- Project Gutenberg's The Marriage of Heaven and Hell, by William Blake
- This eBook is for the use of anyone anywhere at no cost and with
- almost no restrictions whatsoever. You may copy it, give it away or
- re-use it under the terms of the Project Gutenberg License included
- with this eBook or online at www.gutenberg.org/license
- Title: The Marriage of Heaven and Hell
- Author: William Blake
- Release Date: April 4, 2014 [EBook #45315]
- Language: English
- *** START OF THIS PROJECT GUTENBERG EBOOK THE MARRIAGE OF HEAVEN AND HELL ***
- Produced by eagkw, Dianna Adair and the Online Distributed
- Proofreading Team at http://www.pgdp.net (This file was
- produced from images generously made available by The
- Internet Archive)
- THE MARRIAGE OF HEAVEN
- AND HELL
- THE MARRIAGE OF
- HEAVEN AND HELL
- BY
- WILLIAM BLAKE
- [Illustration]
- BOSTON
- JOHN W. LUCE AND COMPANY
- 1906
- THE MARRIAGE OF HEAVEN AND HELL
- THE ARGUMENT
- Rintrah roars and shakes his fires in the burden'd air,
- Hungry clouds swag on the deep.
- Once meek, and in a perilous path
- The just man kept his course along
- The Vale of Death.
- Roses are planted where thorns grow,
- And on the barren heath
- Sing the honey bees.
- Then the perilous path was planted,
- And a river and a spring
- On every cliff and tomb;
- And on the bleached bones
- Red clay brought forth:
- Till the villain left the paths of ease
- To walk in perilous paths, and drive
- The just man into barren climes.
- Now the sneaking serpent walks
- In mild humility;
- And the just man rages in the wilds
- Where lions roam.
- Rintrah roars and shakes his fires in the burden'd air,
- Hungry clouds swag on the deep.
- As a new heaven is begun, and it is now thirty-three years since its
- advent, the Eternal Hell revives. And lo! Swedenborg is the angel
- sitting at the tomb: his writings are the linen clothes folded up. Now
- is the dominion of Edom, and the return of Adam into Paradise.--See
- Isaiah xxxiv. and xxxv. chap.
- Without contraries is no progression. Attraction and repulsion, reason
- and energy, love and hate, are necessary to human existence.
- From these contraries spring what the religious call Good and Evil.
- Good is the passive that obeys reason; Evil is the active springing
- from Energy.
- Good is heaven. Evil is hell.
- THE VOICE OF THE DEVIL
- All Bibles or sacred codes have been the cause of the following
- errors:--
- 1. That man has two real existing principles, viz., a Body and a Soul.
- 2. That Energy, called Evil, is alone from the Body; and that Reason,
- called Good, is alone from the Soul.
- 3. That God will torment man in Eternity for following his Energies.
- But the following contraries to these are true:--
- 1. Man has no Body distinct from his Soul. For that called Body is a
- portion of Soul discerned by the five senses, the chief inlets of Soul
- in this age.
- 2. Energy is the only life, and is from the Body; and Reason is the
- bound or outward circumference of Energy.
- 3. Energy is Eternal Delight.
- Those who restrain desire, do so because theirs is weak enough to be
- restrained; and the restrainer or reason usurps its place and governs
- the unwilling.
- And being restrained, it by degrees becomes passive, till it is only
- the shadow of desire.
- The history of this is written in Paradise Lost, and the Governor or
- Reason is called Messiah.
- And the original Archangel or possessor of the command of the heavenly
- host is called the Devil, or Satan, and his children are called Sin and
- Death.
- But in the book of Job, Milton's Messiah is called Satan.
- For this history has been adopted by both parties.
- It indeed appeared to Reason as if desire was cast out, but the
- Devil's account is, that the Messiah fell, and formed a heaven of what
- he stole from the abyss.
- This is shown in the Gospel, where he prays to the Father to send the
- Comforter or desire that Reason may have ideas to build on, the Jehovah
- of the Bible being no other than he who dwells in flaming fire. Know
- that after Christ's death he became Jehovah.
- But in Milton, the Father is Destiny, the Son a ratio of the five
- senses, and the Holy Ghost vacuum!
- _Note._--The reason Milton wrote in fetters when he wrote of Angels and
- God, and at liberty when of Devils and Hell, is because he was a true
- poet, and of the Devil's party without knowing it.
- A MEMORABLE FANCY
- As I was walking among the fires of Hell, delighted with the enjoyments
- of Genius, which to Angels look like torment and insanity, I collected
- some of their proverbs, thinking that as the sayings used in a nation
- mark its character, so the proverbs of Hell show the nature of infernal
- wisdom better than any description of buildings or garments.
- When I came home, on the abyss of the five senses, where a flat-sided
- steep frowns over the present world, I saw a mighty Devil folded in
- black clouds hovering on the sides of the rock; with corroding fires
- he wrote the following sentence now perceived by the minds of men, and
- read by them on earth:--
- "How do you know but every bird
- that cuts the airy way
- Is an immense world of delight,
- closed by your senses five?"
