct him to the moon.
  • And wherefore this exordium?--Why, just now,
  • In taking up this paltry sheet of paper,
  • My bosom underwent a glorious glow,
  • And my internal spirit cut a caper:
  • And though so much inferior, as I know,
  • To those who, by the dint of glass and vapour,
  • Discover stars and sail in the wind's eye,
  • I wish to do as much by poesy.
  • In the wind's eye I have sail'd, and sail; but for
  • The stars, I own my telescope is dim:
  • But at least I have shunn'd the common shore,
  • And leaving land far out of sight, would skim
  • The ocean of eternity: the roar
  • Of breakers has not daunted my slight, trim,
  • But still sea-worthy skiff; and she may float
  • Where ships have founder'd, as doth many a boat.
  • We left our hero, Juan, in the bloom
  • Of favouritism, but not yet in the blush;
  • And far be it from my Muses to presume
  • (For I have more than one Muse at a push)
  • To follow him beyond the drawing-room:
  • It is enough that Fortune found him flush
  • Of youth, and vigour, beauty, and those things
  • Which for an instant clip enjoyment's wings.
  • But soon they grow again and leave their nest.
  • 'Oh!' saith the Psalmist, 'that I had a dove's
  • Pinions to flee away, and be at rest!'
  • And who that recollects young years and loves,--
  • Though hoary now, and with a withering breast,
  • And palsied fancy, which no longer roves
  • Beyond its dimm'd eye's sphere,--but would much rather
  • Sigh like his son, than cough like his grandfather?
  • But sighs subside, and tears (even widows') shrink,
  • Like Arno in the summer, to a shallow,
  • So narrow as to shame their wintry brink,
  • Which threatens inundations deep and yellow!
  • Such difference doth a few months make. You 'd think
  • Grief a rich field which never would lie fallow;
  • No more it doth, its ploughs but change their boys,
  • Who furrow some new soil to sow for joys.
  • But coughs will come when sighs depart--and now
  • And then before sighs cease; for oft the one
  • Will bring the other, ere the lake-like brow
  • Is ruffled by a wrinkle, or the sun
  • Of life reach'd ten o'clock: and while a glow,
  • Hectic and brief as summer's day nigh done,
  • O'erspreads the cheek which seems too pure for clay,
  • Thousands blaze, love, hope, die,--how happy they!
  • But Juan was not meant to die so soon.
  • We left him in the focus of such glory
  • As may be won by favour of the moon
  • Or ladies' fancies--rather transitory
  • Perhaps; but who would scorn the month of June,
  • Because December, with his breath so hoary,
  • Must come? Much rather should he court the ray,
  • To hoard up warmth against a wintry day.
  • Besides, he had some qualities which fix
  • Middle-aged ladies even more than young:
  • The former know what 's what; while new-fledged chicks
  • Know little more of love than what is sung
  • In rhymes, or dreamt (for fancy will play tricks)
  • In visions of those skies from whence Love sprung.
  • Some reckon women by their suns or years,
  • I rather think the moon should date the dears.
  • And why? because she 's changeable and chaste.
  • I know no other reason, whatsoe'er
  • Suspicious people, who find fault in haste,
  • May choose to tax me with; which is not fair,
  • Nor flattering to 'their temper or their taste,'
  • As my friend Jeffrey writes with such an air:
  • However, I forgive him, and I trust
  • He will forgive himself;--if not, I must.
  • Old enemies who have become new friends
  • Should so continue--'t is a point of honour;
  • And I know nothing which could make amends
  • For a return to hatred: I would shun her
  • Like garlic, howsoever she extends
  • Her hundred arms and legs, and fain outrun her.
  • Old flames, new wives, become our bitterest foes--
  • Converted foes should scorn to join with those.
  • This were the worst desertion:--renegadoes,
  • Even shuffling Southey, that incarnate lie,
  • Would scarcely join again the 'reformadoes,'
  • Whom he forsook to fill the laureate's sty:
  • And honest men from Iceland to Barbadoes,
  • Whether in Caledon or Italy,
  • Should not veer round with every breath, nor seize
  • To pain, the moment when you cease to please.
  • The lawyer and the critic but behold
  • The baser sides of literature and life,
  • And nought remains unseen, but much untold,
  • By those who scour those double vales of strife.
  • While common men grow ignorantly old,
  • The lawyer's brief is like the surgeon's knife,
  • Dissecting the whole inside of a question,
  • And with it all the process of digestion.
  • A legal broom 's a moral chimney-sweeper,
  • And that 's the reason he himself 's so dirty;
  • The endless soot bestows a tint far deeper
  • Than can be hid by altering his shirt; he
  • Retains the sable stains of the dark creeper,
  • At least some twenty-nine do out of thirty,
  • In all their habits;--not so you, I own;
  • As Caesar wore his robe you wear your gown.
  • And all our little feuds, at least all mine,
  • Dear Jefferson, once my most redoubted foe
  • (As far as rhyme and criticism combine
  • To make such puppets of us things below),
  • Are over: Here 's a health to 'Auld Lang Syne!'
  • I do not know you, and may never know
  • Your face--but you have acted on the whole
  • Most nobly, and I own it from my soul.
  • And when I use the phrase of 'Auld Lang Syne!'
  • 'T is not address'd to you--the more 's the pity
  • For me, for I would rather take my wine
  • With you, than aught (save Scott) in your proud city.
  • But somehow,--it may seem a schoolboy's whine,
  • And yet I seek not to be grand nor witty,
  • But I am half a Scot by birth, and bred
  • A whole one, and my heart flies to my head,--
  • As 'Auld Lang Syne' brings Scotland, one and all,
  • Scotch plaids, Scotch snoods, the blue hills, and clear streams,
  • The Dee, the Don, Balgounie's brig's black wall,
  • All my boy feelings, all my gentler dreams
  • Of what I then dreamt, clothed in their own pall,
  • Like Banquo's offspring;--floating past me seems
  • My childhood in this childishness of mine:
  • I care not--'t is a glimpse of 'Auld Lang Syne.'
  • And though, as you remember, in a fit
  • Of wrath and rhyme, when juvenile and curly,
  • I rail'd at Scots to show my wrath and wit,
  • Which must be own'd was sensitive and surly,
  • Yet 't is in vain such sallies to permit,
  • They cannot quench young feelings fresh and early:
  • I 'scotch'd not kill'd' the Scotchman in my blood,
  • And love the land of 'mountain and of flood.'
  • Don Juan, who was real, or ideal,--
  • For both are much the same, since what men think
  • Exists when the once thinkers are less real
  • Than what they thought, for mind can never sink,
  • And 'gainst the body makes a strong appeal;
  • And yet 't is very puzzling on the brink
  • Of what is call'd eternity, to stare,
  • And know no more of what is here, than there;--
  • Don Juan grew a very polish'd Russian--
  • How we won't mention, why we need not say:
  • Few youthful minds can stand the strong concussion
  • Of any slight temptation in their way;
  • But his just now were spread as is a cushion
  • Smooth'd for a monarch's seat of honour; gay
  • Damsels, and dances, revels, ready money,
  • Made ice seem paradise, and winter sunny.
  • The favour of the empress was agreeable;
  • And though the duty wax'd a little hard,
  • Young people at his time of life should be able
  • To come off handsomely in that regard.
  • He was now growing up like a green tree, able
  • For love, war, or ambition, which reward
  • Their luckier votaries, till old age's tedium
  • Make some prefer the circulating medium.
  • About this time, as might have been anticipated,
  • Seduced by youth and dangerous examples,
  • Don Juan grew, I fear, a little dissipated;
  • Which is a sad thing, and not only tramples
  • On our fresh feelings, but--as being participated
  • With all kinds of incorrigible samples
  • Of frail humanity--must make us selfish,
  • And shut our souls up in us like a shell-fish.
  • This we pass over. We will also pass
  • The usual progress of intrigues between
  • Unequal matches, such as are, alas!
  • A young lieutenant's with a not old queen,
  • But one who is not so youthful as she was
  • In all the royalty of sweet seventeen.
  • Sovereigns may sway materials, but not matter,
  • And Death, the sovereign's sovereign, though the great
  • Gracchus of all mortality, who levels
  • With his Agrarian laws the high estate
  • Of him who feasts, and fights, and roars, and revels,
  • To one small grass-grown patch (which must await
  • Corruption for its crop) with the poor devils
  • Who never had a foot of land till now,--
  • Death 's a reformer, all men must allow.
  • He lived (not Death, but Juan) in a hurry
  • Of waste, and haste, and glare, and gloss, and glitter,
  • In this gay clime of bear-skins black and furry--
  • Which (though I hate to say a thing that 's bitter)
  • Peep out sometimes, when things are in a flurry,
  • Through all the 'purple and fine linen,' fitter
  • For Babylon's than Russia's royal harlot--
  • And neutralize her outward show of scarlet.
  • And this same state we won't describe: we would
  • Perhaps from hearsay, or from recollection;
  • But getting nigh grim Dante's 'obscure wood,'
  • That horrid equinox, that hateful section
  • Of human years, that half-way house, that rude
  • Hut, whence wise travellers drive with circumspection
  • Life's sad post-horses o'er the dreary frontier
  • Of age, and looking back to youth, give one tear;--
  • I won't describe,--that is, if I can help
  • Description; and I won't reflect,--that is,
  • If I can stave off thought, which--as a whelp
  • Clings to its teat--sticks to me through the abyss
  • Of this odd labyrinth; or as the kelp
  • Holds by the rock; or as a lover's kiss
  • Drains its first draught of lips:--but, as I said,
  • I won't philosophise, and will be read.
  • Juan, instead of courting courts, was courted,--
  • A thing which happens rarely: this he owed
  • Much to his youth, and much to his reported
  • Valour; much also to the blood he show'd,
  • Like a race-horse; much to each dress he sported,
  • Which set the beauty off in which he glow'd,
  • As purple clouds befringe the sun; but most
  • He owed to an old woman and his post.
  • He wrote to Spain:--and all his near relations,
  • Perceiving fie was in a handsome way
  • Of getting on himself, and finding stations
  • For cousins also, answer'd the same day.
  • Several prepared themselves for emigrations;
  • And eating ices, were o'erheard to say,
  • That with the addition of a slight pelisse,
  • Madrid's and Moscow's climes were of a piece.
  • His mother, Donna Inez, finding, too,
  • That in the lieu of drawing on his banker,
  • Where his assets were waxing rather few,
  • He had brought his spending to a handsome anchor,--
  • Replied, 'that she was glad to see him through
  • Those pleasures after which wild youth will hanker;
  • As the sole sign of man's being in his senses
  • Is, learning to reduce his past expenses.
  • 'She also recommended him to God,
  • And no less to God's Son, as well as Mother,
  • Warn'd him against Greek worship, which looks odd
  • In Catholic eyes; but told him, too, to smother
  • Outward dislike, which don't look well abroad;
  • Inform'd him that he had a little brother
  • Born in a second wedlock; and above
  • All, praised the empress's maternal love.
  • 'She could not too much give her approbation
  • Unto an empress, who preferr'd young men
  • Whose age, and what was better still, whose nation
  • And climate, stopp'd all scandal (now and then):--
  • At home it might have given her some vexation;
  • But where thermometers sunk down to ten,
  • Or five, or one, or zero, she could never
  • Believe that virtue thaw'd before the river.'
  • O for a forty-parson power to chant
  • Thy praise, Hypocrisy! Oh for a hymn
  • Loud as the virtues thou dost loudly vaunt,
  • Not practise! Oh for trumps of cherubim!
  • Or the ear-trumpet of my good old aunt,
  • Who, though her spectacles at last grew dim,
  • Drew quiet consolation through its hint,
  • When she no more could read the pious print.
  • She was no hypocrite at least, poor soul,
  • But went to heaven in as sincere a way
  • As any body on the elected roll,
  • Which portions out upon the judgment day
  • Heaven's freeholds, in a sort of doomsday scroll,
  • Such as the conqueror William did repay
  • His knights with, lotting others' properties
  • Into some sixty thousand new knights' fees.
  • I can't complain, whose ancestors are there,
  • Erneis, Radulphus--eight-and-forty manors
  • (If that my memory doth not greatly err)
  • Were their reward for following Billy's banners:
  • And though I can't help thinking 't was scarce fair
  • To strip the Saxons of their hydes, like tanners;
  • Yet as they founded churches with the produce,
  • You 'll deem, no doubt, they put it to a good use.
  • The gentle Juan flourish'd, though at times
  • He felt like other plants called sensitive,
  • Which shrink from touch, as monarchs do from rhymes,
  • Save such as Southey can afford to give.
  • Perhaps he long'd in bitter frosts for climes
  • In which the Neva's ice would cease to live
  • Before May-day: perhaps, despite his duty,
  • In royalty's vast arms he sigh d for beauty:
  • Perhaps--but, sans perhaps, we need not seek
  • For causes young or old: the canker-worm
  • Will feed upon the fairest, freshest cheek,
  • As well as further drain the wither'd form:
  • Care, like a housekeeper, brings every week
  • His bills in, and however we may storm,
  • They must be paid: though six days smoothly run,
  • The seventh will bring blue devils or a dun.
  • I don't know how it was, but he grew sick:
  • The empress was alarm'd, and her physician
  • (The same who physick'd Peter) found the tick
  • Of his fierce pulse betoken a condition
  • Which augur'd of the dead, however quick
  • Itself, and show'd a feverish disposition;
  • At which the whole court was extremely troubled,
  • The sovereign shock'd, and all his medicines doubled.
  • Low were the whispers, manifold the rumours:
  • Some said he had been poison'd by Potemkin;
  • Others talk'd learnedly of certain tumours,
  • Exhaustion, or disorders of the same kin;
  • Some said 't was a concoction of the humours,
  • Which with the blood too readily will claim kin;
  • Others again were ready to maintain,
  • ''T was only the fatigue of last campaign.'
  • But here is one prescription out of many:
  • 'Sodae sulphat. 3vj. 3fs. Mannae optim.
  • Aq. fervent. f. 3ifs. 3ij. tinct. Sennae
  • Haustus' (And here the surgeon came and cupp'd him)
  • 'Rx Pulv Com gr. iij. Ipecacuanhae'
  • (With more beside if Juan had not stopp'd 'em).
  • 'Bolus Potassae Sulphuret. sumendus,
  • Et haustus ter in die capiendus.'
  • This is the way physicians mend or end us,
  • Secundum artem: but although we sneer
  • In health--when ill, we call them to attend us,
  • Without the least propensity to jeer:
  • While that 'hiatus maxime deflendus'
  • To be fill'd up by spade or mattock's near,
  • Instead of gliding graciously down Lethe,
  • We tease mild Baillie, or soft Abernethy.
  • Juan demurr'd at this first notice to
  • Quit; and though death had threaten'd an ejection,
  • His youth and constitution bore him through,
  • And sent the doctors in a new direction.
  • But still his state was delicate: the hue
  • Of health but flicker'd with a faint reflection
  • Along his wasted cheek, and seem'd to gravel
  • The faculty--who said that he must travel.
  • The climate was too cold, they said, for him,
  • Meridian-born, to bloom in. This opinion
  • Made the chaste Catherine look a little grim,
  • Who did not like at first to lose her minion:
  • But when she saw his dazzling eye wax dim,
  • And drooping like an eagle's with clipt pinion,
  • She then resolved to send him on a mission,
  • But in a style becoming his condition.
  • There was just then a kind of a discussion,
  • A sort of treaty or negotiation
  • Between the British cabinet and Russian,
  • Maintain'd with all the due prevarication
  • With which great states such things are apt to push on;
  • Something about the Baltic's navigation,
  • Hides, train-oil, tallow, and the rights of Thetis,
  • Which Britons deem their 'uti possidetis.'
  • So Catherine, who had a handsome way
  • Of fitting out her favourites, conferr'd
  • This secret charge on Juan, to display
  • At once her royal splendour, and reward
  • His services. He kiss'd hands the next day,
  • Received instructions how to play his card,
  • Was laden with all kinds of gifts and honours,
  • Which show'd what great discernment was the donor's.
  • But she was lucky, and luck 's all. Your queens
  • Are generally prosperous in reigning;
  • Which puzzles us to know what Fortune means.
  • But to continue: though her years were waning
  • Her climacteric teased her like her teens;
  • And though her dignity brook'd no complaining,
  • So much did Juan's setting off distress her,
  • She could not find at first a fit successor.
  • But time, the comforter, will come at last;
  • And four-and-twenty hours, and twice that number
  • Of candidates requesting to be placed,
  • Made Catherine taste next night a quiet slumber:--
  • Not that she meant to fix again in haste,
  • Nor did she find the quantity encumber,
  • But always choosing with deliberation,
  • Kept the place open for their emulation.
  • While this high post of honour 's in abeyance,
  • For one or two days, reader, we request
  • You 'll mount with our young hero the conveyance
  • Which wafted him from Petersburgh: the best
  • Barouche, which had the glory to display once
  • The fair czarina's autocratic crest,
  • When, a new lphigene, she went to Tauris,
  • Was given to her favourite, and now bore his.
  • A bull-dog, and a bullfinch, and an ermine,
  • All private favourites of Don Juan;--for
  • (Let deeper sages the true cause determine)
  • He had a kind of inclination, or
  • Weakness, for what most people deem mere vermin,
  • Live animals: an old maid of threescore
  • For cats and birds more penchant ne'er display'd,
  • Although he was not old, nor even a maid;--
  • The animals aforesaid occupied
  • Their station: there were valets, secretaries,
  • In other vehicles; but at his side
  • Sat little Leila, who survived the parries
  • He made 'gainst Cossacque sabres, in the wide
  • Slaughter of Ismail. Though my wild Muse varies
  • Her note, she don't forget the infant girl
  • Whom he preserved, a pure and living pearl
  • Poor little thing! She was as fair as docile,
  • And with that gentle, serious character,
  • As rare in living beings as a fossile
  • Man, 'midst thy mouldy mammoths, 'grand Cuvier!'
  • Ill fitted was her ignorance to jostle
  • With this o'erwhelming world, where all must err:
  • But she was yet but ten years old, and therefore
  • Was tranquil, though she knew not why or wherefore.
  • Don Juan loved her, and she loved him, as
  • Nor brother, father, sister, daughter love.
  • I cannot tell exactly what it was;
  • He was not yet quite old enough to prove
  • Parental feelings, and the other class,
  • Call'd brotherly affection, could not move
  • His bosom,--for he never had a sister:
  • Ah! if he had, how much he would have miss'd her!
  • And still less was it sensual; for besides
  • That he was not an ancient debauchee
  • (Who like sour fruit, to stir their veins' salt tides,
  • As acids rouse a dormant alkali),
  • Although ('t will happen as our planet guides)
  • His youth was not the chastest that might be,
  • There was the purest Platonism at bottom
  • Of all his feelings--only he forgot 'em.
  • Just now there was no peril of temptation;
  • He loved the infant orphan he had saved,
  • As patriots (now and then) may love a nation;
  • His pride, too, felt that she was not enslaved
  • Owing to him;--as also her salvation
  • Through his means and the church's might be paved.
  • But one thing 's odd, which here must be inserted,
  • The little Turk refused to be converted.
  • 'T was strange enough she should retain the impression
  • Through such a scene of change, and dread, and slaughter;
  • But though three bishops told her the transgression,
  • She show'd a great dislike to holy water:
  • She also had no passion for confession;
  • Perhaps she had nothing to confess:--no matter,
  • Whate'er the cause, the church made little of it--
  • She still held out that Mahomet was a prophet.
  • In fact, the only Christian she could bear
  • Was Juan; whom she seem'd to have selected
  • In place of what her home and friends once were.
  • He naturally loved what he protected:
  • And thus they form'd a rather curious pair,
  • A guardian green in years, a ward connected
  • In neither clime, time, blood, with her defender;
  • And yet this want of ties made theirs more tender.
  • They journey'd on through Poland and through Warsaw,
  • Famous for mines of salt and yokes of iron:
  • Through Courland also, which that famous farce saw
  • Which gave her dukes the graceless name of 'Biron.'
  • 'T is the same landscape which the modern Mars saw,
  • Who march'd to Moscow, led by Fame, the siren!
  • To lose by one month's frost some twenty years
  • Of conquest, and his guard of grenadiers.
  • Let this not seem an anti-climax:--'Oh!
  • My guard! my old guard exclaim'd!' exclaim'd that god of day.
  • Think of the Thunderer's falling down below
  • Carotid-artery-cutting Castlereagh!
  • Alas, that glory should be chill'd by snow!
  • But should we wish to warm us on our way
  • Through Poland, there is Kosciusko's name
  • Might scatter fire through ice, like Hecla's flame.
  • From Poland they came on through Prussia Proper,
  • And Konigsberg the capital, whose vaunt,
  • Besides some veins of iron, lead, or copper,
  • Has lately been the great Professor Kant.
  • Juan, who cared not a tobacco-stopper
  • About philosophy, pursued his jaunt
  • To Germany, whose somewhat tardy millions
  • Have princes who spur more than their postilions.
  • And thence through Berlin, Dresden, and the like,
  • Until he reach'd the castellated Rhine:--
  • Ye glorious Gothic scenes! how much ye strike
  • All phantasies, not even excepting mine;
  • A grey wall, a green ruin, rusty pike,
  • Make my soul pass the equinoctial line
  • Between the present and past worlds, and hover
  • Upon their airy confine, half-seas-over.
  • But Juan posted on through Manheim, Bonn,
  • Which Drachenfels frowns over like a spectre
  • Of the good feudal times forever gone,
  • On which I have not time just now to lecture.
  • From thence he was drawn onwards to Cologne,
  • A city which presents to the inspector
  • Eleven thousand maidenheads of bone,
  • The greatest number flesh hath ever known.
  • From thence to Holland's Hague and Helvoetsluys,
  • That water-land of Dutchmen and of ditches,
  • Where juniper expresses its best juice,
  • The poor man's sparkling substitute for riches.
  • Senates and sages have condemn'd its use--
  • But to deny the mob a cordial, which is
  • Too often all the clothing, meat, or fuel,
  • Good government has left them, seems but cruel.
  • Here he embark'd, and with a flowing sail
  • Went bounding for the island of the free,
  • Towards which the impatient wind blew half a gale;
  • High dash'd the spray, the bows dipp'd in the sea,
  • And sea-sick passengers turn'd somewhat pale;
  • But Juan, season'd, as he well might be,
  • By former voyages, stood to watch the skiffs
  • Which pass'd, or catch the first glimpse of the cliffs.
  • At length they rose, like a white wall along
  • The blue sea's border; and I Don Juan felt--
  • What even young strangers feel a little strong
  • At the first sight of Albion's chalky belt--
  • A kind of pride that he should be among
  • Those haughty shopkeepers, who sternly dealt
  • Their goods and edicts out from pole to pole,
  • And made the very billows pay them toll.
  • I 've no great cause to love that spot of earth,
  • Which holds what might have been the noblest nation;
  • But though I owe it little but my birth,
  • I feel a mix'd regret and veneration
  • For its decaying fame and former worth.
  • Seven years (the usual term of transportation)
  • Of absence lay one's old resentments level,
  • When a man's country 's going to the devil.
  • Alas! could she but fully, truly, know
  • How her great name is now throughout abhorr'd:
  • How eager all the earth is for the blow
  • Which shall lay bare her bosom to the sword;
  • How all the nations deem her their worst foe,
  • That worse than worst of foes, the once adored
  • False friend, who held out freedom to mankind,
  • And now would chain them, to the very mind:--
  • Would she be proud, or boast herself the free,
  • Who is but first of slaves? The nations are
  • In prison,--but the gaoler, what is he?
  • No less a victim to the bolt and bar.
  • Is the poor privilege to turn the key
  • Upon the captive, freedom? He 's as far
  • From the enjoyment of the earth and air
  • Who watches o'er the chain, as they who wear.
  • Don Juan now saw Albion's earliest beauties,
  • Thy cliffs, dear Dover! harbour, and hotel;
  • Thy custom-house, with all its delicate duties;
  • Thy waiters running mucks at every bell;
  • Thy packets, all whose passengers are booties
  • To those who upon land or water dwell;
  • And last, not least, to strangers uninstructed,
  • Thy long, long bills, whence nothing is deducted.
  • Juan, though careless, young, and magnifique,
  • And rich in rubles, diamonds, cash, and credit,
  • Who did not limit much his bills per week,
  • Yet stared at this a little, though he paid it
  • (His Maggior Duomo, a smart, subtle Greek,
  • Before him summ'd the awful scroll and read it);
  • But doubtless as the air, though seldom sunny,
  • Is free, the respiration's worth the money.
  • On with the horses! Off to Canterbury!
  • Tramp, tramp o'er pebble, and splash, splash through puddle;
  • Hurrah! how swiftly speeds the post so merry!
  • Not like slow Germany, wherein they muddle
  • Along the road, as if they went to bury
  • Their fare; and also pause besides, to fuddle
  • With 'schnapps'--sad dogs! whom 'Hundsfot,' or 'Verflucter,'
  • Affect no more than lightning a conductor.
  • Now there is nothing gives a man such spirits,
  • Leavening his blood as cayenne doth a curry,
  • As going at full speed--no matter where its
  • Direction be, so 't is but in a hurry,
  • And merely for the sake of its own merits;
  • For the less cause there is for all this flurry,
  • The greater is the pleasure in arriving
  • At the great end of travel--which is driving.
  • They saw at Canterbury the cathedral;
  • Black Edward's helm, and Becket's bloody stone,
  • Were pointed out as usual by the bedral,
  • In the same quaint, uninterested tone:--
  • There 's glory again for you, gentle reader! All
  • Ends in a rusty casque and dubious bone,
  • Half-solved into these sodas or magnesias;
  • Which form that bitter draught, the human species.
  • The effect on Juan was of course sublime:
  • He breathed a thousand Cressys, as he saw
  • That casque, which never stoop'd except to Time.
  • Even the bold Churchman's tomb excited awe,
  • Who died in the then great attempt to climb
  • O'er kings, who now at least must talk of law
  • Before they butcher. Little Leila gazed,
  • And ask'd why such a structure had been raised:
  • And being told it was 'God's house,' she said
  • He was well lodged, but only wonder'd how
  • He suffer'd Infidels in his homestead,
  • The cruel Nazarenes, who had laid low
  • His holy temples in the lands which bred
  • The True Believers:--and her infant brow
  • Was bent with grief that Mahomet should resign
  • A mosque so noble, flung like pearls to swine.
  • O! oh! through meadows managed like a garden,
  • A paradise of hops and high production;
  • For after years of travel by a bard in
  • Countries of greater heat, but lesser suction,
  • A green field is a sight which makes him pardon
  • The absence of that more sublime construction,
  • Which mixes up vines, olives, precipices,
  • Glaciers, volcanos, oranges, and ices.
  • And when I think upon a pot of beer--
  • But I won't weep!--and so drive on, postilions!
  • As the smart boys spurr'd fast in their career,
  • Juan admired these highways of free millions;
  • A country in all senses the most dear
  • To foreigner or native, save some silly ones,
  • Who 'kick against the pricks' just at this juncture,
  • And for their pains get only a fresh puncture.
  • What a delightful thing 's a turnpike road!
  • So smooth, so level, such a mode of shaving
  • The earth, as scarce the eagle in the broad
  • Air can accomplish, with his wide wings waving.
  • Had such been cut in Phaeton's time, the god
  • Had told his son to satisfy his craving
  • With the York mail;--but onward as we roll,
  • 'Surgit amari aliquid'--the toll
  • Alas, how deeply painful is all payment!
  • Take lives, take wives, take aught except men's purses:
  • As Machiavel shows those in purple raiment,
  • Such is the shortest way to general curses.
  • They hate a murderer much less than a claimant
  • On that sweet ore which every body nurses;--
  • Kill a man's family, and he may brook it,
  • But keep your hands out of his breeches' pocket.
  • So said the Florentine: ye monarchs, hearken
  • To your instructor. Juan now was borne,
  • Just as the day began to wane and darken,
  • O'er the high hill, which looks with pride or scorn
  • Toward the great city.--Ye who have a spark in
  • Your veins of Cockney spirit, smile or mourn
  • According as you take things well or ill;--
  • Bold Britons, we are now on Shooter's Hill!
  • The sun went down, the smoke rose up, as from
  • A half-unquench'd volcano, o'er a space
  • Which well beseem'd the 'Devil's drawing-room,'
  • As some have qualified that wondrous place:
  • But Juan felt, though not approaching home,
  • As one who, though he were not of the race,
  • Revered the soil, of those true sons the mother,
  • Who butcher'd half the earth, and bullied t' other.
  • A mighty mass of brick, and smoke, and shipping,
  • Dirty and dusky, but as wide as eye
  • Could reach, with here and there a sail just skipping
  • In sight, then lost amidst the forestry
  • Of masts; a wilderness of steeples peeping
  • On tiptoe through their sea-coal canopy;
  • A huge, dun cupola, like a foolscap crown
  • On a fool's head--and there is London Town!
  • But Juan saw not this: each wreath of smoke
  • Appear'd to him but as the magic vapour
  • Of some alchymic furnace, from whence broke
  • The wealth of worlds (a wealth of tax and paper):
  • The gloomy clouds, which o'er it as a yoke
  • Are bow'd, and put the sun out like a taper,
  • Were nothing but the natural atmosphere,
  • Extremely wholesome, though but rarely clear.
  • He paused--and so will I; as doth a crew
  • Before they give their broadside. By and by,
  • My gentle countrymen, we will renew
  • Our old acquaintance; and at least I 'll try
  • To tell you truths you will not take as true,
  • Because they are so;--a male Mrs. Fry,
  • With a soft besom will I sweep your halls,
  • And brush a web or two from off the walls.
  • O Mrs. Fry! Why go to Newgate? Why
  • Preach to poor rogues? And wherefore not begin
  • With Carlton, or with other houses? Try
  • Your head at harden'd and imperial sin.
  • To mend the people 's an absurdity,
  • A jargon, a mere philanthropic din,
  • Unless you make their betters better:--Fy!
  • I thought you had more religion, Mrs. Fry.
  • Teach them the decencies of good threescore;
  • Cure them of tours, hussar and highland dresses;
  • Tell them that youth once gone returns no more,
  • That hired huzzas redeem no land's distresses;
  • Tell them Sir William Curtis is a bore,
  • Too dull even for the dullest of excesses,
  • The witless Falstaff of a hoary Hal,
  • A fool whose bells have ceased to ring at all.
  • Tell them, though it may be perhaps too late,
  • On life's worn confine, jaded, bloated, sated,
  • To set up vain pretence of being great,
  • 'T is not so to be good; and be it stated,
  • The worthiest kings have ever loved least state;
  • And tell them--But you won't, and I have prated
  • Just now enough; but by and by I 'll prattle
  • Like Roland's horn in Roncesvalles' battle.
  • [Illustration: Canto 11]
  • CANTO THE ELEVENTH.
  • When Bishop Berkeley said 'there was no matter,'
  • And proved it--'t was no matter what he said:
  • They say his system 't is in vain to batter,
  • Too subtle for the airiest human head;
  • And yet who can believe it? I would shatter
  • Gladly all matters down to stone or lead,
  • Or adamant, to find the world a spirit,
  • And wear my head, denying that I wear it.
  • What a sublime discovery 't was to make the
  • Universe universal egotism,
  • That all 's ideal--all ourselves: I 'll stake the
  • World (be it what you will) that that 's no schism.
  • O Doubt!--if thou be'st Doubt, for which some take thee;
  • But which I doubt extremely--thou sole prism
  • Of the Truth's rays, spoil not my draught of spirit!
  • Heaven's brandy, though our brain can hardly bear it.