- PROVERBS OF HELL
- In seed-time learn, in harvest teach, in winter enjoy.
- Drive your cart and your plough over the bones of the dead.
- The road of excess leads to the palace of wisdom.
- Prudence is a rich ugly old maid courted by Incapacity.
- He who desires, but acts not, breeds pestilence.
- The cut worm forgives the plough.
- Dip him in the river who loves water.
- A fool sees not the same tree that a wise man sees.
- He whose face gives no light shall never become a star.
- Eternity is in love with the productions of time.
- The busy bee has no time for sorrow.
- The hours of folly are measured by the clock, but of wisdom no clock
- can measure.
- All wholesome food is caught without a net or a trap.
- Bring out number, weight, and measure in a year of dearth.
- No bird soars too high if he soars with his own wings.
- A dead body revenges not injuries.
- The most sublime act is to set another before you.
- If the fool would persist in his folly he would become wise.
- Folly is the cloak of knavery.
- Shame is Pride's cloak.
- Prisons are built with stones of law, brothels with bricks of religion.
- The pride of the peacock is the glory of God.
- The lust of the goat is the bounty of God.
- The wrath of the lion is the wisdom of God.
- The nakedness of woman is the work of God.
- Excess of sorrow laughs, excess of joy weeps.
- The roaring of lions, the howling of wolves, the raging of the stormy
- sea, and the destructive sword, are portions of Eternity too great for
- the eye of man.
- The fox condemns the trap, not himself.
- Joys impregnate, sorrows bring forth.
- Let man wear the fell of the lion, woman the fleece of the sheep.
- The bird a nest, the spider a web, man friendship.
- The selfish smiling fool and the sullen frowning fool shall be both
- thought wise that they may be a rod.
- What is now proved was once only imagined.
- The rat, the mouse, the fox, the rabbit watch the roots; the lion, the
- tiger, the horse, the elephant watch the fruits.
- The cistern contains, the fountain overflows.
- One thought fills immensity.
- Always be ready to speak your mind, and a base man will avoid you.
- Everything possible to be believed is an image of truth.
- The eagle never lost so much time as when he submitted to learn of the
- crow.
- The fox provides for himself, but God provides for the lion.
- Think in the morning, act in the noon, eat in the evening, sleep in the
- night.
- He who has suffered you to impose on him knows you.
- As the plough follows words, so God rewards prayers.
- The tigers of wrath are wiser than the horses of instruction.
- Expect poison from the standing water.
- You never know what is enough unless you know what is more than enough.
- Listen to the fool's reproach; it is a kingly title.
- The eyes of fire, the nostrils of air, the mouth of water, the beard
- of earth.
- The weak in courage is strong in cunning.
- The apple tree never asks the beech how he shall grow, nor the lion the
- horse how he shall take his prey.
- The thankful receiver bears a plentiful harvest.
- If others had not been foolish we should have been so.
- The soul of sweet delight can never be defiled.
- When thou seest an eagle, thou seest a portion of Genius. Lift up thy
- head!
- As the caterpillar chooses the fairest leaves to lay her eggs on, so
- the priest lays his curse on the fairest joys.
- To create a little flower is the labour of ages.
- Damn braces; bless relaxes.
- The best wine is the oldest, the best water the newest.
- Prayers plough not; praises reap not; joys laugh not; sorrows weep not.
- The head Sublime, the heart Pathos, the genitals Beauty, the hands and
- feet Proportion.
- As the air to a bird, or the sea to a fish, so is contempt to the
- contemptible.
- The crow wished everything was black; the owl that everything was white.
- Exuberance is Beauty.
- If the lion was advised by the fox, he would be cunning.
- Improvement makes straight roads, but the crooked roads without
- Improvement are roads of Genius.
- Sooner murder an infant in its cradle than nurse unacted desires.
- Where man is not, nature is barren.
- Truth can never be told so as to be understood and not to be believed.
- Enough! or Too much.
- * * * * *
- The ancient poets animated all sensible objects with Gods or Geniuses,
- calling them by the names and adorning them with properties of woods,
- rivers, mountains, lakes, cities, nations, and whatever their enlarged
- and numerous senses could perceive. And particularly they studied the
- Genius of each city and country, placing it under its mental deity.
- Till a system was formed, which some took advantage of and enslaved the
- vulgar by attempting to realize or abstract the mental deities from
- their objects. Thus began Priesthood. Choosing forms of worship from
- poetic tales. And at length they pronounced that the Gods had ordered
- such things. Thus men forgot that all deities reside in the human
- breast.
- A MEMORABLE FANCY
- The Prophets Isaiah and Ezekiel dined with me, and I asked them how
- they dared so roundly to assert that God spoke to them, and whether
- they did not think at the time that they would be misunderstood, and so
- be the cause of imposition.
- Isaiah answered: "I saw no God, nor heard any, in a finite organical
- perception: but my senses discovered the infinite in everything; and as
- I was then persuaded, and remained confirmed, that the voice of honest
- indignation is the voice of God, I cared not for consequences, but
- wrote."
- Then I asked: "Does a firm persuasion that a thing is so, make it so?"
- He replied: "All poets believe that it does, and in ages of imagination
- this firm persuasion removed mountains; but many are not capable of a
- firm persuasion of anything."
- Then Ezekiel said: "The philosophy of the East taught the first
- principles of human perception; some nations held one principle for
- the origin, and some another. We of Israel taught that the Poetic
- Genius (as you now call it) was the first principle, and all the others
- merely derivative, which was the cause of our despising the Priests and
- Philosophers of other countries, and prophesying that all Gods would
- at last be proved to originate in ours, and to be the tributaries of
- the Poetic Genius. It was this that our great poet King David desired
- so fervently, and invokes so pathetically, saying by this he conquers
- enemies and governs kingdoms; and we so loved our God that we cursed
- in His name all the deities of surrounding nations, and asserted that
- they had rebelled. From these opinions the vulgar came to think that
- all nations would at last be subject to the Jews.
- "This," said he, "like all firm persuasions, is come to pass, for all
- nations believe the Jews' code, and worship the Jews' God; and what
- greater subjection can be?"
- I heard this with some wonder, and must confess my own conviction.
- After dinner I asked Isaiah to favour the world with his lost works; he
- said none of equal value was lost. Ezekiel said the same of his.
- I also asked Isaiah what made him go naked and barefoot three years. He
- answered: "The same that made our friend Diogenes the Grecian."
- I then asked Ezekiel why he ate dung, and lay so long on his right
- and left side. He answered: "The desire of raising other men into a
- perception of the infinite. This the North American tribes practise.
- And is he honest who resists his genius or conscience, only for the
- sake of present ease or gratification?"
- * * * * *
- The ancient tradition that the world will be consumed in fire at the
- end of six thousand years is true, as I have heard from Hell.
- For the cherub with his flaming sword is hereby commanded to leave his
- guard at [the] tree of life, and when he does, the whole creation will
- be consumed and appear infinite and holy, whereas it now appears finite
- and corrupt.
- This will come to pass by an improvement of sensual enjoyment.
- But first the notion that man has a body distinct from his soul is
- to be expunged; this I shall do by printing in the infernal method by
- corrosives, which in Hell are salutary and medicinal, melting apparent
- surfaces away, and displaying the infinite which was hid.
- If the doors of perception were cleansed everything would appear to man
- as it is, infinite.
- For man has closed himself up, till he sees all things through narrow
- chinks of his cavern.
- A MEMORABLE FANCY
- I was in a printing-house in Hell, and saw the method in which
- knowledge is transmitted from generation to generation.
- In the first chamber was a dragon-man, clearing away the rubbish from a
- cave's mouth; within, a number of dragons were hollowing the cave.
- In the second chamber was a viper folding round the rock and the cave,
- and others adorning it with gold, silver, and precious stones.
- In the third chamber was an eagle with wings and feathers of air; he
- caused the inside of the cave to be infinite; around were numbers of
- eagle-like men, who built palaces in the immense cliffs.
- In the fourth chamber were lions of flaming fire raging around and
- melting the metals into living fluids.
- In the fifth chamber were unnamed forms, which cast the metals into the
- expanse.
- There they were received by men who occupied the sixth chamber, and
- took the forms of books, and were arranged in libraries.
- * * * * *
- The Giants who formed this world into its sensual existence and now
- seem to live in it in chains are in truth the causes of its life and
- the sources of all activity, but the chains are the cunning of weak
- and tame minds, which have power to resist energy, according to the
- proverb, "The weak in courage is strong in cunning."
- Thus one portion of being is the Prolific, the other the Devouring. To
- the devourer it seems as if the producer was in his chains; but it is
- not so, he only takes portions of existence, and fancies that the whole.
- But the Prolific would cease to be prolific unless the Devourer as a
- sea received the excess of his delights.
- Some will say, "Is not God alone the Prolific?" I answer: "God only
- acts and is in existing beings or men."
- These two classes of men are always upon earth, and they should be
- enemies: whoever tries to reconcile them seeks to destroy existence.
- Religion is an endeavour to reconcile the two.
- _Note._--Jesus Christ did not wish to unite but to separate them, as
- in the parable of sheep and goats; and He says: "I came not to send
- peace, but a sword."
- Messiah, or Satan, or Tempter, was formerly thought to be one of the
- antediluvians who are our Energies.
- A MEMORABLE FANCY
- An Angel came to me and said: "O pitiable foolish young man! O
- horrible, O dreadful state! Consider the hot burning dungeon thou art
- preparing for thyself to all Eternity, to which thou art going in such
- career."