  • For ever and anon comes Indigestion,
  • (Not the most 'dainty Ariel') and perplexes
  • Our soarings with another sort of question:
  • And that which after all my spirit vexes,
  • Is, that I find no spot where man can rest eye on,
  • Without confusion of the sorts and sexes,
  • Of beings, stars, and this unriddled wonder,
  • The world, which at the worst 's a glorious blunder--
  • If it be chance; or if it be according
  • To the old text, still better:--lest it should
  • Turn out so, we 'll say nothing 'gainst the wording,
  • As several people think such hazards rude.
  • They 're right; our days are too brief for affording
  • Space to dispute what no one ever could
  • Decide, and every body one day will
  • Know very clearly--or at least lie still.
  • And therefore will I leave off metaphysical
  • Discussion, which is neither here nor there:
  • If I agree that what is, is; then this I call
  • Being quite perspicuous and extremely fair;
  • The truth is, I 've grown lately rather phthisical:
  • I don't know what the reason is--the air
  • Perhaps; but as I suffer from the shocks
  • Of illness, I grow much more orthodox.
  • The first attack at once proved the Divinity
  • (But that I never doubted, nor the Devil);
  • The next, the Virgin's mystical virginity;
  • The third, the usual Origin of Evil;
  • The fourth at once establish'd the whole Trinity
  • On so uncontrovertible a level,
  • That I devoutly wish'd the three were four,
  • On purpose to believe so much the more.
  • To our Theme.--The man who has stood on the Acropolis,
  • And look'd down over Attica; or he
  • Who has sail'd where picturesque Constantinople is,
  • Or seen Timbuctoo, or hath taken tea
  • In small-eyed China's crockery-ware metropolis,
  • Or sat amidst the bricks of Nineveh,
  • May not think much of London's first appearance--
  • But ask him what he thinks of it a year hence?
  • Don Juan had got out on Shooter's Hill;
  • Sunset the time, the place the same declivity
  • Which looks along that vale of good and ill
  • Where London streets ferment in full activity;
  • While every thing around was calm and still,
  • Except the creak of wheels, which on their pivot he
  • Heard,--and that bee-like, bubbling, busy hum
  • Of cities, that boil over with their scum:--
  • I say, Don Juan, wrapt in contemplation,
  • Walk'd on behind his carriage, o'er the summit,
  • And lost in wonder of so great a nation,
  • Gave way to 't, since he could not overcome it.
  • 'And here,' he cried, 'is Freedom's chosen station;
  • Here peals the people's voice, nor can entomb it
  • Racks, prisons, inquisitions; resurrection
  • Awaits it, each new meeting or election.
  • 'Here are chaste wives, pure lives; here people pay
  • But what they please; and if that things be dear,
  • 'T is only that they love to throw away
  • Their cash, to show how much they have a-year.
  • Here laws are all inviolate; none lay
  • Traps for the traveller; every highway 's clear:
  • Here-' he was interrupted by a knife,
  • With,--'Damn your eyes! your money or your life!'
  • These freeborn sounds proceeded from four pads
  • In ambush laid, who had perceived him loiter
  • Behind his carriage; and, like handy lads,
  • Had seized the lucky hour to reconnoitre,
  • In which the heedless gentleman who gads
  • Upon the road, unless he prove a fighter,
  • May find himself within that isle of riches
  • Exposed to lose his life as well as breeches.
  • Juan, who did not understand a word
  • Of English, save their shibboleth, 'God damn!'
  • And even that he had so rarely heard,
  • He sometimes thought 't was only their 'Salam,'
  • Or 'God be with you!'--and 't is not absurd
  • To think so: for half English as I am
  • (To my misfortune), never can I say
  • I heard them wish 'God with you,' save that way;--
  • Juan yet quickly understood their gesture,
  • And being somewhat choleric and sudden,
  • Drew forth a pocket pistol from his vesture,
  • And fired it into one assailant's pudding--
  • Who fell, as rolls an ox o'er in his pasture,
  • And roar'd out, as he writhed his native mud in,
  • Unto his nearest follower or henchman,
  • 'Oh Jack! I 'm floor'd by that 'ere bloody Frenchman!'
  • On which Jack and his train set off at speed,
  • And Juan's suite, late scatter'd at a distance,
  • Came up, all marvelling at such a deed,
  • And offering, as usual, late assistance.
  • Juan, who saw the moon's late minion bleed
  • As if his veins would pour out his existence,
  • Stood calling out for bandages and lint,
  • And wish'd he had been less hasty with his flint.
  • 'Perhaps,' thought he, 'it is the country's wont
  • To welcome foreigners in this way: now
  • I recollect some innkeepers who don't
  • Differ, except in robbing with a bow,
  • In lieu of a bare blade and brazen front.
  • But what is to be done? I can't allow
  • The fellow to lie groaning on the road:
  • So take him up; I 'll help you with the load.'
  • But ere they could perform this pious duty,
  • The dying man cried, 'Hold! I 've got my gruel!
  • O for a glass of max! We 've miss'd our booty;
  • Let me die where I am!' And as the fuel
  • Of life shrunk in his heart, and thick and sooty
  • The drops fell from his death-wound, and he drew ill
  • His breath,--he from his swelling throat untied
  • A kerchief, crying, 'Give Sal that!'--and died.
  • The cravat stain'd with bloody drops fell down
  • Before Don Juan's feet: he could not tell
  • Exactly why it was before him thrown,
  • Nor what the meaning of the man's farewell.
  • Poor Tom was once a kiddy upon town,
  • A thorough varmint, and a real swell,
  • Full flash, all fancy, until fairly diddled,
  • His pockets first and then his body riddled.
  • Don Juan, having done the best he could
  • In all the circumstances of the case,
  • As soon as 'Crowner's quest' allow'd, pursued
  • His travels to the capital apace;--
  • Esteeming it a little hard he should
  • In twelve hours' time, and very little space,
  • Have been obliged to slay a freeborn native
  • In self-defence: this made him meditative.
  • He from the world had cut off a great man,
  • Who in his time had made heroic bustle.
  • Who in a row like Tom could lead the van,
  • Booze in the ken, or at the spellken hustle?
  • Who queer a flat? Who (spite of Bow Street's ban)
  • On the high toby-spice so flash the muzzle?
  • Who on a lark, with black-eyed Sal (his blowing),
  • So prime, so swell, so nutty, and so knowing?
  • But Tom's no more--and so no more of Tom.
  • Heroes must die; and by God's blessing 't is
  • Not long before the most of them go home.
  • Hail! Thamis, Hail! Upon thy verge it is
  • That Juan's chariot, rolling like a drum
  • In thunder, holds the way it can't well miss,
  • Through Kennington and all the other 'tons,'
  • Which makes us wish ourselves in town at once;--
  • Through Groves, so call'd as being void of trees
  • (Like lucus from no light); through prospects named
  • Mount Pleasant, as containing nought to please,
  • Nor much to climb; through little boxes framed
  • Of bricks, to let the dust in at your ease,
  • With 'To be let' upon their doors proclaim'd;
  • Through 'Rows' most modestly call'd 'Paradise,'
  • Which Eve might quit without much sacrifice;--
  • Through coaches, drays, choked turnpikes, and a whirl
  • Of wheels, and roar of voices, and confusion;
  • Here taverns wooing to a pint of 'purl,'
  • There mails fast flying off like a delusion;
  • There barbers' blocks with periwigs in curl
  • In windows; here the lamplighter's infusion
  • Slowly distill'd into the glimmering glass
  • (For in those days we had not got to gas);--
  • Through this, and much, and more, is the approach
  • Of travellers to mighty Babylon:
  • Whether they come by horse, or chaise, or coach,
  • With slight exceptions, all the ways seem one.
  • I could say more, but do not choose to encroach
  • Upon the Guide-book's privilege. The sun
  • Had set some time, and night was on the ridge
  • Of twilight, as the party cross'd the bridge,--
  • That 's rather fine. The gentle sound of Thamis--
  • Who vindicates a moment, too, his stream,
  • Though hardly heard through multifarious 'damme's'-
  • The lamps of Westminster's more regular gleam,
  • The breadth of pavement, and yon shrine where fame is
  • A spectral resident--whose pallid beam
  • In shape of moonshine hovers o'er the pile--
  • Make this a sacred part of Albion's isle.
  • The Druids' groves are gone--so much the better:
  • Stone-Henge is not--but what the devil is it?-
  • But Bedlam still exists with its sage fetter,
  • That madmen may not bite you on a visit;
  • The Bench too seats or suits full many a debtor;
  • The Mansion House too (though some people quiz it)
  • To me appears a stiff yet grand erection;
  • But then the Abbey 's worth the whole collection.
  • The line of lights, too, up to Charing Cross,
  • Pall Mall, and so forth, have a coruscation
  • Like gold as in comparison to dross,
  • Match'd with the Continent's illumination,
  • Whose cities Night by no means deigns to gloss.
  • The French were not yet a lamp-lighting nation,
  • And when they grew so--on their new-found lantern,
  • Instead of wicks, they made a wicked man turn.
  • A row of gentlemen along the streets
  • Suspended may illuminate mankind,
  • As also bonfires made of country seats;
  • But the old way is best for the purblind:
  • The other looks like phosphorus on sheets,
  • A sort of ignis fatuus to the mind,
  • Which, though 't is certain to perplex and frighten,
  • Must burn more mildly ere it can enlighten.
  • But London 's so well lit, that if Diogenes
  • Could recommence to hunt his honest man,
  • And found him not amidst the various progenies
  • Of this enormous city's spreading span,
  • 'T were not for want of lamps to aid his dodging his
  • Yet undiscover'd treasure. What I can,
  • I 've done to find the same throughout life's journey,
  • But see the world is only one attorney.
  • Over the stones still rattling up Pall Mall,
  • Through crowds and carriages, but waxing thinner
  • As thunder'd knockers broke the long seal'd spell
  • Of doors 'gainst duns, and to an early dinner
  • Admitted a small party as night fell,--
  • Don Juan, our young diplomatic sinner,
  • Pursued his path, and drove past some hotels,
  • St. James's Palace and St. James's 'Hells.'
  • They reach'd the hotel: forth stream'd from the front door
  • A tide of well-clad waiters, and around
  • The mob stood, and as usual several score
  • Of those pedestrian Paphians who abound
  • In decent London when the daylight 's o'er;
  • Commodious but immoral, they are found
  • Useful, like Malthus, in promoting marriage.-
  • But Juan now is stepping from his carriage
  • Into one of the sweetest of hotels,
  • Especially for foreigners--and mostly
  • For those whom favour or whom fortune swells,
  • And cannot find a bill's small items costly.
  • There many an envoy either dwelt or dwells
  • (The den of many a diplomatic lost lie),
  • Until to some conspicuous square they pass,
  • And blazon o'er the door their names in brass.
  • Juan, whose was a delicate commission,
  • Private, though publicly important, bore
  • No title to point out with due precision
  • The exact affair on which he was sent o'er.
  • 'T was merely known, that on a secret mission
  • A foreigner of rank had graced our shore,
  • Young, handsome, and accomplish'd, who was said
  • (In whispers) to have turn'd his sovereign's head.
  • Some rumour also of some strange adventures
  • Had gone before him, and his wars and loves;
  • And as romantic heads are pretty painters,
  • And, above all, an Englishwoman's roves
  • Into the excursive, breaking the indentures
  • Of sober reason wheresoe'er it moves,
  • He found himself extremely in the fashion,
  • Which serves our thinking people for a passion.
  • I don't mean that they are passionless, but quite
  • The contrary; but then 't is in the head;
  • Yet as the consequences are as bright
  • As if they acted with the heart instead,
  • What after all can signify the site
  • Of ladies' lucubrations? So they lead
  • In safety to the place for which you start,
  • What matters if the road be head or heart?
  • Juan presented in the proper place,
  • To proper placemen, every Russ credential;
  • And was received with all the due grimace
  • By those who govern in the mood potential,
  • Who, seeing a handsome stripling with smooth face,
  • Thought (what in state affairs is most essential)
  • That they as easily might do the youngster,
  • As hawks may pounce upon a woodland songster.
  • They err'd, as aged men will do; but by
  • And by we 'll talk of that; and if we don't,
  • 'T will be because our notion is not high
  • Of politicians and their double front,
  • Who live by lies, yet dare not boldly lie:--
  • Now what I love in women is, they won't
  • Or can't do otherwise than lie, but do it
  • So well, the very truth seems falsehood to it.
  • And, after all, what is a lie? 'T is but
  • The truth in masquerade; and I defy
  • Historians, heroes, lawyers, priests, to put
  • A fact without some leaven of a lie.
  • The very shadow of true Truth would shut
  • Up annals, revelations, poesy,
  • And prophecy--except it should be dated
  • Some years before the incidents related.
  • Praised be all liars and all lies! Who now
  • Can tax my mild Muse with misanthropy?
  • She rings the world's 'Te Deum,' and her brow
  • Blushes for those who will not:--but to sigh
  • Is idle; let us like most others bow,
  • Kiss hands, feet, any part of majesty,
  • After the good example of 'Green Erin,'
  • Whose shamrock now seems rather worse for wearing.
  • Don Juan was presented, and his dress
  • And mien excited general admiration--
  • I don't know which was more admired or less:
  • One monstrous diamond drew much observation,
  • Which Catherine in a moment of 'ivresse'
  • (In love or brandy's fervent fermentation)
  • Bestow'd upon him, as the public learn'd;
  • And, to say truth, it had been fairly earn'd.
  • Besides the ministers and underlings,
  • Who must be courteous to the accredited
  • Diplomatists of rather wavering kings,
  • Until their royal riddle 's fully read,
  • The very clerks,--those somewhat dirty springs
  • Of office, or the house of office, fed
  • By foul corruption into streams,--even they
  • Were hardly rude enough to earn their pay:
  • And insolence no doubt is what they are
  • Employ'd for, since it is their daily labour,
  • In the dear offices of peace or war;
  • And should you doubt, pray ask of your next neighbour,
  • When for a passport, or some other bar
  • To freedom, he applied (a grief and a bore),
  • If he found not his spawn of taxborn riches,
  • But Juan was received with much 'empressement:'-
  • These phrases of refinement I must borrow
  • From our next neighbours' land, where, like a chessman,
  • There is a move set down for joy or sorrow
  • Not only in mere talking, but the press. Man
  • In islands is, it seems, downright and thorough,
  • More than on continents--as if the sea
  • (See Billingsgate) made even the tongue more free.
  • And yet the British 'Damme' 's rather Attic:
  • Your continental oaths are but incontinent,
  • And turn on things which no aristocratic
  • Spirit would name, and therefore even I won't anent
  • This subject quote; as it would be schismatic
  • In politesse, and have a sound affronting in 't:--
  • But 'Damme' 's quite ethereal, though too daring--
  • Platonic blasphemy, the soul of swearing.
  • For downright rudeness, ye may stay at home;
  • For true or false politeness (and scarce that
  • Now) you may cross the blue deep and white foam--
  • The first the emblem (rarely though) of what
  • You leave behind, the next of much you come
  • To meet. However, 't is no time to chat
  • On general topics: poems must confine
  • Themselves to unity, like this of mine.
  • In the great world,--which, being interpreted,
  • Meaneth the west or worst end of a city,
  • And about twice two thousand people bred
  • By no means to be very wise or witty,
  • But to sit up while others lie in bed,
  • And look down on the universe with pity,--
  • Juan, as an inveterate patrician,
  • Was well received by persons of condition.
  • He was a bachelor, which is a matter
  • Of import both to virgin and to bride,
  • The former's hymeneal hopes to flatter;
  • And (should she not hold fast by love or pride)
  • 'T is also of some moment to the latter:
  • A rib 's a thorn in a wed gallant's side,
  • Requires decorum, and is apt to double
  • The horrid sin--and what 's still worse, the trouble.
  • But Juan was a bachelor--of arts,
  • And parts, and hearts: he danced and sung, and had
  • An air as sentimental as Mozart's
  • Softest of melodies; and could be sad
  • Or cheerful, without any 'flaws or starts,'
  • Just at the proper time; and though a lad,
  • Had seen the world--which is a curious sight,
  • And very much unlike what people write.
  • Fair virgins blush'd upon him; wedded dames
  • Bloom'd also in less transitory hues;
  • For both commodities dwell by the Thames,
  • The painting and the painted; youth, ceruse,
  • Against his heart preferr'd their usual claims,
  • Such as no gentleman can quite refuse:
  • Daughters admired his dress, and pious mothers
  • Inquired his income, and if he had brothers.
  • The milliners who furnish 'drapery Misses'
  • Throughout the season, upon speculation
  • Of payment ere the honey-moon's last kisses
  • Have waned into a crescent's coruscation,
  • Thought such an opportunity as this is,
  • Of a rich foreigner's initiation,
  • Not to be overlook'd--and gave such credit,
  • That future bridegrooms swore, and sigh'd, and paid it.
  • The Blues, that tender tribe who sigh o'er sonnets,
  • And with the pages of the last Review
  • Line the interior of their heads or bonnets,
  • Advanced in all their azure's highest hue:
  • They talk'd bad French or Spanish, and upon its
  • Late authors ask'd him for a hint or two;
  • And which was softest, Russian or Castilian?
  • And whether in his travels he saw Ilion?
  • Juan, who was a little superficial,
  • And not in literature a great Drawcansir,
  • Examined by this learned and especial
  • Jury of matrons, scarce knew what to answer:
  • His duties warlike, loving or official,
  • His steady application as a dancer,
  • Had kept him from the brink of Hippocrene,
  • Which now he found was blue instead of green.
  • However, he replied at hazard, with
  • A modest confidence and calm assurance,
  • Which lent his learned lucubrations pith,
  • And pass'd for arguments of good endurance.
  • That prodigy, Miss Araminta Smith
  • (Who at sixteen translated 'Hercules Furens'
  • Into as furious English), with her best look,
  • Set down his sayings in her common-place book.
  • Juan knew several languages--as well
  • He might--and brought them up with skill, in time
  • To save his fame with each accomplish'd belle,
  • Who still regretted that he did not rhyme.
  • There wanted but this requisite to swell
  • His qualities (with them) into sublime:
  • Lady Fitz-Frisky, and Miss Maevia Mannish,
  • Both long'd extremely to be sung in Spanish.
  • However, he did pretty well, and was
  • Admitted as an aspirant to all
  • The coteries, and, as in Banquo's glass,
  • At great assemblies or in parties small,
  • He saw ten thousand living authors pass,
  • That being about their average numeral;
  • Also the eighty 'greatest living poets,'
  • As every paltry magazine can show its.
  • In twice five years the 'greatest living poet,'
  • Like to the champion in the fisty ring,
  • Is call'd on to support his claim, or show it,
  • Although 't is an imaginary thing.
  • Even I--albeit I 'm sure I did not know it,
  • Nor sought of foolscap subjects to be king--
  • Was reckon'd a considerable time,
  • The grand Napoleon of the realms of rhyme.
  • But Juan was my Moscow, and Faliero
  • My Leipsic, and my Mount Saint Jean seems Cain:
  • 'La Belle Alliance' of dunces down at zero,
  • Now that the Lion 's fall'n, may rise again:
  • But I will fall at least as fell my hero;
  • Nor reign at all, or as a monarch reign;
  • Or to some lonely isle of gaolers go,
  • With turncoat Southey for my turnkey Lowe.
  • Sir Walter reign'd before me; Moore and Campbell
  • Before and after; but now grown more holy,
  • The Muses upon Sion's hill must ramble
  • With poets almost clergymen, or wholly;
  • And Pegasus hath a psalmodic amble
  • Beneath the very Reverend Rowley Powley,
  • Who shoes the glorious animal with stilts,
  • A modern Ancient Pistol--by the hilts?
  • Then there 's my gentle Euphues, who, they say,
  • Sets up for being a sort of moral me;
  • He 'll find it rather difficult some day
  • To turn out both, or either, it may be.
  • Some persons think that Coleridge hath the sway;
  • And Wordsworth has supporters, two or three;
  • And that deep-mouth'd Boeotian 'Savage Landor'
  • Has taken for a swan rogue Southey's gander.
  • John Keats, who was kill'd off by one critique,
  • Just as he really promised something great,
  • If not intelligible, without Greek
  • Contrived to talk about the gods of late,
  • Much as they might have been supposed to speak.
  • Poor fellow! His was an untoward fate;
  • 'T is strange the mind, that very fiery particle,
  • Should let itself be snuff'd out by an article.
  • The list grows long of live and dead pretenders
  • To that which none will gain--or none will know
  • The conqueror at least; who, ere Time renders
  • His last award, will have the long grass grow
  • Above his burnt-out brain, and sapless cinders.
  • If I might augur, I should rate but low
  • Their chances; they 're too numerous, like the thirty
  • Mock tyrants, when Rome's annals wax'd but dirty.
  • This is the literary lower empire,
  • Where the praetorian bands take up the matter;--
  • A 'dreadful trade,' like his who 'gathers samphire,'
  • The insolent soldiery to soothe and flatter,
  • With the same feelings as you 'd coax a vampire.
  • Now, were I once at home, and in good satire,
  • I 'd try conclusions with those Janizaries,
  • And show them what an intellectual war is.
  • I think I know a trick or two, would turn
  • Their flanks;--but it is hardly worth my while
  • With such small gear to give myself concern:
  • Indeed I 've not the necessary bile;
  • My natural temper 's really aught but stern,
  • And even my Muse's worst reproof 's a smile;
  • And then she drops a brief and modern curtsy,
  • And glides away, assured she never hurts ye.
  • My Juan, whom I left in deadly peril
  • Amongst live poets and blue ladies, past
  • With some small profit through that field so sterile,
  • Being tired in time, and, neither least nor last,
  • Left it before he had been treated very ill;
  • And henceforth found himself more gaily class'd
  • Amongst the higher spirits of the day,
  • The sun's true son, no vapour, but a ray.
  • His morns he pass'd in business--which, dissected,
  • Was like all business a laborious nothing
  • That leads to lassitude, the most infected
  • And Centaur Nessus garb of mortal clothing,
  • And on our sofas makes us lie dejected,
  • And talk in tender horrors of our loathing
  • All kinds of toil, save for our country's good--
  • Which grows no better, though 't is time it should.
  • His afternoons he pass'd in visits, luncheons,
  • Lounging and boxing; and the twilight hour
  • In riding round those vegetable puncheons
  • Call'd 'Parks,' where there is neither fruit nor flower
  • Enough to gratify a bee's slight munchings;
  • But after all it is the only 'bower'
  • (In Moore's phrase), where the fashionable fair
  • Can form a slight acquaintance with fresh air.
  • Then dress, then dinner, then awakes the world!
  • Then glare the lamps, then whirl the wheels, then roar
  • Through street and square fast flashing chariots hurl'd
  • Like harness'd meteors; then along the floor
  • Chalk mimics painting; then festoons are twirl'd;
  • Then roll the brazen thunders of the door,
  • Which opens to the thousand happy few
  • An earthly paradise of 'Or Molu.'
  • There stands the noble hostess, nor shall sink
  • With the three-thousandth curtsy; there the waltz,
  • The only dance which teaches girls to think,
  • Makes one in love even with its very faults.
  • Saloon, room, hall, o'erflow beyond their brink,
  • And long the latest of arrivals halts,
  • 'Midst royal dukes and dames condemn'd to climb,
  • And gain an inch of staircase at a time.
  • Thrice happy he who, after a survey
  • Of the good company, can win a corner,
  • A door that's in or boudoir out of the way,
  • Where he may fix himself like small 'Jack Horner,'
  • And let the Babel round run as it may,
  • And look on as a mourner, or a scorner,
  • Or an approver, or a mere spectator,
  • Yawning a little as the night grows later.
  • But this won't do, save by and by; and he
  • Who, like Don Juan, takes an active share,
  • Must steer with care through all that glittering sea
  • Of gems and plumes and pearls and silks, to where
  • He deems it is his proper place to be;
  • Dissolving in the waltz to some soft air,
  • Or proudlier prancing with mercurial skill
  • Where Science marshals forth her own quadrille.
  • Or, if he dance not, but hath higher views
  • Upon an heiress or his neighbour's bride,
  • Let him take care that that which he pursues
  • Is not at once too palpably descried.
  • Full many an eager gentleman oft rues
  • His haste: impatience is a blundering guide,
  • Amongst a people famous for reflection,
  • Who like to play the fool with circumspection.
  • But, if you can contrive, get next at supper;
  • Or, if forestalled, get opposite and ogle:--
  • O, ye ambrosial moments! always upper
  • In mind, a sort of sentimental bogle,
  • Which sits for ever upon memory's crupper,
  • The ghost of vanish'd pleasures once in vogue! Ill
  • Can tender souls relate the rise and fall
  • Of hopes and fears which shake a single ball.
  • But these precautionary hints can touch
  • Only the common run, who must pursue,
  • And watch, and ward; whose plans a word too much
  • Or little overturns; and not the few
  • Or many (for the number's sometimes such)
  • Whom a good mien, especially if new,
  • Or fame, or name, for wit, war, sense, or nonsense,
  • Permits whate'er they please, or did not long since.
  • Our hero, as a hero, young and handsome,
  • Noble, rich, celebrated, and a stranger,
  • Like other slaves of course must pay his ransom,
  • Before he can escape from so much danger
  • As will environ a conspicuous man. Some
  • Talk about poetry, and 'rack and manger,'
  • And ugliness, disease, as toil and trouble;--
  • I wish they knew the life of a young noble.
  • They are young, but know not youth--it is anticipated;
  • Handsome but wasted, rich without a sou;
  • Their vigour in a thousand arms is dissipated;
  • Their cash comes from, their wealth goes to a Jew;
  • Both senates see their nightly votes participated
  • Between the tyrant's and the tribunes' crew;
  • And having voted, dined, drunk, gamed, and whored,
  • The family vault receives another lord.
  • 'Where is the world?' cries Young, at eighty--'Where
  • The world in which a man was born? 'Alas!
  • Where is the world of eight years past? 'T was there--
  • I look for it--'t is gone, a globe of glass!
  • Crack'd, shiver'd, vanish'd, scarcely gazed on, ere
  • A silent change dissolves the glittering mass.
  • Statesmen, chiefs, orators, queens, patriots, kings,
  • And dandies, all are gone on the wind's wings.
  • Where is Napoleon the Grand? God knows.
  • Where little Castlereagh? The devil can tell:
  • Where Grattan, Curran, Sheridan, all those
  • Who bound the bar or senate in their spell?
  • Where is the unhappy Queen, with all her woes?
  • And where the Daughter, whom the Isles loved well?
  • Where are those martyr'd saints the Five per Cents?
  • And where--oh, where the devil are the rents?
  • Where 's Brummel? Dish'd. Where 's Long Pole Wellesley? Diddled.
  • Where 's Whitbread? Romilly? Where 's George the Third?
  • Where is his will? (That 's not so soon unriddled.)
  • And where is 'Fum' the Fourth, our 'royal bird?'
  • Gone down, it seems, to Scotland to be fiddled
  • Unto by Sawney's violin, we have heard:
  • 'Caw me, caw thee'--for six months hath been hatching
  • This scene of royal itch and loyal scratching.
  • Where is Lord This? And where my Lady That?
  • The Honourable Mistresses and Misses?
  • Some laid aside like an old Opera hat,
  • Married, unmarried, and remarried (this is
  • An evolution oft performed of late).
  • Where are the Dublin shouts--and London hisses?
  • Where are the Grenvilles? Turn'd as usual. Where
  • My friends the Whigs? Exactly where they were.
  • Where are the Lady Carolines and Franceses?
  • Divorced or doing thereanent. Ye annals
  • So brilliant, where the list of routs and dances is,--
  • Thou Morning Post, sole record of the panels
  • Broken in carriages, and all the phantasies
  • Of fashion,--say what streams now fill those channels?
  • Some die, some fly, some languish on the Continent,
  • Because the times have hardly left them one tenant.
  • Some who once set their caps at cautious dukes,
  • Have taken up at length with younger brothers:
  • Some heiresses have bit at sharpers' hooks:
  • Some maids have been made wives, some merely mothers;
  • Others have lost their fresh and fairy looks:
  • In short, the list of alterations bothers.
  • There 's little strange in this, but something strange is
  • The unusual quickness of these common changes.
  • Talk not of seventy years as age; in seven
  • I have seen more changes, down from monarchs to
  • The humblest individual under heaven,
  • Than might suffice a moderate century through.
  • I knew that nought was lasting, but now even
  • Change grows too changeable, without being new:
  • Nought 's permanent among the human race,
  • Except the Whigs not getting into place.
  • I have seen Napoleon, who seem'd quite a Jupiter,
  • Shrink to a Saturn. I have seen a Duke
  • (No matter which) turn politician stupider,
  • If that can well be, than his wooden look.
  • But it is time that I should hoist my 'blue Peter,'
  • And sail for a new theme:--I have seen--and shook
  • To see it--the king hiss'd, and then caress'd;
  • But don't pretend to settle which was best.
  • I have seen the Landholders without a rap--
  • I have seen Joanna Southcote--I have seen--
  • The House of Commons turn'd to a tax-trap--
  • I have seen that sad affair of the late Queen--
  • I have seen crowns worn instead of a fool's cap--
  • I have seen a Congress doing all that 's mean--
  • I have seen some nations like o'erloaded asses
  • Kick off their burthens, meaning the high classes.
  • I have seen small poets, and great prosers, and
  • Interminable--not eternal--speakers--
  • I have seen the funds at war with house and land--
  • I have seen the country gentlemen turn squeakers--
  • I have seen the people ridden o'er like sand
  • By slaves on horseback--I have seen malt liquors
  • Exchanged for 'thin potations' by John Bull--
  • I have seen john half detect himself a fool.-
  • But 'carpe diem,' Juan, 'carpe, carpe!'
  • To-morrow sees another race as gay
  • And transient, and devour'd by the same harpy.
  • 'Life 's a poor player,'--then 'play out the play,
  • Ye villains!' above all keep a sharp eye
  • Much less on what you do than what you say:
  • Be hypocritical, be cautious, be
  • Not what you seem, but always what you see.
  • But how shall I relate in other cantos
  • Of what befell our hero in the land,
  • Which 't is the common cry and lie to vaunt as
  • A moral country? But I hold my hand--
  • For I disdain to write an Atalantis;
  • But 't is as well at once to understand,
  • You are not a moral people, and you know it
  • Without the aid of too sincere a poet.
  • What Juan saw and underwent shall be
  • My topic, with of course the due restriction
  • Which is required by proper courtesy;
  • And recollect the work is only fiction,
  • And that I sing of neither mine nor me,
  • Though every scribe, in some slight turn of diction,
  • Will hint allusions never meant. Ne'er doubt
  • This--when I speak, I don't hint, but speak out.
  • Whether he married with the third or fourth
  • Offspring of some sage husband-hunting countess,
  • Or whether with some virgin of more worth
  • (I mean in Fortune's matrimonial bounties)
  • He took to regularly peopling Earth,
  • Of which your lawful awful wedlock fount is,--
  • Or whether he was taken in for damages,
  • For being too excursive in his homages,--
  • Is yet within the unread events of time.
  • Thus far, go forth, thou lay, which I will back
  • Against the same given quantity of rhyme,
  • For being as much the subject of attack
  • As ever yet was any work sublime,
  • By those who love to say that white is black.
  • So much the better!--I may stand alone,
  • But would not change my free thoughts for a throne.
  • [Illustration: Canto 12]
  • CANTO THE TWELTH.
  • Of all the barbarous middle ages, that
  • Which is most barbarous is the middle age
  • Of man; it is--I really scarce know what;
  • But when we hover between fool and sage,
  • And don't know justly what we would be at--
  • A period something like a printed page,
  • Black letter upon foolscap, while our hair
  • Grows grizzled, and we are not what we were;--
  • Too old for youth,--too young, at thirty-five,
  • To herd with boys, or hoard with good threescore,--
  • I wonder people should be left alive;
  • But since they are, that epoch is a bore:
  • Love lingers still, although 't were late to wive;
  • And as for other love, the illusion 's o'er;
  • And money, that most pure imagination,
  • Gleams only through the dawn of its creation.