- I said: "Perhaps you will be willing to show me my eternal lot, and we
- will contemplate together upon it, and see whether your lot or mine is
- most desirable."
- So he took me through a stable, and through a church, and down into
- the church vault, at the end of which was a mill; through the mill we
- went, and came to a cave; down the winding cavern we groped our tedious
- way, till a void boundless as a nether sky appeared beneath us, and we
- held by the roots of trees, and hung over this immensity; but I said:
- "If you please, we will commit ourselves to this void, and see whether
- Providence is here also; if you will not, I will." But he answered: "Do
- not presume, O young man; but as we here remain, behold thy lot, which
- will soon appear when the darkness passes away."
- So I remained with him sitting in the twisted root of an oak; he was
- suspended in a fungus, which hung with the head downward into the deep.
- By degrees we beheld the infinite abyss, fiery as the smoke of a
- burning city; beneath us at an immense distance was the sun, black but
- shining; round it were fiery tracks on which revolved vast spiders,
- crawling after their prey, which flew, or rather swum, in the infinite
- deep, in the most terrific shapes of animals sprung from corruption;
- and the air was full of them, and seemed composed of them. These are
- Devils, and are called powers of the air. I now asked my companion
- which was my eternal lot. He said: "Between the black and white
- spiders."
- But now, from between the black and white spiders, a cloud and fire
- burst and rolled through the deep, blackening all beneath so that the
- nether deep grew black as a sea, and rolled with a terrible noise.
- Beneath us was nothing now to be seen but a black tempest, till looking
- East between the clouds and the waves, we saw a cataract of blood mixed
- with fire, and not many stones' throw from us appeared and sunk again
- the scaly fold of a monstrous serpent. At last to the East, distant
- about three degrees, appeared a fiery crest above the waves; slowly
- it reared like a ridge of golden rocks, till we discovered two globes
- of crimson fire, from which the sea fled away in clouds of smoke; and
- now we saw it was the head of Leviathan. His forehead was divided into
- streaks of green and purple, like those on a tiger's forehead; soon we
- saw his mouth and red gills hang just above the raging foam, tinging
- the black deeps with beams of blood, advancing toward us with all the
- fury of a spiritual existence.
- My friend the Angel climbed up from his station into the mill. I
- remained alone, and then this appearance was no more; but I found
- myself sitting on a pleasant bank beside a river by moonlight, hearing
- a harper who sung to the harp; and his theme was: "The man who never
- alters his opinion is like standing water, and breeds reptiles of the
- mind."
- But I arose, and sought for the mill, and there I found my Angel, who,
- surprised, asked me how I escaped.
- I answered: "All that we saw was owing to your metaphysics; for when
- you ran away, I found myself on a bank by moonlight, hearing a harper.
- But now we have seen my eternal lot, shall I show you yours?" He
- laughed at my proposal; but I by force suddenly caught him in my arms,
- and flew Westerly through the night, till we were elevated above the
- earth's shadow; then I flung myself with him directly into the body
- of the sun; here I clothed myself in white, and taking in my hand
- Swedenborg's volumes, sunk from the glorious clime, and passed all the
- planets till we came to Saturn. Here I stayed to rest, and then leaped
- into the void between Saturn and the fixed stars.
- "Here," said I, "is your lot; in this space, if space it may be
- called." Soon we saw the stable and the church, and I took him to the
- altar and opened the Bible, and lo! it was a deep pit, into which I
- descended, driving the Angel before me. Soon we saw seven houses of
- brick. One we entered. In it were a number of monkeys, baboons, and
- all of that species, chained by the middle, grinning and snatching at
- one another, but withheld by the shortness of their chains. However, I
- saw that they sometimes grew numerous, and then the weak were caught
- by the strong, and with a grinning aspect, first coupled with and then
- devoured by plucking off first one limb and then another till the body
- was left a helpless trunk; this, after grinning and kissing it with
- seeming fondness, they devoured too. And here and there I saw one
- savourily picking the flesh off his own tail. As the stench terribly
- annoyed us both, we went into the mill; and I in my hand brought the
- skeleton of a body, which in the mill was Aristotle's Analytics.
- So the Angel said: "Thy phantasy has imposed upon me, and thou oughtest
- to be ashamed."
- I answered: "We impose on one another, and it is but lost time to
- converse with you whose works are only Analytics."
- * * * * *
- "I have always found that Angels have the vanity to speak of themselves
- as the only wise; this they do with a confident insolence sprouting
- from systematic reasoning.
- "Thus Swedenborg boasts that what he writes is new; though it is only
- the contents or index of already published books.
- "A man carried a monkey about for a show, and because he was a little
- wiser than the monkey, grew vain, and conceived himself as much
- wiser than seven men. It is so with Swedenborg; he shows the folly
- of churches, and exposes hypocrites, till he imagines that all are
- religious, and himself the single one on earth that ever broke a net.
- "Now hear a plain fact: Swedenborg has not written one new truth. Now
- hear another: he has written all the old falsehoods.