  • O Gold! Why call we misers miserable?
  • Theirs is the pleasure that can never pall;
  • Theirs is the best bower anchor, the chain cable
  • Which holds fast other pleasures great and small.
  • Ye who but see the saving man at table,
  • And scorn his temperate board, as none at all,
  • And wonder how the wealthy can be sparing,
  • Know not what visions spring from each cheese-paring.
  • Love or lust makes man sick, and wine much sicker;
  • Ambition rends, and gaming gains a loss;
  • But making money, slowly first, then quicker,
  • And adding still a little through each cross
  • (Which will come over things), beats love or liquor,
  • The gamester's counter, or the statesman's dross.
  • O Gold! I still prefer thee unto paper,
  • Which makes bank credit like a bank of vapour.
  • Who hold the balance of the world? Who reign
  • O'er congress, whether royalist or liberal?
  • Who rouse the shirtless patriots of Spain?
  • (That make old Europe's journals squeak and gibber all.)
  • Who keep the world, both old and new, in pain
  • Or pleasure? Who make politics run glibber all?
  • The shade of Buonaparte's noble daring?-
  • Jew Rothschild, and his fellow-Christian, Baring.
  • Those, and the truly liberal Lafitte,
  • Are the true lords of Europe. Every loan
  • Is not a merely speculative hit,
  • But seats a nation or upsets a throne.
  • Republics also get involved a bit;
  • Columbia's stock hath holders not unknown
  • On 'Change; and even thy silver soil, Peru,
  • Must get itself discounted by a Jew.
  • Why call the miser miserable? as
  • I said before: the frugal life is his,
  • Which in a saint or cynic ever was
  • The theme of praise: a hermit would not miss
  • Canonization for the self-same cause,
  • And wherefore blame gaunt wealth's austerities?
  • Because, you 'll say, nought calls for such a trial;--
  • Then there 's more merit in his self-denial.
  • He is your only poet;--passion, pure
  • And sparkling on from heap to heap, displays,
  • Possess'd, the ore, of which mere hopes allure
  • Nations athwart the deep: the golden rays
  • Flash up in ingots from the mine obscure;
  • On him the diamond pours its brilliant blaze,
  • While the mild emerald's beam shades down the dies
  • Of other stones, to soothe the miser's eyes.
  • The lands on either side are his; the ship
  • From Ceylon, Inde, or far Cathay, unloads
  • For him the fragrant produce of each trip;
  • Beneath his cars of Ceres groan the roads,
  • And the vine blushes like Aurora's lip;
  • His very cellars might be kings' abodes;
  • While he, despising every sensual call,
  • Commands--the intellectual lord of all.
  • Perhaps he hath great projects in his mind,
  • To build a college, or to found a race,
  • A hospital, a church,--and leave behind
  • Some dome surmounted by his meagre face:
  • Perhaps he fain would liberate mankind
  • Even with the very ore which makes them base;
  • Perhaps he would be wealthiest of his nation,
  • Or revel in the joys of calculation.
  • But whether all, or each, or none of these
  • May be the hoarder's principle of action,
  • The fool will call such mania a disease:--
  • What is his own? Go--look at each transaction,
  • Wars, revels, loves--do these bring men more ease
  • Than the mere plodding through each 'vulgar fraction'?
  • Or do they benefit mankind? Lean miser!
  • Let spendthrifts' heirs enquire of yours--who 's wiser?
  • How beauteous are rouleaus! how charming chests
  • Containing ingots, bags of dollars, coins
  • (Not of old victors, all whose heads and crests
  • Weigh not the thin ore where their visage shines,
  • But) of fine unclipt gold, where dully rests
  • Some likeness, which the glittering cirque confines,
  • Of modern, reigning, sterling, stupid stamp:--
  • Yes! ready money is Aladdin's lamp.
  • 'Love rules the camp, the court, the grove,'--'for love
  • Is heaven, and heaven is love:'--so sings the bard;
  • Which it were rather difficult to prove
  • (A thing with poetry in general hard).
  • Perhaps there may be something in 'the grove,'
  • At least it rhymes to 'love;' but I 'm prepared
  • To doubt (no less than landlords of their rental)
  • If 'courts' and 'camps' be quite so sentimental.
  • But if Love don't, Cash does, and Cash alone:
  • Cash rules the grove, and fells it too besides;
  • Without cash, camps were thin, and courts were none;
  • Without cash, Malthus tells you--'take no brides.'
  • So Cash rules Love the ruler, on his own
  • High ground, as virgin Cynthia sways the tides:
  • And as for Heaven 'Heaven being Love,' why not say honey
  • Is wax? Heaven is not Love, 't is Matrimony.
  • Is not all love prohibited whatever,
  • Excepting marriage? which is love, no doubt,
  • After a sort; but somehow people never
  • With the same thought the two words have help'd out:
  • Love may exist with marriage, and should ever,
  • And marriage also may exist without;
  • But love sans bans is both a sin and shame,
  • And ought to go by quite another name.
  • Now if the 'court,' and 'camp,' and 'grove,' be not
  • Recruited all with constant married men,
  • Who never coveted their neighbour's lot,
  • I say that line 's a lapsus of the pen;--
  • Strange too in my 'buon camerado' Scott,
  • So celebrated for his morals, when
  • My Jeffrey held him up as an example
  • To me;--of whom these morals are a sample.
  • Well, if I don't succeed, I have succeeded,
  • And that 's enough; succeeded in my youth,
  • The only time when much success is needed:
  • And my success produced what I, in sooth,
  • Cared most about; it need not now be pleaded--
  • Whate'er it was, 't was mine; I 've paid, in truth,
  • Of late the penalty of such success,
  • But have not learn'd to wish it any less.
  • That suit in Chancery,--which some persons plead
  • In an appeal to the unborn, whom they,
  • In the faith of their procreative creed,
  • Baptize posterity, or future clay,--
  • To me seems but a dubious kind of reed
  • To lean on for support in any way;
  • Since odds are that posterity will know
  • No more of them, than they of her, I trow.
  • Why, I 'm posterity--and so are you;
  • And whom do we remember? Not a hundred.
  • Were every memory written down all true,
  • The tenth or twentieth name would be but blunder'd;
  • Even Plutarch's Lives have but pick'd out a few,
  • And 'gainst those few your annalists have thunder'd;
  • And Mitford in the nineteenth century
  • Gives, with Greek truth, the good old Greek the lie.
  • Good people all, of every degree,
  • Ye gentle readers and ungentle writers,
  • In this twelfth Canto 't is my wish to be
  • As serious as if I had for inditers
  • Malthus and Wilberforce:--the last set free
  • The Negroes and is worth a million fighters;
  • While Wellington has but enslaved the Whites,
  • And Malthus does the thing 'gainst which he writes.
  • I 'm serious--so are all men upon paper;
  • And why should I not form my speculation,
  • And hold up to the sun my little taper?
  • Mankind just now seem wrapt in mediation
  • On constitutions and steam-boats of vapour;
  • While sages write against all procreation,
  • Unless a man can calculate his means
  • Of feeding brats the moment his wife weans.
  • That 's noble! That 's romantic! For my part,
  • I think that 'Philo-genitiveness' is
  • (Now here 's a word quite after my own heart,
  • Though there 's a shorter a good deal than this,
  • If that politeness set it not apart;
  • But I 'm resolved to say nought that 's amiss)--
  • I say, methinks that 'Philo-genitiveness'
  • Might meet from men a little more forgiveness.
  • And now to business.--O my gentle Juan,
  • Thou art in London--in that pleasant place,
  • Where every kind of mischief 's daily brewing,
  • Which can await warm youth in its wild race.
  • 'T is true, that thy career is not a new one;
  • Thou art no novice in the headlong chase
  • Of early life; but this is a new land,
  • Which foreigners can never understand.
  • What with a small diversity of climate,
  • Of hot or cold, mercurial or sedate,
  • I could send forth my mandate like a primate
  • Upon the rest of Europe's social state;
  • But thou art the most difficult to rhyme at,
  • Great Britain, which the Muse may penetrate.
  • All countries have their 'Lions,' but in the
  • There is but one superb menagerie.
  • But I am sick of politics. Begin,
  • 'Paulo Majora.' Juan, undecided
  • Amongst the paths of being 'taken in,'
  • Above the ice had like a skater glided:
  • When tired of play, he flirted without sin
  • With some of those fair creatures who have prided
  • Themselves on innocent tantalisation,
  • And hate all vice except its reputation.
  • But these are few, and in the end they make
  • Some devilish escapade or stir, which shows
  • That even the purest people may mistake
  • Their way through virtue's primrose paths of snows;
  • And then men stare, as if a new ass spake
  • To Balaam, and from tongue to ear o'erflows
  • Quicksilver small talk, ending (if you note it)
  • With the kind world's amen--'Who would have thought it?'
  • The little Leila, with her orient eyes,
  • And taciturn Asiatic disposition
  • (Which saw all western things with small surprise,
  • To the surprise of people of condition,
  • Who think that novelties are butterflies
  • To be pursued as food for inanition),
  • Her charming figure and romantic history
  • Became a kind of fashionable mystery.
  • The women much divided--as is usual
  • Amongst the sex in little things or great.
  • Think not, fair creatures, that I mean to abuse you all--
  • I have always liked you better than I state:
  • Since I 've grown moral, still I must accuse you all
  • Of being apt to talk at a great rate;
  • And now there was a general sensation
  • Amongst you, about Leila's education.
  • In one point only were you settled--and
  • You had reason; 't was that a young child of grace,
  • As beautiful as her own native land,
  • And far away, the last bud of her race,
  • Howe'er our friend Don Juan might command
  • Himself for five, four, three, or two years' space,
  • Would be much better taught beneath the eye
  • Of peeresses whose follies had run dry.
  • So first there was a generous emulation,
  • And then there was a general competition,
  • To undertake the orphan's education.
  • As Juan was a person of condition,
  • It had been an affront on this occasion
  • To talk of a subscription or petition;
  • But sixteen dowagers, ten unwed she sages,
  • Whose tale belongs to 'Hallam's Middle Ages,'
  • And one or two sad, separate wives, without
  • A fruit to bloom upon their withering bough--
  • Begg'd to bring up the little girl and 'out,'-
  • For that 's the phrase that settles all things now,
  • Meaning a virgin's first blush at a rout,
  • And all her points as thorough-bred to show:
  • And I assure you, that like virgin honey
  • Tastes their first season (mostly if they have money).
  • How all the needy honourable misters,
  • Each out-at-elbow peer, or desperate dandy,
  • The watchful mothers, and the careful sisters
  • (Who, by the by, when clever, are more handy
  • At making matches, where ''t is gold that glisters,'
  • Than their he relatives), like flies o'er candy
  • Buzz round 'the Fortune' with their busy battery,
  • To turn her head with waltzing and with flattery!
  • Each aunt, each cousin, hath her speculation;
  • Nay, married dames will now and then discover
  • Such pure disinterestedness of passion,
  • I 've known them court an heiress for their lover.
  • 'Tantaene!' Such the virtues of high station,
  • Even in the hopeful Isle, whose outlet 's 'Dover!'
  • While the poor rich wretch, object of these cares,
  • Has cause to wish her sire had had male heirs.
  • Some are soon bagg'd, and some reject three dozen.
  • 'T is fine to see them scattering refusals
  • And wild dismay o'er every angry cousin
  • (Friends of the party), who begin accusals,
  • Such as--'Unless Miss (Blank) meant to have chosen
  • Poor Frederick, why did she accord perusals
  • To his billets? Why waltz with him? Why, I pray,
  • Look yes last night, and yet say no to-day?
  • 'Why?--Why?--Besides, Fred really was attach'd;
  • 'T was not her fortune--he has enough without:
  • The time will come she 'll wish that she had snatch'd
  • So good an opportunity, no doubt:--
  • But the old marchioness some plan had hatch'd,
  • As I 'll tell Aurea at to-morrow's rout:
  • And after all poor Frederick may do better--
  • Pray did you see her answer to his letter?'
  • Smart uniforms and sparkling coronets
  • Are spurn'd in turn, until her turn arrives,
  • After male loss of time, and hearts, and bets
  • Upon the sweepstakes for substantial wives;
  • And when at last the pretty creature gets
  • Some gentleman, who fights, or writes, or drives,
  • It soothes the awkward squad of the rejected
  • To find how very badly she selected.
  • For sometimes they accept some long pursuer,
  • Worn out with importunity; or fall
  • (But here perhaps the instances are fewer)
  • To the lot of him who scarce pursued at all.
  • A hazy widower turn'd of forty 's sure
  • (If 't is not vain examples to recall)
  • To draw a high prize: now, howe'er he got her, I
  • See nought more strange in this than t' other lottery.
  • I, for my part (one 'modern instance' more,
  • 'True, 't is a pity--pity 't is, 't is true'),
  • Was chosen from out an amatory score,
  • Albeit my years were less discreet than few;
  • But though I also had reform'd before
  • Those became one who soon were to be two,
  • I 'll not gainsay the generous public's voice,
  • That the young lady made a monstrous choice.
  • O, pardon my digression--or at least
  • Peruse! 'T is always with a moral end
  • That I dissert, like grace before a feast:
  • For like an aged aunt, or tiresome friend,
  • A rigid guardian, or a zealous priest,
  • My Muse by exhortation means to mend
  • All people, at all times, and in most places,
  • Which puts my Pegasus to these grave paces.
  • But now I 'm going to be immoral; now
  • I mean to show things really as they are,
  • Not as they ought to be: for I avow,
  • That till we see what 's what in fact, we 're far
  • From much improvement with that virtuous plough
  • Which skims the surface, leaving scarce a scar
  • Upon the black loam long manured by Vice,
  • Only to keep its corn at the old price.
  • But first of little Leila we 'll dispose;
  • For like a day-dawn she was young and pure,
  • Or like the old comparison of snows,
  • Which are more pure than pleasant to be sure.
  • Like many people everybody knows,
  • Don Juan was delighted to secure
  • A goodly guardian for his infant charge,
  • Who might not profit much by being at large.
  • Besides, he had found out he was no tutor
  • (I wish that others would find out the same);
  • And rather wish'd in such things to stand neuter,
  • For silly wards will bring their guardians blame:
  • So when he saw each ancient dame a suitor
  • To make his little wild Asiatic tame,
  • Consulting 'the Society for Vice
  • Suppression,' Lady Pinchbeck was his choice.
  • Olden she was--but had been very young;
  • Virtuous she was--and had been, I believe;
  • Although the world has such an evil tongue
  • That--but my chaster ear will not receive
  • An echo of a syllable that 's wrong:
  • In fact, there 's nothing makes me so much grieve,
  • As that abominable tittle-tattle,
  • Which is the cud eschew'd by human cattle.
  • Moreover I 've remark'd (and I was once
  • A slight observer in a modest way),
  • And so may every one except a dunce,
  • That ladies in their youth a little gay,
  • Besides their knowledge of the world, and sense
  • Of the sad consequence of going astray,
  • Are wiser in their warnings 'gainst the woe
  • Which the mere passionless can never know.
  • While the harsh prude indemnifies her virtue
  • By railing at the unknown and envied passion,
  • Seeking far less to save you than to hurt you,
  • Or, what 's still worse, to put you out of fashion,--
  • The kinder veteran with calm words will court you,
  • Entreating you to pause before you dash on;
  • Expounding and illustrating the riddle
  • Of epic Love's beginning, end, and middle.
  • Now whether it be thus, or that they are stricter,
  • As better knowing why they should be so,
  • I think you 'll find from many a family picture,
  • That daughters of such mothers as may know
  • The world by experience rather than by lecture,
  • Turn out much better for the Smithfield Show
  • Of vestals brought into the marriage mart,
  • Than those bred up by prudes without a heart.
  • I said that Lady Pinchbeck had been talk'd about--
  • As who has not, if female, young, and pretty?
  • But now no more the ghost of Scandal stalk'd about;
  • She merely was deem'd amiable and witty,
  • And several of her best bon-mots were hawk'd about:
  • Then she was given to charity and pity,
  • And pass'd (at least the latter years of life)
  • For being a most exemplary wife.
  • High in high circles, gentle in her own,
  • She was the mild reprover of the young,
  • Whenever--which means every day--they 'd shown
  • An awkward inclination to go wrong.
  • The quantity of good she did 's unknown,
  • Or at the least would lengthen out my song:
  • In brief, the little orphan of the East
  • Had raised an interest in her, which increased.
  • Juan, too, was a sort of favourite with her,
  • Because she thought him a good heart at bottom,
  • A little spoil'd, but not so altogether;
  • Which was a wonder, if you think who got him,
  • And how he had been toss'd, he scarce knew whither:
  • Though this might ruin others, it did not him,
  • At least entirely--for he had seen too many
  • Changes in youth, to be surprised at any.
  • And these vicissitudes tell best in youth;
  • For when they happen at a riper age,
  • People are apt to blame the Fates, forsooth,
  • And wonder Providence is not more sage.
  • Adversity is the first path to truth:
  • He who hath proved war, storm, or woman's rage,
  • Whether his winters be eighteen or eighty,
  • Hath won the experience which is deem'd so weighty.
  • How far it profits is another matter.-
  • Our hero gladly saw his little charge
  • Safe with a lady, whose last grown-up daughter
  • Being long married, and thus set at large,
  • Had left all the accomplishments she taught her
  • To be transmitted, like the Lord Mayor's barge,
  • To the next comer; or--as it will tell
  • More Muse-like--like to Cytherea's shell.
  • I call such things transmission; for there is
  • A floating balance of accomplishment
  • Which forms a pedigree from Miss to Miss,
  • According as their minds or backs are bent.
  • Some waltz; some draw; some fathom the abyss
  • Of metaphysics; others are content
  • With music; the most moderate shine as wits;
  • While others have a genius turn'd for fits.
  • But whether fits, or wits, or harpsichords,
  • Theology, fine arts, or finer stays,
  • May be the baits for gentlemen or lords
  • With regular descent, in these our days,
  • The last year to the new transfers its hoards;
  • New vestals claim men's eyes with the same praise
  • Of 'elegant' et caetera, in fresh batches--
  • All matchless creatures, and yet bent on matches.
  • But now I will begin my poem. 'T is
  • Perhaps a little strange, if not quite new,
  • That from the first of Cantos up to this
  • I 've not begun what we have to go through.
  • These first twelve books are merely flourishes,
  • Preludios, trying just a string or two
  • Upon my lyre, or making the pegs sure;
  • And when so, you shall have the overture.
  • My Muses do not care a pinch of rosin
  • About what 's call'd success, or not succeeding:
  • Such thoughts are quite below the strain they have chosen;
  • 'T is a 'great moral lesson' they are reading.
  • I thought, at setting off, about two dozen
  • Cantos would do; but at Apollo's pleading,
  • If that my Pegasus should not be founder'd,
  • I think to canter gently through a hundred.
  • Don Juan saw that microcosm on stilts,
  • Yclept the Great World; for it is the least,
  • Although the highest: but as swords have hilts
  • By which their power of mischief is increased,
  • When man in battle or in quarrel tilts,
  • Thus the low world, north, south, or west, or east,
  • Must still obey the high--which is their handle,
  • Their moon, their sun, their gas, their farthing candle.
  • He had many friends who had many wives, and was
  • Well look'd upon by both, to that extent
  • Of friendship which you may accept or pass,
  • It does nor good nor harm being merely meant
  • To keep the wheels going of the higher class,
  • And draw them nightly when a ticket 's sent:
  • And what with masquerades, and fetes, and balls,
  • For the first season such a life scarce palls.
  • A young unmarried man, with a good name
  • And fortune, has an awkward part to play;
  • For good society is but a game,
  • 'The royal game of Goose,' as I may say,
  • Where every body has some separate aim,
  • An end to answer, or a plan to lay--
  • The single ladies wishing to be double,
  • The married ones to save the virgins trouble.
  • I don't mean this as general, but particular
  • Examples may be found of such pursuits:
  • Though several also keep their perpendicular
  • Like poplars, with good principles for roots;
  • Yet many have a method more reticular--
  • 'Fishers for men,' like sirens with soft lutes:
  • For talk six times with the same single lady,
  • And you may get the wedding dresses ready.
  • Perhaps you 'll have a letter from the mother,
  • To say her daughter's feelings are trepann'd;
  • Perhaps you 'll have a visit from the brother,
  • All strut, and stays, and whiskers, to demand
  • What 'your intentions are?'--One way or other
  • It seems the virgin's heart expects your hand:
  • And between pity for her case and yours,
  • You 'll add to Matrimony's list of cures.
  • I 've known a dozen weddings made even thus,
  • And some of them high names: I have also known
  • Young men who--though they hated to discuss
  • Pretensions which they never dream'd to have shown--
  • Yet neither frighten'd by a female fuss,
  • Nor by mustachios moved, were let alone,
  • And lived, as did the broken-hearted fair,
  • In happier plight than if they form'd a pair.
  • There 's also nightly, to the uninitiated,
  • A peril--not indeed like love or marriage,
  • But not the less for this to be depreciated:
  • It is--I meant and mean not to disparage
  • The show of virtue even in the vitiated--
  • It adds an outward grace unto their carriage--
  • But to denounce the amphibious sort of harlot,
  • 'Couleur de rose,' who 's neither white nor scarlet.
  • Such is your cold coquette, who can't say 'No,'
  • And won't say 'Yes,' and keeps you on and off-ing
  • On a lee-shore, till it begins to blow--
  • Then sees your heart wreck'd, with an inward scoffing.
  • This works a world of sentimental woe,
  • And sends new Werters yearly to their coffin;
  • But yet is merely innocent flirtation,
  • Not quite adultery, but adulteration.
  • 'Ye gods, I grow a talker!' Let us prate.
  • The next of perils, though I place it sternest,
  • Is when, without regard to 'church or state,'
  • A wife makes or takes love in upright earnest.
  • Abroad, such things decide few women's fate--
  • (Such, early traveller! is the truth thou learnest)--
  • But in old England, when a young bride errs,
  • Poor thing! Eve's was a trifling case to hers.
  • For 't is a low, newspaper, humdrum, lawsuit
  • Country, where a young couple of the same ages
  • Can't form a friendship, but the world o'erawes it.
  • Then there's the vulgar trick of those d——d damages! !
  • A verdict--grievous foe to those who cause it!-
  • Forms a sad climax to romantic homages;
  • Besides those soothing speeches of the pleaders,
  • And evidences which regale all readers.
  • But they who blunder thus are raw beginners;
  • A little genial sprinkling of hypocrisy
  • Has saved the fame of thousand splendid sinners,
  • The loveliest oligarchs of our gynocracy;
  • You may see such at all the balls and dinners,
  • Among the proudest of our aristocracy,
  • So gentle, charming, charitable, chaste--
  • And all by having tact as well as taste.
  • Juan, who did not stand in the predicament
  • Of a mere novice, had one safeguard more;
  • For he was sick--no, 't was not the word sick I meant--
  • But he had seen so much love before,
  • That he was not in heart so very weak;--I meant
  • But thus much, and no sneer against the shore
  • Of white cliffs, white necks, blue eyes, bluer stockings,
  • Tithes, taxes, duns, and doors with double knockings.
  • But coming young from lands and scenes romantic,
  • Where lives, not lawsuits, must be risk'd for Passion,
  • And Passion's self must have a spice of frantic,
  • Into a country where 't is half a fashion,
  • Seem'd to him half commercial, half pedantic,
  • Howe'er he might esteem this moral nation:
  • Besides (alas! his taste--forgive and pity!)
  • At first he did not think the women pretty.
  • I say at first--for he found out at last,
  • But by degrees, that they were fairer far
  • Than the more glowing dames whose lot is cast
  • Beneath the influence of the eastern star.
  • A further proof we should not judge in haste;
  • Yet inexperience could not be his bar
  • To taste:--the truth is, if men would confess,
  • That novelties please less than they impress.
  • Though travell'd, I have never had the luck to
  • Trace up those shuffling negroes, Nile or Niger,
  • To that impracticable place, Timbuctoo,
  • Where Geography finds no one to oblige her
  • With such a chart as may be safely stuck to--
  • For Europe ploughs in Afric like 'bos piger:'
  • But if I had been at Timbuctoo, there
  • No doubt I should be told that black is fair.
  • It is. I will not swear that black is white;
  • But I suspect in fact that white is black,
  • And the whole matter rests upon eyesight.
  • Ask a blind man, the best judge. You 'll attack
  • Perhaps this new position--but I 'm right;
  • Or if I 'm wrong, I 'll not be ta'en aback:--
  • He hath no morn nor night, but all is dark
  • Within; and what seest thou? A dubious spark.
  • But I 'm relapsing into metaphysics,
  • That labyrinth, whose clue is of the same
  • Construction as your cures for hectic phthisics,
  • Those bright moths fluttering round a dying flame;
  • And this reflection brings me to plain physics,
  • And to the beauties of a foreign dame,
  • Compared with those of our pure pearls of price,
  • Those polar summers, all sun, and some ice.
  • Or say they are like virtuous mermaids, whose
  • Beginnings are fair faces, ends mere fishes;--
  • Not that there 's not a quantity of those
  • Who have a due respect for their own wishes.
  • Like Russians rushing from hot baths to snows
  • Are they, at bottom virtuous even when vicious:
  • They warm into a scrape, but keep of course,
  • As a reserve, a plunge into remorse.
  • But this has nought to do with their outsides.
  • I said that Juan did not think them pretty
  • At the first blush; for a fair Briton hides
  • Half her attractions--probably from pity--
  • And rather calmly into the heart glides,
  • Than storms it as a foe would take a city;
  • But once there (if you doubt this, prithee try)
  • She keeps it for you like a true ally.
  • She cannot step as does an Arab barb,
  • Or Andalusian girl from mass returning,
  • Nor wear as gracefully as Gauls her garb,
  • Nor in her eye Ausonia's glance is burning;
  • Her voice, though sweet, is not so fit to warb--
  • le those bravuras (which I still am learning
  • To like, though I have been seven years in Italy,
  • And have, or had, an ear that served me prettily);--
  • She cannot do these things, nor one or two
  • Others, in that off-hand and dashing style
  • Which takes so much--to give the devil his due;
  • Nor is she quite so ready with her smile,
  • Nor settles all things in one interview
  • (A thing approved as saving time and toil);--
  • But though the soil may give you time and trouble,
  • Well cultivated, it will render double.
  • And if in fact she takes to a 'grande passion,'
  • It is a very serious thing indeed:
  • Nine times in ten 't is but caprice or fashion,
  • Coquetry, or a wish to take the lead,
  • The pride of a mere child with a new sash on,
  • Or wish to make a rival's bosom bleed:
  • But the tenth instance will be a tornado,
  • For there 's no saying what they will or may do.
  • The reason 's obvious; if there 's an eclat,
  • They lose their caste at once, as do the Parias;
  • And when the delicacies of the law
  • Have fill'd their papers with their comments various,
  • Society, that china without flaw
  • (The hypocrite!), will banish them like Marius,
  • To sit amidst the ruins of their guilt:
  • For Fame 's a Carthage not so soon rebuilt.
  • Perhaps this is as it should be;--it is
  • A comment on the Gospel's 'Sin no more,
  • And be thy sins forgiven:'--but upon this
  • I leave the saints to settle their own score.
  • Abroad, though doubtless they do much amiss,
  • An erring woman finds an opener door
  • For her return to Virtue--as they cal
  • That lady, who should be at home to all.
  • For me, I leave the matter where I find it,
  • Knowing that such uneasy virtue leads
  • People some ten times less in fact to mind it,
  • And care but for discoveries and not deeds.
  • And as for chastity, you 'll never bind it
  • By all the laws the strictest lawyer pleads,
  • But aggravate the crime you have not prevented,
  • By rendering desperate those who had else repented.
  • But Juan was no casuist, nor had ponder'd
  • Upon the moral lessons of mankind:
  • Besides, he had not seen of several hundred
  • A lady altogether to his mind.
  • A little 'blase'--'t is not to be wonder'd
  • At, that his heart had got a tougher rind:
  • And though not vainer from his past success,
  • No doubt his sensibilities were less.
  • He also had been busy seeing sights--
  • The Parliament and all the other houses;
  • Had sat beneath the gallery at nights,
  • To hear debates whose thunder roused (not rouses)
  • The world to gaze upon those northern lights
  • Which flash'd as far as where the musk-bull browses;
  • He had also stood at times behind the throne--
  • But Grey was not arrived, and Chatham gone.
  • He saw, however, at the closing session,
  • That noble sight, when really free the nation,
  • A king in constitutional possession
  • Of such a throne as is the proudest station,
  • Though despots know it not--till the progression
  • Of freedom shall complete their education.
  • 'T is not mere splendour makes the show august
  • To eye or heart--it is the people's trust.
  • There, too, he saw (whate'er he may be now)
  • A Prince, the prince of princes at the time,
  • With fascination in his very bow,
  • And full of promise, as the spring of prime.
  • Though royalty was written on his brow,
  • He had then the grace, too, rare in every clime,
  • Of being, without alloy of fop or beau,
  • A finish'd gentleman from top to toe.
  • And Juan was received, as hath been said,
  • Into the best society: and there
  • Occurr'd what often happens, I 'm afraid,
  • However disciplined and debonnaire:--
  • The talent and good humour he display'd,
  • Besides the mark'd distinction of his air,
  • Exposed him, as was natural, to temptation,
  • Even though himself avoided the occasion.
  • But what, and where, with whom, and when, and why,
  • Is not to be put hastily together;
  • And as my object is morality
  • (Whatever people say), I don't know whether
  • I 'll leave a single reader's eyelid dry,
  • But harrow up his feelings till they wither,
  • And hew out a huge monument of pathos,
  • As Philip's son proposed to do with Athos.
  • Here the twelfth Canto of our introduction
  • Ends. When the body of the book 's begun,
  • You 'll find it of a different construction
  • From what some people say 't will be when done:
  • The plan at present 's simply in concoction,
  • I can't oblige you, reader, to read on;
  • That 's your affair, not mine: a real spirit
  • Should neither court neglect, nor dread to bear it.
  • And if my thunderbolt not always rattles,
  • Remember, reader! you have had before
  • The worst of tempests and the best of battles
  • That e'er were brew'd from elements or gore,
  • Besides the most sublime of--Heaven knows what else:
  • An usurer could scarce expect much more--
  • But my best canto, save one on astronomy,
  • Will turn upon 'political economy.'
  • That is your present theme for popularity:
  • Now that the public hedge hath scarce a stake,
  • It grows an act of patriotic charity,
  • To show the people the best way to break.
  • My plan (but I, if but for singularity,
  • Reserve it) will be very sure to take.
  • Meantime, read all the national debt-sinkers,
  • And tell me what you think of your great thinkers.
  • [Illustration: Canto 13]
  • CANTO THE THIRTEENTH.
  • I now mean to be serious;--it is time,
  • Since laughter now-a-days is deem'd too serious.
  • A jest at Vice by Virtue 's call'd a crime,
  • And critically held as deleterious:
  • Besides, the sad 's a source of the sublime,
  • Although when long a little apt to weary us;
  • And therefore shall my lay soar high and solemn,
  • As an old temple dwindled to a column.
  • The Lady Adeline Amundeville
  • ('Tis an old Norman name, and to be found
  • In pedigrees, by those who wander still
  • Along the last fields of that Gothic ground)
  • Was high-born, wealthy by her father's will,
  • And beauteous, even where beauties most abound,
  • In Britain--which of course true patriots find
  • The goodliest soil of body and of mind.
  • I 'll not gainsay them; it is not my cue;
  • I 'll leave them to their taste, no doubt the best:
  • An eye 's an eye, and whether black or blue,
  • Is no great matter, so 't is in request,
  • 'T is nonsense to dispute about a hue--
  • The kindest may be taken as a test.
  • The fair sex should be always fair; and no man,
  • Till thirty, should perceive there 's a plain woman.
  • And after that serene and somewhat dull
  • Epoch, that awkward corner turn'd for days
  • More quiet, when our moon 's no more at full,
  • We may presume to criticise or praise;
  • Because indifference begins to lull
  • Our passions, and we walk in wisdom's ways;
  • Also because the figure and the face
  • Hint, that 't is time to give the younger place.
  • I know that some would fain postpone this era,
  • Reluctant as all placemen to resign
  • Their post; but theirs is merely a chimera,
  • For they have pass'd life's equinoctial line:
  • But then they have their claret and Madeira
  • To irrigate the dryness of decline;
  • And county meetings, and the parliament,
  • And debt, and what not, for their solace sent.
  • And is there not religion, and reform,
  • Peace, war, the taxes, and what 's call'd the 'Nation'?
  • The struggle to be pilots in a storm?
  • The landed and the monied speculation?
  • The joys of mutual hate to keep them warm,
  • Instead of love, that mere hallucination?
  • Now hatred is by far the longest pleasure;
  • Men love in haste, but they detest at leisure.
  • Rough Johnson, the great moralist, profess'd,
  • Right honestly, 'he liked an honest hater!'-
  • The only truth that yet has been confest
  • Within these latest thousand years or later.
  • Perhaps the fine old fellow spoke in jest:--
  • For my part, I am but a mere spectator,
  • And gaze where'er the palace or the hovel is,
  • Much in the mode of Goethe's Mephistopheles;
  • But neither love nor hate in much excess;
  • Though 't was not once so. If I sneer sometimes,
  • It is because I cannot well do less,
  • And now and then it also suits my rhymes.
  • I should be very willing to redress
  • Men's wrongs, and rather check than punish crimes,
  • Had not Cervantes, in that too true tale
  • Of Quixote, shown how all such efforts fail.
  • Of all tales 't is the saddest--and more sad,
  • Because it makes us smile: his hero 's right,
  • And still pursues the right;--to curb the bad
  • His only object, and 'gainst odds to fight
  • His guerdon: 't is his virtue makes him mad!
  • But his adventures form a sorry sight;
  • A sorrier still is the great moral taught
  • By that real epic unto all who have thought.
  • Redressing injury, revenging wrong,
  • To aid the damsel and destroy the caitiff;
  • Opposing singly the united strong,
  • From foreign yoke to free the helpless native:--
  • Alas! must noblest views, like an old song,
  • Be for mere fancy's sport a theme creative,
  • A jest, a riddle, Fame through thin and thick sought!
  • And Socrates himself but Wisdom's Quixote?
  • Cervantes smiled Spain's chivalry away;
  • A single laugh demolish'd the right arm
  • Of his own country;--seldom since that day
  • Has Spain had heroes. While Romance could charm,
  • The world gave ground before her bright array;
  • And therefore have his volumes done such harm,
  • That all their glory, as a composition,
  • Was dearly purchased by his land's perdition.
  • I 'm 'at my old lunes'--digression, and forget
  • The Lady Adeline Amundeville;
  • The fair most fatal Juan ever met,
  • Although she was not evil nor meant ill;
  • But Destiny and Passion spread the net
  • (Fate is a good excuse for our own will),
  • And caught them;--what do they not catch, methinks?
  • But I 'm not OEdipus, and life 's a Sphinx.
  • I tell the tale as it is told, nor dare
  • To venture a solution: 'Davus sum!'
  • And now I will proceed upon the pair.
  • Sweet Adeline, amidst the gay world's hum,
  • Was the Queen-Bee, the glass of all that 's fair;
  • Whose charms made all men speak, and women dumb.
  • The last 's a miracle, and such was reckon'd,
  • And since that time there has not been a second.
  • Chaste was she, to detraction's desperation,
  • And wedded unto one she had loved well--
  • A man known in the councils of the nation,
  • Cool, and quite English, imperturbable,
  • Though apt to act with fire upon occasion,
  • Proud of himself and her: the world could tell
  • Nought against either, and both seem'd secure--
  • She in her virtue, he in his hauteur.
  • It chanced some diplomatical relations,
  • Arising out of business, often brought
  • Himself and Juan in their mutual stations
  • Into close contact. Though reserved, nor caught
  • By specious seeming, Juan's youth, and patience,
  • And talent, on his haughty spirit wrought,
  • And form'd a basis of esteem, which ends
  • In making men what courtesy calls friends.
  • And thus Lord Henry, who was cautious as
  • Reserve and pride could make him, and full slow
  • In judging men--when once his judgment was
  • Determined, right or wrong, on friend or foe,
  • Had all the pertinacity pride has,
  • Which knows no ebb to its imperious flow,
  • And loves or hates, disdaining to be guided,
  • Because its own good pleasure hath decided.
  • His friendships, therefore, and no less aversions,
  • Though oft well founded, which confirm'd but more
  • His prepossessions, like the laws of Persians
  • And Medes, would ne'er revoke what went before.
  • His feelings had not those strange fits, like tertians,
  • Of common likings, which make some deplore
  • What they should laugh at--the mere ague still
  • Of men's regard, the fever or the chill.
  • ''T is not in mortals to command success:
  • But do you more, Sempronius--don't deserve it,'
  • And take my word, you won't have any less.
  • Be wary, watch the time, and always serve it;
  • Give gently way, when there 's too great a press;
  • And for your conscience, only learn to nerve it,
  • For, like a racer, or a boxer training,
  • 'T will make, if proved, vast efforts without paining.
  • Lord Henry also liked to be superior,
  • As most men do, the little or the great;
  • The very lowest find out an inferior,
  • At least they think so, to exert their state
  • Upon: for there are very few things wearier
  • Than solitary Pride's oppressive weight,
  • Which mortals generously would divide,
  • By bidding others carry while they ride.
  • In birth, in rank, in fortune likewise equal,
  • O'er Juan he could no distinction claim;
  • In years he had the advantage of time's sequel;
  • And, as he thought, in country much the same--
  • Because bold Britons have a tongue and free quill,
  • At which all modern nations vainly aim;
  • And the Lord Henry was a great debater,
  • So that few members kept the house up later.
  • These were advantages: and then he thought--
  • It was his foible, but by no means sinister--
  • That few or none more than himself had caught
  • Court mysteries, having been himself a minister:
  • He liked to teach that which he had been taught,
  • And greatly shone whenever there had been a stir;
  • And reconciled all qualities which grace man,
  • Always a patriot, and sometimes a placeman.
  • He liked the gentle Spaniard for his gravity;
  • He almost honour'd him for his docility;
  • Because, though young, he acquiesced with suavity,
  • Or contradicted but with proud humility.
  • He knew the world, and would not see depravity
  • In faults which sometimes show the soil's fertility,
  • If that the weeds o'erlive not the first crop--
  • For then they are very difficult to stop.
  • And then he talk'd with him about Madrid,
  • Constantinople, and such distant places;
  • Where people always did as they were bid,
  • Or did what they should not with foreign graces.
  • Of coursers also spake they: Henry rid
  • Well, like most Englishmen, and loved the races;
  • And Juan, like a true-born Andalusian,
  • Could back a horse, as despots ride a Russian.
  • And thus acquaintance grew, at noble routs,
  • And diplomatic dinners, or at other--
  • For Juan stood well both with Ins and Outs,
  • As in freemasonry a higher brother.
  • Upon his talent Henry had no doubts;
  • His manner show'd him sprung from a high mother;
  • And all men like to show their hospitality
  • To him whose breeding matches with his quality.
  • At Blank-Blank Square;--for we will break no squares
  • By naming streets: since men are so censorious,
  • And apt to sow an author's wheat with tares,
  • Reaping allusions private and inglorious,
  • Where none were dreamt of, unto love's affairs,
  • Which were, or are, or are to be notorious,
  • That therefore do I previously declare,
  • Lord Henry's mansion was in Blank-Blank Square.
  • Also there bin another pious reason
  • For making squares and streets anonymous;
  • Which is, that there is scarce a single season
  • Which doth not shake some very splendid house
  • With some slight heart-quake of domestic treason--
  • A topic scandal doth delight to rouse:
  • Such I might stumble over unawares,
  • Unless I knew the very chastest squares.
  • 'T is true, I might have chosen Piccadilly,
  • A place where peccadillos are unknown;
  • But I have motives, whether wise or silly,
  • For letting that pure sanctuary alone.
  • Therefore I name not square, street, place, until I
  • Find one where nothing naughty can be shown,
  • A vestal shrine of innocence of heart:
  • Such are—but I have lost the London Chart.
  • At Henry's mansion then, in Blank-Blank Square,
  • Was Juan a recherche, welcome guest,
  • As many other noble scions were;
  • And some who had but talent for their crest;
  • Or wealth, which is a passport every where;
  • Or even mere fashion, which indeed 's the best
  • Recommendation; and to be well drest
  • Will very often supersede the rest.
  • And since 'there 's safety in a multitude
  • Of counsellors,' as Solomon has said,
  • Or some one for him, in some sage, grave mood;--
  • Indeed we see the daily proof display'd
  • In senates, at the bar, in wordy feud,
  • Where'er collective wisdom can parade,
  • Which is the only cause that we can guess
  • Of Britain's present wealth and happiness;--
  • But as 'there 's safety' grafted in the number
  • 'Of counsellors' for men, thus for the sex
  • A large acquaintance lets not Virtue slumber;
  • Or should it shake, the choice will more perplex--
  • Variety itself will more encumber.
  • 'Midst many rocks we guard more against wrecks;
  • And thus with women: howsoe'er it shocks some's
  • Self-love, there 's safety in a crowd of coxcombs.
  • But Adeline had not the least occasion
  • For such a shield, which leaves but little merit
  • To virtue proper, or good education.
  • Her chief resource was in her own high spirit,
  • Which judged mankind at their due estimation;
  • And for coquetry, she disdain'd to wear it:
  • Secure of admiration, its impression
  • Was faint, as of an every-day possession.
  • To all she was polite without parade;
  • To some she show'd attention of that kind
  • Which flatters, but is flattery convey'd
  • In such a sort as cannot leave behind
  • A trace unworthy either wife or maid;--
  • A gentle, genial courtesy of mind,
  • To those who were, or pass'd for meritorious,
  • Just to console sad glory for being glorious;
  • Which is in all respects, save now and then,
  • A dull and desolate appendage. Gaze
  • Upon the shades of those distinguish'd men
  • Who were or are the puppet-shows of praise,
  • The praise of persecution; gaze again
  • On the most favour'd; and amidst the blaze
  • Of sunset halos o'er the laurel-brow'd,
  • What can ye recognise?--a gilded cloud.
  • There also was of course in Adeline
  • That calm patrician polish in the address,
  • Which ne'er can pass the equinoctial line
  • Of any thing which nature would express;
  • Just as a mandarin finds nothing fine,--
  • At least his manner suffers not to guess
  • That any thing he views can greatly please.
  • Perhaps we have borrow'd this from the Chinese--
  • Perhaps from Horace: his 'Nil admirari'
  • Was what he call'd the 'Art of Happiness;'
  • An art on which the artists greatly vary,
  • And have not yet attain'd to much success.
  • However, 't is expedient to be wary:
  • Indifference certes don't produce distress;
  • And rash enthusiasm in good society
  • Were nothing but a moral inebriety.
  • But Adeline was not indifferent: for
  • (Now for a common-place!) beneath the snow,
  • As a volcano holds the lava more
  • Within--et caetera. Shall I go on?--No!
  • I hate to hunt down a tired metaphor,
  • So let the often-used volcano go.
  • Poor thing! How frequently, by me and others,
  • It hath been stirr'd up till its smoke quite smothers!
  • I 'll have another figure in a trice:--
  • What say you to a bottle of champagne?
  • Frozen into a very vinous ice,
  • Which leaves few drops of that immortal rain,
  • Yet in the very centre, past all price,
  • About a liquid glassful will remain;
  • And this is stronger than the strongest grape
  • Could e'er express in its expanded shape:
  • 'T is the whole spirit brought to a quintessence;
  • And thus the chilliest aspects may concentre
  • A hidden nectar under a cold presence.
  • And such are many--though I only meant her
  • From whom I now deduce these moral lessons,
  • On which the Muse has always sought to enter.
  • And your cold people are beyond all price,
  • When once you have broken their confounded ice.
  • But after all they are a North-West Passage
  • Unto the glowing India of the soul;
  • And as the good ships sent upon that message
  • Have not exactly ascertain'd the Pole
  • (Though Parry's efforts look a lucky presage),
  • Thus gentlemen may run upon a shoal;
  • For if the Pole 's not open, but all frost
  • (A chance still), 't is a voyage or vessel lost.
  • And young beginners may as well commence
  • With quiet cruising o'er the ocean woman;
  • While those who are not beginners should have sense
  • Enough to make for port, ere time shall summon
  • With his grey signal-flag; and the past tense,
  • The dreary 'Fuimus' of all things human,
  • Must be declined, while life's thin thread 's spun out
  • Between the gaping heir and gnawing gout.
  • But heaven must be diverted; its diversion
  • Is sometimes truculent--but never mind:
  • The world upon the whole is worth the assertion
  • (If but for comfort) that all things are kind:
  • And that same devilish doctrine of the Persian,
  • Of the two principles, but leaves behind
  • As many doubts as any other doctrine
  • Has ever puzzled Faith withal, or yoked her in.
  • The English winter--ending in July,
  • To recommence in August--now was done.
  • 'T is the postilion's paradise: wheels fly;
  • On roads, east, south, north, west, there is a run.
  • But for post-horses who finds sympathy?
  • Man's pity 's for himself, or for his son,
  • Always premising that said son at college
  • Has not contracted much more debt than knowledge.
  • The London winter 's ended in July--
  • Sometimes a little later. I don't err
  • In this: whatever other blunders lie
  • Upon my shoulders, here I must aver
  • My Muse a glass of weatherology;
  • For parliament is our barometer:
  • Let radicals its other acts attack,
  • Its sessions form our only almanack.
  • When its quicksilver 's down at zero,--lo
  • Coach, chariot, luggage, baggage, equipage!
  • Wheels whirl from Carlton palace to Soho,
  • And happiest they who horses can engage;
  • The turnpikes glow with dust; and Rotten Row
  • Sleeps from the chivalry of this bright age;
  • And tradesmen, with long bills and longer faces,
  • Sigh--as the postboys fasten on the traces.
  • They and their bills, 'Arcadians both,' are left
  • To the Greek kalends of another session.
  • Alas! to them of ready cash bereft,
  • What hope remains? Of hope the full possession,
  • Or generous draft, conceded as a gift,
  • At a long date--till they can get a fresh one--
  • Hawk'd about at a discount, small or large;
  • Also the solace of an overcharge.
  • But these are trifles. Downward flies my lord,
  • Nodding beside my lady in his carriage.
  • Away! away! 'Fresh horses!' are the word,
  • And changed as quickly as hearts after marriage;
  • The obsequious landlord hath the change restored;
  • The postboys have no reason to disparage
  • Their fee; but ere the water'd wheels may hiss hence,
  • The ostler pleads too for a reminiscence.
  • 'T is granted; and the valet mounts the dickey--
  • That gentleman of lords and gentlemen;
  • Also my lady's gentlewoman, tricky,
  • Trick'd out, but modest more than poet's pen
  • Can paint,--'Cosi viaggino i Ricchi!'
  • (Excuse a foreign slipslop now and then,
  • If but to show I 've travell'd; and what 's travel,
  • Unless it teaches one to quote and cavil?)
  • The London winter and the country summer
  • Were well nigh over. 'T is perhaps a pity,
  • When nature wears the gown that doth become her,
  • To lose those best months in a sweaty city,
  • And wait until the nightingale grows dumber,
  • Listening debates not very wise or witty,
  • Ere patriots their true country can remember;--
  • But there 's no shooting (save grouse) till September.
  • I 've done with my tirade. The world was gone;
  • The twice two thousand, for whom earth was made,
  • Were vanish'd to be what they call alone--
  • That is, with thirty servants for parade,
  • As many guests, or more; before whom groan
  • As many covers, duly, daily, laid.
  • Let none accuse Old England's hospitality--
  • Its quantity is but condensed to quality.
  • Lord Henry and the Lady Adeline
  • Departed like the rest of their compeers,
  • The peerage, to a mansion very fine;
  • The Gothic Babel of a thousand years.
  • None than themselves could boast a longer line,
  • Where time through heroes and through beauties steers;
  • And oaks as olden as their pedigree
  • Told of their sires, a tomb in every tree.
  • A paragraph in every paper told
  • Of their departure: such is modern fame:
  • 'T is pity that it takes no farther hold
  • Than an advertisement, or much the same;
  • When, ere the ink be dry, the sound grows cold.
  • The Morning Post was foremost to proclaim--
  • 'Departure, for his country seat, to-day,
  • Lord H. Amundeville and Lady A.
  • 'We understand the splendid host intends
  • To entertain, this autumn, a select
  • And numerous party of his noble friends;
  • 'Midst whom we have heard, from sources quite correct,
  • With many more by rank and fashion deck'd;
  • Also a foreigner of high condition,
  • The envoy of the secret Russian mission.'
  • And thus we see--who doubts the Morning Post?
  • (Whose articles are like the 'Thirty-nine,'
  • Which those most swear to who believe them most)--
  • Our gay Russ Spaniard was ordain'd to shine,
  • Deck'd by the rays reflected from his host,
  • With those who, Pope says, 'greatly daring dine.'
  • 'T is odd, but true,--last war the News abounded
  • More with these dinners than the kill'd or wounded;--
  • As thus: 'On Thursday there was a grand dinner;
  • Present, Lords A. B. C.'--Earls, dukes, by name
  • Announced with no less pomp than victory's winner:
  • Then underneath, and in the very same
  • Column; date, 'Falmouth. There has lately been here
  • The Slap-dash regiment, so well known to fame,
  • Whose loss in the late action we regret:
  • The vacancies are fill'd up--see Gazette.'
  • To Norman Abbey whirl'd the noble pair,--
  • An old, old monastery once, and now
  • Still older mansion; of a rich and rare
  • Mix'd Gothic, such as artists all allow
  • Few specimens yet left us can compare
  • Withal: it lies perhaps a little low,
  • Because the monks preferr'd a hill behind,
  • To shelter their devotion from the wind.
  • It stood embosom'd in a happy valley,
  • Crown'd by high woodlands, where the Druid oak
  • Stood like Caractacus in act to rally
  • His host, with broad arms 'gainst the thunderstroke;
  • And from beneath his boughs were seen to sally
  • The dappled foresters--as day awoke,
  • The branching stag swept down with all his herd,
  • To quaff a brook which murmur'd like a bird.
  • Before the mansion lay a lucid lake,
  • Broad as transparent, deep, and freshly fed
  • By a river, which its soften'd way did take
  • In currents through the calmer water spread
  • Around: the wildfowl nestled in the brake
  • And sedges, brooding in their liquid bed:
  • The woods sloped downwards to its brink, and stood
  • With their green faces fix'd upon the flood.
  • Its outlet dash'd into a deep cascade,
  • Sparkling with foam, until again subsiding,
  • Its shriller echoes--like an infant made
  • Quiet--sank into softer ripples, gliding
  • Into a rivulet; and thus allay'd,
  • Pursued its course, now gleaming, and now hiding
  • Its windings through the woods; now clear, now blue,
  • According as the skies their shadows threw.
  • A glorious remnant of the Gothic pile
  • (While yet the church was Rome's) stood half apart
  • In a grand arch, which once screen'd many an aisle.
  • These last had disappear'd--a loss to art:
  • The first yet frown'd superbly o'er the soil,
  • And kindled feelings in the roughest heart,
  • Which mourn'd the power of time's or tempest's march,
  • In gazing on that venerable arch.
  • Within a niche, nigh to its pinnacle,
  • Twelve saints had once stood sanctified in stone;
  • But these had fallen, not when the friars fell,
  • But in the war which struck Charles from his throne,
  • When each house was a fortalice, as tell
  • The annals of full many a line undone,--
  • The gallant cavaliers, who fought in vain
  • For those who knew not to resign or reign.
  • But in a higher niche, alone, but crowned,
  • The Virgin Mother of the God-born Child,
  • With her Son in her blessed arms, look'd round,
  • Spared by some chance when all beside was spoil'd;
  • She made the earth below seem holy ground.
  • This may be superstition, weak or wild,
  • But even the faintest relics of a shrine
  • Of any worship wake some thoughts divine.
  • A mighty window, hollow in the centre,
  • Shorn of its glass of thousand colourings,
  • Through which the deepen'd glories once could enter,
  • Streaming from off the sun like seraph's wings,
  • Now yawns all desolate: now loud, now fainter,
  • The gale sweeps through its fretwork, and oft sings
  • The owl his anthem, where the silenced quire
  • Lie with their hallelujahs quench'd like fire.
  • But in the noontide of the moon, and when
  • The wind is winged from one point of heaven,
  • There moans a strange unearthly sound, which then
  • Is musical--a dying accent driven
  • Through the huge arch, which soars and sinks again.
  • Some deem it but the distant echo given
  • Back to the night wind by the waterfall,
  • And harmonised by the old choral wall:
  • Others, that some original shape, or form
  • Shaped by decay perchance, hath given the power
  • (Though less than that of Memnon's statue, warm
  • In Egypt's rays, to harp at a fix'd hour)
  • To this grey ruin, with a voice to charm.
  • Sad, but serene, it sweeps o'er tree or tower;
  • The cause I know not, nor can solve; but such
  • The fact:--I 've heard it--once perhaps too much.
  • Amidst the court a Gothic fountain play'd,
  • Symmetrical, but deck'd with carvings quaint--
  • Strange faces, like to men in masquerade,
  • And here perhaps a monster, there a saint:
  • The spring gush'd through grim mouths of granite made,
  • And sparkled into basins, where it spent
  • Its little torrent in a thousand bubbles,
  • Like man's vain glory, and his vainer troubles.
  • The mansion's self was vast and venerable,
  • With more of the monastic than has been
  • Elsewhere preserved: the cloisters still were stable,
  • The cells, too, and refectory, I ween:
  • An exquisite small chapel had been able,
  • Still unimpair'd, to decorate the scene;
  • The rest had been reform'd, replaced, or sunk,
  • And spoke more of the baron than the monk.
  • Huge halls, long galleries, spacious chambers, join'd
  • By no quite lawful marriage of the arts,
  • Might shock a connoisseur; but when combined,
  • Form'd a whole which, irregular in parts,
  • Yet left a grand impression on the mind,
  • At least of those whose eyes are in their hearts:
  • We gaze upon a giant for his stature,
  • Nor judge at first if all be true to nature.
  • Steel barons, molten the next generation
  • To silken rows of gay and garter'd earls,
  • Glanced from the walls in goodly preservation;
  • And Lady Marys blooming into girls,
  • With fair long locks, had also kept their station;
  • And countesses mature in robes and pearls:
  • Also some beauties of Sir Peter Lely,
  • Whose drapery hints we may admire them freely.
  • Judges in very formidable ermine
  • Were there, with brows that did not much invite
  • The accused to think their lordships would determine
  • His cause by leaning much from might to right:
  • Bishops, who had not left a single sermon:
  • Attorneys-general, awful to the sight,
  • As hinting more (unless our judgments warp us)
  • Of the 'Star Chamber' than of 'Habeas Corpus.'
  • Generals, some all in armour, of the old
  • And iron time, ere lead had ta'en the lead;
  • Others in wigs of Marlborough's martial fold,
  • Huger than twelve of our degenerate breed:
  • Lordlings, with staves of white or keys of gold:
  • Nimrods, whose canvass scarce contain'd the steed;
  • And here and there some stern high patriot stood,
  • Who could not get the place for which he sued.
  • But ever and anon, to soothe your vision,
  • Fatigued with these hereditary glories,
  • There rose a Carlo Dolce or a Titian,
  • Or wilder group of savage Salvatore's;
  • Here danced Albano's boys, and here the sea shone
  • In Vernet's ocean lights; and there the stories
  • Of martyrs awed, as Spagnoletto tainted
  • His brush with all the blood of all the sainted.
  • Here sweetly spread a landscape of Lorraine;
  • There Rembrandt made his darkness equal light,
  • Or gloomy Caravaggio's gloomier stain
  • Bronzed o'er some lean and stoic anchorite:--
  • But, lo! a Teniers woos, and not in vain,
  • Your eyes to revel in a livelier sight:
  • His bell-mouth'd goblet makes me feel quite Danish
  • Or Dutch with thirst--What, ho! a flask of Rhenish.
  • O reader! if that thou canst read,--and know,
  • 'T is not enough to spell, or even to read,
  • To constitute a reader; there must go
  • Virtues of which both you and I have need;--
  • Firstly, begin with the beginning (though
  • That clause is hard); and secondly, proceed;
  • Thirdly, commence not with the end--or, sinning
  • In this sort, end at least with the beginning.
  • But, reader, thou hast patient been of late,
  • While I, without remorse of rhyme, or fear,
  • Have built and laid out ground at such a rate,
  • Dan Phoebus takes me for an auctioneer.
  • That poets were so from their earliest date,
  • By Homer's 'Catalogue of ships' is clear;
  • But a mere modern must be moderate--
  • I spare you then the furniture and plate.
  • The mellow autumn came, and with it came
  • The promised party, to enjoy its sweets.
  • The corn is cut, the manor full of game;
  • The pointer ranges, and the sportsman beats
  • In russet jacket:--lynx-like is his aim;
  • Full grows his bag, and wonderful his feats.
  • Ah, nut-brown partridges! Ah, brilliant pheasants!
  • And ah, ye poachers!--'T is no sport for peasants.
  • An English autumn, though it hath no vines,
  • Blushing with Bacchant coronals along
  • The paths, o'er which the far festoon entwines
  • The red grape in the sunny lands of song,
  • Hath yet a purchased choice of choicest wines;
  • The claret light, and the Madeira strong.
  • If Britain mourn her bleakness, we can tell her,
  • The very best of vineyards is the cellar.
  • Then, if she hath not that serene decline
  • Which makes the southern autumn's day appear
  • As if 't would to a second spring resign
  • The season, rather than to winter drear,
  • Of in-door comforts still she hath a mine,--
  • The sea-coal fires the 'earliest of the year;'
  • Without doors, too, she may compete in mellow,
  • As what is lost in green is gain'd in yellow.
  • And for the effeminate villeggiatura--
  • Rife with more horns than hounds--she hath the chase,
  • So animated that it might allure
  • Saint from his beads to join the jocund race;
  • Even Nimrod's self might leave the plains of Dura,
  • And wear the Melton jacket for a space:
  • If she hath no wild boars, she hath a tame
  • Preserve of bores, who ought to be made game.
  • The noble guests, assembled at the Abbey,
  • Consisted of--we give the sex the pas--
  • The Duchess of Fitz-Fulke; the Countess Crabby;
  • The Ladies Scilly, Busey;--Miss Eclat,
  • Miss Bombazeen, Miss Mackstay, Miss O'Tabby,
  • And Mrs. Rabbi, the rich banker's squaw;
  • Also the honourable Mrs. Sleep,
  • Who look'd a white lamb, yet was a black sheep:
  • With other Countesses of Blank--but rank;
  • At once the 'lie' and the 'elite' of crowds;
  • Who pass like water filter'd in a tank,
  • All purged and pious from their native clouds;
  • Or paper turn'd to money by the Bank:
  • No matter how or why, the passport shrouds
  • The 'passee' and the past; for good society
  • Is no less famed for tolerance than piety,--
  • That is, up to a certain point; which point
  • Forms the most difficult in punctuation.
  • Appearances appear to form the joint
  • On which it hinges in a higher station;
  • And so that no explosion cry 'Aroint
  • Thee, witch!' or each Medea has her Jason;
  • Or (to the point with Horace and with Pulci)
  • 'Omne tulit punctum, quae miscuit utile dulci.'
  • I can't exactly trace their rule of right,
  • Which hath a little leaning to a lottery.
  • I 've seen a virtuous woman put down quite
  • By the mere combination of a coterie;
  • Also a so-so matron boldly fight
  • Her way back to the world by dint of plottery,
  • And shine the very Siria of the spheres,
  • Escaping with a few slight, scarless sneers.
  • I have seen more than I 'll say:--but we will see
  • How our villeggiatura will get on.
  • The party might consist of thirty-three
  • Of highest caste--the Brahmins of the ton.
  • I have named a few, not foremost in degree,
  • But ta'en at hazard as the rhyme may run.
  • By way of sprinkling, scatter'd amongst these,
  • There also were some Irish absentees.
  • There was Parolles, too, the legal bully,
  • Who limits all his battles to the bar
  • And senate: when invited elsewhere, truly,
  • He shows more appetite for words than war.
  • There was the young bard Rackrhyme, who had newly
  • Come out and glimmer'd as a six weeks' star.
  • There was Lord Pyrrho, too, the great freethinker;
  • And Sir John Pottledeep, the mighty drinker.
  • There was the Duke of Dash, who was a--duke,
  • 'Ay, every inch a' duke; there were twelve peers
  • Like Charlemagne's--and all such peers in look
  • And intellect, that neither eyes nor ears
  • For commoners had ever them mistook.
  • There were the six Miss Rawbolds--pretty dears!
  • All song and sentiment; whose hearts were set
  • Less on a convent than a coronet.
  • There were four Honourable Misters, whose
  • Honour was more before their names than after;
  • There was the preux Chevalier de la Ruse,
  • Whom France and Fortune lately deign'd to waft here,
  • Whose chiefly harmless talent was to amuse;
  • But the clubs found it rather serious laughter,
  • Because--such was his magic power to please--
  • The dice seem'd charm'd, too, with his repartees.
  • There was Dick Dubious, the metaphysician,
  • Who loved philosophy and a good dinner;
  • Angle, the soi-disant mathematician;
  • Sir Henry Silvercup, the great race-winner.
  • There was the Reverend Rodomont Precisian,
  • Who did not hate so much the sin as sinner;
  • And Lord Augustus Fitz-Plantagenet,
  • Good at all things, but better at a bet.
  • There was jack jargon, the gigantic guardsman;
  • And General Fireface, famous in the field,
  • A great tactician, and no less a swordsman,
  • Who ate, last war, more Yankees than he kill'd.
  • There was the waggish Welsh Judge, Jefferies Hardsman,
  • In his grave office so completely skill'd,
  • That when a culprit came far condemnation,
  • He had his judge's joke for consolation.
  • Good company 's a chess-board--there are kings,
  • Queens, bishops, knights, rooks, pawns; the world 's a game;
  • Save that the puppets pull at their own strings,
  • Methinks gay Punch hath something of the same.
  • My Muse, the butterfly hath but her wings,
  • Not stings, and flits through ether without aim,
  • Alighting rarely:--were she but a hornet,
  • Perhaps there might be vices which would mourn it.
  • I had forgotten--but must not forget--
  • An orator, the latest of the session,
  • Who had deliver'd well a very set
  • Smooth speech, his first and maidenly transgression
  • Upon debate: the papers echoed yet
  • With his debut, which made a strong impression,
  • And rank'd with what is every day display'd--
  • 'The best first speech that ever yet was made.'
  • Proud of his 'Hear hims!' proud, too, of his vote
  • And lost virginity of oratory,
  • Proud of his learning (just enough to quote),
  • He revell'd in his Ciceronian glory:
  • With memory excellent to get by rote,
  • With wit to hatch a pun or tell a story,
  • Graced with some merit, and with more effrontery,
  • 'His country's pride,' he came down to the country.