- "And now hear the reason: he conversed with Angels who are all
- religious, and conversed not with Devils who all hate religion, for he
- was incapable through his conceited notions.
- "Thus Swedenborg's writings are a recapitulation of all superficial
- opinions, and an analysis of the more sublime, but no further.
- "Have now another plain fact: any man of mechanical talents may from
- the writings of Paracelsus or Jacob Behmen produce ten thousand
- volumes of equal value with Swedenborg's, and from those of Dante or
- Shakespeare an infinite number.
- "But when he has done this, let him not say that he knows better than
- his master, for he only holds a candle in sunshine."
- A MEMORABLE FANCY
- Once I saw a Devil in a flame of fire, who arose before an Angel that
- sat on a cloud, and the Devil uttered these words: "The worship of God
- is, honouring His gifts in other men each according to his genius, and
- loving the greatest men best. Those who envy or calumniate great men
- hate God, for there is no other God."
- The Angel hearing this became almost blue, but mastering himself he
- grew yellow, and at last white-pink and smiling, and then replied:
- "Thou idolater, is not God One? and is not He visible in Jesus
- Christ? and has not Jesus Christ given His sanction to the law of ten
- commandments? and are not all other men fools, sinners, and nothings?"
- The Devil answered: "Bray a fool in a mortar with wheat, yet shall not
- his folly be beaten out of him. If Jesus Christ is the greatest man,
- you ought to love Him in the greatest degree. Now hear how He has given
- His sanction to the law of ten commandments. Did He not mock at the
- Sabbath, and so mock the Sabbath's God? murder those who were murdered
- because of Him? turn away the law from the woman taken in adultery,
- steal the labour of others to support Him? bear false witness when
- He omitted making a defence before Pilate? covet when He prayed for
- His disciples, and when He bid them shake off the dust of their feet
- against such as refused to lodge them? I tell you, no virtue can exist
- without breaking these ten commandments. Jesus was all virtue, and
- acted from impulse, not from rules."
- When he had so spoken, I beheld the Angel, who stretched out his arms
- embracing the flame of fire, and he was consumed, and arose as Elijah.
- _Note._--This Angel, who is now become a Devil, is my particular
- friend; we often read the Bible together in its infernal or diabolical
- sense, which the world shall have if they behave well.
- I have also the Bible of Hell, which the world shall have whether they
- will or no.
- One law for the lion and ox is Oppression.
- A SONG OF LIBERTY
- 1. The Eternal Female groan'd; it was heard over all the earth:
- 2. Albion's coast is sick silent; the American meadows faint.
- 3. Shadows of prophecy shiver along by the lakes and the rivers, and
- mutter across the ocean. France, rend down thy dungeon!
- 4. Golden Spain, burst the barriers of old Rome!
- 5. Cast thy keys, O Rome, into the deep--down falling, even to eternity
- down falling;
- 6. And weep!
- 7. In her trembling hands she took the new-born terror, howling.
- 8. On those infinite mountains of light now barr'd out by the Atlantic
- sea, the new-born fire stood before the starry king.
- 9. Flagg'd with grey-brow'd snows and thunderous visages, the jealous
- wings wav'd over the deep.
- 10. The speary hand burn'd aloft; unbuckled was the shield; forth went
- the hand of jealousy among the flaming hair, and hurl'd the new-born
- wonder through the starry night.
- 11. The fire, the fire is falling!
- 12. Look up! look up! O citizen of London, enlarge thy countenance! O
- Jew, leave counting gold; return to thy oil and wine! O African, black
- African! (Go, winged thought, widen his forehead.)
- 13. The fiery limbs, the flaming hair shot like the sinking sun into
- the Western sea.
- 14. Wak'd from his eternal sleep, the hoary element roaring fled away.
- 15. Down rush'd, beating his wings in vain, the jealous king, his
- grey-brow'd councillors, thunderous warriors, curl'd veterans, among
- helms and shields, and chariots, horses, elephants, banners, castles,
- slings, and rocks.
- 16. Falling, rushing, ruining; buried in the ruins, on Urthona's dens.
- 17. All night beneath the ruins; then their sullen flames, faded,
- emerge round the gloomy king.
- 18. With thunder and fire, leading his starry hosts through the waste
- wilderness, he promulgates his ten commandments, glancing his beamy
- eyelids over the deep in dark dismay.
- 19. Where the Son of Fire in his Eastern cloud, while the Morning
- plumes her golden breast,
- 20. Spurning the clouds written with curses, stamps the stony law
- to dust, loosing the eternal horses from the dens of night, crying:
- "Empire is no more! and now the lion and wolf shall cease."
- CHORUS
- Let the Priests of the Raven of Dawn, no longer in deadly black, with
- hoarse note curse the Sons of Joy. Nor his accepted brethren whom,
- tyrant, he calls free, lay the bound or build the roof. Nor pale
- religious lechery call that virginity that wishes, but acts not!
- For everything that lives is holy.