  • There also were two wits by acclamation,
  • Longbow from Ireland, Strongbow from the Tweed,
  • Both lawyers and both men of education;
  • But Strongbow's wit was of more polish'd breed:
  • Longbow was rich in an imagination
  • As beautiful and bounding as a steed,
  • But sometimes stumbling over a potato,--
  • While Strongbow's best things might have come from Cato.
  • Strongbow was like a new-tuned harpsichord;
  • But Longbow wild as an AEolian harp,
  • With which the winds of heaven can claim accord,
  • And make a music, whether flat or sharp.
  • Of Strongbow's talk you would not change a word:
  • At Longbow's phrases you might sometimes carp:
  • Both wits--one born so, and the other bred--
  • This by his heart, his rival by his head.
  • If all these seem a heterogeneous mas
  • To be assembled at a country seat,
  • Yet think, a specimen of every class
  • Is better than a humdrum tete-a-tete.
  • The days of Comedy are gone, alas!
  • When Congreve's fool could vie with Moliere's bete:
  • Society is smooth'd to that excess,
  • That manners hardly differ more than dress.
  • Our ridicules are kept in the back-ground--
  • Ridiculous enough, but also dull;
  • Professions, too, are no more to be found
  • Professional; and there is nought to cull
  • Of folly's fruit; for though your fools abound,
  • They're barren, and not worth the pains to pull.
  • Society is now one polish'd horde,
  • Form'd of two mighty tribes, the Bores and Bored.
  • But from being farmers, we turn gleaners, gleaning
  • The scanty but right-well thresh'd ears of truth;
  • And, gentle reader! when you gather meaning,
  • You may be Boaz, and I--modest Ruth.
  • Farther I 'd quote, but Scripture intervening
  • Forbids. Its great impression in my youth
  • Was made by Mrs. Adams, where she cries,
  • 'That Scriptures out of church are blasphemies.'
  • But what we can we glean in this vile age
  • Of chaff, although our gleanings be not grist.
  • I must not quite omit the talking sage,
  • Kit-Cat, the famous Conversationist,
  • Who, in his common-place book, had a page
  • Prepared each morn for evenings. 'List, oh, list!'-
  • 'Alas, poor ghost!'--What unexpected woes
  • Await those who have studied their bon-mots!
  • Firstly, they must allure the conversation
  • By many windings to their clever clinch;
  • And secondly, must let slip no occasion,
  • Nor bate (abate) their hearers of an inch,
  • But take an ell--and make a great sensation,
  • If possible; and thirdly, never flinch
  • When some smart talker puts them to the test,
  • But seize the last word, which no doubt 's the best.
  • Lord Henry and his lady were the hosts;
  • The party we have touch'd on were the guests:
  • Their table was a board to tempt even ghosts
  • To pass the Styx for more substantial feasts.
  • I will not dwell upon ragouts or roasts,
  • Albeit all human history attests
  • That happiness for man--the hungry sinner!-
  • Since Eve ate apples, much depends on dinner.
  • Witness the lands which 'flow'd with milk and honey,'
  • Held out unto the hungry Israelites;
  • To this we have added since, the love of money,
  • The only sort of pleasure which requites.
  • Youth fades, and leaves our days no longer sunny;
  • We tire of mistresses and parasites;
  • But oh, ambrosial cash! Ah! who would lose thee?
  • When we no more can use, or even abuse thee!
  • The gentlemen got up betimes to shoot,
  • Or hunt: the young, because they liked the sport--
  • The first thing boys like after play and fruit;
  • The middle-aged to make the day more short;
  • For ennui is a growth of English root,
  • Though nameless in our language:--we retort
  • The fact for words, and let the French translate
  • That awful yawn which sleep can not abate.
  • The elderly walk'd through the library,
  • And tumbled books, or criticised the pictures,
  • Or saunter'd through the gardens piteously,
  • And made upon the hot-house several strictures,
  • Or rode a nag which trotted not too high,
  • Or on the morning papers read their lectures,
  • Or on the watch their longing eyes would fix,
  • Longing at sixty for the hour of six.
  • But none were 'gene:' the great hour of union
  • Was rung by dinner's knell; till then all were
  • Masters of their own time--or in communion,
  • Or solitary, as they chose to bear
  • The hours, which how to pass is but to few known.
  • Each rose up at his own, and had to spare
  • What time he chose for dress, and broke his fast
  • When, where, and how he chose for that repast.
  • The ladies--some rouged, some a little pale--
  • Met the morn as they might. If fine, they rode,
  • Or walk'd; if foul, they read, or told a tale,
  • Sung, or rehearsed the last dance from abroad;
  • Discuss'd the fashion which might next prevail,
  • And settled bonnets by the newest code,
  • Or cramm'd twelve sheets into one little letter,
  • To make each correspondent a new debtor.
  • For some had absent lovers, all had friends.
  • The earth has nothing like a she epistle,
  • And hardly heaven--because it never ends.
  • I love the mystery of a female missal,
  • Which, like a creed, ne'er says all it intends,
  • But full of cunning as Ulysses' whistle,
  • When he allured poor Dolon:--you had better
  • Take care what you reply to such a letter.
  • Then there were billiards; cards, too, but no dice;--
  • Save in the clubs no man of honour plays;--
  • Boats when 't was water, skating when 't was ice,
  • And the hard frost destroy'd the scenting days:
  • And angling, too, that solitary vice,
  • Whatever Izaak Walton sings or says;
  • The quaint, old, cruel coxcomb, in his gullet
  • Should have a hook, and a small trout to pull it.
  • With evening came the banquet and the wine;
  • The conversazione; the duet,
  • Attuned by voices more or less divine
  • (My heart or head aches with the memory yet).
  • The four Miss Rawbolds in a glee would shine;
  • But the two youngest loved more to be set
  • Down to the harp--because to music's charms
  • They added graceful necks, white hands and arms.
  • Sometimes a dance (though rarely on field days,
  • For then the gentlemen were rather tired)
  • Display'd some sylph-like figures in its maze;
  • Then there was small-talk ready when required;
  • Flirtation--but decorous; the mere praise
  • Of charms that should or should not be admired.
  • The hunters fought their fox-hunt o'er again,
  • And then retreated soberly--at ten.
  • The politicians, in a nook apart,
  • Discuss'd the world, and settled all the spheres;
  • The wits watch'd every loophole for their art,
  • To introduce a bon-mot head and ears;
  • Small is the rest of those who would be smart,
  • A moment's good thing may have cost them years
  • Before they find an hour to introduce it;
  • And then, even then, some bore may make them lose it.
  • But all was gentle and aristocratic
  • In this our party; polish'd, smooth, and cold,
  • As Phidian forms cut out of marble Attic.
  • There now are no Squire Westerns as of old;
  • And our Sophias are not so emphatic,
  • But fair as then, or fairer to behold.
  • We have no accomplish'd blackguards, like Tom Jones,
  • But gentlemen in stays, as stiff as stones.
  • They separated at an early hour;
  • That is, ere midnight--which is London's noon:
  • But in the country ladies seek their bower
  • A little earlier than the waning moon.
  • Peace to the slumbers of each folded flower--
  • May the rose call back its true colour soon!
  • Good hours of fair cheeks are the fairest tinters,
  • And lower the price of rouge--at least some winters.
  • [Illustration: Canto 14]
  • CANTO THE FOURTEENTH.
  • If from great nature's or our own abyss
  • Of thought we could but snatch a certainty,
  • Perhaps mankind might find the path they miss--
  • But then 't would spoil much good philosophy.
  • One system eats another up, and this
  • Much as old Saturn ate his progeny;
  • For when his pious consort gave him stones
  • In lieu of sons, of these he made no bones.
  • But System doth reverse the Titan's breakfast,
  • And eats her parents, albeit the digestion
  • Is difficult. Pray tell me, can you make fast,
  • After due search, your faith to any question?
  • Look back o'er ages, ere unto the stake fast
  • You bind yourself, and call some mode the best one.
  • Nothing more true than not to trust your senses;
  • And yet what are your other evidences?
  • For me, I know nought; nothing I deny,
  • Admit, reject, contemn; and what know you,
  • Except perhaps that you were born to die?
  • And both may after all turn out untrue.
  • An age may come, Font of Eternity,
  • When nothing shall be either old or new.
  • Death, so call'd, is a thing which makes men weep,
  • And yet a third of life is pass'd in sleep.
  • A sleep without dreams, after a rough day
  • Of toil, is what we covet most; and yet
  • How clay shrinks back from more quiescent clay!
  • The very Suicide that pays his debt
  • At once without instalments (an old way
  • Of paying debts, which creditors regret)
  • Lets out impatiently his rushing breath,
  • Less from disgust of life than dread of death.
  • 'T is round him, near him, here, there, every where;
  • And there 's a courage which grows out of fear,
  • Perhaps of all most desperate, which will dare
  • The worst to know it:--when the mountains rear
  • Their peaks beneath your human foot, and there
  • You look down o'er the precipice, and drear
  • The gulf of rock yawns,--you can't gaze a minute
  • Without an awful wish to plunge within it.
  • 'T is true, you don't--but, pale and struck with terror,
  • Retire: but look into your past impression!
  • And you will find, though shuddering at the mirror
  • Of your own thoughts, in all their self-confession,
  • The lurking bias, be it truth or error,
  • To the unknown; a secret prepossession,
  • To plunge with all your fears--but where? You know not,
  • And that's the reason why you do--or do not.
  • But what 's this to the purpose? you will say.
  • Gent. reader, nothing; a mere speculation,
  • For which my sole excuse is--'t is my way;
  • Sometimes with and sometimes without occasion
  • I write what 's uppermost, without delay:
  • This narrative is not meant for narration,
  • But a mere airy and fantastic basis,
  • To build up common things with common places.
  • You know, or don't know, that great Bacon saith,
  • 'Fling up a straw, 't will show the way the wind blows;'
  • And such a straw, borne on by human breath,
  • Is poesy, according as the mind glows;
  • A paper kite which flies 'twixt life and death,
  • A shadow which the onward soul behind throws:
  • And mine 's a bubble, not blown up for praise,
  • But just to play with, as an infant plays.
  • The world is all before me--or behind;
  • For I have seen a portion of that same,
  • And quite enough for me to keep in mind;--
  • Of passions, too, I have proved enough to blame,
  • To the great pleasure of our friends, mankind,
  • Who like to mix some slight alloy with fame;
  • For I was rather famous in my time,
  • Until I fairly knock'd it up with rhyme.
  • I have brought this world about my ears, and eke
  • The other; that 's to say, the clergy, who
  • Upon my head have bid their thunders break
  • In pious libels by no means a few.
  • And yet I can't help scribbling once a week,
  • Tiring old readers, nor discovering new.
  • In youth I wrote because my mind was full,
  • And now because I feel it growing dull.
  • But 'why then publish?'--There are no rewards
  • Of fame or profit when the world grows weary.
  • I ask in turn,--Why do you play at cards?
  • Why drink? Why read?--To make some hour less dreary.
  • It occupies me to turn back regards
  • On what I 've seen or ponder'd, sad or cheery;
  • And what I write I cast upon the stream,
  • To swim or sink--I have had at least my dream.
  • I think that were I certain of success,
  • I hardly could compose another line:
  • So long I 've battled either more or less,
  • That no defeat can drive me from the Nine.
  • This feeling 't is not easy to express,
  • And yet 't is not affected, I opine.
  • In play, there are two pleasures for your choosing--
  • The one is winning, and the other losing.
  • Besides, my Muse by no means deals in fiction:
  • She gathers a repertory of facts,
  • Of course with some reserve and slight restriction,
  • But mostly sings of human things and acts--
  • And that 's one cause she meets with contradiction;
  • For too much truth, at first sight, ne'er attracts;
  • And were her object only what 's call'd glory,
  • With more ease too she 'd tell a different story.
  • Love, war, a tempest--surely there 's variety;
  • Also a seasoning slight of lucubration;
  • A bird's-eye view, too, of that wild, Society;
  • A slight glance thrown on men of every station.
  • If you have nought else, here 's at least satiety
  • Both in performance and in preparation;
  • And though these lines should only line portmanteaus,
  • Trade will be all the better for these Cantos.
  • The portion of this world which I at present
  • Have taken up to fill the following sermon,
  • Is one of which there 's no description recent.
  • The reason why is easy to determine:
  • Although it seems both prominent and pleasant,
  • There is a sameness in its gems and ermine,
  • A dull and family likeness through all ages,
  • Of no great promise for poetic pages.
  • With much to excite, there 's little to exalt;
  • Nothing that speaks to all men and all times;
  • A sort of varnish over every fault;
  • A kind of common-place, even in their crimes;
  • Factitious passions, wit without much salt,
  • A want of that true nature which sublimes
  • Whate'er it shows with truth; a smooth monotony
  • Of character, in those at least who have got any.
  • Sometimes, indeed, like soldiers off parade,
  • They break their ranks and gladly leave the drill;
  • But then the roll-call draws them back afraid,
  • And they must be or seem what they were: still
  • Doubtless it is a brilliant masquerade;
  • But when of the first sight you have had your fill,
  • It palls--at least it did so upon me,
  • This paradise of pleasure and ennui.
  • When we have made our love, and gamed our gaming,
  • Drest, voted, shone, and, may be, something more;
  • With dandies dined; heard senators declaiming;
  • Seen beauties brought to market by the score,
  • Sad rakes to sadder husbands chastely taming;
  • There 's little left but to be bored or bore.
  • Witness those 'ci-devant jeunes hommes' who stem
  • The stream, nor leave the world which leaveth them.
  • 'T is said--indeed a general complaint--
  • That no one has succeeded in describing
  • The monde, exactly as they ought to paint:
  • Some say, that authors only snatch, by bribing
  • The porter, some slight scandals strange and quaint,
  • To furnish matter for their moral gibing;
  • And that their books have but one style in common--
  • My lady's prattle, filter'd through her woman.
  • But this can't well be true, just now; for writers
  • Are grown of the beau monde a part potential:
  • I 've seen them balance even the scale with fighters,
  • Especially when young, for that 's essential.
  • Why do their sketches fail them as inditers
  • Of what they deem themselves most consequential,
  • The real portrait of the highest tribe?
  • 'T is that, in fact, there 's little to describe.
  • 'Haud ignara loquor;' these are Nugae, 'quarum
  • Pars parva fui,' but still art and part.
  • Now I could much more easily sketch a harem,
  • A battle, wreck, or history of the heart,
  • Than these things; and besides, I wish to spare 'em,
  • For reasons which I choose to keep apart.
  • 'Vetabo Cereris sacrum qui vulgarit--'
  • Which means that vulgar people must not share it.
  • And therefore what I throw off is ideal--
  • Lower'd, leaven'd, like a history of freemasons;
  • Which bears the same relation to the real,
  • As Captain Parry's voyage may do to Jason's.
  • The grand arcanum 's not for men to see all;
  • My music has some mystic diapasons;
  • And there is much which could not be appreciated
  • In any manner by the uninitiated.
  • Alas! worlds fall--and woman, since she fell'd
  • The world (as, since that history less polite
  • Than true, hath been a creed so strictly held)
  • Has not yet given up the practice quite.
  • Poor thing of usages! coerced, compell'd,
  • Victim when wrong, and martyr oft when right,
  • Condemn'd to child-bed, as men for their sins
  • Have shaving too entail'd upon their chins,--
  • A daily plague, which in the aggregate
  • May average on the whole with parturition.
  • But as to women, who can penetrate
  • The real sufferings of their she condition?
  • Man's very sympathy with their estate
  • Has much of selfishness, and more suspicion.
  • Their love, their virtue, beauty, education,
  • But form good housekeepers, to breed a nation.
  • All this were very well, and can't be better;
  • But even this is difficult, Heaven knows,
  • So many troubles from her birth beset her,
  • Such small distinction between friends and foes,
  • The gilding wears so soon from off her fetter,
  • That--but ask any woman if she'd choose
  • (Take her at thirty, that is) to have been
  • Female or male? a schoolboy or a queen?
  • 'Petticoat influence' is a great reproach,
  • Which even those who obey would fain be thought
  • To fly from, as from hungry pikes a roach;
  • But since beneath it upon earth we are brought,
  • By various joltings of life's hackney coach,
  • I for one venerate a petticoat--
  • A garment of a mystical sublimity,
  • No matter whether russet, silk, or dimity.
  • Much I respect, and much I have adored,
  • In my young days, that chaste and goodly veil,
  • Which holds a treasure, like a miser's hoard,
  • And more attracts by all it doth conceal--
  • A golden scabbard on a Damasque sword,
  • A loving letter with a mystic seal,
  • A cure for grief--for what can ever rankle
  • Before a petticoat and peeping ankle?
  • And when upon a silent, sullen day,
  • With a sirocco, for example, blowing,
  • When even the sea looks dim with all its spray,
  • And sulkily the river's ripple 's flowing,
  • And the sky shows that very ancient gray,
  • The sober, sad antithesis to glowing,--
  • 'T is pleasant, if then any thing is pleasant,
  • To catch a glimpse even of a pretty peasant.
  • We left our heroes and our heroines
  • In that fair clime which don't depend on climate,
  • Quite independent of the Zodiac's signs,
  • Though certainly more difficult to rhyme at,
  • Because the sun, and stars, and aught that shines,
  • Mountains, and all we can be most sublime at,
  • Are there oft dull and dreary as a dun--
  • Whether a sky's or tradesman's is all one.
  • An in-door life is less poetical;
  • And out of door hath showers, and mists, and sleet,
  • With which I could not brew a pastoral.
  • But be it as it may, a bard must meet
  • All difficulties, whether great or small,
  • To spoil his undertaking or complete,
  • And work away like spirit upon matter,
  • Embarrass'd somewhat both with fire and water.
  • Juan--in this respect, at least, like saints--
  • Was all things unto people of all sorts,
  • And lived contentedly, without complaints,
  • In camps, in ships, in cottages, or courts--
  • Born with that happy soul which seldom faints,
  • And mingling modestly in toils or sports.
  • He likewise could be most things to all women,
  • Without the coxcombry of certain she men.
  • A fox-hunt to a foreigner is strange;
  • 'T is also subject to the double danger
  • Of tumbling first, and having in exchange
  • Some pleasant jesting at the awkward stranger:
  • But Juan had been early taught to range
  • The wilds, as doth an Arab turn'd avenger,
  • So that his horse, or charger, hunter, hack,
  • Knew that he had a rider on his back.
  • And now in this new field, with some applause,
  • He clear'd hedge, ditch, and double post, and rail,
  • And never craned, and made but few 'faux pas,'
  • And only fretted when the scent 'gan fail.
  • He broke, 't is true, some statutes of the laws
  • Of hunting--for the sagest youth is frail;
  • Rode o'er the hounds, it may be, now and then,
  • And once o'er several country gentlemen.
  • But on the whole, to general admiration
  • He acquitted both himself and horse: the squires
  • Marvell'd at merit of another nation;
  • The boors cried 'Dang it? who 'd have thought it?'--Sires,
  • The Nestors of the sporting generation,
  • Swore praises, and recall'd their former fires;
  • The huntsman's self relented to a grin,
  • And rated him almost a whipper-in.
  • Such were his trophies--not of spear and shield,
  • But leaps, and bursts, and sometimes foxes' brushes;
  • Yet I must own,--although in this I yield
  • To patriot sympathy a Briton's blushes,--
  • He thought at heart like courtly Chesterfield,
  • Who, after a long chase o'er hills, dales, bushes,
  • And what not, though he rode beyond all price,
  • Ask'd next day, 'If men ever hunted twice?'
  • He also had a quality uncommon
  • To early risers after a long chase,
  • Who wake in winter ere the cock can summon
  • December's drowsy day to his dull race,--
  • A quality agreeable to woman,
  • When her soft, liquid words run on apace,
  • Who likes a listener, whether saint or sinner,--
  • He did not fall asleep just after dinner;
  • But, light and airy, stood on the alert,
  • And shone in the best part of dialogue,
  • By humouring always what they might assert,
  • And listening to the topics most in vogue;
  • Now grave, now gay, but never dull or pert;
  • And smiling but in secret--cunning rogue!
  • He ne'er presumed to make an error clearer;--
  • In short, there never was a better hearer.
  • And then he danced;--all foreigners excel
  • The serious Angles in the eloquence
  • Of pantomime;--he danced, I say, right well,
  • With emphasis, and also with good sense--
  • A thing in footing indispensable;
  • He danced without theatrical pretence,
  • Not like a ballet-master in the van
  • Of his drill'd nymphs, but like a gentleman.
  • Chaste were his steps, each kept within due bound,
  • And elegance was sprinkled o'er his figure;
  • Like swift Camilla, he scarce skimm'd the ground,
  • And rather held in than put forth his vigour;
  • And then he had an ear for music's sound,
  • Which might defy a crotchet critic's rigour.
  • Such classic pas--sans flaws--set off our hero,
  • He glanced like a personified Bolero;
  • Or, like a flying Hour before Aurora,
  • In Guido's famous fresco which alone
  • Is worth a tour to Rome, although no more a
  • Remnant were there of the old world's sole throne.
  • The 'tout ensemble' of his movements wore a
  • Grace of the soft ideal, seldom shown,
  • And ne'er to be described; for to the dolour
  • Of bards and prosers, words are void of colour.
  • No marvel then he was a favourite;
  • A full-grown Cupid, very much admired;
  • A little spoilt, but by no means so quite;
  • At least he kept his vanity retired.
  • Such was his tact, he could alike delight
  • The chaste, and those who are not so much inspired.
  • The Duchess of Fitz-Fulke, who loved 'tracasserie,'
  • Began to treat him with some small 'agacerie.'
  • She was a fine and somewhat full-blown blonde,
  • Desirable, distinguish'd, celebrated
  • For several winters in the grand, grand monde.
  • I 'd rather not say what might be related
  • Of her exploits, for this were ticklish ground;
  • Besides there might be falsehood in what 's stated:
  • Her late performance had been a dead set
  • At Lord Augustus Fitz-Plantagenet.
  • This noble personage began to look
  • A little black upon this new flirtation;
  • But such small licences must lovers brook,
  • Mere freedoms of the female corporation.
  • Woe to the man who ventures a rebuke!
  • 'T will but precipitate a situation
  • Extremely disagreeable, but common
  • To calculators when they count on woman.
  • The circle smiled, then whisper'd, and then sneer'd;
  • The Misses bridled, and the matrons frown'd;
  • Some hoped things might not turn out as they fear'd;
  • Some would not deem such women could be found;
  • Some ne'er believed one half of what they heard;
  • Some look'd perplex'd, and others look'd profound;
  • And several pitied with sincere regret
  • Poor Lord Augustus Fitz-Plantagenet.
  • But what is odd, none ever named the duke,
  • Who, one might think, was something in the affair;
  • True, he was absent, and, 't was rumour'd, took
  • But small concern about the when, or where,
  • Or what his consort did: if he could brook
  • Her gaieties, none had a right to stare:
  • Theirs was that best of unions, past all doubt,
  • Which never meets, and therefore can't fall out.
  • But, oh! that I should ever pen so sad a line!
  • Fired with an abstract love of virtue, she,
  • My Dian of the Ephesians, Lady Adeline,
  • Began to think the duchess' conduct free;
  • Regretting much that she had chosen so bad a line,
  • And waxing chiller in her courtesy,
  • Look'd grave and pale to see her friend's fragility,
  • For which most friends reserve their sensibility.
  • There 's nought in this bad world like sympathy:
  • 'T is so becoming to the soul and face,
  • Sets to soft music the harmonious sigh,
  • And robes sweet friendship in a Brussels lace.
  • Without a friend, what were humanity,
  • To hunt our errors up with a good grace?
  • Consoling us with--'Would you had thought twice!
  • Ah, if you had but follow'd my advice!'
  • O job! you had two friends: one 's quite enough,
  • Especially when we are ill at ease;
  • They are but bad pilots when the weather 's rough,
  • Doctors less famous for their cures than fees.
  • Let no man grumble when his friends fall off,
  • As they will do like leaves at the first breeze:
  • When your affairs come round, one way or t' other,
  • Go to the coffee-house, and take another.
  • But this is not my maxim: had it been,
  • Some heart-aches had been spared me: yet I care not--
  • I would not be a tortoise in his screen
  • Of stubborn shell, which waves and weather wear not.
  • 'T is better on the whole to have felt and seen
  • That which humanity may bear, or bear not:
  • 'T will teach discernment to the sensitive,
  • And not to pour their ocean in a sieve.
  • Of all the horrid, hideous notes of woe,
  • Sadder than owl-songs or the midnight blast,
  • Is that portentous phrase, 'I told you so,'
  • Utter'd by friends, those prophets of the past,
  • Who, 'stead of saying what you now should do,
  • Own they foresaw that you would fall at last,
  • And solace your slight lapse 'gainst 'bonos mores,'
  • With a long memorandum of old stories.
  • The Lady Adeline's serene severity
  • Was not confined to feeling for her friend,
  • Whose fame she rather doubted with posterity,
  • Unless her habits should begin to mend:
  • But Juan also shared in her austerity,
  • But mix'd with pity, pure as e'er was penn'd:
  • His inexperience moved her gentle ruth,
  • And (as her junior by six weeks) his youth.
  • These forty days' advantage of her years--
  • And hers were those which can face calculation,
  • Boldly referring to the list of peers
  • And noble births, nor dread the enumeration--
  • Gave her a right to have maternal fears
  • For a young gentleman's fit education,
  • Though she was far from that leap year, whose leap,
  • In female dates, strikes Time all of a heap.
  • This may be fix'd at somewhere before thirty--
  • Say seven-and-twenty; for I never knew
  • The strictest in chronology and virtue
  • Advance beyond, while they could pass for new.
  • O Time! why dost not pause? Thy scythe, so dirty
  • With rust, should surely cease to hack and hew.
  • Reset it; shave more smoothly, also slower,
  • If but to keep thy credit as a mower.
  • But Adeline was far from that ripe age,
  • Whose ripeness is but bitter at the best:
  • 'T was rather her experience made her sage,
  • For she had seen the world and stood its test,
  • As I have said in--I forget what page;
  • My Muse despises reference, as you have guess'd
  • By this time;--but strike six from seven-and-twenty,
  • And you will find her sum of years in plenty.
  • At sixteen she came out; presented, vaunted,
  • She put all coronets into commotion:
  • At seventeen, too, the world was still enchanted
  • With the new Venus of their brilliant ocean:
  • At eighteen, though below her feet still panted
  • A hecatomb of suitors with devotion,
  • She had consented to create again
  • That Adam, call'd 'The happiest of men.'
  • Since then she had sparkled through three glowing winters,
  • Admired, adored; but also so correct,
  • That she had puzzled all the acutest hinters,
  • Without the apparel of being circumspect:
  • They could not even glean the slightest splinters
  • From off the marble, which had no defect.
  • She had also snatch'd a moment since her marriage
  • To bear a son and heir--and one miscarriage.
  • Fondly the wheeling fire-flies flew around her,
  • Those little glitterers of the London night;
  • But none of these possess'd a sting to wound her--
  • She was a pitch beyond a coxcomb's flight.
  • Perhaps she wish'd an aspirant profounder;
  • But whatsoe'er she wish'd, she acted right;
  • And whether coldness, pride, or virtue dignify
  • A woman, so she 's good, what does it signify?
  • I hate a motive, like a lingering bottle
  • Which with the landlord makes too long a stand,
  • Leaving all-claretless the unmoisten'd throttle,
  • Especially with politics on hand;
  • I hate it, as I hate a drove of cattle,
  • Who whirl the dust as simooms whirl the sand;
  • I hate it, as I hate an argument,
  • A laureate's ode, or servile peer's 'content.'
  • 'T is sad to hack into the roots of things,
  • They are so much intertwisted with the earth;
  • So that the branch a goodly verdure flings,
  • I reck not if an acorn gave it birth.
  • To trace all actions to their secret springs
  • Would make indeed some melancholy mirth;
  • But this is not at present my concern,
  • And I refer you to wise Oxenstiern.
  • With the kind view of saving an eclat,
  • Both to the duchess and diplomatist,
  • The Lady Adeline, as soon 's she saw
  • That Juan was unlikely to resist
  • (For foreigners don't know that a faux pas
  • In England ranks quite on a different list
  • From those of other lands unblest with juries,
  • Whose verdict for such sin a certain cure is);--
  • The Lady Adeline resolved to take
  • Such measures as she thought might best impede
  • The farther progress of this sad mistake.
  • She thought with some simplicity indeed;
  • But innocence is bold even at the stake,
  • And simple in the world, and doth not need
  • Nor use those palisades by dames erected,
  • Whose virtue lies in never being detected.
  • It was not that she fear'd the very worst:
  • His Grace was an enduring, married man,
  • And was not likely all at once to burst
  • Into a scene, and swell the clients' clan
  • Of Doctors' Commons: but she dreaded first
  • The magic of her Grace's talisman,
  • And next a quarrel (as he seem'd to fret)
  • With Lord Augustus Fitz-Plantagenet.
  • Her Grace, too, pass'd for being an intrigante,
  • And somewhat mechante in her amorous sphere;
  • One of those pretty, precious plagues, which haunt
  • A lover with caprices soft and dear,
  • That like to make a quarrel, when they can't
  • Find one, each day of the delightful year;
  • Bewitching, torturing, as they freeze or glow,
  • And--what is worst of all--won't let you go:
  • The sort of thing to turn a young man's head,
  • Or make a Werter of him in the end.
  • No wonder then a purer soul should dread
  • This sort of chaste liaison for a friend;
  • It were much better to be wed or dead,
  • Than wear a heart a woman loves to rend.
  • 'T is best to pause, and think, ere you rush on,
  • If that a 'bonne fortune' be really 'bonne.'
  • And first, in the o'erflowing of her heart,
  • Which really knew or thought it knew no guile,
  • She call'd her husband now and then apart,
  • And bade him counsel Juan. With a smile
  • Lord Henry heard her plans of artless art
  • To wean Don Juan from the siren's wile;
  • And answer'd, like a statesman or a prophet,
  • In such guise that she could make nothing of it.
  • Firstly, he said, 'he never interfered
  • In any body's business but the king's:'
  • Next, that 'he never judged from what appear'd,
  • Without strong reason, of those sort of things:'
  • Thirdly, that 'Juan had more brain than beard,
  • And was not to be held in leading strings;'
  • And fourthly, what need hardly be said twice,
  • 'That good but rarely came from good advice.'
  • And, therefore, doubtless to approve the truth
  • Of the last axiom, he advised his spouse
  • To leave the parties to themselves, forsooth--
  • At least as far as bienseance allows:
  • That time would temper Juan's faults of youth;
  • That young men rarely made monastic vows;
  • That opposition only more attaches--
  • But here a messenger brought in despatches:
  • And being of the council call'd 'the Privy,'
  • Lord Henry walk'd into his cabinet,
  • To furnish matter for some future Livy
  • To tell how he reduced the nation's debt;
  • And if their full contents I do not give ye,
  • It is because I do not know them yet;
  • But I shall add them in a brief appendix,
  • To come between mine epic and its index.
  • But ere he went, he added a slight hint,
  • Another gentle common-place or two,
  • Such as are coin'd in conversation's mint,
  • And pass, for want of better, though not new:
  • Then broke his packet, to see what was in 't,
  • And having casually glanced it through,
  • Retired; and, as went out, calmly kiss'd her,
  • Less like a young wife than an aged sister.
  • He was a cold, good, honourable man,
  • Proud of his birth, and proud of every thing;
  • A goodly spirit for a state divan,
  • A figure fit to walk before a king;
  • Tall, stately, form'd to lead the courtly van
  • On birthdays, glorious with a star and string;
  • The very model of a chamberlain--
  • And such I mean to make him when I reign.