- End of Project Gutenberg's The Marriage of Heaven and Hell, by William Blake
- *** END OF THIS PROJECT GUTENBERG EBOOK THE MARRIAGE OF HEAVEN AND HELL ***
- ***** This file should be named 45315.txt or 45315.zip *****
- This and all associated files of various formats will be found in:
- http://www.gutenberg.org/4/5/3/1/45315/
- Produced by eagkw, Dianna Adair and the Online Distributed
- Proofreading Team at http://www.pgdp.net (This file was
- produced from images generously made available by The
- Internet Archive)
- Updated editions will replace the previous one--the old editions
- will be renamed.
- Creating the works from public domain print editions means that no
- one owns a United States copyright in these works, so the Foundation
- (and you!) can copy and distribute it in the United States without
- permission and without paying copyright royalties. Special rules,
- set forth in the General Terms of Use part of this license, apply to
- copying and distributing Project Gutenberg-tm electronic works to
- protect the PROJECT GUTENBERG-tm concept and trademark. Project
- Gutenberg is a registered trademark, and may not be used if you
- charge for the eBooks, unless you receive specific permission. If you
- do not charge anything for copies of this eBook, complying with the
- rules is very easy. You may use this eBook for nearly any purpose
- such as creation of derivative works, reports, performances and
- research. They may be modified and printed and given away--you may do
- practically ANYTHING with public domain eBooks. Redistribution is
- subject to the trademark license, especially commercial
- redistribution.
- *** START: FULL LICENSE ***
- THE FULL PROJECT GUTENBERG LICENSE
- PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
- To protect the Project Gutenberg-tm mission of promoting the free
- distribution of electronic works, by using or distributing this work
- (or any other work associated in any way with the phrase "Project
- Gutenberg"), you agree to comply with all the terms of the Full Project
- Gutenberg-tm License (available with this file or online at
- http://gutenberg.org/license).
- Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
- electronic works
- 1.A. By reading or using any part of this Project Gutenberg-tm
- electronic work, you indicate that you have read, understand, agree to
- and accept all the terms of this license and intellectual property
- (trademark/copyright) agreement. If you do not agree to abide by all
- the terms of this agreement, you must cease using and return or destroy
- all copies of Project Gutenberg-tm electronic works in your possession.
- If you paid a fee for obtaining a copy of or access to a Project
- Gutenberg-tm electronic work and you do not agree to be bound by the
- terms of this agreement, you may obtain a refund from the person or
- entity to whom you paid the fee as set forth in paragraph 1.E.8.
- 1.B. "Project Gutenberg" is a registered trademark. It may only be
- used on or associated in any way with an electronic work by people who
- agree to be bound by the terms of this agreement. There are a few
- things that you can do with most Project Gutenberg-tm electronic works
- even without complying with the full terms of this agreement. See
- paragraph 1.C below. There are a lot of things you can do with Project
- Gutenberg-tm electronic works if you follow the terms of this agreement
- and help preserve free future access to Project Gutenberg-tm electronic
- works. See paragraph 1.E below.
- 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
- or PGLAF), owns a compilation copyright in the collection of Project
- Gutenberg-tm electronic works. Nearly all the individual works in the
- collection are in the public domain in the United States. If an
- individual work is in the public domain in the United States and you are
- located in the United States, we do not claim a right to prevent you from
- copying, distributing, performing, displaying or creating derivative
- works based on the work as long as all references to Project Gutenberg
- are removed. Of course, we hope that you will support the Project
- Gutenberg-tm mission of promoting free access to electronic works by
- freely sharing Project Gutenberg-tm works in compliance with the terms of
- this agreement for keeping the Project Gutenberg-tm name associated with
- the work. You can easily comply with the terms of this agreement by
- keeping this work in the same format with its attached full Project
- Gutenberg-tm License when you share it without charge with others.
- 1.D. The copyright laws of the place where you are located also govern
- what you can do with this work. Copyright laws in most countries are in
- a constant state of change. If you are outside the United States, check
- the laws of your country in addition to the terms of this agreement
- before downloading, copying, displaying, performing, distributing or
- creating derivative works based on this work or any other Project
- Gutenberg-tm work. The Foundation makes no representations concerning
- the copyright status of any work in any country outside the United
- States.
- 1.E. Unless you have removed all references to Project Gutenberg:
- 1.E.1. The following sentence, with active links to, or other immediate
- access to, the full Project Gutenberg-tm License must appear prominently
- whenever any copy of a Project Gutenberg-tm work (any work on which the
- phrase "Project Gutenberg" appears, or with which the phrase "Project
- Gutenberg" is associated) is accessed, displayed, performed, viewed,
- copied or distributed:
- This eBook is for the use of anyone anywhere at no cost and with
- almost no restrictions whatsoever. You may copy it, give it away or
- re-use it under the terms of the Project Gutenberg License included
- with this eBook or online at www.gutenberg.org/license
- 1.E.2. If an individual Project Gutenberg-tm electronic work is derived
- from the public domain (does not contain a notice indicating that it is
- posted with permission of the copyright holder), the work can be copied
- and distributed to anyone in the United States without paying any fees
- or charges. If you are redistributing or providing access to a work
- with the phrase "Project Gutenberg" associated with or appearing on the
- work, you must comply either with the requirements of paragraphs 1.E.1
- through 1.E.7 or obtain permission for the use of the work and the
- Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
- 1.E.9.