  • But there was something wanting on the whole--
  • I don't know what, and therefore cannot tell--
  • Which pretty women--the sweet souls!--call soul.
  • Certes it was not body; he was well
  • Proportion'd, as a poplar or a pole,
  • A handsome man, that human miracle;
  • And in each circumstance of love or war
  • Had still preserved his perpendicular.
  • Still there was something wanting, as I 've said--
  • That undefinable 'Je ne scais quoi,'
  • Which, for what I know, may of yore have led
  • To Homer's Iliad, since it drew to Troy
  • The Greek Eve, Helen, from the Spartan's bed;
  • Though on the whole, no doubt, the Dardan boy
  • Was much inferior to King Menelaus:--
  • But thus it is some women will betray us.
  • There is an awkward thing which much perplexes,
  • Unless like wise Tiresias we had proved
  • By turns the difference of the several sexes;
  • Neither can show quite how they would be loved.
  • The sensual for a short time but connects us,
  • The sentimental boasts to be unmoved;
  • But both together form a kind of centaur,
  • Upon whose back 't is better not to venture.
  • A something all-sufficient for the heart
  • Is that for which the sex are always seeking:
  • But how to fill up that same vacant part?
  • There lies the rub--and this they are but weak in.
  • Frail mariners afloat without a chart,
  • They run before the wind through high seas breaking;
  • And when they have made the shore through every shock,
  • 'T is odd, or odds, it may turn out a rock.
  • There is a flower call'd 'Love in Idleness,'
  • For which see Shakspeare's everblooming garden;--
  • I will not make his great description less,
  • And beg his British godship's humble pardon,
  • If in my extremity of rhyme's distress,
  • I touch a single leaf where he is warden;--
  • But though the flower is different, with the French
  • Or Swiss Rousseau, cry 'Voila la Pervenche!'
  • Eureka! I have found it! What I mean
  • To say is, not that love is idleness,
  • But that in love such idleness has been
  • An accessory, as I have cause to guess.
  • Hard labour's an indifferent go-between;
  • Your men of business are not apt to express
  • Much passion, since the merchant-ship, the Argo,
  • Convey'd Medea as her supercargo.
  • 'Beatus ille procul!' from 'negotiis,'
  • Saith Horace; the great little poet 's wrong;
  • His other maxim, 'Noscitur a sociis,'
  • Is much more to the purpose of his song;
  • Though even that were sometimes too ferocious,
  • Unless good company be kept too long;
  • But, in his teeth, whate'er their state or station,
  • Thrice happy they who have an occupation!
  • Adam exchanged his Paradise for ploughing,
  • Eve made up millinery with fig leaves--
  • The earliest knowledge from the tree so knowing,
  • As far as I know, that the church receives:
  • And since that time it need not cost much showing,
  • That many of the ills o'er which man grieves,
  • And still more women, spring from not employing
  • Some hours to make the remnant worth enjoying.
  • And hence high life is oft a dreary void,
  • A rack of pleasures, where we must invent
  • A something wherewithal to be annoy'd.
  • Bards may sing what they please about Content;
  • Contented, when translated, means but cloy'd;
  • And hence arise the woes of sentiment,
  • Blue devils, and blue-stockings, and romances
  • Reduced to practice, and perform'd like dances.
  • I do declare, upon an affidavit,
  • Romances I ne'er read like those I have seen;
  • Nor, if unto the world I ever gave it,
  • Would some believe that such a tale had been:
  • But such intent I never had, nor have it;
  • Some truths are better kept behind a screen,
  • Especially when they would look like lies;
  • I therefore deal in generalities.
  • 'An oyster may be cross'd in love,'--and why?
  • Because he mopeth idly in his shell,
  • And heaves a lonely subterraqueous sigh,
  • Much as a monk may do within his cell:
  • And a-propos of monks, their piety
  • With sloth hath found it difficult to dwell;
  • Those vegetables of the Catholic creed
  • Are apt exceedingly to run to seed.
  • O Wilberforce! thou man of black renown,
  • Whose merit none enough can sing or say,
  • Thou hast struck one immense Colossus down,
  • Thou moral Washington of Africa!
  • But there 's another little thing, I own,
  • Which you should perpetrate some summer's day,
  • And set the other halt of earth to rights;
  • You have freed the blacks--now pray shut up the whites.
  • Shut up the bald-coot bully Alexander!
  • Ship off the Holy Three to Senegal;
  • Teach them that 'sauce for goose is sauce for gander,'
  • And ask them how they like to be in thrall?
  • Shut up each high heroic salamander,
  • Who eats fire gratis (since the pay 's but small);
  • Shut up--no, not the King, but the Pavilion,
  • Or else 't will cost us all another million.
  • Shut up the world at large, let Bedlam out;
  • And you will be perhaps surprised to find
  • All things pursue exactly the same route,
  • As now with those of soi-disant sound mind.
  • This I could prove beyond a single doubt,
  • Were there a jot of sense among mankind;
  • But till that point d'appui is found, alas!
  • Like Archimedes, I leave earth as 't was.
  • Our gentle Adeline had one defect--
  • Her heart was vacant, though a splendid mansion;
  • Her conduct had been perfectly correct,
  • As she had seen nought claiming its expansion.
  • A wavering spirit may be easier wreck'd,
  • Because 't is frailer, doubtless, than a stanch one;
  • But when the latter works its own undoing,
  • Its inner crash is like an earthquake's ruin.
  • She loved her lord, or thought so; but that love
  • Cost her an effort, which is a sad toil,
  • The stone of Sisyphus, if once we move
  • Our feelings 'gainst the nature of the soil.
  • She had nothing to complain of, or reprove,
  • No bickerings, no connubial turmoil:
  • Their union was a model to behold,
  • Serene and noble,--conjugal, but cold.
  • There was no great disparity of years,
  • Though much in temper; but they never clash'd:
  • They moved like stars united in their spheres,
  • Or like the Rhone by Leman's waters wash'd,
  • Where mingled and yet separate appears
  • The river from the lake, all bluely dash'd
  • Through the serene and placid glassy deep,
  • Which fain would lull its river-child to sleep.
  • Now when she once had ta'en an interest
  • In any thing, however she might flatter
  • Herself that her intentions were the best,
  • Intense intentions are a dangerous matter:
  • Impressions were much stronger than she guess'd,
  • And gather'd as they run like growing water
  • Upon her mind; the more so, as her breast
  • Was not at first too readily impress'd.
  • But when it was, she had that lurking demon
  • Of double nature, and thus doubly named--
  • Firmness yclept in heroes, kings, and seamen,
  • That is, when they succeed; but greatly blamed
  • As obstinacy, both in men and women,
  • Whene'er their triumph pales, or star is tamed:--
  • And 't will perplex the casuist in morality
  • To fix the due bounds of this dangerous quality.
  • Had Buonaparte won at Waterloo,
  • It had been firmness; now 't is pertinacity:
  • Must the event decide between the two?
  • I leave it to your people of sagacity
  • To draw the line between the false and true,
  • If such can e'er be drawn by man's capacity:
  • My business is with Lady Adeline,
  • Who in her way too was a heroine.
  • She knew not her own heart; then how should I?
  • I think not she was then in love with Juan:
  • If so, she would have had the strength to fly
  • The wild sensation, unto her a new one:
  • She merely felt a common sympathy
  • (I will not say it was a false or true one)
  • In him, because she thought he was in danger,--
  • Her husband's friend, her own, young, and a stranger,
  • She was, or thought she was, his friend--and this
  • Without the farce of friendship, or romance
  • Of Platonism, which leads so oft amiss
  • Ladies who have studied friendship but in France,
  • Or Germany, where people purely kiss.
  • To thus much Adeline would not advance;
  • But of such friendship as man's may to man be
  • She was as capable as woman can be.
  • No doubt the secret influence of the sex
  • Will there, as also in the ties of blood,
  • An innocent predominance annex,
  • And tune the concord to a finer mood.
  • If free from passion, which all friendship checks,
  • And your true feelings fully understood,
  • No friend like to a woman earth discovers,
  • So that you have not been nor will be lovers.
  • Love bears within its breast the very germ
  • Of change; and how should this be otherwise?
  • That violent things more quickly find a term
  • Is shown through nature's whole analogies;
  • And how should the most fierce of all be firm?
  • Would you have endless lightning in the skies?
  • Methinks Love's very title says enough:
  • How should 'the tender passion' e'er be tough?
  • Alas! by all experience, seldom yet
  • (I merely quote what I have heard from many)
  • Had lovers not some reason to regret
  • The passion which made Solomon a zany.
  • I 've also seen some wives (not to forget
  • The marriage state, the best or worst of any)
  • Who were the very paragons of wives,
  • Yet made the misery of at least two lives.
  • I 've also seen some female friends ( 't is odd,
  • But true--as, if expedient, I could prove)
  • That faithful were through thick and thin, abroad,
  • At home, far more than ever yet was Love--
  • Who did not quit me when Oppression trod
  • Upon me; whom no scandal could remove;
  • Who fought, and fight, in absence, too, my battles,
  • Despite the snake Society's loud rattles.
  • Whether Don Juan and chaste Adeline
  • Grew friends in this or any other sense,
  • Will be discuss'd hereafter, I opine:
  • At present I am glad of a pretence
  • To leave them hovering, as the effect is fine,
  • And keeps the atrocious reader in suspense;
  • The surest way for ladies and for books
  • To bait their tender, or their tenter, hooks.
  • Whether they rode, or walk'd, or studied Spanish
  • To read Don Quixote in the original,
  • A pleasure before which all others vanish;
  • Whether their talk was of the kind call'd 'small,'
  • Or serious, are the topics I must banish
  • To the next Canto; where perhaps I shall
  • Say something to the purpose, and display
  • Considerable talent in my way.
  • Above all, I beg all men to forbear
  • Anticipating aught about the matter:
  • They 'll only make mistakes about the fair,
  • And Juan too, especially the latter.
  • And I shall take a much more serious air
  • Than I have yet done, in this epic satire.
  • It is not clear that Adeline and Juan
  • Will fall; but if they do, 't will be their ruin.
  • But great things spring from little:--Would you think,
  • That in our youth, as dangerous a passion
  • As e'er brought man and woman to the brink
  • Of ruin, rose from such a slight occasion,
  • As few would ever dream could form the link
  • Of such a sentimental situation?
  • You 'll never guess, I 'll bet you millions, milliards--
  • It all sprung from a harmless game at billiards.
  • 'T is strange,--but true; for truth is always strange;
  • Stranger than fiction; if it could be told,
  • How much would novels gain by the exchange!
  • How differently the world would men behold!
  • How oft would vice and virtue places change!
  • The new world would be nothing to the old,
  • If some Columbus of the moral seas
  • Would show mankind their souls' antipodes.
  • What 'antres vast and deserts idle' then
  • Would be discover'd in the human soul!
  • What icebergs in the hearts of mighty men,
  • With self-love in the centre as their pole!
  • What Anthropophagi are nine of ten
  • Of those who hold the kingdoms in control
  • Were things but only call'd by their right name,
  • Caesar himself would be ashamed of fame.
  • CANTO THE FIFTEENTH.
  • Ah!--What should follow slips from my reflection;
  • Whatever follows ne'ertheless may be
  • As _Ă  propos_ of hope or retrospection,
  • As though the lurking thought had follow'd free.
  • All present life is but an interjection,
  • An 'Oh!' or 'Ah!' of joy or misery,
  • Or a 'Ha! ha!' or 'Bah!'--a yawn, or 'Pooh!'
  • Of which perhaps the latter is most true.
  • But, more or less, the whole 's a syncope
  • Or a singultus--emblems of emotion,
  • The grand antithesis to great ennui,
  • Wherewith we break our bubbles on the ocean,--
  • That watery outline of eternity,
  • Or miniature at least, as is my notion,
  • Which ministers unto the soul's delight,
  • In seeing matters which are out of sight.
  • But all are better than the sigh supprest,
  • Corroding in the cavern of the heart,
  • Making the countenance a masque of rest,
  • And turning human nature to an art.
  • Few men dare show their thoughts of worst or best;
  • Dissimulation always sets apart
  • A corner for herself; and therefore fiction
  • Is that which passes with least contradiction.
  • Ah! who can tell? Or rather, who can not
  • Remember, without telling, passion's errors?
  • The drainer of oblivion, even the sot,
  • Hath got blue devils for his morning mirrors:
  • What though on Lethe's stream he seem to float,
  • He cannot sink his tremors or his terrors;
  • The ruby glass that shakes within his hand
  • Leaves a sad sediment of Time's worst sand.
  • And as for love--O love!--We will proceed.
  • The Lady Adeline Amundeville,
  • A pretty name as one would wish to read,
  • Must perch harmonious on my tuneful quill.
  • There 's music in the sighing of a reed;
  • There 's music in the gushing of a rill;
  • There 's music in all things, if men had ears:
  • Their earth is but an echo of the spheres.
  • The Lady Adeline, right honourable;
  • And honour'd, ran a risk of growing less so;
  • For few of the soft sex are very stable
  • In their resolves--alas! that I should say so!
  • They differ as wine differs from its label,
  • When once decanted;--I presume to guess so,
  • But will not swear: yet both upon occasion,
  • Till old, may undergo adulteration.
  • But Adeline was of the purest vintage,
  • The unmingled essence of the grape; and yet
  • Bright as a new Napoleon from its mintage,
  • Or glorious as a diamond richly set;
  • A page where Time should hesitate to print age,
  • And for which Nature might forego her debt--
  • Sole creditor whose process doth involve in 't
  • The luck of finding every body solvent.
  • O Death! thou dunnest of all duns! thou daily
  • Knockest at doors, at first with modest tap,
  • Like a meek tradesman when, approaching palely,
  • Some splendid debtor he would take by sap:
  • But oft denied, as patience 'gins to fail, he
  • Advances with exasperated rap,
  • And (if let in) insists, in terms unhandsome,
  • On ready money, or 'a draft on Ransom.'
  • Whate'er thou takest, spare a while poor Beauty!
  • She is so rare, and thou hast so much prey.
  • What though she now and then may slip from duty,
  • The more 's the reason why you ought to stay.
  • Gaunt Gourmand! with whole nations for your booty,
  • You should be civil in a modest way:
  • Suppress, then, some slight feminine diseases,
  • And take as many heroes as Heaven pleases.
  • Fair Adeline, the more ingenuous
  • Where she was interested (as was said),
  • Because she was not apt, like some of us,
  • To like too readily, or too high bred
  • To show it (points we need not now discuss)--
  • Would give up artlessly both heart and head
  • Unto such feelings as seem'd innocent,
  • For objects worthy of the sentiment.
  • Some parts of Juan's history, which Rumour,
  • That live gazette, had scatter'd to disfigure,
  • She had heard; but women hear with more good humour
  • Such aberrations than we men of rigour:
  • Besides, his conduct, since in England, grew more
  • Strict, and his mind assumed a manlier vigour;
  • Because he had, like Alcibiades,
  • The art of living in all climes with ease.
  • His manner was perhaps the more seductive,
  • Because he ne'er seem'd anxious to seduce;
  • Nothing affected, studied, or constructive
  • Of coxcombry or conquest: no abuse
  • Of his attractions marr'd the fair perspective,
  • To indicate a Cupidon broke loose,
  • And seem to say, 'Resist us if you can'-
  • Which makes a dandy while it spoils a man.
  • They are wrong--that 's not the way to set about it;
  • As, if they told the truth, could well be shown.
  • But, right or wrong, Don Juan was without it;
  • In fact, his manner was his own alone;
  • Sincere he was--at least you could not doubt it,
  • In listening merely to his voice's tone.
  • The devil hath not in all his quiver's choice
  • An arrow for the heart like a sweet voice.
  • By nature soft, his whole address held off
  • Suspicion: though not timid, his regard
  • Was such as rather seem'd to keep aloof,
  • To shield himself than put you on your guard:
  • Perhaps 't was hardly quite assured enough,
  • But modesty 's at times its own reward,
  • Like virtue; and the absence of pretension
  • Will go much farther than there 's need to mention.
  • Serene, accomplish'd, cheerful but not loud;
  • Insinuating without insinuation;
  • Observant of the foibles of the crowd,
  • Yet ne'er betraying this in conversation;
  • Proud with the proud, yet courteously proud,
  • So as to make them feel he knew his station
  • And theirs:--without a struggle for priority,
  • He neither brook'd nor claim'd superiority.
  • That is, with men: with women he was what
  • They pleased to make or take him for; and their
  • Imagination 's quite enough for that:
  • So that the outline 's tolerably fair,
  • They fill the canvas up--and 'verbum sat.'
  • If once their phantasies be brought to bear
  • Upon an object, whether sad or playful,
  • They can transfigure brighter than a Raphael.
  • Adeline, no deep judge of character,
  • Was apt to add a colouring from her own:
  • 'T is thus the good will amiably err,
  • And eke the wise, as has been often shown.
  • Experience is the chief philosopher,
  • But saddest when his science is well known:
  • And persecuted sages teach the schools
  • Their folly in forgetting there are fools.
  • Was it not so, great Locke? and greater Bacon?
  • Great Socrates? And thou, Diviner still,
  • Whose lot it is by man to be mistaken,
  • And thy pure creed made sanction of all ill?
  • Redeeming worlds to be by bigots shaken,
  • How was thy toil rewarded? We might fill
  • Volumes with similar sad illustrations,
  • But leave them to the conscience of the nations.
  • I perch upon an humbler promontory,
  • Amidst life's infinite variety:
  • With no great care for what is nicknamed glory,
  • But speculating as I cast mine eye
  • On what may suit or may not suit my story,
  • And never straining hard to versify,
  • I rattle on exactly as I 'd talk
  • With any body in a ride or walk.
  • I don't know that there may be much ability
  • Shown in this sort of desultory rhyme;
  • But there 's a conversational facility,
  • Which may round off an hour upon a time.
  • Of this I 'm sure at least, there 's no servility
  • In mine irregularity of chime,
  • Which rings what 's uppermost of new or hoary,
  • Just as I feel the 'Improvvisatore.'
  • 'Omnia vult belle Matho dicere--dic aliquando
  • Et bene, dic neutrum, dic aliquando male.'
  • The first is rather more than mortal can do;
  • The second may be sadly done or gaily;
  • The third is still more difficult to stand to;
  • The fourth we hear, and see, and say too, daily.
  • The whole together is what I could wish
  • To serve in this conundrum of a dish.
  • A modest hope--but modesty 's my forte,
  • And pride my feeble:--let us ramble on.
  • I meant to make this poem very short,
  • But now I can't tell where it may not run.
  • No doubt, if I had wish' to pay my court
  • To critics, or to hail the setting sun
  • Of tyranny of all kinds, my concision
  • Were more;--but I was born for opposition.
  • But then 't is mostly on the weaker side;
  • So that I verily believe if they
  • Who now are basking in their full-blown pride
  • Were shaken down, and 'dogs had had their day,'
  • Though at the first I might perchance deride
  • Their tumble, I should turn the other way,
  • And wax an ultra-royalist in loyalty,
  • Because I hate even democratic royalty.
  • I think I should have made a decent spouse,
  • If I had never proved the soft condition;
  • I think I should have made monastic vows,
  • But for my own peculiar superstition:
  • 'Gainst rhyme I never should have knock'd my brows,
  • Nor broken my own head, nor that of Priscian,
  • Nor worn the motley mantle of a poet,
  • If some one had not told me to forego it.
  • But 'laissez aller'--knights and dames I sing,
  • Such as the times may furnish. 'T is a flight
  • Which seems at first to need no lofty wing,
  • Plumed by Longinus or the Stagyrite:
  • The difficultly lies in colouring
  • (Keeping the due proportions still in sight)
  • With nature manners which are artificial,
  • And rend'ring general that which is especial.
  • The difference is, that in the days of old
  • Men made the manners; manners now make men--
  • Pinn'd like a flock, and fleeced too in their fold,
  • At least nine, and a ninth beside of ten.
  • Now this at all events must render cold
  • Your writers, who must either draw again
  • Days better drawn before, or else assume
  • The present, with their common-place costume.
  • We 'll do our best to make the best on 't:--March!
  • March, my Muse! If you cannot fly, yet flutter;
  • And when you may not be sublime, be arch,
  • Or starch, as are the edicts statesmen utter.
  • We surely may find something worth research:
  • Columbus found a new world in a cutter,
  • Or brigantine, or pink, of no great tonnage,
  • While yet America was in her non-age.
  • When Adeline, in all her growing sense
  • Of Juan's merits and his situation,
  • Felt on the whole an interest intense,--
  • Partly perhaps because a fresh sensation,
  • Or that he had an air of innocence,
  • Which is for innocence a sad temptation,--
  • As women hate half measures, on the whole,
  • She 'gan to ponder how to save his soul.
  • She had a good opinion of advice,
  • Like all who give and eke receive it gratis,
  • For which small thanks are still the market price,
  • Even where the article at highest rate is:
  • She thought upon the subject twice or thrice,
  • And morally decided, the best state is
  • For morals, marriage; and this question carried,
  • She seriously advised him to get married.
  • Juan replied, with all becoming deference,
  • He had a predilection for that tie;
  • But that, at present, with immediate reference
  • To his own circumstances, there might lie
  • Some difficulties, as in his own preference,
  • Or that of her to whom he might apply:
  • That still he 'd wed with such or such a lady,
  • If that they were not married all already.
  • Next to the making matches for herself,
  • And daughters, brothers, sisters, kith or kin,
  • Arranging them like books on the same shelf,
  • There 's nothing women love to dabble in
  • More (like a stock-holder in growing pelf)
  • Than match-making in general: 't is no sin
  • Certes, but a preventative, and therefore
  • That is, no doubt, the only reason wherefore.
  • But never yet (except of course a miss
  • Unwed, or mistress never to be wed,
  • Or wed already, who object to this)
  • Was there chaste dame who had not in her head
  • Some drama of the marriage unities,
  • Observed as strictly both at board and bed
  • As those of Aristotle, though sometimes
  • They turn out melodrames or pantomimes.
  • They generally have some only son,
  • Some heir to a large property, some friend
  • Of an old family, some gay Sir john,
  • Or grave Lord George, with whom perhaps might end
  • A line, and leave posterity undone,
  • Unless a marriage was applied to mend
  • The prospect and their morals: and besides,
  • They have at hand a blooming glut of brides.
  • From these they will be careful to select,
  • For this an heiress, and for that a beauty;
  • For one a songstress who hath no defect,
  • For t' other one who promises much duty;
  • For this a lady no one can reject,
  • Whose sole accomplishments were quite a booty;
  • A second for her excellent connections;
  • A third, because there can be no objections.
  • When Rapp the Harmonist embargo'd marriage
  • In his harmonious settlement (which flourishes
  • Strangely enough as yet without miscarriage,
  • Because it breeds no more mouths than it nourishes,
  • Without those sad expenses which disparage
  • What Nature naturally most encourages)--
  • Why call'd he 'Harmony' a state sans wedlock?
  • Now here I 've got the preacher at a dead lock.
  • Because he either meant to sneer at harmony
  • Or marriage, by divorcing them thus oddly.
  • But whether reverend Rapp learn'd this in Germany
  • Or no, 't is said his sect is rich and godly,
  • Pious and pure, beyond what I can term any
  • Of ours, although they propagate more broadly.
  • My objection 's to his title, not his ritual,
  • Although I wonder how it grew habitual.
  • But Rapp is the reverse of zealous matrons,
  • Who favour, malgre Malthus, generation--
  • Professors of that genial art, and patrons
  • Of all the modest part of propagation;
  • Which after all at such a desperate rate runs,
  • That half its produce tends to emigration,
  • That sad result of passions and potatoes--
  • Two weeds which pose our economic Catos.
  • Had Adeline read Malthus? I can't tell;
  • I wish she had: his book 's the eleventh commandment,
  • Which says, 'Thou shalt not marry,' unless well:
  • This he (as far as I can understand) meant.
  • 'T is not my purpose on his views to dwell
  • Nor canvass what so 'eminent a hand' meant;
  • But certes it conducts to lives ascetic,
  • Or turning marriage into arithmetic.
  • But Adeline, who probably presumed
  • That Juan had enough of maintenance,
  • Or separate maintenance, in case 't was doom'd--
  • As on the whole it is an even chance
  • That bridegrooms, after they are fairly groom'd,
  • May retrograde a little in the dance
  • Of marriage (which might form a painter's fame,
  • Like Holbein's 'Dance of Death'--but 't is the same);--
  • But Adeline determined Juan's wedding
  • In her own mind, and that 's enough for woman:
  • But then, with whom? There was the sage Miss Reading,
  • Miss Raw, Miss Flaw, Miss Showman, and Miss Knowman.
  • And the two fair co-heiresses Giltbedding.
  • She deem'd his merits something more than common:
  • All these were unobjectionable matches,
  • And might go on, if well wound up, like watches.
  • There was Miss Millpond, smooth as summer's sea,
  • That usual paragon, an only daughter,
  • Who seem'd the cream of equanimity
  • Till skimm'd--and then there was some milk and water,
  • With a slight shade of blue too, it might be,
  • Beneath the surface; but what did it matter?
  • Love 's riotous, but marriage should have quiet,
  • And being consumptive, live on a milk diet.
  • And then there was the Miss Audacia Shoestring,
  • A dashing demoiselle of good estate,
  • Whose heart was fix'd upon a star or blue string;
  • But whether English dukes grew rare of late,
  • Or that she had not harp'd upon the true string,
  • By which such sirens can attract our great,
  • She took up with some foreign younger brother,
  • A Russ or Turk--the one 's as good as t' other.
  • And then there was--but why should I go on,
  • Unless the ladies should go off?--there was
  • Indeed a certain fair and fairy one,
  • Of the best class, and better than her class,--
  • Aurora Raby, a young star who shone
  • O'er life, too sweet an image for such glass,
  • A lovely being, scarcely form'd or moulded,
  • A rose with all its sweetest leaves yet folded;
  • Rich, noble, but an orphan; left an only
  • Child to the care of guardians good and kind;
  • But still her aspect had an air so lonely!
  • Blood is not water; and where shall we find
  • Feelings of youth like those which overthrown lie
  • By death, when we are left, alas! behind,
  • To feel, in friendless palaces, a home
  • Is wanting, and our best ties in the tomb?
  • Early in years, and yet more infantine
  • In figure, she had something of sublime
  • In eyes which sadly shone, as seraphs' shine.
  • All youth--but with an aspect beyond time;
  • Radiant and grave--as pitying man's decline;
  • Mournful--but mournful of another's crime,
  • She look'd as if she sat by Eden's door.
  • And grieved for those who could return no more.
  • She was a Catholic, too, sincere, austere,
  • As far as her own gentle heart allow'd,
  • And deem'd that fallen worship far more dear
  • Perhaps because 't was fallen: her sires were proud
  • Of deeds and days when they had fill'd the ear
  • Of nations, and had never bent or bow'd
  • To novel power; and as she was the last,
  • She held their old faith and old feelings fast.
  • She gazed upon a world she scarcely knew,
  • As seeking not to know it; silent, lone,
  • As grows a flower, thus quietly she grew,
  • And kept her heart serene within its zone.
  • There was awe in the homage which she drew;
  • Her spirit seem'd as seated on a throne
  • Apart from the surrounding world, and strong
  • In its own strength--most strange in one so young!
  • Now it so happen'd, in the catalogue
  • Of Adeline, Aurora was omitted,
  • Although her birth and wealth had given her vogue
  • Beyond the charmers we have already cited;
  • Her beauty also seem'd to form no clog
  • Against her being mention'd as well fitted,
  • By many virtues, to be worth the trouble
  • Of single gentlemen who would be double.
  • And this omission, like that of the bust
  • Of Brutus at the pageant of Tiberius,
  • Made Juan wonder, as no doubt he must.
  • This he express'd half smiling and half serious;
  • When Adeline replied with some disgust,
  • And with an air, to say the least, imperious,
  • She marvell'd 'what he saw in such a baby
  • As that prim, silent, cold Aurora Raby?'
  • Juan rejoin'd--'She was a Catholic,
  • And therefore fittest, as of his persuasion;
  • Since he was sure his mother would fall sick,
  • And the Pope thunder excommunication,
  • If-' But here Adeline, who seem'd to pique
  • Herself extremely on the inoculation
  • Of others with her own opinions, stated--
  • As usual--the same reason which she late did.
  • And wherefore not? A reasonable reason,
  • If good, is none the worse for repetition;
  • If bad, the best way 's certainly to tease on,
  • And amplify: you lose much by concision,
  • Whereas insisting in or out of season
  • Convinces all men, even a politician;
  • Or--what is just the same--it wearies out.
  • So the end 's gain'd, what signifies the route?
  • Why Adeline had this slight prejudice--
  • For prejudice it was--against a creature
  • As pure as sanctity itself from vice,
  • With all the added charm of form and feature,
  • For me appears a question far too nice,
  • Since Adeline was liberal by nature;
  • But nature 's nature, and has more caprices
  • Than I have time, or will, to take to pieces.
  • Perhaps she did not like the quiet way
  • With which Aurora on those baubles look'd,
  • Which charm most people in their earlier day:
  • For there are few things by mankind less brook'd,
  • And womankind too, if we so may say,
  • Than finding thus their genius stand rebuked,
  • Like 'Anthony's by Caesar,' by the few
  • Who look upon them as they ought to do.
  • It was not envy--Adeline had none;
  • Her place was far beyond it, and her mind.
  • It was not scorn--which could not light on one
  • Whose greatest fault was leaving few to find.
  • It was not jealousy, I think: but shun
  • Following the 'ignes fatui' of mankind.
  • It was not--but 't is easier far, alas!
  • To say what it was not than what it was.
  • Little Aurora deem'd she was the theme
  • Of such discussion. She was there a guest;
  • A beauteous ripple of the brilliant stream
  • Of rank and youth, though purer than the rest,
  • Which flow'd on for a moment in the beam
  • Time sheds a moment o'er each sparkling crest.
  • Had she known this, she would have calmly smiled--
  • She had so much, or little, of the child.
  • The dashing and proud air of Adeline
  • Imposed not upon her: she saw her blaze
  • Much as she would have seen a glow-worm shine,
  • Then turn'd unto the stars for loftier rays.
  • Juan was something she could not divine,
  • Being no sibyl in the new world's ways;
  • Yet she was nothing dazzled by the meteor,
  • Because she did not pin her faith on feature.
  • His fame too,--for he had that kind of fame
  • Which sometimes plays the deuce with womankind,
  • A heterogeneous mass of glorious blame,
  • Half virtues and whole vices being combined;
  • Faults which attract because they are not tame;
  • Follies trick'd out so brightly that they blind:--
  • These seals upon her wax made no impression,
  • Such was her coldness or her self-possession.
  • Juan knew nought of such a character--
  • High, yet resembling not his lost Haidee;
  • Yet each was radiant in her proper sphere:
  • The island girl, bred up by the lone sea,
  • More warm, as lovely, and not less sincere,
  • Was Nature's all: Aurora could not be,
  • Nor would be thus:--the difference in them
  • Was such as lies between a flower and gem.
  • Having wound up with this sublime comparison,
  • Methinks we may proceed upon our narrative,
  • And, as my friend Scott says, 'I sound my warison;'
  • Scott, the superlative of my comparative--
  • Scott, who can paint your Christian knight or Saracen,
  • Serf, lord, man, with such skill as none would share it, if
  • There had not been one Shakspeare and Voltaire,
  • Of one or both of whom he seems the heir.
  • I say, in my slight way I may proceed
  • To play upon the surface of humanity.
  • I write the world, nor care if the world read,
  • At least for this I cannot spare its vanity.
  • My Muse hath bred, and still perhaps may breed
  • More foes by this same scroll: when I began it, I
  • Thought that it might turn out so--now I know it,
  • But still I am, or was, a pretty poet.
  • The conference or congress (for it ended
  • As congresses of late do) of the Lady
  • Adeline and Don Juan rather blended
  • Some acids with the sweets--for she was heady;
  • But, ere the matter could be marr'd or mended,
  • The silvery bell rang, not for 'dinner ready,
  • But for that hour, call'd half-hour, given to dress,
  • Though ladies' robes seem scant enough for less.
  • Great things were now to be achieved at table,
  • With massy plate for armour, knives and forks
  • For weapons; but what Muse since Homer 's able
  • (His feasts are not the worst part of his works)
  • To draw up in array a single day-bill
  • Of modern dinners? where more mystery lurks,
  • In soups or sauces, or a sole ragout,
  • Than witches, b—ches, or physicians, brew.
  • There was a goodly 'soupe a la bonne femme,'
  • Though God knows whence it came from; there was, too,
  • A turbot for relief of those who cram,
  • Relieved with 'dindon a la Parigeux;'
  • There also was——the sinner that I am!
  • How shall I get this gourmand stanza through?-
  • 'Soupe a la Beauveau,' whose relief was dory,
  • Relieved itself by pork, for greater glory.
  • But I must crowd all into one grand mess
  • Or mass; for should I stretch into detail,
  • My Muse would run much more into excess,
  • Than when some squeamish people deem her frail.
  • But though a 'bonne vivante,' I must confess
  • Her stomach 's not her peccant part; this tale
  • However doth require some slight refection,
  • Just to relieve her spirits from dejection.
  • Fowls 'a la Conde,' slices eke of salmon,
  • With 'sauces Genevoises,' and haunch of venison;
  • Wines too, which might again have slain young Ammon--
  • A man like whom I hope we shan't see many soon;
  • They also set a glazed Westphalian ham on,
  • Whereon Apicius would bestow his benison;
  • And then there was champagne with foaming whirls,
  • As white as Cleopatra's melted pearls.
  • Then there was God knows what 'a l'Allemande,'
  • 'A l'Espagnole,' 'timballe,' and 'salpicon'-
  • With things I can't withstand or understand,
  • Though swallow'd with much zest upon the whole;
  • And 'entremets' to piddle with at hand,
  • Gently to lull down the subsiding soul;
  • While great Lucullus' Robe triumphal muffles
  • (There 's fame) young partridge fillets, deck'd with truffles.
  • What are the fillets on the victor's brow
  • To these? They are rags or dust. Where is the arch
  • Which nodded to the nation's spoils below?
  • Where the triumphal chariots' haughty march?
  • Gone to where victories must like dinners go.
  • Farther I shall not follow the research:
  • But oh! ye modern heroes with your cartridges,
  • When will your names lend lustre e'en to partridges?
  • Those truffles too are no bad accessaries,
  • Follow'd by 'petits puits d'amour'--a dish
  • Of which perhaps the cookery rather varies,
  • So every one may dress it to his wish,
  • According to the best of dictionaries,
  • Which encyclopedize both flesh and fish;
  • But even sans 'confitures,' it no less true is,
  • There 's pretty picking in those 'petits puits.'
  • The mind is lost in mighty contemplation
  • Of intellect expanded on two courses;
  • And indigestion's grand multiplication
  • Requires arithmetic beyond my forces.
  • Who would suppose, from Adam's simple ration,
  • That cookery could have call'd forth such resources,
  • As form a science and a nomenclature
  • From out the commonest demands of nature?
  • The glasses jingled, and the palates tingled;
  • The diners of celebrity dined well;
  • The ladies with more moderation mingled
  • In the feast, pecking less than I can tell;
  • Also the younger men too: for a springald
  • Can't, like ripe age, in gormandize excel,
  • But thinks less of good eating than the whisper
  • (When seated next him) of some pretty lisper.
  • Alas! I must leave undescribed the gibier,
  • The salmi, the consomme, the puree,
  • All which I use to make my rhymes run glibber
  • Than could roast beef in our rough John Bull way:
  • I must not introduce even a spare rib here,
  • 'Bubble and squeak' would spoil my liquid lay:
  • But I have dined, and must forego, Alas!
  • The chaste description even of a 'becasse;'
  • And fruits, and ice, and all that art refines
  • From nature for the service of the gout--
  • Taste or the gout,--pronounce it as inclines
  • Your stomach! Ere you dine, the French will do;
  • But after, there are sometimes certain signs
  • Which prove plain English truer of the two.
  • Hast ever had the gout? I have not had it--
  • But I may have, and you too, reader, dread it.
  • The simple olives, best allies of wine,
  • Must I pass over in my bill of fare?
  • I must, although a favourite 'plat' of mine
  • In Spain, and Lucca, Athens, every where:
  • On them and bread 't was oft my luck to dine,
  • The grass my table-cloth, in open-air,
  • On Sunium or Hymettus, like Diogenes,
  • Of whom half my philosophy the progeny is.
  • Amidst this tumult of fish, flesh, and 'fowl,
  • And vegetables, all in masquerade,
  • The guests were placed according to their roll,
  • But various as the various meats display'd:
  • Don Juan sat next 'an l'Espagnole'-
  • No damsel, but a dish, as hath been said;
  • But so far like a lady, that 't was drest
  • Superbly, and contain'd a world of zest.
  • By some odd chance too, he was placed between
  • Aurora and the Lady Adeline--
  • A situation difficult, I ween,
  • For man therein, with eyes and heart, to dine.
  • Also the conference which we have seen
  • Was not such as to encourage him to shine;
  • For Adeline, addressing few words to him,
  • With two transcendent eyes seem'd to look through him.
  • I sometimes almost think that eyes have ears:
  • This much is sure, that, out of earshot, things
  • Are somehow echoed to the pretty dears,
  • Of which I can't tell whence their knowledge springs.
  • Like that same mystic music of the spheres,
  • Which no one bears, so loudly though it rings,
  • 'T is wonderful how oft the sex have heard
  • Long dialogues--which pass'd without a word!
  • Aurora sat with that indifference
  • Which piques a preux chevalier--as it ought:
  • Of all offences that 's the worst offence,
  • Which seems to hint you are not worth a thought.
  • Now Juan, though no coxcomb in pretence,
  • Was not exactly pleased to be so caught;
  • Like a good ship entangled among ice,
  • And after so much excellent advice.
  • To his gay nothings, nothing was replied,
  • Or something which was nothing, as urbanity
  • Required. Aurora scarcely look'd aside,
  • Nor even smiled enough for any vanity.
  • The devil was in the girl! Could it be pride?
  • Or modesty, or absence, or inanity?
  • Heaven knows? But Adeline's malicious eyes
  • Sparkled with her successful prophecies,
  • And look'd as much as if to say, 'I said it;'
  • A kind of triumph I 'll not recommend,
  • Because it sometimes, as I have seen or read it,
  • Both in the case of lover and of friend,
  • Will pique a gentleman, for his own credit,
  • To bring what was a jest to a serious end:
  • For all men prophesy what is or was,
  • And hate those who won't let them come to pass.
  • Juan was drawn thus into some attentions,
  • Slight but select, and just enough to express,
  • To females of perspicuous comprehensions,
  • That he would rather make them more than less.
  • Aurora at the last (so history mentions,
  • Though probably much less a fact than guess)
  • So far relax'd her thoughts from their sweet prison,
  • As once or twice to smile, if not to listen.
  • From answering she began to question; this
  • With her was rare: and Adeline, who as yet
  • Thought her predictions went not much amiss,
  • Began to dread she'd thaw to a coquette--
  • So very difficult, they say, it is
  • To keep extremes from meeting, when once set
  • In motion; but she here too much refined--
  • Aurora's spirit was not of that kind.
  • But Juan had a sort of winning way,
  • A proud humility, if such there be,
  • Which show'd such deference to what females say,
  • As if each charming word were a decree.
  • His tact, too, temper'd him from grave to gay,
  • And taught him when to be reserved or free:
  • He had the art of drawing people out,
  • Without their seeing what he was about.
  • Aurora, who in her indifference
  • Confounded him in common with the crowd
  • Of flatterers, though she deem'd he had more sense
  • Than whispering foplings, or than witlings loud--
  • Commenced (from such slight things will great commence)
  • To feel that flattery which attracts the proud
  • Rather by deference than compliment,
  • And wins even by a delicate dissent.
  • And then he had good looks;--that point was carried
  • Nem. con. amongst the women, which I grieve
  • To say leads oft to crim. con. with the married--
  • A case which to the juries we may leave,
  • Since with digressions we too long have tarried.
  • Now though we know of old that looks deceive,
  • And always have done, somehow these good looks
  • Make more impression than the best of books.
  • Aurora, who look'd more on books than faces,
  • Was very young, although so very sage,
  • Admiring more Minerva than the Graces,
  • Especially upon a printed page.
  • But Virtue's self, with all her tightest laces,
  • Has not the natural stays of strict old age;
  • And Socrates, that model of all duty,
  • Own'd to a penchant, though discreet, for beauty.
  • And girls of sixteen are thus far Socratic,
  • But innocently so, as Socrates;
  • And really, if the sage sublime and Attic
  • At seventy years had phantasies like these,
  • Which Plato in his dialogues dramatic
  • Has shown, I know not why they should displease
  • In virgins--always in a modest way,
  • Observe; for that with me 's a 'sine qua.'
  • Also observe, that, like the great Lord Coke
  • (See Littleton), whene'er I have express'd
  • Opinions two, which at first sight may look
  • Twin opposites, the second is the best.
  • Perhaps I have a third, too, in a nook,
  • Or none at all--which seems a sorry jest:
  • But if a writer should be quite consistent,
  • How could he possibly show things existent?
  • If people contradict themselves, can I
  • Help contradicting them, and every body,
  • Even my veracious self?--But that 's a lie:
  • I never did so, never will--how should I?
  • He who doubts all things nothing can deny:
  • Truth's fountains may be clear--her streams are muddy,
  • And cut through such canals of contradiction,
  • That she must often navigate o'er fiction.
  • Apologue, fable, poesy, and parable,
  • Are false, but may he render'd also true,
  • By those who sow them in a land that 's arable.
  • 'T is wonderful what fable will not do!
  • 'T is said it makes reality more bearable:
  • But what 's reality? Who has its clue?
  • Philosophy? No: she too much rejects.
  • Religion? Yes; but which of all her sects?
  • Some millions must be wrong, that 's pretty dear;
  • Perhaps it may turn out that all were right.
  • God help us! Since we have need on our career
  • To keep our holy beacons always bright,
  • 'T is time that some new prophet should appear,
  • Or old indulge man with a second sight.
  • Opinions wear out in some thousand years,
  • Without a small refreshment from the spheres.
  • But here again, why will I thus entangle
  • Myself with metaphysics? None can hate
  • So much as I do any kind of wrangle;
  • And yet, such is my folly, or my fate,
  • I always knock my head against some angle
  • About the present, past, or future state.
  • Yet I wish well to Trojan and to Tyrian,
  • For I was bred a moderate Presbyterian.
  • But though I am a temperate theologian,
  • And also meek as a metaphysician,
  • Impartial between Tyrian and Trojan,
  • As Eldon on a lunatic commission--
  • In politics my duty is to show John
  • Bull something of the lower world's condition.
  • It makes my blood boil like the springs of Hecla,
  • To see men let these scoundrel sovereigns break law.
  • But politics, and policy, and piety,
  • Are topics which I sometimes introduce,
  • Not only for the sake of their variety,
  • But as subservient to a moral use;
  • Because my business is to dress society,
  • And stuff with sage that very verdant goose.
  • And now, that we may furnish with some matter all
  • Tastes, we are going to try the supernatural.
  • And now I will give up all argument;
  • And positively henceforth no temptation
  • Shall 'fool me to the top up of my bent:'-
  • Yes, I' ll begin a thorough reformation.
  • Indeed, I never knew what people meant
  • By deeming that my Muse's conversation
  • Was dangerous;--I think she is as harmless
  • As some who labour more and yet may charm less.
  • Grim reader! did you ever see a ghost?
  • No; but you have heard--I understand--be dumb!
  • And don't regret the time you may have lost,
  • For you have got that pleasure still to come:
  • And do not think I mean to sneer at most
  • Of these things, or by ridicule benumb
  • That source of the sublime and the mysterious:--
  • For certain reasons my belief is serious.
  • Serious? You laugh;--you may: that will I not;
  • My smiles must be sincere or not at all.
  • I say I do believe a haunted spot
  • Exists--and where? That shall I not recall,
  • Because I 'd rather it should be forgot,
  • 'Shadows the soul of Richard' may appal.
  • In short, upon that subject I 've some qualms very
  • Like those of the philosopher of Malmsbury.
  • The night (I sing by night--sometimes an owl,
  • And now and then a nightingale) is dim,
  • And the loud shriek of sage Minerva's fowl
  • Rattles around me her discordant hymn:
  • Old portraits from old walls upon me scowl--
  • I wish to heaven they would not look so grim;
  • The dying embers dwindle in the grate--
  • I think too that I have sate up too late:
  • And therefore, though 't is by no means my way
  • To rhyme at noon--when I have other things
  • To think of, if I ever think--I say
  • I feel some chilly midnight shudderings,
  • And prudently postpone, until mid-day,
  • Treating a topic which, alas! but brings
  • Shadows;--but you must be in my condition
  • Before you learn to call this superstition.
  • CANTO THE SIXTEENTH.
  • The antique Persians taught three useful things,
  • To draw the bow, to ride, and speak the truth.
  • This was the mode of Cyrus, best of kings--
  • A mode adopted since by modern youth.
  • Bows have they, generally with two strings;
  • Horses they ride without remorse or ruth;
  • At speaking truth perhaps they are less clever,
  • But draw the long bow better now than ever.
  • The cause of this effect, or this defect,--
  • 'For this effect defective comes by cause,'-
  • Is what I have not leisure to inspect;
  • But this I must say in my own applause,
  • Of all the Muses that I recollect,
  • Whate'er may be her follies or her flaws
  • In some things, mine 's beyond all contradiction
  • The most sincere that ever dealt in fiction.
  • And as she treats all things, and ne'er retreats
  • From any thing, this epic will contain
  • A wilderness of the most rare conceits,
  • Which you might elsewhere hope to find in vain.
  • 'T is true there be some bitters with the sweets,
  • Yet mix'd so slightly, that you can't complain,
  • But wonder they so few are, since my tale is
  • 'De rebus cunctis et quibusdam aliis.'
  • But of all truths which she has told, the most
  • True is that which she is about to tell.
  • I said it was a story of a ghost--
  • What then? I only know it so befell.
  • Have you explored the limits of the coast,
  • Where all the dwellers of the earth must dwell?
  • 'T is time to strike such puny doubters dumb as
  • The sceptics who would not believe Columbus.
  • Some people would impose now with authority,
  • Turpin's or Monmouth Geoffry's Chronicle;
  • Men whose historical superiority
  • Is always greatest at a miracle.
  • But Saint Augustine has the great priority,
  • Who bids all men believe the impossible,
  • Because 't is so. Who nibble, scribble, quibble, he
  • Quiets at once with 'quia impossibile.'
  • And therefore, mortals, cavil not at all;
  • Believe:--if 't is improbable you must,
  • And if it is impossible, you shall:
  • 'T is always best to take things upon trust.
  • I do not speak profanely, to recall
  • Those holier mysteries which the wise and just
  • Receive as gospel, and which grow more rooted,
  • As all truths must, the more they are disputed:
  • I merely mean to say what Johnson said,
  • That in the course of some six thousand years,
  • All nations have believed that from the dead
  • A visitant at intervals appears;
  • And what is strangest upon this strange head,
  • Is, that whatever bar the reason rears
  • 'Gainst such belief, there 's something stronger still
  • In its behalf, let those deny who will.
  • The dinner and the soiree too were done,
  • The supper too discuss'd, the dames admired,
  • The banqueteers had dropp'd off one by one--
  • The song was silent, and the dance expired:
  • The last thin petticoats were vanish'd, gone
  • Like fleecy Clouds into the sky retired,
  • And nothing brighter gleam'd through the saloon
  • Than dying tapers--and the peeping moon.
  • The evaporation of a joyous day
  • Is like the last glass of champagne, without
  • The foam which made its virgin bumper gay;
  • Or like a system coupled with a doubt;
  • Or like a soda bottle when its spray
  • Has sparkled and let half its spirit out;
  • Or like a billow left by storms behind,
  • Without the animation of the wind;
  • Or like an opiate, which brings troubled rest,
  • Or none; or like--like nothing that I know
  • Except itself;--such is the human breast;
  • A thing, of which similitudes can show
  • No real likeness,--like the old Tyrian vest
  • Dyed purple, none at present can tell how,
  • If from a shell-fish or from cochineal.
  • So perish every tyrant's robe piece-meal!
  • But next to dressing for a rout or ball,
  • Undressing is a woe; our robe de chambre
  • May sit like that of Nessus, and recall
  • Thoughts quite as yellow, but less clear than amber.
  • Titus exclaim'd, 'I 've lost a day!' Of all
  • The nights and days most people can remember
  • (I have had of both, some not to be disdain'd),
  • I wish they 'd state how many they have gain'd.
  • And Juan, on retiring for the night,
  • Felt restless, and perplex'd, and compromised:
  • He thought Aurora Raby's eyes more bright
  • Than Adeline (such is advice) advised;
  • If he had known exactly his own plight,
  • He probably would have philosophised:
  • A great resource to all, and ne'er denied
  • Till wanted; therefore Juan only sigh'd.
  • He sigh'd;--the next resource is the full moon,
  • Where all sighs are deposited; and now
  • It happen'd luckily, the chaste orb shone
  • As clear as such a climate will allow;
  • And Juan's mind was in the proper tone
  • To hail her with the apostrophe--'O thou!'
  • Of amatory egotism the Tuism,
  • Which further to explain would be a truism.
  • But lover, poet, or astronomer,
  • Shepherd, or swain, whoever may behold,
  • Feel some abstraction when they gaze on her:
  • Great thoughts we catch from thence (besides a cold
  • Sometimes, unless my feelings rather err);
  • Deep secrets to her rolling light are told;
  • The ocean's tides and mortals' brains she sways,
  • And also hearts, if there be truth in lays.
  • Juan felt somewhat pensive, and disposed
  • For contemplation rather than his pillow:
  • The Gothic chamber, where he was enclosed,
  • Let in the rippling sound of the lake's billow,
  • With all the mystery by midnight caused;
  • Below his window waved (of course) a willow;
  • And he stood gazing out on the cascade
  • That flash'd and after darken'd in the shade.
  • Upon his table or his toilet,--which
  • Of these is not exactly ascertain'd
  • (I state this, for I am cautious to a pitch
  • Of nicety, where a fact is to be gain'd),--
  • A lamp burn'd high, while he leant from a niche,
  • Where many a Gothic ornament remain'd,
  • In chisell'd stone and painted glass, and all
  • That time has left our fathers of their hall.
  • Then, as the night was clear though cold, he threw
  • His chamber door wide open--and went forth
  • Into a gallery, of a sombre hue,
  • Long, furnish'd with old pictures of great worth,
  • Of knights and dames heroic and chaste too,
  • As doubtless should be people of high birth.
  • But by dim lights the portraits of the dead
  • Have something ghastly, desolate, and dread.
  • The forms of the grim knight and pictured saint
  • Look living in the moon; and as you turn
  • Backward and forward to the echoes faint
  • Of your own footsteps--voices from the urn
  • Appear to wake, and shadows wild and quaint
  • Start from the frames which fence their aspects stern,
  • As if to ask how you can dare to keep
  • A vigil there, where all but death should sleep.
  • And the pale smile of beauties in the grave,
  • The charms of other days, in starlight gleams,
  • Glimmer on high; their buried locks still wave
  • Along the canvas; their eyes glance like dreams
  • On ours, or spars within some dusky cave,
  • But death is imaged in their shadowy beams.
  • A picture is the past; even ere its frame
  • Be gilt, who sate hath ceased to be the same.
  • As Juan mused on mutability,
  • Or on his mistress--terms synonymous--
  • No sound except the echo of his sigh
  • Or step ran sadly through that antique house;
  • When suddenly he heard, or thought so, nigh,
  • A supernatural agent--or a mouse,
  • Whose little nibbling rustle will embarrass
  • Most people as it plays along the arras.
  • It was no mouse, but lo! a monk, array'd
  • In cowl and beads and dusky garb, appear'd,
  • Now in the moonlight, and now lapsed in shade,
  • With steps that trod as heavy, yet unheard;
  • His garments only a slight murmur made;
  • He moved as shadowy as the sisters weird,
  • But slowly; and as he pass'd Juan by,
  • Glanced, without pausing, on him a bright eye.
  • Juan was petrified; he had heard a hint
  • Of such a spirit in these halls of old,
  • But thought, like most men, there was nothing in 't
  • Beyond the rumour which such spots unfold,
  • Coin'd from surviving superstition's mint,
  • Which passes ghosts in currency like gold,
  • But rarely seen, like gold compared with paper.
  • And did he see this? or was it a vapour?
  • Once, twice, thrice pass'd, repass'd--the thing of air,
  • Or earth beneath, or heaven, or t' other place;
  • And Juan gazed upon it with a stare,
  • Yet could not speak or move; but, on its base
  • As stands a statue, stood: he felt his hair
  • Twine like a knot of snakes around his face;
  • He tax'd his tongue for words, which were not granted,
  • To ask the reverend person what he wanted.
  • The third time, after a still longer pause,
  • The shadow pass'd away--but where? the hall
  • Was long, and thus far there was no great cause
  • To think his vanishing unnatural:
  • Doors there were many, through which, by the laws
  • Of physics, bodies whether short or tall
  • Might come or go; but Juan could not state
  • Through which the spectre seem'd to evaporate.
  • He stood--how long he knew not, but it seem'd
  • An age--expectant, powerless, with his eyes
  • Strain'd on the spot where first the figure gleam'd;
  • Then by degrees recall'd his energies,
  • And would have pass'd the whole off as a dream,
  • But could not wake; he was, he did surmise,
  • Waking already, and return'd at length
  • Back to his chamber, shorn of half his strength.
  • All there was as he left it: still his taper
  • Burnt, and not blue, as modest tapers use,
  • Receiving sprites with sympathetic vapour;
  • He rubb'd his eyes, and they did not refuse
  • Their office; he took up an old newspaper;
  • The paper was right easy to peruse;
  • He read an article the king attacking,
  • And a long eulogy of 'patent blacking.'
  • This savour'd of this world; but his hand shook--
  • He shut his door, and after having read
  • A paragraph, I think about Horne Tooke,
  • Undrest, and rather slowly went to bed.
  • There, couch'd all snugly on his pillow's nook,
  • With what he had seen his phantasy he fed;
  • And though it was no opiate, slumber crept
  • Upon him by degrees, and so he slept.
  • He woke betimes; and, as may be supposed,
  • Ponder'd upon his visitant or vision,
  • And whether it ought not to be disclosed,
  • At risk of being quizz'd for superstition.
  • The more he thought, the more his mind was posed:
  • In the mean time, his valet, whose precision
  • Was great, because his master brook'd no less,
  • Knock'd to inform him it was time to dress.
  • He dress'd; and like young people he was wont
  • To take some trouble with his toilet, but
  • This morning rather spent less time upon 't;
  • Aside his very mirror soon was put;
  • His curls fell negligently o'er his front,
  • His clothes were not curb'd to their usual cut,
  • His very neckcloth's Gordian knot was tied
  • Almost an hair's breadth too much on one side.
  • And when he walk'd down into the saloon,
  • He sate him pensive o'er a dish of tea,
  • Which he perhaps had not discover'd soon,
  • Had it not happen'd scalding hot to be,
  • Which made him have recourse unto his spoon;
  • So much distrait he was, that all could see
  • That something was the matter--Adeline
  • The first--but what she could not well divine.
  • She look'd, and saw him pale, and turn'd as pale
  • Herself; then hastily look'd down, and mutter'd
  • Something, but what 's not stated in my tale.
  • Lord Henry said his muffin was ill butter'd;
  • The Duchess of Fitz-Fulke play'd with her veil,
  • And look'd at Juan hard, but nothing utter'd.
  • Aurora Raby with her large dark eyes
  • Survey'd him with a kind of calm surprise.
  • But seeing him all cold and silent still,
  • And everybody wondering more or less,
  • Fair Adeline enquired, 'If he were ill?'
  • He started, and said, 'Yes--no--rather--yes.'
  • The family physician had great skill,
  • And being present, now began to express
  • His readiness to feel his pulse and tell
  • The cause, but Juan said, 'He was quite well.'
  • 'Quite well; yes,--no.'--These answers were mysterious,
  • And yet his looks appear'd to sanction both,
  • However they might savour of delirious;
  • Something like illness of a sudden growth
  • Weigh'd on his spirit, though by no means serious:
  • But for the rest, as he himself seem'd loth
  • To state the case, it might be ta'en for granted
  • It was not the physician that he wanted.
  • Lord Henry, who had now discuss'd his chocolate,
  • Also the muffin whereof he complain'd,
  • Said, Juan had not got his usual look elate,
  • At which he marvell'd, since it had not rain'd;
  • Then ask'd her Grace what news were of the duke of late?
  • Her Grace replied, his Grace was rather pain'd
  • With some slight, light, hereditary twinges
  • Of gout, which rusts aristocratic hinges.
  • Then Henry turn'd to Juan, and address'd
  • A few words of condolence on his state:
  • 'You look,' quoth he, 'as if you had had your rest
  • Broke in upon by the Black Friar of late.'
  • 'What friar?' said Juan; and he did his best
  • To put the question with an air sedate,
  • Or careless; but the effort was not valid
  • To hinder him from growing still more pallid.
  • 'Oh! have you never heard of the Black Friar?
  • The spirit of these walls?'--'In truth not I.'
  • 'Why Fame--but Fame you know 's sometimes a liar--
  • Tells an odd story, of which by and by:
  • Whether with time the spectre has grown shyer,
  • Or that our sires had a more gifted eye
  • For such sights, though the tale is half believed,
  • The friar of late has not been oft perceived.
  • "The last time was——"—"I pray," said Adeline—
  • (Who watch'd the changes of Don Juan's brow,
  • And from its context thought she could divine
  • Connexions stronger then he chose to avow
  • With this same legend)--'if you but design
  • To jest, you 'll choose some other theme just now,
  • Because the present tale has oft been told,
  • And is not much improved by growing old.'
  • 'Jest!' quoth Milor; 'why, Adeline, you know
  • That we ourselves--'t was in the honey-moon--
  • Saw——"—"Well, no matter, 'twas so long ago;
  • But, come, I 'll set your story to a tune.'
  • Graceful as Dian, when she draws her bow,
  • She seized her harp, whose strings were kindled soon
  • As touch'd, and plaintively began to play
  • The air of ''T was a Friar of Orders Gray.'
  • 'But add the words,' cried Henry, 'which you made;
  • For Adeline is half a poetess,'
  • Turning round to the rest, he smiling said.
  • Of course the others could not but express
  • In courtesy their wish to see display'd
  • By one three talents, for there were no less--
  • The voice, the words, the harper's skill, at once
  • Could hardly be united by a dunce.
  • After some fascinating hesitation,--
  • The charming of these charmers, who seem bound,
  • I can't tell why, to this dissimulation,--
  • Fair Adeline, with eyes fix'd on the ground
  • At first, then kindling into animation,
  • Added her sweet voice to the lyric sound,
  • And sang with much simplicity,--a merit
  • Not the less precious, that we seldom hear it.
  • Beware! beware! of the Black Friar,
  • Who sitteth by Norman stone,
  • For he mutters his prayer in the midnight air,
  • And his mass of the days that are gone.
  • When the Lord of the Hill, Amundeville,
  • Made Norman Church his prey,
  • And expell'd the friars, one friar still
  • Would not be driven away.
  • Though he came in his might, with King Henry's right,
  • To turn church lands to lay,
  • With sword in hand, and torch to light
  • Their walls, if they said nay;
  • A monk remain'd, unchased, unchain'd,
  • And he did not seem form'd of clay,
  • For he 's seen in the porch, and he 's seen in the church,
  • Though he is not seen by day.
  • And whether for good, or whether for ill,
  • It is not mine to say;
  • But still with the house of Amundeville
  • He abideth night and day.
  • By the marriage-bed of their lords, 't is said,
  • He flits on the bridal eve;
  • And 't is held as faith, to their bed of death
  • He comes--but not to grieve.
  • When an heir is born, he 's heard to mourn,
  • And when aught is to befall
  • That ancient line, in the "we moonshine
  • He walks from hall to hall.
  • His form you may trace, but not his face,
  • 'T is shadow'd by his cowl;
  • But his eyes may be seen from the folds between,
  • And they seem of a parted soul.
  • But beware! beware! of the Black Friar,
  • He still retains his sway,
  • For he is yet the church's heir
  • Whoever may be the lay.
  • Amundeville is lord by day,
  • But the monk is lord by night;
  • Nor wine nor wassail could raise a vassal
  • To question that friar's right.
  • Say nought to him as he walks the hall,
  • And he 'll say nought to you;
  • He sweeps along in his dusky pall,
  • As o'er the grass the dew.
  • Then grammercy! for the Black Friar;
  • Heaven sain him, fair or foul!
  • And whatsoe'er may be his prayer,
  • Let ours be for his soul.
  • The lady's voice ceased, and the thrilling wires
  • Died from the touch that kindled them to sound;
  • And the pause follow'd, which when song expires
  • Pervades a moment those who listen round;
  • And then of course the circle much admires,
  • Nor less applauds, as in politeness bound,
  • The tones, the feeling, and the execution,
  • To the performer's diffident confusion.
  • Fair Adeline, though in a careless way,
  • As if she rated such accomplishment
  • As the mere pastime of an idle day,
  • Pursued an instant for her own content,
  • Would now and then as 't were without display,
  • Yet with display in fact, at times relent
  • To such performances with haughty smile,
  • To show she could, if it were worth her while.
  • Now this (but we will whisper it aside)
  • Was--pardon the pedantic illustration--
  • Trampling on Plato's pride with greater pride,
  • As did the Cynic on some like occasion;
  • Deeming the sage would be much mortified,
  • Or thrown into a philosophic passion,
  • For a spoil'd carpet--but the 'Attic Bee'
  • Was much consoled by his own repartee.
  • Thus Adeline would throw into the shade
  • (By doing easily, whene'er she chose,
  • What dilettanti do with vast parade)
  • Their sort of half profession; for it grows
  • To something like this when too oft display'd;
  • And that it is so everybody knows
  • Who have heard Miss That or This, or Lady T'other,
  • Show off--to please their company or mother.
  • O! the long evenings of duets and trios!
  • The admirations and the speculations;
  • The 'Mamma Mia's!' and the 'Amor Mio's!'
  • The 'Tanti palpiti's' on such occasions:
  • The 'Lasciami's,' and quavering 'Addio's!'
  • Amongst our own most musical of nations;
  • With 'Tu mi chamas's' from Portingale,
  • To soothe our ears, lest Italy should fail.
  • In Babylon's bravuras--as the home
  • Heart-ballads of Green Erin or Gray Highlands,
  • That bring Lochaber back to eyes that roam
  • O'er far Atlantic continents or islands,
  • The calentures of music which o'ercome
  • All mountaineers with dreams that they are nigh lands,
  • No more to be beheld but in such visions--
  • Was Adeline well versed, as compositions.
  • She also had a twilight tinge of 'Blue,'
  • Could write rhymes, and compose more than she wrote,
  • Made epigrams occasionally too
  • Upon her friends, as everybody ought.
  • But still from that sublimer azure hue,
  • So much the present dye, she was remote;
  • Was weak enough to deem Pope a great poet,
  • And what was worse, was not ashamed to show it.