- 1.E.3. If an individual Project Gutenberg-tm electronic work is posted
- with the permission of the copyright holder, your use and distribution
- must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
- terms imposed by the copyright holder. Additional terms will be linked
- to the Project Gutenberg-tm License for all works posted with the
- permission of the copyright holder found at the beginning of this work.
- 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
- License terms from this work, or any files containing a part of this
- work or any other work associated with Project Gutenberg-tm.
- 1.E.5. Do not copy, display, perform, distribute or redistribute this
- electronic work, or any part of this electronic work, without
- prominently displaying the sentence set forth in paragraph 1.E.1 with
- active links or immediate access to the full terms of the Project
- Gutenberg-tm License.
- 1.E.6. You may convert to and distribute this work in any binary,
- compressed, marked up, nonproprietary or proprietary form, including any
- word processing or hypertext form. However, if you provide access to or
- distribute copies of a Project Gutenberg-tm work in a format other than
- "Plain Vanilla ASCII" or other format used in the official version
- posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
- you must, at no additional cost, fee or expense to the user, provide a
- copy, a means of exporting a copy, or a means of obtaining a copy upon
- request, of the work in its original "Plain Vanilla ASCII" or other
- form. Any alternate format must include the full Project Gutenberg-tm
- License as specified in paragraph 1.E.1.
- 1.E.7. Do not charge a fee for access to, viewing, displaying,
- performing, copying or distributing any Project Gutenberg-tm works
- unless you comply with paragraph 1.E.8 or 1.E.9.
- 1.E.8. You may charge a reasonable fee for copies of or providing
- access to or distributing Project Gutenberg-tm electronic works provided
- that
- - You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is
- owed to the owner of the Project Gutenberg-tm trademark, but he
- has agreed to donate royalties under this paragraph to the
- Project Gutenberg Literary Archive Foundation. Royalty payments
- must be paid within 60 days following each date on which you
- prepare (or are legally required to prepare) your periodic tax
- returns. Royalty payments should be clearly marked as such and
- sent to the Project Gutenberg Literary Archive Foundation at the
- address specified in Section 4, "Information about donations to
- the Project Gutenberg Literary Archive Foundation."
- - You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or
- destroy all copies of the works possessed in a physical medium
- and discontinue all use of and all access to other copies of
- Project Gutenberg-tm works.
- - You provide, in accordance with paragraph 1.F.3, a full refund of any
- money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days
- of receipt of the work.
- - You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
- 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
- electronic work or group of works on different terms than are set
- forth in this agreement, you must obtain permission in writing from
- both the Project Gutenberg Literary Archive Foundation and Michael
- Hart, the owner of the Project Gutenberg-tm trademark. Contact the
- Foundation as set forth in Section 3 below.
- 1.F.
- 1.F.1. Project Gutenberg volunteers and employees expend considerable
- effort to identify, do copyright research on, transcribe and proofread
- public domain works in creating the Project Gutenberg-tm
- collection. Despite these efforts, Project Gutenberg-tm electronic
- works, and the medium on which they may be stored, may contain
- "Defects," such as, but not limited to, incomplete, inaccurate or
- corrupt data, transcription errors, a copyright or other intellectual
- property infringement, a defective or damaged disk or other medium, a
- computer virus, or computer codes that damage or cannot be read by
- your equipment.
- 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
- of Replacement or Refund" described in paragraph 1.F.3, the Project
- Gutenberg Literary Archive Foundation, the owner of the Project
- Gutenberg-tm trademark, and any other party distributing a Project
- Gutenberg-tm electronic work under this agreement, disclaim all
- liability to you for damages, costs and expenses, including legal
- fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
- LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
- PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
- TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
- LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
- INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
- DAMAGE.
- 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
- defect in this electronic work within 90 days of receiving it, you can
- receive a refund of the money (if any) you paid for it by sending a
- written explanation to the person you received the work from. If you
- received the work on a physical medium, you must return the medium with
- your written explanation. The person or entity that provided you with
- the defective work may elect to provide a replacement copy in lieu of a
- refund. If you received the work electronically, the person or entity
- providing it to you may choose to give you a second opportunity to
- receive the work electronically in lieu of a refund. If the second copy
- is also defective, you may demand a refund in writing without further
- opportunities to fix the problem.
- 1.F.4. Except for the limited right of replacement or refund set forth
- in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
- WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
- WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
- 1.F.5. Some states do not allow disclaimers of certain implied
- warranties or the exclusion or limitation of certain types of damages.