  • Aurora--since we are touching upon taste,
  • Which now-a-days is the thermometer
  • By whose degrees all characters are class'd--
  • Was more Shakspearian, if I do not err.
  • The worlds beyond this world's perplexing waste
  • Had more of her existence, for in her
  • There was a depth of feeling to embrace
  • Thoughts, boundless, deep, but silent too as Space.
  • Not so her gracious, graceful, graceless Grace,
  • The full-grown Hebe of Fitz-Fulke, whose mind,
  • If she had any, was upon her face,
  • And that was of a fascinating kind.
  • A little turn for mischief you might trace
  • Also thereon,--but that 's not much; we find
  • Few females without some such gentle leaven,
  • For fear we should suppose us quite in heaven.
  • I have not heard she was at all poetic,
  • Though once she was seen reading the 'Bath Guide,'
  • And 'Hayley's Triumphs,' which she deem'd pathetic,
  • Because she said her temper had been tried
  • So much, the bard had really been prophetic
  • Of what she had gone through with--since a bride.
  • But of all verse, what most ensured her praise
  • Were sonnets to herself, or 'bouts rimes.'
  • 'T were difficult to say what was the object
  • Of Adeline, in bringing this same lay
  • To bear on what appear'd to her the subject
  • Of Juan's nervous feelings on that day.
  • Perhaps she merely had the simple project
  • To laugh him out of his supposed dismay;
  • Perhaps she might wish to confirm him in it,
  • Though why I cannot say--at least this minute.
  • But so far the immediate effect
  • Was to restore him to his self-propriety,
  • A thing quite necessary to the elect,
  • Who wish to take the tone of their society:
  • In which you cannot be too circumspect,
  • Whether the mode be persiflage or piety,
  • But wear the newest mantle of hypocrisy,
  • On pain of much displeasing the gynocracy.
  • And therefore Juan now began to rally
  • His spirits, and without more explanation
  • To jest upon such themes in many a sally.
  • Her Grace, too, also seized the same occasion,
  • With various similar remarks to tally,
  • But wish'd for a still more detail'd narration
  • Of this same mystic friar's curious doings,
  • About the present family's deaths and wooings.
  • Of these few could say more than has been said;
  • They pass'd as such things do, for superstition
  • With some, while others, who had more in dread
  • The theme, half credited the strange tradition;
  • And much was talk'd on all sides on that head:
  • But Juan, when cross-question'd on the vision,
  • Which some supposed (though he had not avow'd it)
  • Had stirr'd him, answer'd in a way to cloud it.
  • And then, the mid-day having worn to one,
  • The company prepared to separate;
  • Some to their several pastimes, or to none,
  • Some wondering 't was so early, some so late.
  • There was a goodly match too, to be run
  • Between some greyhounds on my lord's estate,
  • And a young race-horse of old pedigree
  • Match'd for the spring, whom several went to see.
  • There was a picture-dealer who had brought
  • A special Titian, warranted original,
  • So precious that it was not to be bought,
  • Though princes the possessor were besieging all.
  • The king himself had cheapen'd it, but thought
  • The civil list he deigns to accept (obliging all
  • His subjects by his gracious acceptation)
  • Too scanty, in these times of low taxation.
  • But as Lord Henry was a connoisseur,--
  • The friend of artists, if not arts,--the owner,
  • With motives the most classical and pure,
  • So that he would have been the very donor,
  • Rather than seller, had his wants been fewer,
  • So much he deem'd his patronage an honour,
  • Had brought the capo d'opera, not for sale,
  • But for his judgment--never known to fail.
  • There was a modern Goth, I mean a Gothic
  • Bricklayer of Babel, call'd an architect,
  • Brought to survey these grey walls, which though so thick,
  • Might have from time acquired some slight defect;
  • Who after rummaging the Abbey through thick
  • And thin, produced a plan whereby to erect
  • New buildings of correctest conformation,
  • And throw down old--which he call'd restoration.
  • The cost would be a trifle--an 'old song,'
  • Set to some thousands ('t is the usual burden
  • Of that same tune, when people hum it long)--
  • The price would speedily repay its worth in
  • An edifice no less sublime than strong,
  • By which Lord Henry's good taste would go forth in
  • Its glory, through all ages shining sunny,
  • For Gothic daring shown in English money.
  • There were two lawyers busy on a mortgage
  • Lord Henry wish'd to raise for a new purchase;
  • Also a lawsuit upon tenures burgage,
  • And one on tithes, which sure are Discord's torches,
  • Kindling Religion till she throws down her gage,
  • 'Untying' squires 'to fight against the churches;'
  • There was a prize ox, a prize pig, and ploughman,
  • For Henry was a sort of Sabine showman.
  • There were two poachers caught in a steel trap,
  • Ready for gaol, their place of convalescence;
  • There was a country girl in a close cap
  • And scarlet cloak (I hate the sight to see, since--
  • Since--since--in youth, I had the sad mishap--
  • But luckily I have paid few parish fees since):
  • That scarlet cloak, alas! unclosed with rigour,
  • Presents the problem of a double figure.
  • A reel within a bottle is a mystery,
  • One can't tell how it e'er got in or out;
  • Therefore the present piece of natural history
  • I leave to those who are fond of solving doubt;
  • And merely state, though not for the consistory,
  • Lord Henry was a justice, and that Scout
  • The constable, beneath a warrant's banner,
  • Had bagg'd this poacher upon Nature's manor.
  • Now justices of peace must judge all pieces
  • Of mischief of all kinds, and keep the game
  • And morals of the country from caprices
  • Of those who have not a license for the same;
  • And of all things, excepting tithes and leases,
  • Perhaps these are most difficult to tame:
  • Preserving partridges and pretty wenches
  • Are puzzles to the most precautious benches.
  • The present culprit was extremely pale,
  • Pale as if painted so; her cheek being red
  • By nature, as in higher dames less hale
  • 'T is white, at least when they just rise from bed.
  • Perhaps she was ashamed of seeming frail,
  • Poor soul! for she was country born and bred,
  • And knew no better in her immorality
  • Than to wax white--for blushes are for quality.
  • Her black, bright, downcast, yet espiegle eye,
  • Had gather'd a large tear into its corner,
  • Which the poor thing at times essay'd to dry,
  • For she was not a sentimental mourner
  • Parading all her sensibility,
  • Nor insolent enough to scorn the scorner,
  • But stood in trembling, patient tribulation,
  • To be call'd up for her examination.
  • Of course these groups were scatter'd here and there,
  • Not nigh the gay saloon of ladies gent.
  • The lawyers in the study; and in air
  • The prize pig, ploughman, poachers; the men sent
  • From town, viz., architect and dealer, were
  • Both busy (as a general in his tent
  • Writing despatches) in their several stations,
  • Exulting in their brilliant lucubrations.
  • But this poor girl was left in the great hall,
  • While Scout, the parish guardian of the frail,
  • Discuss'd (he hated beer yclept the 'small')
  • A mighty mug of moral double ale.
  • She waited until justice could recall
  • Its kind attentions to their proper pale,
  • To name a thing in nomenclature rather
  • Perplexing for most virgins--a child's father.
  • You see here was enough of occupation
  • For the Lord Henry, link'd with dogs and horses.
  • There was much bustle too, and preparation
  • Below stairs on the score of second courses;
  • Because, as suits their rank and situation,
  • Those who in counties have great land resources
  • Have 'Public days,' when all men may carouse,
  • Though not exactly what 's call'd 'open house.'
  • But once a week or fortnight, uninvited
  • (Thus we translate a general invitation),
  • All country gentlemen, esquired or knighted,
  • May drop in without cards, and take their station
  • At the full board, and sit alike delighted
  • With fashionable wines and conversation;
  • And, as the isthmus of the grand connection,
  • Talk o'er themselves the past and next election.
  • Lord Henry was a great electioneerer,
  • Burrowing for boroughs like a rat or rabbit;
  • But county contests cost him rather dearer,
  • Because the neighbouring Scotch Earl of Giftgabbit
  • Had English influence in the self-same sphere here;
  • His son, the Honourable Dick Dicedrabbit,
  • Was member for the 'other interest' (meaning
  • The same self-interest, with a different leaning).
  • Courteous and cautious therefore in his county,
  • He was all things to all men, and dispensed
  • To some civility, to others bounty,
  • And promises to all--which last commenced
  • To gather to a somewhat large amount, he
  • Not calculating how much they condensed;
  • But what with keeping some, and breaking others,
  • His word had the same value as another's.
  • A friend to freedom and freeholders--yet
  • No less a friend to government--he held,
  • That he exactly the just medium hit
  • 'Twixt place and patriotism--albeit compell'd,
  • Such was his sovereign's pleasure (though unfit,
  • He added modestly, when rebels rail'd),
  • To hold some sinecures he wish'd abolish'd,
  • But that with them all law would be demolish'd.
  • He was 'free to confess' (whence comes this phrase?
  • Is 't English? No--'t is only parliamentary)
  • That innovation's spirit now-a-days
  • Had made more progress than for the last century.
  • He would not tread a factious path to praise,
  • Though for the public weal disposed to venture high;
  • As for his place, he could but say this of it,
  • That the fatigue was greater than the profit.
  • Heaven, and his friends, knew that a private life
  • Had ever been his sole and whole ambition;
  • But could he quit his king in times of strife,
  • Which threaten'd the whole country with perdition?
  • When demagogues would with a butcher's knife
  • Cut through and through (oh! damnable incision!)
  • The Gordian or the Geordi-an knot, whose strings
  • Have tied together commons, lords, and kings.
  • Sooner 'come lace into the civil list
  • And champion him to the utmost'--he would keep it,
  • Till duly disappointed or dismiss'd:
  • Profit he care not for, let others reap it;
  • But should the day come when place ceased to exist,
  • The country would have far more cause to weep it:
  • For how could it go on? Explain who can!
  • He gloried in the name of Englishman.
  • He was as independent--ay, much more--
  • Than those who were not paid for independence,
  • As common soldiers, or a common--shore,
  • Have in their several arts or parts ascendance
  • O'er the irregulars in lust or gore,
  • Who do not give professional attendance.
  • Thus on the mob all statesmen are as eager
  • To prove their pride, as footmen to a beggar.
  • All this (save the last stanza) Henry said,
  • And thought. I say no more--I 've said too much;
  • For all of us have either heard or read--
  • Off--or upon the hustings--some slight such
  • Hints from the independent heart or head
  • Of the official candidate. I 'll touch
  • No more on this--the dinner-bell hath rung,
  • And grace is said; the grace I should have sung--
  • But I 'm too late, and therefore must make play.
  • 'T was a great banquet, such as Albion old
  • Was wont to boast--as if a glutton's tray
  • Were something very glorious to behold.
  • But 't was a public feast and public day,--
  • Quite full, right dull, guests hot, and dishes cold,
  • Great plenty, much formality, small cheer,
  • And every body out of their own sphere.
  • The squires familiarly formal, and
  • My lords and ladies proudly condescending;
  • The very servants puzzling how to hand
  • Their plates--without it might be too much bending
  • From their high places by the sideboard's stand--
  • Yet, like their masters, fearful of offending.
  • For any deviation from the graces
  • Might cost both man and master too--their places.
  • There were some hunters bold, and coursers keen,
  • Whose hounds ne'er err'd, nor greyhounds deign'd to lurch;
  • Some deadly shots too, Septembrizers, seen
  • Earliest to rise, and last to quit the search
  • Of the poor partridge through his stubble screen.
  • There were some massy members of the church,
  • Takers of tithes, and makers of good matches,
  • And several who sung fewer psalms than catches.
  • There were some country wags too--and, alas!
  • Some exiles from the town, who had been driven
  • To gaze, instead of pavement, upon grass,
  • And rise at nine in lieu of long eleven.
  • And lo! upon that day it came to pass,
  • I sate next that o'erwhelming son of heaven,
  • The very powerful parson, Peter Pith,
  • The loudest wit I e'er was deafen'd with.
  • I knew him in his livelier London days,
  • A brilliant diner out, though but a curate;
  • And not a joke he cut but earn'd its praise,
  • Until preferment, coming at a sure rate
  • (O Providence! how wondrous are thy ways!
  • Who would suppose thy gifts sometimes obdurate?),
  • Gave him, to lay the devil who looks o'er Lincoln,
  • A fat fen vicarage, and nought to think on.
  • His jokes were sermons, and his sermons jokes;
  • But both were thrown away amongst the fens;
  • For wit hath no great friend in aguish folks.
  • No longer ready ears and short-hand pens
  • Imbibed the gay bon-mot, or happy hoax:
  • The poor priest was reduced to common sense,
  • Or to coarse efforts very loud and long,
  • To hammer a horse laugh from the thick throng.
  • There is a difference, says the song, 'between
  • A beggar and a queen,' or was (of late
  • The latter worse used of the two we 've seen--
  • But we 'll say nothing of affairs of state);
  • A difference ''twixt a bishop and a dean,'
  • A difference between crockery ware and plate,
  • As between English beef and Spartan broth--
  • And yet great heroes have been bred by both.
  • But of all nature's discrepancies, none
  • Upon the whole is greater than the difference
  • Beheld between the country and the town,
  • Of which the latter merits every preference
  • From those who have few resources of their own,
  • And only think, or act, or feel, with reference
  • To some small plan of interest or ambition--
  • Both which are limited to no condition.
  • But 'en avant!' The light loves languish o'er
  • Long banquets and too many guests, although
  • A slight repast makes people love much more,
  • Bacchus and Ceres being, as we know
  • Even from our grammar upwards, friends of yore
  • With vivifying Venus, who doth owe
  • To these the invention of champagne and truffles:
  • Temperance delights her, but long fasting ruffles.
  • Dully past o'er the dinner of the day;
  • And Juan took his place, he knew not where,
  • Confused, in the confusion, and distrait,
  • And sitting as if nail'd upon his chair:
  • Though knives and forks clank'd round as in a fray,
  • He seem'd unconscious of all passing there,
  • Till some one, with a groan, exprest a wish
  • (Unheeded twice) to have a fin of fish.
  • On which, at the third asking of the bans,
  • He started; and perceiving smiles around
  • Broadening to grins, he colour'd more than once,
  • And hastily--as nothing can confound
  • A wise man more than laughter from a dunce--
  • Inflicted on the dish a deadly wound,
  • And with such hurry, that ere he could curb it
  • He had paid his neighbour's prayer with half a turbot.
  • This was no bad mistake, as it occurr'd,
  • The supplicator being an amateur;
  • But others, who were left with scarce a third,
  • Were angry--as they well might, to be sure.
  • They wonder'd how a young man so absurd
  • Lord Henry at his table should endure;
  • And this, and his not knowing how much oats
  • Had fallen last market, cost his host three votes.
  • They little knew, or might have sympathised,
  • That he the night before had seen a ghost,
  • A prologue which but slightly harmonised
  • With the substantial company engross'd
  • By matter, and so much materialised,
  • That one scarce knew at what to marvel most
  • Of two things--how (the question rather odd is)
  • Such bodies could have souls, or souls such bodies.
  • But what confused him more than smile or stare
  • From all the 'squires and 'squiresses around,
  • Who wonder'd at the abstraction of his air,
  • Especially as he had been renown'd
  • For some vivacity among the fair,
  • Even in the country circle's narrow bound
  • (For little things upon my lord's estate
  • Were good small talk for others still less great)--
  • Was, that he caught Aurora's eye on his,
  • And something like a smile upon her cheek.
  • Now this he really rather took amiss:
  • In those who rarely smile, their smiles bespeak
  • A strong external motive; and in this
  • Smile of Aurora's there was nought to pique
  • Or hope, or love, with any of the wiles
  • Which some pretend to trace in ladies' smiles.
  • 'T was a mere quiet smile of contemplation,
  • Indicative of some surprise and pity;
  • And Juan grew carnation with vexation,
  • Which was not very wise, and still less witty,
  • Since he had gain'd at least her observation,
  • A most important outwork of the city--
  • As Juan should have known, had not his senses
  • By last night's ghost been driven from their defences.
  • But what was bad, she did not blush in turn,
  • Nor seem embarrass'd--quite the contrary;
  • Her aspect was as usual, still--not stern--
  • And she withdrew, but cast not down, her eye,
  • Yet grew a little pale--with what? concern?
  • I know not; but her colour ne'er was high--
  • Though sometimes faintly flush'd--and always clear,
  • As deep seas in a sunny atmosphere.
  • But Adeline was occupied by fame
  • This day; and watching, witching, condescending
  • To the consumers of fish, fowl, and game,
  • And dignity with courtesy so blending,
  • As all must blend whose part it is to aim
  • (Especially as the sixth year is ending)
  • At their lord's, son's, or similar connection's
  • Safe conduct through the rocks of re-elections.
  • Though this was most expedient on the whole,
  • And usual--Juan, when he cast a glance
  • On Adeline while playing her grand role,
  • Which she went through as though it were a dance,
  • Betraying only now and then her soul
  • By a look scarce perceptibly askance
  • (Of weariness or scorn), began to feel
  • Some doubt how much of Adeline was real;
  • So well she acted all and every part
  • By turns--with that vivacious versatility,
  • Which many people take for want of heart.
  • They err--'t is merely what is call'd mobility,
  • A thing of temperament and not of art,
  • Though seeming so, from its supposed facility;
  • And false--though true; for surely they 're sincerest
  • Who are strongly acted on by what is nearest.
  • This makes your actors, artists, and romancers,
  • Heroes sometimes, though seldom--sages never;
  • But speakers, bards, diplomatists, and dancers,
  • Little that 's great, but much of what is clever;
  • Most orators, but very few financiers,
  • Though all Exchequer chancellors endeavour,
  • Of late years, to dispense with Cocker's rigours,
  • And grow quite figurative with their figures.
  • The poets of arithmetic are they
  • Who, though they prove not two and two to be
  • Five, as they might do in a modest way,
  • Have plainly made it out that four are three,
  • Judging by what they take, and what they pay.
  • The Sinking Fund's unfathomable sea,
  • That most unliquidating liquid, leaves
  • The debt unsunk, yet sinks all it receives.
  • While Adeline dispensed her airs and graces,
  • The fair Fitz-Fulke seem'd very much at ease;
  • Though too well bred to quiz men to their faces,
  • Her laughing blue eyes with a glance could seize
  • The ridicules of people in all places--
  • That honey of your fashionable bees--
  • And store it up for mischievous enjoyment;
  • And this at present was her kind employment.
  • However, the day closed, as days must close;
  • The evening also waned--and coffee came.
  • Each carriage was announced, and ladies rose,
  • And curtsying off, as curtsies country dame,
  • Retired: with most unfashionable bows
  • Their docile esquires also did the same,
  • Delighted with their dinner and their host,
  • But with the Lady Adeline the most.
  • Some praised her beauty; others her great grace;
  • The warmth of her politeness, whose sincerity
  • Was obvious in each feature of her face,
  • Whose traits were radiant with the rays of verity.
  • Yes; she was truly worthy her high place!
  • No one could envy her deserved prosperity.
  • And then her dress--what beautiful simplicity
  • Draperied her form with curious felicity!
  • Meanwhile Sweet Adeline deserved their praises,
  • By an impartial indemnification
  • For all her past exertion and soft phrases,
  • In a most edifying conversation,
  • Which turn'd upon their late guests' miens and faces,
  • And families, even to the last relation;
  • Their hideous wives, their horrid selves and dresses,
  • And truculent distortion of their tresses.
  • True, she said little--'t was the rest that broke
  • Forth into universal epigram;
  • But then 't was to the purpose what she spoke:
  • Like Addison's 'faint praise,' so wont to damn,
  • Her own but served to set off every joke,
  • As music chimes in with a melodrame.
  • How sweet the task to shield an absent friend!
  • I ask but this of mine, to--not defend.
  • There were but two exceptions to this keen
  • Skirmish of wits o'er the departed; one
  • Aurora, with her pure and placid mien;
  • And Juan, too, in general behind none
  • In gay remark on what he had heard or seen,
  • Sate silent now, his usual spirits gone:
  • In vain he heard the others rail or rally,
  • He would not join them in a single sally.
  • 'T is true he saw Aurora look as though
  • She approved his silence; she perhaps mistook
  • Its motive for that charity we owe
  • But seldom pay the absent, nor would look
  • Farther--it might or might not be so.
  • But Juan, sitting silent in his nook,
  • Observing little in his reverie,
  • Yet saw this much, which he was glad to see.
  • The ghost at least had done him this much good,
  • In making him as silent as a ghost,
  • If in the circumstances which ensued
  • He gain'd esteem where it was worth the most.
  • And certainly Aurora had renew'd
  • In him some feelings he had lately lost,
  • Or harden'd; feelings which, perhaps ideal,
  • Are so divine, that I must deem them real:--
  • The love of higher things and better days;
  • The unbounded hope, and heavenly ignorance
  • Of what is call'd the world, and the world's ways;
  • The moments when we gather from a glance
  • More joy than from all future pride or praise,
  • Which kindle manhood, but can ne'er entrance
  • The heart in an existence of its own,
  • Of which another's bosom is the zone.
  • Who would not sigh Ai ai Tan Kuuerheian
  • That hath a memory, or that had a heart?
  • Alas! her star must fade like that of Dian:
  • Ray fades on ray, as years on years depart.
  • Anacreon only had the soul to tie an
  • Unwithering myrtle round the unblunted dart
  • Of Eros: but though thou hast play'd us many tricks,
  • Still we respect thee, 'Alma Venus Genetrix!'
  • And full of sentiments, sublime as billows
  • Heaving between this world and worlds beyond,
  • Don Juan, when the midnight hour of pillows
  • Arrived, retired to his; but to despond
  • Rather than rest. Instead of poppies, willows
  • Waved o'er his couch; he meditated, fond
  • Of those sweet bitter thoughts which banish sleep,
  • And make the worldling sneer, the youngling weep.
  • The night was as before: he was undrest,
  • Saving his night-gown, which is an undress;
  • Completely 'sans culotte,' and without vest;
  • In short, he hardly could be clothed with less:
  • But apprehensive of his spectral guest,
  • He sate with feelings awkward to express
  • (By those who have not had such visitations),
  • Expectant of the ghost's fresh operations.
  • And not in vain he listen'd;--Hush! what 's that?
  • I see--I see--Ah, no!--'t is not--yet 't is--
  • Ye powers! it is the--the--the--Pooh! the cat!
  • The devil may take that stealthy pace of his!
  • So like a spiritual pit-a-pat,
  • Or tiptoe of an amatory Miss,
  • Gliding the first time to a rendezvous,
  • And dreading the chaste echoes of her shoe.
  • Again--what is 't? The wind? No, no--this time
  • It is the sable friar as before,
  • With awful footsteps regular as rhyme,
  • Or (as rhymes may be in these days) much more.
  • Again through shadows of the night sublime,
  • When deep sleep fell on men, and the world wore
  • The starry darkness round her like a girdle
  • Spangled with gems--the monk made his blood curdle.
  • A noise like to wet fingers drawn on glass,
  • Which sets the teeth on edge; and a slight clatter,
  • Like showers which on the midnight gusts will pass,
  • Sounding like very supernatural water,
  • Came over Juan's ear, which throbb'd, alas!
  • For immaterialism 's a serious matter;
  • So that even those whose faith is the most great
  • In souls immortal, shun them tete-a-tete.
  • Were his eyes open?--Yes! and his mouth too.
  • Surprise has this effect--to make one dumb,
  • Yet leave the gate which eloquence slips through
  • As wide as if a long speech were to come.
  • Nigh and more nigh the awful echoes drew,
  • Tremendous to a mortal tympanum:
  • His eyes were open, and (as was before
  • Stated) his mouth. What open'd next?--the door.
  • It open'd with a most infernal creak,
  • Like that of hell. 'Lasciate ogni speranza
  • Voi che entrate!' The hinge seem'd to speak,
  • Dreadful as Dante's rhima, or this stanza;
  • Or--but all words upon such themes are weak:
  • A single shade 's sufficient to entrance
  • Hero--for what is substance to a spirit?
  • Or how is 't matter trembles to come near it?
  • The door flew wide,--not swiftly, but, as fly
  • The sea-gulls, with a steady, sober flight,
  • And then swung back, nor close, but stood awry,
  • Half letting in long shadows on the light,
  • Which still in Juan's candlesticks burned high,
  • For he had two, both tolerably bright,
  • And in the doorway, darkening darkness, stood
  • The sable Friar in his solemn hood.
  • Between two worlds life hovers like a star,
  • 'Twixt night and morn, upon the horizon's verge.
  • How little do we know that which we are!
  • How less what we may be! The eternal surge
  • Of time and tide rolls on, and bears afar
  • Our bubbles; as the old burst, new emerge,
  • Lash'd from the foam of ages; while the graves
  • Of empires heave but like some passing waves.
  • Don Juan shook, as erst he had been shaken
  • The night before, but being sick of shaking,
  • He first inclined to think he had been mistaken,
  • And then to be ashamed of such mistaking.
  • His own internal ghost began to awaken
  • Within him and to quell his corporal quaking,
  • Hinting that soul and body on the whole
  • Were odds against a disembodied soul.
  • And then his dread grew wrath, and his wrath fierce,
  • And he arose, advanced. The shade retreated,
  • But Juan, eager now the truth to pierce,
  • Followed, his veins no longer cold, but heated,
  • Resolved to thrust the mystery carte and tierce,
  • At whatsoever risk of being defeated.
  • The ghost stopped, menaced, then retired, until
  • He reached the ancient wall, then stood stone still.
  • Juan put forth one arm. Eternal powers!
  • It touched no soul nor body, but the wall,
  • On which the moonbeams fell in silvery showers
  • Checkered with all the tracery of the hall.
  • He shuddered, as no doubt the bravest cowers
  • When he can't tell what 'tis that doth appal.
  • How odd, a single hobgoblin's nonentity
  • Should cause more fear than a whole host's identity.
  • But still the shade remained, the blue eyes glared,
  • And rather variably for stony death.
  • Yet one thing rather good the grave had spared;
  • The ghost had a remarkably sweet breath.
  • A straggling curl showed he had been fair-haired.
  • A red lip with two rows of pearls beneath
  • Gleamed forth, as through the casement's ivy shroud
  • The moon peeped, just escaped from a grey cloud.
  • And Juan, puzzled but still curious, thrust
  • His other arm forth. Wonder upon wonder!
  • It pressed upon a hard but glowing bust,
  • Which beat as if there was a warm heart under.
  • He found, as people on most trials must,
  • That he had made at first a silly blunder
  • And that in his confusion he had caught
  • Only the wall, instead of what he sought
  • The ghost, if ghost it were, seemed a sweet soul
  • As ever lurked beneath a holy hood.
  • A dimpled chin, a neck of ivory stole
  • Forth into something much like flesh and blood.
  • Back fell the sable frock and dreary cowl
  • And they revealed, alas, that ere they should,
  • In full, voluptuous, but not o'ergrown bulk,
  • The phantom of her frolic Grace--Fitz-Fulke!
  • [The end of the 1857 edition]
  • * * * * *
  • CANTO THE SEVENTEENTH.
  • The world is full of orphans: firstly, those
  • Who are so in the strict sense of the phrase
  • (But many a lonely tree the loftier grows
  • Than others crowded in the forest's maze);
  • The next are such as are not doomed to lose
  • Their tender parents in their budding days,
  • But merely their parental tenderness,
  • Which leaves them orphans of the heart no less.
  • The next are 'only children', as they are styled,
  • Who grow up children only, since the old saw
  • Pronounces that an 'only' 's a spoilt child.
  • But not to go too far, I hold it law
  • That where their education, harsh or mild,
  • 'Transgresses the great bounds of love or awe,
  • The sufferers, be't in heart or intellect,
  • Whate'er the cause are orphans in effect.
  • But to return unto the stricter rule
  • (As far as words make rules), our common notion
  • Of orphans paints at once a parish school,
  • A half-starved babe, a wreck upon life's ocean,
  • A human (what the Italians nickname) 'mule',
  • A theme for pity or some worse emotion;
  • Yet, if examined, it might be admitted
  • The wealthiest orphans are to be more pitied.
  • Too soon they are parents to themselves; for what
  • Are tutors, guardians, and so forth, compared
  • With Nature's genial genitors, so that
  • A child of Chancery, that Star Chamber ward
  • (I'll take the likeness I can first come at),
  • Is like a duckling by Dame Partlett reared
  • And frights, especially if 'tis a daughter,
  • The old hen by running headlong to the water.
  • There is a commonplace book argument,
  • Which glibly glides from every vulgar tongue
  • When any dare a new light to present:
  • 'If you are right, then everybody's wrong.'
  • Suppose the converse of this precedent
  • So often urged, so loudly and so long:
  • 'If you are wrong, then everybody's right.'
  • Was ever everybody yet so quite?
  • Therefore I would solicit free discussion
  • Upon all points, no matter what or whose,
  • Because as ages upon ages push on,
  • The last is apt the former to accuse
  • Of pillowing its head on a pincushion,
  • Heedless of pricks because it was obtuse.
  • What was a paradox becomes a truth or
  • A something like it, as bear witness Luther.
  • The sacraments have been reduced to two
  • And witches unto none, though somewhat late
  • Since burning aged women (save a few,
  • Not witches, only bitches, who create
  • Mischief in families, as some know or knew,
  • Should still be singed, but slightly let me state)
  • Has been declared an act of inurbanity,
  • MalgĂ© Sir Matthew Hale's great humanity.
  • Great Galileo was debarred the sun,
  • Because he fixed it, and to stop his talking
  • How earth could round the solar orbit run,
  • Found his own legs embargoed from mere walking.
  • The man was well nigh dead, ere men begun
  • To think his skull had not some need of caulking,
  • But now it seems he's right, his notion just,
  • No doubt a consolation to his dust.
  • Pythagoras, Locke, Socrates--but pages
  • Might be filled up, as vainly as before,
  • With the sad usage of all sorts of sages,
  • Who in his lifetime each was deemed a bore.
  • The loftiest minds outrun their tardy ages;
  • This they must bear with and perhaps much more.
  • The wise man's sure when he no more can share it, he
  • Will have a firm post-obit on posterity.
  • If such doom waits each intellectual giant,
  • We little people in our lesser way
  • To life's small rubs should surely be more pliant,
  • And so for one will I, as well I may.
  • Would that I were less bilious--but oh fie on't!
  • Just as I make my mind up everyday
  • To be a totus teres stoic, sage,
  • The wind shifts and I fly into a rage.
  • Temperate I am, yet never had a temper;
  • Modest I am, yet with some slight assurance;
  • Changeable too, yet somehow idem semper;
  • Patient, but not enamoured of endurance;
  • Cheerful, but sometimes rather apt to whimper;
  • Mild, but at times a sort of Hercules furens;
  • So that I almost think that the same skin
  • For one without has two or three within.
  • Our hero was in canto the sixteenth
  • Left in a tender moonlight situation,
  • Such as enables man to show his strength
  • Moral or physical On this occasion
  • Whether his virtue triumphed, or at length
  • His vice--for he was of a kindling nation--
  • Is more than I shall venture to describe,
  • Unless some beauty with a kiss should bribe.
  • I leave the thing a problem, like all things.
  • The morning came, and breakfast, tea and toast,
  • Of which most men partake, but no one sings.
  • The company, whose birth, wealth, worth have cost
  • My trembling lyre already several strings,
  • Assembled with our hostess and mine host.
  • The guests dropped in, the last but one, Her Grace,
  • The latest, Juan with his virgin face.
  • Which best is to encounter, ghost or none,
  • 'Twere difficult to say, but Juan looked
  • As if he had combated with more than one,
  • Being wan and worn, with eyes that hardly brooked
  • The light that through the Gothic windows shone.
  • Her Grace too had a sort of air rebuked,
  • Seemed pale and shivered, as if she had kept
  • A vigil or dreamt rather more than slept.
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