- If any disclaimer or limitation set forth in this agreement violates the
- law of the state applicable to this agreement, the agreement shall be
- interpreted to make the maximum disclaimer or limitation permitted by
- the applicable state law. The invalidity or unenforceability of any
- provision of this agreement shall not void the remaining provisions.
- 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
- trademark owner, any agent or employee of the Foundation, anyone
- providing copies of Project Gutenberg-tm electronic works in accordance
- with this agreement, and any volunteers associated with the production,
- promotion and distribution of Project Gutenberg-tm electronic works,
- harmless from all liability, costs and expenses, including legal fees,
- that arise directly or indirectly from any of the following which you do
- or cause to occur: (a) distribution of this or any Project Gutenberg-tm
- work, (b) alteration, modification, or additions or deletions to any
- Project Gutenberg-tm work, and (c) any Defect you cause.
- Section 2. Information about the Mission of Project Gutenberg-tm
- Project Gutenberg-tm is synonymous with the free distribution of
- electronic works in formats readable by the widest variety of computers
- including obsolete, old, middle-aged and new computers. It exists
- because of the efforts of hundreds of volunteers and donations from
- people in all walks of life.
- Volunteers and financial support to provide volunteers with the
- assistance they need, are critical to reaching Project Gutenberg-tm's
- goals and ensuring that the Project Gutenberg-tm collection will
- remain freely available for generations to come. In 2001, the Project
- Gutenberg Literary Archive Foundation was created to provide a secure
- and permanent future for Project Gutenberg-tm and future generations.
- To learn more about the Project Gutenberg Literary Archive Foundation
- and how your efforts and donations can help, see Sections 3 and 4
- and the Foundation web page at http://www.pglaf.org.
- Section 3. Information about the Project Gutenberg Literary Archive
- Foundation
- The Project Gutenberg Literary Archive Foundation is a non profit
- 501(c)(3) educational corporation organized under the laws of the
- state of Mississippi and granted tax exempt status by the Internal
- Revenue Service. The Foundation's EIN or federal tax identification
- number is 64-6221541. Its 501(c)(3) letter is posted at
- http://pglaf.org/fundraising. Contributions to the Project Gutenberg
- Literary Archive Foundation are tax deductible to the full extent
- permitted by U.S. federal laws and your state's laws.
- The Foundation's principal office is located at 4557 Melan Dr. S.
- Fairbanks, AK, 99712., but its volunteers and employees are scattered
- throughout numerous locations. Its business office is located at
- 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
- business@pglaf.org. Email contact links and up to date contact
- information can be found at the Foundation's web site and official
- page at http://pglaf.org
- For additional contact information:
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
- Section 4. Information about Donations to the Project Gutenberg
- Literary Archive Foundation
- Project Gutenberg-tm depends upon and cannot survive without wide
- spread public support and donations to carry out its mission of
- increasing the number of public domain and licensed works that can be
- freely distributed in machine readable form accessible by the widest
- array of equipment including outdated equipment. Many small donations
- ($1 to $5,000) are particularly important to maintaining tax exempt
- status with the IRS.
- The Foundation is committed to complying with the laws regulating
- charities and charitable donations in all 50 states of the United
- States. Compliance requirements are not uniform and it takes a
- considerable effort, much paperwork and many fees to meet and keep up
- with these requirements. We do not solicit donations in locations
- where we have not received written confirmation of compliance. To
- SEND DONATIONS or determine the status of compliance for any
- particular state visit http://pglaf.org
- While we cannot and do not solicit contributions from states where we
- have not met the solicitation requirements, we know of no prohibition
- against accepting unsolicited donations from donors in such states who
- approach us with offers to donate.
- International donations are gratefully accepted, but we cannot make
- any statements concerning tax treatment of donations received from
- outside the United States. U.S. laws alone swamp our small staff.
- Please check the Project Gutenberg Web pages for current donation
- methods and addresses. Donations are accepted in a number of other
- ways including checks, online payments and credit card donations.
- To donate, please visit: http://pglaf.org/donate
- Section 5. General Information About Project Gutenberg-tm electronic
- works.
- Professor Michael S. Hart is the originator of the Project Gutenberg-tm
- concept of a library of electronic works that could be freely shared
- with anyone. For thirty years, he produced and distributed Project
- Gutenberg-tm eBooks with only a loose network of volunteer support.
- Project Gutenberg-tm eBooks are often created from several printed
- editions, all of which are confirmed as Public Domain in the U.S.
- unless a copyright notice is included. Thus, we do not necessarily
- keep eBooks in compliance with any particular paper edition.
- Most people start at our Web site which has the main PG search facility:
- http://www.gutenberg.org
- This Web site includes information about Project Gutenberg-tm,
- including how to make donations to the Project Gutenberg Literary
- Archive Foundation, how to help produce our new eBooks, and how to
- subscribe to our email newsletter to hear about new eBooks.